Breathtaking Moments Quotes

If I took every romantic poem, every book, every song, and every movie I've ever read, heard or seen and extracted the breathtaking moments, somehow bottling them up, they would pale in comparison to this moment. This moment is incomparable.

Sex is more than an act of pleasure, it’s the ability to be able to feel so close to a person, so connected, so comfortable that it’s almost breathtaking to the point you feel you can’t take it. And at this moment you’re a part of them.

You ruin your life by desensitizing yourself. We are all afraid to say too much, to feel too deeply, to let people know what they mean to us. Caring is not synonymous with crazy. Expressing to someone how special they are to you will make you vulnerable. There is no denying that. However, that is nothing to be ashamed of. There is something breathtakingly beautiful in the moments of smaller magic that occur when you strip down and are honest with those who are important to you. Let that girl know that she inspires you. Tell your mother you love her in front of your friends. Express, express, express. Open yourself up, do not harden yourself to the world, and be bold in who, and how you love. There is courage in that.

I gaze out at the glittering sea, the breathtaking sky above it, and think of birds and the moment before the fall, and how my sister as a child had been strong enough for the both of us, and I wonder when exactly that changed. I don't know when, but it did. Jake was right - I'm strong in a way June never was. Because I know that I want to be here. Even with the pain. Even with the ugliness. I've seen the other side - marching side by side down city streets with people who all believe they can change the world and the view of the sunset from Fridgehenge and Tom Waits lyrics and doing the waltz and kisses so hot they melt into each other and best friends who hold your hand and stretching out underneath a sky draped with stars and everything else. There is so much beauty in just existing. In being alive. I don't want to miss a second.

as you are.’ says the universe. ‘after…’ you answer. ‘as you are.’ says the universe. ‘before…’ you answer. ‘as you are.’ says the universe. ‘when…’ you answer. ‘as you are.’ says the universe. ‘how…’ you answer. ‘as you are.’ says the universe. ‘why…’ you answer. ‘because you are happening now. right now. right at this moment and your happening is beautiful. the thing that both keeps me alive and brings me to my knees. you don’t even know how breathtaking you are. as you are.’ says the universe through tears. — as you are | you are the prayer

She was breathtaking in her beauty and her human spirit, he thought, unable to speak as he gazed upon her. Hers was the sort that would not fade or grow jaded with time and years, but flourish, grow more radiant with life and its experience. Hers was a beauty that no other possessed. A beauty he longed to keep, to hide away, to bask in, himself alone. She had become his. He didn’t know when, whether it had been the moment her fingertips had touched him when he was hurt, or if it had grown, like a seed, slowing spreading until Jane had become the root anchoring the shattered pieces of his heart, pulling them tight together until it resembled the organ it should.

Whatever happened to our dreams? The infinite possibilities each day holds should stagger the mind. The sheer number of experiences I could have is uncountable, breathtaking, and I'm sitting here refreshing my inbox. We live trapped in loops, reliving a few days over and over, and we envision only a handful of paths laid out ahead of us. We see the same things each day, we respond the same way, we think the same thoughts, each day a slight variation on the last, every moment smoothly following the gentle curves of societal norms. We act like if we just get through today, tomorrow our dreams will come back to us. And no, I don't have all the answers. I don't know how to jolt myself into seeing what each moment could become. But I do know one thing: the solution doesn't involve watering down my every little idea and creative impulse for the sake of someday easing my fit into a mold. It doesn't involve tempering my life to better fit someone's expectations. It doesn't involve constantly holding back for fear of shaking things up. This is very important, so I want to say it as clearly as I can: FUCK. THAT. SHIT.

Tania, I was spellbound by you from the first moment I saw you. There I was, living my dissolute life, and war had just started. My entire base was in disarray, people were running around, closing accounts, taking money out, grabbing food out of stores, buying up the entire Gostiny Dvor, volunteering for the army, sending their kids to camp—” He broke off. “And in the middle of my chaos, there was you!” Alexander whispered passionately. “You were sitting alone on this bench, impossibly young, breathtakingly blonde and lovely, and you were eating ice cream with such abandon, such pleasure, such mystical delight that I could not believe my eyes. As if there were nothing else in the world on that summer Sunday.

I can't wait to tell him how much of a revelation it has been to do something like this - standing on a mountaintop for no reason other than the sake of the experience. This moment is an investment in myself. I'm giving myself permission to make a memory that benefits no one but me. I love being a mother, and I love being a wife. I even love being a daughter and a granddaughter. But as I stand here on the mountaintop, I'm not any of those things. I am simply Alice, and for one breathtaking moment, I'm completely present.

Always be thankful for the little things... even the smallest mountains can hide the most breathtaking views!

Ah, sin," Lucifer said. "Like the serpent that tricked Eve into eating the forbidden fruit. She devoured it, knowing she shouldn't." "And she was punished for it." "She was," Lucifer agreed. "But if you think for a moment she truly regretted it, you're wrong. That fruit was the most glorious thing she ever tasted—the sweetest, the ripest—and once you experience something so breathtaking, you never forget it. You never regret it.

Anticipating is expectation," I said. "It's the mystery of not knowing, and the heightening of all a woman's senses. Anticipation draws out the moment so that the moment then becomes exquisite," I explained. "And it is only something as powerful as anticipation that can elevate an ordinary touch to a breathtaking caress.

And I thought to myself, even though life could be horrifying and earth-shattering, terrible and tragic, it was also filled with moments of breathtaking beauty. And sometimes you just had to laugh.

That was his moment in Leningrad, on an empty street, when his life became possible—when Alexander became possible. There he stood as he was—a young Red Army officer in dissolution, all his days stamped with no future and all his appetites unrestrained, on patrol the day war started for Russia. He stood with his rifle slung on his shoulder and cast his wanton eyes on her, eating her ice cream all sunny, singing, blonde, blossoming, breathtaking. He gazed at her with his entire unknowable life in front of him, and this is what he was thinking… To cross the street or not to cross? To follow her? To hop on the bus, after her? What absolute madness.

Sometimes I think I have organized the inner crowd. For a brief, breathtaking moment, I feel completely whole. I understand that I am composed of many selves that make up a single chorus. To listen to the music this chorus makes, to recognize it as music, as something noble, varied, patterned, sublime--that is the work of a lifetime.

For these heart-stuttering, breathtaking moments when you realize that if you carve us all down to our barest parts, we’re all the same.

Sunrises and sunsets were breathtaking moments in his life. Moments of exhilaration and ecstasy. Deeply moving moments when he would dream. Dreams that splashed myriad colors on his mind's gray canvas!

Boy meets girl. Boy physically feels like he’s gasping for air because the girl before him is just stunning, absolutely … breathtaking. An unfamiliar feeling seizes boy—fear. Fear that he’s taken a wrong turn for all the right reasons. Fear that the moment could slip away and for the rest of his life he’d live with the excruciating agony born from the soul-snatching ‘what if?

In that moment, Esen seemed breathtakingly handsome, so much so that Ouyang felt a sharp ache of incomprehension, that someone this perfect, so alive and so full of the pleasure of the moment, could be. It hurt like grief.

She stepped out onto the balcony, transfixed by the breathtaking view of the Parthenon perched atop the Acropolis. Calmness swept throughout her whole body. She felt that the ruins were speaking to her, insisting that she live in the moment. It suddenly occurred to her that she was breathing in the very same air that the ancient Greeks had once breathed.

the kind of person who in one moment could guess, with breathtaking coldness, at the innermost sorrow in your heart, and in the next moment turn and, with a cheery wave of farewell, march blithely through a plate-glass window, requiring twenty-two stitches in his cheek.

For a breathtaking moment; I spoke the language of the fleeing leaves When the sky is shrouded in darkness Of incoming Ravens in black plumage.

So he bought tickets to the Greyhound and they climbed, painfully, inch by inch and with the knowledge that, once they reached the top, there would be one breath-taking moment when the car would tip precariously into space, over an incline six stories steep and then plunge, like a plunging plane. She buried her head against him, fearing to look at the park spread below. He forced himself to look: thousands of little people and hundreds of bright little stands, and over it all the coal-smoke pall of the river factories and railroad yards. He saw in that moment the whole dim-lit city on the last night of summer; the troubled streets that led to the abandoned beaches, the for-rent signs above overnight hotels and furnished basement rooms, moving trolleys and rising bridges: the cagework city, beneath a coalsmoke sky.

She saw an intensity in his stunning irises, something desperate straining against his control, and she swore in that moment she could almost feel his soul pressing against hers. Even then, he was breathtaking.

I had travelled from Spain into Morocco and from there south to the Atlas Mountains, at the edge of the Sahara Desert…one night, in a youth hostel that was more like a stable, I woke and walked out into a snowstorm. But it wasn’t the snow I was used to in Minnesota, or anywhere else I had been. Standing bare chest to cool night, wearing flip-flops and shorts, I let a storm of stars swirl around me. I remember no light pollution, heck, I remember no lights. But I remember the light around me-the sense of being lit by starlight- and that I could see the ground to which the stars seemed to be floating down. I saw the sky that night in three dimensions- the sky had depth, some stars seemingly close and some much farther away, the Milky Way so well defined it had what astronomers call “structure”, that sense of its twisting depths. I remember stars from one horizon to another, making a night sky so plush it still seems like a dream. It was a time in my life when I was every day experiencing something new. I felt open to everything, as though I was made of clay, and the world was imprinting on me its breathtaking beauty (and terrible reality.) Standing nearly naked under that Moroccan sky, skin against the air, the dark, the stars, the night pressed its impression, and my lifelong connection was sealed.

