Canopy Of Life Quotes

Always in life an idea starts small, it is only a sapling idea, but the vines will come and they will try to choke your idea so it cannot grow, and it will die and you will never know you had a big idea, an idea so big it could have grown thirty meters through the dark canopy of leaves and touched the face of the sky. The vines are people who are afraid of originality, of new thinking. Most people you encounter will be vines; when you are a young plant they are very dangerous. Always listen to yourself, Peekay. It is better to be wrong than simply to follow convention. If you are wrong, no matter, you have learned something and you grow stronger. If you are right, you have taken another step toward a fulfilling life.

Do you know when they say soul-mates? Everybody uses it in personal ads. "Soul-mate wanted". It doesn't mean too much now. But soul mates- think about it. When your soul-whatever that is anyway-something so alive when you make music or love and so mysteriously hidden most of the rest of the time, so colorful and big but without color or shape-when your soul finds another soul it can recognize even before the rest of you knows about it. The rest of you just feels sweaty and jumpy at first. And your souls get married without even meaning to-even if you can't be together for some reason in real life, your souls just go ahead and make the wedding plans. A soul's wedding must be too beautiful to even look at. It must be blinding. In must be like all the weddings in the world-gondolas with canopies of doves, champagne glasses shattering, wings of veils, drums beating, flutes and trumpets,showers of roses. And after that happens-that's it, this is it. But sometimes you have to let that person go. When you are little, people , movie and fairy tales all tell you that one day you're going to meet this person. So you keep waiting and it's a lot harder than they make it sound. Then you meet and you think, okay, now we can just get on with it but you find out that sometimes your sould brother partner lover has other ideas about that.

His own life suddenly seemed repellently formal. Whom did he know or what did he know and whom did he love? Sitting on the stump under the burden of his father's death and even the mortality inherent in the dying, wildly colored canopy of leaves, he somehow understood that life was only what one did every day.... Nothing was like anything else, including himself, and everything was changing all of the time. He knew he couldn't perceive the change because he was changing too, along with everything else. (from the novella, The Man Who Gave Up His Name)

At the base of the immense pillar, tiny Babylon was in shadow. Then the darkness climbed the tower, like a canopy unfurling upward. It moved slowly enough that Hillalum felt he could count the moments passing, but then it grew faster as it approached, until it raced past them faster than he could blink, and they were in twilight... For the first time, he knew night for what it was: the shadow of the earth itself, cast against the sky.

To get through the night, I sometimes imagined the sky filled with a canopy of stars. I imagined that each star contained the soul of a girl or boy who had died too young, and the light the stars gave off was their brightness.

But we shouldn't be concerned about trees purely for material reasons, we should also care about them because of the little puzzles and wonders they present us with. Under the canopy of the trees, daily dramas and moving love stories are played out. Here is the last remaining piece of Nature, right on our doorstep, where adventures are to be experienced and secrets discovered. And who knows, perhaps one day the language of trees will eventually be deciphered, giving us the raw material for further amazing stories. Until then, when you take your next walk in the forest, give free rein to your imagination-in many cases, what you imagine is not so far removed from reality, after all!

Do you know when they say soulmates? Everybody uses it in personal ads. “Soul mate wanted.” It doesn’t mean too much now. But soulmates – think about it. When your soul – whatever that is anyway – something so alive when you make music or love and so mysteriously hidden most of the rest of the time, so colorful and big but without color or shape – when your soul finds another soul it can recognize even before the rest of you knows about it. The rest of you just feels sweaty and jumpy at first. And your souls get married without even meaning to – even if you can’t be together for some reason in real life, your souls just go ahead and make the wedding plans. A soul’s wedding must be too beautiful to even look at. It must be blinding. It must be like all the weddings in the world – gondolas with canopies of doves, champagne glasses shattering, wings of veils, drums beating, flutes and trumpets, showers of roses. And after that happens you know – that’s it. This is it.

Say the planet is born at midnight and it runs for one day. First there is nothing. Two hours are lost to lava and meteors. Life doesn’t show up until three or four a.m. Even then, it’s just the barest self-copying bits and pieces. From dawn to late morning—a million million years of branching—nothing more exists than lean and simple cells. Then there is everything. Something wild happens, not long after noon. One kind of simple cell enslaves a couple of others. Nuclei get membranes. Cells evolve organelles. What was once a solo campsite grows into a town. The day is two-thirds done when animals and plants part ways. And still life is only single cells. Dusk falls before compound life takes hold. Every large living thing is a latecomer, showing up after dark. Nine p.m. brings jellyfish and worms. Later that hour comes the breakout—backbones, cartilage, an explosion of body forms. From one instant to the next, countless new stems and twigs in the spreading crown burst open and run. Plants make it up on land just before ten. Then insects, who instantly take to the air. Moments later, tetrapods crawl up from the tidal muck, carrying around on their skin and in their guts whole worlds of earlier creatures. By eleven, dinosaurs have shot their bolt, leaving the mammals and birds in charge for an hour. Somewhere in that last sixty minutes, high up in the phylogenetic canopy, life grows aware. Creatures start to speculate. Animals start teaching their children about the past and the future. Animals learn to hold rituals. Anatomically modern man shows up four seconds before midnight. The first cave paintings appear three seconds later. And in a thousandth of a click of the second hand, life solves the mystery of DNA and starts to map the tree of life itself. By midnight, most of the globe is converted to row crops for the care and feeding of one species. And that’s when the tree of life becomes something else again. That’s when the giant trunk starts to teeter.

Covering up with one of his wings, I surround myself with the scent of licorice and honey. “You want to hold me while I sleep. You want to watch my face as I dream like you never have—from the outside.” He traces my eye markings with an elegant fingertip. “That will be my memory to cling to, until you’re mine forever at last, both in waking hours and sleep. The question is, do you trust me enough to give me that? To rest in my arms tonight?” I hold his soft palm against my cheek. “Will you sing me my lullaby?” He weaves his fingers through my hair and presses my forehead to his. “Forever and always,” he whispers. As he hums the tune that has been inside my mind and heart all my life, I close the waterfall canopy, cocooning us within our own frozen pocket of time.

I take the measure of the ridiculous, superfluous cats who wander through our lives with all the placidity and indifference of an imbecile are in fact the guardians of life's good and joyful moments, and of its happy web, even beneath the canopy of misfortune.

The spirit, my love, is stronger than laughter, stronger than the hungry panting of reckless lions that paw and shuffle underneath the canopy of bowed trees, stronger than the pace of a dying heart, that awaits to be pumped to life by episodes mothered by time, by hands of mankind, by slivers of hope hidden in the common mind.

Forest air is the epitome of healthy air. People who want to take a deep breath of fresh air or engage in physical activity in a particularly agreeable atmosphere step out into the forest. There's every reason to do so. The air truly is considerably cleaner under the trees, because the trees act as huge air filters. Their leaves and needles hang in a steady breeze, catching large and small particles as they float by. Per year and square mile this can amount to 20,000 tons of material. Trees trap so much because their canopy presents such a large surface area. In comparison with a meadow of a similar size, the surface area of the forest is hundreds of times larger, mostly because of the size difference between trees and grass. The filtered particles contain not only pollutants such as soot but also pollen and dust blown up from the ground. It is the filtered particles from human activity, however, that are particularly harmful. Acids, toxic hydrocarbons, and nitrogen compounds accumulate in the trees like fat in the filter of an exhaust fan above a kitchen stove. But not only do trees filter materials out of the air, they also pump substances into it. They exchange scent-mails and, of course, pump out phytoncides, both of which I have already mentioned.

On the windless days, when the maples have put forth their deep canopies, and the sky is wearing its new blue immensities, and the wind has dusted itself not an hour ago in some spicy field and hardly touches us as it passes by, what is it we do? We lie down and rest upon the generous earth. Very likely we fall asleep.

Someone is getting excited. Somebody somewhere is shaking with excitement because something tremendous is about to happen to this person. This person has dressed for the occasion. This person has hoped and dreamed and now it is really happening and this person can hardly believe it. But believing is not an issue here, the time for faith and fantasy is over, it is really really happening. It involves stepping forward and bowing. Possibly there is some kneeling, such as when one is knighted. One is almost never knighted. But this person may kneel and receive a tap on each shoulder with a sword. Or, more likely, this person will be in a car or a store or under a vinyl canopy when it happens. Or online or on the phone. It could be an e-mail re: your knighthood. Or a long, laughing, rambling phone message in which every person this person has ever known is talking on a speakerphone and they are all saying, You have passed the test, it was all just a test, we were only kidding, real life is so much better than that. This person is laughing out loud with relief and playing the message back to get the address of the place where every person this person has ever known is waiting to hug this person and bring her into the fold of life. It is really exciting, and it’s not just a dream, it’s real.

Sharply etched against the black velvet canopy, the lady in white watches as her husband awakens, his deep orange smile lighting up the ebony darkness.  Casting her alabaster glow across the dark firmament, she blows a kiss to her beloved solar mate as she prepares for her own descent into sleep.  “Remember,” she whispers, “remember the sweet fragrance of my words.  Soft, cherishing words spoken on the currents of timelessness as one life morphs into the next.  Words of love and remembrance.”  Smiling contentedly, her light dims into the erupting color of the daytime sky.

You are a child no longer, whatever you might wish. You are a woman with a woman's body, and you do not think or feel as you did back there at Sevenwaters, when you ran wild in the forest and the trees spread their canopy to shelter you. Men will look at you. Come to terms with it, Sorcha. You cannot hide forever. They will look at you with desire in their eyes. You were taken against your will, and it damaged you. But life goes on.

And there was a murmur of leaves along the whisper of a Twilight sky, in a canopy of stars swiftly walking through the lilac hue of a distant dream. And gently a dream passed by waving a smile, in a fiery glow of a thousand lives to kiss the halo of a soft sunset awaiting its morn.

Affection is the environment of the marriage, while sex is an event. Affection is a way of life, a canopy that covers and protects a marriage. It's a direct and convincing expression of care that gives the event of sex a more appropriate context. Most women need affection before sex means much to them.

And so, Navani painted a prayer onto the stones themselves, sending her attendants for more ink. She paced off the size of the glyph as she continued its border, making it enormous, spreading her ink onto the tan rocks. Soldiers gathered around, Sadeas stepping from his canopy, watching her paint, her back to the sun as she crawled on the ground and furiously dipped her brushpen into the ink jars. What was a prayer, if not creation? Making something where nothing existed. Creating a wish out of despair, a plea out of anguish. Bowing one's back before the Almighty, and forming humility from the empty pride of a human life. Something from nothing. True creation. Her tears mixed with the the ink. She went through four jars. She crawled, holding her safehand to the ground, brushing the stones and smearing ink on her cheeks when she wiped the tears. When she finally finished, she knelt back before a glyph twenty paces long, emblazoned as if in blood. The wet ink reflected sunlight, and she fired it with a candle; the ink was made to burn whether wet or dry. The flames burned across the length of the prayer, killing it and sending its soul to the Almighty.

