Broadcast News Film Quotes

Chapter 17   I was on my way from Rambam Hospital to Tiberias, when the news first came across the radio about a suicide bombing in Tel Aviv. Maggie was still at the Hematology  Ward. I tried to imagine how she felt listening to the news. Surely she was as shocked as everyone else. There in the ward, patients were fighting for their lives, and now in another place in the country, people had perished in seconds. The entire country was horrified by the horrible scenes that aired on all the media. Gradually, the magnitude of the disaster started to be known. A suicide bomber detonated a charge inside a bus, while travelers were going up and down the bus at the heart of the city. It was a few minutes before nine in the morning. There were over twenty dead and dozens wounded. At home, sitting in front of the TV, I watched the extensive coverage. This transition from the sick atmosphere of the hospital in the morning, to the atmosphere of the evening suicide bombing, was depressing. The TV coverage was painful and brought an atmosphere of sadness. I had a feeling that the broadcast intended to clarify to all the people who were still healthy  that their health would not help them. That their end could come just as it did to those victims of the terrorism act on the bus. People did not stop thinking about the event, and the harsh images which were shown repeatedly on the television. Reporters broadcasted from the scene in heightened excitement and everything was filmed live. It seemed that someone was afraid, lest, God forbid, there would be a single person in the country who did not watch this horror. It was appalling. It was one of the first suicide bombings in Israel, and perhaps one of the largest ones.

More than half of the Christian Democrats’ funds came from the United States. According to the Church report, the CIA, besides supporting the Christian Democrats, “mounted a massive anti-Communist propaganda campaign. Extensive use was made of the press, radio, films, pamphlets, posters, leaflets, direct mailings, paper streamers and wall painting.” In the first week of the CIA’s efforts, in June 1964, the agency produced 20 radio spots a day in Santiago and 12-minute news reports broadcast five times a day on three different Santiago stations. Activities in the provinces were even more extensive. To those inclined to react with indignation or outrage at Washington’s interventions, it is important to point out that Chile was hardly virgin territory whose purity was violated only by the intrusive, predatory United States. The Soviet Union and Cuba were doing their utmost to back Allende. If virtue was defined by a lack of foreign intervention, then nobody, inside Chile or out, could be said to be clothed in virtue. But even if critics are reluctant to celebrate it, the American covert effort can be seen as one of the great foreign policy success stories of the 1960s: Frei won the election with 56 percent of the vote compared to 39 percent for Allende. Afterward, Frei thanked the Americans for their help, though almost no one, including Frei himself, knew just how extensive that help was. The CIA, which did know, congratulated itself as one of the “indispensable ingredients in Frei’s success.

He consumed TV like the late Roger Ebert must have watched movies. I imagine that, after being a film critic for almost a half century, it was difficult for Ebert to enjoy a movie just for the fun of it. He must have always been analyzing the plotline, character development, and cinematography. Trump was the same way about network news programming. He commented on the sets, the graphics, the wardrobe choices, the lighting, and just about every other visual component of a broadcast.

Titled by year, Good News of 1939, 1940 became Maxwell House Coffee Time to begin the 1940–41 season, though the Good News title was still used for a few broadcasts. Maxwell House Coffee. CAST: Hosts: James Stewart, 1937; Robert Taylor, early to mid-1938; Robert Young, beginning in fall 1938; various hosts, 1939–40; Dick Powell, ca. 1940. Frank Morgan, resident comic. Fanny Brice as Baby Snooks beginning Dec. 23, 1937. Hanley Stafford as Daddy. Also many MGM film stars including Judy Garland, Joan Crawford, Mickey Rooney, Alice Faye, Spencer Tracy, Lionel Barrymore, Clark Gable,