Breeze On Your Face Quotes

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I once listened to an Indian on television say that God was in the wind and the water, and I wondered at how beautiful that was because it meant you could swim in Him or have Him brush your face in a breeze.
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality)
Close your eyes and turn your face into the wind. Feel it sweep along your skin in an invisible ocean of exultation. Suddenly, you know you are alive.
Vera Nazarian (The Perpetual Calendar of Inspiration)
You may not see it now," said the Princess of Pure Reason, looking knowingly at Milo's puzzled face, "but whatever we learn has a purpose and whatever we do affects everything and everyone else, if even in the tiniest way. Why, when a housefly flaps his wings, a breeze goes round the world; when a speck of dust falls to the ground, the entire planet weighs a little more; and when you stamp your foot, the earth moves slightly off its course. Whenever you laugh, gladness spreads like the ripples in the pond; and whenever you're sad, no one anywhere can be really happy. And it's much the same thing with knowledge, for whenever you learn something new, the whole world becomes that much richer.
Norton Juster (The Phantom Tollbooth)
I will come back as a little breeze. You will feel me on your face, and you will know that I am still listening. So you can still talk to me.
Elizabeth Berg (Talk Before Sleep)
Like This If anyone asks you how the perfect satisfaction of all our sexual wanting will look, lift your face and say, Like this. When someone mentions the gracefulness of the nightsky, climb up on the roof and dance and say, Like this. If anyone wants to know what "spirit" is, or what "God’s fragrance" means, lean your head toward him or her. Keep your face there close. Like this. When someone quotes the old poetic image about clouds gradually uncovering the moon, slowly loosen knot by knot the strings of your robe. Like this. If anyone wonders how Jesus raised the dead, don’t try to explain the miracle. Kiss me on the lips. Like this. Like this. When someone asks what it means to "die for love," point here. If someone asks how tall I am, frown and measure with your fingers the space between the creases on your forehead. This tall. The soul sometimes leaves the body, the returns. When someone doesn’t believe that, walk back into my house. Like this. When lovers moan, they’re telling our story. Like this. I am a sky where spirits live. Stare into this deepening blue, while the breeze says a secret. Like this. When someone asks what there is to do, light the candle in his hand. Like this. How did Joseph’s scent come to Jacob? Huuuuu. How did Jacob’s sight return? Huuuu. A little wind cleans the eyes. Like this. When Shams comes back from Tabriz, he’ll put just his head around the edge of the door to surprise us Like this.
Jalal ad-Din Muhammad ar-Rumi
I wake sometimes in the dark terrified by my life's precariousness, its thready breath. Beside me, my husband's pulse beats at his throat; in their beds, my children's skin shows every faintest scratch. A breeze would blow them over, and the world is filled with more than breezes: diseases and disasters, monsters and pain in a thousand variations. I do not forget either my father and his kind hanging over us, bright and sharp as swords, aimed at our tearing flesh. If they do not fall on us in spite and malice, then they will fall by accident or whim. My breath fights in my throat. How can I live on beneath such a burden of doom? I rise then and go to my herbs. I create something, I transform something. My witchcraft is as strong as ever, stronger. This too is good fortune. How many have such power and leisure and defense as I do? Telemachus comes from our bed to find me. He sits with me in the greensmelling darkness, holding my hand. Our faces are both lined now, marked with our years. Circe, he says, it will be all right. It is not the saying of an oracle or a prophet. They are words you might speak to a child. I have heard him say them to our daughters, when he rocked them back to sleep from a nightmare, when he dressed their small cuts, soothed whatever stung. His skin is familiar as my own beneath my fingers. I listen to his breath, warm upon the night air, and somehow I am comforted. He does not mean it does not hurt. He does not mean we are not frightened. Only that: we are here. This is what it means to swim in the tide, to walk the earth and feel it touch your feet. This is what it means to be alive.
Madeline Miller (Circe)
Most women beg me to lick them, and I give it to you for free and you push me away,” he said with a fake pout on his face. “You’re crazy.” I giggled “I’m the good kind of crazy, though.
Abbi Glines (Bad for You (Sea Breeze, #7))
Looking for Your Face From the beginning of my life I have been looking for your face but today I have seen it Today I have seen the charm, the beauty, the unfathomable grace of the face that I was looking for Today I have found you and those who laughed and scorned me yesterday are sorry that they were not looking as I did I am bewildered by the magnificence of your beauty and wish to see you with a hundred eyes My heart has burned with passion and has searched forever for this wondrous beauty that I now behold I am ashamed to call this love human and afraid of God to call it divine Your fragrant breath like the morning breeze has come to the stillness of the garden You have breathed new life into me I have become your sunshine and also your shadow My soul is screaming in ecstasy Every fiber of my being is in love with you Your effulgence has lit a fire in my heart and you have made radiant for me the earth and sky My arrow of love has arrived at the target I am in the house of mercy and my heart is a place of prayer
Jalal ad-Din Muhammad ar-Rumi (The Love Poems of Rumi)
Preston pulled me up against his chest and cupped my face in his hands. “I love you. I love you so damn much it consumes me. I don’t deserve you, but I’m gonna become the man who does deserve you. I promise you. I’ll make you proud of me.”I reached up and ran my thumb over his lips. “I am and will always be proud of you. I want the world to know you’re mine.
Abbi Glines (Just for Now (Sea Breeze, #4))
What if the point of life has nothing to do with the creation of an ever-expanding region of control? What if the point is not to keep at bay all those people, beings, objects and emotions that we so needlessly fear? What if the point instead is to let go of that control? What if the point of life, the primary reason for existence, is to lie naked with your lover in a shady grove of trees? What if the point is to taste each other's sweat and feel the delicate pressure of finger on chest, thigh on thigh, lip on cheek? What if the point is to stop, then, in your slow movements together, and listen to the birdsong, to watch the dragonflies hover, to look at your lover's face, then up at the undersides of leaves moving together in the breeze? What if the point is to invite these others into your movement, to bring trees, wind, grass, dragonflies into your family and in so doing abandon any attempt to control them? What if the point all along has been to get along, to relate, to experience things on their own terms? What if the point is to feel joy when joyous, love when loving, anger when angry, thoughtful when full of thought? What if the point from the beginning has been to simply be?
Derrick Jensen (A Language Older Than Words)
Dear Goat, How does one fall in love? Do you trip? Do you stumble, lose your balance and drop to the sidewalk, graze your knee, graze your heart? Do you crash to the stony ground? Is there a precipice, from which you float, over the edge, forever? I know I'm in love when I see you, I know when I long to see you. Not a muscle has moved. Leaves hang unruffled by any breeze. The air is still. I have fallen in love without taking step. When did this happen? I haven't even blinked. I'm on fire. Is that too banal for you? It's not, you know. You'll see. It's what happens. It's what matters. I'm on fire. I no longer eat, I forget to eat. Food looks silly to me, irrelevant. If I even notice it. But I notice nothing. My thoughts are full and raging, a house full of brothers, related by blood, feuding blood feuds: "I'm in love." "Typically stupid choice." "I am, though, I'm racked by love as if love were pain." "Go ahead. Fuck up your life. It's all wrong and you know it. Wake up. Face it." "There's only one face, it's all I see, awake or asleep." I threw the book out the window last night. I tried to forget. You are all wrong for me, I know it, but I no longer care for my thoughts unless they're thoughts of you. When I'm close to you, in your presence, I feel your hair brush my cheek when it does not. I look away from you, sometimes. Then I look back. When I tie my shoes, when I peel an orange, when I drive my car, when I lie down each night without you, I remain, As ever, Ram
Cathleen Schine (The Love Letter)
I want to be with you.” My words brought a hugegrin to his incredibly beautiful face. “You’re my present and my future,Sadie, I will use whatever power I have to make you happy.” He leaned down and touched his perfect lips to mine, and my heart took flight. I would never get tired of his kiss. Jax Stone was my everything.
Abbi Glines (Breathe (Sea Breeze, #1))
All right," Spook said. He reached to the ground, scooping up a pile of ash. "Let's just rub this into your clothing and on your face...." Breeze froze. "I'll meet you back ath the lair," he finally said.
Brandon Sanderson (The Hero of Ages (Mistborn, #3))
What have the nibblers ever done for you?" The breeze ruffled her hair, pushing it back from her face, giving him a clear shot of her eyes. They were asking for an answer. Needing to know if she could count on him. "They saved your life," he said. And for just a moment, Luxa's face softened and she smiled.
Suzanne Collins (Gregor and the Marks of Secret (Underland Chronicles, #4))
Like I said, magic comes from life, and especially from emotions. They're a source of the same intangible energy that everyone can feel when an autumn moon rises and fills you with a sudden sense of bone-deep excitement, or when the first warm breeze of spring rushes past your face, full of the scents of life, and drowns you in a sudden flood of unreasoning joy. The passion of mighty music that brings tears to your eyes, and the raw, bubbling, infectious laughter of small children at play, the bellowing power of a stadium full of football fans shouting "Hey!" in time to that damned song—they're all charged with magic. My magic comes from the same places. And maybe from darker places than that. Fear is an emotion, too. So is rage. So is lust. And madness. I'm not a particularly good person. I'm no Charles Manson or anything, but I'm not going to be up for canonization either. Though in the past, I think maybe I was a better person than I am today. In the past I hadn't seen so many people hurt and killed and terrorized by the same kind of power that damn well should have been making the world a nicer place, or at the least staying the hell away from it. I hadn't made so many mistakes back then, so many shortsighted decisions, some of which had cost people their lives. I had been sure of myself. I had been whole.
Jim Butcher (Dead Beat (The Dresden Files, #7))
Have you ever had a moment where you knew, beyond a shadow of a doubt, that you were in the right place? That you were on the right journey? Maybe the sense that you’d crossed a boundary, jumped a hurdle, and somehow, after facing some unconquerable mountain, found yourself suddenly on the other side of it? When the night was warm and the wind was cool, and a song carried through the quiet streets around you. When you felt the entire world around you, and you were part of it—of the hum of it—and everything was good. Contentment, I suppose, is the simple explanation for it. But it seems more than that, thicker than that, some unity of purpose, some sense of being truly, honestly, for that moment, at home. Those moments never seem to last long enough. The song ends, the breeze stills, the worries and fears creep in again and you’re left trying to move forward, but glancing back at the mountain behind you, wondering how you managed to cross it, afraid you really didn’t—that the bulk and shadow over your shoulder might evaporate and re-form before you, and you’d be faced with the burden of crossing it again. The song ends, and you stare at the quiet, dark house in front of you, and you grasp the doorknob, and walk back into your life.
Chloe Neill
You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room. Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure. If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it.... It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me. I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun. We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took. And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things. They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums. Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me. If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe. Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort. So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.
Alice Sebold (The Lovely Bones)
context and memory play powerful roles in all the truly great meals in one's life. I mean, lets face it:when you're eating simple barbecue under a palm tree, and you feel sand between your toes, samba music is playing softly in the backgroud, waves are lapping at the shore a few yards off, a gentle breeze is cooling the sweat on the back of your neck at the hairline, and looking across the table, past the column of empty Red Stripes at the dreamy expression on your companion's face, you realize that in half an hour you're proably going to be having sex on clean white hotel sheets, that grilled chicken leg suddenly tastes a hell of a lot better
Anthony Bourdain (A Cook's Tour: Global Adventures in Extreme Cuisines)
Camba had bent her long neck down to Ingar's level and was muttering in his ear. "Do you feel the breeze on your face?" I heard her say. "That's yours, and worth feeling. Look at those orange clouds. All the trials of a day may be endured if you know there's such a sky at the end of it. Some days I told my heart to wait, just wait, because the sunset would teach me again that my pain was nothing compared with the eternal, circling sky.
Rachel Hartman (Shadow Scale (Seraphina, #2))
The Chair I’m writing to you, who made the archaic wooden chair look like a throne while you sat on it. Amidst your absence, I choose to sit on the floor, which is dusty as a dry Kansas day. I am stoic as a statue of Buddha, not wanting to bother the old wooden chair, which has been silent now for months. In this sunlit moment I think of you. I can still picture you sitting there-- your forehead wrinkled like an un-ironed shirt, the light splashed on your face, like holy water from St. Joseph’s. The chair, with rounded curves like that of a full-figured woman, seems as mellow as a monk in prayer. The breeze blows from beyond the curtains, as if your spirit has come back to rest. Now a cloud passes overhead, and I hush, waiting to hear what rests so heavily on the chair’s lumbering mind. Do not interrupt, even if the wind offers to carry your raspy voice like a wispy cloud.
Jarod Kintz (A Letter to Andre Breton, Originally Composed on a Leaf of Lettuce With an Ink-dipped Carrot)
I didn’t want to see you but you invaded my world Every dark corner you found a way in Bringing color to the lifeless and lost. I didn’t want to touch you but you reached inside me Every lost memory you found a way to melt the frost Until the small closed world inside opened up into the sea You made me love you by the smile on your face, the kindness in your eyes and the heat of your skin. One kiss makes all that’s been hurt fade away. You made me love you for the man inside. The one no one sees but me. The man who listens to what my heart has to say. I didn’t want to love you but you’re impossible not to love. Every perfect moment I spend in your arms draws me closer Showing me that life isn’t over because its path takes a sudden turn I didn’t see you coming when you arrived Nothing prepared me for the gift of a second chance. I’ve been loved in life but all that matters now is that I’m loved by you You made me love you by the smile on your face, the kindness in your eyes and the heat of your skin. One kiss makes all that’s been hurt fade away. You made me love you for the man inside. The one no one sees but me. The man who listens to what my heart has to say. I’ll spend eternity in your arms if you’ll trust me when I say that I love you.
Abbi Glines (While It Lasts (Sea Breeze, #3))
I’m in control. But it’s a lie, because now I’ve tasted him. His lips are salty-sweet with yesterday’s laughter … digging in the black sands beneath Wonderland’s sunshine, playing leapfrog atop mushroom caps, and resting in the shade of black satin wings. I try to shake off the spell, but he angles his face and deepens the kiss. “Embrace me … embrace your destiny.” He breaks the barrier of my lips, touching his tongue to mine, a sensation too wickedly delicious to deny. As our tongues entwine, his lullaby purrs through my blood and bones, carrying me to the stars. Behind closed eyes, I’m floating against a velvet sky, lungs filled with night air. On some level, I know I’m still in the middle of a fire-warmed chamber, yet my wings pantomime flight on a cool breeze. I’m dancing with Morpheus in the heavens, no longer imprisoned by gravity. Fluttering our wings in unison, we twist and whirl a weightless waltz among stars that coil and uncoil in feathery sparks high above Wonderland’s warped and wonderful landscapes. Each time we spin, then return to each other’s arms, I laugh, because at last I’m me. I’m a me I’ve longed to be in my innermost fantasies—spontaneous, impetuous, and seductive.
A.G. Howard (Splintered (Splintered, #1))
Tis a far cry from home for a poor lonely thing, O'er the deeps and wild waters of seas, Where you can't hear your dear mother's voice softly sing Like a breeze gently stirring the trees. Come home, little one, wander back here someday, I'll watch for you, each evening and morn, Through all the long season 'til I'm old and grey As the frost on the hedges at dawn. There's a lantern that shines in my window at night, I have long kept it burning for you, It glows through the dark, like a clear guiding light, And I know someday you'll see it, too. So hasten back, little one, or I will soon be gone, No more to see your dear face, But I know that I'll feel your tears fall one by one, On the flowers o'er my resting place.
Brian Jacques (Triss (Redwall, #15))
I have a message for your daughter,” said Cale. “I am bound to her with cables that not even God can break. One day, if there is a soft breeze on her cheek, it may be my breath; one night, if the cool wind plays with her hair, it may be my shadow passing by.” And with this terrible threat he faced forward and the procession started once more. In less than a minute they were gone. In her shady room Arbell Swan-Neck stood white and cold as alabaster.
Paul Hoffman (The Left Hand of God (The Left Hand of God, #1))
Stay down if you know what's good for you." Colin said. He put his foot on the man's neck and applied a little weight. The man coughed into the dirt. "Who...who are you?" Who am I?" Colin replied. He had been waiting for this moment. "I'm the the one bogeyman is afraid of. I'm the new face of justice. I'm your worst nightmare." He crouched down, leaning closer to the man. "You'd better warn the rest of your low-life friends that there's a new hero in town. You and your kind wont be tolerated any longer." Colin stood up and folded his arms. He wished there was a breeze that would make his cape fly a little. "Who am I? I am Titan." And that was when one of the other muggers hit Colin across the back of his head with a plank of wood.
Michael Carroll (The Gathering (The New Heroes/Quantum Prophecy, #2))
A breeze stirred Dovewing's pelt, as is someone had walked past. She lifted her head an saw two figures standing just beyond her Clanmates. One was a badger with a narrow, striped face, the other a grotesque, hairless cat who's blind, bulging eyes saw nothing but everything. They met her gaze and nodded, just once. "Thank you." Dovewing heard, quieter then a sigh. "There will be three, kin of your kin, who will hold the power of the stars in their paws. They will find a fourth, and the battle between light and dark will be won. A new leader will rise fro the shadows. This s how it always has been, and always will be." -Rock and Midnight, The Last Hope
Erin Hunter
Why slum it where people were burdened by yesterday, and the day before, and the day before that? By history? Here, on the Island, they had learnt how to deal with history, how to sling it carelessly on your back and stride out across the download with the breeze in your face.
Julian Barnes (England, England)
The raft finally got here,” he said. Calypso snorted. Her eyes might have been red, but it was hard to tell in the moonlight. “You just noticed?” “But if it only shows up for guys you like—” “Don’t push your luck, Leo Valdez,” she said. “I still hate you.” “Okay.” “And you are not coming back here,” she insisted. “So don’t give me any empty promises.” “How about a full promise?” he said. “Because I’m definitely—” She grabbed his face and pulled him into a kiss, which effectively shut him up. For all his joking and flirting, Leo had never kissed a girl before. Well, sisterly pecks on the cheek from Piper, but that didn’t count. This was a real, full-contact kiss. If Leo had had gears and wires in his brain, they would’ve short-circuited. Calypso pushed him away. “That didn’t happen.” “Okay.” His voice sounded an octave higher than usual. “Get out of here.” “Okay.” She turned, wiping her eyes furiously, and stormed up the beach, the breeze tousling her hair. Leo wanted to call to her, but the sail caught the full force of the wind, and the raft cleared the beach. He struggled to align the guidance console. By the time Leo looked back, the island of Ogygia was a dark line in the distance, their campfire pulsing like a tiny orange heart. His lips still tingled from the kiss. That didn’t happen, he told himself. I can’t be in love with an immortal girl. She definitely can’t be in love with me. Not possible. As his raft skimmed over the water, taking him back to the mortal world, he understood a line from the Prophecy better—an oath to keep with a final breath. He understood how dangerous oaths could be. But Leo didn’t care. “I’m coming back for you, Calypso,” he said to the night wind. “I swear it on the River Styx.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
The things by which our emotions can be moved - the shape of a flower or a Grecian urn, the way a baby grows, the way the wind brushes across your face, the way clouds move, their shapes, the way light dances on the water, or daffodils flutter in the breeze, the way in which the person you love moves their head, the way their hair follows that movement, the curve described by the dying fall of the last chord of a piece of music - all these things can be described by the complex flow of numbers. That's not a reduction of it, that's the beauty of it.
Douglas Adams
Watch the waves crash upon the shore. Feel the sea breeze on your face and smell the salty sea air.
Wendy Joubert (Sea Witch)
A quiet but indomitable voice behind me said, “I believe this is my dance.” It was Ren. I could feel his presence. The warmth of him seeped into my back, and I quivered all over like spring leaves in a warm breeze. Kishan narrowed his eyes and said, “I believe it is the lady’s choice.” Kishan looked down at me. I didn’t want to cause a scene, so I simply nodded and removed my arms from his neck. Kishan glared at his replacement and stalked angrily off the dance floor. Ren stepped in front of me, took my hands gently in his, and placed them around his neck, bringing my face achingly close to his. Then he slid his hands slowly and deliberately over my bare arms and down my sides, until they encircled my waist. He traced little circles on my exposes lower back with his fingers, squeezed my waist, and drew my body up tightly against him. He guided me expertly through the slow dance. He didn’t say anything, at least not with words, but he was still sending lots of signals. He pressed his forehead against mine and leaned down to nuzzle my ear. He buried his face in my hair and lifted his hand to stroke down the length of it. His fingers played along my bare arm and at my waist. When the song ended, it took both of us a min to recover our senses and remember where we were. He traced the curve of my bottom lip with his finger then reached up to take my hand from around his neck and led me outside to the porch. I thought he would stop there, but he headed down the stairs and guided me to a wooded area with stone benches. The moon made his skin glow. He was wearing a white shirt with dark slacks. The white made me think of him as the tiger. He pulled me under the shadow of a tree. I stood very still and quiet, afraid that if I spoke I’d say something I’d regret. He cupped my chin and tilted my face up so he could look in my eyes. “Kelsey, there’s something I need to say to you, and I want you to be silent and listen.” I nodded my head hesitantly. “First, I want to let you know that I heard everything you said to me the other night, and I’ve been giving your words some very serious thought. It’s important for you to understand that.” He shifted and picked up a lock of hair, tucked it behind my ear, and trailed his fingers down my cheek to my lips. He smiled sweetly at me, and I felt the little love plant bask in his smile and turn toward it as if it contained the nourishing rays of the sun. “Kelsey,” he brushed a hand through his hair, and his smile turned into a lopsided grin, “the fact is…I’m in love with you, and I have been for some time.” I sucked in a deep breath. He picked up my hand and played with my fingers. “I don’t want you to leave.” He began kissing my fingers while looking directly into my eyes. It was hypnotic. He took something out of his pocket. “I want to give you something.” He held out a golden chain covered with small tinkling bell charms. “It’s an anklet. They’re very popular here, and I got this one so we’d never have to search for a bell again.” He crouched down, wrapping his hand around the back of my calf, and then slid his palm down to my ankle and attached the clasp. I swayed and barely stopped myself from falling over. He trailed his warm fingers lightly over the bells before standing up. Putting his hands on my shoulders, he squeezed, and pulled me closer. “Kells . . . please.” He kissed my temple, my forehead, and my cheek. Between each kiss, he sweetly begged, “Please. Please. Please. Tell me you’ll stay with me.” When his lips brushed lightly against mine, he said, “I need you,” then crushed his lips against mine.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Certainly not! I didn't build a machine to solve ridiculous crossword puzzles! That's hack work, not Great Art! Just give it a topic, any topic, as difficult as you like..." Klapaucius thought, and thought some more. Finally he nodded and said: "Very well. Let's have a love poem, lyrical, pastoral, and expressed in the language of pure mathematics. Tensor algebra mainly, with a little topology and higher calculus, if need be. But with feeling, you understand, and in the cybernetic spirit." "Love and tensor algebra?" Have you taken leave of your senses?" Trurl began, but stopped, for his electronic bard was already declaiming: Come, let us hasten to a higher plane, Where dyads tread the fairy fields of Venn, Their indices bedecked from one to n, Commingled in an endless Markov chain! Come, every frustum longs to be a cone, And every vector dreams of matrices. Hark to the gentle gradient of the breeze: It whispers of a more ergodic zone. In Reimann, Hilbert or in Banach space Let superscripts and subscripts go their ways. Our asymptotes no longer out of phase, We shall encounter, counting, face to face. I'll grant thee random access to my heart, Thou'lt tell me all the constants of thy love; And so we two shall all love's lemmas prove, And in bound partition never part. For what did Cauchy know, or Christoffel, Or Fourier, or any Boole or Euler, Wielding their compasses, their pens and rulers, Of thy supernal sinusoidal spell? Cancel me not--for what then shall remain? Abscissas, some mantissas, modules, modes, A root or two, a torus and a node: The inverse of my verse, a null domain. Ellipse of bliss, converge, O lips divine! The product of our scalars is defined! Cyberiad draws nigh, and the skew mind Cuts capers like a happy haversine. I see the eigenvalue in thine eye, I hear the tender tensor in thy sigh. Bernoulli would have been content to die, Had he but known such a^2 cos 2 phi!
Stanisław Lem (The Cyberiad)
Malcolm chuckled wickedly. "You, my American friend, are like a hidden landmine of sex appeal. I'm going to have to look out for you." "Too late." Owen raised his face to the unfamiliar smells, breezes, sounds of the city, enjoying them even more now that he knew something of it and it had become personal to him. "I've already exploded. You're caught." He tilted his head back and laughed, inviting Malcolm to share the joke, but Malcolm was unusually quiet.....
Amy Lane (Country Mouse (Country Mouse, #1))
This isn’t going to work,” Justine murmured. “It is going to work ,” I told her, keeping my tone confident. “We’ll breeze right in. The Rack will be with us.” Justine glanced at me with an arched eyebrow. “The Rack?” “The Rack is more than just boobs, Justine,” I told her soberly. “It’s an energy field created by all living boobs. It surrounds us, penetrates us, and binds the galaxy together.” Andi started giggling. “You’re insane.” “But functionally so,” I said, and adjusted myself to round out a little better. “Just let go your conscious self and act on instinct.” Justine stared blankly at me for a second. Then her face lightened and she let out a little laugh. “The Rack will be with us?” I couldn’t stop myself from cracking a smile. “Always.
Jim Butcher (Dangerous Women)
Tell me, gentle flowers, teardrops of the stars, standing in the garden, nodding your heads to the bees as they sing of the dews and the sunbeams, are you aware of the fearful doom that awaits you? Dream on, sway and frolic while you may in the gentle breezes of summer. To- morrow a ruthless hand will close around your throats. You will be wrenched, torn asunder limb by limb, and borne away from your quiet homes. The wretch, she may be passing fair. She may say how lovely you are while her fingers are still moist with your blood. Tell me, will this be kindness? It may be your fate to be imprisoned in the hair of one whom you know to be heartless or to be thrust into the buttonhole of one who would not dare to look you in the face were you a man. It may even be your lot to be confined in some narrow vessel with only stagnant water to quench the maddening thirst that warns of ebbing life.
Kakuzō Okakura (The Book of Tea)
KRIT "Fuck," Matty whispered. He'd heard her. It was me who couldn't breathe now. I had thought it was an accident. But she'd fucking done it on purpose. To protect me. Holy hell. "I'm gonna go . . . ," Matty trailed off. I listened to his footsteps until he was gone before pulling back and looking down at Blythe. "You got in front of a six-foot-three one hundred and eighty pounds of muscle because he was going to hit me?" She nodded. "It was my fault he was going to hit you. I was just going to stop him." She was going to stop him. This girl. Never in all my life did I imagine there was anyone like her. Never. "Sweetheart, how did you intend to stop him? I could handle him. I've kicked his ass many, many times." I cupped her chin in my hand. "I had rather had him kick my ass than to have anything happen to you. That was fucking unbearable. You can't do that to me. If you get hurt, I won't be able to handle it." She signed, and her eyes locked back toward the stage. " I made this worse. I'm sorry. Can you go fix things with the two of you so you can get back onstage?" The distressed look on her face meant I wasn't going to be able to leave. I wanted nothing more than to take her back home and hold her all night. But she was really upset about this. I had overreacted. She had been sitting over here staring at the floor with the saddest lost expression, and I couldn't think straight. I had to get to her. "I'll get Green, and we'll go back onstage. But you have to promise me that you won't try and save me again. I take care of you. Not the other way around," I told her. She reached up and touched my face. "Then who will take care of you?" No one had ever cared about that before. That wasn't something I was going to tell her, though. "You safe in my arms is all I need. Okay?" She frowned and glanced away from me. "I'm not agreeing to that," she said. God, she was adorable. I pressed a kiss to her head. "Come with me to get the guys," I told her as I stood up and brought her with me. "You won't do anything to Green then?" she said, sounding hopeful. "No." Until you're asleep tonight. And then I'm beating his ass.