Moments. Humans always remember the moments. We recall the steps that led us to where we were meant to be. The words that inspired or crushed us. The incidents that scarred us and swallowed us whole. I’ve had many moments in my lifetime, moments that changed me, challenged me, moments that scared me and engulfed me. However, the biggest ones—the most heartbreaking and breathtaking ones—all included her. It all ended with two kids, a dog named Skippy, a cat named Jam, and a woman who always loved me.

I bear witness of that day when loved ones whom we knew, to have disabilities in mortality, will stand before us glorified and grand; breathtakingly perfect in body and mind. What a thrilling moment that will be. I do not know whether we will be happier for ourselves, that we have witnessed such a miracle or happier for them that they are fully perfect and finally free at last.

Watercolors couldn't have begun to capture the sky in that moment, just as it prepared to brighten for dawn. The cruelest truth about life is that it just goes on--the sun rises, gravity keeps your feet on the ground, flowers open their faces to greet the sky. Your world could be dissolving with grief or pain or anger, but the sky would still give you the most breathtaking sunrise of violet, warming to shell pink.

It is actually during this resting phase that it is most productive. While it is cocooned in its sac, it is quite literally changing form! Organs, limbs, tissues, the whole deal – all parts of the caterpillar are changing. Interrupt this process too soon and the butterfly would be completely unformed. But wait in faith for just a moment; in between your breaths, something completely new and breathtaking will be born. We

He is on his way to her. In a moment he will leave the wooden sidewalks and vacant lots for the paved streets. The small suburban houses flash by like the pages of a book, not as when you turn them over one by one with your forefinger but as when you hold your thumb on the edge of the book and let them all swish past at once. The speed is breathtaking. And over there is her house at the far end of the street, under the white gap in the rain clouds where the sky is clearing, toward the evening. How he loves the little houses in the street that lead to her! He could pick them up and kiss them! Those one-eyed attics with their roofs pulled down like caps. And the lamps and icon lights reflected in the puddles and shining like berries! And her house under the white rift of the sky! There he will again receive the dazzling, God-made gift of beauty from the hands of its Creator. A dark muffled figure will open the door, and the promise of her nearness, unowned by anyone in the world and guarded and cold as a white northern night, will reach him like the first wave of the sea as you run down over the sandy beach in the dark.

Regret crossing the street for me, soldier?” Taking her hand into both of his, Alexander said, “Tania, I was spellbound by you from the first moment I saw you. There I was, living my dissolute life, and war had just started. My entire base was in disarray, people were running around, closing accounts, taking money out, grabbing food out of stores, buying up the entire Gostiny Dvor, volunteering for the army, sending their kids to camp—” He broke off. “And in the middle of my chaos, there was you!” Alexander whispered passionately. “You were sitting alone on this bench, impossibly young, breathtakingly blonde and lovely, and you were eating ice cream with such abandon, such pleasure, such mystical delight that I could not believe my eyes. As if there were nothing else in the world on that summer Sunday. I give you this so that if you ever need strength in the future and I’m not there, you don’t have to look far. You, with your high-heeled red sandals, in your sublime dress, eating ice cream before war, before going who knows where to find who knows what, and yet never having any doubt that you would find it. That’s what I crossed the street for, Tatiana. Because I believed that you would find it. I believed in you.

Sometimes I think I have organized the inner crowd. For a brief, breathtaking moment, I feel completely whole. I understand that I am comprised of many selves that make up a single chorus. To listen to the music this chorus makes, to recognize it as music, as something noble, varied, patterned, beautiful — that is the work of a lifetime.

Every moment those cold fingers of you touches my skin in these rainy nights, they lit fire to my soul a bit at a time. These moments make me crave to be destroyed, even more. In the end, when my whole soul is engulfed in the fire that you have started, I want to pull you into my arms and destroy you too, in every breathtaking way that exists.

They forgot their lives for a moment, abandoned all fear, every thought and troubling notion carried away on the back of the breathtaking melody.

Without energy being invested in resisting the unwanted or dueling with fears, we have more energy and attention available for noticing not only the disturbing, but the wonderful...When we are not fixated on threat and defending ourselves, when we're not exhausted and burned out from chronic stress, we are able to see the daily evidence that we are in the midst of a mind-blowing miracle called Life....Then we will experience breathtaking, heart-rippling moments that counterbalance every trial and tribulation. When we're fully conscious of the universe's artistry and generosity, who needs psychodelics or Prozac?

In the end—as in the beginning—it is the authentic performance of the Beatles’ peculiar, elaborate, unfettered art that matters. It is the performance that makes the text possible in the first place, that imbues it with the heartbreaking reality of our transitory existence. It is the impermanence of the moment—rendered seemingly permanent by magnetic tape and celluloid—that is so vexing in its realness that it somehow seems immutable. Take the rooftop concert, with London’s blustery, wintry winds swirling up from the streetscape as John, Paul, George, and Ringo make one last play for greatness after a month of soul-destroying misery. They climbed the stairs above 3 Savile Row and willed a final, breathtaking performance for the ages. It is the primal image of the Beatles having become lost in the pure joy of their sound, just as they had done so many years before in the Cavern and not so very long ago in Studio Two. Everything else—the gossip, the intrigue, the emotional collapse—suddenly becomes moot, irrelevant even, as Ringo keeps the backbeat strong and true on his Ludwigs, while George furrows his brow as he drives his Rosewood Telecaster home. And John and Paul, smiling at each other across the staves of memory, play their hearts out one more time. The rest is silence.

Nora Ephron is a screenwriter whose scripts for Silkwood, When Harry Met Sally, and Sleepless in Seattle have all been nominated for Academy Awards. Ephron started her career as a journalist for the New York Post and Esquire. She became a journalist because of her high school journalism teacher. Ephron still remembers the first day of her journalism class. Although the students had no journalism experience, they walked into their first class with a sense of what a journalist does: A journalists gets the facts and reports them. To get the facts, you track down the five Ws—who, what, where, when, and why. As students sat in front of their manual typewriters, Ephron’s teacher announced the first assignment. They would write the lead of a newspaper story. The teacher reeled off the facts: “Kenneth L. Peters, the principal of Beverly Hills High School, announced today that the entire high school faculty will travel to Sacramento next Thursday for a colloquium in new teaching methods. Among the speakers will be anthropologist Margaret Mead, college president Dr. Robert Maynard Hutchins, and California governor Edmund ‘Pat’ Brown.” The budding journalists sat at their typewriters and pecked away at the first lead of their careers. According to Ephron, she and most of the other students produced leads that reordered the facts and condensed them into a single sentence: “Governor Pat Brown, Margaret Mead, and Robert Maynard Hutchins will address the Beverly Hills High School faculty Thursday in Sacramento. . .blah, blah, blah.” The teacher collected the leads and scanned them rapidly. Then he laid them aside and paused for a moment. Finally, he said, “The lead to the story is ‘There will be no school next Thursday.’” “It was a breathtaking moment,” Ephron recalls. “In that instant I realized that journalism was not just about regurgitating the facts but about figuring out the point. It wasn’t enough to know the who, what, when, and where; you had to understand what it meant. And why it mattered.” For the rest of the year, she says, every assignment had a secret—a hidden point that the students had to figure out in order to produce a good story.

Then the voice - which identified itself as the prince of this world, the only being who really knows what happens on Earth - began to show him the people around him on the beach. The wonderful father who was busy packing things up and helping his children put on some warm clothes and who would love to have an affair with his secretary, but was terrified on his wife's response. His wife who would like to work and have her independence, but who was terrified of her husband's response. The children who behave themselves because they were terrified of being punished. The girl who was reading a book all on her own beneath the sunshade, pretending she didn't care, but inside was terrified of spending the rest of her life alone. The boy running around with a tennis racuqet , terrified of having to live up to his parents' expectations. The waiter serving tropical drinks to the rich customers and terrified that he could be sacket at any moment. The young girl who wanted to be a dance, but who was studying law instead because she was terrified of what the neighbours might say. The old man who didn't smoke or drink and said he felt much better for it, when in truth it was the terror of death what whispered in his ears like the wind. The married couple who ran by, splashing through the surf, with a smile on their face but with a terror in their hearts telling them that they would soon be old, boring and useless. The man with the suntan who swept up in his launch in front of everybody and waved and smiled, but was terrified because he could lose all his money from one moment to the next. The hotel owner, watching the whole idyllic scene from his office, trying to keep everyone happy and cheerful, urging his accountants to ever greater vigilance, and terrified because he knew that however honest he was government officials would still find mistakes in his accounts if they wanted to. There was terror in each and every one of the people on that beautiful beach and on that breathtakingly beautiful evening. Terror of being alone, terror of the darkness filling their imaginations with devils, terror of doing anything not in the manuals of good behaviour, terror of God's punishing any mistake, terror of trying and failing, terror of succeeding and having to live with the envy of other people, terror of loving and being rejected, terror of asking for a rise in salary, of accepting an invitation, of going somewhere new, of not being able to speak a foreign language, of not making the right impression, of growing old, of dying, of being pointed out because of one's defects, of not being pointed out because of one's merits, of not being noticed either for one's defects of one's merits.

