Broken Ankle Quotes

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I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you as the starfish loves a coral reef and as kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fettuccini and ats the horseradish loves the miyagi, and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness of the napkin, and the squinting eye of the reader loves the smudged document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp... I will love you until all such compartments are discovered and opened, and all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguished and rebuilt from the handsomest and most susceptible of woods. I will love you until the bird hates a nest and the worm hates an apple. I will love you as we find ourselves farther and farther from one another, where once we were so close... I will love you until your face is fogged by distant memory. I will love you no matter where you go and who you see, I will love you if you don't marry me. I will love you if you marry someone else--and i will love you if you never marry at all, and spend your years wishing you had married me after all. That is how I will love you even as the world goes on its wicked way.
Lemony Snicket (The Beatrice Letters)
Don't be very frightened, Marilla. I was walking the ridge-pole and I fell off. I suspect I have sprained my ankle. But, Marilla, I might have broken my neck. Let us look on the bright side of things.
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
Two drowning people with lead weights around their ankles may not be each other’s salvation; if they hold hands, they’ll just sink twice as fast. In the end the weight of carrying each other’s broken hearts becomes unbearable.
Fredrik Backman (Us Against You (Beartown, #2))
Well I don’t know about you, but when I recall childhood pain, I don’t recall the pains of toothache, a thrashed backside, broken bones, stubbed toes, gashed knees or twisted ankles – I recall the pains of loneliness, boredom, abandonment, humiliation, rejection and fear. Those are the pains on which I might and, still sometimes do, dwell, and those pains, almost without exception, were inflicted on me by other children and by myself.
Stephen Fry (Moab Is My Washpot (Memoir, #1))
You don't have a monopoly on suffering, okay?" I say, my voice rising. "Other people get to be mad about their lives. Your broken leg doesn't make my sprained ankle hurt any less.
Katie Henry (Heretics Anonymous)
Aelin ran for Manon, leaping over the fallen stones, her ankle wrenching on loose debris. The island rocked with her every step, and the sunlight was scalding, as if Mala were holding that island aloft with every last bit of strength the goddess could summon in this land. Then Aelin was upon Manon Blackbeak, and the witch lifted hate-filled eyes to her. Aelin hauled off stone after stone from her body, the island beneath them buckling. "You're too good a fighter to kill," Aelin breathed, hooking an arm under Manon's shoulders and hauling her up. The rock swayed to the left-but held. Oh, gods. "If I die because of you, I'll beat the shit out of you in hell." She could have sworn the witch let out a broken laugh as she got to her feet, nearly dead weight in Aelin's arms.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
He likes a day in the studio to end, he says, "when my knees are all skinned up and my pants are wet and my hair's off to one side and I feel like I've been in the foxhole all day. I don't think comfort is good for music. It's good to come out with skinned knuckles after wrestling with something you can't see. I like it when you come home at the end of the day from recording and someone says, "What happened to your hand?" And you don't even know. When you're in that place, you can dance on a broken ankle.
Tom Waits
She is often the broken-winged one, who does everything all wrong until people realize she's been doing it... pretty right all along. She's the poor girl who never dressed right, who had torn hose, and they were all baggy around her ankles. She's the Raggedy Ann of the sophisticated world, who pulls it out at the last minute, flies by the seat of her pants, cackling all the way home. She is the late bloomer, the late start, the autumn bush, the winter holly. She is Baubo, all the classical Greek goddesses. She is the old girl who still blushes, and laughs, and dances. She's the truth teller, maybe that people hate to hear, but they learn to listen to. She is not dumb and in some ways is not shrewd. She works on passion, and the doll in her pocket, and the intuition that leads her into and through all the world.
Clarissa Pinkola Estés (Women Who Run With the Wolves)
She ran because she had no other choice. She feared what would happen if she dared to stop. There was no time to think. There was barely any time for her to breathe. On her broken ankle, she ran. With her bruised arms, she ran. With her bleeding sides, she ran because she knew today was the day she was meant to die.
Judyann McCole (Adela Arthur and the Creator's Clock (The Chronicles of A, #1))
The Time Around Scars: A girl whom I've not spoken to or shared coffee with for several years writes of an old scar. On her wrist it sleeps, smooth and white, the size of a leech. I gave it to her brandishing a new Italian penknife. Look, I said turning, and blood spat onto her shirt. My wife has scars like spread raindrops on knees and ankles, she talks of broken greenhouse panes and yet, apart from imagining red feet, (a nymph out of Chagall) I bring little to that scene. We remember the time around scars, they freeze irrelevant emotions and divide us from present friends. I remember this girl's face, the widening rise of surprise. And would she moving with lover or husband conceal or flaunt it, or keep it at her wrist a mysterious watch. And this scar I then remember is a medallion of no emotion. I would meet you now and I would wish this scar to have been given with all the love that never occurred between us.
Michael Ondaatje
No one wore high heels anymore. They were in the same category as corsets –a torturous invention of the past that had served to make men desire women and caused women nothing but sore feet and broken ankles.
Elin Peer (The Ruler (Men of the North, #2))
My nose is broken," I said. Damn that Dumbo. Made me self-conscious. "My ankle's broken," he said. "Then I'll come to you.
Rick Yancey
Grief is personal. It isn’t something you can share, like a box of chocolates. It is yours and yours alone. A spiked steel ball chained to your ankle. A coat of nails around your shoulders. A crown of thorns. No one else can feel your pain. They cannot walk in your shoes because your shoes are full of broken glass and every time you try and take a step forward it rips your soles to bloody shreds. Grief is the worst kind of torture and it never ends. You
C.J. Tudor (The Hiding Place)
What will your help cost me?” “Did I say I would help you?” His eyes went to the cream ribbons trailing up from her shoes to wrap around her ankles until they disappeared under the hem of her eyelet dress. It was one of her mother’s old gowns, covered in a stitched pattern of pale purple thistles, tiny yellow flowers, and little foxes.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
Jacks reclined in a throne of ice as he glared down at a fox that looked more corporeal than ghost- all fluffy white fur, save for a circle of tawny surrounding one of its coal-dark eyes. He appeared horrified by the animal, as if it's adorableness might somehow soften some of his nasty edges. Evangeline wished it would as she stood back a little to watch, enjoying that for once, Jacks was the one in the uncomfortable position. He flinched when the creature nuzzled his scuffed boots. She laughed, finally drawing his attention. 'I think it likes you.' 'I don't know why,' Jacks scowled at the beast. It responded by affectionately licking the buckle at his ankle. Evangeline continued to smile. 'You should name it.' 'If I do that, it will think it's a pet.' Jacks words dripped with disgust, which only further convinced Evangeline this fox might be the best thing that had ever happened to this Fate. 'How about I name her for you? What do you think of Princess of the Fluffikins?' 'Don't ever say that again.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
Rickey wondered briefly who they were before the lovely floaty feeling wiped away his curiosity. “You got a concussion and a broken ankle, but you’re gonna be fine.
Poppy Z. Brite (Prime)
ANNABETH THOUGHT SHE KNEW PAIN. She had fallen off the lava wall at Camp Half-Blood. She’d been stabbed in the arm with a poison blade on the Williamsburg Bridge. She had even held the weight of the sky on her shoulders. But that was nothing compared to landing hard on her ankle. She immediately knew she’d broken it.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
He pulled my skirt up. I began to worry. Everyone knew he had broken in girls before and I didn't want it to happen to me. I said, 'No. Get off, please.' He pulled me down the alley and pushed me to the ground. As I lay on my back worrying about my new blue coat, he pushed his fingers up between my legs — and rammed himself into me. I was crying. His lips were pressed against mine but I was motionless, like a small corpse. He grunted and I knew it was over. He got up, I just lay there on the ground, my tights round my ankles. The clock was striking twelve. As he walked away, he turned and said, 'I've always wanted to do it to you. I like your mouth'. When I got in, my mum said, 'Tracey, what's wrong with you?' I showed her my coat, the dirt and the stains, and told her 'I'm not a virgin any more.' She didn't call the police or make any fuss. She just washed my coat and everything carried on as normal, as though nothing had happened. But for me, my childhood was over, I had become conscious of my physicality, aware of my presence and open to the ugly truths of the world. At the age of thirteen, I realised that there was a danger in innocence and beauty, and I could not live with both. (describing childhood rape)
Tracey Emin (Strangeland)
Before she could question him further, she was swung over his shoulder and tossed onto her bed. Will kicked the door shut and removed his boots and shirt, revealing his toned body. "I need a distraction. I think I'm going crazy," he confessed as he finished undressing and joined her on the bed. "Help me forget, Em." He grabbed her ankles and pulled her down until she was flat on her back. Luckily for him, she was in a thin nightgown and silk panties. Hot hands trailed up her thighs and removed her underwear. She shivered despite the heat. She'd never seen him like this, broken and desperate.
