Bridges Funny Quotes

I’m not better, you know. The weight hasn’t left my head. I feel how easily I could fall back into it, lie down and not eat, waste my time and curse wasting my time, look at my homework and freak out and go and chill at Aaron’s, look at Nia and be jealous again, take the subway home and hope that it has an accident, go and get my bike and head to the Brooklyn Bridge. All of that is still there. The only thing is, it’s not an option now. It’s just… a possibility, like it’s a possibility that I could turn to dust in the next instant and be disseminated throughout the universe as an omniscient consciousness. It’s not a very likely possibility.

Instead of finding himself in nerd heaven—where every nerd gets fifty-eight virgins to role-play with—he woke up in Robert Wood Johnson with two broken legs and a separated shoulder, feeling like, well, he'd jumped off the New Brunswick train bridge.

There was a small wooden gazebo built out over the water; Isabelle was sitting in it, staring out across the lake. She looked like a princess in a fairy tale, waiting at the top of her tower for someone to ride up and rescue her. Not that traditional princess behavior was like Isabelle at all. Isabelle with her whip and boots and knives would chop anyone who tried to pen her up in a tower into pieces, build a bridge out of the remains, and walk carelessly to freedom, her hair looking fabulous the entire time.

He and I always think the same things are funny, and that is such a lot; it's dreadful when two people's senses of humor are antagonistic. I don't believe there's any bridging that gulf! And he is--Oh, well! He is just himself, and I miss him, and miss him, and miss him. The whole world seems empty and aching. I hate the moonlight because it's beautiful and he isn't here to see it with me. But maybe you've loved somebody, too, and you know? If you have, I don't need to explain; if you haven't, I can't explain.

Yeah, I got her,” Will confirms. “Who you got?” I ask. “You, drunk girl. Come on.” He turns to lead me toward the exit, and I start to follow him, but for some reason my feet don’t work very well. “Um, Will?” “Yeah?” “I lost my feet.” “What?” he laughs and pinches the bridge of his nose. “I can’t find my feet.” Why is everyone laughing at me? This is serious!

I can’t function here anymore. I mean in life: I can’t function in this life. I’m no better off than when I was in bed last night, with one difference: when I was in my own bed—or my mom’s—I could do something about it; now that I’m here I can’t do anything. I can’t ride my bike to the Brooklyn Bridge; I can’t take a whole bunch of pills and go for the good sleep; the only thing I can do is crush my head in the toilet seat, and I still don’t even know if that would work. They take away your options and all you can do is live, and it’s just like Humble said: I’m not afraid of dying; I’m afraid of living. I was afraid before, but I’m afraid even more now that I’m a public joke. The teachers are going to hear from the students. They’ll think I’m trying to make an excuse for bad work.

And isn't it funny how if one person speaks for real, then the other person can too? We just did that. We just became friends. It's just a matter of finding the right person and crossing that barrier together, almost like you're holding hands, but really you're holding the most tender place inside you.

It was a mug. And it had a joke printed on it. It said, Engineers don’t cry. They build bridges and get over it.” Someone laughed then. Isabel or perhaps Gonzalo—I wasn’t sure. With all that crazy banging, my heart had somehow moved up my throat and to my temples, so it was hard to focus on anything besides its beating and Aaron’s voice. “And you know what I did?” he continued, bitterness filling his tone. “Instead of laughing like I wanted to, instead of looking up at her and saying something funny that would hopefully make her give me one of those bright smiles I had somehow already seen her give so freely in the short day I had been around her, I pushed it all down and set the mug on my desk. Then, I thanked her and asked her if there was anything else she needed.” I knew I shouldn’t feel embarrassed, but I was. Just as much as I had been back then, if not more. It had been such a silly thing to do, and I had felt so tiny and dumb after he brushed it away so easily. Closing my eyes, I heard him continue, “I pretty much kicked her out of my office after she went out of her way and got me a gift.” Aaron’s voice got low and harsh. “A fucking welcome gift.” I opened my eyes just in time to watch him turn his head in my direction. Our gazes met. “Just like the big jerk I had advertised myself to be, I ran her out. And to this day, I regret it every time it crosses my mind. Every time I look at her.

Push my buttons, and I'll push you off a bridge. 

I was happy about different things. I was happy because someday I'd be walking across this bridge looking at this city, owning some piece of it, being valuable here.

Morning, guys!! Today, I wandered a bit from the path of life...

Twinkle twinkle little star, I want to hit you with a car. Throw you off a bridge so high, Hope you break your neck and die.

I'm here." St. Clair is angry. "I'm just sorry I'm not there. With you. I wish there was something I could do." "Wanna come beat her up for me?" "I'm packing my throwing stars right now." I sniffle and wipe my nose. "I'm such an idiot. I can't believe I thought he liked me.That's the worst part, knowing he was never even interested." "Bollocks.He was interested." "No,he wasn't," I say. "Bridge said so." "Because she's jealous! Anna, I was there that first night he called you. I've seen how he looked at you in pictures." I protest,but he interrupts. "Any bloke with a working prick would be insane not to like you." There's a shocked pause,on both ends of the line. "Because,of course,of how intelligent you are. And funny.Not that you aren't attractive.Because you are. Attractive. Oh,bugger..." I wait. "Are you still there,or did you hang up because I'm such a bleeding idiot?" "I'm here." "God,you made me work for that." St. Clair said I'm attractive.That's the second time. "You're so easy to talk to," he continues, "that sometimes I forget you're not one of the guys." Scratch that. He thinks I'm Josh. "Just drop it. I can't take being compared to a guy right now-" "That's not what I meant-" "How's your mom? I'm sorry, I've hogged ur entire conversation,and this was supposed to be about her,and I didn't even ask-" "You did ask. It was the first thing you said when you answered. And technically I called you. And I was calling to see how the show went, which is what we've been talking about.

When I was small I dreamed of demons. I thought they were under my bed, but you said, it can't be so, you don't get demons our side of the river, the guards won't let them over London Bridge.

When I was a kid I read these books, the Redwall books, fantasy books about a bunch of warrior mice, and the mice had this war cry that I always thought was coo: 'Eulalia.' And like an idiot that's what I yelled off the Brooklyn Bridge: 'Eulaliaaaaaaaaaaaaaa!' And I could have died right then. And considering how things went, I really should have.

He picked up the sketchbook, turning it so she could see his work - a gorgeous rendition of a stone bridge they'd passed, surrounded by the drooping boughs of oak trees. "You could sketch me," said Emma. She flung herself down onto her seat, leaning her head on her hand. "Draw me like one of your french girls.

Humans are funny. The more someone doesn’t want someone, the more that someone wants that someone. The time came when she started pulling away. She had developed a tendency to focus on the things that she didn’t respect in him and eventually that’s all she saw.

It’ll be hard not to tease your folk sometimes.” Brishen couldn’t imagine how she might go about such a thing.  He had no idea if the Kai and the Gauri even knew the same jokes or found the same things funny.  “What do you mean?” He almost leapt out of his skin when Ildiko stared at him as both of her eyes drifted slowly down and over until they seemed to meet together, separated only by the elegant bridge of her nose. “Lover of thorns and holy gods!” he yelped and clapped one hand across her eyes to shut out the sight.  “Stop that,” he ordered. Ildiko laughed and pushed his hand away.  She laughed even harder when she caught sight of his expression.  “Wait,” she gasped on a giggle.  “I can do better.  Want to see me make one eye cross and have the other stay still?” Brishen reared back.  “No!”  He grimaced.  “Nightmarish.  I’ll thank you to keep that particular talent to yourself, wife.

Who wants to blow up a bridge with me?

I'll get up and bike to the Brooklyn Bridge and throw myself off it.

for them, not just something that makes you feel good giving it. Because Mrs. Myers had helped him already by understanding that he would never forget Leslie. He thought about it all day, how before Leslie came, he had been a nothing—a stupid, weird little kid who drew funny pictures and chased around a cow

God, all those months of seeing Kelsey’s pictures and hearing about her travels, and I had been raging with jealousy. And now it was my turn. I wanted to mind the gap at the tube station and eat fish and chips and try to make the Queen’s guards laugh. I wanted to see Big Ben and the Globe and the London Bridge and Dame Judi Dench. Or Maggie Smith. Or Alan Rickman. Or Sir Ian McKellen. Or anybody famous and British, really. Holy crap. This was really happening. And I wasn’t just a tourist. I was visiting with someone who’d grown up in the city. With my fiancé. Take that, world.

So when I ran out of the final bottle of Zoloft, I didn’t take any more. I didn’t call Dr. Barney either. I just threw the bottle away and said Okay, if I ever feel bad again, I’ll remember how good I felt that night on the Brooklyn Bridge. Pills were for wimps, and this was over; I was done; I was back to me.

