“
Aurelia was just about to take a sip of a mimosa when Mother Guardian snatched the flute away and promptly downed the drink in one gulp. Burping unashamedly, she said, "We can't have the validity of the marriage contracts jeopardized because the bride got rat-assed on her wedding day.
”
”
Therisa Peimer (Taming Flame)
“
Buttercup's mother whirled on him. 'Did you forget to pay your taxes?' (This was after taxes. But everything is after taxes. Taxes were here even before stew.)
”
”
William Goldman (The Princess Bride)
“
I must be overtired', Buttercup managed. 'The excitement and all.'
'Rest then', her mother cautioned. 'Terrible things can happen when you're overtired. I was overtired the night your father proposed.
”
”
William Goldman (The Princess Bride)
“
I asked her if I was black or white. She replied "You are a human being. Educate yourself or you'll be a nobody!
”
”
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
“
It was always so hot, and everyone was so polite, and everything was all surface but underneath it was like a bomb waiting to go off. I always felt that way about the South, that beneath the smiles and southern hospitality and politeness were a lot of guns and liquor and secrets.
”
”
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
“
Buttercup's mother hesitated, then put her stew spoon down. (This was after stew, but so is everything. When the first man first clambered from the slime and made his first home on land, what he had for supper that first night was stew.)
”
”
William Goldman (The Princess Bride)
“
Narcissists commonly cut people off and out of their lives due to their shallow emotional style of seeing others as either good or bad.
”
”
Karyl McBride (Will I Ever Be Good Enough? Healing the Daughters of Narcissistic Mothers)
“
Shanna was across the room with her new husband, chatting happily with Gregori's mother.
With a sly grin, Gregori motioned toward them. "Let's go congratulate Roman for taking five hundred years to find a bride.
”
”
Kerrelyn Sparks (Vamps and the City (Love at Stake, #2))
“
And when she at last came out, her eyes were dry. Her parents stared up from their silent breakfast at her. They both started to rise but she put a hand out, stopped them. ‘I can care for myself, please,’ and she set about getting some food. They watched her closely.
In point of fact, she had never looked as well. She had entered her room as just an impossibly lovely girl. The woman who emerged was a trifle thinner, a great deal wiser, and an ocean sadder. This one understood the nature of pain, and beneath the glory of her features, there was character, and a sure knowledge of suffering.
She was eighteen. She was the most beautiful woman in a hundred years. She didn’t seem to care.
‘You’re all right?’ her mother asked.
Buttercup sipped her cocoa. ‘Fine,’ she said.
‘You’re sure?’ her father wondered.
‘Yes,’ Buttercup replied. There was a very long pause. ‘But I must never love again.’
She never did.
”
”
William Goldman (The Princess Bride)
“
No, no, my good knight, do not fear for me. The fire is mine. I am Daenerys Stormborn, daughter of dragons, bride of dragons, mother of dragons, don't you see? Don't you SEE?
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
To my son,
If you are reading this letter, then I am dead.
I expect to die, if not today, then soon. I expect that Valentine will kill me. For all his talk of loving me, for all his desire for a right-hand man, he knows that I have doubts. And he is a man who cannot abide doubt.
I do not know how you will be brought up. I do not know what they will tell you about me. I do not even know who will give you this letter. I entrust it to Amatis, but I cannot see what the future holds. All I know is that this is my chance to give you an accounting of a man you may well hate.
There are three things you must know about me. The first is that I have been a coward. Throughout my life I have made the wrong decisions, because they were easy, because they were self-serving, because I was afraid.
At first I believed in Valentine’s cause. I turned from my family and to the Circle because I fancied myself better than Downworlders and the Clave and my suffocating parents. My anger against them was a tool Valentine bent to his will as he bent and changed so many of us. When he drove Lucian away I did not question it but gladly took his place for my own. When he demanded I leave Amatis, the woman I love, and marry Celine, a girl I did not know, I did as he asked, to my everlasting shame.
I cannot imagine what you might be thinking now, knowing that the girl I speak of was your mother. The second thing you must know is this. Do not blame Celine for any of this, whatever you do. It was not her fault, but mine. Your mother was an innocent from a family that brutalized her. She wanted only kindess, to feel safe and loved. And though my heart had been given already, I loved her, in my fashion, just as in my heart, I was faithful to Amatis. Non sum qualis eram bonae sub regno Cynarae. I wonder if you love Latin as I do, and poetry. I wonder who has taught you.
The third and hardest thing you must know is that I was prepared to hate you. The son of myslef and the child-bride I barely knew, you seemed to be the culmination of all the wrong decisions I had made, all the small compromises that led to my dissolution. Yet as you grew inside my mind, as you grew in the world, a blameless innocent, I began to realize that I did not hate you. It is the nature of parents to see their own image in their children, and it was myself I hated, not you.
For there is only one thing I wan from you, my son — one thing from you, and of you. I want you to be a better man than I was. Let no one else tell you who you are or should be. Love where you wish to. Believe as you wish to. Take freedom as your right.
I don’t ask that you save the world, my boy, my child, the only child I will ever have. I ask only that you be happy.
Stephen
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
. . . when a mother shares adult concerns with her daughter, a healthy dependence becomes impossible; the daughter feels insecure and alone because she has no parent on whom she can depend.
”
”
Karyl McBride (Will I Ever Be Good Enough? Healing the Daughters of Narcissistic Mothers)
“
My parents were nonmaterialistic. They believed that money without knowledge was worthless, that education tempered with religion was the way to climb out of poverty in America, and over the years they were proven right.
”
”
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
“
Sometimes being a supportive friend to her mother is the only way for the daughter to get positive strokes from Mom. The daughter may fall into the friend role willingly, not even realizing there is something terribly wrong with the arrangement until much later in life.
”
”
Karyl McBride (Will I Ever Be Good Enough? Healing the Daughters of Narcissistic Mothers)
“
I am thinking about the way that life can be so slippery; the way that a twelve-year-old girl looking into the mirror to count freckles reaches out toward herself and that reflection has turned into that of a woman on her wedding day, righting her veil. And how, when that bride blinks, she reopens her eyes to see a frazzled young mother trying to get lipstick on straight for the parent/teacher conference that starts in three minutes. And how after that young woman bends down to retrieve the wild-haired doll her daughter has left on the bathroom floor, she rises up to a forty-seven-year-old, looking into the mirror to count age spots.
”
”
Elizabeth Berg (What We Keep)
“
Sometimes it seemed like the truth was a bandy-legged soul who dashed from one side of the world to the other and I could never find him.
”
”
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
“
Begin to assess your own parenting. Acknowledging the painful reality that it is impossible to be a child of a narcissist and not be somewhat impaired narcissistically. Anyone raised this way has probably acquired a few traits of narcissism.
”
”
Karyl McBride (Will I Ever Be Good Enough? Healing the Daughters of Narcissistic Mothers)
“
Her mother was my wife," the Count roared, loudest of all. "You pathetic excuse for am money-grubbing fool, you disgrace to the face of the world." And with a shriek of disgust he turned and was gone.
Guilietta was beside Inigo then, so excited. "Daddy likes you," she said.
”
”
William Goldman (The Princess Bride)
“
This sad, extreme example is more common than you might think. I have known daughters who felt tremendous relief when their narcissistic mothers passed away. They feel delivered out from under a huge burden, but guilty about admitting it.
”
”
Karyl McBride (Will I Ever Be Good Enough? Healing the Daughters of Narcissistic Mothers)
“
you are
as fleetingly beautiful
as a mother’s tears
and a father’s pranks
a brother’s bachelorhood
and a best friend’s bad mood
a bride’s glittering jitters
and a handsome stranger’s smile.
”
”
Sanober Khan (Turquoise Silence)
“
Oh, I can see it happening, age after age, and growing worse the more you reveal your beauty: the son turning his back on the mother and the bride on her groom, stolen away by this everlasting calling, calling, calling of the gods. Taken where we can't follow. It would be far better for us if you were foul and ravening. We'd rather you drank their blood than stole their hearts. We'd rather they were ours and dead than yours and made immortal.
”
”
C.S. Lewis (Till We Have Faces)
“
It is not easy to find happiness in ourselves, and it is not possible to find it elsewhere. —Agnes Repplier, The Treasure Chest
”
”
Karyl McBride (Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers)
“
Coming forward with a placating smile, Win handed him a piece of paper. "Of course we would never want to force you into a loveless marriage, dear. But we have put together a list of prospective brides, all of them lovely girls. Won't you take a glance and see if any of them appeals to you?"
Deciding to humor her, Leo looked down at the list. "Marietta Newbury?"
"Yes," Amelia said. "What's wrong with her?"
"I don't like her teeth."
"What about Isabella Charrington?"
"I don't like her mother."
"Lady Blossom Tremaine?"
"I don't like her name."
"Oh, for heaven's sake, Leo, that's not her fault."
"I don't care. I can't have a wife named Blossom. Every night I would feel as if I were calling in one of the cows." Leo lifted his gaze heavenward. "I might as well marry the first woman off the street. Why, I'd be better off with Marks."
Everyone was silent.
”
”
Lisa Kleypas (Married by Morning (The Hathaways, #4))
“
Daughters of narcissistic mothers absorb the message “I am valued for what I do, rather than for who I am.
”
”
Karyl McBride (Will I Ever Be Good Enough? Healing the Daughters of Narcissistic Mothers)
“
The greatest gift that anyone can give anyone is LIFE. And the greatest sin a person can do is to take away that life. NEXT to that, all rules and religions in the worldare secondary, mere words and beliefs that people CHOOSE to believe and KILL and HATE by.
”
”
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
“
One sister may internalize the message and say, “Okay, I will show you what I can do and how worthy I am” and become an overachiever and a perfectionist. The other sister may internalize this message of inferiority and give up, feeling that she can’t make the grade anyway; she becomes an underachiever or engages in some kind of lifelong self-sabotage.
”
”
Karyl McBride (Will I Ever Be Good Enough? Healing the Daughters of Narcissistic Mothers)
“
When children can’t rely on their parents to meet their needs, they cannot develop a sense of safety, trust, or confidence. Trust is a colossal development issue. Without the learning of trust in our early years, we are set up to have a major handicap with believing in ourselves and feeling safe in intimate connections.
”
”
Karyl McBride (Will I Ever Be Good Enough? Healing the Daughters of Narcissistic Mothers)
“
The man was the finest preacher. He could make a frog stand up straight and get happy with Jesus.
”
”
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
“
My mother used to say that rain here pours like a blessing, like a thick veil that parts to reveal the bride's face. But nearly every day, when this rain parted, it revealed a long line of soldiers, like you, like death, marching toward us, and we would scatter with a practiced silence and hide.
”
”
Mia Kirshner (I Live Here)
“
The cycle is broken.
”
”
Karyl McBride (Will I Ever Be Good Enough? Healing the Daughters of Narcissistic Mothers)
“
She tries her hardest to make a genuine connection with Mom, but fails, and thinks that the problem of rarely being able to please her mother lies within herself.
”
”
Karyl McBride (Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers)
“
A narcissistic mother sees her daughter, more than her son, as a reflection and extension of herself rather than as a separate person with her own identity. She puts pressure on her daughter to act and react to the world and her surroundings in the exact manner that Mom would, rather than in a way that feels right for the daughter. Thus, the daughter is always scrambling to find the “right” way to respond to
”
”
Karyl McBride (Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers)
“
That is the true bride!" The step-mother and the two sisters were terrified and became pale with rage; he, however, took Cinderella on his horse and rode away with her.
”
”
Jacob Grimm (Household Tales by the Brothers Grimm)
“
You could see him coming from a distance, appearing out of nowhere like an angel, his silhouette seeming to rise from the ground in the simmering heat . . .
”
”
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
“
I was ashamed of my mother, but see, love didn't come natural to me until I became a Christian.- Ruth McBride
”
”
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
“
Donut: PREPOTENTE DON’T BE MEAN TO KATIA. Rezan: Why does that cat always type in all caps? Donut: WHY DIDN’T YOUR MOTHER DRIBBLE YOU BACK OUT ONTO THE TRUCK STOP BATHROOM FLOOR, REZAN?
”
”
Matt Dinniman (The Eye of the Bedlam Bride (Dungeon Crawler Carl, #6))
“
Are we going where I think we are?” he asked.
“Hell, yeah,” I told him, turning the key in the ignition. I steered the car toward the highway that would take us to my mother’s house. “And I hope she’s got a few good answers.”
“I hope,” Ramon said, “that she’s made cookies.”
I glared at him.
“Don’t look at me like that. If we were going to interrogate my poor mother for whatever, you’d be secretly hoping she’d made you tamales. I’m just honest enough to admit it.
”
”
Lish McBride (Hold Me Closer, Necromancer (Necromancer, #1))
“
Sometimes without conscious realization, our thoughts, our faith, out interests are entered into the past. We talk about other times, other places, other persons, and lose our living hold on the present. Sometimes we think if we could just go back in time we would be happy. But anyone who attempts to reenter the past is sure to be disappointed. Anyone who has ever revisited the place of his birth after years of absence is shocked by the differences between the way the place actually is, and the way he has remembered it. He may walk along old familiar streets and roads, but he is a stranger in a strange land. He has thought of this place as home, but he finds he is no longer here even in spirit. He has gone onto a new and different life, and in thinking longingly of the past, he has been giving thought and interest to something that no longer really exists.
”
”
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
“
...but all your 'sorrys' are gone when a person dies... That's why you have to say all your 'sorrys' and 'I love yous' while a person is living, because tomorrow isn't promised.
”
”
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
“
My mother had never openly protested my relationship with Sydney. Really, there’d been no chance. I’d simply shown up at Court with a bride in tow, and no one had been able to put asunder those whom the state of Nevada had brought together.
”
”
Richelle Mead (The Ruby Circle (Bloodlines, #6))
“
If you are one of earth’s inhabitants, how blest your father, and your gentle mother, blest all your kin. I know what happiness must send the warm tears to their eyes, each time they see their wondrous child go to the dancing! But one man’s destiny is more than blest—he who prevails, and takes you as his bride. Never have I laid eyes on equal beauty in man or woman. I am hushed indeed.
”
”
Homer (The Odyssey)
“
Self-trust, self-love, and self-knowledge can be taught to a daughter only by a mother who possesses those qualities herself.
”
”
Karyl McBride (Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers)
“
this envy was very real, particularly if you can recall specific comments, criticisms, and judgments your mother made about you or about things you did.
”
”
Karyl McBride (Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers)
“
As children, we had to deny that our mothers were incapable of love and empathy so we could survive. A child yearns for love above all else, and we needed the denial to keep growing and surviving.
”
”
Karyl McBride (Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers)
“
...since I was a little boy, she had always wanted me to go. She was always sending me off on a bus someplace, to elementary school, to camp, to relatives in Kentucky, to college. She pushed me away from her just as she'd pushed my elder siblings away when we lived in New York, literally shoving them out the front door when they left for college.
”
”
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
“
Maria was married on Saturday. In all important preparations of mind she was complete, being prepared for matrimony by a hatred of home, by the misery of disappointed affection, and contempt of the man she was to marry. The bride was elegantly dressed and the two bridesmaids were duly inferior. Her mother stood with salts, expecting to be agitated, and her aunt tried to cry. Marriage is indeed a maneuvering business.
”
”
Jane Austen (Mansfield Park)
“
I follow her progress, terrified, wondering if this is motherhood: anxiously picturing your child with her skull cracked open.
”
”
Ali Hazelwood (Bride (Bride, #1))
“
Are there some things we need to discuss or work on together?" "Do you have pain from your childhood?" "Is there anything we can do about it now?" "Can we heal together?
”
”
Karyl McBride (Will I Ever Be Good Enough? Healing the Daughters of Narcissistic Mothers)
“
The engulfing mother tries to dominate and control every aspect of her daughter’s life.
”
”
Karyl McBride (Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers)
“
But while she weebled and wobbled and leaned, she did not fall. She responded with speed and motion" (163).
”
”
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
“
It was a very proper wedding. The bride was elegantly dressed---the two bridemaids were duly inferior---her father gave her away---her mother stood with salts in her hand expecting to be agitated---her aunt tried to cry--- and the service was impressively read by Dr. Grant.
”
”
Jane Austen (Mansfield Park)
“
When at last they pulled off the veil, they say my mother smiled. That is how they knew she was quite stupid. Brides did not smile.
”
”
Madeline Miller (The Song of Achilles)
“
The bride's getting ready to toss her bouquet, so get me up there! Mom said the day after she turned 96.
”
”
June Shaw
“
She never spoke about Jewish people as white. She spoke about them as Jews, which made them somehow different.
”
”
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
“
Most narcissists lack the capacity to give significant, authentic love and empathy, and you have no choice but to deal with this reality. Accepting that your own mother has this limited capacity is the first step. Let go of the expectation that it will ever be different.
”
”
Karyl McBride (Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers)
“
It’s not just in some of us; it’s in everyone. And as we let our own light shine, we unconsciously give other people permission to do the same. As we are liberated from our own fear, our presence automatically liberates others.
”
”
Karyl McBride (Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers)
“
Healthy self-care means finding fulfillment so that you have energy, love, and empathy for others. Finding the middle ground means realizing that it is not an either-or situation—you are neither full of self nor drained of self.
”
”
Karyl McBride (Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers)
“
Old Spice
Every Sunday afternoon he dresses in his old army uniform,
tells you the name of every man he killed.
His knuckles are unmarked graves.
Visit him on a Tuesday and he will describe
the body of every woman he could not save.
He’ll say she looked like your mother
and you will feel a storm in your stomach.
Your grandfather is from another generation–
Russian degrees and a school yard Cuban national anthem,
communism and religion. Only music makes him cry now.
He married his first love, her with the long curls down
to the small of her back. Sometimes he would
pull her to him, those curls wrapped around his hand
like rope.
He lives alone now. Frail, a living memory
reclining in a seat, the room orbiting around him.
You visit him but never have anything to say.
When he was your age he was a man.
You retreat into yourself whenever he says your name.
Your mother’s father,
“the almost martyr,
can load a gun under water
in under four seconds.
Even his wedding night was a battlefield.
A Swiss knife, his young bride,
his sobs as he held Italian linen between her legs.
His face is a photograph left out in the sun,
the henna of his beard, the silver of his eyebrows
the wilted handkerchief, the kufi and the cane.