Stop thinking this is all there is... Realize that for every ongoing war and religious outrage and environmental devastation and bogus Iraqi attack plan, there are a thousand counterbalancing acts of staggering generosity and humanity and art and beauty happening all over the world, right now, on a breathtaking scale, from flower box to cathedral... Resist the temptation to drown in fatalism, to shake your head and sigh and just throw in the karmic towel... Realize that this is the perfect moment to change the energy of the world, to step right up and crank your personal volume; right when it all seems dark and bitter and offensive and acrimonious and conflicted and bilious... there's your opening. Remember magic. And finally, believe you are part of a groundswell, a resistance, a seemingly small but actually very, very large impending karmic overhaul, a great shift, the beginning of something important and potent and unstoppable.

moments in my lifetime, moments that changed me, challenged me, moments that scared me and engulfed me. However, the biggest ones—the most heartbreaking and breathtaking ones—all included him. It all began with a rocket ship nightlight and a boy who didn’t know me.

Layla, the first moment I laid eyes on you I knew I had to have you. I watched you walk across that street to the coffee house in a complete daze. You were breathtaking. Fumbling around in your purse, your hair blowing in the breeze around your face. I couldn’t take my eyes off you. In fact I was so stunned I never even noticed how close I was standing to the door when you backed your way into it. So when you asked me how I didn’t see you through that glass, I did see you. Then when you told me you worked here, oh Layla, I can’t lie, I was thrilled and worried all at the same time. It meant I would be able to see you whenever I wanted. That’s why I came in the next day and every day after that, just to see you here. When you agreed to go on a date with me, I thought my head and chest would explode from the sheer joy I felt. You were so easy to talk to and wonderfully fiery, sarcastic, yet warm and caring at the same time. I feel like I’ve known you forever. I’ve never shared a connection with anyone like the one I have with you. So no, I don’t think it’s fast

Sleeping in the simple small cottage rather than hotels... and under the billion stars is one of the breathtaking experience... pause, breath, nothingness moment is what gives meaning to my busy existence, that life is felt in silence, in that moment when what you see before you can no longer be conveyed with words...

And under the cicadas, deeper down that the longest taproot, between and beneath the rounded black rocks and slanting slabs of sandstone in the earth, ground water is creeping. Ground water seeps and slides, across and down, across and down, leaking from here to there, minutely at a rate of a mile a year. What a tug of waters goes on! There are flings and pulls in every direction at every moment. The world is a wild wrestle under the grass; earth shall be moved. What else is going on right this minute while ground water creeps under my feet? The galaxy is careening in a slow, muffled widening. If a million solar systems are born every hour, then surely hundreds burst into being as I shift my weight to the other elbow. The sun’s surface is now exploding; other stars implode and vanish, heavy and black, out of sight. Meteorites are arcing to earth invisibly all day long. On the planet, the winds are blowing: the polar easterlies, the westerlies, the northeast and southeast trades. Somewhere, someone under full sail is becalmed, in the horse latitudes, in the doldrums; in the northland, a trapper is maddened, crazed, by the eerie scent of the chinook, the sweater, a wind that can melt two feet of snow in a day. The pampero blows, and the tramontane, and the Boro, sirocco, levanter, mistral. Lick a finger; feel the now. Spring is seeping north, towards me and away from me, at sixteen miles a day. Along estuary banks of tidal rivers all over the world, snails in black clusters like currants are gliding up and down the stems of reed and sedge, migrating every moment with the dip and swing of tides. Behind me, Tinker Mountain is eroding one thousandth of an inch a year. The sharks I saw are roving up and down the coast. If the sharks cease roving, if they still their twist and rest for a moment, they die. They need new water pushed into their gills; they need dance. Somewhere east of me, on another continent, it is sunset, and starlings in breathtaking bands are winding high in the sky to their evening roost. The mantis egg cases are tied to the mock-orange hedge; within each case, within each egg, cells elongate, narrow, and split; cells bubble and curve inward, align, harden or hollow or stretch. And where are you now?

They that see how they can rise beyond the horizon never exert their total energy on things that are breathtaking on the ground! They think, they act and they see what we all see differently. Though their bodies live on the ground, their mind, spirit and energy journey purposefully towards higher heights each moment of time. They understand doing the small things that can result in great things and they reason from the ignorance, absurdity and the heralds of ordinariness of the masses. They know and understand the real reasons why they must dare, relax and ponder in patience, and also take steps with fortitude and tenacity for a noble accomplishment so as to leave great, distinctive and indelible footprints regardless of the hurdles they might face.

She saw an intensity in his stunning irises, something desperate straining against his control, and she swore in that moment she could almost feel his soul pressing against hers. Even then, he was breathtaking. Some quiet, foolish part of her wanted to rest her bones against his powerful body, feel the weight of his arms around her. She wanted to stroke his cheek one last time.

When he got out, I rolled my window down. “You look like you’re going to throw up.” He grimaced, pressing a hand to his stomach. “I don’t know if it’s from this, or if I actually am sick. I think Avery got sick from the weekend. She was puking this morning when I left.” “Avery, huh? At your place?” He rolled his eyes. “Don’t even start.” “But you see, I have to. I have to start. Avery’s my friend. I’m hanging out with your brother. You and I are classmates. I think we can develop our friendship to the stage where I give you shit. We should even start sitting next to each other in class.” “Don’t press your luck.” I kept going, “It’s a natural progression. Don’t fight it, Marcus. It’s like evolution. Don’t fight evolution. You’ll never win. Mother nature is a bitch. She’s always going to win.” “What the fuck are you talking about?” “How I get to give you shit. It’s an amazing experience in life, like giving birth. It’s painful for one person, but breathtaking for another. I’m the baby here. I get to feel air for the first time on my skin. Let me breathe, Marcus. Let me put my baby lungs to work and scream.” “I swear you’re making me even sicker.” “If you gotta puke, don’t suppress. It’s a natural body process.” He eyed me a moment. “Did you rhyme that on purpose?” “Maybe. Or I might be crazy?” I winked. “Or just a classy lady?” “Stop. I’m really going to puke now.” He groaned, pressing his arm against his forehead. “I was going to tease you back about Caden, but forget it. I don’t think I have the energy to deal with your rhyming.” “I’ve been told I’m amazing like that.” “Who told you that?” “Who hasn’t is the real question.” “You’re not making sense.” “I do that too. That’s very true.” I wondered if I should find him a bag, in case he actually was going to upchuck.

Our relationship quickly grew. I was living in Long Beach at the time; Chris was in San Diego. Conservatively speaking, that’s a two-hour drive. But Chris drove it often. He’d get off work, hop in his pickup, and be at my condo before dark. And not just on the weekends: he often rose before the sun to get to work in Coronado Beach. We’d go out to eat, maybe take in a movie, play miniature golf, bowl, see friends--the usual date stuff. But our most fun was just hanging out together. I pinned a picture of Chris up near my desk. (It’s the profile picture on his Facebook page, if you’re interested.) Under it, I taped a quote that went along the lines of: Life is not about the number of breaths you take; it’s the moments that take your breath away. Chris was all about those breathtaking moments--riding broncs in the rodeo, jumping out of planes. He worked hard and played hard--but was just as likely to relax completely, sitting comfortably on the couch with a beer or whatever as he took it easy. It was a paradox; I loved both sides.

Saturday evening, on a quiet lazy afternoon, I went to watch a bullfight in Las Ventas, one of Madrid's most famous bullrings. I went there out of curiosity. I had long been haunted by the image of the matador with its custom made torero suit, embroidered with golden threads, looking spectacular in his "suit of light" or traje de luces as they call it in Spain. I was curious to see the dance of death unfold in front of me, to test my humanity in the midst of blood and gold, and to see in which state my soul will come out of the arena, whether it will be shaken and stirred, furious and angry, or a little bit aware of the life embedded in every death. Being an avid fan of Hemingway, and a proponent of his famous sentence "About morals, I know only that what is moral is what you feel good after and what is immoral is what you feel bad after,” I went there willingly to test myself. I had heard atrocities about bullfighting yet I had this immense desire to be part of what I partially had an inclination to call a bloody piece of cultural experience. As I sat there, in front of the empty arena, I felt a grandiose feeling of belonging to something bigger than anything I experienced during my stay in Spain. Few minutes and I'll be witnessing a painting being carefully drawn in front of me, few minutes and I will be part of an art form deeply entrenched in the Spanish cultural heritage: the art of defying death. But to sit there, and to watch the bull enter the arena… To watch one bull surrounded by a matador and his six assistants. To watch the matador confronting the bull with the capote, performing a series of passes, just before the picador on a horse stabs the bull's neck, weakening the neck muscles and leading to the animal's first loss of blood... Starting a game with only one side having decided fully to engage in while making sure all the odds will be in the favor of him being a predetermined winner. It was this moment precisely that made me feel part of something immoral. The unfair rules of the game. The indifferent bull being begged to react, being pushed to the edge of fury. The bull, tired and peaceful. The bull, being teased relentlessly. The bull being pushed to a game he isn't interested in. And the matador getting credits for an unfair game he set. As I left the arena, people looked at me with mocking eyes. Yes, I went to watch a bull fight and yes the play of colors is marvelous. The matador’s costume is breathtaking and to be sitting in an arena fills your lungs with the sands of time. But to see the amount of claps the spill of blood is getting was beyond what I can endure. To hear the amount of claps injustice brings is astonishing. You understand a lot about human nature, about the wars taking place every day, about poverty and starvation. You understand a lot about racial discrimination and abuse (verbal and physical), sex trafficking, and everything that stirs the wounds of this world wide open. You understand a lot about humans’ thirst for injustice and violence as a way to empower hidden insecurities. Replace the bull and replace the matador. And the arena will still be there. And you'll hear the claps. You've been hearing them ever since you opened your eyes.