She was a wonder junkie. In her mind, she was a hill tribesman standing slack-jawed before the real Ishtar Gate of ancient Babylon; Dorothy catching her first glimpse of the vaulted spires of the Emerald City of Oz; a small boy from darkest Brooklyn plunked down in the Corridor of Nations of the 1939 World’s Fair, the Trylon and Perisphere beckoning in the distance; she was Pocahontas sailing up the Thames estuary with London spread out before her from horizon to horizon. been voyaging between the stars when the ancestors of humans were still brachiating from branch to branch in the dappled sunlight of the forest canopy. Drumlin, like many others she had known over the years, had called her an incurable romantic; and she found herself wondering again why so many people thought it some embarrassing disability. Her romanticism had been a driving force in her life and a fount of delights. Advocate and practitioner of romance, she was off to see the Wizard.

Standing beside her grandmother's deathbed, woolen dress still smelling of black logwood dye, Ade had felt the way a sapling might as it watched one of the old forest giants come crashing magnificently to rest: awed, and perhaps a little frightened. But when Mama Larson's final breath rattled from her ribs, Ade discovered the same thing the young sapling would have: in the absence of the old tree, there was a hole in the canopy above her.

For the natural polytheist who finds her gods in the rivers and mountains, in the deep-rooted giants looming above the canopy and in the tiny creatures that move beneath them, ecology gives us a glimpse into a kind of living anatomy of the divine, a theology of physical as well as spiritual life. - Alison Leigh Lilly, "Anatomy of a God

Ruins and basilicas, palaces and colossi, set in the midst of a sordid present, where all that was living and warm-blooded seemed sunk in the deep degeneracy of a superstition divorced from reverence; the dimmer but yet eager titanic life gazing and struggling on walls and ceilings; the long vistas of white forms whose marble eyes seemed to hold the monotonous light of an alien world—all this vast wreck of ambitious ideals, sensuous and spiritual, mixed confusedly with the signs of breathing forgetfulness and degradation…the vastness of St. Peter’s the huge bronze canopy, the excited intention in the attitudes and garments of the prophets and evangelists in the mosaics above, and the red drapery which was being hung for Christmas spreading itself everywhere like a disease of the retina.

Imagine,” Tyler said, "stalking elk past department store windows and stinking racks of beautiful rotting dresses and tuxedos on hangers; you’ll wear leather clothes that will last you the rest of your life, and you’ll climb the wrist-thick kudzu vines that wrap the Sears Tower. Jack and the beanstalk, you’ll climb up through the dripping forest canopy and the air will be so clean you’ll see tiny figures pounding corn and laying strips of venison to dry in the empty car pool lane of an abandoned superhighway stretching eight-lanes-wide and August-hot for a thousand miles.

After lunch, he rose and gave me the tips of his fingers, saying he would like to show me over his flat; but I snatched away my hand and gave a cry. What I had touched was cold and, at the same time, bony; and I remembered that his hands smelt of death. ‘Oh, forgive me!’ he moaned. And he opened a door before me. ‘This is my bedroom, if you care to see it. It is rather curious.’ His manners, his words, his attitude gave me confidence and I went in without hesitation. I felt as if I were entering the room of a dead person. The walls were all hung with black, but, instead of the white trimmings that usually set off that funereal upholstery, there was an enormous stave of music with the notes of the DIES IRAE, many times repeated. In the middle of the room was a canopy, from which hung curtains of red brocaded stuff, and, under the canopy, an open coffin. 'That is where I sleep,’ said Erik. 'One has to get used to everything in life, even to eternity.’ The sight upset me so much that I turned away my head” - Chapter 12: Apollo’s Lyre

When by my solitary hearth I sit, And hateful thoughts enwrap my soul in gloom; When no fair dreams before my "mind's eye" flit, And the bare heath of life presents no bloom; Sweet Hope, ethereal balm upon me shed, And wave thy silver pinions o'er my head. Whene'er I wander, at the fall of night, Where woven boughs shut out the moon's bright ray, Should sad Despondency my musings fright, And frown, to drive fair Cheerfulness away, Peep with the moon-beams through the leafy roof, And keep that fiend Despondence far aloof. Should Disappointment, parent of Despair, Strive for her son to seize my careless heart; When, like a cloud, he sits upon the air, Preparing on his spell-bound prey to dart: Chace him away, sweet Hope, with visage bright, And fright him as the morning frightens night! Whene'er the fate of those I hold most dear Tells to my fearful breast a tale of sorrow, O bright-eyed Hope, my morbid fancy cheer; Let me awhile thy sweetest comforts borrow: Thy heaven-born radiance around me shed, And wave thy silver pinions o'er my head! Should e'er unhappy love my bosom pain, From cruel parents, or relentless fair; O let me think it is not quite in vain To sigh out sonnets to the midnight air! Sweet Hope, ethereal balm upon me shed. And wave thy silver pinions o'er my head! In the long vista of the years to roll, Let me not see our country's honour fade: O let me see our land retain her soul, Her pride, her freedom; and not freedom's shade. From thy bright eyes unusual brightness shed-- Beneath thy pinions canopy my head! Let me not see the patriot's high bequest, Great Liberty! how great in plain attire! With the base purple of a court oppress'd, Bowing her head, and ready to expire: But let me see thee stoop from heaven on wings That fill the skies with silver glitterings! And as, in sparkling majesty, a star Gilds the bright summit of some gloomy cloud; Brightening the half veil'd face of heaven afar: So, when dark thoughts my boding spirit shroud, Sweet Hope, celestial influence round me shed, Waving thy silver pinions o'er my head. - To Hope

When you're and only child in a family with an only parent, you look at other, bigger families with envy. Mary Alice had a family with a station wagon, a split-level house, and a pool. But then I looked up and saw Mary Alice's toes, as she stood at the edged of the diving board. Her second toe lay on top of her big toe on each foot. I had never seen such a thing. I wondered if Mary Alice's toes would ever prevent her from doing the things she wanted to do in life. "Look, y'all!" she said, forming her perfect body into a perfect swan's dive. I decided then that any time I got frustrated with my overall situation in life, mad or jealous of knee socks or a pink canopy bed in a pink room, I'd take a deep breath and think about Mary Alice's toes. At least I didn't have Mary Alice's toes.

Every tree, therefore, is valuable to the community and worth keeping around for as long as possible. And that is why even sick individuals are supported and nourished until they recover. Next time, perhaps it will be the other way round, and the supporting tree might be the one in need of assistance. When thick silver-gray beeches behave like this, they remind me of a herd of elephants. Like the herd, they, too, look after their own, and they help their sick and weak back up onto their feet. They are even reluctant to abandon their dead. Every tree is a member of this community, but there are different levels of membership. For example, most stumps rot away into humus and disappear within a couple of hundred years (which is not very long for a tree). Only a few individuals are kept alive over the centuries, like the mossy "stones" I've just described. What's the difference? Do tree societies have second-class citizens just like human societies? It seems they do, though the idea of "class" doesn't quite fit. It is rather the degree of connection-or maybe even affection-that decides how helpful a tree's colleagues will be. You can check this out for yourself simply by looking up into the forest canopy. The average tree grows its branches out until it encounters the branch tips of a neighboring tree of the same height. It doesn't grow any wider because the air and better light in this space are already taken. However, it heavily reinforces the branches it has extended, so you get the impression that there's quite a shoving match going on up there. But a pair of true friends is careful right from the outset not to grow overly thick branches in each other's direction. The trees don't want to take anything away from each other, and so they develop sturdy branches only at the outer edges of their crowns, that is to say, only in the direction of "non-friends." Such partners are often so tightly connected at the roots that sometimes they even die together.

This person has hoped and dreamed and now it is really happening and this person can hardly believe it. But believing is not an issue here, the time for faith and fantasy is over, it is really really happening. It involves stepping forward and bowing. Possibly there is some kneeling, such as when one is knighted. One is almost never knighted. But this person may kneel and receive a tap on each shoulder with a sword. Or, more likely, this person will be in a car or a store or under a vinyl canopy when it happens. Or online or on the phone. It could be an e-mail re: your knighthood. Or a long, laughing, rambling phone message in which every person this person has ever known is talking on a speakerphone and they are all saying, You have passed the test, it was all just a test, we were only kidding, real life is so much better than that.

Despite the perturbations of the world, life goes on. The sky presents an endless canopy of translucent blue. The still air is suffused with sunshine. Perhaps tomorrow the beneficent clouds will gather and it will finally rain. The earth will cool and revive and in that seminal moment all our sins perchance will be washed away. It might happen. But somehow I doubt it.

I’m lying on the ground looking up at the branches of an oak tree. Dappled light is shining through the canopy, the leaves whisper ancient incantations. This tree, in its living stage, rooted in sights and sounds that I’ll never know, has witnessed extinctions and wars, loves and losses. I wish we could translate the language of trees – hear their voices, know their stories. They host such an astonishing amount of life – there are thousands of species harbouring in and on and under this mighty giant. And I believe trees are like us, or they inspire the better parts of human nature. If only we could be connected in the way this oak tree is connected with its ecosystem.

I’ll be honest with you. The variables that construct my existence are confusing. Like handwritten math equations jammed together on a sloppy page of homework. They don’t make any sense. One math problem leads to another, and then another and so it goes. One day you realize that your life is one whole page of problems and nothing ever gets solved. One ongoing equation with no equal sign at the end. But it occurred to me, beneath the canopy of a starlight heaven, that I’d been looking at my life all wrong. It wasn’t a math equation. Things weren’t supposed to add up. There was no solution. In fact, there was no problem. Life’s variables and numbers and pages of chicken scratch weren’t mathematical marks. They were art. A drawing. An abstract painting. It was meant to be beautiful, not sensical. And embedded within the mess of it all were miracles. Small ones. I’d never paid attention to them because I was too busy, but it didn’t make them less real.

A species of willow developed that does not grow vertically upwards, like it's European and American relatives. To do so would to risk being flattened by the ferocious Artic wind. Instead it grows horizontally, keeping close to the ground. Even in the most favorable circumstances it seldom exceeds four inches in height. But it may become as long as some if it's southern relatives are tall. When you walk across a carpet of such prostrate tree, you are, in effect walking over a woodland canopy.

It was two lives I lived: the one right there, the sun extending its warmth toward us, the children calling with happiness, the cry of songbirds in the canopy of oak trees overhead, the splash of lake water. Then there was the second, parallel life: the one where my mind was preoccupied with how to describe this time and feeling to Jack. What would I take of this day to share with him? I was living a life with him in my mind while externally picnicking with my family. It was both disorienting and balancing.

it is important to me to say the same prayers that my grandmother said, and that her grandmother said, and that other Jews around the world are saying today. These prayers have traveled a journey over thousands of years, echoing through ancient stone Temples, teeming synagogues, and boisterous Shabbat tables; spoken under wedding canopies and over squirming babies, on deathbeds and during dark nights of the soul. And they have been the last words on the lips of many people who lost their lives because they refused to give up their right to utter them.

