“
It is a long way to Ireland, Janet, and I am sorry to send my little friend on such weary travels: but if I can't do better, how is it to be helped? Are you anything akin to me, do you think, Jane?"
I could risk no sort of answer by this time: my heart was still.
"Because, he said, "I sometimes have a queer feeling with regard to you - especially when you are near me, as now: it is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situated in the corresponding quarter of your little frame. And if that boisterous channel, and two hundred miles or so of land some broad between us, I am afraid that cord of communion will be snapt; and then I've a nervous notion I should take to bleeding inwardly. As for you, - you'd forget me.
”
”
Charlotte Brontë (Jane Eyre)
“
In my whole life, I have known no wise people (over a broad subject matter area) who didn't read all the time -- none, zero. You'd be amazed at how much Warren reads--and at how much I read. My children laugh at me. They think I'm a book with a couple of legs sticking out.
”
”
Charles T. Munger (Poor Charlie's Almanack: The Wit and Wisdom of Charles T. Munger)
“
The nation that will insist on drawing a broad line of demarcation between the fighting man and the thinking man is liable to find its fighting done by fools and its thinking done by cowards.
”
”
William Francis Butler (Charles George Gordon)
“
I waited for the fear to hit; waited for my body to shriek to find a way to get out of this dinner, but ... nothing. Maybe it'd be a mercy to be ended—
A broad hand gripped my face—gently enough not to hurt, but hard enough to make me look at him. "Don't you ever think that," Rhysand hissed, his eyes livid. "Not for one damned moment.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
But you're dead,' said Harry.
'Oh, yes,' said Dumbledore matter-of-factly.
'Then... am I dead too?'
'Ah,' said Dumbledore, smiling still more broadly. 'That is the question, isn't it? On the whole, dear boy, I think not.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
LADY LAZARUS
I have done it again.
One year in every ten
I manage it--
A sort of walking miracle, my skin
Bright as a Nazi lampshade,
My right foot
A paperweight,
My face a featureless, fine
Jew linen.
Peel off the napkin
O my enemy.
Do I terrify?--
The nose, the eye pits, the full set of teeth?
The sour breath
Will vanish in a day.
Soon, soon the flesh
The grave cave ate will be
At home on me
And I a smiling woman.
I am only thirty.
And like the cat I have nine times to die.
This is Number Three.
What a trash
To annihilate each decade.
What a million filaments.
The peanut-crunching crowd
Shoves in to see
Them unwrap me hand and foot--
The big strip tease.
Gentlemen, ladies
These are my hands
My knees.
I may be skin and bone,
Nevertheless, I am the same, identical woman.
The first time it happened I was ten.
It was an accident.
The second time I meant
To last it out and not come back at all.
I rocked shut
As a seashell.
They had to call and call
And pick the worms off me like sticky pearls.
Dying
Is an art, like everything else.
I do it exceptionally well.
I do it so it feels like hell.
I do it so it feels real.
I guess you could say I've a call.
It's easy enough to do it in a cell.
It's easy enough to do it and stay put.
It's the theatrical
Comeback in broad day
To the same place, the same face, the same brute
Amused shout:
'A miracle!'
That knocks me out.
There is a charge
For the eyeing of my scars, there is a charge
For the hearing of my heart--
It really goes.
And there is a charge, a very large charge
For a word or a touch
Or a bit of blood
Or a piece of my hair or my clothes.
So, so, Herr Doktor.
So, Herr Enemy.
I am your opus,
I am your valuable,
The pure gold baby
That melts to a shriek.
I turn and burn.
Do not think I underestimate your great concern.
Ash, ash--
You poke and stir.
Flesh, bone, there is nothing there--
A cake of soap,
A wedding ring,
A gold filling.
Herr God, Herr Lucifer
Beware
Beware.
Out of the ash
I rise with my red hair
And I eat men like air.
-- written 23-29 October 1962
”
”
Sylvia Plath (Ariel)
“
Vegas?" I asked. His brow furrowed, unsure of where I was headed.
"Yeah?"
"Have you thought about going back?" His eyebrows shot up.
"I don't think that's a good idea for me."
"What if we just went for a night?" He looked around the dark room, confused.
"A night?"
"Marry me," I said without hesitation. I was surprised at how quickly and easily the words came. His mouth spread into a broad smile.
"When?" I shrugged.
"We can book a flight tomorrow. It's spring break. I dont't have anything going on tomorrow, do you?"
"I'm callin' your bluff," he said, watching my reaction closely as he was connected. "I need two tickets to vegas, please. Tomorrow. Hmmmm...," he looked at me, waiting for me to change my mind. "Two days, round trip. Whatever you have.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
Have you ever noticed that? We base our assessment of the intelligence of others almost entirely on how closely their thinking matches our own. I'm sure that there are people out there who violently disagree with me on most things, and I'm broad-minded enough to conceded that they might possibly not be completely idiots, but I much prefer the company of people who agree with me.
You might want to think about that.
”
”
David Eddings (Belgarath the Sorcerer)
“
You’ll find out it’s little savors and little things that count more than big ones. A walk on a spring morning is better than an eighty-mile ride in a hopped-up car, you know why? Because it’s full of flavors, full of a lot of things growing. You’ve time to seek and find. I know, you’re after the broad effect now, I suppose that’s fit and proper. But you got to look at grapes as well as watermelons. You greatly admire skeletons and I like fingerprints; well, and good. Right now such things are bothersome to you, and I wonder if it isn’t because you never learned to use them. If you had your way you’d pass a law to abolish all the little jobs, the little things. But then you’d leave yourselves nothing to do between the big jobs and you’d have a devil of a time thinking up things? Cutting grass and pulling weeds can be a way of life.
”
”
Ray Bradbury (Dandelion Wine)
“
I prayed all the way up that hill yesterday,” he said softly. “Not for you to stay; I didna think that would be right. I prayed I’d be strong enough to send ye away.” He shook his head, still gazing up the hill, a faraway look in his eyes.
“I said ‘Lord, if I’ve never had courage in my life before, let me have it now. Let me be brave enough not to fall on my knees and beg her to stay. He pulled his eyes away from the cottage and smiled briefly at me.
"Hardest thing I ever did, Sassenach.” He turned in the saddle, and reined the horse’s head toward the east. It was a rare bright morning, and the early sun gilded everything, drawing a thin line of fire along the edge of the reins, the curve of the horse’s neck, and the broad planes of Jamie’s face and shoulders.
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
I have started to think that the great, decisive moments that broadly govern our lives are far less conscious at the time than they seem later when we are reminiscing and taking stock.
”
”
Sándor Márai (Esther's Inheritance)
“
Quite the opposite; my definition is too broad. I think we're all quite mad. Some of us are just more discreet about it.
”
”
Mindy McGinnis (A Madness So Discreet)
“
The shapes inched closer. I gaped at them, trying to discern their features. "I think I see dead people," I whispered.
"Yep," Aidan said, smiling. "More vampire jokes. You're just fine, then. Once this is over, you and my brother will be BFFs." He wrapped his arms around me, pressing me against his broad chest. Against my better judgement, I leaned into him, strangely comforted.
”
”
Jayde Scott (A Job From Hell (Ancient Legends, #1))
“
One of the boringly human pair of boys, the obvious leader, was tall and broad-shouldered, with golden hair, as if Nature has said, 'No worries, buddy, I gotcha, no nasty tiring thinking will ever be necessary, also have a crown.
”
”
Sarah Rees Brennan (In Other Lands)
“
Simply put, feminism is a movement to end sexism, sexist exploitation, and oppression. This was a definition of feminism I offered in Feminist Theory: From Margin to Center more than 10 years ago. It was my hope at the time that it would become a common definition everyone would use. I liked this definition because it did not imply that men were the enemy. By naming sexism as the problem it went directly to the heart of the matter. Practically, it is a definition which implies that all sexist thinking and action is the problem, whether those who perpetuate it are female or male, child or adult. It is also broad enough to include an understanding of systemic institutionalized sexism. As a definition it is open-ended. To understand feminism it implies one has to necessarily understand sexism.
”
”
bell hooks (Feminism Is for Everybody: Passionate Politics)
“
Are you anything akin to me, do you think, Jane?"
I could risk no sort of answer by this time; my heart was full.
"Because," he said, "I sometimes have a queer feeling with regard to you — especially when you are near to me, as now: it is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situated in the corresponding quarter of your little frame. And if that boisterous Channel, and two hundred miles or so of land, come broad between us, I am afraid that cord of communion will be snapped; and then I've a nervous notion I should take to bleeding inwardly.
”
”
Charlotte Brontë (Jane Eyre)
“
Broadly put, philosophers think: politicians maneuver. Jefferson's genius was that he was both and could do both, often simultaneously. Such is the art of power.
”
”
Jon Meacham (Thomas Jefferson: The Art of Power)
“
Suffering and pain are always obligatory for a broad consciousness and a deep heart. Truly great men I think, must feel great sorrow in this world.
”
”
Fyodor Dostoevsky (Crime and Punishment)
“
The mockingbird took a single step into the air and dropped. His wings were still folded against his sides as though he were singing from a limb and not falling, accelerating thirty-two feet per second per second, through empty air. Just a breath before he would have been dashed to the ground, he unfurled his wings with exact, deliberate care, revealing the broad bars of white, spread his elegant, white-banded tail, and so floated onto the grass. I had just rounded a corner when his incouciant step caught my eye; there was no one else in sight. The fact of his free fall was like the old philosophical conundrum about the tree that falls in the forest. The answer must be, I think, that beauty and grace are performed whether or not we will or sense them. The least we can do is try to be there.
”
”
Annie Dillard
“
He's really sweet, actually."
"I don't think we're talking about the same Sed. Sedric Lionheart. Tall guy. Broad shoulders. Blue eyes. Short black hair. Body befitting a Greek god. Sings. La la la la.
”
”
Olivia Cunning (Rock Hard (Sinners on Tour, #2))
“
I’m glad you think this is funny,” he says. “Come on,” I say. “Tragedy is funny.” “Are we in a tragedy?” he asks, smiling broadly now. “Of course. Isn’t that what life is? We all die at the end.
”
”
Nicola Yoon (The Sun is Also a Star)
“
Age makes you notice certain things. For example, I now know that a man’s life is broadly divided into three periods. During the first, it doesn’t even occur to us that one day we will grow old, we don’t think that time passes or that from the day we are born we’re all walking toward a common end. After the first years of youth comes the second period, in which a person becomes aware of the fragility of life and what begins like a simple niggling doubt rises inside you like a flood of uncertainties that will stay with you for the rest of your days. Finally, toward the end of life, the period of acceptance begins, and, consequently, of resignation, a time of waiting.
”
”
Carlos Ruiz Zafón (The Prince of Mist (Niebla, #1))
“
The more I got to know people, the more I realized we were all just a bunch of frightened idiots walking around in the dark, bumping into each other and panicking for no reason at all.
So I started turning on a light.
I stopped thinking of people as mobs. Hordes. Faceless masses. I tried, really hard, to stop assuming I had people figured out, especially before I’d ever even spoken to them. I wasn’t great at this—and I’d probably have to work at it for the rest of my life—but I tried. I really did. It scared me to realize that I’d done to others exactly what I hadn’t wanted them to do to me: I made sweeping statements about who I thought they were and how they lived their lives; and I made broad generalizations about what I thought they were thinking, all the time.
”
”
Tahereh Mafi (A Very Large Expanse of Sea)
“
Could I be your girl, too?" I asked quickly.
The large, broad-shouldered man looked away before he answered. "Well, now," he said, as though he had given it deep thought, "I sure do think I would like that."
"But," I said, concerned that he hadn't noticed, "I don't look like your other girls."
"You mean because you white?"
I nodded.
"Abinia," he said, pointing toward the chickens, "you look at those birds. Some of them be brown, some of them be white and black. Do you think when they little chicks, those mamas and papas care about that?
”
”
Kathleen Grissom (The Kitchen House)
“
And I think about the many broad seas that have roared between me and the past— seas of neglect, seas of time, seas of death. I'll never again speak to many of the people who loved me into this moment, just as you will never speak to many of the people who loved you into your now. So we raise a glass to them— and hope that perhaps, somewhere, they are raising a glass to us.
”
”
John Green (The Anthropocene Reviewed)
“
Yeah," he grount out. "I nailed her."
"Where?" Luc always wanted the dirty details.
"Stockroom. Pay up."
Luc snorted and reached for his wallet. "I really got taken on this one , didn't I?" He handed over four hundreds and five twenties.
"Yeah, well, you can have the last laugh once the Sem brothers catch up with me. Seems she's their sister."
"Dude." Luc streched out the word and then whistled, low and long. "Nice knowing you. So, will it at least have been worth it? Being gutted by Shade, I mean. Was she good ?"
His body heated as though remembering. And wanting again.
"Of course I was."
Fuck. Con spun around to find Sin standing there, hands on hips and fury in her expression. Like a kid caught stealing candy, he whipped the money behind his back. She looked at him as if he was an idiot and grabbed his arm, briging it around.
"It's not what you think," he said lamely, because it was exactly what she thought.
"Really? So that big asshole behind you didn't bet you five hundred bucks that you couldn't fuck me ?"
"Ah..."
"That's what I thought. You dick. How stupid do you think I am ? Your name really fits you , Con." She snatched the money from him, took two hundreds and three twenties, and thrust the remaining two hundred and forty dollars back into his hand. Then, smiling broadly, she punched him in the shoulder. "Next time you make a bet like that, don't cheat me out of my half. I owe you a ten."
She winked and left him, jaw-dropped and gaping, as she sauntered away.
”
”
Larissa Ione (Ecstasy Unveiled (Demonica, #4))
“
Maud’Dib could indeed, see the Future, but you must understand the limits of this power. Think of sight. You have eyes, yet cannot see without light. If you are on the floor of a valley, you cannot see beyond the valley. Just so, Maud’Dib could not always choose to look across the mysterious terrain. He tells us that a single obscure decision of prophecy, perhaps the choice of one word over another, could change the entire aspect of the future. He tells us “The vision of time is broad, but when you pass through it, time becomes a narrow door.” And always, he fought the temptation to choose a clear, safe course, warning “That path leads ever down into stagnation.
”
”
Frank Herbert (Dune (Dune, #1))
“
Dearest creature in creation,
Study English pronunciation.
I will teach you in my verse
Sounds like corpse, corps, horse, and worse.
I will keep you, Suzy, busy,
Make your head with heat grow dizzy.
Tear in eye, your dress will tear.
So shall I! Oh hear my prayer.
Just compare heart, beard, and heard,
Dies and diet, lord and word,
Sword and sward, retain and Britain.
(Mind the latter, how it’s written.)
Now I surely will not plague you
With such words as plaque and ague.
But be careful how you speak:
Say break and steak, but bleak and streak;
Cloven, oven, how and low,
Script, receipt, show, poem, and toe.
Hear me say, devoid of trickery,
Daughter, laughter, and Terpsichore,
Typhoid, measles, topsails, aisles,
Exiles, similes, and reviles;
Scholar, vicar, and cigar,
Solar, mica, war and far;
One, anemone, Balmoral,
Kitchen, lichen, laundry, laurel;
Gertrude, German, wind and mind,
Scene, Melpomene, mankind.
Billet does not rhyme with ballet,
Bouquet, wallet, mallet, chalet.
Blood and flood are not like food,
Nor is mould like should and would.
Viscous, viscount, load and broad,
Toward, to forward, to reward.
And your pronunciation’s OK
When you correctly say croquet,
Rounded, wounded, grieve and sieve,
Friend and fiend, alive and live.
Ivy, privy, famous; clamour
And enamour rhyme with hammer.
River, rival, tomb, bomb, comb,
Doll and roll and some and home.
Stranger does not rhyme with anger,
Neither does devour with clangour.
Souls but foul, haunt but aunt,
Font, front, wont, want, grand, and grant,
Shoes, goes, does. Now first say finger,
And then singer, ginger, linger,
Real, zeal, mauve, gauze, gouge and gauge,
Marriage, foliage, mirage, and age.
Query does not rhyme with very,
Nor does fury sound like bury.
Dost, lost, post and doth, cloth, loth.
Job, nob, bosom, transom, oath.
Though the differences seem little,
We say actual but victual.
Refer does not rhyme with deafer.
Foeffer does, and zephyr, heifer.
Mint, pint, senate and sedate;
Dull, bull, and George ate late.
Scenic, Arabic, Pacific,
Science, conscience, scientific.
Liberty, library, heave and heaven,
Rachel, ache, moustache, eleven.
We say hallowed, but allowed,
People, leopard, towed, but vowed.
Mark the differences, moreover,
Between mover, cover, clover;
Leeches, breeches, wise, precise,
Chalice, but police and lice;
Camel, constable, unstable,
Principle, disciple, label.
Petal, panel, and canal,
Wait, surprise, plait, promise, pal.
Worm and storm, chaise, chaos, chair,
Senator, spectator, mayor.
Tour, but our and succour, four.
Gas, alas, and Arkansas.
Sea, idea, Korea, area,
Psalm, Maria, but malaria.
Youth, south, southern, cleanse and clean.
Doctrine, turpentine, marine.
Compare alien with Italian,
Dandelion and battalion.
Sally with ally, yea, ye,
Eye, I, ay, aye, whey, and key.
Say aver, but ever, fever,
Neither, leisure, skein, deceiver.
Heron, granary, canary.
Crevice and device and aerie.
Face, but preface, not efface.
Phlegm, phlegmatic, ass, glass, bass.
Large, but target, gin, give, verging,
Ought, out, joust and scour, scourging.
Ear, but earn and wear and tear
Do not rhyme with here but ere.
Seven is right, but so is even,
Hyphen, roughen, nephew Stephen,
Monkey, donkey, Turk and jerk,
Ask, grasp, wasp, and cork and work.
Pronunciation (think of Psyche!)
Is a paling stout and spikey?
Won’t it make you lose your wits,
Writing groats and saying grits?
It’s a dark abyss or tunnel:
Strewn with stones, stowed, solace, gunwale,
Islington and Isle of Wight,
Housewife, verdict and indict.
Finally, which rhymes with enough,
Though, through, plough, or dough, or cough?
Hiccough has the sound of cup.
My advice is to give up!!!
”
”
Gerard Nolst Trenité (Drop your Foreign Accent)
“
I’d been unable to stop questioning if I knew what I was doing, even just kissing, and I’d sort of sheepishly apologized for my inexperience. Lucius had drawn back, a strange look in his eyes and a half smile on his lips as he’d said, 'I don’t think I could allow another man who’d touched you to continue walking this earth. The only reason Zinn survives is the debt that I owe him.' He’d smiled a little more broadly, joking, 'Your inexperience saves lives, Antanasia.
”
”
Beth Fantaskey (The Wedding of Antanasia Jessica Packwood and Lucius Valeriu Vladescu (Jessica, #1.5))
“
All of them had been give a makeover. Leo was wearing pinstriped pants, black leather shoes, a white collarless shirt with suspenders, and his tool
belt, Ray-Ban sunglasses, and a porkpie hat.
“God, Leo.” Piper tried not to laugh. “I think my dad wore that to his last premiere, minus the tool belt.”
“Hey, shut up!”
“I think he looks good,” said Coach Hedge. “’Course, I look better.”
The satyr was a pastel nightmare. Aphrodite had given him a baggy canary yellow zoot suit with two-tone shoes that fit over his hooves. He had a
matching yellow broad-brimmed hat, a rose-colored shirt, a baby blue tie, and a blue carnation in his lapel, which Hedge sniffed and then ate.
“Well,” Jason said, “at least your mom overlooked me.”
Piper knew that wasn’t exactly true. Looking at him, her heart did a little tap dance. Jason was dressed simply in jeans and a clean purple T-shirt, like
he’d worn at the Grand Canyon. He had new track shoes on, and his hair was newly trimmed. His eyes were the same color as the sky. Aphrodite’s
message was clear: This one needs no improvement.
And Piper agreed.
”
”
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
“
Maxon, I hope you find someone you can't love without. I really do. And I hope you never have to know what it's like to have to try and live without them."
Maxon's face was a shallow echo of my own pain. He looked absolutely brokenhearted for me. More than that, he looked angry.
"I'm sorry, America. I don't..." His face shifted a little. "Is this a good time to pat your shoulder?"
His uncertainty made me smile. "Yes. Now would be a great time."
He seemed as skeptically as he'd been the other day, but instead of just patting my shoulder, he leaned in and tentatively wrapped his arms around me.
"I only really ever hug my mother. Is this okay?" he asked.
I laughed. "It's hard to get a hug wrong."
After a minute, I spoke again. "I know what you mean, though. I don't really hug anyone besides my family."
I felt so drained after the long day of dressing and the Report and dinner and talking. It was nice to have Maxon just hold me, sometimes even patting my hair. He wasn't as lost as he seemed. He patiently waited for my breathing to slow, and when it did, he pulled back to look at me.
"America, I promise you I'll keep you here until the last possible moment. I understand that they want me to narrow the Elite down to three and then choose. But I swear to you, I'll make it to two and keep you here until then. I won't make you leave a moment before I have to. Or the moment you're ready. Whichever comes first."
I nodded.
"I know we just met, but I think you're wonderful. And it bothers me to see you hurt. If he were here, I'd...I'd..." Maxon shook with frustration, then sighed. "I'm so sorry, America."
He pulled me back in, and I rested my head on his broad shoulder. I knew Maxon would keep his promises. So I settled into perhaps the last place I ever thought I'd find genuine comfort.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
Success is the important thing. Propaganda is not a matter for average minds, but rather a matter for practitioners. It is not supposed to be lovely or theoretically correct. I do not care if I give wonderful, aesthetically elegant speeches, or speak so that women cry. The point of a political speech is to persuade people of what we think right. I speak differently in the provinces than I do in Berlin, and when I speak in Bayreuth, I say different things than I say in the Pharus Hall. That is a matter of practice, not of theory. We do not want to be a movement of a few straw brains, but rather a movement that can conquer the broad masses. Propaganda should be popular, not intellectually pleasing. It is not the task of propaganda to discover intellectual truths.
”
”
Joseph Goebbels
“
Stock Traders are always trying to time the market. But an investor tends to be thinking bigger, more broadly, and more holistically.
”
”
Hendrith Vanlon Smith Jr.
“
She just put a stake through his heart in broad daylight, and he’s still moving,” a dry voice responded. “I think that means he’s not a vampire, if you check.
”
”
John Patrick Kennedy (I Am Titanium)
“
But, sometimes, especially late at night, when only the wind is awake with my thoughts, I feel an urgent need. I think of lacing up my tennis shoes and stepping out the door, already in a half run. I think of running and running forever, until I become part of the night sky. -The Art of Leaving
”
”
Shilo Niziolek (Broad River Review)
“
Maybe it'd be a mercy to be ended-
A broad hand gripped my face-gently enough not to hurt, but strong enough to make me look at him. "Don't you ever think that"Rhysand hissed,his eyes livid. "Not for one damned moment.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
Rook, I should think it obvious.” He smiled broadly. “I’m famously important.
”
”
William Ritter (The Map (Jackaby, #1.5))
“
TO BE A TOURIST is to escape accountability. Errors and failings don't cling to you the way they do back home. You're able to drift across continents and languages, suspending the operation of sound thought. Tourism is the march of stupidity. You're expected to be stupid. The entire mechanism of the host country is geared to travelers acting stupidly. You walked around dazed, squinting into fold-out maps. You don't know how to talk to people, how to get anywhere, what the money means, what time it is, what to eat or how to eat it. Being stupid is the pattern, the level and the norm. You can exist on this level for weeks and months without reprimand or dire consequence. Together with thousands, you are granted immunities and broad freedoms. You are an army of fools, wearing bright polyesters, riding camels, taking pictures of each other, haggard, dysentric, thirsty. There is nothing to think about but the next shapeless event.
”
”
Don DeLillo (The Names)
“
The Children's Hour
Between the dark and the daylight,
When the night is beginning to lower,
Comes a pause in the day's occupations,
That is known as the Children's Hour.
I hear in the chamber above me
The patter of little feet,
The sound of a door that is opened,
And voices soft and sweet.
From my study I see in the lamplight,
Descending the broad hall stair,
Grave Alice, and laughing Allegra,
And Edith with golden hair.
A whisper, and then a silence:
Yet I know by their merry eyes
They are plotting and planning together
To take me by surprise.
A sudden rush from the stairway,
A sudden raid from the hall!
By three doors left unguarded
They enter my castle wall!
They climb up into my turret
O'er the arms and back of my chair;
If I try to escape, they surround me;
They seem to be everywhere.
They almost devour me with kisses,
Their arms about me entwine,
Till I think of the Bishop of Bingen
In his Mouse-Tower on the Rhine!
Do you think, o blue-eyed banditti,
Because you have scaled the wall,
Such an old mustache as I am
Is not a match for you all!
I have you fast in my fortress,
And will not let you depart,
But put you down into the dungeon
In the round-tower of my heart.
And there will I keep you forever,
Yes, forever and a day,
Till the walls shall crumble to ruin,
And moulder in dust away!
”
”
Henry Wadsworth Longfellow (The Complete Works of Henry Wadsworth Longfellow)
“
The fact that we can't see the beauty in something doesn't suggest that it's not there. Rather, it suggests that we are not looking carefully enough or with a broad enough perspective to see it.
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Richard Carlson (Don't Sweat the Small Stuff ... and It's All Small Stuff: Simple Ways to Keep the Little Things From Taking Over Your Life)
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All negative thoughts – anger, fear, passion, compulsive craving -- tend to be fast. If we could see the mind when it is caught in such thoughts, we would really see it racing. But positive thoughts like love, patience, tenderness, compassion, and understanding are slow - not turbulent, rushing brooks of thinking, so to speak but broad rivers that are calm, clear, and deep.
