Breast Touching Quotes

We've searched our database for all the quotes and captions related to Breast Touching. Here they are! All 100 of them:

The Poet With His Face In His Hands You want to cry aloud for your mistakes. But to tell the truth the world doesn’t need anymore of that sound. So if you’re going to do it and can’t stop yourself, if your pretty mouth can’t hold it in, at least go by yourself across the forty fields and the forty dark inclines of rocks and water to the place where the falls are flinging out their white sheets like crazy, and there is a cave behind all that jubilation and water fun and you can stand there, under it, and roar all you want and nothing will be disturbed; you can drip with despair all afternoon and still, on a green branch, its wings just lightly touched by the passing foil of the water, the thrush, puffing out its spotted breast, will sing of the perfect, stone-hard beauty of everything.
Mary Oliver (New and Selected Poems, Vol. 2)
I don't let anyone touch me," I finally said. Why not?" Why not? Because I was tired of men. Hanging in doorways, standing too close, their smell of beer or fifteen-year-old whiskey. Men who didn't come to the emergency room with you, men who left on Christmas Eve. Men who slammed the security gates, who made you love them then changed their minds. Forests of boys, their ragged shrubs full of eyes following you, grabbing your breasts, waving their money, eyes already knocking you down, taking what they felt was theirs. (...) It was a play and I knew how it ended, I didn't want to audition for any of the roles. It was no game, no casual thrill. It was three-bullet Russian roulette.
Janet Fitch (White Oleander)
When I am an old man and I can remember nothing else, I will remember this moment. The first time my eyes beheld an angel in the flesh. “I will remember your body and your eyes, your beautiful face and breasts, your curves and this.” He traced his hand around her navel before dragging it lightly to the top of her lower curls. “I will remember your scent and your touch and how it felt to love you. But most of all, I will remember how it felt to gaze at true beauty, both inside and out. For you are fair, my beloved, in soul and in body, generous of spirit and generous of heart. And I will never see anything this side of heaven more beautiful tham you
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
When angels visit us, we do not hear the rustle of wings, nor feel the feathery touch of the breast of a dove; but we know their presence by the love they create in our hearts.
Mary Baker Eddy (Poems by Mary Baker Eddy)
We didn't have sex. We never got naked. I never touched her bare breast, and her hands never got lower than my hips. It didn't matter. As she slept, I whispered, "I love you, Alaska Young.
John Green (Looking for Alaska)
People like pretty things. When you’re pretty, everybody wants to look at you, they want to touch you. I wanted that for myself. Prettiness means value. But some people never experience that personally.
Mieko Kawakami (Breasts and Eggs)
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
Sarah Kane (Crave)
When a woman grabs my braids and says "How cute!" I crab her breast and say "How cute!" She never touches me again!
Russell Means (Where White Men Fear to Tread: The Autobiography of Russell Means)
you said Is there anything which is dead or alive more beautiful than my body,to have in your fingers (trembling ever so little)? Looking into your eyes Nothing,i said,except the air of spring smelling of never and forever. ....and through the lattice which moved as if a hand is touched by a hand(which moved as though fingers touch a girl's breast, lightly) Do you believe in always,the wind said to the rain I am too busy with my flowers to believe,the rain answered
E.E. Cummings
War is all we've been taught, but there are other ways to live. We can find them, Akiva. We can invent them. This is the beginning, here." She touched his chest and felt a rush of love for the heart that moved his blood, for his smooth skin and his scars and his unsoldierly tenderness. She took his hand and pressed it to her breast and said, "We are the beginning.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
Pretty women wonder where my secret lies. I'm not cute or built to suit a fashion model's size But when I start to tell them, They think I'm telling lies. I say, It's in the reach of my arms The span of my hips, The stride of my step, The curl of my lips. I'm a woman Phenomenally. Phenomenal woman, That's me. I walk into a room Just as cool as you please, And to a man, The fellows stand or Fall down on their knees. Then they swarm around me, A hive of honey bees. I say, It's the fire in my eyes, And the flash of my teeth, The swing in my waist, And the joy in my feet. I'm a woman Phenomenally. Phenomenal woman, That's me. Men themselves have wondered What they see in me. They try so much But they can't touch My inner mystery. When I try to show them They say they still can't see. I say, It's in the arch of my back, The sun of my smile, The ride of my breasts, The grace of my style. I'm a woman Phenomenally. Phenomenal woman, That's me. Now you understand Just why my head's not bowed. I don't shout or jump about Or have to talk real loud. When you see me passing It ought to make you proud. I say, It's in the click of my heels, The bend of my hair, the palm of my hand, The need of my care, 'Cause I'm a woman Phenomenally. Phenomenal woman, That's me.
Maya Angelou (Phenomenal Woman: Four Poems Celebrating Women)
He liked to touch, she realized. In bed, he kept his arms around her or a hand on her like now. The way he played with her breasts, or just touched her, or ran his hands over her body, made her feel so...so beautiful, Desirable.
Cherise Sinclair (Master of the Mountain (Mountain Masters & Dark Haven, #1))
If I were a cinnamon peeler I would ride your bed and leave the yellow bark dust on your pillow. Your breasts and shoulders would reek you could never walk through markets without the profession of my fingers floating over you. The blind would stumble certain of whom they approached though you might bathe under rain gutters, monsoon. Here on the upper thigh at this smooth pasture neighbor to your hair or the crease that cuts your back. This ankle. You will be known among strangers as the cinnamon peeler's wife. I could hardly glance at you before marriage never touch you -- your keen nosed mother, your rough brothers. I buried my hands in saffron, disguised them over smoking tar, helped the honey gatherers... When we swam once I touched you in water and our bodies remained free, you could hold me and be blind of smell. You climbed the bank and said this is how you touch other women the grasscutter's wife, the lime burner's daughter. And you searched your arms for the missing perfume. and knew what good is it to be the lime burner's daughter left with no trace as if not spoken to in an act of love as if wounded without the pleasure of scar. You touched your belly to my hands in the dry air and said I am the cinnamon peeler's wife. Smell me.
Michael Ondaatje (The Cinnamon Peeler: Selected Poems)
Pleasure. This is what true pleasure feels like. It's not just the softness of a kiss. It's not just the delicate touch of hands on breasts and tongues on skin. It's the bite of pain, the threat of danger, the risk taken in dancing wit h the devil
Callie Hart (Fracture (Blood & Roses, #2))
Her hands brushed Shane's, and he let go of the cards and took hold. And then somehow she was in his lap, and he was kissing her. Hadn't meant to do that but...well. She couldn't exactly be sorry about it, because he tasted amazing, and his lips were so soft and his hands were so strong... He leaned back, eyes half shut, and he was smiling. Shane didn't smile all that much, and it always left her breathless and tingling. There was a secrecy about it like he only ever smiled at her, and it just felt... perfect. 'Claire, you're being careful right?' He smoothed hair back from her face. 'Seriously. You'd tell me if you got into trouble?' 'No trouble,' She lied, thinking about Monica's not-so veiled threats, and that glimpse of Shane's dad seated across from Oliver in the coffee shop.'No trouble at all.' 'Good.' He kissed her again, then moved down her jawline to her neck, and, wow neck nibbles took her breath away. She closed her eyes and buried her fingers in his warm hair, trying to tell him through every touch how much she liked this, like him, loved... Her eyes came open, fast. She did not just think about that. Shane’s warm hands moved up her sides, thumbs grazing the sides of her breasts again, and he traced his fingers across the thin skin of her collarbone...down to where the neck of her T-shirt stopped him. Teasing. Pulling it down an inch, then two. And then, maddeningly, he let go and leaned back, lips damp. He licked them, watching her, and then gave her that slow crazy, sexy smile again. 'Go to bed' he said. 'Before I decide to come with.
Rachel Caine (The Dead Girls' Dance (The Morganville Vampires, #2))
There was a dragon who had a long-standing obsession with a queen's breasts," she said, growing breathless. "The dragon knew the penalty to touch her would mean death, yet he revealed his secret desire to the king's chief doctor. This man promised he could arrange for the dragon to satisfy his desire, but it would cost him one thousand gold coins." She spread her soapy hands over his nipples, then down his arms. "Though he didn't have the money, the dragon readily agreed to the scheme." Grace," Darius moaned, his erection straining against her stomach. She hid her smile, loving that she had this much power over such a strong man. That she, Grace Carlyle, made him ache with longing. "The next day the physician made a batch of itching powder and poured some into the queen's bra… uh, you might call it a brassiere… while she bathed. After she dressed, she began itching and itching and itching. The physician was summoned to the Royal Chambers, and he informed the king and queen that only a special saliva, if applied for several hours, would cure this type of itch. And only a dragon possessed this special saliva." Out of breath, she paused. Continue," Darius said. His arms wound around her so tightly she could barely breathe. His skin blazed hot against hers, hotter than even the steamy water. Are you sure?" Continue." Taut lines bracketed his mouth. Well, the king summoned the dragon. Meanwhile, the physician slipped him the antidote for the itching powder, which the dragon put into his mouth, and for the next few hours, the dragon worked passionately on the queen's breasts. Anyway," she said, reaching around him and lathering the muscled mounds of his butt, "the queen's itching was eventually relieved, and the dragon left satisfied and touted as a hero." This does not sound like a joke," Darius said. I'm getting to the punch line. Hang on. When the physician demanded his payment, the now satisfied dragon refused. He knew that the physician could never report what really happened to the king. So the next day, the physician slipped a massive dose of the same itching powder into the king's loincloth. And the king immediately summoned the dragon." -Heart of the Dragon
Gena Showalter
And when the clothes are strewn, Don't be afraid of the room. Touch the fullness of her breast, Feel the love of her caress... She will be your living end. - Lady Grinning Soul
David Bowie
I am a book. Sheaves pressed from the pulp of oaks and pines a natural sawdust made dingy from purses, dusty from shelves. Steamy and anxious, abused and misused, kissed and cried over, smeared, yellowed, and torn, loved, hated, scorned. I am a book. I am a book that remembers, days when I stood proud in good company When the children came, I leapt into their arms, when the women came, they cradled me against their soft breasts, when the men came, they held me like a lover, and I smelled the sweet smell of cigars and brandy as we sat together in leather chairs, next to pool tables, on porch swings, in rocking chairs, my words hanging in the air like bright gems, dangling, then forgotten, I crumbled, dust to dust. I am a tale of woe and secrets, a book brand-new, sprung from the loins of ancient fathers clothed in tweed, born of mothers in lands of heather and coal soot. A family too close to see the blood on its hands, too dear to suffering, to poison, to cold steel and revenge, deaf to the screams of mortal wounding, amused at decay and torment, a family bred in the dankest swamp of human desires. I am a tale of woe and secrets, I am a mystery. I am intrigue, anxiety, fear, I tangle in the night with madmen, spend my days cloaked in black, hiding from myself, from dark angels, from the evil that lurks within and the evil we cannot lurk without. I am words of adventure, of faraway places where no one knows my tongue, of curious cultures in small, back alleys, mean streets, the crumbling house in each of us. I am primordial fear, the great unknown, I am life everlasting. I touch you and you shiver, I blow in your ear and you follow me, down foggy lanes, into places you've never seen, to see things no one should see, to be someone you could only hope to be. I ride the winds of imagination on a black-and-white horse, to find the truth inside of me, to cure the ills inside of you, to take one passenger at a time over that tall mountain, across that lonely plain to a place you've never been where the world stops for just one minute and everything is right. I am a mystery. -Rides a Black and White Horse
Lise McClendon
What's prayer? It's shooting shafts into the dark. What mark they strike, if any, who's to say? It's reaching for a hand you cannot touch. The silence is so fathomless that prayers like plummets vanish into the sea. You beg. You whimper. You load God down with empty praise. You tell him sins that he already knows full well. You seek to change his changeless will. Yet Godric prays the way he breathes, for else his heart would wither in his breast. Prayer is the wind that fills his sail. Else drift with witless tides. And sometimes, by God's grace, a prayer is heard.
Frederick Buechner (Godric)
How to care for intimate apparel? Treat your bras like you’d want a partner to handle your breasts: with kindness and a gentle touch.
Elisabeth Dale
I almost forgot,” said Red. His voice sounded very strange, as if from a long, long distance. He reached into his pocket. “I have something for you.” He put it into my hand. A round, shiny, perfect apple, green as new grass with a faint blush of rosy pink. And now his eyes had changed so that I saw what lay there, hidden deep, so deep only the bravest or most foolhardy would seek to find it. He has always understood me better, without words. So I laid my hand on my heart, held it there for a moment, and then moved it over and touched my palm against his breast. My heart. Your heart.
Juliet Marillier (Daughter of the Forest (Sevenwaters, #1))
A girl stood before him in midstream, alone and still, gazing out to sea. She seemed like one whom magic had changed into the likeness of a strange and beautiful seabird. Her long slender bare legs were delicate as a crane's and pure save where an emerald trail of seaweed had fashioned itself as a sign upon the flesh. Her thighs, fuller and soft-hued as ivory, were bared almost to the hips, where the white fringes of her drawers were like feathering of soft white down. Her slate-blue skirts were kilted boldly about her waist and dovetailed behind her. Her bosom was as a bird's, soft and slight, slight and soft as the breast of some dark-plumaged dove. But her long fair hair was girlish: and girlish, and touched with the wonder of mortal beauty, her face.
