Bride Happiness Quotes

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Name one hero who was happy." I considered. Heracles went mad and killed his family; Theseus lost his bride and father; Jason's children and new wife were murdered by his old; Bellerophon killed the Chimera but was crippled by the fall from Pegasus' back. "You can't." He was sitting up now, leaning forward. "I can't." "I know. They never let you be famous AND happy." He lifted an eyebrow. "I'll tell you a secret." "Tell me." I loved it when he was like this. "I'm going to be the first." He took my palm and held it to his. "Swear it." "Why me?" "Because you're the reason. Swear it." "I swear it," I said, lost in the high color of his cheeks, the flame in his eyes. "I swear it," he echoed. We sat like that a moment, hands touching. He grinned. "I feel like I could eat the world raw.
Madeline Miller (The Song of Achilles)
This isn’t happily ever after. It’s so much more than that.
Kiera Cass (The One (The Selection, #3))
It's hard to resist a bad boy who's a good man.
Nora Roberts (Happy Ever After (Bride Quartet, #4))
It was many and many a year ago, In a kingdom by the sea, That a maiden there lived whom you may know By the name of ANNABEL LEE; And this maiden she lived with no other thought Than to love and be loved by me. I was a child and she was a child, In this kingdom by the sea; But we loved with a love that was more than love- I and my Annabel Lee; With a love that the winged seraphs of heaven Coveted her and me. And this was the reason that, long ago, In this kingdom by the sea, A wind blew out of a cloud, chilling My beautiful Annabel Lee; So that her highborn kinsman came And bore her away from me, To shut her up in a sepulchre In this kingdom by the sea. The angels, not half so happy in heaven, Went envying her and me- Yes!- that was the reason (as all men know, In this kingdom by the sea) That the wind came out of the cloud by night, Chilling and killing my Annabel Lee. But our love it was stronger by far than the love Of those who were older than we- Of many far wiser than we- And neither the angels in heaven above, Nor the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful Annabel Lee. For the moon never beams without bringing me dreams Of the beautiful Annabel Lee; And the stars never rise but I feel the bright eyes Of the beautiful Annabel Lee; And so, all the night-tide, I lie down by the side Of my darling- my darling- my life and my bride, In the sepulchre there by the sea, In her tomb by the sounding sea.
Edgar Allan Poe
When you find somebody you love, all the way through, and she loves you—even with your weaknesses, your flaws, everything starts to click into place. And if you can talk to her, and she listens, if she makes you laugh, and makes you think, makes you want, makes you see who you really are, and who you are is better, just better with her, you’d be crazy not to want to spend the rest of your life with her. (Carter Maguire)
Nora Roberts (Happy Ever After (Bride Quartet, #4))
If you’re looking for the full deal, the till-death deal, then look at me. No one’s ever going to love you, stick by you, understand how you work the way I do. (Malcolm Kavanaugh)
Nora Roberts (Happy Ever After (Bride Quartet, #4))
She loves you," the Prince cried. "She loves you still and you love her, so think of that--think of this too: in all this world, you might have been happy, genuinely happy. Not one couple in a century has that chance, not really, no matter what the storybooks say, but you could have had it, and so, I would think, no one will ever suffer a loss as great as you.
William Goldman (The Princess Bride)
If you want to dress up like a giraffe, and go to school like that, and that makes you happy then do it!
Andy Biersack
Mom says each of us has a veil between ourselves and the rest of the world, like a bride wears on her wedding day, except this kind of veil is invisible. We walk around happily with these invisible veils hanging down over our faces. The world is kind of blurry, and we like it that way. But sometimes our veils are pushed away for a few moments, like there's a wind blowing it from our faces. And when the veil lifts, we can see the world as it really is, just for those few seconds before it settles down again. We see all the beauty, and cruelty, and sadness, and love. But mostly we are happy not to. Some people learn to lift the veil themselves. Then they don't have to depend on the wind anymore.
Rebecca Stead (When You Reach Me)
...She'd gone past interest, swung into attraction, burst through lust, tripped over affection, and was now skidding out of control into love.
Nora Roberts (Happy Ever After (Bride Quartet, #4))
Bride, n. - A woman with a fine prospect of happiness behind her.
Ambrose Bierce (The Unabridged Devil's Dictionary)
Happy people don't wear all black.
Helen Hoang (The Bride Test (The Kiss Quotient, #2))
On the third day of their honeymoon, infamous environmental activist Stewie Woods and his new bride, Annabel Bellotti, were spiking trees in the forest when a cow exploded and blew them up. Until then, their marriage had been happy.
C.J. Box (Savage Run (Joe Pickett, #2))
Up then, fair phoenix bride, frustrate the sun; Thyself from thine affection Takest warmth enough, and from thine eye All lesser birds will take their jollity. Up, up, fair bride, and call Thy stars from out their several boxes, take Thy rubies, pearls, and diamonds forth, and make Thyself a constellation of them all; And by their blazing signify That a great princess falls, but doth not die. Be thou a new star, that to us portends Ends of much wonder; and be thou those ends.
John Donne (The Complete English Poems)
I’ve missed you.” So badly his body had broken down. “I need to know you’re safe and happy. And I want you close. With me.
Helen Hoang (The Bride Test (The Kiss Quotient, #2))
I want to talk to you. I want to listen to you. I want to walk with you and, yes, I want you in my bed. That's what I want today. That's what I'll want in a hundred years. If you promise to be my wife forever, I will pledge myself to your happiness.
Christina Dodd (Rules of Attraction (Governess Brides, #4))
To my son, If you are reading this letter, then I am dead. I expect to die, if not today, then soon. I expect that Valentine will kill me. For all his talk of loving me, for all his desire for a right-hand man, he knows that I have doubts. And he is a man who cannot abide doubt. I do not know how you will be brought up. I do not know what they will tell you about me. I do not even know who will give you this letter. I entrust it to Amatis, but I cannot see what the future holds. All I know is that this is my chance to give you an accounting of a man you may well hate. There are three things you must know about me. The first is that I have been a coward. Throughout my life I have made the wrong decisions, because they were easy, because they were self-serving, because I was afraid. At first I believed in Valentine’s cause. I turned from my family and to the Circle because I fancied myself better than Downworlders and the Clave and my suffocating parents. My anger against them was a tool Valentine bent to his will as he bent and changed so many of us. When he drove Lucian away I did not question it but gladly took his place for my own. When he demanded I leave Amatis, the woman I love, and marry Celine, a girl I did not know, I did as he asked, to my everlasting shame. I cannot imagine what you might be thinking now, knowing that the girl I speak of was your mother. The second thing you must know is this. Do not blame Celine for any of this, whatever you do. It was not her fault, but mine. Your mother was an innocent from a family that brutalized her. She wanted only kindess, to feel safe and loved. And though my heart had been given already, I loved her, in my fashion, just as in my heart, I was faithful to Amatis. Non sum qualis eram bonae sub regno Cynarae. I wonder if you love Latin as I do, and poetry. I wonder who has taught you. The third and hardest thing you must know is that I was prepared to hate you. The son of myslef and the child-bride I barely knew, you seemed to be the culmination of all the wrong decisions I had made, all the small compromises that led to my dissolution. Yet as you grew inside my mind, as you grew in the world, a blameless innocent, I began to realize that I did not hate you. It is the nature of parents to see their own image in their children, and it was myself I hated, not you. For there is only one thing I wan from you, my son — one thing from you, and of you. I want you to be a better man than I was. Let no one else tell you who you are or should be. Love where you wish to. Believe as you wish to. Take freedom as your right. I don’t ask that you save the world, my boy, my child, the only child I will ever have. I ask only that you be happy. Stephen
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
They are as happy as they can be, given who they are. Though if they'd been different people they might have been happier.