Your grandfather is dying.
He begs you Take me home yaqay,
I just want to see it one last time;
you don’t know how to tell him that it won’t be
anything like the way he left it.
”
”
Warsan Shire (Teaching My Mother How to Give Birth)
“
They were all growing so fast. In just a few short years they would be all young men and women...youth tiptoe...expectant...a-star with its sweet wild dreams...little ships sailing out of safe harbor to unknown ports. The boys would go away to their life work and the girls...ah, the mist-veiled forms of beautiful brides might be seen coming down the old stairs at Ingleside. But they would still be hers for a few years yet...hers to love and guide...to sing the songs that so many mothers had sung...Hers...and Gilbert's.
”
”
L.M. Montgomery (Anne of Ingleside (Anne of Green Gables, #6))
“
I know I'm a hard woman. I've made a few mistakes in my life. But I'm no worse than these other mothers out here who pray "Lord, let me child be wise and good" when they really mean "Let this child have more power and money than I have." I don't do that with my children. That's what our father did to us. He built things. The Jewish church, a lot of houses and buildings and things. He tried to build us, too. But he never finished. Maybe he wasn't building us the right way before he left this life. Maybe that's why we're like we are now.
”
”
James McBride (The Heaven & Earth Grocery Store)
“
When I was little, she had been a walking flame, but fire requires feeding and either my mother didn't know how to sustain herself or had stopped working at it. Over the years she starved and shrank until she was a matchstick, a short burst that quickly chewed down the wood and inspired no warmth.
”
”
Roshani Chokshi (The Last Tale of the Flower Bride)
“
No, she wanted to shout to him, no, my good knight, do not fear for me. The fire is mine. I am Daenerys Stormborn, daughter of dragons, bride of dragons, mother of dragons, don’t you see! Don’t you SEE?
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness that most frightens us. We ask ourselves, who am I to be brilliant, gorgeous, talented, fabulous? Actually, who are you not to be? You are a child of God. Your playing small does not serve the world. There is nothing enlightened about shrinking so that other people won’t feel insecure around you. We are all meant to shine, as children do. We were born to make manifest the glory of God that is within us. It’s not just in some of us; it’s in everyone. And as we let our own light shine, we unconsciously give other people permission to do the same. As we are liberated from our own fear, our presence automatically liberates others.
”
”
Karyl McBride (Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers)
“
Yes.” She sighed again, with even more drama, not that Gregory would have imagined it possible. “It is
all so romantic,” she added. “The bride, the groom…”
“Both are considered standard in the ceremony, I understand.”
His mother shot him a peevish look. “How could I have raised a son who is so unromantic?”
Gregory decided there could not possibly be an answer to that.
”
”
Julia Quinn (On the Way to the Wedding (Bridgertons, #8))
“
You remember the footprint
All that is forgotten you remember from eternity
You remember the footprint which filled with death
As the myrmidon approached.
You remember the child's trembling lips
As they had to learn their farewell to their mother.
You remember the mother's hands which scooped out a grave
For the child which had starved at her breast.
You remember the mindless words
That a bride spoke into the air to her dead bridegroom.
”
”
Nelly Sachs (Collected Poems I: (1944-1949) (Green Integer))
“
When wealth occupies a higher position than wisdom, when notoriety is admired more than dignity, when success is more important than self-respect, the culture itself overvalues "image" and must be regarded as narcissistic.
”
”
Karyl McBride (Will I Ever Be Good Enough? Healing the Daughters of Narcissistic Mothers)
“
Typically, the daughter of a narcissistic mother will choose a spouse who cannot meet her emotional needs. Even though our intuition will tell us in some way when something is not right for us, we tend to block it out if it isn’t saying what we want to hear. When the hope for love blossoms, we override the intuitive inner voice or gut feeling. Years of treating and interviewing daughters with maternal deprivation have shown me that we have a deep sense of intelligent intuition, but it seems to be accompanied by a special brand of “deafness.” In the desperate search for love that did not exist in her childhood, the daughter chooses not to pay attention to the red flags that may be waving. We do know. We just don’t listen. In
”
”
Karyl McBride (Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers)
“
Your playing small does not serve the world.
”
”
Karyl McBride (Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers)
“
To the very end, Mommy is a flying compilation of competing interests and conflicts, a black woman in white skin, with black children and a white woman's physical problem.
”
”
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
“
How odd, to have a mother, a father, a brother and frequent visitors, and yet still be lonely…I
”
”
Christi Caldwell (Forever Betrothed, Never the Bride (Scandalous Seasons, #1))
“
Very few troubles in life couldn’t be lessened by a nice smile—that was what her mother always said.
”
”
Jojo Moyes (The Ship of Brides)
“
I . . . I don’t think compassion is a matter of deserving, Mother Ulla.
”
”
Sylvia Mercedes (The Moonfire Bride (Of Candlelight and Shadows #1))
“
But you need your rotten heart
Your dazzling pain like diamond rings
You need to go to war to find material to sing
I am no mother, I am no bride, I am King
I need my golden crown of sorrow
My bloody sword to swing
My empty halls to echo with grand self-mythology
I am no mother, I am no bride, I am King
”
”
Florence Welch
“
My mother is bold in her caused,” George said. “We have never had a runaway slave come to our door, but I too would help him. My mother and I were forced to leave North Carolina when we freed our slaves. The anger our former neighbors and friends turned on us told us much. When a person does what is right, it stirs the rage of those who will not turn from doing the same evil.
”
”
Lyn Cote (Honor (Quaker Brides, #1))
“
In hindsight, I was such a fool to have assumed Qieluo would stand by me just because she’s also female.
It was my grandmother who crushed my feet in half.
It was my mother who encouraged me and Big Sister to offer ourselves up as concubines so our brother could afford a future bride.
It was always the village aunties who’d sit around gossiping about which girl hadn’t been married off yet, despite complaining nonstop about their own husbands. And then they’d congratulate new mothers for being “blessed” to have a boy, despite being female themselves.
”
”
Xiran Jay Zhao (Iron Widow (Iron Widow, #1))
“
Each one of us is imbued with a deep yearning to live our own life, not our mother’s. Yet the narcissistic mother puts pressure on her child to act and react to the world as she would. A child raised in this way makes decisions according to what she believes will win her mother’s love and approval. Accustomed to her mother thinking for her, the girl has difficulty later on creating an authentic, healthy adult life for herself.
”
”
Karyl McBride (Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers)
“
My siblings had already instilled the notion of black pride in me. I would have preferred that Mommy were black. Now, as a grown man, I feel privileged to have come from two worlds. My view of the world is not merely that of a black man but that of a black man with something of a Jewish soul. I don’t consider myself Jewish, but when I look at Holocaust photographs of Jewish women whose children have been wrenched from them by Nazi soldiers, the women look like my own mother and I think to myself, There but for the grace of God goes my own mother—and by extension, myself.
”
”
James McBride (The Color of Water)
“
Mom’s thrilled,” I say when I pick up, smiling wide. “She says you did good. She especially commends you for your choice in brides.”
“Speaking of my bride. She might want to consider working from home today.”
“Why?”
“We’ve got a couple of campers outside.”
“Press?”
“And their mothers and their pets.
”
”
Katy Evans (Ms. Manwhore (Manwhore, #2.5))
“
Do you think we mortals will find you gods easier to bear if you’re beautiful? I tell you that if that’s true we’ll find you a thousand times worse. For then (I know what beauty does) you’ll lure and entice. You’ll leave us nothing; nothing that’s worth our keeping or your taking. Those we love best—whoever’s most worth loving—those are the very ones you’ll pick out. Oh, I can see it happening, age after age, and growing worse and worse the more you reveal your beauty: the son turning his back on the mother and the bride on her groom, stolen away by this everlasting calling, calling, calling of the gods. Taken where we can’t follow. It would be far better for us if you were foul and ravening. We’d rather you drank their blood than stole their hearts. We’d rather they were ours and dead than yours and made immortal.
”
”
C.S. Lewis (Till We Have Faces: A Myth Retold)
“
So long as she is obedient to a mother—actual or internal—who unconsciously wishes to annihilate her, she is in a state of possession by the witch; she will have to differentiate herself out from that witch in order to live her own life.
”
”
Marion Woodman (Addiction to Perfection: The Still Unravished Bride: A Psychological Study)
“
her mother in order to win her love and approval. The daughter doesn’t realize that the behaviors that will please her mother are entirely arbitrary, determined only by her mother’s self-seeking concern. Most damaging is that a narcissistic mother never approves of her daughter simply for being herself, which the daughter desperately needs in order to grow into a confident woman. A daughter who doesn’t receive validation from her earliest relationship with her mother learns that she has no significance in the world and her efforts have no effect. She tries her hardest to make a genuine connection with Mom, but fails, and thinks that the problem of rarely being able to please her mother lies within herself. This teaches the daughter that she is unworthy of love. The daughter’s notion of mother-daughter love is warped; she feels she must “earn” a close connection by seeing to Mom’s needs and constantly doing what it takes to please her. Clearly, this isn’t the same as feeling loved. Daughters of narcissistic mothers sense that their picture of love is distorted, but they don’t know what the real picture would look like. This early, learned equation of love—pleasing another with no return for herself—has far-reaching, negative effects on a daughter’s future romantic relationships,
”
”
Karyl McBride (Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers)
“
you brought my sperm rising back, springing to light
fathers, brothers, sons—one murderous breed—
brides, wives, mothers.
”
”
Sophocles (The Three Theban Plays: Antigone; Oedipus the King; Oedipus at Colonus)
“
Since the court system operates on the basis of adversarial
”
”
Karyl McBride (Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers)
“
Honest but gentle communication from the beginning is key.
”
”
Cheryl Barker (Mother of the Bride: Refreshment and Wisdom for the Mother of the Bride)
“
Your mother's weak-minded. Hysterical. Always has been. I hope you're not.
”
”
Margaret Atwood (The Robber Bride)
“
If she does not leave you alone, you will have to learn to set boundaries with her.
”
”
Karyl McBride (Will I Ever Be Good Enough? Healing the Daughters of Narcissistic Mothers)
“
Terra’s orbital space station – lovingly named Luna Secunda by someone whose mother still told them they were special and so very funny
”
”
Vi Voxley (Brion Brides: Books 1-4 (Brion Brides #1-4))
“
most narcissistic mothers either severely over-parent (the engulfing mother) or severely under-parent (the ignoring mother). Although
”
”
Karyl McBride (Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers)
“
The bride and her mother could neither of them talk fast enough;
”
”
Jane Austen (Pride & Prejudice)
“
لم تعد لدي دموع لأذرفها فقد نفدت منذ زمن طويل، ولكن ألماً جديداً ووعياً جديداً ولدا في داخلي. بدأ الغموض المتوطن في داخلي يتبخر، وزال الألم الذي شعر به الولد الصغير الذي حدق في المرآة. لقد استيقظت إنسانيتي الخاصة، وصعدت لتحييني بمصافحة، فيما راقبت بزوغ نور الشمس الأول فوق الأفق. قلت لنفسي إن هناك فرقاً كبيراً بين الموت والحياة، وأن أعظم هدية يمكن أن يعطيها الإنسان لشخص آخر هي الحياة، وأن أعظم خطيئة يمكن أن يرتكبها الإنسان بحق شخص آخر هي سلب هذه الحياة، إلى جانب ذلك، فإن جميع القوانين والأديان تصبح شيئاً ثانوياً .. مجرد كلمات ومعتقدات يختار الناس الإيمان بها والكره والقتل باسمها. لن أعيش حياتي على هذا النحو، وآمل أن أولادي لن يعيشوا كذلك أيضاً
”
”
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
“
I was sent forth from the power,
and I have come to those who reflect upon me,
and I have been found among those who seek after me.
Look upon me, you who reflect upon me,
and you hearers, hear me.
You who are waiting for me, take me to yourselves.
And do not banish me from your sight.
And do not make your voice hate me, nor your hearing.
Do not be ignorant of me anywhere or any time. Be on your guard!
Do not be ignorant of me.
For I am the first and the last.
I am the honored one and the scorned one.
I am the whore and the holy one.
I am the wife and the virgin.
I am and the daughter.
I am the members of my mother.
I am the barren one
and many are her sons.
I am she whose wedding is great,
and I have not taken a husband.
I am the midwife and she who does not bear.
I am the solace of my labor pains.
I am the bride and the bridegroom,
and it is my husband who begot me.
I am the mother of my father
and the sister of my husband
and he is my offspring.
I am the slave of him who prepared me.
I am the ruler of my offspring.
But he is the one who begot me before the time on a birthday.
And he is my offspring in (due) time,
and my power is from him.
I am the staff of his power in his youth,
and he is the rod of my old age.
And whatever he wills happens to me.
I am the silence that is incomprehensible
and the idea whose remembrance is frequent.
I am the voice whose sound is manifold
and the word whose appearance is multiple.
I am the utterance of my name.
-The Thunder, Perfect Mind
”
”
George W. MacRae
“
Boys seem to have a different kind of relationship with Mother. Just about every daughter of a narcissistic mother has reported to me that her brother or brothers were better liked and more favored than she or her sisters were. Daughters consistently report how hurtful this has been. Typically, the mother appears not to notice the imbalance, or if confronted, denies it, but it does make some sense. Her sons are not threatening to her in relation to the father as another girl or woman is, because the boys are not as much an extension of her as is a daughter.
”
”
Karyl McBride (Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers)
“
As a boy, I never knew where my mother was from---where she was born, who her parents were. When I asked she'd say, "God made me." When I asked if she was white, she'd say, "I'm light-skinned," and change the subject. She raised twelve black children and sent us all to college and in most cases graduate school. Her children became doctors, professors, chemists, teachers---yet none of us even knew her maiden name until we were grown. It took me fourteen years to unearth her remarkable story---the daughter of an Orthodox Jewish rabbi, she married a black man in 1942---and she revealed it more as a favor to me than out of any desire to revisit her past. Here is her life as she told it to me, and betwixt and between the pages of her life you will find mine as well.
”
”
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
“
The first time you see your grown-up little miss looking back at you from a sea of white chiffon or beaded satin glory, indeed your heart will skip a beat. You’ll find yourself blinking back tears. That elusive someday has suddenly become now. Your little girl—your jewel—is going to be a bride.
”
”
Cheryl Barker (Mother of the Bride: Refreshment and Wisdom for the Mother of the Bride)
“
Dear Mommy
I’m doing really good,
I get all A’s in school
And I don’t cry at bedtime anymore,
Though my new mom said I could.
I remember how much you hate tears,
You slapped them out of me
To make me strong,
I think it worked.
I learned to use a microscope
And my hair grew two inches.
It’s pretty, just like yours.
I’m not allowed to clean the house,
Only my own room,
Isn’t that a funny rule?
You say kids are so much trouble
Getting born, they better pay it back.
I’m not supposed to take care
Of the other kids, only me, I sort of like it.
I still get the hole in my stomach
When I do something wrong,
I have a saying on my mirror
“Kids make mistakes, It’s OK,”
I read it every day,
Sometimes I even believe it.
I wonder if you ever think of me
Or if you’re glad the troublemaker’s gone,
I never want to see you again.
I love you, Mommy.
”
”
Karyl McBride (Will I Ever Be Good Enough? Healing the Daughters of Narcissistic Mothers)
“
And then it finally did happen. I just lay there in shock. It hurt so bad, and I thought, “God, please, let me die.” As he put himself inside me, I wanted to scream for help, but there was no one to help me. I had nowhere to hide. My mother’s room, my little sister’s embrace, Uncle Fred, Uncle Warren, nothing and no one would save me, and so I lay there silently, staring at the cracks in the ceiling, watching a part of me die.
”
”
Lisa Pulitzer (Stolen Innocence: My Story of Growing Up in a Polygamist Sect, Becoming a Teenage Bride, and Breaking Free of Warren Jeffs)
“
She had had such an unhappy childhood and she had only to picture some poor child suffering in a similar way for her heart to sink. Of course, she knew that she would never punish her child for poor academic performance. She would not comment on her child’s lack of good looks either. Nor would she ever tell her son or daughter as her mother had once told her that she was only staying in a bad, destructive relationship for their sake.
”
”
Lynne Graham (The Italian Boss's Mistress (Brides of L'Amour, #2))
“
The behavior patterns of abusive, ignoring, or neglectful mothers are generally identifiable, but grow much more complex and confusing when a narcissistic mother demonstrates a mix of both engulfing and ignoring behaviors. Let
”
”
Karyl McBride (Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers)
“
Of course you’re fine.” She keeps walking. “You’re the devil’s bride and these are his creatures.”
I slip the blade into the scabbard and put the bear back on top. “I’m not the devil’s bride.”
“He carried you out of the fire and is letting you visit us from the dead. Who else would have those privileges except his bride?”
She sees me once in a guy’s arms and she has us married already. I wonder what Raffe would think of my mom being his mother-in-law.
”
”
Susan Ee (World After (Penryn & the End of Days, #2))
“
To the accomplishment-oriented mother, what you achieve in life is paramount. Success depends on what you do, not who you are. She expects you to perform at the highest possible level. This mom is very proud of her children’s good grades, tournament wins, admission into the right college, and graduation with the pertinent degrees. She loves to brag about them too. But if you do not become what your accomplishment-oriented mother thinks you should, and accomplish what she thinks is important, she is deeply embarrassed, and may even respond with a rampage of fury and rage. A confusing dynamic is at play here. Often, while the daughter is trying to achieve a given goal, the mother is not supportive because it takes away from her and the time the daughter has to spend on her. Yet if the daughter achieves what she set out to do, the mother beams with pride at the awards banquet or performance. What a mixed message. The daughter learns not to expect much support unless she becomes a great hit, which sets her up for low self-esteem and an accomplishment-oriented lifestyle.
”
”
Karyl McBride (Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers)
“
Livia wiped her cheeks and eyes, then tucked the tissue into her bouquet instead of giving it back to her sister.
Years later, a little girl would pull that tissue out and ask her mother about it. “The Sobbing Bride” would become one of the girl’s favorite tales She would request it from her mother’s point of view, then run to have her father tell his version.
”
”
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
“
From my research and experience, the answer is clear: Father is revolving around Mother like a planet around the sun. The narcissist needs to be married to a spouse who will allow her to be at the center of all the action. That is how it has to be if the marriage is to survive. In the family drama, the narcissist is the star, and her spouse takes a supporting role.