James Joyce (A Portrait of the Artist as a Young Man)
You don’t have to be afraid.” If possible, his touch—his lips—turned even gentler. He trailed a finger between my breasts, and fresh gooseflesh erupted in his wake. I shivered, my knees shaking. “Let me show you how much you mean to me. Let me show you how loved you are.” His lips followed after his hand, each kiss reverent. Each a vow. “I’ll never take you for granted. I’ll want you every day for the rest of my life, and I’ll love you even after.
Shelby Mahurin (Blood & Honey (Serpent & Dove, #2))
She tends the fire Burning his letters. They turn black like thin mourning dresses. Yellow names, leaping; above them a blonde woman's hair on her bare shoulders. Red hollow glowing beneath. Illusion of passion. Like fragile layers of widow weeds, matted bluish, shiny, worn and buttons, yes, cheap buttons and words. Her fingers touch the smooth skin on her breasts. She tends the fire.
Ursula Hegi
MY MOTHER GETS DRESSED It is impossible for my mother to do even the simplest things for herself anymore so we do it together, get her dressed. I choose the clothes without zippers or buckles or straps, clothes that are simple but elegant, and easy to get into. Otherwise, it's just like every other day. After bathing, getting dressed. The stockings go on first. This time, it's the new ones, the special ones with opaque black triangles that she's never worn before, bought just two weeks ago at her favorite department store. We start with the heavy, careful stuff of the right toes into the stocking tip then a smooth yank past the knob of her ankle and over her cool, smooth calf then the other toe cool ankle, smooth calf up the legs and the pantyhose is coaxed to her waist. You're doing great, Mom, I tell her as we ease her body against mine, rest her whole weight against me to slide her black dress with the black empire collar over her head struggle her fingers through the dark tunnel of the sleeve. I reach from the outside deep into the dark for her hand, grasp where I can't see for her touch. You've got to help me a little here, Mom I tell her then her fingertips touch mine and we work her fingers through the sleeve's mouth together, then we rest, her weight against me before threading the other fingers, wrist, forearm, elbow, bicep and now over the head. I gentle the black dress over her breasts, thighs, bring her makeup to her, put some color on her skin. Green for her eyes. Coral for her lips. I get her black hat. She's ready for her company. I tell the two women in simple, elegant suits waiting outside the bedroom, come in. They tell me, She's beautiful. Yes, she is, I tell them. I leave as they carefully zip her into the black body bag. Three days later, I dream a large, green suitcase arrives. When I unzip it, my mother is inside. Her dress matches her eyeshadow, which matches the suitcase perfectly. She's wearing coral lipstick. "I'm here," she says, smiling delightedly, waving and I wake up. Four days later, she comes home in a plastic black box that is heavier than it looks. In the middle of a meadow, I learn a naked more than naked. I learn a new way to hug as I tighten my fist around her body, my hand filled with her ashes and the small stones of bones. I squeeze her tight then open my hand and release her into the smallest, hottest sun, a dandelion screaming yellow at the sky.
Daphne Gottlieb (Final Girl)
That night you lay in bed, awake, and listened to the ambulances tear down our street. The heat of your face could have kept my room warm for days. I didn't know how you stood the heat of yourself, of your breasts, of your face. I almost couldn't touch you. Out of nowhere you said, I love you. For whatever it’s worth.
Junot Díaz (This Is How You Lose Her)
Once upon a time, there was a boy. He lived in a village that no longer exists, on the edge of a field that no longer exists, where everything was discovered and everything was possible. A stick could be a sword. A pebble could be a diamond. A tree was a castle. Once upon a time, there was a boy who lived in a house across the field from a girl who no longer exists. They made up a thousand games. She was the Queen and he was the King. In the autumn light, her hair shone like a crown. They collected the world in small handfuls. When the sky grew dark, they parted with leaves in their hair. Once upon a time there was a boy who loved a girl, and her laughter was a question he wanted to spend his whole life answering. When they were ten he asked her to marry him. When they were eleven he kissed her for the first time. When they were thirteen they got into a fight and for three weeks they didn't talk. When they were fifteen she showed him the scar on her left breast. Their love was a secret they told no one. He promised her he would never love another girl as long as he lived. "What if I die?" she asked. "Even then," he said. For her sixteenth birthday, he gave her an English dictionary and together they learned the words. "What's this?" he'd ask, tracing his index finger around her ankle and she'd look it up. "And this?" he'd ask, kissing her elbow. "Elbow! What kind of word is that?" and then he'd lick it, making her giggle. "What about this," he asked, touching the soft skin behind her ear. "I don't know," she said, turning off the flashlight and rolling over, with a sigh, onto her back. When they were seventeen they made love for the first time, on a bed of straw in a shed. Later-when things happened that they could never have imagined-she wrote him a letter that said: When will you learn that there isn't a word for everything?
Nicole Krauss (The History of Love)
We stayed mute and disloyal because we were afraid I would have touched my fingers to where your breasts had been but we never did such things
Adrienne Rich (The Dream of a Common Language)
I reached out a hand, and touched her. Her body was hard, and slim, and lithe, and her breasts felt like breasts that Gauguin might have painted. Her mouth, in the darkness, was soft and warm against mine. People come into your life for a reason.
Neil Gaiman (Fragile Things: Short Fictions and Wonders)
Their [girls] sexual energy, their evaluation of adolescent boys and other girls goes thwarted, deflected back upon the girls, unspoken, and their searching hungry gazed returned to their own bodies. The questions, Whom do I desire? Why? What will I do about it? are turned around: Would I desire myself? Why?...Why not? What can I do about it? The books and films they see survey from the young boy's point of view his first touch of a girl's thighs, his first glimpse of her breasts. The girls sit listening, absorbing, their familiar breasts estranged as if they were not part of their bodies, their thighs crossed self-consciously, learning how to leave their bodies and watch them from the outside. Since their bodies are seen from the point of view of strangeness and desire, it is no wonder that what should be familiar, felt to be whole, become estranged and divided into parts. What little girls learn is not the desire for the other, but the desire to be desired. Girls learn to watch their sex along with the boys; that takes up the space that should be devoted to finding out about what they are wanting, and reading and writing about it, seeking it and getting it. Sex is held hostage by beauty and its ransom terms are engraved in girls' minds early and deeply with instruments more beautiful that those which advertisers or pornographers know how to use: literature, poetry, painting, and film. This outside-in perspective on their own sexuality leads to the confusion that is at the heart of the myth. Women come to confuse sexual looking with being looked at sexually ("Clairol...it's the look you want"); many confuse sexually feeling with being sexually felt ("Gillete razors...the way a woman wants to feel"); many confuse desiring with being desirable. "My first sexual memory," a woman tells me, "was when I first shaved my legs, and when I ran my hand down the smooth skin I felt how it would feel to someone else's hand." Women say that when they lost weight they "feel sexier" but the nerve endings in the clitoris and nipples don't multiply with weight loss. Women tell me they're jealous of the men who get so much pleasure out of the female body that they imagine being inside the male body that is inside their own so that they can vicariously experience desire. Could it be then that women's famous slowness of arousal to men's, complex fantasy life, the lack of pleasure many experience in intercourse, is related to this cultural negation of sexual imagery that affirms the female point of view, the culture prohibition against seeing men's bodies as instruments of pleasure? Could it be related to the taboo against representing intercourse as an opportunity for a straight woman actively to pursue, grasp, savor, and consume the male body for her satisfaction, as much as she is pursued, grasped, savored, and consumed for his?
Naomi Wolf (The Beauty Myth)
I know a little of suffering. The worlds are very big. The people in them…and the systems…well they are very cold and very uncaring. I know what it is to be small. To be…stepped on. There’s dignity in holding up your hands against the boot. But it crushes all the same.” He touches his breast. “On this fragile heart of mine, I promise no harm will come to you here.
Pierce Brown (Light Bringer (Red Rising Saga, #6))
Does it ever stop? The wanting you?” His hand came around to caress my breast. “Even when I’ve just left ye, I want you so much my chest feels tight and my fingers ache with wanting to touch ye again.
Diana Gabaldon (Outlander (Outlander, #1))
I’m not capable of turning you down,” he said on a pained laugh, gaze devouring her breasts. “I’m going to take you to my bed and pleasure the fuck out of you. But the panties stay on. It’s nonnegotiable.” Her entire system rebelled against his words. How could he touch her, kiss her like this, and refuse to take it all the way? It didn't make sense. Men didn't have that kind of willpower, did they? She certainly didn’t have that kind of willpower. “W-what? Is it too late to give a different answer about why I changed my mind?” “Yes. But don’t worry, baby.” Before she could register his intention, he’d swung her up into his arms. “Even with your panties on, it’ll still be the best sex of your life.
Tessa Bailey (His Risk to Take (Line of Duty, #2))
She turned, and saw a great white moon looking at her over the hill. And her breast opened to it, she was cleaved like a transparent jewel to its light. She stood filled with the full moon, offering herself. Her two breasts opened to make way for it, her body opened wide like a quivering anemone, a soft, dilated invitation touched by the moon.
D.H. Lawrence (The Rainbow)
The black of the ocean waves was the color of the sorrow in my breast, a sorrow that was never far away and always visible.
Barbara T. Cerny
I’ve dreamed of you so much you’re losing your reality. Is there still time to reach that living body and kiss onto that mouth the birth of the voice so dear to me? I’ve dreamed of you so much that my arms, accustomed to being crossed on my breast while hugging your shadow would perhaps not bend to the shape of your body. And, faced with the real appearance of what has haunted and ruled me for days and years, I would probably become a shadow. o sentimental balances. I’ve dreamed of you so much it’s no longer right for me to awaken. I sleep standing up, my body exposed to all signs of life and love, and you the only one who matters to me now, I’d be less able to touch your face and your lips than the face and the lips of the first woman who came along. I’ve dreamed of you so much, walked so much, spoken and lain with your phantom that perhaps nothing more is left me than to be a phantom among phantoms and a hundred times more shadow than the shadow that walks and will joyfully walk on the sundial of your life.
Robert Desnos
I had never seen her naked, I was embarrassed. Today I can say that it was the embarrassment of gazing with pleasure at her body, of being the not impartial witness of her sixteen-year-old's beauty a few hours before Stefano touched her, penetrated her, disfigured her, perhaps, by making her pregnant. At the time it was just a tumultuous sensation of necessary awkwardness, a state in which you cannot avert the gaze or take away the hand without recognizing your own turmoil, without, by that retreat, declaring it, hence without coming into conflict with the undisturbed innocence of the one who is the cause of the turmoil, without expressing by that rejection the violent emotion that overwhelms you, so that it forces you to stay, to rest your gaze on the childish shoulders, on the breasts and stiffly cold nipples, on the narrow hips and the tense buttocks, on the black sex, on the long legs, on the tender knees, on the curved ankles, on the elegant feet; and to act as if it's nothing, when instead everything is there, present, in the poor dim room, amid the worn furniture, on the uneven, water-stained floor, and your heart is agitated, your veins inflamed.
Elena Ferrante (My Brilliant Friend (My Brilliant Friend, #1))
You love him, don't you?" "That's an impossible question to answer." "No it isn't," she argued. "It's a simple yes or no. You either love someone or you don't." "I don't know. Maybe." "Renee, maybe is not an acceptable answer. That's like saying you're a little bit pregnant and or caught a touch of breast cancer. Deep down, you know whether or not you love someone.
Rachel K. Burke (Sound Bites: A Rock & Roll Love Story)
It was minor abuse. He’d touched Jeanette twice only, over her clothes. Just her breasts, Jeanette had said. That minor and abuse could even fit in the same sentence seemed preposterous. There was no minor in abuse, there was no Thank God, it could have been worse. Sexual abuse was no car accident.
Gabriela Garcia (Of Women and Salt)
Right up until camera time, I was sweaty and green from having to touch my own eyeballs like that. If you've never had to do it, I'd say it's not as quease-making as when you lose your first tampon string, but equally as queasish to a self-breast exam. If you are male, I would liken it to touching your own eyeball, and thank you for buying this book.
Tina Fey (Bossypants)
Stop putting yourself in danger. Stop trying to handle everything yourself instead of trusting me to help you.” His gaze wandered, too, lingering on her mouth, her hair, even her breasts, leaving tingling sensations everywhere it touched. Shadows moved along his jaw as muscles tensed. “Stop making me crazy, Janet.
Starr Ambrose (Thieves Like Us (Pocket Books Romance))
In you the earth… Little rose, roselet, at times, tiny and naked, it seems as though you would fit in one of my hands, as though I’ll clasp you like this and carry you to my mouth, but suddenly my feet touch your feet and my mouth your lips: you have grown, your shoulders rise like two hills, your breasts wander over my breast, my arm scarcely manages to encircle the thin new-moon line of your waist: in love you loosened yourself like sea water: I can scarcely measure the sky’s most spacious eyes and I lean down to your mouth to kiss the earth.
Pablo Neruda
Christ, she missed him outrageously. Disgusted with herself, she ducked her head under the spray and let it pound on her brain. When hands slipped around her waist, then slid up to cup her breasts, she barely jolted. But her heart leaped. She knew his touch, the feel of those long, slim fingers, the texture of those wide palms. She tipped her head back, inviting a mouth to the curve of her shoulder. "Mmm. Summerset. You wild man." Teeth nipped into flesh and made her chuckle. Thumbs brushed over her soapy nipples and made her moan. "I'm not going to fire him." Roarke trailed a hand down the center of her body. "It was worth a shot. You're back..." His fingers dipped expertly inside her, slick and slippery, so that she arched, moaned, and came simultaneously. "Early," she finished on an explosive breath. "God." "I'd say I was just on time.
