“
White for Shadowhunters is the color of funerals," Luke explained. “ But for mundanes, Jace, it’ s the color of weddings. Brides wear white to symbolize their purity.”
“I thought Jocelyn said her dress wasn’t white,” Simon said.
“Well,” said Jace, “I suppose that ship has sailed.”
Luke choked on his coffee.
”
”
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
“
You don't think I can fight." Tessa said, drawing back and matching his silvery gaze with her own. "Because I'm a girl."
"I don't think you can fight because you're wearing a wedding dress", said Jem. "For what it's worth, I don't think Will could fight in that dress either."
"Perhaps not," said Will, who had ears like a bat'a. "But I would make a radiant bride.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
If you want to dress up like a giraffe, and go to school like that, and that makes you happy then do it!
”
”
Andy Biersack
“
I’m suggesting that if you’re going to bring hell down upon someone’s head, you should dress for the occasion.
”
”
T. Kingfisher (The Seventh Bride)
“
Laurel: I don't need a ring or a license, or a spetacular white dress. It's not marriage so much, or at all really, that matters. It's the promise. It's the knowing someone wants me to be part of his life. Someone loves me, that I'm the one for him. That's not just enough, it's everything.
”
”
Nora Roberts (Savor the Moment (Bride Quartet, #3))
“
Now that was a kiss,” Grandma Frida said from the doorway behind me.
I jumped. “How long have you been there?”
“Long enough. That man means business.”
All my words tried to come out at once. “I don’t . . . what . . . asshole! . . . screw himself for all I care!”
“Aww, young love, so passionate,” Grandma said. “I’m going to buy you a subscription to Brides magazine. You should start shopping for dresses.
”
”
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
“
And down I went to fetch my bride:
But, Alice, you were ill at ease;
This dress and that by turns you tried,
Too fearful that you should not please.
I loved you better for your fears,
I knew you could not look but well;
And dews, that would have fall'n in tears,
I kiss'd away before they fell.
”
”
Alfred Tennyson
“
Agatha, you dressed as a bride for Halloween."
"Weddings are scary.
”
”
Soman Chainani
“
I don't think you can fight because you're wearing a wedding dress" said Jem. "And for what it's worth, I don't think Will could fight in that dress either."
"Perhaps not," said Will, who had ears like a bat's. "But I would make a radiant bride.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
I saw that the bride within the bridal dress has withered like the dress, and like the flowers, and had no brightness left but the brightness of her sunken eyes
”
”
Charles Dickens (Great Expectations)
“
Do you see the Field of Mars, where I walked next to my bride in her white wedding dress, with red sandals in her hands, when we were kids?”
“I see it well.”
“We spent all our days afraid it was too good to be true, Tatiana,” said Alexander. “We were always afraid all we had was a borrowed five minutes from now.”
Her hands went on his face. “That’s all any of us ever has, my love,” she said. “And it all flies by.”
“Yes,” he said, looking at her, at the desert, covered coral and yellow with golden eye and globe mallow. “But what a five minutes it’s been.
”
”
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
“
Fury wagged his tail and smiled wickedly, then tried to look up Bride’s dress.
Vane caught him quickly by the neck. “Stop!” he snarled mentally to Fury. “Or I’ll rip your head off.”
Bride frowned at them. “Don’t you like my wolf?”
“Yeah,” Van said, patting him roughly on the head. “He’s my new best friend.”
“I’m your only friend, dickhead.”
Vane balled his fist in the wolf’s fur as a warning to him. “You know you have to be firm with wolves. Let them know who the alpha is.”
“Your father?”
Vane smacked Fury’s head.
“Ow!”
”
”
Sherrilyn Kenyon (Night Play (Dark-Hunter, #5; Were-Hunter, #1))
“
Jace looked around uneasily at the walls hung with veils, fans, tiaras, and seed-pearl-encrusted trains. “Everything is .. .so white.”
“Of course it’s white,” said Simon. “It’s a wedding.”
“White for Shadowhunters is the color of funerals,” Luke explained. “But for mundanes, Jace, it’s the color of weddings. Brides wear white to symbolize their purity.”
“I thought Jocelyn said her dress wasn’t white,” Simon said.
“Well,” said Jace, “I suppose that ship has sailed.
”
”
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
“
-You know how to call me
although such a noise now
would only confuse the air
Neither of us can forget
the steps we danced
the words you stretched
to call me out of dust
Yes I long for you
not just as a leaf for weather
or vase for hands
but with a narrow human longing
that makes a man refuse
any fields but his own
I wait for you at an
unexpected place in your journey
like the rusted key
or the feather you do not pick up.-
-I WILL NEVER FIND THE FACES
FOR ALL GOODBYES I'VE MADE.-
For Anyone Dressed in Marble
The miracle we all are waiting for
is waiting till the Parthenon falls down
and House of Birthdays is a house no more
and fathers are unpoisoned by renown.
The medals and the records of abuse
can't help us on our pilgrimage to lust,
but like whips certain perverts never use,
compel our flesh in paralysing trust.
I see an orphan, lawless and serene,
standing in a corner of the sky,
body something like bodies that have been,
but not the scar of naming in his eye.
Bred close to the ovens, he's burnt inside.
Light, wind, cold, dark -- they use him like a bride.
I Had It for a Moment
I had it for a moment
I knew why I must thank you
I saw powerful governing men in black suits
I saw them undressed
in the arms of young mistresses
the men more naked than the naked women
the men crying quietly
No that is not it
I'm losing why I must thank you
which means I'm left with pure longing
How old are you
Do you like your thighs
I had it for a moment
I had a reason for letting the picture
of your mouth destroy my conversation
Something on the radio
the end of a Mexican song
I saw the musicians getting paid
they are not even surprised
they knew it was only a job
Now I've lost it completely
A lot of people think you are beautiful
How do I feel about that
I have no feeling about that
I had a wonderful reason for not merely
courting you
It was tied up with the newspapers
I saw secret arrangements in high offices
I saw men who loved their worldliness
even though they had looked through
big electric telescopes
they still thought their worldliness was serious
not just a hobby a taste a harmless affectation
they thought the cosmos listened
I was suddenly fearful
one of their obscure regulations
could separate us
I was ready to beg for mercy
Now I'm getting into humiliation
I've lost why I began this
I wanted to talk about your eyes
I know nothing about your eyes
and you've noticed how little I know
I want you somewhere safe
far from high offices
I'll study you later
So many people want to cry quietly beside you
”
”
Leonard Cohen (Flowers for Hitler)
“
Can there be anything more sad than a girl dying on the day of her first communion, in her new dress. A little bride of death...
”
”
Georges Rodenbach (The Bells of Bruges)
“
Maria was married on Saturday. In all important preparations of mind she was complete, being prepared for matrimony by a hatred of home, by the misery of disappointed affection, and contempt of the man she was to marry. The bride was elegantly dressed and the two bridesmaids were duly inferior. Her mother stood with salts, expecting to be agitated, and her aunt tried to cry. Marriage is indeed a maneuvering business.
”
”
Jane Austen (Mansfield Park)
“
It was a very proper wedding. The bride was elegantly dressed---the two bridemaids were duly inferior---her father gave her away---her mother stood with salts in her hand expecting to be agitated---her aunt tried to cry--- and the service was impressively read by Dr. Grant.
”
”
Jane Austen (Mansfield Park)
“
Old Spice
Every Sunday afternoon he dresses in his old army uniform,
tells you the name of every man he killed.
His knuckles are unmarked graves.
Visit him on a Tuesday and he will describe
the body of every woman he could not save.
He’ll say she looked like your mother
and you will feel a storm in your stomach.
Your grandfather is from another generation–
Russian degrees and a school yard Cuban national anthem,
communism and religion. Only music makes him cry now.
He married his first love, her with the long curls down
to the small of her back. Sometimes he would
pull her to him, those curls wrapped around his hand
like rope.
He lives alone now. Frail, a living memory
reclining in a seat, the room orbiting around him.
You visit him but never have anything to say.
When he was your age he was a man.
You retreat into yourself whenever he says your name.
Your mother’s father,
“the almost martyr,
can load a gun under water
in under four seconds.
Even his wedding night was a battlefield.
A Swiss knife, his young bride,
his sobs as he held Italian linen between her legs.
His face is a photograph left out in the sun,
the henna of his beard, the silver of his eyebrows
the wilted handkerchief, the kufi and the cane.
Your grandfather is dying.
He begs you Take me home yaqay,
I just want to see it one last time;
you don’t know how to tell him that it won’t be
anything like the way he left it.
”
”
Warsan Shire (Teaching My Mother How to Give Birth)
“
Everything is ... so white."
"Of course it's white," said Simon. "It's a wedding."
"White for Shadowhunters is the color of funerals," Luke explained. "But for mundanes, Jace, it's the color of weddings. Brides wear white to symbolize their purity."
"I thought Jocelyn said her dress wasn't white," Simon said.
"Well," said Jace, "I suppose that ship has sailed."
Luke choked on his coffe.
”
”
Cassandra Clare
“
Do you know who you are? God made you a woman. Accept His gift. Don't be afraid to be feminine and to add physical and spiritual loveliness to the setting where He has placed you. You are a child of God. You are a part of the bride of Christ. You belong to the King--you are royalty. Dress and conduct yourself in a way that reflects your high and holy calling. God has called you out of this world's system--don't let the world press you into its mold. Don't think, dress, or act like the world; inwardly and outwardly, let others see the difference He makes in your life.
”
”
Nancy Leigh DeMoss (Lies Women Believe: And the Truth that Sets Them Free)
“
Today, I saw a burst of color the same hues as the sunset: a bright orangey-pink, the train of a dress just floating there as that vision moved toward me … like a flower, when it opens, the petals begin in that deep rich color, then lighten, then darken again on the edges … it was like you’d been dipped into the horizon and given to me.