Where is Edna?” The beauty glared at him with incredulity, exotic make up accentuating her every breath-taking feature. “Are you mocking me?” “I am sorry, what?” he replied. “Are you that thickheaded? It is me, silly,” said the girl. It hit him like a ton of mud bricks. This gorgeous vision of feminine transcendence frowning at him was none other than the transformed presentation of his immature scrawny little boyish girl Edna. His little Pedna. How could he have never seen her this way before? He stumbled back a step and almost fainted. He knew at that very moment that he would never be happy in this life again until he married this goddess.

marveling, as he always did in the aftermath of his spells, just how much they resembled tropical storms. As they approached, he often could sense the change in barometric pressure, as he had done on the ferry, even though the storm was still far out at sea, churning away, gathering force, bearing down. When it finally came ashore there wasn’t much to do but ride it out, just let it howl and rage and do its worst. At some point his buffeted, terrified psyche simply gave way to a profound sense of calm, there in the storm’s gentle eye. It wasn’t unlike what people coming down from acid trips often described—the self simply dissipating. To Teddy, a breathtaking moment of splendid, weightless drifting away. In another second or two the world and its cares would cease to matter. In their place, blessed oblivion. But then the winds returned, the shard pierced flesh, and he would know the truth—that escape was yet another false narrative. Later, bloodied and chastened and exhausted, he would do what he always did—claw up into the light, blinking, and survey the damage. Make an inventory of what was irretrievably lost, what was merely damaged and in need of mending, and then, most vitally, somehow locate and reestablish that charmless but necessary even keel that allowed for smooth, if unadventurous, sailing. What he called his life.

She felt that she was trembling. She studied Clerfayt. He asked no questions. I don’t have to explain anything to him, she thought. He takes me at my word. What to me is the decision of my life is to him only the kind of ordinary decision people make every day. Perhaps he doesn’t even think me particularly sick; I suppose it takes an auto smashup to convince him that someone is really incapacitated. She felt to her surprise as if a burden she had borne for years were sliding from her shoulders. Here was the first person in years who was not concerned about her illness. It made her happy in a strange way. It was as if she had crossed a frontier hitherto impassable to her. Her sickness, which had always been like an opaque window between herself and the world, no longer existed, at least for the moment. Instead, life lay outspread before her, breathtakingly clear and wide, flooded with moonlight; life with clouds and valleys and happenings. And she belonged to it, she was no longer excluded from it; she stood like all the others, the healthy people, at the starting point, a burning, crackling torch in her hand, ready for the steep drop, the rush down and into life. What had Clerfayt said once? That the most desirable thing in life was to be able to choose your own death, because then death could not kill you like a rat or extinguish you, suffocate you, when you were not ready. She was ready. She trembled, but she was ready.

Wow, it was beautiful. The chandeliers were breathtaking, and pearls drizzled down. At first when I saw people walk under them, I wondered if it hurt, but the pearls vanished the moment they encountered the floor or skin. The carpet was a beautiful crimson shade covered with rose petals, and tiny crystals were layered on it, reflecting colors. The dining table looked about twelve feet long with golden swirls and magnificent designs on it, and it had all the food I could imagine, some I didn’t even know. The drinks being served were blood and wine. Each and every chair looked like a throne, but the real throne was . . . it was . . . whoa. All the ladies wore such beautiful gowns, but they were all dull and dark.

Much as I wanted to think of Lark in someplace better, I knew from a thousand conversations that she never worried abut that place. Maybe it was real and full of saints and poets, or maybe it was poetry itself. Her concern was this place. This animal world with its unfurling dread and convulsive wars and fabricated certainties, and its breathtaking storms across the water. With Willow infiltrating the landscape and its stories coming thick and fast - these explorers getting younger and more innocent - I felt desperate to reach through time. I wanted to find these kids in a moment of calm. To take their lapels gently in my hands and say, "Better is right here." I still hear it in Lark's voice. Better is here. Stay, and make it better.

truth hit me in that moment. All my life, I’ve been running. Running to the next greatest thing. An adventurer. A thrill seeker. Hungry for more. If things got hard, fight or flight. I would kick and scream for a while, and when that didn’t yield the proper results, I would take flight. It happened in my closest relationships. Including my arguments with Gabe. If I was not able to win or be understood, I’d grow silent and escape. Far away. To a place that allowed me to maintain control. But the silent treatment and hibernation never brought relief; instead, I felt abandoned by my own doing. All alone. By my own choosing. This defense of self-preservation left me on the altar of self-destruction. My greatest fear is feeling trapped—it has followed me all my life.

There are moments of silence and smiles and breaths taken away from the chest, wherein you truly feel a deep understanding for your position in your life, in this world, and within the walls of yourself that you call bones and tissue. You madly understand yourself (your thoughts, your desires, what you want to be living for, really) and it's amazing because it is within those moments where you will come to see how very few people should actually be important to your heart and to your path: because your heart and your path are glorious and different and breathtaking and not everyone belongs there with you. We all often feel pangs of loneliness and we clamour to hold onto other people because it has not yet dawned on us, that not everyone we wish to hold onto will fit on our paths with us. If you could come to an understanding of your own space, and what it means to occupy that space, then you would come to know, and to feel, and to realise, that we are not lonely in our hearts because others do not occupy with us; rather, we are painfully lonely in our hearts because we do not occupy our own skin. We do not occupy our own souls. We do not occupy the space we've been given by our own dreams, desires, longings... what makes you cry? What makes you laugh? It doesn't matter if you're the only one who cries or who laughs! What matters is that you fill up your space so full that your soul rubs up against your bones and pushes up against just below the surface of your skin. You will never be lonely, we would never be lonely, if we knew to occupy all that we are!

Then the door opened and Diana entered…with Prince Charles. I held my breath as she gave us a brilliant smile and briskly crossed the floor. The new Diana was truly breathtaking--beautiful, self-assured, polished, and stunning in her scarlet suit. She looked even more radiant in person than in her best pictures. She was absolute perfection, with her flawless complexion, starry blue eyes, and confident carriage. A remarkable and complete transformation from young nanny to global sensation--and she was only twenty-four! Before either one of us said a word, Diana and I exchanged glances for just an instant. I didn’t even try to hide my amazement and admiration. My eyes and smile said, “Wow! I’m speechless.” Diana’s impish grin replied, “Yes, I’ve done pretty well, haven’t I?” It was an unforgettable, private moment.

And then I see it. Azure Helicopter Tours. I drag Toraf to the landing pad. “What is that?” he asks suspiciously. “Um. It’s a helicopter.” “What does it do? Triton’s trident, it doesn’t fly does it? Emma? Emma wait!” He catches up to me and burps right in my ear. “Stop being a jerkface,” I tell him. “Whatever that is. You don’t care about me at all, do you?” “You came to me, remember? This is me helping you. Now be quiet while I buy tickets.” It’s a private ride, no other passengers to worry about. Plus, we’re not stealing anything. The helicopter can return to land with its pilot as soon as we’re done with our part of the mission. “Why do we need to fly? The water is right there.” He points to it longingly. I almost feel bad for him. Almost. But I don’t have time for pity. “Because I think these helicopters can still cover more distance faster than you can haul me. I’m trying to make up for all the time we spent at security in LAX.” “Humans are so weird,” he mutters again as I walk away. “You do everything backward.” Since this is a sightseeing flight, the pilot, Dan, a thick Hawaiian man with an even thicker accent, takes his time pointing out all the usual tourist stuff, like the fishing industry, the history of the coast, and other things I have no interest in at the moment. The view of the blue water and visible reefs, the chain of islands, and the rich culture would be breathtaking if I weren’t preoccupied with crashing a Syrena get-together. I can imagine spending time with Galen here. Exploring the reefs like no human could, playing with the tropical fish, and making Galen wear a lei. But I need to stay focused if I ever want a chance to do it.

The best antidote to the furtive poison of anger, fear, anxiety, or any of our destructive, unwieldy passions, is just gratitude. And not the grandiose, boisterous or especially obvious kind. It is not necessarily the verbose or expressive kind. It's often the full immersion, a kind of deep submersion even, into a pool of awareness. This penitent affect distills within us surreal realizations; it is a focus, tinged with layers of deep remorse and the profound beauty of newfound appreciation that washes over us about the simplest things we have slipped into, or suddenly become aware of our own complacency over. This cooling antidote instantly soothes any veins swollen with the heat of pride, or stopped up with pearls of finely polished self-pity. This all comes about with a balm of humility that is simultaneously soothing and jolting to all of our senses at the same time. It is a cocktail both sedative and stimulant in the same, finite instant. It often occurs as we are halted dead in our tracks by a thing so extraordinary and breathtakingly natural, even luscious in its simplicity and unusually ordinary existence; often something we have been blatantly negligent of noticing as we routinely trudge past it in our self-absorbed haze. These are akin to the emotions one might feel as they finally notice the well-established antique rose garden, in full bloom; the same one they have walked by for years on their way to somewhere - but never noticed before. This is the feeling we get when our aging parent suddenly, in one moment, is 87 in our mind's eye - and not the steady 57, or eternal 37 we have determinedly seen our so loved one to be, out of purely wishful thinking born of the denial that only the truest love and devotion can begin to nurture - for the better of many decades.