H.S. Howe (Wrestling William (The Goldwen Saga #4))
In truth, I have never flashed so much as an ankle before, but I am sorely vexed at being treated like a temptress when all I feel is bruised and broken.
Robin LaFevers (Grave Mercy (His Fair Assassin, #1))
Because I cannot sleep. A pain has taken me in my middle, and my legs, from the ankles upwards, are aching as though they were broken.” “That will pass, that will pass, good mother. You must pay no attention to it.” “God grant that it MAY pass. However, I have been rubbing myself with lard and turpentine. What sort of tea will you take? In this jar I have some of the scented kind.
Nikolai Gogol (Dead Souls)
people always say that “a joy shared is a joy doubled,” we seem to insist on believing that the opposite is true of sorrow. Perhaps that isn’t actually the case. Two drowning people with lead weights around their ankles may not be each other’s salvation; if they hold hands, they’ll just sink twice as fast. In the end the weight of carrying each other’s broken hearts becomes unbearable.
Fredrik Backman (Us Against You (Beartown, #2))
He locks the door, stares down at the floor; she lies on the sofa, stares at the ceiling. They don't know if they have anything to say to each other anymore. Everything has a breaking point, and even though people always say that "a joy shared is a joy doubled," we seem to insist on believing that the opposite is true of sorrow. Perhaps that isn't actually the case. Two drowning people with lead weights around their ankles may not be each other's salvation; if they hold hands, they'll just sink twice as fast. In the end the weight of carrying each other's broken hearts becomes unbearable.
Fredrik Backman (Us Against You (Beartown, #2))
It was only when she sat and the hem of her dress lifted that I noticed the blood pooling in her glass slippers, the fine crack along one side. Indigo removed the shoes carefully. Two of her toes were blue. Later, we would discover they were broken. Later, I would cradle her ankles and tell her I loved her and insist on carrying her up the stairs and all throughout the house. I had always found the rejected stepsisters of Cinderella far more captivating than the story’s namesake, and now I knew why. When the shoe did not fit, they cut off their toes, sliced off their heels, squeezed their feet into glass, and lowered their skirts to cover the pain. Perhaps, in the end, the prince made the wrong choice. Such devotion is hard to come by, after all. Look how I will carve myself to fit into your life. Who will not do less? In Indigo’s blue toes and ruined skin, I saw a love letter. Gruesome, yes, but for all that it became in the end, it must be said that it was always true.
Roshani Chokshi (The Last Tale of the Flower Bride)
Grief is personal. It isn't something you can share like a box of chocolates. It's yours and yours alone, a spiked steel ball chained to your ankle, a coat of nails around your shoulders, a crown of thorns. No one else can feely your pain. They cannot walk in your shoes because your shoes are full with broken glass and every time you take a step forward, it rips your soles to bloody shreds. Grief is the worst kind of torture and it never ends. You have dibs on that dungeon for the rest of your life.
C.J. Tudor (The Hiding Place)
And then he saw the tears begin to slide down her bruised face. “How badly are you hurt?” He should have checked her chart on the way in, but he'd wanted to get out of sight as quickly as possible. “Nothing interesting,” she said, sounding faintly disgruntled. “Just a sprained ankle and some bruises. It's my heart.” “Your heart?” he echoed, panicked. “Do you have internal injuries...?” “It's broken,” she said, soft, plaintive, the tears still sliding down her face. He muttered a curse. It was just the drugs talking, but he could feel his own heart twist inside. She lay in the middle of the wide hospital bed, but she was looking very small, and he simply climbed up beside her, pulling her into his arms with exquisite care, not wanting to hurt her any more. She let out a small sound, and for a moment he thought it was a cry of pain, but then she moved closer, putting her face against his shoulder, and he could feel her crying. “I missed you,” she said, her voice muffled. “I know.” He held her gently—she suddenly felt fragile, and he'd almost been too late.
Anne Stuart (Fire and Ice (Ice, #5))
I pull on my hat and veil and lift the same handsaw I used on the evergreen boughs. The branch is about six inches too high for me to reach. Cursing, I lug the broken wooden base of the old frame underneath the tree and try to gingerly balance on what’s left of it. The odds are about equal that I will either manage to saw down the branch or break my ankle. I nearly sob with relief when the branch is free, and carry it slowly and gently to the new hive. I give it a sharp jerk, watching the bees rain down into the box. I do this again, praying that the queen is one of them.
Jodi Picoult (Mad Honey)
Thank God for pain. Most of life's blessings, in my experience, are potential curses. And vice versa. So it is with physical pain. Acute short term physical pain, whether mild or severe, is virtually always a blessing. It is a signal that something is wrong with the body, something that needs attention. Without that signals our lives would quite quickly become devastated. But pain is useful ONLY as a signal that something is wrong, be it a broken ankle, a burn or a cinder in the eye. Once the problem is diagnosed and is being appropriately treated, there is no reason for the signal to continue. Pain has lost its utility. If the pain does continue, the blessing has become a curse.
M. Scott Peck
My fiancé. She fought back a scream. Who cheated on me, dropped me on national television, shattered my ankle, and—as if that isn’t bad enough—is now blaming my average-sized breasts for his careless mistake. Aside from destroying her career, the jerk had broken her heart and her ankle. Neither had mended without complications. Logan Rettino ˜ KNOCK OUT
Michele Mannon
We all carried duct tape. The wide, silver material is easy to tear off yet extremely strong. To save space in our packs, we wound it around trekking poles. We used it for pack repairs, broken sunglasses, ripped clothing and even taped it to our ankles. The strength and slippery surface were ideal for blister prevention. I considered it one of a few truly necessary items.
Keith Foskett (The Last Englishman)
Everything happens for a reason. This is a thing people say. My mom says it a lot. "Things happen for a reason, Tasha." Usually people say it when something goes wrong, but not too wrong. A nonfatal car accident. A sprained ankle instead of a broken on. My dad says, "You can't always see God's plan." I want to tell him that maybe he shouldn't leave everything up to God and that hoping against hope is not a life strategy. People say these things to make sense of the world. Secretly, in their heart of hearts, almost everyone believes that there's some meaning, some willfulness to life. Fairness. Basic decency. Good things happen to good people. Bad things only happen to bad people. No one wants to believe that life is random. It's better to see life as it is, not as you wish it to be. Things don't happen for a reason. They just happen.
Nicola Yoon (The Sun Is Also a Star)
Everything has a breaking point, and even though people always say that a 'joy shared is a joy doubled,' we seem to insist on believing that the opposite is true of sorrow. Perhaps that isn't actually the case. Two drowning people with lead weights around their ankles may not be each other's salvation; if they hold hands, they'll just sink twice as fast. In the end, the weight of carrying each other's broken hearts becomes unbearable.
Fredrik Backman (Us Against You (Beartown, #2))
Three fractured ribs. Sprained LCL. Twisted ankle. Broken nose. That’s most of it.’ That’s most of it. Jeremy’s chest ached with tender grief. It was a heat normally reserved for game nights against their most violent opponents, a niggling sense of helplessness as people repeatedly tried to hurt a team that just wanted to have a good time. Jeremy powered his phone off before he could ask Kevin ‘Why?’ A reason wouldn’t take back what they’d done.
Nora Sakavic (The Sunshine Court (All For the Game, #4))
My sister has appendages connected to her ankles. They feature toes and arches, but I cannot call them feet. In color they resemble the leathery paws of great apes, but in texture they are closer to hooves. In order to maintain her balance, she’ll periodically clear the bottoms of debris—a bottle cap, bits of broken glass, a chicken bone—but within moments she’ll have stepped on something else and begun the process all over again. It’s what happens when you sell both your broom and your vacuum cleaner.
David Sedaris (Dress Your Family in Corduroy and Denim)
One of the Maenads Speaks to the Singing Head of Orpheus as It Floats Downriver” How can I explain what we have done to you? We heard in your voice the mad longing to be broken from the body’s reins, to return to your beloved and put your lips to the bite marks on her ankle. For too long you held to the blue-dark loss that laid beside you. Didn’t you know we were always meant to lose everything? Don’t mourn. After love, there is more love. I have seen it. One sigh held by another, held by another. I kept your head in my lap while the others took your body from you, their teeth on your collar bones, fingernails plucking chords from your throat. Death and madness can be the same kind of deliverance. Flies are laying eggs in the wreckage of your neck, but you keep singing. The rain lilies you pass gather your melodies, so I uproot them. Nightingales open their beaks to swallow your notes, and I stone them. Love is a song you sing in search of deeper water. The body, you leave behind. The music travels with you.
Traci Brimhall
When she sat, she crossed her hands and ankles perfectly. Yes, yes, everything was in the classroom. We chatted, bonded, as Brandy flopped around on the silver concrete floor with the silver hook still in her bloody mouth. Both of us were excited. Celinas tried to climb in her purse, which was filled with dirty broken makeup, the true sign of a queen. I was thrilled she had let me look, even slip my hand into it for a moment. I let her huddle near me, but when she tried to clutch my hand I had to recoil. I hated being touched by anything in the human-skin package.