”
”
Karyl McBride (Will I Ever Be Good Enough? Healing the Daughters of Narcissistic Mothers)
“
A daughter who doesn’t receive validation from her earliest relationship with her mother learns that she has no significance in the world and her efforts have no effect. She tries her hardest to make a genuine connection with Mom, but fails, and thinks that the problem of rarely being able to please her mother lies within herself. This teaches the daughter that she is unworthy of love. The daughter’s notion of mother-daughter love is warped; she feels she must “earn” a close connection by seeing to Mom’s needs and constantly doing what it takes to please her. Clearly, this isn’t the same as feeling loved. Daughters of narcissistic mothers sense that their picture of love is distorted, but they don’t know what the real picture would look like.
”
”
Karyl McBride (Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers)
“
From the railway station far away the sharp clang of a bell...In half an hour the train starts, and there is so much still to say that has been left unsaid...The mothers, fearful and fussy, look for their sons in among the crowd like hens in search of their chicks; their wizened faces are hard and wrinkled like winter apples, they carry huge baskets on their arms, over-filled with the last delicacies which their fond, toil-worn hands will prepare for the beloved son for the next three years:--a piece of smoked bacon, a loaf of rye bread, a cake of maize-flour.
The gypsies have struck up a melancholy Magyar folksong: the crowd breaks up in isolated groups, mothers and father with their sons whisper in the dark corners of the bran. The father who did his service thirty years ago gives sundry good advice—no rebellion, quiet obedience, no use complaining or grumbling, the three years are quickly over. The mother begs her darling not to give way to drink, and not to get entangled with one of the hussies in the towns; women and wine, the two besetting temptations that assail the Magyar peasant—let the darling boy resist both for his sorrowing mother’s sake.
”
”
Emmuska Orczy (A Bride of the Plains)
“
How could a white girl know how only someone you trust should braid your hair, how someone bad could work magic against you? How could a white girl know what the braid means to an African man? How a braid factors into the girl’s value as a bride, her beauty and quick tongue, her education, her prospects as a mother. Her virginity. All these things add value. How can this white girl know?
”
”
Terry Farish (The Good Braider)
“
His gaze meandered along my chest. "Hey!" I crossed my arms over my breasts.
"Those are…"
"Patrick's?"
"Well, his name isn't tattooed on them, but yeah, currently they are reserved for him."
I peered at him and noted the similarities between him and his sons. "Ruadan, I presume?"
"Got it in one," he said, silver eyes twinkling.
"You scared the shit out of me." One corner of his mouth lifted into a grin. He picked up the parchment and tapped on it.
"So, you're Patrick's soul mate."
"No."
"But you read the scroll. Only his sonuachar can do that."
"Let me explain." I paused. "No, there is too much. Let me sum up."
" The Princess Bride!" Ruadan exclaimed in happy surprise. "I love that movie. 'Hello, my name is Inigo Montoya. You killed my father. Prepare to die!'" He leapt off the bed and made fencing motions.
"Ruadan, we're in a bit of crisis around here."
"Hey! My swords." He practically skipped to the dresser where I had left them when I got ready for my bath. He whirled the half-swords like a master swordsman, which, of course, he was. "My mother really knows how to smith a weapon, doesn't she? Real fairy gold." He stabbed an invisible foe's chest with one and his stomach with the other. "Die, evil one! Die!"
He jumped up and down, the swords held above his head, and did a victory dance.
"You're like a big puppy!" I exclaimed. "A big, dumb puppy.
”
”
Michele Bardsley (I'm the Vampire, That's Why (Broken Heart, #1))
“
So far in my life, I’ve been a lawyer. I’ve been a vice president at a hospital and the director of a nonprofit that helps young people build meaningful careers. I’ve been a working-class black student at a fancy mostly white college. I’ve been the only woman, the only African American, in all sorts of rooms. I’ve been a bride, a stressed-out new mother, a daughter torn up by grief. And until recently, I was the First Lady of the United States of America—a job that’s not officially a job, but that nonetheless has given me a platform like nothing I could have imagined. It challenged me and humbled me, lifted me up and shrank me down, sometimes all at once. I’m just beginning to process what took place over these last years—from the moment in 2006 when my husband first started talking about running for president to the cold morning this winter when I climbed into a limo with Melania Trump, accompanying her to her husband’s inauguration. It’s been quite a ride.
”
”
Michelle Obama (Becoming)
“
Little of that makes for love, but it does pump desire. The woman who churned a man's blood as she leaned all alone on a fence by a country road might not expect even to catch his eye in the City. But if she is clipping quickly down the big-city street in heels, swinging her purse, or sitting on a stoop with a cool beer in her hand, dangling her shoe from the toes of her foot, the man, reacting to her posture, to soft skin on stone, the weight of the building stressing the delicate, dangling shoe, is captured. And he'd think it was the woman he wanted, and not some combination of curved stone, and a swinging, high-heeled shoe moving in and out of sunlight. He would know right away the deception, the trick of shapes and light and movement, but it wouldn't matter at all because the deception was part of it too. Anyway, he could feel his lungs going in and out. There is no air in the City but there is breath, and every morning it races through him like laughing gas brightening his eyes, his talk, and his expectations. In no time at all he forgets little pebbly creeks and apple trees so old they lay their branches along the ground and you have to reach down or stoop to pick the fruit. He forgets a sun that used to slide up like the yolk of a good country egg, thick and red-orange at the bottom of the sky, and he doesn't miss it, doesn't look up to see what happened to it or to stars made irrelevant by the light of thrilling, wasteful street lamps.
That kind of fascination, permanent and out of control, seizes children, young girls, men of every description, mothers, brides, and barfly women, and if they have their way and get to the City, they feel more like themselves, more like the people they always believed they were.
”
”
Toni Morrison (Jazz (Beloved Trilogy, #2))
“
Inside the church, the bondsmaids were walking slowly down the aisle,
with the little petal girls. Trinity turned to give Mimi her last words of
motherly advice: 'Walk straight. Don't slouch. And for heavens's sake,
smile! It's your bonding!?' Then she too walked through the door and
down the aisle. The door shut behind her, leaving Mimi alone.
Finally, Mimi heard the orchestra play the first strains of the 'Wedding
March.' Wagner. Then the ushers opened the doors and Mimi moved to the threshold. There was an appreciative gasp from the crowd as they took in the sight of Mimi in her fantastic dress. But instead of acknowledging her triumph as New York?s most beautiful bride, Mimi looked straight ahead, at Jack, who was standing so tall and straight at the altar. He met her eyes and did not smile.
'Let's just get this over with.'
His words were like an ice pick to the heart. He doesn't love me. He has
never loved me. Not the way he loves Schuyler. Not the way he loved Allegra. He has come to every bonding with this darkness. With this regret and hesitation, doubt and despair. She couldn't deny it. She knew her twin, and she knew what he was feeling, and it wasn't joy or even relief.
What am I doing?
"Ready" Forsyth Llewellyn suddenly appeared by her side. Oh, right, she
remembered, she had said yes when Forsyth had offered to walk her
down the aisle.
Here goes nothing. As if in a daze, Mimi took his arm, Jack's words still
echoing in her head. She walked, zombie-like, down the aisle, not even
noticing the flashing cameras or the murmurs of approval from the
hard-to-impress crowd.
”
”
Melissa de la Cruz (The Van Alen Legacy (Blue Bloods, #4))
“
Forty-five minutes later, Benedict was slouching in his chair, his eyes glazed. Every now and then he had to stop and make sure his mouth wasn't hanging open.
His mother's conversation was that boring.
The young lady she had wanted to discuss with him had actually turned out to be seven young ladies, each of which she assured him was better than the last.
Benedict thought he might go mad. Right here in his mother's sitting room he was going to go stark, raving mad. He'd suddenly pop out of his chair, fall to the floor in a frenzy his arms and legs waving, mouth frothing-
"Benedict, are you even listening to me?"
He looked up and blinked. Damn. Now he would have to focus on his mother's list of possible brides. The prospect of losing his sanity had been infinitely more appealing.
”
”
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
“
This was fresh, rich, heavenly, succulent, soft, creamy, kiss-my-ass, cows-gotta-die-for-this, delightfully salty, moo-ass, good old white folks cheese, cheese to die for, cheese to make you happy, cheese to beat the cheese boss, cheese for the big cheese, cheese to end the world, cheese so good it inspired a line every first Saturday of the month: mothers, daughters, fathers, grandparents, disabled in wheelchairs, kids, relatives from out of town, white folks from nearby Brooklyn Heights, and even South American workers from the garbage-processing plant on Concord Avenue, all patiently standing in a line that stretched from the interior of Hot Sausage’s boiler room to Building 17’s outer doorway, up the ramp to the sidewalk, curling around the side of the building and to the plaza near the flagpole.
”
”
James McBride (Deacon King Kong)
“
So Tony is a foreigner, to her own mother; and to her father also, because, although she talks the same way he does, she is -- and he has made this clear -- not a boy. Like a foreigner, she listens carefully, interpreting. Like a foreigner she keeps an eye out for sudden hostile gestures. Like a foreigner she makes mistakes.
”
”
Margaret Atwood (The Robber Bride)
“
Wait. What?” Livia turned her sister to face her. “The dress doesn’t change who you are. Don’t get me wrong, I’ve never seen a more beautiful bride, but you’ve always been this person. It’s not that you didn’t earn a mother, it’s that Mom didn’t earn you.” Livia waited until Kyle looked her in the eyes. “Do you understand that?
”
”
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
“
Bekka treated her role has Frankenstein's bride more like an audition to be Brett's bride. Every part of her body had been colored bright kelly green - even parts that her mother had stressed were 'not to be seen by anyone except God and the inside of a toilet bowl.' Instead of wearing a wig, Bekka had teased and then shellacked her own hair into a windblown cone and she'd used female-mustache bleach to create white streaks. Her seams, made of real suture thread, had been attached to her neck and wrists with clear double-sided costume tape because drawing them on with kohl would not have been 'honoring the character.' Her Costume Castle dress had been exchanged for something 'more authentic' from the Bridal Barn. If Brett didn't see his future in her heavily black-shadowed eyes tonight, he never would. Or so she believed.
”
”
Lisi Harrison (Monster High (Monster High, #1))
“
Let go of your daughter with grace and you'll find her calling on you with joy.
”
”
Cheryl Barker (Mother of the Bride: Refreshment and Wisdom for the Mother of the Bride)
“
It is not easy to find happiness in ourselves, and it is not possible to find it elsewhere. —Agnes Repplier, The Treasure Chest1
”
”
Karyl McBride (Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers)
“
Life is pain,” his mother said. “Anybody that says different is selling something.
”
”
William Goldman (The Princess Bride)
“
I know I'm a hard woman. I've made a few mistakes in my life. But I'm no worse than these other mothers out here who pray "Lord, let my child be wise and good" when they really mean "Let this child have more power and money than I have." I don't do that with my children. That's what our father did to us. He built things. The Jewish church, a lot of houses and buildings and things. He tried to build us, too. But he never finished. Maybe he wasn't building us the right way before he left this life. Maybe that's why we're like we are now.
”
”
James McBride (The Heaven & Earth Grocery Store)
“
her mother had never shared any of the trust fund money left by Maria’s late father but had used it on herself, rather than helping her daughter pay for college as her father had intended.
”
”
Karyl McBride (Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers)
“
She was every Cora she'd ever been: Cora X, Cora Kaufmann, Cora Carlisle. She was an orphan on a roof, a lucky girl on a train, a dearly loved daughter by chance. She was a blushing bride of seventeen, a sad and stoic wife, a loving mother, an embittered chaperone, and a daughter pushed away. She was a lover and a lewd cohabitator, a liar and a cherished friend, and aunt and a kindly grandmother, a champion of the fallen, and a late-in-coming fighter for reason over fear. Even in those final hours, quiet and rocking, arriving and departing, she knew who she was.
”
”
Laura Moriarty (The Chaperone)
“
I had expected them to talk about my childlessness. I was armed with millions of smiles. Apologetic smiles, pity-me smiles, I-look-unto-God smiles - name all the fake smiles needed to get through an afternoon with a group of people who claim to want the best for you while poking at your open sore with a stick - and I had them ready. I was ready to listen to them tell me I must do something about my situation. I expected to hear about a new pastor I could visit; a new mountain where I could go to pray; or an old herbalist in a remote village or town whom I could consult. I was armed with smiles for my lips, an appropriate sheen of tears for my eyes and sniffles for my nose. I was prepared to lock up my hairdressing salon throughout the coming week and go in search of a miracle with my mother-in-law in tow. What I was not expecting was another smiling woman in the room, a yellow woman with a blood-red mouth who grinned like a new bride.
”
”
Ayọ̀bámi Adébáyọ̀ (Stay with Me)
“
Those whom God hath joined together, let no man put asunder.
A shiver raced down Daphne’s spine, causing her to sway. In just a moment, she would belong to this man forever.
Simon’s head turned slightly, his eyes darting to her face. Are you all right? his eyes asked.
She nodded, a tiny little jog of her chin that only he could see. Something blazed in his eyes— could it be relief?
I now pronounce you—
Gregory sneezed for a fourth time, then a fifth and sixth, completely obliterating the archbishop’s “man and wife.” Daphne felt a horrifying bubble of mirth pushing up her throat. She pressed her lips together, determined to maintain an appropriately serious facade.
Marriage, after all, was a solemn institution, and not one to be treating as a joke.
She shot a glance at Simon, only to find that he was looking at her with a queer expression. His pale eyes were focused on her mouth, and the corners of his lips began to twitch.
Daphne felt that bubble of mirth rising ever higher.
You may kiss the bride.
Simon grabbed her with almost desperate arms, his mouth crashing down on hers with a force that drew a collective gasp from the small assemblage of guests.
And then both sets of lips— bride and groom— burst into laughter, even as they remained entwined.
Violet Bridgerton later said it was the oddest kiss she’d ever been privileged to view.
Gregory Bridgerton— when he finished sneezing— said it was disgusting.
The archbishop, who was getting on in years, looked perplexed.
But Hyacinth Bridgerton, who at ten should have known the least about kisses of anyone, just blinked thoughtfully, and said, “I think it’s nice. If they’re laughing now, they’ll probably be laughing forever.” She turned to her mother. “Isn’t that a good thing?”
Violet took her youngest daughter’s hand and squeezed it. “Laughter is always a good thing, Hyacinth. And thank you for reminding us of that.
”
”
Julia Quinn (The Duke and I (Bridgertons, #1))
“
there was nothing to believe but that one colored in the room is fine, two is twenty, and three means close up shop and everybody go home; all living the New York dream in the Cause Houses, within sight of the Statue of Liberty, a gigantic copper reminder that this city was a grinding factory that diced the poor man’s dreams worse than any cotton gin or sugarcane field from the old country. And now heroin was here to make their children slaves again, to a useless white powder. She looked them over, the friends of her life, staring at her. They saw what she saw, she realized. She read it in their faces. They would never win. The game was fixed. The villains would succeed. The heroes would die. The sight of Beanie’s mother howling at her son’s coffin would haunt them all in the next few days. Next week, or next month some time, some other mother would take her place, howling her grief. And another after that. They saw the future, too, she could tell. It would continue forever. It was all so very grim. But then, she thought, every once in a while there’s a glimmer of hope. Just a blip on the horizon, a whack on the nose of the giant that set him back on his heels or to the canvas,
”
”
James McBride (Deacon King Kong)
“
What is the age of the soul of man? As she hath the virtue of the chameleon to change her hue at every new approach, to be gay with the merry and mournful with the downcast, so too is her age changeable as her mood. No longer is Leopold, as he sits there, ruminating, chewing the cud of reminiscence, that staid agent of publicity and holder of a modest substance in the funds. He is young Leopold, as in a retrospective arrangement, a mirror within a mirror (hey, presto!), he beholdeth himself. That young figure of then is seen, precociously manly, walking on a nipping morning from the old house in Clambrassil street to the high school, his booksatchel on him bandolierwise, and in it a goodly hunk of wheaten loaf, a mother's thought. Or it is the same figure, a year or so gone over, in his first hard hat (ah, that was a day!), already on the road, a fullfledged traveller for the family firm, equipped with an orderbook, a scented handkerchief (not for show only), his case of bright trinketware (alas, a thing now of the past!), and a quiverful of compliant smiles for this or that halfwon housewife reckoning it out upon her fingertips or for a budding virgin shyly acknowledging (but the heart? tell me!) his studied baisemoins. The scent, the smile but more than these, the dark eyes and oleaginous address brought home at duskfall many a commission to the head of the firm seated with Jacob's pipe after like labours in the paternal ingle (a meal of noodles, you may be sure, is aheating), reading through round horned spectacles some paper from the Europe of a month before. But hey, presto, the mirror is breathed on and the young knighterrant recedes, shrivels, to a tiny speck within the mist. Now he is himself paternal and these about him might be his sons. Who can say? The wise father knows his own child. He thinks of a drizzling night in Hatch street, hard by the bonded stores there, the first. Together (she is a poor waif, a child of shame, yours and mine and of all for a bare shilling and her luckpenny), together they hear the heavy tread of the watch as two raincaped shadows pass the new royal university. Bridie! Bridie Kelly! He will never forget the name, ever remember the night, first night, the bridenight. They are entwined in nethermost darkness, the willer and the willed, and in an instant (fiat!) light shall flood the world. Did heart leap to heart? Nay, fair reader. In a breath 'twas done but - hold! Back! It must not be! In terror the poor girl flees away through the murk. She is the bride of darkness, a daughter of night. She dare not bear the sunnygolden babe of day. No, Leopold! Name and memory solace thee not. That youthful illusion of thy strength was taken from thee and in vain. No son of thy loins is by thee. There is none to be for Leopold, what Leopold was for Rudolph.
”
”
James Joyce (Ulysses)
“
When I see two little Jewish old ladies giggling over coffee at a Manhattan diner, it makes me smile, because I hear my own mother’s laughter beneath theirs. Conversely, when I hear black “leaders” talking about “Jewish slave owners” I feel angry and disgusted, knowing that they’re inflaming people with lies and twisted history, as if all seven of the Jewish slave owners in the antebellum South, or however few there were, are responsible for the problems of African-Americans now. Those leaders are no better than their Jewish counterparts who spin statistics in marvelous ways to make African-Americans look like savages, criminals, drags on society, and “animals” (a word quite popular when used to describe blacks these days). I don’t belong to any of those groups. I belong to the world of one God, one people.