”
”
J.B. Hartnett (Bride in Bloom (The Beachy Bride, #1))
“
Maddie had always been different from other girls, and she had always known it. For example, she was certain she was the only bride to ever write the following to-do list on her wedding day:
• Bath
• Coiffure
• Dress
• Lobsters
”
”
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
“
A group of little creatures is coming up the walk. A pirate, a dinosaur, two fairies, and a bride. Why is it that you never see a kid dressed as a groom on Halloween?
”
”
Laurie Halse Anderson (Speak)
“
PICK YOUR FABRIC “The importance of this step cannot be understated. If you pick the wrong fabric, your dress is doomed from the start. Pick a fabric that has the right weight, that will flatter the design. And the figure of the bride who will wear it. Once you pick your fabric, the die is cast. There is no going back.
”
”
Brenda Janowitz (The Grace Kelly Dress)
“
The host in question, the chapel's owner, Grayston Boscastle, the fifth Marquess of Sedgecroft, sat thinking that the bride had the most appealing derriere he had seen in a long time. Not that he made a point of lusting after young women in wedding dresses, but he had been staring at the back of her for over two hours now. A normal man's curiosity could not help but be aroused. What else was he to look at? He wondered whether the rest of her was appealing.
”
”
Jillian Hunter (The Seduction of an English Scoundrel (Boscastle, #1))
“
On her head perched a pillbox hat with an absurd little veil. She'd pulled the dotted veil up out of her eyes, but not completely - it hung lopsidedly, dangling over her right brow. Her dark brown dress was filmed with dust she'd raised, and dust caught on her damp cheeks. One lock of hair had escaped her coiffure, a red snake dancing down her bodice. She was delightfully mussed, and dear God, he wanted her.
”
”
Jennifer Ashley (The Duke's Perfect Wife (MacKenzies & McBrides, #4))
“
She wore a flowered blue dress of the type whores naturally favored, and that thing was so tight that when she moved, the daisies got all mixed up with the azaleas. She walked like a warm room full of smoke.
”
”
James McBride (The Good Lord Bird)
“
What the hell is on my wedding dress?” The fastest way to get demoted from bridesmaid to dishonored guest is to vomit on the bride’s wedding gown. But if you do ever vomit on a wedding gown, make sure the bride is the perfect mix of anal-retentive, hyper planner, and fairy-tale whimsical.
”
”
Alice Clayton (Last Call (Cocktail, #4.5))
“
I thought bridesmaid's dresses were supposed to be horrid and ugly to make the bride more stunning," I joked to her in a whisper.
"Yeah right, you marry a gorgeous actor and you want me to show up in a Goodwill special? No way sister! There are bound to be other single, gorgeous actors around, and I intend to land one of them for myself. Or get laid at the very least."...
”
”
Off the Market578 (The Missing Chapters)
“
powerless suckers who believed in the American dream scrambling to the suburbs because they, the big boys, wanted a bigger percentage. He felt it, or thought he felt it, as they stood by the front door. There was a connection: a man whose father was dead and a woman whose father was about to die, a sense of wanting to belong, standing in the warm vestibule, she in her farm-girl dress, with a job that paid taxes and drew no cops, no Joe Pecks, no complicated phone calls from complicated people trying to pick your pocket with one
”
”
James McBride (Deacon King Kong)
“
What are you doing?'
If I texted back too soon, he would think I wasn't doing anything and then he would probably try to come over. I watched another episode before texting him again: 'Watching Kim K. shop for a dress. You?'
He texted back: 'Standing outside your door'.
Shit!
”
”
Whitney G. (Take Two (Jilted Bride, #1))
“
Why do we go to all this trouble' Parker asked. 'Men don't notice anyway.'
'Because what we wear affects how we feel, how we act, how we move. And that they do notice. Especially the move. Get dressed, smoke the eyes. You'll know you look good so you'll feel good. You'll have a better time.
”
”
Nora Roberts (Happy Ever After (Bride Quartet, #4))
“
I'm not here to talk about my wife," he said.
Ainsley's eyes were filled with anger for him. "Very well, what did you come here to talk about?"
Cameron touched the top button of her dull gray afternoon dress and forced his voice to soften "I came to ask how many buttons you'll undo for me today.
”
”
Jennifer Ashley (The Many Sins of Lord Cameron (MacKenzies & McBrides, #3))
“
It's good luck!" Winter said suddenly, her eyes bright with mischief.
Scarlet paused. "What's good luck?"
"On Luna," said Winter, folding her hands as if she were reciting from a wedding etiquette guide, "it's considered good luck for the bride to don her dress for at least an hour for each of the three days leading up to the wedding. It symbolizes her commitment to the marriage. And as your groom is Lunar, I think we should follow some of his traditions, don't you?"
"An hour? said Scarlet. "That's really pushing it, don't you think?"
Winter shrugged.
With a drawn-out sigh, Scarlet said, "Fine, I'll go put it on. But I'm not going to stay in it for an hour. I still have chores to do." She slipped out of the bedroom carrying the dress, and a moment later they heard the click of the bathroom door in the hall.
"I've never heard of that tradition before," said Cress.
"That's because I made it up," said Winter.
”
”
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
“
Essex has her bride’s gown on: there’s cow parsley frothing by the road and daisies on the common, and the hawthorn’s dressed in white; wheat and barley fatten in the fields, and bindweed decks the hedges.
”
”
Sarah Perry (The Essex Serpent)
“
I was ignorant in the art of seduction and had always chosen my brides for a night at random, more for their price than their charms, and we had made love without love, half-dressed most of the time and always in the dark so we could imagine ourselves as better than we were. That night I discovered the improbable pleasure of contemplating the body of a sleeping woman without the urgencies of desire or the obstacles of modesty.
”
”
Gabriel García Márquez (Memories of My Melancholy Whores)
“
How did I become this monster…this creature that feasts on the blood of innocents? I stare at my bloodstained dress and feel nothing but hatred for what I have done. To know how callously I killed before and felt no regret, now pains me. I killed before with no remorse. But tonight…tonight, what I have done is unbearable.
”
”
Rhiannon Frater (The Tale Of The Vampire Bride (Vampire Bride, #1))
“
Not that she’d felt the pride working in her at the time. Not at all. That was the thing about sins—they could dress up, they could disguise themselves so you hardly knew them. She hadn’t thought she was being proud, merely hospitable.
”
”
Margaret Atwood (The Robber Bride)
“
BRIDE How long have I been wed to myself? Calling myself darling, dressing for my own pleasure, each morning choosing perfume to turn me on. How long have I been alone in this house but not alone? Married less to the man than to the woman silvering with the mirror. I know the kind of wife I need and I become her: the one who will leave this earth at the same instant I do. I am my own bride, lifting the veil to see my face. Darling, I say, I have waited for you all my life.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
But why is it so . . . aesthetically lacking?” “It’s tradition. The uglier the bridesmaid’s dress, the better the bride looks. Also, it’s a great distraction. Everyone who witnessed me leaving will remember this monstrosity and little else.
”
”
Ilona Andrews (Fated Blades (Kinsmen, #3))
“
In her white dress she was like a cold light coming into the room. Stoner started involuntarily toward her and felt Finch’s hand on his arm, restraining him. Edith was pale, but she gave him a small smile. Then she was beside him, and they were walking together. A stranger with a round collar stood before them; he was short and fat and he had a vague face. He was mumbling words and looking at a white book in his hands. William heard himself responding to silences. He felt Edith trembling beside him.
Then there was a long silence, and another murmur, and the sound of laughter. Someone said, “Kiss the bride!
”
”
John Williams (Stoner)
“
weren't we all the same as children?" eiko asked. "all of us, destined to become beautiful brides in fluffy white dresses!" she giggled to herself. "where did we go wrong?"
isn't that what keeps life interesting?" i replied. "and who knows? next year you could be somebody's wife. no one knows what will happen."
sometimes i think it would be wonderful just to stay the way i am forever, just kick back and space out during the afternoon thinking about all the exciting things that the night will bring, all the naughty things i might take part in." she snickered again.
well," i said, "aren't you the happy one."
she squinted her tiny nose and laughed.
dawn was breaking as we said good-bye. i saw her off by watching her small body disappear into the background, her high heels clapping along, echoing in the early morning city.
my drunkenness, the sunrise, the bright sky, and a friend who was leaving.
if i had died in my fall i would have missed that morning - that splendid sunrise over tokyo.
”
”
Banana Yoshimoto
“
The bride wore a dress of that peculiar style of calico known as "furniture prints," without trimming or ornaments of any kind. Whether it was cut "bias" or with "gores," I'm sorry to say I don't know, dress-making being as much of an occult science to me as divination.
”
”
George Kennan (Tent Life in Siberia: An Incredible Account of Siberian Adventure, Travel, and Survival)
“
PUT THE PIECES TOGETHER “Now is the moment you’ve been waiting for. Some have been waiting their entire lives. It is time to put your dress together. It is time to prepare for the future.” —Excerpted from Creating the Illusion by Madame Michel,
Paris, 1954 Forty-Nine The bride
”
”
Brenda Janowitz (The Grace Kelly Dress)
“
Raven Du Pont. Never in a million years did I think I’d find her walking toward me, wearing a wedding dress that looks beautiful on her, but that wasn’t designed for her. What must it feel like to walk in her sister’s shoes? Nothing about today is hers, not even the man she’s marrying.
