“
This life is what you make it. No matter what, you're going to mess up sometimes, it's a universal truth. But the good part is you get to decide how you're going to mess it up. Girls will be your friends - they'll act like it anyway. But just remember, some come, some go. The ones that stay with you through everything - they're your true best friends. Don't let go of them. Also remember, sisters make the best friends in the world. As for lovers, well, they'll come and go too. And baby, I hate to say it, most of them - actually pretty much all of them are going to break your heart, but you can't give up because if you give up, you'll never find your soulmate. You'll never find that half who makes you whole and that goes for everything. Just because you fail once, doesn't mean you're gonna fail at everything. Keep trying, hold on, and always, always, always believe in yourself, because if you don't, then who will, sweetie? So keep your head high, keep your chin up, and most importantly, keep smiling, because life's a beautiful thing and there's so much to smile about.
”
”
Marilyn Monroe
“
If people bring so much courage to this world the world has to kill them to break them, so of course it kills them. The world breaks every one and afterward many are strong at the broken places. But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you too but there will be no special hurry.
”
”
Ernest Hemingway (A Farewell to Arms)
“
Words can break someone into a million pieces, but they can also put them back together. I hope you use yours for good, because the only words you'll regret more than the ones left unsaid are the ones you use to intentionally hurt someone.
”
”
Taylor Swift
“
A good story should make you laugh, and a moment later break your heart.
”
”
Chuck Palahniuk (Stranger than Fiction)
“
Every action you take is a vote for the type of person you wish to become. No single instance will transform your beliefs, but as the votes build up, so does the evidence of your new identity.
”
”
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
“
Go and make interesting mistakes, make amazing mistakes, make glorious and fantastic mistakes. Break rules. Leave the world more interesting for your being here.
”
”
Neil Gaiman (Make Good Art)
“
You do not rise to the level of your goals. You fall to the level of your systems.
”
”
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
“
Hey Mason, wipe the drool off your face. If you're going to think about me naked, do it on your own time." [...]
"This is my time, Hathaway. I'm leading today's session."
"Oh yeah?" I retorted. "Huh. Well, I guess this is a good time to think about me naked, then."
"It's always a good a time to think about you naked," added someone nearby, breaking the tension further.
”
”
Richelle Mead (Vampire Academy (Vampire Academy, #1))
“
The world breaks everyone and afterward many are strong at the broken places. But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you too but there will be no special hurry.
”
”
Ernest Hemingway (A Farewell to Arms)
“
A WOMAN SHOULD HAVE ....
enough money within her control to move out
and rent a place of her own even if she never wants
to or needs to...
A WOMAN SHOULD HAVE ....
something perfect to wear if the employer or date of her
dreams wants to see her in an hour...
A WOMAN SHOULD HAVE ...
a youth she's content to leave behind....
A WOMAN SHOULD HAVE ....
a past juicy enough that she's looking forward to
retelling it in her old age....
A WOMAN SHOULD HAVE .....
a set of screwdrivers, a cordless drill, and a black
lace bra...
A WOMAN SHOULD HAVE ....
one friend who always makes her laugh... and one who
lets her cry...
A WOMAN SHOULD HAVE ....
a good piece of furniture not previously owned by anyone
else in her family...
A WOMAN SHOULD HAVE ....
eight matching plates, wine glasses with stems, and a
recipe for a meal that will make her guests feel honored...
A WOMAN SHOULD HAVE ....
a feeling of control over her destiny...
EVERY WOMAN SHOULD KNOW...
how to fall in love without losing herself..
EVERY WOMAN SHOULD KNOW...
HOW TO QUIT A JOB,
BREAK UP WITH A LOVER,
AND CONFRONT A FRIEND WITHOUT RUINING THE FRIENDSHIP...
EVERY WOMAN SHOULD KNOW...
when to try harder... and WHEN TO WALK AWAY...
EVERY WOMAN SHOULD KNOW...
that she can't change the length of her calves,
the width of her hips, or the nature of her parents..
EVERY WOMAN SHOULD KNOW...
that her childhood may not have been perfect...but it's over...
EVERY WOMAN SHOULD KNOW...
what she would and wouldn't do for love or more...
EVERY WOMAN SHOULD KNOW...
how to live alone... even if she doesn't like it...
EVERY WOMAN SHOULD KNOW...
whom she can trust,
whom she can't,
and why she shouldn't
take it personally...
EVERY WOMAN SHOULD KNOW...
where to go...
be it to her best friend's kitchen table...
or a charming inn in the woods...
when her soul needs soothing...
EVERY WOMAN SHOULD KNOW...
what she can and can't accomplish in a day...
a month...and a year...
”
”
Pamela Redmond Satran
“
Or maybe a person is just made up of a lot of people,” I say. “Maybe we’re accumulating these new selves all the time.” Hauling them in as we make choices, good and bad, as we screw up, step up, lose our minds, find our minds, fall apart, fall in love, as we grieve, grow, retreat from the world, dive into the world, as we make things, as we break things.