J.D. Robb (Ceremony in Death (In Death, #5))
Mac draws up short to keep from slamming into Barrons and her blonde hair swings back over her shoulder, brushing his face as it goes and my hearing is so good I catch the rasp of it chafing the shadow stubble on his jaw, then one of his hands grazes her breast and his eyes narrow when he looks at what he touched in a hungry way I want a man to look at me like one day and, as they continue to recover from the near-collision, their bodies move in a graceful dance of impeccable awareness of precisely where the other is at all times that is unity, symbiosis, partnership I only dream of, wolves that chose to pack up and hunt together, soldiers who will always have each other’s back no matter what, no sin, no transgression too great, ‘cause don’t we all transgress sometimes and it fecking slays me, because once I got a little taste of what that was like and it was heaven and they’re so beautiful standing there, the best of the best, the strongest of the strong that they practically glow to me, on fire with all I ever wanted in my life—a place to belong and someone to belong there with.
Karen Marie Moning (Burned (Fever, #7))
One should let one's nails grow for a fortnight. O, how sweet it is to drag brutally from his bed a child with no hair on his upper lip and with wide open eyes, make as if to touch his forehead gently with one's hand and run one's fingers through his beautiful hair. Then suddenly, when he is least expecting it, to dig one's long nails into his soft breast, making sure, though, that one does not kill him; for if he died, one would not later be able to contemplate his agonies. Then one drinks his blood as one licks his wounds; and during this time, which ought to last for eternity, the child weeps.
Comte de Lautréamont (Maldoror and Poems)
This was why I did what I did," she whispered. "I looked at those men at the ball, and I thought of that night in the carriage when you touched me, and I knew I could never let any of them touch me." She tilted her head back and closed her eyes, pressing his hands to her breasts. "Only you.
Laura Lee Guhrke (She's No Princess (Guilty, #4))
And so Gollum found them hours later, when he returned, crawling and creeping down the path out of the gloom ahead. Sam sat propped against the stone, his head dropping sideways and his breathing heavy. In his lap lay Frodo's head, drowned in sleep; upon his white forehead lay one of Sam's brown hands, and the other lay softly upon his master's breast. Peace was in both their faces. Gollum looked at them. A strange expression passed over his lean hungry face. The gleam faded from his eyes, and they went dim and grey, old and tired. A spasm of pain seemed to twist him, and he turned away, peering back up towards the pass, shaking his head, as if engaged in some interior debate. Then he came back, and slowly putting out a trembling hand, very cautiously he touched Frodo's knee--but almost the touch was a caress. For a fleeting moment, could one of the sleepers have seen him, they would have thought that they beheld an old weary hobbit, shrunken by the years that had carried him far beyond his time, beyond friends and kin, and the fields and streams of youth, an old starved pitiable thing.
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
when god lets my body be From each brave eye shall sprout a tree fruit that dangles therefrom the purpled world will dance upon Between my lips which did sing a rose shall beget the spring that maidens whom passion wastes will lay between their little breasts My strong fingers beneath the snow Into strenuous birds shall go my love walking in the grass their wings will touch with her face and all the while shall my heart be With the bulge and nuzzle of the sea
E.E. Cummings (100 Selected Poems)
Then, when she saw me not only answering nothing, but mute and utterly incapable of speech, she gently touched my breast with her hand, and said: 'There is no danger; these are the symptoms of lethargy, the usual sickness of deluded minds. For awhile he has forgotten himself; he will easily recover his memory, if only he first recognises me. And that he may do so, let me now wipe his eyes that are clouded with a mist of mortal things.
Boethius (The Consolation of Philosophy)
Paralytic It happens. Will it go on? ---- My mind a rock, No fingers to grip, no tongue, My god the iron lung That loves me, pumps My two Dust bags in and out, Will not Let me relapse While the day outside glides by like ticker tape. The night brings violets, Tapestries of eyes, Lights, The soft anonymous Talkers: 'You all right?' The starched, inaccessible breast. Dead egg, I lie Whole On a whole world I cannot touch, At the white, tight Drum of my sleeping couch Photographs visit me ---- My wife, dead and flat, in 1920 furs, Mouth full of pearls, Two girls As flat as she, who whisper 'We're your daughters.' The still waters Wrap my lips, Eyes, nose and ears, A clear Cellophane I cannot crack. On my bare back I smile, a buddha, all Wants, desire Falling from me like rings Hugging their lights. The claw Of the magnolia, Drunk on its own scents, Asks nothing of life.
Sylvia Plath (Ariel)
And so, in silence, we walked the surface of a dying world, but in the breast of one of us at least had been born that which is ever oldest, yet ever new. I loved Dejah Thoris. The touch of my arm upon her naked shoulder had spoken to me in words I would not mistake, and I knew that I had loved her since the first moment my eyes had met hers that first time in the plaza of the dead city of Korad.
Edgar Rice Burroughs (A Princess of Mars (Barsoom, #1))
He's actually not that good with breasts in general, actually. I mean, it's not like I really know what it's supposed to feel like, but every time he touches my boobs he kind of just massages them hard in a circle. My guno does the same thing when I go in for an exam, so one of them has to be doing it wrong. And to be honest, I don't think it's my gyno.
Lauren Oliver (Before I Fall)
A Ripple Song Once a ripple came to land In the sunset burning- Lapped against a maiden's hand, By the ford returning. Dainty foot and gentle breast- Here, across, be glad and rest. "Maiden, wait," the ripple saith "Wait awhile, for I am Death!" 'Where my lover calls I go- Shame it were to treat him coldly- 'Twas a fish that circled so, Turning over boldly.' Dainty foot and tender heart, Wait the loaded ferry-cart. "Wait, ah, wait!" the ripple saith; "Maiden, wait, for I am Death!" 'When my lover calls I haste- Dame Disdain was never wedded!' Ripple-ripple round her waist, Clear the current eddied. Foolish heart and faithful hand, Little feet that touched no land. Far away the ripple sped, Ripple-ripple-running red!
Rudyard Kipling (The Jungle Books)
In summers heate and mid-time of the day To rest my limbes upon a bed I lay, One window shut, the other open stood, Which gave such light as twinkles in a wood, Like twilight glimpse at setting of the Sunne, Or night being past, and yet not day begunne. Such light to shamefast maidens must be showne, Where they may sport, and seeme to be unknowne. Then came Corinna in a long loose gowne, Her white neck hid with tresses hanging downe, Resembling fayre Semiramis going to bed, Or Layis of a thousand lovers sped. I snatcht her gowne: being thin, the harme was small, Yet strived she to be covered therewithall. And striving thus as one that would be cast, Betrayde her selfe, and yeelded at the last. Starke naked as she stood before mine eye, Not one wen in her body could I spie. What armes and shoulders did I touch and see, How apt her breasts were to be prest by me. How smooth a belly under her wast saw I, How large a legge, and what a lustie thigh? To leave the rest, all liked me passing well, I clinged her naked body, downe she fell, Judge you the rest, being tirde she bad me kisse; Jove send me more such after-noones as this.
Christopher Marlowe
God, you're so sweet.” He holds my face in his hands and kisses me deeply. I slowly unzip his hoodie and touch a hand to his bare chest. I relish in the feel of it. Barely an hour ago I was admiring it from afar, and now it's no longer just a tease. When I slide my hand down to his stomach, he groans and his hands slip just under my shirt. “So that's why you didn't want to change.” I can feel his smile against my lips. “You just wanted me to take your clothes off for you.” “Guilty.” I lift my arms for him to pull it off. Instead of returning to kissing me, his eyes roam down my body. I fight the urge to cover myself; even though my bra is still on, I feel exposed. His hands lightly touch each side along the seam. My breath catches in my throat. Meeting my eyes, he says, “You're so damn beautiful.” He leans forward, pressing a soft kiss in between my breasts. I shiver at the light touch of his lips to my sensitive skin. If this is how he makes me feel with such little contact, then how will the rest of this feel? The need is building inside like a spark starting a fire.
Lilly Avalon (Here All Along)
Her fingers crawled upwards and touched the outer curve of her breast, and the fingers paused, quaking in fear; but after the moment, despite the panic trying to break out of its shadows and seize her mind, she told her fingers, go on. This is my body. I reclaim my body for myself: for my use, for my understanding, for my kindness and care. Go on. And the fingers walked cautiously on, over the curiously muscleless, faintly ridged flesh, cooler than the rest of the body, across the tender nipple, into the deep cleft between, and out onto the breast that lay limp and helpless and hardly recognizable as round, lying like a hunting trophy over her other arm. Mine, she thought. My body. It lives on the breaths I breathe and the food I eat; the blood my heart pumps reaches all of me, into all my hidden crevices, from my scalp to my heels.
Robin McKinley (Deerskin)
She'd stutter all the reasons why she shouldn't, shaking her head adamantly. But her body..her body would grow hot with excitement. She'd get wet at the thrill of it. So fucking wet that i'd smell her, telling me she's not even wearing panties to smother her spicy scent. When my hand touched hers, still clutched to her chest, she'd flinch but she wouldn't pull away. She'd let me guide it between her swollen breasts and down to her flat belly, brushing the bit of exposed skin where the hem of her shirt rides up. Then I'd let her fingers play with the jewel in her navel, manipulating each digit as if that diamond-studded barbell was her clit. Demonstrating how I would stroke it for her.
S.L. Jennings
You, in the moonlight, in this library, in this dress--" His eyes rove over me, from my frothy pink skirts embroidered with dark pink roses, past the swell of my breasts, up to the creamy skin of my neck. My breath comes fast as his gaze lingers on my lips. He's barely touching me, but it feels as though he's already undressed me with his eyes. "Its the most beautiful thing. Like a dream." His voice is hoarse and full of wonder. "Then its my dream, too," I confess as I claim his lips with mine,
Jessica Spotswood (Star Cursed (The Cahill Witch Chronicles, #2))
I touched her comb and took it out; her hair came flooding down like a wave, and her long black tresses quivered as they fell to her hips. I immediately ran my hand over it, and in it, and beneath it; I plunged my arm into it, and bathed my face in it, filled with sadness. Sometimes I would enjoy separating it into two, from behind, and then bringing it over her shoulder so as to hide her breasts; then I would bring all her hair together in a mesh, and pull it so that her head came back and her neck was thrown forward; she let me do what I wanted, like a dead woman.
Gustave Flaubert (Memoirs of a Madman and November)
The door is cracked We used to meet like water does land no not that more like when skin touches skin kissing fingertips or when air escapes a lung and is felt across the world I've leapt over cracks in sidewalks and swallowed away troublesome back pains that could only be fixed with someone else's pills We met by your house one stray day and you drove me to the bay where we sat and kissed like it was yesterday And here you told me that you loved me and that you always loved me and that you would always love me the wind blew and I held you You rested your head on my shoulder and the wind blew warm Later, in your big red truck, we smoked some green and I kissed you harder and held your breasts, and felt between your legs and with a gasp you told me you were in love with me And then you drove me back and we promised it wouldn't be the end not this time The quill and inkwell on your foot I'm a writer and you are my greatest art I returned to my hell and dreamt of you once more
Dave Matthes (Strange Rainfall on the Rooftops of People Watchers: Poems and Stories)
As soon as I recognized the difference between the two hands of the father, a new world of meaning opened up for me. The Father is not simply a great patriarch. He is mother as well as father. He touches the son with a masculine hand and a feminine hand. He holds, and she caresses. He confirms and she consoles. He is, indeed, God, in whom both manhood and womanhood, fatherhood and motherhood, are fully present. That gentle caressing right hand echoes for me the words of the prophet Isaiah: “Can a woman forget her baby at the breast, feel no pity for the child she has borne? Even if these were to forget, I shall not forget you. Look, I have engraved you on the palms of my hands.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
Songs of the Soul On a dark night, Inflamed by love-longing - O exquisite risk! - Undetected I slipped away. My house, at last, grown still. Secure in the darkness, I climbed the secret ladder in disguise - O exquisite risk! - Concealed by the darkness. My house, at last, grown still. That sweet night: a secret. Nobody saw me; I did not see a thing. No other light, no other guide Than the one burning in my heart. This light led the way More clearly than the risen sun To where he was waiting for me - The one I knew so intimately - In a place where no one could find us. O night, that guided me! O night, sweeter than sunrise! O night, that joined lover with Beloved! Lover transformed in Beloved! Upon my blossoming breast, Which I cultivated just for him, He drifted into sleep, And while I caressed him, A cedar breeze touched the air. Wind blew down from the tower, Parting the locks of his hair. With his gentle hand He wounded my neck And all my senses were suspended. I lost myself. Forgot myself. I lay my face against the Beloved's face. Everything fell away and I left myself behind, Abandoning my cares Among the lilies, forgotten.