Dont act like you are walking around with a Tshirt that says "I give Up!" on the front and on the back saying "I never started trying!" People can bring you down, situations happen, YOU can feel like Life is the shittiest thing to deal with. BLAH BLAH BLAH.. If you're walking through Hell, keep going! Everyday there's a new challenge. Face it! Deal with it! Move on! To every problem there is a solution or a way around it.. Stop being a sour mongral and think life owes you something.. No one will do anything for you these days. Start fighting. Get rid of ALL the shit people in your Life. Grow some balls of steel and work progressively through everything. Step by Step or what ever mad method you have to get you back in line again. Who cares, if people don't like you, BURN that mother of a bridge down. It was never meant to be.. Build New ones! Many roads to cross and new paths on life to Explore.. It starts with YOU.. And if people want to judge you, tell them to F/O and look in the mirror. Time for a new game.. It's called "Take over the World" WHOOOP WHOOOP!!

Yo mama is so fat… when she bungee jumps, she brings down the bridge too.

The hardest thing in life is to know which bridge to cross and which to burn. -David Russell (1942- ) Life is all about timing...

Emily's ginger brows were knit tight, the edges of each almost meeting over the bridge of her pert nose. "You know I will, you daft baggage. As if we have any other option.

Darling daughter' -- Lord Cai pinched the bridge of his nose -- 'get in the car please.' 'Father', Juliette shot back, 'I crave violence.

Wasn't it what her father always warned her about? Don't jump off a bridge because a cute guy tells you to?

There was the odd suburban thunderbolt, but they were mostly those people who'd found each other; they were golden and bright-lit and funny. Often they seemed in cahoots somehow, like jailbirds who wouldn't leave; they loved us, they liked us, and that was a pretty good trick.

Did you ever get fed up?" I said. "I mean did you ever get scared that everything was going to go lousy unless you did something? I mean do you like school and all that stuff?" "It's a terrific bore." "I mean do you hate it? I know it's a terrific bore, but do you hate it, is what I mean." "Well, I don't exactly hate it. You always have to--" "Well, I hate it. Boy, do I hate it," I said. "But it isn't just that. It's everything. I hate living in New York and all. Taxicabs, and Madison Avenue buses, with the drivers and all always yelling at you to get out at the rear door, and being introduced to phony guys that call the Lunts angels, and going up and down in elevators when you just want to go outside, and guys fitting your pants all the time at Brooks, and people always--" "Don't shout, please," old Sally said. Which was very funny, because I wasn't even shouting. "Take cars," I said. I said it in this very quiet voice. "Take most people, they're crazy about cars. They worry if they get a little scratch on them, and they're always talking about how many miles they get to a gallon, and if they get a brand-new car already they start thinking about trading it in for one that's even newer. I don't even like old cars. I mean they don't even interest me. I'd rather have a goddam horse. A horse is at least human, for God's sake. A horse you can at least--" "I don't know what you're even talking about," old Sally said. "You jump from one--" "You know something?" I said. You're probably the only reason I'm in New York right now, or anywhere. If you weren't around, I'd probably be someplace way the hell off. In the woods or some goddam place. You're the only reason I'm around, practically." "You're sweet," she said. But you could tell she wanted me to change the damn subject. "You ought to go to a boys' school sometime. Try it sometime," I said. "It's full of phonies, and all you do is study so that you can learn enough to be smart enough to be able to buy a goddam Cadillac some day, and you have to keep making believe you give a damn if the football team loses, and all you do is talk about girls and liquor and sex all day, and everybody sticks together in these dirty little goddam cliques. The guys that are on the basketball team stuck together, the Catholics stick together, the guys that play bridge stick together. Even the guys that belong to the goddam Book-of-the-Month Club stick together. If you try to have a little intelligent--" "Now, listen," old Sally said. "Lots of boys get more out of school that that." "I agree! I agree they do, some of them! But that's all I get out of it. See? That's my point. That's exactly my goddamn point," I said. "I don't get hardly anything out of anything. I'm in bad shape. I'm in lousy shape." "You certainly are.

Roth was feeling a gentle warmth as he thought of his son. He was remembering the way his son used to awaken him on Sunday mornings. His wife would put the baby in bed with him, and the child would straddle his stomach and pull feebly at the hairs on Roth’s chest, cooing with delight. It gave him a pang of joy to think of it, and then, back of it, a realization that he had never enjoyed his child as much when he had lived with him. He had been annoyed and irritable at having his sleep disturbed, and it filled him with wonder that he could have missed so much happiness when he had been so close to it. It seemed to him now that he was very near a fundamental understanding of himself, and he felt a sense of mystery and discovery as if he had found unseen gulfs and bridges in all the familiar drab terrain of his life. “You know,” he said, “life is funny.

We came up to the first tower of the bridge, with a plaque proclaiming who had built it; I stopped to read. John Roebling. Aided by his wife, and then his son. He died during construction. But hey, the Brooklyn Bridge might be here for eight hundred years. I wanted to leave something like that behind. I didn’t know how I was going to do it, but I felt like I had taken the first steps

Leave it to the army to mechanize an erection.” “Laugh now, funny girl,” Shane said. “That’s gonna be a bridge in about a minute.” “And that bridge can hold over sixty tons,” Carpenter said. “So it’s a strong erection,” Lisa Livia said, looking at Carpenter. “Oh,

Twenty-five years from now all religion will be fundamentalist religion, even the Church of England. Wild-eyed “Tutuist” Anglicans will riot in Anzania (formerly the Union of South Africa). They’ll force people to play contract bridge at gunpoint and make unbelievers eat little sandwiches with the crusts cut off. No woman will dare appear in the street without a small, stupid hat like Queen Di’s.

Imagine you’re having the best day of your life. Sunshine, rainbows and everything pretty. There is a halo over your head, and the weather is absolutely perfect—not too hot, nor too cold. And then, out of nowhere, a bird shits on you. That’s how Scarlet Bridge looked at me.

I knew now Rupert would be ok and it would have been almost funny if I weren’t getting my ass firmly kicked by a side of beef.

I forget sometimes I need to eat and drink now.

It's funny how I've always hoped and prayed for a new and better life, yet now that it's happening, I'm scared.

What a strange creature man is! He does not believe in God, but he does believe that if the bridge of his nose itches he is surely going to die; he disdains to read the creation of a poet, as clear as day and imbued with harmony and the lofty wisdom of simplicity, yet he pounces eagerly on a book in which some know-all has churned everything up, spun a lot of nonsense, bent and twisted nature inside out. He thinks this book is marvelous and he shouts from the rooftops: 'This is it, these are the true facts of the mysteries of the heart!

There was a few seconds' pause. Then Amit said: I meant, what were you thinking just now. When? said Lata. When you were looking at Pran and Savita. Over the pudding. Oh. Well, what? I can't remember, said Lata with a smile. Amit laughed. Why are you laughing? asked Lata I like making you feel uncomfortable, I suppose. Oh. Why? --Or happy--or puzzled--just to see your change of mood. It's such fun. I pity you! Why? said Lata, startled. Because you'll never know what a pleasure it is to be in your company. Do stop talking like that, said Lata. Ma will come in any minute. You're quite right. In that case: Will you marry me? Lata dropped her cup. It fell to the floor and broke. She looked at the broken pieces--luckily, it has been empty--and then at Amit. Quick! said Amit. Before they come running to see what's happened. Say yes. Lata had knelt down; she was gathering he bits of the cup together and placing them on the delicately patterned blue-and-gold saucer. Amit joined her on the floor. Her face was only a few inches away from his, but her mind appeared to be somewhere else. he wanted to kiss her but he sensed that there was no question of it. One by one she picked up the shards of china. Was it a family heirloom? asked Amit. What? I'm sorry--said Lata, snapped out of her trance by the words. Well, I suppose I'll have to wait. I was hoping that by springing it on you like that I'd surprise you into agreeing... ...Do stop being idotic, Amit, said Lata. You're so brilliant, do you have to be so stupid as well? I should only take you seriously in black and white. And in sickness and health. Lata laughed: For better and for worse, she added.