Margaret Atwood (The Robber Bride)
Sometimes you have to get sad before you get happy 'cause otherwise how would you know the difference?
Maureen Child (And Then Came You: Sam's Story (The Marconi Brides #1))
May your troubles be less Your blessings be more. And nothing but happiness Come through your door.
Dorien Kelly (The Last Bride in Ballymuir (Ballymuir, #1))
Well, I’m an abridger, so I’m entitled to a few ideas of my own. Did they make it? Was the pirate ship there? You can answer it for yourself, but, for me, I say yes it was. And yes, they got away. And got their strength back and had lots of adventures and more than their share of laughs. But that doesn’t mean I think they had a happy ending, either. Because, in my opinion, anyway, they squabbled a lot, and Buttercup lost her looks eventually, and one day Fezzik lost a fight and some hot-shot kid whipped Inigo with a sword and Westley was never able to really sleep sound because of Humperdinck maybe being on the trail. I’m not trying to make this a downer, understand. I mean, I really do think that love is the best thing in the world, next to cough drops. But I also have to say, for the umpty-umpth time, that life isn’t fair. It’s just fairer than death, that’s all.
William Goldman (The Princess Bride)
And don’t worry.” Bob, Carter’s best man and colleague, held up a notebook computer. “I’ve got it handled on this end. And I memorized the vows just in case he needs me to throw him a line.” “You’re a treasure, Bob.” She waited until she was out of earshot to laugh.
Nora Roberts (Happy Ever After (Bride Quartet, #4))
But it was a happy and beautiful bride who came down the old, homespun- carpeted stairs that September noon - the first bride of Green Gables, slender and shining-eyed, in the mist of her maiden veil, with her arms full of roses. Gilbert, waiting for her in the hall below, looked up at her with adoring eyes. She was his at last, this evasive, long-sought Anne, won after years of patient waiting. It was to him she was coming in the sweet surrender of the bride. Was he worthy of her? Could he make her as happy as he hoped? If he failed her - if he could not measure up to her standard of manhood - then, as she held out her hand, their eyes met and all doubt was swept away in a glad certainty. They belonged to each other; and, no matter what life might hold for them, it could never alter that. Their happiness was in each other’s keeping and both were unafraid.
L.M. Montgomery (Anne's House of Dreams (Anne of Green Gables, #5))
One thing you know when you're ten is that no matter what, there's gonna be a happy ending. They can sweat all they want, the authors, but back of it all you know, you just have no doubt, that in the long run justice is going to win out.
William Goldman (The Princess Bride)
i have come to terms with my life, and that is my affair - i am not cold, i swear, but i have decided certain things, it is best for me to ignore emotion; i have not been happy dealing with it.
William Goldman (The Princess Bride)
As we grow up we realize that even the person who was supposed to never let you down probably will. You will probably have your heart broken more than once and it gets harder every time. You'll break hearts too, so remember how it felt when your's was broken. You'll fight with your best friend. You'll blame a new love for things an old one did. You'll cry because time is passing too fast, and you'll eventually lose someone you love, so take many pictures, laugh to much and love like you've never been hurt because every sixty seconds you spend upset is one minute of happiness you'll never get back.
Andy Sixx
She was like a bride-to-be who begins to feel her sickening qualms as the day approaches, and dares not speak her mind because so many preparations have been made on her behalf the happiness and convenience of so many good people would be put at risk.
Ian McEwan (Atonement)
Ramon looked closely at the little guy as he ate. "Maybe he's Jewish. I mean, if Sammy Davis Jr. could convert to Judaism, why not a chupacabra? We should name him Harry Mendelbaum." I held up my arms in protest. "You're all racist. Now shut up. We'll call him Taco von Precious of Svenenstein. There, everybody happy?" "Isn't von the same thing as of?" Frank asked. "Wouldn't that be kind of redundant?" "You're redundant," I said.
Lish McBride (Necromancing the Stone (Necromancer, #2))
It is not easy to find happiness in ourselves, and it is not possible to find it elsewhere. —Agnes Repplier, The Treasure Chest
Karyl McBride (Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers)
Jericho? You're smiling." "I am?" He stroked her cheek again. Warm tingles coursed through her, and instinctively, she followed his touch a second time. His smile widened. "I must be happy." (...) "You're quite handsome when you're happy." Jericho trailed one finger under her chin. "I'll make a note of your preference.
Karen Witemeyer (A Tailor-Made Bride)
Love can kick your ass.
Nora Roberts (Happy Ever After (Bride Quartet, #4))
You're excuses are so lame they're limping...
Nora Roberts (Happy Ever After (Bride Quartet, #4))
Make peace with the fact that there will be those who bitch no matter what you do. You might as well do what makes you happy, so at least when you hear the bitching, you'll know that the event they're griping about was exactly the one you wanted.
Ariel Meadow Stallings (Offbeat Bride: Taffeta-Free Alternatives for Independent Brides)
There's three things I've seen in this world that seem to make a body happy or miserable. It's no money or health or any of those other things most people talk about. It's knowing where you fit in this world, being able to go after your dreams, and love.
Patricia McLinn (Almost a Bride (Wyoming Wildflowers, #1))
It's one of my biggest memories of my father reading. I had pneumonia, remember, but I was a little better now, and madly caught up in the book, and one thing you know when you're ten is that, no matter what, there's gonna be a happy ending. They can sweat all they want to scare you, the authors, but back of it all you know, you just have no doubt, that in the long run justice is going to win out.
William Goldman (The Princess Bride)
There must be a glowing light above such houses. The joy they contain must escape in light through the stones of the walls and shine dimly into the darkness. It is impossible that this sacred festival of destiny should not send a celestial radiation to the infinite. Love is the sublime crucible in which is consummated the fusion of man and woman; the one being, the triple being, the final being-- the human trinity springs from it. This birth of two souls into one space must be an emotion for space. The lover is priest; the apprehensive maiden submits. Something of this joy goes to God. Where there really is marriage, that is to say, where there is love, the ideal is mingled with it. A nuptial bed makes a halo in the darkness. Were it given to the eye of the flesh to perceive the fearful and enchanting sights of the superior life, it is likely that we should see the forms of night, the winged stranger, the blue travelers of the invisible, bending, a throng of shadowy heads, over the luminous house, pleased, blessing, showing to one another the sweetly startled maiden bride and wearing the reflection of the human felicity on their divine countenances. If at that supreme hour, the wedded pair, bewildered with pleasure, and believing themselves alone, were to listen, they would hear in their room a rustling of confused wings. Perfect happiness implies the solidarity of the angels. That obscure little alcove has for its ceiling the whole heavens. When two mouths, made sacred by love, draw near to each other to create, it is impossible, that above that ineffable kiss there should not be a thrill in the immense mystery of the stars.