”
”
Jandy Nelson (I'll Give You the Sun)
“
Sometimes the only way the good Lord can get into some hearts is to break them.
”
”
Fulton J. Sheen
“
America, my love, you are sunlight falling through trees. You are laughter that breaks through sadness. You are the breeze on a too-war day. You are clarity in the midst of confusion.
You are not the world, but you are everything that makes the world good. Without you, my life would still exist, but that's all it would manage to do.
You said that to get things right one of us would have to take a leap of faith. I think I've discovered the canyon that must be leaped, and I hope to find you waiting for me on the other side.
I love you, America.
Yours forever,
Maxon
”
”
Kiera Cass (The One (The Selection, #3))
“
You should be far more concerned with your current trajectory than with your current results.
”
”
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
“
When you fall in love with the process rather than the product, you don’t have to wait to give yourself permission to be happy. You can be satisfied anytime your system is running.
”
”
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
“
Goals are good for setting a direction, but systems are best for making progress.
”
”
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
“
There is strange comfort in knowing that no matter what happens today, the Sun will rise again tomorrow.
”
”
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
“
You be as angry as you need to be,” she said. “Don’t let anyone tell you otherwise. Not your grandma, not your dad, no one. And if you need to break things, then by God, you break them good and hard.
”
”
Patrick Ness (A Monster Calls)
“
Pip wished she was strong enough, but she’d learned that she wasn’t invincible; she too could break.
”
”
Holly Jackson (A Good Girl's Guide to Murder (A Good Girl's Guide to Murder, #1))
“
I tell you, I'm half tempted to break into CIA custody just so I can break Joe Solomon out of CIA custody just so I can break Joe Solomon.
”
”
Ally Carter (Only the Good Spy Young (Gallagher Girls, #4))
“
Habits are the compound interest of self-improvement
”
”
James Clear (Atomic Habits: An Easy and Proven Way to Build Good Habits and Break Bad Ones)
“
Whatever you choose, however many roads you travel, I hope that you choose not to be a lady. I hope you will find some way to break the rules and make a little trouble out there. And I also hope that you will choose to make some of that trouble on behalf of women."
[Commencement Address, Wellesley College, 1996]
”
”
Nora Ephron
“
Love demands expression. It will not stay still, stay silent, be good, be modest, be seen and not heard, no. It will break out in tongues of praise, the high note that smashes the glass and spills the liquid.
”
”
Jeanette Winterson (Written on the Body)
“
Rachael, I don’t think this is a very good idea.” Adam tried to protest and break away, but it was too late. She had a good hold on him by now, and he was going nowhere.
“Not bad for a little man like you,” she said. “There seems to be something different about you lately.” Rachael smiled.
”
”
Max Nowaz (Get Rich or Get Lucky)
“
The struggles we endure today will be the ‘good old days’ we laugh about tomorrow.
”
”
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
“
Problem #1: Winners and losers have the same goals.
”
”
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
“
Leah: "That is easily the freakin’ grossest thing I’ve ever heard in my life. Yuck. If there was anything in my stomach, it would be coming back."
Seth: "They are vampires, I guess. I mean, it makes sense, and if it helps Bella, it’s a good thing, right?"
Leah and Jake stare at Seth.
Seth: "What?"
Leah: "Mom dropped him a lot when he was a baby."
Jake: "On his head apparently."
Leah: "He used to gnaw on the crib bars, too."
Jake: "Lead paint?"
Leah: "Looks like it."
Seth: "Funny. Why don’t you two shut up and sleep?
”
”
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
“
I'd like a drink. I desire to forget life. Life is a hideous invention by somebody I don't know. It doesn't last, and it's good for nothing. You break your neck simply living.
”
”
Victor Hugo (Les Misérables)
“
Be the designer of your world and not merely the consumer of it.
”
”
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
“
Here's to the kids.
The kids who would rather spend their night with a bottle of coke & Patrick or Sonny playing on their headphones than go to some vomit-stained high school party.
Here's to the kids whose 11:11 wish was wasted on one person who will never be there for them.
Here's to the kids whose idea of a good night is sitting on the hood of a car, watching the stars.
Here's to the kids who never were too good at life, but still were wicked cool.
Here's to the kids who listened to Fall Out boy and Hawthorne Heights before they were on MTV...and blame MTV for ruining their life.
Here's to the kids who care more about the music than the haircuts.
Here's to the kids who have crushes on a stupid lush.
Here's to the kids who hum "A Little Less 16 Candles, A Little More Touch Me" when they're stuck home, dateless, on a Saturday night.
Here's to the kids who have ever had a broken heart from someone who didn't even know they existed.
