β
We need to reclaim the word 'feminism'. We need the word 'feminism' back real bad. When statistics come in saying that only 29% of American women would describe themselves as feminist - and only 42% of British women - I used to think, What do you think feminism IS, ladies? What part of 'liberation for women' is not for you? Is it freedom to vote? The right not to be owned by the man you marry? The campaign for equal pay? 'Vogue' by Madonna? Jeans? Did all that good shit GET ON YOUR NERVES? Or were you just DRUNK AT THE TIME OF THE SURVEY?
β
β
Caitlin Moran (How to Be a Woman)
β
In Britain, a cup of tea is the answer to every problem.
Fallen off your bicycle? Nice cup of tea.
Your house has been destroyed by a meteorite? Nice cup of tea and a biscuit.
Your entire family has been eaten by a Tyrannosaurus Rex that has travelled through a space/time portal? Nice cup of tea and a piece of cake. Possibly a savoury option would be welcome here too, for example a Scotch egg or a sausage roll.
β
β
David Walliams (Mr Stink)
β
And now for something completely different . . .
β
β
John Cleese
β
The British do not expect happiness. I had the impression, all the time that I lived there, that they do not want to be happy; they want to be right.
β
β
Quentin Crisp
β
1lb beefstak, with
1pt bitter beer
every 6 hours.
1 ten-mile walk every morning.
1 bed at 11 sharp every night.
And don't stuff your head with things you don't understand.
β
β
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
β
1. You left a multipack of Mars Bars on top of your wardrobe. Can I have one? Dad x
2. I had three. Hope that's OK. Dad x
3. I'm just going to have one more. Dad x
4. Harriet, your Dad's made himself sick on an entire multipack of Mars Bars again. Please don't leave sweets where we can find them. A x
β
β
Holly Smale (Model Misfit (Geek Girl, #2))
β
I was tempted to tell her it was because we were British and actually had a sense of humour, but I try not to be cruel to foreigners, especially when they're that strung out.
β
β
Ben Aaronovitch (Whispers Under Ground (Rivers of London, #3))
β
What the hell. If you had to go, why not go with style?
β
β
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
(But he could not bring himself to say he loved her; not in so many words.)
β
β
Virginia Woolf (Mrs. Dalloway)
β
Q. Why don't the British panic?
A. They do, but very quietly. It is impossible for the naked eye to tell their panic from their ecstasy.
β
β
George Mikes (How to Be an Alien: A Handbook for Beginners and Advanced Pupils)
β
Some people just donβt find their Prince Charming straight away, they have to search for him.
β
β
Charlotte Fallowfield (Until We Collide)
β
I wonder what Ali thought about Wallace? How did he view this tall, gawky, bearded eccentric man? Did Ali defend Wallace when villagers thought he was an evil demon? Did he secretly giggle when he heard Wallace speak Malay with a strong British accent? Did he gossip about his boss with other locals? Why was Wallace enthralled to discover a new beetle or ant? Did Ali see his time with Wallace as a chance to better himself, a grand adventure? Or was his work with Wallace simply a job?
β
β
Paul Spencer Sochaczewski ("Look Here, Sir, What a Curious Bird": Searching for Ali, Alfred Russel Wallace's Faithful Companion)
β
My eyes must spend at least fifty per cent of any given day rolled to the back of my head.
β
β
Candice Carty-Williams (Queenie)
β
A five-week sand blizzard?" said Deep Thought haughtily. "You ask this of me who have contemplated the very vectors of the atoms in the Big Bang itself? Molest me not with this pocket calculator stuff.
β
β
Douglas Adams (The Hitchhikerβs Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
β
The pleasant fact is that the British are not much good at violent crime except in fiction, which is of course as it should be.
β
β
Bill Bryson (The Road to Little Dribbling: Adventures of an American in Britain)
β
Theyβd never get here in time. Itβs easy. A lobotomized monkey could do it.β βAnd where are we going to find a lobotomized monkey at this time of night?