Juan de la Cruz (Dark Night of the Soul (Illustrated))
We read the pagan sacred books with profit and delight. With myth and fable we are ever charmed, and find a pleasure in the endless repetition of the beautiful, poetic, and absurd. We find, in all these records of the past, philosophies and dreams, and efforts stained with tears, of great and tender souls who tried to pierce the mystery of life and death, to answer the eternal questions of the Whence and Whither, and vainly sought to make, with bits of shattered glass, a mirror that would, in very truth, reflect the face and form of Nature's perfect self. These myths were born of hopes, and fears, and tears, and smiles, and they were touched and colored by all there is of joy and grief between the rosy dawn of birth, and death's sad night. They clothed even the stars with passion, and gave to gods the faults and frailties of the sons of men. In them, the winds and waves were music, and all the lakes, and streams, and springs,—the mountains, woods and perfumed dells were haunted by a thousand fairy forms. They thrilled the veins of Spring with tremulous desire; made tawny Summer's billowed breast the throne and home of love; filled Autumns arms with sun-kissed grapes, and gathered sheaves; and pictured Winter as a weak old king who felt, like Lear upon his withered face, Cordelia's tears. These myths, though false, are beautiful, and have for many ages and in countless ways, enriched the heart and kindled thought. But if the world were taught that all these things are true and all inspired of God, and that eternal punishment will be the lot of him who dares deny or doubt, the sweetest myth of all the Fable World would lose its beauty, and become a scorned and hateful thing to every brave and thoughtful man.
Robert G. Ingersoll (Some Mistakes of Moses)
WE ARE TO PLAY THE GAME OF DEATH E are to play the game of death to-night, my bride and I. The night is black, the clouds in the sky are capricious, and the waves are raving at sea. We have left our bed of dreams, flung open the door and come out, my bride and I. We sit upon a swing, and the storm winds give us a wild push from behind. My bride starts up with fear and delight, she trembles and clings to my breast. Long have I served her tenderly. I made for her a bed of flowers and I closed the doors to shut out the rude light from her eyes. I kissed her gently on her lips and whispered softly in her ears till she half swooned in languor. She was lost in the endless mist of vague sweetness. She answered not to my touch, my songs failed to arouse her. To-night has come to us the call of the storm from the wild. My bride has shivered and stood up, she has clasped my hand and come out. Her hair is flying in the wind, her veil is fluttering, her garland rustles over her breast. The push of death has swung her into life. We are face to face and heart to heart, my bride and I.
Rabindranath Tagore
This is what true pleasure feels like. It’s not just the softness of a kiss. It’s not just the delicate touch of hands on breasts and tongues on skin. It’s the bite of pain, the threat of danger, the risk taken in dancing with the devil. I come hard against Zeth’s mouth. He leans into it, growling and sucking and licking as I scream out my release, hands locked on my hips, pulling me into his face.  “Fuck, Zeth! Stop! Please stop!” His back hitches as he laughs, still teasing me with his tongue. My legs scrabble against the bed, desperately trying to escape the intense post-orgasm rushes. He gets up after that, raising one eyebrow at me.
Callie Hart (Fracture (Blood & Roses, #2))
As soon as the garage door lowered, he slid his hand into her hair, drawing her in for another kiss. Her mouth tasted like sweet brandy and spice. Damn, she was delicious. She ran her hands down his chest and tugged his shirt free from his jeans. He groaned as her cool hands explored his bare abs. His other hand wandered up from her waist, enjoying her curves until he was cupping her breast. She moaned into his mouth and arched her back into his touch, and he just about lost it right there. He pulled back, his voice a husky whisper. “I need more room and fewer clothes.
Lisa Kessler (Breath of Passion (Muse Chronicles, #3))
I need to keep sharp. But when you're this damned close to me, all I think about is you. I think about your mouth, and I think about your breasts, and I think about your pink tongue and your legs wrapped around me. I think about touching you and you touching me--and then I look at you and you're giving me that look--yes, that one, just there, as if you want me to kiss you--please stop--" He exhaled on a hiss, tipping his head back against the wood and pressing two fingers to the bridge of his nose.
Shana Abe (The Dream Thief (Drakon, #2))
The young woman's perfect breast didn't yield beneath the gentle pressure of two latexed fingers. "What're you doing?" Professor Robert 'Lithium Bob' Beck frowned at me. "I don't know. It's what I did when I first saw her…" "Why?" asked Doc Donald, about to assist with the post mortem. "She seemed so… pink. Maybe to see if she was alive…" I saw the Prof and the Doc exchange a look. It was an unconventional - no, plain weird - place to touch her.
Morana Blue (Gatsby's Smile)
Now he reduced his progress to the rhythm of his boots -- he walked across the land until he came to the sea. Everything that impeded him had to be outweighed, even if only by a fraction, by all that drove him on. In one pan of the scales, his wound, thirst, the blister, tiredness, the heat, the aching in his feet and legs, the Stukas, the distance, the Channel; in the other, I'll wait for you, and the memory of when she had said it, which he had come to treat like a sacred site. Also, the fear of capture. His most sensual memories -- their few minutes in the library, the kiss in Whitehall -- was bleached colorless through overuse. He knew by heart certain passages from her letters, he had revisited their tussle with the vase by the fountain, he remembered the warmth from her arm at the dinner when the twins went missing. These memories sustained him, but not so easily. Too often they reminded him of where he was when he last summoned them. They lay on the far side of a great divide in time, as significant as B.C. and A.D. Before prison, before war, before the sight of a corpse became a banality. But these heresies died when he read her last letter. He touched his breast pocket. It was a kind of genuflection. Still there. Here was something new on the scales. That he could be cleared had all the simplicity of love. Merely tasting the possibility reminded him of how much had narrowed and died. His taste for life, no less, all the old ambitions and pleasures. The prospect was of rebirth, a triumphant return.
Ian McEwan (Atonement)
God takes the most eminent and choicest of His servants for the choicest and most eminent afflictions. They who have received most grace from God are able to bear most afflictions from God. Affliction does not hit the saint by chance, but by direction. God does not draw His bow at a venture. Every one of His arrows goes upon a special errand and touches no breast but his against whom it is sent. It is not only the grace, but the glory of a believer when we can stand and take affliction quietly
Joseph Caryl
You disgust me." "Like you have room to talk," Cathy said. "You're as much a whore as I am." Dan grabbed the hem of her shirt with both hands as she turned, in one easy move she peeled her tee and sports bra off and gestured at her bare chest. "Oh my god, you see these? They're called breasts. Does this make me a whore? This?" Dan jerked a hand between them, and Cathy shifted uncomfortably in her chair. "This is what I do. I strip. I dance. I work a stage five nights a week. I give lap dances to creeps who can't get enough action on their own. But I don't let them touch me and I still make enough money to keep us afloat. Fuck you! I'm seventeen! I'm too young to be your mother!" "No one asked you to be my mother..." "I asked you to be mine. Thanks for failing so spectacularly at it.
Nora Sakavic
My short-term factual memory can be like water; events are a brief disturbance on the surface and then it closes back up again, as if nothing ever touched it. But it’s a strange fact that my long-term memory remains strong, perhaps because it recorded events when my mind was unaffected. My emotional memory is intact too, perhaps because feelings are recorded and stored in a different place than facts. The things that happened deeper in the past, and deeper in the breast, are still there for me, under the water. I won 1,098 games, and eight national championships, and coached in four different decades. But what I see are not the numbers. I see their faces. 'Pat should get a tattoo!' The kids laughed. 'What kind should she get?' 'A heart. She should get a heart.' Little did they know. They are the tattoos.
Pat Summitt (Sum It Up: 1,098 Victories, a Couple of Irrelevant Losses, and a Life in Perspective)
INT. MINISTÈRE DES AFFAIRES MAGIQUES, RECORDS ROOM ATRIUM—NIGHT MELUSINE: Puis-je vous aider? NEWT: Er—yes, this is Leta Lestrange. And—I’m her— TINA: Fiancé. There is an increased awkwardness between them. NEWT: Tina, about that fiancée business— TINA (brittle): Sorry, yeah. I should have congratulated you— The doors to the records office open. They enter briskly. INT. MINISTÈRE DES AFFAIRES MAGIQUES, RECORDS ROOM—NIGHT The doors close behind them, plunging them into darkness. NEWT: No, that’s— TINA: Lumos. NEWT: Tina—about Leta— TINA: Yes, I’ve just said, I am happy for you— NEWT: Yeah, well, don’t. She stops. Looks at him. What? NEWT: Please don’t be happy. (in trouble) Uh, no, no. I’m sorry. I don’t . . . Uh, obviously, I—Obviously I want you to be. And I hear that you are now. Uh, which is wonderful. Sorry— (a gesture of hopelessness) What I’m trying to say is, I want you to be happy, but don’t be happy that I’m happy, because I’m not. (off her confusion) Happy. (off her continued confusion) Or engaged. TINA: What? NEWT: It was a mistake in a stupid magazine. My brother’s marrying Leta, June the sixth. I’m supposed to be best man. Which is sort of mildly hilarious. TINA: Does he think you’re here to win her back? (beat) Are you here to win her back? NEWT: No! I’m here to— A beat. He stares at her. NEWT: —you know, your eyes really are— TINA: Are what? NEWT: I’m not supposed to say. Pickett is climbing out of NEWT’S pocket onto the nearest shelf. NEWT doesn’t notice. A beat. In a rush TINA: Newt, I read your book, and did you—? NEWT: I still have a picture of you—wait, did you read—? NEWT pulls the picture of her from his breast pocket and unfolds it. She is inordinately touched. He looks from the picture to TINA. NEWT: I got this—I mean, it’s just a picture of you from the paper, but it’s interesting because your eyes in newsprint . . . See, in reality they have this effect in them, Tina . . . It’s like fire in water, in dark water. I’ve only ever seen that— (struggling) I’ve only ever seen that in— TINA (whispers): Salamanders?
J.K. Rowling (Fantastic Beasts: The Crimes of Grindelwald: The Original Screenplay (Fantastic Beasts: The Original Screenplay, #2))
Raw emotions and the need to hold him close overwhelmed me. Every part of ached for him-my mind, my soul and my body. Without hesitation, i closed the gap between us and pressed my lips eagerly to his. Noah's hands were everywhere, my hair, my face, my back, and for the love of all things holy, my breasts. My hands roamed his glorious body just as greedily. After drugging me with delicious kisses for not nearly long enough, his warm lips skimmed my throat and kissed down the center of my breasts, causing me to arch my back and lose my ever loving mind. Without meaning to, i moaned and whispered his name when his hands wandered to my thighs and set my world and blood on fire. Noah eased me back into the bed and my hair sprawled all around me. "I love how you smell," he whispered as he suckled my earlobe. "I love how beautiful you are." I reclaimed his lips and hooked a leg around his as we moved in rhythm with each other. In between frantic kisses, i whispered the words, "I love you". Because i did. Noah listened to me. He made me laugh and he made me feel special. He was strong and warm and caring and...everything. I loved him. I loved him more than i'd ever loved another person in my life. Every muscle in my body froze when Noah stopped kissing and stare down at me with wide eyes. He caressed my cheek twice over and tilted his head. "Make love to me, Echo. I've never made love." No way. Noah's experienced reputation walked down the hallway before he did. "But..." Noah cut me off with a kiss. "Yes, but never love. Just girls who didn't mean anything" You..." His tongue teased my bottom lip, thawing my body. "Are everything. I got tested over winter break and i'm clean and i've got protection." He reached to the side of the bed and magically produced a small orange square. I froze again. Sensing my hesitation, Noah kissed my lips slowly while stroking my cheek. "And since break?" I asked. "There's been no one," he whispered against my lips. "I met you soon after and i could never think of touching anyone else." I loved him and we were together. I entwined my fingers in his hair and pulled his head back to mine, but the second his hand touched the waist of my jeans, my heart shook and my hands snapped out to stop him. "Please. Wait. Noah..." Oh, God, i was actually going to say it. "I'm a virgin." Now Noah froze. "But you were with Luke." A faint smile grew on my lips. I was typically the tongue-tied one and found it amusing to see him confused for once. "That's why we broke up. I wasn't ready." He shifted his body off of mine and tuckled me close against his warmth. I laid my head on his chest and listened to the comforting sound of his beating heart. Noah ran his hand through my hair. "I'm glad you told me. This needs to be right for you and i'll wait, for as long as you need.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
Sweet for a little even to fear, and sweet, O love, to lay down fear at love’s fair feet; Shall not some fiery memory of his breath Lie sweet on lips that touch the lips of death? Yet leave me not; yet, if thou wilt, be free; Love me no more, but love my love of thee. Love where thou wilt, and live thy life; and I, One thing I can, and one love cannot—die. Pass from me; yet thine arms, thine eyes, thine hair, Feed my desire and deaden my despair. Yet once more ere time change us, ere my cheek Whiten, ere hope be dumb or sorrow speak, Yet once more ere thou hate me, one full kiss; Keep other hours for others, save me this. Yea, and I will not (if it please thee) weep, Lest thou be sad; I will but sigh, and sleep. Sweet, does death hurt? thou canst not do me wrong: I shall not lack thee, as I loved thee, long. Hast thou not given me above all that live Joy, and a little sorrow shalt not give? What even though fairer fingers of strange girls Pass nestling through thy beautiful boy’s curls As mine did, or those curled lithe lips of thine Meet theirs as these, all theirs come after mine; And though I were not, though I be not, best, I have loved and love thee more than all the rest. O love, O lover, loose or hold me fast, I had thee first, whoever have thee last; Fairer or not, what need I know, what care? To thy fair bud my blossom once seemed fair. Why am I fair at all before thee, why At all desired? seeing thou art fair, not I. I shall be glad of thee, O fairest head, Alive, alone, without thee, with thee, dead; I shall remember while the light lives yet, And in the night-time I shall not forget. Though (as thou wilt) thou leave me ere life leave, I will not, for thy love I will not, grieve; Not as they use who love not more than I, Who love not as I love thee though I die; And though thy lips, once mine, be oftener prest To many another brow and balmier breast, And sweeter arms, or sweeter to thy mind, Lull thee or lure, more fond thou wilt not find.