Here's to the kids who have read The Perks of Being a Wallflower & didn't feel so alone after doing so.
Here's to the kids who spend their days in photobooths with their best friend(s).
Here's to the kids who are straight up smartasses & just don't care.
Here's to the kids who speak their mind.
Here's to the kids who consider screamo their lullaby for going to sleep.
Here's to the kids who second guess themselves on everything they do.
Here's to the kids who will never have 100 percent confidence in anything they do, and to the kids who are okay with that.
Here's to the kids.
This one's not for the kids,
who always get what they want,
But for the ones who never had it at all.
It's not for the ones who never got caught,
But for the ones who always try and fall.
This one's for the kids who didnt make it,
We were the kids who never made it.
The Overcast girls and the Underdog Boys.
Not for the kids who had all their joys.
This one's for the kids who never faked it.
We're the kids who didn't make it.
They say "Breaking hearts is what we do best,"
And, "We'll make your heart be ripped of your chest"
The only heart that I broke was mine,
When I got My Hopes up too too high.
We were the kids who didnt make it.
We are the kids who never made it.
”
”
Pete Wentz
“
Every action you take is a vote for the type of person you wish to become.
”
”
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
“
Success is the product of daily habits—not once-in-a-lifetime transformations.
”
”
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
“
My value as a woman is not measured by the size of my waist or the number of men who like me. My worth as a human being is measured on a higher scale: a scale of righteousness and piety. And my purpose in life-despite what fashion magazines say-is something more sublime than just looking good for men.
”
”
Yasmin Mogahed (Reclaim Your Heart: Personal Insights on Breaking Free from Life's Shackles)
“
Travel isn’t always pretty. It isn’t always comfortable. Sometimes it hurts, it even breaks your heart. But that’s okay. The journey changes you; it should change you. It leaves marks on your memory, on your consciousness, on your heart, and on your body. You take something with you. Hopefully, you leave something good behind.
”
”
Anthony Bourdain (No Reservations: Around the World on an Empty Stomach)
“
When you can’t win by being better, you can win by being different.
”
”
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
“
Two kinds of women get under your skin. The ones who do damage, they don't feel good there but once you're fuckin' stupid enough to let them in you got no choice but to take the time it takes to work them out. Then there are the ones who don't do damage, who feel good there, feed the muscle, the bone, the soul, not rip it or break it or burn it. The ones you don't wanna work out.
”
”
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
“
Professionals stick to the schedule;
amateurs let life get in the way.
”
”
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
“
How Not to Break Into Sublevel Two
(A list by Cameron Morgan, with help from Macey McHenry)
....
-Teleportation: Sure, Liz says she has an excellent working theory, but she doesn't have a prototype yet. And without a prototype it's pretty much a moot point.
-That thing Bex's parents did in Dubai with liquid nitrogen, an earthquake simulator, and a ferret: Because we don't have a ferret.
”
”
Ally Carter (Only the Good Spy Young (Gallagher Girls, #4))
“
Instead of things I'm good at, it might be faster to list the things I can't do. I can't cook or clean the house. My room's a mess, and I'm always losing things. I love music, but I can't sing a note. I'm clumsy and can barely sew a stitch. My sense of direction is the pits, and I can't tell left from right half the time. When I get angry, I tend to break things. Plates and pencils, alarm clocks. Later on I regret it, but at the time I can't help myself. I have no money in the bank. I'm bashful for no reason, and I have hardly any friends to speak of.
”
”
Haruki Murakami (Sputnik Sweetheart)
“
But there are people who'll try to hurt you through the good they see in you--knowing that it's the good, needing it and punishing you for it. Don't let it break you when you discover that.
”
”
Ayn Rand (Atlas Shrugged)
“
When nothing seems to help, I go and look at a stonecutter hammering away at his rock, perhaps a hundred times without as much as a crack showing in it. Yet at the hundred and first blow it will split in two, and I know it was not that last blow that did it—but all that had gone before.
”
”
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
“
You don’t have to be the victim of your environment. You can also be the architect of it.
”
”
James Clear (Atomic Habits: An Easy and Proven Way to Build Good Habits and Break Bad Ones)
“
You are my whole heart, Scarlet. And this is breaking it.'
My heart cracked open and clear dropped out of me. My mouth opened, and I looked round me and stamped my foot. 'Does this look like a good time to tell me that, you damn stupid boy?' I meant to sound mean but my voice wobbled. 'Now?'
He gave a little smile. 'My foul-mouthed warrior.
”
”
A.C. Gaughen (Scarlet (Scarlet, #1))
“
Some people spend their entire lives waiting for the time to be right to make an improvement.
”
”
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
“
It's in those quiet little towns, at the edge of the world, that you will find the salt of the earth people who make you feel right at home.