Do you know what makes me the happiest? When I see somebody's dream getting the light of morn. When I see the happy giggle of a child with the most enchanting twinkle in that eye. When I see the breaking dawn to watch the rising sun. When I see a smile walking along the horizon painting the crimson rays of a setting sun. When I see a sobbing heart finally taking a flight to a deep unknown within the canvas of its soul. When I see the rain touch the earth and caress its voice in a mirthful melody of stories unfinished. When I see a rainbow dancing along a silver lining of a roaring storm. When I see the radiance on a freckled face of an old woman holding the hand of her forever old man. When I see the moist mist of that coffee slowly becoming the poison of my muse. When I see my wandering heart falling in love with beautiful lands and strangers of soulful cord. When I see how Life is beautiful in all its breathtaking shortness marked in moments of happy surprise lulling across the door of my distant dream clutched in a canopy of dreams lived. And now when I see that beguiling smile of Life, I know how happiest that stardust shines which twinkles in my eye and the soul of my distant dream.

A breathtaking vision in emerald silk, she was too exquisite to be flesh and blood; too regal and aloof to have ever let him touch her. He drew a long, strangled breath and realized he hadn’t been breathing as he watched her. Neither had the four men beside him. “Good Lord,” Count Dillard breathed, turning clear around and staring at her, “she cannot possibly be real.” “Exactly my thoughts when I first saw her,” Roddy Carstairs averred, walking up behind them. “I don’t care what gossip says,” Dillard continued, so besotted with her face that he forgot that one of the men in their circle was a part of that gossip. “I want an introduction.” He handed his glass to Roddy instead of the servant beside him and went off to seek an introduction from Jordan Townsende. Watching him, it took a physical effort for Ian to maintain his carefully bland expression, tear his gaze from Dillard’s back, and pay attention to Roddy Carstairs, who’d just greeted him. In fact, it took several moments before Ian could even remember his name. “How are you, Carstairs?” Ian said, finally recollecting it. “Besotted, like half the males in here, it would seem,” Roddy replied, tipping his head toward Elizabeth but scrutinizing Ian’s bland face and annoyed eyes. “In fact, I’m so besotted that for the second time in my jaded career I’ve done the gallant for a damsel in distress. Your damsel, unless my intuition deceives me, and it never does, actually.” Ian lifted his glass to his lips, watching Dillard bow to Elizabeth. “You’ll have to be more specific,” he said impatiently. “Specifically, I’ve been saying that in my august opinion no one, but no one, has ever besmirched that exquisite creature. Including you.” Hearing him talk about Elizabeth as if she were a morsel for public delectation sent a blaze of fury through Ian. He was spared having to form a reply to Carstairs’s remark by the arrival of yet another group of people eager to be introduced to him, and he endured, as he had been enduring all night, a flurry of curtsies, flirtatious smiles, inviting glances, and overeager hanshakes and bos. “How does it feel,” Roddy inquired as that group departed and another bore down on Ian, “to have become, overnight, England’s most eligible bachelor?” Ian answered him and abruptly walked off, and in so doing dashed the hopes of the new group that had been heading toward him. The gentleman beside Roddy, who’d been admiring Ian’s magnificently tailored claret jacket and trousers, leaned closer to Roddy and raised his voice to be heard above the din. “I say, Roddy, how did Kensington say it feels to be our most eligible?” Roddy lowered his glass, a sardonic smile twisting his lips. “He said it is a pain in the ass.” He slid a sideways glance at his staggered companion and added wryly, “With Hawthorne wed and Kensington soon to be-in my opinion-the only remaining bachelor with a dukedom to offer is Clayton Westmoreland. Given the uproar Hawthorne and Kensington have both created with their courtships, one can only look forward with glee to observing Westmoreland’s.

Fifty miles out of Prague, the halved carcass of a freshly killed hog hangs, still steaming in the cold, from what looks like a child’s swing set. It’s a wet, drizzling morning and your feet are sopping and you’ve been warming yourself against the chill by huddling around the small fire over which a pot of pig parts boils. The butcher’s family and friends are drinking slivovitz and beer, and though noon is still a few hours off, you’ve had quite a few of both. Someone calls you inside to the tiled workspace, where the butcher has mixed the pig’s blood with cooked onions and spices and crumbs of country bread, and he’s ready to fill the casings. Usually, they slip the casing over a metal tube, turn on the grinding machine, cram in the forcemeat or filling, and the sausages fill like magic. This guy does it differently. He chops everything by hand. A wet mesa of black filling covers his cutting board, barely retaining its shape—yet he grabs the casing in one hand, puts two fingers in one open end, makes the “V” sign, stretching it disturbingly, and reaches with the other—then buries both his hands in the mix. A whirlwind of movement as he squeezes with his right hand, using his palm like a funnel, somehow squirting the bloody, barely containable stuff straight into the opening. He does this again and again with breathtaking speed, mowing his way across the wooden table, like a thresher cutting a row through a cornfield, a long, plump, rapidly growing, glistening, fully filled length of sausage engorging to his left as he moves. It’s a dark, purplish color through the translucent membrane. An assistant pinches off links, pins them with broken bits of wooden skewer. In moments, they are done.

For years before the Olympic swimmer Michael Phelps won the gold at the 2008 Beijing Olympics, he followed the same routine at every race. He arrived two hours early.1 He stretched and loosened up, according to a precise pattern: eight hundred mixer, fifty freestyle, six hundred kicking with kickboard, four hundred pulling a buoy, and more. After the warm-up he would dry off, put in his earphones, and sit—never lie down—on the massage table. From that moment, he and his coach, Bob Bowman, wouldn’t speak a word to each other until after the race was over. At forty-five minutes before the race he would put on his race suit. At thirty minutes he would get into the warm-up pool and do six hundred to eight hundred meters. With ten minutes to go he would walk to the ready room. He would find a seat alone, never next to anyone. He liked to keep the seats on both sides of him clear for his things: goggles on one side and his towel on the other. When his race was called he would walk to the blocks. There he would do what he always did: two stretches, first a straight-leg stretch and then with a bent knee. Left leg first every time. Then the right earbud would come out. When his name was called, he would take out the left earbud. He would step onto the block—always from the left side. He would dry the block—every time. Then he would stand and flap his arms in such a way that his hands hit his back. Phelps explains: “It’s just a routine. My routine. It’s the routine I’ve gone through my whole life. I’m not going to change it.” And that is that. His coach, Bob Bowman, designed this physical routine with Phelps. But that’s not all. He also gave Phelps a routine for what to think about as he went to sleep and first thing when he awoke. He called it “Watching the Videotape.”2 There was no actual tape, of course. The “tape” was a visualization of the perfect race. In exquisite detail and slow motion Phelps would visualize every moment from his starting position on top of the blocks, through each stroke, until he emerged from the pool, victorious, with water dripping off his face. Phelps didn’t do this mental routine occasionally. He did it every day before he went to bed and every day when he woke up—for years. When Bob wanted to challenge him in practices he would shout, “Put in the videotape!” and Phelps would push beyond his limits. Eventually the mental routine was so deeply ingrained that Bob barely had to whisper the phrase, “Get the videotape ready,” before a race. Phelps was always ready to “hit play.” When asked about the routine, Bowman said: “If you were to ask Michael what’s going on in his head before competition, he would say he’s not really thinking about anything. He’s just following the program. But that’s not right. It’s more like his habits have taken over. When the race arrives, he’s more than halfway through his plan and he’s been victorious at every step. All the stretches went like he planned. The warm-up laps were just like he visualized. His headphones are playing exactly what he expected. The actual race is just another step in a pattern that started earlier that day and has been nothing but victories. Winning is a natural extension.”3 As we all know, Phelps won the record eight gold medals at the 2008 Beijing Olympics. When visiting Beijing, years after Phelps’s breathtaking accomplishment, I couldn’t help but think about how Phelps and the other Olympians make all these feats of amazing athleticism seem so effortless. Of course Olympic athletes arguably practice longer and train harder than any other athletes in the world—but when they get in that pool, or on that track, or onto that rink, they make it look positively easy. It’s more than just a natural extension of their training. It’s a testament to the genius of the right routine.