Victor Hugo (Les Misérables)
I know you loved us all, in your own way. Magdalena for her brilliance, Alexi for his loveliness. But I was your war bride, your faithful Constanta, and you loved me for my will to survive. You coaxed that tenacity out of me and broke it down in your hands, leaving me on your work table like a desiccated doll until you were ready to repair me. You filled me with your loving guidance, stitched up my seams with thread in your favorite color, taught me how to walk and talk and smile in whatever way pleased you best. I was so happy to be your marionette, at first. So happy to be chosen.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
We’re going to get a couple pretty, fluffy inches in the morning for a gorgeous December evening wedding. Go get ready for rehearsal.” “I’m afraid of rehearsal. My voice is going to squeak. I think I’m getting a zit right in the middle of my chin. I’m going to trip coming down the aisle. It’s okay if Carter trips. People expect it. But –” … “Carter isn’t nervous. “Mac narrowed her eyes in a scowl. “I could hate him for that.” “Mackensie.” Parker turned from the computer. “I was in the kitchen this morning when Mrs. G made him sit down and eat some breakfast. He put maple syrup in his coffee.” “He did?” She threw up her arms in a cheer. “He is nervous. I feel better.
Nora Roberts (Happy Ever After (Bride Quartet, #4))
I am no good without you, Ginesse,” he said. “I spent a lifetime alone, but I never understood loneliness until I was away from you. I never understood happiness until I saw you again.
Connie Brockway (The Other Guy's Bride (Braxton, #2))
I felt freed to please myself, to find my way as I would, in a world that was much vaster than I had realized before, in which I was but one star-gleam, one wavelet, among multitudes. My happiness mattered not a whit more than the next person's - or the next fish's, or the next grass-blade's! - and not a whit less.
Margo Lanagan (The Brides of Rollrock Island)
If you are one of earth’s inhabitants, how blest your father, and your gentle mother, blest all your kin. I know what happiness must send the warm tears to their eyes, each time they see their wondrous child go to the dancing! But one man’s destiny is more than blest—he who prevails, and takes you as his bride. Never have I laid eyes on equal beauty in man or woman. I am hushed indeed.
Homer (The Odyssey)
Sometimes without conscious realization, our thoughts, our faith, out interests are entered into the past. We talk about other times, other places, other persons, and lose our living hold on the present. Sometimes we think if we could just go back in time we would be happy. But anyone who attempts to reenter the past is sure to be disappointed. Anyone who has ever revisited the place of his birth after years of absence is shocked by the differences between the way the place actually is, and the way he has remembered it. He may walk along old familiar streets and roads, but he is a stranger in a strange land. He has thought of this place as home, but he finds he is no longer here even in spirit. He has gone onto a new and different life, and in thinking longingly of the past, he has been giving thought and interest to something that no longer really exists.
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
Buttercup’s parents did not have exactly what you might call a happy marriage. All they ever dreamed of was leaving each other.
William Goldman (The Princess Bride)
Brides never fare well in stories. Stories can sense happiness and snuff it out like a candle.
Carmen Maria Machado (Her Body and Other Parties)
The man was the finest preacher. He could make a frog stand up straight and get happy with Jesus.
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
This was fresh, rich, heavenly, succulent, soft, creamy, kiss-my-ass, cows-gotta-die-for-this, delightfully salty, moo-ass, good old white folks cheese, cheese to die for, cheese to make you happy, cheese to beat the cheese boss, cheese for the big cheese, cheese to end the world,
James McBride (Deacon King Kong)
Sexual intimacy is a relationship, not just body parts coming together. The more comfortable you are with each other outside the bedroom; the easier it is to relax and the sweeter the intimacy!
Ngina Otiende (The Wedding Night: Embracing Sexual Intimacy as New Bride)
Happy is the bride the sun shines on.
C.S. Forester
Sometimes we hate her,” Laurel said, then smiled at Parker. “But it’s a hare based on love.
Nora Roberts (Happy Ever After (Bride Quartet, #4))
I’ve never believed in fairy tales. One day, the fairies will tell this story. There will be a valiant prince, a part no doubt played in history by the brave Vartan who journeys to rescue his bride from a dragon. There will be fairies. There will be horse-birds and there will be an enchanted blade. But, I will no doubt be stricken from the tale, a cursed blemish on a shining story. Happy endings don’t always happen in the real world.
T.T. Escurel (The House of Rose (Auronia #1))
I figure if you’ve got to take someone down or set them straight, you might as well enjoy it on some level. Malcom
Nora Roberts (Happy Ever After (Bride Quartet, #4))
Love sought is good, but given unsought is better. —WILLIAM SHAKESPEARE
Nora Roberts (Happy Ever After (Bride Quartet, #4))
El, you are telling me to run away with a man to become his mistress." "I am telling you to be happy. Even if it lasts only a little while. We must snatch what we can when we have the chance. Life is so very lonely when we don't.
Jennifer Ashley (The Many Sins of Lord Cameron (MacKenzies & McBrides, #3))
[she used to say that] each of us has a veil between ourselves and the rest of the world – like a bride wears on her wedding day—except this kind of veil is invisible. we walk around happily with these invisible veils hanging down over our faces. the world is kind of blurry. we like it that way. but sometimes our veils are pushed away for a few moments – like there’s a wind blowing it from our faces – and when the veil lifts, we can see the world as it really is, just for those few seconds before it settles down again. we see all the beauty and cruelty and sadness and love, but mostly we are happy not to. some people learn to lift the veils themselves. then they don’t have to depend on the wind anymore. ...it’s just her way of saying that most of the time people get distracted by little stuff, and ignore the big stuff.
Rebecca Stead (When You Reach Me)
Oh, no, she isn’t quite as useless as that,” Aimery said. As Winter stared, a thin crimson line drew itself across his throat, blood bubbling up from the wound. “The prettiest girl on all of Luna? She will make some member of this court a happy bride someday, I should think.” “The prettiest girl, Aimery?” Levana’s light tone almost concealed the snarl beneath. Aimery slipped into a bow. “Prettiest only, My Queen. But no mortal could compare with your perfection.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
Of all the things fairy tales demanded I should believe - dogs with eyes as big as saucers, maidens felled by spindles, queens who do not remove red-hot iron shoes and dance in them until they die - this is the only thing that stretches credulity. That happiness demands so little to stay.
Roshani Chokshi (The Last Tale of the Flower Bride)
Love isn't about forcing submission,Grif. Its about...doing for the one you love. It's about their happiness over our own.
Belinda McBride (An Uncommon Whore (An Uncommon Whore #1))
God grant you your quota of smiles.
William Goldman (The Princess Bride)
He bent down, lips brushing my ear, and whispered, “Smile. You are the happy bride, remember?
Cora Reilly (Bound by Honor (Born in Blood Mafia Chronicles, #1))
That's how you're defining right and wrong? By what makes me happy?" Pride lit his face as he nodded. Oh Jesus. "Walker, you can't do that." "Why not?" "Because I shouldn't be the center of your life!" His voice was gentle, a little confused. "But you are.
Rowan McBride (Want Me)
She could not rise. But there she lay content. The scent of the bog myrtle and the meadow-sweet was in her nostrils. The rooks' hoarse laughter was in her ears. "I have found my mate," she murmured. "It is the moor. I am nature's bride," she whispered, giving herself in rapture to the cold embraces of the grass as she lay folded in her cloak in the hollow by the pool. "Here I will lie. (A feather fell upon her brow.) I have found a greener laurel than the bay. My forehead will be cool always. These are wild birds' feathers - the owls, the nightjars. I shall dream wild dreams. My hands shall wear no wedding ring," she continued, slipping it from her finger. "The roots shall twine about them. Ah!" she sighed, pressing her head luxuriously on its spongy pillow, "I have sought happiness through many ages and not found it; fame and missed it' love and not known it; life - and behold, death is better. I have known many men and many women," she continued; "none have I understood. It is better that I should lie at peace here with only the sky above me - as the gipsy told me years ago.
Virginia Woolf (Orlando)
She strove for poised composure, despite feeling like a powerless pawn in a despicable game of human chess, played for the amusement of those who enjoyed tragic endings at the expense of someone else’s happiness—no—their very existence.