”
”
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
“
All big things come from small beginnings. The seed of every habit is a single, tiny decision. But as that decision is repeated, a habit sprouts and grows stronger. Roots entrench themselves and branches grow. The task of breaking a bad habit is like uprooting a powerful oak within us. And the task of building a good habit is like cultivating a delicate flower one day at a time.
”
”
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
“
It’s not the parting or the absence that’s sad. You love them, and that’s why saying good-bye breaks your heart.
”
”
Kyōichi Katayama (Socrates In Love)
“
Trust is like that. You can break it for a good reason. But it still remains broken.
”
”
Harlan Coben (Hold Tight)
“
I hate to break it to you, but just because someone has pretty hair and a good skin tone and a crown instead of a pointy hat doesn’t mean she’s not the baddest bitch this side of the emerald city.
”
”
Danielle Paige (Dorothy Must Die (Dorothy Must Die, #1))
“
Life's trials will test you, and shape you, but don’t let them change who you are.”
~ Aaron Lauritsen, ‘100 Days Drive
”
”
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
“
We stood there, looking at each other, saying nothing. But it was the kind of nothing that meant everything. In his eyes, there was no trace of what had happened between us earlier and I could feel something inside me break.
So that was that. We were finally, finally over.
I looked at him, and I felt so sad, because this thought occurred to me: 'I will never look at you the same way again. I'll never be that girl again. The girl who comes running back every time you push her away, the girl who loves you anyway.'
I couldn’t even be mad at him, because this was who he was. This was who he’d
always been. He’d never lied about that. He gave and then he took away. I felt it in the pit of my stomach, the familiar ache, that lost, regretful feeling only he could give me. I never wanted to feel it again. Never, ever.
Maybe this was why I came, so I could really know. So I could say good-bye.
I looked at him, and I thought, 'If I was very brave or very honest, I would tell him.'
I would say it, so he would know it and I would know it, and I could never take it back. But I wasn’t that brave or honest, so all I did was look at him. And I think he knew anyway.
'I release you. I evict you from my heart. Because if I don't do it now, I never will.'
I was the one to look away first.
”
”
Jenny Han (It's Not Summer Without You (Summer, #2))
“
I tell of hearts and souls and dances...
Butterflies and second chances;
Desperate ones and dreamers bound,
Seeking life from barren ground,
Who suffer on in earthly fate
The bitter pain of agony hate,
Might but they stop and here forgive
Would break the bonds to breathe and live
And find that God in goodness brings
A chance for change, the hope of wings
To rest in Him, and self to die
And so become a butterfly.
”
”
Karen Kingsbury (Oceans Apart)
“
I marveled at the beauty of all life and savored the power and possibilities of my imagination. In these rare moments, I prayed, I danced, and I analyzed. I saw that life was good and bad, beautiful and ugly. I understood that I had to dwell on the good and beautiful in order to keep my imagination, sensitivity, and gratitude intact. I knew it would not be easy to maintain this perspective. I knew I would often twist and turn, bend and crack a little, but I also knew that…I would never completely break.
”
”
Maria Nhambu (Africa's Child (Dancing Soul Trilogy, #1))
“
All good children's stories are the same: young creature breaks rules, has incredible adventure, then returns home with the knowledge that aforementioned rules are there for a reason.
Of course, the actual message to the careful reader is: break rules as often as you can, because who the hell doesn't want to have an adventure?
”
”
Brian K. Vaughan (Saga, Volume 3)
“
Things just break sometimes. Maybe we should blame that third person we became, that personality we shared together. Maybe it's fault because you're a good person and I think I'm a good person too. We just weren't made for this.
”
”
pleasefindthis (I Wrote This For You (I Wrote This For You #4))
“
Your actions reveal how badly you want something. If you keep saying something is a priority but you never act on it, then you don’t really want it. It’s time to have an honest conversation with yourself. Your actions reveal your true motivations.
”
”
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
“
Anything else?” asked Matthias.
“I like singing,” said Alys.
Wylan shook his head frantically, mouthing, No, no, no.
“Shall I sing?” Alys asked hopefully. “Bajan says that I’m good enough to be on the stage.”
“Maybe we save that for later—” suggested Jesper.
Alys’ lower lip began to wobble like a plate about to break.
“Sing,” Matthias blurted, “by all means, sing.”
And then the real nightmare began.
It wasn’t that Alys was so bad, she just never stopped. She sang between bites of food. She sang while she was walking through the graves. She sang from behind a bush when she needed to relieve herself. When she finally dozed off, she hummed in her sleep.
“Maybe this was Van Eck’s plan all along,” Kaz said glumly when they’d assembled outside the tomb again.
“To drive us mad?” said Nina. “It’s working.”
Jesper shut his eyes and groaned. “Diabolical.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
I will love myself, and my body, for what it can do- because it is strong enough to lift, to walk, to ride a bicyle up a hill, to embrace the people I love and hold them fully, and to nurture a new life. I will love myself because I am sturdy. Because I did not -will not- break.