From an essay on early reading by Robert Pinsky: My favorite reading for many years was the "Alice" books. The sentences had the same somber, drugged conviction as Sir John Tenniel's illustrations, an inexplicable, shadowy dignity that reminded me of the portraits and symbols engraved on paper money. The books were not made of words and sentences but of that smoky assurance, the insistent solidity of folded, textured, Victorian interiors elaborately barricaded against the doubt and ennui of a dreadfully God-forsaken vision. The drama of resisting some corrosive, enervating loss, some menacing boredom, made itself clear in the matter-of-fact reality of the story. Behind the drawings I felt not merely a tissue of words and sentences but an unquestioned, definite reality. I read the books over and over. Inevitably, at some point, I began trying to see how it was done, to unravel the making--to read the words as words, to peek behind the reality. The loss entailed by such knowledge is immense. Is the romance of "being a writer"--a romance perhaps even created to compensate for this catastrophic loss--worth the price? The process can be epitomized by the episode that goes with one of my favorite illustrations. Alice has entered a dark wood--"much darker than the last wood": [S]he reached the wood: It looked very cool and shady. "Well, at any rate it's a great comfort," she said as she stepped under the trees, "after being so hot, to get into the--into the--into what?" she went on, rather surprised at not being able to think of the word. "I mean to get under the--under the--under this, you know!" putting her hand on the trunk of the tree. "What does it call itself, I wonder? I do believe it's got no name--why to be sure it hasn't!" This is the wood where things have no names, which Alice has been warned about. As she tries to remember her own name ("I know it begins with L!"), a Fawn comes wandering by. In its soft, sweet voice, the Fawn asks Alice, "What do you call yourself?" Alice returns the question, the creature replies, "I'll tell you, if you'll come a little further on . . . . I can't remember here". The Tenniel picture that I still find affecting illustrates the first part of the next sentence: So they walked on together through the wood, Alice with her arms clasped lovingly round the soft neck of the Fawn, till they came out into another open field, and here the Fawn gave a sudden bound into the air, and shook itself free from Alice's arm. "I'm a Fawn!" it cried out in a voice of delight. "And dear me! you're a human child!" A sudden look of alarm came into its beautiful brown eyes, and in another moment it had darted away at full speed. In the illustration, the little girl and the animal walk together with a slightly awkward intimacy, Alice's right arm circled over the Fawn's neck and back so that the fingers of her two hands meet in front of her waist, barely close enough to mesh a little, a space between the thumbs. They both look forward, and the affecting clumsiness of the pose suggests that they are tripping one another. The great-eyed Fawn's legs are breathtakingly thin. Alice's expression is calm, a little melancholy or spaced-out. What an allegory of the fall into language. To imagine a child crossing over from the jubilant, passive experience of such a passage in its physical reality, over into the phrase-by-phrase, conscious analysis of how it is done--all that movement and reversal and feeling and texture in a handful of sentences--is somewhat like imagining a parallel masking of life itself, as if I were to discover, on reflection, that this room where I am writing, the keyboard, the jar of pens, the lamp, the rain outside, were all made out of words. From "Some Notes on Reading," in The Most Wonderful Books (Milkweed Editions)

From that moment, events rushed on with breath-taking speed. I spent the two and a half months until my arrest in tormented conflict between reason and the kind of foreboding which Lermontov called “prophetic anguish.

Vic gazed up at Kellan. His mate’s breathing was slow, but steady, and somewhere deep inside Vic believed that Kellan was doing exactly what he was supposed to be doing. The gods would watch over his beautiful swan and keep their egg safe. Soon, Vic’s eyes grew heavy, but he fought against the sleep trying to take him. No, not yet. Just a little longer. He didn’t want Kellan to go through the egg-laying all by himself, not when Vic could be there and offer encouragement, to share in the moment and reassure him if he became scared. The wool blanket was doing its job and Vic had warmed up nicely. His eyelids fluttered, so he tried to keep his focus on Kellan, tried to keep from drifting off. Kellan. My precious mate, my love… The song of a cardinal invaded Vic’s dream and he tried to ignore it in favor of the imaginary outing he was enjoying with Kellan on the lake during some future summer. We can bring the baby. I bet it will be a water baby, same as its daddy. The slow trill of the winter bird cut through Vic’s peaceful world and his eyes flew open, his brain registering it was morning right as his eyes adjusted to the light. He yelped, his arms flailing for a second before he tumbled off the bed and landed with a thump onto the braided rug. Vic lay there for a moment, his heart pounding, trying to work out whether he was still in a dream or truly awake. He sucked in a deep breath, then pushed up from the floor. He peered over the edge of the bed, his eyes widening at the scene before him. A majestic swan, pure white and breathtakingly beautiful, was perched on the blanket nest, its beak tucked under one wing. Vic smiled, relief flooding him as he realized what had happened. Kellan. His mate had shifted. Whatever had been wrong was right again

In the passing of an instant everything stopped and there he stood at the bottom of the ocean in perfect stillness. He gazed into a strange and eerie light that seemed to draw closer as the fear in his heart faded. An amazing tunnel was extending towards him, smooth shiny walls in the night. Reaching his hand out to touch it he wondered; if he were to die in that moment, where would the life inside him go? His heart, bursting with unspent love and the breathtaking happiness in his soul, just disappearing into the ocean. Two more handfuls of salt dissolving in a world barely able to justify its own existence. He heard a rushing sound as the sea inhaled again just before it struck him in the chest. A wall of sand and stones that blew him off his feet and sent him back out, his last thought escaping him in a long trail of bubbles. ‘Stop fighting now Thomas—it’s over.

So,” he starts slowly, “if I am thinking that I want to kiss you, I should not say it out loud?” Oh, he’s completely messing with me now. Taunting me. I feel tears of shame and rejection rise to my eyes. “Please,” I manage to say in as withering a tone as I can manage, “I thought you were all about telling the truth. And now you’re nothing but a big liar.” His lashes lift as his eyes widen. His lips part and I watch, hypnotized now, as he says softly, so softly that I find myself tilting toward him to catch every word: “Violetta, cara mia, you are wrong. I am not a liar.” He doesn’t reach out to take hold of my shoulders, or take my hand to pull me in. He’s so sure of himself that he simply leans down, so close I can feel his breath scented with Prosecco warm on my face, for a split second, and then his lips meet mine. His confidence is breathtaking; when I’ve been kissed in the past, the boys always touch you just as they’re about to do it, make sure you’re willing, put an arm around you, hold your hand. It gives them a moment’s grace, a few seconds of self-protection, so if they’ve misjudged the situation--if you pull away--they won’t be left standing there looking like a fool, with their head craning toward you and their lips pursed like one of those baby dolls he mentioned that blows kisses when you pull the string in its back. Luca, however, doesn’t lay a finger on me. He simply kisses me. And not in a soft, tentative, exploratory way; his mouth is long and narrow, his lips hard and insistent. It’s not the kind of kiss I’m used to at all.

the first time in 15 years of television around the globe that a real life homicide had occurred in front of live cameras…. The Dallas shooting, easily the most extraordinary moments of TV that a set-owner ever watched, came with such breath-taking suddenness as to beggar description.

Then the center of influence shifted to London, with the Beatles and the Rolling Stones, Cream, the Who, the Kinks, and all the bands that orbited them. San Francisco, with the Grateful Dead, Jefferson Airplane, and Santana, had its moment in a psychedelic spotlight around the Summer of Love and the Monterey Pop Festival in 1967, but as the 1960s gave way to the '70s, the center of the musical universe shifted unmistakably to Los Angeles. "It was incredibly vital," said Jonathan Taplin, who first came to LA as the tour manager for Bob Dylan and the Band and later relocated there to produce Martin Scorsese's breakthrough movie, Mean Streets. "The nexus of the music business had really moved from New York to Los Angeles. That had been a profound shift . . . It was very clear that something big had changed."'' For a breathtaking few years, the stars aligned to glittering effect in Los Angeles. The city attracted brilliant artists; skilled session musicians; soulful songwriters; shrewd managers, agents, and record executives; and buzz-building clubs. From this dense constellation of talent, a shimmering new sound emerged, a smooth blend of rock and folk with country influences. Talented young people from all over the country began descending on Los Angeles with their guitar cases or dreams of becoming the next Geffen. Irving Azoff, a hyper-ambitious young agent and manager who arrived in Los Angeles in 1972, remembered, "It was like the gold rush. You've never seen anything like it in the entertainment business. The place was exploding. I was here—right place, right time. I tell everybody, `If you're really good in this business, you only have to be right once,' so you kind of make your own luck, but it is luck, too. It was hard to be in LA in that time and have any talent whatsoever in the music business—whether you were a manager, an agent, an artist, a producer, or writer—[and] not to make it, because it was boom times. It was the gold rush, and it was fucking fun.

Present yourself to this moment and this moment will present you with its stellar magic and breathtaking miracles.

He turned toward her, the wrinkle in his brow easing as he caught sight of her. ‘Aria.’ His breath caught. Her heart stopped at the sound of her name on his lips. The world around her quieted, and for a moment, nothing else existed as she stepped toward him, longing for more but not daring to hope.

I don't easily give up these moments of grace and joy. At fifty-one, I've experienced enough to know that when tragedy strikes, these moments evaporate with breathtaking speed in the bitter cold of loss, and I'm left grasping for them, my wounded spirit parched.

The infinite possibilities each day holds should stagger the mind. The sheer number of experiences I could have is uncountable, breathtaking, and I'm sitting here refreshing my inbox. We live trapped in loops, reliving a few days over and over, and we envision only a handful of paths laid out before us. We see the same things every day, we respond the same way, we think the same thoughts, each day a slight variation on the last, every moment smoothly following the gentle curves of societal norms. We act like if we just get through today, tomorrow our dreams will come back to us. And no, I don't have all the answers. I don't know how to jolt myself into seeing what each moment could become. But I do know one thing: the solution doesn't involve watering down my every little idea and creative impulse for the sake of some day easing my fit into a mold. It doesn't involve tempering my life to better fit someone's expectations. It doesn't involve constantly holding back for fear of shaking things up. his is very important, so I want to say it as clearly as I can: FUCK. THAT. SHIT.