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Eknath Easwaran (Take Your Time: How to Find Patience, Peace, and Meaning)
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Twitter does not allow others to understand your deep thoughts and broad perspective. It only allows others to confirm how stupid they already think you are.
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Nicholas Epley (Mindwise: Why We Misunderstand What Others Think, Believe, Feel, and Want)
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A child said What is the grass? fetching it to me with full hands;
How could I answer the child? I do not know what it is any more
than he.
I guess it must be the flag of my disposition, out of hopeful green
stuff woven.
Or I guess it is the handkerchief of the Lord,
A scented gift and remembrancer designedly dropt,
Bearing the owner's name someway in the corners, that we may see
and remark, and say Whose?
Or I guess the grass is itself a child, the produced babe of the
vegetation.
Or I guess it is a uniform hieroglyphic,
And it means, Sprouting alike in broad zones and narrow zones,
Growing among black folks as among white,
Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I
receive them the same.
And now it seems to me the beautiful uncut hair of graves.
Tenderly will I use you curling grass,
It may be you transpire from the breasts of young men,
It may be if I had known them I would have loved them,
It may be you are from old people, or from offspring taken soon out
of their mothers' laps,
And here you are the mothers' laps.
This grass is very dark to be from the white heads of old mothers,
Darker than the colorless beards of old men,
Dark to come from under the faint red roofs of mouths.
O I perceive after all so many uttering tongues,
And I perceive they do not come from the roofs of mouths for
nothing.
...
What do you think has become of the young and old men?
And what do you think has become of the women and children?
They are alive and well somewhere,
The smallest sprout shows there is really no death,
And if ever there was it led forward life, and does not wait at the
end to arrest it,
And ceas'd the moment life appear'd.
All goes onward and outward, nothing collapses,
And to die is different from what any one supposed, and luckier.
”
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Walt Whitman (Song of Myself)
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I hadn't slept for seven nights.
My mother told me I must have slept, it was impossible not to sleep in all that time, but if I slept, it was with my eyes wide open, for I had followed the green, luminous course of the second hand and the minute hand and the hour hand of the bedside clock through their circles and semi-circles, every night for seven nights, without missing a second, or a minute, or an hour.
The reason I hadn't washed my clothes or my hair was because it seemed so silly.
I saw the days of the year stretching ahead like a series of bright, white boxes, and separating one box from another was sleep, like a black shade. Only for me, the long perspective of shades that set off one box from the next had suddenly snapped up, and I could see day after day after day glaring ahead of me like a white, broad, infinitely desolate avenue.
It seemed silly to wash one day when I would only have to wash again the next.
It made me tired just to think of it.
I wanted to do everything once and for all and be through with it.
”
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Sylvia Plath (The Bell Jar)
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These days she tended to think of herself as a Heisenbergian Christian: she believed in the broad outlines of Christianity, but she was unable to pinpoint the specifics of her creed. She was OK with the wave; it was the particles that tended to escape her.
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Robert Kroese (Mercury Falls (Mercury #1))
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A library — a place full of books! Imagine!" Ivy couldn't imagine a place closer to heaven. Think of all the books you could read!
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Gemma Jackson (Through Streets Broad and Narrow (Ivy Rose #1))
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Just you, Lily. Give me your hand," he said, taking one of his off the wheel and glancing quickly at me."
"Why?" I asked suspiciously.
"Because I want to arm wrestle. Because I want to hold it, you nutty broad. Why do you think?" I reached out and grabbed his hand and he squeezed mine gently.
”
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N.M. Silber (Legal Briefs (Lawyers in Love, #3))
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You know, Grace, it's queer but I don't feel narrow. I feel broad. How can I explain it to you, so you would understand? I've seen everything...and I've hardly been away from this yard....
I've been part of the beginning and part of the growth. I've married...and borne children and looked into the face of death. Is childbirth narrow, Grace? Or marriage? Or death? When you've experienced all those things, Grace, the spirit has traveled although the body has been confined. I think travel is a rare privilege and I'm glad you can have it. But not every one who stays at home is narrow and not every one who travels is broad. I think if you can understand humanity...can sympathize with every creature...can put yourself into the personality of every one...you're not narrow...you're broad.
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Bess Streeter Aldrich (A Lantern in Her Hand)
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The reason I hadn't washed my clothes or my hair was because it seemed so silly. I saw the day of the year stretching ahead like a series of bright, white boxes, and separating one box from another was sleep, like a black shade. Only for me, the long perspective of shades that set off one box from the next had suddenly snapped up, and I could see day after day glaring ahead of me like a white, broad, infinitely desolate avenue. It seemed silly to wash one day when I would only have to wash again the next. It made me tired just to think of it. I wanted to do everything once and for all and be done with it.
”
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Sylvia Plath (The Bell Jar)
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Go on philosophers--teach, enlighten, kindle, think aloud, speak up, run joyfully toward broad daylight, fraternize in the public squares, announce the glad tidings, lavish your alphabets, proclaim human rights, sing your Marseillaises, sow enthusiasms, tear off green branches from the oak trees. Make thought a whirlwind. This multitude can be sublimated. Let us learn to avail ourselves of this vast conflagration of principles and virtues, which occasionally sparkles, bursts, and shudders. These bare feet, these naked arms, these rags, these shades of ignorance, depths of despair, the gloom can be used for the conquest of the ideal. Look through the medium of the people, and you will discern the truth. This lowly sand that you trample underfoot, if you throw it into a furnace and let it melt and seethe, will become sparkling crystal; and thanks to such as this a Galileo and a Newton will discover the stars.
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Victor Hugo (Les Misérables)
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Knowing what’s good enough requires knowing yourself and what you care about. So: Think about occasions in life when you settle, comfortably, for “good enough”; Scrutinize how you choose in those areas; Then apply that strategy more broadly.
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Barry Schwartz (The Paradox of Choice: Why More Is Less)
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Gwen smiled and asked hopefully, "Is there coffee again this morning?"
Silvan put his book down and glanced absently at Gwen. His gaze dropped to her cleavage, and a single white brow shot up. He blinked several times.
"There certainly is," Nell said, circling the table.
She stopped behind Gwen and draped a linen cloth over her shoulders, so it tumbled from her neck like a bib.
"Peel yer eyes off the lass's breasts," Nell said sweetly to Silvan.
Gwen turned twenty shades of red, sneaked a hand beneath the bib, and tugged at her bodice, trying to jiggle them back down a little. Mortified, she devoted her attention to eyeing the medieval dining ware-plates and goblets made of heavy silver, a fat spoon and broad knife, and heavy blue bowls.
"She's the one who fluffed them up," Silvan protested indignantly. "I didn't mean to look, but they were ... so ... there. Like trying not to see the sun in the sky."
Nell arched a brow and circled round the table again.
"I hardly think 'twas ye she fluffed 'em for, was it lass?" Gwen glanced up and gave an embarrassed shake of her head.
”
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Karen Marie Moning (Kiss of the Highlander (Highlander, #4))
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Abigail,’ he says. ‘I thought it was you.’
‘Hi!’ I say loudly. ‘Mark!’
‘Who?’ says Robert. Fuck, he doesn’t know his real name. Why do I give everyone stupid nicknames?
‘I almost don’t recognise you out of your SKINNY JEANS,’ I enunciate carefully. He’s wearing grey flannel trousers and a pink T-Shirt with leather Converses. He speaks clothes exceptionally confidently for a straight man. I wonder if he’d take me shopping.
‘Oh, right. Got it.’
‘That’s odd,’ says Skinny Jeans. ‘Since I was wearing nothing at all when you left my room without saying goodbye . . . let’s see, seven weeks ago?’
‘Um, yes. Well, you know . . .’ I trail off. Come on, Robert, I think desperately.
‘I’m sorry, were you planning on making me breakfast in bed?’ says Robert. Yes! Make a joke!
‘I’m sorry, were you planning on making me breakfast in bed?’ I say.
Skinny Jeans grins.
‘Scrambled eggs? Toast? On a little tray?’
‘Scrambled eggs? Toast? On a little tray with a rose on it?’ I say.
‘Don’t fuck with my script,’ says Robert, which makes me grin slightly more broadly
”
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Gemma Burgess
“
Maybe we feel meaning only when we deal with something bigger. Perhaps we hope that someone else, especially someone important to us, will ascribe value to what we've produced? Maybe we need the illusion that our work might one day matter to many people. That it might be of some value in the big, broad world out there [...]? Most likely it is all of these. But fundamentally, I think that almost any aspect of meaning [...] can be sufficient to drive our behaviour. As long as we are doing something that is somewhat connected to our self image, it can fuel our motivation and get us to work much harder.
”
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Dan Ariely (The Honest Truth About Dishonesty: How We Lie to Everyone - Especially Ourselves)
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There was one painting, I remember, that showed a broad, clean sweep of sky and the ocean drawn out to the horizon, and the sand littered with seashells and crabs and mermaid's purses and bits of seaweed. A boy and girl were standing four feet apart, not facing each other, not acknowledging each other in any way, just standing,looking out at the water. I always liked that painting. I liked to think they had a secret.
”
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Lauren Oliver (Requiem (Delirium, #3))
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What is in mind is a sort of Chautauqua...that's the only name I can think of for it...like the traveling tent-show Chautauquas that used to move across America, this America, the one that we are now in, an old-time series of popular talks intended to edify and entertain, improve the mind and bring culture and enlightenment to the ears and thoughts of the hearer. The Chautauquas were pushed aside by faster-paced radio, movies and TV, and it seems to me the change was not entirely an improvement. Perhaps because of these changes the stream of national consciousness moves faster now, and is broader, but it seems to run less deep. The old channels cannot contain it and in its search for new ones there seems to be growing havoc and destruction along its banks. In this Chautauqua I would like not to cut any new channels of consciousness but simply dig deeper into old ones that have become silted in with the debris of thoughts grown stale and platitudes too often repeated. "What's new?" is an interesting and broadening eternal question, but one which, if pursued exclusively, results only in an endless parade of trivia and fashion, the silt of tomorrow. I would like, instead, to be concerned with the question "What is best?," a question which cuts deeply rather than broadly, a question whose answers tend to move the silt downstream. There are eras of human history in which the channels of thought have been too deeply cut and no change was possible, and nothing new ever happened, and "best" was a matter of dogma, but that is not the situation now. Now the stream of our common consciousness seems to be obliterating its own banks, losing its central direction and purpose, flooding the lowlands, disconnecting and isolating the highlands and to no particular purpose other than the wasteful fulfillment of its own internal momentum. Some channel deepening seems called for.
”
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Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values (Phaedrus, #1))
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Think of the transformation as a process of buildup followed by breakthrough, broken into three broad stages: disciplined people, disciplined thought, and disciplined action. Within each of these three stages, there are two key concepts, shown in the framework and described below. Wrapping around this entire framework is a concept we came to call the flywheel, which captures the gestalt of the entire process of going from good to great.
”
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James C. Collins (Good to Great: Why Some Companies Make the Leap...And Others Don't)
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Many pedagogical experts argue that schools should switch to teaching “the four Cs”—critical thinking, communication, collaboration, and creativity.3 More broadly, they believe, schools should downplay technical skills and emphasize general-purpose life skills. Most important of all will be the ability to deal with change, learn new things, and preserve your mental balance in unfamiliar situations.
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Yuval Noah Harari (21 Lessons for the 21st Century)
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You see spirits who talk to you in broad daylight, at night you see perfectly shaped, perfectly distinct phantoms, you think you remember having lived in other forms, you imagine you are growing very tall and that your head is touching the stars, the horizon of Saturn and Jupiter spreads before your eyes, bizarre creatures appear before you with all the characteristics of real beings . . . If the mind has to become completely unhinged in order to place us in communication with another world, it is clear that the mad will never be able to prove to the sane how blind they are, to say the very least!
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Gérard de Nerval (Aurélia)
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All people of broad, strong sense have an instinctive repugnance to the men of maxims; because such people early discern that the mysterious complexity of our life is not to be embraced by maxims, and that to lace ourselves up in formulas of that sort is to repress all the divine promptings and inspirations that spring from growing insight and sympathy. And the man of maxims is the popular representative of the minds that are guided in their moral judgment solely by general rules, thinking that these will lead them to justice by a ready-made patent method, without the trouble of exerting patience, discrimination, impartiality, without any care to assure themselves whether they have the insight that comes from a hardly-earned estimate of temptation, or from a life vivid and intense enough to have created a wide fellow-feeling with all that is human.
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George Eliot (The Mill on the Floss)
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She’s suggested, in the way that naive cis people do, with a hint of self-congratulation at their own broad-mindedness, that it seems like trans people are starting to be everywhere, that maybe gender doesn’t matter that much. In his reply, he can’t help but let loose an old defensiveness on this topic. “I think it’s the opposite,” he says too sharply. “The whole reason transsexuals transition is because gender matters so incredibly much.
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Torrey Peters (Detransition, Baby)
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Curiously enough, it is a fear of how grace will change and improve them that keeps many souls away from God. They want God to take them as they are and let them stay that way. They want Him to take away their love of riches, but not their riches—to purge them of the disgust of sin, but not of the pleasure of sin. Some of them equate goodness with indifference to evil and think that God is good if He is broad-minded or tolerant about evil. Like the onlookers at the Cross, they want God on their terms, not His, and they shout, “Come down, and we will believe.” But the things they ask are the marks of a false religion: it promises salvation without a cross, abandonment without sacrifice, Christ without his nails. God is a consuming fire; our desire for God must include a willingness to have the chaff burned from our intellect and the weeds of our sinful will purged. The very fear souls have of surrendering themselves to the Lord with a cross is an evidence of their instinctive belief in His Holiness. Because God is fire, we cannot escape Him, whether we draw near for conversion or flee from aversion: in either case, He affects us. If we accept His love, its fires will illumine and warm us; if we reject Him, they will still burn on in us in frustration and remorse.
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Fulton J. Sheen (Peace of Soul: Timeless Wisdom on Finding Serenity and Joy by the Century's Most Acclaimed Catholic Bishop)
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Aedion rubbed at his face. "Do you understand what it was like to sit on my ass while you were gone? You said two hours. What was I supposed to think?"
"Aedion," she said as calmly as she could, and pulled off her filthy gloves before taking his broad, callused hand. "I get it. I do.
”
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Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
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I squatted by the water as it flowed over the tumbled rocks, thought how far they must've come to have settled in the concrete channel, the stream clear and melodious, the smell of fresh water. I didn't want to think about my mother anymore.
I'd rather think about the way the willows and the cottonwoods and palms broke their way through the concrete, growing right out of the flood control channel, how the river struggled to re-establish itself. A little silt was carried down, settled. A seed dropped into it, sprouted. Little roots shot downward. The next thing you had trees, shrubs, birds.
My mother once wrote a poem about rivers. They were women, she wrote. Starting out small girls, tiny streams decorated with wildflowers. They were torrents, gouging paths through sheer granite, flinging themselves off cliffs, fearless and irresistible. Later, they grew fat servicable, broad slow curves carrying commerce and sewage, but in their unconscious depths catfish gorged, grew the size of barges, and in the hundred-year storms, they rose up, forgetting the promises they made, the wedding vows, and drowned everything for miles around. Finally they gave out, birth-emptied, malarial, into a fan of swamps that met the ocean.
”
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Janet Fitch (White Oleander)
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My task is to explain to you as quickly as possible my essence, that is, what sort of man I am, what I believe in, and what I hope for, is that right? And therefore I declare that I accept God pure and simple. But this, however, needs to be noted: if God exists and if he indeed created the earth, then, as we know perfectly well, he created it in accordance with Euclidean geometry, and he created human reason with a conception of only three dimensions of space. At the same time there were and are even now geometers and philosophers, even some of the most outstanding among them, who doubt that the whole universe, or, even more broadly, the whole of being, was created purely in accordance with Euclidean geometry; they even dare to dream that two parallel lines, which according to Euclid cannot possibly meet on earth, may perhaps meet somewhere in infinity. I, my dear, have come to the conclusion that if I cannot understand even that, then it is not for me to understand about God. I humbly confess that I do not have any ability to resolve such questions, I have a Euclidean mind, an earthly mind, and therefore it is not for us to resolve things that are not of this world. And I advise you never to think about it, Alyosha my friend, and most especially about whether God exists or not. All such questions are completely unsuitable to a mind created with a concept of only three dimensions. And so, I accept God, not only willingly, but moreover I also accept his wisdom and his purpose, which are completely unknown to us; I believe in order, in the meaning of life, I believe in eternal harmony, in which we are all supposed to merge, I believe in the Word for whom the universe is yearning, and who himself was 'with God,' who himself is God, and so on and so forth, to infinity. Many words have been invented on the subject. It seems I'm already on a good path, eh? And now imagine that in the final outcome I do not accept this world of God's, created by God, that I do not accept and cannot agree to accept. With one reservation: I have a childlike conviction that the sufferings will be healed and smoothed over, that the whole offensive comedy of human contradictions will disappear like a pitiful mirage, a vile concoction of man's Euclidean mind, feeble and puny as an atom, and that ultimately, at the world's finale, in the moment of eternal harmony, there will occur and be revealed something so precious that it will suffice for all hearts, to allay all indignation, to redeem all human villainy, all bloodshed; it will suffice not only to make forgiveness possible, but also to justify everything that has happened with men--let this, let all of this come true and be revealed, but I do not accept it and do not want to accept it! Let the parallel lines even meet before my own eyes: I shall look and say, yes, they meet, and still I will not accept it.
”
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Fyodor Dostoevsky (The Brothers Karamazov)
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Iam a sensitive, introverted woman, which means that I love humanity but actual human beings are tricky for me. I love people but not in person. For example, I would die for you but not, like…meet you for coffee. I became a writer so I could stay at home alone in my pajamas, reading and writing about the importance of human connection and community. It is an almost perfect existence. Except that every so often, while I’m thinking my thoughts, writing my words, living in my favorite spot—which is deep inside my own head—something stunning happens: A sirenlike noise tears through my home. I freeze. It takes me a solid minute to understand: The siren is the doorbell. A person is ringing my doorbell. I run out of my office to find my children also stunned, frozen, and waiting for direction about how to respond to this imminent home invasion. We stare at each other, count bodies, and collectively cycle through the five stages of doorbell grief: Denial: This cannot be happening. ALL OF THE PEOPLE ALLOWED TO BE IN THIS HOUSE ARE ALREADY IN THIS HOUSE. Maybe it was the TV. IS THE TV ON? Anger: WHO DOES THIS? WHAT KIND OF BOUNDARYLESS AGGRESSOR RINGS SOMEONE’S DOORBELL IN BROAD DAYLIGHT? Bargaining: Don’t move, don’t breathe—maybe they’ll go away. Depression: Why? Why us? Why anyone? Why is life so hard? Acceptance: Damnit to hell. You—the little one—we volunteer you. Put on some pants, act normal, and answer the door. It’s dramatic, but the door always gets answered. If the kids aren’t home, I’ll even answer it myself. Is this because I remember that adulting requires door answering? Of course not. I answer the door because of the sliver of hope in my heart that if I open the door, there might be a package waiting for me. A package!
”
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Glennon Doyle (Untamed)
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And I think about the many broad seas that have roared between me and the past--seas of neglect, seas of time, seas of death. I'll never again speak to many of the people who loved me into this moment, just as you will never speak to many of the people who have loved you into your now. So we raise a glass to them--and hope that perhaps somewhere, they are raising a glass to us.
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John Green (The Anthropocene Reviewed)
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...The mockingbird took a single step into the air and dropped. His wings were still folded against his sides as though he were singing from a limb and not falling, accelerating thirty-two feet per second, through empty air. Just a breath before he would have been dashed to the ground, he unfurled his wings with exact, deliberate care, revealing the broad bars of white, spread his elegant white-banded tail, and so floated onto the grass. I had just rounded a corner when his insouciant step caught my eye; there was no one else in sight. The fact of his free fall was like the old philosophical conundrum about the tree that falls in the forest. The answer must be, I think, that beauty and grace are performed whether or not we will or sense them. The least we can do is try to be there.
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Annie Dillard (Pilgrim at Tinker Creek)
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But it is impossible to picture any of our interrogators, right up to Abakumov and Beria, wanting to slip into prisoner's skin even for one hour, or feeling compelled to sit and meditate in solitary confinement.
Their branch of service does not require them to be educated people of broad culture and broad views—and they are not. Their branch of service does not require them to think logically—and they do not. Their branch of service requires only that they carry out orders exactly and be impervious to suffering—and that is what they do and what they are. We who have passed through their hands feel suffocated when we think of the legion, which is stripped bare of universal human ideals.
”
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Aleksandr Solzhenitsyn (The Gulag Archipelago 1918–1956 (Abridged))
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Our greatest strength is the exact opposite of narrow specialization. It is the ability to integrate broadly. According to Gary Marcus, a psychology and neural science professor who sold his machine learning company to Uber, “In narrow enough worlds, humans may not have much to contribute much longer. In more open-ended games, I think they certainly will. Not just games, in open ended real-world problems we’re still crushing the machines.
”
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David Epstein (Range: Why Generalists Triumph in a Specialized World)
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I believe that the good that people do, small though it may appear, has more to do with the good that manifests broadly in the world than people think, and I believe the same about evil. We are each more responsible for the state of the world than we believe, or would feel comfortable believing.
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Jordan B. Peterson (Beyond Order: 12 More Rules for Life)
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Anyone who is as good-looking as Jace is usually completely out of touch with reality. It's like they think their looks give them the right to just go around saying whatever they want to say, and doing whatever they want to do. As if the fact that they're six foot two and broad-shouldered with dark hair and gorgeous deep-blue eyes gives them the right to get away with anything.
”
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Lauren Barnholdt (Right of Way)
“
Perhaps if you know you are insane then you are not insane. Or you are becoming sane, finally. Waking up. I suppose only a few are aware of all this. Isolated persons here and there. But the broad masses . . . what do they think?
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Philip K. Dick (The Man in the High Castle)
“
A psychotic world we live in. The madmen are in power. How long have we known this? Faced this?-And-how many of us do know it? Not Lotze. Perhaps if you know you are insane then you are not insane. Or you are becoming sane, finally. Waking up. I suppose only a few are aware of all this. Isolated persons here and there. But the broad masses...what do they think? All these hundreds of thousands in this city, here. Do they imagine that they live in a sane world? Or do they guess, glimpse the truth...?
But, he thought, what does it mean, insane? A legal definition. What do I mean? I feel it, see it, but what is it?
He thought, it is something they do, something they are. It is their unconsciousness. Their lack of knowledge about others. Their not being aware of what they do to others, the destruction they have caused and are causing. No, he thought. That isn't it. I don't know; I sense it, inuit it. But-they are purposely cruel...is that it? No. God, he thought, I can't find it, make it clear. Do they ignore parts of reality? Yes. But it is more. It is their plans. Yes, their plans. The conquering of the planets. Something frenzied and demented, as was their conquering of Africa, and before that, Europe and Asia.
Their view; it is cosmic. Not of man here, a child there, but an abstraction: race, land. Volk. Land. Blut. Ehre. Not of honorable men but of Ehre itself, honor; the abstract is real, the actual is invisible to them. Die Gute, but not good men, this good man. It is their sense of space and time. They see through the here, the now, into the vast black deep beyond, the unchanging. And that is fatal to life. Because eventually there will be no life; there was once only the dust particles in space, the hot hydrogen gases, nothing more, and it will come again. This is an interval, ein Augenblick. The cosmic process is hurrying on, crushing life back into the granite and methane; the wheel turns for all life. It is all temporary. And they-these madmen-respond to the granite, the dust, the longing of the inanimate; they want to aid Natur.
And, he thought, I know why. They want to be the agents, not the victims, of history. They identify with God's power and believe they are godlike. That is their basic madness. They are overcome by some archetype; their egos have expanded psychotically so that they cannot tell where they begin and the godhead leaves off. it is not hubris, not pride; it is inflation of the ego to its ultimate-confusion between him who worships and that which is worshiped. Man has not eaten God; God has eaten man.
What they do not comprehend is man's helplessness. I am weak, small, of no consequence to the universe. It does not notice me; I live on unseen. But why is that bad? Isn't it better that way? Whom the gods notice they destroy. Be small...and you will escape the jealousy of the great.
”
”
Philip K. Dick (The Man in the High Castle)
“
I'm convinced that the best solutions are often the ones that are counterintuitive - that challenge conventional thinking - and end in breakthroughs. It is always easier to do things the same old way...why change? To fight this, keep your dissatisfaction index high and break with tradition. Don't be too quick to accept the way things are being done. Question whether there's a better way. Very often you will find that once you make this break from the usual way - and incidentally, this is probably the hardest thing to do—and start on a new track your horizon of new thoughts immediately broadens. New ideas flow in like water. Always keep your interests broad - don't let your mind be stunted by a limited view.
”
”
Nathaniel J. Wyeth
“
Snapped abruptly to a realization of how rudely I had been staring, I blushed and said without thinking, "I was just wondering if you've ever been kissed by a beautiful young girl?"
I went still redder as he shouted with laughter. With a broad grin, he said "Many times, madonna. But alas, it does not help. As you see. Ribbit.
”
”
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
“
Nine times out of ten a man’s broad-mindedness is necessarily the narrowest thing about him. This is not particularly paradoxical; it is, when we come to think of it, quite inevitable. His vision of his own village may really be full of varieties; and even his vision of his own nation may have a rough resemblance to the reality. But his vision of the world is probably smaller than the world…hence he is never so inadequate as when he is universal; he is never so limited as when he generalizes. This is the fallacy in the many modern attempts at a creedless creed, at something variously described as...undenominational religion or a world faith to embrace all the faiths in the world...When a philosophy embraces everything it generally squeezes everything, and squeezes it out of shape; when it digests it necessarily assimilates.