”
”
Jennifer Weiner (Good in Bed (Cannie Shapiro, #1))
“
Insanity is often the logic of an accurate mind overtasked. Good mental machinery ought to break its own wheels and levers, if anything is thrust among them suddenly which tends to stop them or reverse their motion. A weak mind does not accumulate force enough to hurt itself; stupidity often saves a man from going mad.
”
”
Oliver Wendell Holmes Sr.
“
The purpose of setting goals is to win the game. The purpose of building systems is to continue playing the game. True long-term thinking is goal-less thinking. It’s not about any single accomplishment. It is about the cycle of endless refinement and continuous improvement. Ultimately, it is your commitment to the process that will determine your progress.
”
”
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
“
He smiled, a real one this time, though his voice remained teasing. “So, what do you think I am?” Naive, I thought at once. Naive, brave, selfless, incredible and much too kind to survive this world. It’ll break you in the end, if you keep going like this. Good things never last.
”
”
Julie Kagawa (The Immortal Rules (Blood of Eden, #1))
“
The books or the music in which we thought the beauty was located will betray us if we trust to them; it was not in them, it only came through them, and what came through them was longing. These things—the beauty, the memory of our own past—are good images of what we really desire; but if they are mistaken for the thing itself they turn into dumb idols, breaking the hearts of their worshipers. For they are not the thing itself; they are only the scent of a flower we have not found, the echo of a tune we have not heard, news from a country we have never yet visited.
”
”
C.S. Lewis
“
Unhealed trauma is a crack. And all the little hard things that trickle into it that would have rolled off someone else, settle. Then when life gets cold, that crack gets bigger, longer, deeper. It makes new breaks. You don’t know how broken she was or what she was trying to do to fill those cracks. Being broken is not an excuse for bad behavior, you still have to make good choices and do the right thing. But it can be the reason. And sometimes understanding the reason can be what helps you heal.
”
”
Abby Jimenez (Just for the Summer)
“
I hate... I hate when you die. It destroys me. I know i have no right to be so upset, because I'm not the one losing my life, but it breaks me apart inside. I'm not very good with words, and i dont know how to explain to you how i feel. I get lonely when you aren't with me. I miss you. And every time you die, a little piece of me dies with you.
”
”
Courtney Allison Moulton (Angelfire (Angelfire, #1))
“
Sometimes, there aren't any good choices. Sometimes, making the right one is hard... It's funny, but when you think about it, we're all broken. That's what life does. It knocks you down and breaks you and you either get back up again, or you don't. You either do things on your terms, or you don't. You let the bad things win, or you don't."
"You either let it break you, or you don't.
”
”
Jennifer Lynn Barnes (Every Other Day)
“
Every action you take is a vote for the type of person you wish to become. No single instance will transform your beliefs, but as the votes build up, so does the evidence of your new identity. This is one reason why meaningful change does not require radical change. Small habits can make a meaningful difference by providing evidence of a new identity. And if a change is meaningful, it is actually big. That's the paradox of making small improvements.
”
”
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
“
The truth is you already know what it's like. You already know the difference between the size and speed of everything that flashes through you and the tiny inadequate bit of it all you can ever let anyone know. As though inside you is this enormous room full of what seems like everything in the whole universe at one time or another and yet the only parts that get out have to somehow squeeze out through one of those tiny keyholes you see under the knob in older doors. As if we are all trying to see each other through these tiny keyholes.
But it does have a knob, the door can open. But not in the way you think...The truth is you've already heard this. That this is what it's like. That it's what makes room for the universes inside you, all the endless inbent fractals of connection and symphonies of different voices, the infinities you can never show another soul. And you think it makes you a fraud, the tiny fraction anyone else ever sees? Of course you're a fraud, of course what people see is never you. And of course you know this, and of course you try to manage what part they see if you know it's only a part. Who wouldn't? It's called free will, Sherlock. But at the same time it's why it feels so good to break down and cry in front of others, or to laugh, or speak in tongues, or chant in Bengali--it's not English anymore, it's not getting squeezed through any hole.
So cry all you want, I won't tell anybody.
”
”
David Foster Wallace (Oblivion)
“
Love is when you feel safe in someone’s arms, when he’s the first thing you want to see in the morning, love is surrendering. You risk getting hurt but you don’t care. You are willing to give someone the power to break your heart. Love means seeing someone at their worst and still seeing the good in them, love means someone is perfect for you despite their imperfections
”
”
Cora Reilly (Bound by Hatred (Born in Blood Mafia Chronicles, #3))
“
The more pride you have in a particular aspect of your identity, the more motivated you will be to maintain the habits associated with it. If you’re proud of how your hair looks, you’ll develop all sorts of habits to care for and maintain it. If you’re proud of the size of your biceps, you’ll make sure you never skip an upper-body workout. If you’re proud of the scarves you knit, you’ll be more likely to spend hours knitting each week. Once your pride gets involved, you’ll fight tooth and nail to maintain your habits.