Abbi Glines (Bad for You (Sea Breeze, #7))
Abundance is not the money you have in your bank account, the trophies on your shelf, the letters after your name, the list of goals reached, the number of people you know, your perfect, healthy body, your adoring fans. Abundance is your connection to each breath, how sensitive you are to every flicker of sensation and emotion in the body. It is the delight with which you savor each unique moment, the joy with which you greet each new day. It is knowing yourself as presence, the power that creates and moves worlds. It is your open heart, how deeply moved you are by love every day, your willingness to embrace, to hold what needs to be held. It is the freshness of each morning unencumbered by memory or false hope. Abundance is the feeling of the afternoon breeze on your cheeks, the sun warming your face. It is meeting others in the field of honesty and vulnerability, connecting beyond the story, sharing what is alive. It is your rootedness in the present moment, knowing that you are always Home, no matter what happens, no matter what is gained or lost. It is touching life at the point of creation, never looking back, feeling the belly rise and fall, thanking each breath, giving praise to each breath. It is falling to your knees in awe, laughing at the stories they tell about you, sinking more deeply into rest. Abundance is simplicity. It is kindness. It is you, before every sunrise: fresh, open, and awake. You are rich, friend! You are rich!
Jeff Foster (The Way of Rest: Finding the Courage to Hold Everything in Love)
Start with something you love. The laughter of your child. Sunlight on the ocean. Your beloved dog. A favorite song, music itself. Perhaps a photo, like my caribou. A favorite spot—your garden, the cliffs at the sea, the family cabin. Someone dear to you. We begin with the things we love; this is the way back, the path home. For we don’t always draw the connection—God made these specifically for you, and he gave you the heart to love them. You’ll be out for a bike ride in the very early morning, cool breeze in your face, all the sweet, fresh aromas it brings, the exhilaration of speed, and your heart spontaneously sings, I love this! The next step is to say, So does God. He made this moment; he made these things. He is the creator of everything I love. Your heart will naturally respond by opening toward him.
John Eldredge (Get Your Life Back: Everyday Practices for a World Gone Mad)
One thing he would tell me, though, he said, had to do with babies. Not that he was any kind of expert, but for a brief while, long ago, he had cared for his son, and that experience more than any other had taught him the importance of following your instincts. Tuning in to the situation with all your five senses, and your body, not your brain. A baby cries in the night, and you go to pick him up. Maybe he’s screaming so hard his face is the color of a radish, or he’s gasping for breath, he’s got himself so worked up. What are you going to do, take a book off the shelf, and read what some expert has to say? You lay your hand against his skin and just rub his back. Blow into his ear. Press that baby up against your own skin and walk outside with him, where the night air will surround him, and moonlight fall on his face. Whistle, maybe. Dance. Hum. Pray. Sometimes a cool breeze might be just what the doctor ordered. Sometimes a warm hand on the belly. Sometimes doing absolutely nothing is the best. You have to pay attention. Slow things way down. Tune out the rest of the world that really doesn’t matter. Feel what the moment calls for.
Joyce Maynard (Labor Day)
When I bring to you coloured toys, my child, I understand why there is such a play of colours on clouds, on water, and why flowers are painted in tints---when I give coloured toys to you, my child. When I sing to make you dance I truly now why there is music in leaves, and why waves send their chorus of voices to the heart of the listening earth---when I sing to make you dance. When I bring sweet things to your greedy hands I know why there is honey in the cup of the flowers and why fruits are secretly filled with sweet juice---when I bring sweet things to your greedy hands. When I kiss your face to make you smile, my darling, I surely understand what pleasure streams from the sky in morning light, and what delight that is that is which the summer breeze brings to my body---when I kiss you to make you smile.
Rabindranath Tagore (Gitanjali)
You know, sleeping outdoors isn’t all bad. You get to stare up at the stars and cool breezes ruffle your fur after a hot day. The grass smells sweet and,” he made eye contact with me, “so does your hair.” I blushed and grumbled, “Well, I’m glad someone enjoyed it.” He smiled smugly and said, “I did.” I had a quick flash of him as a man snuggled up next to me in the forest, imagined him resting his head on my lap while I stroked his hair, and decided to focus on the matter at hand. “Well, listen, Ren, you’re changing the subject. I don’t appreciate the way you manipulated me into being here. Mr. Kadam should’ve told me at the circus.” He shook his head. “We didn’t think you’d believe his story. He made up the trip to the tiger reserve to get you to India. We figured once you were here, I could change into a man and clarify everything.” I admitted, “You’re probably right. If you had changed to a man there, I don’t think I would have come” “Why did you come?” “I wanted to spend more time with…you. You know, the tiger. I would have missed him. I mean you.” I blushed. He grinned lopsidedly. “I would have missed you too.” I wrung the hem of my shirt between my hands. Misreading my thoughts, he said, “Kelsey. I’m truly sorry for the deception. If there’d been any other way-“ I looked up. He hung his head in a way that reminded me of the tiger. The frustration and awkwardness I felt about him dissipated. My instincts told me that I should believe him and help him. The strong emotional connection that drew me to the tiger tugged at my heart even more powerfully with the man. I felt pity for him and his situation. Softly, I asked, “When will you change into a tiger?” “Soon.” “Does it hurt?” “Not as much as it used to.” “Do you understand me when you are a tiger? Can I still speak to you?” “Yes, I’ll still be able to hear and understand you.” I took a deep breath. “Okay. I’ll stay here with you until the shaman comes back. I still have a lot of questions for you though.” “I know. I’ll try to answer them as best I can, but you’ll have to save them for tomorrow when I’ll be able to speak with you again. We can stay here for the night. The shaman should be back around dusk.” “Ren?” “Yes?” “The jungle frightens me, and this situation frightens me.” He let go of the apron string and looked into my eyes. “I know.” “Ren?” “Yes?” “Don’t…leave me, okay?” His face softened into a tender expression, and his mouth turned up in a sincere smile. “Asambhava. I won’t.” I felt myself responding to his smile with one of my own when a shadow fell across his face. He clenched his fists and tightened his jaw. I saw a tremor pass through his body, and the chair fell forward as he collapsed to the ground on his hands and knees. I stood to reach out to him and was amazed to see his body morph back into the tiger form I knew so well. Ren the tiger shook himself, then approached my outstretched hand and rubbed his head against it.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
The art of sensuality encompassing the exploration and experiencing of all our senses... Those images are being born from and through living the moments of eating favorite chocolate cake with ice-cream, tranquil meditating, walking the beach and feeling the warm breeze on your face and the soothing sand beneath your feet, watching a never repeating its symphony sunset, dancing and feeling your body move through space, smelling flowers in a garden, painting or working with clay, with your fingertips gently touching piano keys or pulling the tense strings of guitar, caressing your ears with the whispers of one's soul, diving into the depth of loving you eyes, and, joining in a passionate kiss of life...the life of the artist...
Artist Emerald
What happened to me? I asked myself. Morris's high, smoky voice took me back to my university years, when I thought rich people were evil, a shirt and tie were prison clothes, and life without freedom to get up and go - motorcycle beneath you, breeze in your face, down the streets of Paris, into the mountains of Tibet - was not a good life at all. What happened to me?
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
His day is done. Is done. The news came on the wings of a wind, reluctant to carry its burden. Nelson Mandela’s day is done. The news, expected and still unwelcome, reached us in the United States, and suddenly our world became somber. Our skies were leadened. His day is done. We see you, South African people standing speechless at the slamming of that final door through which no traveller returns. Our spirits reach out to you Bantu, Zulu, Xhosa, Boer. We think of you and your son of Africa, your father, your one more wonder of the world. We send our souls to you as you reflect upon your David armed with a mere stone, facing down the mighty Goliath. Your man of strength, Gideon, emerging triumphant. Although born into the brutal embrace of Apartheid, scarred by the savage atmosphere of racism, unjustly imprisoned in the bloody maws of South African dungeons. Would the man survive? Could the man survive? His answer strengthened men and women around the world. In the Alamo, in San Antonio, Texas, on the Golden Gate Bridge in San Francisco, in Chicago’s Loop, in New Orleans Mardi Gras, in New York City’s Times Square, we watched as the hope of Africa sprang through the prison’s doors. His stupendous heart intact, his gargantuan will hale and hearty. He had not been crippled by brutes, nor was his passion for the rights of human beings diminished by twenty-seven years of imprisonment. Even here in America, we felt the cool, refreshing breeze of freedom. When Nelson Mandela took the seat of Presidency in his country where formerly he was not even allowed to vote we were enlarged by tears of pride, as we saw Nelson Mandela’s former prison guards invited, courteously, by him to watch from the front rows his inauguration. We saw him accept the world’s award in Norway with the grace and gratitude of the Solon in Ancient Roman Courts, and the confidence of African Chiefs from ancient royal stools. No sun outlasts its sunset, but it will rise again and bring the dawn. Yes, Mandela’s day is done, yet we, his inheritors, will open the gates wider for reconciliation, and we will respond generously to the cries of Blacks and Whites, Asians, Hispanics, the poor who live piteously on the floor of our planet. He has offered us understanding. We will not withhold forgiveness even from those who do not ask. Nelson Mandela’s day is done, we confess it in tearful voices, yet we lift our own to say thank you. Thank you our Gideon, thank you our David, our great courageous man. We will not forget you, we will not dishonor you, we will remember and be glad that you lived among us, that you taught us, and that you loved us all.
Maya Angelou (His Day Is Done: A Nelson Mandela Tribute)
Tania, why don’t you take off your shoes? You’ll be more comfortable.” “I’m fine,” she said. How did he know her feet were killing her? Was it that obvious? “Go on,” he prodded gently. “It will be easier for you to walk on the grass.” He was right. Breathing a sigh of relief, she bent, unstrapped the sandals, and slipped them off. Straightening up and raising her eyes to him, she said, “That is a little better.” Alexander was silent. “Now you’re really tiny,” he said at last. “I’m not tiny,” she returned. “You’re just outsized.” Blushing, she lowered her gaze. “How old are you, Tania?” “Older than you think,” Tatiana said, wanting to sound old and mature. The warm Leningrad breeze blew her blonde hair over her face. Holding her shoes with one hand, she attempted to sort out her hair with the other. She wished she had a rubber band for her ponytail. Standing in front of her, Alexander reached out and brushed the hair away. His eyes traveled from her hair to her eyes to her mouth where they stopped. Did she have ice cream all around her lips? Yes, that must be it. How awkward. She licked her lips, trying to clean the corners. “What?” she said. “Do I have ice cream—” “How do you know how old I think you are?” he asked. “Tell me, how old are you?” “I’m going to be seventeen soon,” she said. “When?” “Tomorrow.” “You’re not even seventeen,” Alexander echoed. “Seventeen tomorrow!” she repeated indignantly. “Seventeen, right. Very grown up.” His eyes were dancing. “How old are you?” “Twenty-two,” he said. “Twenty-two, just.” “Oh,” she said, and couldn’t hide the disappointment in her voice. “What? Is that very old?” Alexander asked, failing to keep the smile off his face. “Ancient,” Tatiana replied, failing to keep the smile off her face. Slowly they walked across the Field of Mars, Tatiana barefoot and carrying the red sandals in her slightly swinging hands.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
A breeze, vanilla-scented, nutmeg milk, dark roast of cocoa beans over a slow fire. It isn't magic. Really it isn't. It's just a trick, a game I play. There's no such thing as real magic- and yet it works. Sometimes, it works. Can you hear me? I said. Not in my voice, but a shadow-voice, very light, like dappled leaves. She felt it then. I know she did. Turning, she stiffened; I made the door shine a little, ever so slightly, the color of the sky. Played with it, pretty, like a mirror in the sun, shining it on and off her face. Scent of woodsmoke in a cup; a dash of cream, sprinkle of sugar. Bitter orange, your favorite, 70 percent darkest chocolate over thick-cut oranges from Seville. Try me. Taste me. Test me.
Joanne Harris (The Girl with No Shadow (Chocolat, #2))
Be glad your nose is on your face" Be glad your nose is on your face, not pasted on some other place, for if it were where it is not, you might dislike your nose a lot. Imagine if your precious nose were sandwiched in between your toes, that clearly would not be a treat, for you'd be forced to smell your feet. Your nose would be a source of dread were it attached atop your head, it soon would drive you to despair, forever tickled by your hair. Within your ear, your nose would be an absolute catastrophe, for when you were obliged to sneeze, your brain would rattle from the breeze. Your nose, instead, through thick and thin, remains between your eyes and chin, not pasted on some other place-- be glad your nose is on your face!
Jack Prelutsky
James was exactly the same height as Harry. He was wearing the clothes in which he had died, and his hair was untidy and ruffled, and his glasses were a little lopsided, like Mr. Weasley’s. Sirius was tall and handsome, and younger by far than Harry had seen him in life. He loped with an easy grace, his hands in his pockets and a grin on his face. Lupin was younger too, and much less shabby, and his hair was thicker and darker. He looked happy to be back in this familiar place, scene of so many adolescent wanderings. Lily’s smile was widest of all. She pushed her long hair back as she drew close to him, and her green eyes, so like his, searched his face hungrily, as though she would never be able to look at him enough. “You’ve been so brave.” He could not speak. His eyes feasted on her, and he thought that he would like to stand and look at her forever, and that would be enough. “You are nearly there,” said James. “Very close. We are…so proud of you.” “Does it hurt?” The childish question had fallen from Harry’s lips before he could stop it. “Dying? Not at all,” said Sirius. “Quicker and easier than falling asleep.” “And he will want it to be quick. He wants it over,” said Lupin. “I didn’t want you to die,” Harry said. These words came without his volition. “Any of you. I’m sorry--” He addressed Lupin more than any of them, beseeching him. “--right after you’d had your son…Remus, I’m sorry--” “I am sorry too,” said Lupin. “Sorry I will never know him…but he will know why I died and I hope he will understand. I was trying to make a world in which he could live a happier life.” A chilly breeze that seemed to emanate from the heart of the forest lifted the hair at Harry’s brow. He knew that they would not tell him to go, that it would have to be his decision. “You’ll stay with me?” “Until the very end,” said James. “They won’t be able to see you?” asked Harry. “We are part of you,” said Sirius. “Invisible to anyone else.” Harry looked at his mother. “Stay close to me,” he said quietly. And he set off. The dementors’ chill did not overcome him; he passed through it with his companions, and they acted like Patronuses to him, and together they marched through the old trees that grew closely together, their branches tangled, their roots gnarled and twisted underfoot. Harry clutched the Cloak tightly around him in the darkness, traveling deeper and deeper into the forest, with no idea where exactly Voldemort was, but sure that he would find him. Beside him, making scarcely a sound, walked James, Sirius, Lupin, and Lily, and their presence was his courage, and the reason he was able to keep putting one foot in front of the other.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Those moments never seem to last long enough. The song ends, the breeze stills, the worries and fears creep in again and you’re left trying to move forward, but glancing back at the mountain behind you, wondering how you managed to cross it, afraid you really didn’t—that the bulk and shadow over your shoulder might evaporate and re-form before you, and you’d be faced with the burden of crossing it again. The song ends, and you stare at the quiet, dark house in front of you, and you grasp the doorknob, and walk back into your life.
Chloe Neill (Some Girls Bite (Chicagoland Vampires, #1))
Layla, the first moment I laid eyes on you I knew I had to have you. I watched you walk across that street to the coffee house in a complete daze. You were breathtaking. Fumbling around in your purse, your hair blowing in the breeze around your face. I couldn’t take my eyes off you. In fact I was so stunned I never even noticed how close I was standing to the door when you backed your way into it. So when you asked me how I didn’t see you through that glass, I did see you. Then when you told me you worked here, oh Layla, I can’t lie, I was thrilled and worried all at the same time. It meant I would be able to see you whenever I wanted. That’s why I came in the next day and every day after that, just to see you here. When you agreed to go on a date with me, I thought my head and chest would explode from the sheer joy I felt. You were so easy to talk to and wonderfully fiery, sarcastic, yet warm and caring at the same time. I feel like I’ve known you forever. I’ve never shared a connection with anyone like the one I have with you. So no, I don’t think it’s fast
Marie Coulson (Bound Together (Bound Together, #1))
I ONCE LISTENED TO AN INDIAN ON TELEVISION say that God was in the wind and the water, and I wondered at how beautiful that was because it meant you could swim in Him or have Him brush your face in a breeze. I am early in my story, but I believe I will stretch out into eternity, and in heaven I will reflect upon these early days, these days when it seemed God was down a dirt road, walking toward me. Years ago He was a swinging speck in the distance; now He is close enough I can hear His singing. Soon I will see the lines on His face.
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality)
You always look up at the sky,” she noted then, voice thick with emotion. “Is there something beyond the stars you’re looking for?” “I’m looking at the moon.” A beat passed. A breath escaped. A soft caress of the clement breeze over the bridge of his nose when he felt her gaze upon his face, akin to a shower of starlight penetrating their cosmos of solace. “Why?” she asked so quietly, so curiously without a hint of malice in her tone. Silver met green, and a grin spread across his lips at the sight of her moonlit face. “It makes me think of you.
Kanitha P. (Falling Off The Cliff (Full Throttle, #1))
Why do you always hide your face from me?' she asked. Above us, a few tree branches swayed in the breeze, and rays of sunshine glinted erratically around us. 'I find it exquisite,' she added, before I could respond, 'the ways in which you are different than every other gentleman.
Sarah Penner (The London Séance Society)
Grief is funny like that, how it ebbs and flows from you, it’s not corked like champagne, a bottle that bursts open, fizzes all out until it’s empty. It’s more like a kind of weather. A kind of wind. Sometimes it’s these horrible gusts that you feel undeniably, hurts your ears, makes you close your eyes, chills you right down to your bones, some days it’s a pleasant breeze that blows across your face and it’s neither sad or bad, it’s just some kind of unspeakable tenderness. Some days you feel no breeze, that’s started happening to me—I don’t know how I feel about it yet—not that I don’t think of her, I sort of think I’ll think of her every day for forever, but more that, when I do, it doesn’t necessarily feel like someone’s dropping a crystal vase inside my chest. That’s not to say I don’t still have days where I’m a glassware shop situated somewhere along the San Andreas Fault and there’s an earthquake and things are falling and breaking everywhere, but there was a time where every day felt like the big one California’s waiting for—just total demolition. I suppose it doesn’t feel like total destruction anymore.
Jessa Hastings (Magnolia Parks: Into the Dark (Magnolia Parks Universe, #5))
Where are we?” she asked when I pulled into a parking lot. “The park.” “Isn’t it dangerous at night?” “Not here. Come on.” I pulled her out of her seat and grabbed a blanket from the trunk before trekking through the soft grass. “You always keep a blanket in your car?” “Yeah, for emergencies. Never know when you might need it. Food, water, first-aid kit, too.” “Oh!” she grunted and caught my arm as one of her heels pierced the soft dirt and sank. “You should take those off.” “And walk around barefoot? Hello? Ever heard of hookworms and tetanus?” “Ever heard of snapping your ankles as you fall flat on your face in the dark?” I asked as I squatted in front of her and slipped her foot out of the high heels. “What are you doing?” she gasped, tumbling forward and grabbing onto my shoulders for support. “Removing your obstacles.” She landed a bare foot on the grass as I undid the other shoe. “So now I get tetanus?” I looked up at her, my hands lightly stroking her ankles up to her calves. “You worry too much.” “It’s a real risk. Ask Preeti.” I stood slowly, moving up her body, and hovered above her. “How…how far are we walking?” she asked. “To the river.” “In the dark?” I nodded and handed her the shoes. “Took these off and you won’t even carry them?” “I’ll carry them,” I replied, swooped down, and threw her over the blanket on my shoulder. Liya yelped. “Put me down!” “So you can get tetanus?” I asked and walked toward the river. She laughed. “I hate you!” “You love it.” She slapped my butt and then poked her pointy elbows into my shoulder as she arched her back. “Enjoying the view of my backside from over there?” I slid my hand up the back of her thighs and tugged her dress down to keep her covered. “This isn’t so bad,” she said. “Oh, yeah?” “Yeah.” She slapped my butt again. “Giddyap!” “All right. You asked for it.” Her next words were swallowed up in a scream as I took off at a full sprint. She gripped my shirt, clutching for my waist, as the breeze broke around us. I ran the short distance to the riverside in no time, slowing only when the moonlit gleam on the water’s surface appeared. I placed Liya on the grass, but she swayed away. I grabbed her by the waist to steady her and chuckled. “Are you okay?” “You try doing that upside down.
Sajni Patel (The Trouble with Hating You (The Trouble with Hating You, #1))
When I sit down beside my mother, she shivers. When I touch Ellie's shoulders, she smiles like she knows it's me. Maybe she does. Who could have told me that the wind was some passed-on soul stopping to touch your face, your hands, your hair. Who knew a surprising cool breeze was someone who had gone before you saying, 'You're loved.
Jacqueline Woodson (Behind You)
Some kisses pronounced themselvesthe judgment of conviction love,Some kisses are given with an eyeSome kisses are given with the memory.There are silent kisses, kisses noblesThere enigmatic kisses, sincereSome kisses are given only soulsThere forbidden kisses, true.Some kisses calcined and hurt,Some kisses captivate sensesThere mysterious kisses that have leftthousand wandering and lost dreams.There problematic kisses enclosinga key that no one has decipheredSome kisses engender tragedyfew have defoliated roses brooch.There perfumed kisses, warm kissesthrobbing in intimate longings,Some kisses on the lips leave tracesas a field of sun between two ice.Some kisses seem liliesby sublime, naive and pure,There treacherous and cowardly kisses,There cursed and perjured kisses.Judas kisses Jesus and leaves printin the face of God, felony,while Magdalena with kissesfortifies pious agony.From then kisses throbslove, betrayal and pain,in human weddings they seemthe breeze playing with flowers.There are kisses that produce ravingsloving hot and mad passion,you know them well are my kissesinvented by me, for your mouth.Flame kisses printed on trailThey take the grooves of a forbidden love,kisses storm, wild kissesour lips only been tested.Do you remember the first ...? Indefinable;Your face covered with blushes luridand in the throes of terrible emotion,Your eyes were filled with tears.Do you remember that one evening in excess crazyI saw you jealous imagining grievances,He flunked you in my arms ... a kiss vibrated,and then ... did you see? Blood on my lips.I taught you to kiss: cold kissesThey are impassive rock heart,I taught you how to kiss with my kissesinvented by me, for your mouth
Gabriela Mistral
I draw myself up next to her and look at her profile, making no effort to disguise my attention, here, where there is only Puck to see me. The evening sun loves her throat and her cheekbones. Her hair the color of cliff grass rises and falls over her face in the breeze. Her expression is less ferocious than usual, less guarded. I say, “Are you afraid?” Her eyes are far away on the horizon line, out to the west where the sun has gone but the glow remains. Somewhere out there are my capaill uisce, George Holly’s America, every gallon of water that every ship rides on. Puck doesn’t look away from the orange glow at the end of the world. “Tell me what it’s like. The race.” What it’s like is a battle. A mess of horses and men and blood. The fastest and strongest of what is left from two weeks of preparation on the sand. It’s the surf in your face, the deadly magic of November on your skin, the Scorpio drums in the place of your heartbeat. It’s speed, if you’re lucky. It’s life and it’s death or it’s both and there’s nothing like it. Once upon a time, this moment — this last light of evening the day before the race — was the best moment of the year for me. The anticipation of the game to come. But that was when all I had to lose was my life. “There’s no one braver than you on that beach.” Her voice is dismissive. “That doesn’t matter.” “It does. I meant what I said at the festival. This island cares nothing for love but it favors the brave.” Now she looks at me. She’s fierce and red, indestructible and changeable, everything that makes Thisby what it is. She asks, “Do you feel brave?” The mare goddess had told me to make another wish. It feels thin as a thread to me now, that gift of a wish. I remember the years when it felt like a promise. “I don’t know what I feel, Puck.” Puck unfolds her arms just enough to keep her balance as she leans to me, and when we kiss, she closes her eyes. She draws back and looks into my face. I have not moved, and she barely has, but the world feels strange beneath me. “Tell me what to wish for,” I say. “Tell me what to ask the sea for.” “To be happy. Happiness.” I close my eyes. My mind is full of Corr, of the ocean, of Puck Connolly’s lips on mine. “I don’t think such a thing is had on Thisby. And if it is, I don’t know how you would keep it.” The breeze blows across my closed eyelids, scented with brine and rain and winter. I can hear the ocean rocking against the island, a constant lullaby. Puck’s voice is in my ear; her breath warms my neck inside my jacket collar. “You whisper to it. What it needs to hear. Isn’t that what you said?” I tilt my head so that her mouth is on my skin. The kiss is cold where the wind blows across my cheek. Her forehead rests against my hair. I open my eyes, and the sun has gone. I feel as if the ocean is inside me, wild and uncertain. “That’s what I said. What do I need to hear?” Puck whispers, “That tomorrow we’ll rule the Scorpio Races as king and queen of Skarmouth and I’ll save the house and you’ll have your stallion. Dove will eat golden oats for the rest of her days and you will terrorize the races each year and people will come from every island in the world to find out how it is you get horses to listen to you. The piebald will carry Mutt Malvern into the sea and Gabriel will decide to stay on the island. I will have a farm and you will bring me bread for dinner.” I say, “That is what I needed to hear.” “Do you know what to wish for now?” I swallow. I have no wishing-shell to throw into the sea when I say it, but I know that the ocean hears me nonetheless. “To get what I need.
Maggie Stiefvater (The Scorpio Races)
Maybe the real is the way your palms fit against my face, or the way you hold my life inside you until it is nothing at all, the way this plant droops, this flower called Heart’s Bursting Flower, with its beads of red hanging from their delicate threads any breeze might break, any word might shatter, any hurt might crush. — Richard Jackson, Superstition Review issue 2 fall 2008
Richard Jackson
Is it possible for a small book to contain the vast wild? Can its pages hold the cool breeze, the rustle of small things, the secret history of the earth and of your own face? Can a book help to break the spells holding us prisoner? This book can. Our time is one of breaking and breaking open, and Martin Shaw’s tales help us to reimagine our world so that we can rebuild on the ruins of our untenable civilization.