”
”
G.K. Chesterton (What I Saw in America (Anthem Travel Classics))
“
As AI technology matures paired with the continued implementation of Blockchain technology, I think we'll see a lot of analyst, educator and lawyer jobs for example be repositioned into the consulting industry. Consulting will pretty much be a broad category for all jobs involved in the gathering, utilization and sale of actionable data.
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Hendrith Vanlon Smith Jr.
“
It’s wonderful to finally meet you,’ Scarlett managed.
He smiled, wide and sincere. ‘I’m tempted to say you’re even prettier than I imagined, but I would hate you to think me unoriginal.’
‘Too late,’ Julian coughed.
A wrinkle formed between Nicolas’s thick brows as he noticed Scarlett’s companion. ‘And you are?’
‘Julian.’ He offered his hand.
But Nicolas refused to let go of Scarlett’s. ‘I wasn’t aware Scarlett had a brother.’
‘I’m not her brother.’ Julian kept his tone friendly, but Scarlett felt a surge of bruising purple panic as devilry sparked in Julian’s eyes. ‘I’m not related to her at all. I’m an actor she played with during Caraval.’
He emphasized the words played with, and Scarlett could have choked him. Julian would choose now to finally be honest.
Not that Nicolas appeared disturbed. The young count’s broad smile remained even as he petted Timber with his free hand.
But Julian wasn’t finished.
‘I’m not surprised she’s never mentioned me. At the start of Caraval I don’t think she liked me much. But then we were given the same bedroom—’
‘Julian, enough,’ Scarlett cut in.
”
”
Stephanie Garber (Finale (Caraval, #3))
“
Page holds Musk up as a model he wishes others would emulate—a figure that should be replicated during a time in which the businessmen and politicians have fixated on short-term, inconsequential goals. “I don’t think we’re doing a good job as a society deciding what things are really important to do,” Page said. “I think like we’re just not educating people in this kind of general way. You should have a pretty broad engineering and scientific background. You should have some leadership training and a bit of MBA training or knowledge of how to run things, organize stuff, and raise money. I don’t think most people are doing that, and it’s a big problem. Engineers are usually trained in a very fixed area. When you’re able to think about all of these disciplines together, you kind of think differently and can dream of much crazier things and how they might work. I think that’s really an important thing for the world. That’s how we make progress.
”
”
Ashlee Vance (Elon Musk: Inventing the Future)
“
Adeline's father thinks Estele is mad.
Her mother says that the woman is bound for Hell, and once, when Adeline repeated as much, Estele laughed her dry-leaf laugh and said there was no such place, only the cool dark soil and the promise of sleep.
"And what of Heaven?" asked Adeline.
"Heaven is a nice spot in the shade, a broad tree over my bones.
”
”
V.E. Schwab (The Invisible Life of Addie LaRue)
“
Lee put his arm around the broad shoulders to comfort him. "You're growing up. Maybe that's it," he said softly. "Sometimes I think the world tests us most sharply then, and we turn inward and watch ourselves with horror. But that's not the worst. We think everybody is seeing into us. The dirt is very dirty and purity is shining white. Aron, it will be over. That's not much relief to you because you don't believe it, but it's the best I can do for you. Try to believe that things are neither so good nor so bad as they seem to you now.
”
”
John Steinbeck (East of Eden: Curriculum Unit (Center for Learning Curriculum Units))
“
Today, of course, there’s no need to forage and hunt to survive. Yet our genes are coded for this activity, and our brains are meant to direct it. Take that activity away, and you’re disrupting a delicate biological balance that has been fine-tuned over half a million years. Quite simply, we need to engage our endurance metabolism to keep our bodies and brains in optimum condition. The ancient rhythms of activity ingrained in our DNA translate roughly to the varied intensity of walking, jogging, running, and sprinting. In broad strokes, then, I think the best advice is to follow our ancestors’ routine: walk or jog every day, run a couple of times a week, and then go for the kill every now and then by sprinting.
”
”
John J. Ratey (Spark: The Revolutionary New Science of Exercise and the Brain)
“
It was a shame to think that death would whittle away at his broad shoulders and concave abs, until he was nothing more than bone.
”
”
Oyinkan Braithwaite (My Sister, the Serial Killer)
“
I saw the days of the year stretching ahead like a series of bright, white boxes, and separating one box from another was sleep, like a black shade. Only for me, the long perspective of shades that set off one box from the next had suddenly snapped up, and I could see day after day glaring ahead of me like a white, broad, infinitely desolate avenue.
It seemed silly to wash one day when I would only have to wash again the next day.
It made me tired just to think of it.
I wanted to do everything once and for all and to be through with it.
”
”
Sylvia Plath (The Bell Jar)
“
there are some broad strokes that can be fairly applied to most of us: We seek connection with others; We are saddened by loss, and try to avoid it; We dislike rejection; We like recognition and attention; We will do more to avoid pain than we will do to seek pleasure; We dislike ridicule and embarrassment; We care what others think of us; We seek a degree of control over our lives;
”
”
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
“
The universe is always stranger than you think. It didn’t matter how broad her imagination was, how cynical, how joyous and open, how well researched or wild minded. The universe was always stranger. Every dream, every imagining, however lavish and improbable, inevitably fell short of the truth.
”
”
James S.A. Corey (Tiamat's Wrath (The Expanse, #8))
“
Priests confine broad truths into narrow doctrines, because more rules mean that they have more power. Priests mistake their own prejudice for conscience and mistake what they personally fear for what should universally be feared. Priests look inward to their own small souls and try to impress that smallness on the world, when they should be looking at the greatness of the universe and trying to impress that upon their souls. Priests forget they owe everything to their gods and begin to think the world owes everything to them . . . : the cat stopped, and shook his head. :Power is a poison.
”
”
Mercedes Lackey (Redoubt (Valdemar: Collegium Chronicles, #4))
“
We are training not isolated men but a living group of men, - nay, a group within a group. And the final product of our training must be neither a psychologist nor a brickmason, but a man. And to make men, we must have ideals, broad, pure, and inspiring ends of living, - not sordid money-getting, not apples of gold. The worker must work for the lory of his handiwork, not simply for pay; the thinker must think for truth, not for fame. And all this is gained only by human strife and longing; by ceaseless training and education; by founding Right on righteousness and Truth on the unhampered search for Truth...and weaving thus a system, not a distortion, and bringing a birth, not an abortion.
”
”
W.E.B. Du Bois
“
Society never advances. It recedes as fast on one side as it gains on the other. It undergoes continual changes; it is barbarous, it is civilized, it is christianized, it is rich, it is scientific; but this change is not amelioration. For every thing that is given, something is taken. Society acquires new arts, and loses old instincts. What a contrast between the well-clad, reading, writing, thinking American, with a watch, a pencil, and a bill of exchange in his pocket, and the naked New Zealander, whose property is a club, a spear, a mat, and an undivided twentieth of a shed to sleep under! But compare the health of the two men, and you shall see that the white man has lost his aboriginal strength. If the traveller tell us truly, strike the savage with a broad axe, and in a day or two the flesh shall unite and heal as if you struck the blow into soft pitch, and the same blow shall send the white to his grave.
The civilized man has built a coach, but has lost the use of his feet. He is supported on crutches, but lacks so much support of muscle. He has a fine Geneva watch, but he fails of the skill to tell the hour by the sun. A Greenwich nautical almanac he has, and so being sure of the information when he wants it, the man in the street does not know a star in the sky. The solstice he does not observe; the equinox he knows as little; and the whole bright calendar of the year is without a dial in his mind. His note-books impair his memory; his libraries overload his wit; the insurance-office increases the number of accidents; and it may be a question whether machinery does not encumber; whether we have not lost by refinement some energy, by a Christianity entrenched in establishments and forms, some vigor of wild virtue. For every Stoic was a Stoic; but in Christendom where is the Christian?
”
”
Ralph Waldo Emerson
“
What is called the spirit of the void is where there is nothing. It is not included in man's knowledge. With your spirit settled, accumulate practice day by day, and hour by hour. Polish the twofold spirit heart and mind, and sharpen the twofold gaze perception and sight. When your spirit is not in the least clouded, when the clouds of bewilderment clear away, there is the true void.Until you realise the true Way, whether in life or in common sense, you may think that things are correct and in order. However, if we look at things objectively, from the viewpoint of laws of the world, we see various doctrines departing from the true Way. Know well this spirit, and with forthrightness as the foundation and the true spirit as the Way. Enact strategy broadly, correctly and openly. Then you will come to think of things in a wide sense and, taking the void as the Way, you will see the Way as void. In the void is virtue, and no evil. Wisdom has existance, principle has existance, the Way has existance, spirit is nothingness.
”
”
Miyamoto Musashi
“
Can you catch the expression of the Sperm Whale's there? It is the same he died with, only some of the longer wrinkles in the forehead seem now faded away. I think his broad brow to be full of a prairie-like placidity, born of a speculative indifference as to death. But mark the other head's expression. See that amazing lower lip, pressed by accident against the vessel's side, as as firmly to embrace the jaw. Does not this whole head seem to speak of an enormous practical resolution in facing death? This Right Whale I take to have been a Stoic; the Sperm Whale, a Platonian, who might have taken up Spinoza in his latter years.
”
”
Herman Melville (Moby Dick)
“
In the world outside this glass room, songbirds are feeding and resting in the trees. Some will take off tonight and not land until they reach Venezuela. Sandpipers, plovers, and broad-winged hawks have already left for Patagonia and Panama. Bats are headed for caves in Kentucky and Tennessee. Out in the Atlantic, humpback whales pass by on their way to the Caribbean. Even now, Canada geese are honking toward us from Quebec. It is a good day for the beginnings of journeys.
Every time I look at you, I think, Now I cannot die.
”
”
Sandra Steingraber (Having Faith: An Ecologist's Journey to Motherhood)
“
The men think you bend me over inside the tent,’ said Laurent. He said it in the same calm way he said everything. Damen fumbled the vambrace. ‘It would erode my authority. My carefully cultivated authority. Now I have really surprised you. Perhaps if you were not a foot taller, or quite so broad across the shoulders.’ ‘It’s
”
”
C.S. Pacat (Prince's Gambit (Captive Prince, #2))
“
I am not light nor the absence of it. I am the broad spectrum. Everything that makes you think, want to touch, or taste. Don't box me into that life that you so desperately need to be black and white because that's not me; I won't fit. I am bold, brilliant, and beautiful, I will sparkle and shimmer every hue. Ever changing. Undefinable. So do not give me limits or make me try to fit. There is no containing subtle softness careening into the harsh and dominant, every faucet creating a reaction which will cause you to feel and know you are alive." - Kendal Waller
”
”
Kendal Waller
“
Advertising is far more than just a communications industry. It's a problem-solving industry that also teaches you about life, how it encourages you to focus your thinking and produce something of genuine value. Why? Because that will make the advertising task so much easier. You're not equipped with a unique set of insights and experiences across a broad range of markets, allowing you to bring clarity and inspiration to anything you wish to produce.
”
”
John Hegarty (Hegarty on Advertising)
“
That's the trouble with your generation,' said Grandpa. 'Bill, I'm ashamed of you, you a newspaperman. All the things in life that were put here to savor, you eliminate. Save time, save work, you say.' He nudged the grass trays disrespectfully. 'Bill, when your'e my age, you'll find out it's the little savors and little things that count more than big ones. A walk on a spring morning is better than an eighty-mile ride in a hopped-up car, you know why? Because it's full of flavors, full of a lot of things growing. You've time to seek and find. I know--you're after the broad effect now, and I suppose that's fit and proper. But for a young man working on a newspaper, you got to look for grapes as well as watermelons. You greatly admire skeletons and I like fingerprints; well and good. Right now such things are bothersome to you, and I wonder if it isn't because you've never learned to use them. If you had your way you'd pass a law to abolish all the little jobs, the little things. But then you'd leave yourselves nothing to do between the big jobs and you'd have a devil of a time thinking up things to do so you wouldn't go crazy. Instead of that, why not let nature show you a few things? Cutting grass and pulling weeds can be a way of life, son.
”
”
Ray Bradbury (Dandelion Wine)
“
Fiji, I’m betting you don’t drink a lot,” he said, trying to suppress a smile.
“I don’t,” she confessed. “How did you know?”
“Just a lucky guess.”
“You think he’d like my phone number?”
“Feej, that guy is tough as nails, and he’s not only been around the block, he’s run a marathon. He could eat you for breakfast,” Olivia said, half smiling.
“And wouldn’t that be a great way to wake up?” Fiji said, with a broad wink. Manfred laughed; he couldn’t help it.
”
”
Charlaine Harris (Midnight Crossroad (Midnight, Texas, #1))
“
To think about fairness, think of economic life as a game - a serious game. All ideas about fairness can be divided into two broad groups. They are:
- It isn't fair if the result isn't fair.
- It isn't fair if the rules aren't fair.
”
”
Robert S. Pindyck
“
Perhaps you think that there are sacred groves and cities of the gods along the way, temples displaying all the gifts of wealth? Not so: your path is full of lurking perils as well as images of savage beasts. “And if you hold this course unswervingly, you’ll find the horns of Taurus in your way, 110 the Archer and the gaping jaws of Leo, and Scorpio, whose long and curving arms sweep one way, while the curving arms of Cancer sweep broadly in the opposite direction.
”
”
Ovid (Metamorphoses)
“
To finally surrender ourselves to healing, we have to have three spaces opened up within us - and all at the same time: our opinionated head, our closed-down heart, and our defensive and defended body. That is the summary work of spirituality - and it is indeed work. Yes, it is also the work of “a Power greater than ourselves,” and it will lead to a great luminosity and depth of seeing. That is why true faith is one of the most holistic and free actions a human can perform. It leads to such broad and deep perception that most traditions would just call it “light.”
Remember, Jesus said that we also are the light of the world (Matthew 5:14), as well as saying it about himself (John 8:12). Strange that we see light in him but do not imitate him in seeing the same light in ourselves. Such luminous seeing is quite the opposite of the closed-minded, dead-hearted, body-denying thing that much religion has been allowed to become. As you surely have heard before, “Religion is lived by people who are afraid of hell. Spirituality is lived by people who have been through hell and come out enlightened.”
The innocuous mental belief systems of much religion are probably the major cause of atheism in the world today, because people see that religion has not generally created people who are that different, more caring, or less prejudiced than other people. In fact, they are often worse because they think they have God on their small side. I wish I did not have to say this, but religion either produces the very best people or the very worst. Jesus makes this point in many settings and stories. Mere mental belief systems split people apart, whereas actual faith puts all our parts (body, heart, and head) on notice and on call. Honestly, it takes major surgery and much of one’s life to get head, heart, and body to put down their defenses, their false programs for happiness, and their many forms of resistance to what is right in front of them. This is the meat and muscle of the whole conversion process.
”
”
Richard Rohr (Radical Grace: Daily Meditations)
“
Are there Laws of Humanics as there are Laws of Robotics? How many Laws of Humanics might there be and how can they be expressed mathematically? I don’t know. “Perhaps, though, there may come a day when someone will work out the Laws of Humanics and then be able to predict the broad strokes of the future, and know what might be in store for humanity, instead of merely guessing as I do, and know what to do to make things better, instead of merely speculating. I dream sometimes of founding a mathematical science which I think of as ‘psychohistory,’ but I know I can’t and I fear no one ever will.
”
”
Isaac Asimov (The Robots of Dawn (Robot, #3))
“
Myriads of professing Christians nowadays seem utterly unable to distinguish things that differ. Like people afflicted with colour-blindness, they are incapable of discerning what is true and what is false, what is sound and what is unsound. If a preacher of religion is only clever and eloquent and earnest, they appear to think he is all right, however strange and heterogeneous his sermons may be. They are destitute of spiritual sense, apparently, and cannot detect error. Popery or Protestantism, an atonement or no atonement, a personal Holy Ghost or no Holy Ghost, future punishment or no future punishment, ‘high church’ or ‘low church’ or ‘broad church,’ Trinitarianism, Arianism, or Unitarianism—nothing comes amiss to them; they can swallow it all, even if they cannot digest it! Carried away by a fancied liberality and charity, they seem to think everybody is right and nobody is wrong, every clergyman is sound and none are unsound, everybody is going to be saved and nobody going to be lost. Their religion is made of negatives; and the only positive thing about them is that they dislike distinctness and think all extreme and decided and positive views are very naughty and very wrong!
”
”
J.C. Ryle (Holiness:Its Nature, Hindrances, Difficulties, and Roots (J. C. Ryle Collection Book 1))
“
He loves her. Circumstances and considerations - what are those? The whole world recedes and there is room for only one thought: he loves her. She had not misunderstood him. She is not an eccentric and a burden. He has been thinking of her as she has of him. Above her bed the broad fins whirl gently; the night will pass and the morning will come and he loves her.
”
”
Ahdaf Soueif (The Map of Love)
“
The reason why I hadn't washed my clothes or my hair was because it seemed so silly.
I saw the days of the year stretching ahead like a series of bright, white boxes, and separating one box from another was sleep, like a black shade. Only for me, the long perspective of shades that set off one box from the next had suddenly snapped up, and I could see day after day glaring ahead of me like a white, broad, infinitely desolate avenue.
It seemed silly to wash one day when I would only have to wash again the next.
It made me tired just to think of it.
I wanted to do everything once and for all and be through with it.
”
”
Sylvia Plath (The Bell Jar)
“
The growing policy-reform movement is a broad church. It includes everyone from ganja-smoking Rastafarians to free-market fundamentalists and all in between. There are socialists who think the drug war hurts the poor, capitalists who see a business opportunity, liberals who defend the right to choose, and fiscal conservatives who complain America is spending $40 billion a year on the War on Drugs rather than making a few billion taxing it. The movement can’t agree on much other than that the present policy doesn’t work. People disagree on whether legalized drugs should be controlled by the state, by corporations, by small businessmen, or by grow-your-own farmers, and on whether they should be advertised, taxed, or just handed out free in white boxes to addicts.
”
”
Ioan Grillo (El Narco: Inside Mexico's Criminal Insurgency)
“
Its back was to him, showing broad shoulders armored in bark and stone, black as night, and a thick mane cascading down its spine to a short deer-tail.
For a moment all he could do was stare at the tail and think, Nothing on a Great Spirit should be that cute.
”
”
H. Anthe Davis (The Light of Kerrindryr (The War of Memory Cycle #1))
“
It was a dark and clouded night, but the tracks led to the lake like a broad path. Sylvie walked in front of me. We stepped on every other tie, although that made our stride uncomfortably long, because stepping on every tie made it uncomfortably short. But it was easy enough. I followed after Sylvie with slow, long, dancer's steps, and above us the stars, dim as dust in their Babylonian multitudes, pulled through the dark along the whorls of an enormous vortex--for that is what it is, I have seen it in pictures--were invisible, and the moon was long down. I could barely see Sylvie. I could barely see where I put my feet. Perhaps it was only the certainty that she was in front of me, and that I need only put my foot directly before me, that made me think I saw anything at all.
”
”
Marilynne Robinson (Housekeeping)
“
I don’t know what to . . . to think.” There was a horrifying burn of tears crawling up my throat.
“This is all overwhelming for you, I imagine. The whole world as you know it is on the brink of great change, and you’re here and don’t even know my name.” The man smiled so broadly, I wondered if it hurt. “You can call me Rolland.” Then he extended a hand.
My gaze dropped to it and I made no attempt to take it.
Rolland chuckled as he turned and strolled back to the desk. “So, you’re a hybrid? Mutated and linked to him on such an intense level that if one of you dies, so does the other?”
His question caught me off guard, but I kept quiet.
He sat on the edge of the desk. “You’re actually the first hybrid I’ve seen.”
“She really isn’t anything special.” The redhead sneered. “Frankly, she’s rather filthy, like an unclean animal.”
As stupid as it was, my cheeks heated, because I was filthy, and Daemon had just physically removed me from him. My pride—my everything—was officially wounded.
Rolland chuckled. “She’s had a rough day, Sadi.”
At her name, every muscle in my body locked up, and my gaze swung back to her. That was Sadi? The one Dee said was trying to molest Daemon—my Daemon? Anger punched through the confusion and hurt. Of course it would have to be a freaking walking and talking model and not a hag.
“Rough day or not, I can’t imagine she cleans up well.” Sadi looked at Daemon as she placed a hand on his chest. “I’m kind of disappointed.”
“Are you?” Daemon replied.
Every hair on my body rose as my arms unfolded.
“Yes,” she purred. “I really think you can do better. Lots better.” As she spoke, she trailed red-painted fingers down the center of his chest, over his abdomen, heading straight for the button on his jeans.
And oh, hell to the no. “Get your hands off him.”
Sadi’s head snapped in my direction. “Excuse me?”
“I don’t think I stuttered.” I took a step forward. “But it looks like you need me to repeat it. Get your freaking hands off him.”
One side of her plump red lips curled up. “You want to make me?”
In the back of my head, I was aware that Sadi didn’t move or speak like the other Luxen. Her mannerisms were too human, but then that thought was quickly chased away when Daemon reached down and pulled her hand away.
“Stop it,” he murmured, voice dropped low in that teasing way of his.
I saw red.
The pictures on the wall rattled and the papers on the desk started to lift up. Static charged over my skin. I was about to pull a Beth right here, seconds away from floating to the ceiling and ripping out every strand of red—
“And you stop it,” Daemon said, but the teasing quality was gone from his words. There was a warning in them that took the wind right out of my pissed-off sails.
The pictures settled as I gaped at him. Being slapped in the face would’ve been better.
”
”
Jennifer L. Armentrout (Opposition (Lux, #5))
“
Seafood poisoning, a cigarette lit as the person is drifting off to sleep and that sets fire to the sheets or, worse, to a woollen blanket; a slip in the shower—the back of the head—the bathroom door locked; a lightning bolt that splits in two a tree planted in a broad avenue, a tree which, as it falls, crushes or slices off the head of a passer-by, possibly a foreigner; dying in your socks, or at the barber’s, still wearing a voluminous smock, or in a whorehouse or at the dentist’s; or eating fish and getting a bone stuck in your throat, choking to death like a child whose mother isn’t there to save him by sticking a finger down his throat; or dying in the middle of shaving, with one cheek still covered in foam, half-shaven for all eternity, unless someone notices and finishes the job off out of aesthetic pity; not to mention life’s most ignoble, hidden moments that people seldom mention once they are out of adolescence, simply because they no longer have an excuse to do so, although, of course, there are always those who insist on making jokes about them, never very funny jokes.
”
”
Javier Marías (Tomorrow in the Battle Think on Me)
“
Now I could appreciate the merits of a broad, poetical, powerful interpretation, or rather it was to this that those epithets were conventionally applied, but only as we give the names of Mars, Venus, Saturn to planets which have nothing mythological about them. We feel in one world, we think, we give names to things in another; between the two we can establish a certain correspondence, but not bridge the gap.
”
”
Marcel Proust
“
Nor praise the deep vermilion in the rose," she read, and so reading she was ascending, she felt, on to the top, on to the summit. How satisfying! How restful! All the odds and ends of the day stuck to this magnet; her mind felt swept, felt clean. And then there it was, suddenly entire; she held it in her hands, beautiful and reasonable, clear and complete, here--the sonnet.
But she was becoming conscious of her husband looking at her. He was smiling at her, quizzically, as if he were ridiculing her gently for being asleep in broad daylight, but at the same time he was thinking, Go on reading. You don't look sad now, he thought. And he wondered what she was reading, and exaggerated her ignorance, her simplicity, for he liked to think that she was not clever, not book-learned at all. He wondered if she understood what she was reading. Probably not, he thought. She was astonishingly beautiful. Her beauty seemed to him, if that were possible, to increase.
”
”
Virginia Woolf (To the Lighthouse)
“
Oh, Charmian, Where think’st thou he is now? Stands he or sits he?
Or does he walk? Or is he on his horse?
O happy horse, to bear the weight of Antony!
Do bravely, horse, for wott’st thou whom thou mov’st?
The demi-Atlas of this earth, the arm
And burgonet of men. He’s speaking now,
Or murmuring “Where’s my serpent of old Nile?”
For so he calls me. Now I feed myself
With most delicious poison. Think on me,
That am with Phoebus’ amorous pinches black
And wrinkled deep in time. Broad-fronted Caesar,
When thou wast here above the ground, I was
A morsel for a monarch. And great Pompey
Would stand and make his eyes grow in my brow.
There would he anchor his aspect, and die
With looking on his life.
”
”
William Shakespeare (Antony and Cleopatra)
“
What plan of action? What can be done? We can't fight the whole society."
"I was thinking we could use you as bait and draw them into a trap," Gregori said, straight-faced.
Gary's eyes widened in alarm. "I'm not sure I like that plan.Sounds a little risky to me." He looked at Savannah for support.
Gregori shrugged his broad shoulders in a casual shrug. "I do not see a risk."
Savannah's small clenched fist thumped his stomach in retaliation. Gregori glanced down at her with surprise. "Is this when I am supposed to say ouch?"
Savannah and Gary exchanged a long, mournful groan. "Why did I want him to have a sense of humor?" she wondered.
Gary shook his head. "Don't be asking me. You created the monster.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
What rhymes with insensitive?” I tap my pen on the kitchen table, beyond frustrated with my current task. Who knew rhyming was so fucking difficult?