New Rule: America must stop bragging it's the greatest country on earth, and start acting like it. I know this is uncomfortable for the "faith over facts" crowd, but the greatness of a country can, to a large degree, be measured. Here are some numbers. Infant mortality rate: America ranks forty-eighth in the world. Overall health: seventy-second. Freedom of the press: forty-fourth. Literacy: fifty-fifth. Do you realize there are twelve-year old kids in this country who can't spell the name of the teacher they're having sex with? America has done many great things. Making the New World democratic. The Marshall Plan. Curing polio. Beating Hitler. The deep-fried Twinkie. But what have we done for us lately? We're not the freest country. That would be Holland, where you can smoke hash in church and Janet Jackson's nipple is on their flag. And sadly, we're no longer a country that can get things done. Not big things. Like building a tunnel under Boston, or running a war with competence. We had six years to fix the voting machines; couldn't get that done. The FBI is just now getting e-mail. Prop 87 out here in California is about lessening our dependence on oil by using alternative fuels, and Bill Clinton comes on at the end of the ad and says, "If Brazil can do it, America can, too!" Since when did America have to buck itself up by saying we could catch up to Brazil? We invented the airplane and the lightbulb, they invented the bikini wax, and now they're ahead? In most of the industrialized world, nearly everyone has health care and hardly anyone doubts evolution--and yes, having to live amid so many superstitious dimwits is also something that affects quality of life. It's why America isn't gonna be the country that gets the inevitable patents in stem cell cures, because Jesus thinks it's too close to cloning. Oh, and did I mention we owe China a trillion dollars? We owe everybody money. America is a debtor nation to Mexico. We're not a bridge to the twenty-first century, we're on a bus to Atlantic City with a roll of quarters. And this is why it bugs me that so many people talk like it's 1955 and we're still number one in everything. We're not, and I take no glee in saying that, because I love my country, and I wish we were, but when you're number fifty-five in this category, and ninety-two in that one, you look a little silly waving the big foam "number one" finger. As long as we believe being "the greatest country in the world" is a birthright, we'll keep coasting on the achievements of earlier generations, and we'll keep losing the moral high ground. Because we may not be the biggest, or the healthiest, or the best educated, but we always did have one thing no other place did: We knew soccer was bullshit. And also we had the Bill of Rights. A great nation doesn't torture people or make them disappear without a trial. Bush keeps saying the terrorist "hate us for our freedom,"" and he's working damn hard to see that pretty soon that won't be a problem.

I was even starting to relax—a little—until he took me to his parents' house for dinner. I've never met two people more in need of a divorce. They bickered and fought all evening. Royce said that's how they express their love. I don't believe him. I mean, please. You tell me if you feel the love from this conversation (written word for word as I remember it): Linda: Elliot, be a dear and get me another drink. Elliot: Get it yourself. Linda: Get up and fix me a drink, you lazy man. Elliot: Woman, don't push me on this. I've finally gotten comfortable. Linda: (sugary sweet smile) I'll push you only when you're standing on a bridge. Elliot: If I were standing on a bridge and saw you coming, you wouldn't have to push me. I'd jump. See? Does that sound "loving" to you?

It was a mug. And it had a joke printed on it. It said, Engineers don’t cry. They build bridges and get over it.” Someone laughed then. Isabel or perhaps Gonzalo—I wasn’t sure. With all that crazy banging, my heart had somehow moved up my throat and to my temples, so it was hard to focus on anything besides its beating and Aaron’s voice. “And you know what I did?” he continued, bitterness filling his tone. “Instead of laughing like I wanted to, instead of looking up at her and saying something funny that would hopefully make her give me one of those bright smiles I had somehow already seen her give so freely in the short day I had been around her, I pushed it all down and set the mug on my desk. Then, I thanked her and asked her if there was anything else she needed.” I knew I shouldn’t feel embarrassed, but I was. Just as much as I had been back then, if not more. It had been such a silly thing to do, and I had felt so tiny and dumb after he brushed it away so easily. Closing my eyes, I heard him continue, “I pretty much kicked her out of my office after she went out of her way and got me a gift.” Aaron’s voice got low and harsh. “A fucking welcome gift.” I opened my eyes just in time to watch him turn his head in my direction. Our gazes met. “Just like the big jerk I had advertised myself to be, I ran her out. And to this day, I regret it every time it crosses my mind. Every time I look at her.” He didn’t even blink as he talked, looking straight into my eyes. And I didn’t think I did either. I didn’t think I was even breathing. “All the time I wasted so foolishly. All the time I could have had with her.

I couldn’t see her, obviously, but I knew exactly what she was doing. She’d sunk into the nearest chair, eyes squeezed closed with her thumb and pointer pinched tightly across the bridge of her nose. The Sixes at the cabin had dubbed it her What did Dez do now? expression. Before everything in my world turned upside down, I would have been proud to have an expression named after me. Hell, if Dad had done it, I would have considered life a victory

Anyone who can relax, clear their mind, and envision being different in some way—such as more successful, funny, healthy, wealthy, or wise—can quantum jump. To initiate a quantum jump requires keeping an open mind that you can experience another reality. It is important that you are able to sincerely desire and feel a connection to another reality, envisioning some way of making a connection with it through a bridge, a door, a window or a handshake.

Nisker wasn’t really in the mood for an LSD trip. After all, he was in a car and heading toward the Oakland–San Francisco Bay Bridge. Then Scoop started thinking to himself. Well, the guy is the “high priest of LSD.” What else can I do? When else am I going to get a chance like this? So, Nisker dropped the acid. By the time they got to the radio station Scoop was so stoned he couldn’t put two words together. But Leary sat down behind the microphone and just let out all this beautiful, flowing prose. He was his usual glib, funny self. Nisker was melting into the floor, mumbling to himself. But there was Leary, totally in charge of himself—so charismatic, so facile. What a performance!

Unless you're in an early seventies-era Eagles cover band, a founding member of a religious cult, or sleeping under a bridge in Seattle, lose the beard and get a haircut. Power doesn't have time for any form of hirsute hipster self expression.

New Rule: Republicans must stop pitting the American people against the government. Last week, we heard a speech from Republican leader Bobby Jindal--and he began it with the story that every immigrant tells about going to an American grocery store for the first time and being overwhelmed with the "endless variety on the shelves." And this was just a 7-Eleven--wait till he sees a Safeway. The thing is, that "endless variety"exists only because Americans pay taxes to a government, which maintains roads, irrigates fields, oversees the electrical grid, and everything else that enables the modern American supermarket to carry forty-seven varieties of frozen breakfast pastry.Of course, it's easy to tear government down--Ronald Reagan used to say the nine most terrifying words in the Englishlanguage were "I'm from the government and I'm here to help." But that was before "I'm Sarah Palin, now show me the launch codes."The stimulus package was attacked as typical "tax and spend"--like repairing bridges is left-wing stuff. "There the liberals go again, always wanting to get across the river." Folks, the people are the government--the first responders who put out fires--that's your government. The ranger who shoos pedophiles out of the park restroom, the postman who delivers your porn.How stupid is it when people say, "That's all we need: the federal government telling Detroit how to make cars or Wells Fargo how to run a bank. You want them to look like the post office?"You mean the place that takes a note that's in my hand in L.A. on Monday and gives it to my sister in New Jersey on Wednesday, for 44 cents? Let me be the first to say, I would be thrilled if America's health-care system was anywhere near as functional as the post office.Truth is, recent years have made me much more wary of government stepping aside and letting unregulated private enterprise run things it plainly is too greedy to trust with. Like Wall Street. Like rebuilding Iraq.Like the way Republicans always frame the health-care debate by saying, "Health-care decisions should be made by doctors and patients, not government bureaucrats," leaving out the fact that health-care decisions aren't made by doctors, patients, or bureaucrats; they're made by insurance companies. Which are a lot like hospital gowns--chances are your gas isn't covered.

When I was a kid I read these books, the Redwall books, fantasy books about a bunch of warrior mice, and the mice had this war cry that I always thought was cool: “Eulalia.” And like an idiot, that’s what I yelled off the Brooklyn Bridge: Eulaliaaaaaaaaaaaaaaa!

He smiled wickedly, and my body warmed. "Girls dig bad boys." "Unfortunately, that's true." "Is there a message, Bridge?" "In your dreams," I replied with a roll of my eyes, but it was all an act because there was a message there. I wanted him. I was screwed ― Uh, bad choice of words.

Kyou handed him a small USB drive, barely bigger than his thumbnail. “Wireless bridge. Plug it into the back of the camera and give me five minutes. We’ll be set.” “You want me to bullshit my way through measuring for hardware for five minutes?” Kyou patted him on the arm. “You’re charming. You’ll be fine.

Up past the King's is this stone bridge with big stone balls on it. Larry said it was Clare Bridge. I said I hoped they'd stuck those balls down properly, 'cause i didn't fancy one of them coming down on us when we went underneath. Larry thought that was really funny, but I don't think he'd have been laughing if half a ton of stone dropped through the bottom of the punt.