Martin Shaw (Smoke Hole: Looking to the Wild in the Time of the Spyglass)
I know it’s hard to see,” he said, “but God shows me his work in you every time we meet. I see your faith growing inside you like a beautiful spring bud, just ready to blossom. Whatever you think you’re facing, the obstacles you’s struggling to overcome, they’s like rain feeding that bud inside you. Don’t fear the storm. He’s in the storm, just like he’s in the gentle breeze. He gots you right where he wants you.” I hugged
Jennifer H. Westall (Healing Ruby (Healing Ruby #1))
World, turn all you want to, faster even. I've come to like the way the breeze feels as it rips me limb from limb. and I'm running the city water now in a sink safe from harm, and across the surface of most states there's a phone ringing and a somebody's lost a somebody, and a somebody's come home, and I'm unmoved in the kitchen pulling wings out of my teeth, praying for loads more wishes and a body out there waiting for this somebody in the kitchen waiting to be done stung. You mis everyone. Even the people you read about today you didn't know, their faces on the brain as if on paper. Maybe you don't even say it for yourself, maybe you move your mouth like everyone moves their mouth. Maybe your mouth is the same mouth as everyone's, all trying to say the same thing. You come home on the train and you have bought gifts and tried to be decent.
Ada Limon (Sharks in the Rivers)
After I kiss you goodbye, I hold your smile in my cupped hands. I keep my fingers tight, careful not to let it slip out. While I walk home, I tuck it into my shirt pocket, keeping it safe from the cold breeze. I feel its warmth there, through the fabric of my clothing thumping like a heartbeat. In the mirror, I retrieve it carefully, and raise it to my mouth. I press my lips against it softly, and in that moment, Your smile stretches across my face.
Eli Ray (Twelve Midnight)
The best benchside exoticisms January could offer were all on show—the starling, the dandelion, the blown seeds and the birds skeining against the grey clouds, hazing it and mazing it, a featherlight kaleidoscope noon-damp and knowing the sky was never truly grey, just filled with a thousand years of birds’ paths, and wishful seeds, a bird-seed sky as something meddled and ripe and wish-hot, the breeze bird-breath soft like a—what—heart stopped in a lobby above one’s lungs as well it might, as might it will—seeds take a shape too soft to be called a burr, like falling asleep on a bench with the sun on your face, seeds in a shape too soft to be called a globe, too breakable to be a constellation, too tough to not be worth wishing upon, the crowd of birds, an unheard murmuration (pl. n.) not led by one bird but a cloud-folly of seeds, blasted by one of countless breaths escaping from blasted wished-upon clock as a breath, providing a clockwork with no regard to time nor hands, flocking with no purpose other than the clotting and thrilling and thrumming, a flock as gathered ellipses rather than lines of wing and bone and beak, falling asleep grey-headed rather than young and dazzling—more puff than flower—collecting the ellipses of empty speech bubbles, the words never said or sayable, former pauses in speech as busy as leaderless birds, twisting, blown apart softly, to warm and colour even the widest of skies.
Eley Williams (The Liar's Dictionary)
It has been a long trip,” said Milo, climbing onto the couch where the princesses sat; “but we would have been here much sooner if I hadn’t made so many mistakes. I’m afraid it’s all my fault.” “You must never feel badly about making mistakes,” explained Reason quietly, “as long as you take the trouble to learn from them. For you often learn more by being wrong for the right reasons than you do by being right for the wrong reasons.” “But there’s so much to learn,” he said, with a thoughtful frown. “Yes, that’s true,” admitted Rhyme; “but it’s not just learning things that’s important. It’s learning what to do with what you learn and learning why you learn things at all that matters.” “That’s just what I mean,” explained Milo as Tock and the exhausted bug drifted quietly off to sleep. “Many of the things I’m supposed to know seem so useless that I can’t see the purpose in learning them at all.” “You may not see it now,” said the Princess of Pure Reason, looking knowingly at Milo’s puzzled face, “but whatever we learn has a purpose and whatever we do affects everything and everyone else, if even in the tiniest way. Why, when a housefly flaps his wings, a breeze goes round the world; when a speck of dust falls to the ground, the entire planet weighs a little more; and when you stamp your foot, the earth moves slightly off its course. Whenever you laugh, gladness spreads like the ripples in a pond; and whenever you’re sad, no one anywhere can be really happy. And it’s much the same thing with knowledge, for whenever you learn something new, the whole world becomes that much richer.” “And remember, also,” added the Princess of Sweet Rhyme, “that many places you would like to see are just off the map and many things you want to know are just out of sight or a little beyond your reach. But someday you’ll reach them all, for what you learn today, for no reason at all, will help you discover all the wonderful secrets of tomorrow.
Norton Juster (The Phantom Tollbooth)
Knowing yourself as the presence, the power that creates and moves worlds - This is Abundance. It exists in your open heart, your willingness to hold a space, to allow everything to unfold, to be. It feels like freshness of a morning and of the afternoon breeze. Like the sun warming your face. Abundance is meeting others in the sunny field of honesty and vulnerability. It is feeling like you are always Home - in yourself - no matter what happens. Abundance is simplicity. It is kindness. It is you, before every sunrise: fresh, open, and awake. You are rich, friend! You are rich!
Jeff Foster
We hold those who are on the tightest of schedules in reverence; the busier you are, the higher your status as a human being. For those of us who suffer from this phenomenon, we have sped up to such a frenzy of things “to do,” we make ourselves ill just to avoid having to look inside and see that we might not have any point at all. So who is ultimately the winner? The busy, running people? Or maybe it’s someone who sits on a rock and fishes all day or someone who has the time to feel the breeze on his face? Who is the real winner? (Please dear God, I hope it’s not the guy with the fish.)
Ruby Wax (Sane New World: A User's Guide to the Normal-Crazy Mind)
You will come one day in a waver of love, Tender as dew, impetuous as rain, The tan of the sun will be on your skin, The purr of the breeze in your murmuring speech, You will pose with a hill-flower grace. You will come, with your slim, expressive arms, A poise of the head no sculptor has caught And nuances spoken with shoulder and neck, Your face in pass-and-repass of moods As many as skies in delicate change Of cloud and blue and flimmering sun. Yet, You may not come, O girl of a dream, We may but pass as the world goes by And take from a look of eyes into eyes, A film of hope and a memoried day.
Carl Sandburg (100 Best-Loved Poems)
A Forge, and a Scythe" One minute I had the windows open and the sun was out. Warm breezes blew through the room. (I remarked on this in a letter.) Then, while I watched, it grew dark. The water began whitecapping. All the sport-fishing boats turned and headed in, a little fleet. Those wind-chimes on the porch blew down. The tops of our trees shook. The stove pipe squeaked and rattled around in its moorings. I said, "A forge, and a scythe." I talk to myself like this. Saying the names of things -- capstan, hawser, loam, leaf, furnace. Your face, your mouth, your shoulder inconceivable to me now! Where did they go? It's like I dreamed them. The stones we brought home from the beach lie face up on the windowsill, cooling. Come home. Do you hear? My lungs are thick with the smoke of your absence.
Raymond Carver (All of Us: The Collected Poems (Vintage Contemporaries))
When and Why” When I bring you coloured toys, my child, I understand why there is such a play of coulours on clouds, on water, and why flowers are painted in tints—when I give coloured toys to you, my child. When I sing to make you dance, I truly know why there is music in leaves, and why waves send their chorus of voices to the ehart of the listening earth—when I sing to make you dance. When I bring sweet things to your greedy hands, I know why there is honey in the cup of the flower, and why fruits are secretly filled with sweet juice—when I bring sweet things to your greedy hands. When I kiss your face to make you smile, my darling, I surely understand what pleasure streams from the sky in morning light, and what delight the summer breeze brings to my body—when I kiss you to make you smile.
Rabindranath Tagore (Collected Poems and Plays of Rabindranath Tagore)
Some people object to such a view of music, saying that if you reduce music to mathematics, where does the emotion come into it? I would say that it’s never been out of it. The things by which our emotions can be moved—the shape of a flower or a Grecian urn, the way a baby grows, the way the wind brushes across your face, the way clouds move, their shapes, the way light dances on the water, or daffodils flutter in the breeze, the way in which the person you love moves their head, the way their hair follows that movement, the curve described by the dying fall of the last chord of a piece of music—all these things can be described by the complex flow of numbers. That’s not a reduction of it, that’s the beauty of it. Ask Newton. Ask Einstein. Ask the poet (Keats) who said that what the imagination seizes as beauty must be truth.
Douglas Adams (Dirk Gently's Holistic Detective Agency (Dirk Gently, #1))
Dear you, Yes, you. The person reading this right now. If you're anything like me, sometimes you might feel like you don't matter. Like you're completely ordinary, unremarkable, boring, invisible. Like if you disappeared, nobody would notice. Don't. Don't feel that way. You are extraordinary. You are remarkable. You are interesting. You are dazzling. Your presence is noticed and appreciated. You are moonbeams and starlight, a sugar rush, the sound of laughter like bells. You are a soft breeze on a sweltering summer day, the wonder of a year's first snow, and the magic of a million smiling faces. You mean something to someone out there. You mean something to someone right here. You are important, and the footprints you leave in this world make a difference. Even though you might not always realize it, you are wonderful. You matter. And I am happy you exist.
Emily Trunko (Dear My Blank: Secret Letters Never Sent)
Tell me you hate me, and I’ll still count every heartbeat, every freckle, every shiver of your body, if only you say it with a smile.” He backs away, freeing my face from his hands. “I may be a monster, but if you cut me, I’ll bleed. And if you break my heart, Pae, you’ll break me. So, if even a sliver of your soul longs for mine, I’ll spend the rest of my life trying to deserve it.” My eyes are glassy, rimmed with tears I’m too stubborn to let fall. The plea in his gaze is poetic. He flexes his hands at his side, as though it’s an effort to keep them off me. I take in his hair of petals and eyes of ice that only seem to melt when they fall on me. “Maybe you really are a poet,” I whisper. He smiles softly. “Or just a fool for you.” “Pretend?” My voice is small, soft like the breeze blowing through my short hair. “Never.” “None of it?” I ask quietly. “Darling”—he smiles—“I have never had to pretend to want you.
Lauren Roberts, Reckless
O wine-bearer brighten my cup with the wine O minstrel say good fortune is now mine. The face of my Beloved is reflected in my cup Little you know why with wine, I always myself align. Eternal is the one whose heart has awakened to Love This is how Eternal Records my life define. So proud are the tall beauties of the world Outshines all the others this handsome spruce of mine. O breeze if by chance you pass through friendly gardens From me to my Beloved, please give a sign; Ask why you choose to forget my name? Will come the one to whom an audience you decline. Intoxication pleases my Beloved and my Lord To the wine, they would assign, my life's design. What if on Judgement Day, no favor would be gained From eating bread and leaving a forbidden water so fine? Hafiz, let a tear drop or two leave your eyes, May we ensnare the Bird of Union, divine. The sea of the skies and the gondola of the moon With the grace of the Master, radiantly shine.
Hafiz: Tongue of the Hidden: A Selection of Ghazals from his Divan
How strange and delicious it was to sit here like this, entwined and filled, while sea breezes rustled through the marram grass on the dunes and quiet waves lapped at the shore. Eventually Keir lifted his head, his eyes very light in his flushed face. "Put your legs around my waist," he said. He helped to rearrange her limbs until they were pressed together closely in a seated embrace, with his bent knees supporting her. It was surprisingly comfortable, but didn't permit much movement. Instead of thrusting, they were limited to a rocking motion that allowed only an inch or two of his length to withdraw and plunge. "I don't think this is going to work," Merritt said, her arms looped around his neck. "Be patient." His mouth sought hers in a warm, flirting kiss. One of his hands searched beneath her skirts to settle on her naked bottom, pulling her forward as they rocked rhythmically. Feeling awkward, but also having fun, Merritt experimented by bracing her feet on the ground and pushing to help their momentum. The combination of pressure and movement had a stunning effect in her. Every forward pitch brought her weight fully onto him, in deep steady nudges that sent bolts of pure erotic feeling through every nerve pathway. The tension was building, compelling her toward a culmination more intense than anything she'd ever felt. She couldn't drive herself hard onto the heavy shaft, her body taking every inch and clenching frantically on each withdrawal as if trying to keep him inside. Nothing mattered except the rhythmic lunges that pumped more and more pleasure into her. Keir's breath hissed through his teeth as he felt her electrified response, the cinch of her intimate muscles. His hand gripped over her bottom, pulling her onto him again, again, again, until the relentless unfaltering movement finally catapulted her into a climax that was like losing consciousness, blinding her vision with a shower of white sparks and extinguishing every rational thought.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
You may not see it now," said the Princess of Pure Reason, looking knowingly at Milo's puzzled face, "but whatever we learn has a purpose and whatever we do affects everything and everyone else, if even in the tiniest way. Why, when a housefly flaps his wings, a breeze goes round the world; when a speck of dust falls to the ground, the entire planet weighs a little more; and when you stamp your foot, the earth moves slightly off its course. Whenever you laugh, gladness spreads like the ripples in the pond; and whenever you're sad, no one anywhere can be really happy. And it's much the same thing with knowledge, for whenever you learn something new, the whole world becomes that much richer. And remember also, that many places you would like to see are just off the map, and many things you want to know are just out of sight or a little beyond your reach; but someday you'll reach them all, for what you'll learn today, for no reason at all, will help you discover the wonderful secrets of tomorrow.
Norton Juster (The Phantom Tollbooth)
Dear God, I love this tree. I love the light filtering through the moss and the leaves. I love all your earth songs—the breeze rustling through the grass, the rhythm of crickets, the beating of wings. I love the rain water in the bird bath and the dragonflies that flit over it. I love the air so laden with moisture that the dew rains out of the tree and bathes my face. I love the artistic little prayers that the spiders weave through the woods. I love the way you blend daylight into darkness, how dusk softens the sharp edges of the world. I love the way the moon changes shape every night. I love the slope of your hills—horizons inside and out. I feel that I’m part of it, that it’s part of me. Here, surrounded and permeated by your creation, I feel you. I feel life. I know myself connected. O God, is there anything you’ve made that can’t pour life and healing into me? When I think of the simplicity and extravagance of creation, I want to bend down and write the word yes across the earth so that you can see it.
Sue Monk Kidd (When the Heart Waits: Spiritual Direction for Life's Sacred Questions (Plus))
Old Country Longing August 9, 2024 at 8:49 AM [Verse] Old country, I miss your dusty roads, The fields where wildflowers still grow. I feel lonely when I can't see your face, Yearnin' for your warm, familiar embrace. [Verse 2] I desire to walk through your rolling hills, To hear the whisper of your creeks and rills. Obsessed, I hunger for your taste and scent, Missin' every single moment we spent. [Chorus] Old country, you fill my dreams, Your rivers and plains, your whispering streams. In your fields and farms, I long to find, The feel of your soul, touchin' mine. [Verse 3] I reminisce 'bout your moonlit nights, Your crickets singin' soft lullabies. The summer breeze that danced in my hair, In your presence, I felt no despair. [Verse 4] Your rusty barns and your forest trails, Every path tells a hundred tales. I crave the scent of your fresh cut hay, Dreamin' of home every single day. [Chorus] Old country, you fill my dreams, Your rivers and plains, your whispering streams. In your fields and farms, I long to find, The feel of your soul, touchin' mine.
James Hilton-Cowboy
His rough, cold hand grasped her chin. Her heart jolted as she gazed into his moss-gray eyes. “You owe me a forfeit,” he said. The breeze plucked at strands of his hair, curling them against his windburned cheeks. She jerked her head away. “Just what is it you want?” “I’ll have a kiss from you.” The breath left her chest in a rush. Inhaling slowly, she drew in the cold salt air. “That’s your forfeit?” “I declare to my soul, this is getting interesting,” whispered Aileen Breslin. “It’s an outrage,” Rory snapped. Caitlin challenged her prisoner with a furious stare. “I’d rather kiss a natterjack.” “You’ll have to settle for me instead.” In truth the request was modest enough. Yet her nerves rattled like dried reeds in the breeze. “Why?” His laughter flowed like warm mead from a crystal goblet. “Do you really have to ask?” “I’m asking.” “Because I want to know if the MacBride tastes like a woman, or a warrior.” Her face heated. “That’s absurd.” “It’s my request and my prerogative to be as absurd as I please. You knew the stakes. Will you have it said that the MacBride breaks her word?
Susan Wiggs (The Maiden of Ireland (Women of War))
Your Olympic medal.I went looking for you in your office." "The medal lures parents who can afford the tuition." "It's something to be proud of." "I am proud of it." With her free hand she brushed her hair as the breeze teased it. Her fingertips skimmed over the soft petals of the flower. "But it doesn't define me." "Not like,what was it? A British tie?" The laugh got away from her, and eased the odd tension that had been building inside her. "Here's a surprise. With a great deal of time and some effort, I might begin to like you." "I've plenty of time." He released her hand to toy with the ends of her hair. She jerked back. "You're a skittish one," he murmured. "No, not particularly." Usually, she thought. With most people. "The thing is, I like to touch," he told her and deliberately skimmed his fingers over her hair again. "It's that...connection.You learn by touching." "I don't..." She trailed off when those fingers ran firmly down the back of her neck. "I've learned you carry your worries right there, right at the base there. More worries than show on your face. It's a staggering face you have, Keeley. Throws a man off.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
The two men, unable to see each other, kept silent till the lighter, slipping before the fitful breeze, passed out between almost invisible headlands into the still deeper darkness of the gulf. For a time the lantern on the jetty shone after them. The wind failed, then fanned up again, but so faintly that the big, half-decked boat slipped along with no more noise than if she had been suspended in the air. ‘We are out in the gulf now,’ said the calm voice of Nostromo. A moment after he added, ‘Señor Mitchell has lowered the light.’ ‘Yes,’ said Decoud; ‘nobody can find us now.’ A great recrudescence of obscurity embraced the boat. The sea in the gulf was as black as the clouds above. Nostromo, after striking a couple of matches to get a glimpse of the boat-compass he had with him in the lighter, steered by the feel of the wind on his cheek. It was a new experience for Decoud, this mysteriousness of the great waters spread out strangely smooth, as if their restlessness had been crushed by the weight of that dense night. The Placido was sleeping profoundly under its black ponho. The main thing now for success was to get away from the coast and gain the middle of the gulf before day broke. The Isabels were somewhere at hand. ‘On your left as you look forward, señor,’ said Nostromo suddenly. When his voice ceased, the enormous stillness, without light or sound, seemed to affect Decoud’s senses like a powerful drug. He didn’t even know at times whether he were asleep or awake. Like a man lost in slumber, he heard nothing, he saw nothing. Even his hand held before his face did not exist for his eyes. The change from the agitation, the passions and the dangers, from the sights and sounds of the shore, was so complete that it would have resembled death had it not been for the survival of his thoughts. In this foretaste of eternal peace they floated vivid and light, like unearthly clear dreams of earthly things that may haunt the souls freed by death from the misty atmosphere of regrets and hopes. Decoud shook himself, shuddered a bit, though the air that drifted past him was warm. He had the strangest sensation of his soul having just returned into his body from the circumambient darkness in which land, sea, sky, the mountains, and the rocks were as if they had not been.
Joseph Conrad (Nostromo)
Ian saw only that the beautiful girl who had daringly come to his defense in a roomful of men, who had kissed him with tender passion, now seemed to be passionately attached not to any man, but to a pile of stones instead. Two years ago he’d been furious when he discovered she was a countess, a shallow little debutante already betrothed-to some bloodless fop, no doubt-and merely looking about for someone more exciting to warm her bed. Now, however, he felt oddly uneasy that she hadn’t married her fop. It was on the tip of his tongue to bluntly ask her why she had never married when she spoke again. “Scotland is different than I imagined it would be.” “In what way?” “More wild, more primitive. I know gentlemen keep hunting boxes here, but I rather thought they’d have the usual conveniences and servants. What was your hoe like?” “Wild and primitive,” Ian replied. While Elizabeth looked on in surprised confusion, he gathered up the remains of their snack and rolled to his feet with lithe agility. “You’re in it,” he added in a mocking voice. “In what?” Elizabeth automatically stood up, too. “My home.” Hot, embarrassed color stained Elizabeth’s smooth cheeks as they faced each other. He stood there with his dark hair blowing in the breeze, his sternly handsome face stamped with nobility and pride, his muscular body emanating raw power, and she thought he seemed as rugged and invulnerable as the cliffs of his homeland. She opened her mouth, intending to apologize; instead, she inadvertently spoke her private thoughts: “It suits you,” she said softly. Beneath his impassive gaze Elizabeth stood perfectly still, refusing to blush or look away, her delicately beautiful face framed by a halo of golden hair tossing in the restless breeze-a dainty image of fragility standing before a man who dwarfed her. Light and darkness, fragility and strength, stubborn pride and iron resolve-two opposites in almost every way. Once their differences had drawn them together; now they separated them. They were both older, wiser-and convinced they were strong enough to withstand and ignore the slow heat building between them on that grassy ledge. “It doesn’t suit you, however,” he remarked mildly. His words pulled Elizabeth from the strange spell that had seemed to enclose them. “No,” she agreed without rancor, knowing what a hothouse flower she must seem with her impractical gown and fragile slippers.
Judith McNaught (Almost Heaven (Sequels, #3))
And you are forever my undoing, Paedyn Gray." My knee mes te cobblestone, and her mouth opens in a gasp. "Marry me, Pae. marady on one knee, but I'll get down on both and beg for you, if you like." I lift that ring toward her, the one Kitt pressed into my palm with dying wish. "Love each other for me." Tears well in those blue eyes above. She knows of Kitt's final moments, every word uttered, every hope laid bare. Now the sight of that familiar ring is freeing. I can see the flood of relief washing over her features, because Kitt Azer— the boy she cared so deeply for—did not hate her in the end. The hurt she felt when he aimed a sword at her chest has begun to melt away beneath the truth of his motives. "Pae," I breathe. “I'll kneel here all day, so long as your answer is yes.” A hand falls from her mouth to reveal a wide grin. Good. I quite like the sight of you beneath me." “Vicious little thing…” I murmur with all the admiration she deserves. Her voice grows choked as she spits my own words back at me. "You forgot the 'my' in front of that endearing nickname." And then she is falling to her knees before me. Her hands shake against my face before a pair of smiling lips have found mine. She kisses me like forever is fleeting in the face of this moment. My hand finds her hair, tangling in the uneven strands I'd cut in that cave. Her lips taste of love and longing, and I beg for more. "Is this—" I kiss her deeply. "Is this a yes?" She laughs against my lips. "This is inevitable." I slip Kitt's gold band onto her thumb, opposite that steel ring of her father's. "I'll get you something better—" "No," she insists. Her eyes shine as they take in the rings hugging each thumb. "It's perfect. This is perfect." "Good." My rough palms graze the sides of her neck. "Because I love you, Paedyn Gray. And I will happily spend the rest of my life trying to deserve you." "I love you," she says, suddenly stern. "And I will spend the rest of my life shouting it until even Astrum hears, because it is Death who should fear me if he ever tries to take you away." We hold each other atop that uneven cobblestone. Forget-me-nots blow in the warm breeze, encircling us in a hug that feels like our past meeting our forever. Tears sting my eyes for the bittersweetness of this moment. Paedyn Gray is finally mine. But only because my brother is no longer here. "We will love for him," she whispers in my ear. A tear slips down my cheek. "You and me.
Lauren Roberts, Fearless
It's taken me no time to see, just how much you really mean to me. [Name], it's taken less than a week to realize i want you in my life, And not just as a friend, I don't want to watch as another guys wanders into your life and sweeps you off your feet,Call me selfish, but I'm the only boy I want to see you with, I don't want another boy to hold you in his arms, and push your hair behind your ear, and call you beautiful, I don't want another boy to kiss you gently on the forhead and tell you his feelings about you are indescribable through words. I don't want another boy to hold your hand. I want to be the boy who gets to do all of those things. I want to be the boy who gets to call you his, more than anything. I'm not perfect, I'm far from it. but i know that im going to treat you as perfect as possible, and i knowi'm never once going to let you down. I'm going to give you everything you deserve, and im going to make you the happiest girl in the world, Because, to me you're so much more than just every other girl. You're perfect. There's many girls in the world but none of them are you, And you're the only one I've fallen for so fast, and you're the only one i know for a fact i want to call mine. There's just so much about you that has pushed me off the edge, and made me fall harder than I have before. Your eyes for example those beautiful eys of yours, I have never seen anthing as beautiful in my life as your eyes. That gorgeous,color that just makes illuminates beauty, and makes my heart stop, And youre smile, I have no idea why you dont show it off to everyone. You told me you don't like your smile, but i have no idea how you couldn't, It's pefect. I could look at that smile all day long, and i mean it. I never want to see your face without it, because that smile is absolutely beautiful. There's so much about you, that's unique to you, that makes you who you are, and makes you so perfect. There's no other girl on this entire planet that has the same eyes, and smile, you do, And that's reason enough for me to want you, and no toher girl, And that's why defines you from every other girl, how beautiful you really are.I understand, any guy could tell you you're beautiful, but I'm not any guy. I'm me, and im not just telling you you're beautiful, [Name], I'm telling you you're the most beautiful girl in the whole world, and I want you to believe me when i tell you that, I want you to see youself as beautiful as I see you, I want to look you in the eyes, face to face, and tell you you're the most beautiful girl in the whole world, then hold you close to me, and never let you go, I don't want you to think I'm another guy who's going to lie to you, and break your heart. I want you to believe I really do mean all of this, because I do, with all of my heart, I want to spend nights with you in my arms, i want to kiss you on the forhead every night before bed, I want to try and put my feelings for you into words, just to see that beautiful smile of yours, I want to call you mine, and no one else's, I want you, and no one else, and I can't stress how much i really mean that. Imagine laying in the snow, on a calm winter night, looking up at a clear, starry, full moon night, holding hands, not speaking a word, just laying beside one another, listening, to a gentle breeze, taking in how beautiful stars, and the moon are, Feeling completely at peace with everything, like we're in a land far away from everything, and nothing could possibly take that away that feeling of safety , and complete inner happiness. That's howw I'd describe my feelings for you are. Absolutely perfect in every way. If I am lucky enough to see you tomorrow, I'm going to take your breath away, and prove to you I really am the boy who you deserve. I'm going to make you the happiest girl in the entire world. I feel like I may be falling for you way to fast, and way to soon, but I don't care. not one bit, I've never been so sure of anything.
Jessi (Poetry the Inner Mind)
I am not a Goddess. I am the face of them All, the embodiment of many. I will burn your village to the ground wearing pants. Nourish your soil and scatter new seeds in a skirt that lifts in the breeze. Strike like lightening and change everything you thought you knew. Scorch you and replenish your reservoir. Sing until you weep with joy. I will leave you poetry on your pillow beside a bottle of hemlock. Feed you til' your belly is full. Devour your ego and spit out your falsities in front of you. Steal your favourite things. I will lead you into temptation. Be the ugliest hag you ever did see. Awaken you from your slumber. Hand you a poisoned apple. Light a candle in your darkness. Weave you a dream. Bow at your feet and kiss the ground you walk upon. I will love you like you've never felt love before. Take your breath away with my beauty. Call your demons into the Light and watch them bury you. Make you tremble in ecstasy. I'll answer your prayers. Shake you til' you scream. Retrieve you from the deep. Carry your manifestations inside of me and birth them into Being. Be the wind in your sails. The blood on your sheets. The wish granted from the wild dandelion wheel. The snake in the grass. Tufts of idle time. I will disappear suddenly, wait until you ache for me, and reemerge as if I had never gone. I am not a Goddess. I am the face of them All, the embodiment of many.