Mary Woronov (Swimming Underground: My Years in the Warhol Factory)
A second later, Ron had snatched his arm back from around her shoulders; she had dropped The Monster Book of Monsters on his foot. The book had broken free from its restraining belt and snapped viciously at Ron’s ankle. “I’m sorry, I’m sorry!” Hermione cried as Harry wrenched the book from Ron’s leg and retied it shut. “What are you doing with all those books anyway?” Ron asked, limping back to his bed. “Just trying to decide which ones to take with us,” said Hermione. “When we’re looking for the Horcruxes.” “Oh, of course,” said Ron, clapping a hand to his forehead. “I forgot we’ll be hunting down Voldemort in a mobile library.” “Ha ha,” said Hermione, looking down at Spellman’s Syllabary. “I wonder…will we need to translate runes? It’s possible…I think we’d better take it, to be safe.” She dropped the syllabary onto the larger of the two piles and picked up Hogwarts, A History. “Listen,” said Harry. He had sat up straight. Ron and Hermione looked at him with similar mixtures of resignation and defiance. “I know you said after Dumbledore’s funeral that you wanted to come with me,” Harry began. “Here he goes,” Ron said to Hermione, rolling his eyes. “As we knew he would,” she sighed, turning back to the books. “You know, I think I will take Hogwarts, A History. Even if we’re not going back there, I don’t think I’d feel right if I didn’t have it with--” “Listen!” said Harry again. “No, Harry, you listen,” said Hermione. “We’re coming with you. That was decided months ago--years, really.” “But--” “Shut up,” Ron advised him. “--are you sure you’ve thought this through?” Harry persisted. “Let’s see,” said Hermione, slamming Travels with Trolls onto the discarded pile with a rather fierce look. “I’ve been packing for days, so we’re ready to leave at a moment’s notice, which for your information has included doing some pretty difficult magic, not to mention smuggling Mad-Eye’s whole stock of Polyjuice Potion right under Ron’s mum’s nose.” “I’ve also modified my parents’ memories so that they’re convinced they’re really called Wendell and Monica Wilkins, and that their life’s ambition is to move to Australia, which they have now done. That’s to make it more difficult for Voldemort to track them down and interrogate them about me--or you, because unfortunately, I’ve told them quite a bit about you. “Assuming I survive our hunt for the Horcruxes, I’ll find Mum and Dad and lifted the enchantment. If I don’t--well, I think I’ve cast a good enough charm to keep them safe and happy. Wendell and Monica Wilkins don’t know that they’ve got a daughter, you see.” Hermione’s eyes were swimming with tears again. Ron got back off the bed, put his arm around her once more, and frowned at Harry as though reproaching him for lack of tact. Harry could not think of anything to say, not least because it was highly unusual for Ron to be teaching anyone else tact.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Then, some strange ecstasy came over her. Some wild notion she had of following the birds to the rim of the world and flinging herself on the spongy turf and there drinking forgetfulness, while the rooks' hoarse laughter sounded over her. She quickened her pace; she ran; she tripped; the tough heather roots flung her to the ground. Her ankle was broken. She could not rise. But there she lay content. The scent of the bog myrtle and the meadow-sweet was in her nostrils. The rooks' hoarse laughter was in her ears. 'I have found my mate,' she murmured. 'It is the moor. I am natures bride,' she whispered, giving herself in rapture to the cold embraces of the grass.
Virginia Woolf (Orlando)
shivering cold, sweat soaked her. Mud rose around her ankles. The corpse of a child lay before her, its face gone, trampled into the mud. A broken school bus smoldered nearby, human skeletons within it. Addy knelt, lifted a stuffed animal from the mud, and yowled as a marauder jabbed her back with claws. She marched on, moving toward the massive ships. "Undress, humans!" a marauder cackled, dangling from a web between metal poles. A red triangle was painted onto his forehead, denoting his rank of command. "We burn your flea-infested clothes." "Clothes off!" shouted another marauder, clattering toward them on six legs. "You stink of parasites." The humans stood, staring around, hesitant. Claws reached out, grabbing clothes, ripping them off. People shouted. One man fought
Daniel Arenson (Earth Shadows (Earthrise, #5))
this reaction. This was on college campuses, exactly the kind of environment where I had expected curiosity, lively debate, and, yes, the thrill and energy of like-minded activists. Instead almost every campus audience I encountered bristled with anger and protest. I was accustomed to radical Muslim students from my experience as an activist and a politician in Holland. Any time I made a public speech, they would swarm to it in order to shout at me and rant in broken Dutch, in sentences so fractured you wondered how they qualified as students at all. On college campuses in the United States and Canada, by contrast, young and highly articulate people from the Muslim student associations would simply take over the debate. They would send e-mails of protest to the organizers beforehand, such as one (sent by a divinity student at Harvard) that protested that I did not “address anything of substance that actually affects Muslim women’s lives” and that I merely wanted to “trash” Islam. They would stick up posters and hand out pamphlets at the auditorium. Before I’d even stopped speaking they’d be lining up for the microphone, elbowing away all non-Muslims. They spoke in perfect English; they were mostly very well-mannered; and they appeared far better assimilated than their European immigrant counterparts. There were far fewer bearded young men in robes short enough to show their ankles, aping the tradition that says the Prophet’s companions dressed this way out of humility, and fewer girls in hideous black veils. In the United States a radical Muslim student might have a little goatee; a girl may wear a light, attractive headscarf. Their whole demeanor was far less threatening, but they were omnipresent. Some of them would begin by saying how sorry they were for all my terrible suffering, but they would then add that these so-called traumas of mine were aberrant, a “cultural thing,” nothing to do with Islam. In blaming Islam for the oppression of women, they said, I was vilifying them personally, as Muslims. I had failed to understand that Islam is a religion of peace, that the Prophet treated women very well. Several times I was informed that attacking Islam only serves the purpose of something called “colonial feminism,” which in itself was allegedly a pretext for the war on terror and the evil designs of the U.S. government. I was invited to one college to speak as part of a series of
Ayaan Hirsi Ali (Nomad: From Islam to America: A Personal Journey Through the Clash of Civilizations)
We’ve told you before—rollwhen you land a fancy jump,” Wilford squinted in the sunlight as he yelled. “Use your shoulder to take the brunt of your fall and move with it, or you’re going to twist an ankle or break a wrist one of these days!” Tari—impressively—managed to sound like an angry bear as she translated it into Elvish. Gwendafyn nodded as she stood and gave her sword a test twirl, then yipped when her opponent wrapped a meaty hand around her left ankle and pulled it out from under her. “Stay aware of your surroundings,” Thad instructed as he narrowed his eyes. “No opponent is going to stop and let you catch your breath!” Gwendafyn kicked like a jackrabbit, yanking her leg free, then rolled away from the soldier. “For the love of Lady Tari’s favorite lemon bars,” Grygg grumbled. “What part of ‘fight dirty’ isn’t translating correctly?” “Don’t hold back, Princess,” Wilford advised. “We know you’ve got the edge—you’ve broken Grygg’s nose three times. That’s a new record. Phelps, here, could use a little bone re-arrangement, too.” “Shut up, Wilford!” Gwendafyn’s opponent—Phelps, apparently—growled as he staggered to his feet. Gwendafyn crisply nodded when Tari finished translating, then promptly turned and flung her wooden practice sword at Phelps with deadly accuracy. The soldier swore and had to throw himself to the ground to avoid it. Gwendafyn closed the distance between them with the blink of an eye, extended her elbow, and rammed the soldier in the spine with the hardest bone of her elbow. All of Phelps’ air left him in a painful-sounding exhale, and for a moment, he went limp. “Ouch,” Grygg winced in sympathy. “That had to hurt.