β
β
Jasper Fforde (The Eyre Affair (Thursday Next, #1))
β
Graham Chapman, co-author of the "Parrot Sketch", is no more. He has ceased to be. Bereft of life, he rests in peace. He's kicked the bucket, hopped the twig, bit the dust, snuffed it, breathed his last, and gone to meet the great Head of Light Entertainment in the sky. And I guess that we're all thinking how sad it is that a man of such talent, of such capability for kindness, of such unusual intelligence, should now so suddenly be spirited away at the age of only forty-eight, before he'd achieved many of the things of which he was capable, and before he'd had enough fun. Well, I feel that I should say: nonsense. Good riddance to him, the freeloading bastard, I hope he fries. And the reason I feel I should say this is he would never forgive me if I didn't, if I threw away this glorious opportunity to shock you all on his behalf. Anything for him but mindless good taste.
(He paused, then claimed that Chapman had whipered in his ear while he was writing the speech):
All right, Cleese. You say you're very proud of being the very first person ever to say 'shit' on British television. If this service is really for me, just for starters, I want you to become the first person ever at a British memorial service to say 'fuck'.
β
β
John Cleese
β
And this? Aldhelm of Malmesbury. Listen to this page: 'Primitus pantorum procerum poematorum pio potissimum paternoque presertim privilegio panegiricum poemataque passim prosatori sub polo promulgatas.' ... The words all begin with the same letter!"
"The men of my islands are all a bit mad," William said proudly.
β
β
Umberto Eco (The Name of the Rose)
β
I grinned. "I'm anybody's for a cuppa and a biscuit.
β
β
David Stuart Davies (A Taste for Blood (Johnny One Eye, #6))
β
If caring about whether you live or die makes me an arse, then Iβm the biggest arse in Great Britain, and proud of it.
β
β
Stephanie R. Caffrey (Mistaken Identity (London Detective Agency Book 1))
β
I like you in green,β he said. βYou look as if youβre a very beautiful imp.ββ¨
β
β
Sara Sheridan (British Bulldog (Mirabelle Bevan Mystery, #4))
β
When statistics come in saying that only 29 percent of American women would describe themselves as feminist - and only 42 percent of British women - I used to think, What do you think feminism IS, ladies? What part of 'liberation for women' is not for you? Is it freedom to vote? The right not to be owned by the man you marry? The campaign for equal pay? 'Vogue' by Madonna? Jeans? Did all that good shit GET ON YOUR NERVES? Or were you just DRUNK AT THE TIME OF SURVEY?
β
β
Caitlin Moran (How to Be a Woman)
β
Catherine said, "There's something I don't get."
Ho waited.
"You're telling us you've got friends?
β
β
Mick Herron (Slow Horses (Slough House, #1))
β
The mice were furious."
[...]
"Oh yes," said the old man mildly.
"Yes well so I expect were the dogs and cats and duckbilled platypuses, but..."
"Ah, but they hadn't paid for it you see, had they?"
"Look," said Arthur, "would it save you a lot of time if I just gave up and went mad now?"
[...]
"Earthman, the planet you lived on was commissioned, paid for, and run by mice. It was destroyed five minutes before the completion of the purpose for which it was built, and we've got to build another one."
Only one word registered with Arthur.
"Mice?" he said.
"Indeed Earthman."
"Look, sorry - are we talking about the little white furry things with the cheese fixation and women standing on tables screaming in early sixties sit coms?"
Slartibartfast coughed politely.
"[...] These creatures you call mice, you see, they are not quite as they appear. They are merely the protrusion into our dimension of vast hyperintelligent pandimensional beings. The whole business with the cheese and the squeaking is just a front."
The old man paused, and with a sympathetic frown continued.
"They've been experimenting on you, I'm afraid.
β
β
Douglas Adams (The Hitchhikerβs Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
β
The corporal said, βPlace called Brest. Not the kind of name Iβd like to call a town, myself, but thatβs the way these Froggies are. Officer said to go there if we got cut off, and weβd get the lorry shipped back home from there.
β
β
Nevil Shute (Pied Piper)
β
Grandma's house had the atmosphere of a Tupperware box left out in the sun. Like a tropical flower, she had to be kept warm and moist at all times, or she would wilt and die.
β
β
Matthew Crow (In Bloom)
β
One thing you'll learn when you're in the business of selling utter shite to the Great British Public is that there's really no bottom to where they'll go. Shit food, shit TV, shit bands, shit films, shit houses. There is absolutely no fucking bottom with this stuff. The shittier you can make it - a bad photocopy of a bad photocopy of what was a shit idea in the first place - the more they'll eat it up with a big fucking spoon, from dawn till dusk, from now until the end of time. It's too good.