Their eyes, warm not only with human bond but with the shared enjoyment of the art objects he sold, their mutual tastes and satisfactions, remained fixed on him; they were thanking him for having things like these for them to see, pick up and examine, handle perhaps without even buying. Yes, he thought, they know what sort of store they are in; this is not tourist trash, not redwood plaques reading Muir Woods, Marin County, PSA, or funny signs or girly rings or postcards or views of the Bridge. The girl’s eyes especially, large, dark. How easily, Childan thought, I could fall in love with a girl like this. How tragic my life, then; as if it weren’t bad enough already. The stylish black hair, lacquered nails, pierced ears for the long dangling brass handmade earrings. “Your

Spider?” I’d said, with a question mark in my voice. “Yeah.” “You know at school . . . what did you do that for? Wade in like that?” Spider frowned. “He was disrespectful, Jem. What you said—I could tell it was real. It was what you were really feeling. He had no right to make a joke of it.” “Yeah, I know, he’s a tosser, but it’s nothing to do with you. You made a right show of yourself. You made a show of me.” “I didn’t want him to get away with it.” “Yeah, but I don’t need a knight in shining armor. I can look after myself.” He was smiling a bit now. I paused. “It’s not funny, man. It’s made everything worse,” I said quietly. “I’ve got comments all the time now, ‘bout you and me. Sly comments.” He looked away, studied his hands. The knuckles on the right one were nearly healed up now. My mouth had gone dry, but I had to get this clear with him. “You do know there’s no ‘you and me,’ don’t you, Spider?” He looked up. “What?” “We’re not like . . . together. Just mates.” There was something about his sullenness when he said, “Yeah, ‘course. Just mates. Mates is good,” that made me think he felt the exact opposite. I was churning inside, cursing that day under the bridge. People were so bloody difficult. Why had I ever got involved? He stood up, came toward me, putting an arm out. I thought, Shit, he’s going to hug me. Hasn’t he listened to anything? But his hand formed a fist, and he lightly punched my arm. “Listen, man, I know what you’re like. I’ve told you I’ll never say nothing nice to you. And now you’ve put my straight, I’ll never do nothing nice for you, either. OK? If someone disrespects you, I’ll let them. If you’re being mugged on the street, I’ll walk on by. If I see you on fire, I won’t even piss on you. OK?

I BELIEVE THAT we know much more about God than we admit that we know, than perhaps we altogether know that we know. God speaks to us, I would say, much more often than we realize or than we choose to realize. Before the sun sets every evening, he speaks to each of us in an intensely personal and unmistakable way. His message is not written out in starlight, which in the long run would make no difference; rather it is written out for each of us in the humdrum, helter-skelter events of each day; it is a message that in the long run might just make all the difference. Who knows what he will say to me today or to you today or into the midst of what kind of unlikely moment he will choose to say it. Not knowing is what makes today a holy mystery as every day is a holy mystery. But I believe that there are some things that by and large God is always saying to each of us. Each of us, for instance, carries around inside himself, I believe, a certain emptiness—a sense that something is missing, a restlessness, the deep feeling that somehow all is not right inside his skin. Psychologists sometimes call it anxiety, theologians sometimes call it estrangement, but whatever you call it, I doubt that there are many who do not recognize the experience itself, especially no one of our age, which has been variously termed the age of anxiety, the lost generation, the beat generation, the lonely crowd. Part of the inner world of everyone is this sense of emptiness, unease, incompleteness, and I believe that this in itself is a word from God, that this is the sound that God’s voice makes in a world that has explained him away. In such a world, I suspect that maybe God speaks to us most clearly through his silence, his absence, so that we know him best through our missing him. But he also speaks to us about ourselves, about what he wants us to do and what he wants us to become; and this is the area where I believe that we know so much more about him than we admit even to ourselves, where people hear God speak even if they do not believe in him. A face comes toward us down the street. Do we raise our eyes or do we keep them lowered, passing by in silence? Somebody says something about somebody else, and what he says happens to be not only cruel but also funny, and everybody laughs. Do we laugh too, or do we speak the truth? When a friend has hurt us, do we take pleasure in hating him, because hate has its pleasures as well as love, or do we try to build back some flimsy little bridge? Sometimes when we are alone, thoughts come swarming into our heads like bees—some of them destructive, ugly, self-defeating thoughts, some of them creative and glad. Which thoughts do we choose to think then, as much as we have the choice? Will we be brave today or a coward today? Not in some big way probably but in some little foolish way, yet brave still. Will we be honest today or a liar? Just some little pint-sized honesty, but honest still. Will we be a friend or cold as ice today? All the absurd little meetings, decisions, inner skirmishes that go to make up our days. It all adds up to very little, and yet it all adds up to very much. Our days are full of nonsense, and yet not, because it is precisely into the nonsense of our days that God speaks to us words of great significance—not words that are written in the stars but words that are written into the raw stuff and nonsense of our days, which are not nonsense just because God speaks into the midst of them. And the words that he says, to each of us differently, are be brave…be merciful…feed my lambs…press on toward the goal.

tell me off or worse—beat me? What can I say? I stare momentarily out of the window. The car is heading back across the bridge. We are both shrouded in darkness, masking our thoughts and feelings, but we don’t need the night for that. “Why, Anastasia?” Christian presses me for an answer. I shrug, trapped. I don’t want to lose him. In spite of all his demands, his need to control, his scary vices, I have never felt as alive as I do now. It’s a thrill to be sitting here beside him. He’s so unpredictable, sexy, smart, and funny. But his moods…oh—and he wants to hurt me. He says he’ll think about my reservations, but it still scares me. I close my eyes. What can I say? Deep down I would just like more, more affection, more playful Christian, more…love. He squeezes my hand. “Talk to me, Anastasia. I don’t want to lose you. This last week…” We’re coming near to the end of the bridge, and the road is once more bathed in the neon light of the street lamps so his face is intermittently in the light and the dark. And it’s such a

Well,Anna.It's Matt or the minivan. I'm not making the choice for you." I choose my ex.We used to be good friends,so I'm sort of looking forward to seeing him again. And maybe Cherrie isn't as bad as I remember.Except she is. She totally is. After only five minutes in her company,I cannot fathom how Bridge stands sitting with her at lunch every day.She turns to look at me in the backseat,and her hair swishes in a vitamin-enriched, shampoo-commercial curtain. "So.How are the guys in Paris?" I shrug. "Parisian." "Ha ha.You're funny." Her lifeless laugh is one of her lesser attributes.What does Matt see in her? "No one special?" Matt smiles and glances at me through the rearview mirror. I'm not sure why,but I forgot that he has brown eyes.Why do they make some people look amazing and others completely average? It's the same with brown hair. Statistically speaking, St. Clair and Matt are quite similar. Eyes: Brown. Hair: Brown. Race: Caucasian. There's a significant difference in height,but still. It's like comparing a gourmet truffle to a Mr. Goodbar. I think about the gourmet truffle. And his girlfriend. "Not exactly.

But what are we going to do?" Colonel Cathcart exclaimed with distress. "The others are all waiting outside." "Why don't we give him a medal?" Colonel Korn proposed. "For going around twice? What can we give him a medal for?" "For goung around twice," Colonel Korn answered with a reflective, self-satisfied smile. "After all, I suppose it did take a lot of courage to go over the target a second time with no other planes around to divert the antiaircraft fire. And he did hit the bridge. You know, that might be the answer—to act boastfully about something we ought to be ashamed of. That's a trick that never seems to fail.

I reach out and squeeze her hand, and remember everything we’ve lived through together. The normal things we endured as we grew from girls to women. The days in school where boys would line us up in order of our fuckability. The parties where it was normal to lie on top of a semi-conscious girl, do things to her, then call her a slut afterwards. A Christmas number-one song about a pregnant woman being stuffed into the boot of a car and driven off a bridge. Laughing when your male friends made rape jokes. Opening a newspaper and seeing the breasts of a girl who had only just turned legal, dressed in school uniform to make her look underage. Of the childhood films we grew up on, and loved, and knew all the words to, where, at the end, a girl would always get chosen for looking the prettiest compared to all the others. Reading magazines that told you to mirror men’s body language, and hum on their dick when you went down on them, that turned into books about how to get them to commit by not being yourself. Of size zero, and Atkins, and Five-Two, and cabbage soup, and juice cleanses and eat clean. Of pole-dancing lessons as a great way to get fit, and actually, if you want to be really cool, come to the actual strip club too. Of being sexually assaulted when you kissed someone on a dance floor and not thinking about it properly until you are twenty-seven and read a book about how maybe it was wrong. Of being jealous of your friend who got assaulted on the dance floor because why didn’t he pick you to assault? Boys not wanting to be with you unless you fuck them quickly. Boys not wanting to be with you because you fucked them too quickly. Being terrified to walk anywhere in the dark in case the worst thing happens to you, and so your male friend walks you home to keep you safe, and then comes into your bedroom and does the worst thing to you, and now, when you look him up online, he’s engaged to a woman who wears a feminist T-shirt and isn’t going to change her name when they get married. Of learning to have no pubic hair, and how liberating it is to pay thirty-five pounds a month to rip this from your body and lurch up in agony. Rings around famous women’s bodies saying ‘look at this cellulite’, oh, by the way, here is a twenty-quid cream so you don’t get