According to Massimo Maffei from the University of Turin, plants-and that includes trees-are perfectly capable of distinguishing their own roots from the roots of other species and even from the roots of related individuals. But why are trees such social beings? Why do they share food with their own species and sometimes even go so far as to nourish their competitors? The reasons are the same as for human communities: there are advantages to working together. A tree is not a forest. On its own, a tree cannot establish a consistent local climate. It is at the mercy of wind and weather. But together, many trees create an ecosystem that moderates extremes of heat and cold, stores a great deal of water, and generates a great deal of humidity. And in this protected environment, trees can live to be very old. To get to this point, the community must remain intact no matter what. If every tree were looking out only for itself, then quite a few of them would never reach old age. Regular fatalities would result in many large gaps in the tree canopy, which would make it easier for storms to get inside the forest and uproot more trees. The heat of summer would reach teh forest floor and dry it out. Every tree would suffer.

The old oak, quite transfigured, spreading out a canopy of sappy dark-green foliage, stood rapt and slightly trembling in the rays of the evening sun. Neither gnarled fingers nor old scars nor old doubts and sorrows were any of them in evidence now. Through the hard century-old bark, even where there were no twigs, leaves had sprouted such as one could hardly believe the old veteran could have produced. ‘Yes, it is the same oak,’ thought Prince Andrei, and all at once he was seized by an unreasoning spring-time feeling of joy and renewal. All the best moments of his life suddenly rose to his memory. Austerlitz with the lofty heavens, his wife’s dead reproachful face, Pierre at the ferry, that girl thrilled by the beauty of the night, and that night itself and the moon, and … all this rushed suddenly to his mind. ‘No, life is not over at thirty-one!’ Prince Andrei suddenly decided finally and decisively. ‘It is not enough for me to know what I have in me—everyone must know it: Pierre, and that young girl who wanted to fly away into the sky, everyone must know me, so that my life may not be lived for myself alone while others live so apart from it, but so that it may be reflected in them all, and they and I may live in harmony.

Light - both physical and moral - was a central concern to the men and women living in the medieval age. They attempted to explore its properties in the colors of a stained glass canopy, in the tenor of a brisk saltarello, in the lilt of a Jongleur's ballad, in the sweet savor of a banqueting table, in the rhapsody of a well planned garden, indeed, in every arena and discipline of life.

... neither the metaphor of ‘melting pot’ nor of ‘salad bowl’ can accurately explain Indian culture. My preferred metaphor is that of the Rain Forest. The ‘tropical rain forest’ characteristically has a number of layers, each with a variety of flora and fauna adapted for life in that particular layer. The layers include the uppermost ‘emergent’ layer that rises above to form the canopy of the forest, the ‘under-story’ and finally the ‘forest floor’, the foundational core. This emergent layer has its roots in the forest floor that is full of shrubs, vines and fungi... A ‘bird’s-eye view’ cannot reveal this rootedness, the underlying substratum, the under-stories and the forest floor. If the metaphor of ‘tropical rain forest’ is applied to the Indus Valley Civilization, the citadels, the rulers, and the rich merchants with their maritime wealth, the urban structure and its finesse are comparable with the ‘emergent canopy’. Yet the bulk of the demography was at the root – the substratum, from which the mature urban cities emerged... The nature of its religion, the cultural practices, cockfights and bull-vaulting visually represent the ‘under-story’ of the IVC.

There is one in this tribe too often miserable - a child bereaved of both parents. None cares for this child: she is fed sometimes, but oftener forgotten: a hut rarely receives her: the hollow tree and chill cavern are her home. Forsaken, lost, and wandering, she lives more with the wild beast and bird than with her own kind. Hunger and cold are her comrades: sadness hovers over, and solitude besets her round. Unheeded and unvalued, she should die: but she both lives and grows: the green wilderness nurses her, and becomes to her a mother: feeds her on juicy berry, on saccharine root and nut. There is something in the air of this clime which fosters life kindly: there must be something, too, in its dews, which heals with sovereign balm. Its gentle seasons exaggerate no passion, no sense; its temperature tends to harmony; its breezes, you would say, bring down from heaven the germ of pure thought, and purer feeling. Not grotesquely fantastic are the forms of cliff and foliage; not violently vivid the colouring of flower and bird: in all the grandeur of these forests there is repose; in all their freshness there is tenderness. The gentle charm vouchsafed to flower and tree, - bestowed on deer and dove, - has not been denied to the human nursling. All solitary, she has sprung up straight and graceful. Nature cast her features in a fine mould; they have matured in their pure, accurate first lines, unaltered by the shocks of disease. No fierce dry blast has dealt rudely with the surface of her frame; no burning sun has crisped or withered her tresses: her form gleams ivory-white through the trees; her hair flows plenteous, long, and glossy; her eyes, not dazzled by vertical fires, beam in the shade large and open, and full and dewy: above those eyes, when the breeze bares her forehead, shines an expanse fair and ample, - a clear, candid page, whereon knowledge, should knowledge ever come, might write a golden record. You see in the desolate young savage nothing vicious or vacant; she haunts the wood harmless and thoughtful: though of what one so untaught can think, it is not easy to divine. On the evening of one summer day, before the Flood, being utterly alone - for she had lost all trace of her tribe, who had wandered leagues away, she knew not where, - she went up from the vale, to watch Day take leave and Night arrive. A crag, overspread by a tree, was her station: the oak-roots, turfed and mossed, gave a seat: the oak-boughs, thick-leaved, wove a canopy. Slow and grand the Day withdrew, passing in purple fire, and parting to the farewell of a wild, low chorus from the woodlands. Then Night entered, quiet as death: the wind fell, the birds ceased singing. Now every nest held happy mates, and hart and hind slumbered blissfully safe in their lair. The girl sat, her body still, her soul astir; occupied, however, rather in feeling than in thinking, - in wishing, than hoping, - in imagining, than projecting. She felt the world, the sky, the night, boundlessly mighty. Of all things, herself seemed to herself the centre, - a small, forgotten atom of life, a spark of soul, emitted inadvertent from the great creative source, and now burning unmarked to waste in the heart of a black hollow. She asked, was she thus to burn out and perish, her living light doing no good, never seen, never needed, - a star in an else starless firmament, - which nor shepherd, nor wanderer, nor sage, nor priest, tracked as a guide, or read as a prophecy? Could this be, she demanded, when the flame of her intelligence burned so vivid; when her life beat so true, and real, and potent; when something within her stirred disquieted, and restlessly asserted a God-given strength, for which it insisted she should find exercise?

A Day Away We often think that our affairs, great or small, must be tended continuously and in detail, or our world will disintegrate, and we will lose our places in the universe. That is not true, or if it is true, then our situations were so temporary that they would have collapsed anyway. Once a year or so I give myself a day away. On the eve of my day of absence, I begin to unwrap the bonds which hold me in harness. I inform housemates, my family and close friends that I will not be reachable for twenty-four hours; then I disengage the telephone. I turn the radio dial to an all-music station, preferably one which plays the soothing golden oldies. I sit for at least an hour in a very hot tub; then I lay out my clothes in preparation for my morning escape, and knowing that nothing will disturb me, I sleep the sleep of the just. On the morning I wake naturally, for I will have set no clock, nor informed my body timepiece when it should alarm. I dress in comfortable shoes and casual clothes and leave my house going no place. If I am living in a city, I wander streets, window-shop, or gaze at buildings. I enter and leave public parks, libraries, the lobbies of skyscrapers, and movie houses. I stay in no place for very long. On the getaway day I try for amnesia. I do not want to know my name, where I live, or how many dire responsibilities rest on my shoulders. I detest encountering even the closest friend, for then I am reminded of who I am, and the circumstances of my life, which I want to forget for a while. Every person needs to take one day away. A day in which one consciously separates the past from the future. Jobs, lovers, family, employers, and friends can exist one day without any one of us, and if our egos permit us to confess, they could exist eternally in our absence. Each person deserves a day away in which no problems are confronted, no solutions searched for. Each of us needs to withdraw from the cares which will not withdraw from us. We need hours of aimless wandering or spates of time sitting on park benches, observing the mysterious world of ants and the canopy of treetops. If we step away for a time, we are not, as many may think and some will accuse, being irresponsible, but rather we are preparing ourselves to more ably perform our duties and discharge our obligations. When I return home, I am always surprised to find some questions I sought to evade had been answered and some entanglements I had hoped to flee had become unraveled in my absence. A day away acts as a spring tonic. It can dispel rancor, transform indecision, and renew the spirit.

Trees stand at the heart of ecology, and they must come to stand at the heart of human politics. Tagore said, Trees are the earth’s endless effort to speak to the listening heaven. But people—oh, my word—people! People could be the heaven that the Earth is trying to speak to. “If we could see green, we’d see a thing that keeps getting more interesting the closer we get. If we could see what green was doing, we’d never be lonely or bored. If we could understand green, we’d learn how to grow all the food we need in layers three deep, on a third of the ground we need right now, with plants that protected one another from pests and stress. If we knew what green wanted, we wouldn’t have to choose between the Earth’s interests and ours. They’d be the same!” One more click takes her to the next slide, a giant fluted trunk covered in red bark that ripples like muscle. “To see green is to grasp the Earth’s intentions. So consider this one. This tree grows from Colombia to Costa Rica. As a sapling, it looks like a piece of braided hemp. But if it finds a hole in the canopy, the sapling shoots up into a giant stem with flaring buttresses.” She turns to regard the image over her shoulder. It’s the bell of an enormous angel’s trumpet, plunged into the Earth. So many miracles, so much awful beauty. How can she leave so perfect a place? “Did you know that every broadleaf tree on Earth has flowers? Many mature species flower at least once a year. But this tree, Tachigali versicolor, this one flowers only once. Now, suppose you could have sex only once in your entire life. . . .” The room laughs now. She can’t hear, but she can smell their nerves. Her switchback trail through the woods is twisting again. They can’t tell where their guide is going. “How can a creature survive, by putting everything into a one-night stand? Tachigali versicolor’s act is so quick and decisive that it boggles me. You see, within a year of its only flowering, it dies.” She lifts her eyes. The room fills with wary smiles for the weirdness of this thing, nature. But her listeners can’t yet tie her rambling keynote to anything resembling home repair. “It turns out that a tree can give away more than its food and medicines. The rain forest canopy is thick, and wind-borne seeds never land very far from their parent. Tachigali’s once-in-a-lifetime offspring germinate right away, in the shadow of giants who have the sun locked up. They’re doomed, unless an old tree falls. The dying mother opens a hole in the canopy, and its rotting trunk enriches the soil for new seedlings. Call it the ultimate parental sacrifice. The common name for Tachigali versicolor is the suicide tree.