”
”
Catharina Maura (The Wrong Bride (The Windsors, #1))
“
They dressed as Mister Crimson or the Lost Bride, or wore the grotesque, goggle-eyed mask of the Madman—all characters from the Komedie Brute. And then there were the Jackals, a group of rowdy men and boys who cavorted through the Barrel in the red lacquered masks of Suli fortune-tellers.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Inside the church, the bondsmaids were walking slowly down the aisle,
with the little petal girls. Trinity turned to give Mimi her last words of
motherly advice: 'Walk straight. Don't slouch. And for heavens's sake,
smile! It's your bonding!?' Then she too walked through the door and
down the aisle. The door shut behind her, leaving Mimi alone.
Finally, Mimi heard the orchestra play the first strains of the 'Wedding
March.' Wagner. Then the ushers opened the doors and Mimi moved to the threshold. There was an appreciative gasp from the crowd as they took in the sight of Mimi in her fantastic dress. But instead of acknowledging her triumph as New York?s most beautiful bride, Mimi looked straight ahead, at Jack, who was standing so tall and straight at the altar. He met her eyes and did not smile.
'Let's just get this over with.'
His words were like an ice pick to the heart. He doesn't love me. He has
never loved me. Not the way he loves Schuyler. Not the way he loved Allegra. He has come to every bonding with this darkness. With this regret and hesitation, doubt and despair. She couldn't deny it. She knew her twin, and she knew what he was feeling, and it wasn't joy or even relief.
What am I doing?
"Ready" Forsyth Llewellyn suddenly appeared by her side. Oh, right, she
remembered, she had said yes when Forsyth had offered to walk her
down the aisle.
Here goes nothing. As if in a daze, Mimi took his arm, Jack's words still
echoing in her head. She walked, zombie-like, down the aisle, not even
noticing the flashing cameras or the murmurs of approval from the
hard-to-impress crowd.
”
”
Melissa de la Cruz (The Van Alen Legacy (Blue Bloods, #4))
“
I think it's your bosoms." Rand Surveyed him critically. "The dress wouldn't be as tight if they weren;t so large. I think your bosoms are too big."
Alexei looked down at his overstuffed chest. "Can bosoms ever be too big?"
Not real bosoms perhaps, but I think in your case..." Rand considered him thoughtfully. "No question about it: they're definately too big"
Are you sure?" Alexei studied his reflection. "I thought they were just the right size for a man of my height.
”
”
Victoria Alexander (The Prince's Bride (Effingtons, #4))
“
It was only when she sat and the hem of her dress lifted that I noticed the blood pooling in her glass slippers, the fine crack along one side. Indigo removed the shoes carefully. Two of her toes were blue. Later, we would discover they were broken. Later, I would cradle her ankles and tell her I loved her and insist on carrying her up the stairs and all throughout the house. I had always found the rejected stepsisters of Cinderella far more captivating than the story’s namesake, and now I knew why. When the shoe did not fit, they cut off their toes, sliced off their heels, squeezed their feet into glass, and lowered their skirts to cover the pain. Perhaps, in the end, the prince made the wrong choice. Such devotion is hard to come by, after all. Look how I will carve myself to fit into your life. Who will not do less? In Indigo’s blue toes and ruined skin, I saw a love letter. Gruesome, yes, but for all that it became in the end, it must be said that it was always true.
”
”
Roshani Chokshi (The Last Tale of the Flower Bride)
“
Wait. What?” Livia turned her sister to face her. “The dress doesn’t change who you are. Don’t get me wrong, I’ve never seen a more beautiful bride, but you’ve always been this person. It’s not that you didn’t earn a mother, it’s that Mom didn’t earn you.” Livia waited until Kyle looked her in the eyes. “Do you understand that?
”
”
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
“
Bekka treated her role has Frankenstein's bride more like an audition to be Brett's bride. Every part of her body had been colored bright kelly green - even parts that her mother had stressed were 'not to be seen by anyone except God and the inside of a toilet bowl.' Instead of wearing a wig, Bekka had teased and then shellacked her own hair into a windblown cone and she'd used female-mustache bleach to create white streaks. Her seams, made of real suture thread, had been attached to her neck and wrists with clear double-sided costume tape because drawing them on with kohl would not have been 'honoring the character.' Her Costume Castle dress had been exchanged for something 'more authentic' from the Bridal Barn. If Brett didn't see his future in her heavily black-shadowed eyes tonight, he never would. Or so she believed.
”
”
Lisi Harrison (Monster High (Monster High, #1))
“
Her reflection's hair was short, but she wore a simple violet robe tied at the waist with a blue sash. At her hip was her father's sword, and tucked in her hair- a blossom from their family's cherry tree.
Mulan knelt and lowered her fingers to the glass. It rippled at her touch. "This one. This is me."
A beat. Are you sure? asked the girl in the mirror.
"Yes," said Mulan firmly. "It doesn't matter whether I'm a girl dressed like a bride, or a girl dressed like a soldier. I know my heart."
Mulan flattened her hand against the glass, facing her reflection. Together, they said, "I am Fa Mulan, a girl who would sacrifice her life for her family and for China. I am a girl who journeyed into the Underworld to save her friend from dying. I am a girl who has fought battle after battle to finally recognize herself in the mirror. And now I do.
”
”
Elizabeth Lim (Reflection)
“
I don’t need all the fuss, all the details, all the trimmings. All, essentially, that we do here. Emma does, and Parker will, and God knows Mac’s gotten into it.”
“She has, and I think it’s been a surprise to her.”
“But I don’t. I don’t need a ring or a license, or a spectacular white dress. It’s not marriage so much, or at all really, that matters. It’s the promise. It’s the knowing someone wants me to be part of his life. Someone loves me, that I’m the one for him. That’s not just enough, it’s everything.
”
”
Nora Roberts (Savor the Moment (Bride Quartet, #3))
“
Bridesmaids’ dresses are designed to make the women in them look unappealing; that way the bride looks better than usual. It’s an accepted
”
”
Bonnie Garmus (Lessons in Chemistry)
“
Rarely were women hailed as heroes or were ballads sung for them. Rarely were they written of in epics. Nobody ever looked at the wives who raised families while men fought wars. Nobody ever spoke of the women who took up the jobs of men while they marched into battle. Nobody ever spoke of the women who donned the dress of their brothers and became national heroes.
”
”
F.M. Aden (The Bride of Death)
“
The marriage ceremony is sexist beyond parody. The bride appears in a fussy white dress that symbolizes her virtue and virginity, and everyone keeps on remarking on how thin and beautiful she looks. Her father walks her down the aisle to ‘give her away’, and she passes, like property, from one man to another. The minister, who is traditionally a man, gives the man permission to kiss the woman, as if that is in the minister’s authority and the woman has none. The man kisses, the woman is kissed. At the reception, only men are given to speak, while the bride remains seated and silent. Henceforth, the woman will adopt the man’s name, as will their eventual offspring. Despite all this, the wedding day is said to belong to the woman. This, would you believe, is ‘her day’.
”
”
Neel Burton (For Better For Worse: Should I Get Married?)
“
Luckily for Georgie, Lady Finch, an old family friend, had written her detailing the wild rumors circulating the gossipy ton regarding her impending betrothal to Lord Harris. Knowing Uncle Phineas, Georgie had little doubt that he probably would have informed her of her nuptials with just enough time to dress for the ceremony.
Especially considering that her intended bridegroom had already buried nine wives.
Georgie had no intention of being the tenth. Why, even that horrid old sot Henry the Eighth had had the good sense to go and die after six.
”
”
Elizabeth Boyle (One Night of Passion (Danvers, # 1))
“
What is marriage, exactly, and how could we explain it to an alien anthropologist? It’s more than just a living arrangement. Is it an endeavor, a pledge, a symbol, or an affirmation? Is it a span of shared years and shared experiences? A vessel for intimacy? Or does the old joke nail it best? ‘If love is an enchanted dream, then marriage is an alarm clock.’ ” Mostly male laughter in the congregation is shushed. “Maybe marriage is difficult to define because of its array of shapes and sizes. Marriage differs between cultures, tribes, centuries, decades even, generations, and—our alien researcher might add—planets. Marriages can be dynastic, common-law, secret, shotgun, arranged, or, as is the case with Sharon and Peter”—she beams at the bride in her dress and the groom in his morning suit—“brought into being by love and respect. Any given marriage can—and will—go through rocky patches and calmer periods. Even within a single day, a marriage can be stormy in the morning, yet by evening turn calm and blue …
”
”
David Mitchell (The Bone Clocks)
“
Stop fussing,” Legna admonished her, tapping her finger against Isabella’s absently energetic hand.
“I’m getting married in a few minutes, Legna, I think I’ve a right to fuss.” Isabella felt her heart turn over as she spoke aloud, listening to herself talk about her impending marriage.
“Well, brides are supposed to be blushing, as I understand it. At the moment you are no less than five shades of gray.” Legna continued with her interrupted weaving of more ribbons in Isabella’s hair. “And as much as it matches the silver of your dress, I think you would look better with a little natural color.” Legna reached to smooth down a portion of the shimmering silver fabric that draped off of the bride’s shoulders in a Grecian fashion. “You know,” she pressed, “there are only two nights in a year when Demons perform a joining ceremony. Samhain and Beltane. If you pass out tonight, you will have to wait until next spring.”
“Thanks for the bulletin. You’re too kind,” Isabella retorted dryly.
“Actually, purely out of kindness, I will tell you that your future husband is just shy of tossing his cookies himself, so you can take comfort in knowing he is just as nervous as you are.”
“Legna!” Bella laughed. “You’re a wretch!” She turned to look at the female Demon, briefly admiring how pretty she looked in her soft white chiffon gown. “And how would you know? You’re standing too close to me to be able to sense his emotions.”
“Because when I went to fetch the ribbons, he was seated next to Noah with his head between his knees.” Legna giggled. “I have never seen anything rattle Jacob before. I cannot help but find it amusing.