Algernon Charles Swinburne (Poems and Ballads)
[Didn’t Sappho say her guts clutched up like this?]" Didn’t Sappho say her guts clutched up like this? Before a face suddenly numinous, her eyes watered, knees melted. Did she lactate again, milk brought down by a girl’s kiss? It’s documented torrents are unloosed by such events as recently produced not the wish, but the need, to consume, in us, one pint of Maalox, one of Kaopectate. My eyes and groin are permanently swollen, I’m alternatingly brilliant and witless —and sleepless: bed is just a swamp to roll in. Although I’d cream my jeans touching your breast, sweetheart, it isn’t lust; it’s all the rest of what I want with you that scares me shitless.
Marilyn Hacker (Love, Death, and the Changing of the Seasons)
His mouth comes down on mine, harder now, more demanding, a raw, hungry need in him rising to the surface. “You belong to me,” he growls. “Say it.” “Yes. Yes, I belong to you.” His mouth finds mine again, demanding, taking, drawing me under his spell. “Say it again,” he demands, nipping my lip, squeezing my breast and nipple, and sending a ripple of pleasure straight to my sex. “I belong to you,” I pant. He lifts me off the ground with the possessive curve of his hand around my backside, angling my hips to thrust harder, deeper. “Again,” he orders, driving into me, his cock hitting the farthest point of me and blasting against sensitive nerve endings. “Oh … ah … I … I belong to you.” His mouth dips low, his hair tickling my neck, his teeth scraping my shoulders at the same moment he pounds into me and the world spins around me, leaving nothing but pleasure and need and more need. I am suddenly hot only where he touches, and freezing where I yearn to be touched. Lifting my leg, I shackle his hip, ravenous beyond measure, climbing to the edge of bliss, reaching for it at the same time I’m trying desperately to hold back. Chris is merciless, wickedly wild, grinding and rocking, pumping. “I love you, Sara,” he confesses hoarsely, taking my mouth, swallowing the shallow, hot breath I release, and punishing me with a hard thrust that snaps the last of the lightly held control I possess. Possessing me. A fire explodes low in my belly and spirals downward, seizing my muscles, and I begin to spasm around his shaft, trembling with the force of my release. With a low growl, his muscles ripple beneath my touch and his cock pulses, his hot semen spilling inside me. We moan together, lost in the climax of a roller-coaster ride of pain and pleasure, spanning days apart, and finally collapse in a heap and just lie there. Slowly, I let my leg ease from his hip to the ground, and Chris rolls me to my side to face him. Still inside me, he holds me close, pulling the jacket up around my back, trailing fingers over my jaw. “And I belong to you.
Lisa Renee Jones (Being Me (Inside Out, #2))
I couldn’t talk about it, about them—not yet. So I breathed “Later” and hooked my feet around his legs, drawing him closer. I placed my hands on his chest, feeling the heart beating beneath. This—I needed this right now. It wouldn’t wash away what I’d done, but … I needed him near, needed to smell and taste him, remind myself that he was real—this was real. “Later,” he echoed, and leaned down to kiss me. It was soft, tentative—nothing like the wild, hard kisses we’d shared in the hall of throne room. He brushed his lips against mine again. I didn’t want apologies, didn’t want sympathy or coddling. I gripped the front of his tunic, tugging him closer as I opened my mouth to him. He let out a low growl, and the sound of it sent a wildfire blazing through me, pooling and burning in my core. I let it burn through that hole in my chest, my soul. Let it raze through the wave of black that was starting to press around me, let it consume the phantom blood I could still feel on my hands. I gave myself to that fire, to him, as his hands roved across me, unbuttoning as he went. I pulled back, breaking the kiss to look into his face. His eyes were bright—hungry—but his hands had stopped their exploring and rested firmly on my hips. With a predator’s stillness, he waited and watched as I traced the contours of his face, as I kissed every place I touched. His ragged breathing was the only sound—and his hands soon began roaming across my back and sides, caressing and teasing and baring me to him. When my traveling fingers reached his mouth, he bit down on one, sucking it into his mouth. It didn’t hurt, but the bite was hard enough for me to meet his eyes again. To realize that he was done waiting—and so was I. He eased me onto the bed, murmuring my name against my neck, the shell of my ear, the tips of my fingers. I urged him—faster, harder. His mouth explored the curve of my breast, the inside of my thigh. A kiss for each day we’d spent apart, a kiss for every wound and terror, a kiss for the ink etched into my flesh, and for all the days we would be together after this. Days, perhaps, that I no longer deserved. But I gave myself again to that fire, threw myself into it, into him, and let myself burn.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Going somewhere?” Tamlin asked. His voice was not entirely of this world. I suppressed a shudder. “Midnight snack,” I said, and I was keenly aware of every movement, every breath I took as I neared him. His bare chest was painted with whorls of dark blue woad, and from the smudges in the paint, I knew exactly where he’d been touched. I tried not to notice that they descended past his muscled midriff. I was about to pass him when he grabbed me, so fast that I didn’t see anything until he had me pinned against the wall. The cookie dropped from my hand as he grasped my wrists. “I smelled you,” he breathed, his painted chest rising and falling so close to mine. “I searched for you, and you weren’t there.” He reeked of magic. When I looked into his eyes, remnants of power flickered there. No kindness, none of the wry humor and gentle reprimands. The Tamlin I knew was gone. “Let go,” I said as evenly as I could, but his claws punched out, imbedding in the wood above my hands. Still riding the magic, he was half-wild. “You drove me mad,” he growled, and the sound trembled down my neck, along my breasts until they ached. “I searched for you, and you weren’t there. When I didn’t find you,” he said, bringing his face closer to mine, until we shared breath, “it made me pick another.” I couldn’t escape. I wasn’t entirely sure that I wanted to. “She asked me not to be gentle with her, either,” he snarled, his teeth bright in the moonlight. He brought his lips to my ear. “I would have been gentle with you, though.” I shuddered as I closed my eyes. Every inch of my body went taut as his words echoed through me. “I would have had you moaning my name throughout it all. And I would have taken a very, very long time, Feyre.” He said my name like a caress, and his hot breath tickled my ear. My back arched slightly. He ripped his claws free from the wall, and my knees buckled as he let go. I grasped the wall to keep from sinking to the floor, to keep from grabbing him—to strike or caress, I didn’t know. I opened my eyes. He still smiled—smiled like an animal. “Why should I want someone’s leftovers?” I said, making to push him away. He grabbed my hands again and bit my neck. I cried out as his teeth clamped onto the tender spot where my neck met my shoulder. I couldn’t move—couldn’t think, and my world narrowed to the feeling of his lips and teeth against my skin. He didn’t pierce my flesh, but rather bit to keep me pinned. The push of his body against mine, the hard and the soft, made me see red—see lightning, made me grind my hips against his. I should hate him—hate him for his stupid ritual, for the female he’d been with tonight … His bite lightened, and his tongue caressed the places his teeth had been. He didn’t move—he just remained in that spot, kissing my neck. Intently, territorially, lazily. Heat pounded between my legs, and as he ground his body against me, against every aching spot, a moan slipped past my lips. He jerked away. The air was bitingly cold against my freed skin, and I panted as he stared at me. “Don’t ever disobey me again,” he said, his voice a deep purr that ricocheted through me, awakening everything and lulling it into complicity.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Once, so tormented she could not sleep, Dany slid a hand down between her legs, and gasped when she felt how wet she was. Scarce daring to breathe, she moved her fingers back and forth between her lower lips, slowly so as not to wake Irri beside her, until she found one sweet spot and lingered there, touching herself lightly, timidly at first and then faster. Still, the relief she wanted seemed to recede before her, until her dragons stirred, and one screamed out across the cabin, and Irri woke and saw what she was doing. Dany knew her face was flushed, but in the darkness Irri surely could not tell. Wordless, the handmaid put a hand on her breast, then bent to take a nipple in her mouth. Her other hand drifted down across the soft curve of belly, through the mound of fine silvery-gold hair, and went to work between Dany's thighs. It was no more than a few moments until her legs twisted and her breasts heaved and her whole body shuddered. She screamed then. Or perhaps that was Drogon. Irri never said a thing, only curled back up and went back to sleep the instant the thing was done.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
To Autumn" Season of mists and mellow fruitfulness, Close bosom-friend of the maturing sun; Conspiring with him how to load and bless With fruit the vines that round the thatch-eves run; To bend with apples the moss'd cottage-trees, And fill all fruit with ripeness to the core; To swell the gourd, and plump the hazel shells With a sweet kernel; to set budding more, And still more, later flowers for the bees, Until they think warm days will never cease, For summer has o'er-brimm'd their clammy cells. Who hath not seen thee oft amid thy store? Sometimes whoever seeks abroad may find Thee sitting careless on a granary floor, Thy hair soft-lifted by the winnowing wind; Or on a half-reap'd furrow sound asleep, Drows'd with the fume of poppies, while thy hook Spares the next swath and all its twined flowers: And sometimes like a gleaner thou dost keep Steady thy laden head across a brook; Or by a cyder-press, with patient look, Thou watchest the last oozings hours by hours. Where are the songs of spring? Ay, Where are they? Think not of them, thou hast thy music too,— While barred clouds bloom the soft-dying day, And touch the stubble-plains with rosy hue; Then in a wailful choir the small gnats mourn Among the river sallows, borne aloft Or sinking as the light wind lives or dies; And full-grown lambs loud bleat from hilly bourn; Hedge-crickets sing; and now with treble soft The red-breast whistles from a garden-croft; And gathering swallows twitter in the skies.
John Keats (To Autumn)
After unlatching the tiny gold clasp, Pandora opened the case and beheld a double-stranded pearl necklace on a bed of red velvet. Her eyes widened, and she lifted one of the strands, gently rolling the lustrous ivory pearls between her fingers. "I never imagined having something so fine. Thank you." "Do they please you, sweet?" "Oh, so very much-" Pandora began, and stopped as she saw the gold clasp, glittering with diamonds. It was fashioned with two interlocking parts of swirling, deep cut leaves. "Acanthus scrolls," she said with a crooked grin. "Like the ones in the settee at the Chaworth ball." "I have a fondness for acanthus scrolls." His gaze caressed her as she put on the necklace. The double strands were so long that there was no need to unfasten the clasp. "They kept you in place just long enough for me to catch you." Pandora grinned, enjoying the cool, sensuous weight of the pearls as they slid against her neck and chest. "I think you were the one who was caught, my lord." Gabriel reached out to touch the curve of her bare shoulder with his fingertips, and followed the pearl strands over her breast. "Your captive for life, my lady.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Wanting his mind on other matters, she deliiberately challenged his statement. "You don't know so much about me. There was a man once. He was crazy about me." She tried to look wordly. "Absolutely crazy for me." His answering laughter was warm against her neck, her throat. His lips touched the skin over her pulse and skimmed lightly up to her ear. "Are you, by any chance, referring to that foppish boy with the orange hair and spiked collar? Dragon something?" Savannah gasped and pulled away to glare at im. "How could you possibly know about him? I dated him last year." Gregori nuzzled her neck, inhaling her fragrance, his hand sliding over her shoulder, moving gently over her satin skin to take possession of her breast. "He wore boots and rode a Harley." His breath came out in a rush as his palm cupped the soft weight, his thumb brushing her nipple into a hard peak. The feel of his large hand-so strong, so warm and possessive on her-sent heat curling through her body. Desire rose sharply. He was seducing her with tenderness. Savannah didn't want it to happen. Her body felt better, but the soreness was there to remind her where this could all lead. Her hand caught at his wrist. "How did you find out about Dragon?" she asked, desperate to distract him, to distract herself. How could he make her body burn for his when she was so afraid of him, of having sex with him? "Making love," he corrected, his voice husky, caressing, betraying the ease with which his mind moved like a shadow through hers."And to answer your question, I live in you, can touch you whenever I wish.I knew about all of them. Every damn one." He growled the worrds, and her breath caught in her throat. "He was the only one you thought of kissing." His mouth touched hers. Gently. Lightly. Returned for more. Coaxing, teasing, until she opened to him. He stole her breath, her reason, whirling her into a world of feeling.Bright colors and white-hot heat, the room falling away until there was only his broad shoulders,strong arms, hard body, and perfect,perfect mouth. When he lifted his head, Savannah nearly pulled him back to her.He watched her face,her eyes cloudy with desire, her lips so beautiful, bereft of his. "Do you have any idea how beautiful you are, Savannah? There is such beauty in your soul,I can see it shining in your eyes." She touched his face, her palm molding his strong jaw. Why couldn't she resist his hungry eyes? "I think you're casting a spell over me. I can't remember what we were talking about." Gregori smiled. "Kissing." His teeth nibbled gently at her chin. "Specifically,your wanting to kiss that orange-bearded imbecile." "I wanted to kiss every one of them," she lied indignantly. "No,you did not.You were hoping that silly fop would wipe my taste from your mouth for all eternity." His hand stroked back the fall of hair around her face.He feathered kisses along the delicate line of her jaw. "It would not have worked,you know.As I recall,he seemed to have a problem getting close to you." Her eyes smoldered dangerously. "Did you have anything to do with his allergies?" She had wanted someone, anyone,to wipe Gregori's taste from her mouth,her soul. He raised his voice an octave. "Oh, Savannah, I just have to taste your lips," he mimicked. Then he went into a sneezing fit. "You haven't ridden until you've ridden on a Harley,baby." He sneezed, coughed, and gagged in perfect imitation. Savannah pushed his arm, forgetting for a moment her bruised fist. When it hurt, she yelped and glared accusingly at him. "It was you doing all that to him! That poor man-you damaged his ego for life. Each time he touched me, he had a sneezing fit." Gregori raised an eyebrow, completely unrepentant. "Technically,he did not lay a hand on you.He sneezed before he could get that close.