Life’s shrouded crossing seems to jump off with a hunger to take a blood-quickening journey, a desire to search for enchantment over the next hillock. We launch our feral voyage with a primitive pulsation to explore unknown lands and a desire to become acquainted with both village people and sophisticated ancient civilizations. Along the way, we will meet friends and foes. In our lightest moments, we will make love to a beautiful mate under a canopy of stars. In the darkest hours, we will fret about how to evade danger and scheme how best to conquer our enemies. The rainbow of experiences that we endure will undoubtedly bemuse, bruise, batter, and occasionally sully us. These hard on the hide shards of experience will also reveal our polychromatous character. By undertaking vivid encounters in the wilderness, with any luck, we will discover a numinous interior world. With immersion into a myriad of life shaping experiences, an undeterred person will stumble onto a path leading to personal illumination. The passage of liberation that a crusader must inevitably endure leads to a shocking psychological transformation, a spiritual overhaul allowing the seeker to finally overcome infantile images and febrile delusions that would otherwise continue to derail their fervent urge to forge an emergent personality, acquire wisdom, and attain bliss.

Her lily hand her rosy cheek lies under, Cozening the pillow of a lawful kiss; Who, therefore angry, seems to part in sunder, Swelling on either side to want his bliss; Between whose hills her head entombed is; Where like a virtuous monument she lies, To be admired of lewd unhallowed eyes. Without the bed her other fair hand was, On the green coverlet, whose perfect white Showed like an April daisy on the grass, With pearly sweat resembling dew of night. Her eyes, like marigolds, had sheathed their light, And canopied in darkness sweetly lay Till they might open to adorn the day. Her hair like golden threads played with her breath O modest wantons, wanton modesty! Showing life’s triumph in the map of death, And death’s dim look in life’s mortality. Each in her sleep themselves so beautify As if between them twain there were no strife, But that life lived in death, and death in life.

The tree of possibilities: life as it reveals itself to a man arriving, astonished, at the threshold of his adult life: an abundant treetop canopy filled with bees singing. And he thinks he understands why she never showed him the letters: she wanted to hear the murmur of the tree by herself, without him, because he, Jean-Marc, represented the abolition of all possibilities, he was the reduction, (even though it was a happy reduction) of her life to a single possibility.

Bree rubbed her belly. Figured; Alessandro wasn’t one to live in quiet but strained tension. She stared up at the fabric of the canopy and then squeezed her eyes shut. “Alessandro, considering that the outside world has the sterile hospital rooms, not to mention the epidurals, yeah. For goodness sake, Alessandro. You know we can’t stay here forever. I’m entering my eighth month here.” “I must say, I’m surprised you’re so anxious to leave.” “Why?” Bree asked, turning to look at his strong profile. “You know why, Brianna. As soon as we walk out that door, you and I are over.” Bree felt a guilty tightening in her chest. “Perhaps that’s what you want, though.” “That’s not fair,” Bree whispered even as she feared he was right. No. He’s wrong. I love him. She wasn’t going to let anyone shake what she and Alessandro had built here. She’d let her family know that she wanted Alessandro in her life and that she wanted to be a family with him. “Thanks for your confidence in me, though. Really.

They are seeking a canopy of protection—from death, from shame, from guilt, from humiliation—in the group.[*] The quest is for everlasting life—a life seen in the ongoing life of the tribe, not the person. This is precisely the mindset John the Baptist bulldozed when he said, on the banks of the Jordan: “And do not begin to say to yourselves, ‘We have Abraham as our father.’ For I tell you, God is able from these stones to raise up children for Abraham” (Luke 3:8). The question is the same as it always was,

Her. Her. Her. Future breezes implore me to stay. But I'm no future. I'm no past. Only ever contemporary of this path. I'll sacrifice everything for all her seasons give from losing. She, I sigh from The Mountain top. By her now. My only role. And for that freedom, spread my polar chill, reaching even the warmest times, a warning upon the back of every life that would by harming Hailey's play, ever wayward around this vegetative rush of orbit & twine, awaken among these cascading cliffs of bellicose ice me. And my Vengeance. At once. The Justice of my awful loss set free upon this crowded land. An old terror violent for the glee of ends. But to those who would tend her, harrowed by such Beauty & Fleeting Presence to do more, my cool cries will kiss their gentle foreheads and my tears will kiss their tender cheeks, and then if the Love of their Kindness, which only Kindness ever finds, spills my ear, for a while I might slip down and play amidst her canopies of gold. Solitude. Hailey's bare feet. And all her patience now assumes. Garland of Spring's Sacred Bloom. By you, ever sixteen, this World's preserved. By you, this World has everything left to lose. And I, your sentry of ice, shall allways protect what your Joy so dangerously resumes. I'll destroy no World so long it keeps turning with flurry & gush, petals & stems bending and lush, and allways our hushes returning anew. Everyone betrays the Dream but who cares for it? O Hailey no, I could never walk away from you. - Haloes! Haleskarth! Contraband! I can walk away from anything. Everyone loves the Dream but I kill it. Bald Eagles soar over me: —Reveille Rebel! I jump free this weel. On fire. Blaze a breeze. I'll devastate the World. \\ Samsara! Samarra! Grand! I can walk away from anything. Everyone loves the Dream but I kill it. Atlas Mountain Cedars gush over me: —Up Boogaloo! I leap free this spring. On fire. How my hair curls. I'll destroy the World. - Him. Him. Him. Future winds imploring me to stay. But I'm no tomorrow. I'm no yesterday. Only ever contemporary of this way. I will sacrifice everything for all his seasons miss of soaring. He, I sigh from The Mountain top. By him now. My only role. And for that freedom, spread my polar chill, reaching even the warmest climes, a warning upon the back of every life that would by harming Sam's play, ever wayward around this animal streak of orbit & wind, awaken among these cataracts of belligerent ice me. And my Justice. At once. The Vengeance of my awful loss set free upon this crowded land. An old terror violent for the delirium of ends. But to those who would protect him, frightened by such Beauty & Savage Presence to do more, my cool cries will kiss their tender foreheads and my tears will kiss their gentle cheeks, and then if the Kindness of their Love, which only Loving ever binds, spills my ear, for a while I might slip down and play among his foals so green. My barrenness. Sam's solitude. And all his patience now presumes. Luster of Spring's Sacred Brood. By you, ever sixteen, this World's reserved. By you, this World has everything left to lose. And I, your sentry of ice, shall allways protect what your Joy so terrifyingly elects. I'll destroy no World so long it keeps turning with scurry & blush, fledgling & charms beading with dews, and allways our rush returning renewed. Everyone betrays the Dream but who cares for it? O Sam no, I could never walk away from you.

Silvers barely look at each other, and they never smile. The telky girl looks bored feeding her strange beast, and merchants don’t even haggle. Only the Reds look alive, darting around the slow-moving men and women of a better life. Despite the heat, the sun, the bright banners, I have never seen a place so cold. What concern me most are the black video cameras hidden in the canopy or alleyways. There are only a few at home, at the Security outpost or in the arena, but they’re all over the market. I can just hear them humming in firm reminder: someone else is watching here.

Interestingly, a point that never emerged in the press but that Tim Donovan revealed to the police was that Annie had specifically "asked him to trust her" for that night's doss money. This "he declined to do." Had this incident become common knowledge, it's likely that Donovan would have faced an even worse public backlash for his role in Annie's demise. "You can find money for your beer, and you can't find money for your bed." the deputy keeper is said to have spoken in response to her request. Annie, not quite willing to admit defeat, or perhaps in a show of pride, responded with a sigh: "Keep my bed for me. I shan't be long." Ill and drunk, she went downstairs and "stood in the door for two or three minutes," considering her options. Like the impecunious lodger described by Goldsmith, she too would have been contemplating from whom among her "pals" it might have been "possible to borrow the halfpence necessary to complete {her} doss money." More likely, Annie was mentally preparing "to spend the night with only the sky for a canopy." She then set off down Brushfield Street, toward Christ Church, Spitalfields, where the homeless regularly bedded down. Her thoughts as she stepped out onto Dorest Street, as the light from Crossingham's dimmed at her back, can never be known. What route she wove through the black streets and to whom she spoke along the will never be confirmed. All that is certain is her final destination. Of the many tragedies that befell Annie Chapman in the final years of her life, perhaps one of the most poignant was that she needn't have been on the streets on that night, or on any other. Ill and feverish, she needn't have searched the squalid corners for a spot to sleep. Instead, she might have lain in a bed in her mother's house or in her sisters' care, on the other side of London. She might have been treated for tuberculosis; she might have been comforted by the embraces of her children or the loving assurances of her family. Annie needn't have suffered. At every turn there had been a hand reaching to pull her from the abyss, but the counter-tug of addiction was more forceful, and the grip of shame was just as strong. It was this that pulled her under, that had extinguished her hope and then her life many years earlier. What her murderer claimed on that night was simply all that remained of what drink had left behind.

The house is full of the mouldering relics of a more complex, more opulent life – the huge silk umbrellas like marquees that rot in the outsized yellow dragon Chinese vases in the vestibule, the complicated deckchairs with canopies and footrests whose green canvas is worn so pale and thin that they can barely take the weight of a field mouse. In cupboards and trunks and outhouses there lurk decaying galoshes, sou’westers and rubberized macs, ancient shotguns and fishing-rods and nets. On disintegrating dressing-tables the bristles of enamel-backed brushes have caught the hair of people who are all now dead.

In desperate hope I go and search for her in all the corners of my room; I find her not. My house is small and what once has gone from it can never be regained. But infinite is thy mansion, my lord, and seeking her I have to come to thy door. I stand under the golden canopy of thine evening sky and I lift my eager eyes to thy face. I have come to the brink of eternity from which nothing can vanish---no hope, no happiness, no vision of a face seen through tears. Oh, dip my emptied life into that ocean, plunge it into the deepest fullness. Let me for once feel that lost sweet touch in the allness of the universe

Growing up it had been her entire world, an oasis where on hot summer afternoons they drank iced mint sherbets under a canopy of trees, and when the sun went down they ate juicy kebabs on three-feet-long skewers. As the evening wore on, they lit lanterns and the yard acquired depth like a stage. The waiters wheeled out a three-tiered chariot of fruit compotes, rum babas, crème caramel, and charlotte russe, with bottles of liqueurs and digestifs glowing on the lower shelf. Soon after, the music would start. Noor sat on her grandmother's lap, spooning pistachio ice cream into her mouth with vanilla wafers, while Pari serenaded them.

I thought that good was to be found neither in man, nor in the predatory world of animals and insects, but in the silent kingdom of the trees. Far from it! I saw the forest’s slow movements, the treacherous way it battled against grass and bushes for each inch of soil. First, billions of seeds fly through the air and begin to sprout, destroying grass and bushes. Then millions of victorious shoots wage war against one another. And it is only the survivors who enter into an alliance of equals to form the seamless canopy of the young deciduous forest. Beneath this canopy the spruces and beeches freeze to death in the twilight of penal servitude.