Garrett, who’s dicing onions at the counter, glances over. “Sensitive,” he says helpfully.
“Yes, G, I’ll be sure to rhyme insensitive with sensitive. Gold star for you.”
On the other side of the kitchen, Tucker finishes loading the dishwasher and turns to frown at me. “What the hell are you doing over there, anyway? You’ve been scribbling on that notepad for the past hour.”
“I’m writing a love poem,” I answer without thinking. Then I slam my lips together, realizing what I’ve done.
Dead silence crashes over the kitchen.
Garrett and Tucker exchange a look. An extremely long look. Then, perfectly synchronized, their heads shift in my direction, and they stare at me as if I’ve just escaped from a mental institution. I may as well have. There’s no other reason for why I’m voluntarily writing poetry right now. And that’s not even the craziest item on Grace’s list.
That’s right. I said it. List. The little brat texted me not one, not two, but six tasks to complete before she agrees to a date. Or maybe gestures is a better way to phrase it...
“I just have one question,” Garrett starts.
“Really?” Tuck says. “Because I have many.”
Sighing, I put my pen down. “Go ahead. Get it out of your systems.”
Garrett crosses his arms. “This is for a chick, right? Because if you’re doing it for funsies, then that’s just plain weird.”
“It’s for Grace,” I reply through clenched teeth.
My best friend nods solemnly.
Then he keels over. Asshole. I scowl as he clutches his side, his broad back shuddering with each bellowing laugh. And even while racked with laughter, he manages to pull his phone from his pocket and start typing.
“What are you doing?” I demand.
“Texting Wellsy. She needs to know this.”
“I hate you.”
I’m so busy glaring at Garrett that I don’t notice what Tucker’s up to until it’s too late. He snatches the notepad from the table, studies it, and hoots loudly. “Holy shit. G, he rhymed jackass with Cutlass.”
“Cutlass?” Garrett wheezes. “Like the sword?”
“The car,” I mutter. “I was comparing her lips to this cherry-red Cutlass I fixed up when I was a kid. Drawing on my own experience, that kind of thing.”
Tucker shakes his head in exasperation. “You should have compared them to cherries, dumbass.”
He’s right. I should have. I’m a terrible poet and I do know it.
“Hey,” I say as inspiration strikes. “What if I steal the words to “Amazing Grace”? I can change it to…um…Terrific Grace.”
“Yup,” Garrett cracks. “Pure gold right there. Terrific Grace.”
I ponder the next line. “How sweet…”
“Your ass,” Tucker supplies.
Garrett snorts. “Brilliant minds at work. Terrific Grace, how sweet your ass.” He types on his phone again.
“Jesus Christ, will you quit dictating this conversation to Hannah?” I grumble. “Bros before hos, dude.”
“Call my girlfriend a ho one more time and you won’t have a bro.”
Tucker chuckles. “Seriously, why are you writing poetry for this chick?”
“Because I’m trying to win her back. This is one of her requirements.”
That gets Garrett’s attention. He perks up, phone poised in hand as he asks, “What are the other ones?”
“None of your fucking business.”
“Golly gee, if you do half as good a job on those as you’re doing with this epic poem, then you’ll get her back in no time!”
I give him the finger. “Sarcasm not appreciated.” Then I swipe the notepad from Tuck’s hand and head for the doorway. “PS? Next time either of you need to score points with your ladies? Don’t ask me for help. Jackasses.”
Their wild laughter follows me all the way upstairs. I duck into my room and kick the door shut, then spend the next hour typing up the sorriest excuse for poetry on my laptop. Jesus. I’m putting more effort into this damn poem than for my actual classes.
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
He looked at me thoughtfully, and smiled slowly, his green eyes warm. He smelled of the outdoors, he was so tall and broad shouldered and so ... male ... in this house of women he was shockingly different. All I could think of was how much I wanted to kiss him. I was clearly losing my mind.
”
”
Abbi Waxman (The Garden of Small Beginnings)
“
I began to think of myself as a perennial tourist. There was something agreeable about this. To be a tourist is to escape accountability. Errors and failings don't cling to you the way they do back home. You're able to drift across continents and languages, suspending the operation of sound thought. Tourism is the march of stupidity. You're expected to be stupid. The entire mechanism of the host country is geared to travelers acting stupidly. You walk around dazed, squinting into fold-out maps. You don't know how to talk to people, how to get anywhere, what the money means, what time it is, what to eat or how to eat it. Being stupid is the pattern, the level and the norm. You can exist on this level for weeks and months without reprimand or dire consequence. Together with thousands, you are granted immunities and broad freedoms. You are an army of fools, wearing bright polyesters, riding camels, taking pictures of each other, haggard, dysenteric, thirsty. There is nothing to think about but the next shapeless event.
”
”
Don DeLillo (The Names)
“
What is called the spirit of the void is where there is nothing. It is not included in man's knowledge. With your spirit settled, accumulate practice day by day, and hour by hour. Polish the twofold spirit heart and mind, and sharpen the twofold gaze perception and sight. When your spirit is not in the least clouded, when the clouds of bewilderment clear away, there is the true void.Until you realize the true Way, whether in life or in common sense, you may think that things are correct and in order. However, if we look at things objectively, from the viewpoint of laws of the world, we see various doctrines departing from the true Way. Know well this spirit, and with forthrightness as the foundation and the true spirit as the Way. Enact strategy broadly, correctly and openly. Then you will come to think of things in a wide sense and, taking the void as the Way, you will see the Way as void. In the void is virtue, and no evil. Wisdom has existence, principle has existence, the Way has existence, spirit is nothingness.
”
”
Miyamoto Musashi
“
Do not think dishonestly. The Way is in training. Become acquainted with every art. Know the Ways of all professions. Distinguish between gain and loss in worldly matters. Develop intuitive judgement and understanding for everything. Perceive those things which cannot be seen. Pay attention even to trifles. Do nothing which is of no use. It is important to start by setting these broad principles in your heart, and train in the Way of strategy.
”
”
Miyamoto Musashi (Book of Five Rings: The Classic Guide to Strategy)
“
This good sir Knight here was showing me his most impressive weapon."
"Oh?" His eyebrow arched, and I tried to ignore the way it sent heat dspeeding down my spine. "Are you seeking out others then? Does my weapon no longer interest you?
I had to bite down hard on my bottom lip to keep from laughing. We were blowing right past subtle innuendo today.
"Oh, Captain." I fluttered my eyelashes dramatically. "I believe you are quite aware that I have no complaints with your... weapon."
He choked for a split second, but covered it with a small cough before he leaned a casual elbow against the bar. "I hope not, love." His smile was as broad as ever. "I would hate to think I would have to duel with another for your affections."
"I hope not, for your sake." I rounded my eyes in feigned horror. "I've seen you fight, sir. It typically ends on your knees in the dirt with a knife at your throat, does it not?" I shook my head, clucking my tongue. "Not a good ending." A nearby patron snorted, and it was all I could do to not turn my head. Great. Simon and I turned into a show all on our own. Come for the beer, stay for the bad comedy.
"Odd." He tiled his head and considered me, his eyes doing the same slow travel mine had done on him. It took everything I had not to fidget under his gaze. "Typically women don't mind when I'm on my knees in front of them.
”
”
Jen DeLuca (Well Met (Well Met, #1))
“
He thinks about Henry’s voice low in his ear over the phone at three in the morning, and suddenly he has a name for what ignites in the pit of his stomach. Henry’s hands on him, his thumbs braced against his temples back in the garden, Henry’s hands other places, Henry’s mouth, what he might do with it if Alex let him. Henry’s broad shoulders and long legs and narrow waist, the place his jaw meets his neck and the place his neck meets his shoulder and the tendon that stretches the length between them, and the way it looks when Henry turns his head to shoot him a challenging glare, and his impossibly blue eyes-
”
”
Casey McQuiston (Red, White & Royal Blue)
“
Can you catch the expression of the Sperm Whale's there? It is the same he died with, only some of the longer wrinkles in the forehead seem now faded away. I think his broad brow to be full of a prairie-like placidity, born of a speculative indifference as to death. But mark the other head's expression. See that amazing lower lip, pressed by accident against the vessel's side, so as firmly to embrace the jaw. Does not this whole head seem to speak of an enormous practical resolution in facing death? This Right Whale I take to have been a Stoic; the Sperm Whale, a Platonian, who might have taken up Spinoza in his latter years.
”
”
Herman Melville (Moby-Dick or, The Whale)
“
I think of thee!—-my thoughts do twine and bud
About thee, as wild vines, about a tree,
Put out broad leaves, and soon there’s nought to see
Except the straggling green which hides the wood.
Yet, O my palm-tree, be it understood
I will not have my thoughts instead of thee
Who art dearer, better! Rather, instantly
Renew thy presence; as a strong tree should,
Rustle thy boughs and set thy trunk all bare,
And let these bands of greenery which insphere thee
Drop heavily down,—-burst, shattered, everywhere!
Because, in this deep joy to see and hear thee
And breathe within thy shadow a new air,
I do not think of thee—-I am too near thee.
”
”
Elizabeth Barrett Browning
“
One day, I wish to find a man like in my
books. He has to be just like in one of my books.
And he has to love me, love me more than anything
in the world. Most important of all, he has
to think I’m beautiful.”
“Lily, I need to tell you something.” Fazire
was going to tell her about Becky’s wish and his
mistake and let her look forward to something, let
her look forward to the incomparable beauty she
was going to be.
Most of all, he had to stop her wish now. He
didn’t want her wasting it on some fool idea. He
wanted it to be special, perfect, to make her world
better like she had made Becky and Will’s and,
indeed, his.
But again she didn’t hear him. Her eyes were
bright and they were steady on his.
“He has to be tall, very tall and dark and
broad-shouldered and narrow-hipped.”
Fazire stared. He didn’t even know what
“narrow-hipped” meant.
“And he has to be handsome, unbelievably
handsome, impossibly handsome with a strong,
square jaw and powerful cheekbones and tanned
skin and beautiful eyes with lush, thick lashes.
He has to be clever and very wealthy but hardworking.
He has to be virile, fierce, ruthless and
rugged.”
Now she was getting over his head. He didn’t
think there was such a thing as impossibly handsome.
How cheekbones could be powerful,
Fazire didn’t know. He was even thinking he
might have to look up “virile” in the dictionary
Sarah had given him.
“And he has to be hard and cold and maybe a
little bit forbidding, a little bit bad with a broken
heart I have to mend or one encased in ice I have
to melt or better yet… both!”
Fazire thought this was getting a bit ridiculous.
It was the most complicated wish he’d ever
heard.
But she wasn’t yet finished.
“We have to go through some trials and tribulations.
Something to test our love, make it strong
and worthy. And… and… he has to be daring and
very masculine. Powerful. People must respect
him, maybe even fear him. Graceful too and lithe,
like a… like a cat! Or a lion. Or something like
that.”
She was losing steam and Fazire had to admit
he was grateful for it.
“And he has to be a good lover.” Lily shocked
Fazire by saying. “The best, so good, he could almost
make love to me just by using his eyes.”
Fazire felt himself blush. Perhaps he should
have a look at these books she was reading and
show them to Becky. Lily was a very sharp girl,
sharp as a tack (another one of Sarah’s sayings,
although Fazire couldn’t imagine a tack ever being
as clever as Lily) but she was too young to
be reading about any man making love to her
with his eyes. Fazire had never made love, never
would, genies just didn’t. But he was pretty certain
fourteen year old girls shouldn’t be thinking
about it.
Though, he was wrong about that, or at least
Becky would tell him that later.
Then Fazire realised she’d stopped talking.
“Is that it?” he asked.
She thought for a bit, clearly not wanting to
leave anything out.
Then she nodded.
”
”
Kristen Ashley (Three Wishes)
“
In laying out gardens, pavilions, wandering paths, small mountains of stone, and flower paintings, try to give the feeling of the small in the large and the large in the small, of the real in the illusion, and of the illusion in reality. Some things should be hidden and some should be obvious, some prominent and some vague. Arranging a proper garden is not just a matter of setting out winding paths in a broad area with many rocks; thinking that it is will only waste time and energy.
”
”
Shěn Fù (Six Records of a Floating Life)
“
Collot is back from Lyon, did you know? He had finished his work, as he describes it. His path of righteousness is very clear and straight and broad. It’s so easy to be a good Jacobin. Collot hasn’t a doubt or scruple in his
head— indeed, I doubt if he has much in it at all. Stop the Terror? He thinks we haven’t even begun.
”
”
Hilary Mantel (A Place of Greater Safety)
“
At Night on the High Seas
At night, when the sea cradles me
And the pale star gleam
Lies down on its broad waves,
Then I free myself wholly
From all activity and all the love
And stand silent and breathe purely,
Alone, alone cradled by the sea
That lies there, cold and silent, with a thousand lights.
Then I have to think of my friends
And my gaze sinks into their eyes,
And I ask each one, silent and alone:
"Are you still mine?
Is my sorrow a sorrow to you, my death a death?
Do you feel from my love, my grief,
Just a breath, just an echo?"
And the sea peacefully gazes back, silent,
And smiles: NO
And no greetings and no answers come from anywhere.
”
”
Hermann Hesse
“
Knowing and being cognizant of the underlying principles and dynamics, seeing the problem in a broad systemic context, thinking quantitatively and analytically, all need to be integrated with the necessarily dominant focus on detail relevant to the specific problem in order to optimize design and minimize unintended consequences.
”
”
Geoffrey West (Scale: The Universal Laws of Growth, Innovation, Sustainability, and the Pace of Life, in Organisms, Cities, Economies, and Companies)
“
It is true that our everyday view of the world is not quite naively realistic, but that is what it would like to be. Common-sense is naively realistic wherever it does not think that there is some positive reason why it should cease to be so. And this is so in the vast majority of its perceptions. When we see a tree we think that it is really green and really waving about in precisely the same way as it appears to be. We do not think of our object of perception being 'like' the real tree, we think that what we perceive is the tree, and that it is just the same at a given moment whether it be perceived or not, except that what we perceive may be only a part of the real tree.
”
”
Charlie Dunbar Broad
“
When I was very young and the urge to be someplace else was on me, I was assured by mature people that maturity would cure this itch. When years described me as mature, the remedy prescribed was middle age. In middle age I was assured greater age would calm my fever and now that I am fifty-eight perhaps senility will do the job. Nothing has worked. Four hoarse blasts of a ships's whistle still raise the hair on my neck and set my feet to tapping. The sound of a jet, an engine warming up, even the clopping of shod hooves on pavement brings on the ancient shudder, the dry mouth and vacant eye, the hot palms and the churn of stomach high up under the rib cage. In other words, I don't improve; in further words, once a bum always a bum. I fear the disease is incurable. I set this matter down not to instruct others but to inform myself.
When the virus of restlessness begins to take possession of a wayward man, and the road away from Here seems broad and straight and sweet, the victim must first find in himself a good and sufficient reason for going. This to the practical bum is not difficult. He has a built-in garden of reasons to chose from. Next he must plan his trip in time and space, choose a direction and a destination. And last he must implement the journey. How to go, what to take, how long to stay. This part of the process is invariable and immortal. I set it down only so that newcomers to bumdom, like teen-agers in new-hatched sin, will not think they invented it.
Once a journey is designed, equipped, and put in process, a new factor enters and takes over. A trip, a safari, an exploration, is an entity, different from all other journeys. It has personality, temperament, individuality, uniqueness. A journey is a person in itself; no two are alike. And all plans, safeguards, policing, and coercion are fruitless. We find after years of struggle that we do not take a trip; a trip takes us. Tour masters, schedules, reservations, brass-bound and inevitable, dash themselves to wreckage on the personality of the trip. Only when this is recognized can the blown-in-the glass bum relax and go along with it. Only then do the frustrations fall away. In this a journey is like marriage. The certain way to be wrong is to think you control it.
”
”
John Steinbeck (Travels with Charley: In Search of America)
“
The small eyes, buried in epicanthic folds, shifted. A low, reverberating voice rumbled from the flesh and blood warrior. ‘Trull Sengar. Is this… is this mortality?’
The Tiste Edur drew a step closer. ‘You don’t remember? How it feels to be alive?’
‘I-I… yes.’ A sudden look of wonder in that heavy, broadly featured face. ‘Yes.’ Another deep breath, then a gust that was nearly savage in its exultation. The strange gaze fixed on Quick Ben once more. ‘Wizard, is this illusion? Dream? A journey of my spirit?’
‘I don’t think so. I mean, I think it’s real enough.’
‘Then… this realm. It is Tellann.’
‘Maybe. I’m not sure.’
Trull Sengar was suddenly on his knees, and Quick Ben saw tears streaming down the Tiste Edur’s lean, dusky face.
The burly, muscled warrior before them, still wearing the rotted remnants of fur, slowly looked round at the withered landscape of open tundra. ‘Tellann,’ he whispered. ‘Tellann.
”
”
Steven Erikson (Reaper's Gale (Malazan Book of the Fallen, #7))
“
What is the use of beauty in woman? Provided a woman is physically well made and capable of bearing children, she will always be good enough in the opinion of economists.
What is the use of music? -- of painting? Who would be fool enough nowadays to prefer Mozart to Carrel, Michael Angelo to the inventor of white mustard?
There is nothing really beautiful save what is of no possible use. Everything useful is ugly, for it expresses a need, and man's needs are low and disgusting, like his own poor, wretched nature. The most useful place in a house is the water-closet.
For my part, saving these gentry's presence, I am of those to whom superfluities are necessaries, and I am fond of things and people in inverse ratio to the service they render me. I prefer a Chinese vase with its mandarins and dragons, which is perfectly useless to me, to a utensil which I do use, and the particular talent of mine which I set most store by is that which enables me not to guess logogriphs and charades. I would very willingly renounce my rights as a Frenchman and a citizen for the sight of an undoubted painting by Raphael, or of a beautiful nude woman, -- Princess Borghese, for instance, when she posed for Canova, or Julia Grisi when she is entering her bath. I would most willingly consent to the return of that cannibal, Charles X., if he brought me, from his residence in Bohemia, a case of Tokai or Johannisberg; and the electoral laws would be quite liberal enough, to my mind, were some of our streets broader and some other things less broad. Though I am not a dilettante, I prefer the sound of a poor fiddle and tambourines to that of the Speaker's bell. I would sell my breeches for a ring, and my bread for jam. The occupation which best befits civilized man seems to me to be idleness or analytically smoking a pipe or cigar. I think highly of those who play skittles, and also of those who write verse. You may perceive that my principles are not utilitarian, and that I shall never be the editor of a virtuous paper, unless I am converted, which would be very comical.
Instead of founding a Monthyon prize for the reward of virtue, I would rather bestow -- like Sardanapalus, that great, misunderstood philosopher -- a large reward to him who should invent a new pleasure; for to me enjoyment seems to be the end of life and the only useful thing on this earth. God willed it to be so, for he created women, perfumes, light, lovely flowers, good wine, spirited horses, lapdogs, and Angora cats; for He did not say to his angels, 'Be virtuous,' but, 'Love,' and gave us lips more sensitive than the rest of the skin that we might kiss women, eyes looking upward that we might behold the light, a subtile sense of smell that we might breathe in the soul of the flowers, muscular limbs that we might press the flanks of stallions and fly swift as thought without railway or steam-kettle, delicate hands that we might stroke the long heads of greyhounds, the velvety fur of cats, and the polished shoulder of not very virtuous creatures, and, finally, granted to us alone the triple and glorious privilege of drinking without being thirsty, striking fire, and making love in all seasons, whereby we are very much more distinguished from brutes than by the custom of reading newspapers and framing constitutions.
”
”
Théophile Gautier (Mademoiselle de Maupin)
“
Being infinite, the whole of reality is too much for the conscious human mind to grasp. The best any one of us can do is to take the biggest slice of Infinite Reality we can hold - intellectually, spiritually, and emotionally - and make that slice our personal sense of what is real. But no matter how broad it is, any human perception of reality can be no more than a tiny sliver of Infinite Reality.
Civilization also has a limited perception of Infinite Reality. And with a haughty self-assurance, it imposes that perception on us until we think it is our own.
”
”
Gordon MacKenzie (Orbiting the Giant Hairball: A Corporate Fool's Guide to Surviving with Grace)
“
Frankly, the overwhelming majority of academics have ignored the data explosion caused by the digital age. The world’s most famous sex researchers stick with the tried and true. They ask a few hundred subjects about their desires; they don’t ask sites like PornHub for their data. The world’s most famous linguists analyze individual texts; they largely ignore the patterns revealed in billions of books. The methodologies taught to graduate students in psychology, political science, and sociology have been, for the most part, untouched by the digital revolution. The broad, mostly unexplored terrain opened by the data explosion has been left to a small number of forward-thinking professors, rebellious grad students, and hobbyists. That will change.
”
”
Seth Stephens-Davidowitz (Everybody Lies: Big Data, New Data, and What the Internet Can Tell Us About Who We Really Are)
“
In 1908, in a wild and remote area of the North Caucasus, Leo Tolstoy, the greatest writer of the age, was the guest of a tribal chief “living far away from civilized life in the mountains.” Gathering his family and neighbors, the chief asked Tolstoy to tell stories about the famous men of history. Tolstoy told how he entertained the eager crowd for hours with tales of Alexander, Caesar, Frederick the Great, and Napoleon. When he was winding to a close, the chief stood and said, “But you have not told us a syllable about the greatest general and greatest ruler of the world. We want to know something about him. He was a hero. He spoke with a voice of thunder; he laughed like the sunrise and his deeds were strong as the rock….His name was Lincoln and the country in which he lived is called America, which is so far away that if a youth should journey to reach it he would be an old man when he arrived. Tell us of that man.”
“I looked at them,” Tolstoy recalled, “and saw their faces all aglow, while their eyes were burning. I saw that those rude barbarians were really interested in a man whose name and deeds had already become a legend.” He told them everything he knew about Lincoln’s “home life and youth…his habits, his influence upon the people and his physical strength.” When he finished, they were so grateful for the story that they presented him with “a wonderful Arabian horse.” The next morning, as Tolstoy prepared to leave, they asked if he could possibly acquire for them a picture of Lincoln. Thinking that he might find one at a friend’s house in the neighboring town, Tolstoy asked one of the riders to accompany him. “I was successful in getting a large photograph from my friend,” recalled Tolstoy. As he handed it to the rider, he noted that the man’s hand trembled as he took it. “He gazed for several minutes silently, like one in a reverent prayer, his eyes filled with tears.”
Tolstoy went on to observe, “This little incident proves how largely the name of Lincoln is worshipped throughout the world and how legendary his personality has become. Now, why was Lincoln so great that he overshadows all other national heroes? He really was not a great general like Napoleon or Washington; he was not such a skilful statesman as Gladstone or Frederick the Great; but his supremacy expresses itself altogether in his peculiar moral power and in the greatness of his character.
“Washington was a typical American. Napoleon was a typical Frenchman, but Lincoln was a humanitarian as broad as the world. He was bigger than his country—bigger than all the Presidents together.
“We are still too near to his greatness,” Tolstoy concluded, “but after a few centuries more our posterity will find him considerably bigger than we do. His genius is still too strong and too powerful for the common understanding, just as the sun is too hot when its light beams directly on us.
”
”
Doris Kearns Goodwin (仁者无敌:林肯的政治天才)
“
The real issue in the Christian community was that it was conditional. You were loved, but if you had questions, questions about whether the Bible was true or whether America was a good country or whether last week’s sermon was good, you were not so loved. You were loved in word, but there was, without question, a social commodity that was being withheld from you until you shaped up. By toeing the party line you earned social dollars; by being yourself you did not. If you wanted to be valued, you became a clone. These are broad generalizations, and they are unfair, but this is what I was thinking at the time.
”
”
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality)
“
It's important to say what hope is not: it is not the belief that everything was, is, or will be fine. The evidence is all around of tremendous suffering and tremendous destruction. The hope I'm interested in is about broad perspectives with specific possibilities, ones that invite or demand that we act. It's also not a sunny everything-is-getting-better narrative, though it may be a counter to the everything-is-getting-worse narrative. You could call it an account of complexities and uncertainties, with openings. "Critical thinking without hope is cynicism, but hope without critical thinking is naïveté," the Bulgarian writer Maria Popova recently remarked. And Patrisse Cullors, one of the founders of Black Lives Matter, early on described the movement's mission as to "Provide hope and inspiration for collective action to build collective power to achieve collective transformation, rooted in grief and rage but pointed towards vision and dreams." It's a statement that acknowledges that grief and hope can coexist.
”
”
Rebecca Solnit (Hope in the Dark)
“
It's both relaxing and invigorating to occasionally set aside the worries of life, seek the company of a friendly book and mingle with the great of the earth, counsel with the wise of all time, look into unlived days with prophets. Youth will delight in the heroic figures of Homer; or more modern, will thrill to the silent courage of Florence Nightingale on the battlefield...The power of Cicero's oratory may awaken new ambitions in the middle age, or the absurdity of Don Quixote riding mightily against a windmill may make your own pretentiousness seem ridiculous; if you think the world is against you, get the satisfaction of walking the streets of Athens with Diogenes, lantern in hand in broad daylight in search of an honest man...From the reading of 'good books' there comes a richness of life that can be obtained in no other way. It is not enough to read newspapers...But to become acquainted with real nobility as walks the pages of history and science and literature is to strengthen character and develop life in its finer meanings.
”
”
Gordon B. Hinckley
“
Wanting his mind on other matters, she deliiberately challenged his statement. "You don't know so much about me. There was a man once. He was crazy about me." She tried to look wordly. "Absolutely crazy for me."