”
”
James McBride (The Color of Water)
“
Charles had climbed on a bench and was calling out that he had something to say, creating a racket that quickly got the attention of the room. Everyone looked immensely surprised, including Tessa and Will. Sona frowned, clearly thinking Charles was very rude. She didn’t know the half of it, Cordelia thought darkly.
“Let me be the first to raise a glass to the happy couple!” said Charles, doing just that. “To James Herondale and Cordelia Carstairs. I wish to add personally that James, my brother’s parabatai, has always been like a younger brother to me.”
“A younger brother he accused of vandalizing greenhouses across our fair nation,” muttered Will.
“As for Cordelia Carstairs—how to describe her?” Charles went on.
“Especially when one has not bothered to get to know her at all,” murmured James.
“She is both beautiful and fair,” said Charles, leaving Cordelia to wonder what the difference was, “as well as being brave. I am sure she will make James as happy as my lovely Grace makes me.” He smiled at Grace, who stood quietly near him, her face a mask. “That’s right. I am formally announcing my intention to wed Grace Blackthorn. You will all be invited, of course.”
Cordelia glanced over at Alastair; he was expressionless, but his hands, jammed into his pockets, were fists. James had narrowed his eyes.
Charles went on merrily. “And lastly, my thanks go out to the folk of the Enclave, who supported my actions as acting Consul through our recent troubles. I am young to have borne so much responsibility, but what could I say when duty called? Only this. I am honored by the trust of my mother, the love of my bride-to-be, and the belief of my people—”
“Thank you, Charles!” James had appeared at Charles’s side and done something rather ingenious with his feet that caused the bench Charles had been standing on to tip over. He caught Charles around the shoulder as he slid to the floor, clapping him on the back. Cordelia doubted most people in the room had noticed anything amiss. “What an excellent speech!”
Magnus Bane, looking fiendishly amused, snapped his fingers. The loops of golden ribbons dangling from the chandeliers formed the shapes of soaring herons while “For He’s a Jolly Good Fellow” began to play in ghostly fashion on the unmanned piano. James hustled Charles away from the bench he had clambered onto and into a crowd of well-wishers. The room, as a whole, seemed relieved.
“We have raised a fine son, my darling,” Will said, kissing Tessa on the cheek.
”
”
Cassandra Clare (Chain of Gold (The Last Hours, #1))
“
mother of the bride had been determined that her daughter would have a church wedding, and women who successfully name their infant daughters Tiffany do tend to get their own way, so an evening wedding it was.
”
”
Donald E. Westlake (Drowned Hopes (Dortmunder, #7))
“
I kind of was beginning to feel like I was being underutilized [as Teen Ambassador to the UN]. I mean, there were a lot more important issues out there for teens that I could have been bringing international attention to than what kids see out their windows. I mean, instead of sitting in the White House press office for three hours after school every Wednesday, or attending International Festival of the Child concerts, I could have been out there alerting the public to the fact that in some countries, it is still perfectly legal for men to take teen brides -- even multiple teen brides! What was that all about?
And what about places like Sierra Leone, where teens and even younger kids routinely get their limbs chopped off as "warnings" against messing with the warring gangs that run groups of diamond traffickers? And hello, what about all those kids in countries with unexploded land mines buried in the fields where they'd like to play soccer, but can't because it's too dangerous?
And how about a problem a little closer to home? How about all the teenagers right here in America who are taking guns to school and blowing people away? Where are they getting these guns, and how come they think shooting people is a viable solution to their problems? And why isn't anybody doing anything to alleviate some of the pressures that might lead someone to think bringing a gun to school is a good thing? How come nobody is teaching people like Kris Parks to be more tolerant of others, to stop torturing kids whose mothers make them wear long skirts to school?
”
”
Meg Cabot (All-American Girl (All-American Girl, #1))
“
It doesn’t matter. That’s the point. It doesn’t matter that my mother is my mother, or that things don’t always work exactly the way you thought they should. Moments matter. I know that better than anyone, but I never let it apply to me. Not to me. People matter, how they feel, how they connect, who they are alone and together. All that matters, no matter how quickly the moment passes. Maybe because it passes. What matters is you’re the blue butterfly.
”
”
Nora Roberts (Vision in White (Bride Quartet, #1))
“
Yesterday I stood at the temple door interrogating the passersby about the mystery and merit of Love.
And before me passed an old man with an emaciated and melancholy face, who sighed and said:
"Love is a natural weakness bestowed upon us by the first man."
But a virile youth retorted:
"Love joins our present with the past and the future."
Then a woman with a tragic face sighed and said:
"Love is a deadly poison injected by black vipers, that crawl from the caves of hell. The poison seems fresh as dew and the thirsty soul eagerly drinks it; but after the first intoxication the drinker sickens and dies a slow death."
Then a beautiful, rosy-cheeked damsel smilingly said:
"Love is a wine served by the brides of Dawn which strengthens strong souls and enables them to ascend to the stars."
After her a black-robed, bearded man, frowning, said:
"Love is a divine knowledge that enables men to see as much as the gods."
Then said a blind man, feeling his way with a cane:
"Love is a blinding mist that keeps the soul from discerning the secret of existence, so that the heart sees only trembling phantoms of desire among the hills, and hears only echoes of cries from voiceless valleys."
And a feeble ancient, dragging his feet like two rags, said, in quavering tones:
"Love is the rest of the body in the quiet of the grave, the tranquility of the soul in the depth of Eternity."
And a five-year-old child, after him, said laughing:
"Love is my father and mother, and no one knows Love save my father and mother."
And so, all who passed spoke of Love as the image of their hopes and frustrations, leaving it a mystery as before.
”
”
Kahlil Gibran
“
Teri recalls, “Sometimes I get so afraid of having to talk to her on the telephone, I have to psych myself up for it. A glass of wine also helps! I never know what she is going to say. I mean this woman criticizes trees! Always negative.
”
”
Karyl McBride (Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers)
“
Sometimes without conscious realization, our thoughts, our faith, our interests are entered into the past. We talk about other times, other places, other persons, and lose our living hold on the present. Sometimes we think if we could just go back in time we would be happy. But anyone who attempts to reenter the past is sure to be disappointed. Anyone who has ever revisited the place of his birth after years of absence is shocked by the difference between the way the place actually is, and the way he has remembered it. He may walk along the old familiar streets and roads, but he is a stranger in a strange land. He has thought of this place as home, but he finds he is no longer here even in spirit. He has gone on to a new and different life, and in thinking longingly of the past, he has been giving thought and interest to something that no longer really exists. This being true of the physical self, how much more true it is of the spiritual self.
”
”
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
“
He was the richest man for a hundred miles, a widower twice over, and sixty-three years old. Zoya was nine. She did not want to be a bride, but she did not want to displease her mother, who petted her and cooed at her as she had never done before.
”
”
Leigh Bardugo (King of Scars (King of Scars, #1))
“
The Bird of Time
O Bird of Time on your fruitful bough
What are the songs you sing? ...
Songs of the glory and gladness of life,
Of poignant sorrow and passionate strife,
And the lilting joy of the spring;
Of hope that sows for the years unborn,
And faith that dreams of a tarrying morn,
The fragrant peace of the twilight's breath,
And the mystic silence that men call death.
O Bird of Time, say where did you learn
The changing measures you sing? ...
In blowing forests and breaking tides,
In the happy laughter of new-made brides,
And the nests of the new-born spring;
In the dawn that thrills to a mother's prayer,
And the night that shelters a heart's despair,
In the sigh of pity, the sob of hate,
And the pride of a soul that has conquered fate.
”
”
Sarojini Naidu
“
This was the culmination of all her hopes. God had seen fit to answer her prayers, and she was filled to the brim with thankfulness. She was to be Queen of England, raised by this magnificent young man to be the bride of his heart and the mother of his heirs. Those who had scorned he and tried to humiliate her would now have to defer to her - she tried not to relish the prospect, but she was only human. The days of want were gone for good; very shortly she wold be the wife of the richest king ever to reign in England.
”
”
Alison Weir (Katherine of Aragon: The True Queen (Six Tudor Queens, #1))
“
Then he looked down, and saw that the blood streamed so much from the shoe, that her white stockings were quite red. So he turned his horse and brought her also back again. 'This is not the true bride,' said he to the father; 'have you no other daughters?' 'No,' said he; 'there is only a little dirty Ashputtel here, the child of my first wife; I am sure she cannot be the bride.' The prince told him to send her. But the mother said, 'No, no, she is much too dirty; she will not dare to show herself.' However, the prince would have her come; and she first washed her face and hands, and then went in and curtsied to him, and he reached her the golden slipper. Then she took her clumsy shoe off her left foot, and put on the golden slipper; and it fitted her as if it had been made for her.
”
”
Jacob Grimm (Grimm's Fairy Tales)
“
Jacob asked Laban about Rachel’s bride price, as she had said he would that very first day. Since it was clear that his nephew had no means or property, Laban thought he could get the man cheap, and made a magnanimous show of offering his daughter for a mere seven years’ service. Jacob laughed at the idea. “Seven years? We are talking about a girl here, not a throne. In seven years’ time, she might be dead. I might be dead. And most likely of all, you could be dead, old man. “I will give you seven months,” Jacob said. “And for the dowry, I’ll take half your miserable herd.” Laban jumped to his feet and called Jacob a thief. “You are your mother’s son, all right,” he raged. “You think the world owes you anything? Don’t get too proud with me, you afterbirth, or I’ll send you back to your brother’s long knife.
”
”
Anita Diamant (The Red Tent)
“
She isn’t just any woman. She’s different.”
“So every man has said since time immemorial.”
“Yes, that’s true. I’ve met plenty of women, Mr. Sutton. From a young age, I have had mistresses whose beauty and skills would astound you. Skills they taught to a young man, because I was ever so rich. I also got to know them—courtesans are living, breathing women, you might be surprised to learn. With dreams and ambitions, some longing for a better life, one in which they won’t have to rely on wealthy men’s sons for survival. I became quite good friends with some of the ladies and am still. And then I met Violet.”
Mr. Sutton was listening but striving to look uninterested. “Another courtesan?”
“She’s neither one thing nor the other. Which is why I say she’s different. She’s not from the upper-class families whose mothers throw their daughters at me with alarming ruthlessness. She’s not a courtesan, selling her body and skills in exchange for diamonds and riches. She’s not a street girl from the gutter, selling her body to survive. She’s not a middle-class daughter, striving to live spotlessly and not shame her parents. Violet faces the world on her own terms, making a living the best she can with the skills she has. And everywhere, everyone has tried to stop her. They’ve used her body to pay their debts. They’ve used her cleverness to bring them clients. They’ve used her skills at understanding people to make them money. Everyone in her entire life has used her in every capacity she has, and yet, she still stands tall and faces the world. They’ve beaten her down at every turn, and still she rises. This is a woman of indomitable spirit. And I want to set her free.
”
”
Jennifer Ashley (The Wicked Deeds of Daniel Mackenzie (MacKenzies & McBrides, #6))
“
I’m not the devil’s bride.” “He carried you out of the fire and is letting you visit us from the dead. Who else would have those privileges except his bride?” She sees me once in a guy’s arms and she has us married already. I wonder what Raffe would think of my mom being his mother-in-law.
”
”
Susan Ee (World After (Penryn & the End of Days, #2))
“
He did not find out until the wedding that she was simple. Her father had been scrupulous about keeping her veiled until the ceremony, and my father had humored him. If she was ugly, there were always slave girls and serving boys. When at last they pulled off the veil, they say my mother smiled. That is how they knew she was quite stupid. Brides did not smile. When I was delivered, a boy, he plucked me from her arms and handed me to a nurse. In pity, the midwife gave my mother a pillow to hold instead of me. My mother hugged it. She did not seem to notice a change had been made.
”
”
Madeline Miller (The Song of Achilles)
“
You’ve spent her whole life holding her. Whether cradled in your arms as a baby or wrapped in your embrace as a young woman, she’s been yours to have and to hold, Mother of the Bride—until now. Now the time has come to let her go, to let her
begin her own family and pledge her allegiance to another.
”
”
Cheryl Barker (Mother of the Bride: Refreshment and Wisdom for the Mother of the Bride)
“
[He] wanted her to be his. But despite her mother's confidence, Charlotte was still too hesitant for words to be rashly spoken. He needed to guide her into trusting him, show her by his actions that he would be a faithful husband, cleaving only to her, should she do him the great honor and consent to be his wife.
”
”
Carolyn Miller (The Captivating Lady Charlotte (Regency Brides: A Legacy of Grace, #2))
“
But to steal her love from me! Can it be that you really don’t understand? Do you think we mortals will find you gods easier to bear if you’re beautiful? I tell you that if that’s true we’ll find you a thousand times worse. For then (I know what beauty does) you’ll lure and entice. You’ll leave us nothing; nothing that’s worth our keeping or your taking. Those we love best—whoever’s most worth loving—those are the very ones you’ll pick out. Oh, I can see it happening, age after age, and growing worse and worse the more you reveal your beauty: the son turning his back on the mother and the bride on her groom, stolen away by this everlasting calling, calling, calling of the gods. Taken where we can’t follow. It would be far better for us if you were foul and ravening. We’d rather you drank their blood than stole their hearts. We’d rather they were ours and dead than yours and made immortal. But to steal her love from me, to make her see things I couldn’t see . . . oh, you’ll say (you’ve been whispering it to me these forty years) that I’d signs enough her palace was real, could have known the truth if I’d wanted. But how could I want to know it? Tell me that. The girl was mine. What right had you to steal her away into your dreadful heights?
”
”
C.S. Lewis (Till We Have Faces: A Myth Retold)
“
There are cases that I just can't forget.....What it is. I don't know. I think it's the ones where something small changes everything. Where the tiniest act , the smallest space of time, the most inconsequential of decisions, changes a life. A split second separates the long-lost friends who either see or miss each other at an airport. And from that , a relationship does or does not develop, perhaps a lifetime partnership,, perhaps even children. Human beings who might or might not have existed. Whole lives built out of the most fragile of happenstance.
And maybe that's why our lives are beautiful; why they're tragic. One perfect child can be born of an accidental encounter, and another lost to a split-second lapse in attention. If a motorist leans over to change a radio station at the same moment that it first occurs to a four year old that he can let go of his mother's hand as easily as hang onto it, and that if he lets go he will be across the road first, before his mother, and that she will certainly laugh and say, "How fast you are, Johnny!" If the child does this and the motorist does that , and if the world then changes forever and unbearably for everyone involved, then is that not life in its simplest form?
That so little matters so much, and so much matters so little.
”
”
Laura McBride (We Are Called to Rise)
“
Desiree the child bride, and her sister Miranda, had gone grave-robbing for a wedding gown. In the north end of the cemetery, among the palatial mausoleums with their broken windows of stained glass where the ivy crept in, was the resting place of a young woman who’d been murdered at the altar while reciting her marital vows. The decaying tombstone, among the cemetery’s most envied, was a limestone bride in despair, shoulders as slumped as a mule’s, a bouquet of lilies strewn at her feet. Though her murder, by her groom’s jealous mother, had been long in the past, everyone knew that her father had had her buried in her gown of lace and silk.
”
”
Timothy Schaffert (My Mother She Killed Me, My Father He Ate Me: Forty New Fairy Tales)
“
The ever-present tangle of lies tightened around her like a hunter's net. The more she pushed it away, the more it clung to her like sticky, spindly spiderwebs. But the truth had to remain hidden inside the godforsaken asylum and inside the one of silence that was Uma, Vijay, and her, and tragically enough, Vikram's mother.
”
”
Sonali Dev (The Bollywood Bride (Bollywood, #2))
“
Come hither and chat whilst I roast this pig. Afterward, you can join me in praying to our Redeemer to give thanks for our great victory to free your people. Then he added, "Half your people, since on account of your fair complexion, I reckon you is one half white or thereabouts. Which in and of itself, makes this world even more treacherous for you, sweet dear Onion, for you has to fight within yourself and outside yourself, too, being half a loaf on one side and half the other. Don't worry. The Lord don't have no contention with your condition, for Luke twelve, five says, 'Take not the breast of not just thine own mother into thy hand, but of both thy parents.
”
”
James McBride (The Good Lord Bird)
“
The Holy Water
No one lives outside the walls of this sacred place, existence.
The holy water, I need it upon my eyes: it is you, dear, you – each form.
What mother would lose her infant – and we are that to God,
never lost from His gaze are we? Every cry of the heart
is attended by light’s own arms.
You cannot wander anywhere that will not aid you.
Anything you can touch – God brought it into
the classroom of your mind.
Differences exist, but not in the city of love.
Thus my vows and yours, I know they are the same.
I have just peeled the skin from the potato
and you are still contemplating its worth,
sweetheart; indeed there are wonderful nutrients in all,
for God made everything.
You joined our community at birth.
With your Father being who He is, what do the
world’s scales know of your precious value.
The priest and the prostitute – they weigh the same before the Son’s
immaculate being,
but who can bear that truth and freedom,
so a wise man adulterated the
scriptures;
every wise man knows this.
My soul’s face has revealed its beauty to me;
why was it shy so long, didn’t it know how this made me suffer
and weep?
A different game He plays with His close ones.
God tells us truths you would not believe,
for most everyone needs to limit His compassion; concepts of
right and wrong preserve the golden seed
until one of God’s friends comes along and tends your body
like a divine bride.
The Holy sent out a surveyor to find the limits of its compassion
and being.
God knows a divine frustration whenever He acts like that,
for the Infinite has
no walls.
Why not tease Him about this?
Why not accept the freedom of what it means
for our Lord to see us
as Himself.
So magnificently sovereign is our Lover; never say,
'On the other side of this river a different King rules.”
For how could that be true – for nothing can oppose Infinite strength.
No one lives outside the walls of this sacred place, existence.
The holy water my soul’s brow needs is unity.
Love opened my eye and I was cleansed
by the purity of each
form.
”
”
Rabia al Basri
“
The exhaustion apparent in his slumped shoulders made her heart twist. He looked so tired she wanted to rub his back and stroke his hair, as a mother would for a child. This was natural compassion, she decided, and walked toward him to give him what comfort she could.