”
”
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
“
I have a little theory that I'd like to air here, if I may. What is it that you think makes you magicians?" More silence. Fogg was well into rhetorical-question territory now anyway. He spoke more softly. "Is it because you are intelligent? Is it because you are brave and good? Is is because you're special?
Maybe. Who knows. But I'll tell you something: I think you're magicians because you're unhappy. A magician is strong because he feels pain. He feels the difference between what the world is and what he would make of it. Or what did you think that stuff in your chest was? A magician is strong because he hurts more than others. His wound is his strength.
Most people carry that pain around inside them their whole lives, until they kill the pain by other means, or until it kills them. But you, my friends, you found another way: a way to use the pain. To burn it as fuel, for light and warmth. You have learned to break the world that has tried to break you.
”
”
Lev Grossman (The Magicians (The Magicians, #1))
“
In speaking of this desire for our own far off country, which we find in ourselves even now, I feel a certain shyness. I am almost committing an indecency. I am trying to rip open the inconsolable secret in each one of you—the secret which hurts so much that you take your revenge on it by calling it names like Nostalgia and Romanticism and Adolescence; the secret also which pierces with such sweetness that when, in very intimate conversation, the mention of it becomes imminent, we grow awkward and affect to laugh at ourselves; the secret we cannot hide and cannot tell, though we desire to do both. We cannot tell it because it is a desire for something that has never actually appeared in our experience. We cannot hide it because our experience is constantly suggesting it, and we betray ourselves like lovers at the mention of a name. Our commonest expedient is to call it beauty and behave as if that had settled the matter. Wordsworth’s expedient was to identify it with certain moments in his own past. But all this is a cheat. If Wordsworth had gone back to those moments in the past, he would not have found the thing itself, but only the reminder of it; what he remembered would turn out to be itself a remembering. The books or the music in which we thought the beauty was located will betray us if we trust to them; it was not in them, it only came through them, and what came through them was longing. These things—the beauty, the memory of our own past—are good images of what we really desire; but if they are mistaken for the thing itself they turn into dumb idols, breaking the hearts of their worshipers. For they are not the thing itself; they are only the scent of a flower we have not found, the echo of a tune we have not heard, news from a country we have never yet visited.
”
”
C.S. Lewis (The Weight of Glory)
“
A good compilation tape, like breaking up, is hard to do. You've got to kick off with a corker, to hold the attention (I started with 'Got To Get You Off My Mind', but then realised that she might not get any further than track one, side one if I delivered what she wanted straight away, so I buried it in the middle of side two), and then you've got to up it a notch, and you can't have white music and black music together, unless the white music sounds like black music, and you can't have two tracks by the same artist side by side, unless you've done the whole thing in pairs, and ... oh there are loads of rules.
”
”
Nick Hornby (High Fidelity)
“
Vegas?" I asked. His brow furrowed, unsure of where I was headed.
"Yeah?"
"Have you thought about going back?" His eyebrows shot up.
"I don't think that's a good idea for me."
"What if we just went for a night?" He looked around the dark room, confused.
"A night?"
"Marry me," I said without hesitation. I was surprised at how quickly and easily the words came. His mouth spread into a broad smile.
"When?" I shrugged.
"We can book a flight tomorrow. It's spring break. I dont't have anything going on tomorrow, do you?"
"I'm callin' your bluff," he said, watching my reaction closely as he was connected. "I need two tickets to vegas, please. Tomorrow. Hmmmm...," he looked at me, waiting for me to change my mind. "Two days, round trip. Whatever you have.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
The symptoms of abuse are there, and the woman usually sees them: the escalating frequency of put-downs. Early generosity turning more and more to selfishness. Verbal explosions when he is irritated or when he doesn’t get his way. Her grievances constantly turned around on her, so that everything is her own fault. His growing attitude that he knows what is good for her better than she does. And, in many relationships, a mounting sense of fear or intimidation. But the woman also sees that her partner is a human being who can be caring and affectionate at times, and she loves him. She wants to figure out why he gets so upset, so that she can help him break his pattern of ups and downs. She gets drawn into the complexities of his inner world, trying to uncover clues, moving pieces around in an attempt to solve an elaborate puzzle.
”
”
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
“
My child, I know you're not a child
But I still see you running wild
Between those flowering trees.
Your sparkling dreams, your silver laugh
Your wishes to the stars above
Are just my memories.
And in your eyes the ocean
And in your eyes the sea
The waters frozen over
With your longing to be free.
Yesterday you'd awoken
To a world incredibly old.
This is the age you are broken
Or turned into gold.
You had to kill this child, I know.