K.M. Shea (Royal Magic (The Elves of Lessa, #2))
You, my dear, do not know how to have fun." "I do, too!" "You do not. You are as bad as Lucien. And do you know something? I think it's time someone showed you how to have fun. Namely, me. You can worry all you like about our situation tomorrow, but tonight ... tonight I'm going to make you laugh so hard that you'll forget all about how afraid of me you are." "I am not afraid of you!" "You are." And with that, he pushed his chair back, stalked around the table, and in a single easy movement, swept her right out of her chair and into his arms. "Gareth!  Put me down!" He only laughed, easily carrying her toward the bed. "Gareth, I am a grown woman!" "You are a grown woman who behaves in a manner far too old for her years," he countered, still striding toward the bed. "As the wife of a Den member, that just will not do." "Gareth, I don't want — I mean, I'm not ready for that!" "That? Who said anything about that?"  He tossed her lightly onto the bed. "Oh, no, my dear Juliet. I'm not going to do that —" She tried to scoot away. "Then what are you going to do?" "Why, I'm going to wipe that sadness out of your eyes if only for tonight. I'm going to make you forget your troubles, forget your fears, forget everything but me. And you know how I'm going to do that, O dearest wife?"  He grabbed a fistful of her petticoats as she tried to escape. "I'm going to tickle you until you giggle ... until you laugh ... until you're hooting so loudly that all of London hears you!" He fell upon the bed like a swooping hawk, and Juliet let out a helpless shriek as his fingers found her ribs and began tickling her madly. "Stop!  We just ate!  You'll make me sick!" "What's this? Your husband makes you sick?" "No, it's just that — aaaoooooo!" He tickled her harder. She flailed and giggled and cried out, embarrassed about each loud shriek but helpless to prevent them. He was laughing as hard as she. Catching one thrashing leg, he unlaced her boot and deftly removed it. She yelped as his fingers found the sensitive instep, and she kicked out reflexively. He neatly ducked just in time to avoid having his nose broken, catching her by the ankle and tickling her toes, her soles, her arch through her stockings. "Stop, Gareth!"  She was laughing so hard, tears were streaming from her eyes. "Stop it, damn it!" Thank goodness Charlotte, worn out by her earlier tantrum, was such a sound sleeper! The tickling continued. Juliet kicked and fought, her struggles tossing the heavy, ruffled petticoats and skirts of her lovely blue gown halfway up her thigh to reveal a long, slender calf sheathed in silk. She saw his gaze taking it all in, even as he made a grab for her other foot. "No!  Gareth, I shall lose my supper if you keep this up, I swear it I will — oooahhhhh!" He seized her other ankle, yanked off the remaining boot, and began torturing that foot as well, until Juliet was writhing and shrieking on the bed in a fit of laughter. The tears streamed down her cheeks, and her stomach ached with the force of her mirth. And when, at last, he let up and she lay exhausted across the bed in a twisted tangle of skirts, petticoats, and chemise, her chest heaving and her hair in a hopeless tumbled-down flood of silken mahogany beneath her head, she looked up to see him grinning down at her, his own hair hanging over his brow in tousled, seductive disarray.
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
It felt like a mistake the minute she hit the water. She missed the rocks, but it was too cold. Her wrist was too broken. Her heart was too weak. Her dress was too cumbersome. But she fought like a demon trying to break out of hell and into the heavens. She ignored things that sucked at her ankles and anything that slithered against her now-bare feet. Tella didn’t escape her father, a trio of Fates, and every other trial in her life to allow herself to be killed by some cold water and a shattered wrist. Death would have to try harder if he wanted to take her back, and she was not about to let him do that. If she perished there’d also be no one to take care of Scarlett, to make sure her sister had all the proper adventures and kissed more boys than just Julian. Scarlett deserved all the kisses. Maybe Tella wanted more kisses too, ones that wouldn’t end in death.
Stephanie Garber (Legendary (Caraval, #2))
She knew she was going into that Cauldron. Knew she would lose this fight. Knew no one was going to save her: not sobbing Feyre, not Feyre's gagged former lover, nor her devastated new mate. Not Cassian, broken and bleeding on the floor. The warrior was still trying to rise on trembling arms. To reach her. The King of Hybern- he had done this. To Elain. To Cassian. And to her. The icy water bit into the soles of her feet. It was a kiss of venom, a death so permanent that every inch of her roared in defiance. She was going in- but she would not go gently. The water gripped her ankles with phantom talons, tugging her down. She twisted, wrenching her arm free from the guard who held it. And Nesta Archeron pointed. One finger- at the King of Hybern. A death-promise. A target marked. Hands shoved her into the water's waiting claws. Nesta laughed at the fear that crept into the king's eyes just before the water devoured her whole. In the beginning. And in the end. There was darkness. And nothing more. She did not feel the cold as she sank into a sea that had no bottom, no horizon, no surface. But she felt the burning. Immortality was not a serene youth It was fire. It was molten ore poured into her veins, boiling her human blood until it was nothing but steam, forging her brittle bones until they were fresh steel. And when she opened her mouth to scream, when the pain ripped her very self in two, there was no sound. There was nothing in this place but darkness and agony and power- They would pay. All of them. Staring with the Cauldron. Starting now. She tore into the darkness with talons and teeth. Rent and cleaved and shredded. And the dark eternity around her shuddered. Bucked. Thrashed. She laughed as it recoiled. Laughed around the mouthful of raw power she ripped out and swallowed whole; laughed at the fistfuls of eternity she shoved into her heart, her veins. The Cauldron struggled like a bird under a cat's paw. She refused to relent. Everything it had stolen from her, from Elain, she would take from it. Wrapped in black eternity, Nesta and the Cauldron twined, burning through the darkness like a newborn star.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
He was walking down a narrow street in Beirut, Lebanon, the air thick with the smell of Arabic coffee and grilled chicken. It was midday, and he was sweating badly beneath his flannel shirt. The so-called South Lebanon conflict, the Israeli occupation, which had begun in 1982 and would last until 2000, was in its fifth year. The small white Fiat came screeching around the corner with four masked men inside. His cover was that of an aid worker from Chicago and he wasn’t strapped. But now he wished he had a weapon, if only to have the option of ending it before they took him. He knew what that would mean. The torture first, followed by the years of solitary. Then his corpse would be lifted from the trunk of a car and thrown into a drainage ditch. By the time it was found, the insects would’ve had a feast and his mother would have nightmares, because the authorities would not allow her to see his face when they flew his body home. He didn’t run, because the only place to run was back the way he’d come, and a second vehicle had already stopped halfway through a three-point turn, all but blocking off the street. They exited the Fiat fast. He was fit and trained, but he knew they’d only make it worse for him in the close confines of the car if he fought them. There was a time for that and a time for raising your hands, he’d learned. He took an instep hard in the groin, and a cosh over the back of his head as he doubled over. He blacked out then. The makeshift cell Hezbollah had kept him in in Lebanon was a bare concrete room, three metres square, without windows or artificial light. The door was wooden, reinforced with iron strips. When they first dragged him there, he lay in the filth that other men had made. They left him naked, his wrists and ankles chained. He was gagged with rag and tape. They had broken his nose and split his lips. Each day they fed him on half-rancid scraps like he’d seen people toss to skinny dogs. He drank only tepid water. Occasionally, he heard the muted sound of children laughing, and smelt a faint waft of jasmine. And then he could not say for certain how long he had been there; a month, maybe two. But his muscles had wasted and he ached in every joint. After they had said their morning prayers, they liked to hang him upside down and beat the soles of his feet with sand-filled lengths of rubber hose. His chest was burned with foul-smelling cigarettes. When he was stubborn, they lay him bound in a narrow structure shaped like a grow tunnel in a dusty courtyard. The fierce sun blazed upon the corrugated iron for hours, and he would pass out with the heat. When he woke up, he had blisters on his skin, and was riddled with sand fly and red ant bites. The duo were good at what they did. He guessed the one with the grey beard had honed his skills on Jewish conscripts over many years, the younger one on his own hapless people, perhaps. They looked to him like father and son. They took him to the edge of consciousness before easing off and bringing him back with buckets of fetid water. Then they rubbed jagged salt into the fresh wounds to make him moan with pain. They asked the same question over and over until it sounded like a perverse mantra. “Who is The Mandarin? His name? Who is The Mandarin?” He took to trying to remember what he looked like, the architecture of his own face beneath the scruffy beard that now covered it, and found himself flinching at the slightest sound. They had peeled back his defences with a shrewdness and deliberation that had both surprised and terrified him. By the time they freed him, he was a different man.  
Gary Haynes (State of Honour)
I think about that often. I think about the boots and the bones, and how I didn't want to be so lowly as to stoop down and help another human being take off their layers of mud. to wind up with their dirt on my hands. I think that's because for a long time I believed freedom looked like getting to a place where none of the people were muddy. Where everyone was shiny and clean and took care of their own front yards. Where everywhere you looked, there were white picket fences and perfectly manicured pansies lining the front walkway. ... And then I think about God and what neighborhood He would live in. I think about Jesus washing the feet of the disciples. Those dusty busted-up, sandal-blistered feet they rolled up with to His supper table. I think about the Savior of the world kneeling there at His last meal, before His body was broken and His blood was poured out, first making sure that none of them had to walk around with muddy feet. At this I picture Jesus kneeling at the feet of my father. I think about the conversation those two might have. I think about the care Jesus would take in removing those heavy weights from around Dad's ankles. how He would hold all those broken parts in His light-filled hands and weep with Dad for all the pain he'd been walking around with. I think He would tell him that He sees how hard he's been fighting to hold it all together, sees all the sacrifices that he's made. I think Jesus would sit with him there for a while in the mud, not even caring about Dad's boots leaving marks all up and down His crisp, white robes. There comes a time when every person who believes in God also has to decide what kind of character they believe He has. Is He a cold and distant God, withholding every good thing, just waiting for the chance to take back what little He has given? Is He a God who only gives out begrudging scraps of joy after first putting you in very hot water, His red-letter way of ensuring that you've been washed clean? Or is He a God who sits with you in the mud, who stoops to serve before the sacrifice? I used to think freedom looked a lot like being around people who aren't muddy. Now I realize we're all pretty muddy and maybe just a little bit broken too, no matter what kind of place we call home. And when it comes right down to it, getting each other's mud on our hands--this serving one another in love--that's what true freedom has always been about anyway. Because love, like integrity, is also about what we do when no one else is looking. And how we do anything is how we do everything.