”
”
Jacquelyn Frank (Jacob (Nightwalkers, #1))
“
Green sadness is sadness dressed for graduation, it is the sadness of June, of shiny toasters as they come out of their boxes, the table laid before a party, the smell of new strawberries and dripping roasts about to be devoured; it is the sadness of the unperceived and therefore never felt and seldom expressed, except on occasion by polka dancers and little girls who, in imitation of their grandmothers, decide who shall have their bunny when they die. Green sadness weighs no more than an unused handkerchief, it is the funeral silence of bones beneath the green carpet of evenly cut grass upon which the bride and groom walk in joy.
”
”
Mary Ruefle
“
Why did you refuse to marry me then?” he demanded.
She should be quiet; she should just stay mute. But she was angry and hurt. Only moments before he’d been saying such lovely things; now he was being horrible. “Why can’t you help yourself?” she countered, shouting back.
“What?”
“Why are you compelled to come after me?” she demanded, setting her hands on her hips.
For a moment, he just stared at her as if she was daft.
“Because I love you,” he finally said, as if it were the most obvious thing in the world.
“What?” She’d waited to hear him say those words for what seemed like an eternity, and now he’d said them just as casually and unconcernedly as he might have said, “I like that dress” or “Spot is a good name for a dog.”
“Because I love you,” he repeated. “Why else would I?”
“I don’t know. Because you’re mad?” she suggested. How dare he say he loved her here, in such a manner, with so little fanfare?
He was watching her carefully. “You seem upset.”
“Oh. Do I?” she asked sweetly. Behind her, the horse shifted uneasily. Smart horse. “Perhaps it’s because I do not believe you.
”
”
Connie Brockway (The Other Guy's Bride (Braxton, #2))
“
She’d never seen the ocean before. It was so vast compared to the rivers she’d seen. The sand resembled brown sugar. The seagulls leaped up and down as if they were at the ends of yo-yos. The waves made the sound of someone biting into an apple. When they crashed, they were a hundred thousand chorus girls raising up their dresses at once. And then the water receded again like the train of a jilted bride walking off into the distance.
”
”
Heather O'Neill (The Lonely Hearts Hotel)
“
I’m not interested in splitting you in half, so I’ll rip off whatever charming little dress you’re wearing with my teeth and then taste you until you’re riding my tongue and begging for more. Then, if I’m feeling particularly generous, I’ll give you both my cocks, one at a time.” “Wait,” I whisper. He leans down, his hot breath ruffling my hair. “And then I’m going to fill you up, Briar. How much of me can you take? There’s only one way to find out.
”
”
Katee Robert (The Dragon's Bride (A Deal With a Demon, #1))
“
Pandora, who walked down the aisle of the estate chapel on Devon's arm, was radiantly beautiful in a dress of white silk, the billowing skirts so intricately gathered and draped that no lace or ornamental trim had been necessary. She wore a coronet of fresh daisies and a veil of sheer tulle and carried a small bouquet of roses and daisies.
If West had any remaining doubts about St. Vincent's true feelings for his bride, they were forever banished as he saw the man's expression. St. Vincent stared at Pandora as if she were a miracle, his cool composure disrupted by a faint flush of emotion. When Pandora reached him and the veil was pushed back, St. Vincent broke with etiquette by leaning down to press a tender kiss on her forehead.
"That part isn't 'til later," Pandora whispered to him, but it was loud enough that the people around them overheard, and a rustle of laughter swept through the crowd.
”
”
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
“
He could not be absolutely certain she would not get away-again.
In the dark of night, haunted by such grim thoughts, Dragon found consolation. He had a fleet of ships at the ready. Before his willing Saxon bride could don boy's garb, run off a cliff, or plunge into a river, he would have her safely aboard and at sea. Damned if he wouldn't.
He felt better after that and even dozed a little but was up and dressed before dawn's gray fingers peeled night away.
”
”
Josie Litton (Come Back to Me (Viking & Saxon, #3))
“
A man is always a little shamefaced on his wedding day, like a fox caught in a baited trap, ensnared because his greed overcame his better judgment. The menfolk laughed at Charlie that spring day, and said he was caught for sure now. As the bride, I was praised and fussed over, as if I had won a prize or done something marvelous that no one ever did before, and I could not help feeling pleased and clever that I had managed to turn myself from an ordinary girl into a shining bride. Now I think it is a dirty lie. The man is the one who is winning the game that day, though they always pretend they are not, and the poor girl bride is led into a trap of hard work and harsh words, the ripping of childbirth and the drubbing of her man's fists. It is the end of being young, but no one tells her so. Instead they make over her, and tell her how lucky she is. I wonder do slaves get dressed up in finery on the day they are sold.
”
”
Sharyn McCrumb (The Ballad of Frankie Silver (Ballad, #5))
“
All narrative begins for me as listening. When I read, I listen. When I write, I listen—for silence, inflection, rhythm, rest. Then comes the image, the picture of the thing that I have to invent: the headless bride in her wedding dress; the forest clearing. There is performance, too: “zzz went the saw,” accompanied by gesture. And cadence: “Old man Simon Gillicutty, caaatch me.” I need to use everything—sound, image, performance—to get at the full meaning of the story
”
”
Toni Morrison (Tar Baby)
“
The June roses over the porch were awake bright and early on that morning, rejoicing with all their hearts in the cloudless sunshine, like friendly little neighbors, as they were. Quite flushed with excitement were their ruddy faces, as they swung in the wind, whispering to one another what they had seen, for some peeped in at the dining room windows where the feast was spread, some climbed up to nod and smile at the sisters as they dressed the bride, others waved a welcome to those who came and went on various errands in garden, porch, and hall, and all, from the rosiest full-blown flower to the palest baby bud, offered their tribute of beauty and fragrance to the gentle mistress who had loved and tended them so long.
”
”
Louisa May Alcott (Little Women (Little Women #1))
“
The one thing I hate about the wedding industry is that it focuses so much on the one day. People become obsessed with details, enraged with those they love, worn out from planning a few hours of a day that may not mean that much in the grand scheme of things. Even as I’m designing a dress that will cost thousands and thousands of dollars, I’ve always tried to work that message in. Don’t forget that after this day comes thousands of other days. Be careful. Cherish each other. Don’t blow it.
”
”
Kristan Higgins (If You Only Knew)
“
FatherMichael has entered the room
Wildflower: Ah don’t tell me you’re through a divorce yourself Father?
SureOne: Don’t be silly Wildflower, have a bit of respect! He’s here for the ceremony.
Wildflower: I know that. I was just trying to lighten the atmosphere.
FatherMichael: So have the loving couple arrived yet?
SureOne: No but it’s customary for the bride to be late.
FatherMichael: Well is the groom here?
SingleSam has entered the room
Wildflower: Here he is now. Hello there SingleSam. I think this is the first time ever that both the bride and groom will have to change their names.
SingleSam: Hello all.
Buttercup: Where’s the bride?
LonelyLady: Probably fixing her makeup.
Wildflower: Oh don’t be silly. No one can even see her.
LonelyLady: SingleSam can see her.
SureOne: She’s not doing her makeup; she’s supposed to keep the groom waiting.
SingleSam: No she’s right here on the laptop beside me. She’s just having problems with her password logging in.
SureOne: Doomed from the start.
Divorced_1 has entered the room
Wildflower: Wahoo! Here comes the bride, all dressed in . . .
SingleSam: Black.
Wildflower: How charming.
Buttercup: She’s right to wear black.
Divorced_1: What’s wrong with misery guts today?
LonelyLady: She found a letter from Alex that was written 12 years ago proclaiming his love for her and she doesn’t know what to do.
Divorced_1: Here’s a word of advice. Get over it, he’s married. Now let’s focus the attention on me for a change.
SoOverHim has entered the room
FatherMichael: OK let’s begin. We are gathered here online today to witness the marriage of SingleSam (soon to be “Sam”) and Divorced_1 (soon to be “Married_1”).
SoOverHim: WHAT?? WHAT THE HELL IS GOING ON HERE?
THIS IS A MARRIAGE CEREMONY IN A DIVORCED PEOPLE CHAT ROOM??
Wildflower: Uh-oh, looks like we got ourselves a gate crasher here. Excuse me can we see your wedding invite please?
Divorced_1: Ha ha.
SoOverHim: YOU THINK THIS IS FUNNY? YOU PEOPLE MAKE ME SICK, COMING IN HERE AND TRYING TO
UPSET OTHERS WHO ARE GENUINELY TROUBLED.
Buttercup: Oh we are genuinely troubled alright. And could you please STOP SHOUTING.
LonelyLady: You see SoOverHim, this is where SingleSam and Divorced_1 met for the first time.
SoOverHim: OH I HAVE SEEN IT ALL NOW!
Buttercup: Sshh!
SoOverHim: Sorry. Mind if I stick around?
Divorced_1: Sure grab a pew; just don’t trip over my train.
Wildflower: Ha ha.
FatherMichael: OK we should get on with this; I don’t want to be late for my 2 o’clock. First I have to ask, is there anyone in here who thinks there is any reason why these two should not be married?
LonelyLady: Yes.
SureOne: I could give more than one reason.
Buttercup: Hell yes.
SoOverHim: DON’T DO IT!
FatherMichael: Well I’m afraid this has put me in a very tricky predicament.
Divorced_1: Father we are in a divorced chat room, of course they all object to marriage. Can we get on with it?
FatherMichael: Certainly. Do you Sam take Penelope to be your lawful wedded wife?
SingleSam: I do.
FatherMichael: Do you Penelope take Sam to be your lawful wedded husband?
Divorced_1: I do (yeah, yeah my name is Penelope).