Collette Cameron (Highlander's Hope (Castle Brides, #2))
As he left Chinatown behind, Alan thought of the woman he’d seen on the wharf the other day, the golden splendor of her gown, her glossy hair and the turbulent emotion in her eyes. He wondered what she was doing right now and if she’d found happiness in her new home.
Bonnie Dee (Captive Bride)
It's a pretty big deal, not being dead, and I wanted to stay that way.
Nora Roberts (Happy Ever After (Bride Quartet, #4))
True happiness comes from helping others who are less fortunate than you. It comes from doing the right thing. Nothing else works.
Andrew Peterson (Ready to Kill (Nathan McBride, #4))
Why good news involved the man being pounded, Ian had never understood, but he knew that the gestures made Mac, Cam and Hart happy. Ian stood quietly and took their hand claps, arms around his shoulders, liking that he was part of them, brothers who had never deserted him.
Jennifer Ashley (A Mackenzie Family Christmas: The Perfect Gift (MacKenzies & McBrides, #4.5))
Happy smiles were shared between the bride and groom, but it was the cake their guests remembered - the vanilla custard filling, the buttercream finish, the slight taste of raspberries that had surely been added to the batter. No one brought home any slices of leftover cake to place under their pillow, hoping to dream of their future mate; instead, the guests… ate the whole cake and then had dreams of eating it again. After this wedding unmarried women woke in the night with tears in their eyes, not because they were alone, but because there wasn't any cake left.
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
Why do we go to all this trouble' Parker asked. 'Men don't notice anyway.' 'Because what we wear affects how we feel, how we act, how we move. And that they do notice. Especially the move. Get dressed, smoke the eyes. You'll know you look good so you'll feel good. You'll have a better time.
Nora Roberts (Happy Ever After (Bride Quartet, #4))
Thou still unravish’d bride of quietness, Thou foster-child of silence and slow time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fring’d legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? What maidens loth? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on; Not to the sensual ear, but, more endear’d, Pipe to the spirit ditties of no tone: Fair youth, beneath the trees, thou canst not leave Thy song, nor ever can those trees be bare; Bold Lover, never, never canst thou kiss, Though winning near the goal yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair! Ah, happy, happy boughs! that cannot shed Your leaves, nor ever bid the Spring adieu; And, happy melodist, unwearied, For ever piping songs for ever new; More happy love! more happy, happy love! For ever warm and still to be enjoy’d, For ever panting, and for ever young; All breathing human passion far above, That leaves a heart high-sorrowful and cloy’d, A burning forehead, and a parching tongue. Who are these coming to the sacrifice? To what green altar, O mysterious priest, Lead’st thou that heifer lowing at the skies, And all her silken flanks with garlands drest? What little town by river or sea shore, Or mountain-built with peaceful citadel, Is emptied of this folk, this pious morn? And, little town, thy streets for evermore Will silent be; and not a soul to tell Why thou art desolate, can e’er return. O Attic shape! Fair attitude! with brede Of marble men and maidens overwrought, With forest branches and the trodden weed; Thou, silent form, dost tease us out of thought As doth eternity: Cold Pastoral! When old age shall this generation waste, Thou shalt remain, in midst of other woe Than ours, a friend to man, to whom thou say’st, “Beauty is truth, truth beauty,—that is all Ye know on earth, and all ye need to know.
John Keats (Ode On A Grecian Urn And Other Poems)
It was many and many a year ago, In a kingdom by the sea, That a maiden there lived whom you may know By the name of ANNABEL LEE; And this maiden she lived with no other thought Than to love and be loved by me. I was a child and she was a child, In this kingdom by the sea; But we loved with a love that was more than love- I and my Annabel Lee; With a love that the winged seraphs of heaven Coveted her and me. And this was the reason that, long ago, In this kingdom by the sea, A wind blew out of a cloud, chilling My beautiful Annabel Lee; So that her highborn kinsman came And bore her away from me, To shut her up in a sepulchre In this kingdom by the sea. The angels, not half so happy in heaven, Went envying her and me- Yes!- that was the reason (as all men know, In this kingdom by the sea) That the wind came out of the cloud by night, Chilling and killing my Annabel Lee. But our love it was stronger by far than the love Of those who were older than we- Of many far wiser than we- And neither the angels in heaven above, Nor the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful Annabel Lee. For the moon never beams without bringing me dreams Of the beautiful Annabel Lee; And the stars never rise but I feel the bright eyes Of the beautiful Annabel Lee; And so, all the night-tide, I lie down by the side Of my darling- my darling- my life and my bride, In the sepulchre there by the sea, In her tomb by the sounding sea." "It was many and many a year ago, In a kingdom by the sea, That a maiden there lived whom you may know By the name of ANNABEL LEE; And this maiden she lived with no other thought Than to love and be loved by me. I was a child and she was a child, In this kingdom by the sea; But we loved with a love that was more than love- I and my Annabel Lee; With a love that the winged seraphs of heaven Coveted her and me. And this was the reason that, long ago, In this kingdom by the sea, A wind blew out of a cloud, chilling My beautiful Annabel Lee; So that her highborn kinsman came And bore her away from me, To shut her up in a sepulchre In this kingdom by the sea. The angels, not half so happy in heaven, Went envying her and me- Yes!- that was the reason (as all men know, In this kingdom by the sea) That the wind came out of the cloud by night, Chilling and killing my Annabel Lee. But our love it was stronger by far than the love Of those who were older than we- Of many far wiser than we- And neither the angels in heaven above, Nor the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful Annabel Lee. For the moon never beams without bringing me dreams Of the beautiful Annabel Lee; And the stars never rise but I feel the bright eyes Of the beautiful Annabel Lee; And so, all the night-tide, I lie down by the side Of my darling- my darling- my life and my bride, In the sepulchre there by the sea, In her tomb by the sounding sea.
Edgar Allan Poe
‎"..love is as complex an emotion as exists. There are many reasons why love does not prosper. .. the waters are perilous, and you would do well to know that, because unlike your novels, not every story has a happy ending.
Mary Lydon Simonsen (The Perfect Bride for Mr. Darcy)
weren't we all the same as children?" eiko asked. "all of us, destined to become beautiful brides in fluffy white dresses!" she giggled to herself. "where did we go wrong?" isn't that what keeps life interesting?" i replied. "and who knows? next year you could be somebody's wife. no one knows what will happen." sometimes i think it would be wonderful just to stay the way i am forever, just kick back and space out during the afternoon thinking about all the exciting things that the night will bring, all the naughty things i might take part in." she snickered again. well," i said, "aren't you the happy one." she squinted her tiny nose and laughed. dawn was breaking as we said good-bye. i saw her off by watching her small body disappear into the background, her high heels clapping along, echoing in the early morning city. my drunkenness, the sunrise, the bright sky, and a friend who was leaving. if i had died in my fall i would have missed that morning - that splendid sunrise over tokyo.
Banana Yoshimoto
Because I have felt pain here too. I have lived over a hundred years, and when I was shown just how alone I was by seeing the happiness of others, I found it difficult.” Then he placed his warm hand against the side of her face to hold it. “Your presence in my home has already eased this for me, and I wish to ease your hurt in return.
Opal Reyne (A Soul to Heal (Duskwalker Brides, #2))
There's three things I've seen in this world that seem to make a body happy or miserable. It's not money or health or any of those other things most people talk about. It's knowing where you fit in this world, being able to go after your dreams and love.