Christine Feehan (Dark Magic (Dark, #4))
THE FORTRESS Under the pink quilted covers I hold the pulse that counts your blood. I think the woods outdoors are half asleep, left over from summer like a stack of books after a flood, left over like those promises I never keep. On the right, the scrub pine tree waits like a fruit store holding up bunches of tufted broccoli. We watch the wind from our square bed. I press down my index finger -- half in jest, half in dread -- on the brown mole under your left eye, inherited from my right cheek: a spot of danger where a bewitched worm ate its way through our soul in search of beauty. My child, since July the leaves have been fed secretly from a pool of beet-red dye. And sometimes they are battle green with trunks as wet as hunters' boots, smacked hard by the wind, clean as oilskins. No, the wind's not off the ocean. Yes, it cried in your room like a wolf and your pony tail hurt you. That was a long time ago. The wind rolled the tide like a dying woman. She wouldn't sleep, she rolled there all night, grunting and sighing. Darling, life is not in my hands; life with its terrible changes will take you, bombs or glands, your own child at your breast, your own house on your own land. Outside the bittersweet turns orange. Before she died, my mother and I picked those fat branches, finding orange nipples on the gray wire strands. We weeded the forest, curing trees like cripples. Your feet thump-thump against my back and you whisper to yourself. Child, what are you wishing? What pact are you making? What mouse runs between your eyes? What ark can I fill for you when the world goes wild? The woods are underwater, their weeds are shaking in the tide; birches like zebra fish flash by in a pack. Child, I cannot promise that you will get your wish. I cannot promise very much. I give you the images I know. Lie still with me and watch. A pheasant moves by like a seal, pulled through the mulch by his thick white collar. He's on show like a clown. He drags a beige feather that he removed, one time, from an old lady's hat. We laugh and we touch. I promise you love. Time will not take away that.
Anne Sexton (Selected Poems)
And you've gone on all these years hating each other. Gil felt that hate. He could tell just being here. That's one of the things that drove him away from here, from me...' Mom was still so long I looked up at her...She shook her head. ...'No, Yelena, I never hate Ben an' Ben don't hate me. Gospode Boge! I love him here so all these years!' Mom touched her breast and her face broke into life. Her eyes were softer. 'Me hate Ben!' she laughed... I couldn't look at her, but I had to say what was in my mind. 'But all these years, even when I was a child, I've felt that you hated each other. When I heard you that night you both sounded cold and hard.' Mom made a sound of disgust in her throat. 'That don't mean nothing. We get mad, sure! Like ice an' snow an' thunder an' lightning storm, but they don't hurt the wheat down in the ground any.' Mom picked up her whitewash brush and slapped it against the rough boards. 'Yolochka, you don't know how love is yet.' ...She finished her wall and poured the whitewash that was left back in the bigger pail. 'You can write that young Gil of yours that he don't know what he think he does. Sure, we fight sometime, but we got no hate here.
Mildred Walker (Winter Wheat)
I did dream about you," she confessed. Derek smoothed his hand over her chestnut hair and brought her head closer to his. "What was I doing in your dreams?" he asked against her lips. "Chasing me," she admitted in a mortified whisper. A delicious grin curved his mouth. "Did I catch you?" Before she could reply his lips were on hers. His mouth twisted gently, his tongue hunting for an intimate taste of her. Closing her eyes, Sara made no protest as he took her wrists in his hands and twined her arms around his neck. He stretched one of his legs out to rest his foot on the seat. Caught in the lee of his powerful thighs, she had no choice but to let her body rest on the hard length of his. Leisurely he fondled and kissed her, wringing succulent delight from every nerve. As he began to slide his hand into her bodice, the thick wool fabric of her gown resisted his efforts. Foiled in his attempt to reach her breasts, he pushed a lock of hair aside and dragged his mouth over her throat. She stiffened, unable to hold back a whimper of pleasure. The carriage swayed and jolted suddenly, forcing their bodies closer with the impact. Derek felt himself approaching a flashpoint beyond which there was no return. With a tortured groan he pried Sara's voluptuous body away from his and held her away, while he struggled to emerge from a scarlet fog of desire. "Angel," he said hoarsely, nudging her toward the opposite seat. "You... you'd better go over there." Bemused, Sara nearly toppled to the floor from his gentle push. "But why?" Derek lowered his head and tunneled his fingers into his black hair. He started as he felt her hand brush the nape of his neck. "Don't touch me," he said, more roughly than he intended. Raising his head, he stared into Sara's perplexed face with a crooked smile. "Sorry," he muttered. "But if you don't move away, sweet, you're going to be lifting your heels for me right here.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
He’s brought a sleeping bag, one of those big green bulky L.L. Bean ones. I look at it questioningly. Following my gaze, he turns red. “I told my parents I was going to help you study, then we might watch a movie, and if it got late enough, I’d crash on your living room floor.” “And they said?” “Mom said, ‘Have a nice time, dear.’ Dad just looked at me.” “Embarrassing much?” “Worth it.” He walks slowly over, his eyes locked on mine, then puts his hands around my waist. “Um. So . . . are we going to study?” My tone’s deliberately casual. Jase slides his thumbs behind my ears, rubbing the hollow at their base. He’s only inches from my face, still looking into my eyes. “You bet. I’m studying you.” He scans over me, slowly, then returns to my eyes. “You have little flecks of gold in the middle of the blue.” He bends forward and touches his lips to one eyelid, then the other, then moves back. “And your eyelashes aren’t blond at all, they’re brown. And . . .” He steps back a little, smiling slowly at me. “You’re already blushing—here”—his lips touch the pulse at the hollow of my throat—“and probably here . . .” The thumb that brushes against my breast feels warm even through my T-shirt. In the movies, clothes just melt away when the couple is ready to make love. They’re all golden and backlit with the soundtrack soaring. In real life, it just isn’t like that. Jase has to take off his shirt and fumbles with his belt buckle and I hop around the room pulling off my socks, wondering just how unsexy that is. People in movies don’t even have socks. When Jase pulls off his jeans, change he has in his pocket slips out and clatters and rolls across the floor. “Sorry!” he says, and we both freeze, even though no one’s home to hear the sound. In movies, no one ever gets self-conscious at this point, thinking they should have brushed their teeth. In movies, it’s all beautifully choreographed, set to an increasingly dramatic soundtrack. In movies, when the boy pulls the girl to him when they are both finally undressed, they never bump their teeth together and get embarrassed and have to laugh and try again. But here’s the truth: In movies, it’s never half so lovely as it is here and now with Jase.
Huntley Fitzpatrick (My Life Next Door)
Say something.” I struggled to get the word out. “What?” “My name.” I wasn’t sure why he wanted me to say that, and I didn’t know how it would feel to say it again after all this time, but I drew in a deep breath. “Rider.” Another breath shuddered through me. “Rider Stark.” His throat worked and, for a heartbeat, neither of us moved as a steamy breeze tossed strands of hair across my face. Then he dropped his notebook to the pavement. I was surprised it didn’t burst into dust. His long-legged pace ate up the distance. One second there was several feet between us, and in the next breath he was right there in front of me. He was so much taller now. I barely reached his shoulders. And then his arms were around me. My heart exploded as those strong arms pulled me against his chest. There was a moment where I froze, and then my arms swept around his neck. I held on, squeezing my eyes shut as I inhaled the clean scent and the lingering trace of aftershave. This was him. His hugs were different now, stronger and tighter. He lifted me clear off my feet, one arm around my waist, the other hand buried deep in my hair, and my breasts were mushed against his surprisingly hard chest. Whoa. His hugs were most definitely different than they were when we were twelve. “Jesus, Mouse, you don’t even know...” His voice was gruff and thick as he set me back on my feet, but he didn’t let go. One arm stayed around my waist. His other hand fisted the ends of my hair. His chin grazed the top of my head as I slid my hands down his chest. “I never thought I’d see you again.” I rested my forehead between my hands, feeling his heart beat fast. I could hear people around us, and I imagined some were probably staring, but I didn’t care. Rider was warm and solid. Real. Alive.
Jennifer L. Armentrout (The Problem with Forever)
Evie stayed, however, the silence spinning out until it seemed that the pounding of his heart must be audible. “Do you want to know what I think, Sebastian?” she finally asked. It took every particle of his will to keep his voice controlled. “Not particularly.” “I think that if I leave this room, you’re going to ring that bell again. But no matter how many times you ring, or how often I come running, you’ll never bring yourself to tell me what you really want.” Sebastian slitted his eyes open…a mistake. Her face was very close, her soft mouth only inches from his. “At the moment, all I want is some peace,” he grumbled. “So if you don’t mind—” Her lips touched his, warm silk and sweetness, and he felt the dizzying brush of her tongue. A floodgate of desire opened, and he was drowning in undiluted pleasure, more powerful than anything he had known before. He lifted his hands as if to push her head away, but instead his trembling fingers curved around her skull, holding her to him. The fiery curls of her hair were compressed beneath his palms as he kissed her with ravenous urgency, his tongue searching the winsome delight of her mouth. Sebastian was mortified to discover that he was gasping like an untried boy when Evie ended the kiss. Her lips were rosy and damp, her freckles gleaming like gold dust against the deep pink of her cheeks. “I also think,” she said unevenly, “that you’re going to lose our bet.” Recalled to sanity by a flash of indignation, Sebastian scowled. “Do you think I’m in any condition to pursue other women? Unless you intend to bring someone to my bed, I’m hardly going to—” “You’re not going to lose the bet by sleeping with another woman,” Evie said. There was a glitter of deviltry in her eyes as she reached up to the neckline of her gown and deliberately began to unfasten the row of buttons. Her hands trembled just a little. “You’re going to lose it with me.” Sebastian watched incredulously as she stood and shed the dressing gown. She was naked, the tips of her breasts pointed and rosy in the cool air. She had lost weight, but her breasts were still round and lovely, and her hips still flared generously from the neat inward curves of her waist. As his gaze swept to the triangle of red hair between her thighs, a swell of acute lust rolled through him. He sounded shaken, even to his own ears. “You can’t make me lose the bet. That’s cheating.” “I never promised not to cheat,” Evie said cheerfully, shivering as she slipped beneath the covers with him. “Damn it, I’m not going to cooperate. I—” His breath hissed between his teeth as he felt the tender length of her body press against his side, the springy brush of her private curls on his hip as she slid one of her legs between his. He jerked his head away as she tried to kiss him. “I can’t…Evie…” His mind searched cagily for a way to dissuade her. “I’m too weak.” Ardent and determined, Evie grasped his head and turned his face to hers. “Poor darling,” she murmured, smiling. “Don’t worry. I’ll be gentle with you.” “Evie,” he said hoarsely, aroused and infuriated and pleading, “I have to prove that I can last three months without—no, don’t do that. Damn you, Evie—
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
When I close my eyes to see, to hear, to smell, to touch a country I have known, I feel my body shake and fill with joy as if a beloved person had come near me. A rabbi was once asked the following question: ‘When you say that the Jews should return to Palestine, you mean, surely, the heavenly, the immaterial, the spiritual Palestine, our true homeland?’ The rabbi jabbed his staff into the ground in wrath and shouted, ‘No! I want the Palestine down here, the one you can touch with your hands, with its stones, its thorns and its mud!’ Neither am I nourished by fleshless, abstract memories. If I expected my mind to distill from a turbid host of bodily joys and bitternesses an immaterial, crystal-clear thought, I would die of hunger. When I close my eyes in order to enjoy a country again, my five senses, the five mouth-filled tentacles of my body, pounce upon it and bring it to me. Colors, fruits, women. The smells of orchards, of filthy narrow alleys, of armpits. Endless snows with blue, glittering reflections. Scorching, wavy deserts of sand shimmering under the hot sun. Tears, cries, songs, distant bells of mules, camels or troikas. The acrid, nauseating stench of some Mongolian cities will never leave my nostrils. And I will eternally hold in my hands – eternally, that is, until my hands rot – the melons of Bukhara, the watermelons of the Volga, the cool, dainty hand of a Japanese girl… For a time, in my early youth, I struggled to nourish my famished soul by feeding it with abstract concepts. I said that my body was a slave and that its duty was to gather raw material and bring it to the orchard of the mind to flower and bear fruit and become ideas. The more fleshless, odorless, soundless the world was that filtered into me, the more I felt I was ascending the highest peak of human endeavor. And I rejoiced. And Buddha came to be my greatest god, whom I loved and revered as an example. Deny your five senses. Empty your guts. Love nothing, hate nothing, desire nothing, hope for nothing. Breathe out and the world will be extinguished. But one night I had a dream. A hunger, a thirst, the influence of a barbarous race that had not yet become tired of the world had been secretly working within me. My mind pretended to be tired. You felt it had known everything, had become satiated, and was now smiling ironically at the cries of my peasant heart. But my guts – praised be God! – were full of blood and mud and craving. And one night I had a dream. I saw two lips without a face – large, scimitar-shaped woman’s lips. They moved. I heard a voice ask, ‘Who if your God?’ Unhesitatingly I answered, ‘Buddha!’ But the lips moved again and said: ‘No, Epaphus.’ I sprang up out of my sleep. Suddenly a great sense of joy and certainty flooded my heart. What I had been unable to find in the noisy, temptation-filled, confused world of wakefulness I had found now in the primeval, motherly embrace of the night. Since that night I have not strayed. I follow my own path and try to make up for the years of my youth that were lost in the worship of fleshless gods, alien to me and my race. Now I transubstantiate the abstract concepts into flesh and am nourished. I have learned that Epaphus, the god of touch, is my god. All the countries I have known since then I have known with my sense of touch. I feel my memories tingling, not in my head but in my fingertips and my whole skin. And as I bring back Japan to my mind, my hands tremble as if they were touching the breast of a beloved woman.