His answering laughter was warm against her neck, her throat. His lips touched the skin over her pulse and skimmed lightly up to her ear. "Are you, by any chance, referring to that foppish boy with the orange hair and spiked collar? Dragon something?"
Savannah gasped and pulled away to glare at im. "How could you possibly know about him? I dated him last year."
Gregori nuzzled her neck, inhaling her fragrance, his hand sliding over her shoulder, moving gently over her satin skin to take possession of her breast. "He wore boots and rode a Harley." His breath came out in a rush as his palm cupped the soft weight, his thumb brushing her nipple into a hard peak.
The feel of his large hand-so strong, so warm and possessive on her-sent heat curling through her body. Desire rose sharply. He was seducing her with tenderness. Savannah didn't want it to happen. Her body felt better, but the soreness was there to remind her where this could all lead. Her hand caught at his wrist. "How did you find out about Dragon?" she asked, desperate to distract him, to distract herself. How could he make her body burn for his when she was so afraid of him, of having sex with him?
"Making love," he corrected, his voice husky, caressing, betraying the ease with which his mind moved like a shadow through hers."And to answer your question, I live in you, can touch you whenever I wish.I knew about all of them. Every damn one." He growled the worrds, and her breath caught in her throat. "He was the only one you thought of kissing." His mouth touched hers. Gently. Lightly. Returned for more. Coaxing, teasing, until she opened to him. He stole her breath, her reason, whirling her into a world of feeling.Bright colors and white-hot heat, the room falling away until there was only his broad shoulders,strong arms, hard body, and perfect,perfect mouth.
When he lifted his head, Savannah nearly pulled him back to her.He watched her face,her eyes cloudy with desire, her lips so beautiful, bereft of his. "Do you have any idea how beautiful you are, Savannah? There is such beauty in your soul,I can see it shining in your eyes."
She touched his face, her palm molding his strong jaw. Why couldn't she resist his hungry eyes? "I think you're casting a spell over me. I can't remember what we were talking about."
Gregori smiled. "Kissing." His teeth nibbled gently at her chin. "Specifically,your wanting to kiss that orange-bearded imbecile."
"I wanted to kiss every one of them," she lied indignantly.
"No,you did not.You were hoping that silly fop would wipe my taste from your mouth for all eternity." His hand stroked back the fall of hair around her face.He feathered kisses along the delicate line of her jaw. "It would not have worked,you know.As I recall,he seemed to have a problem getting close to you."
Her eyes smoldered dangerously. "Did you have anything to do with his allergies?" She had wanted someone, anyone,to wipe Gregori's taste from her mouth,her soul.
He raised his voice an octave. "Oh, Savannah, I just have to taste your lips," he mimicked. Then he went into a sneezing fit. "You haven't ridden until you've ridden on a Harley,baby." He sneezed, coughed, and gagged in perfect imitation.
Savannah pushed his arm, forgetting for a moment her bruised fist. When it hurt, she yelped and glared accusingly at him. "It was you doing all that to him! That poor man-you damaged his ego for life. Each time he touched me, he had a sneezing fit."
Gregori raised an eyebrow, completely unrepentant. "Technically,he did not lay a hand on you.He sneezed before he could get that close.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
So what should we be teaching? Many pedagogical experts argue that schools should switch to teaching “the four Cs”—critical thinking, communication, collaboration, and creativity.3 More broadly, they believe, schools should downplay technical skills and emphasize general-purpose life skills. Most important of all will be the ability to deal with change, learn new things, and preserve your mental balance in unfamiliar situations.
”
”
Yuval Noah Harari (21 Lessons for the 21st Century)
“
Whenever I was in the woods, on my own, I would have one ear pricked for the sound of approaching footsteps. I would always make sure that I knew what time sundown was, how to find the path back. I started to carry a pepper spray. I was full of impotent rage. When I saw men jogging through the trees I envied them their freedom, and this is in the full knowledge that men, too, can be attacked in quiet places. But the men I saw seemed to think they were invulnerable, just as I had on that summer day; the women, on the other hand, were more like me, all too aware of how “the great outdoors” can be a dangerous place for a lone female, even in broad daylight.
”
”
Sharon Blackie (If Women Rose Rooted: A Journey to Authenticity and Belonging)
“
Nathaniel's trying to get hold of it right now.
All very well, but could he use—Wait a minute! The radiant features of the boy contorted, slipped out of true, as if the condoling intelligence had drawn back in shock; an instant later they were as perfect as before. Let's get this straight. He told you his name?
Yes. Now—
I like that . . . I like that! He's been giving me gyp for years, simply because I could have spilled the beans, and now he's telling any old broad he meets, free of charge! Who else knows? Faquarl? Nouda? Did he deck his name out in neon lights and parade it round the town? I ask you! And I never told anyone!
You let it slip last time I summoned you.
Well, apart from that.
But you could have told his enemies, couldn't you, Bartimaeus? You'd have found a way to harm him if you'd really wished it. And Nathaniel knows that too, I think. I had a talk with him.
”
”
Jonathan Stroud (Ptolemy's Gate (Bartimaeus, #3))
“
I write fantasy because it's there. I have no other excuse for sitting down for several hours a day indulging my imagination. Daydreaming. Thinking up imaginary people, impossible places. Imagination is the golden-eyed monster that never sleeps. It must be fed; it cannot be ignored.
Making it tell the same tale over again makes it thin and whining; its scales begin to fall off; its fiery breath becomes a trickle of smoke. It is best fed by reality, an odd diet for something nonexistant; there are few details of daily life and its broad range of emotional context that can't transformed into food for the imagination. It must be visited constantly, or else it begins to become restless and emit strange bellows at embarrassing moments; ignoring it only makes it grown larger and noisier. Content, it dreams awake, and spins the fabric of tales. There is really nothing to be done with such imagery except to use it: in writing, in art. Those who fear the imagination condemn it: something childish, they say, something monsterish, misbegotten. Not all of us dream awake. But those who do have no choice.
”
”
Patricia A. McKillip
“
What's Toraf's favorite color?"
She shrugs. "Whatever I tell him it is."
I raise a brow at her. "Don't know, huh?"
She crosses her arms. "Who cares anyway? We're not painting his toenails."
"I think what's she's trying to say, honey bunches, is that maybe you should paint your nails his favorite color, to show him you're thinking about him," Rachel says, seasoning her words with tact.
Rayna sets her chin. "Emma doesn't paint her nails Galen's favorite color."
Startled that Galen has a favorite color and I don't know it, I say, "Uh, well, he doesn't like nail polish." That is to say, he's never mentioned it before.
When a brilliant smile lights up her whole face, I know I've been busted. "You don't know his favorite color!" she says, actually pointing at me.
"Yes, I do," I say, searching Rachel's face for the answer. She shrugs.
Rayna's smirk is the epitome of I know something you don't know. Smacking it off her face is my first reflex, but I hold back, as I always do, because of the kiss I shared with Toraf and the way it hurt her. Sometimes I catch her looking at me with that same expression she had on the beach, and I feel like fungus, even though she deserved it at the time.
Refusing to fold, I eye the buffet of nail polish scattered before me. Letting my fingers roam over the bottles, I shop the paints, hoping one of them stands out to me. To save my life, I can't think of any one color he wears more often. He doesn't have a favorite sport, so team colors are a no-go. Rachel picked his cars for him, so that's no help either. Biting my lip, I decide on an ocean blue.
"Emma! Now I'm just ashamed of myself," he says from the doorway. "How could you not know my favorite color?"
Startled, I drop the bottle back on the table. Since he's back so soon, I have to assume he didn't find what or who he wanted-and that he didn't hunt them for very long. Toraf materializes behind him, but Galen's shoulders are too broad to allow them both to stand in the doorway. Clearing my throat, I say, "I was just moving that bottle to get to the color I wanted."
Rayna is all but doing a victory dance with her eyes. "Which is?" she asks, full of vicious glee. Toraf pushes past Galen and plops down next to his tiny mate. She leans into him, eager for his kiss. "I missed you," she whispers.
"Not as much as I missed you," he tells her.
Galen and I exchange eye rolls as he walks around to prop himself on the table beside me, his wet shorts making a butt-shaped puddle on the expensive wood. "Go ahead, angelfish," he says, nodding toward the pile of polish.
If he's trying to give me a clue, he sucks at it. "Go" could mean green, I guess. "Ahead" could mean...I have no idea what that could mean. And angelfish come in all sorts of colors. Deciding he didn't encode any messages for me, I sigh and push away from the table to stand. "I don't know. We've never talked about it before."
Rayna slaps her knee in triumph. "Ha!"
Before I can pass by him, Galen grabs my wrist and pulls me to him, corralling me between his legs. Crushing his mouth to mine, he moves his hand to the small of my back and presses me into him. Since he's still shirtless and I'm in my bikini, there's a lot of bare flesh touching, which is a little more intimate than I'm used to with an audience. Still, the fire sears through me, scorching a path to the furthest, deepest parts of me. It takes every bit of grit I have not to wrap my arms around his neck.
Gently, I push my hands against his chest to end the kiss, which is something I never thought I'd do. Giving him a look that I hope conveys "inappropriate," I step back. I've spent enough time in their company to know without looking that Rayna's eyes are bugging out of their sockets and Toraf is grinning like a nutcracker doll. With any luck, Rachel didn't even see the kiss. Stealing a peek at her, she meets my gaze with openmouthed shock.
Okay, it looked as bad as I thought it did.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
He has analyzed what happens to a person’s focus if they engage in deliberately slow practices, like yoga, or tai chi, or meditation, as discovered in a broad range of scientific studies, and he has shown they improve your ability to pay attention by a significant amount. I asked him why. He said that “we have to shrink the world to fit our cognitive bandwidth.” If you go too fast, you overload your abilities, and they degrade. But when you practice moving at a speed that is compatible with human nature—and you build that into your daily life—you begin to train your attention and focus. “That’s why those disciplines make you smarter. It’s not about humming or wearing orange robes.” Slowness, he explained, nurtures attention, and speed shatters it.
”
”
Johann Hari (Stolen Focus: Why You Can't Pay Attention - and How to Think Deeply Again)
“
It’s funny, Matt, everyone thinks Roman’s a nickname--but it’s not, it's just my name. We've got military names way back in our clan. I've got Great-Granddad Grant and Great Uncle Sherman and Uncle MacArthur and Cousin Audie and Cousin Achilles. No," he mused, "Roman's not a nickname. A nickname would be–oh, I don’t know, something like ... Caesar or something! The mighty Roman! ~ Roman Meister, nickname-loving manager of the San Carlos Coyotes in The Mighty Roman, broadly hinting for a nickname of his own.
”
”
Jon Sindell
“
In 1959, Vice-President Nixon, speaking to members of California’s Commonwealth Club, was asked if he’d like to see the parties undergo an ideological realignment—the sort that has since taken place—and he replied, “I think it would be a great tragedy . . . if we had our two major political parties divide on what we would call a conservative-liberal line.” He continued, “I think one of the attributes of our political system has been that we have avoided generally violent swings in Administrations from one extreme to the other. And the reason we have avoided that is that in both parties there has been room for a broad spectrum of opinion.” Therefore, “when your Administrations come to power, they will represent the whole people rather than just one segment of the people.
”
”
Jeffrey Frank
“
I thought that ground fire couldn’t reach the zeppelins,” I said. “I thought that guns on the ground didn’t have the range.”
“Eleanore. Do you imagine for one particle of one second that he was thinking clearly enough to fathom that?”
“He was thinking clearly enough to fathom all of this,” I retorted, my hand flung out to encompass the roof. Blood stained my palm. “Clearly enough to have men haul all these crates into the castle in broad daylight all week long, so that everyone could see them and wonder what was actually inside!
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
I understand that it’s disheartening to pour effort and money into a work of art and find that others do not value it with the same intensity. I’ve been to this rodeo more than a few times, and yes, it’s painful and hard on the soul. It is also the sort of thing that grown-ups do every day. Anyone deluded enough to think they are owed monetary success because they bled for their art is in for some hard, hard knocks and buckets full of tears. There will be many cries of “unfair” and much jealousy and hatred. And to be fair, all authors go through this every time they watch their books ride the waves of bestseller charts and the ego torture chamber known as Goodreads reviews. Even the most well-adjusted of us watch that horrible piece of shit book beat our baby to pieces and gnash our teeth and shout at our monitors demanding to know what brain-donors are shopping on amazon.com these days.
But holy Smart Bitch on a cracker, Batman, to write a post about how stupid readers are and worse to actually put it out there on the internet is so beyond the pale there’s a special hell for that kind of idiocy. Let me repeat: authors exist at the pleasure of readers. Without the people who buy and read my books, I am just another dizzy broad writing shit down. Readers aren’t just an author’s audience; they are her lifeblood.
--
”
”
Heidi Cullinan
“
If you think of capital allocation more broadly as resource allocation and include the deployment of human resources, you find again that Singleton had a highly differentiated approach. Specifically, he believed in an extreme form of organizational decentralization with a wafer-thin corporate staff at headquarters and operational responsibility and authority concentrated in the general managers of the business units. This was very different from the approach of his peers, who typically had elaborate headquarters staffs replete with vice presidents and MBAs.
”
”
William N. Thorndike Jr. (The Outsiders: Eight Unconventional CEOs and Their Radically Rational Blueprint for Success)
“
Press pause for a second on your life and ask yourself, What is my calling? What makes you feel passionate? If you don’t immediately have an answer, try broadening beyond something specific. My mom’s was specific—fashion—but mine was more broad. I like making people feel good. Whether I am doing that through music, which came naturally to me, or through writing, which is harder on me but brings a different reward, I’m driven by the same impulse. I think sometimes we get so caught up in the vessel of the work rather than what matters: the spirit that fills it.
”
”
Jessica Simpson (Open Book)
“
I'm an inclusionist. I've always divided up (very, very broadly, I admit) the artistic instincts into the inclusionist and the exclusionist. The exclusionist is Raccine. The inclusionist is Shakespeare. I've always felt like I'd prefer to throw 45 things into the pot and hope that maybe 36 of them will taste good. You may choke on 9 of them. I'd rather do that than only have half that number of elements and each one perfect. That's because I know that people choke on different things.... I think that when I was a kid, the experience of things, the experience of just finding words for things, of finding somebody else's world and being able to leap into it and, like any world, you pick up the geography instantly. You expected the thing to unfold, you expected there to be valleys that upon entering that world you were barely aware of. For me a novel, particularly a large novel, one you put down at the end and think, 'Hell, that was interesting. I'm not sure I understood Chapters X, Y and Z, but maybe next time I read it or talk to someone about it, I will'... that's a very different experience to the immaculately formed, beautifully honed, finished 'art' thing.
”
”
Clive Barker
“
Call him!” echoed Barnaby, sitting upright upon the floor, and staring vacantly at Gabriel, as he thrust his hair back from his face. “But who can make him come! He calls me, and makes me go where he will. He goes on before, and I follow. He’s the master, and I’m the man. Is that the truth, Grip?” The raven gave a short, comfortable, confidential kind of croak; — a most expressive croak, which seemed to say, “You needn’t let these fellows into our secrets. We understand each other. It’s all right.” “I make him come!” cried Barnaby, pointing to the bird. “Him, who never goes to sleep, or so much as winks!—Why, any time of night, you may see his eyes in my dark room, shining like two sparks. And every night, and all night too, he’s broad awake, talking to himself, thinking what he shall do to-morrow, where we shall go, and what he shall steal, and hide, and bury. I make him come! Ha, ha, ha!
”
”
Charles Dickens (Barnaby Rudge)
“
The malignant impact of over-generalizing Freud's
observations about a small group of overly inhibited individuals into a broad set of assumptions about the causes of psychological ill-health in everyone cannot be overstated.6 But these theories have so permeated our thinking about human nature, and especially our theories of personality, that when most of us try to analyze someone's character, we automatically start thinking in terms of what fears might be "hanging them up," what kinds of "defenses" they use and what kinds of psychologically "threatening" situations they may be trying to "avoid.
”
”
George K. Simon Jr. (In Sheep's Clothing: Understanding and Dealing with Manipulative People)
“
You may remember the old question, the one that’s supposed to define your outlook on life when you answer it. For Byron Hadley the answer would always be half empty, the glass is half empty. Forever and ever, amen. If you gave him a cool drink of apple cider, he’d think about vinegar. If you told him his wife had always been faithful to him, he’d tell you it was because she was so damn ugly. So there he sat, talking to Mert Entwhistle loud enough for all of us to hear, his broad white forehead already starting to redden with the sun. He had one hand thrown back over the low parapet surrounding the roof. The other was on the butt of his .38.
”
”
Stephen King (Different Seasons: Four Novellas)
“
It took several minutes before I was strong enough to say more than a few words of welcome to Aurelia. She returned my gratitude by saying, “You both are going to smell horrid, and now I’ll smell too. Honestly, Nic, I’m beginning to wonder what your attraction is to sewage.”
“It’s not what attracts me down here as much as what repels me up there,” I said. Despite being covered in filth I didn’t even want to think about, I felt only happiness for being here now. This was the second time the Cloaca Maxima had saved my life. And much more than the second time that Aurelia had come to save me.
I stood and helped Livia to her feet. She was obviously disgusted by the smells around us, but hid her revulsion as well as anyone could. When she faced Aurelia, I made the introductions.
“Your brother has told me so much about you,” Aurelia said with a polite bow to Livia.
Livia bowed back. “And the same for you. From Nic’s descriptions, I feel as if I already know you.”
“He described me?” Aurelia glanced my way with a broad grin. I felt myself blushing and hoped it wasn’t visible in the torchlight.
“This is a terrible place for such silly talk,” I said. “Let’s go.”
Aurelia and Livia began walking, with me trailing them. “What did Nic say about me?” Aurelia asked.
“That you’re loud and you ask too many questions,” I replied before Livia could speak.
Livia giggled. “No, that wasn’t it.”
Then Aurelia giggled too, which left me thoroughly confused. What did giggling mean anyway? It sounded happy, but it certainly wasn’t making me feel any better. Considering they had just met, what unspoken joke could they already have in common?
Oh. It was me.
”
”
Jennifer A. Nielsen (Rise of the Wolf (Mark of the Thief, #2))
“
She let her gaze travel over him in a slow appreciation of his tall, lean, muscular frame. She guessed he stood at least six-three in his boots. “I suppose not,” she said. “It would be only prime grass-fed beef and Idaho potatoes for you.”
He crossed his arms over his broad chest and leaned on the door frame studying her. “Miz Powell, if I didn’t know better, I’d think you were undressing me with those pretty blue-green eyes of yours.”
A guilty flush infused her face but she refused to give him the advantage. She opted for a strong offense instead. “So what if I was? Weren’t you quite fixated on my ass at Denver airport?”
He raised a sandy eyebrow. “You noticed that, eh?” His confession came with a shameless grin attached.
She jutted her chin. “Quid pro quo, Counselor. What do you say to that?”
He approached her slowly, the smile in his eyes transforming in a blink to a wicked gleam. A gleam that promised very bad things. His reply sent a warning signal to every nerve in her body. “I’d say, why just use your eyes?
”
”
Victoria Vane (Slow Hand (Hot Cowboy Nights, #1))
“
The rock spun out of his hand so fast, she heard it buzz through the air. It skimmed across the water, hop after hop like a leapfrog racing across the water. It went on and on until it had crossed the lake and had hopped onto the opposite shore. “Well,” he mused softly, a masculine taunt in his voice, “I would say that about wraps things up. Twenty-two skips all the way to the other side.” He sounded very complacent. “I believe you get to be my slave and brush my hair for me at each rising.”
Francesca shook her head. “What I believe is, you rigged this wager. You did something to win.”
“It is called practice. I have spent much time skipping rocks across the lake.”
Francesca laughed softly. “You are not telling the truth, Gabriel. I don’t believe you ever skipped a rock in your life until now. You tricked me.”
“You think?” He asked it innocently. Too innocently.
“You know you did. Just to win a silly bet. I can’t believe you.”
He reached out to tuck a wayward strand of hair behind her ear, making her heart leap wildly. “It was not just a silly bet, honey, it was a way to get you to brush my hair. No one has ever done such a thing for me and I think I crave attention.” He rubbed the bridge of his nose again and grinned at her almost boyishly. “I asked Lucian to do so once and he threatened to beat me to a bloody pulp.” He shrugged his broad shoulders. “Some things are just not worth it, you know.
”
”
Christine Feehan (Dark Legend (Dark, #7))
“
Perhaps if you know you are insane then you are not insane. Or you are becoming sane, finally. Waking up. I suppose only a few are aware of all this. Isolated persons here and there. But the broad masses . . . what do they think? All these hundreds of thousands in this city, here. Do they imagine that they live in a sane world? Or do they guess, glimpse, the truth . . . ? But, he thought, what does it mean, insane? A legal definition. What do I mean? I feel it, see it, but what is it? He thought, It is something they do, something they are. It is their unconsciousness. Their lack of knowledge about others. Their not being aware of what they do to others, the destruction they have caused and are causing.
”
”
Philip K. Dick (The Man in the High Castle)
“
Foxes were dreaded animals. They were not large or fierce, like the bears and tigers that roamed the mountains, but they were known to be fiendishly clever. some people even believed that foxes possessed evil magic. It was said that a fox could lure a man to his doom, tricking him into coming to its den, where somehow he would be fed to its offspring.
"Even to say the word made a trickle of fear run down Tree-Ear's spine...
"'So it was dusk, and I was still a good distance away. Suddenly, a fox appeared before me. It stopped there, right in the middle of the path, grinning with all its teeth shining white, licking its lips, its eyes glowing, its broad tail swishing back and forth slowly, back and forth-'
"'Enough!' Tree-Ear's eyes were wide with horror. 'What happened?'
"Crane-man picked up the last morsel of rice with his chopsticks and popped it into his mouth. 'Nothing,' he said. 'I have come to believe that foxes could not possibly be as clever as we think them. There I was, close enough to touch one, with a bad leg as well - and here I still am today.
”
”
Linda Sue Park (A Single Shard)
“
Mental obsession, or going over and over something, is a part of the addictive cycle. It is also addictive in itself. I mentioned earlier the ego defense called “isolation of affect.” By focusing on a recurring thought you can avoid painful feelings. You can also avoid feelings by ruminating, turning thoughts over and over in your head. You can be addicted to abstract thinking. One of my degrees is in philosophy. I spent years of my life studying the great philosophers. In itself this is not harmful. For me, the reading and teaching of philosophy was a way out of my feelings. When I was reading the Summa Theologia of Thomas Aquinas or Emmanuel Kant’s Critique of Pure Reason or Wittgenstein’s treatise on logical positivism, I could completely mood-alter my toxic shame. Intellectualizing is often a way to avoid internal states that are shame-bound. One’s very way of intellectualizing can be addictive. Generalizing and universalizing keep one in categories so broad and abstract that there’s no contact with concrete, specific, sensory-based reality. Abstract generalizing is a marvelous way to mood-alter.
”
”
John Bradshaw (Healing the Shame that Binds You)
“
It is important to note that the lampstand in the tabernacle did not cast a broad light, illuminating everything in the tabernacle; the focus of its beam was specifically on the bread of presence. Likewise, the church is not called to illuminate everything -- its light should be concentrated on showing others who God is. For church leaders, our jobs are clear: we have to keep the wicks trimmed, the light burning, and the lampstand in its proper place. if the light begins to dim, we must immediately move into action. God's intention is for the church to be placed strategically in culture in order to show Himself to the world. Anytime the church becomes ineffective in its role to illuminate Christ, it must rekindle and reinvent itself around its core purpose.
”
”
Reggie Joiner (Think Orange: Imagine the Impact When Church and Family Collide...)
“
Duroy, who felt light hearted that evening, said with a smile: "You are gloomy to-day, dear master."
The poet replied: "I am always so, young man, so will you be in a few years. Life is a hill. As long as one is climbing up one looks towards the summit and is happy, but when one reaches the top one suddenly perceives the descent before one, and its bottom, which is death. One climbs up slowly, but one goes down quickly. At your age a man is happy. He hopes for many things, which, by the way, never come to pass. At mine, one no longer expects anything - but death."
Duroy began to laugh: "You make me shudder all over."
Norbert de Varenne went on: "No, you do not understand me now, but later on you will remember what I am saying to you at this moment. A day comes, and it comes early for many, when there is an end to mirth, for behind everything one looks at one sees death. You do not even understand the word. At your age it means nothing; at mine it is terrible. Yes, one understands it all at once, one does not know how or why, and then everything in life changes its aspect. For fifteen years I have felt death assail me as if I bore within me some gnawing beast. I have felt myself decaying little by little, month by month, hour by hour, like a house crumbling to ruin. Death has disfigured me so completely that I do not recognize myself. I have no longer anything about me of myself - of the fresh, strong man I was at thirty. I have seen death whiten my black hairs, and with what skillful and spiteful slowness. Death has taken my firm skin, my muscles, my teeth, my whole body of old, only leaving me a despairing soul, soon to be taken too. Every step brings me nearer to death, every movemebt, every breath hastens his odious work. To breathe, sleep, drink, eat, work, dream, everything we do is to die. To live, in short, is to die. Oh, you will realize this. If you stop and think for a moment you will understand. What do you expect? Love? A few more kisses and you will be impotent. Then money? For what? Women? Much fun that will be! In order to eat a lot and grow fat and lie awake at night suffering from gout? And after that? Glory? What use is that when it does not take the form of love? And after that? Death is always the end. I now see death so near that I often want to stretch my arms to push it back. It covers the earth and fills the universe. I see it everywhere. The insects crushed on the path, the falling leaves, the white hair in a friend's head, rend my heart and cry to me, 'Behold it!' It spoils for me all I do, all I see, all that I eat and drink, all that I love; the bright moonlight, the sunrise, the broad ocean, the noble rivers, and the soft summer evening air so sweet to breath."