β
β
John Niven (Kill Your Friends)
β
In the words of Mr Thierry Coup of Warner Bros: 'We are taking the most iconic and powerful moments of the stories and putting them in an immersive environment. It is taking the theme park experience to a new level.' And of course I wish Thierry and his colleagues every possible luck, and I am sure it will be wonderful. But I cannot conceal my feelings; and the more I think of those millions of beaming kids waving their wands and scampering the Styrofoam turrets of Hogwartse_STmk, and the more I think of those millions of poor put-upon parents who must now pay to fly to Orlando and pay to buy wizard hats and wizard cloaks and wizard burgers washed down with wizard meade_STmk, the more I grind my teeth in jealous irritation.
Because the fact is that Harry Potter is not American. He is British. Where is Diagon Alley, where they buy wands and stuff? It is in London, and if you want to get into the Ministry of Magic you disappear down a London telephone box. The train for Hogwarts goes from King's Cross, not Grand Central Station, and what is Harry Potter all about? It is about the ritual and intrigue and dorm-feast excitement of a British boarding school of a kind that you just don't find in America. Hogwarts is a place where children occasionally get cross with each otherβnot 'mad'βand where the situation is usually saved by a good old British sense of HUMOUR. WITH A U. RIGHT? NOT HUMOR. GOTTIT?
β
β
Boris Johnson
β
The very sight of a daffodil still makes me shiver, because spring in the north of England is always so bitter.
β
β
Bea Davenport (In Too Deep)
β
Boasting about modesty is typical of the English.
β
β
George Bernard Shaw
β
Oh, it must be wonderful to be educated. What does it feel like?'
'It's like having an operation,' said Treece. 'You don't know you've had it until long after it's over.
β
β
Malcolm Bradbury (Eating People is Wrong)
β
A German plans a month in advance what is bowel movements will be at Easter, and the British plan everything retrospect, so it always looks as though everything is good as intended. The French glad everything was to be going to be having a party, and the Spanish⦠Well, God knows.
β
β
Louis de BerniΓ¨res (Captain Corelliβs Mandolin)
β
Tea. Why are the Brits so obsessed with tea? Anything happens... "Put the kettle on." A death in the family. "Put the kettle on." Tornado. "Put the kettle on." Nuclear war. "Put the kettle on.
β
β
Andrea Portes (This Is Not a Ghost Story)
β
One thing that has remained constant, across four centuries, has been the desire for a British person to fill a silence with talk of the weather, and whenever I have lived there I was no exception to this rule.
β
β
Matt Haig (Reasons to Stay Alive)
β
Youβll slip up, just like everyone else who tries to mess with the British Empire. They all get it wrong somehow β forget some detail, make some tiny error, invade Russia β and then itβs all downhill from there.
β
β
Toby Frost (Space Captain Smith (Chronicles of Isambard Smith, #1))
β
I knew I had a problem when I found myself saying, to my reflection, in my laptop screen, 'What has two gigantic thumbs and needs to quit social media?' 'This guy'... before bursting into laughter, then tears, then song: the main three things a human can burst into. The fourth being flames. Also the song was the British National Anthem and I don't know why.
β
β
James Acaster (James Acaster's Guide to Quitting Social Media)
β
At some distance down the corridor it seemed suddenly as if somebody started to beat on a bass drum.
He listened to it for a few seconds and realized that it was just his heart beating.
He listened for a few seconds more and realized that it wasnβt his heart beating, it was somebody down the corridor beating on a bass drum.
β
β
Douglas Adams (Life, the Universe and Everything (The Hitchhiker's Guide to the Galaxy, #3))
β
It is Sunday afternoon, preferably before the war. The wife is already asleep in the armchair, and the children have been sent out for a nice long walk. You put your feet up on the sofa, settle your spectacles on your nose, and open the News of the World. Roast beef and Yorkshire, or roast pork and apple sauce, followed up by suet pudding and driven home, as it were, by a cup of mahogany-brown tea, have put you in just the right mood. Your pipe is drawing sweetly, the sofa cushions are soft underneath you, the fire is well alight, the air is warm and stagnant. In these blissful circumstances, what is it that you want to read about?
Naturally, about a murder.
β
β
George Orwell (Decline of the English Murder)
β
Nothing is
eternal.
Everything else
is not.
β
β
Will Advise
β
Can I fetch you something, madam? A cup of tea?β
In the old days sheβd have been βmissβ and heβd have offered her a cocktail.