Cheray Crown Woman
Romance of the sleepwalker" Green, as I love you, greenly. Green the wind, and green the branches. The dark ship on the sea and the horse on the mountain. With her waist that’s made of shadow dreaming on the high veranda, green the flesh, and green the tresses, with eyes of frozen silver. Green, as I love you, greenly. Beneath the moon of the gypsies silent things are looking at her things she cannot see. Green, as I love you, greenly. Great stars of white hoarfrost come with the fish of shadow opening the road of morning. The fig tree’s rubbing on the dawn wind with the rasping of its branches, and the mountain cunning cat, bristles with its sour agaves. Who is coming? And from where...? She waits on the high veranda, green the flesh and green the tresses, dreaming of the bitter ocean. - 'Brother, friend, I want to barter your house for my stallion, sell my saddle for your mirror, change my dagger for your blanket. Brother mine, I come here bleeding from the mountain pass of Cabra.’ - ‘If I could, my young friend, then maybe we’d strike a bargain, but I am no longer I, nor is this house, of mine, mine.’ - ‘Brother, friend, I want to die now, in the fitness of my own bed, made of iron, if it can be, with its sheets of finest cambric. Can you see the wound I carry from my throat to my heart?’ - ‘Three hundred red roses your white shirt now carries. Your blood stinks and oozes, all around your scarlet sashes. But I am no longer I, nor is this house of mine, mine.’ - ‘Let me then, at least, climb up there, up towards the high verandas. Let me climb, let me climb there, up towards the green verandas. High verandas of the moonlight, where I hear the sound of waters.’ Now they climb, the two companions, up there to the high veranda, letting fall a trail of blood drops, letting fall a trail of tears. On the morning rooftops, trembled, the small tin lanterns. A thousand tambourines of crystal wounded the light of daybreak. Green, as I love you, greenly. Green the wind, and green the branches. They climbed up, the two companions. In the mouth, the dark breezes left there a strange flavour, of gall, and mint, and sweet basil. - ‘Brother, friend! Where is she, tell me, where is she, your bitter beauty? How often, she waited for you! How often, she would have waited, cool the face, and dark the tresses, on this green veranda!’ Over the cistern’s surface the gypsy girl was rocking. Green the bed is, green the tresses, with eyes of frozen silver. An ice-ray made of moonlight holding her above the water. How intimate the night became, like a little, hidden plaza. Drunken Civil Guards were beating, beating, beating on the door frame. Green, as I love you, greenly. Green the wind, and green the branches. The dark ship on the sea, and the horse on the mountain.
Federico García Lorca (Collected Poems)
Like drops of water that fall on the rocks of the jungle, the silence is full of tenderness. Whisper softly my poetry unraveling your admiration. In the name of night. Everything I see is simplicity in your beautiful body Like an incandescent light that dispels the darkness Then it bounced on the rose petals in the dim moonlight. Blushing reconciles the anxiety of the soul Comforting a sore heart Your beauty is a flower that unites to dazzle the majesty of the universe. Ahhh love... Your beauty is like a waterfall from the height of a cliff that is so sensual, showing the magic of a perfect panorama. How seductive and alluring is your soft skin..... As gentle as the twilight wind blew the dandelions scattered under the night sky. As soft as a lump of cotton that lay white on the heart rug. As gentle as the caress of the night breeze, flaking your shiny black hair. Ahhh. Let my breath rest for a moment Here, Between two seas of wine flowing red I find on your lips. How beautiful is love When the stalks of a kiss fall lying down Tickling spoiled and whispering intimately about the love that is heaven behind your ear with a warm whisper blowing slowly And Slowly... caressing your face in a long soft moan Lull a thousand touches and then cast your body into a pleasure that you have not found. In the name of my chest. Let our restless tantrums grapple in the flames of burning love. Until our passion quells the passion, Wet and subside. ️
J.S. Dirga (Saga Moon Poem)
You grow sleepy,cara mia," Julian whispered, leaning down to kiss her forehea. "We should go to your brother's chamber. I will check him once more before we go to ground." Desari refused to open her eyes. She made a soft purring sound, completely contented to lie in his arms. "Not yet, Julian," she protested softly. "I do not want to leave this place for a little while longer." "I can feel how tired you are, my love. I can do no other than-" "Do not say it!" Deasri thumped his chest. "Just lie there and hold me. That is what I want. Men are such difficult creatures,Julian. I am beginning to realize this." He rubbed his chin on the top of her head, her hair catching in the shadow along his jaw. "Men are not difficult. They are logical and methodical." She laughed softly. "You wish it wree so. I must tell you,although I am taking a huge cance that you might become impossible to live with, tha you are an extraordinary lover." "Keep talking,lifemate. I am listening," he responded with a deep satisfaction. "Magnificent was only a starting place. Extraordinary lover is the perfect description. I see that now." Her soft laughter washed over him, as gentle as a breeze. Touching him. Just like that. She could touch him with her breath. Julian wrapped his arms around her tightly and buried his face in her ebony hair. "Why is it you always smell so good?" "Would you want me to smell like a cavewoman?" "I do not know,cara. I do not know what a cavewoman smells like." She opened her eyes at that, her long lashes fluttering in the sexy,flirty little way she had. "You'd better not want me smelling like any other, Julian, or you will find out what a real ancient woman can do when she is enraged.
Christine Feehan (Dark Challenge (Dark, #5))
Abruptly Nick stood and seized her by the hand. “Come on. We need to go outside. This will work better with show-and-tell.” He trudged through the woods, dragging her behind him. She could feel the tension in his grip. Whatever his secret was, it had him keyed up. The sun had already begun to dip behind the horizon, letting a chill seep into the air. “Keep walking,” he said. “I need some distance from the neighborhood.” “Your secret is in the woods?” said Quinn, shivering. “Dude, if you turn into a werewolf, I am outta here.” He smiled, then stopped and turned to face her. “I’m not a werewolf.” “Vampire? Alien?” She snapped her fingers. “Harry Potter. Or wait, you’d be one of the Weasley twins . . .” “If you could shut up a second, I’d tell you.” “Should I hold your hands? Are we going to phase out and appear in Narnia?” “No.” He glanced around. “If any trees fall, I don’t want them to hit a house.” Trees falling? What? “So you’re secretly Paul Bunyan?” “Quinn.” She shivered again. “What? Seriously, Nick, what’s out here?” “Air.” As he said the word, the breeze kicked up, finding a true wind that ruffled his hair and swirled between them. Leaves shifted and rustled along the ground. Quinn frowned. “Air?” Nick nodded. His expression said that she was missing something important. But . . . air? Air was everywhere. Leaves lifted from the ground and began to spiral around their feet. She started to shiver again—but then the leaves swirled off the ground, forming a moving wall to enclose them. First two feet high, then three, then eye level. Quinn felt the first lick of fear. She moved closer to him— then wondered if that was worse than moving away. “You’re freaking me out a little, Nick. Is the mother ship landing?” “Relax.” He spoke gently, confidently. “It’s just wind.
Brigid Kemmerer (Secret (Elemental, #4))
Her eyes were closed so tightly that you could see her long-curled eyelashes pointed skyward, in her baby blue coffin. She was an angel to look at even at that moment. I knew that she was looking over all of us! In addition to that, she was most likely looking at him and holding his hands with her spiritual touch, I could just feel it. He said that he felt the breeze of her presents. He was crying hysterically from his hazel almost jade green eyes! I remember he said that he was secretly in love with Jaylynn back to when she was a little girl. That he never got the chance to say that to her in person. I remember him placing one pink daisy in her box on top of her small, yet perky upward-facing breasts next to her motionless heart; with the bloom under her chin and her slight smile. Along with that, then he slid an engraved promise ring on her finger as well; at that moment… one of his teardrops fell from his eyes on her petite hand, as he was holding it… not wanting to ever let go of her. That is love… if I ever did see it. Greg also whispered to me, that he never even got to kiss her as he always hoped to do, and that she was everything that he was looking for in a girl. Furthermore, he would never look for anyone else. That she was the one, and the only! The only thing I could say was; I thank you and follow your heart, and she will be watching over you. Then he walked away… I never saw him again after that. You know I don't even know his last name. Still, I will always remember his face, and the look that was upon it that day, he was devastated. So, someone did care about her, someone truly loved her, and adored her, and it was taken away from him too. Why! Why oh God, why? Why didn’t she see this when she was alive? ‘Why is a question that has no answers, only just more unanswered questions?
Marcel Ray Duriez (Nevaeh Struggle with Affections)
Tamlin's claws punched out. 'Even if I risked it, you're untrained abilities render your presence more of a liability than anything.' It was like being hit with stones- so hard I could feel myself cracking. But I lifted my chin and said, 'I'm coming along whether you want me to or not.' 'No, you aren't.' He strode right through the door, his claws slashing the air at his sides, and was halfway down the steps before I reached the threshold. Where I slammed into an invisible wall. I staggered back, trying to reorder my mind around the impossibility of it. It was identical to the one I'd built that day in the study, and I searched inside the shards of my soul, my heart, for a tether to that shield, wondering if I'd blocked myself, but- there was no power emanating from me. I reached a hand to the open air of the doorway. And met solid resistance. 'Tamlin,' I rasped. But he was already down the front drive, walking towards the looming iron gates. Lucien remained at the foot of the stairs, his face so, so pale. 'Tamlin,' I said again, pushing against the wall. He didn't turn. I slammed my hand into the invisible barrier. No movement- nothing but hardened air. And I had not learned about my own powers enough to try to push through, to shatter it... I had let him convince me not to learn those things for his sake- 'Don't bother trying,' Lucien said softly, as Tamlin cleared the gates and vanished- winnowed. 'He shielded the entire house around you. Others can go in and out, but you can't. Not until he lifts the shield.' He'd locked me in here. I hit the shield again. Again. Nothing. 'Just- be patient, Feyre,' Lucien tried, wincing as he followed after Tamlin. 'Please. I'll see what I can do. I'll try again.' I barely heard him over the roar in my ears. Didn't wait to see him pass the gates and winnow, too. He'd locked me in. He'd sealed me inside the house. I hurtled for the nearest window in the foyer and shoved it open. A cool spring breeze rushed in- and I shoved my hand through it- only for my fingers to bounce off an invisible wall. Smooth, hard air pushed against my skin. Breathing became difficult. I was trapped. I was trapped inside this house. I might as well have been Under the Mountain. I might as well have been inside that cell again- I backed away, my steps too light, too fast, and slammed into the oak table in the centre of the foyer. None of the nearby sentries came to investigate. He'd trapped me in here; he'd locked me up. I stopped seeing the marble floor, or the paintings on the walls, or the sweeping staircase looming behind me. I stopped hearing the chirping of the spring birds, or the sighing of the breeze through the curtains. And then crushing black pounded down and rose up beneath, devouring and roaring and shredding. It was all I could do to keep from screaming, to keep from shattering into ten thousand pieces as I sank onto the marble floor, bowing over my knees, and wrapped my arms around myself. He'd trapped me; he'd trapped me; he'd trapped me- I had to get out, because I'd barely escaped from another prison once before, and this time, this time- Winnowing. I could vanish into nothing but air and appear somewhere else, somewhere open and free. I fumbled for my power, for anything, something that might show me the way to do it, the way out. Nothing. There was nothing and I had become nothing, and I couldn't even get out- Someone was shouting my name from far away. Alis- Alis. But I was ensconced in a cocoon of darkness and fire and ice and wind, a cocoon that melted the ring off my finger until the folden ore dripped away into the void, the emerald tumbling after it. I wrapped that raging force around myself as if it could keep the walls from crushing me entirely, and maybe, maybe buy me the tiniest sip of air- I couldn't get out; I couldn't get out; I couldn't get out-
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
He opened an eye and smiled lazily at me. 'That willow's singing always puts me to sleep.' 'The what of what?' I said, propping myself on my elbows to stare at the tree above us.' Tamlin pointed toward the willow. The branches sighed as they moved in the breeze. 'It sings.' 'I suppose it sings war-camp limericks, too?' He smiled and half sat up, twisting to look at me. 'You're human,' he said and I rolled my eyes. 'Your senses are still sealed off from everything.' I made a face. 'Just another of my many shortcomings.' But the word- shortcomings- had somehow stopped finding its mark. He plucked a strand of grass from my hair. Heat radiated from my face as his fingers grazed my cheek. 'I could make you able to see it,' he said. His fingers lingered at the end of my braid, twirling the curl of hair around. 'See my world- hear it, smell it.' My breathing became shallow as he sat up. 'Taste it.' His eyes flicked to the fading bruise on my neck. 'How?' I asked, heat blooming as he crouched before me. 'Every gift comes with a price.' I frowned, and he grinned. 'A kiss.' 'Absolutely not!' But my blood raced, and I had to clench my hands in the grass to keep from touching him. 'Don't you think it puts me at a disadvantage to not be able to see all this?' 'I'm one of the High Fae- we don't give anything without gaining something from it.' To my own surprise, I said, 'Fine.' He blinked, probably expecting me to have fought a little harder. I hid my smile and sat up so that I faced him, our knees touching as we knelt in the grass. I licked my lips, my heart fluttering so quickly it felt as if I had a hummingbird inside my chest. 'Close your eyes,' he said, and I obeyed, my fingers grappling onto the grass. The birds chattered, and the willow branches sighed. The grass crunched as Tamlin rose up on his knees. I braced myself at the brush of his mouth on one of my eyelids, then on the other. He pulled away, and I was left breathless, the kisses still lingering on my skin.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
I still remember a small story from the Pañca Tantra which I was told as a small child. One rainy day, a monkey was sitting on a tree branch getting completely drenched. Right opposite on another branch of the same tree there was a small sparrow sitting in its hanging nest. Normally a sparrow builds its nest on the edge of a branch so it can hang down and swing around gently in the breeze. It has a nice cabin inside with an upper chamber, a reception room, a bedroom down below and even a delivery room if it is going to give birth to little ones. Oh yes, you should see and admire a sparrow’s nest sometime. It was warm and cozy inside its nest and the sparrow peeped out and, seeing the poor monkey, said, “Oh, my dear friend, I am so small; I don’t even have hands like you, only a small beak. But with only that I built a nice house, expecting this rainy day. Even if the rain continues for days, I will be warm inside. I heard Darwin saying that you are the forefather of human beings, so why don’t you use your brain? Build a nice, small hut somewhere to protect yourself during the rain.” You should have seen the face of that monkey. It was terrible! “Oh, you little devil! How dare you try to advise me? Because you are warm and cozy in your nest you are teasing me. Wait, you will see where you are!” The monkey proceeded to tear the nest to pieces, and the poor bird had to fly out and get drenched like the monkey. This is a story I was told when I was quite young and I still remember it. Sometimes we come across such monkeys, and if you advise them they take it as an insult. They think you are proud of your position. If you sense even a little of that tendency in somebody, stay away. He or she will have to learn by experience. By giving advice to such people, you will only lose your peace of mind. Is there any other category you can think of? Patañjali groups all individuals in these four ways: the happy, the unhappy, the virtuous and the wicked. So have these four attitudes: friendliness, compassion, gladness and indifference. These four keys should always be with you in your pocket. If you use the right key with the right person you will retain your peace. Nothing in the world can upset you then. Remember, our goal is to keep a serene mind. From the very beginning of Patañjali’s Sūtras we are reminded of that. And this sūtra will help us a lot.
Satchidananda (The Yoga Sutras of Patanjali: Commentary on the Raja Yoga Sutras by Sri Swami Satchidananda)
Knightmare. Breezeo’s archenemy. Where Breezeo is light, a breath of fresh air, the nice breeze on a warm summer day, Knightmare is the storm that rolls in and takes it all away. Darkness, thick and suffocating, the shadows you can’t escape in the night in back alleyways. Black leather framed with dark armor, head to toe, from the combat boots the whole way up to the oversized black hood with a metal mask covering part of the face, rendering him unrecognizable. I’ve always been envious of the costume. Beats the damn pseudo-spandex, that’s for sure. “I, uh, wow.” Kennedy stands in the doorway of her apartment with a look of awe as her eyes scan the costume. “That’s just… wow.” “Wow, huh?” I glance down. “Good or bad?” “It’s just, uh, you know…” “Wow?” I guess. She nods, fighting off a smile. “Wow.” I smirk. “It’s the original.” “Seriously?” “Straight from the second movie,” I say, touching an armored chest plate with a fingerless glove-clad hand. “Well, except for these gloves. The real ones wouldn’t fit because of the cast, so I had to improvise.” “It’s, uh…” “Wow?” “Nice,” she says, touching the costume, fingertips grazing the armor. “Kind of weird seeing you like this, but still, it’s nice.” “Thanks,” I say as she steps aside for me to come in the apartment. “I talked them into letting me borrow it. Might not give it back, though. I’m kind of enjoying it.” “You should keep it,” she says, her eyes still scanning me as she closes the door. “It’s, uh…” “Nice?” “Wow.” She smiles playfully as she walks away. “I need to finish getting ready for work. Maddie, you've got a visitor!” A moment after Kennedy disappears, Madison runs in. She skids to a stop when she spots me, eyes wide, mouth popping open. “Whoa.” I push the hood off, shoving the mask up, her expression changing when she sees it’s me, face lighting up. She runs right at me, slamming into me so hard I stumble. I laugh as she hugs me. “Hey, pretty girl.” She looks up at me. “You think I’m pretty?” “What? Of course.” I kneel next to her, grinning as I press a finger to the tip of her nose. “You look like your mom.” “You think Mommy’s pretty, too?” “I think she's the most beautiful woman in the world.” Her expression shifts rapidly when I say that before her eyes widen. “Even more beautifuler than Maryanne?” I lean closer, whispering, repeating her words. “Even more beautifuler than Maryanne.” “Whoa
J.M. Darhower (Ghosted)
When I say celebrate what do I mean? I mean that whatsoever you do, don't do it as a duty, do it from your love; don't do it as a burden, do it as a celebration. You can eat as if it is a duty: long-faced, dull, dead, insensitive. You can throw food inside yourself without ever tasting, without ever feeling for it. It is life; you live through it. Don't be so insensitive to it. Indians have said, 'anam brahman,' food is Brahman. This is celebration: you are eating brahman, you are eating God through food, because only God exists. When you are taking a shower, it is God showering because only God exists. When you go for a morning walk, it is God on a morning walk. And the breeze is also God, and the trees are also God -- everything is so Divine. How can you be a long-face, dead and dull, moving in life as if you are carrying a burden? When I say celebrate, I mean become more and more sensitive to everything. In life, dance should not be apart. The whole life should become a dance; it should be a dance. You can go for a walk and dance. Allow life to enter into you, become more open and vulnerable, feel more, sense more. Small things filled with such wonders are lying all around. Watch a small child. Leave him in the garden and just watch. That should be your way also; so wonderful, wonder-filled: running to catch this butterfly, running to catch that flower, playing with mud, rolling in the sand. From everywhere the Divine is touching the child. If you can live in wonder you will be capable of celebration. Don't live in knowledge, live in wonder. Life is surprising; everywhere, it is a continuous surprise. Live it as a surprise, an unpredictable phenomenon: every moment is new. Just try, give it a try! You will not lose anything if you give it a try, and you may gain everything. But you have become addicted to misery. You cling to your misery as if it is something very precious. You become cruel because you don't know how to become compassionate. It is a negative state. The same energy that is cruelty will become compassion. With an unalert mind the energy becomes violence; with an alert mind the same energy becomes compassion. In sleep the same energy becomes torture, either of yourself or of somebody else. When you are awake, the same energy becomes love, for yourself and for others also. You are already where you need to be, you are already in that space which you are seeking. Just make a little effort to come out of your clinging to misery. Don't invest in misery; invest in celebration. You take one step towards life and life takes one thousand towards you.
Osho (Yoga: The Alpha and the Omega Volume 4)
The village square teemed with life, swirling with vibrant colors and boisterous chatter. The entire village had gathered, celebrating the return of their ancestral spirit. Laughter and music filled the air, carrying with it an energy that made Kitsune smile. Paper lanterns of all colors floated lazily above, their delicate glow reflecting on the smiling faces below. Cherry blossoms caught in the playful breeze, their sweet, earthy scent settling over the scene. At the center, villagers danced with unbridled joy, the rhythm of the taiko drums and the melody of flutes guiding their steps. To the side, a large table groaned under the weight of a feast. Sticky rice balls, steamed dumplings, seaweed soup, sushi, and more filled the air with a mouthwatering aroma. As she approached the table, she was greeted warmly by the villagers, who offered her food, their smiles genuine and welcoming. She filled a plate and sat at a table with Goro and Sota, overlooking the celebration. The event brought back a flood of memories of a similar celebration from her childhood—a time when everything was much simpler and she could easily answer the question who are you? The memory filled her heart with a sweet sadness, a reminder of what she lost and what had carved the road to where she was now. Her gaze fell on the dancing villagers, but she wasn’t watching them. Not really. Her attention was fully embedded in her heart ache, longing for the past, for the life that was so cruelly ripped away from her. “I think... I think I might know how to answer your question,” she finally said, her voice soft and steady, barely audible over the cacophony of festivity around them. “Oh?” Goro responded, his face alight with intrigue. “I would have to tell you my story.” Kitsune’s eyes reflected the somber clouds of her past. Goro swallowed his bite of food before nodding. “Let us retire to the dojo, and you can tell me.” They retreated from the bustling square, leaving behind the chaos of the celebration. The sounds of laughter and chatter and drums carried away by distance. The dojo, with its bamboo and sturdy jungle planks, was bathed in the soft luminescence of the moonlight, the surface of its wooden architecture glistening faintly under the glow. They stepped into the silent tranquility of the building, and Kitsune made her way to the center, the smooth, cool touch of the polished wooden floor beneath her providing a sense of peace. Assuming the lotus position, she calmed herself, ready to speak of memories she hadn’t confronted in a long time. Not in any meaningful way at least. Across from her, Goro settled, his gaze intense yet patient, encouraging her with a gentle smile like he somehow already understood her story was hard to verbalize.
Pixel Ate (Kitsune the Minecraft Ninja: A middle-grade adventure story set in a world of ninjas, magic, and martial arts)
Because I like you,” she blurted out, and realized that for once it was true. It was a rather unsettling revelation. “You’re . . . , well, you.” Not just a body on a balcony, not just a pair of lips to blot out boredom, but Alex, Alex who argued with her and watched out for her and woke absurdly early in the mornings to ride with her every day, whether he had the time to do so or not. Perhaps this wasn’t such a good idea after all. Alex didn’t seem to think so, either. His dark eyes were intent on her face, watching her in that way of his, as though he were learning her from the inside out, peering into every little dark nook and cranny of her soul. There were plenty of those to choose from. Dark nooks were one of Penelope’s specialties. He might have wanted her last night, in the still of the bungalow, with the lingering scent of moonflowers on the breeze, but not in daylight, when he saw her again for what she was, brash, impetuous, with her face gone unfashionably tan and curry stains on her habit. He was undoubtedly mustering the words with which to turn her down politely. Penelope suddenly, very desperately, didn’t want to hear them. She jumped to her feet, leaning over to gather up the empty tins. “Or we can just ride on,” she said brusquely, not looking at him. A lean brown hand closed around her wrist. Penelope regarded it blankly, as though not quite sure what it was doing there, alien against the white lace frill of her sleeve. Slowly, her breath catching somewhere in the vicinity of her corset, she lifted her eyes to Alex’s face. What she saw banished any doubts she might have had. In his eyes blazed a reflection of the desire she felt in her own. Nothing more needed to be said. Without a word, he drew her down beside him on the blanket, the blanket that had seemed so prosaic only moments before, but now presented the prospect of a host of exotic and illicit possibilities. Penelope plunked down hard on her knees, catching at his shoulders for balance as she tilted her head down to kiss him, enjoying the unusual advantage of height. “Are you sure?” he murmured, his teeth tugging at her earlobe, even as his hands moved intimately up and down her torso. In answer, Penelope pushed hard at his shoulders, sending him toppling back onto the blanket, narrowly missing sheer disaster with a fork. She followed him down, bracing herself on her elbows and scattering kisses across his upturned face as he busied himself with the buttons on her riding jacket. The fabric parted, and his hands slid beneath, burning through the linen of her blouse, drawing her down on top of him with drugging kisses that made the noon sky dim to dusk and the rustling of the tree leaves blur in her ears. Penelope wriggled her hands beneath his shirt, feeling the hard edges of muscle beneath, delighting in the way they contracted with each labored breath, with a flick of her tongue against the hollow of his throat and an exploratory expedition taken by her lips along his collarbone.