He walked on slowly, dreaming aloud, almost forgetting that he had a listener: "And no one ever returns - never. The model of a statue may be preserved, but my body, my face, my thoughts, my desires will never reappear again. And yet millions of beings will be born with a nose, eyes, forehead, cheeks, and mouth like me, and also a soul like me, without my ever returning, without even anything recognizable of me appearing in these countless different beings. What can we cling to? What can we believe in? All religions are stupid, with their puerile morality and their egotistical promises, monstrously absurd. Death alone is certain."
"Think of that, young man. Think of it for days, and months and years, and life will seem different to you. Try to get away from all the things that shut you in. Make a superhuman effort to emerge alive from your own body, from your own interests, from your thoughts, from humanity in general, so that your eyes may be turned in the opposite direction. Then you understand how unimportant is the quarrel between Romanticism and Realism, or the Budget debates.
”
”
Guy de Maupassant
“
Leta will manage. She’s tough. But Tate is going to learn some things that will hurt him badly. I think he should hear it from his mother.” He sighed angrily. “So I called her up on a pay phone and told her I knew everything, and that she should tell Tate the truth before he hears it on the evening news. After thirty-six years of silence, she suddenly became very vocal. She called me a name I won’t repeat, told me what she thought of me and my career and hung up. When I rang back, she wouldn’t pick up the phone.” He ran his hands through his hair. “What do I do?”
“Suppose I invite her here to stay with me, for a visit,” she suggested. “Then you can talk to her again…”
“There’s no time, Cecily.” He spread his hands on his thighs and a look of torment lined his broad, strong face. “I’m going to have to tell him myself.”
She winced. “I’m sorry.”
He sighed. “I’m sorry, too. He’s going to hate all of us for a little while, even Leta. I told her that. It made her furious, but it’s the truth. We’re going to have a bad thunderstorm that will last for a few weeks, and then there will be a ray of sunshine.”
She smiled. “We may have a tornado instead.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
I remember one incident which bears upon this part of the treatise. The gentleman who gave it to me had asked to see my tobacco-pipe; he examined it carefully, and when he came to the little protuberance at the bottom of the bowl he seemed much delighted, and exclaimed that it must be rudimentary. I asked him what he meant.
"Sir," he answered, "this organ is identical with the rim at the bottom of a cup; it is but another form of the same function. Its purposes must have been to keep the heat of the pipe from marking the table upon which it rested. You would find, if you were to look up the history of tobacco-pipes, that in early specimens this protuberance was of a different shape to what it is now. It will have been broad at the bottom, and flat, so that while the pipe was being smoked the bowl might rest upon the table without marking it. Use and disuse must have come into play and reduced the function its present rudimentary condition. I should not be surprised, sir," he continued, "if, in the course of time, it were to become modified still farther, and to assume the form of an ornamental leaf or scroll, or even a butterfly, while in some cases, it will become extinct.
”
”
Samuel Butler (Erewhon (Erewhon, #1))
“
But now I speculate re the ants' invisible organ of aggregate thought... if, in a city park of broad reaches, winding paths, roadways, and lakes, you can imagine seeing on a warm and sunny Sunday afternoon the random and unpredictable movement of great numbers of human beings in the same way... if you watch one person, one couple, one family, a child, you can assure yourself of the integrity of the individual will and not be able to divine what the next moment will bring. But when the masses are celebrating a beautiful day in the park in a prescribed circulation of activities, the wider lens of thought reveals nothing errant, nothing inconstant or unnatural to the occasion. And if someone acts in a mutant un-park manner, alarms go off, the unpredictable element, a purse snatcher, a gun wielder, is isolated, surrounded, ejected, carried off as waste. So that while we are individually and privately dyssynchronous, moving in different ways, for different purposes, in different directions, we may at the same time comprise, however blindly, the pulsing communicating cells of an urban over-brain. The intent of this organ is to enjoy an afternoon in the park, as each of us street-grimy urbanites loves to do. In the backs of our minds when we gather for such days, do we know this? How much of our desire to use the park depends on the desires of others to do the same? How much of the idea of a park is in the genetic invitation on nice days to reflect our massive neuromorphology? There is no central control mechanism telling us when and how to use the park. That is up to us. But when we do, our behavior there is reflective, we can see more of who we are because of the open space accorded to us, and it is possible that it takes such open space to realize in simple form the ordinary identity we have as one multicellular culture of thought that is always there, even when, in the comparative blindness of our personal selfhood, we are flowing through the streets at night or riding under them, simultaneously, as synaptic impulses in the metropolitan brain.
Is this a stretch? But think of the contingent human mind, how fast it snaps onto the given subject, how easily it is introduced to an idea, an image that it had not dreamt of thinking of a millisecond before... Think of how the first line of a story yokes the mind into a place, a time, in the time it takes to read it. How you can turn on the radio and suddenly be in the news, and hear it and know it as your own mind's possession in the moment's firing of a neuron. How when you hear a familiar song your mind adopts its attitudinal response to life before the end of the first bar. How the opening credits of a movie provide the parameters of your emotional life for its ensuing two hours... How all experience is instantaneous and instantaneously felt, in the nature of ordinary mind-filling revelation. The permeable mind, contingently disposed for invasion, can be totally overrun and occupied by all the characteristics of the world, by everything that is the case, and by the thoughts and propositions of all other minds considering everything that is the case... as instantly and involuntarily as the eye fills with the objects that pass into its line of vision.
”
”
E.L. Doctorow (City of God)
“
In a broad sense, this book, from its first edition in 2000, has been about trying to understand the change in thinking of the people whose actions ultimately drive the markets. It is about the psychology of speculation, about the feedback mechanism that intensifies this psychology, about herd behavior that can spread through millions or even billions of people, and about the implications of such behavior for the economy and for our lives. Although the book originally focused directly on current economic events, it was, and is, about how errors of human judgment can infect even the smartest people, thanks to overconfidence, lack of attention to details, and excessive trust in the judgments of others, stemming from a failure to understand that others are not making independent judgments but are themselves following still others—the blind leading the blind.
”
”
Robert J. Shiller (Irrational Exuberance: Revised and Expanded Third Edition)
“
The Distinctions: SINCERITY - is the assessment that you are honest, that you say what you mean and mean what you say; you can be believed and taken seriously. It also means when you express an opinion it is valid, useful, and is backed up by sound thinking and evidence. Finally, it means that your actions will align with your words. RELIABILITY - is the assessment that you meet the commitments you make, that you keep your promises. COMPTENCE - is the assessment that you have the ability to do what you are doing or propose to do. In the workplace this usually means the other person believes you have the requisite capacity, skill, knowledge, and resources, to do a particular task or job. CARE - is the assessment that you have the other person’s interests in mind as well as your own when you make decisions and take actions. Of the four assessments of trustworthiness, care is in some ways the most important for building lasting trust. When people believe you are only concerned with your self-interest and don’t consider their interests as well, they may trust your sincerity, reliability and competence, but they will tend to limit their trust of you to specific situations or transactions. On the other hand, when people believe you hold their interest in mind, they will extend their trust more broadly to you.
”
”
Charles Feltman (The Thin Book of Trust; An Essential Primer for Building Trust at Work)
“
I can’t sleep,” he says so quietly that only I can hear. “I can’t sleep. I can’t sleep. I can’t sleep.” “Nor I.” “You neither?” “No.” “Truly?” “Yes.” He sighs a deep sigh, as if he is relieved. “Is this love then?” “I suppose so.” “I can’t eat.” “No.” “I can’t think of anything but you. I can’t go on another moment like this; I can’t ride out into battle like this. I am as foolish as a boy. I am mad for you, like a boy. I cannot be without you; I will not be without you. Whatever it costs me.” I can feel my color rising like heat in my cheeks, and for the first time in days I can feel myself smile. “I can’t think of anything but you,” I whisper. “Nothing. I thought I was sick.” The ring like a crown is heavy in my pocket, my headdress is pulling at my hair; but I stand without awareness, seeing nothing but him, feeling nothing but his warm breath on my cheek and scenting the smell of his horse, the leather of his saddle, and the smell of him: spices, rosewater, sweat. “I am mad for you,” he says. I feel my smile turn up my lips as I look into his face at last. “And I for you,” I say quietly. “Truly.” “Well then, marry me.” “What?” “Marry me. There is nothing else for it.” I give a nervous little laugh. “You are joking with me.” “I mean it. I think I will die if I don’t have you. Will you marry me?” “Yes,” I breathe. “Tomorrow morning, I will ride in early. Marry me tomorrow morning at your little chapel. I will bring my chaplain, you bring witnesses. Choose someone you can trust. It will have to be a secret for a while. Do you want to?” “Yes.” For the first time he smiles, a warm beam that spreads across his fair broad face. “Good God, I could take you in my arms right now,” he says. “Tomorrow,” I whisper. “At nine in the morning,” he says.
”
”
Philippa Gregory (The White Queen (The Plantagenet and Tudor Novels, #2))
“
The manner in which animals learn has been much studied in recent years, with a great deal of patient observation and experiment. Certain results have been obtained as regards the kinds ofproblems that have been investigated, but on general principles there is still much controversy. One may say broadly that all the animals that have been carefully observed have behaved so as to confirm the philosophy in which the observer believed before his observations began. Nay, more, they have all displayed the national characteristics of the observer. Animals studied by Americans rush about frantically, with an incredible display of hustle and pep, and at last achieve the desired result by chance. Animals observed by Germans sit still and think,
and at last evolve the solution out of their inner consciousness. To the plain man, such as the present writer, this situation is discouraging. I observe, however, that the type ofproblem which a man naturally sets to an animal depends upon his own philosophy, and this probably accounts for the differences in the results. The animal responds to one type of problem in one way and to another in another; therefore the results obtained by different investigators, though different, are not incompatible. But it remains necessary to remember that no one investigator is to be trusted to give a survey of the whole field.
-Bertrand Russell, Outline of Philosophy, 192731
”
”
Geert Hofstede (Cultures and Organizations: Software for the Mind)
“
Albus Dumbledore was walking toward him, sprightly and upright, wearing sweeping robes of midnight blue.
“Harry.” He spread his arms wide, and his hands were both whole and white and undamaged. “You wonderful boy. You brave, brave man. Let us walk.”
Stunned, Harry followed as Dumbledore strode away from where the flayed child lay whimpering, leading him to two seats that Harry had not previously noticed, set some distance away under that high, sparkling ceiling. Dumbledore sat down in one of them, and Harry fell into the other, staring at his old headmaster’s face. Dumbledore’s long silver hair and beard, the piercingly blue eyes behind half-moon spectacles, the crooked nose: Everything was as he had remembered it. And yet…
“But you’re dead,” said Harry.
“Oh yes,” said Dumbledore matter-of-factly.
“Then…I’m dead too?”
“Ah,” said Dumbledore, smiling still more broadly. “That is the question, isn’t it? On the whole, dear boy, I think not.”
They looked at each other, the old man still beaming.
“Not?” repeated Harry.
“Not,” said Dumbledore.
“But…” Harry raised his hand instinctively toward the lightning scar. It did not seem to be there. “But I should have died--I didn’t defend myself! I meant to let him kill me!”
“And that,” said Dumbledore, “will, I think, have made all the difference.”
Happiness seemed to radiate from Dumbledore like light, like fire: Harry had never seen the man so utterly, so palpably content.
“Explain,” said Harry.
“But you already know,” said Dumbledore. He twiddled his thumbs together.
“I let him kill me,” said Harry. “Didn’t I?”
“You did,” said Dumbledore, nodding. “Go on!”
“So the part of his soul that was in me…”
Dumbledore nodded still more enthusiastically, urging Harry onward, a broad smile of encouragement on his face.
“…has it gone?”
“Oh yes!” said Dumbledore. “Yes, he destroyed it. Your soul is whole, and completely your own, Harry.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
Indeed,” Arobynn said, “I’d hate to see you back in Endovier, too. Though I will say these past two years have made you even more striking. Womanhood suits you.” He cocked his head, and she knew it was coming before he amended, “Or should I say queen-hood?” It had been a decade since they’d spoken baldly of her heritage, or of the title he had helped her walk away from, had taught her to hate and fear. Sometimes he’d mentioned it in veiled terms, usually as a threat to keep her bound to him. But he had never once said her true name—not even when he’d found her on that icy riverbank and carried her into his house of killers. “What makes you think I have any interest in that?” she said casually. Arobynn shrugged his broad shoulders. “One can’t put much faith in gossip, but word arrived about a month ago from Wendlyn. It claimed that a certain lost queen put on a rather spectacular show for an invading legion from Adarlan. Actually, I believe the title our esteemed friends in the empire now like to use is ‘fire-breathing bitch-queen.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
PEACETIME CEO/WARTIME CEO Peacetime CEO knows that proper protocol leads to winning. Wartime CEO violates protocol in order to win. Peacetime CEO focuses on the big picture and empowers her people to make detailed decisions. Wartime CEO cares about a speck of dust on a gnat’s ass if it interferes with the prime directive. Peacetime CEO builds scalable, high-volume recruiting machines. Wartime CEO does that, but also builds HR organizations that can execute layoffs. Peacetime CEO spends time defining the culture. Wartime CEO lets the war define the culture. Peacetime CEO always has a contingency plan. Wartime CEO knows that sometimes you gotta roll a hard six. Peacetime CEO knows what to do with a big advantage. Wartime CEO is paranoid. Peacetime CEO strives not to use profanity. Wartime CEO sometimes uses profanity purposefully. Peacetime CEO thinks of the competition as other ships in a big ocean that may never engage. Wartime CEO thinks the competition is sneaking into her house and trying to kidnap her children. Peacetime CEO aims to expand the market. Wartime CEO aims to win the market. Peacetime CEO strives to tolerate deviations from the plan when coupled with effort and creativity. Wartime CEO is completely intolerant. Peacetime CEO does not raise her voice. Wartime CEO rarely speaks in a normal tone. Peacetime CEO works to minimize conflict. Wartime CEO heightens the contradictions. Peacetime CEO strives for broad-based buy-in. Wartime CEO neither indulges consensus building nor tolerates disagreements. Peacetime CEO sets big, hairy, audacious goals. Wartime CEO is too busy fighting the enemy to read management books written by consultants who have never managed a fruit stand. Peacetime CEO trains her employees to ensure satisfaction and career development. Wartime CEO trains her employees so they don’t get their asses shot off in the battle. Peacetime CEO has rules like “We’re going to exit all businesses where we’re not number one or two.” Wartime CEO often has no businesses that are number one or two and therefore does not have the luxury of following that rule.
”
”
Ben Horowitz (The Hard Thing About Hard Things: Building a Business When There Are No Easy Answers)
“
From east to west, in fact, her gaze swept slowly, without encountering a single obstacle, along a perfect curve. Beneath her, the blue-and-white terraces of the Arab town overlapped one another, splattered with the dark-red spots of the peppers drying in the sun. Not a soul could be seen, but from the inner courts, together with the aroma of roasting coffee, there rose laughing voices or incomprehensible stamping of feet. Father off, the palm grove, divided into uneven squares by clay walls, rustled its upper foliage in a wind that could not be felt up on the terace. Still farther off and all the way to the horizon extended the ocher-and-gray realm of stones, in which no life was visible. At some distance from the oasis, however, near the wadi that bordered the palm grove on the west could be seen broad black tents. All around them a flock of motionless dromedaries, tiny at the distance, formed against the gray ground the black signs of a strange handwriting, the meaning of which had to be deciphered. Above the desert, the silence was as vast as the space.
Janine, leaning her whole body against the parapet, was speechless, unable to tear herself away from the void opening before her. Beside her, Marcel was getting restless. He was cold; he wanted to go back down. What was there to see here, after all? But she could not take her gaze from the horizon. Over yonder, still farther south, at that point where sky and earth met in a pure line - over yonder it suddenly seemed there was awaiting her something of which, though it had always been lacking, she had never been aware until now. In the advancing afternoon the light relaxed and softened; it was passing from the crystalline to the liquid. Simultaneously, in the heart of a woman brought there by pure chance a knot tightened by the years, habit, and boredom was slowly loosening. She was looking at the nomads' encampment. She had not even seen the men living in it' nothing was stirring among the black tents, and yet she could think only of them whose existence she had barely known until this day. Homeless, cut off from the world, they were a handful wandering over the vast territory she could see, which however was but a paltry part of an even greater expanse whose dizzying course stopped only thousands of miles farther south, where the first river finally waters the forest. Since the beginning of time, on the dry earth of this limitless land scraped to bone, a few men had been ceaselessly trudging, possessing nothing but serving no one, poverty-stricken but free lords of a strange kingdom. Janine did not know why this thought filled her with such a sweet, vast melancholy that it closed her eyes. She knew that this kingdom had been eternally promised her and yet that it would never be hers, never again, except in this fleeting moment perhaps when she opened her eyes again on the suddenly motionless sky and on its waves of steady light, while the voices rising from the Arab town suddenly fell silent. It seemed to her that the world's course had just stopped and that, from that moment on, no one would ever age any more or die. Everywhere, henceforth, life was suspended - except in her heart, where, at the same moment, someone was weeping with affliction and wonder.
”
”
Albert Camus
“
The cat paused. :What always happens when religion goes to the bad?: the cat replied, and resumed his grooming. :Power. The love of power overcomes the love of the gods. Priests stop listening for the voice in their hearts and souls—which is very, very hard to hear even at the best of times—and start to listen only to what they wish to hear or to the voice of their own selfish desires. Priests begin to believe that they, and not the gods, are the real authorities. Priests confine broad truths into narrow doctrines, because more rules mean that they have more power. Priests mistake their own prejudice for conscience and mistake what they personally fear for what should universally be feared. Priests look inward to their own small souls and try to impress that smallness on the world, when they should be looking at the greatness of the universe and trying to impress that upon their souls. Priests forget they owe everything to their gods and begin to think the world owes everything to them . . . : the cat stopped, and shook his head. :Power is a poison. Priests should know better than to indulge in it.
”
”
Mercedes Lackey (Redoubt (Valdemar: Collegium Chronicles, #4))
“
She was just starting toward the sauna when the low door in the side of the hill opened and a man stepped outside. A naked man.
Oh...
Oh,my...
Heaven...
Rycca's cheeks flamed. They felt hot enough to light tinder but she scarcely noticed. Without allowing herself to think, she slipped behind a tree and stared. Although, to be honest, "stared" really didn't get close to it. She gaped...she gawked...she practically ogled. She was enthralled, fascinated, deeply impressed, and positively tingling.
He was glorious. Far and away, the most beautiful thing she had ever seen in her life. Her palms itched. She wanted to run them over every inch of his magnicifent body, over broad shoulders that rounded into chest and arms taut with muscle, over thighs and calves that looked corded with steel, and back up again to...
She'd forgotten to breathe. Inhaling painfully, she watched him turn toward the river. Even his back was beautiful, and his buttocks...
When had the day turned so horribly hot? Indeed, it was a marvel the grass wasn't igniting before her eyes. Perhaps the sun had suddenly moved closer. Yes,that must be it.
”
”
Josie Litton (Come Back to Me (Viking & Saxon, #3))
“
life is a world you have to live by…
it has its own rules you go by…
it gives you joy and struggles…
i see a mountain…
my goal is not to reach the peak…
but to reach the foot of the mountain…
you may ask why the foot and not the peak…
well come dear one sit down…
and i'll tell you the meaning…
A butterfly so delicate to touch…
so graceful that you are in awe…
but what you don't understand is they are like humans…
they can't see how beautiful their wings are…
but everything else can...
we can't see our face but everyone else can…
An owl so wise to see…
so kind to hear…
who it calls…
the who is you…
the who is one you meet…
the who is a friend…
A bee so humble…
so hard working…
and yet still has a whole lot of work to do…
we can sting like a bee…
for standing up what is right…
even though it can be wrong…
there is only one path…
and you can never go back…
all you have to do is to keep going…
that path is the journey life awaits…
but you have to follow by its rules…
and here are the three simple rules…
one...
you must accept what life gives you…
and also what it takes from you…
two…
never think too much…
cause we all don't get the answers to everything…
three…
is to just deal with it…
you create what life gives you, you don't run it…
look at my feet…
they are worn from all the rocks i had to walk on…
but it has dirt that nourished life all the years…
look at my hands…
yes they are small but look closely…
they are torn from climbing…
life can try to put a blockage in your path…
but all you can do is to climb that blockage…
and say is that all…
look in my eyes…
they seen so many things…
things i loss and gained…
full of wonder…
but if you look closer…
you can see a fire burning so bright…
i am determined to see beyond my journey…
i am being created…
creating my life in my own way…
and we all have goals…
but we all want to achieve a broad goal…
that is the peak…
but the main goal is to finish your path…
the path life put you in…
the path that leads to....
nothing for right now cause we haven't made it yet…
but it said to be true…
the foot of the mountain is a new beginning…
we can't stand without a foot…
so the question is…
how are you going to stand at the peak to oversee the view when you didn't care so much about the foot?
”
”
Chelsea Roberts
“
Leta walked to the door and opened it with a ready smile for Colby Lane. And found herself looking straight into the eye of a man she hadn’t seen face-to-face in thirty-six years.
Matt Holden matched her face against his memories of a young, slight, beautiful woman whose eyes loved him every time they looked at him. His heart spun like a cartwheel in his chest.
“Cecily said it was Colby,” Leta said unsteadily.
“Strange. She phoned me and asked if I was free this evening.” His broad shoulders shrugged and he smiled faintly. “I’m free every evening.”
“That doesn’t sound like the life of a playboy widower,” Leta said caustically.
“My wife was a vampire,” he said. “She sucked me dry of life and hope. Her drinking wore me down. Her death was a relief for both of us. Do I get to come in?” he added, glancing down the hall. “I’m going to collect dust if I stand out here much longer, and I’m hungry. A sack of McDonald’s hamburgers and fries doesn’t do a lot for me.”
“I hear it’s a presidential favorite,” Cecily mused, joining them. “Come in, Senator Holden.”
“It was Matt before,” he pointed out. “Or are you trying to butter me up for a bigger donation to the museum?”
She shrugged. “Pick a reason.”
He looked at Leta, who was uncomfortable. “Well, at least you can’t hang up on me here. You’ll be glad to know that our son isn’t speaking to me. He isn’t speaking to you, either, or so he said,” he added. “I suppose he won’t talk to you?” he added to Cecily.
“He said goodbye very finally, after telling me that I was an idiot to think he’d change his mind and want to marry me just because he turned out to have mixed blood,” she said, not relating the shocking intimacy that had prefaced his remarks.
“I’ll punch him for that,” Matt said darkly.
“Ex-special forces,” Leta spoke up with a faint attempt at humor, nodding toward Matt. “He was in uniform when we went on our first date.”
“You wore a white cotton dress with a tiered skirt,” he recalled, “and let your hair down. Hair…”
He turned back to Cecily and grimaced. “Good God, what did you do that for?”
“Tate likes long hair, that’s what I did it for,” she said, venom in her whole look. “I can’t wait for him to see it, even if I have to settle for sending him a photo!”
“I hope you never get mad at me,” Matt said.
“Fat chance.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
In the center of the room Elizabeth stood stock still, clasping and unclasping her hands, watching the handle turn, unable to breathe with the tension. The door swung open, admitting a blast of frigid air and a tall, broad-shouldered man who glanced at Elizabeth in the firelight and said, “Henry, it wasn’t necess-“
Ian broke off, the door still open, staring at what he momentarily thought was a hallucination, a trick of the flames dancing in the fireplace, and then he realized the vision was real: Elizabeth was standing perfectly still, looking at him. And lying at her feet was a young Labrador retriever.
Trying to buy time, Ian turned around and carefully closed the door as if latching it with precision were the most paramount thing in his life, while he tried to decide whether she’d looked happy or not to see him. In the long lonely nights without her, he’d rehearsed dozens of speeches to her-from stinging lectures to gentle discussions. Now, when the time was finally here, he could not remember one damn word of any of them.
Left with no other choice, he took the only neutral course available. Turning back to the room, Ian looked at the Labrador. “Who’s this?” he asked, walking forward and crouching down to pet the dog, because he didn’t know what the hell to say to his wife.
Elizabeth swallowed her disappointment as he ignored her and stroked the Labrador’s glossy black head. “I-I call her Shadow.”
The sound of her voice was so sweet, Ian almost pulled her down into his arms. Instead, he glanced at her, thinking it encouraging she’d named her dog after his. “Nice name.”
Elizabeth bit her lip, trying to hide her sudden wayward smile. “Original, too.”
The smile hit Ian like a blow to the head, snapping him out of his untimely and unsuitable preoccupation with the dog. Straightening, he backed up a step and leaned his hip against the table, his weight braced on his opposite leg.
Elizabeth instantly noticed the altering of his expression and watched nervously as he crossed his arms over his chest, watching her, his face inscrutable. “You-you look well,” she said, thinking he looked unbearably handsome.
“I’m perfectly fine,” he assured her, his gaze level. “Remarkably well, actually, for a man who hasn’t seen the sun shine in more than three months, or been able to sleep without drinking a bottle of brandy.”
His tone was so frank and unemotional that Elizabeth didn’t immediately grasp what he was saying. When she did, tears of joy and relief sprang to her eyes as he continued: “I’ve been working very hard. Unfortunately, I rarely get anything accomplished, and when I do, it’s generally wrong. All things considered, I would say that I’m doing very well-for a man who’s been more than half dead for three months.”