Patricia McLinn (Almost a Bride (Wyoming Wildflowers, #1))
Separation never comes from His side. He is always ready for communion with a prepared heart, and in this happy communion the bride becomes ever fairer, and more like to her Lord. She is being progressively changed into His image, from one degree of glory to another, through the wondrous working of the Holy Spirit, until the Bridegroom can declare:— Thou art all fair, My love; And there is no spot on thee. And now she is fit for service, and to it the Bridegroom woos her; she will not now misrepresent Him:—
James Hudson Taylor (Union And Communion or Thoughts on the Song of Solomon)
Thank God. I was running out of hope." His arms coming around her, he drew her close and rested his cheek on her hair. "I could never live without you, Lily. I could never be happy alone, now that I know what happiness is." He laughted softly. "I thought I was perfectly content until I met you. I never realized how much I was missing until then. I haven't been the same man since I kissed you in that stable loft.
Nicole Jordan (To Seduce a Bride (Courtship Wars, #3))
His gaze meandered along my chest. "Hey!" I crossed my arms over my breasts. "Those are…" "Patrick's?" "Well, his name isn't tattooed on them, but yeah, currently they are reserved for him." I peered at him and noted the similarities between him and his sons. "Ruadan, I presume?" "Got it in one," he said, silver eyes twinkling. "You scared the shit out of me." One corner of his mouth lifted into a grin. He picked up the parchment and tapped on it. "So, you're Patrick's soul mate." "No." "But you read the scroll. Only his sonuachar can do that." "Let me explain." I paused. "No, there is too much. Let me sum up." " The Princess Bride!" Ruadan exclaimed in happy surprise. "I love that movie. 'Hello, my name is Inigo Montoya. You killed my father. Prepare to die!'" He leapt off the bed and made fencing motions. "Ruadan, we're in a bit of crisis around here." "Hey! My swords." He practically skipped to the dresser where I had left them when I got ready for my bath. He whirled the half-swords like a master swordsman, which, of course, he was. "My mother really knows how to smith a weapon, doesn't she? Real fairy gold." He stabbed an invisible foe's chest with one and his stomach with the other. "Die, evil one! Die!" He jumped up and down, the swords held above his head, and did a victory dance. "You're like a big puppy!" I exclaimed. "A big, dumb puppy.
Michele Bardsley (I'm the Vampire, That's Why (Broken Heart, #1))
In a 2008 wedding toast to Cass Sunstein and Samantha Power, Leon Wieseltier put it about as well as possible: Brides and grooms are people who have discovered, by means of love, the local nature of happiness. Love is a revolution in scale, a revision of magnitudes; it is private and it is particular; its object is the specificity of this man and that woman, the distinctness of this spirit and that flesh. Love prefers deep to wide, and here to there; the grasp to the reach…. Love is, or should be, indifferent to history, immune to it—a soft and sturdy haven from it: when the day is done, and the lights are out, and there is only this other heart, this other mind, this other face, to assist in repelling one’s demons or in greeting one’s angels, it does not matter who the president is. When one consents to marry, one consents to be truly known, which is an ominous prospect; and so one bets on love to correct for the ordinariness of the impression, and to call forth the forgiveness that is invariably required by an accurate perception of oneself. Marriages are exposures. We may be heroes to our spouses but we may not be idols.
David Brooks (The Road to Character)
Dacă relaţia lor ar fi rămas una superficială, acea reticenţă nu ar fi contat. Dar nu rămăsese, credea Parker, aşa că era importantă. Conta, fiindcă trecuse de faza de interes, se abandonase atracţiei, explodase în dorinţă, se împiedicase în afecţiune, iar acum derapa necontrolat spre iubire.
Nora Roberts (Happy Ever After (Bride Quartet, #4))
... not within my memory." "All 300 years of it?" That comment earned her a frown. "My apologies," she amended lightly. "I supposed I should not tease you about being so old." "Nay, feel free." His slow smile flashed in the moonlight. "I would be happy to prove to you that I possess all the prowess and stamina of a man of 30. Mayhap I should demonstrate.
Shelly Thacker (His Captive Bride (Stolen Brides, #4))
Why are you all buttoned up like that?" Cameron ran his gaze down the blackberry-shaped buttons of her bodice.[...] "You were happy to bare all last night," Cameron said. He let his mallet handler hover an inch from her chest. "Your bodice was down here." Ainsley cleared her throat. "Low neckline for evening, high for morning."[...] "This doesn’t suit you," Cameron said. "I can’t help the fashion, Lord Cameron." Cameron poked the top button with his gloved finder. "Undo this." Ainsley jumped. "What?" "Unbutton your damned frock." She nearly choked. "Why?" "Because I want you to." Cameron's smile spread across his face, slow and sinful, and his voice went low. Dangerous. "Tell me, Mrs. Douglas. How many buttons will you undo for me?
Jennifer Ashley (The Many Sins of Lord Cameron (MacKenzies & McBrides, #3))
He was fine, and foreign, and he did not belong here. I held him close, not crushing, not waking him, letting him sleep, and I suffered. I had never felt such feelings before. I would do anything for him; I would do anything. Anything that was asked of me, that would increase his happiness or health, I would do, and willingly. So I told myself, rocking him, the winter sky white at the window.
Margo Lanagan (The Brides of Rollrock Island)
Mom says each of us has a veil between ourselves and the rest of the world, like a bride wears on her wedding day, except this kind of veil is invisible. We walk around happily with these invisible veils hanging down over our faces. The world is kind of blurry, and we like it that way. But sometimes our veils are pushed away for a few moments, like there’s a wind blowing it from our faces. And when the veil lifts, we can see the world as it really is, just for those few seconds before it settles down again. We see all the beauty, and cruelty, and sadness, and love. But mostly we are happy not to.
Rebecca Stead (When You Reach Me)
You wrote to me. Do not deny it. I’ve read your words and they evoke My deep respect for your emotion, Your trusting soul… and sweet devotion. Your candour has a great appeal And stirs in me, I won’t conceal, Long dormant feelings, scarce remembered. But I’ve no wish to praise you now; Let me repay you with a vow As artless as the one you tendered; Hear my confession too, I plead, And judge me both by word and deed. 13 ’Had I in any way desired To bind with family ties my life; Or had a happy fate required That I turn father, take a wife; Had pictures of domestication For but one moment held temptation- Then, surely, none but you alone Would be the bride I’d make my own. I’ll say without wrought-up insistence That, finding my ideal in you, I would have asked you—yes, it’s true— To share my baneful, sad existence, In pledge of beauty and of good, And been as happy … as I could! 14 ’But I’m not made for exaltation: My soul’s a stranger to its call; Your virtues are a vain temptation, For I’m not worthy of them all. Believe me (conscience be your token): In wedlock we would both be broken. However much I loved you, dear, Once used to you … I’d cease, I fear; You’d start to weep, but all your crying Would fail to touch my heart at all, Your tears in fact would only gall. So judge yourself what we’d be buying, What roses Hymen means to send— Quite possibly for years on end! 15 ’In all this world what’s more perverted Than homes in which the wretched wife Bemoans her worthless mate, deserted— Alone both day and night through life; Or where the husband, knowing truly Her worth (yet cursing fate unduly) Is always angry, sullen, mute— A coldly jealous, selfish brute! Well, thus am I. And was it merely For this your ardent spirit pined When you, with so much strength of mind, Unsealed your heart to me so clearly? Can Fate indeed be so unkind? Is this the lot you’ve been assigned? 16 ’For dreams and youth there’s no returning; I cannot resurrect my soul. I love you with a tender yearning, But mine must be a brother’s role. So hear me through without vexation: Young maidens find quick consolation— From dream to dream a passage brief; Just so a sapling sheds its leaf To bud anew each vernal season. Thus heaven wills the world to turn. You’ll fall in love again; but learn … To exercise restraint and reason, For few will understand you so, And innocence can lead to woe.