Lauren Willig (The Betrayal of the Blood Lily (Pink Carnation, #6))
DEAR CHILD Please to fancy, if you can, that you are reading a real letter, from a real friend whom you have seen, and whose voice you can seem to yourself to hear wishing you, as I do now with all my heart, a happy Easter. Do you know that delicious dreamy feeling when one first wakes on a summer morning, with the twitter of birds in the air, and the fresh breeze coming in at the open window – when, lying lazily with eyes half-shut, one sees as in a dream green boughs waving, or water rippling in a golden light? It is a pleasure very near to sadness, bringing tears to one’s eyes like a beautiful picture or poem. And is not that a Mother’s gentle hand that undraws your curtains, and a Mother’s sweet voice that summons you to rise? To rise and forget, in the bright sunlight, the ugly dreams that frightened you so when all was dark – to rise and enjoy another happy day, first kneeling to thank that unseen Friend, who sends you the beautiful sun? Are these strange words from a writer of such tales as ‘Alice’? And is this a strange letter to find in a book of nonsense? It may be so. Some perhaps may blame me for thus mixing together things grave and gay; others may smile and think it odd that any one should speak of solemn things at all, except in church and on Sunday: but I think – nay, I am sure – that some children will read this gently and lovingly, and in the spirit of which I have written it. For I do not believe God means us thus to divide life into two halves – to wear a grave face on Sunday, and to think it out-of-place to even so much as mention Him on a week-day. Do you think He cares to see only kneeling figures, and to hear only tones of prayer – and that He does not also love to see the lambs leaping in the sunlight, and to hear the merry voices of the children, as they roll among the hay? Surely their innocent laughter is as sweet in His ears as the grandest anthem that ever rolled up from the ‘dim religious light’ of some solemn cathedral? And if I have written anything to add to those stories of innocent and healthy amusement that are laid up in books for the children I love so well, it is surely something I may hope to look back upon without shame and sorrow (as how much of life must then be recalled!) when my turn comes to walk through the valley of shadows. This Easter sun will rise on you, dear child, feeling your ‘life in every limb’, and eager to rush out into the fresh morning air – and many an Easter-day will come and go, before it finds you feeble and gray-headed, creeping wearily out to bask once more in the sunlight – but it is good, even now, to think sometimes of that great morning when the ‘Sun of Righteousness shall arise with healing in his wings’. Surely your gladness need not be less for the thought that you will one day see a brighter dawn than this – when lovelier sights will meet your eyes than any waving trees or rippling waters – when angel-hands shall undraw your curtains, and sweeter tones than ever loving Mother breathed shall wake you to a new and glorious day – and when all the sadness, and the sin, that darkened life on this little earth, shall be forgotten like the dreams of a night that is past! Your affectionate friend, LEWIS CARROLL Easter, 1876
Lewis Carroll (Alice’s Adventures in Wonderland / Through the Looking-Glass)
Orion threw a grin back at me as headed to the bar, ducking behind it. “What would madam like?” he asked in a formal tone which was a damn good impression of the Acruxes' butler. I giggled hurrying over to take a stool in front of the bar and placing my clutch down, relishing the cool breeze against my burning neck. “Hmm...a Manhattan?” I teased and he cocked his head. “I'm afraid we're fresh out of bullshit, how about a white wine spritzer with a tiny umbrella in it?” I laughed, nodding eagerly as he made up my drink then poured himself a measure of bourbon. He held it out for me and I leaned across the bar to take it. As I took hold of the glass, he didn't let go and I gazed up at him under my lashes questioning why. “Have I told you have exceptionally beautiful you look tonight, Darcy?” Darcy. He'd said my name. For the first time ever. And why did it sound like so much more than a name when he spoke it? It was like he'd fired an arrow and it had punctured a flesh wound in me at the exact same moment. Hell. I needed to get over this guy. Why was I so caught up on him? Unavailable, that's what it was. We always want what we can't have and Professor Orion was off limits. Simple as that. And those muscles. And the beard. And the dark eyes. And the dimple. But that was it. “That's the first I've heard of it, Professor,” I whispered, unable to make my voice rise any louder. “Don't do that,” he grunted, releasing the drink. I eyed him curiously as he walked around the bar with his bourbon in hand. He took the stool beside mine, his arm butting up against me. “Do what?” I asked, swivelling around to face the pool and taking a sip of my spritzer. It fizzed on my tongue and sent a deep kick of heat through my chest. “You know what.” “You're very presumptuous, Orion. You think I'm far more aware of your chaotic way of thinking than I really am.” I sipped my drink again, spying on him from the corner of my eye. He took a swig of his own drink and the familiar waft of bourbon drifted over me, tingling my senses. It was becoming a trigger, like the moment I walked into his office and he uncorked a bottle, it made me want to taste it on his mouth. And then that led to me wondering whether his fangs would brush my tongue when we kissed, and that always led to me mentally undressing him, then me conjuring an image of what those muscles looked like beneath that shirt... “I have something for you,” he said and I turned, blinking out of my dark fantasy. “You do?” He nodded, reaching into his inside pocket and taking out my coil of blue hair. My heart combusted and a choked noise escaped me. I reached for it and he slid it onto my wrist. He kept my hand in his, his eyes downcast as they remained on the band of hair. “I want you to know, I believe you would have gotten this back yourself when you were ready. But I took a lot of pleasure in retrieving it for you all the same.” I stared at him in complete shock, unsure what to say, my tongue tied in knots. “But Fae don't fight battles for other Fae,” I blurted, completely astonished that his actions that day had been to take this back from Seth. For me. And nothing else. He finished his drink and planted the glass on the bar, rising to his feet. He didn't reply to what I'd said and I barely even remembered what it was as he started pulling his clothes off. “Err, what are you doing?” I half laughed as he shed his jacket and kicked off his shoes, pulling off his socks. Oh my god. “I hate parties, but I like swimming.” He started undoing the buttons of his shirt and thought his back was to me, I was still captivated as he dropped it to the floor like a silken sheet. My eyes scraped down his skin to where his muscles etched an upside down v into his lower back, disappearing beneath his waistband. His shoulders were tanned and heavenly broad, making me long to explore all of those muscles with my hands.(Darcy)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
Not liking to think of him so, and wondering if they had guessed at dinner why he suddenly became irritable when they talked about fame and books lasting, wondering if the children were laughing at that, she twitched the stockings out, and all the fine gravings came drawn with steel instruments about her lips and forehead, and she grew still like a tree which has been tossing and quivering and now, when the breeze falls, settles, leaf by leaf, into quiet. It didn't matter, any of it, she thought. A great man, a great book, fame—who could tell? She knew nothing about it. But it was his way with him, his truthfulness—for instance at dinner she had been thinking quite instinctively, If only he would speak! She had complete trust in him. And dismissing all this, as one passes in diving now a weed, now a straw, now a bubble, she felt again, sinking deeper, as she had felt in the hall when the others were talking, There is something I want—something I have come to get, and she fell deeper and deeper without knowing quite what it was, with her eyes closed. And she waited a little, knitting, wondering, and slowly rose those words they had said at dinner, "the China rose is all abloom and buzzing with the honey bee," began washing from side to side of her mind rhythmically, and as they washed, words, like little shaded lights, one red, one blue, one yellow, lit up in the dark of her mind, and seemed leaving their perches up there to fly across and across, or to cry out and to be echoed; so she turned and felt on the table beside her for a book. And all the lives we ever lived And all the lives to be, Are full of trees and changing leaves, she murmured, sticking her needles into the stocking. And she opened the book and began reading here and there at random, and as she did so, she felt that she was climbing backwards, upwards, shoving her way up under petals that curved over her, so that she only knew this is white, or this is red. She did not know at first what the words meant at all. Steer, hither steer your winged pines, all beaten Mariners she read and turned the page, swinging herself, zigzagging this way and that, from one line to another as from one branch to another, from one red and white flower to another, until a little sound roused her—her husband slapping his thighs. Their eyes met for a second; but they did not want to speak to each other. They had nothing to say, but something seemed, nevertheless, to go from him to her. It was the life, it was the power of it, it was the tremendous humour, she knew, that made him slap his thighs. Don't interrupt me, he seemed to be saying, don't say anything; just sit there. And he went on reading. His lips twitched. It filled him. It fortified him. He clean forgot all the little rubs and digs of the evening, and how it bored him unutterably to sit still while people ate and drank interminably, and his being so irritable with his wife and so touchy and minding when they passed his books over as if they didn't exist at all. But now, he felt, it didn't matter a damn who reached Z (if thought ran like an alphabet from A to Z). Somebody would reach it—if not he, then another. This man's strength and sanity, his feeling for straight forward simple things, these fishermen, the poor old crazed creature in Mucklebackit's cottage made him feel so vigorous, so relieved of something that he felt roused and triumphant and could not choke back his tears. Raising the book a little to hide his face, he let them fall and shook his head from side to side and forgot himself completely (but not one or two reflections about morality and French novels and English novels and Scott's hands being tied but his view perhaps being as true as the other view), forgot his own bothers and failures completely in poor Steenie's drowning and Mucklebackit's sorrow (that was Scott at his best) and the astonishing delight and feeling of vigour that it gave him.
Virginia Woolf (To the Lighthouse)
He stopped and turned around, smiling at me for the first time. “All right, do tell me, please, which of the two is greater, do you think: the Prophet Muhammad or the Sufi Bistami?” “What kind of a question is that?” I said. “How can you compare our venerated Prophet, may peace be upon him, the last in the line of prophets, with an infamous mystic?” A curious crowd had gathered around us, but the dervish didn’t seem to mind the audience. Still studying my face carefully, he insisted, “Please think about it. Didn’t the Prophet say, ‘Forgive me, God, I couldn’t know Thee as I should have,’ while Bistami pronounced, ‘Glory be to me, I carry God inside my cloak’? If one man feels so small in relation to God while another man claims to carry God inside, which of the two is greater?” My heart pulsed in my throat. The question didn’t seem so absurd anymore. In fact, it felt as if a veil had been lifted and what awaited me underneath was an intriguing puzzle. A furtive smile, like a passing breeze, crossed the lips of the dervish. Now I knew he was not some crazy lunatic. He was a man with a question—a question I hadn’t thought about before. “I see what you are trying to say,” I began, not wanting him to hear so much as a quaver in my voice. “I’ll compare the two statements and tell you why, even though Bistami’s statement sounds higher, it is in fact the other way round.” “I am all ears,” the dervish said. “You see, God’s love is an endless ocean, and human beings strive to get as much water as they can out of it. But at the end of the day, how much water we each get depends on the size of our cups. Some people have barrels, some buckets, while some others have only got bowls.” As I spoke, I watched the dervish’s expression change from subtle scorn to open acknowledgment and from there into the soft smile of someone recognizing his own thoughts in the words of another. “Bistami’s container was relatively small, and his thirst was quenched after a mouthful. He was happy in the stage he was at. It was wonderful that he recognized the divine in himself, but even then there still remains a distinction between God and Self. Unity is not achieved. As for the Prophet, he was the Elect of God and had a much bigger cup to fill. This is why God asked him in the Qur’an, Have we not opened up your heart? His heart thus widened, his cup immense, it was thirst upon thirst for him. No wonder he said, ‘We do not know You as we should,’ although he certainly knew Him as no other did.
Elif Shafak (The Forty Rules of Love)
Knowing yourself as the Presence - the Power which moves and creates worlds - this is ABUNDANCE. It is that which exists in your open heart. Your willingness to hold a space, to allow everything to unfold, to be. It is that which feels like freshness of a morning and of the afternoon breeze. Like the sun warming your face. Abundance is meeting others in the sunny field of honesty and vulnerability. It is feeling like you are always Home - in yourself - no matter what happens. Abundance is simplicity. It is kindness. It feels like a sunrise - fresh, open, awake. You are rich, my friend! You are rich!
Adapted from Jeff Foster
I spent that night lying next to her in the cool of a summer breeze. I watched her drift and dream next to me, while I harnessed the weight of a thousand feelings alongside her. Her face glowed as she slept, as if she could not be any happier. Something profound happened that night, and I did not know what it was. All I knew was that something had changed. It was in the way she gazed at me, in the way her fingers would seek out the comfort of my hands. In retrospect, maybe it was that she had fallen in love for the first time, even though she had yet to say so. But as with all things beautiful, words merely got in the way. So, I didn’t care for them. I felt it in her presence that what we shared went beyond the effable, beyond what could be written about. It was the infinite space between the unspoken I-love-yous that resounded so clearly all around us. When the gods finally lit the stars for the night, and the moon had slipped into oblivion, I watched little rays of starlight twirl in full-bodied color on her celestial face. I wanted to stretch out my hands and caress her, to take hold of her and say, “Where you go, I will go, and where you stay, I will stay. Your people will be my people, and your God my God.” Like Jacob wrestling that terrible angel, I, too, wanted to grasp her—if only for a temporal second—so that I could encounter the divine. But I dared not disturb what was sacred, so I let her sleep.
Moses Yuriyvich Mikheyev (Strange Deaths of the Last Romantic)
Tell me, gentle flowers, teardrops of the stars, standing in the garden, nodding your heads to the bees as they sing of the dews and the sunbeams, are you aware of the fearful doom that awaits you? Dream on, sway and frolic while you may in the gentle breezes of summer. To-morrow a ruthless hand will close around your throats. You will be wrenched, torn asunder limb by limb, and borne away from your quiet homes. The wretch, she maybe be passing fair. She may say how lovely you are while her hands are still moist with your blood. Tell me, will this be kindness? It may be your fate to be imprisoned in the hair of one whom you know to be heartless or to be thrust into the buttonhole of one who would not dare to look you in the face were you a man. It may even be your lot to be confined in some narrow vessel with only stagnant water to quench the maddening thirst that warns of ebbing life.
Kazuko Okakura
It’s a comfort, telling yourself there’s some big right thing out there. That you could seek some wise old bastard in the mountains who’s got the answer. Then there’d be no need for doubts and regrets.” He looked sideways, sunlight glinting off his metal eye. “But far as I can tell it ain’t that simple. Right things, wrong things, well… it’s all a matter of where you stand. Every choice is good for some, bad for others. And once you’re chief, you can’t just do what’s good for you, or those you love. You have to find what’s best for most. Worst for fewest. Like your father tried to, and with no magic eye to see the outcome.” He sat back, one leg stretched out, and looked towards the sea, breeze stirring the grey hair about his craggy face. “Doubts and regrets, they’re the cost of casting a shadow. The only folk without ’em are the dead. For what it’s worth, I’d say you did the best you could.
Joe Abercrombie (The Wisdom of Crowds (The Age of Madness #3))
Life's a melody, a symphony of highs, Once so happy, now rollercoaster skies. Unpredictable, like whispers in the breeze, A journey through time, an odyssey of unease. Hold your decisions, let not the winds sway, For it's your right to stand firm and say, In the dance of chaos, in the cosmic play, Wait and watch, let not resolve decay. Life's capricious, like a fickle tide, But within you, a power to abide. Be positive, face the storm with pride, For in the chaos, dreams will not hide. Creator of destiny, author of your tale, In the crucible of struggle, where dreams prevail. Compromise not with dreams, let them set sail, You're the brightest star, let the world exhale. Struggle, a chapter, God's narrative grand, Your story, the echo, across the land. Known by the world, your destiny's hand, A tale that weeps, where dreams withstand. Fear not the struggle, be a rebel true, Not for the world, but for the "you." Ask daily, are you living your dream in view, In this one life, make your dreams breakthrough. Be the positive force in the universe's scheme, As I write this, I feel the motivation gleam. Creating a story, a powerful beam, Hold your promise, let your dreams redeem. You possess the power to dismantle the night, A force within, burning bright. Destiny's architect, shaping with might, Hold your dream, set the universe alight.
Manmohan Mishra (Self Help)
[S]he will be the warm breeze on your face; the solid ground beneath you; she will be the joyous sunrise; the quiet sunset; she will be the warmth in your heart; the song in your voice. She will be what you let her, a constant of peace.
Kelleen Goerlitz (The Complete Works of a Lost Girl)
It was never a matter of “how” I did things. I’m sure any parent would do the same. Single parenting isn’t just being the only one to take care of your kid. It’s not about being able to “tap out” for a break or tag team bath- and bedtime; those were the least of the difficulties I faced. I had a crushing amount of responsibility. I took out the trash. I brought in the groceries I had gone to the store to select and buy. I cooked. I cleaned. I changed out the toilet paper. I made the bed. I dusted. I checked the oil in the car. I drove Mia to the doctor, to her dad’s house. I drove her to ballet class if I could find one that offered scholarships and then drove her back home again. I watched every twirl, every jump, and every trip down the slide. It was me who pushed her on the swing, put her to sleep at night, kissed her when she fell. When I sat down, I worried. With the stress gnawing at my stomach, worrying. I worried that my paycheck might not cover bills that month. I worried about Christmas, still four months away. I worried that Mia’s cough might become a sinus infection that would keep her out of day care. I worried that Jamie’s behavior was escalating, that we would get in a fight, that he would go back on his offer to pick her up at day care that week just to make it difficult for me. I worried that I would have to reschedule work or miss it altogether. Every single parent teetering on poverty does this. We work, we love, we do. And the stress of it all, the exhaustion, leaves us hollowed. Scraped out. Ghosts of our former selves. That’s how I felt for those few days after the accident, like I wasn’t fully connected to the ground when I walked. I knew that at any moment, a breeze could come and blow me away.
Stephanie Land (Maid: Hard Work, Low Pay, and a Mother's Will to Survive)
Paul went to pick him up at the train station, but they must have failed to meet because Rimbaud came on his own, on foot. I expected him to be similar to my beloved romantic poets. Beautiful and childishly pure like Alfred de Musset. Or divinely handsome like Lamartine, with the appearance of a Greek god. Or manly and strikingly comely like Chateaubriand, gazing at the sea as the breeze blows his long curls of hair. As a young girl, I was in love with the poetry of our bards and their portraits. Meanwhile, here in front of our well-kept house, I saw a sloppy rascal in tattered clothes, with disheveled hair, a sweaty face, and no luggage! I was itching to ask: and where is your Sunday garb? A change of underwear? Toothbrush, clothes brush, shoe brush, handkerchief, comb? Well, call me overly idealistic, but I genuinely believed that a normal person couldn’t do without these things.
Dariusz Radziejewski (Adieu, Rimbaud!)
Walking mindfulness practice: In his book Peace Is Every Step, Thich Nhat Hanh (1992) describes a walking mindfulness practice. You walk at a slower pace than usual. When you put your foot down, focus on how your feet feel on the earth, and how the sun and breeze feel on your face. If you see something pleasant, like a tree, just stop and observe it. When you put your other foot down, refocus all over again. This is a great practice for someone with a particularly active and jumpy mind.
Stephanie Sarkis (Gaslighting: Recognize Manipulative and Emotionally Abusive People—and Break Free)
What's this? Must I be held enthralled Again, cruel skies, to fleeting dreams Of grandeur Time will surely mock? Must I again be forced to glimpse Amid the shadows and the fog The majesty and faded pomp That waft inconstant on the wind? Must I again be left to face Life's disillusion or the risks To which man's limits are exposed From birth and never truly end? This cannot be. It cannot be. Behold me here, a slave again To fortune's whims. As I have learned That life is really just a dream, I say to you, false shadows, Go! My deadened senses know your schemes, To feign a body and a voice When voice and body both are shams. I've no desire for majesty That's phony or for pompous flam, Illusions of sheer fantasy That can't withstand the slightest breeze And dissipate entirely like The blossoms on an almond tree That bloom too early in the spring Without a hint to anyone. The beauty, light, and ornament Reflecting from their rosy buds Fade all too soon; these wilt and fall When but the gentlest gusts blow by. I know you all too well, I do, To fancy you'd act otherwise Toward other souls who likewise sleep. So let this vain pretending cease; I'm disabused of all I thought And know now life is but a dream
Pedro Calderón de la Barca
The air, it strikes against my frame, A whispering breeze in my ear's domain. Your voice, it calls from afar, Am I dreaming or seeing the abyss's spar? A choice to face, a breath I claim, My fingers dance, is this fear's game? The view, it pleases, dare I say? I peer below, then step away, to stay.
Akahito
MY LOVE FOR YOU November 5, 2024 at 10:41 AM Verse 1: In the morning light, your face is my dawn Every smile you give, it’s where I belong With every beat of my heart, every whisper of the breeze My love for you, it’s all I need Chorus: My love for you, it’s a never-ending tale Through the highs and lows, it will never fail With every star in the sky, and the oceans so blue My love for you, forever true Verse 2: In the quiet of the night, with the moon shining bright In your arms, I find my light With every touch, every glance we share My love for you, beyond compare Chorus: My love for you, it’s a never-ending tale Through the highs and lows, it will never fail With every star in the sky, and the oceans so blue My love for you, forever true Bridge: Through the storms of life, we’ll stand strong With your hand in mine, where we belong With a love so deep, and a bond so tight We’ll face the world, in the morning light Verse 3: Every laugh, every tear, we’ve shared through the years In your love, I find no fears With every dream we chase, every hope we find My love for you, it’s one of a kind Chorus: My love for you, it’s a never-ending tale Through the highs and lows, it will never fail With every star in the sky, and the oceans so blue My love for you, forever true Outro: So here’s to us, my heart and soul With you, my love, I am whole With every beat, my love grows anew My love for you, forever true
James Hilton-Cowboy
Turn around,” Caleb said gently when she didn’t speak, “and I’ll wash your back for you.” The experience sounded too pleasant to refuse, and Lily shifted until she was kneeling, facing away from Caleb. The breeze made her nipples stand taut, and she was glad he couldn’t see. “I have another bone to pick with you,” she said as he began a delicious process of washing and massage combined. “Umm?” There had been so many things happening that Lily hadn’t had a chance to pursue this particular subject. “Charlie Fast Horse.” Caleb’s tone was sober. “Oh.” “Yes,” Lily said, looking back over one soapy shoulder, “oh. Caleb Halliday, that was a nasty trick you pulled, pretending that Mr. Fast Horse might buy me for two horses and carry me off to his camp. I was terrified.” He began rinsing away the soap, and when he spoke he didn’t sound the least bit contrite. “It wasn’t prearranged, if that’s what you think. Charlie and his friends just happened by, and there was sort of a tacit agreement to have a little fun with you. You must know that I wouldn’t let anybody hurt you.” Lily
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
Yes, I agreed to marry the prince so that you could have your independence. Yes, I was Tensen’s spy. Yes, I loved you.” There was a silence. Fireflies lit the distance. “Why didn’t I say that then? I wonder what would have happened if I had.” And now? he wanted to ask. Do you love me now? He felt her uncertainty. He felt--as if it had already happened, and he’d already asked--the damage of forcing the question. She spoke as if she’d heard it anyway. “You are important to me,” she said, and touched his face. Important. The word swelled and deflated. More than he’d thought. Less than he wanted. But this: her touching him. How his blood jumped. He stayed very still. No more mistakes. He couldn’t afford any. He would do nothing. Something. No. She found the curves of his closed eyelids, the shape of his nose, the divot above his mouth, the rasp along his jaw where he hadn’t shaved. His skin began to dream. Then his pulse. His flesh. Right down to the bones. She shifted on the grass. Green and orange perfumed the air. It was on her skin. She tasted like it, too, when her mouth brushed his, and their noses bumped awkwardly, and he wished he could see her as she breathed a laugh and his hands went into her hair despite himself, despite what he’d told her the night before he’d left his home about what was enough and what wasn’t. The tang of citrus on her tongue. He forgot himself. He moved her beneath him and felt their bodies mark the grass. A fluffy breeze stirred the heavy air, floating over the arch of his back. She tugged up his shirt and he went down onto his elbows. The hilt of her dagger dug into his belly. He stayed where he was, her palms warm water flowing over his skin. He didn’t want to make a sound. Even his blood seemed loud as he kissed her. Then a campfire lit the near dark. Startled, he pulled away. He could see her face better now. Slow eyes, a blurry mouth, and a question stealing across her expression. He’d imagined this before, or something close to it. Close enough, he decided, but then had the sudden worry that if before she had come to him in his suite because she had wanted to remember, maybe this time, knowing what she knew now, he was just a way for her to forget. He pushed himself up. He heard a rustle as she sat up, too, and wrapped her arms around her trousered knees. He kept his eyes off her. He straightened his shirt, but it felt odd, like it didn’t fit him anymore. The sticky air cooled between them. He pushed damp hair off his brow. His limbs--so certain of themselves only moments ago--became an awkward jumble. Kestrel said, “Will you tell me about the day we met?” This was unexpected. “It wasn’t a nice day.” “I want to know everything from then until now.” Still unsure, Arin said, “But you haven’t before.” “I trust you. You won’t lie to me.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Obama wore a dark-gray suit and a burgundy tie. Behind him, rippling in a gentle breeze, were more American flags than Maria could count. Speaking slowly, pausing after each phrase, Obama said: “If there is anyone out there who still doubts that America is a place where all things are possible, who still wonders if the dream of our founders is alive in our time, who still questions the power of our democracy—tonight is your answer.” Little Marga came up to Maria where she sat on the couch. “Granny Maria,” she said. Maria lifted the child onto her lap and said: “Hush, now, baby, everyone wants to listen to the new president.” Obama said: “It’s the answer spoken by young and old, rich and poor, Democrat and Republican, black, white, Hispanic, Asian, Native American, gay, straight, disabled and not disabled—Americans who sent a message to the world that we have never been just a collection of individuals, or a collection of red states and blue states: we are, and always will be, the United States of America.” “Granny Maria,” Marga whispered again. “Look at Granddad.” Maria looked at her husband, George. He was watching the television, but his lined brown face was streaming with tears. He was wiping them away with a big white handkerchief, but as soon as he dried his eyes the tears came again. Marga said: “Why is Granddad crying?” Maria knew why. He was crying for Bobby, and Martin, and Jack. For four Sunday school girls. For Medgar Evers. For all the freedom fighters, dead and alive. “Why?” Marga said again. “Honey,” said Maria, “it’s a long story.
Ken Follett (Edge of Eternity (The Century Trilogy, #3))
Eos glided next to Alistair and touched his face with both hands. “You conquered your temper, dear boy. And most importantly, you’ve earned the trust of your citizens once more. You will be every bit the ruler your mother and father were during their time in this world. Be good to these two girls, or I shall return.” “I swear on all that I have,” Alistair vowed. “I’ll be good to… these two?” Eos cracked a big smile and faded away with the docile breeze, the wind rustling Ana’s hair.
Vivienne Savage (Beauty and the Beast (Once Upon a Spell, #1))
Pressing a hand to her chest, Loretta glanced down in bewilderment. She had been so sure…Laughter bubbled up her throat. Aunt Rachel had missed? She never missed when she could draw a steady bead on a still target. Loretta’s throat tightened. The Comanche. She looked up, confusion clouding her blue eyes. He had shielded her with his own body? Waving his friends away, Hunter hunkered down and scooped a handful of dirt, pressing it to the shallow cut on his shoulder. Loretta stared at the blood trailing down his arm. If not for his quick thinking, it could have been her own. Survival instinct and common sense warred within her. She knew death might be preferable to what was in store for her, but she couldn’t help being glad she was alive. As if he felt her staring at him, the Comanche lifted his head. When his eyes met hers, the fury and loathing in them chilled her. He stood and jerked the feathers from his braid, wrapping them in his shirt. Never taking his gaze off her, he stuffed the bundle into a parfleche hanging from his surcingle. “Keemah,” he growled. Uncertain what he wanted and afraid of doing the wrong thing, Loretta stayed where she was. He caught her by the arm and hauled her to her feet. “Keemah, come!” He gave her a shake for emphasis, his eyes glittering. “Listen good, and learn quick. I have little patience with stupid women.” Grasping her waist, he tossed her on the horse and scooted her to the back of the blanket saddle. The hem of her nightgown rode high. She could feel all the men staring at her. Had he no decency? With trembling hands, she tugged at the gown and tried to cover her thighs. There wasn’t enough material to stretch. And it was so thin from years of wear, it was nearly transparent. The morning breeze raised gooseflesh on her naked arms and back. With a grim set to his mouth, her captor opened a second parfleche, withdrawing a length of braided wool and a leather thong. Before she realized what he was about to do, he knotted the wool around one of her ankles, looped it under his horse’s belly, and swiftly bound her other foot. “We must ride like the wind!” he yelled to the others. “Meadro! Let’s go!” The other men ran for their horses. Grasping the stallion’s mane, Hunter vaulted to its back and settled himself in front of her. When he reached for her arms and pulled them around him, she couldn’t stifle a gasp. Her breasts were flattened against his back. “Your woman does not like you, cousin,” someone called in English. Loretta turned to see who spoke and immediately recognized the brave who had encouraged Hunter to kill her that first day. His scarred face was unforgettable. He flashed her a twisted smile that seemed more a leer, his black eyes sliding insolently down her body to rest on her naked thighs. Then he laughed and wheeled his chestnut horse. “She won’t be worth the trouble she will make for you.” Hunter glanced over his shoulder at her. The fiery heat of his anger glowed like banked embers in his eyes. “She will learn.” With an expertise born of long practice, he lashed her wrists together with the leather. “She will learn quick.
