Bridal Booking Quotes

The next morning, a maid found her bridal crown broken on the floor, an explosion of pearls and twisted gold. There was silver on it, blood dark from the passing hours. And her bathwater was black with it. The diary ended unfinished, unseen by any who deserved to read it. Only Elara saw its pages, and the slow unravelling of the woman inside. She destroyed the book like she destroyed Coriane. And she dreamed of nothing.

Nothing is a masterpiece - a real masterpiece - till it's about two hundred years old. A picture is like a tree or a church, you've got to let it grow into a masterpiece. Same with a poem or a new religion. They begin as a lot of funny words. Nobody knows whether they're all nonsense or a gift from heaven. And the only people who think anything of 'em are a lot of cranks or crackpots, or poor devils who don't know enough to know anything. Look at Christianity. Just a lot of floating seeds to start with, all sorts of seeds. It was a long time before one of them grew into a tree big enough to kill the rest and keep the rain off. And it's only when the tree has been cut into planks and built into a house and the house has got pretty old and about fifty generations of ordinary lumpheads who don't know a work of art from a public convenience, have been knocking nails in the kitchen beams to hang hams on, and screwing hooks in the walls for whips and guns and photographs and calendars and measuring the children on the window frames and chopping out a new cupboard under the stairs to keep the cheese and murdering their wives in the back room and burying them under the cellar flags, that it begins even to feel like a religion. And when the whole place is full of dry rot and ghosts and old bones and the shelves are breaking down with old wormy books that no one could read if they tried, and the attic floors are bulging through the servants' ceilings with old trunks and top-boots and gasoliers and dressmaker's dummies and ball frocks and dolls-houses and pony saddles and blunderbusses and parrot cages and uniforms and love letters and jugs without handles and bridal pots decorated with forget-me-nots and a piece out at the bottom, that it grows into a real old faith, a masterpiece which people can really get something out of, each for himself. And then, of course, everybody keeps on saying that it ought to be pulled down at once, because it's an insanitary nuisance.

We can’t remake the past, but God holds our future in His hand, and there’s always a place to begin anew.

I sing of brooks, of blossoms, birds, and bowers: Of April, May, of June, and July flowers. I sing of Maypoles, Hock-carts, wassails, wakes, Of bridegrooms, brides, and of their bridal cakes.

Who would have thought that a single suicide—or a double suicide, more properly—could put an entire city in a sour temper? Vienna valued its suicides, especially those that were dramatic, conducted with some flourish—like the young woman who had decked herself in full bridal regalia before flinging herself from a speeding train, or the circus artist who, in the midst of his performance, had cast away his pole and leaped from the high wire to his death. The audience had applauded, because he jumped with such verve that all believed it was part of his act. It was only as the blood began to pool under his shattered body that the cheers turned to gasps and the women turned their faces away, understanding that this man had added another digit to a suicide rate already the highest in Europe.

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number one, no touching my books. number two, no chewing on my books.” gifford snorted indignantly. “i would never chew on your books.” “you ate my bridal bouquet.” he looked surprised, as though he had forgotten. then he nodded. “so i did. continue.” “number three, i will never find hay in my books.” “do all your rules pertain to books?” - jane & g

Calmhaven can’t do without you, and I have to take good care of you. Who would run the Cozy Bridal Office if you are ill, and who would solve all these unsolvable mysteries?” Molly Gertrude shook her

The Argument of his Book I sing of Brooks, of Blossomes, Birds, and Flowers: Of April, May, of June, and July-Flowers. I sing of May-poles, Hock-carts, Wassails, Wakes, Of Bride-grooms, Brides, and of their Bridall-cakes. I write of Youth, of Love, and have Accesse By these, to sing of cleanly-Wantonnesse. I sing of Dewes, of Raines, and piece by piece Of Balme, of Oyle, of Spice, and Amber-Greece. I sing of Times trans-shifting; and I write How Roses first came Red, and Lillies White. I write of Groves, of Twilights, and I sing The Court of Mab, and of the Fairie-King. I write of Hell; I sing (and ever shall) Of Heaven, and hope to have it after all.