Danny’s Song” by Kenny Loggins “Reminder” by Mumford & Sons “Barton Hollow” by The Civil Wars “Like a Bridge Over Troubled Waters” by Simon and Garfunkel “I and Love and You” by The Avett Brothers “Make You Feel My Love” by Adele “Can’t Break Her Fall” by Matt Kearney  “Stillborn” by Black Label Society “Come On Get Higher” by Matt Nathanson “I Won’t Give Up” by Jason Mraz “This Girl” by City & Colour “My Funny Valentine” by Ella Fitzgerald “Dream a Little Dream of Me” by Ella Fitzgerald and Louis Armstrong “Stormy Blues” by Billie Holiday “I would be Sad” by The Avett Brothers “Hello, I’m Delaware” by City & Colour “99 Problems” by Hugo (originally written and performed by Jay-Z) “It’s Time” by Imagine Dragons “Let It Be Me” by Ray LaMontagne “Rocketship” by Guster “Don’t Drink The Water” by Dave Matthews Band “Blackbird” by The Beatles

You know, Micah, that first night, when I saw you on Bridge Street, I wanted to kill you. I wanted to cut your throat and watch your blood soak into the dirt. I wanted to wrap a strangle cord around your neck and throttle you while you kicked and messed yourself." "I'm shaking in my boots," Micah said, looking Han dead in the eyes. Han stood and took a step toward him. "I'm what's hiding in the side street when you walk home from The Four Horses," he said. "I'm the shadow in Greystone Alley when you go out to take a piss. I'm the foot pad in the corridor when you visit the girlie at Grievous Hall." Micah's eyes narrowed, his self-assurance wilting a bit. Han could tell he was going back over a hundred suspicious sights and sounds. "You've been following me?" "I can come and go from your room, any time I want," Han said. "I can tell you what you say when you talk in your sleep. I know what your down low girlie whispers in your ear." He laughed... Michah licked his lips. "Perhaps you take some kind of perverse pleasure in stalking me...

Well, I hate it. Boy, do I hate it,” I said. “But it isn’t just that. It’s everything. I hate living in New York and all. Taxicabs, and Madison Avenue buses, with the drivers and all always yelling at you to get out at the rear door, and being introduced to phony guys that call the Lunts angels, and going up and down in elevators when you just want to go outside, and guys fitting your pants all the time at Brooks, and people always—” “Don’t shout, please,” old Sally said. Which was very funny, because I wasn’t even shouting. “Take cars,” I said. I said it in this very quiet voice. “Take most people, they’re crazy about cars. They worry if they get a little scratch on them, and they’re always talking about how many miles they get to a gallon, and if they get a brand-new car already they start thinking about trading it in for one that’s even newer. I don’t even like old cars. I mean they don’t even interest me. I’d rather have a goddam horse. A horse is at least human, for God’s sake. A horse you can at least—” “I don’t know what you’re even talking about,” old Sally said. “You jump from one—” “You know something?” I said. “You’re probably the only reason I’m in New York right now, or anywhere. If you weren’t around, I’d probably be someplace way the hell off. In the woods or some goddam place. You’re the only reason I’m around, practically.” “You’re sweet,” she said. But you could tell she wanted me to change the damn subject. “You ought to go to a boys’ school sometime. Try it sometime,” I said. “It’s full of phonies, and all you do is study so that you can learn enough to be smart enough to be able to buy a goddam Cadillac some day, and you have to keep making believe you give a damn if the football team loses, and all you do is talk about girls and liquor and sex all day, and everybody sticks together in these dirty little goddam cliques. The guys that are on the basketball team stick together, the Catholics stick together, the goddam intellectuals stick together, the guys that play bridge stick together. Even the guys that belong to the goddam Book-of-the-Month Club stick together. If you try to have a little intelligent—” “Now, listen,” old Sally said. “Lots of boys get more out of school than that.” “I agree! I agree they do, some of them! But that’s all I get out of it. See? That’s my point. That’s exactly my goddam point,” I said. “I don’t get hardly anything out of anything. I’m in bad shape. I’m in lousy shape.” “You certainly are.

You sound off,” he said. “Why are you whispering? I thought you and Ana were having dinner together.” I bit my lip. “It’s kind of a funny story, but you have to promise not to yell.” “Why would a funny story make me yell?” he asked warily. “Well,” I drawled. “I was on my way to meet up with Ana, and there was this truck parked in an alley that didn’t look right. So, I left my bike on the street and went to check it out.” “Jordan.” I didn’t need to see him to know he was pinching the bridge of his nose, something he’d been doing a lot in the last few months. “Don’t worry. They didn’t see me.” His tone sharpened. “Who didn’t see you?” “The Gulaks. They were too busy loading the girls into the back.” I paused as the truck slowed going around a curve. “I slipped on without them having a clue I was there.” He swore. “Do not tell me you climbed into a truck with a bunch of Gulak slavers.” I scoffed softly. “Of course not. Give me some credit. I’m on the roof of the truck.” He growled something, and I heard another male laughing. It sounded like Mario, one of the warriors we were working with on this job, along with his mate, Ana. We’d been in Panama for two weeks, at the request of the government, to locate and shut down a human trafficking ring. But this one was a lot more sophisticated than any other Gulak operation we’d encountered, and they’d managed to evade us completely. Until now. “This is not a funny story,” he said in an exasperated voice.

God speaks to us, I would say, much more often than we realize or than we choose to realize. Before the sun sets every evening, he speaks to each of us in an intensely personal and unmistakable way. His message is not written out in starlight, which in the long run would make no difference; rather it is written out for each of us in the humdrum, helter-skelter events of each day; it is a message that in the long run might just make all the difference. Who knows what he will say to me today or to you today or into the midst of what kind of unlikely moment he will choose to say it. Not knowing is what makes today a holy mystery as every day is a holy mystery. But I believe that there are some things that by and large God is always saying to each of us. Each of us, for instance, carries around inside himself, I believe, a certain emptiness—a sense that something is missing, a restlessness, the deep feeling that somehow all is not right inside his skin. Psychologists sometimes call it anxiety, theologians sometimes call it estrangement, but whatever you call it, I doubt that there are many who do not recognize the experience itself, especially no one of our age, which has been variously termed the age of anxiety, the lost generation, the beat generation, the lonely crowd. Part of the inner world of everyone is this sense of emptiness, unease, incompleteness, and I believe that this in itself is a word from God, that this is the sound that God’s voice makes in a world that has explained him away. In such a world, I suspect that maybe God speaks to us most clearly through his silence, his absence, so that we know him best through our missing him. But he also speaks to us about ourselves, about what he wants us to do and what he wants us to become; and this is the area where I believe that we know so much more about him than we admit even to ourselves, where people hear God speak even if they do not believe in him. A face comes toward us down the street. Do we raise our eyes or do we keep them lowered, passing by in silence? Somebody says something about somebody else, and what he says happens to be not only cruel but also funny, and everybody laughs. Do we laugh too, or do we speak the truth? When a friend has hurt us, do we take pleasure in hating him, because hate has its pleasures as well as love, or do we try to build back some flimsy little bridge? Sometimes when we are alone, thoughts come swarming into our heads like bees—some of them destructive, ugly, self-defeating thoughts, some of them creative and glad. Which thoughts do we choose to think then, as much as we have the choice? Will we be brave today or a coward today? Not in some big way probably but in some little foolish way, yet brave still. Will we be honest today or a liar? Just some little pint-sized honesty, but honest still. Will we be a friend or cold as ice today? All the absurd little meetings, decisions, inner skirmishes that go to make up our days. It all adds up to very little, and yet it all adds up to very much. Our days are full of nonsense, and yet not, because it is precisely into the nonsense of our days that God speaks to us words of great significance—not words that are written in the stars but words that are written into the raw stuff and nonsense of our days, which are not nonsense just because God speaks into the midst of them. And the words that he says, to each of us differently, are be brave…be merciful…feed my lambs…press on toward the goal.

She’s smart, but it’s not just that she’s smart. She works harder than anyone I know, yet she’s too hard on herself. Everyone likes Mia. From the geeks to the jocks to the stoners, every single group of kids in our class has nothing but the best to say about her because she never judges. She’s not petty like other people. She doesn’t gossip, but instead, she gives people the benefit of the doubt. I’ve seen her put others first, one too many times because she hates confrontation. Unless it’s with me, of course, and then she’s brutal.” Carson’s voice grew soft as he turned me around in his arms to face him. “But she puts too much pressure on herself to be perfect. And I hate that. It eats away at me when I see it.” My heart pounded like a drum in my chest until I thought it might burst. All I could do was stare up at him, my lashes fluttering as I blinked away my shock. He reached up to my hair and smoothed a hand through my locks, and for a moment, I wondered if he remembered we weren’t alone, that there was someone—a stranger—standing only feet away from us, but he just continued, dragging his fingers through the length of my locks as he said, “Her hair. . .it reminds me of the sunset—both orange, and fiery pink, and pale yellow at the same time. She’s a good friend—loyal to the core and trustworthy, the kind who will be on your side through anything. And her laugh. . .She has this laugh. The one where she doesn’t think someone’s funny, but she’s pretending anyway. That laugh doesn’t reach her eyes. But her real laugh, now that’s something to see because her whole face gets into it. It’s uncontrollable. It sounds like wind chimes, and she crinkles her nose and eyes.” Reaching up, he touched the bridge of my nose, making me gasp. “And every time I hear it, I think, I want to be the one to make her laugh like that because it’s impossible to hear and not smile. It pulls you in, that laugh.