β
β
Sara Sheridan (British Bulldog (Mirabelle Bevan Mystery, #4))
β
I remain to be convinced that Jacob Rees-Mogg has not at least considered ingesting his young.
β
β
James Felton (Sunburn: The unofficial history of the Sun newspaper in 99 headlines)
β
The meaning of sex is illustrated by two eponymous heroes of British history, King Edward VII (who flourished in the years before the First World War) and the King Edward variety of potato which has fed the British working class for almost as long). The potato, unlike the royal family, reproduces asexually. Every King Edward potato is identical to every other and each on has the same set of genes as the hoary ancestor of all potatoes bearing that name. This is convenient for the farmer and the grocer, which is why sex is not encouraged among potatoes.
β
β
Steve Jones (The Language of Genes: Solving the Mysteries of Our Genetic Past, Present and Future)
β
Asked in 1952 by a Labour MP if he, the Prime Minister, was aware of the deep concern felt by the British over the question of the Korean conflict, WSC answered,
'I am fully aware of the deep concern felt by the Honourable Member in many matters above his comprehension.
β
β
Winston Churchill
β
I phoned the Admiral back.
'It's no use, Admiral, the French speak nothing but French.'
There was a short pause on the end of the line then his voice rattled into life like a sabre.
'They're lying, Tim!'
'What?'
'The French Navy must by law speak English, as English is the international maritime language of the sea.'
'Has anyone told the French that?'
The line went dead for a moment before he thundered, 'Yes Nelson. At the battle of Trafalgar.'
I tried to stifle an irresistibly British giggle not knowing if the Admiral was making a joke or not. I got it right. He was serious.
β
β
Tim FitzHigham (In the Bath: Conquering the Channel in a Piece of Plumbing)
β
Her pretty name of Adina seemed to me to have somehow a mystic fitness to her personality.
Behind a cold shyness, there seemed to lurk a tremulous promise to be franker when she knew you better.
Adina is a strange child; she is fanciful without being capricious.
She was stout and fresh-coloured, she laughed and talked rather loud, and generally, in galleries and temples, caused a good many stiff British necks to turn round.
She had a mania for excursions, and at Frascati and Tivoli she inflicted her good-humoured ponderosity on diminutive donkeys with a relish which seemed to prove that a passion for scenery, like all our passions, is capable of making the best of us pitiless.
Adina may not have the shoulders of the Venus of Milo...but I hope it will take more than a bauble like this to make her stoop.
Adina espied the first violet of the year glimmering at the root of a cypress. She made haste to rise and gather it, and then wandered further, in the hope of giving it a few companions. Scrope sat and watched her as she moved slowly away, trailing her long shadow on the grass and drooping her head from side to side in her charming quest. It was not, I know, that he felt no impulse to join her; but that he was in love, for the moment, with looking at her from where he sat. Her search carried her some distance and at last she passed out of sight behind a bend in the villa wall.
I don't pretend to be sure that I was particularly struck, from this time forward, with something strange in our quiet Adina. She had always seemed to me vaguely, innocently strange; it was part of her charm that in the daily noiseless movement of her life a mystic undertone seemed to murmur "You don't half know me! Perhaps we three prosaic mortals were not quite worthy to know her: yet I believe that if a practised man of the world had whispered to me, one day, over his wine, after Miss Waddington had rustled away from the table, that there was a young lady who, sooner or later, would treat her friends to a first class surprise, I should have laid my finger on his sleeve and told him with a smile that he phrased my own thought. .."That beautiful girl," I said, "seems to me agitated and preoccupied."
"That beautiful girl is a puzzle. I don't know what's the matter with her; it's all very painful; she's a very strange creature. I never dreamed there was an obstacle to our happiness--to our union. She has never protested and promised; it's not her way, nor her nature; she is always humble, passive, gentle; but always extremely grateful for every sign of tenderness. Till within three or four days ago, she seemed to me more so than ever; her habitual gentleness took the form of a sort of shrinking, almost suffering, deprecation of my attentions, my petits soins, my lovers nonsense. It was as if they oppressed and mortified her--and she would have liked me to bear more lightly. I did not see directly that it was not the excess of my devotion, but my devotion itself--the very fact of my love and her engagement that pained her. When I did it was a blow in the face. I don't know what under heaven I've done! Women are fathomless creatures. And yet Adina is not capricious, in the common sense...