He finally heard her and lifted his head from his arms. Locks of sandy hair fell over his forehead and he looked up at her with deep indigo eyes. Even in the dim light, she could see pain etched across his features. What horrors stalked his dreams? What could she do to help him sleep peacefully?
For a long moment they gazed at one another and then Huiann rested her hand on his shoulder. At the same time, Alan leaned into her body. They came together like two halves of an eggshell carefully broken. He slid a hand around her waist and pulled her closer. His face pressed against her breast. His arms wrapped around her.
She held him, cradling his head, rubbing his back. His body was so warm in her embrace. Her heart beat steadily and her stomach flipped in slow, lazy somersaults. The moment she’d sensed coming for so long was here. What would happen next?
For a long time, they remained locked in perfect union, contented, safe, no longer alone. As she caressed his hair, soft as she’d imagined, he tilted his face to look up at her. His eyes glittered in the lamplight. He wanted more and Huiann realized she did too.
”
”
Bonnie Dee (Captive Bride)
“
The water and tree symbolism, which we found as further attributes of the symbol of the city, likewise refer to the libido that is unconsciously attached to the mother-imago. In certain passages of the Apocalypse we catch a clear glimpse of this longing for the mother.32 Also, the author’s eschatological expectations end with the mother: “And there shall be no more curse.” There shall be no more sin, no more repression, no more disharmony with oneself, no guilt, no fear of death and no pain of separation, because through the marriage of the Lamb the son is united with the mother-bride and the ultimate bliss is attained. This symbol recurs in the nuptiae chymicae, the coniunctio of alchemy.
”
”
C.G. Jung (Collected Works of C. G. Jung, Volume 5: Symbols of Transformation (The Collected Works of C. G. Jung))
“
Ellen sue always pale, surveyed herself in the glass in her mother's room. She was pale - but brides are always pale, aren't they? She knew she loved Liam, they were right for each other, and yet -- and yet -- she was scared. She was going away from the city she loved and the people who loved her, with Liam, wh wasn't even related to her few months back.
”
”
Katie Flynn (Rainbow's End)
“
The engulfing mother tries to dominate and control every aspect of her daughter’s life. She makes all the decisions and pressures the daughter on what to wear, how to act, what to say, what to think, and how to feel. Her daughter has little room to grow and blossom individually or to find her own voice, becoming in many ways an extension of her mother. Engulfing mothers often appear to be great moms. Because they’re very involved in their daughters’ lives and may always be doing things for them and with them, others outside the family often view them as active, engaged parents. Yet, the weakened self-image and the sense of unworthiness their daughters take away from this behavior are tragic. Narcissistic
”
”
Karyl McBride (Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers)
“
And there came a second crack, loud and sharp as thunder, and the smoke stirred and whirled around her and the pyre shifted, the logs exploding as the fire touched their secret hearts. She heard the screams of frightened horses, and the voices of the Dothraki raised in shouts of fear and terror, and Ser Jorah calling her name and cursing. No, she wanted to shout to him, no, my good knight, do not fear for me. The fire is mine. I am Daenerys Stormborn, daughter of dragons, bride of dragons, mother of dragons, don’t you see? Don’t you SEE? With a belch of flame and smoke that reached thirty feet into the sky, the pyre collapsed and came down around her. Unafraid, Dany stepped forward into the firestorm, calling to her children.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
I think I’m going to wear blue to the wedding. I saw this gorgeous dress on sale at Macy’s the other day. I think I have a coupon,” Mom tells Liz.
“Oh hell no! I already told you I was going to wear blue, you whore. You can’t wear the same color as me, that’s tacky,” Liz complains.
Oh my God, this is not happening right now.
“Fuck your mother. I’m wearing blue. I already found my dress,” Mom argues.
“I’m the mother of the bride. The mother of the f**king bride! That means it’s up to me!” Liz fires back.
“Claire, I think you would look lovely in blue,” Tyler pipes in.
Mom turns to face Tyler and folds her arms on top of the table. “When I’m finished neutering you, I’m going to take your tiny little neuticles and light them on fire.
”
”
Tara Sivec (Love and Lists (Chocoholics, #1))
“
Damn, but it was a night, Ned! Now, not to be outdone, it appears our reverend mother Hayes is inspired by Captain Cook's latest voyage to the South Pacific."
"I give the woman credit for creativity." Ned laughed. "Have you read John Hawkesworth's account of the voyage?"
Ludovic's brows lifted ever so slightly. "Come now, Ned, do I truly look like a man who entertains himself with books?
”
”
Victoria Vane (A Wild Night's Bride (The Devil DeVere #1))
“
But in those solitary Masses they began to be aware that once again they were mistresses of their fate, after having renounced not only their family name but their own identity in exchange for a security that was no more than another of a bride's many illusions. They alone knew how tiresome was the man they loved to distraction, who perhaps loved them but whom they had to continue nurturing until his last breath as if he were a child, suckling him, changing his soiled diapers, distracting him with a mother's tricks to ease his terror at going out each morning to face reality. And nevertheless, when they watched him leave the house, this man they themselves had urged to conquer the world, then they were the ones left with the terror that he would never return. That was their life. (4.113)
”
”
Gabriel García Márquez
“
Achilles groaned and answered, "Mother, Olympian Jove has indeed vouchsafed me the fulfilment of my prayer, but what boots it to me, seeing that my dear comrade Patroclus has fallen- he whom I valued more than all others, and loved as dearly as my own life? I have lost him; aye, and Hector when he had killed him stripped the wondrous armour, so glorious to behold, which the gods gave to Peleus when they laid you in the couch of a mortal man. Would that you were still dwelling among the immortal sea-nymphs, and that Peleus had taken to himself some mortal bride. For now you shall have grief infinite by reason of the death of that son whom you can never welcome home- nay, I will not live nor go about among mankind unless Hector fall by my spear, and thus pay me for having slain Patroclus son of Menoetius.
”
”
Homer (The Iliad of Homer)
“
But in a horse-chariot they brought [38] me to the sands of Aulis, a bride, alas! unhappy bride to the son of Nereus' daughter, alas! And now a stranger I dwell in an unpleasant home on the inhospitable sea, unwedded, childless, without city, without a friend, not chanting Juno in Argos, nor in the sweetly humming loom adorning with the shuttle the image of Athenian Pallas [39] and of the Titans, but imbruing altars with the shed blood of strangers, a pest unsuited to the harp, [of strangers] sighing forth [40] a piteous cry, and shedding a piteous tear. And now indeed forgetfulness of these matters [comes upon] me, but now I mourn my brother dead in Argos, whom I left yet an infant at the breast, yet young, yet a germ in his mother's arms and on her bosom, Orestes [the future] holder of the sceptre in Argos.
”
”
Euripides (The Tragedies of Euripides, Volume I.)
“
You are now Korwahk warriors. You serve me,” she said just after Lahn thumped his chest. “You serve your golden queen,” she said after Lahn, not looking back, swung a muscular arm and pointed my way before dropping it. “You know nothing now but horseflesh between your legs, steel in your grip, blood on your tongue, victory your only focus. There is no other path. You have no mother. You have no father. You have no brothers except those who wear the paint. You have only The Horde. You are The Horde. You serve me, your queen, your Horde. You will seize bounty; you will claim your bride. You will grunt and sweat and bury your seed to create warriors. You do not own your flesh; The Horde owns your flesh. You sink your blade into flesh; you do it for The Horde. You will wake up a warrior, you will sleep a warrior and you will die a warrior.
”
”
Kristen Ashley (The Golden Dynasty (Fantasyland, #2))
“
I’ve done you a disservice,” he said at last. “It’s only fair to let you know, but you won’t have a normal life span.”
I bit my lip. “Have you come to take my soul, then?”
“I told you that’s not my jurisdiction. But you’re not going to die soon. In fact, you won’t die for a long time, far longer than I initially thought, I’m afraid. Nor will you age normally.”
“Because I took your qi?”
He inclined his head. “I should have stopped you sooner.”
I thought of the empty years that stretched ahead of me, years of solitude long after everyone I loved had died. Though I might have children or grandchildren. But perhaps they might comment on my strange youthfulness and shun me as unnatural. Whisper of sorcery, like those Javanese women who inserted gold needles in their faces and ate children. In the Chinese tradition, nothing was better than dying old and full of years, a treasure in the bosom of one’s family. To outlive descendants and endure a long span of widowhood could hardly be construed as lucky. Tears filled my eyes, and for some reason this seemed to agitate Er Lang, for he turned away. In profile, he was even more handsome, if that was possible, though I was quite sure he was aware of it.
“It isn’t necessarily a good thing, but you’ll see all of the next century, and I think it will be an interesting one.”
“That’s what Tian Bai said,” I said bitterly. “How long will I outlive him?”
“Long enough,” he said. Then more gently, “You may have a happy marriage, though.”
“I wasn’t thinking about him,” I said. “I was thinking about my mother. By the time I die, she’ll have long since gone on to the courts for reincarnation. I shall never see her again.” I burst into sobs, realizing how much I’d clung to that hope, despite the fact that it might be better for my mother to leave the Plains of the Dead. But then we would never meet in this lifetime. Her memories would be erased and her spirit lost to me in this form.
“Don’t cry.” I felt his arms around me, and I buried my face in his chest. The rain began to fall again, so dense it was like a curtain around us. Yet I did not get wet.
“Listen,” he said. “When everyone around you has died and it becomes too hard to go on pretending, I shall come for you.”
“Do you mean that?” A strange happiness was beginning to grow, twining and tightening around my heart.
“I’ve never lied to you.”
“Can’t I go with you now?”
He shook his head. “Aren’t you getting married? Besides, I’ve always preferred older women. In about fifty years’ time, you should be just right.”
I glared at him. “What if I’d rather not wait?”
He narrowed his eyes. “Do you mean that you don’t want to marry Tian Bai?”
I dropped my gaze.
“If you go with me, it won’t be easy for you,” he said warningly. “It will bring you closer to the spirit world and you won’t be able to lead a normal life. My work is incognito, so I can’t keep you in style. It will be a little house in some strange town. I shan’t be available most of the time, and you’d have to be ready to move at a moment’s notice.”
I listened with increasing bewilderment. “Are you asking me to be your mistress or an indentured servant?”
His mouth twitched. “I don’t keep mistresses; it’s far too much trouble. I’m offering to marry you, although I might regret it. And if you think the Lim family disapproved of your marriage, wait until you meet mine.”
I tightened my arms around him.
“Speechless at last,” Er Lang said. “Think about your options. Frankly, if I were a woman, I’d take the first one. I wouldn’t underestimate the importance of family.”
“But what would you do for fifty years?”
He was about to speak when I heard a faint call, and through the heavy downpour, saw Yan Hong’s blurred figure emerge between the trees, Tian Bai running beside her. “Give me your answer in a fortnight,” said Er Lang. Then he was gone.
”
”
Yangsze Choo (The Ghost Bride)
“
My main concern for your recovery is that the form of forgiveness that you choose to implement eradicates blame so throughly that you have no traces of feeling like a victim.
For if you continue to live in a victim mentality, you are at risk of defining your life based on your wounds.
That would mean that you were allowing yourself to be controlled by your mother's failures.
Being free from the feeling of victimization is a true sign of recovery.
”
”
Karyl McBride (Will I Ever Be Good Enough? Healing the Daughters of Narcissistic Mothers)
“
When she had found [another]. . .taking over the task of helping the bride she had felt a great pang, first of jealousy and anger, and finally sorrow. And the sorrow was the heavier because she knew she had brought it on herself. It came to her then that the only real pleasures in life resulted from a feeling of success in relationships with others: in being daughter, wife, mother. And she knew she had not succeeded very well in any of these lines.
”
”
Jessamyn West (The Witch Diggers)
“
Celestial Music”
I have a friend who still believes in heaven.
Not a stupid person, yet with all she knows, she literally talks to god,
she thinks someone listens in heaven.
On earth, she’s unusually competent.
Brave, too, able to face unpleasantness.
We found a caterpillar dying in the dirt, greedy ants crawling over it.
I’m always moved by weakness, by disaster, always eager to oppose vitality.
But timid, also, quick to shut my eyes.
Whereas my friend was able to watch, to let events play out
according to nature. For my sake, she intervened,
brushing a few ants off the torn thing, and set it down
across the road.
My friend says I shut my eyes to god, that nothing else explains
my aversion to reality. She says I’m like the child who buries her head in the pillow
so as not to see, the child who tells herself
that light causes sadness—
My friend is like the mother. Patient, urging me
to wake up an adult like herself, a courageous person—
In my dreams, my friend reproaches me. We’re walking
on the same road, except it’s winter now;
she’s telling me that when you love the world you hear celestial music:
look up, she says. When I look up, nothing.
Only clouds, snow, a white business in the trees
like brides leaping to a great height—
Then I’m afraid for her; I see her
caught in a net deliberately cast over the earth—
In reality, we sit by the side of the road, watching the sun set;
from time to time, the silence pierced by a birdcall.
It’s this moment we’re both trying to explain, the fact
that we’re at ease with death, with solitude.
My friend draws a circle in the dirt; inside, the caterpillar doesn’t move.
She’s always trying to make something whole, something beautiful, an image
capable of life apart from her.
We’re very quiet. It’s peaceful sitting here, not speaking, the composition
fixed, the road turning suddenly dark, the air
going cool, here and there the rocks shining and glittering—
it’s this stillness that we both love.
The love of form is a love of endings.
”
”
Louise Glück (Ararat)
“
Ode to a Dressmaker’s Dummy"
Papier-mache body; blue-and-black cotton jersey cover.
Metal stand. Instructions included. --Sears, Roebuck Catalogue
O my coy darling, still
You wear for me the scent
Of those long afternoons we spent,
The two of us together,
Safe in the attic from the jealous eyes
Of household spies
And the remote buffooneries of the weather;
So high,
Our sole remaining neighbor was the sky,
Which, often enough, at dusk,
Leaning its cloudy shoulders on the sill,
Used to regard us with a bored and cynical eye.
How like the terrified,
Shy figure of a bride
You stood there then, without your clothes,
Drawn up into
So classic and so strict a pose
Almost, it seemed, our little attic grew
Dark with the first charmed night of the honeymoon.
Or was it only some obscure
Shape of my mother’s youth I saw in you,
There where the rude shadows of the afternoon
Crept up your ankles and you stood
Hiding your sex as best you could?--
Prim ghost the evening light shone through.
”
”
Donald Justice (A Donald Justice Reader: Selected Poetry and Prose)
“
But when he had gone the brief round of her he returned discouraged by the thought that all this frankness and innocence were only an artificial product. Untrained human nature was not frank and innocent; it was full of the twists and defences of an instinctive guile. And he felt himself oppressed by this creation of factitious purity, so cunningly manufactured by a conspiracy of mothers and aunts and grandmothers and long-dead ancestresses, because it was supposed to be what he wanted, what he had a right to, in order that he might exercise his lordly pleasure in smashing it like an image made of snow.....
He could not get away from the fact that if he had been brought up as she had they would have been no more fit to find their way about than the Babes in the Wood; nor could he, for all his anxious cogitations, see any honest reason (any, that is, unconnected with his own momentary pleasure, and the passion of masculine vanity) why his bride should not have been allowed the same freedom of experience as himself.
”
”
Edith Wharton (The Age of Innocence)
“
Recently, I watched an episode of The Big Bang Theory. One of the characters, Howard—an astrophysicist—is in space. His new bride, Bernadette, convinces him that it would be best if they lived by themselves when he comes back to earth and not with his loud, annoying mother. Howard agrees. He’s too scared to take ownership of the decision, so he pitches it to his mother like it was his wife’s idea. The mother yells so loud, she barely needs any equipment to be heard in space. Howard dutifully tells her that he will convince Bernadette and they’ll live with her. When Bernadette calls, he doesn’t have the, er, balls, to tell her the truth either. So he tells her all is well with the move. His counterpart, a Russian astronaut, cannot believe his country lost the Cold War to wusses like Howard. When he asks him what he plans to do, Howard has only one option. He’ll stay in space. Earth is where there are problems between his wife and mother. He’s safe in space. He’s not the only one. The world is full of conflicted husbands wishing they could be in space and
”
”
Veena Venugopal (The Mother-in-Law: The Other Woman in Your Marriage)
“
It’s about to rain forks and knives,” Winterborne reported, water drops glittering on his hair and the shoulders of his coat. He reached for a glass of champagne from a silver tray on the table, and raised it in Tom’s direction. “Good luck it is, for the wedding day.”
“Why is that, exactly?” Tom asked, disgruntled.
“A wet knot is harder to untie,” Winterborne said. “The marriage bond will be tight and long lasting.”
Ethan Ransom volunteered, “Mam always said rain on a wedding day washed away the sadness of the past.”
“Not only are superstitions irrational,” Tom said, “they’re inconvenient. If you believe in one, you have to believe them all, which necessitates a thousand pointless rituals.”
Not being allowed to see the bride before the ceremony, for example. He hadn’t had so much as a glimpse of Cassandra that morning, and he was chafing to find out how she was feeling, if she’d slept well, if there was something she needed.
West came into the room with his arms full of folded umbrellas. Justin, dressed in a little velveteen suit, was at his heels.
“Aren’t you supposed to be upstairs in the nursery with your little brother?” St. Vincent asked his five-year-old nephew.
“Dad needed my help,” Justin said self-importantly, bringing an umbrella to him.
“We’re about to have a soaker,” West said briskly. “We’ll have to take everyone out to the chapel as soon as possible, before the ground turns to mud. Don’t open one of these indoors: It’s bad luck.”
“I didn’t think you were superstitious,” Tom protested. “You believe in science.”
West grinned at him. “I’m a farmer, Severin. When it comes to superstitions, farmers lead the pack. Incidentally, the locals say rain on the wedding day means fertility.”
Devon commented dryly, “To a Hampshireman, nearly everything is a sign of fertility. It’s a preoccupation around here.”
“What’s fertility?” Justin asked.
In the sudden silence, all gazes went to West, who asked defensively, “Why is everyone looking at me?”
“As Justin’s new father,” St. Vincent replied, making no effort to hide his enjoyment, “that question is in your province.”
West looked down into Justin’s expectant face. “Let’s ask your mother later,” he suggested.
The child looked mildly concerned. “Don’t you know, Dad?