Mary Marantz (Dirt: Growing Strong Roots in What Makes the Broken Beautiful)
Outside the rooms, Sam pointed to a small opening in a wall beneath a set of stairs with CELLULE DES RECALCITRANTS written over the top of it. This is where they kept the slaves who resisted, Momar translated for me. It was too dark to tell what it looked like. I turned on my phone's flashlight, bent down, and scooted inside. The stone seemed to almost absorb the light, so it still felt dark inside the shallow cavern. I waited for my eyes to adjust to the darkness. They did not. I hugged my knees close to my chest as I sat inside. The joints in my knees and ankles cracked. Dirt fell from the wall where I touched it. It was impossible to feel as if the walls weren't closing in on me. I thought of people being held here, how they might barely have been able to see their hands in front of their faces. How they would have been able to taste the salt water that hung in the air without seeing any of the ocean. I thought of all the times I had heard, 'But why didn't they fight back?' when slavery was discussed in my classes. I thought of the bell at plantations like the Whitney, which had been rung to tell the enslaved people to gather round and watch one of their loved ones being lashed until the bled. I thought of the rooms at Angola's Red Hat cell block, how the smallness of those spaces had closed in on me. The cramped cavern might have been where the lessons on first resistance had taken place in a person's earliest days of enslavement. Where spirits and bodies had been broken.
Clint Smith (How the Word Is Passed: A Reckoning with the History of Slavery Across America)
The PEOPLE, SCHOOL, EVERYONE, and EVERYTHING is so FAKE AND GAY.' 'I shrieked, at the top of my voice fingers outspread and frozen in fear, unlike ever before in my young life; being the gentle, sweet, and shy girl that I am.' 'Besides always too timid to have a voice, to stand up for me, and forced not to, by masters.' Amidst my thoughts racing ridiculously, 'I feel that it is all just another way for the 'SOCIETY' to make me feel inferior, they think, they are so 'SUPERIOR' to me, and who I am to them.' 'Nonetheless, every day of my life, I have felt like I have been drowning in a pool, with weights attached to my ankles.' 'Like, of course, there is no way for me to escape the chains that are holding me down.' 'The one and only person, that holds the key to my freedom: WILL NEVER LET ME GO! It's like there is within me, and has been deep inside me!' 'I now live in this small dull town for too damn long. It is an UNSYMPATHETIC, obscure, lonely, totally depressed, and depressing place, for any teenage girl to be, most definitely if you're a girl like me.' 'All these streets surrounding me are covered with filth, and born in the hills of middle western Pennsylvania mentalities of slow-talking and deep heritages, and beliefs, that don't operate me as a soul lost and lingering within the streets and halls.' 'My old town was ultimately left behind when the municipality neighboring made the alterations to the main roads; just to save five minutes of commuting, through this countryside village. Now my town sits on one side of that highway.' 'Just like a dead carcass to the rest of the world, which rushes by. What is sullen about this is that it is a historic town, with some immeasurable old monuments, and landmarks.' 'However, the others I see downright neglect what is here, just like me, it seems. Other than me, no one cares. Yet I care about all the little things.' 'I am so attached to all these trivial things as if they are a part of me. It disheartens me to see anything go away from me.' 'It's a community where the litter blows and bisects the road, like the tumble-wheats of the yore of times past.' 'Furthermore, if you do not look where you are going, you will fall in our trip, in one of the many potholes or heaved up bumps in the pavement, or have an evacuated structure masonry descending on your head.' 'Merely one foolproof way of simplifying the appearance of this ghost town.' 'There are still some reminders of the glory days when you glance around.' 'Like the town clock, that is evaporated black that has chipped enamel; it seems that it is always missing a few light bulbs.' 'The timepiece only has time pointing hands on the one side, and it nevermore shows the right time of day.' 'The same can be assumed for the neon signs on the mom-and-pop shops, which flicker at night as if they're in agonizing PAIN.' 'Why? To me is a question that is asked frequently.' 'It is all over negligence!' 'I get the sense and feeling most of the time, as they must prepare when looking around here at night.' 'The streetlamps do not all work, as they should. The glass in them is cracked.' 'The parking meters are always jammed, or just completely broken off their posts altogether.' 'The same can be said, for the town sign that titles this area. It is not even here anymore, as it should be now moved to the town square or shortage of a park.
Marcel Ray Duriez (Walking the Halls (Nevaeh))
Her Beretta was holstered in her garter worn high on her thigh, under the shapeless blue dress. She had donned shoes in which she could run. The high heels had done their work and could be presented to the poor, assuming that they wanted to court a broken ankle along with their other problems. Along her forearm, covered by the loose sleeve, her throwing knife was strapped. Phryne, as a helpless victim, was a complete failure.
Kerry Greenwood (Unnatural Habits (Phryne Fisher, #19))
Injecting logic works best when: You catch the build-up of emotion, such as tilt or fear, before reaching your emotional threshold. If not, you have a major uphill battle to regain the ability to think clearly and play well without having to take a break or quit. Why? Once your emotions have crossed the threshold, it becomes harder and harder to think clearly. Injecting logic is really just thinking. Therefore, if your emotions have shut off your ability to think, trying to inject logic is the equivalent of trying to run on a sprained or broken ankle. Your logic also corrects the underlying flaw. The fastest way to resolve a mental game problem is by injecting logic that also corrects the underlying flaw that is causing it. Basically, you’re working toward two goals at once.
Jared Tendler (The Mental Game of Poker: Proven Strategies For Improving Tilt Control, Confidence, Motivation, Coping with Variance, and More (The Mental Game of Poker Series Book 1))
They took they hit the cobblestone streets to look at churches, with Isabella wearing suede Manolos. "She's breaking her legs and I tell her it's just ridiculous and that she had to get some proper shoes." She bought and put on a pair of espadrilles and promptly broke into tears. "I can't. I can't. Everytime I look down on my feet I feel so depressed." Roberts said, "Well, are you going to be depressed or are you going to have a broken ankle?" "I am going to have a broken ankle" she said and she threw the shoes away.
Lauren Goldstein Crowe (Isabella Blow: A Life in Fashion)
Curly for a couple of hours, and talked to the doctors about him. They told me that in about six months his instep and ankle bones should be broken and put in a cast so that he would be able to bend his ankle. Curly decided against this, and although it gave him much pain and he limped his way through life, he never let it interfere with his work … or, for that matter, his play.
Moe Howard (I Stooged to Conquer: The Autobiography of the Leader of the Three Stooges)
period (1981-83), when Michael was Labour Party leader, had been devastating: Some things helped me—the Byron Society—Byron helped me to recover from that. He never gave in. Just after the election, I was becoming quite active in it [the Society]. I read, by the way, Don Juan, in hospital after I had been elected leader of the Labour Party. I had slipped coming down the stairs and broken my ankle [and surgery was necessary to put it right]. The only way to read Don Juan is right through and that’s what I did. I spent the whole of Christmas doing so—leader of the Labour Party I was supposed to be [he laughed] ... it [Don Juan] put me in a good temper.
Carl Rollyson (A Private Life of Michael Foot)
he knelt down, illuminating the man's ankle. It was wedged tightly into a hole in the ground and twisted at an impossible angle. Tom winced. “Wow. Yeah, you might've broken
Aubrey Wood (Dead Roots (The Analyst, #1))
I DO NOT hear them, but I know they are near. The creatures. The men. They hunt me through the rocks and jungle trees. I must move, but I cannot. I fear my ankle is broken. If I stay, they will flush me out of this hiding place. When they are through with Father, they will come for me. I pray they spare him. It is I whom they seek.
Peter Lerangis (The Select (Seven Wonders Journals))
He’d been almost to the top when the hand had closed around his ankle. Slipping to his knees, Heldt found himself staring down into the countenance of a wounded Tommy. Half his face had been shot away, revealing a complex ligature of muscle and tendon, with here and there a white grin of bone. His eyeball lay exposed within its shattered orbit. Flies massed everywhere upon this broken visage. They sipped at the wells of his nostrils and devoured the raw flesh that strung his jaw. They squirmed into the crevice beneath his eyeball to glut themselves upon his brain.