.So these are peines d'amour?" he went on, after brooding a moment. "I didn't know how fiercely I was in love!"
Scrope stood staring at her as she thrust out the crumpled note: that she meant that Adina--that Adina had left us in the night--was too large a horror for his unprepared sense...."Good-bye to everything! Think me crazy if you will. I could never explain. Only forget me and believe that I am happy, happy, happy! Adina Beati."...
Love is said to be par excellence the egotistical passion; if so Adina was far gone. "I can't promise to forget you," I said; "you and my friend here deserve to be remembered!
β
β
Henry James (Adina)
β
She deigned to asked me how ice queens reproduce. I grinned, and her mother looked horrified.
βWe procreate by way of ice cubes, of course. We put them in our nests and let them incubate for the period of about four months, and when the temperature is right, we put them out to roost and let them flake off into billions of snowflakes, rather like tadpoles breaking in droves from their eggs. And that, child,β I said, with a simulacrum of glee, βis how winter is born.β
βDoes it hurt?β
βNo more than the approach of Monday does to most of the world. It is a natural process, you understand, but it is dreadful hard work.
β
β
Michelle Franklin
β
We should keep at it. Swearing is a powerful instrument, socially and emotionally. If women and men want to communicate as equals, we need to be equals in the ways in which we are allowed to express ourselves. Sod social censure. Let us allow men to cry and women to swear: we need both means of expression. I like this observation from British-American anthropologist Ashley Montagu, writing in the 1960: 'If women wept less they would swear more... Today instead of swooning or breaking into tears, she will often swear and then do whatever is indicated. it is, in our view, a great advance upon the old style.'
Too fucking right.
β
β
Emma Byrne (Swearing Is Good for You: The Amazing Science of Bad Language)
β
Mrs. Woodfidley was inviting the guests to assemble for drinks, which were being handed out by Mr. Woodfidley and Garson from a long table in the bay window. The bottles and glasses had been visible from the first and their serried ranks must have drawn longing glances from more persons than herself - it would have been so much easier to sing and talk if even a single drink had been given one at the start of the party. But now she had guessed that the party was organized in set figures, like a formal country dance, and that the delay in serving drinks must be due to this plan. The figure in which drinks were consumed had just begun; it would succeeded by another after a fixed interval of time, and therefore she had better make sure of a drink before the music changed.
β
β
Elizabeth Fair (A Winter Away)
β
At no point during the making of this book have I inverted my penis although I did go to Blackpool which turned out to be almost as painful.
β
β
Matt Rudd (The English: A Field Guide)
β
All the best pubs are built on a hill, so you can slope in and roll out.
β
β
Benny Bellamacina (Philosophical Uplifting Quotes and Poems)
β
Youir're doing this wrong.
β
β
Will Advise
β
He was aware, of course, of his good looks, but with the shy self-consciousness of the Anglo-Saxon, not the blatant complacency of the Latin or Semite.
β
β
Saki (The Philanthropist and the Happy Cat)
β
Liz Truss has just had a quickie.
β
β
Nkwachukwu Ogbuagu
β
Bloodline by Stewart Stafford
Stuart Richards, 5,001st in line to the British throne,
A distant cousin of the king but hitherto unknown,
He dreamt of the crown and his fair queen's hand,
But there was no baiting the hook unless he had a plan.
He chose to eliminate the competition, stood before him,
Through a dark celebration, they'd never know what hit them,
He sent out invitations to the 5, 000 heirs,
Promising vast feasting, with music and fanfare
He built a fake house front with a door and a sign,
That said: "Welcome to the party. Now, kindly form a line."
Behind the door, there awaited a cliff face and a fall,
A master of deception, his warm smile greeted them all.
He stood at the front door with a charming bow,
And, welcoming each guest, he said: "In you go now!"
He watched them disappear as they stepped through the door,
Counting steps to ascension, lemmings queued up for more.
Backslapping himself, inner cackling at his scheme,
Imagining himself as king - glory rained down, it seemed,
But his Machiavellian plotting had a monstrous flaw,
One thing he'd forgotten that greedy eyes never saw.
The king was still alive, and he was not amused,
He got wind of this plot and responded unconfused,
He sent his guards to arrest him for sedition in a fury,
They swept him off his feet, planting him before a jury.
Put on trial for treason - the verdict was most guilty,
Execution set, he had the neck to beg for mercy,
But the king was not budging and barked: "Off with his head!"