”
”
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
“
How nice that our former stable boy has begotten a namesake from my elder daughter,” the countess remarked acidly. “This will be the first of many brats, I am sure. Regrettably there is still no heir to the earldom…which is your responsibility, I believe. Come to me with news of your impending marriage to a bride of good blood, Westcliff, and I will evince some satisfaction. Until then, I see little reason for congratulations.”
Though he displayed no emotion at his mother’s hard-hearted response to the news of Aline’s child, not to mention her infuriating preoccupation with the begetting of an heir, Marcus was hard-pressed to hold back a savage reply. In the midst of his darkening mood, he became aware of Lillian’s intent gaze.
Lillian stared at him astutely, a peculiar smile touching her lips. Marcus arched one brow and asked sardonically, “Does something amuse you, Miss Bowman?”
“Yes,” she murmured. “I was just thinking that it’s a wonder you haven’t rushed out to marry the first peasant girl you could find.”
“Impertinent twit!” the countess exclaimed.
Marcus grinned at the girl’s insolence, while the tightness in his chest eased. “Do you think I should?” he asked soberly, as if the question was worth considering.
“Oh yes,” Lillian assured him with a mischievous sparkle in her eyes. “The Marsdens could use some new blood. In my opinion, the family is in grave danger of becoming overbred.”
“Overbred?” Marcus repeated, wanting nothing more than to pounce on her and carry her off somewhere. “What has given you that impression, Miss Bowman?”
“Oh, I don’t know…” she said idly. “Perhaps the earth-shattering importance you attach to whether one should use a fork or spoon to eat one’s pudding.”
“Good manners are not the sole province of the aristocracy, Miss Bowman.” Even to himself, Marcus sounded a bit pompous.
“In my opinion, my lord, an excessive preoccupation with manners and rituals is a strong indication that someone has too much time on his hands.”
Marcus smiled at her impertinence. “Subversive, yet sensible,” he mused. “I’m not certain I disagree.”
“Do not encourage her effrontery, Westcliff,” the countess warned.
“Very well—I shall leave you to your Sisyphean task.”
“What does that mean?” he heard Daisy ask.
Lillian replied while her smiling gaze remained locked with Marcus’s. “It seems you avoided one too many Greek mythology lessons, dear. Sisyphus was a soul in Hades who was damned to perform an eternal task…rolling a huge boulder up a hill, only to have it roll down again just before he reached the top.”
“Then if the countess is Sisyphus,” Daisy concluded, “I suppose we’re…”
“The boulder,” Lady Westcliff said succinctly, causing both girls to laugh.
“Do continue with our instruction, my lady,” Lillian said, giving her full attention to the elderly woman as Marcus bowed and left the room. “We’ll try not to flatten you on the way down.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
XII.—LOCHINVAR. Oh! young Lochinvar is come out of the west, Through all the wide Border his steed was the best; And save his good broadsword, he weapons had none, He rode all unarmed, and he rode all alone; So faithful in love, and so dauntless in war, There never was knight like the young Lochinvar. He stayed not for brake, and he stopped not for stone; He swam the Esk river, where ford there was none; But ere he alighted at Netherby gate, The bride had consented, the gallant came late; For a laggard in love, and a dastard in war, Was to wed the fair Ellen of brave Lochinvar. So boldly he entered the Netherby Hall, Among bride's-men, and kinsmen, and brothers, and all; Then spoke the bride's father, his hand on his sword - For the poor craven bridegroom said never a word - "Oh! come ye in peace here, or come ye in war, Or to dance at our bridal, young Lord Lochinvar?" "I long wooed your daughter, my suit you denied; Love swells like the Solway, but ebbs like its tide; And now am I come, with this lost love of mine, To lead but one measure, drink one cup of wine. There are maidens in Scotland more lovely by far, That would gladly be bride to the young Lochinvar." The bride kissed the goblet: the knight took it up, He quaffed off the wine, and he threw down the cup. She looked down to blush, and she looked up to sigh, With a smile on her lips and a tear in her eye. He took her soft hand, ere her mother could bar - "Now tread we a measure!" said young Lochinvar. So stately his form, and so lovely her face, That never a hall such a galliard did grace; While her mother did fret, and her father did fume, And the bridegroom stood dangling his bonnet and plume: And the bride's-maidens whispered, "'Twere better by far To have matched our fair cousin with young Lochinvar." One touch to her hand, and one word in her ear, When they reached the hall-door, and the charger stood near; So light to the croup the fair lady he swung, So light to the saddle before her he sprung. "She is won! we are gone, over bank, bush, and scaur; They'll have fleet steeds that follow," quoth young Lochinvar. There was mounting 'mong Graemes of the Netherby clan; Forsters, Fenwicks, and Musgraves, they rode and they ran: There was racing and chasing on Cannobie Lee, But the lost bride of Netherby ne'er did they see. So daring in love, and so dauntless in war, Have ye e'er heard of gallant like young Lochinvar?
”
”
Walter Scott (Marmion)
“
Narcissistic traits that you unwittingly acquired will also haunt you in your relationships with other adults. Recognize these traits so that you can get control of them. This will be difficult, but that does not mean you are not a good person. Nor does it mean that you are not good enough. It means that you are human, and you have issues related to a painful, difficult childhood. As an adult, however, you want to become totally accountable, to take an honest look in the mirror. You can move past the pain and sadness and experience, and allow yourself to grow emotionally, and integrate the many complex parts of yourself.
”
”
Karyl McBride (Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers)
“
I am thinking about the way that life can be so slippery, the way a twelve-year-old girl looking into the mirror to count freckles reaches out toward her reflection has turned into that woman on her wedding day, righting her veil. And how, when that bride blinks, she reopens her eyes to see a frazzled young mother trying to get lipstick on straight for the parent-teacher conference that starts in three minutes. And how after that young woman bends down to retrieve the wild-haired doll her daughter has left on the bathroom floor, she rises up to a forty-seven-year-old, looking in the mirror to count age spots. - What We Keep
”
”
Elizabeth Berg
“
Is there any more cruel inadvertence or ordeal in nature Picture the tragedy of that longing, the inaccessible so nearly attained, the transparent fatality, the impossible with not a visible obstacle! . . . It would be insoluble, like our own tragedy upon this earth, were it not that an unexpected element is mingled with it. Did the males foresee the disillusion to which they would be subjected? One thing is certain, that they have locked up in their hearts a bubble of air, even as we lock up in our souls a thought of desperate deliverance. It is as though they hesitated for a moment; then, with a magnificent effort, the finest, the most supernatural that I know of in the annals of the insects and the flowers, in order to rise to happiness they deliberately break the bond that attaches them to life. They tear themselves from their peduncle and, with an incomparable flight, amid pearly beads of gladness, their petals dart up and break the surface of the water. Wounded to death, but radiant and free, they float for a moment beside their heedless brides and the union is accomplished, whereupon the victims drift away to perish, while the wife, already a mother, closes her corolla, in which lives their last breath, rolls up her spiral and descends to the depths, there to ripen the fruit of the heroic kiss.
”
”
Maurice Maeterlinck (The Intelligence of the Flowers)
“
The mystical marriage with the queen goddess of the world represents the hero's total mastery of life ; for the woman is life, the hero its knower and master. And the testings of the hero, which were preliminary to his ultimate experience and deed, were symbolical of those crises of realization by means of which his consciousness came to be amplified and made capable of enduring the full posession of the mother-destroyer, his inevitable bride. With that he knows that he and the father are one: he is in the father's place.
Thus phrased, in the extremest of terms, the problem may sound remote from the affairs of normal humans. Nevertheless, every failure to cope with life situations must be laid to a restriction of consciousness. Wars and temper tantrums are the makeshifts of ignorance; regrets are illuminations come too late. The whole sense of the ubiquitous myth of the hero's passage is that it shall serve as a general patter for men and women, wherever they may stand along the scale. therefore, it is formulated in the broadest terms. the individual has only to discover his own position with reference to this general human formula, and let it then assist him past his restricting walls. who and where are his ogres? those are the reflcetions of the unsolved enigmas of his own humanity. what are his ideals? those are the symptoms of his grasp of life.
”
”
Joseph Campbell
“
Rhys shut the door and went to a small box on the desk- then silently handed it to me.
My heart thundered as I opened the lid. The star sapphire gleamed in the candlelight, as if it were one of the Starfall spirits trapped in stone. 'Your mother's ring?'
'My mother gave me that ring to remind me she was always with me, even during the worst of my training. And when I reached my majority, she took it away. It was an heirloom of her family- had been handed down from female to female over many, many years. My sister wasn't yet born, so she wouldn't have known to give it to her, but... My mother gave it to the Weaver. And then she told me that if I were to marry or mate, then the female would either have to be smart or strong enough to get it back. And if the female wasn't either of those things, then she wouldn't survive the marriage. I promised my mother that any potential bride or mate would have the test... And so it sat there for centuries.'
My face heated. 'You said this was something of value-'
'It is. To me, and my family.'
'So my trip to the Weaver-'
'It was vital that we learn if you could detect those objects. But... I picked the object out of pure selfishness.'
'So I won my wedding ring without even being asked if I wanted to marry you.'
'Perhaps.'
I cocked my head. 'Do- do you want me to wear it?'
'Only if you want to.'
'When we go to Hybern... Let's say things go badly. Will anyone be able to tell that we're mated? Could they use that against you?'
Rage flickered in his eyes. 'If they see us together and can scent us both, they'll know.'
'And if I show up alone, wearing a Night Court wedding ring-'
He snarled softly.
I closed the box, leaving the ring inside. 'After we nullify the Cauldron, I want to do it all. Get the bond declared, get married, throw a stupid party and invite everyone in Velaris- all of it.'
Rhys took the box from my hands and set it down on the nightstand before herding me toward the bed. 'And if I wanted to go one step beyond that?'
'I'm listening,' I purred as he laid me on the sheets.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
So what do your parents do?"
"Think up creative ways to kill each other." Vane cringed as that flew out of his mouth. He was so used to saying it that he didn't think about it until he'd heard himself say it.
"No, really."
Vane looked away uncomfortably. Bride's jaw went slack as she realized he wasn't kidding. "Why would they do that?"
Vane actually squirmed a bit before he answered. "It's a long story. My mother ran off not long after I was born and my father wants me dead, so here I am with you."
She didn't know what to think of that. "This um this family insanity, it's not hereditary, is it?"
"It doesn't appear to be," he said seriously. "But if it creeps up on me, feel free to shoot me.
”
”
Sherrilyn Kenyon (Night Play (Dark-Hunter, #5; Were-Hunter, #1))
“
Damn it, Jacob, I’m freezing my butt off.”
“I came as fast as I could, considering I thought it would be wise to walk the last few yards.”
Isabella whirled around, her smiling face lighting up the silvery night with more ease than the fullest of moons. She leapt up into his embrace, eagerly drinking in his body heat and affection.
“I can see it now. ‘Daddy, tell me about your wedding day.’ ‘Well, son,’” she mocked, deepening her voice to his timbre and reflecting his accent uncannily, “’The first words out of your mother’s mouth were I’m freezing my butt off!’”
“Very romantic, don’t you think?” he teased. “So, you think it will be a boy, then? Our first child?”
“Well, I’m fifty percent sure.”
“Wise odds. Come, little flower, I intend to marry you before the hour is up.” With that, he scooped her off her feet and carried her high against his chest. “Unfortunately, we are going to have to do this hike the hard way.”
“As Legna tells it, that’s what you’re supposed to do.”
“Yeah, well, I assure you a great many grooms have fudged that a little.” He reached to tuck her chilled face into the warm crook of his neck.
“Surely the guests would know. It takes longer to walk than it does to fly . . . or whatever . . . out of the woods.”
“This is true, little flower. But passing time in the solitude of the woods is not necessarily a difficult task for a man and woman about to be married.”
“Jacob!” she gasped, laughing.
“Some traditions are not necessarily publicized,” he teased.
“You people are outrageous.”
“Mmm, and if I had the ability to turn to dust right now, would you tell me no if I asked to . . . pass time with you?”
Isabella shivered, but it was the warmth of his whisper and intent, not the cold, that made her do so.
“Have I ever said no to you?”
“No, but now would be a good time to start, or we will be late to our own wedding,” he chuckled.
“How about no . . . for now?” she asked silkily, pressing her lips to the column on his neck beneath his long, loose hair.
His fingers flexed on her flesh, his arms drawing her tighter to himself. He tried to concentrate on where he was putting his feet.
“If that is going to be your response, Bella, then I suggest you stop teasing me with that wicked little mouth of yours before I trip and land us both in the dirt.”
“Okay,” she agreed, her tongue touching his pulse.
“Bella . . .”
“Jacob, I want to spend the entire night making love to you,” she murmured.
Jacob stopped in his tracks, taking a moment to catch his breath.
“Okay, why is it I always thought it was the groom who was supposed to be having lewd thoughts about the wedding night while the bride took the ceremony more seriously?”
“You started it,” she reminded him, laughing softly.
“I am begging you, Isabella, to allow me to leave these woods with a little of my dignity intact.” He sighed deeply, turning his head to brush his face over her hair. “It does not take much effort from you to turn me inside out and rouse my hunger for you. If there is much more of your wanton taunting, you will be flushed warm and rosy by the time we reach that altar, and our guests will not have to be Mind Demons in order to figure out why.”
“I’m sorry, you’re right.” She turned her face away from his neck.
Jacob resumed his ritual walk for all of thirty seconds before he stopped again.
“Bella . . .” he warned dangerously.
“I’m sorry! It just popped into my head!”
“What am I getting myself into?” he asked aloud, sighing dramatically as he resumed his pace.
“Well, in about an hour, I hope it will be me.
”
”
Jacquelyn Frank (Jacob (Nightwalkers, #1))
“
Go back. Open the bedroom door and send young Aster down the stairs. Place the groom on his feet and draw him away from the bed. Wipe the sheet clean of the bride’s blood. Shake it straight and flatten its wrinkles. Slide off that necklace and return it to the girl as she races to her mother. Fix what has been broken in her, mend it shut again. Clothe him in his wedding finery. Let there be no light. Allow only shadows into this kingdom of man’s making. See him alone in the room. See him free of a father’s attention. See him step beyond the reach of elders and all who advise growing boys on the perils of weakness. Here is Kidane, shaking loose of unseen bindings. Here he is, gifting himself the freedom to tremble. All advice has been taken back and he is no longer the groom instructed to break flesh and draw blood and bring a girl to earthy cries.
See this man in the tender moment before he takes his wife. See him wrestle with the first blooms of untapped emotion. Let the minutes stretch. Remove the expectations of a father. Remove the admonishments to stand tall and stay strong. Eliminate the birthright, the privilege of nobility, the weight of ancestors and blood. Erase his father’s name and that of his grandfather’s father and that of the long line of men before them. Let him stand in the middle of that empty bedroom in his wedding tunic and trousers, in his gilded cape and gold ring, and then disappear his name, too. Make of him nothing and see what emerges willingly, without taint of duty or fear.
”
”
Maaza Mengiste (The Shadow King)
“
She turned to him with wide, shocked eyes. "Why did he..."
His lips twitched. No coarse language in front of the infants limited the ability to discuss the fountain of baby piss that had just arced halfway across the room.
"Twasn't you, darling. It's one of their favorite bath-time games.
"Something about the cool air on their naked...berries," he substituted at the last second....
"Do I have piddle in my hair?" she whispered, her eyes sparkling with laughter above her flushed cheeks.
"Not much," he assured her with a straight face. "You look almost becoming."...
"Decades from now, when our children ask how I fell in love with their mother, I'll say 'twas her sweet, gentle compliments during bath-time, and her fleetness of foot whilst dodging a flow of ---
”
”
Erica Ridley (The Brigadier's Runaway Bride (The Dukes of War, #5))
“
I miss my mother."
Mrs. Norton touched Trudy's shoulder in silent sympathy.
"She never had a chance to see any of her daughters get married."
Trudy laid the veil on the bed.
"It's hard to completely enjoy your wedding day when your mother isn't with you."
"Your mother did see your sisters wed and I'm sure she'll be with you today."
Trudy looked at the woman, astonished she hadn't received a more pious answer from a minister's wife.
She pointed a finger upward. "I know she's in heaven."
Mrs. Norton gently folded Trudy's hand until her palm rested on her chest, "In heaven and in your heart, love never fails, my dear Ms. Bower. I know it's not the same as feeling your mother's arms around you on such a special day, nevertheless, I'm sure she's sending you plenty of love.