FatherMichael: You have already e-mailed your vows to me so by the online power vested in me, I now pronounce you husband and wife. You may kiss the bride. Now if the witnesses could click on the icon to the right of the screen they will find a form to type their names, addresses, and phone numbers. Once that’s filled in just e-mail it off to me. I’ll be off now. Congratulations again.
FatherMichael has left the room
Wildflower: Congrats Sam and Penelope!
Divorced_1: Thanks girls for being here.
SoOverHim: Freaks.
SoOverHim has left the room
”
”
Cecelia Ahern (Love, Rosie)
“
Imagine if you can ... a world in which half the inhabitants are larger and stronger than you and are thus able to force you to their will at any time or any place. That unchangeable fact colors everything in your life - from the route you choose when you walk down the street to what you look for when you enter a room, how you dress, how you smile, how you assess people on first meeting? Friend or foe? Is this person a threat? Will that one do me harm? It's all about survival. ... Mock a a woman's desire for jewels and fine clothes and grand houses if you must, but understand that they are simple manifestations of what she truly desires - survival, safety, security - because those baubles are the thing that proclaim to the world that she is of value and, as such, will be protected.
”
”
Kaki Warner (Bride of the High Country (Runaway Brides, #3))
“
A suite of ten?” Beth asked. “Is that all?”
“Each of us has a wing of the house. If we invite guests we put them in our wing and take care of them.”
“Do you often have guests?” "No.” Ian led Beth back to the dressing room in which "she’d changed for dinner. She’d thought the little room grand, but Ian now showed her that on its other side lay a bedroom the size of Mrs. Barrington’s entire downstairs. “You are my first.”
Beth gazed at the high ceiling, the enormous bed, the three windows with deep window seats. “If a person must marry you to get an invitation, I’m not surprised you haven’t had more guests.
”
”
Jennifer Ashley (The Madness of Lord Ian Mackenzie (Mackenzies & McBrides, #1))
“
Oh, no, it is,” she said, reverting to her sensible tone of scientific certainty. “Bridesmaids’ dresses are designed to make the women in them look unappealing; that way the bride looks better than usual. It’s an accepted practice, a basic defensive strategy with biological roots. You see this sort of thing in nature all the time.
”
”
Bonnie Garmus (Lessons in Chemistry)
“
set off on her journey to his country. Then the queen, her mother, packed up a great many costly things—jewels, and gold, and silver, trinkets, fine dresses, and in short, everything that became a royal bride; for she loved her child very dearly; and she gave her a waiting-maid to ride with her, and give her into the bridegroom's hands; and each had a horse for the journey. Now the princess' horse was called Falada, and could speak. When the time came for them to set out, the old queen went into her bed-chamber, and took a little knife, and cut off a lock of her hair, and gave it to her daughter, saying, "Take care of it, dear child; for it is a charm that may be
”
”
Jacob Grimm (Grimm's Fairy Stories)
“
The Last Hero
The wind blew out from Bergen from the dawning to the day,
There was a wreck of trees and fall of towers a score of miles away,
And drifted like a livid leaf I go before its tide,
Spewed out of house and stable, beggared of flag and bride.
The heavens are bowed about my head, shouting like seraph wars,
With rains that might put out the sun and clean the sky of stars,
Rains like the fall of ruined seas from secret worlds above,
The roaring of the rains of God none but the lonely love.
Feast in my hall, O foemen, and eat and drink and drain,
You never loved the sun in heaven as I have loved the rain.
The chance of battle changes -- so may all battle be;
I stole my lady bride from them, they stole her back from me.
I rent her from her red-roofed hall, I rode and saw arise,
More lovely than the living flowers the hatred in her eyes.
She never loved me, never bent, never was less divine;
The sunset never loved me, the wind was never mine.
Was it all nothing that she stood imperial in duresse?
Silence itself made softer with the sweeping of her dress.
O you who drain the cup of life, O you who wear the crown,
You never loved a woman's smile as I have loved her frown.
The wind blew out from Bergen to the dawning of the day,
They ride and run with fifty spears to break and bar my way,
I shall not die alone, alone, but kin to all the powers,
As merry as the ancient sun and fighting like the flowers.
How white their steel, how bright their eyes! I love each laughing knave,
Cry high and bid him welcome to the banquet of the brave.
Yea, I will bless them as they bend and love them where they lie,
When on their skulls the sword I swing falls shattering from the sky.
The hour when death is like a light and blood is like a rose, --
You never loved your friends, my friends, as I shall love my foes.
Know you what earth shall lose to-night, what rich uncounted loans,
What heavy gold of tales untold you bury with my bones?
My loves in deep dim meadows, my ships that rode at ease,
Ruffling the purple plumage of strange and secret seas.
To see this fair earth as it is to me alone was given,
The blow that breaks my brow to-night shall break the dome of heaven.
The skies I saw, the trees I saw after no eyes shall see,
To-night I die the death of God; the stars shall die with me;
One sound shall sunder all the spears and break the trumpet's breath:
You never laughed in all your life as I shall laugh in death.
”
”
G.K. Chesterton
“
She wore a dress of white satin, elegant and unusual in its simplicity, with no fussy ruffles and frills to distract from the lovely shape of her figure. Instead of wearing the traditional veil, she had drawn the sides of her hair up to the crown of her head and let the rest cascade down her back in long golden coils. Her only ornamentation was a tiara of graduated diamond stars, which Tom had sent upstairs that morning as a Christmas gift. The wealth of rose-cut gems glittered madly in the candlelight, but they couldn't eclipse her sparkling eyes and radiant face. She looked like a snow queen walking through a winter forest, too beautiful to be entirely human.
And there he stood, with his heart in his fist.
”
”
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
“
I want to see that Beth gets upstairs and settled in. We can talk at supper.”
“We have maidservants to help her.”
“I want to do it.”
Hart gave up, but Beth could see that it rankled. “The gong goes at seven forty-five and the meal is served at eight. We dress formally, Mrs. Ackerley. Don’t be late.”
Beth slid her hand through Ian’s, trying to hide her nervousness. “Call me Beth, please,” she said. “I am no longer Mrs. Ackerley and have become, to our mutual astonishment, your sister.”
Hart froze. Ian raised his brows at him, then turned
around and led Beth from the room. As they walked out, surrounded by the waiting dogs, Beth slanted a worried glance up at Ian, but Ian wore the broadest smile she’d ever seen.
”
”
Jennifer Ashley (The Madness of Lord Ian Mackenzie (Mackenzies & McBrides, #1))
“
I think I’m going to wear blue to the wedding. I saw this gorgeous dress on sale at Macy’s the other day. I think I have a coupon,” Mom tells Liz.
“Oh hell no! I already told you I was going to wear blue, you whore. You can’t wear the same color as me, that’s tacky,” Liz complains.
Oh my God, this is not happening right now.
“Fuck your mother. I’m wearing blue. I already found my dress,” Mom argues.
“I’m the mother of the bride. The mother of the f**king bride! That means it’s up to me!” Liz fires back.
“Claire, I think you would look lovely in blue,” Tyler pipes in.
Mom turns to face Tyler and folds her arms on top of the table. “When I’m finished neutering you, I’m going to take your tiny little neuticles and light them on fire.
”
”
Tara Sivec (Love and Lists (Chocoholics, #1))
“
…and so, ladies and gentlemen, I give you, the bride to be.” I applauded because everyone else did, on automatic, and looked up to behold the linear mortal who Vincent had decided to occupy himself with this time. Would she be a Frances, chosen to make an unseen Hugh jealous while playing tennis on the lawn? Or Leticia, perhaps, pretty but vacant; perhaps a Mei, adding that air of respectability as he went about his nefarious deeds, or a Lizzy, a companion in dark hours, a figure who was nine parts being there to only one part chemistry. She stepped to the front of the room, a woman with a hint of grey streaking the edge of her hair, dressed in a mermaid dress the colour of clotted cream, and she was Jenny. My Jenny. Memory, moving too fast to process.
”
”
Claire North (The First Fifteen Lives of Harry August)
“
Misery,” he sighs, and his breath warms the skin of my belly through the fabric of the dress, and I’m still alone, still different, still mostly on my own, but maybe a little less than usual. His fingers close softly around my ankle, the metal of his wedding band hot against skin and bones, and for the first time in more than I can remember, I feel held. I’m here, I say, only in my head. With you.
”
”
Ali Hazelwood (Bride (Bride, #1))
“
Their clothing is called their plaid, Mary. Plaid,” Beak repeated with a growl. “It’s their sacred dress. I think they’d take exception to hearing it called a woman’s gown.” “Then it’s little wonder to me why they have to fight all the time,” Jamie interjected. She hadn’t really believed Cholie’s tale, but Beak looked so sincere she was beginning to think he was telling the truth. “Aye,” Mary agreed. “They have to defend their gowns.
”
”
Julie Garwood (The Bride (Lairds' Fiancées, #1))
“
Once upon a time, there was a girl named Taryn. She suffered many indignities at the hands of the magical people called the Folk, yet she never was anything but kind, no matter how they despised her. Then one day, a fox-haired faerie boy looked upon her and saw her virtue and her loveliness, so he took her to be his bride. And on his arm, dressed in a gown as bright as the stars, the other Folk saw her for the first time. They knew that they’d misjudged her and…
”
”
Holly Black (The Lost Sisters (The Folk of the Air, #1.5))
“
When I select my wedding gown, I am reminded of the story of the young woman who wished to go to a dance with her lover, but could not afford a dress. She purchased a lovely white frock from a secondhand shop, and then later fell ill and passed from this earth. A doctor who examined her in her final days discovered she had died from exposure to embalming fluid. It turned out that an unscrupulous undertaker's assistant had stolen the dress from the corpse of a bride.