Catherine Anderson (Comanche Moon (Comanche, #1))
Dawn came in wisps of pink against a blue-gray sky. Through the trees, shafts of misty sunlight formed luminous motes of warmth along the river. Birds sang. Squirrels chattered. The low rush of the water was ceaseless. Loretta woke slowly, aware before she opened her eyes that something was horribly wrong. Amy wasn’t this big. The arm around her was hard and heavy, the warm hand that cupped her breast distinctly masculine. She frowned and wondered where the hairy blanket touching her cheek had come from. Where was the gray down quilt? Why did she hurt everywhere? Through the spikes of her eyelashes, she stared at a gnarled tree root. A breeze stirred the leaves overhead. The moldy floor of the forest blended its musty smell with the rich, tantalizing aroma of coffee. Then the sound of men’s voices drifted to her, the tones conversational, interspersed with an occasional chuckle. Friendly voices. Normal-sounding voices--except for one thing. She couldn’t understand the language. With a start, she remembered. Her sudden gasp of alarm woke the Comanche who held her in his arms. She knew without looking that it was Hunter, the most horrible. His hand tightened reflexively on her naked breast, and his arm hardened to steel around her. He grunted something and nuzzled her neck. Loretta’s first instinct was to grab his hand, but she no sooner tried than she realized that her own were bound behind her. He pressed his face against her hair and took a deep breath. She could tell he was only half-awake by the slow, lazy way he moved. His thumb grazed her nipple, teasing the sensitive tip into an unwilling response. Her body sprang taut as well, jerking with every flick of his fingers. He yawned and pressed closer. Oh, God, help me. Lowering his hand to her belly, he pressed his palm against her spasm-stricken muscles and kneaded away the tightness. She felt like a sensitive harp string, thrummed by expert fingers. Horrified by her body’s reaction, she tried to twist free, but he threw a damp, buckskin-clad leg over both of hers and pinned her to the fur. Her back stung each time she moved, the pain so sharp it made beads of sweat pop out on her brow. Her thighs felt as if they were on fire. “M-mm-m, you are still hot,” he mumbled. His hand lingered on her belly. “Not too bad where the sun did not touch, though. The fever is better.” No man had ever dared touch her like this. She tossed her head from side to side, strained to get her arms and legs free, then shuddered in defeat. “Do not fight.” His voice was so close, it seemed to come from within her own mind. “You cannot win, eh? Rest.” His sleepy whispers invaded her whole being, slow, hypnotic, persuasive. He rubbed her in a circular motion, pausing in sleep, then coming awake to rub some more. “Lie still. Trust this Comanche. It is for the burn, no? To heal your skin.
Catherine Anderson (Comanche Moon (Comanche, #1))
Your eyes say I lie when I call you my woman. This is not good. It is our bargain, eh?” He plucked a wisp of grass and ran it slowly between his fingers, watching her in a way that suggested he would soon touch her--just as slowly. “It was a promise you made for me, and now you make a lie of it? This is the way of your people, to say empty words. Penende taquoip, honey talk, eh? But it is not the way of the Comanche. If you make a lie, I will carve out your tongue and feed it to the crows.” The breeze caught his hair, draping strands of it across his chiseled features. For an instant, the knife slash that marred his cheek was hidden, and he seemed less formidable. Her attention was drawn to his lips, full and sharply defined, yet somehow hard, perhaps because of the rigid expression he always wore. Deep crevices bracketed his mouth--laugh lines, surely. Ah, yes, she could imagine him cutting out her tongue and smiling while he did it. “You do not like me too good. This is a sad thing, eh?” With a sweep of his hand, he indicated the world around them. “The sky is up, the earth is down. The sun shows its face, only to be chased away by Mother Moon. These things are for always, eh? Just as you are my woman. The song was sung long ago, and the song must come to pass. You must accept, Blue Eyes.” Loretta yearned to break eye contact but found she couldn’t. The silken threads of his deep voice wove a spell around her. She must accept? Already he was planning to give her away to his horrible cousin. She sank lower in the water, keeping her arms crossed to hide her breasts. Could he see through the ripples? Still studying her with the same unnerving intensity, he said, “When the wind blows, the sapling bends, the flowers lie low against the earth, the grass is flattened.” He thumped his chest with his fist. “I am your wind, Blue Eyes. Bend or break.
Catherine Anderson (Comanche Moon (Comanche, #1))
Alyssa shrugged. “I think we know the routine.” “You do, but there’s still a…stiffness because y’all aren’t completely comfortable with it, and it shows in your dancing.” Ashton held up a finger. “Everyone close your eyes, relax your shoulders, and just feel the breeze that’s blowing across the field right now.” Ashton closed her eyes and waved her arms around slowly. “You’re a tree, and the gentle wind is swaying your branches. Let it sway you.” What Ashton didn’t know was that no one did as she instructed. The girls and Patty stood there watching Ashton sway her arms. “Coach, you look like the inflatable tube man they have at the new carwash, and you’re scaring me,” Sophie said, looking disturbed. Ashton’s eyes flew open. “I better see some people doing the inflatable tube man pretty darn quick.” The girls all threw up their arms and flopped them around violently, and Ashton said, “Y’all are killing me. Show me how y’all would dance if you were at a party.” She covered her face with both hands when they all started twerking. “Okay, just stop. Gemma, run them through the moves again.” “What were you trying to accomplish with all that?” Patty asked with a grin. “I was trying to get them to loosen up,” Ashton said and glanced at her watch. “This day is creeping by.” “You should’ve dusted off your snake and showed them that. If you can do a smooth snake, you can make any dance move smooth. Check my snake.” Ashton shook her head. “That’s not a full-on snake. You have to roll your body from your head to your hips, use your neck like this.” “You were always better at this one than I was,” Patty said as she mimicked Ashton’s moves. “You couldn’t touch my Cabbage Patch though.” Ashton snorted. “That sounded so dirty. Come on, Patty, neck and shoulders, work them.” Ashton turned when the music stopped and realized the girls had stopped practicing to watch her and Patty. “What’re y’all doing?” Gemma asked with a laugh. “This is dancing,” Patty retorted. “Back in the day, we moved our entire bodies instead of rhythmically humping the air like y’all do. Tell you what, if y’all can learn to do the snake, I’ll buy y’all shakes at Molly’s.” Every girl on the team executed the dance move perfectly, and Gemma grinned. “Momma, we know old school moves.” Melody nodded. “Yeah, we know all those old-timey dances. Can we go to Molly’s now?” “What were you trying to accomplish with this plan?” Ashton asked Patty with a grin. “Apparently, bankruptcy.” ******* “How many times are you gonna change your clothes?” Jet asked that evening as she watched Shawna go back into her closet. Shawna groaned. “Everything I put on is pissing me off.” “Wear jeans and your light blue V-neck T-shirt. You’re just going to her house, you don’t have to dress up.” Jet sprawled out on Shawna’s bed and toyed with the TV remote.
Robin Alexander (Patty's Potent Potion)
Hunter was sitting under a brush arbor, tossing dice with several men, when Blackbird came tearing up the path between the lodges, screaming, “The yellow-hair! She’s back, Uncle! She’s back!” Accustomed as he was to Blackbird’s mischief, Hunter ignored her while he finished a throw. Then he swept the child onto his lap and growled like a bear, playfully biting her belly. He knew something was amiss when Blackbird didn’t let loose with her usual cackles of glee. “The yellow-hair! She’s come back!” Blackbird caught his face between her tiny hands so he had no choice but to look at her. “She isn’t moving. I think she’s waiting for you.” Hunter’s heart tripped. “If you’re teasing me, you little weasel, I’ll toss you into a prickly pear.” Blackbird’s eyes danced. “She’s here! Grandmother sent me to tell you. Nabone, look!” Hunter set the child aside and left the arbor. He shaded his brow against the sun. Up on the plateau, he could see the distinct silhouette of a white woman on a horse. As he walked up the path between the lodges, the breeze caught her hair and lifted it. Gold glinted in the sunshine.
Catherine Anderson (Comanche Moon (Comanche, #1))
I started going to jazz clubs in New York when I was twelve or thirteen, first with my older cousins Mike and Jack, and then later on my own. I remember seeing the mighty Count Basie band at a matinee at Birdland, with the great Sonny Payne on drums. When the whole band pumped out one of those thirteenth chords, you could feel the breeze on your face.
Donald Fagen (Eminent Hipsters)
I stood on a rise, overlooking the plague valley. Matthew was beside me. The last thing I remembered was crawling into my sleeping bag after the whiskey had hit me like a two-by-four to the face. Now my friend was here with me. “I’ve missed you. Are you feeling better?” How much was this vision taking out of him? “Better.” He didn’t appear as pale. He wore a heavy coat, open over a space camp T-shirt. “I’m so relieved to hear that, sweetheart. Why would you bring us here?” “Power is your burden.” I surveyed all the bodies. “I felt the weight of it when I killed these people.” “Obstacles multiply.” “Which ones?” A breeze soughed over the valley. “Bagmen, slavers, militia, or cannibals?” He held up the fingers of one hand. “There are now five. The miners watch us. Plotting.” “But miners are the same as cannibals, right?” He shuffled his boots with irritation. “Miners, Empress.” “Okay, okay.” I rubbed his arm. “Are you and Finn being safe?” His brows drew together as he gazed out. “Smite and fall, mad and struck.” I looked with him, like we were viewing a sunset, a beautiful vista. Not plague and death. “You’ve told me those words before.” “So much for you to learn, Empress. Beware the inactivated card.” One Arcana’s powers lay dormant—until he or she killed another player. “Who is it?” “Don’t ask, if you ever want to know.” Naturally, I started to ask, but he cut me off. “Do you believe I see far?” He peered down at me. “Do you believe I see an unbroken line that stretches on through eternity? Centuries ago, I told an Empress that a future incarnation of hers would live in a world of ash where nothing grew. She never believed me.” I could imagine Phyta or the May Queen surveying verdant fields and crops, doubting the Fool. “Now I tell you that dark days are ahead. Will you believe me?” “I will. I do. Please tell me what will happen. How dark?” “Darkest. Power is your burden; knowing is mine.” His expression turned pleading, his soft brown eyes imploring. “Never hate me.” I raised my hands, cradling his face. “Even when I was so mad at you, I never hated you.” “Remember. Matthew knows best.” He sounded like his mom—when she’d tried to drown him: Mother knows best, son. I dropped my hands. “It scares me when you say that.” “Do you know what you really want? I see it. I feel it. Think, Empress. See far.” I was trying! “Help me, then. I’m ready. Help me see far!” “All is not as it seems. What would you sacrifice? What would you endure?” “To end the game?” His voice grew thick as he said, “Things will happen beyond your wildest imaginings.” “Good things?” His eyes watered. “Good, bad, good, bad, good, good, bad, bad, good-bye. You are my friend.
Kresley Cole
Have you ever had a moment where you knew, beyond a shadow of a doubt, that you were in the right place? That you were on the right journey? Maybe the sense that you'd crossed a boundary, jumped a hurdle, and somehow, after facing some unconquerable mountain, found yourself suddenly on the other side of it? When the night was warm, and the wind was cool, and a song carried through the quiet streets around you. When you felt the entire world around you, and you were part of it - of the hum of it - and everything was good. Contentment, I suppose, is the simple explanation for it. But it seems more than that, thicker than that, some unity of purpose, some sense of being truly, honestly, for that moment, at home. Those moments never seem to last long enough. The song ends, the breeze stills, the worries and fears creep in again and you're left trying to move forward, but glancing back at the mountain behind you, wondering how you managed to cross it, afraid you really didn't - that the bulk and shadow over your shoulder might evaporate and re-form before you, and you'd be faced with the burden of crossing it again.
Chloe Neill (Some Girls Bite (Chicagoland Vampires, #1))
You want what your parents have, my lord,” Anna said, rising. “Children who refuse to marry—assuming they remain extant?” the earl shot back. “Your parents love each other,” Anna said, taking in the back gardens below as moonlight cast them in silvery beauty. “They love each other as friends and lovers and partners and parents.” She turned, finding him on his feet directly behind her. “That is why you will not settle for some little widgeon picked out by your well-meaning papa.” The earl took a step closer to her. “And what if I am in need, Anna Seaton, not of this great love you surmise between my parents but simply of some uncomplicated, lusty passion between two willing adults?” He took the last step between them, and Anna’s middle simply vanished. Where her vital organs used to reside, there was a great, gaping vacuum, a fluttery nothingness that grew larger and more dumbstruck as the earl’s hands settled with breathtaking gentleness on her shoulders. He slid his palms down her arms, grasping her hands, and easing her toward him. “Passion between two willing adults?” Anna repeated, her voice coming out whispery, not the incredulous retort she’d meant it to be. The earl responded by taking her hands and wrapping them around his waist then enfolding Anna against his body. She had been here before, she thought distractedly, held in his arms, the night breezes playing in the branches above them, the scent of flowers intoxicatingly sweet in the darkness. And as before, he caressed her back in slow, soothing circles that urged her more fully against him. “I cannot allow this.” Anna breathed in his scent and rested her cheek against the cool silk of his dressing gown. He shifted, easing the material aside, and her face touched his bare chest. She did not even try to resist the pleasure of his clean, male skin beneath her cheek. “You cannot,” he whispered, but it didn’t sound like he was agreeing with her. “You should not,” he clarified, “but perhaps, Anna Seaton, you can allow just a kiss, stolen on a soft summer evening.” Oh
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
It’s time,” Jack said. “Breeze? Count the kids,” Sam said. Brianna was back in twenty seconds. “Eighty-two, boss.” “About a third,” Jack observed. “A third of what’s left.” “Wait. Make that eighty-eight,” Brianna said. “And a dog.” Lana, looking deeply irritated—a fairly usual expression for her—and Sanjit, looking happy—a fairly usual expression for him—and Sanjit’s siblings were trotting along to catch up. “I don’t know if we’re staying up there or not,” Lana said without preamble. “I want to check it out. And my room smells like crap.” Just before the time was up, Sam heard a stir. Kids were making a lane for someone, murmuring. His heart leaped. “Hey, Sam.” He swallowed the lump in his throat. “Diana?” “Not expecting me, huh?” She made a wry face. “Where’s blondie? I didn’t see her at the big pep rally.” “Are you coming with us?” Brianna demanded, obviously not happy about it. “Is Caine okay with this?” Sam asked Diana. “It’s your choice, but I need to know if he’s going to come after us to take you back.” “Caine has what he wants,” Diana said. “Maybe I should call Toto over,” Sam said. The truth teller was having a conversation with Spidey. “I could ask you whether you’re coming along to spy for Caine, and see what Toto has to say.” Diana sighed. “Sam, I have bigger problems than Caine. And so do you, I guess. Because the FAYZ is going to do something it’s never done before: grow by one.” “What’s that mean?” “You are going to be an uncle.” Sam stared blankly. Brianna said a very rude word. And even Dekka looked up. “You’re having a baby?” Dekka asked. “Let’s hope so,” Diana said bleakly. “Let’s hope that’s all it is.
Michael Grant (Plague (Gone, #4))
Do you think they’ll ever be a place for us? I mean, do you think there’s a place for someone who lives under the radar, someone who has to pretend, someone who is a spy?” “Yes.” Daly said it with such confidence that I sat up in my bed, my cast dangling over the edge. “How do you know?” I asked. “There has to be. I don’t usually philosophize, but I do know one thing.” “What’s that?” “That even when we’re pretending, even when we’re hiding under wigs or accents or clothes that aren’t our style, we can’t hide our nature. Just like I knew from the moment I met you that you would choose this life. And just like I knew, when you told me about this mission, that you would agree to help the CIA find this girl. You would sacrifice yourself and your time with your brother to save someone. It’s just who you are.” “I’ve already messed things up, Daly. What if I’m not good enough? What if I can’t do it?” “That’s the thing, though. You’ll find a way.” I lay back again and buried the side of my face into my pillow. “I’m just not sure how.” “If you continue to think as you’ve always thought, you’ll continue to get what you’ve always got,” Daly said. I considered that. I wasn’t ready to give up. At least not yet. “That one is Itosu wisdom, in case you wondered.” I yawned into the phone. “It’s good advice.” “I’ll let you go. You should be resting. Don’t you have school in the morning?” He said the last part in a teasing tone. “Yeah, if I make it through another day at school. Maybe they’ll get rid of me—kick me out or something. You’d think I would have inherited some of my mom’s artistic genius.” “Can I give you one last bit of advice, Alex?” “Sure.” “Throw it all out the window.” “What?” I stared at my open window. A slight breeze blew the gauzelike drapes in and out as if they were a living creature. “Everything you’ve learned about art, the lines, the colors, the pictures in your head from other artists—just throw it all out. And throw out everything you’ve learned from books and simulations about being a good spy. Don’t try to be like someone else. Don’t force yourself to follow a set of rules that weren’t meant for you. Those work for 99.99% of the people.” “You’re telling me I’m the .01%?” I asked skeptically. “No, I’m telling you you’re not even on the scale.” Daly’s soft breathing traveled through the phone line. “With a mind like yours, you can’t be put in a box. Or even expected to stand outside it. You were never meant to hold still, Alex. You have to stack all the boxes up and climb and keep climbing until you find you. I’m just saying that Alexandra Stewart will find her own way.” The cool night air brushed the skin of my arm and I wished it was Daly’s hand instead. “You sure have a lot of wisdom tonight,” I told him. I expected him to laugh. Instead, the line went silent for a moment. “Because I’m not there. Because I wish I was.” His words were simple, but his message reached inside my heart and left a warmth—a warmth I needed. “Thank you, James.” “Take care, Alex.” I wanted to say more, to keep him at my ear just a little longer. Yet the words itching to break free couldn’t be said from over two thousand miles away. They needed to happen in person. I wasn’t going home until I found Amoriel. Which meant I had to complete this mission. Not just for Amoriel anymore. I had to do it for me. (page 143)
Robin M. King (Memory of Monet (Remembrandt, #3))
He'd drawn her as close as propriety allowed; her green skirts swished against his boots. She was all woman, soft and curvaceous, mere inches away; he grew harder simply at the thought. The breeze, wafting past, lifted her perfume to his face- honeysuckle, roses, and that indefinable scent that evoked every hunter's instinct he possessed. Abruptly, he cleared his throat. "Nothing happened last evening?" It was an effort to lift his voice from the gravelly depths to which it had sunk. "Nothing." Patience slanted him a sharp, slightly curious glance. "Distressingly, Edmond and Henry have reverted to their competitive worst. Stolen items, or the disposal of same, seemed exceedingly far from their minds. If either of them are the thief or the Spectre, I'll eat my new bonnet." Vane grimaced. "I don't think your new bonnet's in any danger." He studied the stylish creation perched atop her curls. "Is this it?" "Yes," Patience returned, somewhat waspishly. He could at least have noticed. "I thought it looked different." Vane flicked the cockade perched over her eyebrow- and met her gaze with a far-too-innocent look.
Stephanie Laurens (A Rake's Vow (Cynster, #2))
I knew you forever and you were always old, soft white lady of my heart. Surely you would scold me for sitting up late, reading your letters, as if these foreign postmarks were meant for me. You posted them first in London, wearing furs and a new dress in the winter of eighteen-ninety. I read how London is dull on Lord Mayor's Day, where you guided past groups of robbers, the sad holes of Whitechapel, clutching your pocketbook, on the way to Jack the Ripper dissecting his famous bones. This Wednesday in Berlin, you say, you will go to a bazaar at Bismarck's house. And I see you as a young girl in a good world still, writing three generations before mine. I try to reach into your page and breathe it back… but life is a trick, life is a kitten in a sack. This is the sack of time your death vacates. How distant your are on your nickel-plated skates in the skating park in Berlin, gliding past me with your Count, while a military band plays a Strauss waltz. I loved you last, a pleated old lady with a crooked hand. Once you read Lohengrin and every goose hung high while you practiced castle life in Hanover. Tonight your letters reduce history to a guess. The count had a wife. You were the old maid aunt who lived with us. Tonight I read how the winter howled around the towers of Schloss Schwobber, how the tedious language grew in your jaw, how you loved the sound of the music of the rats tapping on the stone floors. When you were mine you wore an earphone. This is Wednesday, May 9th, near Lucerne, Switzerland, sixty-nine years ago. I learn your first climb up Mount San Salvatore; this is the rocky path, the hole in your shoes, the yankee girl, the iron interior of her sweet body. You let the Count choose your next climb. You went together, armed with alpine stocks, with ham sandwiches and seltzer wasser. You were not alarmed by the thick woods of briars and bushes, nor the rugged cliff, nor the first vertigo up over Lake Lucerne. The Count sweated with his coat off as you waded through top snow. He held your hand and kissed you. You rattled down on the train to catch a steam boat for home; or other postmarks: Paris, verona, Rome. This is Italy. You learn its mother tongue. I read how you walked on the Palatine among the ruins of the palace of the Caesars; alone in the Roman autumn, alone since July. When you were mine they wrapped you out of here with your best hat over your face. I cried because I was seventeen. I am older now. I read how your student ticket admitted you into the private chapel of the Vatican and how you cheered with the others, as we used to do on the fourth of July. One Wednesday in November you watched a balloon, painted like a silver abll, float up over the Forum, up over the lost emperors, to shiver its little modern cage in an occasional breeze. You worked your New England conscience out beside artisans, chestnut vendors and the devout. Tonight I will learn to love you twice; learn your first days, your mid-Victorian face. Tonight I will speak up and interrupt your letters, warning you that wars are coming, that the Count will die, that you will accept your America back to live like a prim thing on the farm in Maine. I tell you, you will come here, to the suburbs of Boston, to see the blue-nose world go drunk each night, to see the handsome children jitterbug, to feel your left ear close one Friday at Symphony. And I tell you, you will tip your boot feet out of that hall, rocking from its sour sound, out onto the crowded street, letting your spectacles fall and your hair net tangle as you stop passers-by to mumble your guilty love while your ears die.
Anne Sexton
I will come back as a little breeze,” she says. “You will feel me on your face, and you will know that I’m still listening. So you can still talk to me.
Elizabeth Berg (Talk Before Sleep)
Nature does not know of the challenges that face us. No matter what money difficulties we have, the sun will continue to shine. If it is health challenges we face, the grass will continue to grow. If a relationship is causing us grief, the ocean breeze will continue to blow. Taking a breathe away from our challenges, and recognizing the nature around us, can help open the door to our Divine nature and allow the healing to begin.
Charles F. Glassman (Brain Drain - The Breakthrough That Will Change Your Life)
because there was a new face in the chorus, and rumor—in the person of his friend Aubrey—said she was a promising possibility as a mistress. And indeed she was, Lucien had to admit—at least, she would be for Aubrey, who had come into his title and had full control of his fortune. But not for someone like Lucien—a young man on a strict allowance and whose title of Viscount Hartford was only a courtesy one, borrowed from his father. Being my lord was, he had found, one of the few benefits of being the only son of the Earl of Chiswick. “She’s quite attractive, as game pullets go,” he told Aubrey carelessly after the play, as they cracked the first bottle of wine at their club. “Have her with my blessing.” Aubrey snorted. “You know, Lucien, it’s just as well you’re not looking for a high-flyer, for you damned well couldn’t afford her.” Lucien forced a smile. “She’s not my sort, as it happens.” “Balderdash—she’s any man’s sort.” Not mine, Lucien thought absently. He might have said it aloud if the sentiment hadn’t been so startlingly true. How odd—for the chorus girl had been a prime piece, buxom and long-limbed and flashy, as well as incredibly flexible as she moved around the stage. How could he not be interested? Aubrey was looking at him strangely, so Lucien said, “If she’s so much to your taste, I’m surprised you didn’t go around to the stage door after the performance and make yourself known.” “Strategy, my friend. Never let a woman guess exactly how interested you are.” Aubrey waved a hand at a waiter to bring another bottle, and as they drank it, he detailed his plan for winning the chorus girl. “It’s too bad you can’t join the fun, for I’m certain she has a friend,” Aubrey finished. “The gossips have it that your father is never without a lightskirt, so why should he object to you having one?” “Oh, not a lightskirt. Only the finest of the demimonde will do for the Earl of Chiswick.” Lucien drained his glass. “I’m meant to be on the road to Weybridge at first light—for the duke’s birthday, you know. A few hours’ sleep before I climb into a jolting carriage will not come amiss.” “Too late.” Aubrey tilted his head toward the nearest window. “Dawn’s breaking now, if I’m not mistaken. You won’t mind if I don’t come to see you off? Deadly dull it is, waving good-bye—and I’ve a mind for a hand or two of piquet before I go home.” Lucien walked from the club to his rooms in Mount Street, hoping a fresh breeze might help clear his head. The post-chaise Uncle Josiah had ordered for him was already waiting. The horses stamped impatiently, snorting in the cool morning air, and the postboys looked bored. Nearby, Lucien’s valet paced—but he
Leigh Michaels (The Birthday Scandal)
Have you ever had a moment where you knew, beyond a shadow of a doubt, that you were in the right place? That you were on the right journey? Maybe the sense that you’d crossed a boundary, jumped a hurdle, and somehow, after facing some unconquerable mountain, found yourself suddenly on the other side of it? When the night was warm and the wind was cool, and a song carried through the quiet streets around you. When you felt the entire world around you, and you were part of it—of the hum of it—and everything was good. Contentment, I suppose, is the simple explanation for it. But it seems more than that, thicker than that, some unity of purpose, some sense of being truly, honestly, for that moment, at home. Those moments never seem to last long enough. The song ends, the breeze stills, the worries and fears creep in again and you’re left trying to move forward, but glancing back at the mountain behind you, wondering how you managed to cross it, afraid you really didn’t—that the bulk and shadow over your shoulder might evaporate and re-form before you, and you’d be faced with the burden of crossing it again. The song ends, and you stare at the quiet, dark house in front of you, and you grasp the doorknob, and walk back into your life.
Chloe Neill
other senses as well. How many times have you been praying and felt a cool breeze on your face? See? That’s the angel refreshing you as you pray.
Michael R. Van Vlymen (Angelic Visitations and Supernatural Encounters: A Diary of Living in the Supernatural of God)
We don’t want to get off the main road,” I said. “There’s way too many tack weeds out there.” “Those stickers are worse than real tacks,” said Henny. “Maybe we should leave our bikes and walk. I don’t want to take any chances.” That’s the trouble with having such a nice bike, with so many terrific gadgets. Henny doesn’t like to ride unless conditions are ideal, like maybe around a newly paved parking lot. “Henny,” I said. “It’s definitely time for us to move on. Your inner tubes will be safe if you just stay on the highway. Besides, it will be cooler with a breeze blowing in your face.” Henny got back on his bike and slowly pedaled it up to a speed past wobbly but short of smooth and comfortable. “This is not a breeze,” he called up to me. “This is hot air being forced up my nostrils. This is hot air drying out my already parched throat. Water. I need water.