Ellen Datlow (Final Cuts: New Tales of Hollywood Horror and Other Spectacles)
There is no limit to the foolishness of men of my age. Our only excuse is that we leave no mark of our own on the girls who pass through our hands: our convoluted desires, our ritualized lovemaking, our elephantine ecstasies are soon forgotten, they shrug off our clumsy dance as they drive straight as arrows into the arms of men whose children they will bear, the young and vigorous and direct. Our loving leaves no mark. Whom will that other girl with the blind face remember: me with my silk robe and my dim lights and my perfumes and oils and my unhappy pleasures, or that other cold man with the mask over his eyes who gave the orders and pondered the sounds of her intimate pain? Whose was the last face she saw plainly on this earth but the face behind the glowing iron? Though I cringe with shame, even here and now, I must ask myself whether, when I lay head to foot with her, fondling and kissing those broken ankles, I was not in my heart of hearts regretting that I could not engrave myself on her as deeply.
J.M. Coetzee (Waiting for the Barbarians)
Grief is personal. It isn't something you can share, like a box if chocolates. It is yours and yours alone. A spiked steel ball chained to your ankle. A coat of nails around your shoulders. A crown of thorns. No one else can feel your pain. They cannot walk in your shoes because your shoes are full of broken glass and every time you try and take a step forward it rips your soles to bloody shreads. Grief is the worst kind of torture and it never ends. You have dibs on that dungeon for the rest of your life.
C.J. Tudor (The Hiding Place)
You want to know how it feels to run thirty miles. You want to know how it feels to run thirty miles straight through mud and across scorched earth, dodging sinkholes and crawling beneath toppled trees, when you’ve already run the length of the country, when your ankle’s sprained, your fingers are broken, you’re blind in one eye, and you’ve only had half a can of baked beans for breakfast. I’ll tell you. It starts like every other run. Before the first step, before the first muscle twitches, before the first neuron fires, there comes a choice: stand still or move. You choose the right option. Then you repeat that choice a hundred thousand times. You don’t run thirty miles; you run a single step many times over. That’s all running is; that’s all anything is. If there’s somewhere you need to be, somewhere you need to get to, or if you need to change or move away from where or what you are, then that’s all it takes. A hundred thousand simple decisions, each one made correctly. You don’t have to think about the distance or the destination or about how far you’ve come or how far you have to go. You just have to think about what’s in front of you and how you’re going to move it behind you.
Adrian J. Walker (The End of the World Running Club)
Sitting around talking together without vacuums and fans or guards harassing us really changed our lives. We had been friends and brothers for years--since the very beginning. We had forged deep bonds fighting and resisting the camp admin and interrogators. But we had still experienced the worst of Guantánamo alone, in our cages or in interrogations. In these casual conversations, where we sat around drinking coffee, we processed what we had been through, and that somehow made us feel like we hadn't been alone. We remembered together our experiences: First being brought to Guantánamo, the first time we saw an iguana or banana rat. The fights we had. The bad guards--those who'd broken my ankle, those who'd taken Omar's prosthetic leg--and the good, like the one who'd given Khalid a slice of bread when he was on food punishment. The worst interrogators and the kind nurses who treated us humanely. We remembered the brothers we lost: Yassir, Mana'a, Ali, Waddah, al-Amri, Hajji Nassim (Inayatullah), and Awal Gul. And our remembering together made our losses and those solitary experiences real and a part of all our memories. It validated them and reminded us that, even though we were in solitary confinement or isolation or thousands of miles from the ones we loved, we had never been completely alone. It reminded us how we had grown older together and how we had become our own kind of family. A family with cats.
Mansoor Adayfi (Don't Forget Us Here: Lost and Found at Guantanamo)
Looking, he can see the smoke low on the sky, beyond an imperceptible corner; he is entering it again, the street which ran for thirty years. It had been a paved street, where going should be fast. It had made a circle and he is still inside of it. Though during the last seven days he has had no paved street, yet he has travelled further than in all the thirty years before. And yet he is still inside the circle. ‘And yet I have been further in these seven days than in all the thirty years,’ he thinks. ‘But I have never got outside that circle. I have never broken out of the ring of what I have already done and cannot ever undo,’ he thinks quietly, sitting on the seat, with planted on the dashboard before him the shoes, the black shoes smelling of negro: that mark on his ankles the gauge definite and ineradicable of the black tide creeping up his legs, moving from his feet upward as death moves.
William Faulkner (Light in August)
Davy nodded and kissed his forehead, like he had when Henry had been lying on the ground with a broken ankle because Malachi had dropped a cow on him.
Amy Lane (Shades of Henry (The Flophouse #1))
Why didn’t you call?” Eli looks down sheepishly. “Um...my phone died from taking too many pictures and video clips,” he says. “And then we couldn’t get a signal on Tara’s, and without GPS, we got turned around. The maps don’t show anything out here unless you’ve got data. So we tried climbing high in a tree to get like a signal or figure out where we were, but...” He winces. “I fell, and my ankle’s twisted. But it’s not broken,” Tara finishes matter-of-factly. She seems to have a good, clear head on her shoulders. “It just hurts to walk.” “Yeah, so we looked for a place to wait where it wasn’t so wet and animals couldn’t find us,” Eli adds. “We were okay, Dad.
Nicole Snow (No Gentle Giant (Heroes of Heart's Edge, #7))
[S]he found her mother with broken ankles, a fractured right tibia, and a thoroughly implausible story about how she had not, in fact, jumped off the third-storey balcony.
Francesca Ekwuyasi (Butter Honey Pig Bread)
When the explosion in Winterkeep that killed Linta Massera threw me into a cavern in the ground, my ankle got stuck. A ladder fell on it, breaking my bones. The mountains of rubble fell onto the ladder. I was trapped, for a long time. A rib was broken too. Everything hurt. And all I could do was sit there, clutching Linta Massera’s notebooks, knowing I was trapped inside the earth; and increasingly incredibly furious that there was nothing I could do to help myself. Then Giddon climbed down a cliff face that opened to a cave that led to me. Giddon, who it turns out is really strong, lifted the ladder just enough that I was able to drag my broken ankle free. It was excruciating. But it was also the best moment of my life. If we must be trapped, let there be something we can do about it. Even if it hurts.
Kristin Cashore (Seasparrow (Graceling Realm, #5))
Learning to write is not a linear process. There is no logical A-to-B-to-C way to become a good writer. One neat truth about writing cannot answer it all. There are many truths. To do writing practice means to deal ultimately with your whole life. If you receive instructions on how to set a broken bone in your ankle, you can’t use those same instructions to fill a cavity in your teeth.
Natalie Goldberg (Writing Down the Bones: Freeing the Writer Within)
The ultimate diagnosis was a broken ankle, bruised ribs, a sprained wrist. "One in every flavor," August said with a weak smile. "You're like the Yum Yum Shoppe of bodily harm." He shook his head. 'Fourteen flavors of fun. I would need eleven more injuries." "You'll probably have a bunch of bruises." "Eleven of them?" "Yup." "Then I'm the Yum Yum Shoppe.
Emma Mills (Famous in a Small Town)
I’ve known what pain is. I’ve had my arm nearly ripped off and have been choked unconscious training Brazilian Jiu Jitsu many times. I’ve broken ankles playing sports and hyperextended my neck in whiplash accidents. Of all the wounds I’ve ever suffered, nothing hurt as much as that short conversation.
Andrew Ferebee (The Dating Playbook For Men: A Proven 7 Step System To Go From Single To The Woman Of Your Dreams)
Blue!" The boy shrieked. Yas followed the toddler's pointing finger. The ocean around them rippled with their movement. The water was not pink. Nor lavender. It did not glimmer. Pooling in swirls around her ankles were ribbons of aqua and teal. Threads of silver and gold. "Raf?" she whispered. "You see it, don't you?" "I... Y-yes, I do." From the shoreline, Ernie stared with his jaw parted at the ripples of color. Not bothering to roll up his pajama bottoms, he walked into the water, the sea sloshing around his feet. Spirals of daffodil yellow puddled around his ankles. "What... what is happening?" he whispered. Others stepped into the water. They winced at the shards pricking at their feet. The shards. Yas kneeled in the water. She pulled out a jagged, cracked shell fragment from the ocean floor and cradled it in her palm---the salt water dripping from it trailed rivulets of color down her hands, which glimmered beneath the still-dark sky. "It's the shells." Yas leaned down and scooped out more. She raised her hand and opened her palm---the crowd gasped as gold and red trailed down her arm. "The color is..." Oscar's voice trailed off. "It's leaking out of the broken shells?
Aisha Saeed (Forty Words for Love)
She angled the camera lower, her lens capturing the broken ankle, the delicate, dusty, patent-leather sandal straps that encased matching red-painted toenails, the slender toes crusted with dirt. That single shot signified the brutal end of this woman’s life. A tragic picture that needed no words.