Sunday's Best Times are tough for English babies Send the army and the navy Beat up strangers who talk funny Take their greasy foreign money Skin shop, red leather, hot line Be prepared for the engaged sign Bridal books, engagement rings And other wicked little things Chorus: Standing in your socks and vest Better get it off your chest Every day is just like the rest But Sunday's best Stylish slacks to suit your pocket Back supports and picture lockets Sleepy towns and sleeper trains To the dogs and down the drains Major roads and ladies smalls Hearts of oak and long trunk calls Continental interference At death's door with life insurance Chorus Sunday's best, Sunday's finest When your money's in the minus And you suffer from your shyness You can listen to us whiners Don't look now under the bed An arm, a leg and a severed head Read about the private lives The songs of praise, the readers' wives Listen to the decent people Though you treat them just like sheep Put them all in boots and khaki Blame it all upon the darkies

One attractive, unique feature of the worship services in Georgia was their use of hymns, facilitated by Wesley’s publication of A Collection of Psalms and Hymns in 1737, the first English hymn book published in America. None of the hymns are by Charles, who had not yet been tapped by his poetic muse. These texts, many translated by John from the German, express the heart of a pietism grounded in Scripture and elucidate the themes that are central to Wesley’s spiritual quest—utter dependency upon grace, the centrality of love, and the desire for genuine fire to inflame his cold heart (see Zinzendorf’s bridal song of the soul).

But I learned from these new books that Southerners think we are really rather sad. They have an idea of a people dwelling on a mountain, inbred, lonely, mysterious; that we ritually climb and descend, and make sacrifices, and burn eternal flames, and send bridal parties from village to village in the spring so men like Daila can impregnate women like me, all in order to placate something implacable. They see our culture as rich, in the same way perhaps that a seam of ancient ore is rich — because of compression and repression. They imagine that we drink a lot, even more than we do (and it is a thing I learned from the bar, that they drink as much as we, that every culture that’s discovered alcohol drinks too much) and that we are poorer than we are because only a few of us sell anything to them. A melancholy drunken land, a land of storytellers, a land of sly jokes, an Asam-hating land, and nothing like the land I remembered. It was as if someone had constructed a scaffolding around us, and then removed us and written only about the scaffolding. The more I read, the more the materials of the scaffolding — splintered wood, narrow pipes of metal — slid into the hollows of my bones. I knew that the next time I went to the mountain, I would have a stranger’s mind in mine. Though I walked in streets I had known since girlhood, I would never again be able to step upon them without an erudite word in my head and a bracing of metal in my marrow.

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As the scene opens, a young royal couple are about to consummate their marriage. The groom, thinking that he is going to meet his wife, ‘raised the curtain of the bridal chamber, that he might bring the bride to himself.’46 He is, to say the least, surprised to find Jesus already in bower with his wife. Jesus, it transpires, has materialized there so that he can give the newly married couple a lecture on celibacy – and then promptly does so. Settling himself down on their marriage bed, Jesus tells the now slightly less happy couple to sit on two nearby couches, then proceeds to explain, at length, why they should not have sex. His reasoning is forceful. Children are without exception awful, Jesus says: they ‘become either lunatics or half-withered or crippled or deaf or dumb or paralytics or idiots’, while their tedious parents become ‘grasping’.47 If you do have children, then there will be no rest for either party, for children inevitably do ‘unprofitable and abominable works. For they will be detected either in adultery or in murder or in theft or in unchastity, and by all these you will be afflicted.’ Therefore refrain, Jesus warns them, ‘from this filthy intercourse.