To break the arrows and the bow
To shed your skin and change.
The trees are flowering no more
There's blood upon the tiles floor
This place is dark and strange.
I see you standing in the storm
Holding the curse of youth
Each of you with your story
Each of you with your truth.
Some words will never be spoken
Some stories will never be told.
This is the age you are broken
Or turned into gold.
I didn't say the world was good.
I hoped by now you understood
Why I could never lie.
I didn't promise you a thing.
Don't ask my wintervoice for spring
Just spread your wings and fly.
Though in the hidden garden
Down by the green green lane
The plant of love grows next to
The tree of hate and pain.
So take my tears as a token.
They'll keep you warm in the cold.
This is the age you are broken
Or turned into gold.
You've lived too long among us
To leave without a trace
You've lived too short to understand
A thing about this place.
Some of you just sit there smoking
And some are already sold.
This is the age you are broken
Or turned into gold.
This is the age you are broken or turned into gold.
”
”
Antonia Michaelis (The Storyteller)
“
Okay, pull me up."
The rope didn't move.
"Ascanio?" What was it now? Did he see a butterfly and get distracted?
The rope slid up, as fast as if wound by a winch. I shot upward. What the...?
I cleared the edge and found myself face to face with Curran.
Oh boy.
He held the rope with one hand, muscles bulging on his arm under his sweatshirt. No strain showed on Curran's face. It's good to be the baddest shapeshifter in the city. Behind him Ascanio stood very still, pretending to be invisible.
Curran's gray eyes laughed at me. The Beast Lord reached out and touched my nose with his finger. "Boop.
”
”
Ilona Andrews (Magic Breaks (Kate Daniels, #7))
“
I am a greaser," Sodapop chanted. "I am a JD and a hood. I blacken the name of our fair city. I beat up people. I rob gas stations. I am a menace to society. Man, do I have fun!"
"Greaser...greaser...greaser..."Steve singsonged. "O, victim of enviornment, underprivelaged, rotton no-count hood!"
Juvenile delinquent, you're no good!" Darry shouted.
Get thee hence, white trash," Two-Bit said in asnobbish voice. "I am a Soc. I am the privelaged and the well-dressed. I throw beer blasts, drive fancy cars, break windows at fancy parties."
And what do you do for fun?" I inquired in a serious, awed voice.
I jump greasers!" Two-Bit screamed, and did a cartwheel.
”
”
S.E. Hinton
“
Just tell me how to be different in a way that makes sense. To make this all go away. And disappear. I know that's wrong, because it's my responsibilty, and I know things have to get worse before they get better. I walk around the school hallways and look at the people. I look at the teachers and wonder why their here. If they like their jobs. Or us. I wonder how smart they were when they were fifteen. Not in a mean way. In a curious way. It's like looking at all the students and wondering who's had their heart broken that day. And how they cope with having three quizes and a book report. On top of that. Or wondering who did the heart breaking. And wondering why. Especially since I know that if they went to another school, the person who had their heart broken would have had their heart broken by somebody else, so why does it have to be personal? It's much easier to not know things sometimes. Things change and friends leave. And life doesn't stop for anybody. I wanted to laugh. Or maybe get mad. Or maybe shrug at how strange everybody was, especiall me. I think the idea is that every person has to live for his or her own life and than make the choice to share it with other people. You can't just sit their and put everybody's lives ahead of yours and think that counts as love. You just can't. You have to do things. I'm going to do what I want to do. I'm going to be who I really am. And I'm going to figure out what that is. And we could all sit around and wonder and feel bad about each other and blame a lot of people for what they did or didn't do or what they didn't know. I don't know. I guess there could always be someone to blame. It's just different. Maybe it's good to put things in perspective, but sometimes, I think that the only perspective is to really be there. Because it's okay to feel things. I was really there. And that was enough to make me feel infinite. I feel infinite.
”
”
Stephen Chbosky
“
Sometimes the man who looks happiest in town, with the biggest smile, is the one carrying the biggest load of sin. There are smiles & smiles; learn to tell the dark variety from the light. The seal-barker, the laugh-shouter, half the time he's covering up. He's had his fun & he's guilty. And all men do love sin, Will, oh how they love it, never doubt, in all shapes, sizes, colors & smells. Times come when troughs, not tables, suit appetites. Hear a man too loudly praising others & look to wonder if he didn't just get up from the sty. On the other hand, that unhappy, pale, put-upon man walking by, who looks all guilt & sin, why, often that's your good man with a capital G, Will. For being good is a fearful occupation; men strain at it & sometimes break in two. I've known a few. You work twice as hard to be a farmer as to be his hog. I suppose it's thinking about trying to be good makes the crack run up the wall one night. A man with high standards, too, the least hair falls on him sometimes wilts his spine. He can't let himself alone, won't let himself off the hook if he falls just a breath from grace.