Giant hogweed is considered extremely dangerous because its sap, in combination with ultraviolet light, can burn human skin. Every year, millions are spent digging up plants and destroying them, without any great success. However, hogweed can spread only because the original forested meadows along the banks of rivers and streams no longer exist. If these forests were to return, it would be so dark under the forest canopy that hogweed would disappear. The same goes for Himalayan balsam and Japanese knotweed, which also grow on the riverbanks in the absence of the forests. Trees could solve the problem if people trying to improve things would only allow them to take over.

The day of her commendation. Glorian Hraustr Berethnet stared in expectation at her canopy, waiting for maturity to shine on her from Halgalant. She had prayed for a sense that she was ready for her life. She had wanted the Saint to whisper to her, acknowledge her as his descendant. She had hoped she would finally long for her betrothal to a complete stranger, and her belly to puff with the next heir to Inys. In short, she had prayed, hoped, and expected to feel less of an imposter. Instead, she was drained from another painful night, she still had no interest in consorts, and the only puff she fancied in her belly was the sort that came from a good helping of blackberry pie.

the agonisingly stilted telephone call with George. Chapter 5 Disturbing Siesta Time Marigold deigned to join me for a stroll around the village in lieu of the promised dip. An enormous pair of rather glamorous sunglasses paired with a jaunty wide-brimmed straw sunhat, obscured her face, making it impossible to read her expression though I guessed she was still miffed at being deprived of her swim. As we walked past the church and the village square the leafy branches of the plane trees offered a shaded canopy against the sun. Our steps turned towards one of the narrow lanes that edged upwards through the village, the ancient cobbles worn smooth and slippery from the tread of donkeys and people. The sound of a moped disturbed the peace of the afternoon and we hastily jumped backwards at its approach, pressing our bodies against a wall as the vehicle zapped past us, the pensioned-off rider’s shouted greeting muffled by the noisy exhaust. Carrier bags of shopping dangling from the handlebars made me reflect the moped was the modern day equivalent of the donkey, though less useful; the old man was forced to dismount and cart the bags of shopping on foot when the cobbled lane gave way to steps. Since adapting to village life we had become less reliant on wheels. Back in Manchester we would have thought nothing of driving to the corner shop, but here in Meli we delighted in exploring on foot, never tiring of discovering

For what is in this world but grief and woe? O God! methinks it were a happy life To be no better than a homely swain; To sit upon a hill, as I do now, To carve out dials quaintly, point by point, Thereby to see the minutes how they run- How many makes the hour full complete, How many hours brings about the day, How many days will finish up the year, How many years a mortal man may live. When this is known, then to divide the times- So many hours must I tend my flock; So many hours must I take my rest; So many hours must I contemplate; So many hours must I sport myself; So many days my ewes have been with young; So many weeks ere the poor fools will can; So many years ere I shall shear the fleece: So minutes, hours, days, months, and years, Pass'd over to the end they were created, Would bring white hairs unto a quiet grave. Ah, what a life were this! how sweet! how lovely! Gives not the hawthorn bush a sweeter shade To shepherds looking on their silly sheep, Than doth a rich embroider'd canopy To kings that fear their subjects' treachery? O yes, it doth; a thousand-fold it doth. And to conclude: the shepherd's homely curds, His cold thin drink out of his leather bottle, His wonted sleep under a fresh tree's shade, All which secure and sweetly he enjoys, Is far beyond a prince's delicates- His viands sparkling in a golden cup, His body couched in a curious bed, When care, mistrust, and treason waits on him.

It was a perfect spring day. The air was sweet and gentle and the sky stretched high, an intense blue. Harold was certain that the last time he had peered through the net drapes of Fossebridge Road (his home), the trees and hedges were dark bones and spindles against the skyline; yet now that he was out, and on his feet, it was as if everywhere he looked, the fields, gardens, trees, and hedgerows and exploded with growth. A canopy of sticky young leaves clung to the branches above him. There were startling yellow clouds of forsythia, trails of purple aubrietia; a young willow shook in a fountain of silver. The first of the potato shoots fingered through the soil, and already tiny buds hung from the gooseberry and currant shrubs like the earrings Maureen used to wear. The abundance of new life was enough to make him giddy.

that he had begun to long for clearings, fields, or even a mountain, instead of the endless tree trunks and meager underbrush. His flights with Saphira provided no respite as they only revealed hills of prickly green that rolled unbroken into the distance like a verdant sea. Oftentimes, the branches were so thick overhead, it was impossible to tell from what direction the sun rose and set. That, combined with the repetitive scenery, made Eragon hopelessly lost, no matter how many times Arya or Lifaen troubled to show him the points of the compass. If not for the elves, he knew that he could wander in Du Weldenvarden for the rest of his life without ever finding his way free. When it rained, the clouds and the forest canopy plunged them into profound darkness, as if they were entombed deep underground. The falling water would

The jungle bristled with life. There were sloths, pumas, snakes, crocodiles; there were basilisk lizards that could run across the surface of water without sinking. In just a few hectares there lived as many woody plant species as in the whole of Europe. The diversity of the forest was reflected in the rich variety of field biologists who came there to study it. Some climbed trees and observed ants. Some set out at dawn every day to follow the monkeys. Some tracked the lightning that struck trees during tropical storms. Some spent their days suspended from a crane measuring ozone concentrations in the forest canopy. Some warmed up the soil using electrical elements to see how bacteria might respond to global heating. Some studied the way beetles navigate using the stars. Bumblebees, orchids, butterflies—there seemed to be no aspect of life in the forest that someone wasn’t observing.

Of all the plants, trees have the largest surface area covered in leaves. For every square yard of forest, 27 square yards of leaves and needles blanket the crowns. Part of every rainfall is intercepted in the canopy and immediately evaporates again. In addition, each summer, trees use up to 8,500 cubic yards of water per square mile, which they release into the air through transpiration. This water vapor creates new clouds that travel farther inland to release their rain. As the cycle continues, water reaches even the most remote areas. This water pump works so well that the downpours in some large areas of the world, such as the Amazon basin, are almost as heavy thousands of miles inland as they are on the coast. There are a few requirements for the pump to work: from the ocean to the farthest corner, there must be forest. And, most importantly, the coastal forests are the foundations for this system. If they do not exist, the system falls apart. Scientists credit Anastassia Makarieva from Saint Petersburg in Russia for the discovery of these unbelievably important connections. They studied different forests around the world and everywhere the results were the same. It didn't matter if they were studying a rain forest or the Siberian taiga, it was always the trees that were transferring life-giving moisture into land-locked interiors. Researchers also discovered that the whole process breaks down if coastal forests are cleared. It's a bit like if you were using an electrical pump to distribute water and you pulled the intake pipe out of the pond. The fallout is already apparent in Brazil, where the Amazonian rain forest is steadily drying out. Central Europe is within the 400-mile zone and, therefore, close enough to the intake area. Thankfully, there are still forests here, even if they are greatly diminished.

We are here this afternoon to mourn the passing of two good friends, Terrence Dace and Felix Beider. They were homeless. Their ways were not those we most desire for ourselves, but that didn’t make them wrong. We seem determined to save the homeless, to fix them, to change them into something other than what they are. We want them to be like us, but they are not. The homeless do not want our pity, nor do they deserve our scorn. Our judgments about them, for good or for ill, negate their right to live as they please. Both the urge to rescue and the need to condemn fail to take into account the concept of their personal liberty, which they may exercise as they see fit as long as their actions fall within the law. The homeless are not lesser mortals. For Terrence and Felix, their battles were within and their victories hard-won. I think of these two men as soldiers of the poor, part of an army of the disaffiliated. The homeless have established a nation within a nation, but we are not at war. Why should we not coexist in peace when we may be in greater need of salvation than they? This is what the homeless long for: respect, freedom from hunger, shelter from the elements, safety, the companionship of the like-minded. They want to live without fear. They want to enjoy the probity of the open air without the risk of bodily harm. They want to be warm. They want the comfort of a clean bed when they are ill, relief from pain, a hand offered in friendship. Ordinary conversation. Simple needs. Why are their choices so hard for us to accept? What you see before you is their home. This is their dwelling place. This grass, this sunlight, these palms, this mighty ocean, the moon, the stars, the clouds overhead though they sometimes harbor rain. Under this canopy they have staked out a life for themselves. For Terrence and for Felix, this is also the wide bridge over which they passed from life into death. Their graves will be unmarked but that does not mean they are forgotten. The Earth remembers them, even as it gathers them tenderly into its

Do you know what makes me the happiest? When I see somebody's dream getting the light of morn. When I see the happy giggle of a child with the most enchanting twinkle in that eye. When I see the breaking dawn to watch the rising sun. When I see a smile walking along the horizon painting the crimson rays of a setting sun. When I see a sobbing heart finally taking a flight to a deep unknown within the canvas of its soul. When I see the rain touch the earth and caress its voice in a mirthful melody of stories unfinished. When I see a rainbow dancing along a silver lining of a roaring storm. When I see the radiance on a freckled face of an old woman holding the hand of her forever old man. When I see the moist mist of that coffee slowly becoming the poison of my muse. When I see my wandering heart falling in love with beautiful lands and strangers of soulful cord. When I see how Life is beautiful in all its breathtaking shortness marked in moments of happy surprise lulling across the door of my distant dream clutched in a canopy of dreams lived. And now when I see that beguiling smile of Life, I know how happiest that stardust shines which twinkles in my eye and the soul of my distant dream.

She finds herself, by some miraculous feat, no longer standing in the old nursery but returned to the clearing in the woods. It is the 'green cathedral', the place she first kissed Jack all those weeks ago. The place where they laid out the stunned sparrowhawk, then watched it spring miraculously back to life. All around, the smooth, grey trunks of ancient beech trees rise up from the walls of the room to tower over her, spreading their branches across the ceiling in a fan of tangled branches and leaves, paint and gold leaf cleverly combined to create the shimmering effect of a leafy canopy at its most dense and opulent. And yet it is not the clearing, not in any real or grounded sense, because instead of leaves, the trees taper up to a canopy of extraordinary feathers shimmering and spreading out like a peacock's tail across the ceiling, a hundred green, gold and sapphire eyes gazing down upon her. Jack's startling embellishments twist an otherwise literal interpretation of their woodland glade into a fantastical, dreamlike version of itself. Their green cathedral, more spectacular and beautiful than she could have ever imagined. She moves closer to one of the trees and stretches out a hand, feeling instead of rough bark the smooth, cool surface of a wall. She can't help but smile. The trompe-l'oeil effect is dazzling and disorienting in equal measure. Even the window shutters and cornicing have been painted to maintain the illusion of the trees, while high above her head the glass dome set into the roof spills light as if it were the sun itself, pouring through the canopy of eyes. The only other light falls from the glass windowpanes above the window seat, still flanked by the old green velvet curtains, which somehow appear to blend seamlessly with the painted scene. The whole effect is eerie and unsettling. Lillian feels unbalanced, no longer sure what is real and what is not. It is like that book she read to Albie once- the one where the boy walks through the wardrobe into another world. That's what it feels like, she realizes: as if she has stepped into another realm, a place both fantastical and otherworldly. It's not just the peacock-feather eyes that are staring at her. Her gaze finds other details: a shy muntjac deer peering out from the undergrowth, a squirrel, sitting high up in a tree holding a green nut between its paws, small birds flitting here and there. The tiniest details have been captured by Jack's brush: a silver spider's web, a creeping ladybird, a puffy white toadstool. The only thing missing is the sound of the leaf canopy rustling and the soft scuttle of insects moving across the forest floor.