Prologue In 1980, a year after my wife leapt to her death from the Silas Pearlman Bridge in Charleston, South Carolina, I moved to Italy to begin life anew, taking our small daughter with me. Our sweet Leah was not quite two when my wife, Shyla, stopped her car on the highest point of the bridge and looked over, for the last time, the city she loved so well. She had put on the emergency brake and opened the door of our car, then lifted herself up to the rail of the bridge with the delicacy and enigmatic grace that was always Shyla’s catlike gift. She was also quick-witted and funny, but she carried within her a dark side that she hid with bright allusions and an irony as finely wrought as lace. She had so mastered the strategies of camouflage that her own history had seemed a series of well-placed mirrors that kept her hidden from herself. It was nearly sunset and a tape of the Drifters’ Greatest Hits poured out of the car’s stereo. She had recently had our car serviced and the gasoline tank was full. She had paid all the bills and set up an appointment with Dr. Joseph for my teeth to be cleaned. Even in her final moments, her instincts tended toward the orderly and the functional. She had always prided herself in keeping her madness invisible and at bay; and when she could no longer fend off the voices that grew inside her, their evil set to chaos in a minor key, her breakdown enfolded upon her, like a tarpaulin pulled across that part of her brain where once there had been light. Having served her time in mental hospitals, exhausted the wide range of pharmaceuticals, and submitted herself to the priestly rites of therapists of every theoretic persuasion, she was defenseless when the black music of her subconscious sounded its elegy for her time on earth. On the rail, all eyewitnesses agreed, Shyla hesitated and looked out toward the sea and shipping lanes that cut past Fort Sumter, trying to compose herself for the last action of her life. Her beauty had always been a disquieting thing about her and as the wind from the sea caught her black hair, lifting it like streamers behind her,

Real Quick" [Intro:] Valuable lesson, man I had to grow up That's why I never ask for help I'll do it for you niggaz and do it for myself [Chorus:] I go 0 to 100 nigga, real quick Real quick, whole squad on that real shit 0 to 100 nigga, real quick Real quick, real fuckin quick nigga 0 to 100 nigga, real quick Real quick, whole squad on that real shit 0 to 100 nigga, real quick Real quick, real fuckin quick nigga! [50 Cent:] I'll run my blade 'cross a nigga ass {"real quick"} I'm so for real I'm on some real real nigga shit You playin boy I'll get you hit {"real quick"} You better hope the parademics come {"real quick"} Got me fucked up you think it's different now a nigga rich Before I get to cuttin know you niggaz better cut the shit Boy, you gon' have ya head popped, pull a trigger for me And my lil' niggaz trigger op' like it's legal homie No game when I bang, boy I empty the clip You run like a bitch, you ain't 'bout that shit Hey hey hey hey, I'll catch you another day day day day It's the Unit back to the bullshit [Tony Yayo:] Yeah! Nothin in life is out of bounds AK hold about a hundred rounds 60 shots like K.D. at the Rucker's Okay! When I see you on respirators Southside nigga 'til the day I'm gone Indulge in the violence when the drama on Yeah, these rap niggaz lukewarm I'm two sleeves of dope, when the mic on [Chorus] [Kidd Kidd:] Real quick, Rida Gang fuck nigga, huh! Don't Tweet me, see me when you see me Down to make the news just to say that I'm on TV (Kidd Kidd) This clip rated R, niggaz PG Them shells burn like a bootleg CD (huh?) Fuck love, I want the money When you get too much of it they gon' say you actin funny "Kidd, how you feel now that the Unit's back?" Like a million bucks, muh'fucker do the math! [Young Buck:] Cold-blooded, boy my heart don't feel shit Get with me, ask 50, I'll take the hit {"real quick"} Balenciagas, you can still get ya ass kicked Take a rapper nigga bitch and make a real flick I know I'm different from what you usually be dealin with Don't need a mic, give me some white to make a million with Single borough, six shots on the Brooklyn Bridge I'll let the nigga Drake tell you what I just did (yeah) [Chorus] [Lloyd Banks:] Nigga gettin money new to you (uh) I give a fuck if shit get ugly, there'll be a beautiful funeral You fit the script I'm gon' assume it's true Can't manuever through the street without a strategy, ain't nobody to tutor you And man was lucky Unit's through, you know why he flows 15 years, switchin dealers like casinos And my goon'll clip you on the arm (uhh) I'm out the country every week and dumpin ash out on the Autobahn Auto-pilot's always on Rather better livin, I've been [?] green bills callin me all day long This is homicide, more tears in your mama eyes More reason to wake up, real niggaz arrive [Chorus]

So Japan is allied with Germany and they’re like “Sweet the rest of the world already hates us let’s take their land!” So they start invading China and Malaysia and the Philippines and just whatever else but then they’re like “Hmm what if America tries to stop us? Ooh! Let’s surprise attack Hawaii!” So that’s exactly what they do. The attack is very successful but only in a strictly technical sense. To put it in perspective, let’s try a metaphor. Let’s say you’re having a barbecue but you don’t want to get stung by any bees so you find your local beehive and just go crazy on it with a baseball bat. Make sense? THEN YOU MUST BE JAPAN IN THE ’40s. WHO ELSE WOULD EVER DO THIS? So the U.S. swarms on Japan, obviously but that’s where our bee metaphor breaks down because while bees can sting you they cannot put you in concentration camps (or at least, I haven’t met any bees that can do that). Yeah, after that surprise attack on Pearl Harbor everybody on the West Coast is like “OMG WE’RE AT WAR WITH JAPAN AND THERE ARE JAPANESE DUDES LIVING ALLLL AROUND US.” I mean, they already banned Japanese immigration like a decade before but there are still Japanese dudes all over the coast and what’s more those Japanese dudes are living right next door to all the important aircraft factories and landing strips and shipyards and farmland and forests and bridges almost as if those types of things are EVERYWHERE and thus impossible not to live next door to. Whatever, it’s pretty suspicious. Now, at this point, nothing has been sabotaged and some people think that means they’re safe. But not military geniuses like Earl Warren who points out that the only reason there’s been no sabotage is that the Japanese are waiting for their moment and the fact that there has been no sabotage yet is ALL THE PROOF WE NEED to determine that sabotage is being planned. Frank Roosevelt hears this and he’s like “That’s some pretty shaky logic but I really don’t like Japanese people. Okay, go ahead.” So he passes an executive order that just says “Any enemy ex-patriots can be kicked out of any war zone I designate. P.S.: California, Oregon, and Washington are war zones have fun with that.” So they kick all the Japanese off the coast forcing them to sell everything they own but people are still not satisfied. They’re like “Those guys look funny! We can’t have funny-looking dudes roaming around this is wartime! We gotta lock ’em up.” And FDR is like “Okay, sure.” So they herd all the Japanese into big camps where they are concentrated in large numbers like a hundred and ten thousand people total and then the military is like “Okay, guys we will let you go if you fill out this loyalty questionnaire that says you love the United States and are totally down to be in our army” and some dudes are like “Sweet, free release!” but some dudes are like “Seriously? You just put me in jail for being Asian. This country is just one giant asshole and it’s squatting directly over my head.” And the military is like “Ooh, sorry to hear that buddy looks like you’re gonna stay here for the whole war. Meanwhile your friends get to go fight and die FOR FREEDOM.

And in the funny world that I lived in, that all of us lived in, pain was the bridge that we met on, and that was progress.