An Axeman's reverse coronation, he joined the fallen dead.
Halting 2,986th in line to the British throne,
A distant cousin of the king, headless spirit flown,
In jealous craving, dispossessed as ruler of the land,
Crowned pride came before a fallen plan.
Β© Stewart Stafford, 2023. All rights reserved.
β
β
Stewart Stafford
β
Is this 12B? This is going to be fun!β The British accent cut through the air like a wire cutter through clay. It sliced into me and my peaceful serenity that I had created.
βNo, no, no, no,β I said, a little too emphatically.Β
βNo, this isnβt 12B or no, this isn't going to be fun?β
βYouβve got to be kidding me!
β
β
Brooke Gilbert (The Paris Soulmate (International Soulmates))
β
The Mammoth Book of Muhammad Ali The Mammoth Book of Best British Crime 9 The Mammoth Book of Conspiracies The Mammoth Book of Lost Symbols The Mammoth Book of Nebula Awards SF The Mammoth Book of Body Horror The Mammoth Book of Steampunk The Mammoth Book of New CSI The Mammoth Book of Gangs The Mammoth Book of SF Wars The Mammoth Book of One-Liners The Mammoth Book of Ghost Romance The Mammoth Book of Best New SF 25 The Mammoth Book of Jokes 2 The Mammoth Book of Horror 23 The Mammoth Book of Slasher Movies The Mammoth Book of Street Art The Mammoth Book of Ghost Stories by Women The Mammoth Book of Best New Erotica 11 The Mammoth Book of Irish Humour The Mammoth Book of Unexplained Phenomena The Mammoth Book of Futuristic Romance The Mammoth Book of Best British Crime 10 The Mammoth Book of Combat The Mammoth Book of Quick & Dirty Erotica The Mammoth Book of Dark Magic The Mammoth Book of New Sudoku The Mammoth Book of Zombies!
β
β
Mike Ashley (The Mammoth Book of Time Travel SF (Mammoth Books 188))
β
Mincemeat is decidedly British in its nature and can therefore be disregarded entirely where most civilized palates are concerned.
β
β
Clayton Smith
β
The whole plan's so high on the cheese factor it's practically Stilton
β
β
Zadie Smith
β
Always skip to the pub to enjoy your barley and hops
β
β
Benny Bellamacina (Philosophical Uplifting Quotes volume 2)
β
My mouth went dry as I tried to remember all of Poppieβs tips for kissing over the years. She told me no guy wanted a girl with a mouth as wide as a guppy, who sucked his tongue with the force of a Dyson vacuum cleaner first time, or licked him to death like an overeager puppy. Sheβd told me to just purse my lips and let him lead and take control. Donβt slobber, donβt slobber, donβt slobber, I chanted to myself as he got closer and closer
β
β
Charlotte Fallowfield (Until We Collide)
β
As two former empires, both with distinct identities and a strong sense of national pride, there is an island mentality in Iran that feels strangely familiar, a perverse pleasure to be found in going it alone, not being bossed around. Neither nation is particularly comfortable with the idea of mucking in with its neighbours β Britain with its scepticism towards Europe and inflated sense of importance in the world; Iran, an island of Shi-ite Muslims surrounded by Sunnis, geographically in the Middle East but definitely not Arabs β always, defiantly, neither East nor West. But there were gentler similarities too; an appreciation of the absurd and a sense of humour that celebrates the subversive and the silly, a love of the outdoors and an illustrious history of mountaineering and climbing, the national penchant for picnics and a profound appreciation of nature. Even the strange formalised politeness of taβarof reminded me of our own British rituals of insistence and refusal when passing through a doorway or our habit of apologising when bumped into by a stranger. And, of course, our mutual inability to do anything without a cup of tea.
β
β
Lois Pryce (Revolutionary Ride: On the Road to Shiraz, the Heart of Iran)
β
...Andrew Feldman put Β£2,000 behind the bar, and [David] Cameron told a joke about a farmer inviting a new neighbour to come to his house for a party where there might be dancing, drinking and βrough sexβ. When the neighbour asks what to wear, the farmer says, βIt doesnβt matter, itβs only going to be you and me.
β
β
Tim Shipman (All Out War: The Full Story of How Brexit Sank Britainβs Political Class)
β
He put a fresh sheet in and, after spending a few moments wishing he were doing something quite different, typed:
Gregory: But this is really qutie farcical.