Psalm 5 Song of the Clouded Dawn For the Pure and Shining One, for her who receives the inheritance.11 By King David. 1Listen to my passionate prayer! Can’t You hear my groaning? 2Don’t You hear how I’m crying out to You? My King and my God, consider my every word, For I am calling out to You. 3At each and every sunrise You will hear my voice As I prepare my sacrifice of prayer to You. Every morning I lay out the pieces of my life on the altar And wait for Your fire to fall upon my heart.12 4I know that You, God, Are never pleased with lawlessness, And evil ones will never be invited As guests in Your house. 5Boasters collapse, unable to survive Your scrutiny, For Your hatred of evildoers is clear. 6You will make an end of all those who lie. How You hate their hypocrisy And despise all who love violence! 7But I know the way back home, And I know that You will welcome me Into Your house, For I am covered by Your covenant of mercy and love. So I come to Your sanctuary with deepest awe, To bow in worship and adore You. 8Lord, lead me in the pathways of Your pleasure, Just like You promised me You would, Or else my enemies will conquer me. Smooth out Your road in front of me, Straight and level so that I will know where to walk. 9For you can’t trust anything they say. Their hearts are nothing but deep pits of destruction, Drawing people into their darkness with their speeches. They are smooth-tongued deceivers Who flatter with their words! 10Declare them guilty, O God! Let their own schemes be their downfall! Let the guilt of their sins collapse on top of them, For they rebel against You. 11But let them all be glad, Those who turn aside to hide themselves in You, May they keep shouting for joy forever! Overshadow them in Your presence As they sing and rejoice, Then every lover of Your name Will burst forth with endless joy. 12Lord, how wonderfully You bless the righteous. Your favor wraps around each one and Covers them Under Your canopy of kindness and joy. 11. 5:Title The Hebrew word used here is Neliloth, or “flutes.” It can also be translated “inheritances.” The early church father, Augustine, translated this: “For her who receives the inheritance,” meaning the church of Jesus Christ. God the Father told the Son in Psalm 2 to ask for His inheritance; here we see it is the church that receives what Jesus asks for. We receive our inheritance of eternal life through the cross and resurrection of the Son of God. The Septuagint reads “For the end,” also found in numerous inscriptions of the Psalms. 12. 5:3 Implied in the concept of preparing the morning sacrifice. The Aramaic text states, “At dawn I shall be ready and shall appear before You.

In that moment Ned felt a swelling, a ripping expansion, a hugeness that rang through him for the length of his life, a feeling that was sometimes rivalled but never quite matched. Not at weddings, not at births, not at funerals. Not when he worked his way north to Longreach, where he finally saw Toby again, finding him cocky, funny and largely unchanged. Not during good seasons or bad. Not when he was alone on cold waterways, not when he was in the grip of people he loved. Not as he poured dirt into graves, not as he watched his children, then his grandchildren, play. Not on the white sands of hidden beaches. Not in the shade of ancient trees, in whose canopies he imagined he could see the darting of cream-brown quolls. Not on rocky mountain roofs. Not in the presence of whales, not while viewing fine ships. Not at the scent of Huon pine. Not as Callie's last breath eased out of her, in their house overlooking kanamaluka, the eastern sun warming her face right up to the final moments of her life. Not at his ninetieth birthday, surrounded by his family and what was left of his friends, as he felt both powerfully loved and profoundly alone. Not even then, at the very end of his life, did he feel it again, although he always remembered it: this hugeness of feeling. This undamming of a whole summer's fear, this half-sickening lurch to joy. (pp.225-6)

Say the planet is born at midnight and it runs for one day. First there is nothing. Two hours are lost to lava and meteors. Life doesn’t show up until three or four a.m. Even then, it’s just the barest self-copying bits and pieces. From dawn to late morning—a million million years of branching—nothing more exists than lean and simple cells. Then there is everything. Something wild happens, not long after noon. One kind of simple cell enslaves a couple of others. Nuclei get membranes. Cells evolve organelles. What was once a solo campsite grows into a town. The day is two-thirds done when animals and plants part ways. And still life is only single cells. Dusk falls before compound life takes hold. Every large living thing is a latecomer, showing up after dark. Nine p.m. brings jellyfish and worms. Later that hour comes the breakout—backbones, cartilage, an explosion of body forms. From one instant to the next, countless new stems and twigs in the spreading crown burst open and run. Plants make it up on land just before ten. Then insects, who instantly take to the air. Moments later, tetrapods crawl up from the tidal muck, carrying around on their skin and in their guts whole worlds of earlier creatures. By eleven, dinosaurs have shot their bolt, leaving the mammals and birds in charge for an hour. Somewhere in that last sixty minutes, high up in the phylogenetic canopy, life grows aware. Creatures start to speculate. Animals

Every man and every woman is a star: we all come from the same source, made from the same stuff, and it is that stuff that also makes the rest of the universe. When we are created, we contain within ourselves a spark of the divine, a star within our bodies of flesh that is eternal and a direct reflection of every other star contained within every other person and being upon the earth and in the heavens. Together we are constellations, and we come together in groups to create patterns in the sky. We move about in the heavens and in our orbits, and some of us collide while some of us find a mutually beneficial orbit; still others unite in the most beautiful constellations that their union will be seen and remembered throughout the ages. But we are all star-children, siblings under the canopy of heaven, and we all seek reunion with that from which we came bursting into life. The stars within us speak to their source and origin, and we yearn to return to it. The journey is long, but we find every now and then in another person a star that is closest to that which we yearn for, and we see in them the source of light, and they see it in us. We join with them, in yearning and desire and passion, and through them we are completed. This is love: the joining of two stars contained in the bodies of two human beings, expressed in their bridging of the gap between them and the gap between them and the divine. Yet do not curse the gap, Lover; do not bemoan the space that you must traverse to achieve reunion and love, for it is only by virtue of this gap that you might feel yearning and desire and love at all.

To those who have looked at Rome with the quickening power of a knowledge which breathes a growing soul into all historic shapes, and traces out the suppressed transitions which unite all contrasts, Rome may still be the spiritual centre and interpreter of the world. But let them conceive one more historical contrast: the gigantic broken revelations of that Imperial and Papal city thrust abruptly on the notions of a girl who had been brought up in English and Swiss Puritanism, fed on meagre Protestant histories and on art chiefly of the hand-screen sort; a girl whose ardent nature turned all her small allowance of knowledge into principles, fusing her actions into their mould, and whose quick emotions gave the most abstract things the quality of a pleasure or a pain; a girl who had lately become a wife, and from the enthusiastic acceptance of untried duty found herself plunged in tumultuous preoccupation with her personal lot. The weight of unintelligible Rome might lie easily on bright nymphs to whom it formed a background for the brilliant picnic of Anglo-foreign society; but Dorothea had no such defence against deep impressions. Ruins and basilicas, palaces and colossi, set in the midst of a sordid present, where all that was living and warm-blooded seemed sunk in the deep degeneracy of a superstition divorced from reverence; the dimmer but yet eager Titanic life gazing and struggling on walls and ceilings; the long vistas of white forms whose marble eyes seemed to hold the monotonous light of an alien world: all this vast wreck of ambitious ideals, sensuous and spiritual, mixed confusedly with the signs of breathing forgetfulness and degradation, at first jarred her as with an electric shock, and then urged themselves on her with that ache belonging to a glut of confused ideas which check the flow of emotion. Forms both pale and glowing took possession of her young sense, and fixed themselves in her memory even when she was not thinking of them, preparing strange associations which remained through her after-years. Our moods are apt to bring with them images which succeed each other like the magic-lantern pictures of a doze; and in certain states of dull forlornness Dorothea all her life continued to see the vastness of St. Peter's, the huge bronze canopy, the excited intention in the attitudes and garments of the prophets and evangelists in the mosaics above, and the red drapery which was being hung for Christmas spreading itself everywhere like a disease of the retina. Not that this inward amazement of Dorothea's was anything very exceptional: many souls in their young nudity are tumbled out among incongruities and left to "find their feet" among them, while their elders go about their business. Nor can I suppose that when Mrs. Casaubon is discovered in a fit of weeping six weeks after her wedding, the situation will be regarded as tragic. Some discouragement, some faintness of heart at the new real future which replaces the imaginary, is not unusual, and we do not expect people to be deeply moved by what is not unusual. That element of tragedy which lies in the very fact of frequency, has not yet wrought itself into the coarse emotion of mankind; and perhaps our frames could hardly bear much of it. If we had a keen vision and feeling of all ordinary human life, it would be like hearing the grass grow and the squirrel's heart beat, and we should die of that roar which lies on the other side of silence. As it is, the quickest of us walk about well wadded with stupidity.

Pelewen still wanders the night Under the canopy of long-dead days, A knight sword-sworn to duty and might, A knight faith-sealed with truth and right.   Nerena still wanders the misty eve, Under the canopy of long-dead days, A witch evil-sworn to lies believe, A witch dark-sealed to darkness wreathe.   What brought you, knight, to wander that wood? What brought the thieves who cut you down? Where, dark witch, did you find the good, To succor he who for goodness stood?   With secrets whispered in secluded shade, She healed you, knight, your life returned, With kisses, witch, the first he gave, Your soul was healed and holy made.   Love, you too we see this night Under the canopy of long-dead days; A blessing sworn to the good and right, A love that sealed a witch and knight.   What partings made upon the morn, Under wind and sun and forest song: One body whole and one soul born, Four eyes wet and two hearts torn.   What drove you, Knight, to the distant glade? What drove you to confess, dear maid? Why, Knight, did heart turn horse ‘round again? And why, Pureman, could you not forgive her stain?   One maid burned at morning’s light. One horse rides through ash at night. One soul to tell the Knight the tale. One Knight upon his sword impaled.   Death, you too we see this eve, Under the canopy of long-dead days; A death dark-sworn to love bereave, A death dark-sealed to sadness wreathe.   “Well, that was depressing,” Chertanne derided