In a way, Trump’s mistreatment of the media had done Hillary a favor by freeing her of the decorum of a traditional campaign. But it also meant the reporters who spent their days trying to cover and explain Hillary to the American public never got to bridge, as one reporter who traveled with the first lady in the 1990s put it, the “disconnect between the kind of person you could convey or are in private and amongst us on these trips, so much sense of humor, very warm and engaging in what we see on television or in the news.” How could we communicate Hillary’s “funny, wicked, and wacky” side to voters if we never saw it for ourselves?

leaders.’ Nebe snorted and went back round his desk. ‘You’re going to have to watch your mouth, Bernie,’ he said, half-amused. ‘Get to the funny bit.’ ‘Well, it’s this. A number of recent reports, complaints if you like, made to Kripo by those related to institutionalized people leads me to suspect that some sort of mercy-killing is already being unofficially practised.’ I leant forward and grasped the bridge of my nose. ‘Do you ever get headaches? I get headaches. It’s smell that really sets them off. Paint smells pretty bad. So does formaldehyde in the mortuary. But the worst are those rotten pissing places you get where the dozers and rum-sweats sleep rough. That’s a smell I can recall in my worst nightmares. You know, Arthur, I thought I knew every bad smell there was in this city. But that’s last month’s shit fried with last year’s eggs.’ Nebe pulled open a drawer and took out a bottle and two glasses. He said nothing as he poured a couple of large ones. I threw it back and waited for the fiery spirit to seek out what was left of my heart and stomach. I nodded and let him pour me another. I said: ‘Just when you thought that things couldn’t get any worse, you find out that they’ve always been a lot worse than you thought they were. And then they get worse.’ I drained the second glass and then surveyed its empty shape. ‘Thanks for telling me straight, Arthur.’ I dragged myself to my feet. ‘And thanks for the warmer.’ ‘Please keep me informed about your suspect,’ he said. ‘You might consider letting a couple of your men work a friend-and-foe shift on him. No rough stuff, just a bit of the old-fashioned psychological pressure. You know the sort of thing I mean. Incidentally, how are you getting on with your team? Everything working out there? No resentments, or anything like that?’ I could have sat down again and given him a list of

It’s the big new bridge,” said Serge. “Takes you right across Lake What-the-Fuck.” “Is that another real name?” “No,” said Serge. “That’s what I call it. It’s really named Lake Surprise. But surprise is usually something good that provides delight, like winning the lottery or reaching in the back of the fridge and finding an unexpected jar of olives. But this lake got its name because it pissed people off.” “How’d it do that?” “Another funny story. When Henry Flagler started the Overseas Railroad down the Keys, he looked for the route with the most land, because bridges over water cost more. So he sent out surveyors, and they began laying tracks south from the mainland of Florida, across some little islands and an isthmus to Key Largo. And I can’t believe they built that far before realizing that right in the middle of a big chunk of land was this giant lake, and now they have to build an extra bridge that wasn’t in the budget.

Quill pinched the bridge of his nose, wishing Ivy would stop using the word "nude.

Real Quick [Intro:] Valuable lesson, man I had to grow up That's why I never ask for help I'll do it for you niggaz and do it for myself [Chorus:] I go 0 to 100 nigga, real quick Real quick, whole squad on that real shit 0 to 100 nigga, real quick Real quick, real fuckin quick nigga 0 to 100 nigga, real quick Real quick, whole squad on that real shit 0 to 100 nigga, real quick Real quick, real fuckin quick nigga! [50 Cent:] I'll run my blade 'cross a nigga ass {"real quick"} I'm so for real I'm on some real real nigga shit You playin boy I'll get you hit {"real quick"} You better hope the parademics come {"real quick"} Got me fucked up you think it's different now a nigga rich Before I get to cuttin know you niggaz better cut the shit Boy, you gon' have ya head popped, pull a trigger for me And my lil' niggaz trigger op' like it's legal homie No game when I bang, boy I empty the clip You run like a bitch, you ain't 'bout that shit Hey hey hey hey, I'll catch you another day day day day It's the Unit back to the bullshit [Tony Yayo:] Yeah! Nothin in life is out of bounds AK hold about a hundred rounds 60 shots like K.D. at the Rucker's Okay! When I see you on respirators Southside nigga 'til the day I'm gone Indulge in the violence when the drama on Yeah, these rap niggaz lukewarm I'm two sleeves of dope, when the mic on [Chorus] [Kidd Kidd:] Real quick, Rida Gang fuck nigga, huh! Don't Tweet me, see me when you see me Down to make the news just to say that I'm on TV (Kidd Kidd) This clip rated R, niggaz PG Them shells burn like a bootleg CD (huh?) Fuck love, I want the money When you get too much of it they gon' say you actin funny "Kidd, how you feel now that the Unit's back?" Like a million bucks, muh'fucker do the math! [Young Buck:] Cold-blooded, boy my heart don't feel shit Get with me, ask 50, I'll take the hit {"real quick"} Balenciagas, you can still get ya ass kicked Take a rapper nigga bitch and make a real flick I know I'm different from what you usually be dealin with Don't need a mic, give me some white to make a million with Single borough, six shots on the Brooklyn Bridge I'll let the nigga Drake tell you what I just did (yeah) [Chorus] [Lloyd Banks:] Nigga gettin money new to you (uh) I give a fuck if shit get ugly, there'll be a beautiful funeral You fit the script I'm gon' assume it's true Can't manuever through the street without a strategy, ain't nobody to tutor you And man was lucky Unit's through, you know why he flows 15 years, switchin dealers like casinos And my goon'll clip you on the arm (uhh) I'm out the country every week and dumpin ash out on the Autobahn Auto-pilot's always on Rather better livin, I've been [?] green bills callin me all day long This is homicide, more tears in your mama eyes More reason to wake up, real niggaz arrive [Chorus]

Arleigh said Rez was back at his own hotel now, but that he’d come later to spend some time with her and thank her for all she’d done. That made Chia feel strange. Now she’d seen him in real life, somehow that had taken over from all the other ways she’d known him before, and she felt kind of funny about him. Confused. Like all of this had pegged him in realtime for her, and she kept thinking of her mother complaining that Lo and Rez were nearly as old as she was. And

AM: You know [my mother] could read a novel in an afternoon. She was the fastest reader I’ve ever met in my life. Not only that she’d remember it for the rest of her life. JM: She was a very complicated woman. Very complex… AM: She had the energy of a dynamo. KM: she could sing, she could play the piano… JC: She could be quite flamboyant. AM: She used to dance on the table on New Year’s Eve. KM: … she could draw, she could… she was a helluva bridge player. JC: She was funny. JM: … very bitchy. KM: She had an attitude about most things. AM: Oh well, yeah [we kept kosher]… until she started making bacon. Loved bacon. JM: I think she tried to rule and divide the kids. JC: Yeah, you see I always consider myself the favourite. AM: Yeah, I think I was [the favourite]. … AM: See I would, for example if I didn’t want to go to school, I would start limping around. My mother immediately caught on and she said ‘You don’t want to have to go to school today, you’re limping.’ And we’d both go to some place and have oysters. RM: You said that she saw portents in a lot of things, she saw signs. AM: She saw… mysterious things in the air from time to time. She’d have feelings from people. She once sat up in bed in the middle of the night, she suddenly said ‘My mother died’. And indeed at that moment her mother had died. RM: How d’you think that translated into you though? AM: Well, I used to think that the way… that a play was not about what was spoken but what was between the spoken lines. That the world is essentially is not what we call real. And these arts are attempting to approach that world. And it all comes from my mother. Y’know, its always coming from somewhere. She was that way. She idiolised artists, pianists, writers and so on. My father had no knowledge of any of that.

[The bridge] looked more like a fishing pier that had got ideas above its station and crossed the river in a fit of exuberance.

In 1984, I had another conversation that had underscored this point to me. Herb Okun, the deputy US ambassador to the UN, had come to his post after serving as US ambassador to communist East Germany. “What’s it like there, Herb?” I had asked him. “Oh, nothing much,” Herb answered. “They live in dilapidated housing, drive funny little Trabants, drink vodka all day while watching eight hours of West German television.” “What!” I asked in disbelief. “What did you just say?” “They watch eight hours of West German television every day and then drink themselves to sleep,” he repeated. “You mean to tell me that watching eight hours a day of West German television doesn’t have any effect on them?” I asked incredulously. “None that I can see,” Okun answered. “Herb,” I said, “that can’t be. It’s just a question of time until the cracks will appear.” The conversation made me recall an engineering course I took at MIT. We loaded a small model bridge with steadily increasing loads and photographed the process. The bridge held fine, until it suddenly collapsed. Yet upon closer examination of the film we could see tiny cracks propagating in the structure well before the fall.

I have loved her for eight hundred years.” Ilyan continued, his eyes digging into me in confidence and commitment, “I have loved her since the sight was first given that showed her to me, since the first time our magic bridged the gap of time and let me hold her in my arms. Her. Her laugh, her smile, her wit. I love the way her eyes sparkle when she plans a trick and the way she laughs to herself when she thinks of something funny. I love the way she sleeps curled into herself. I love her. And, because I love her, I would give her the choice.