Alexander Pushkin (Eugene Onegin)
Why were you so happy to see me? You know, besides my general awesomeness." Marz pushed out of his chair, big grin on his face, and held out his hands. "I'm getting married!" Shane sighed. The expressions on the other two said they'd already been down this road. "All right. I'll bite." "I think the appropriate sentiment is 'congratulations'," Marz said, crossing his arms and feigning insult. "Just spill the brilliance of whatever this is about," Shane said. "Only because you acknowledged its brilliance." Marz sat excitement rolling off the guy. "I figured out how to solve the problem of getting us eyes and ears in the back of Confessions." "By getting married?" "By pretending to get married. And what does every pretend groom need?" Marz's grin was full of anticipation. "A bride?" Shane said. Marz rolled his eyes and waved his hands. "Okay, but what else?" Shane looked between the three of them. And then the lightbulb went on. "A bachelor party," Shane said. Marz clapped his hands. "Ding ding ding. Give the man a cigar." Yup. The idea was, in fact, brilliant. Really brilliant.
Laura Kaye (Hard as You Can (Hard Ink, #2))
Charles had climbed on a bench and was calling out that he had something to say, creating a racket that quickly got the attention of the room. Everyone looked immensely surprised, including Tessa and Will. Sona frowned, clearly thinking Charles was very rude. She didn’t know the half of it, Cordelia thought darkly. “Let me be the first to raise a glass to the happy couple!” said Charles, doing just that. “To James Herondale and Cordelia Carstairs. I wish to add personally that James, my brother’s parabatai, has always been like a younger brother to me.” “A younger brother he accused of vandalizing greenhouses across our fair nation,” muttered Will. “As for Cordelia Carstairs—how to describe her?” Charles went on. “Especially when one has not bothered to get to know her at all,” murmured James. “She is both beautiful and fair,” said Charles, leaving Cordelia to wonder what the difference was, “as well as being brave. I am sure she will make James as happy as my lovely Grace makes me.” He smiled at Grace, who stood quietly near him, her face a mask. “That’s right. I am formally announcing my intention to wed Grace Blackthorn. You will all be invited, of course.” Cordelia glanced over at Alastair; he was expressionless, but his hands, jammed into his pockets, were fists. James had narrowed his eyes. Charles went on merrily. “And lastly, my thanks go out to the folk of the Enclave, who supported my actions as acting Consul through our recent troubles. I am young to have borne so much responsibility, but what could I say when duty called? Only this. I am honored by the trust of my mother, the love of my bride-to-be, and the belief of my people—” “Thank you, Charles!” James had appeared at Charles’s side and done something rather ingenious with his feet that caused the bench Charles had been standing on to tip over. He caught Charles around the shoulder as he slid to the floor, clapping him on the back. Cordelia doubted most people in the room had noticed anything amiss. “What an excellent speech!” Magnus Bane, looking fiendishly amused, snapped his fingers. The loops of golden ribbons dangling from the chandeliers formed the shapes of soaring herons while “For He’s a Jolly Good Fellow” began to play in ghostly fashion on the unmanned piano. James hustled Charles away from the bench he had clambered onto and into a crowd of well-wishers. The room, as a whole, seemed relieved. “We have raised a fine son, my darling,” Will said, kissing Tessa on the cheek.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
Gentlewomen of the jury! Bear with me! Allow me to take just a tiny bit of your precious time. So this was le grand moment. I had left my Lolita still sitting on the edge of the abysmal bed, drowsily raising her foot, fumbling at the shoelaces and showing as she did so the nether side of her thigh up to the crotch of her panties she had always been singularly absent-minded, or shameless, or both, in matters of legshow. This, then, was the hermetic vision of her which I had locked inafter satisfying myself that the door carried no inside bolt. The key, with its numbered dangler of carved wood, became forthwith the weighty sesame to a rapturous and formidable future. It was mine, it was part of my hot hairy fist. In a few minutes say, twenty, say half-an-hour, sicher its sicher as my uncle Gustave used to say I would let myself into that “342” and find my nymphet, my beauty and bride, imprisoned in her crystal sleep. Jurors! If my happiness could have talked, it would have filled that genteel hotel with a deafening roar. And my only regret today is that I did not quietly deposit key “342” at the office, and leave the town, the country, the continent, the hemisphere,indeed, the globe that very same night.
Vladimir Nabokov
- Spune-mi ce-ţi doreşti. El o prinse de încheieturi, apoi îşi trecu degetele printre ale ei. - Vreau o viaţă alături de tine, şi-o să împrumut cuvintele lui Jack şi Del acum - într-un fel. Vreau să încep acea viaţă, fiindcă tu eşti Parker. Tu eşti acea viaţă, eşti totul. Vreau ca povestea noastră să devină adevărată. Vreau - şi de data asta cuvintele îmi aparţin în întregime -, vreau să-ţi fac promisiuni şi vreau să le indeplinesc. Te iubesc şi vreau să-ţi promit că o să te iubesc tot restul vieţii mele.
Nora Roberts (Happy Ever After (Bride Quartet, #4))
The Bird of Time O Bird of Time on your fruitful bough What are the songs you sing? ... Songs of the glory and gladness of life, Of poignant sorrow and passionate strife, And the lilting joy of the spring; Of hope that sows for the years unborn, And faith that dreams of a tarrying morn, The fragrant peace of the twilight's breath, And the mystic silence that men call death. O Bird of Time, say where did you learn The changing measures you sing? ... In blowing forests and breaking tides, In the happy laughter of new-made brides, And the nests of the new-born spring; In the dawn that thrills to a mother's prayer, And the night that shelters a heart's despair, In the sigh of pity, the sob of hate, And the pride of a soul that has conquered fate.
Sarojini Naidu
This was fresh, rich, heavenly, succulent, soft, creamy, kiss-my-ass, cows-gotta-die-for-this, delightfully salty, moo-ass, good old white folks cheese, cheese to die for, cheese to make you happy, cheese to beat the cheese boss, cheese for the big cheese, cheese to end the world, cheese so good it inspired a line every first Saturday of the month: mothers, daughters, fathers, grandparents, disabled in wheelchairs, kids, relatives from out of town, white folks from nearby Brooklyn Heights, and even South American workers from the garbage-processing plant on Concord Avenue, all patiently standing in a line that stretched from the interior of Hot Sausage’s boiler room to Building 17’s outer doorway, up the ramp to the sidewalk, curling around the side of the building and to the plaza near the flagpole.
James McBride (Deacon King Kong)
The Desire To Paint" Unhappy perhaps is the man, but happy the artist, who is torn with this desire. I burn to paint a certain woman who has appeared to me so rarely, and so swiftly fled away, like some beautiful, regrettable thing the traveller must leave behind him in the night. It is already long since I saw her. She is beautiful, and more than beautiful: she is overpowering. The colour black preponderates in her; all that she inspires is nocturnal and profound. Her eyes are two caverns where mystery vaguely stirs and gleams; her glance illuminates like a ray of light; it is an explosion in the darkness. I would compare her to a black sun if one could conceive of a dark star overthrowing light and happiness. But it is the moon that she makes one dream of most readily; the moon, who has without doubt touched her with her own influence; not the white moon of the idylls, who resembles a cold bride, but the sinister and intoxicating moon suspended in the depths of a stormy night, among the driven clouds; not the discreet peaceful moon who visits the dreams of pure men, but the moon torn from the sky, conquered and revolted, that the witches of Thessaly hardly constrain to dance upon the terrified grass. Her small brow is the habitation of a tenacious will and the love of prey. And below this inquiet face, whose mobile nostrils breathe in the unknown and the impossible, glitters, with an unspeakable grace, the smile of a large mouth ; white, red, and delicious; a mouth that makes one dream of the miracle of some superb flower unclosing in a volcanic land. There are women who inspire one with the desire to woo them and win them; but she makes one wish to die slowly beneath her steady gaze.