”
”
Debra Holland (Trudy (Mail-Order Brides of the West, #1; Montana Sky))
“
her power now that she had lost the hair. So when the bride had finished drinking, and would have got upon Falada again, the maid said, "I shall ride upon Falada, and you may have my horse instead;" so she was forced to give up her horse, and soon afterwards to take off her royal clothes, and put on her maid's shabby ones. At last, as they drew near the end of the journey, this treacherous servant threatened to kill her mistress if she ever told anyone what had happened. But Falada saw it all, and marked it well. Then the waiting-maid got upon Falada, and the real bride was set upon the other horse, and they went on in this way till at last they came to the royal court. There was great joy at their coming, and the prince hurried to meet them, and lifted the maid from her horse, thinking she was the one who was to be his wife; and she was led upstairs to the royal chamber, but the true princess was told to stay in the court below. However, the old king happened to be looking out of the window, and saw her in the yard below; and as she looked very pretty, and too delicate for a waiting-maid, he went into the royal chamber to ask the bride whom it was she had brought with her, that was thus left standing in the court below. "I brought her with me for the sake of her company on the road," said she. "Pray give the girl some work to do, that she may not be idle." The old king could not for some time think of any work for her, but at last he said, "I have a lad who takes care of my geese; she may go and help him." Now the name of this lad, that the real bride was to help in watching the king's geese, was Curdken. Soon after, the false bride said to the prince, "Dear husband, pray do me one piece of kindness." "That I will," said the prince. "Then tell one of your slaughterers to cut off the head of the horse I rode upon, for it was very unruly, and plagued me sadly on the road." But the truth was, she was very much afraid lest Falada should speak, and tell all she had done to the princess. She carried her point, and the faithful Falada was killed; but when the true princess heard of it she wept, and begged the man to nail up Falada's head against a large dark gate in the city through which she had to pass every morning and evening, that there she might still see him sometimes. Then the slaughterer said he would do as she wished, so he cut off the head and nailed it fast under the dark gate. Early the next morning, as the princess and Curdken went out through the gate, she said sorrowfully— "Falada, Falada, there thou art hanging!" and the head answered— "Bride, bride, there thou are ganging! Alas! alas! if thy mother knew it, Sadly, sadly her heart would rue it." Then they went out of the city, driving the geese. And when they came to the meadow, the princess sat down upon a bank there and let down her waving locks of hair, which were all of pure gold; and when Curdken saw it glitter in the sun, he ran up, and would have pulled some of the locks out; but she cried— "Blow, breezes, blow! Let Curdken's hat go! Blow breezes, blow! Let him after it go! "O'er hills, dales, and rocks, Away be it whirl'd, Till the golden locks Are all comb'd and curl'd!" Then there came a wind, so strong that it blew off Curdken's hat, and away it flew over the hills, and he after it; till, by the time he came back, she had done combing and curling her hair, and put it up again safely. Then he was very angry and sulky, and would not speak to her at all; but they watched the geese until it grew dark in the evening, and then drove them homewards. The next morning, as they were going through the dark gate, the poor girl looked up at Falada's head, and cried— "Falada, Falada, there thou art hanging!" and it answered— "Bride, bride, there thou are ganging! Alas! alas! if thy mother knew it, Sadly, sadly her heart would rue it." Then she drove on the geese and sat down again in the meadow, and began to comb
”
”
Jacob Grimm (Grimm's Fairy Stories)
“
get out on the rocks or the fields or the water and spout them." Captain Jim had come up that afternoon to bring Anne a load of shells for her garden, and a little bunch of sweet-grass which he had found in a ramble over the sand dunes. "It's getting real scarce along this shore now," he said. "When I was a boy there was a-plenty of it. But now it's only once in a while you'll find a plot—and never when you're looking for it. You jest have to stumble on it—you're walking along on the sand hills, never thinking of sweet-grass—and all at once the air is full of sweetness—and there's the grass under your feet. I favor the smell of sweet-grass. It always makes me think of my mother." "She was fond of it?" asked Anne. "Not that I knows on. Dunno's she ever saw any sweet-grass. No, it's because it has a kind of motherly perfume—not too young, you understand—something kind of seasoned and wholesome and dependable—jest like a mother. The schoolmaster's bride always kept it among her handkerchiefs. You might put that little bunch among yours, Mistress Blythe. I don't like these boughten scents—but a whiff of sweet-grass belongs anywhere a lady does." Anne had not been especially enthusiastic over the idea of surrounding her flower beds with quahog shells; as a decoration they did not appeal to her on first thought. But she would not have hurt Captain Jim's feelings for anything; so she assumed a virtue she did not at first feel, and thanked him heartily. And when Captain Jim had proudly encircled every bed with a rim of the big, milk-white shells, Anne found to her surprise that she liked the effect.
”
”
L.M. Montgomery (The Anne Stories (Anne of Green Gables, #1-3, 5, 7-8) (Story Girl, #1-2))
“
That exactly is how my father and mother met and became man and wife. There were no home ceremonials, such as the seeking and obtaining of parental consent, because there were no parent; no conferences by uncles and grand-uncles, or exhortations by grandmothers and aunts; no male relatives to arrange the marriage knot, nor female relations to herald the family union, and no uncles of the bride to divide the bogadi (dowry) cattle as, of course, there were no cattle. It was a simple matter of taking each other for good and or ill with the blessing of the ‘God of Rain’. The forest was their home, the rustling trees their relations, the sky their guardian and the birds, who sealed the marriage contract with the songs, the only guests. Here they stablished their home and names it Re-Nosi (We-are-alone). [41]
”
”
Sol T. Plaatje (Mhudi)
“
With great reluctance— sitting in the chair with Kate and doing nothing but hold her was surprisingly satisfying— he stood, lifting her in his arms as he did so, and then set her back in the chair. “This has been a delightful interlude,” he murmured, leaning down to drop a kiss on her forehead. “But I fear your mother’s early return. I shall see you Saturday morning?”
She blinked. “Saturday?”
“A superstition of my mother’s,” he said with a sheepish smile. “She thinks it’s bad luck for the bride and groom to see one another the day before the wedding.”
“Oh.” She rose to her feet, self-consciously smoothing her dress and hair. “And do you believe it as well?”
“Not at all,” he said with a snort.
She nodded. “It’s very sweet of you to indulge your mother, then.”
Anthony paused for a moment, well aware that most men of his reputation did not want to appear tied to apron strings. But this was Kate, and he knew that she valued devotion to family as much as he did, so he finally said, “There is little I would not do to keep my mother content.”
She smiled shyly. “It is one of the things I like best about you.”
He made some sort of gesture designed to change the subject, but she interrupted with, “No, it’s true. You’re far more caring a person than you’d like people to believe.”
Since he wasn’t going to be able to win the argument with her— and there was little point in contradicting a woman when she was being complimentary— he put a finger to his lips and said, “Shhh. Don’t tell anyone.” And then, with one last kiss to her hand and a murmured, “Adieu,” he made his way out the door and outside.
-Anthony & Kate
”
”
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
“
Comparing marriage to football is no insult. I come from the South where football is sacred. I would never belittle marriage by saying it is like soccer, bowling, or playing bridge, never. Those images would never work, only football is passionate enough to be compared to marriage. In other sports, players walk onto the field, in football they run onto the field, in high school ripping through some paper, in college (for those who are fortunate enough) they touch the rock and run down the hill onto the field in the middle of the band. In other sports, fans cheer, in football they scream. In other sports, players ‘high five’, in football they chest, smash shoulder pads, and pat your rear. Football is a passionate sport, and marriage is about passion.
In football, two teams send players onto the field to determine which athletes will win and which will lose, in marriage two families send their representatives forward to see which family will survive and which family will be lost into oblivion with their traditions, patterns, and values lost and forgotten.
Preparing for this struggle for survival, the bride and groom are each set up. Each has been led to believe that their family’s patterns are all ‘normal,’ and anyone who differs is dense, naïve, or stupid because, no matter what the issue, the way their family has always done it is the ‘right’ way. For the premarital bride and groom in their twenties, as soon as they say, “I do,” these ‘right’ ways of doing things are about to collide like two three hundred and fifty pound linemen at the hiking of the ball. From “I do” forward, if not before, every decision, every action, every goal will be like the line of scrimmage.
Where will the family patterns collide?
In the kitchen. Here the new couple will be faced with the difficult decision of “Where do the cereal bowls go?” Likely, one family’s is high, and the others is low. Where will they go now?
In the bathroom. The bathroom is a battleground unmatched in the potential conflicts. Will the toilet paper roll over the top or underneath? Will the acceptable residing position for the lid be up or down? And, of course, what about the toothpaste? Squeeze it from the middle or the end?
But the skirmishes don’t stop in the rooms of the house, they are not only locational they are seasonal. The classic battles come home for the holidays.
Thanksgiving. Which family will they spend the noon meal with and which family, if close enough, will have to wait until the nighttime meal, or just dessert if at all?
Christmas. Whose home will they visit first, if at all? How much money will they spend on gifts for his family? for hers?
Then comes for many couples an even bigger challenge – children of their own!
At the wedding, many couples take two candles and light just one often extinguishing their candle as a sign of devotion. The image is Biblical. The Bible is quoted a man shall leave his father and mother and be joined to his wife, and the two shall become one. What few prepare them for is the upcoming struggle, the conflict over the unanswered question: the two shall become one, but which one? Two families, two patterns, two ways of doing things, which family’s patterns will survive to play another day, in another generation, and which will be lost forever? Let the games begin.
”
”
David W. Jones (The Enlightenment of Jesus: Practical Steps to Life Awake)
“
Once there was a new bride who wanted to prepare a special roast for her husband. Before putting the roast in the oven, she cut half an inch of meat off each of the two ends, just as she had always seen her mother do. When her husband asked why on earth she would cut off the best part of the roast, the only thing she knew to say was ‘because my mother always made it that way.’ So the next day, the bride went to her mother’s house to ask why she cut the ends off the roast. Just like her daughter, the mother shrugged her shoulders and said, ‘Because my mother always made it that way.’ Now they were both curious. So the two found the bride’s grandmother and together asked, ‘Why do we cut off the ends of a roast before putting it in the oven?’ Shocked, the grandmother cried, ‘You’ve been doing that all these years? I only cut off the ends of my roasts because they never fit into my tiny pan!’
”
”
Rachel Held Evans (A Year of Biblical Womanhood)
“
A man who is awake in the open field at night or who wanders over silent paths experiences the world differently than by day. Nighness vanishes, and with it distance; everything is equally far and near, close by us and yet mysteriously remote. Space loses its measures. There are whispers and sounds, and we do not know where or what they are. Our feelings too are peculiarly ambiguous. There is a strangeness about what is intimate and dear, and a seductive charm about the frightening. There is no longer a distinction between the lifeless and the living, everything is animate and soulless, vigilant and asleep at once. What the day brings on and makes recognizable gradually, emerges out of the dark with no intermediary stages. The encounter suddenly confronts us, as if by a miracle: What is the thing we suddenly see - an enchanted bride, a monster, or merely a log? Everything teases the traveller, puts on a familiar face and the next moment is utterly strange, suddenly terrifies with awful gestures and immediately resumes a familiar and harmless posture.
Danger lurks everywhere. Out of the dark jaws of the night which gape beside the traveller, any moment a robber may emerge without warning, or some eerie terror, or the uneasy ghost of a dead man - who knows what may once have happened at that very spot? Perhaps mischievous apparitions of the fog seek to entice him from the right path into the desert where horror dwells, where wanton witches dance their rounds which no man ever leaves alive. Who can protect him, guide him aright, give him good counsel? The spirit of Night itself, the genius of its kindliness, its enchantment, its resourcefulness, and its profound wisdom. She is indeed the mother of all mystery. The weary she wraps in slumber, delivers from care, and she causes dreams to play about their souls. Her protection is enjoyed by the un-happy and persecuted as well as by the cunning, whom her ambivalent shadows offer a thousand devices and contrivances. With her veil she also shields lovers, and her darkness keeps ward over all caresses, all charms hidden and revealed. Music is the true language of her mystery - the enchanting voice which sounds for eyes that are closed and in which heaven and earth, the near and the far, man and nature, present and past, appear to make themselves understood.
But the darkness of night which so sweetly invites to slumber also bestows new vigilance and illumination upon the spirit. It makes it more perceptive, more acute, more enterprising. Knowledge flares up, or descends like a shooting star - rare, precious, even magical knowledge.
And so night, which can terrify the solitary man and lead him astray, can also be his friend, his helper, his counsellor.
”
”
Walter F. Otto (The Homeric Gods: The Spiritual Significance of Greek Religion)
“
This would be the third year that she would try halfheartedly to keep her mother unaware that there even was a Fall Ball,let alone the theme. But there was no question that Mrs. Winslow would get the info somehow, probably within six hours of the announcement. It didn't matter that she was presently in the Caribbean. She was connected. By morning,she would be on the phone to someone in New York or Paris or Milan, finding the perfect costume for her daughter.
The last one was a historically accurate replica of an eighteenth-century dress, appropraite to rural New York State gentility, no less. It had possessed a wig, corset, and padded butt. Sadie,itchy and unable to breathe, let alone eat or drink or shake her extended booty, had spent the four hours of the dance sitting in a dark corner.I,dressed in a high-necked, tattered, and "blood"-spattered white dress and veil (Bride of the Headless Horseman),sat with her.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
The only thing I can’t figure out is why you still eat the food your captors fed you. Why don’t you hate it as much as you hate them?” Fila glanced down at her plate. It contained a strange mixture of Afghan and Mexican dishes. She held up a flatbread. “This isn’t Taliban food—it’s Afghan food. It’s my mother’s food. I grew up eating it before I was ever captured. To me it means love and tenderness, not hate and violence.” “Taliban, Afghan—it’s all the same.” She waved the bread. “No, it’s not. Not one bit. Afghan culture is over two thousand years old. And it’s a conservative culture—it’s had to be—but it’s not a culture of monsters. Afghans are people like you, Holt. They’re born, they grow up, they live and love and they die just like we do. I didn’t study much history before I was taken, but I know this much. America’s story is that of the frontier—of always having room to grow. Afghanistan’s story is that of occupation. By the Russians, the British, the Mongols—even the ancient Greeks. On and on for century after century. Imagine all those wars being fought in Montana. Foreign armies living among us, taking over your ranch, stealing everything you own, killing your wife and children, over and over and over again.” She paused to catch her breath. “Death is right around the corner for them—all the time. Is it any wonder that a movement that turns men into warriors and codes everything else into rigid rules might seem like the answer?” She still wasn’t sure if Holt was following her. What analogy would make sense to him? She wracked her brain. “If a bunch of Californians overran Chance Creek and forced everyone to eat tofu, would you refuse to ever eat steak again?” He made a face. “Of course not!” “Then imagine the Taliban are the Californians, forcing everyone to eat tofu. And everyone does it because they don’t know what else to do. They still love steak, but they will be severely punished if they eat it—so will their families. That’s what it’s like for many Afghans living under Taliban control. It’s not their choice. They still love their country. They still love their heritage. That doesn’t mean they love the group of extremists who have taken over.” “Even if those Taliban people went away, they still wouldn’t be anything like you and me.” Holt crossed his arms. Fila suppressed a smile at his inclusion of her. That was a step in the right direction even if the greater message was lost on him. “They’re more like you than you think. Defensive. Angry. Always on the lookout for trouble.” Holt straightened. “I have four sons. Of course I’m on the lookout for trouble.” “They have sons, too.” She waited to see if he understood. Holt shook his head. “We’re going to see different on this one. But I understand about the food. Everyone likes their mother’s cooking best.” He surveyed her plate. “You got any more of that bread?” She’d take that as a victory.
”
”
Cora Seton (The Cowboy Rescues a Bride (The Cowboys of Chance Creek, #7))
“
In the end, it was the little details of the wedding that Daphne remembered. There were tears in her mother's eyes (and then eventually on her face), and Anthony's voice had been oddly hoarse when he stepped forward to give her away. Hyacinth had strewn her rose petals too quickly, and there were none left by the time she reached the altar. Gregory sneezed three times before they even got to their vows.
And she remembered the look of concentration on Simon's face as he repeated his vows. Each syllable was uttered slowly and carefully. His eyes burned with intent, and his voice was low but true. To Daphne, it sounded as if nothing in the world could possibly be as important as the words he spoke as they stood before the archbishop.
Her heart found comfort in this; no man who spoke his vows with such intensity could possibly view marriage as a mere convenience.
Those whom God hath joined together, let no man put asunder.
A shiver raced down Daphne's spine, causing her to sway. In just a moment, she would belong to this man forever.
Simon's head turned slightly, his eyes darting to her face. Are you all right? his eyes asked.
She nodded, a tiny little jog of her chin that only he could see. Something blazed in his eyes—could it be relief?
I now pronounce you—
Gregory sneezed for a fourth time, then a fifth and sixth, completely obliterating the archbishop's “man and wife.” Daphne felt a horrifying bubble of mirth pushing up her throat. She pressed her lips together, determined to maintain an appropriately serious facade. Marriage, after all, was a solemn institution, and not one to be treating as a joke.
She shot a glance at Simon, only to find that he was looking at her with a queer expression. His pale eyes were focused on her mouth, and the corners of his lips began to twitch.
Daphne felt that bubble of mirth rising ever higher.
You may kiss the bride.
Simon grabbed her with almost desperate arms, his mouth crashing down on hers with a force that drew a collective gasp from the small assemblage of guests.
And then both sets of lips—bride and groom—burst into laughter, even as they remained entwined.
Violet Bridgerton later said it was the oddest kiss she'd ever been privileged to view.
Gregory Bridgerton—when he finished sneezing—said it was disgusting.
The archbishop, who was getting on in years, looked perplexed.
But Hyacinth Bridgerton, who at ten should have known the least about kisses of anyone, just blinked thoughtfully, and said, “I think it's nice. If they're laughing now, they'll probably be laughing forever.” She turned to her mother. “Isn't that a good thing?”
Violet took her youngest daughter's hand and squeezed it. “Laughter is always a good thing, Hyacinth. And thank you for reminding us of that.”
And so it was that the rumor was started that the new Duke and Duchess of Hastings were the most blissfully happy and devoted couple to be married in decades. After all, who could remember another wedding with so much laughter?
”
”
Julia Quinn (The Duke and I (Bridgertons, #1))
“
There was a loud din, a drunken gaiety. Young people, adults, children were dancing. But I could feel the reality behind the appearance of festivity. The distorted faces of the bride’s relatives signaled a quarrelsome discontent. Especially the women. They had spent their last cent for the gift, for what they were wearing, had gone into debt, and now they were treated like poor relations, with bad wine, intolerable delays in service? Why didn’t Lila intervene, why didn’t she protest to Stefano? I knew them. They would restrain their rage for love of Lila but at the end of the reception, when she went to change, when she came back, dressed in her beautiful traveling clothes, when she handed out the wedding favors, when she had left, with her husband, then a huge fight would erupt, and it would be the start of hatreds lasting months, years, and offenses and insults that would involve husbands, sons, all with an obligation to prove to mothers and sisters and grandmothers that they knew how to be men.
”
”
Elena Ferrante (My Brilliant Friend (Neapolitan Novels, #1))
“
she’d posed for her wedding photo. The only thing missing was her father. She still remembered how gently Brian had told her he wouldn’t be coming. How he’d held her while she cried. She remembered how he’d whispered over and over that he’d never leave. The way that Brian cherished her was already changing the way she felt about the world. Her father might not be here today, nor her mother, but she was still surrounded by family. Friends. A community she was proud to be a part of. Cass swallowed hard. She was happy. So happy. The music swelled. Wye and her sisters straightened and got in line. “Ready?” Jo asked. Cass’s phone erupted from the side table in a burst of tinny music, and she wondered who on earth could be calling now. Everyone she knew in the world was sitting outside waiting for her. “Ignore it,” Lena urged her. “We have to go.” Something made Cass reach for it, though, and when she saw who it was, her heart skipped a beat. “It’s the General.” Her sisters stared back at her. “Answer it,” Wye said. She grabbed it from Cass’s hand, swiped to accept the call and held it to Cass’s ear.