You’re stunning. Fucking breathtaking. I can’t believe you’re mine. I want to take a picture of you like this, burn this moment into my memory forever.

What he should’ve said the moment he saw you was how fucking breathtaking you look, how the yellow in your dress makes the gold in your eyes sparkle even brighter. He should’ve lifted your hand and pressed the lightest of kisses to your knuckles, just so he could claim you in front of everyone around him. His eyes never should have strayed from yours. And when he lowered your hand, he should’ve taken one more step closer to you, leaned inches from your ear, and said how intoxicatingly beautiful you smelled.

In the passing of an instant everything stopped and there he stood at the bottom of the ocean in perfect stillness. He gazed into a strange and eerie light that seemed to draw closer as the fear in his heart faded. An amazing tunnel was extending towards him, smooth shiny walls in the night. Reaching his hand out to touch it he wondered, if he were to die in that moment, where would the life inside him go. His heart, bursting with unspent love and the breathtaking happiness in his soul, just disappearing into the ocean. Two more handfuls of salt dissolving in a world barely able to justify its own existence. He heard a rushing sound as the sea inhaled again just before it struck him in the chest. A wall of sand and stones that blew him off his feet and sent him back out, his last thought escaping him in a long trail of bubbles. ‘Stop fighting now Thomas—it’s over.

Meredith Etherington-Smith Meredith Etherington-Smith became an editor of Paris Vogue in London and GQ magazine in the United States during the 1970s. During the 1980s, she served as deputy and features editor of Harpers & Queen magazine and has since become a leading art critic. Currently, she is editor in chief of Christie’s magazine. She is also a noted artist biographer; her book on Salvador Dali, The Persistence of Memory, was an international bestseller and was translated into a dozen languages. Her drawing room that morning was much like any comfortable, slightly formal drawing room to be found in country houses throughout England: the paintings, hung on pale yellow walls, were better; the furniture, chintz-covered; the flowers, natural garden bouquets. It was charming. And so was she, as she swooped in from a room beyond. I had never seen pictures of her without any makeup, with just-washed hair and dressed in jeans and a white T-shirt. She looked more vital, more beautiful, than any photograph had ever managed to convey. She was, in a word, staggering; here was the most famous woman in the world up close, relaxed, funny, and warm. The tragic Diana, the royal Diana, the wronged Diana: a clever, interesting person who wasn’t afraid to say she didn’t know how an auction sale worked, and would it be possible to work with me on it? “Of course, ma’am,” I said. “It’s your sale, and if you would like, then we’ll work on it together to make the most money we can for your charities.” “So what do we do next?” she asked me. “First, I think you had better choose the clothes for sale.” The next time I saw her drawing room, Paul Burrell, her butler, had wheeled in rack after rack of jeweled, sequined, embroidered, and lacy dresses, almost all of which I recognized from photographs of the Princess at some state event or gala evening. The visible relics of a royal life that had ended. The Princess, in another pair of immaculately pressed jeans and a stripy shirt, looked so different from these formal meringues that it was almost laughable. I think at that point the germ of an idea entered my mind: that sometime, when I had gotten to know her better and she trusted me, I would like to see photographs of the “new” Princess Diana--a modern woman unencumbered by the protocol of royal dress. Eventually, this idea led to putting together the suite of pictures of this sea-change princess with Mario Testino. I didn’t want her to wear jewels; I wanted virtually no makeup and completely natural hair. “But Meredith, I always have people do my hair and makeup,” she explained. “Yes ma’am, but I think it is time for a change--I want Mario to capture your speed, and electricity, the real you and not the Princess.” She laughed and agreed, but she did turn up at the historic shoot laden with her turquoise leather jewel boxes. We never opened them. Hair and makeup took ten minutes, and she came out of the dressing room looking breathtaking. The pictures are famous now; they caused a sensation at the time. My favorite memory of Princess Diana is when I brought the work prints round to Kensington Palace for her to look at. She was so keen to see them that she raced down the stairs and grabbed them. She went silent for a moment or two as she looked at these vivid, radiant images. Then she turned to me and said, “But these are really me. I’ve been set free and these show it. Don’t you think,” she asked me, “that I look a bit like Marilyn Monroe in some of them?” And laughed.

I started to climb off the bed, but Brandon wrapped his arms around me and pulled me back down. Bree snickered and walked out the door. After it was shut, Brandon pulled me closer to him. “You’re leaving?” He asked softly, his fingers trailing down my arm. “Yeah, I have to go back to my dorm.” “You don’t have to. I want you here with me.” My first thought was of Chase and what he would think about that. I scolded myself and shook my head, “I can’t, we’re not rushing, remember?” He grumbled halfheartedly and squeezed me tighter, “If I knew you were going to leave at the end of today I would have clarified what we weren’t going to rush.” I giggled against his jaw and continued on with a trail of kisses. “I know what you meant. But I can’t stay here.” Lord knows I would love to wake up to his handsome face every day. But like he said, we just met and I’ve only been out of Sir’s house for a little over two weeks. If that’s not the definition of rushing, I don’t know what is. “Weekends?” “What about them?” I asked against his neck. “Will you stay with me on the weekends? You’ll probably be here anyway.” I sat up and looked down at his breathtaking face, “You really want me here? You’re not going to get tired of me being around?” “Seriously Harper? I told you I wanted to keep you here. You’re right though, you do need to stay at the dorm with Bree. So if I have to ‘share’ you with her, then I plan on using this sharing to my advantage so I get you too.” I rolled my eyes and pushed against his chest playfully, “Okay fine. How about this? Unless something comes up, I will stay here with you on Thursdays, Fridays and Saturdays.” A huge smile showing off his perfect teeth and dimple spread across his face as he brought his mouth to mine, “That sounds perfect.” He spoke around our kisses. “I feel like I’m the kid of a divorced couple.” I grumbled and he laughed. We kissed a few moments longer until we heard Bree complaining from the hallway. Brandon hugged me tight to his chest at his door and planted a quick kiss on my forehead, “I’ll see you at school, have a good night sweetheart.” The

ART UNITES WORDS, SOUNDS, FEELINGS, IDEAS, EMOTIONS, KNOWLEDGE, THE INEXPLICABLE, COMPASSION, INBALANCE, EQUANIMITY, SORROW, ANGER, LOVE, THE MAGIC, AHA MOMENTS, FEAR, INSANITY, KINDNESS, SILENCE… EVERYTHING EXIST WITHIN ART.   Whether you regard yourself an artist or not creative at all. Art and creativity is your guide to wholehearted self-acceptance. We’re not talking complicated High Brow Art, those mesmerizing gorgeous art journals, breathtakingly beautiful photographs or fabrics that will rock your world.

moments in my lifetime, moments that changed me, challenged me, moments that scared me and engulfed me. However, the biggest ones—the most heartbreaking and breathtaking ones—all included him. It all began with

Most sacraments are acts of breathtaking simplicity: a simple prayer, a sip of wine and a piece of bread, a single breath in meditation, a sprinkling of water on the forehead, an exchange of rings, a kind word, a blessing. Any of these, performed in a moment of mindfulness, may open the doors of our spiritual perception and bring nourishment and delight.

Evolution, in addition, isn’t just about biological evolution. How genes and bodies change over time is incredibly important, but another momentous dynamic to grapple with is cultural evolution, now the most powerful force of change on the planet and one that is radically transforming our bodies. Culture is essentially what people learn, and so cultures evolve. Yet a crucial difference between cultural and biological evolution is that culture doesn’t change solely through chance but also through intention, and the source of this change can come from anyone, not just your parents. Culture can therefore evolve with breathtaking rapidity and degree. Human cultural evolution got its start millions of years ago, but it accelerated dramatically after modern humans first evolved around 200,000 years ago, and it has now reached dizzying speeds. Looking back on the last few hundred generations, two cultural transformations have been of vital importance to the human body and need to be added to the list of evolutionary transformations above: TRANSITION SIX: The Agricultural Revolution, when people started to farm their food instead of hunt and gather. TRANSITION SEVEN: The Industrial Revolution, which started as we began to use machines to replace human work.

Dante stared at her, momentarily mesmerized in that crazy moment. So … fucking breathtaking in that strength. God, he loved it, he wanted to root for her, then break her down with his mouth, his tongue and hands till she screamed the truth in his ear. Not loving her was vile to God. More vile than a thousand divorces. “Then

A tiny moment of acceptance, a thought, a word, a hug, a need, a passion, a kiss, a touch, a aroma, a smile, a love, a drop of rain, a summer breeze, the wave at the sea, a breathtaking view from a mountain, the fall of a leaf,...yet again,...the bloom. The palpitations of a heart, the everlasting look of a gaze, the peace in the harmony, the never-ending desire of life.