You think about having sex with me while you murder people?” I clarified as we returned to the market. The Baroness shrugged. “Between tasks, yes. I spent over an hour stalking a young lord around Serin, so I had little else to think about.” “I see,” I muttered. “And what happened?” “You pinned me on my knees like the first time you fucked me at the Oculus, and every time I moaned for more, you choked me a little tighter. It was fantastic.” My eyebrows shot up as I quickly glanced around. “Okay, I meant what happened after you stalked the lord, but good to know I need to choke you more often.” “Oh,” the Baroness chuckled. “I killed him, of course. The poor man took an unexpected fall into the canal, and it didn’t seem to matter how much I prodded him with a post, he just stayed beneath the surface until there was nothing to be done.” “Fucking hell,” I snorted a I steered us to a less crowded part of the lane. “What did he do to deserve that?” “I don’t know, I didn’t listen to the man who paid me to do it,” Nulena sighed. “I was too annoyed during our meeting because he kept staring at my breasts every three seconds. So, I decided to go back and kill him once I finished with the lord. He certainly wasn’t staring at my breasts after I gouged his eyes out with a broken ink bottle and shoved a letter opener through his neck.” I took a steadying breath while I tried not to envision any of this. “Well, I’m glad you had a nice time at work.” “I did,” Nulena purred as she sent me a glittering smile. “Not the most satisfying endeavors, but I’m making do with what I have. The best part is the ink bottle man owned seven of the markets in Serin, and no one will find where I hung his body for at least three days. Shipments will be missed, wages will be disrupted, and we can only hope lives are lost over an inheritance battle. The filthy swine had eleven children. Can you believe the gall of him? I did find a moment to steal several nice things for Deya from a line of carriages at the castle, though, and only two footmen died in the process.” “That’s sweet,” I chuckled. “Out of curiosity, where did you hang the ink man’s body?” Nulena sent me a devious grin as we crossed my bridge. “At the sacred garden of the gods, of course. Right above the ceremonial altar.” “Nulena,” I groaned. “Come on, it’s funny!” the Baroness laughed. “The next ritual gathering is in three days, and thanks to me, it will be supremely uncomfortable.” “Alright, but don’t be surprised if the gods end up smiting you for this one,” I mumbled

I was going to complain about the noise," Lisa Livia said, still looking fragile but much better than she had before, "but now I'm just impressed. Leave it to the army to mechanize an erection." "Laugh now, funny girl," Shane said. "That's gonna be a bridge in about a minute." "And that bridge can hold over sixty tons," Carpenter said. "So it's a strong erection," Lisa Livia said, looking at Carpenter. "Oh, yes," Carpenter said, standing more erect himself.

Then another ISIS fighter stopped me on the street one day. He said, “You can’t look like that here.” He was from Belgium. To me it was funny. You come here and are going to tell me what to wear? He said, “This is Islamland.” I said, “No, this is Syria.

His face had gotten so fat his eyes were little bloodshot dots of mistrust.

Hotel rooms have an aphrodisiac quality.

I dropped the bomb. "I'm a PI." Colin burst out laughing and when my silence said it all, he choked out. "Oh! Shit! You're serious?" I pinched the bridge of my nose, counted like I always when I was stressed, and said, "Yes. Dead serious. His wife is having him investigated and i'm meeting with her in a few hours and I have no dirt on him! I need more info than what I currently have, which is that he hates cats and danced like the Beebs!" "The man has hips." "Right!?" "Your lack of focus is extremely disappointing. He can dance. So what?" Colin sounded like he was yawning.

Who hasn’t thought about killing themselves, as a kid? How can you grow up in this world and not think about it? It’s an option taken by a lot of successful people: Ernest Hemingway, Socrates, Jesus. Even before high school, I thought that it would be a cool thing to do if I ever got really famous. If I kept making my maps, for instance, and some art collector came across them and decided to make them worth hundreds of thousands of dollars, if I killed myself at the height of that, they’d be worth millions of dollars, and I wouldn’t be responsible for them anymore. I’d have left behind something that spoke for itself, like the Brooklyn Bridge.

I remember. A gunship’s crew laughing before mowing down reporters and civilians - in short bursts. A truck crossing a shadowy bridge, seconds before it explodes along with those inside the pressroom, as the general declares the driver “the luckiest man in Bagdad.” Our military - using attack helicopters and night scopes – to spray bullets at fleeing soldiers, like roaches running from a giant can of Raid. The pressroom laughs again. It’s not funny and there lies the rub.

Some days, I’m still sixteen and burning bridges. I’ve seen a lot of war zones in these past few months, between the edges of your razorblade teeth. I’m waking up to nightmares of still being in love with you, then finding out I wasn’t dreaming at all – I stayed up all last night writing about how I’m over you. It’s funny how my way of being over you is thinking about you every goddamn day. Going through our old letters this morning, I realized “over” shares three letters with “love,” and I blamed the dictionary for still missing you. See, you always had my heart in your clenched fist – I’ve never been fond of your crash-and-burn kind of love, six months of sweet-talking wedding bells and words that sound a lot like forever, then sudden ice ages and statue days. I didn’t know goodbye could be so bitter until you weren’t the one to say it, and I was leaving you for the hope of someone who might actually love me back again. Now I’m hopping trains, running away from the thought of you kissing someone else, and I’ve ended up choking on my splintered blood. They couldn’t love you like I did, could they? Not with the warm bodies and soft words, not with my name smeared across your belly in light lilac bruises. There are days when I’m breaking down your door and stealing back all my love-stained clothing, pressing razorblades into the walls to remind you that there are ways to bleed on the inside and that’s exactly what you did to me There are days when I’m still sixteen and burning bridges.

Bad things can be funny like breaking a leg for good luck. Problem is that for everyone laughing there is still someone who didn't get it.

She frowned at him and rubbed the bridge of her nose. “You’re pretty damned stubborn, aren’t you?” He thought that was evident and not worth answering, so he just let himself disappear into her eyes. She had beautiful eyes. He loved how liquid and soft they were. She started to move away and he caught her arm. “Don’t go.” “I don’t like people touching me.” He should have let go of her, but instead he rubbed the pads of his fingers up and down her bare arm. Her shirt was still half buttoned, and he was tempted to stroke her flat belly just to know the texture of her. “I don’t like it either,” he said. And it was true. Funny. He’d never admitted that to anyone. It didn’t particularly matter, he did what had to be done, but he didn’t like it— maybe not in the same way she meant. His was a matter of personal space, a natural avoidance of closeness with others. But Rikki . . . He studied her face. “I don’t think my touch bothers you that much.” She blinked. She rarely blinked, but he’d struck home. She compressed her lips and then narrowed her eyes at him. “You’re pretty arrogant for a man who can’t move with a pile of weapons sitting next to him.” “You have such a penchant for violence.” She looked outraged. “I do? You’re the one being hostile. I’m Mother Teresa here. And I don’t like sick people.” “Do you like anyone?” Amusement was creeping in again. He was beginning to like the feeling. “Anything?” “Not particularly.

Santa Got Drunk Drinking My Eggnog (Verse 1) Santa got drunk drinking my eggnog, He stumbled and fumbled, tripped over the dog. His cheeks were all rosy, his nose like a log, Oh, Santa got drunk drinking my eggnog. (Chorus) Ho ho ho, what a sight to see, Santa Claus tipsy as can be. Ho ho ho, what a holiday spree, Santa got drunk drinking my eggnog, whee! (Verse 2) He tried to climb the chimney, but got stuck halfway, With a hiccup and a giggle, he called it a day. The reindeer were laughing, the elves in dismay, Oh, Santa got drunk drinking my eggnog, hooray! (Chorus) Ho ho ho, what a sight to see, Santa Claus tipsy as can be. Ho ho ho, what a holiday spree, Santa got drunk drinking my eggnog, whee! (Bridge) He danced with the snowman, sang carols off-key, Knocked over the presents, oh what a spree! But we all had a laugh, it was jolly and free, Santa got drunk drinking my eggnog, yippee! (Chorus) Ho ho ho, what a sight to see, Santa Claus tipsy as can be. Ho ho ho, what a holiday spree, Santa got drunk drinking my eggnog, whee! (Outro) So next year I'll hide it, keep it out of sight, But for now, let's toast to a funny Christmas night. With Santa all rosy, and the stars shining bright, Santa got drunk drinking my eggnog, goodnight!

(Verse 1) Well, I built me a snowman, out in the yard, But the sun came out, and it hit him hard. So I brought him inside, to keep him cool, Now he’s chillin’ in the basement, like a frosty fool. (Chorus) He’s a snowman in the basement, sippin’ on ice tea, Watchin’ reruns of “Friends” on my old TV. He’s got a carrot nose and a smile so bright, But he’s meltin’ my heart, every day and night. (Verse 2) He’s got a cowboy hat and a flannel shirt, But he’s leavin’ puddles, all over the dirt. My dog thinks he’s funny, my cat’s in a huff, But this snowman’s got charm, and that’s enough. (Chorus) He’s a snowman in the basement, sippin’ on ice tea, Watchin’ reruns of “Friends” on my old TV. He’s got a carrot nose and a smile so bright, But he’s meltin’ my heart, every day and night. (Bridge) Neighbors think I’m crazy, but I don’t care, Got a snowman in the basement, and he’s always there. When the world gets tough, and I need a friend, I just head down to the basement, and chill with him again. (Chorus) He’s a snowman in the basement, sippin’ on ice tea, Watchin’ reruns of “Friends” on my old TV. He’s got a carrot nose and a smile so bright, But he’s meltin’ my heart, every day and night. (Outro) So if you’re feelin’ lonely, and need a laugh, Just build you a snowman, and take a bath. In the cool, cool basement, where the snowmen play, You’ll find a frosty friend, to brighten your day.