Getting Rid of the Mud We have a custom at weddings. Before you go to the wedding canopy, there is the veiling of the bride. At the veiling of the bride, I usually gather together all the blood relatives into a room, to ask them each to forgive each other, because it’s impossible to grow up in a family, with siblings and parents, without having some secret anger. And you don’t want people to have to go into the next phase of life with all this karmic load. So that is why bringing in those people is so important. That way they can forgive each other and really bless each other. It is a very powerful thing. On one occasion, a young girl was present while we were doing this forgiveness, and she wanted to know how to do it. I tell you, it was a wonderful thing that she asked this question. She really wanted to know how to do it. It was as if nobody had ever shown her how to do forgiving. So I said to her, “Could you imagine that you have a beautiful shiny white dress on, and here comes this big clump of mud and dirties it? You would want to clean it off, wouldn’t you?” “Oh, yes,” she said. “Could you imagine then, instead of the mud being on the outside on your dress, the mud is on your heart?” “Uh huh.” “And being angry with people and not forgiving them is like mud on your heart.” “I sure want to get rid of that,” she said. “OK, how are you going to go about doing that?” I suggested that she close her eyes, raise up her hands in her imagination, and draw down some golden light and let it flow over that mud on her heart until it was all washed away. In this way she really understood forgiving. Do you understand how important it is, just as with this child, to respond decently when somebody says, “You ought to …,” and starts giving you advice and you want to say, “I’ve been trying to do it myself. You don’t have to scold me—show me how to do it”? This is the issue in all spiritual direction work. Rabbi Zalman Schachter-Shalomi

Evening Praise Giver of all, another day is ended and I take my place beneath my great redeemer's cross, where healing streams continually descend, where balm is poured into every wound, where I wash anew in the all-cleansing blood, assured that Thou seest in me no spots of sin. Yet a little while and I shall go to Thy home and be no more seen; help me to gird up the loins of my mind, to quicken my step, to speed as if each moment were my last, that my life be joy, my death glory. I thank Thee for the temporal blessings of this world —the refreshing air, the light of the sun, the food that renews strength, the raiment that clothes, the dwelling that shelters, the sleep that gives rest, the starry canopy of night, the summer breeze, the flowers' sweetness, the music of flowing streams, the happy endearments of family, kindred, friends. Things animate, things inanimate, minister to my comfort. My cup runs over. Suffer me not to be insensible to these daily mercies. Thy hand bestows blessings: Thy power averts evil. I bring my tribute of thanks for spiritual graces, the full warmth of faith, the cheering presence of Thy Spirit, the strength of Thy restraining will, Thy spiking of hell's artillery. Blessed be my sovereign Lord!

The Life Cycle of Bamboo and the Balinese Soul The Balinese are born in a bamboo bed, live in homes built with bamboo scaffolding, are married beneath the canopy of bamboo poles and are cremated in a funeral pyre made of bamboo.

Religion was once life’s central mystery, its worship life’s most awesome experience, its beliefs life’s broadest canopy of meaning as well as its deepest guarantee of belonging. Yet today, where religion still survives in the modern world, no matter how passionate or committed the believer, it amounts to little more than a private preference, a spare-time hobby, and a leisure pursuit.

In contrast to earlier textually-focused studies, recent scholarship on worship also highlights diversity and change. Projects to create new rituals and to redesign familiar ones, particularly in ways that make them more fluid and open-ended, have been a hallmark of much Western religious life since the 1960s.7 To take one example within Judaism, some couples now personalize or customize the traditional huppah or canopy beneath which they are married. In some instances, guests decorate a panel of cloth, and meet before the ceremony to offer the bride and groom their encouragement and advice, and join the pieces together. Vanessa Ochs characterizes this as part of a broader, explicit drive ‘to personalize and to create community’ within contemporary Judaism.

And when the sun sets, it doesn't even matter. In a canopy of shadows, the life inside a soul never fails to peep through, as if a spark, a flicker holding on to that tunnel of hope, that bird of chained gallows. Yet in the shadows, a muffling voice keeps murmuring a tune that holds the chord of a surreal dream. They scream of scars yet each scar shines in the redolence of a fumed melody. And each time the breeze touches by, the setting sun smiles with a sketch of a dawn, a dusk that kisses the symphony of a crimson morn. And there in a sky of shadows lurks a setting dream, in a mirage of a rainbow, a rainbow of scattered stars, all along a setting sun. And when the sun sets, it doesn't even matter.

In the forest canopied with the leafy niche of daily events, a benevolent listener reverberates in the canonical poetry of the ages humming irrepressible visceral contradictions. A squall of tears of bereavement pierces the elegiac sea of a silent night. The red-rimmed eye of sunrise greets us with a torrent of rage spilling over from frontlines of an examined life’s vital quarrels. The flute of life ushers in a welcoming breeze of reassuring resonance.

Why can’t we be like that frail stem, laden with roses and rose-buds?” the philosopher said, pointing at a beautiful rosebush. “The wind blows, it shakes, and it bends, as if it were trying to protect its precious charge. If the stem were to remain upright, it would break, the wind would scatter the flowers, and the buds would rot. The wind passes by and the stem straightens anew, proud of its treasures. Who would accuse it of folding in the face of such need? Look over there, at that giant kupang,170 whose high leaves sway majestically, up where the eagle makes his nest. I brought it from the forest when it was still a fragile cutting, with thin bamboo poles supporting its trunk for months. Had I brought it here when it was large and full of life, it would certainly not have survived. The wind would have shaken it before its roots could sink into the earth, before it could establish itself in its surroundings and develop the nourishment it needed for its size and stature. That’s how you’ll end up, a plant transplanted from Europe to this rocky soil, if you don’t find support and develop humility. You are alone, highborn, in terrible conditions. The ground shakes, the sky portends a storm, and the tree canopy of your family attracts lightning. To fight against everything that exists today is not

Solitude, the pricy state seeking tranquil air, for errors, for apologies, behold! a calm down side, beneath the sloppy, hilly village’s canopying shade, there is the warmth of lonely peace to respite

Somewhere in that last sixty minutes, high up in the phylogenetic canopy, life grows aware. Creatures start to speculate. Animals start teaching their children about the past and the future. Animals learn to hold rituals. Anatomically modern man shows up four seconds before midnight. The first cave paintings appear three seconds later. And in a thousandth of a click of the second hand, life solves the mystery of DNA and starts to map the tree of life itself.

Summer Magic - 1880-1960 So many cares to vex the day, So many fears to haunt the night, My heart was all but weaned away From every lure of old delight. Then summer came, announced by June, With beauty, miracle and mirth. She hung aloft the rounding moon, She poured her sunshine on the earth, She drove the sap and broke the bud, She set the crimson rose afire. She stirred again my sullen blood, And waked in me a new desire. Before my cottage door she spread The softest carpet nature weaves, And deftly arched above my head A canopy of shady leaves. Her nights were dreams of jeweled skies, Her days were bowers rife with song, And many a scheme did she devise To heal the hurt and soothe the wrong. For on the hill or in the dell, Or where the brook went leaping by Or where the fields would surge and swell With golden wheat or bearded rye, I felt her heart against my own, I breathed the sweetness of her breath, Till all the cark of time had flown, And I was lord of life and death.

When I think about my grandparents making the giant step from slavery to freedom, I realize that none of my own achievements can ever live up to their legacy. Even though everything in the law and the society claimed they were inferior, through all the long days and long years of being beaten back, they held their heads high and made their mark. The lesson I learned early from observing and listening, and trying to construct my own philosophy and pattern of life, was very simple. It was a way of seeing the stars, rather than the canopy of darkness.

As long as you're the Light, nevermind the Night! Walking through the narrow alleys of Life fuming with untold stories and blurry horizons, somewhere knowing in my heart that sunsets and sunrises are not just about the Sun but also about the sky that holds a canopy of stars to unleash once the sun is set all while hiding them beautifully tucked in the bosom of a blue sky when the Majestic Sun walks around in the crown of Sunshine. But then, and always the Stars Shine the brightest in the Darkest of Night, because no matter what the Light is always there, always leading the way, always finding its Smile in the dungeons of camouflaged blackness.

garden lovers are often advised to put a bench under a canopy of walnuts if they want a comfortable place to relax in the garden, because this is where they will have the least chance of being bitten by mosquitoes.

Mosscap pointed. "Crown shyness is so striking, don't you think?" Dex had no idea what Mosscap meant. "Sorry, what's striking?" "Stop," Mosscap said. "Look." Dex sighed, but they hit the brakes, put their feet on the paving below, and looked up. Mosscap continued to point, tracing lines in the air. "Look at the treetops," it said. "What do you notice?" "Uh," Dex said. They frowned, not knowing what Mosscap was getting at. There were branches, obviously, and leaves, and... "Oh, they're..." They fell quiet as their perspective of the surrounding landscape shifted in a way they'd never unsee. Despite their number and close proximity, none of the treetops were touching one another. It was as though someone had taken an eraser and run it cleanly through the canopy, transforming each tree into its own small island contained within a definitive border of blue sky. The effect reminded Dex of puzzle pieces laid out on the table, each in their own place yet still unconnected. It wasn't that the trees were unhealthy or their foliage sparse. On the contrary, every tree was lush and full, bursting with green life. Yet somehow, in the absence of contact, they knew exactly where to stop growing outward so they might give their neighbors space to thrive.

All the world she needs is here, under this canopy—the densest biomass anywhere on Earth. Steep, steely streams scour through rickles of rock where salmon spawn—water cold enough to kill all pain. Falls flash over ridges turned jade by moss and tumbled with shed branches. In the scattered openings, shot here and there through the understory, sit secret congregations of salmonberry, elderberry, huckleberry, snowberry, devil’s club, ocean spray, and kinnikinnick. Great straight conifer monoliths fifteen stories high and a car-length thick hold a roof above all. The air around her resounds with the noise of life getting on with it. Cheebee of invisible winter wrens. Industrial pock from jackhammering woodpeckers. Warbler buzz. Thrush flutter. The scatterings of beeping grouse across the forest floor. At night, the cool hoot of owls chills her blood. And, always, the tree frogs’ song of eternity.