INSIDE OF MY KISS   Drawing my fingers and hands down from the lower portion of her neck passed her stomach I kiss her once more. Gradually guiding her hands down my chest with our fingers partly intertwined I drag them all the way down in an oily residue that slides like warm agave. I watch as her eyes soften, her mouth becoming the place for my lips to escape to. Little spatters of paint graze our legs and feet as she desperately tries to find refuge inside of my kiss, our bodies soon becoming one. Naked and partially covered in paint we move across the floor over a large piece of canvas that captures every stir and motion. As paint and sweat smear across this surface giving memory to our intense romance an organic and spontaneous masterpiece is made. Again I surrender myself inside of her breathtaking kiss that warms me. Smudged into this colorful muck our love is made once again and to a tune that never grows tired. Here in this place where time stands still there is nothing that can take the place of this bond and this passion that continues to become more with each kiss. Taken by the instinctive beauty of solicitude we now lead each other in poetic faith. Inside the splendor of each breath and each kiss do we make all that there is to make, our love only intensifying within each passing moment.

The noise of his zip was like the drag of a fingernail down her spine, and Juliet moaned, helpless to stop, as he pushed first his jeans, then his underwear, down and off. He stood tall and proud in front of her, his abs taut, his shoulders back, his stare still fixed between her legs, dark and hooded and intense. His nudity was breathtaking, his cock jutting out thick and hard as he shoved his hands on his hips. It was a thoroughly arrogant pose. Like a prince. Or a feudal Lord. And her body responded in kind, waiting with baited breath for his next royal command, his next move. Knowing she’d do just about anything for him in this moment with the wild beat of her pulse echoing though her ears and her gut and the slick heat at her heart. Open her mouth. Roll over. Get on all fours. Beg.

I know you’re a capable agent, Dex. You’re a great agent. You’re smart and sharp. You adapt quicker than any other rookie I’ve seen. You’re determined, loyal, resilient…. But you’re Human. I’m not saying you’re weak, because you’re one of the strongest men I know. You need to accept there are forces out there stronger than you. It’s okay to walk away. I spend all day worrying about you, about what you’re getting yourself into. Do you know what it feels like to watch you walk out the door, wondering if it’s going to be the last time?” “I’m sorry, Sloane.” “From the moment I met you, you’ve been driving me out of my fucking mind. I’ve never known anyone who makes me want to laugh and scream at the same time. When you asked me to stay with you, I thought it would expose the faults in our relationship. And now? When you’re not here, I wish you were. God, I even miss your stupid music. I want the Dex that drives me crazy. The one who laughs at his own jokes and eats snacks at inappropriate times. And I want to wake up with him every day. I want his beautiful eyes and breathtaking smile to be the first things I see when I wake up and the last things before bed.” Dex’s eyes widened. “Are you… are saying what I think you’re saying?” “I think I should move in. Someone needs to save you from yourself, and I’m the only one qualified.” “Is that the only reason?” Dex asked quietly, a small smile on his face. “What? That and my wanting to because I love you isn’t enough of a reason?” “That’s

You're breathtaking," I murmur. She blinks at me, taken aback and speechless for several moments. "W-what? Why would you say that?" Because staring into her eyes is the only thing I needed, to convince myself she's everything I'll ever want for as long as oxygen invades my lungs. I knew it deep in my bones the day I met her. Even back then, my soul immediately recognized hers as its other half.

So walk across the street, or drive across town, or fly across the country, but don’t let really intimate loving friendships become the last item on a long to-do list. Good friendships are like breakfast. You think you’re too busy to eat breakfast, but then you find yourself exhausted and cranky halfway through the day, and discover that your attempt to save time totally backfired. In the same way, you can try to go it alone because you don’t have time or because your house is too messy to have people over, or because making new friends is like the very worst parts of dating. But halfway through a hard day or a hard week, you’ll realize in a flash that you’re breathtakingly lonely, and that the Christmas cards aren’t much company. Get up, make a phone call, buy a cheap ticket, open your front door. Because there really is nothing like good friends, like the sounds of their laughter and the tones of their voices and the things they teach us in the quietest, smallest moments.

He sprung to his feet, overcome with his moment of breathtaking insight. Maybe puerperal fever wasn’t caused only by the transmission of material from cadavers. Maybe it could also be transmitted from one live person to another.

The fire in her green eyes is captivating. Fuck, I'm so enthralled. “You're breathtaking,” I murmur.  She blinks at me, taken aback and speechless for several moments.

She studied him for a moment and twisted his hair around her fingers. It would be her lifeline, because she knew by Hades's voice and the way he looked at her, she was about to be consumed. "I love you, Hades," she said softly. His smile was breathtaking, and he kissed her, helping her move up and down his shaft. "I love you. You are perfection," he said, squeezing her bottom where he still held her. "You are my lover. You are my queen.

The gray-blue water, the patchwork of sandy and rocky shore--- it was breathtaking. I had the urge to run out there right at that moment and dig for clams, or lift up rocks and look for crabs, or strip down and swim to the buoy the way I had done in the summers of my childhood. I wanted to immerse myself in that big, beautiful, mysterious body of water.

It was in that moment I noticed his green eyes. They were beautiful. Rare. A color so distinguishable, but indescribable at the same time. It was the color of the reflection of palm trees across a shoreline when the sun was at its highest point in the day. The color was noon. It wasn’t the deep blue shade of the ocean past the reflection of the tree line, or the white when the foam gathered in the sand, but the sweet spot in the middle. It was the perfect timing when three of God’s creations collided: the sun, trees, and water. It was breathtaking, even in the damn mirror.

In a world filled with endless photographic opportunities, capturing the innocence and charm of your newborn is a heartwarming adventure. Baby photography is a cherished art form that allows parents to immortalize the early moments of their little ones' lives. If you're looking to capture the magic of your baby's first days, you may be wondering, "Where can I find baby photography near me? here is our BABYPHOTOGRAPHYHYDERABAD is best choice. Welcoming a new member into your family is a momentous occasion filled with joy and excitement. Those tiny hands, delicate features, and adorable expressions are fleeting, making it imperative to capture these moments in photographs that you can cherish forever. While it's easy to snap pictures with your smartphone, professional baby photography offers a level of artistry and expertise that's hard to replicate. Skilled photographers have an eye for detail and understand how to capture the essence of your baby's personality, creating timeless and breathtaking images.

Please, whatever you do — just leap towards tenderness. Leap towards connection. We are all afraid to say too much, to feel too deeply, to let people know what they mean to us. But caring is not synonymous with crazy. Expressing to someone how special they are to you will make you vulnerable. There is no denying that. However, that is nothing to be ashamed of. There is something breathtakingly beautiful in the moments of smaller magic that occur when you strip down and are honest with those who are important to you, when you choose to slam your heart into those who ignite something within it, when you express. So, express. Express, express, express. Open yourself up, do not harden yourself to the world, and be bold in who, and how, you love. There is courage in that.

The third shooting happened at a kosher grocery store abut twenty minutes from my house. Antisemitic screeds found in the attacker’ vehicle and in their social media postings told a different story, as did the tactical gear they wore, the massive stash of ammunition and firearm they brought along, and security camera footage showing them driving slowly down the street, checking addresses before parking and entering the market with guns blazing. The real targets, authorities surmised, were likely the fifty Jewish children in the private elementary school at the same address, directly above the store – huddled in closets, listening to their neighbors being murdered. Reporting within hours of the attack gave surprising emphasis to the murdered Jews as “gentrifying” a “minority” neighborhood This was remarkable, given that the tiny Hasidic community in question, highly visible members of the word’s most visible members of the world’s most consistently persecuted minority, came to Jersey City fleeing gentrification, after being priced out of long-established Hasidic communities in Brooklyn. The “context” supplied by news outlets after this attack was breathtaking in its cruelty. The sole motivation for providing such “context” in that moment is to inform the public that those people got what was coming to them. People who think of themselves as educated and ethical don’t do this because it is both factually untrue and morally wrong. But if we’re talking about Hasidic Jews, it is quite literally a different story.

For a moment, I felt a strange sensation. Perhaps I could call it temporal vertigo: the feeling of looking at a spot in time, far away yet reachable in a single, breathtaking leap.

I already told you , Kate. You should just let me take care of you." He held her gaze with a seductive frankness in the gray depths of his eyes, and ever so slowly, his meaning began to dawn on her. "You mean---even after we've dealt with O'Banyon?" she asked gingerly. "Yes. Even after." His stare was locked on her. "Do you understand, Kate, what I am offering you?" "I think so," she said faintly. It was certainly not marriage. Not that she expected that. Not from a duke, especially one who believed he was doomed by some old family curse to slay his future wife. It was a surreal moment as she realized he was offering her his carte blanche. She dropped her gaze, blushing fiercely, shocked by the offer, and by him. It was only because of all that he had done so far to protect her that she immediately knew that, in reality, he was throwing her a lifeline. But it was breathtakingly ruthless of him to lay this devil's bargain at her feet when she had come to the end of her rope. "You'll want for nothing," he murmured in a low, velvety voice.

Edwin is an idiot because he didn’t appreciate something other than the color of your dress. What he should’ve said the moment he saw you was how fucking breathtaking you look, how the yellow in your dress makes the gold in your eyes sparkle even brighter. He should’ve lifted your hand and pressed the lightest of kisses to your knuckles, just so he could claim you in front of everyone around him. His eyes never should have strayed from yours. And when he lowered your hand, he should’ve taken one more step closer to you, leaned inches from your ear, and said how intoxicatingly beautiful you smelled.