Like all the other lines of dialogue he had so far evolved, it struck him as not only in need of instant replacement, but as requiring a longish paragraph of negative stage direction in the faint hope of getting it said ordinarily, and not ordinarily in inverted commas, either. Experimentally, he typed:
(Say this without raising your chin or opening your eyes wide or tilting your face or putting on that look of vague affront you use when you think you are "underlining the emergence of a new balance of forces in the scheme of the action" like the producer told you or letting your mind focus more than you can help on sentences like "Mr. Recktham managed to breathe some life into the wooden and conventional part of Gregory" or putting any more expression into it than as if you were reading aloud something you thought was pretty boring (and not as if you were doing an imitation of someone on a stage reading aloud something he thought was pretty boring, either) or hesitating before or after "quite" or saying "fusskle" instead of "farcical".)
Breathing heavily, Bowen now x-ed out his original line of dialogue and typed:
Gregory: You're just pulling my leg.
β
β
Kingsley Amis (I Like It Here)
β
A chapβs impending death has a way of focusing the mind.β¨
β
β
Sara Sheridan (British Bulldog (Mirabelle Bevan Mystery, #4))
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Why, that means youβre just a β¦ busybody. You could be anyone. You could be a journalist.ββ¨
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Sara Sheridan (British Bulldog (Mirabelle Bevan Mystery, #4))
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A chap wouldnβt hole up in Occupied France just to get away from his wife, Vesta.
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Sara Sheridan (British Bulldog (Mirabelle Bevan Mystery, #4))
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The good thing about the aristocracy β German or English β was that they were easily traced, Mirabelle thought.
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Sara Sheridan (British Bulldog (Mirabelle Bevan Mystery, #4))
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Stop fretting and eat your Madeira Cake..
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Diane Samuels (Kindertransport: A Drama (Drama, Plume))
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Indeed, beneath the accusation of βmoral panicβ that has been flung at feminism since the 1970s, lurks the accusation that feminists lack a sense of humour and are unable to appreciate the subtle inter-textual irony that is meant to pervade postmodern consumer culture and which all consumers and readers (no matter how young) are assumed to be hip to. Everyone, it seems, is in on the joke except for feminists, and the joke, as they say, is on them. Yet, the real irony is that a postmodern reading that would, predictably, claim Benny Hill rape jokes as subversive deconstructions of post-war white British lower-middle-class heterosexual masculinity, and perhaps re-signify the whole thing in a display of self-consciously elitist textual performances bloated with gate-keeping postmodern jargon, remains obedient to the old ruling bourgeois disgust with compassion.
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Abigail Bray (Misogyny Re-Loaded)
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What did the soup say to the tea plate?
"You're too shallow for me. I like deep dish to dip right into!" I still keep my British humour in good taste. No room for egos or rumours.
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Ana Claudia Antunes
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With his usual sardonic humour, Trotsky evoked, not the awesome solemnity of the pyramids, but the incongruous spectacle of Chicago meat-packers, provincial senators and manufacturers of condensed milk lecturing a Prime Minister of France, a British Foreign Secretary or an Italian dictator about the virtues of disarmament and world peace. These were the uncouth heralds of Americaβs drive toward βworld hegemonyβ with its internationalist ethos of peace, progress and profit.
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Anonymous
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The Penultimate Hotel by Stewart Stafford
Enter sluggishly into the lobby,
A banquet is in progress in the restaurant,
Theyβre regurgitating reality from within,
And then eating their young.
An apocalyptic porter has radioactive cubes in the lift,
Housekeeping will have ten thousand years of light,
But the sheets in the rooms,
Will all turn to cream cheese.
The cooks in the kitchen are breaking bones and rules,
Creating a cake that stretches to infinity,
Babel babble with protesting eggs,
All baked in a hellfire oven.
The concierge gives out tips,
And tells guests they are awful and to leave,
While simultaneously tattooing diabolical potion recipes,
Inside a willing bellhopβs eyelids.
Β© 2021, Stewart Stafford. All rights reserved.
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Stewart Stafford
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A French writer has paid the English a very well-deserved compliment. He says that they never commit a useless crime. When they hire a man to assassinate an Irish patriot, when they blow a Sepoy from the mouth of a cannon, when they produce a famine in one of their dependencies, they have always an ulterior motive. They do not do it for fun. Humorous as these crimes are, it is not the humour of them, but their utility, that appeals to the English. Unlike Gilbertβs Mikado, they would see nothing humorous in boiling oil. If they retained boiling oil in their penal code, they would retain it, as they retain flogging before execution in Egypt, strictly because it has been found useful.