Charles Baudelaire (The Poems and Prose Poems of Charles Baudelaire)
I realized a few days ago I didn't know what love was. To me love was helpless, suffocating, painful. It wasn't until [she] came that I realized that love was strong, that it meant standing up for yourself, saying things nobody wanted to hear. I also know it means giving of yourself because it makes somebody else happy. I don't know if I love [her]. For a while I was sure I didn't, but now I'm not sure. I know I need her, that I can't imagine living the rest of my life without her. Is that love? I think it's part of it. I know I want her. She comforts my spirit and body as nothing ever has. That's a part of love, too. I also know I'm never as happy as I am when I'm with her." "You sound like you're obsessed." "Maybe that's also part of love. I don't know, but I'm going to learn. It's embarrassing sometimes. I feel like a child. But I learn a little somethign every day. It's like a whole new way of living. It's a willingness to give up control. To make a commitment and have faith it'll work out." "It sounds like you've gone crazy" [. . .] "Maybe that's part of it, too. Whatever it is, it's something I want more than I ever thought possible. And [she] is the only one who can teach me. I'm not giving her up, no matter what it costs me." "Hell [. . .] You are in love with her.
Leigh Greenwood (Rose (Seven Brides, #1))
There are so many people in this world who can live day to day, sourly dismissing love as just a man made illusion with the sole purpose of embedding hopeless festering ideas of a richer, fuller, happier existence into our psyche, in the hopes that it will make our seemingly wasteful, unneeded, and depressing lives just a little more tolerable. When we invite intimacy into our life, we take a wager strong enough to lift our spirits and make us feel as if nothing in this world can overcome us, and that no challenge is insurmountable. But Love can indeed be a dangerous game to play. There's nothing in the world that can be easier than to give up on the idea after a heartbreak. Anybody can do it. But it doesn't always take being in a strong, everlasting bond with our soul mate to bring out the best in us. There's just something about the pursuit of love that for some reason beckons us to keep getting back on the horse. The hunt is what keeps our dreams alive and strong until that day comes when we stand across the altar from our brides and grooms, about to lean in to that one kiss that takes us into our eternal, everlasting life of bliss and happiness.
Max Jacob
I’ve done you a disservice,” he said at last. “It’s only fair to let you know, but you won’t have a normal life span.” I bit my lip. “Have you come to take my soul, then?” “I told you that’s not my jurisdiction. But you’re not going to die soon. In fact, you won’t die for a long time, far longer than I initially thought, I’m afraid. Nor will you age normally.” “Because I took your qi?” He inclined his head. “I should have stopped you sooner.” I thought of the empty years that stretched ahead of me, years of solitude long after everyone I loved had died. Though I might have children or grandchildren. But perhaps they might comment on my strange youthfulness and shun me as unnatural. Whisper of sorcery, like those Javanese women who inserted gold needles in their faces and ate children. In the Chinese tradition, nothing was better than dying old and full of years, a treasure in the bosom of one’s family. To outlive descendants and endure a long span of widowhood could hardly be construed as lucky. Tears filled my eyes, and for some reason this seemed to agitate Er Lang, for he turned away. In profile, he was even more handsome, if that was possible, though I was quite sure he was aware of it. “It isn’t necessarily a good thing, but you’ll see all of the next century, and I think it will be an interesting one.” “That’s what Tian Bai said,” I said bitterly. “How long will I outlive him?” “Long enough,” he said. Then more gently, “You may have a happy marriage, though.” “I wasn’t thinking about him,” I said. “I was thinking about my mother. By the time I die, she’ll have long since gone on to the courts for reincarnation. I shall never see her again.” I burst into sobs, realizing how much I’d clung to that hope, despite the fact that it might be better for my mother to leave the Plains of the Dead. But then we would never meet in this lifetime. Her memories would be erased and her spirit lost to me in this form. “Don’t cry.” I felt his arms around me, and I buried my face in his chest. The rain began to fall again, so dense it was like a curtain around us. Yet I did not get wet. “Listen,” he said. “When everyone around you has died and it becomes too hard to go on pretending, I shall come for you.” “Do you mean that?” A strange happiness was beginning to grow, twining and tightening around my heart. “I’ve never lied to you.” “Can’t I go with you now?” He shook his head. “Aren’t you getting married? Besides, I’ve always preferred older women. In about fifty years’ time, you should be just right.” I glared at him. “What if I’d rather not wait?” He narrowed his eyes. “Do you mean that you don’t want to marry Tian Bai?” I dropped my gaze. “If you go with me, it won’t be easy for you,” he said warningly. “It will bring you closer to the spirit world and you won’t be able to lead a normal life. My work is incognito, so I can’t keep you in style. It will be a little house in some strange town. I shan’t be available most of the time, and you’d have to be ready to move at a moment’s notice.” I listened with increasing bewilderment. “Are you asking me to be your mistress or an indentured servant?” His mouth twitched. “I don’t keep mistresses; it’s far too much trouble. I’m offering to marry you, although I might regret it. And if you think the Lim family disapproved of your marriage, wait until you meet mine.” I tightened my arms around him. “Speechless at last,” Er Lang said. “Think about your options. Frankly, if I were a woman, I’d take the first one. I wouldn’t underestimate the importance of family.” “But what would you do for fifty years?” He was about to speak when I heard a faint call, and through the heavy downpour, saw Yan Hong’s blurred figure emerge between the trees, Tian Bai running beside her. “Give me your answer in a fortnight,” said Er Lang. Then he was gone.
Yangsze Choo (The Ghost Bride)
Someone else was approaching, and Jackson was none too happy about it. He hadn’t seen Devonmont since the house party and wouldn’t mind never seeing the man again, but since Devonmont was his new sister-in-law’s cousin, that was unlikely. As the man neared them, Celia cast Jackson an assessing glance. “You do know he never meant a thing to me.” “That makes me only slightly less inclined to smash his face in.” “Jackson!” she said laughingly. “You would never do any such thing.” “Try me.” He glanced at her. “Don’t let this sober façade fool you, sweeting. When it comes to you, I can be as jealous as the next man.” “Well, you have no reason.” She leaned up to kiss his cheek and whisper, “You’re the only man I’ll ever love.” He was still reveling in that remark when Devonmont reached them. “I take it this would not be a good time for me to kiss the bride?” he drawled. Jackson glared at him. “That’s what I thought,” Devonmont said, laughing. “But seriously, Pinter, you’re a very lucky man.” “How well I know it,” Jackson said. “And I say most sincerely that your wife is a very lucky woman as well.” Jackson was taken aback. “Thank you, sir,” he managed. After Devonmont nodded and walked away, Celia said, “Surely that softens you toward him a little.” “Perhaps,” Jackson conceded. “Though it’s a good thing Lyons isn’t here. I don’t think I could be civil to both in one day.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
INIGO WAS IN Despair. Hard to find on the map (this was after maps) not because cartographers didn't know of its existence, but because when they visited to measure its precise dimensions, they became so depressed they began to drink and question everything, most notably why would anyone want to be something as stupid as a cartographer? It required constant travel, no one ever knew your name, and, most of all, since wars were always changing boundaries, why bother? There grew up, then, a gentleman's agreement among mapmakers of the period to keep the place as secret as possible, lest tourists flock there and die. (Should you insist on paying a visit, it's closer to the Baltic states than most places.) Everything about Despair was depressing. Nothing grew in the ground and what fell from the skies did not provoke much happy conversation. The entire country was damp and dank, and why the locals all did not flee was not only a good question, it was the only question.