Jennifer Greer (A Desperate Place (McKenna and Riggs #1))
Love is a chain around my ankle. It’s an anchor bearing me to the bottom of the ocean. It’s this feeling of brokenness
Skye Warren (The Evolution of Man (The Trust Fund Duet, #2))
Like shit. Like losing. Like lacking in every aspect of everything. It has felt like breathing with one lung in a room steamed with chlorine and acid, like walking on broken ankles and sleeping on spikes. That’s what I’ve felt like,” I tell him. “That’s what missing you feels like.
Meagan Brandy (Tempting Little Thief (Girls of Greyson, #1))
Ankled, banjaxed, bladdered bleezin’ Why? Do I really need a reason? I’m cabbaged clobbered, Chevy Chased But not a broken vein upon my face Despite being thoroughly Dot Cottoned Sobriety almost forgotten I’m etched – egregiously and completely That creme de menthe went down so sweetly So now, I’m fleemered and I’m flecked So many snifters have been necked That guttered, sweaty, ganted, howling I’m wearing shirts made out of towelling Inebriated, kaed up, jaxied I’ve been ill in every single taxi In every city kiboshed, kaned Bernhard Langered, legless, debrained Dhuisg, it is in Gaelic, mottled (I must recycle all my bottles) I’m Newcastled, out of my tree There’s really not much wrong with me On the skite, overly refreshed I swear I’d still pass my driving “tesht” For drink improves pronounciation Adds sparkle to enunciation Predicting earthquakes, kissing pavements Quite quoited, rubbered, I’ve made arrangements To remain forever snobbled Sleeping on tarmac or on cobbles Thora Hirded, trousered, trashed I’ve spent great lakes of liquid cash Unca’ fou, marocced, it’s easy Discombobulated, queasy My wobbly boots are on, I’m wellied But only very slightly smelly Xenophoned, Yorkshired as a skunk Zombied But not even slightly drunk.
Tom Morton (Holy Waters: Searching for the sacred in a glass)
Honor was wearing an ankle-length black skirt and a flowing blouse, with flat shoes that seemed to anchor her to the ground. Her gray-black hair shone in the spotlight. She was not a young woman. She had been through plenty. “I believe that we don’t choose our stories,” she began, leaning forward. “Our stories choose us.” She paused and took a sip of water. Her hand, I noticed, was steady. “And if we don’t tell them, then we are somehow diminished.” Diminished. The word went through me like a bolt. I pulled out the small notebook I carry with me and scribbled down what she had just found the grace to say. There it was. All of it. I thought of my favorite passage in the Gnostic Gospels: If we bring forth what is within us, it will save us. If we do not bring forth what is within us, it will destroy us. And what the Bhagavad Gita has to say about dharma: Better is one’s own dharma though imperfectly carried out than the dharma of another carried out perfectly. I knew about the struggle for authenticity. The mining for words to collect together what felt impossibly broken. I wanted to gather up in my arms all that was lost to me. I wanted nothing less than to remake my world. A writer afraid of her own subject—whatever it might be—is a frozen creature, trapped in the inessential.
Dani Shapiro (Still Writing: The Pleasures and Perils of a Creative Life)
There was something wrong with my left ankle. It didn’t hurt, but it also didn’t feel like it was still there. I’d done something bad to it, but the fact that I could still run at a pretty good clip was an encouraging sign. It probably wasn’t broken. When the adrenaline wore off I was going to need some Advil, though. And quite possibly a visit to the doctor.
Matthew Storm (Angels (Nevada James #3) (Nevada James Mysteries))
One of her sandals had broken. It hung, hopeless, from her left ankle. They hadn’t been designed for frantic running through the forests. They were for dancing on the terraces outside the palace, for strolling manicured paths through the Red Gardens. They were designed to be pretty and useless. Like her.
Imogen Keeper (The Bonding (Tribe Warrior, #1))
Still, he pulled firmly at the door, knowing how it swelled and stuck in wet weather. He might have wished to see their faces once more. The face that met him was under a fireman’s helmet, lit by a flashlight held low and expertly angled. The light caught the silver needles of rain, in the air, off the rim of the black hat. It showed him a mouth and a chin and the broad shoulders under the wet rain gear without blinding him or turning the man himself into a grotesque. “I only wanted to warn you,” the man said. He moved the flashlight across his body, to the shrubs beside the steps and then to the grass and then to the weeping willow at the edge of the yard, beside the house. The streetlights were out. Following the moving beam of white light, John Keane saw the grass of his small lawn stir like a rising wave and the roots of the tree—thin as an arm, bent here and there like an elbow—breaking through. The fireman moved the light until it caught the base of the tree where a wider swath of dirt was opening like a mouth, an unhinged jaw filled with broken roots and dirt, and then it closed up again, as if with a breath. “We were driving by and saw it,” the fireman said. “That tree’s gonna fall. It’ll probably fall straight back, but you might want to get your family downstairs. Keep them to this side of the house.” He felt the wind and the rain on his bare ankles, against the hems of his thin pajama pants. He looked beyond the young fireman. In the street, there was no sign of the fire truck or car that had brought him. No coach, either. “Yes,” he said, thinking himself foolish, in his thin pajamas. “Thank you.” “There are trees down all over,” the man added. He raised his chin and in the darkness his eyes seemed as black and wet as his coat. He couldn’t have been more than twenty-five or thirty. “Take care of your family,” he said, and turned, using his flashlight to get himself down the three steps that led to the door. Squinting against the rain, John Keane watched him cross the path to the sidewalk, the circle of white light leading him, first to the right and then across the street where he might have disappeared altogether, leaving only the pale beam of his flashlight and a flashing reflection of two streaks of silver on his back, and then, as he apparently rounded the opposite corner, not even that.
Alice McDermott (After This)
He accepted then declared, “I drive. You ride. Not a rule, that’s a law. Get me?” “What if you’ve had a freak accident and you’ve broken your arm and ankle?” I asked for specifics. “If that shit happens, I hope to God you’re smart enough to pick up a phone and call an ambulance rather than draggin’ my ass to my car, which would be agony, shoving it in, which would be more agony, and taking me to the hospital
Kristen Ashley (Knight (Unfinished Hero, #1))
It used to be that people went to their doctor to find out what was wrong. That was the expectation when someone made an appointment with their local family doctor: they wanted to know what they had and how they could feel better. Ear infection: what should I take? Pulled muscle: what should I do? Broken ankle: how can you fix it? Over the years, something happened to this common sense approach. “Algorithms” and “pathways” have proliferated in ways that have reduced each person’s unique story to simplistic recipes. More often than not, this cookbook approach ends up telling patients what they don’t have—which, while potentially reassuring, does not result in a real diagnosis.1
Leana Wen (When Doctors Don't Listen: How to Avoid Misdiagnoses and Unnecessary Tests)
choose each footfall—a twisted ankle was certain death now—and I saw the tread marks before Kolya. I grabbed his sleeve to stop him. We were at the edge of a vast clearing in the woods. The glare of sunlight off the hectares of snow was bright enough that I had to shield my eyes with my hand. The snow had been corrugated by dozens of tank treads, as if an entire Panzer brigade had passed through. I didn’t know treads the way I knew airplane engines, couldn’t tell a German Sturmtiger’s from a Russian T-34’s, but I knew these weren’t our tanks. We would have already broken the blockade if we had this much armor in the woods. Gray and brown heaps lay scattered across the snow. At first I thought they were discarded coats, but I saw a tail on one, an outstretched paw on another, and I realized they were dead dogs, at least a dozen of them. We heard another howl and finally we saw the howler, a black-and-white sheepdog dragging itself off the field, its front legs doing the work its hind legs could not. Behind the wounded animal was a blood-smeared trail more than a hundred meters long, a red brushstroke slapped across a white canvas.
David Benioff (City of Thieves)
These endless ankle-twisting contradictions underfoot, amorphous, resistant, cutting, dull, become the uncountable futilities heaped upon one’s own shores by the surrounding ocean of indifference. If then one could elevate gloom into metaphysical despair, see the human race as no taller than that most depressing of life-forms, the lichen that stains so many of these bare stones black, one might, paradoxically, march on with a weightier stride that would soon outwalk the linear desert. Instead, the interminable dump of broken bits and pieces one is toiling along stubbornly remains the merely personal accumulation of petty worries, selfish anxieties, broken promises, discarded aspirations and other chips off a life-worn ego, that constitutes the path to one’s own particular version of nowhere.