This observation will help one to an understanding of some portions of the English administration of Ireland. The English administration of Ireland has not been marked by any unnecessary cruelty. Every crime that the English have planned and carried out in Ireland has had a definite end. Every absurdity that they have set up has had a grave purpose. The Famine was not enacted merely from a love of horror. The Boards that rule Ireland were not contrived in order to add to the gaiety of nations. The Famine and the Boards are alike parts of a profound polity.
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PΓ‘draic Pearse (The Murder Machine and Other Essays)
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If we were looking for a typically German source we would turn to the metaphysicists; for a typically British source we would apply to the Essayists who, through their spokesman, Meredith, have proclaimed humour the privilege of the select minds. And so on and so forth.
But since we want to study the typically American approach and the typically American understanding of humour, we shall not turn to the metaphysicists, or to the satirists, or to the philosophers or Essayists.
We shall turn to the practics.
American pragmatism in philosophy is a reflection of this avid search for what is useful and applicable β in everything that interests the American.
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Serguei Eisenstein (ReflexΓ΅es De Um Cineasta)
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The form it took was a childish and yet hateful fancy. As he walked across the inner room towards the balcony, the large face of Sunday grew larger and larger; and Syme was gripped with a fear that when he was quite close the face would be too big to be possible, and that he would scream aloud. He remembered that as a child he would not look at the mask of Memnon in the British Museum, because it was a face, and so large. By an effort, braver than that of leaping over a cliff, he went to an empty seat at the breakfast-table and sat down. The men greeted him with good-humoured raillery as if they had always known him. He sobered himself a little by looking at their conventional coats and solid, shining coffee-pot; then he looked again at Sunday. His face was very large, but it was still possible to humanity
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G.K. Chesterton (The Man Who Was Thursday)
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He's so fucking crooked he sleeps on a spiral staircase!
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Dylan Moran (Dylan Moran Live - What It Is)
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We (the British) invented bureaucracy. India just perfected it.
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Mark Shand (River Dog: A Journey Down the Brahmaputra)
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I said a picnic,' said Quin sternly. 'In Britain a picnic means sitting on the ground and being uncomfortable, preferably in the rain.
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Eva Ibbotson (The Morning Gift)
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Everyone else on this planet can scream, shout and rage, but only the British can throw a little well-timed humour in there to throw the other person off their stride completely.
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Nick Spalding (Mad Love)
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This ungodly act is simply something that Finns do, like the British and their DIY, or the French and their adultery.
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Michael Booth (The Almost Nearly Perfect People: Behind the Myth of the Scandinavian Utopia)
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If there is one pleasure on earth which surpasses all others, it is leaving a play before the end. I might perhaps except the joy of taking tickets for a play, dining well, sitting on after dinner, and finally not going at all. That, of course, is very heaven.
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Angela Thirkell (High Rising (Barsetshire, #1))
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THE NEW CANADIAN PRIME MINISTER HAS GREAT HAIR, I wrote next.
Eleanor raised a brow and flipped a page. This was the most sheβd ever even looked at me during one of these sessions, so I pressed onward.
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Heather Cocks (The Heir Affair (Royal We, #2))
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authority. She is a serious figure: Her Majesty, the British monarch and head of the Commonwealth. But as anyone who has ever met her will tell you, in person she is very warm and human with a well-developed sense of humour. Look at it another way,
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Karen Dolby (The Wicked Wit of Queen Elizabeth II (ebook))
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The millions and millions of corpses, the wasted lives that communism left behind as testament to its main accomplishment, were enough to give any sane believer pause. There were some true believers left, like the British historian Eric Hobsbawm, but the world generally reacted to them with the incredulity deserved for a person standing on top of a pile of corpses promising that with just a few more deaths he could make the whole thing right.
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Douglas Murray (The Strange Death of Europe: Immigration, Identity, Islam)
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book Laughter and Ridicule: Towards a Social Critique of Humour, Professor Michael Billig
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Adam Fletcher (Understanding the British: A hilarious guide from Apologising to Wimbledon)
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Hating Britain is a fundamental part of being British
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Ben Mitchell
Will Advise (Nothing is here...: soliD Amateur quoetry)