With tinny drumbeats, the rain pounds the roof My teary eyes compete They can't keep up Breathe Let it go Breathe The vice on my chest tightens its razoring grip I gasp No relief If only tears could soothe the pain Then, I would look upon the tidal waves against these walls without fear Crush and roll me, I'd plead, Mold my body anew But with these tears come no healing, Just death, slow and determined This old girl, this old woman, this old soul lives here inside A tortoise outgrowing this hare's body This youthful skin encasing a crumbling frame I smooth the matted web of curls off my sweaty neck And roll my eyes at the clock How slowly the time squeaks by here in this room, In this comfortless bed I abandon the warmth from under my blanket tower and shiver The draft rattles my spine One by one, striking my vertebrae Like a spoon chiming empty wine glasses, Hitting the same fragile note till my neck shakes the chill away I swipe along the naked floor with a toe for the slippers beneath the bed Plush fabric caresses my feet Stand! Get up With both hands, Gravity jerks me back down Ugh! This cursed bed! No more, I want no more of it I try again My legs quiver in search of my former strength Come on, old girl, Come on, old woman, Come on, old soul, Don't quit now The floor shakes beneath me, Hoping I trip and fall To the living room window, I trudge My joints grind like gravel under tires More pain no amount of tears can soothe away Pinching the embroidered curtain between my knuckles, I find solace in the gloom The wind humming against the window, Makes the house creak and groan Years ago, the cold numbed my pain But can it numb me again, This wretched body and fractured soul? Outside I venture with chants fluttering my lips, Desperate solemn pleas For comfort, For mercy For ease, For health I open the plush throw spiraled around my shoulders And tiptoe around the porch's rain-soaked boards The chilly air moves through me like Death on a mission, My body, an empty gorge with no barriers to stop him, No flesh or bone My highest and lowest extremities grow numb But my feeble knees and crippling bones turn half-stone, half-bone Half-alive, half-dead No better, just worse The merciless wind freezes my tears My chin tumbles in despair I cover myself and sniffle Earth’s scent funnels up my nose: Decay with traces of life in its perfume The treetops and their slender branches sway, Defying the bitter gusts As I turn to seek shelter, the last browned leaf breaks away It drifts, it floats At the weary tree’s feet, it makes its bed alongside the others Like a pile of corpses, they lie Furled and crinkled with age No one mourns their death Or hurries to honor the fallen with thoughtful burials No rage-filled cries echo their protests at the paws trampling their fragile bodies, Or at the desecration by the animals seeking morning relief And new boundaries to mark Soon, the stark canopy stretching over the pitiful sight Will replace them with vibrant buds and leaves Until the wasting season again returns For now, more misery will barricade my bones as winter creeps in Unless Death meets me first to end it

What could be more apt for enlightenment than to return to our earlier evolutionary home in the trees? Perhaps at the dawn of Homo sapiens and even before, with our ancestral relatives, some beings looked around at teeming life and upwards, above the canopy – to the silvery stars – with a sense of wonder, full of longing for the shining universe and a feeling of belonging on Earth.

most stumps rot away into humus and disappear within a couple of hundred years (which is not very long for a tree). Only a few individuals are kept alive over the centuries, like the mossy “stones” I’ve just described. What’s the difference? Do tree societies have second-class citizens just like human societies? It seems they do, though the idea of “class” doesn’t quite fit. It is rather the degree of connection—or maybe even affection—that decides how helpful a tree’s colleagues will be. You can check this out for yourself simply by looking up into the forest canopy. The average tree grows its branches out until it encounters the branch tips of a neighboring tree of the same height. It doesn’t grow any wider because the air and better light in this space are already taken. However, it heavily reinforces the branches it has extended, so you get the impression that there’s quite a shoving match going on up there. But a pair of true friends is careful right from the outset not to grow overly thick branches in each other’s direction. The trees don’t want to take anything away from each other, and so they develop sturdy branches only at the outer edges of their crowns, that is to say, only in the direction of “non-friends.” Such partners are often so tightly connected at the roots that sometimes they even die together. As

The night sky sparkled as he peered out of his hole. It shone like dew drops on spider’s web. Jimmy thought back to a web, strung between two shoots of wheat, he had seen as a kid. It had been a miracle the web hadn’t broken, the way it was laden down with dew. Jimmy studied the web of the sky, unbroken by all the turmoil of men beneath its canopy. It gave him some reassurance of solidity in an ever-vaporizing existence. Men fell around him at every battle, but he managed to keep living. His life was like that miracle web.

(Home) ‘This land is beautiful, but the people are horrible.’ The people took this beautiful land and raped it, and put up a bunch of ugly boxes, however, my home is in the Victorian-style and it is old and has a handcrafted personality. There is an ancient oak tree outside my window, sometimes I step out my window then onto the roof of the porch, and sit in the tree branch that hangs over, and watches all the stars as they appear to turn on and off. Yes, I have wished upon a shooting star, that things will change, and that the towers will be no more. Looking straight ahead, I can see all the lights that go on the horizon, some days the sunsets are blazing before the lights turn on. Then there are some days that the window is shut because it is cold windy while everything is chilled with the color of blue. (Frame of mind) My mood can change just like this and that it seems. Yes, just like all the summer turns into winter, and the winters turn into spring, and all of these thoughts running in my mind fall like the leaves through my brain, and they most likely do not mean a thing. I guess you could blame it on my ADD, ADHD, dyslexia, bipolar disorder, or OCD. I do not have any of these… I do not have anything wrong with me. But, if you are like one of the sisters or someone from my school, you would say my mood changes are because of my- STD’s, HIV, or being as they say GAY or BI, and LEZ-BO. They have also said, I am a pedophile and a child stocker, and I get moody if I do not get some from them. That is why I am so sober at times, or so they say. Whatever…! They also have said that I am a schizophrenic- psycho and that I could not even buy love. I would not try that anyways. I think that having money does not give you happiness; I am okay being a humble farm- girl, the guy that finds me… needs to be happy with that also. I am sure there are more things they say. However, those are just some of them that I can dredge up as of now, off the top of my head. They have murdered me and my life, in so many ways. So now, do you wonder as to why I am afraid of talking to people or even looking at them? You know you and they can try to destroy me, and my life. However, I do not have any of those listed either; none of these random arrangements of letters defines me as the person I truly am. (Sight) Looking out the windows, I can see the golden hayfields of ecstasy, I see the windmills that twist and tumble. I can see the abandoned railroad track that lies not far from my home. I can hear the cries of the swing as the wind gusts in spurts. But yet I am still in my room, but that is just okay with me. Because I know that there will someday soon be someone there for me. (Household) My room is a land of peace and tranquility without all the gloom, with a bed and a canopy overhead but still, I am not truly happy? There is nothing- like the sounds of the crickets speaking up often in the cool August night breeze. It is relaxing to me, however; it is a reminder to me of how the last glimmers of summer are ending. Besides the sounds slowly fade away, yes- I can hear this music from my bedroom window. It is just like in the spring the birds sing in the morning and leave in the cool gusts to come. It is just like the hummingbirds that flutter by, and then before I know it, all has changed; so, it seems by the time I walk out my bedroom door, to start my day. ‘Life goes in cycles of tunes it seems, and nature is its synchronization in its symphony you just have to listen.

If you combined two questions. What is the ultimate meaning of everything? With, What is everything? So far, what we know as 'everything', is the universe. The purpose of the universe and everything in it, is to expand and accumulate growth. That which is bigger, attract and consume that which is smaller. Our galaxy contain solarsystems, our solarsystem contain planets, our planet contain countries, countries contain societies, societies contain families, families contain individuals, individuals have bodies containing atoms. Our bodies need to consume food and water in order to expand, the individual need another individual to form a family, a family need other families in order to form a society, a country need societies in order to form a country, a planet need countries in order to form a planet (False), a solarsystem need planets in order to form a solarsystem, galaxies need solarsystems in order to form a galaxy, universes need galaxies to form a universe (also false, unless you insist that in order for something to exist, there must first be something else, able to recognize its existance). Just as a tree expands its roots and its canopy, so does everything else. So, now we know the ultimate meaning of things. What is the meaning of human life? The answer is simple, to improve, to expand. Expand and improve our abilities, our bodies, our minds, our relationships, our home, our society, our country, our planet, our galaxy, our universe. When multiple entities seek to expand, there is often conflict, however there is also hope for a long lasting co-existance. To avoid conflict, expand, but in your own space. just as each planet around a star, given their own space, exist in perfect harmony. The universe will always throw rocks at you, and the occasional galaxy will seek to collide with yours. Just as with any conflict you have three choices, embrace, resist or walk away. To sum it up, seek expansion, seek your own space and seek solutions to any problem that comes your way.

If you combined two questions. What is the ultimate meaning of everything? With, What is everything? So far, what we know as 'everything', is the universe. The purpose of the universe and everything in it, is to expand and accumulate growth. That which is bigger, attract and consume that which is smaller. Our galaxy contain solarsystems, our solarsystem contain planets, our planet contain countries, countries contain societies, societies contain families, families contain individuals, individuals have bodies containing atoms. Our bodies need to consume food and water in order to expand, the individual need another individual to form a family, a family need other families in order to form a society, a country need societies in order to form a country, a planet need countries in order to form a planet (False), a solarsystem need planets in order to form a solarsystem, galaxies need solarsystems in order to form a galaxy, universes need galaxies to form a universe (also false, unless you insist that in order for something to exist, there must first be something else, able to recognize its existance). Just as a tree expands its roots and its canopy, so does everything else. So, now we know the ultimate meaning of things. But what is the meaning of human life? The answer is simple, to improve, to expand. Expand and improve our abilities, our bodies, our minds, our relationships, our home, our society, our country, our planet, our galaxy, our universe. When multiple entities seek to expand, there is often conflict, however there is also hope for a long lasting co-existance. To avoid conflict, expand, but in your own space. just as each planet around a star, given their own space, exist in perfect harmony. The universe will always throw rocks at you, and the occasional galaxy will seek to collide with yours. Just as with any conflict you have three choices, embrace, resist or walk away. To sum it up, seek expansion, seek your own space and seek solutions to any problem that comes your way.

When one is in the woods, on a day like this, one feels altogether connected again to the very fabric of the world. The green, calming canopy of branches and leaves overhead lets sunlight trickle through from above in just the right dose, and the breeze is filtered through miles and miles of trees and bush and carries the scent of every flowering dogwood and every freshwater spring and pond, mingling with every lake and river and stream and every good creature that walks through the halls of the forest. In the woods, one senses there is no evil, no greed, no tyrant, no oppressor, no malady, but indeed a deep wellspring of meaning returns. To be connected to the woods is to be connected to the very art of life itself, and to walk along the stones and mosses, and under the tall trees and over the fallen trees and alongside the wet, rotten stumps is to be reminded of the great circus mystery and magic of being itself.

Pervasive rationalistic, technical and bureaucratic ways of thinking have emptied life of meaning by destroying what Berger calls the ‘sacred canopy’ of meanings reflecting collective beliefs about life, death and the world in which we live. The resultant anomie, or loss of all bearings, the demise of any shared structure of values, leads to a sort of existential angst.

He would often use an analogy from nature. ‘Ja, Peekay, always in life an idea starts small, it is only a sapling idea, but the vines will come and they will try to choke your idea so it cannot grow and it will die and you will never know you had a big idea, an idea so big it could have grown thirty metres through the dark canopy of leaves and touched the face of the sky.

He lived for days in the canopy with mushrooms, tree beetles, rats, songbirds, parrots, and the occasional civet cat to keep him company. “Every tree had its own personality. Their sense of time is different. We think they’re mute, but it’s just that it takes them days to complete a word. You know, Mariamma, in the jungle I understood my failing, my human limitation. It is to be consumed by one fixed idea. Then another. And another. Like walking the straight line. Wanting to be a priest. Then a Naxalite. But in nature, one fixed idea is unnatural. Or rather, the one idea, the only idea is life itself. Just being. Living.

A leaf dies when it drops from a tree's canopy onto the same soil that nourishes its roots. Not the leaf's fault, or the soil's; the leaf is just specialized for a different role in the tree's life cycle...

All his life, he has been as strong and tall as an oak tree, towering over the world. She sees through the canopy of leaves and the protective layer of bark that surrounds him. She sees the new green shoots of growth curling towards the light, and the way his roots reach towards stability. All his life, he has needed to be strong, but with her, he can be vulnerable. Underneath the soil, their roots tangle together, like two hands reaching out.