”
”
Carmen Maria Machado (Her Body and Other Parties: Stories)
“
Brastias, general of the Dark Plains rebellion and Annwyl’s second in command, leaned back into the hard wood chair and rubbed his tired eyes. She must be dead. She had to be dead. Annwyl would never disappear this long without word sent. He’d already sent trackers out to find her, but they came back empty-handed, losing her trail somewhere near Dark Glen, a haunted place most men dare not enter.
Of course, Annwyl was not most men. She often dared where others fled. She remained the bravest warrior Brastias knew and he’d met many men over the years who he considered brave.
But Annwyl could be foolhardy and her anger . . . formidable.
And yet every day for two years Brastias thanked the gods for his good fortune. On a whim they had attacked a heavily armed caravan coming from Garbhán Isle. Its cargo had been Annwyl. Dressed in white bridal clothes and chained to the horse she rode, her destiny to be the unwilling bride for some noble in Madron. And based on how heavily armed her procession was, dangerously unhappy about it as well. Once the attack began, one of his men released Annwyl and told her to escape. She didn’t. Instead she took up a sword and fought. Fought, in fact, like a demon sent from the gods of hate and revenge. Her rage a mighty sight to behold. By the time the girl finished, she stood among the headless remains of those she killed. Her white gown completely covered in blood. On that day the men had given her the name Annwyl the Bloody and, as much as she hated it, the name stuck.
”
”
G.A. Aiken (Dragon Actually (Dragon Kin, #1))
“
The Woman Poet // Die Dichterin
You hold me now completely in your hands.
My heart beats like a frightened little bird's
Against your palm. Take heed! You do not think
A person lives within the page you thumb.
To you this book is paper, cloth, and ink,
Some binding thread and glue, and thus is dumb,
And cannot touch you (though the gaze be great
That seeks you from the printed marks inside),
And is an object with an object's fate.
And yet it has been veiled like a bride,
Adorned with gems, made ready to be loved,
Who asks you bashfully to change your mind,
To wake yourself, and feel, and to be moved.
But still she trembles, whispering to the wind:
"This shall not be." And smiles as if she knew.
Yet she must hope. A woman always tries,
Her very life is but a single "You . . ."
With her black flowers and her painted eyes,
With silver chains and silks of spangled blue.
She knew more beauty when a child and free,
But now forgets the better words she knew.
A man is so much cleverer than we,
Conversing with himself of truth and lie,
Of death and spring and iron-work and time.
But I say "you" and always "you and I."
This book is but a girl's dress in rhyme,
Which can be rich and red, or poor and pale,
Which may be wrinkled, but with gentle hands,
And only may be torn by loving nails.
So then, to tell my story, here I stand.
The dress's tint, though bleached in bitter lye,
Has not all washed away. It still is real.
I call then with a thin, ethereal cry.
You hear me speak. But do you hear me feel?
”
”
Gertrud Kolmar
“
Her protector and savior was shirtless and barefoot, dressed only in a pair of drawers. He stood beside the bed with his back to her, turning down the covers. She studied the rippling muscles of his shoulders and arms as he performed the mundane task. His back was a beautiful, pale canvas on which she could imagine painting letters and designs. She admired the bands of muscle and the shadows beneath his shoulder blades. His drawers sagged low, revealing narrow hips and the intriguing curve of his rear. Her sex tightened at the glimpse of his buttocks.
His face was in profile and his nose no longer seemed too big or his features too coarse as she’d once thought, so long ago it seemed. Instead, they appeared assertively masculine except for the thick sweep of eyelashes and the generous fullness of his lips.
Alan noticed her and turned. The blanket fell from his fingers as he gazed at her with the eyes of a hungry dragon. His lips parted and the exhalation of his breath floated to her across the quiet room. Then he walked toward her.
”
”
Bonnie Dee (Captive Bride)
“
It’s about to rain forks and knives,” Winterborne reported, water drops glittering on his hair and the shoulders of his coat. He reached for a glass of champagne from a silver tray on the table, and raised it in Tom’s direction. “Good luck it is, for the wedding day.”
“Why is that, exactly?” Tom asked, disgruntled.
“A wet knot is harder to untie,” Winterborne said. “The marriage bond will be tight and long lasting.”
Ethan Ransom volunteered, “Mam always said rain on a wedding day washed away the sadness of the past.”
“Not only are superstitions irrational,” Tom said, “they’re inconvenient. If you believe in one, you have to believe them all, which necessitates a thousand pointless rituals.”
Not being allowed to see the bride before the ceremony, for example. He hadn’t had so much as a glimpse of Cassandra that morning, and he was chafing to find out how she was feeling, if she’d slept well, if there was something she needed.
West came into the room with his arms full of folded umbrellas. Justin, dressed in a little velveteen suit, was at his heels.
“Aren’t you supposed to be upstairs in the nursery with your little brother?” St. Vincent asked his five-year-old nephew.
“Dad needed my help,” Justin said self-importantly, bringing an umbrella to him.
“We’re about to have a soaker,” West said briskly. “We’ll have to take everyone out to the chapel as soon as possible, before the ground turns to mud. Don’t open one of these indoors: It’s bad luck.”
“I didn’t think you were superstitious,” Tom protested. “You believe in science.”
West grinned at him. “I’m a farmer, Severin. When it comes to superstitions, farmers lead the pack. Incidentally, the locals say rain on the wedding day means fertility.”
Devon commented dryly, “To a Hampshireman, nearly everything is a sign of fertility. It’s a preoccupation around here.”
“What’s fertility?” Justin asked.
In the sudden silence, all gazes went to West, who asked defensively, “Why is everyone looking at me?”
“As Justin’s new father,” St. Vincent replied, making no effort to hide his enjoyment, “that question is in your province.”
West looked down into Justin’s expectant face. “Let’s ask your mother later,” he suggested.
The child looked mildly concerned. “Don’t you know, Dad?
”
”
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
“
Pretty speech,” he said.
“It’s the only one I’ve got.”
“I know what’s really going on here. You’re scared to step into my world. Afraid you can’t hack it. Much better to hide here and be a big fish in a very small pond.”
“If that’s the way you see it, fine.” I raised my chin. “I have nothing to prove to you, Rogan.”
“But now I have something to prove to you,” he said. “I promise you, I will win, and by the time I’m done, you won’t walk, you’ll run to jump into my bed.”
“Don’t hold your breath,” I told him.
All of his civilized veneer was gone now. The dragon faced me, teeth bared, claws out, breathing fire. “You won’t just sleep with me. You’ll be obsessed with me. You’ll beg me to touch you, and when that moment comes, we will revisit what happened here today.”
“Never in a million years.” I pointed at the doorway. “Exit is that—”
He grabbed me. His mouth closed on mine. His big body caged me in. His chest mashed my breasts. His arms pulled me to him, one across my back, the other cupping my butt. His magic washed over me in an exhilarating rush. My body surrendered. My muscles turned warm and pliant. My nipples tightened, my breasts ready to be squeezed, ready for his fingers and his mouth. An eager ache flared between my legs. My tongue licked his. God, I wanted him. I wanted him so badly.
He let me go, turned on his toes, and went out, laughing under his breath.
Aaargh! “That’s right! Keep . . . walking!”
I threw the wrench down.
“Now that was a kiss,” Grandma Frida said from the doorway behind me.
I jumped. “How long have you been there?”
“Long enough. That man means business.”
All my words tried to come out at once. “I don’t . . . what . . . asshole! . . . screw himself for all I care!”
“Aww, young love, so passionate,” Grandma said. “I’m going to buy you a subscription to Brides magazine. You should start shopping for dresses.”
I waved my arms and walked away from her before I said something I would regret.
”
”
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
“
If the heir of Terrasen, Aelin Galathynius, had lived, would she have become a friend, an ally? His bride, perhaps? He’d met her once, in the days before her kingdom became a charnel house. The memory was hazy, but she’d been a precocious, wild girl—and had set her nasty, brutish older cousin on him in order to teach Dorian a lesson for spilling tea on her dress. Dorian rubbed his neck. Of course, as fate would have it, her cousin wound up becoming Aedion Ashryver, his father’s prodigy general and the fiercest warrior in the north. He’d met Aedion a few times over the years, and at each encounter with the haughty young general, he’d gotten the distinct impression that Aedion wanted to kill him.
”
”
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
“
What you doing? Stop leave me. Jesus. Bit me. Below the neckline of the dress. The. Bite. Hurt that. My breast. Through the stupid white my bothered skin. See blood come. Rings I think of teeth flower. You. Don’t. You don’t. Again. My lovely girl my love my. He says. Look at me. I’ll always have you in the end. Because I love you. Shut up. Best. So so so so? Well fuck you then. He says. Wipe up that. Put your bra. Fucking state you’re in. Don’t know a man loves you. Don’t know. Fucking mental that you. Dirty cunt like him. Well I liked it and I fucked it and I wanted it some more. You fucking. Shut your. Caught my, the roots, in my scalp like they’ll rip me. Coming. Uncle loving coming. Coming. We to. Home.
”
”
Eimear McBride (A Girl is a Half-Formed Thing)
“
With great reluctance— sitting in the chair with Kate and doing nothing but hold her was surprisingly satisfying— he stood, lifting her in his arms as he did so, and then set her back in the chair. “This has been a delightful interlude,” he murmured, leaning down to drop a kiss on her forehead. “But I fear your mother’s early return. I shall see you Saturday morning?”
She blinked. “Saturday?”
“A superstition of my mother’s,” he said with a sheepish smile. “She thinks it’s bad luck for the bride and groom to see one another the day before the wedding.”
“Oh.” She rose to her feet, self-consciously smoothing her dress and hair. “And do you believe it as well?”
“Not at all,” he said with a snort.