William Goldman (The Princess Bride)
Huiann swallowed, her hands clasped together and her eyes glassy with tears, then she spoke some more. “Her heart is full of feeling for you, but she knows it is wrong for her to stay with you. She wishes for you to find a white woman who will fit into your life and be the wife you need.” Alan started shaking his head before Dong Li even finished translating. “No. Tell her she makes me happy. She is exactly the wife I need.” He breathed deeply, steadying the quaver in his voice. “Ask Chua Huiann if she will do me the honor of marrying me.” Dong clicked his tongue, but offered Alan’s proposal. Huiann’s eyes opened wide and she spoke rapidly. “How would your family and your people react to you marrying a foreign bride? You would be ostracized. It cannot be.” Dong added his own thoughts to the translation. “The girl speaks sense and sees more clearly than you.” Alan frowned. He couldn’t promise his family would accept Huiann or ever welcome them home as a couple, but he didn’t care. Maybe she was seeing reason, but he was only seeing her.
Bonnie Dee (Captive Bride)
Travis?” Her voice came out scratchy and cracked. “What are you doing in my room?” Those eyes—not quite green, not quite brown—crinkled at the corners. “I’m not in your room, darlin’. You’re in mine.” What? Maybe she was still dreaming. That would explain why Travis was here and why nothing was making a lick of sense. But the throbbing behind her ear seemed awfully real. “My head hurts.” “You were kicked by a mule.” A mule? Meredith frowned. Uncle Everett didn’t own a mule. Had she been injured at the livery fetching Ginger? And why was Travis grinning at her? Shouldn’t he be more concerned? “It’s not very heroic of you to smile at my misfortune.” Really. This was her dream after all. Her hero should be more solicitous. Of course, usually in her dreams, Travis rescued her before any injury occurred. The man was getting lax. She’d started to tell him so when he laid the back of his hand on her forehead as if feeling for fever. The gentle touch instantly dissolved her pique. He removed his hand and met her gaze. “I’m smiling because I’m happy to see you awake. We’ve been worried about you.” “Awake?” Meredith scrunched her brows together until the throbbing around her skull forced her to relax. “Travis, you’re not making any sense. I can’t be awake. You only come to me when I’m dreaming. Although you’re usually younger and . . . well . . . cleaner, and not so in need of a shave. “But don’t get me wrong,” she hurried to assure him. It wouldn’t do to insult her hero. “You’re just as handsome as always. I don’t even mind that you didn’t save me this time. The important thing is that you’re here.
Karen Witemeyer (Short-Straw Bride (Archer Brothers, #1))
I pulled Slayer from its sheath and pushed the door open with my fingertips. It swung soundlessly on well-greased hinges. Through the hallway, I saw the living room lamp glowing with soothing yellow light. I smelled coffee. Who breaks into a house, turns on the lights, and makes coffee? I padded into the living room on soft feet, Slayer ready. “Loud and clumsy, like a baby rhino,” said a familiar voice. I stepped into the living room. Curran sat on my couch, reading my favorite paperback. His hair was back to its normal short length. His face was clean shaven. He looked nothing like the dark, demonic figure who shook a would-be god’s head on a field a month ago. I thought he had forgotten about me. I had been quite happy to stay forgotten. “The Princess Bride?” he said, flipping the book over. “What are you doing in my house?” Let himself in, had he? Made himself comfortable, as if he owned the place. “Did everything go well with Julie?” “Yes. She didn’t want to stay, but she’ll make friends quickly, and the staff seems sensible.” I watched him, not quite sure where we stood. “I meant to tell you but haven’t gotten a chance. Sorry about Bran. I didn’t like him, but he died well.” “Yes, he did. I’m sorry about your people. Many losses?” A shadow darkened his face. “A third.” He had taken a hundred with him. At least thirty people had never come back. The weight of their deaths pressed on both of us. Curran turned the book over in his hands. “You own words of power.” He knew what a word of power was. Lovely. I shrugged. “Picked up a couple here and there. What happened in the Gap was a one shot deal. I won’t be that powerful again.” At least not until the next flare. “You’re an interesting woman,” he said. “Your interest has been duly noted.” I pointed to the door. He put the book down. “As you wish.” He rose and walked past me. I lowered my sword, expecting him to pass, but suddenly he stepped in dangerously close. “Welcome home. I’m glad you made it. There is coffee in the kitchen for you.” My mouth gaped open. He inhaled my scent, bent close, about to kiss me . . . I just stood there like an idiot. Curran smirked and whispered in my ear instead. “Psych.” And just like that, he was out the door and gone. Oh boy.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
A man who is awake in the open field at night or who wanders over silent paths experiences the world differently than by day. Nighness vanishes, and with it distance; everything is equally far and near, close by us and yet mysteriously remote. Space loses its measures. There are whispers and sounds, and we do not know where or what they are. Our feelings too are peculiarly ambiguous. There is a strangeness about what is intimate and dear, and a seductive charm about the frightening. There is no longer a distinction between the lifeless and the living, everything is animate and soulless, vigilant and asleep at once. What the day brings on and makes recognizable gradually, emerges out of the dark with no intermediary stages. The encounter suddenly confronts us, as if by a miracle: What is the thing we suddenly see - an enchanted bride, a monster, or merely a log? Everything teases the traveller, puts on a familiar face and the next moment is utterly strange, suddenly terrifies with awful gestures and immediately resumes a familiar and harmless posture. Danger lurks everywhere. Out of the dark jaws of the night which gape beside the traveller, any moment a robber may emerge without warning, or some eerie terror, or the uneasy ghost of a dead man - who knows what may once have happened at that very spot? Perhaps mischievous apparitions of the fog seek to entice him from the right path into the desert where horror dwells, where wanton witches dance their rounds which no man ever leaves alive. Who can protect him, guide him aright, give him good counsel? The spirit of Night itself, the genius of its kindliness, its enchantment, its resourcefulness, and its profound wisdom. She is indeed the mother of all mystery. The weary she wraps in slumber, delivers from care, and she causes dreams to play about their souls. Her protection is enjoyed by the un-happy and persecuted as well as by the cunning, whom her ambivalent shadows offer a thousand devices and contrivances. With her veil she also shields lovers, and her darkness keeps ward over all caresses, all charms hidden and revealed. Music is the true language of her mystery - the enchanting voice which sounds for eyes that are closed and in which heaven and earth, the near and the far, man and nature, present and past, appear to make themselves understood. But the darkness of night which so sweetly invites to slumber also bestows new vigilance and illumination upon the spirit. It makes it more perceptive, more acute, more enterprising. Knowledge flares up, or descends like a shooting star - rare, precious, even magical knowledge. And so night, which can terrify the solitary man and lead him astray, can also be his friend, his helper, his counsellor.
Walter F. Otto (Homeric Gods: The Spiritual Significance of Greek Religion. Tr from German by Moses Hadas. Reprint of the 1954 Ed)