Brenda Z. Guiberson (Turtle People)
Looking down, she felt heat traveling up her face when she saw that, in her mad dash to get away from the goat, she’d completely neglected to realize that not only had she forgotten her shoes and stockings, she’d also forgotten that she hadn’t buttoned her gown up all the way. “Goodness,” she muttered as she yanked the neckline of her dress up as high as she could. “If it makes you feel better, I don’t believe anyone took note of your somewhat questionable state of dishabille.” Her head shot up as she met Bram’s eyes. “You obviously noticed.” He sent her a charming smile. “Noticed what?” He extended her his arm. “There’s a lovely grove right through those trees, which is nowhere near the barn, I might add. It’ll afford you a bit of privacy to set yourself to rights since I don’t believe you’ll be keen to face all the people still lingering outside the castle doors.” Glancing to where Bram was now looking, Lucetta found a small cluster of people looking her way, although Mr. Kenton and Archibald were walking back toward the castle, the skirts of their dresses fluttering in the breeze. Abigail, however, seemed to be in the midst of a heated conversation with her daughter, both women gesturing wildly with their hands as the remaining members of Bram’s staff edged ever so slowly away from them. “Should we intervene?” she asked with a nod Abigail’s way. “I willingly admit I’m not that familiar with my grandmother when she’s in a temper, but my mother is not a woman who would appreciate an intervention. I suggest you get yourself straightened about, and then I’ll take you for a lovely walk around the grounds. By the time we get back, they’ll have hopefully settled a few of their differences from the past thirty years.” “It’s fortunate your grounds seem to be extensive.” “Quite,” Bram agreed as she took the arm he was still holding out to her. He turned his attention back to Abigail and Iris. “I’m taking Miss Plum for a tour of the grounds,” he called. “We’ll be back in an hour or two.” Abigail and Iris stopped arguing and turned their attention Bram and Lucetta’s way. It was immediately clear that Abigail took no issue with Bram giving Lucetta a tour of the grounds. She lifted her arm and sent them a cheery wave before she spun on her heel and headed back toward the castle, spinning around again a moment later. Putting her hands on her hips, she marched her way back to Iris—who’d not moved at all—took her daughter’s arm, and with what looked to be a bit of wrestling, hauled Iris inside with her. “Perhaps we’ll mosey around the grounds for more than an hour or two,” Bram said as he steered Lucetta toward the trees.
Jen Turano (Playing the Part (A Class of Their Own, #3))
Very well. Since you won’t divulge her location, answer me this. Why would Miss Plum turn down a respectable offer of marriage from a gentleman such as my Bram?” “Why is it that ladies seem to believe I enjoy discussing these types of personal matters?” Mr. Skukman countered. Iris continued as if Mr. Skukman had not spoken. “Bram is a wealthy, eligible, and influential gentleman who owns his own castle—not to mention his stellar good looks.” “You’re his mother. Of course you’re going to believe he has stellar good looks.” “You don’t believe my Bram is handsome?” “Yet another topic I’m not comfortable discussing, but . . . I suppose if I really consider the matter, yes . . . Mr. Haverstein’s features are adequately arranged, but Miss Plum is not a lady who is impressed by a handsome face.” “She’s an actress.” Mr. Skukman let out a bit of a growl, which had Lucetta immediately stepping from behind the curtain. “Thank you, Mr. Skukman, but I think it might be for the best if I take it from here.” “Were you hiding behind the curtains?” Iris demanded. “Obviously,” Lucetta said as she headed across the room, stepping in between Iris, who was looking indignant, and Mr. Skukman, who’d adopted his most intimidating pose—a pose that didn’t appear to intimidate Iris in the least. “Now then,” Lucetta began, sending Mr. Skukman a frown when he cracked his knuckles, “from what I overheard, you’re here, Mrs. Haverstein, to learn why I rejected Bram’s offer.” Iris lifted her chin. “That’s one of the reasons I’ve sought you out.” “Lovely, and before we address those other reasons, allow me to say that the reason I refused Bram’s proposal was because your son was offering to marry a woman who doesn’t exist. He simply has yet to realize that.” Iris narrowed her eyes. “Bram could provide you with everything.” “I’m fairly good at providing for myself, Mrs. Haverstein.” Iris’s eyes narrowed to mere slits. “What are you really playing at? Are you, by chance, hoping that because you turned him down, he’ll make you a better offer?” Lucetta’s brows drew together. “What else could he possibly offer me that would be more appealing than his name?” For a second, Iris looked a little taken aback, but she rallied quickly. “You may be the type of woman who prefers the freedom spinsterhood provides, so I would imagine you’re holding out for a nice place in the city, replete with all the fashionable amenities.” Even though Lucetta was well aware of the reputation most actresses were assumed to enjoy, and even though such insinuations normally never bothered her, a sliver of hurt wormed its way into her heart. Before she could summon up a suitable response, though, Abigail suddenly breezed into the room. “Lucetta is like a granddaughter to me, Iris, and as such, you will treat her accordingly, as well as apologize for your serious lack of manners,” Abigail said as she plunked her hands on her hips and scowled at her daughter. At first, it seemed that Iris wanted to argue the point, but then she blew out a breath and nodded Lucetta’s way. “My mother is quite right. That was unkind of me, and unfair. Forgive me.” Lucetta
Jen Turano (Playing the Part (A Class of Their Own, #3))
The Abominable Unau, thirty feet tall it lurches toward you, sickle claws protruding from furry stumps, long front legs stretching like the arms of a witch reaching across a table to read a palm. Through veils of snow appears a nose with the contours and padding of a leather recliner, infringing on space that should have been reserved for its tiny eyes. Allegedly erased from the ledger of life, presumed to have plunged into that mass grave awaiting us all, it stands triumphant, in absolute defiance of Time and Nature and all man’s theories and measurements, which measure nothing at all, not even man. The wind howls in disbelief at this zombie returned from the dead. It throws back its head and makes a deep gurgling noise that sends tremors across the ground. In lieu of girding your loins, you wet them. It stoops until its nose is inches from your face. The breeze from its inhalation sucks your hair straight up. How do you appear to it, as the pinnacle of creation, the raison d’être of existence, the summon bonum of Being, a member of the almighty species who spread its fungal growth to the moon, erecting temples to vanity in the dark heavens? Does it know man hath dominion over it, or does it see a bug too big to eat in one bite?
Petronius Jablonski (Mount Silenus: A Vertical Odyssey of Extraordinary Peril)
When the music stopped and he set her down, Lily swayed and almost fell before Cade could catch her. Looking down at her suddenly pale face and glazed look, Cade swore under his breath and discreetly led her toward the door, supporting her with his arm as he practically carried her out. He saw her father bearing down on them, but he gave the old man a look that scared him off before hauling Lily through the barn door and into the brisk breeze of a December night. "Stand here, out of the wind." Cade leaned her against the barn behind the open door, blocking her from view with his bulk. "I'm all right. It's just the punch. I'd better go back in," Lily whispered unconvincingly as she pushed upright and avoided Cade's eyes. She had never felt like this in her life. Her head was spinning and she wasn't at all certain she could continue standing. She wasn't given to queasiness or the vapors. She wasn't even wearing a corset, for heaven's sake. It had to be the punch. "I only gave you the kind without whiskey," Cade replied, blocking her path with the barrier of his arm. Irrelevantly, he added, "The moon is full tonight." Lily leaned against the wall to ease her spinning head and met Cade's gaze. She was beginning to understand his mind too well, and it frightened her. A shock of black hair fell over his brow and she let her thoughts wander to how it would look if Cade grew just the one long braid of hair down the right side of his head and shaved the left like his father did. She thought he would look very good with feathers and beads in that braid. She wondered if he had tattoos like most Indians were said to have. She didn't even know what his body looked like beneath his shirt. "I'm fine, Cade. Really I am. I'd better go inside before my father comes after us." She tried to stand, but he was too close for her to get far. "It's been two moons, Lily. There's been time to know if there's a child." She had known that was what he was after. She looked over his shoulder at the blue-black night sky. "I'm not that regular, Cade. I can't count the times I thought Jim and I..." She stopped, unwilling to reveal any more of the embarrassing details of her intimate life. Her face was pale against the dark backdrop of the barn, and Cade lifted his hand to touch her cheek. Noting the difference between dark and light, he dropped it again. "In the eyes of my father, you are my wife. We will go to the alcalde to please your father. You have only to say when." He didn't mean to abandon her as Travis had. That was small consolation. Lily closed her eyes and tried to imagine Cade's hand on her cheek, but imagination failed her. He wasn't a tender man. She had evidence enough of that. She wasn't certain she wanted a tender man. She wasn't certain she wanted a man at all. But if a child existed... "I'll hold you to that," she murmured. He
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
window. ‘If this is your way of getting me to quit, it’s not going to work.’ She could almost see her dad standing on the pavement next to the car, taking inhumanly long drags on a cigarette. He shrugged at her, like, what’re you gonna do? She rolled her own window up and killed the engine, getting out of the car to look at the shelter. The building was sixties brutalist. A slab of concrete that looked like it would have been a chic and modern looking community centre six decades ago. Now it just looked like a pebble-dashed breeze block with wire-meshed vertical windows that ran the length of the outside.  Wide steps with rusty white rails led up to the main doors, dark brown stained wooden things with square aluminium handles, the word ‘pull’ etched into each one.  There was a piece of paper taped to the right-hand one that said ‘All welcome, hot food inside’ written in hand-printed caps.  There were five homeless people on the steps — three of them smoking rolled cigarettes. Two of those were drinking something out of polystyrene cups. The fourth was hunched forward, reading the tattiest looking novel Jamie had ever seen cling to a spine. His eyes stared at it blankly, not moving, his pupils wide. He wasn’t even registering the words. The last one was curled up into a ball inside a bright blue sleeping bag, his arms and legs folding the polyester into his body, just a pockmarked forehead peeking out into the November morning. Had they slept there all night on that step waiting for the shelter to open? She couldn’t say. Jamie and Roper crossed the road and the folks on the steps looked up. They were of varying ages, in varying states of malnutrition and addiction. The smell of old booze and urine hung in the alcove. Jamie wasn’t sure if you could tell they were police by the way they looked or walked, but the homeless seemed to have a sixth sense about it. Two of the three who were smoking clocked them, lowered their heads, and turned to face the wall. The third kept looking and held his hand out. The one with the novel didn’t even register them. Jamie knew that if they searched the two that turned away, they would have something on them they shouldn’t — drugs, needles, a knife, something stolen. That’s why they’d done it — to become invisible. The one who held out a hand would be clean. Wouldn’t risk chancing it with a police officer otherwise. She’d worked enough uniformed time on the streets of London to know how their minds worked.  She took a deep breath of semi-clean air and mounted the steps, looking down at the mid-thirties guy with the stretched-out beanie and out-stretched hand.  ‘We’re on duty,’ Roper said coldly, breezing past. Jamie gave him a weak smile, knowing that opening her pockets in a place like this would get them mobbed. If they needed to question anyone
Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
San Gabriel emerges from the fog laden with dew. The clouds of the night slept over the village searching for the warmth of the people. Now the sun is about to come out and the fog rises slowly, rolling up its sheet, leaving white strips over the rooftops. A gray steam, hardly visible, rises from the trees and the wet earth, attracted by the clouds, but it vanishes immediately. Then the black smoke comes from the kitchens, smelling of burned oak, covering the sky with ashes. In the distance the mountains are still in shadow. [ At daybreak ] Wherever you look in Luvina, it’s a very sad place. You’re going there, so you’ll find out. I would say it’s the place where sadness nests. Where smiles are unknown as if people’s faces had been frozen. And if you like, you can see that sadness just any time. The breeze that blows there moves it around but never takes it away. It seems like it was born there. And you can almost taste and feel it, because it’s always over you, against you and because it’s heavy like a large plaster weighing on the living flesh of the heart. The people from there say that when the moon is full they clearly see the figure of the wind sweeping along Luvina’s streets, bearing behind it a black blanket; but what I always managed to see when there was a moon in Luvina was the image of despair - always. [ Luvina ]
Juan Rulfo (El llano en llamas)
felt he should at least play along until he found the Everbloom. Otherwise Ronodin or the Sphinx might claim it without him, and he would lose the ability to influence the outcome. “This way,” Ronodin said. “These caves make up a complex system with several entrances. The opening we’re looking for isn’t far.” Seth followed Ronodin onto a trail between leafy philodendrons and fragrant anthuriums. The day was mild, less humid than normal, with a light breeze. It seemed like a strange day to confront the toughest choice he could remember facing. Ronodin carried a duffel bag. Seth wondered what it might contain. They branched left off the main path along a faint trail. After winding through trees and shrubs, they reached a grouping of boulders. In the ground between two of the largest boulders gaped a crack just large enough for a person to crawl down into. “This isn’t a cave,” Seth complained. “It leads into one of the largest cave systems on any island in the world,” Ronodin said. He set down the duffel bag, unzipped it, and removed a garden trowel. “Dig up the flower with this. The Everbloom is resilient, but try to get as many of the roots as you can.” Then he held up a ceramic flowerpot. “Keep the flower in here. Pack soil around it.” “Okay,” Seth said. “Time for your ointment,” Ronodin said. “I’ll give you some privacy.
Brandon Mull (Dragonwatch, Book 3: Master of the Phantom Isle (Dragonwatch, #3))
I hope you are not the one who runs away to find a safe shelter during a cold night breeze - running away
Jyoti Patel (ANAMIKA: BEYOND WORDS)
Seriously. I’ll wager you aren’t ten years older than me.” “I bet I am.” “So what? So when I’m eighty, you’ll be ninety. It’s just a number.” I relaxed on a pile of pillows on my end of the boat. Eyes closed, I enjoyed the sunshine’s warmth on my face with the intermittent quack of ducks floating on the cool breeze. “I’m just saying, I’m not sure your eighty-year-old self will enjoy being chased by a gaggle of ninety-year-old women at the old folks’ home.” “And I’m just saying if you were there, I’d let you catch me.
Kelly Elizabeth Huston (Tex Miller Is Dead (Found Families #1))
In Your Thoughts Irma! I was lost in your thoughts Irma, your hopes and in your imagination, When the breeze whispered “follow me and feel the new celebration!” And I replied, “no matter where I may tarry I am never away from her sensation, That has dissolved in my every emotion!” I seek you in every corner of light, In the morning hope, in the flowers., in the stars and in the moonlight, Then I look into the mirror and investigate my own sight, To find you in my own eyes and what a delight! I often remember our moments of togetherness from the past, The kiss that is still fresh and warm, but was the last, Always together even in the shadows that we cast, Everything feels like yesterday, but in every today, yesterday is always the past! My heart loves being a prisoner of your thoughts and your imaginings, And my mind seems to have got used to my heart’s longings, Leaving me marooned in love’s beautiful trappings, Where your smiling face is a part of all my mental surroundings! You are like the moon of my night, Where you shine on the shore of my life with love’s light, And I let you be my fate, my destiny and my joy’s every scalable height, So it is you and only you I dream of every night. Sometimes you are a palpable dream passing through my closed eyes, Often you are a beautiful embrace the warmth of which never dies, Until I wake up and seek you with my open eyes, It shall be the same every day and night until we meet again under these open skies! For now let me seek you within me and outside my own existence, I miss you deeply because I love you without any pretence, And I wish sometimes if I could bear wings like Gabriel to overcome every distance, But I am sure, I will either find you or bear wings to be kissed by your magnificence. Someday we both shall be reduced to nothing, just an impalpable feeling, But even then my soul shall find your thoughts healing, And when all shall before the God be kneeling, I shall be the only one still seeking myself in your omnipresent feeling!
Javid Ahmad Tak (They Loved in 2075!)
We ended up at the bar of a little steak house I had never noticed before. It was one of those places that seemed to have slipped through time unscathed and walking into it was like walking into a different decade. Dark walls, leather booths, thick slabs of beef, ashtrays on every table. The man behind the bar in a red plaid vest had the open, sad face of an old-time baseball player. “Mrs. S.,” he said in a thick nasally voice when we sat on the red-leather stools. “Terrific as always to see you.” “Rocco, this is Victor,” she said. “Victor and I are in desperate need of a drink. I’ll have the usual. What will it be for you, Victor?” “Do you make a sea breeze?” I said. Rocco looked at me like I had spit on the bar. I got the message. This was a serious place for serious drinking, a leftover from an era when the cocktail hour was a sacred thing, when a man was defined by his drink and no man wanted to be defined by something as sweet and inconsequential as a sea breeze. Kids in short pants with ball gloves sticking out of their pockets drank soda pop, men drank like men. “What’s she having?” I said, nodding at my companion. “A manhattan.” “What’s that?” “Whiskey, bitters, sweet vermouth.” “And a cherry,” said Alura Straczynski. “Mustn’t forget the cherry.” “No, Mrs. S.,” said Rocco. “I wouldn’t forget your cherry.
William Lashner (Past Due (Victor Carl, #4))
So why do so many of us feel such despair about the direction we’re heading?” asked Ella. “Because hope and optimism doesn’t sell nearly as well as pessimism and despair. Your news outlets earn clicks and viewership by sowing alarmism and division. Your social media plays to addictions and creates unprecedented social pressures. You’re wired by evolution to find bad news more motivational than good. To seek it out. “If your ancestors heard the rustle of a friendly breeze far away in the tall grass, and ran away, mistaking the breeze for a lion, this cost them very little. But if they heard the rustle of a lion in the tall grass, and mistook it for a friendly breeze, this would cost them their lives. Seeing potential bad news behind every harmless breeze is a survival instinct. “There are many other psychological and evolutionary reasons to account for the state of your discontent in the face of prosperity, but I’ll stop there.
Douglas E. Richards (Seeker)
Poetry take shape for one who can keep up with what the words convey... It is a shame, not everyone can hear what it does not say. Sometimes it is as subtle as the breeze which touches your face. It is there, but they do not always value it.
Jean Mello (Exhaling Hope (Kindle Edition))
Shimmy over to the passenger seat, put on your seat belt, wind down the window, feel the breeze on your face and just enjoy the ride. Let your Higher Power do the driving. Your Higher Power wants you to live your greatest life and it knows the way you should be going in order to get there.
Saskia Lightstar
Kelsier fell silent. “That’s your father?” he finally asked. “Who?” Dockson asked, squinting. “I can’t make out their faces.” “Tevidian,” Kelsier said. “The lord prelan?” Dockson asked with shock. “What?” Vin asked. “Who’s that?” Breeze chuckled. “The lord prelan is the leader of the Ministry, my dear. He’s the most important of the Lord Ruler’s obligators—technically, he’s even higher ranked than the Inquisitors.
Brandon Sanderson (The Final Empire (Mistborn, #1))
Are you sure?" Scarlet hair lifted in a soft, sweet breeze, curling in front of Vee's smug face as she pressed herself against him. "Or is that a dagger hilt in your pants?" Even though his cheeks heated, he met her gaze without hesitation and smiled coldly. "It's a dagger hilt." "Show me," she countered, far from intimidated or upset. She nipped his bottom lip. "If you dare...
Gena Showalter (Ruthless (Immortal Enemies, #2))
The boat draws closer. It is indeed misty, the atmosphere cloying with the promise of rain. A cool breeze rolls in from the east. Squint, shade your eyes, and try to peer vainly into that white haze, seeking a first glimpse of your destination. Then the sun comes out, quick as a child’s smile; clouds part at her warm touch. And Shek Kan Chau seems to rise in front of you like a woman surfacing for air. Sunlight shimmers on the water. Boxy houses, brightly painted, refract colour at unexpected angles. Glossy mangroves fuzz the shoreline as the boat glides towards docking, offering glimpses of tangled forests further inland. Scintillating peace lingers.
Sunyi Dean (The Girl With a Thousand Faces)
Don’t trouble yourself with me.” The thought of a heavy meal for breakfast made Lily’s stomach churn. “I’ll be happy enough with a cup of coffee—if you have any to spare.” Vera stopped in midswirl and took in Lily’s appearance. “Coffee? My, my, my. You need more meat on your bones, girl. You’ll blow away with the slightest breeze. Don’t you agree, Connell?” Lily glanced to the corner spot, only to find the young man she’d met the previous evening staring at her above spectacles perched on the end of his nose. He quickly looked back at the open book in front of him, but the slight reddish tint creeping up his neck above his collar was evidence that he’d been paying more attention to her than to his books. “I’m sure Miss Young would appreciate whatever you’re willing to provide.” The young man pulled out his pocket watch and peered at it. “Especially considering the fact that breakfast has been over for exactly one hour and twelve minutes.” His hair was neatly combed, except for one sun-bleached streak that fell across his forehead. He’d shaven the scruff from his face, revealing skin that was rough and bronzed from long days outdoors. “Connell McCormick.” Vera thumped her hands onto her hips. “You sure don’t seem to mind when I sneak you an extra doughnut or two. I think half the reason you loiter here in the mornings is because you hope I’ll feed you more.” The faint red streaks climbed up to the base of his cheeks. He didn’t say anything and instead dipped his head and scribbled something into one of his books, as if there were nothing more important at that moment than the page in front of him.
Jody Hedlund (Unending Devotion (Michigan Brides, #1))
could always dance with Connell,” Vera said, following Lily’s gaze. It was Lily’s turn to feel embarrassed. “Oh no, I couldn’t.” “Why not?” Vera smiled, a knowing gleam in her eyes. “I’m sure Mr. Heller won’t mind playing another song. And I know Connell wouldn’t say no to the chance to put his hands on your waist and twirl you in his arms.” She wiggled, her insides blushing. She highly doubted Connell would want to twirl her. Connell lowered his head further into his book. “And don’t you dare contradict me, Connell McCormick.” Vera wagged her finger at the man. “What?” He sat up straighter and arched his eyebrows at them, as if it were the first time he’d noticed them in the room all evening. Lily smiled at the feigned innocence on his face. “Now, young man,” Vera scolded, “you’ve had your eyes on Lily all week. Don’t you deny it.” “I’ve been doing what I always do—sitting over here minding my own business and doing my work.” Vera shook her head. “You’re in trouble now, boy. I was going to give you a couple more cookies, but”—she pushed the plate of treats toward Lily—“now only Lily gets more.” The sugary sweet scent of the freshly baked molasses cookies had bathed the room, driving out the lingering acridness of burnt coffee. Lily had already indulged in several in place of the usual fare of beans and salt pork. She picked two more from the plate. “You’re a dear, dear woman.” Connell snorted. Vera’s lips twitched with a smile she was holding back. “That’s enough from you, young man. If you stopped all your nonsense, got up and danced with Lily like a real man, then maybe I’d give you the rest.” Connell sat up taller and eyed the plate that was still heaped with cookies. Lily wanted to giggle but hid the smile behind her hand. Then his eyes lifted to hers, the mirth within them turning the green into the same shade as summer leaves fluttering in a warm breeze. The warmth captured her and drew her in. For a long moment she basked in their private exchange of amusement over Vera’s audacity. But then the green of his eyes darkened and the jollity of his expression faded, replaced with a determination that sent Lily’s heart chugging forward like a locomotive. Without breaking his eye contact, he pushed back from his spot and stood. Would he really listen to Vera’s silly challenge to dance with her? Her heart picked up speed. Everything in his expression said he would—that he wanted to dance with her more than anything. Although she’d been in plenty of situations where she’d had to rebuff the advances of shanty boys, she’d never met one like this man—one she didn’t want to rebuff. Did she actually want his attention? A tingle of fright pushed her off the bench and to her feet. He stopped. “I’d best be heading up to bed,” she said, refusing to meet his gaze.
Jody Hedlund (Unending Devotion (Michigan Brides, #1))
always did love lights. You glowed on that dance floor when Gil held you in the air. I said I didn’t notice, but I did. Your tree has grown since then. Once I said I could read your mind, but I can tell your mood without even glancing at your face. Anger, that’s the easiest of all — a pulse and a flash, like a cracking whip. When you’re excited, you show your brightest colors. There’s a way the branches along your arm seem to sway in a lazy breeze when you’ve just had an idea for an art project. When you saw the ocean for the first time, I thought I could see them flower. To love light, you have to love dark. I’m not trying to be profound, I know you’ll understand. I don’t mean that you have to hate to love, or that you have to die to live. I mean that sometimes, you turn out the lights just to turn them back on.
Alaya Dawn Johnson (The Summer Prince)
The bright moon reflects your radiant face Your snowcapped cheekbones supply water of grace My heavy heart desires an audience with your face Come forward or must return, your command I will embrace. Nobody for good measures girded your fields Such trades no one in their right mind would chase. Our dormant fate will never awake, unless You wash its face and shout brace, brace! Send a bouquet of your face with morning breeze Perhaps inhaling your scent, your fields we envision & trace. May you live fulfilled and long, O wine-bearer of this feast Though our cup was never filled from your jug or your vase. My heart is reckless, please, let Beloved know Beware my friend, my soul your soul replace. O God, when will my fate and desires hand in hand Bring me to my Beloved hair, in one place? Step above the ground, when you decide to pass us by On this path lie bloody, the martyrs of human race. Hafiz says a prayer, listen, and say amen May your sweet wine daily pour upon my lips and my face. O breeze tell us about the inhabitants of city of Yazd May the heads of unworthy roll as a ball in your polo race. Though we are far from friends, kinship is near We praise your goodness and majestic mace. O Majesty, may we be touched by your grace I kiss and touch the ground that is your base
Hafiz: Tongue of the Hidden: A Selection of Ghazals from his Divan
He straightened. "Are you ready?" "Yes." He nodded, his gaze traveling the length of her body, deliberately, slowly, as if to memorize her as she stood. "Then may I have a kiss?" he asked, unmoving. "For luck?" She felt her heart pick up. She felt her face grow hot. "You see? I'm asking, not demanding." He lifted his hands to her, palms up. "Even the most beastly of us can learn." Rue dropped her gaze to the ground, discomfited. "I don't think you're beastly." "Thank goodness. I was about to point out that that fellow down there has far worse breath than I do." She laughed softly, shaking her head, but by then his fingers were curling around hers. "Is that a yes, mouse?" She inhaled: heat, and animal. Him. Rue lifted her chin. "Yes." Everything happened so gently at first, so languidly, as his hands drew hers behind his back so that she had to step toward him, so that their fronts had to touch. As soon as they did his fingers released; he smoothed his palms up her back, one hand at her waist and the other rising to cradle her head. She felt her hair bunch and slide with the passage of his fingers. She felt the cool air on her skin, and the welcome warmth of his chest and stomach and hips. His eyes roamed her face with that half-lidded intensity; she brought up a hand to the slope of his shoulder, resting it there. They stood there together in the open dark, soft and hard, while her stomach tied in knots and her hair stirred with the breeze. She wet her lips, nervous. "Are...are you going to do it?" "I am." His head tilted to hers. She felt his lips against her cheek, light, thistledown, barely there. "I just..." "What?" she whispered, staring out into the shadows. "I just like looking at you." So when he kissed her she was smiling a little, her lips curved under his. Kit loved that curve. -Kit & Rue
Shana Abe (The Smoke Thief (Drakon, #1))
Poets! Towers of God Made to resist the fury of the storms Like cliffs beside the ocean Or clouded, savage peaks! Masters of lightning! Breakwaters of eternity! Hope, magic-voiced, foretells the day When on the rock of harmony The Siren traitorous shall die and pass away, And there shall only be The full, frank-billowed music of the sea. Be hopeful still, Though bestial elements yet turn From Song with rancorous ill-will And blinded races one another spurn! Perversity debased Among the high her rebel cry has raised. The cannibal still lusts after the raw, Knife-toothed and gory-faced. Towers, your laughing banners now unfold. Against all hatreds and all envious lies Upraise the protest of the breeze, half-told, And the proud quietness of sea and skies…
Rubén Darío
You know I won’t be staying there, either. I have things I want to see before I can’t. Like the Grand Canyon. And the Pacific Ocean. A buddy of mine from the war is going with me.” “But can’t—” His fingers squeezed mine. “I want you to remember me like this, Rebekah. And I want to remember you in this place. Don’t worry. You’ll get what you want one of these days. Just be patient.” I drew in a sharp breath. How did he know what I wanted? And how did he know I’d get it? Did God give the dying special messages? “How do you know?” The words blurted out on the breath I’d been holding. “Because I’ve watched you. I can see in your every action that you were made for this.” “This?” I huffed. “It suits you. A house. A farm. Children. The husband who will give it all to you.” I rocked back on my heels and stood. “That’s not what I want, Will.” I backed away from his startled look, my hands fidgeting with each other. “I’m going to the city. I don’t know how or when, but I won’t be tied to the seasons and the sun. Don’t get me wrong: I want a husband and a child or two of my own. But this . . . ?” I nodded toward the yard beyond the house, to the hog now in its pen, the chickens, the cow and the mules, even the fields farther beyond. “This is not what I want. I want adventure. I want . . .” His eyes glazed over a bit. I looked away. The children’s joyful shrieks carried on the cool breeze. I wondered if memories of childhood days invaded Will’s head as they did mine. Such simple days. Days I’d once wished away, wanting to be grown up, wanting my life to begin. Now that I’d crossed that line, I wished I could go back. Will cleared his throat, pushed to his feet, and faced me. “I’m sorry, Rebekah,” he said. “I hope you get what you want. I really do. But be careful. If France taught me anything, it’s that new experiences aren’t always what we imagine them to be.