”
”
Cora Seton (Issued to the Bride: One Navy SEAL (Brides of Chance Creek, #1))
“
As I became older, I was given many masks to wear. I could be a laborer laying railroad tracks across the continent, with long hair in a queue to be pulled by pranksters; a gardener trimming the shrubs while secretly planting a bomb; a saboteur before the day of infamy at Pearl Harbor, signaling the Imperial Fleet; a kamikaze pilot donning his headband somberly, screaming 'Banzai' on my way to my death; a peasant with a broad-brimmed straw hat in a rice paddy on the other side of the world, stooped over to toil in the water; an obedient servant in the parlor, a houseboy too dignified for my own good; a washerman in the basement laundry, removing stains using an ancient secret; a tyrant intent on imposing my despotism on the democratic world, opposed by the free and the brave; a party cadre alongside many others, all of us clad in coordinated Mao jackets; a sniper camouflaged in the trees of the jungle, training my gunsights on G.I. Joe; a child running with a body burning from napalm, captured in an unforgettable photo; an enemy shot in the head or slaughtered by the villageful; one of the grooms in a mass wedding of couples, having met my mate the day before through our cult leader; an orphan in the last airlift out of a collapsed capital, ready to be adopted into the good life; a black belt martial artist breaking cinderblocks with his head, in an advertisement for Ginsu brand knives with the slogan 'but wait--there's more' as the commercial segued to show another free gift; a chef serving up dog stew, a trick on the unsuspecting diner; a bad driver swerving into the next lane, exactly as could be expected; a horny exchange student here for a year, eager to date the blonde cheerleader; a tourist visiting, clicking away with his camera, posing my family in front of the monuments and statues; a ping pong champion, wearing white tube socks pulled up too high and batting the ball with a wicked spin; a violin prodigy impressing the audience at Carnegie Hall, before taking a polite bow; a teen computer scientist, ready to make millions on an initial public offering before the company stock crashes; a gangster in sunglasses and a tight suit, embroiled in a turf war with the Sicilian mob; an urban greengrocer selling lunch by the pound, rudely returning change over the counter to the black patrons; a businessman with a briefcase of cash bribing a congressman, a corrupting influence on the electoral process; a salaryman on my way to work, crammed into the commuter train and loyal to the company; a shady doctor, trained in a foreign tradition with anatomical diagrams of the human body mapping the flow of life energy through a multitude of colored points; a calculus graduate student with thick glasses and a bad haircut, serving as a teaching assistant with an incomprehensible accent, scribbling on the chalkboard; an automobile enthusiast who customizes an imported car with a supercharged engine and Japanese decals in the rear window, cruising the boulevard looking for a drag race; a illegal alien crowded into the cargo hold of a smuggler's ship, defying death only to crowd into a New York City tenement and work as a slave in a sweatshop.
My mother and my girl cousins were Madame Butterfly from the mail order bride catalog, dying in their service to the masculinity of the West, and the dragon lady in a kimono, taking vengeance for her sisters. They became the television newscaster, look-alikes with their flawlessly permed hair.
Through these indelible images, I grew up. But when I looked in the mirror, I could not believe my own reflection because it was not like what I saw around me. Over the years, the world opened up. It has become a dizzying kaleidoscope of cultural fragments, arranged and rearranged without plan or order.
”
”
Frank H. Wu (Yellow: Race in America Beyond Black and White)
“
Pinky?" says Karen. Pinky the pig is lying on her afghan where she usually is during meals, blinking with her bristlylashed eyes and hoping for scraps. "Pinky's right here!"
"This is last year's Pinky," says her grandmother. "There's a new one every year." She looks across the table at Karen. She has a sly expression; she's waiting to see how Karen will take it.
Karen doesn't know what to do. She could start to cry and jump up from the table and run out of the room, which is what her mother would do and is also what she herself feels like doing. Instead she sets her fork down and takes the rubbery chewed piece of bacon out of her mouth and places it gently on her plate, and that's the end of bacon for her, right then and there, forever.
"Well, for heaven's sake," says her grandmother, aggrieved but with some contempt. It's as if Karen has failed at something. "It's only pigs. They're cute when they're young, smart too, but if I let them stay alive they'd get too big. They're wild when they grow up, they're cunning, they'd eat you, yourself. They'd gobble you up as soon as look at you!" Karen thinks about Pinky, running around the barnyard with no head, the grey smoke of her life going up from her and her rainbow light shrinking to nothing. Whatever else, her grandmother is a killer. No wonder other people are afraid of her.
”
”
Margaret Atwood (The Robber Bride)
“
The traditional Roman wedding was a splendid affair designed to dramatize the bride’s transfer from the protection of her father’s household gods to those of her husband. Originally, this literally meant that she passed from the authority of her father to her husband, but at the end of the Republic women achieved a greater degree of independence, and the bride remained formally in the care of a guardian from her blood family. In the event of financial and other disagreements, this meant that her interests were more easily protected. Divorce was easy, frequent and often consensual, although husbands were obliged to repay their wives’ dowries. The bride was dressed at home in a white tunic, gathered by a special belt which her husband would later have to untie. Over this she wore a flame-colored veil. Her hair was carefully dressed with pads of artificial hair into six tufts and held together by ribbons. The groom went to her father’s house and, taking her right hand in his, confirmed his vow of fidelity. An animal (usually a ewe or a pig) was sacrificed in the atrium or a nearby shrine and an Augur was appointed to examine the entrails and declare the auspices favorable. The couple exchanged vows after this and the marriage was complete. A wedding banquet, attended by the two families, concluded with a ritual attempt to drag the bride from her mother’s arms in a pretended abduction. A procession was then formed which led the bride to her husband’s house, holding the symbols of housewifely duty, a spindle and distaff. She took the hand of a child whose parents were living, while another child, waving a hawthorn torch, walked in front to clear the way. All those in the procession laughed and made obscene jokes at the happy couple’s expense. When the bride arrived at her new home, she smeared the front door with oil and lard and decorated it with strands of wool. Her husband, who had already arrived, was waiting inside and asked for her praenomen or first name. Because Roman women did not have one and were called only by their family name, she replied in a set phrase: “Wherever you are Caius, I will be Caia.” She was then lifted over the threshold. The husband undid the girdle of his wife’s tunic, at which point the guests discreetly withdrew. On the following morning she dressed in the traditional costume of married women and made a sacrifice to her new household gods. By the late Republic this complicated ritual had lost its appeal for sophisticated Romans and could be replaced by a much simpler ceremony, much as today many people marry in a registry office. The man asked the woman if she wished to become the mistress of a household (materfamilias), to which she answered yes. In turn, she asked him if he wished to become paterfamilias, and on his saying he did the couple became husband and wife.
”
”
Anthony Everitt (Cicero: The Life and Times of Rome's Greatest Politician)
“
Then I came back to Christine. She was waiting for me..."
Erik here rose solemnly. Then he continued, but, as he spoke, he was overcome by all his former emotion and began to tremble like a leaf:
"Yes, she was waiting for me... waiting for me erect and alive, a real, living bride... as she hoped to be saved... And, when I... came forward, more timid than... a little child, she did not run away... no, no... she stayed... she waited for me... I even believe... daroga... that she put out her forehead... a little... oh, not too much... just a little... like a living bride... And... and... I... kissed her!... I!... I!... I!... And she did not die!... Oh, how good it is, daroga, to kiss somebody on the forehead!... You can't tell!... But I! I!... My mother, daroga, my poor, unhappy mother would never... let me kiss her... She used to run away... and throw me my mask!... Nor any other woman... ever, ever!... Ah, you can understand, my happiness was so great, I cried. And I fell at her feet, crying... and I kissed her feet... her little feet... crying. You're crying, too, daroga... and she cried also... the angel cried!..."
Erik sobbed aloud and the Persian himself could not retain his tears in the presence of that masked man, who, with his shoulders shaking and his hands clutched at his chest, was moaning with pain and love by turns.
"Yes, daroga... I felt her tears flow on my forehead... on mine, mine!... They were soft... they were sweet!... They trickled under my mask... they mingled with my tears in my eyes... they flowed between my lips... Listen, daroga, listen to what I did... I tore off my mask so as not to lose one of her tears... and she did not run away!... And she did not die!... She remained alive, weeping over me, with me. We cried together! I have tasted all the happiness the world can offer!"
And Erik fell into a chair, choking for breath:
"Ah, I am not going to die yet... presently I shall... but let me cry!... Listen, daroga... listen to this... While I was at her feet... I heard her say, 'Poor, unhappy Erik!'... And she took my hand!... I had become, no more, you know, than a poor dog ready to die for her... I mean it, daroga!... I held in my hand a ring, a plain gold ring which I had given her... which she had lost... and which I had found again... a wedding-ring, you know... I slipped it into her little hand and said, 'There!... Take it!... Take it for you... and him!... It shall be my wedding-present from your poor, unhappy Erik... I know you love the boy... don't cry any more!'.... She asked me, in a very soft voice, what I meant... Then I made her understand that, where she was concerned, I was only a poor dog, ready to die for her... but that she could marry the young man when she pleased, because she had cried with me and mingled her tears with mine!..."
Erik's emotion was so great that he had to tell the Persian not to look at him, for he was choking and must take off his mask.
”
”
Gaston Leroux (The Phantom Of The Opera)
“
I know High Ladies are probably supposed to wear a new dress every day,' I mused, smiling at the gown, 'but I'm rather attached to this one.'
He ran his hand down my thigh. 'I'm glad.'
'You never told me where you got it- where you got all my favourite dresses.'
Rhys arched a dark brow. 'You never figured it out?'
I shook my head.
For a moment, he said nothing, his head dipping to study the dress.
'My mother made them.'
I went still.'
Rhys smiled sadly at the shimmering gown. 'She was a seamstress, back at the camp where she'd been raised. She didn't just do the work because she was ordered to. She did it because she loved it. And when she mated my father, she continued.'
I grazed a reverent hand down my sleeve. 'I- I had no idea.
His eyes were star-bright. 'Long ago, when I was still a boy, she made them- all your gowns. A trousseau for my future bride.' His throat bobbed. 'Every piece... Every piece I have ever given you to wear, she made them. For you.'
My eyes stung as I breathed. 'Why didn't you tell me?'
'He shrugged with one shoulder. 'I thought you might be... disturbed to wear gowns made by a female who died centuries ago.'
I put a hand over my heart. 'I am honoured, Rhys. Beyond words.'
His mouth trembled a bit. 'She would have loved you.'
It was as great a gift as any I'd been given. I leaned down until our brows touched. I would have loved her.
I felt his gratitude without him saying a word as we remained there, breathing each other in for long minutes.
”
”
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #4))
“
A story best told at speed. After finals, more exams, then the call to the bar, pupillage, a lucky invitation to prestigious chambers, some early success defending hopeless cases—how sensible it had seemed, to delay a child until her early thirties. And when those years came, they brought complex worthwhile cases, more success. Jack was also hesitant, arguing for holding back another year or two. Mid-thirties then, when he was teaching in Pittsburgh and she worked a fourteen-hour day, drifting deeper into family law as the idea of her own family receded, despite the visits of nephews and nieces. In the following years, the first rumors that she might be elected precociously to the bench and required to be on circuit. But the call didn’t come, not yet. And in her forties, there sprang up anxieties about elderly gravids and autism. Soon after, more young visitors to Gray’s Inn Square, noisy demanding great-nephews, great-nieces, reminded her how hard it would be to squeeze an infant into her kind of life. Then rueful thoughts of adoption, some tentative inquiries—and throughout the accelerating years that followed, occasional agonies of doubt, firm late-night decisions concerning surrogate mothers undone in the early-morning rush to work. And when at last, at nine thirty one morning at the Royal Courts of Justice, she was sworn in by the Lord Chief Justice and took her oath of allegiance and her Judicial Oath before two hundred of her bewigged colleagues, and she stood proudly before them in her robes, the subject of a witty speech, she knew the game was up; she belonged to the law as some women had once been brides of Christ.
”
”
Ian McEwan (The Children Act)
“
HEART OF TEA DEVOTION
rc t c//'VI/~ L tLP /'V to/ a
My dear, ifyou couldgive me a cup of tea to clear my muddle of a head I should better understand your affairs.
CHARLES DICKENS
If teacups could talk, my house would be full of conversation ... because my house is full of teacups. My collection of china cups-begun many years ago, when I set up housekeeping as a child bride-has long since outgrown its home in the glass-front armoire and spread out to occupy side tables and shelves and hooks in the kitchen or find safe harbor in the dining-room hutch.
Some of these cups I inherited from women I love-my mother and my aunties. Some are gifts from my husband, Bob, or from my children or from special friends. A few are delightful finds from elegant boutiques or dusty antique shops.
One cup bears telltale cracks and scars; it was the only one I could salvage when a shelf slipped and 14 cups fell and shattered.
Three other cups stand out for their intense color-my aunt was always attracted to that kind of dramatic decoration.
Yet another cup, a gift, is of a style I've never much cared for, but now it makes me smile as I remember the houseguest who "rescued" it from a dark corner of the armoire because it looked "lonely."
Each one of my teacups has a history, and each one is precious to me. I have gladly shared them with guests and told their stories to many people.
Recently, however, I have been more inclined to listen.
I've been wondering what all those cups, with their history and long experience, are trying to say to me.
What I hear from them, over and over, is an invitation-one I want to extend to you: When did you last have a tea party? When was the last time you enjoyed a cup of tea with someone you care about? Isn't it time you did it again?
”
”
Emilie Barnes (The Tea Lover's Devotional)
“
LXXII
In sooth, it was no vulgar sight to see
Their barbarous, yet their not indecent, glee,
And as the flames along their faces gleam’d,
Their gestures nimble, dark eyes flashing free,
The long wild locks that to their girdles stream’d,
While thus in concert they this lay half sang, half scream’d:
Tambourgi! Tambourgi! thy ’larum afar
Gives hope to the valiant, and promise of war;
All the sons of the mountains arise at the note,
Chimariot, Illyrian, and dark Suliote!
Oh! who is more brave than a dark Suliote,
To his snowy camese and his shaggy capote?
To the wolf and the vulture he leaves his wild flock,
And descends to the plain like the stream from the rock.
Shall the sons of Chimari, who never forgive
The fault of a friend, bid an enemy live?
Let those guns so unerring such vengeance forego?
What mark is so fair as the breast of a foe?
Macedonia sends forth her invincible race;
For a time they abandon the cave and the chase:
But those scarves of blood-red shall be redder, before
The sabre is sheathed and the battle is o’er.
Then the pirates of Parga that dwell by the waves,
And teach the pale Franks what it is to be slaves,
Shall leave on the beach the long galley and oar,
And track to his covert the captive on shore.
I ask not the pleasure that riches supply,
My sabre shall win what the feeble must buy;
Shall win the young bride with her long flowing hair,
And many a maid from her mother shall tear.
I love the fair face of the maid in her youth,
Her caresses shall lull me, her music shall soothe;
Let her bring from her chamber the many-toned lyre,
And sing us a song on the fall of her sire.
Remember the moment when Previsa fell,
The shrieks of the conquer’d, the conquerors’ yell;
The roofs that we fired, and the plunder we shared,
The wealthy we slaughter’d, the lovely we spared.
I talk not of mercy, I talk not of fear;
He neither must know who would serve the Vizier:
Since the days of our prophet, the Crescent ne’er saw
A chief ever glorious like Ali Pasha.
Dark Muchtar his son to the Danube is sped,
Let the yellow-haired Giaours view his horsetail with dread;
When his Delhis come dashing in blood o’er the banks,
How few shall escape from the Muscovite ranks!
Selictar, unsheath then our chief’s scimitar:
Tambourgi! thy ’larum gives promise of war;
Ye mountains, that see us descend to the shore,
Shall view us as victors, or view us no more!
”
”
Lord Byron (Childe Harold's Pilgrimage)
“
What’ll it be?” Steve asked me, just days after our wedding. “Do we go on the honeymoon we’ve got planned, or do you want to go catch crocs?”
My head was still spinning from the ceremony, the celebration, and the fact that I could now use the two words “my husband” and have them mean something real. The four months between February 2, 1992--the day Steve asked me to marry him--and our wedding day on June 4 had been a blur.
Steve’s mother threw us an engagement party for Queensland friends and family, and I encountered a very common theme: “We never thought Steve would get married.” Everyone said it--relatives, old friends, and schoolmates. I’d smile and nod, but my inner response was, Well, we’ve got that in common. And something else: Wait until I get home and tell everybody I am moving to Australia.
I knew what I’d have to explain. Being with Steve, running the zoo, and helping the crocs was exactly the right thing to do. I knew with all my heart and soul that this was the path I was meant to travel. My American friends--the best, closest ones--understood this perfectly. I trusted Steve with my life and loved him desperately.
One of the first challenges was how to bring as many Australian friends and family as possible over to the United States for the wedding. None of us had a lot of money. Eleven people wound up making the trip from Australia, and we held the ceremony in the big Methodist church my grandmother attended.
It was more than a wedding, it was saying good-bye to everyone I’d ever known. I invited everybody, even people who may not have been intimate friends. I even invited my dentist. The whole network of wildlife rehabilitators came too--four hundred people in all.
The ceremony began at eight p.m., with coffee and cake afterward. I wore the same dress that my older sister Bonnie had worn at her wedding twenty-seven years earlier, and my sister Tricia wore at her wedding six years after that. The wedding cake had white frosting, but it was decorated with real flowers instead of icing ones.
Steve had picked out a simple ring for me, a quarter carat, exactly what I wanted. He didn’t have a wedding ring. We were just going to borrow one for the service, but we couldn’t find anybody with fingers that were big enough. It turned out that my dad’s wedding ring fitted him, and that’s the one we used. Steve’s mother, Lyn, gave me a silk horseshoe to put around my wrist, a symbol of good luck.
On our wedding day, June 4, 1992, it had been eight months since Steve and I first met. As the minister started reading the vows, I could see that Steve was nervous. His tuxedo looked like it was strangling him. For a man who was used to working in the tropics, he sure looked hot. The church was air-conditioned, but sweat drops formed on the ends of his fingers. Poor Steve, I thought. He’d never been up in front of such a big crowd before.
“The scariest situation I’ve ever been in,” Steve would say later of the ceremony. This from a man who wrangled crocodiles!
When the minister invited the groom to kiss the bride, I could feel all Steve’s energy, passion, and love. I realized without a doubt we were doing the right thing.
”
”
Terri Irwin (Steve & Me)