Tim Robinson (Stones of Aran: Pilgrimmage)
Mea, go. Until your loyalty to me is greater than your hatred.” “I have stepped between you and enemy rifles!” “And now you make war on my woman. Do not test me again, cousin.” The muscles across Red Buffalo’s back knotted and twitched. He stood there a moment, quivering with rage, then spun and spat in Loretta’s direction, his black eyes livid with hatred. “Your woman,” he sneered. “She sickens my gut. You forget your wife who died for a yellow-hair?” With that, he stormed out. A brittle silence settled over the lodge. A tremor shook Loretta as the aftershock set in. The snake had been planted? She stared at Hunter; he stared at the doorway. When at last he looked at her, his eyes churned darkly with emotion. He returned to his pallet and sat down, legs crossed at the ankles in front of him. With a sigh, he reclaimed his flint and bone punch, bending over the flat rock he used as a base for his work. “You will sleep. I will watch.” The stony mask of anger that hooded his face did a poor job of concealing his pain. He loved his cousin, yet he had defended her against him. Loretta lay down, but sleep was beyond her. Seconds dragged by, mounting into minutes, and still the silence rang out, broken only by the report of bone against flint. Loretta swallowed. “Hunter?” His indigo gaze met hers. “Thank you. For--defending me.” Almost imperfectibly, he inclined his head. “Sleep, Blue Eyes. It is well.” “I--I’m sorry for causing a rift--a big fight--between you. I truly am sorry.” Afraid he might not understand, she placed a hand on her chest. “My heart is on the ground.” His mouth thinned, and he glanced outside. “Let your heart be glad again. The hatred came upon him long ago.” Something deep within Loretta knotted, twisted. She hugged her middle and tried desperately not to think, to deny the reality she could not accept, that Hunter, the legendary killer, was a man who thought, and felt, and loved--just like any other. He even mourned a dead wife. He was also a man true to his word. He had promised to defend her, and he had.
Catherine Anderson (Comanche Moon (Comanche, #1))
She stared at Hunter; he stared at the doorway. When at last he looked at her, his eyes churned darkly with emotion. He returned to his pallet and sat down, legs crossed at the ankles in front of him. With a sigh, he reclaimed his flint and bone punch, bending over the flat rock he used as a base for his work. “You will sleep. I will watch.” The stony mask of anger that hooded his face did a poor job of concealing his pain. He loved his cousin, yet he had defended her against him. Loretta lay down, but sleep was beyond her. Seconds dragged by, mounting into minutes, and still the silence rang out, broken only by the report of bone against flint. Loretta swallowed. “Hunter?” His indigo gaze met hers. “Thank you. For--defending me.” Almost imperfectibly, he inclined his head. “Sleep, Blue Eyes. It is well.
Catherine Anderson (Comanche Moon (Comanche, #1))
...she's wearing a thick brown-fur vest that hangs to her ankles. The vest sort of makes her look like a small, yet fashionable bear
N.K. Jemisin (The Fifth Season (The Broken Earth, #1))
A stubborn but warm February rain was pouring hard across the concrete canyons of downtown. His foot had landed ankle-deep in a drainage puddle, and his half-broken umbrella wasn't extending as it should. But the umbrella, which had rarely seen use, quickly fell out of his hands
Robin Parrish (Relentless (Dominion, #1))
Are you hurt?” “What does it look like, Princess? I just got mowed down with a BMW. I think my ankle’s broken.” “Oh God.” “I usually like to hear that under different circumstances. Why don’t we try again when I’m not so…incapacitated?” My eyes narrowed. “Are you coming on to me right now?” “Did you just run me over right now?” he shot back.
A.L. Jackson (One Wild Ride (Hollywood Chronicles, #2))
Be a Student of the Game. Like most clichés of sport, this is profound. You can be shaped, or you can be broken. There is not much in between. Try to learn. Be coachable. Try to learn from everybody, especially those who fail. This is hard. Peers who fizzle or blow up or fall down, run away, disappear from the monthly rankings, drop off the circuit. E.T.A. peers waiting for deLint to knock quietly at their door and ask to chat. Opponents. It’s all educational. How promising you are as a Student of the Game is a function of what you can pay attention to without running away. Nets and fences can be mirrors. And between the nets and fences, opponents are also mirrors. This is why the whole thing is scary. This is why all opponents are scary and weaker opponents are especially scary. See yourself in your opponents. They will bring you to understand the Game. To accept the fact that the Game is about managed fear. That its object is to send from yourself what you hope will not return. This is your body. They want you to know. You will have it with you always. On this issue there is no counsel; you must make your best guess. For myself, I do not expect ever really to know. But in the interval, if it is an interval: here is Motrin for your joints, Noxzema for your burn, Lemon Pledge if you prefer nausea to burn, Contracol for your back, benzoin for your hands, Epsom salts and anti-inflammatories for your ankle, and extracurriculars for your folks, who just wanted to make sure you didn’t miss anything they got.
David Foster Wallace
Collin Boyd stepped off the Metro bus on his way to work, and across the street he saw himself strolling down the sidewalk. A stubborn but warm February rain was pouring hard across the concrete canyons of downtown. His foot had landed ankle-deep in a drainage puddle, and his half-broken umbrella wasn't extending as it should. But the umbrella, which had
Robin Parrish (Relentless (Dominion, #1))
During the 1982 massacre of Mayan people in the Aldea Rio Negro (Guatemala), 177 women and children were killed. The young women were raped in front of their mothers, and the mothers were killed in front of their children. The younger children were then tied at the ankles and dashed against the rocks until their skulls were broken. ' This massacre, committed by the Guatemalan army, was funded by the U.S. government.
Andrea Lee Smith
Pope was only 26 years years old and now he’s dead and there’s nothing any of us can do about it. All he did was break his fucking foot, he wasn’t supposed to die when we left him in Dallas. He was supposed to have surgery, get his cast, and be back out on the road with us by summer. It was the insurance-provided assisted living doctors that killed him. They told him he was schizophrenic. Started feeding him psychiatric drugs. They over-medicated him. Too many pills. His bbody couldn’t take it. He wasn’t crazy. He just wasn’t meant for Texas. They won’t release any of his records to us, only to family. Pope didn’t have much family left, just his older brother and grandmother. He told us all his parents were dead. It wasn’t until after Pope died we found out his father was still alive. None of them are going to chase this. I feel responsible. We left him. It wasn’t supposed to be a big deal. It was just a broken foot, a busted ankle. Heather had been talking to him while he was in the hospital. He told him to come stay with us. He was incoherent whenever I’d hear from him. It was like you could tell the drugs were kicking in. I was too self-obsessed to care, too focused on my failing career. Too busy being full of shit and uninspired. To fucking original. So fucking wasted. It’s a rare thing to meet someone out on the road that you connect with. It’s such a rare and beautiful thing to find a true friend out there on the road. I failed him. Pope, I’m sorry, so very sorry.
Laura Jane Grace
what seemed like seconds. The whole time, something was clawing at my head. Thud. I landed hard and threw the creature off my face. It yowled, and I knew it was a cat. Candy pelted me with the force of driving hail, like busted piñata guts. A sharp pain shot through my ankle. It didn’t feel broken, but I figured I’d better wait a few minutes before standing on it again. Everything was pitch black. The only sound, the soft echo of the cat hissing. Carefully, I felt around for the camera. The floor was cold, metal, and sticky with a thin layer of goo. The floor was barren except for fun-sized candy bars and Smarties scattered across the floor. I found the camera battery first. It had a large crack along its case. I figured I'd be lucky if it worked. Once I located the camera, I wiped the gunk off my hands onto my jeans and snapped the battery back into place. The spotlight flickered on. The cat hissed again. It stood, fur on end, a few feet away from me in a corner. Actually, it wasn't a corner—this dungeon had no corners. We were in some sort of round holding tank. This better not be part of Chris's plan.
M.J.A. Ware (No Way Out: And Other Scary Short Stories)
You don’t realize how much of life is built for relationships until, newly single, you find yourself with a broken ankle, cooped up on the couch in your one-bedroom apartment, and you need to go to the restroom. The problem is, you’ve knocked your crutches over and the pain prevents you from moving too much at all. You go through the Rolodex in your head of whom you can call, and every one of them has someone more important than you in their lives to take care of. You have to weigh how much of a bother you’re going to be, and how much you can rely on them. (Obviously you can rely on your friends. Obviously I’m not saying you can’t, but there is always a limit of how much before you’re a burden.)
Ashley Poston (A Novel Love Story)
Without a thought, I summon briars stripped of their thorns. Two crawl up to wrap around her ankles, spreading her legs wider, and a third probes her entrance. “What do you say, Flower?” I smirk. “Let me in?
Elizabeth Helen (Broken by Daylight (Beasts of the Briar, #4))
Jake’s father, Doc Polson, had tended to hundreds of scraped knees and bumped heads. He’d set four broken arms and fixed dozens of sprained ankles before people got used to hopping on and off the moving wagons. He’d also salved a couple of dozen scalds and burns, he’d sat up with a child with croup for three nights, and he’d even delivered two babies, with the help of Aunt May, the midwife.
Dan Abnett (Dragon Frontier)