Anne Mateer (Wings of a Dream)
I want them to come get us right now.” The little girl drew her mouth down in a pout. “I’m all dirty and hungry. I’m cold too.” “Poor little princess,” her brother mocked. “I’ve got something you can eat.” Kobie’s smile brightened before he dashed across the small clearing to retrieve his backpack. “Just how long are we going to be stuck here?” Wade demanded. He took a step toward the others who were gathered around the fire, then coughed as a wave of thick smoke hit him. “I have important business in Chicago.” “Oh yeah, real important,” Bryan sneered. “You’re just afraid your girlfriend might find someone else before you get back.” “Bryan!” Chelsea spoke in a warning voice. Wade took a step toward his son, his fists clenched and fury showing on his face. Web shifted his weight, prepared to intercede should Wade attempt to strike his son. “Look! M&Ms!” Kobie stepped between the combatants, waving a large package of the candy-coated chocolate pieces over his head, oblivious to the confrontation between Bryan and Wade. He hurried to Rachel’s side. “My grandma gave them to me, but you can have some.” “Perhaps you can share with everyone,” Shalise said. “I think we’re all hungry.” “And thirsty,” Emily added. “Don’t you think it’s ironic that we spent all that time and effort escaping water, and now we don’t have any to drink?” “Actually we do.” It was Cassie’s turn to retrieve her backpack. From its depths she produced a plastic bottle of water and three granola bars, which she quartered and passed around. The tiny squares of breakfast bars and a handful of candy were soon washed down with a squirt of water from the plastic bottle. Web listened for more planes as he munched on his share of the meager rations. Occasionally he caught the drone of the small plane that had flown over earlier, but it seemed to be concentrating its attention on the other side of the main canyon. He wished he could communicate with the sheriff or the pilot of that plane, but his radio and supplies had been left behind in his cruiser. He wouldn’t even have been able to light a fire last night if Bryan hadn’t slipped him a cigarette lighter when his mother wasn’t looking. Gage walked up beside him.“How bad is the slide?” the younger man asked. Web knew he was referring to the slide blocking the trail out of the canyon. “There’s no way we can cross it.” “And there’s no way a chopper can set down here.” Gage answered back, gesturing at the small clearing where they sat dwarfed by towering pines. “By now the water will have receded a great deal, but it will be days before we’ll be able to walk out.” Gage hadn’t heard Cassie approach, but he nodded his head at her words, acknowledging that her judgment was correct. “That means we’ve got to find a spot where the rescuers can reach us.” Gage stared thoughtfully at the steep mountain towering above them. “There is a place . . .” Gage paused and Web turned to him, anxious to hear what he might suggest that could possibly lead them out of this nightmare. CHAPTER 5 Shalise sat beside Chelsea Timmerman on one of the logs near the fire pit. They changed position each time a fickle breeze shifted the plume
Jennie Hansen (Breaking Point)
and carefree. It is so good to have Greg back with us again, breathing the salty air, experiencing the breeze on his face. We spend at least an hour on that beach. Almost back at the car, Greg stops at a wooden bench that looks out onto the strand. ‘Let’s sit for a while.’ My stomach tightens. Greg settles at one end of the bench, Toby on his lap, Rachel next to them. I’m at the other. Bookends. ‘Guys,’ Greg says. ‘I want to explain why I’m in hospital.’ ‘It’s OK, Dad. We know,’ says Toby. ‘You’re exhausted.’ ‘Well, it’s a little more than that.’ He takes a breath. ‘I have a sickness that makes me sad sometimes. Other times it makes me very excited.’ They take time to digest that. Toby is first to speak. ‘But it’s OK to be sad, Dad. You said.’ He looks at Greg for confirmation. ‘I did. And it’s OK to cry when something happens to make you sad.’ ‘Yeah, you’re always telling us that.’ ‘It’s just that if there’s no reason to be sad and you’re sad anyway – all the time – well, that’s not good, is it?’ Toby shakes his head wildly. ‘No, that’d be…sad.’ ‘And not good,’ says Greg. ‘No,’ agrees Toby. Rachel’s quiet. Taking it all in. ‘And it’s OK to get excited too,’ continues Greg. ‘Lots of things are exciting…’ ‘Like Christmas and birthdays and fireworks and when you get onto the next level in a game.’ ‘Exactly.’ Greg smiles. ‘But being hyper isn’t good.’ ‘No.’ Toby shakes his head again. ‘When you have Coke or Skittles or something you get hyper. And that’s not good ‘cause you go bananas. Isn’t that right, Dad?’ ‘Yes, son.’ Greg kisses the top of his head. ‘But you eventually go back to normal, don’t you?’ ‘Yeah.’ Rachel, eyes fixed on her father, is oblivious to the breeze whipping her hair across her face. ‘Well,’ says Greg. ‘I have a sickness that makes me hyper for weeks. And that’s not good.’ ‘No.’ Toby squints. ‘Why not, again?’ ‘Well, it can make me do silly things, and can make
Aimee Alexander (The Accidental Life of Greg Millar)
Time passed fast and I was coming out from the reputed engineering college at last after the same Professor had intervened with the college authority for holding the examination in spite of political troubles, prevailing during seventies in Calcutta. The sprawling complex of the university would suddenly vanish from my view. I would be missing the chirping of the birds in early morning, view of green grass of the football field right in front of our building, badly mauled by the students and pedestrians who used to cut short their journey moving across the field, whistling of steam trains passing parallel to the backside of boundary wall of our building, stentorian voice of our Professors, ever smiling and refreshing faces of the learned Professors every day. I would definitely miss the opportunity of gossiping on a bench by the lake side with other students, not to speak of your girlfriend with whom you would try to be cozy with to keep yourself warm when the chilling breeze, which put roses in girls’ cheeks but made sinuses ache, cut across you in its journey towards the open field during winter. The charm of walking along the lonely streets proscribed for outsiders and bowing occasionally when you meet the Professors of repute, music and band for the generation of ear deafening sound - both symphony and cacophony, on Saturdays and Sundays in the auditorium, rhythmic sound of machines in the workshop, hurly-burly of laughter of my friends, talks, cries at the top of  their lunges in the canteen and sudden departures of all from the canteen on hearing the ding-dong sound of the big bell hung in the administration building indicating the end of the period would no longer be there. The street fighting of two groups of students on flimsy grounds and passionate speeches of the students during debate competition would no longer be audible. Shaking of long thin pine trees violently by the storm flowing across these especially during summer, shouting and gesticulation of students’ union members while moving around the campus for better amenities or administration, getting caught with friends all around with revolvers in hand during the violent Naxalite movement, hiding in the toilet in canteen to avoid beating by police personnel, dropping of mangoes from a mango tree which spread its wings in all directions during the five years we were in the college near our building and running together by us to pick the green/ripe mangoes as fast as possible defying inclement weather and rain etc. were simply irresistible. The list was endless. I was going to miss very much the competition among us regarding number of mangoes we could collect for our few girlfriends whom we wanted to impress! I
Rabindranath Bhattacharya
We walk around to the lower vantage point, where two man-made streams empty into a small pool. “Let’s see if Graham recognizes you,” Sue giggles. Graham is the nickname of a male wolf from the Graham facility that Sue tells me is most atypical. “Why would Graham recognize Will?” I ask. “When Will walks by, often Graham will run up to the fence and jump around,” Sue says. “He’s boisterous. Crowds like him. He’ll get up on that rock and strike poses for them.” She points at a rocky outcrop jutting up about twenty feet from the water pool. As we approach, a lanky wolf walks slowly along the outcrop’s rim. A breeze picks up and carries our scent right to his nose. Though he’s not even looking in our direction, Graham tenses. He turns his head, faces the three of us, and sniffs the air. Without breaking his gaze, he leaps down the rock face and runs a well-worn trail through the grass. He catapults across the stream and bucks his hind legs with a flourish in midair. He stops below the translucent barrier, glares up at us, and whines. The whine devolves into a throaty growl. He stamps the grass, leaps and jumps, tears at the earth and lands ankle deep in the water. He glares directly at Will. “Oh yeah, he sees you all right,” Sue laughs. “That wolf wants a bite out of your rump.” Passerby have stopped to watch Graham’s antics. A small crowd forms. He runs across the rocky outcrop again, back over the stream, and down to the pool, then tears at the grass again with broad paws. He runs this loop repetitively and stops each time to stand off against Will. One of the visitors jokes that he must smell the barbecue at a nearby lunch truck, but they misunderstand his body language. He isn’t hungry. He is agitated. “I think it’s just misplaced aggression,” Will says when I ask if Graham is exhibiting excitement or anger. “Usually when he sees me, I’m restraining him or helping to examine him. The wolves can’t do much when they are restrained, so he acts out later.” Safe in the exhibit, Graham stares at Will. Without breaking eye contact, he walks to a bush and gnaws on its thick branches. It’s as if he’s saying, “Check out my canines. See how big they are?” There was nothing overtly threatening about his behavior, but it was a change from the docile nature I’d seen in other penned red wolves. Sue is right: he is definitely atypical, charismatic even.
T. DeLene Beeland (The Secret World of Red Wolves: The Fight to Save North America's Other Wolf)
Just as she decided to turn back and give up, the mist parted, and she saw him. Falco. He sat cross-legged on the damp ground, his hair blowing in the breeze. He was facing away from her, focused on the gravestone in front of him, a beautiful piece of gray marble carved into the shape of a cross with a pair of doves perched on the top. A dim lantern flickered next to him on the ground. Cass moved as close to him as she dared, stepping as quietly as she could. She couldn’t make out the picture taking shape on his parchment. Falco’s hand moved swiftly, laying down a series of sharp strokes on the paper. Fascinated, Cass took another step closer. Her left foot snapped a dry twig. Falco’s head whirled around so quickly that Cass stepped back, startled, as the boy sprang to his feet. His blue eyes looked almost black in the moonlight. Hot. Angry. Violent. The words flared up in Cass’s mind. “Oh, it’s you.” Immediately his eyes returned to normal. He smiled his lopsided grin. “I’m beginning to wonder if you’re following me.” The way he said it suggested it wouldn’t necessarily be a bad thing.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
If anything's to be praised, it's most likely how the west wind becomes the east wind, when a frozen bough sways leftward, voicing its creaking protests, and your cough flies across the Great Plains to Dakota's forests. At noon, shouldering a shotgun, fire at what may well be a rabbit in snowfields, so that a shell widens the breach between the pen that puts up these limping awkward lines and the creature leaving real tracks in the white. On occasion the head combines its existence with that of a hand, not to fetch more lines but to cup an ear under the pouring slur of their common voice. Like a new centaur. There is always a possibility left to let yourself out to the street whose brown length will soothe the eye with doorways, the slender forking of willows, the patchwork puddles, with simply walking. The hair on my gourd is stirred by a breeze and the street, in distance, tapering to a V, is like a face to a chin; and a barking puppy flies out of a gateway like crumpled paper. A street. Some houses, let's say, are better than others. To take one item, some have richer windows. What's more, if you go insane, it won't happen, at least, inside them. ... and when 'the future' is uttered, swarms of mice rush out of the Russian language and gnaw a piece of ripened memory which is twice as hole-ridden as real cheese. After all these years it hardly matters who or what stands in the corner, hidden by heavy drapes, and your mind resounds not with a seraphic 'do', only their rustle. Life, that no one dares to appraise, like that gift horse's mouth, bares its teeth in a grin at each encounter. What gets left of a man amounts to a part. To his spoken part. To a part of speech. Not that I am losing my grip; I am just tired of summer. You reach for a shirt in a drawer and the day is wasted. If only winter were here for snow to smother all these streets, these humans; but first, the blasted green. I would sleep in my clothes or just pluck a borrowed book, while what's left of the year's slack rhythm, like a dog abandoning its blind owner, crosses the road at the usual zebra. Freedom is when you forget the spelling of the tyrant's name and your mouth's saliva is sweeter than Persian pie, and though your brain is wrung tight as the horn of a ram nothing drops from your pale-blue eye.
Joseph Brodsky
Do you have to do that to fly? I didn't think… oh my freakin' hell, Dwayne! Button the bottom of your coat. Your man bits are blowing in the wind." I groaned as I buried my muzzle in my paws. "When did you become such a prude?" Dwayne huffed as he adjusted his coat. "I'm not a prude," I snapped. "It's just alarming to look up and see my BFF's weenie and friends bouncing in the breeze." "Fair point, well made," he said. "I would find it disturbing to glance up at a faceful of your knockers too.
Robyn Peterman (Some Were In Time (Shift Happens #2))
There’s a dead girl in there who’s not supposed to be, and another girl murdered, and you don’t care. You don’t care about them, or me.” She turned and walked away from him, blinking back tears. “I refuse to be lied to any longer.” What an idiot she was. “Cassandra, wait.” Falco ran after her, grabbing her arm just before she reached the edge of Agnese’s garden. “I do care. Give me two days. That’s all I need. And then I will tell you everything you want to know.” He stared at her. “Please. I’m asking you to trust me.” “Why should I?” Cass asked, her voice barely above a whisper. The breeze rustled through the ivy. Cass watched one leaf whip back and forth. “Last night you told me not to trust you, and tonight you tell me I should. What’s changed?” “What’s changed is that I…” Falco reached for her face, his fingertips caressing her cheekbones. “I’m falling in love with you,” he said, brushing a strand of hair back from her eyes. “For the longest time I couldn’t see it. I didn’t want to see it. So impossible. But I can’t deny my feelings any longer. You’re more than a muse, Cass. I want you to be more. I want you to be mine.” “But you know--” Cass could barely stutter out a sentence; Falco’s words were so unexpected, she could hardly breathe. “But I’m engaged…” “Forget the engagement. Forget what you’re supposed to do. What do you want to do, Cass? What do you need?” Cass felt her resolve melting away. His fingertips were ten individual spots of heat on her cool skin. She was tired of being cold. All she had to do was lean in and let the warmth engulf her. She thought of their bodies pressed together in the old batèla, her hands caressing his bare skin as their mouths met over and over. She realized she was crying. Falco kissed away her tears one at a time. Each time his lips touched her skin, she felt a brightness, like he was making flowers bloom inside of her. “I want to believe you, but it’s not that simple. I--” “It is that simple.” Falco tilted her face upward and pressed his mouth to hers, gently, then harder. Cass didn’t even try to resist. The wind whipped his hair around, and hers, tickling her skin as Falco pressed her against the framework of the trellis that lined the back of her aunt’s garden. Falco leaned into her and Cass could feel their hearts beating against each other. This was what a kiss should feel like. This was real.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
Music is like a light spring breeze. You feel it all over your skin, it caresses your face, it inspires you to new achievements and charges you with new life. It is airy and practically illusory, but your soul sings at its first rush.as I called it".
Elena Paolino (Valencia in Bloom)
Take an observing walk. Find a safe and pleasant place to walk, such as a quiet street, a park, or a trail in the woods, and practice observing for about twenty minutes. As you walk, look around at everything you see in the present moment. Notice the trees, the sidewalk, cars passing by, the sounds, smells, and the breeze on your face. Notice everything but don’t comment to yourself on any of it. When you start to comment, bring your attention back to observing. Notice how you feel as you walk and observe sights, sounds, and smells. When your mind wanders, simply bring it back to the present moment, the feeling of your body moving through space, and all that you see, hear, smell, and touch.
Cedar R. Koons (The Mindfulness Solution for Intense Emotions: Take Control of Borderline Personality Disorder with DBT)
Ten Things I Need to Know" The brightest stars are the first to explode. Also hearts. It is important to pay attention to love’s high voltage signs. The mockingbird is really ashamed of its own feeble song lost beneath all those he has to imitate. It’s true, the Carolina Wren caught in the bedroom yesterday died because he stepped on a glue trap and tore his wings off. Maybe we have both fallen through the soul’s thin ice already. Even Ethiopia is splitting off from Africa to become its own continent. Last year it moved 10 feet. This will take a million years. There’s always this nostalgia for the days when Time was so unreal it touched us only like the pale shadow of a hawk. Parmenedes transported himself above the beaten path of the stars to find the real that was beyond time. The words you left are still smoldering like the cigarette left in my ashtray as if it were a dying star. The thin thread of its smoke is caught on the ceiling. When love is threatened, the heart crackles with anger like kindling. It’s lucky we are not like hippos who fling dung at each other with their ridiculously tiny tails. Okay, that’s more than ten things I know. Let’s try twenty five, no, let’s not push it, twenty. How many times have we hurt each other not knowing? Destiny wears her clothes inside out. Each desire is a memory of the future. The past is a fake cloud we’ve pasted to a paper sky. That is why our dreams are the most real thing we possess. My logic here is made of your smells, your thighs, your kiss, your words. I collect stars but have no place to put them. You take my breath away only to give back a purer one. The way you dance creates a new constellation. Off the Thai coast they have discovered a new undersea world with sharks that walk on their fins. In Indonesia, a kangaroo that lives in a tree. Why is the shadow I cast always yours? Okay, let’s say I list 33 things, a solid symbolic number. It’s good to have a plan so we don’t lose ourselves, but then who has taken the ladder out of the hole I’ve dug for myself? How can I revive the things I’ve killed inside you? The real is a sunset over a shanty by the river. The keys that lock the door also open it. When we shut out each other, nothing seems real except the empty caves of our hearts, yet how arrogant to think our problems finally matter when thousands of children are bayoneted in the Congo this year. How incredible to think of those soldiers never having loved. Nothing ever ends. Will this? Byron never knew where his epic, Don Juan, would end and died in the middle of it. The good thing about being dead is that you don’t have to go through all that dying again. You just toast it. See, the real is what the imagination decants. You can be anywhere with the turn of a few words. Some say the feeling of out-of-the-body travel is due to certain short circuits in parts of the brain. That doesn’t matter because I’m still drifting towards you. Inside you are cumulous clouds I could float on all night. The difference is always between what we say we love and what we love. Tonight, for instance, I could drink from the bowl of your belly. It doesn’t matter if our feelings shift like sands beneath the river, there’s still the river. Maybe the real is the way your palms fit against my face, or the way you hold my life inside you until it is nothing at all, the way this plant droops, this flower called Heart’s Bursting Flower, with its beads of red hanging from their delicate threads any breeze might break, any word might shatter, any hurt might crush. Superstition Reviews issue 2 fall 2008
Richard Jackson
When I saw your face all over television, and I heard you being talked about like your personal life was nothing, I lost it. I wanted to hurt someone, and when I realized it was my fault, I wanted to hurt myself. So I hurt myself in the deepest way possible…by walking away from you.” He paused and held my hand against his face. “I didn’t want to hurt you. I was trying to save you from me, but it was a very bad plan, and I’m so sorry.
Abbi Glines (Breathe (Sea Breeze, #1))
June 20 June 20, Morning I SPEAK TO YOU CONTINUALLY. My nature is to communicate, though not always in words. I fling glorious sunsets across the sky, day after day after day. I speak in the faces and voices of loved ones. I caress you with a gentle breeze that refreshes and delights you. I speak softly in the depths of your spirit, where I have taken up residence. You can find Me in each moment, when you have eyes that see and ears that hear. Ask My Spirit to sharpen your spiritual eyesight and hearing. I rejoice each time you discover My Presence. Practice looking and listening for Me during quiet intervals. Gradually you will find Me in more and more of your moments. You will seek Me and find Me, when you seek Me above all else.
Sarah Young (Jesus Calling Morning and Evening, with Scripture References: Yearlong Guide to Inner Peace and Spiritual Growth (A 365-Day Devotional) (Jesus Calling®))
I’m fine!” Christine snapped before calming herself. “I wanted to―I needed―I, ah, um… what I mean is… I-want-your-babies!” A stiff breeze blew through the now silent clearing. A tumbleweed rolled between Kevin and Christine. Kevin tracked the tumbleweed until it rolled out of sight, and then turned back to Christine. Um, what?” Kevin looked dumbfounded. “Ne,” Iris leaned into Lilian’s ear again, “what’s up with tsun-tsun over there? She looks like an ice cube.” “Just wait for it,” Lilian whispered back. “Um, Christine, can you repeat that?” Kevin rubbed the back of his head. “I didn’t quite catch that?” It took Christine exactly 2.6 seconds to register her own words. It took another 2.6 seconds to comprehend them. Exactly six seconds after that, Christine’s face exploded with color as steam poured out of her ears. Tsundere protocols: activated. “Y-y-y-you… how dare you, ya damn beast!” Kevin’s eyes widened fractionally. “What—Gu!” He then received a brutal headbutt to the face, which sent him sprawling to the ground. “Y-y-you stupid, IDIOT!” “Holy crap!
Brandon Varnell (A Fox's Family (American Kitsune #4))
If you find someone who makes you forget, just how hard the reality of life is, then stay with that person, if you look forward to seeing them each day,if they make you laugh, if they do kind acts towards you from their own free will, and most of all if you can look at that person in silence and say to them in that blessed silance,I love you, and you share a bond a common theme that you love being together,through thick and thin, and when you embrace each other you find peace and harmony fill your heart and soul, then you have riches that cannot be measure by all the money and material things that money can buy, this simple act of giving and sharing by two people to each other as well for others, is the holy grail of life called love, that everyone is searching for in life, no matter how much disapointment you have experienced and what you have been through in life,embrace the here and now, embrace today,tomorrow is not promised, and yesterday has already become a memory, find peace of mind in the gentle breeze that washes upon your face and own through your hair, find beauty in the churping of birds you cannot see, and the gentle rustling of the leaves, life is always whispering secrets to you,always be propared to receive these secrets the universe brings to you, and you will always see beauty in the simplest of things in life, and that's where you will find true richest in life,you are not just a indevidual, you are love do not neglect this love for yourself and to others nature and animals
Kenan Hudaverdi
If you hurl outside?” From his far-off hidey-hole, Dave was directing, not asking. “Shovel it up and put it in the trash. I don’t want my dogs to get to it because it’s whatever you ate plus the shrooms and they’ll gobble it all up and freak the fuck out.” “I promise you. I won’t throw up,” Flynn heard Allison groan before her vomit hit the kitchen sink. “Outside.” “It’s cold out there, honey,” LA Tina said with a deep, soothing voice. “Someone grab up all that pretty blonde hair so it don’t get puked on.” As Flynn fully immersed himself in the music, the merry-go-round in the song was spinning sound and vision around him. Mushrooms were coming on quickly, powerfully, puckering his saliva glands and twisting his stomach into knots. Unsure if he’d actually made it to the bathroom, he was relieved when he saw his emesis kaleidoscopically stewing in the sink. Opening the spigot to wash the corruption down the drain, he splashed cold water on his face as he watched his eyes lit like fires from faraway camps, lips pushing the folds of his cheeks into reiterative grins. A timeless face reminded him of who he was and what resided within him as water drizzled down his chin and swirled into the drain. Emerging back into the rest of the world, a melodic hum hung just above his head. He found his way back to where the notes fully unfurled the song’s motif. Throwing himself into an air-guitar stance, he grimaced as he acted bending out the first, bluesy guitar note. Sparking and glowing like a welding rod, the room around him blazed with his light. Emma leered and licked her lips after glugging down a huge swig of Flynn pretending to be Pink Floyd. Tall, thin, somewhat handsome and exotic in his urbanity, Flynn was poised in a way Pogoner boys could never be. Something about him prickled wildly on her skin and excited her. Gliding from the kitchen to where he rocked, arms raised to reveal her Venus form, she sashayed with dabs of riffing blues, synthesizers scaling the air while guitars and bass vibrated through shabby carpet. As she joined him to take the music within, two objects in space edged closer and closer, gravity pulling both to an inevitable collision. In the gentle light of Christmas bulbs and uncountable candles, they circled round in time to the music, watching each other as neon Nazca-line insects scrambled across the walls. “Remember when you were young?” Emma crooned deep and soft. “You shone like the sun…” Flynn picked up before they both continued with the chorus. “Now there’s a look in your eyes,” she watched him draw closer. “Like black holes in the sky…” “Shine! On! You! Crazy… DIAMOND!” they both shouted, him with uncertainty, her full-throated and stepping into her own, reminding the house why no band playing in town turned down her offer to stand on stage and belt one out. Continuing to spin toward one another, trading lyrics and leers, the two ground their desire like peppercorns, seasoning the diminishing space between them. Whisper came out of the kitchen after a few verses, singing loudly and a bit off-key, Ra-Ra and LA Tina in tow. “You wore out your welcome, with random precision…” “Blown on the steel… breeze…” the followers continued as a chorus. Emma and Flynn unraveled from one another and gave the group a look of, Really? Now? “Come on you raver,” all a chorus, “you seer of visions. Come on you painter, you piper, you prisoner and shine….” Everyone then fell out, shaking to various degrees as though they’d just been brought to tongues by some tent-preacher’s sermon.
James R McQuiggin
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Brandon Sanderson (The Hero of Ages (Mistborn, #3))
w Waiting silently for the day when everything changes and those fortifications crumble, and you can stand up, pull off the head scarf let your hair dance in the sun lift your face to the skies as your words fly free like butterflies on the breeze.
Shirani Rajapakse (The Way It Is)
Waiting silently for the day when everything changes and those fortifications crumble, and you can stand up, pull off the head scarf let your hair dance in the sun lift your face to the skies as your words fly free like butterflies on the breeze.
Shirani Rajapakse (The Way It Is)
Sunshine... The sun is shining brightly, Its golden light covered the entire house.. A cool breeze blows from the terrace, This time, the room conveyed a special feeling.. Two cups of cappuccino, vanilla biscuits and the smell of incense that was scattered.. But the only thing that made the room more beautiful was you.. I looked at your shining face, Your short brown hair was golden under the warm sunlight, your beautiful eyes sparkled, your cheeks were red and your pastel lips looked so soft... I don't know what beauty means anymore...! For me, you are the meaning of beauty.. but how..? How can you.. be so beautiful...?
Faya
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Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))