Nikos Kazantzakis (Travels in China & Japan)
Yes: the future bridegroom, Mr. Rochester himself, exercised over his intended a ceaseless surveillance: and it was from this sagacity—this guardedness of his—this perfect clear consciousness of his fair one's defects—this obvious absence of passion in his sentiments toward her, that my ever-torturing pain arose. I saw he was going to marry her, for family, perhaps political reasons; because her rank and connections suited him; I felt he had not given her his love, and that her qualifications were ill adapted to win from him that treasure. This was the point—this was where the nerve was touched and teased—this was where the fever was sustained and fed: she could not charm him. If she had managed the victory at once, and he had yielded and sincerely laid his heart at her feet, I should have covered my face, turned to the wall, and (figuratively) have died to them. If Miss Ingram had been a good and noble woman, endowed with force, fervor, kindness, sense, I should have had one vital struggle with two tigers—jealousy and despair: then, my heart torn out and devoured, I should have admired her—acknowledged her excellence, and been quiet for the rest of my days: and the more absolute her superiority, the deeper would have been my admiration—the more truly tranquil my quiescence. But as matters really stood, to watch Miss Ingram's efforts at fascinating Mr. Rochester; to witness their repeated failure—herself unconscious that they did fail; vainly fancying that each shaft launched, hit the mark, and infatuatedly pluming herself on success, when her pride and self-complacency repelled further and further what she wished to allure—to witness this, was to be at once under ceaseless excitation and ruthless restraint. Because when she failed I saw how she might have succeeded. Arrows that continually glanced off from Mr. Rochester's breast and fell harmless at his feet might, I knew, if shot by a surer hand, have quivered keen in his proud heart—have called love into his stern eye and softness into his sardonic face; or, better still, without weapons a silent conquest might have been won.
Charlotte Brontë (Jane Eyre)
Now comes the fun part,” he whispered. His cold hands ran down my calves to my ankles, which he pressed against the side of the couch and into hard metal bands that snapped around them like shackles.  “What was that?” I asked, sitting up. He stood, his muscular frame leaning as he towered over me, his chest sliding over my spread legs.  “Those are to keep you where I want you,” Saxon whispered as his hands continued over my body, gliding or whispering over my abdomen, around my breasts, to my shoulders, and down my arms. The farther up my arms his fingers moved, the closer he came to my lips, to my neck. His fangs were fully exposed.  “Do you want to be mine?” Saxon asked, his nose trailing over my neck. He planted his lips against my jaw, the touch a burning cold. I shivered. “Do you want to be right where I want you?” “Yes,” I gasped, knowing that I did, no matter how terrifying the fact that I couldn't move was making me.  “Good,” Saxon whispered, his hands rough against my arm as he pressed my wrists against the sides of the couch and into the bands that instantly snapped together to lock me in place.  I made a sound that was half fear, half pleasure. As I re-balanced my weight trying to get away from the cold bands only to find that I was captured.  Held against the couch. Caught underneath the Vampire who smiled as he ripped my bra and panties from my soaked and wanting body in one quick motion. “You smell so good, Ivy,” Saxon said, running his nose down my neck and over my bare breasts where his tongue darted out to capture my nipple for a moment. I moaned and he continued down, his hands running down my sides, down my legs, as he inhaled the scent of my stomach.  The scent of my sex.  “My rose,” he murmured, burying his face between my legs, his cold tongue darting out to flick at my clit. I gasped at the contact, a thrill of pleasure shooting up my spine. My body convulsed as he nipped at the tiny nub of aroused flesh, my back attempting to arch, my hips working to press in to him, but I couldn’t move. Judging by the pricks of cold metal that was all up and down my legs and arms, he had bound me by more than my ankles and wrists. A split second of panic captured my breath. “Saxon,” I moaned, shifting as the pleasure began to overtake me.
Rae Foxx (The Bloodwood Academy Shifter: Semester Two (The Bloodwood Academy, #2))
I suppose… I shouldn’t have jumped to conclusions. But knowing what I do of your past… I assumed…” Her lame attempt at an apology seemed to erode the remnants of Sebastian’s self-control. “Well, your assumption was wrong! If you haven’t yet noticed, I’m busier than the devil in a high wind, every minute of the day. I don’t have the damned time for a tumble. And if I did—” He stopped abruptly. All semblance of the elegant viscount Evie had once watched from afar in Lord Westcliff’s drawing room had vanished. He was rumpled and bruised and furious. And he wasn’t breathing at all well. “If I did—” He broke off again, a flush crossing the crests of his cheeks and the bridge of his nose. Evie saw the exact moment when his self-restraint snapped. Alarm jolted through her, and she lurched toward the closed door. Before she had even made a step, she found herself seized and pinned against the wall by his body and hands. The smell of sweat-dampened linen and healthy, aroused male filled her nostrils. Once he had caught her, Sebastian pressed his parted lips against the thin skin of her temple. His breath snagged. Another moment of stillness. Evie felt the electrifying touch of his tongue at the very tip of her eyebrow. He breathed against the tiny wet spot, a waft of hellfire that sent chills through her entire body. Slowly he brought his mouth to her ear, and traced the intricate inner edges. His whisper seemed to come from the darkest recesses of her own mind. “If I did, Evie… then by now I would have shredded your clothes with my hands and teeth until you were naked. By now I would have pushed you down to the carpet, and put my hands beneath your breasts and lifted them up to my mouth. I would be kissing them… licking them… until the tips were like hard little berries, and then I would bite them so gently…” Evie felt herself drift into a slow half swoon as he continued in a ragged murmur. “… I would kiss my way down to your thighs… inch by inch… and when I reached those sweet red curls, I would lick through them, deeper and deeper, until I found the little pearl of your clitoris… and I would rest my tongue on it until I felt it throb. I would circle it, and stroke it… I’d lick until you started to beg. And then I would suck you. But not hard. I wouldn’t be that kind. I would do it so lightly, so tenderly, that you would start screaming with the need to come… I would put my tongue inside you… taste you… eat you. I wouldn’t stop until your entire body was wet and shaking. And when I had tortured you enough, I would open your legs and come inside you, and take you… take you…” Sebastian stopped, anchoring her against the wall while they both remained frozen, aroused, panting. At length, he spoke in a nearly inaudible voice. “You’re wet, aren’t you?” Had it been physically possible to blush any harder, Evie would have. Her skin burned with violated modesty as she understood what he was asking. She tipped her chin in the tiniest of nods. “I want you more than I’ve ever wanted anything on this earth.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
On Earth We’re Briefly Gorgeous" i Tell me it was for the hunger & nothing less. For hunger is to give the body what it knows it cannot keep. That this amber light whittled down by another war is all that pins my hand to your chest. i You, drowning                         between my arms — stay. You, pushing your body                          into the river only to be left                          with yourself — stay. i I’ll tell you how we’re wrong enough to be forgiven. How one night, after backhanding mother, then taking a chainsaw to the kitchen table, my father went to kneel in the bathroom until we heard his muffled cries through the walls. And so I learned that a man, in climax, was the closest thing to surrender. i Say surrender. Say alabaster. Switchblade.                    Honeysuckle. Goldenrod. Say autumn. Say autumn despite the green                    in your eyes. Beauty despite daylight. Say you’d kill for it. Unbreakable dawn                    mounting in your throat. My thrashing beneath you                    like a sparrow stunned with falling. i Dusk: a blade of honey between our shadows, draining. i I wanted to disappear — so I opened the door to a stranger’s car. He was divorced. He was still alive. He was sobbing into his hands (hands that tasted like rust). The pink breast cancer ribbon on his keychain swayed in the ignition. Don’t we touch each other just to prove we are still here? I was still here once. The moon, distant & flickering, trapped itself in beads of sweat on my neck. I let the fog spill through the cracked window & cover my fangs. When I left, the Buick kept sitting there, a dumb bull in pasture, its eyes searing my shadow onto the side of suburban houses. At home, I threw myself on the bed like a torch & watched the flames gnaw through my mother’s house until the sky appeared, bloodshot & massive. How I wanted to be that sky — to hold every flying & falling at once. i Say amen. Say amend. Say yes. Say yes anyway. i In the shower, sweating under cold water, I scrubbed & scrubbed. i In the life before this one, you could tell two people were in love because when they drove the pickup over the bridge, their wings would grow back just in time. Some days I am still inside the pickup. Some days I keep waiting. i It’s not too late. Our heads haloed             with gnats & summer too early to leave any marks.             Your hand under my shirt as static intensifies on the radio.             Your other hand pointing your daddy’s revolver             to the sky. Stars falling one by one in the cross hairs.             This means I won’t be afraid if we’re already             here. Already more than skin can hold. That a body             beside a body must ma
Ocean Vuong (On Earth We're Briefly Gorgeous)
He then said something in Arabic to Ali, who made a sign of obedience and withdrew, but not to any distance. As to Franz a strange transformation had taken place in him. All the bodily fatigue of the day, all the preoccupation of mind which the events of the evening had brought on, disappeared as they do at the first approach of sleep, when we are still sufficiently conscious to be aware of the coming of slumber. His body seemed to acquire an airy lightness, his perception brightened in a remarkable manner, his senses seemed to redouble their power, the horizon continued to expand; but it was not the gloomy horizon of vague alarms, and which he had seen before he slept, but a blue, transparent, unbounded horizon, with all the blue of the ocean, all the spangles of the sun, all the perfumes of the summer breeze; then, in the midst of the songs of his sailors, -- songs so clear and sonorous, that they would have made a divine harmony had their notes been taken down, -- he saw the Island of Monte Cristo, no longer as a threatening rock in the midst of the waves, but as an oasis in the desert; then, as his boat drew nearer, the songs became louder, for an enchanting and mysterious harmony rose to heaven, as if some Loreley had decreed to attract a soul thither, or Amphion, the enchanter, intended there to build a city. At length the boat touched the shore, but without effort, without shock, as lips touch lips; and he entered the grotto amidst continued strains of most delicious melody. He descended, or rather seemed to descend, several steps, inhaling the fresh and balmy air, like that which may be supposed to reign around the grotto of Circe, formed from such perfumes as set the mind a dreaming, and such fires as burn the very senses; and he saw again all he had seen before his sleep, from Sinbad, his singular host, to Ali, the mute attendant; then all seemed to fade away and become confused before his eyes, like the last shadows of the magic lantern before it is extinguished, and he was again in the chamber of statues, lighted only by one of those pale and antique lamps which watch in the dead of the night over the sleep of pleasure. They were the same statues, rich in form, in attraction, and poesy, with eyes of fascination, smiles of love, and bright and flowing hair. They were Phryne, Cleopatra, Messalina, those three celebrated courtesans. Then among them glided like a pure ray, like a Christian angel in the midst of Olympus, one of those chaste figures, those calm shadows, those soft visions, which seemed to veil its virgin brow before these marble wantons. Then the three statues advanced towards him with looks of love, and approached the couch on which he was reposing, their feet hidden in their long white tunics, their throats bare, hair flowing like waves, and assuming attitudes which the gods could not resist, but which saints withstood, and looks inflexible and ardent like those with which the serpent charms the bird; and then he gave way before looks that held him in a torturing grasp and delighted his senses as with a voluptuous kiss. It seemed to Franz that he closed his eyes, and in a last look about him saw the vision of modesty completely veiled; and then followed a dream of passion like that promised by the Prophet to the elect. Lips of stone turned to flame, breasts of ice became like heated lava, so that to Franz, yielding for the first time to the sway of the drug, love was a sorrow and voluptuousness a torture, as burning mouths were pressed to his thirsty lips, and he was held in cool serpent-like embraces. The more he strove against this unhallowed passion the more his senses yielded to its thrall, and at length, weary of a struggle that taxed his very soul, he gave way and sank back breathless and exhausted beneath the kisses of these marble goddesses, and the enchantment of his marvellous dream.