She nodded. “It’s very sweet of you to indulge your mother, then.”
Anthony paused for a moment, well aware that most men of his reputation did not want to appear tied to apron strings. But this was Kate, and he knew that she valued devotion to family as much as he did, so he finally said, “There is little I would not do to keep my mother content.”
She smiled shyly. “It is one of the things I like best about you.”
He made some sort of gesture designed to change the subject, but she interrupted with, “No, it’s true. You’re far more caring a person than you’d like people to believe.”
Since he wasn’t going to be able to win the argument with her— and there was little point in contradicting a woman when she was being complimentary— he put a finger to his lips and said, “Shhh. Don’t tell anyone.” And then, with one last kiss to her hand and a murmured, “Adieu,” he made his way out the door and outside.
-Anthony & Kate
”
”
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
“
This would be the third year that she would try halfheartedly to keep her mother unaware that there even was a Fall Ball,let alone the theme. But there was no question that Mrs. Winslow would get the info somehow, probably within six hours of the announcement. It didn't matter that she was presently in the Caribbean. She was connected. By morning,she would be on the phone to someone in New York or Paris or Milan, finding the perfect costume for her daughter.
The last one was a historically accurate replica of an eighteenth-century dress, appropraite to rural New York State gentility, no less. It had possessed a wig, corset, and padded butt. Sadie,itchy and unable to breathe, let alone eat or drink or shake her extended booty, had spent the four hours of the dance sitting in a dark corner.I,dressed in a high-necked, tattered, and "blood"-spattered white dress and veil (Bride of the Headless Horseman),sat with her.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
The princess found herself being gently prodded and pushed and combed and magicked, and her hair felt weird. When she was spun around to face the mirror again, she was in a yellow dress, waves of sunshine spilling down from her bodice to her toes. Her shoulders were bare, which was a little strange, but they were pale and perfect and delicate. 'Swanlike,' she could hear the minstrel saying. Her hair was loosely braided over one shoulder, a yellow ribbon tying it off.
The fairies gasped.
"You are 'sooooo' beautiful!"
Even 'more' beautiful!"
"Can it be possible?"
"Look at 'this'," a fairy commanded. With a serious look and a wave of her wand, she transformed the princess again. This time her hair was piled high on her head in an elegant chignon, a simple ribbon holding it back. A light blue dress puffed out around her softly, like a cloud. The finest gloves she had ever worn covered her bare arms up to her shoulders. Funny little tinkling shoes felt chilly on her feet.
She put her hands on the skirt and twisted this way and that; what a dress to dance in! She would look like a fairy herself.
Or a bride.
”
”
Liz Braswell (Once Upon a Dream)
“
Well?" said Loki. "What about you, Heimdall? Do you have any suggestions?"
"I do," said Heimdall. "But you won't like it."
Thor banged his fist down upon the table. "It does not matter whether or not we like it," he said. "We are gods! There is nothing that any of us gathered here would not do to get back Mjollnir, the hammer of the gods. Tell us your idea, and if it is a good idea, we will like it."
"You won't like it," said Heimdall.
"We will like it!" said Thor.
"Well," said Heimdall, "I think we should dress Thor as a bride. Have him put on the necklace of the Brisings. Have him wear a bridal crown. Stuff his dress so he looks like a woman. Veil his face. We'll have him wear keys that jingle, as women do, drape him with jewels -"
"I don't like it!" said Thor. "People will think... well, for a start they'll think I dress up in women's clothes. Absolutely out of the question. I don't like it. I am definitely not going to be wearing a bridal veil. None of us like this idea, do we? Terrible, terrible idea. I've got a beard. I can't shave off my beard."
"Shut up, Thor," said Loki son of Laufey. "It's an excellent idea.
”
”
Neil Gaiman
“
My dear, dear ladies,” Sir Francis effused as he hastened forward, “what a long-awaited delight this is!” Courtesy demanded that he acknowledge the older lady first, and so he turned to her. Picking up Berta’s limp hand from her side, he presed his lips to it and said, “Permit me to introduce myself. I am Sir Francis Belhaven.”
Lady Berta curtsied, her fear-widened eyes fastened on his face, and continued to press her handkerchief to her lips. To his astonishment, she did not acknowledge him at all; she did not say she was charmed to meet him or inquire after his health. Instead, the woman curtsied again. And once again. “There’s hardly a need for all that,” he said, covering his puzzlement with forced jovially. “I’m only a knight, you know. Not a duke or even an earl.”
Lady Berta curtsied again, and Elizabeth nudged her sharply with her elbow. “How do!” burst out the plump lady.
“My aunt is a trifle-er-shy with strangers,” Elizabeth managed weakly.
The sound of Elizabeth Cameron’s soft, musical voice made Sir Francis’s blood sing. He turned with unhidden eagerness to his future bride and realized that it was a bust of himself that Elizabeth was clutching so protectively, so very affectionately to her bosom. He could scarcely contain his delight. “I knew it would be this way between us-no pretense, no maidenly shyness,” he burst out, beaming at her blank, wary expression as he gently took the bust of himself from Elizabeth’s arms. “But, my lovely, there’s no need for you to caress a hunk of clay when I am here in the flesh.”
Momentarily struck dumb, Elizabeth gaped at the bust she’d been holding as he first set it gently upon its stand, then turned expectantly to her, leaving her with the horrifying-and accurate-thought that he now expected her to reach out and draw his balding head to her bosom. She stared at him, her mind in paralyzed chaos. “I-I would ask a favor of you, Sir Francis,” she burst out finally.
“Anything, my dear,” he said huskily.
“I would like to-to rest before supper.”
He stepped back, looking disappointed, but then he recalled his manners and reluctantly nodded. “We don’t keep country hours. Supper is at eight-thirty.” For the first time he took a moment to really look at her. His memories of her exquisite face and delicious body had been so strong, so clear, that until then he’d been seeing the Lady Elizabeth Cameron he’d met long ago. Now he belatedly registered the stark, unattractive gown she wore and the severe way her hair was dressed. His gaze dropped to the ugly iron cross that hung about her neck, and he recoiled in shock. “Oh, and my dear, I’ve invited a few guests,” he added pointedly, his eyes on her unattractive gown. “I thought you would want to know, in order to attire yourself more appropriately.”
Elizabeth suffered that insult with the same numb paralysis she’d felt since she set eyes on him. Not until the door closed behind him did she feel able to move. “Berta,” she burst out, flopping disconsolately onto the chair beside her, “how could you curtsy like that-he’ll know you for a lady’s maid before the night is out! We’ll never pull this off.”
“Well!” Berta exclaimed, hurt and indignant. “Twasn’t I who was clutching his head to my bosom when he came in.”
“We’ll do better after this,” Elizabeth vowed with an apologetic glance over her shoulder, and the trepidation was gone from her voice, replaced by steely determination and urgency. “We have to do better. I want us both out of here tomorrow. The day after at the very latest.”
“The butler stared at my bosom,” Berta complained. “I saw him!”
Elizabeth sent her a wry, mirthless smile. “The footman stared at mine. No woman is safe in this place. We only had a bit of-of stage fright just now. We’re new to playacting, but tonight I’ll carry it off. You’ll see. No matter what if takes, I’ll do it.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
The traditional Roman wedding was a splendid affair designed to dramatize the bride’s transfer from the protection of her father’s household gods to those of her husband. Originally, this literally meant that she passed from the authority of her father to her husband, but at the end of the Republic women achieved a greater degree of independence, and the bride remained formally in the care of a guardian from her blood family. In the event of financial and other disagreements, this meant that her interests were more easily protected. Divorce was easy, frequent and often consensual, although husbands were obliged to repay their wives’ dowries. The bride was dressed at home in a white tunic, gathered by a special belt which her husband would later have to untie. Over this she wore a flame-colored veil. Her hair was carefully dressed with pads of artificial hair into six tufts and held together by ribbons. The groom went to her father’s house and, taking her right hand in his, confirmed his vow of fidelity. An animal (usually a ewe or a pig) was sacrificed in the atrium or a nearby shrine and an Augur was appointed to examine the entrails and declare the auspices favorable. The couple exchanged vows after this and the marriage was complete. A wedding banquet, attended by the two families, concluded with a ritual attempt to drag the bride from her mother’s arms in a pretended abduction. A procession was then formed which led the bride to her husband’s house, holding the symbols of housewifely duty, a spindle and distaff. She took the hand of a child whose parents were living, while another child, waving a hawthorn torch, walked in front to clear the way. All those in the procession laughed and made obscene jokes at the happy couple’s expense. When the bride arrived at her new home, she smeared the front door with oil and lard and decorated it with strands of wool. Her husband, who had already arrived, was waiting inside and asked for her praenomen or first name. Because Roman women did not have one and were called only by their family name, she replied in a set phrase: “Wherever you are Caius, I will be Caia.” She was then lifted over the threshold. The husband undid the girdle of his wife’s tunic, at which point the guests discreetly withdrew. On the following morning she dressed in the traditional costume of married women and made a sacrifice to her new household gods. By the late Republic this complicated ritual had lost its appeal for sophisticated Romans and could be replaced by a much simpler ceremony, much as today many people marry in a registry office. The man asked the woman if she wished to become the mistress of a household (materfamilias), to which she answered yes. In turn, she asked him if he wished to become paterfamilias, and on his saying he did the couple became husband and wife.
”
”
Anthony Everitt (Cicero: The Life and Times of Rome's Greatest Politician)
“
With a scowl, he turned from the window, but it was too late. The sight of Lady Celia crossing the courtyard dressed in some rich fabric had already stirred his blood. She never wore such fetching clothes; generally her lithe figure was shrouded in smocks to protect her workaday gowns from powder smudges while she practiced her target shooting.