Ian saw the tears shimmering in her magnificent eyes, and one of them traced unheeded down her smooth cheek.
With a raw ache in his voice he said, “If you would take one step forward, darling, you could cry in my arms. And while you do, I’ll tell you how sorry I am for everything I’ve done-“ Unable to wait, Ian caught her, pulling her tightly against him. “And when I’m finished,” he whispered hoarsely as she wrapped her arms around him and wept brokenly, “you can help me find a way to forgive myself.”
Tortured by her tears, he clasped her tighter and rubbed his jaw against her temple, his voice a ravaged whisper: “I’m sorry,” he told her. He cupped her face between his palms, tipping it up and gazing into her eyes, his thumbs moving over her wet cheeks. “I’m sorry.” Slowly, he bent his head, covering her mouth with his. “I’m so damned sorry.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Lady Mary was young, and Lady Mary was fair. She had two brothers, and more lovers than she could count. But of them all, the bravest and most gallant, was a Mr. Fox, whom she met when she was down at her father's country-house. No one knew who Mr. Fox was; but he was certainly brave, and surely rich, and of all her lovers, Lady Mary cared for him alone. At last it was agreed upon between them that they should be married. Lady Mary asked Mr. Fox where they should live, and he described to her his castle, and where it was; but, strange to say, did not ask her, or her brothers to come and see it. So one day, near the wedding-day, when her brothers were out, and Mr. Fox was away for a day or two on business, as he said, Lady Mary set out for Mr. Fox's castle. And after many searchings, she came at last to it, and a fine strong house it was, with high walls and a deep moat. And when she came up to the gateway she saw written on it: BE BOLD, BE BOLD. But as the gate was open, she went through it, and found no one there. So she went up to the doorway, and over it she found written: BE BOLD, BE BOLD, BUT NOT TOO BOLD. Still she went on, till she came into the hall, and went up the broad stairs till she came to a door in the gallery, over which was written: BE BOLD, BE BOLD, BUT NOT TOO BOLD, LEST THAT YOUR HEART'S BLOOD SHOULD RUN COLD. But Lady Mary was a brave one, she was, and she opened the door, and what do you think she saw? Why, bodies and skeletons of beautiful young ladies all stained with blood.
”
”
Joseph Jacobs (English Fairy Tales)
“
Finally, we arrive at the question of the so-called nonpolitical man. Hitler not only established his power from the very beginning with masses of people who were until then essentially nonpolitical; he also accomplished his last step to victory in March of 1933 in a "legal" manner, by mobilizing no less than five million nonvoters, that is to say, nonpolitical people. The Left parties had made every effort to win over the indifferent masses, without posing the question as to what it means "to be indifferent or nonpolitical."
If an industrialist and large estate owner champions a rightist party, this is easily understood in terms of his immediate economic interests. In his case a leftist orientation would be at variance with his social situation and would, for that reason, point to irrational motives. If an industrial worker has a leftist orientation, this too is by all mean rationally consistent—it derives from his economic and social position in industry. If, however, a worker, an employee, or an official has a rightist orientation, this must be ascribed to a lack of political clarity, i.e., he is ignorant of his social position. The more a man who belongs to the broad working masses is nonpolitical, the more susceptible he is to the ideology of political reaction. To be nonpolitical is not, as one might suppose, evidence of a passive psychic condition, but of a highly active attitude, a defense against the awareness of social responsibility. The analysis of this defense against consciousness of one's social responsibility yields clear insights into a number of dark questions concerning the behavior of the broad nonpolitical strata. In the case of the average intellectual "who wants nothing to do with politics," it can easily be shown that immediate economic interests and fears related to his social position, which is dependent upon public opinion, lie at the basis of his noninvolvement. These fears cause him to make the most grotesque sacrifices with respect to his knowledge and convictions. Those people who are engaged in the production process in one way or another and are nonetheless socially irresponsible can be divided into two major groups. In the case of the one group the concept of politics is unconsciously associated with the idea of violence and physical danger, i.e., with an intense fear, which prevents them from facing life realistically. In the case of the other group, which undoubtedly constitutes the majority, social irresponsibility is based on personal conflicts and anxieties, of which the sexual anxiety is the predominant one. […] Until now the revolutionary movement has misunderstood this situation. It attempted to awaken the "nonpolitical" man by making him conscious solely of his unfulfilled economic interests. Experience teaches that the majority of these "nonpolitical" people can hardly be made to listen to anything about their socio-economic situation, whereas they are very accessible to the mystical claptrap of a National Socialist, despite the fact that the latter makes very little mention of economic interests. [This] is explained by the fact that severe sexual conflicts (in the broadest sense of the word), whether conscious or unconscious, inhibit rational thinking and the development of social responsibility. They make a person afraid and force him into a shell. If, now, such a self-encapsulated person meets a propagandist who works with faith and mysticism, meets, in other words, a fascist who works with sexual, libidinous methods, he turns his complete attention to him. This is not because the fascist program makes a greater impression on him than the liberal program, but because in his devotion to the führer and the führer's ideology, he experiences a momentary release from his unrelenting inner tension. Unconsciously, he is able to give his conflicts a different form and in this way to "solve" them.
”
”
Wilhelm Reich (The Mass Psychology of Fascism)
“
The sun goes down and it's night-time in New Orleans. The moon rises, midnight chimes from St. Louis cathedral, and hardly has the last note died away than a gruesome swampland whistle sounds outside the deathly still house. A fat Negress, basket on arm, comes trudging up the stairs a moment later, opens the door, goes in to the papaloi, closes it again, traces an invisible mark on it with her forefinger and kisses it. Then she turns and her eyes widen with surprise. Papa Benjamin is in bed, covered up to the neck with filthy rags. The familiar candles are all lit, the bowl for the blood, the sacrificial knife, the magic powders, all the paraphernalia of the ritual are laid out in readiness, but they are ranged about the bed instead of at the opposite end of the room as usual.
The old man's head, however, is held high above the encumbering rags, his beady eyes gaze back at her unflinchingly, the familiar semicircle of white wool rings his crown, his ceremonial mask is at his side. 'I am a little tired, my daughter,' he tells her. His eyes stray to the tiny wax image of Eddie Bloch under the candles, hairy with pins, and hers follow them. 'A doomed one, nearing his end, came here last night thinking I could be killed like other men. He shot a bullet from a gun at me. I blew my breath at it, it stopped in the air, turned around, and went back in the gun again. But it tired me to blow so hard, strained my voice a little.'
A revengeful gleam lights up the woman's broad face. 'And he'll die soon, papaloi?'
'Soon,' cackles the weazened figure in the bed. The woman gnashes her teeth and hugs herself delightedly. ("Papa Benjamin" aka "Dark Melody Of Madness")
”
”
Cornell Woolrich (The Fantastic Stories of Cornell Woolrich (Alternatives SF Series))
“
In 1976, a doctoral student at the University of Nottingham in England demonstrated that randomizing letters in the middle of words had no effect on the ability of readers to understand sentences. In tihs setncene, for emalxpe, ervey scarbelmd wrod rmenias bcilasaly leibgle. Why? Because we are deeply accustomed to seeing letters arranged in certain patterns. Because the eye is in a rush, and the brain, eager to locate meaning, makes assumptions. This is true of phrases, too. An author writes “crack of dawn” or “sidelong glance” or “crystal clear” and the reader’s eye continues on, at ease with combinations of words it has encountered innumerable times before. But does the reader, or the writer, actually expend the energy to see what is cracking at dawn or what is clear about a crystal? The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential—X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We’d pass out every time we saw—actually saw—a flower. Imagine if we only got to see a cumulonimbus cloud or Cassiopeia or a snowfall once a century: there’d be pandemonium in the streets. People would lie by the thousands in the fields on their backs. We need habit to get through a day, to get to work, to feed our children. But habit is dangerous, too. The act of seeing can quickly become unconscious and automatic. The eye sees something—gray-brown bark, say, fissured into broad, vertical plates—and the brain spits out tree trunk and the eye moves on. But did I really take the time to see the tree? I glimpse hazel hair, high cheekbones, a field of freckles, and I think Shauna. But did I take the time to see my wife? “Habitualization,” a Russian army-commissar-turned-literary-critic named Viktor Shklovsky wrote in 1917, “devours works, clothes, furniture, one’s wife, and the fear of war.” What he argued is that, over time, we stop perceiving familiar things—words, friends, apartments—as they truly are. To eat a banana for the thousandth time is nothing like eating a banana for the first time. To have sex with somebody for the thousandth time is nothing like having sex with that person for the first time. The easier an experience, or the more entrenched, or the more familiar, the fainter our sensation of it becomes. This is true of chocolate and marriages and hometowns and narrative structures. Complexities wane, miracles become unremarkable, and if we’re not careful, pretty soon we’re gazing out at our lives as if through a burlap sack. In the Tom Andrews Studio I open my journal and stare out at the trunk of the umbrella pine and do my best to fight off the atrophy that comes from seeing things too frequently. I try to shape a few sentences around this tiny corner of Rome; I try to force my eye to slow down. A good journal entry—like a good song, or sketch, or photograph—ought to break up the habitual and lift away the film that forms over the eye, the finger, the tongue, the heart. A good journal entry ought be a love letter to the world. Leave home, leave the country, leave the familiar. Only then can routine experience—buying bread, eating vegetables, even saying hello—become new all over again.
”
”
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
“
1. All-or-Nothing Thinking The tendency to think in extremes like “always” and “never” without considering nuanced degrees between. “My boyfriend broke up with me; I always ruin my relationships.” 2. Overgeneralization The tendency to make broad assumptions based on limited specifics. “If one person thinks I’m stupid, everyone will.” 3. Mental Filter The tendency to focus on small negative details to the exclusion of the big picture. “My A+ average doesn’t matter; I got a C on an assignment.” 4. Disqualifying the Positive The tendency to dismiss positive aspects of an experience for irrational reasons. “If my friend compliments me, she is probably just saying it out of pity.” 5. Jumping to Conclusions The tendency to make unfounded, negative assumptions, often in the form of attempted mind reading or fortune telling. “If my romantic interest doesn’t text me today, he must not be interested.” 6. Catastrophizing The tendency to magnify or minimize certain details of an experience, painting it as worse or more severe than it is. “If my wife leaves me, then I will never be able to recover from my misery.” 7. Emotional Reasoning The tendency to take one’s emotions as evidence of objective truth. “If I feel offended by someone else’s remark, then he must have wronged me.” 8. Should Statements The tendency to apply rigid rules to how one “should” or “must” behave. “My friend criticized my attitude, and that is something that friends should never do.” 9. Labeling The tendency to describe oneself in the form of absolute labels. “If I make a calculation error, it makes me a total idiot.” 10. Personalization The tendency to attribute negative outcomes to oneself without evidence. “If my wife is in a bad mood, then I must have done something to upset her.
”
”
Designing the Mind (Designing the Mind: The Principles of Psychitecture)
“
You’re as beautiful as you were the night we made our son,” she whispered, bending to kiss him tenderly.
His fingers traced her dark eyebrows, her cheeks, her mouth. “I wish we could have another baby,” he said heavily.
“So do I. But I’m too old,” she said sadly. She lay her cheek against his broad, damp chest and stroked the silver-tipped hair that covered it. “We’ll have to hope for grandchildren, if he ever forgives us.”
He held her tightly, as if by holding her he could keep her safe. What he felt for her was ferociously protective.
She misunderstood the tightening of his arms. She smiled and sighed. “We can’t, again. Cecily will think we’ve deserted her.”
His hand smoothed her long hair. “She probably knows exactly what we’re doing,” he said on a chuckle. “She loves you.”
“She likes you. Maybe we could adopt her.”
“Better if our son marries her.”
She grinned. “We can hope.” She sat up and stretched, liking the way he watched her still-firm breasts. “The last time I felt like this was thirty-six years ago,” she confided.
“The same is true for me,” he replied.
She searched his eyes, already facing her departure. She would have to go back to the reservation, home.
He could still read her better than she knew. He drew her hand to his mouth. “It’s too late, but I want to marry you. This week. As soon as possible.”
She was surprised. She didn’t know what to say.
“I love you,” he said. “I never stopped. Forgive me and say yes.”
She considered the enormity of what she would be agreeing to do. Be his hostess. Meet his friends. Go to fund-raising events. Wear fancy clothes. Act sophisticated.
“Your life is so different from mine,” she began.
“Don’t you start,” he murmured. “I’ve seen what it did to Cecily when Tate used that same argument with her about all the differences. It won’t work with me. We love each other too much to worry about trivial things. Say yes. We’ll work out all the details later.”
“There will be parties, benefits…”
He pulled her down into his arms and kissed her tenderly.
“I don’t know much about etiquette,” she tried again.
He rolled her over, pinning her gently. One long leg inserted itself between both of hers as he kissed her.
“Oh, what the hell,” she murmured, and wrapped her legs around his, groaning as the joints protested.
“Arthritis?” he asked.
“Osteoarthritis.”
“Me, too.” He shifted, groaning a little himself as he eased down. “We’ll work on new positions one day. But it’s…too late…now. Leta…!” he gasped.
She didn’t have enough breath to answer him. He didn’t seem to notice that she hadn’t. Bad joints notwithstanding, they managed to do quite a few things that weren’t recommended for people their ages. And some that weren’t in the book at all.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
The milk is long since out of date, the bread all has mold and I think you could start a bacterial plague with what’s in the crisper here…”
“Order a pizza,” he suggested. “There’s a place down on the corner that still owes me ten pizzas, paid for in advance.”
“You can’t eat pizza for breakfast!”
“Why can’t I? I’ve been doing it for a week.”
“You can cook,” she said accusingly.
“When I’m sober,” he agreed.
She glowered at him and went back to her chore. “Well, the eggs are still edible, barely, and there’s an unopened pound of bacon. I’ll make an omelet.”
He collapsed into the chair at the kitchen table while she made a fresh pot of coffee and set about breaking eggs.
“You look very domesticated like that,” he pointed out with a faint smile. “After we have breakfast, why don’t you come to bed with me?”
She gave him a shocked glance. “I’m pregnant,” she reminded him.
He nodded and laughed softly. “Yes, I know. It’s an incredible turn-on.”
Her hand stopped, poised in midair with a spoon in it. “Wh…What?”
“The eggs are burning,” he said pleasantly.
She stirred them quickly and turned the bacon, which was frying in another pan. He thought her condition was sexy? She couldn’t believe he was serious.
But apparently he was, because he watched her so intently over breakfast that she doubted if he knew what he was eating.
“Mr. Hutton told the curator of the museum in Tennessee that I wasn’t coming back, and he paid off the rent on my house there,” she said. “I don’t even have a home to go to…”
“Yes, you do,” he said quietly. “I’m your home. I always have been.”
She averted her eyes to her plate and hated the quick tears that her condition prompted. Her fists clenched. “And here we are again,” she said huskily.
“Where?” he asked.
She drew in a harsh breath. “You’re taking responsibility for me, out of duty.”
He leaned back in his chair. The robe came away from his broad, bronzed chest as he stared at her. “Not this time,” he replied with a voice so tender that it made ripples right through her heart. “This time, it’s out of love, Cecily.”
Cecily doubted her own ears. She couldn’t have heard Tate saying that he wanted to take care of her because he loved her.
He wasn’t teasing. His face was almost grim. “I know,” he said. “You don’t believe it. But it’s true, just the same.” He searched her soft, shocked green eyes. “I loved you when you were seventeen, Cecily, but I thought I had nothing to offer you except an affair.” He sighed heavily. “It was never completely for the reasons I told you, that I didn’t want to get married. It was my mother’s marriage. It warped me. It’s taken this whole scandal to make me realize that a good marriage is nothing like the one I grew up watching. I had to see my mother and Matt together before I understood what marriage could be.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Are you chuckling yet? Because then along came you. A big, broad meat eater with brash blond hair and ruddy skin that burns at the beach. A bundle of appetites. A full, boisterous guffaw; a man who tells knock know jokes. Hot dogs - not even East 86th Street bratwurst but mealy, greasy big guts that terrifying pink. Baseball. Gimme caps. Puns and blockbuster movies, raw tap water and six-packs. A fearless, trusting consumer who only reads labels to make sure there are plenty of additives. A fan of the open road with a passion for his pickup who thinks bicycles are for nerds. Fucks hard and talks dirty; a private though unapologetic taste for porn. Mysteries, thrillers, and science fiction; a subscription to National Geographic. Barbecues on the Fourth of July and intentions, in the fullness of time, to take up golf. Delights in crappy snack foods of ever description: Burgles. Curlies. Cheesies. Squigglies - you're laughing - but I don't eat them - anything that looks less like food than packing material and at least six degrees of separation from the farm. Bruce Springsteen, the early albums, cranked up high with the truck window down and your hair flying. Sings along, off-key - how is it possible that I should be endeared by such a tin ear?Beach Boys. Elvis - never lose your roots, did you, loved plain old rock and roll. Bombast. Though not impossibly stodgy; I remember, you took a shine to Pearl Jam, which was exactly when Kevin went off them...(sorry). It just had to be noisy; you hadn't any time for my Elgar, my Leo Kottke, though you made an exception for Aaron Copeland. You wiped your eyes brusquely at Tanglewood, as if to clear gnats, hoping I didn't notice that "Quiet City" made you cry. And ordinary, obvious pleasure: the Bronx Zoo and the botanical gardens, the Coney Island roller coaster, the Staten Island ferry, the Empire State Building. You were the only New Yorker I'd ever met who'd actually taken the ferry to the Statue of Liberty. You dragged me along once, and we were the only tourists on the boat who spoke English. Representational art - Edward Hopper. And my lord, Franklin, a Republican. A belief in a strong defense but otherwise small government and low taxes. Physically, too, you were such a surprise - yourself a strong defense. There were times you were worried that I thought you too heavy, I made so much of your size, though you weighed in a t a pretty standard 165, 170, always battling those five pounds' worth of cheddar widgets that would settle over your belt. But to me you were enormous. So sturdy and solid, so wide, so thick, none of that delicate wristy business of my imaginings. Built like an oak tree, against which I could pitch my pillow and read; mornings, I could curl into the crook of your branches. How luck we are, when we've spared what we think we want! How weary I might have grown of all those silly pots and fussy diets, and how I detest the whine of sitar music!
”
”
Lionel Shriver (We Need to Talk About Kevin)
“
Taking the Bible seriously should mean taking politics seriously. The major voices in the Bible from beginning to end are passionate advocates of a different kind of world here on earth and here and now. Many American Christians are wary of doing this, for more than one reason. Some are so appalled by the politics of the Christian Right that they have rejected the notion that Christianity has anything to do with politics. Moreover, the word “politics” has negative associations in our time. Many think of narrowly partisan politics, as if politics is merely about party affiliation. Many also dismiss politics as petty bickering, as ego-driven struggles for power, even as basically corrupt. But there is a broader meaning of the word that is essential. This broader meaning is expressed by the linguistic root of the English word. It comes from the Greek word polis, which means “city.” Politics is about the shape and shaping of “the city” and by extension of large-scale human communities: kingdoms, nations, empires, the world. In this sense, politics matters greatly: it is about the structures of a society. Who rules? In whose benefit? What is the economic system like?—fair, or skewed toward the wealthy and powerful? What are the laws and conventions of the society like? Hierarchical? Patriarchal? Racist? Xenophobic? Homophobic? For Christians, especially in a democratic society in which they are a majority, these questions matter. To abandon politics means leaving the structuring of society to those who are most concerned to serve their own interests. It means letting the Pharaohs and monarchs and Caesars and domination systems, ancient and modern, put the world together as they will. In a democracy, politics in the broad sense does include how we vote. But it also includes more: what we support in our conversations, our contributions, monetary and otherwise, our actions. Not every Christian is called to be an activist. But all are called to take seriously God’s dream for a more just and nonviolent world.
”
”
Marcus J. Borg (Convictions: How I Learned What Matters Most)
“
Elizabeth,” he interrupted in a husky whisper, and suddenly his eyes were smoldering as he held out his hand, sensing victory before Elizabeth ever realized she was defeated. “Come here.”
Of its own accord Elizabeth’s hand lifted, his fingers closed around it, and suddenly she was hauled forward; arms like steel bands encircled her, and a warm, searching mouth descended on hers. Parted lips, tender and insistent, stroked hers, molding and shaping them to fit his, and then the kiss deepened abruptly while hands tightened on her back and shoulders, caressing and possessive. A soft moan interrupted the silence, but Elizabeth didn’t know the sound came from her; she was reaching up, her hands grasping broad shoulders, clinging to them for support in a world that had suddenly become dark and exquisitely sensual, where nothing mattered except the body and mouth locked hungrily to hers.
When he finally dragged his mouth from hers Ian kept his arms around her, and Elizabeth laid her cheek against his crisp white shirt, feeling his lips brush the hair atop her head. “That was an even bigger mistake than I feared it would be,” he said, and then he added almost absently, “God help us both.”
Strangely, it was that last remark that frightened Elizabeth back to her senses. The fact that he thought they’d gone so far that they’d both need some sort of divine assistance hit her like a bucket of ice water. She pulled out of his arms and began smoothing creases from her skirt. When she felt able, she lifted her face to his and said with a poise born of sheer terror, “None of this should have happened. However, if we both return to the ballroom and contrive to spend time with others, perhaps no one will think we were together out here. Good-bye, Mr. Thornton.”
“Good night, Miss Cameron.”
Elizabeth was too desperate to escape to remark on his gentle emphasis on the words “good night,” which he’d deliberately used instead of “good-bye,” nor did she notice at the time that he didn’t seem to realize she was correctly Lady Cameron, not Miss Cameron.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
It was as she remembered, a haven of comfort and serenity. With a glad sigh, she kicked off her shoes and sat down on the side of the bed.Smiling, she patted the mattress beside her.
Her husband scowled. It seemed to have become his habit. "We aren't here to relax."
"Wolscroft may not even be in the area. It could take days for this to be settled."
"He's here," Dragon said with certainty. "He will know what happened at Winchester, and he will be looking for a way to stop us before we can threaten him further."
Privately, Rycca believed the same but she saw no reason to stress it. Nothing would happen until dark. Of that she was confident. Which meant...
"We have hours to fill.Any ideas?"
When he realized her meaning,he looked startled. With a laugh,she scrambled off the bed and went to him.
"Oh,Dragon,for heaven's sake, do you really want to mope around here all day? I certainly don't. I still haven't gotten over being afraid Magnus was going to kill you,and I simply don't want to think about death anymore. I want to celebrate life."
"There are three hundred men out there-"
"Which is why we're in here." She raised herself on tiptoe, bit the lobe of his ear, and whispered, "I promise not to yell too loudly."
A shudder ran through him. Even as his big hands stroked her back,he said, "Warriors don't mope."
"No,of course they don't.It was a poor choice of words.But you'll be pacing back and forth, looking out the windows, or you'll go get that whetstone I noticed in the stable and sharpen your sword endlessly, or you'll be staring off into space with that dangerous look you get when you're contemplating mayhem. You'll be totally oblivious to me and-"
He laughed despite himself and drew her closer. "Enough! Heaven forbid I behave so churlishly."
"Speaking of heaven..."
With the covers kicked back,the bed was smooth and cool.They undressed each other slowly, relishing the wonder of discovery that still came to them fresh and pure as their very first time.
"Remember?" Rycca murmured as she trailed her lips along his broad, powerfully muscled shoulder and down the solid wall of his chest. "I was so nervous..."
"Really?" Fooled me....Ah..."
"I'd never seen anything so beautiful as you."
"Not...beautiful...you are..."
"I can't believe how strong you are. Why am I never afraid with you?"
"Know I'd die 'fore hurting you? Sweetheart..."
"Ohhh! Dragon...please..."
His hands and lips moved over her, sweetly tormenting. She clutched his shoulders, her hips rising, and welcomed him deep within her. Still he tantalized her, making her writhe and laughing when she squeezed him hard with her powerful inner muscles. But the laughter turned quickly to a moan of delight.
She looked up into his perfectly formed face,more handsome than any man had a right to be, and into his tawny eyes that were the windows of a soul more beautiful than any physical form. A piercing sense of blessedness filled her that she should be so fortunate as to love and be loved by such a man.
Her cresting cry was caught by him, hismouth hard against hers, the spur to his own completion that went on and on,seemingly without end.
”
”
Josie Litton (Come Back to Me (Viking & Saxon, #3))
“
Did you ever notice how very fickle males are?” she asked the horse. “And how very foolish females are about them?” she added, aware of how inexplicably deflated she felt. She realized as well that she was being completely irrational-she had not intended to come here, had not wanted him to be waiting, and now she felt almost like crying because he wasn’t!
Giving the ribbons of her bonnet an impatient jerk, she untied them. Pulling the bonnet off, she pushed the back door of the cottage open, stepped inside-and froze in shock!
Standing at the opposite side of the small room, his back to her, was Ian Thornton. His dark head was slightly bent as he gazed at the cheery little fire crackling in the fireplace, his hands shoved into the back waistband of his gray riding breeches, his booted foot upon the grate. He’d taken off his jacket, and beneath his soft lawn shirt his muscles flexed as he withdrew his right hand and shoved it through the side of his hair. Elizabeth’s gaze took in the sheer male beauty of his wide, masculine shoulders, his broad back and narrow waist.
Something in the somber way he was standing-added to the fact that he’d waited more than two hours for her-made her doubt her earlier conviction that he hadn’t truly cared whether she came or not. And that was before she glanced sideways and saw the table. Her heart turned over when she saw the trouble he’d taken: A cream linen tablecloth covered with crude china, obviously borrowed from Charise’s house. In the center of the table a candle was lit, and a half-empty bottle of wine stood beside a platter of cold meat and cheese.