Alexandre Dumas (The Count of Monte Cristo)
So sentences are copied, constructed, or created; they are uttered, mentioned, or used; each says, means, implies, reveals, connects; each titillates, invites, conceals, suggests; and each is eventually either consumed or conserved; nevertheless, the lines in Stevens or the sentences of Joyce and James, pressed by one another into being as though the words before and the words after were those reverent hands both Rilke and Rodin have celebrated, clay calling to clay like mating birds, concept responding to concept the way passionate flesh congests, every note a nipple on the breast, at once a triumphant pinnacle and perfect conclusion, like pelted water, I think I said, yet at the same time only another anonymous cell, and selfless in its service to the shaping skin as lost forgotten matter is in all walls; these lines, these sentences, are not quite uttered, not quite mentioned, peculiarly employed, strangely listed, oddly used, as though a shadow were the leaves, limbs, trunk of a new tree, and the shade itself were thrust like a dark torch into the grassy air in the same slow and forceful way as its own roots, entering the earth, roughen the darkness there till all its freshly shattered facets shine against themselves as teeth do in the clenched jaw; for Rabelais was wrong, blue is the color of the mind in borrow of the body; it is the color consciousness becomes when caressed; it is the dark inside of sentences, sentences which follow their own turnings inward out of sight like the whorls of a shell, and which we follow warily, as Alice after that rabbit, nervous and white, till suddenly—there! climbing down clauses and passing through ‘and’ as it opens—there—there—we’re here! . . . in time for tea and tantrums; such are the sentences we should like to love—the ones which love us and themselves as well—incestuous sentences—sentences which make an imaginary speaker speak the imagination loudly to the reading eye; that have a kind of orality transmogrified: not the tongue touching the genital tip, but the idea of the tongue, the thought of the tongue, word-wet to part-wet, public mouth to private, seed to speech, and speech . . . ah! after exclamations, groans, with order gone, disorder on the way, we subside through sentences like these, the risk of senselessness like this, to float like leaves on the restful surface of that world of words to come, and there, in peace, patiently to dream of the sensuous, imagined, and mindful Sublime.
William H. Gass (On Being Blue)
My Dear Mrs Winter. (I had half a mind when I dipped my pen in the ink, to address you by your old natural Christian name.) The snow lies so deep on the Northern Railway, and the Posts have been so interrupted in consequence, that your charming note arrived here only this morning... I get the heartache again when I read your commission, written in the hand which I find now to be not in the least changed, and yet it is a great pleasure to be entrusted with it, and to have that share in your gentler remembrances which I cannot find it still my privilege to have, without a stirring of the old fancies. ... I am very very sorry you mistrusted me in not writing before your little girl was born; but I hope now you know me better you will teach her, one day, to tell her children, in times to come when they have some interest in wondering about it, that I loved her mother with the most extraordinary earnestness when I was a boy. I have always believed since, and always shall to the last, that there never was such a faithful and devoted poor fellow as I was. Whatever of fancy, romance, energy, passion, aspiration and determination belong to me, I never have separated and never shall separate from the hard hearted little woman - you - whom it is nothing to say I would have died for, with the greatest alacrity! I never can think, and I never seem to observe, that other young people are in such desperate earnest, or set so much, so long, upon one absorbing hope. It is a matter of perfect certainty to me that I began to fight my way out of poverty and obscurity, with one perpetual idea of you. This is so fixed in my knowledge that to the hour when I opened your letter last Friday night, I have never heard anybody addressed by your name or spoken of by your name, without a start. The sound of it has always filled me with a kind of pity and respect for the deep truth that I had, in my silly hobbledehoyhood, to bestow upon one creature who represented the whole world to me. I have never been so good a man since, as I was when you made me wretchedly happy. I shall never be half so good a fellow any more. This is all so strange now, both to think of, and to say, after every change that has come about; but I think, when you ask me to write to you, you are not unprepared for what it is so natural to me to recall, and will not be displeased to read it. I fancy, - though you may not have thought in the old time how manfully I loved you - that you may have seen in one of my books a faithful reflection of the passion I had for you, and may have thought that it was something to have been loved so well, and may have seen in little bits of "Dora" touches of your old self sometimes, and a grace here and there that may be revived in your little girls, years hence, for the bewilderment of some other young lover - though he will never be as terribly in earnest as I and David Copperfield were. People used to say to me how pretty all that was, and how fanciful it was, and how elevated it was above the little foolish loves of very young men and women. But they little thought what reason I had to know it was true and nothing more nor less. These are things that I have locked up in my own breast, and that I never thought to bring out any more. But when I find myself writing to you again "all to your self", how can I forbear to let as much light in upon them as will shew you that they are there still! If the most innocent, the most ardent, and the most disinterested days of my life had you for their Sun - as indeed they had - and if I know that the Dream I lived in did me good, refined my heart, and made me patient and persevering, and if the Dream were all of you - as God knows it was - how can I receive a confidence from you, and return it, and make a feint of blotting all this out! ...
Charles Dickens
Feeling the slight tremor of his fingers against her skin, Daisy was emboldened to remark, “I’ve never been attracted to tall men before. But you make me feel—” “If you don’t keep quiet,” he interrupted curtly, “I’m going to strangle you.” Daisy felt silent, listening to the rhythm of his breath as it turned deeper, less controlled. By contrast his fingers became more certain in their task, working along the row of pearls until her dress gaped open and the sleeves slipped from her shoulders. “Where is it?” he asked. “The key?” His tone was deadly. “Yes, Daisy. The key.” “It fell inside my corset. Which means… I’ll have to take that off too.” There was no reaction to the statement, no sound or movement. Daisy twisted to glance at Matthew. He seemed dazed. His eyes looked unnaturally blue against the flush on his face. She realized he was occupied with a savage inner battle to keep from touching her. Feeling hot and prickly with embarrassment, Daisy pulled her arms completely out of her sleeves. She worked the dress over her hips, wriggling out of the filmy white layers, letting them slide to the floor in a heap. Matthew stared at the discarded dress as if it were some kind of exotic fauna he had never seen before. Slowly his eyes returned to Daisy, and an incoherent protest came from his throat as she began to unhook her corset. She felt shy and wicked, undressing in front of him. But she was encouraged by the way he seemed unable to tear his gaze from each newly revealed inch of pale skin. When the last metal hook came apart, she tossed the web of lace and stays to the floor. All that remained over her breasts was a crumpled chemise. The key had dropped into her lap. Closing her fingers around the metal object, she risked a cautious glance at Matthew. His eyes were closed, his forehead scored with furrows of pained concentration. “This isn’t going to happen,” he said, more to himself than to her. Daisy leaned forward to tuck the key into his coat pocket. Gripping the hem of her chemise, she stripped it over her head. A tingling shock chased over her naked upper body. She was so nervous that her teeth had begun to chatter. “I just took my chemise off,” she said. “Don’t you want to look?” “No.” But his eyes had opened, and his gaze found her small, pink-tipped breasts, and the breath hissed through his clenched teeth. He sat without moving, staring at her as she untied his cravat and unbuttoned the layers of his waistcoat and shirt. She blushed everywhere but continued doggedly, rising to her knees to tug the coat from his shoulders. He moved like a dreamer, slowly pulling his arms from the coat sleeves and waistcoat. Daisy pushed his shirt open with awkward determination, her gaze drinking in the sight of his chest and torso. His skin gleamed like heavy satin, stretched taut over broad expanses of muscle. She touched the powerful vault of his ribs, trailing her fingertips to the rippled tautness of his midriff. Suddenly Matthew caught her hand, seemingly undecided whether to push it away or press it closer. Her fingers curled over his. She stared into his dilated blue eyes. “Matthew,” she whispered. “I’m here. I’m yours. I want to do everything you’ve ever imagined doing with me.” He stopped breathing. His will foundered and collapsed, and suddenly nothing mattered except the demands of a desire that had been denied too long. With a rough groan of surrender, he lifted her onto his lap.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Poem for My Father You closed the door. I was on the other side, screaming. It was black in your mind. Blacker than burned-out fire. Blacker than poison. Outside everything looked the same. You looked the same. You walked in your body like a living man. But you were not. would you not speak to me for weeks would you hang your coat in the closet without saying hello would you find a shoe out of place and beat me would you come home late would i lose the key would you find my glasses in the garbage would you put me on your knee would you read the bible to me in your smoking jacket after your mother died would you come home drunk and snore would you beat me on the legs would you carry me up the stairs by my hair so that my feet never touch the bottom would you make everything worse to make everything better i believe in god, the father almighty, the maker of heaven, the maker of my heaven and my hell. would you beat my mother would you beat her till she cries like a rabbit would you beat her in a corner of the kitchen while i am in the bathroom trying to bury my head underwater would you carry her to the bed would you put cotton and alcohol on her swollen head would you make love to her hair would you caress her hair would you rub her breasts with ben gay until she stinks would you sleep in the other room in the bed next to me while she sleeps on the pull-out cot would you come on the sheet while i am sleeping. later i look for the spot would you go to embalming school with the last of my mother's money would i see your picture in the book with all the other black boys you were the handsomest would you make the dead look beautiful would the men at the elks club would the rich ladies at funerals would the ugly drunk winos on the street know ben pretty ben regular ben would your father leave you when you were three with a mother who threw butcher knives at you would he leave you with her screaming red hair would he leave you to be smothered by a pillow she put over your head would he send for you during the summer like a rich uncle would you come in pretty corduroys until you were nine and never heard from him again would you hate him would you hate him every time you dragged hundred pound cartons of soap down the stairs into white ladies' basements would you hate him for fucking the woman who gave birth to you hate him flying by her house in the red truck so that other father threw down his hat in the street and stomped on it angry like we never saw him (bye bye to the will of grandpa bye bye to the family fortune bye bye when he stompled that hat, to the gold watch, embalmer's palace, grandbaby's college) mother crying silently, making floating island sending it up to the old man's ulcer would grandmother's diamonds close their heartsparks in the corner of the closet yellow like the eyes of cockroaches? Old man whose sperm swims in my veins, come back in love, come back in pain.
Toi Derricotte
But it wasn't all bad. Sometimes things wasn't all bad. He used to come home easing into bed sometimes, not too drunk. I make out like I'm asleep, 'casue it's late, and he taken three dollars out of my pocketbook that morning or something. I hear him breathing, but I don't look around. I can see in my mind's eye his black arms thrown back behind his head, the muscles like a great big peach stones sanded down, with veins running like little swollen rivers down his arms. Without touching him I be feeling those ridges on the tips of my fingers. I sees the palms of his hands calloused to granite, and the long fingers curled up and still. I think about the thick, knotty hair on his chest, and the two big swells his breast muscles make. I want to rub my face hard in his chest and feel the hair cut my skin. I know just where the hair growth slacks out-just above his navel- and how it picks up again and spreads out. Maybe he'll shift a little, and his leg will touch me, or I feel his flank just graze my behind. I don't move even yet. Then he lift his head, turn over, and put his hand on my waist. If I don't move, he'll move his hand over to pull and knead my stomach. Soft and slow-like. I still don't move, because I don't want him to stop. I want to pretend sleep and have him keep rubbing my stomach. Then he will lean his head down and bite my tit. Then I don't want him to rub my stomach anymore. I want him to put his hand between my legs. I pretend to wake up, and turn to him, but not opening my legs. I want him to open them for me. He does, and I be soft and wet where his fingers are strong and hard. I be softer than I ever been before. All my strength in his hand. My brain curls up like wilted leaves. A funny, empty feeling is in my hands. I want to grab holt of something, so I hold his head. His mouth is under my chin. Then I don't want his hands between my legs no more, because I think I am softening away. I stretch my legs open, and he is on top of me. Too heavy to hold, too light not to. He puts his thing in me. In me. In me. I wrap my feet around his back so he can't get away. His face is next to mine. The bed springs sounds like them crickets used to back home. He puts his fingers in mine, and we stretches our arms outwise like Jesus on the cross. I hold tight. My fingers and my feet hold on tight, because everything else is going, going. I know he wants me to come first. But I can't. Not until he does. Not until I feel him loving me. Just me. Sinking into me. Not until I know that my flesh is all that be on his mind. That he couldnt stop if he had to. That he would die rather than take his thing our of me. Of me. Not until he has let go of all he has, and give it to me. To me. To me. When he does, I feel a power. I be strong, I be pretty, I be young. And then I wait. He shivers and tosses his head. Now I be strong enough, pretty enough, and young enough to let him make me come. I take my fingers out of his and put my hands on his behind. My legs drop back onto the bed. I don't make a noise, because the chil'ren might hear. I begin to feel those little bits of color floating up into me-deep in me. That streak of green from the june-bug light, the purple from the berries trickling along my thighs, Mama's lemonade yellow runs sweet in me. Then I feel like I'm laughing between my legs, and the laughing gets all mixed up with the colors, and I'm afraid I'll come, and afraid I won't. But I know I will. And I do. And it be rainbow all inside. And it lasts ad lasts and lasts. I want to thank him, but dont know how, so I pat him like you do a baby. He asks me if I'm all right. I say yes. He gets off me and lies down to sleep. I want to say something, but I don't. I don't want to take my mind offen the rainbow. I should get up and go to the toilet, but I don't. Besides Cholly is asleep with his leg thrown over me. I can't move and I don't want to.
Toni Morrison (The Bluest Eye)