But this morning, in that lemon-colored gown, with her hair finely arranged and a jeweled bracelet on her delicate wrist, she was summer on a dreary winter day, sunshine in the bleak of night, music in the still silence of a deserted concert hall.
And he was a fool.
"I can see how you might find her maddening," Masters said in a low voice.
Jackson stiffened. "Your wife?" he said, deliberately being obtuse.
"Lady Celia."
Hell and blazes. He'd obviously let his feelings show. He'd spent his childhood learning to keep them hidden so the other children wouldn't see how their epithets wounded him, and he'd refined that talent as an investigator who knew the value of an unemotional demeanor.
He drew on that talent as he faced the barrister. "Anyone would find her maddening. She's reckless and spoiled and liable to give her husband grief at every turn." When she wasn't tempting him to madness.
Masters raised an eyebrow. "Yet you often watch her. Have you any interest there?"
Jackson forced a shrug. "Certainly not. You'll have to find another way to inherit your new bride's fortune."
He'd hoped to prick Masters's pride and thus change the subject, but Masters laughed. "You, marry my sister-in-law? That, I'd like to see. Aside from the fact that her grandmother would never approve, Lady Celia hates you."
She did indeed. The chit had taken an instant dislike to him when he'd interfered in an impromptu shooting match she'd been participating in with her brother and his friends at a public park. That should have set him on his guard right then.
A pity it hadn't. Because even if she didn't despise him and weren't miles above him in rank, she'd never make him a good wife. She was young and indulged, not the sort of female to make do on a Bow Street Runner's salary.
But she'll be an heiress once she marries.
He gritted his teeth. That only made matters worse. She would assume he was marrying her for her inheritance. So would everyone else. And his pride chafed at that.
Dirty bastard. Son of shame. Whoreson. Love-brat. He'd been called them all as a boy. Later, as he'd moved up at Bow Street, those who resented his rapid advancement had called him a baseborn upstart. He wasn't about to add money-grubbing fortune hunter to the list.
"Besides," Masters went on, "you may not realize this, since you haven't been around much these past few weeks, but Minerva claims that Celia has her eye on three very eligible potential suitors."
Jackson's startled gaze shot to him. Suitors? The word who was on his lips when the door opened and Stoneville entered. The rest of the family followed, leaving Jackson to force a smile and exchange pleasantries as they settled into seats about the table, but his mind kept running over Masters's words.
Lady Celia had suitors. Eligible ones. Good-that was good. He needn't worry about himself around her anymore. She was now out of his reach, thank God. Not that she was ever in his reach, but-
"Have you got any news?" Stoneville asked.
Jackson started. "Yes." He took a steadying breath and forced his mine to the matter at hand.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
The last cake in his hand, he turned to her. “Alexandra.” Placing the candle on the side table, she knelt to retrieve the cloth. “We missed you at the last few meals. But you could have asked if you wanted more.” She straightened, setting the cloth on the table, too. “I’d have sent them to you in the workshop.” He tilted his head, giving her a look so calculatedly innocent—his smile vague, his eyes deliberately blank—that she laughed again. “I’m going to tell everyone you’re a sweet thief.” The cake fell from his fingers and landed with a little plop on the carpet. “Alexandra,” he repeated and reached for her, dragging her into his arms. Though stunned, she went willingly. With their faces just a hair’s breadth apart, he hesitated, making her shiver with anticipation. Then their lips met—she couldn’t tell who closed the gap—and her heart rolled over in her chest. The way they were pressed together from shoulder down to navel seemed incredibly intimate and thrilling—and very different from the friendly or sisterly sort of embrace she was used to. She could feel the searing heat of his skin through the fine fabric of his dressing gown. He wrapped his arms around her back. She buried her hands in his soft hair. He tasted of sugar and chocolate and Tris, a deliciously sweet combination. No, make that dangerously sweet. It took a herculean effort to retreat the barest inch. “We cannot,” she whispered. The look he gave her was so odd and intense, it seemed to go right through her. “I—I need to go back to my room,” she stammered, removing herself from his arms. When he didn’t reply, she added, “I’m sorry,” even though she wasn’t sure what she was apologizing for. He nodded, his lips curving in a sad almost-smile. “We should both go back to our rooms,” she said more firmly. “Good night.” “’Night,” he echoed and turned to exit the far end of the room. Almost against her will, she followed him to the doorway and watched him slowly traverse the long length of the torchlit great hall, standing there until he disappeared into the dark corridor that led to the guest chambers. He didn’t look back. She released a long, shuddering breath before retrieving her candle
”
”
Lauren Royal (Alexandra (Regency Chase Brides #1))
“
I lift the lid of the chest. Inside, the air is musty and stale, held hostage for years in its three-foot-by-four-foot tomb. I lean in to survey the contents cautiously, then pull out a stack of old photos tied with twine. On top is a photo of a couple on their wedding day. She's a young bride, wearing one of those 1950's netted veils. He looks older, distinguished- sort of like Cary Grant or Gregory Peck in the old black-and-white movies I used to watch with my grandmother. I set the stack down and turn back to the chest, where I find a notebook, filled with handwritten recipes. The page for Cinnamon Rolls is labeled "Dex's Favorite." 'Dex.' I wonder if he's the man in the photo.
There are two ticket stubs from 1959, one to a Frank Sinatra concert, another to the movie 'An Affair to Remember.' A single shriveled rosebud rests on a white handkerchief. A corsage? When I lift it into my hand, it disintegrates; the petals crinkle into tiny pieces that fall onto the living room carpet. At the bottom of the chest is what looks like a wedding dress. It's yellowed and moth-eaten, but I imagine it was once stark white and beautiful. As I lift it, I can hear the lace swishing as if to say, "Ahh." Whoever wore it was very petite. The waist circumference is tiny. A pair of long white gloves falls to the floor. They must have been tucked inside the dress. I refold the finery and set the ensemble back inside.
Whose things are these? And why have they been left here? I thumb through the recipe book. All cookies, cakes, desserts. She must have loved to bake. I tuck the book back inside the chest, along with the photographs after I've retied the twine, which is when I notice a book tucked into the corner. It's an old paperback copy of Ernest Hemingway's 'The Sun Also Rises.' I've read a little of Hemingway over the years- 'A Moveable Feast' and some of his later work- but not this one. I flip through the book and notice that one page is dog-eared. I open to it and see a line that has been underscored. "You can't get away from yourself by moving from one place to another."
I look out to the lake, letting the words sink in. 'Is that what I'm trying to do? Get away from myself?' I stare at the line in the book again and wonder if it resonated with the woman who underlined it so many years ago. Did she have her own secret pain? 'Was she trying to escape it just like me?
”
”
Sarah Jio (Morning Glory)
“
I thought I saw you scurrying in here hubby-kins!” A girl in a vivid orange dress stepped into the room and I had to look up at her towering height and shoulders which nearly matched the breadth of the Heirs'. Her teeth protruded a little from her lower jaw and her eyes seemed to wander, never landing on one spot. Her hair was a massive brown frizz with a pink bow clipped into the top of it, perfectly matching the violently bright shade of her eyeshadow.
She marched between Tory and I like we were made of paper, forcing us aside with her elbows as she charted a direct path for Darius.
“Mildred,” he said tersely, his eyes darkening as his bride-to-be reached out to him.
Caleb, Seth and Max sniggered as Mildred leaned in for a kiss and Darius only managed to stop her at the last second by planting his palm on her forehead with a loud clap.
“Not before the wedding,” he said firmly and I looked at Tory who was falling into a fit of silent laughter, clutching her side. I tried to smother the giggle that fought its way out of my chest but it floated free and Mildred rounded on us like a hungry animal.
“These must be the Vega Twins,” she said coldly. “Well don't waste your time sniffing around my snookums. Daddy says he's saving himself for our wedding night.”
Max roared with laughter and Mildred turned on him like a loaded weapon, jabbing him right in the chest. Max's smile fell away as she glared at him like he was her next meal. “What are you laughing at you overgrown starfish?” she demanded, her eyes flashing red and her pupils turning to slits. “I've eaten bigger bites than you before, so don't tempt me because I adore seafood.”
Max reached out, laying a hand on her bare arm, shifting it slightly as his fingers brushed a hairy mole. “Calm down Milly, we're just having a bit of fun. We want to get to know Darius's betrothed. Why don't you have a shot?” He nodded to Caleb who promptly picked one up and held it one out for Mildred to take.
“Daddy says drinking will grow hairs on my chest,” she said, refusing it.
“Too late for that,” Seth said under his breath and the others started laughing.
A knot of sympathy tugged at my gut, but Mildred didn't seem to care about their mocking. She stepped toward Seth with a wicked grin and his smile fell away. “Oh and what's wrong with that exactly, Seth Capella? You like your girls hairy, don't you?”
Seth gawped at her in answer. “What the hell does that mean?”
“You like mutt muff,” she answered, jutting out her chin and I noticed a few wiry hairs protruding from it.
Seth growled, scratching his stomach as he stepped forward. “I don't screw girls in their Order form, idiot.”
“Maybe not, but you do, don't you Caleb Altair?” She rounded on him and now I was really starting to warm to Mildred as she cut them all down to size. I settled in for the show, folding my arms and smiling as I waited for her to go on. “My sister's boyfriend’s cousin said you like Pegasus butts. He even sent a video to Aurora Academy of you humping a Pegasex blow up doll and it went viral within a day.”
Caleb's mouth fell open and his face paled in horror. “I didn't hump it!”
“I didn't watch the video, but everyone told me what was in it. Why would I want to see you screwing a plastic horse?” She shrugged then turned to Tory and I with absolutely no kindness in her eyes.
Oh crap.(Darcy)
”
”
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))