In all her life Elizabeth had never known that a man could actually arrange a luncheon and set a table. Women did that. Women and servants. Not men who were so handsome they made one’s pulse race. It seemed she’d been standing there for several minutes, not mere seconds, when he stiffened suddenly, as if sensing her presence. He turned, and his harsh face softened with a wry smile: “You aren’t very punctual.”
“I didn’t intend to come,” Elizabeth admitted, fighting to recover her balance and ignore the tug of his eyes and voice. “I got caught in the rain on my way to the village.”
“You’re wet.”
“I know.”
“Come over by the fire.”
When she continued to watch him warily, he took his foot off the grate and walked over to her. Elizabeth stood rooted to the floor, while all of Lucinda’s dark warnings about being alone with a man rushed through her mind. “What do you want?” she asked him breathlessly, feeling dwarfed by his towering height.
“Your jacket.”
“No-I think I’d like to keep it on.”
“Off,” he insisted quietly. “It’s wet.”
“Now see here!” she burst out backing toward the open door, clutching the edges of her jacket.
“Elizabeth,” he said with reassuring calm, “I gave you my word you’d be safe if you came today.”
Elizabeth briefly closed her eyes and nodded, “I know. I also know I shouldn’t be here. I really ought to leave. I should, shouldn’t I?” Opening her eyes again, she looked beseechingly into his-the seduced asking the seducer for advice.
“Under the circumstances, I don’t think I’m the one you ought to ask.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
I squeezed my eyes shut so I wouldn’t have to look at my arm trailing away like the streamer on a bike handle.
“I can’t be stuck like this!” I wailed. Visions of having to gnaw it off like a jackal in a trap flooded my brain.
Quentin knelt before me and put his hands on my trembling shoulders.
“You’re not going to be stuck,” he said, his voice low and reassuring in my ears. “You are the most powerful thing on Earth short of a god. You can do absolutely anything. So believe me when I say you can certainly change your arm back to normal.”
He held me firmly, the way you’d brace someone trying to pop a dislocated joint back into place. “Just relax and breathe,” he said. “It’ll happen as you will it.”
I took his advice and focused on calming down. Focused on nothing. Focused on him.
I couldn’t really feel my arm retracting. And I certainly didn’t want to look at it happening. I just . . . remembered how I was supposed to be. I kept quiet, kept at it for what must have been a good ten minutes, until I could feel both of my hands firmly on Quentin’s broad back.
“There you go,” he said.
I opened my eyes. My arm was normal again. I was aware that we were sort of hugging.
I buried my face in his chest and blew my nose on his shirt. “I’m a human being,” I muttered.
“I never said you weren’t.”
I raised my head. Quentin looked at me with a smile that was free of any smugness. He didn’t even mind my snot on his lapel.
“Reincarnation as a human is practically the highest goal any spirit can achieve,” he said. “It’s considered the next best thing to enlightenment. If anything, I’m proud of you for what you’ve accomplished.”
I’m not sure why, but the rage that had been so palpable before seemed to float away at his words. Like I could have been angry with him forever had he said anything different.
I was mildly relieved. It was a hell of a one-eighty on my part, but right now I didn’t think I wanted to hate Quentin until the end of time.
“Genie Lo, you are unquestionably, undeniably human,” he said. “You just . . . have a whole bunch of other stuff going on as well.”
“Tell me about it.
”
”
F.C. Yee (The Epic Crush of Genie Lo (The Epic Crush of Genie Lo, #1))
“
Your mother told you," he states flatly.
"Yeah," I snap. "She told me."
"She doesn't know everything. She doesn't know me...or how I feel. I would never force you to do anything against your will, and I would never, ever let anyone harm you."
His words enrage me. Lies, I'm convinced. My hand shoots out, ready to slap that earnest look off his face. The same earnest look he'd given me the first time he lid to my face.
He catches my hand, squeezes the wrist tight. "Jacinda-"
"I don't believe you. You gave me your word. Five weeks-"
"Five weeks was too long. I couldn't leave you for that long without checking on you."
"Because you're a liar," I assert.
His expression cracks. Emotion bleeds through. He knows I'm not talking about just the five weeks. With a shake of his head, he sounds almost sorry as he admits, "Maybe I didn't tell you everything, but it doesn't change anything I said. I will never hurt you. I want to try to protect you."
"Try," I repeat.
His jaw clenches. "I can. I can stop them."
After several moments, I twist my hand free. He lets me go. Rubbing my wrist, I glare at him. "I have a life here now." My fingers stretch, curl into talons at my sides, still hungry to fight him. "Make me go, and I'll never forgive you."
He inhales deeply, his broad chest lifting high. "Well. I can't have that."
"Then you'll go? Leave me alone?" Hope stirs.
He shakes his head. "I didn't say that."
"Of course not," I sneer. "What do you mean then?"
Panic washes over me at the thought of him staying here and learning about Will and his family. "There's no reason for you to stay."
His dark eyes glint. "There's you. I can give you more time. You can't seriously fit in here. You'll come around."
"I won't!"
His voice cracks like thunder on the air. "I won't leave you! Do you know how unbearable it's been without you? You're not like the rest of them." His hand swipes through air almost savagely. I stare at him, eyes wide and aching. "You're not some well-trained puppy content to go alone with what you're told. You have fire." He laughs brokenly. "I don't mean literally, although there is that. There's something in you, Jacinda. You're the only thing real for me there, the only thing remotely interesting." He stares at me starkly and I don't breathe. He looks ready to reach out and fold me into his arms.
I jump hastily back. Unbelievably, he looks hurt. Dropping his immense hands, he speaks again, evenly, calmly. "I'll give you more space. Time for you to realize that this"-he motions to the living room-"isn't for you. You need mists and mountains and sky. Flight. How can you stay here where you have none of that? How can you hope to survive? If you haven't figured that out yet, you will."
In my mind, I see Will. Think how he has become the mist, the sky, everything, to me. I do more than survive here. I love. But Cassian can never know that.
“What I have here beats what waits for me back home. The wing clipping you so conveniently failed to mention-"
"Is not going to happen, Jacinda." He steps closer. His head dips to look into my eyes. "You have my word. If you return with me, you won't be harmed. I'd die first."
His words flow through me like a chill wind. "But your father-"
"My father won't be our alpha forever. Someday, I'll lead. Everyone knows it. The pride will listen to me. I promise you'll be safe.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
Elizabeth automatically started forward three steps, then halted, mesmerized. An acre of thick Aubusson carpet stretched across the book-lined room, and at the far end of it, seated behind a massive baronial desk with his shirtsleeves folded up on tanned forearms, was the man who had lied in the little cottage in Scotland and shot at a tree limb with her.
Oblivious to the other three men in the room who were politely coming to their feet, Elizabeth watched Ian arise with that same natural grace that seemed so much a part of him. With a growing sense of unreality she heard him excuse himself to his visitors, saw him move away from behind his desk, and watched him start toward her with long, purposeful strides. He grew larger as he neared, his broad shoulders blocking her view of the room, his amber eyes searching her face, his smile one of amusement and uncertainty. “Elizabeth?” he said.
Her eyes wide with embarrassed admiration, Elizabeth allowed him to lift her hand to his lips before she said softly, “I could kill you.”
He grinned at the contrast between her words and her voice. “I know.”
“You might have told me.”
“I hoped to surprise you.”
More correctly, he had hoped she didn’t know, and now he had his proof: Just as he had thought, Elizabeth had agreed to marry him without knowing anything of his personal wealth. That expression of dazed disbelief on her face had been real. He’d needed to see it for himself, which was why he’d instructed his butler to bring her to him as soon as she arrived. Ian had his proof, and with it came the knowledge that no matter how much she refused to admit it to him or to herself, she loved him.
She could insist for now and all time that all she wanted from marriage was independence, and now Ian could endure it with equanimity. Because she loved him.
Elizabeth watched the expressions play across his face. Thinking he was waiting for her to say more about his splendid house, she gave him a jaunty smile and teasingly said, “’Twill be a sacrifice, to be sure, but I shall contrive to endure the hardship of living in such a place as this. How many rooms are there?” she asked.
His brows rose in mockery. “One hundred and eighty-two.”
“A small place of modest proportions,” she countered lightly. “I suppose we’ll just have to make do.”
Ian thought they were going to do very well.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
FUCK IT, I’M BORED.”
“Here he comes.” Theo didn’t even look up when Miles rounded the corner and tossed his notebook onto the counter. “I don’t think cursing is going to help,” she told him.
“Maybe it fucking will.” Miles seethed. “I hate everyone in that gym. Pick someone.”
“No, I don’t want to play.”
“It won’t take that long.”
“That’s why I don’t want to play.”
“Can I do one?” I raised my hand. “It might actually take you more than five questions, too.”
Miles quirked his eyebrow. “Oh, you think so?”
“If you get this in five, I’ll be thoroughly impressed.”
He leaned over the counter, looking eager. Weirdly, weirdly eager. Not like he wanted to rub my face into the floor. Not like he knew he was going to beat me. Just . . . excited. “Okay,” he said. “Are you fictional?”
Broad question. He didn’t know me as well as he knew Theo, so it was to be expected.
“No,” I said.
“Are you still alive?”
“No.”
“Are you a leader?”
“Yes.”
“Was your civilization conquered by a European nation?”
“Yes.”
“Are you . . . a leader of the Olmec?”
“How’d you get there?” Theo blurted out, but Miles ignored her.
“No,” I said, trying not to let him see how close he’d come. “And the Olmec weren’t conquered by the Europeans. They died out.”
Miles frowned. “Mayan?”
“No.”
“Incan.”
“No.”
“Aztec.”
“Yes.”
The corners of his lips twisted up, but he said, “Shouldn’t have taken so many guesses for that one.” Then he said, “Did you found the Tlatocan?”
“No.”
“Did you reign after 1500?”
“No.”
Theo watched the conversation like a tennis match.
“Are you Ahuitzotl?”
“No.” I smiled. This kid knew his history.
“Tizoc?”
“No.”
“Axayacatl?”
“No.”
“Moctezuma I?”
“Nope.”
“Itzcoatl?”
“No.”
“Chimalpopoca?”
“No.”
“Huitzilihuitl?”
“What the hell are you saying?” Theo cried.
He’d cut off a chunk of the Aztec emperors and whittled them down until there was only one remaining. But now he had three questions left—two he didn’t need.
Why hadn’t he cut it down again? Surely he could have shortened his options and not guessed his way through all the emperors. Was this some kind of test? Or was . . . was he showing off?
“You’re Acamapichtli.”
There was a fanatical gleam in his eye, another smile playing on his lips. Both were gone as soon as I said, “Almost twenty. Not quite, but I almost had you.”
“I’m never playing this game again,” said Theo, sighing and returning to her homework.
”
”
Francesca Zappia (Made You Up)
“
It is not a war, it is a lesson of life (first part)
It's a life lesson. It's not a war. War brings hatred, violence, destruction, while we are called, at this particular moment, to rediscover values such as solidarity, fraternity, neighborliness and nature. The war metaphor, so dear to journalists and politicians, has the unique purpose of amplifying the context of a narrative, framing it perfectly for the use of Tg and Talk shows to remind us, rather than to inform us, which are meant to sell news, gaining a broad audience. To say that we are at war is, in my humble opinion, a pure example of lexical inclination.
Don't fight at war on the couch at home or by repeatedly posting stories on your favorite social network. No border is in danger, there is no enemy out there to shoot down. And then, to understand it sincerely and serenely: we, as human beings, have been waging wars since the dawn of time. We are so brutal that for thousands of years we have killed each other with stones, sticks, swords, spears, cannons, machine guns and atomic bombs. Imagine if we needed a pandemic to declare war ... who are we? A stupid virus that's part of the nature of things?
However, at this time there is a disease that affects and does so without distinguishing borders, nationalities, skin color or social status. And this is already a great first lesson in life. He tells us - as it should - that we are all the same. Diversity and distinctions are the fruit of our limited and limiting mind, the apotheosis of our finitude. We are facing a pandemic that, in order to be addressed, requires a strong sense of personal responsibility and collaboration between communities. It requires a counter-current gesture, of altruism, in an individualistic society, in which everyone thinks for himself and defends his goods. And this is a second life lesson.
Let's stop looking at our little miserable garden made of selfishness, greed and spiritual misery. Do you know how this pandemic will end? With mutual help! We will have to help each other! Either the sense of community will predominate, or we will be doomed to eat each other. The message "No one is saved alone" launched by the Pope.
This virus, in its way of being contagious, in making us stay a little alone with ourselves, tells us that the error was probably the first. The naiveté in believing that our way of life was right, the blindness in believing that we are happy and not superficial, the folly of seeing a world that burns and gets stuck on itself - and on us - pretending that it is normal. The mistake of considering the law of profit as the driving force of all. Instead of investing in healthcare, for our care, in solidarity, to strengthen the sense of community, we preferred to spend in the armament, to defend ourselves from others, from our fellow citizens. Isn't that a life lesson too?
We wake up from the heat of a time when possession was more important than knowledge, it was deception and not truth, inhumanity and not benevolence. But not only that, it was the moment of insensitivity, blindness, selfishness, cowardice, appearance, mediocrity, misunderstanding and especially evil, in all its forms. Maybe, dear readers, it's time to acknowledge that the disease is not the virus. We are the disease!
So far we have lived convinced that life, in a subtle way, has deceived us. That she was unfair and cruel. We forgot about ourselves watching the clock, with our all-powerful feeling, convinced that we can control the passage of time. As we were convinced that there is still time, that nothing will happen tomorrow and everything can be postponed. I was wrong. An invisible being, transported into the air we breathe and which, in just over a month, has traversed the seas, mountains and entire continents, was enough to bring to our knees all our beliefs and customs.
”
”
Corina Abdulahm Negura
“
Because,' he said, 'I sometimes have a queer feeling with regard to you, especially when you are near me, as now; it is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situation in the corresponding quarter of your little frame. And if that boisterous channel, and two hundred miles or so of land, come broad between us, I am afraid that cord of communion will be snapped; and the nI've a nervous notion I should take to bleeding inwardly. As for you, you'd forget me.'
'That I never would, sir; you know -,' impossible to proceed.
[...]
The vehemence of emotion, stirred by grief and love within me, was claiming mastery, and struggling for full sway and asserting a right to predominate - to overcome, to live, rise, and reign at last; yes, and to speak.
'I grieve to leave Thornfield; I love Thornfield; I love it, because I have lived in it a full and delightful life, momentarily at least. I have not been trampled on. I have not been petrified. I have not been buried with inferior minds, and excluded from every glimpse of communion with what is bright, and energetic, and high. I have talked, face to face, with what I reverence; with what I delight in, with an origin, a vigorous, and expanded mind. I have known you, Mr. Rochester; and it strikes me with terror and anguish to feel I absolutely must be torn from you forever. I see the necessity of departure; and it is like looking on the necessity of death.'
'Where do you see the necessity?' he asked, suddenly.
'Where? You, sir, have placed it before me.'
'In what shape?'
'In the shape of Miss Ingram; a noble and beautiful woman, your bride.'
'My bride! What bride? I have no bride!'
'But you will have.'
'Yes; I will! I will!' He set his teeth.
'Then I must go; you have said it yourself.'
'No; you must stay! I swear it, and the oath shall be kept.'
'I tell you I must go!' I retorted, roused to something like passion. 'Do you think I can stay to become nothing to you? Do you think I am an automation? a machine without feelings? and can bear to have my morsel of bread snatched from my lips, and my drop of living water dashed from my cup? Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong! I have as much soul as you, and full as much heart! And if God had gifted me with some beauty, and much wealth, I should have made it hard for you to leave me, as it is now for me to leave you. I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh; it is my spirit that addresses your spirits; just as if both had passed through the grace, and we stood at God's feel, equal - as we are!'
'As we are!' repeated Mr. Rochester - 'so,' he added, including me in his arms, gathering me to his breast, pressing his lips on my lips; 'so, Jane!'
'Yes, so, sir,' I rejoined; 'and yet not so; for you are a married man, or as good as a married man, and we'd to one inferior to you - to one with whom you have no sympathy - whom I do not believe you truly love; for I have seen and heard you sneer at her. I would scorn such a union; therefore I am better than you - let me go!'
'Where, Jane? to Ireland?'
'Yes - to Ireland. I have spoke my mind, and can go anywhere now.'
'Jane, be still; don't struggle so, like a wild, frantic bird that is tending its own plumage in its desperation.'
'I am no bird; and no net ensnares me; I am a free human being, with an independent will; which I now exert to leave you.'
Another effort set me at liberty, and I stood erect before him.
'And your will shall decide your destiny,' he said; 'I offer you my hand, my heart, and a share of all my possessions.'
'You play a farce, which I merely taught at.'
'I ask you to pass through life at my side - to be my second self, and best earthly companion.'
[...]
'Do you doubt me, Jane?'
'Entirely.'
'You have no faith in me?'
'Not a whit.
”
”
Charlotte Brontë (Jane Eyre)
“
He stared at her in insolent silence, unable to believe the alluring, impulsive girl he remembered had become this coolly aloof, self-possessed young woman. Even with her dusty clothes and the smear of dirt on her cheek, Elizabeth Cameron was strikingly beautiful, but she’d changed so much that-except for the eyes-he scarcely recognized her. One thing hadn’t changed: She was still a schemer and a liar.
Straightening abruptly from his stance in the doorway, Ian walked forward. “I’ve had enough of this charade, Miss Cameron. No one invited you here, and you damn well know it.”
Blinded with wrath and humiliation, Elizabeth groped in her reticule and snatched out the handwritten letter her uncle had received inviting Elizabeth to join Ian there. Marching up to him, she slapped the invitation against his chest. Instinctively he caught it but didn’t open it.
“Explain that,” she commanded, backing away and then waiting.
“Another note, I’ll wager,” he drawled sarcastically, thinking of the night he’d gone to the greenhouse to meet her and recalling what a fool he’d been about her.
Elizabeth stood beside the table, determined to have the satisfaction of hearing his explanation before she left-not that anything he said could make her stay. When he showed no sign of opening it, she turned furiously to Jake, who was sorely disappointed that Ian was deliberately chasing off two females who could surely be persuaded to do the cooking if they stayed. “Make him read it aloud!” she ordered the startled Jake.
“Now, Ian,” Jake said, thinking of his empty stomach and the bleak future that lay ahead for it if the ladies went away, “why don’t you jes’ read that there little note, like the lady asked?”
When Ian Thornton ignored the older man’s suggestion, Elizabeth lost control of her temper. Without thinking what she was actually doing, she reached out and snatched the pistol off the table, primed it, cocked it, and leveled it at Ian Thornton’s broad chest. “Read that note!”
Jake, whose concern was still on his stomach, held up his hands as if the gun were pointed at him. “Ian, it could be a misunderstanding, you know, and it’s not nice to be rude to these ladies. Why don’t you read it, and then we’ll all sit down and have a nice”-he inclined his head meaningfully to the sack of provisions on the table-“supper.”
“I don’t need to read it,” Ian snapped. “The last time I read a note from Lady Cameron I met her in a greenhouse and got shot in the arm for my trouble.”
“Are you implying I invited you into that greenhouse?” Elizabeth scoffed furiously.
With an impatient sigh Ian said, “Since you’re obviously determined to enact a Cheltenham tragedy, let’s get it over with before you’re on your way.”
“Do you deny you sent me a note?” she snapped.
“Of course I deny it!”
“Then what were you doing in the greenhouse?” she shot back at him.
“I came in response to that nearly illegible note you sent me,” he said in a bored, insulting drawl. “May I suggest that in future you devote less of your time to theatrics and some of it to improving your handwriting?” His gaze shifted to the pistol. “Put the gun down before you hurt yourself.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
You know,” I said, “you don’t owe New Fiddleham anything. You don’t need to help them.”
“Look,” Charlie said as we clipped past Market Street. He was pointing at a man delicately painting enormous letters onto a broad window as we passed. NONNA SANTORO’S, it read, although the RO’S was still just an outline.
“That Italian restaurant?”
“Yes,” he smiled. “They will be opening their doors for the first time very soon. Sweet family. I bought my first meal in New Fiddleham from that man. A couple of meatballs from a street cart were about all I could afford at the time. He’s an immigrant, too. He’s going to do well. His red sauce is amazing.”
“That’s grand for him, then,” I said.
“I like it when doors open,” said Charlie. “Doors are opening in New Fiddleham every day. It is a remarkable time to be alive anywhere, really. Do you think our parents could ever have imagined having machines that could wash dishes, machines that could sew, machines that do laundry? Pretty soon we’ll be taking this trolley ride without any horses. I’ve heard that Glanville has electric streetcars already. Who knows what will be possible fifty years from now, or a hundred. Change isn’t always so bad.”
“Your optimism is both baffling and inspiring,” I said.
“The sun is rising,” he replied with a little chuckle.
I glanced at the sky. It was well past noon.
“It’s just something my sister and I used to say,” he clarified. “I think you would like Alina. You often remind me of her. She has a way of refusing to let the world keep her down.” He smiled and his gaze drifted away, following the memory.
“Alina found a rolled-up canvas once,” he said, “a year or so after our mother passed away. It was an oil painting—a picture of the sun hanging low over a rippling ocean. She was a beautiful painter, our mother. I could tell that it was one of hers, but I had never seen it before. It felt like a message, like she had sent it, just for us to find.
“I said that it was a beautiful sunset, and Alina said no, it was a sunrise. We argued about it, actually. I told her that the sun in the picture was setting because it was obviously a view from our camp near Gelendzhik, overlooking the Black Sea. That would mean the painting was looking to the west.
“Alina said that it didn’t matter. Even if the sun is setting on Gelendzhik, that only means that it is rising in Bucharest. Or Vienna. Or Paris. The sun is always rising somewhere. From then on, whenever I felt low, whenever I lost hope and the world felt darkest, Alina would remind me: the sun is rising.”
“I think I like Alina already. It’s a heartening philosophy. I only worry that it’s wasted on this city.”
“A city is just people,” Charlie said. “A hundred years from now, even if the roads and buildings are still here, this will still be a whole new city. New Fiddleham is dying, every day, but it is also being constantly reborn. Every day, there is new hope. Every day, the sun rises. Every day, there are doors opening.”
I leaned in and kissed him on the cheek. “When we’re through saving the world,” I said, “you can take me out to Nonna Santoro’s. I have it on good authority that the red sauce is amazing.”
He blushed pink and a bashful smile spread over his face. “When we’re through saving the world, Miss Rook, I will hold you to that.
”
”
William Ritter (The Dire King (Jackaby, #4))
“
I’m wondering what it would be like to be kissed by you.”
“Let’s not go there,” he said. “I don’t want to mess up our friendship.”
“It wouldn’t,” she said, grinning suddenly. “I’d like to know how it feels. I mean, as an experiment.”
“Put the wrong chemicals together, and they explode.”
She frowned. “Are you saying you don’t think I’d like it? Or that I would?”
“It doesn’t matter, because I’m not going to kiss you.”
She looked up at him shyly, from beneath lowered lashes, and gave him a cajoling smile. “Just one teeny, weeny little kiss?”
He laughed at her antics. Inside his stomach, about a million butterflies had taken flight. “Don’t play games with me, Summer.” He said it with a smile, but it was a warning.
One she ignored.
She crooked her finger and wiggled it, gesturing him toward her. “Come here, and give me a little kiss.”
She was doing something sultry with her eyes, something she’d never done before. She’d turned on some kind of feminine heat, because he was burning up just looking at her. “Stop this,” he said in a guttural voice.
She canted her hip and put her hand on it, drawing his attention in that direction, then slid her tongue along the seam of her lips to wet them. “I’m ready, bad boy. What are you waiting for?”
His heart was beating a hundred miles a minute. He was hot and hard and ready. And if he touched her, he was going to ruin everything.
“I’m not going to kiss you, Summer.”
He saw the disappointment flash in her eyes. Saw the determination replace it.
“All right. I’ll kiss you.”
He could have stopped her. He was the one with the powerful arms and the broad chest and the long, strong legs.
But he wanted that kiss.
“Fine,” he said. “Don’t expect fireworks. I’m only doing this because we’re friends.” And if she believed that, he had some desert brushland he could sell her.
Suddenly, she seemed uncertain, and he felt a pang of loss. Silly to feel it so deeply, when kissing Summer had been the last thing he’d allowed himself to dream about. Although, to be honest, he hadn’t always been able to control his dreams. She’d been there, all right. Hot and wet and willing.
He made himself smile at her. “Don’t worry, kid. It was a bad idea. To be honest, I value our friendship too much—”
She threw herself into his arms, clutching him around the neck, so he had to catch her or get bowled over. “Whoa, there,” he said, laughing and hugging her with her feet dangling in the air. “It doesn’t matter that you’ve changed your mind about wanting that kiss. I’m just glad to be your friend.”
She leaned back in his embrace, searching his eyes, looking for something. Before he could do or say anything to stop her, she pressed her lips softly against his.
His whole body went rigid.
“Billy,” she murmured against his lips. “Please. Kiss me back.”
“Summer, I don’t—”
She pressed her lips against his again, damp and pliant and inviting. He softened his mouth against hers, felt the plumpness of her upper lip, felt the open, inviting seam, and let his tongue slide along the length of it.
“Oh.” She broke the kiss and stared at him with dazed eyes. Eyes that sought reason where there was none.
He wanted to rage at her for ruining everything. They could never be friends now. Not now that he’d tasted her, not now that she’d felt his want and his need. He lowered his head to take her mouth, to take what he’d always wanted.
”
”
Joan Johnston (The Texan (Bitter Creek, #2))