I’ve always said I didn’t want an ordinary life. Nothing average or mundane for me. But as I stared at the rather ample naked derriere wiggling two inches from my face today, I realized I should have been more specific with my goals. Definitely not ordinary, but not exactly what I had in mind. The Texas-flag tattoo emblazoned across the left cheek waved at me as she shifted her weight from foot to foot. The flag was distorted and stretched, as was the large yellow rose on the right cheek, both tattoos dotted with dimples and pock marks. An uneven script scrawled out “The Yellow Rose of Texas” across the top of her rump. Her entire bridal party—her closest friends and relatives, mind you—had left her high and dry. They’d stormed off the elevator as I tried to enter it, a flurry of daffodil-yellow silk, spouting and sputtering about their dear loved one, Tonya the bride. “That’s it! We’re done!” They sounded off in a chorus of clucking hens. “We ain’t goin’ back in there. She can get ready on her own!” “Yeah, she can get ready on her own!” “Known her since third grade and she’s gonna talk to me like that?” “Third grade? She’s my first cousin. I’ve known her since the day she was born. She’s always been that way. I don’t know why y’all acting all surprised.” I felt more than a little uneasy about what all this meant for our schedule. The ceremony was supposed to start in fifteen minutes. The bride should have already been downstairs and loaded in the carriage to make her way to the hotel’s beach. My unease grew to panic when I knocked on Tonya’s door and she opened it clad only in a skimpy little satin robe. “Honey, you’re supposed to be dressed and downstairs already.” I tried to say it as sweetly as possible, but I’m sure my panic came through. My Southern accent kicked in thick, which usually only happens when I’m panicked or frustrated. Or pissed. Or drunk. “Do you think I don’t know that?” she asked, arching a perfectly drawn-on eyebrow. “Do you think somehow when I booked this wedding and had invitations printed and planned the entire damned event, I somehow didn’t realize what time the ceremony started? And just who the hell are you anyway?” Well, alrighty then. Obviously this was going to be a fun day. “Um, I’m Tyler Warren. I’m assisting Lillian with your wedding today.” “Fine. Those bitches left me with my nails wet.” She held up both hands to show me the glossy, fresh manicure. “How the hell am I supposed to get dressed with wet nails?” she asked, arching both eyebrows now and glaring at me like I was somehow responsible for this. “Oh.” My mind spun with the limited time frame I had available, the amount of clothing she still needed to put on, and the amount of time it would take to get her in the carriage and to the ceremony. “Give me just a second to let Lillian know we’ll be down shortly.” I smiled what I hoped was my sweetest smile and stepped backward into the hallway. She slammed the door as I frantically dialed Lillian’s cell. “You’d better be calling to tell me she is in the carriage and on her way,” Lillian said. “It is hotter than Hades out here. I have several people looking like they’re about to faint, and I may possibly dunk a cranky, tuxedoed five-year-old

Amanda sat on a satin-tufted stool in one of the back rooms of the Community Center theater that had been made over into a bridal suite for her and her bridesmaids to get ready in. She marveled at the work that Kyle Austen Reed’s contacts had done. If she didn’t know for a fact where she was, she never would have believed it. The interior of the theater was the same way. She had taken a peek earlier and been extremely pleasantly surprised.

The Sheva Brachot, the seven marriage blessings, are being recited now, but my mind is spinning and I think not of the words praising God who created the groom who rejoices in his bride. Instead, I think of the Sharon Olds poem 'I Go Back to May 1937' - hardly good wedding material - about her parents' disastrous marriage. I want to go up to them and say Stop, don't do it - she's the wrong woman, he's the wrong man, you are going to do things you cannot imagine you would ever do I still want to go up to her, my bridled, bridal self, and plead with her one last time: Please. You are barely twenty-three, so much younger than you realize. Please. You know so little of the world. You know so little of yourself.

According to Ellen Rothman, even in the early nineteenth century wedding rituals affirmed ties of community. A week of neighborly visiting following the wedding was more common than a journey, and when couples did take a trip, other people often went along. This practice began to change in the second half of the nineteenth century. “Beginning in the 1870s, etiquette books advocated that the couple leave the church—where middle-class weddings increasingly took place—together and alone, and that instead of the ‘harassing bridal tour,’ they enjoy ‘a honeymoon of repose, exempted from claims of society,’ ” By the 1880s, “honeymoon trips to ‘romantic’ locations were expected to follow weddings.” 8

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