”
”
Ray Bradbury (Something Wicked This Way Comes)
“
Shigure: "Lemme guess; you lost your temper and yelled at her again, right? You know, you shouldn't do that if you're just going to regret it. Not too bright, now is it?"
Kyo: "Save your breath. I'm just not meant to get along with other people. Period. End of story."
Shigure: "Oh sure, some people just aren't. But you're not one of them. You lack experience, that's all. For example, I'm sure you could smash this table to bits with your bare hands. But I'm equally sure you could punch the table without breaking it. And why is that? Because I know your training has taught you to control your fists... at least I should hope so, after four months of fighting bears and-"
Kyo: "I didn't fight bears!"
Shigure: "My point is, it takes just as much training to get along with people. Only, training by yourself in the mountains won't do you any good. You need to surround yourself with others. As you get to know them, of course you take the chance that you'll end up hurting them, or they'll end up hurting you. One of those things might very well happen. That's the only way we learn... about others, and about ourselves. You're a black-belt in martial arts, but I'd guess you still a white-belt in social skills. Someday, you're going to meet someone that truly wants to be your friend, and you, theirs. But it if you don't keep training, you won't be ready when that happens."
Kyo: "It'll never happen, anyways!"
Shigure: "Uh-uh! Never say never."
Kyo: "Ok, fine. Maybe if I meet someone with brain-damage... or something."
Shigure: "That's the spirit!
”
”
Natsuki Takaya (Fruits Basket, Vol. 1)
“
We can stick anything into the fog
and make it look like a ghost
but tonight
let us not become tragedies.
We are not funeral homes
with propane tanks in our windows,
lookin’ like cemeteries.
Cemeteries are just the Earth’s way of not letting go.
Let go.
Tonight
let’s turn our silly wrists so far backwards
the razor blades in our pencil tips
can’t get a good angle on all that beauty inside.
Step into this
with your airplane parts.
Move forward
and repeat after me with your heart:
“I no longer need you to fuck me as hard as I hated myself.”
Make love to me
like you know I am better
than the worst thing I ever did.
Go slow.
I’m new to this.
But I have seen nearly every city from a rooftop
without jumping.
I have realized
that the moon
did not have to be full for us to love it,
that we are not tragedies
stranded here beneath it,
that if my heart
really broke
every time I fell from love
I’d be able to offer you confetti by now.
But hearts don’t break,
y’all,
they bruise and get better.
We were never tragedies.
We were emergencies.
You call 9 – 1 – 1.
Tell them I’m having a fantastic time.
”
”
Buddy Wakefield
“
Sometimes, when I find it hard to sleep, I’ll think of when we first met, of the newness of each other’s body, and my impatience to know everything about this person. Looking back, I should have taken it more slowly, measured him out over the course of fifty years rather than cramming him in so quickly. By the end of our first month together, he’d been so thoroughly interrogated that all I had left was breaking news—what little had happened in the few hours since I’d last seen him. Were he a cop or an emergency-room doctor, there might have been a lot to catch up on, but, like me, Hugh works alone, so there was never much to report. “I ate some potato chips,” he might say, to which I’d reply, “What kind?” or “That’s funny, so did I!” More often than not we’d just breathe into our separate receivers.
Are you still there?”
I’m here.”
Good. Don’t hang up.”
I won’t.
”
”
David Sedaris
“
That night at the hotel, in our room with the long empty hall outside and our shoes outside the door, a thick carpet on the floor of the room, outside the windows the rain falling and in the room light and pleasant and cheerful, then the light out and it exciting with smooth sheets and the bed comfortable, feeling that we had come home, feeling no longer alone, waking in the night to find the other one there, and not gone away; all other things were unreal. We slept when we were tired and if we woke the other one woke too so one was not alone. Often a man wishes to be alone and a girl wishes to be alone too and if they love each other they are jealous of that in each other, but I can truly say we never felt that. We could feel alone when we were together, alone against the others ... But we were never lonely and never afraid when we were together. I know that the night is not the same as the day: that all things are different, that the things of the night cannot be explained in the day, because they do not then exist, and the night can be a dreadful time for lonely people once their loneliness has started. But with Catherine there was almost no difference in the night except that it was an even better time. If people bring so much courage to the world the world has to kill them to break them, so of course it kills them. The world breaks every one and afterward many are strong at the broken places. But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you too but there will be no special hurry.
”
”
Ernest Hemingway (A Farewell to Arms)
“
The way you move is incredible.” Ren drew me back to press against him. His fingers slid down to the curve of my hips, rocking our bodies in rhythm with the heavy bass. The sensation of being molded against the hard narrow line of his hips threatened to overwhelm me. We were hidden in the mass of people, right? The Keepers couldn’t see?
I tried to steady my breath as Ren kept us locked together in the excruciatingly slow pulse of the music. I closed my eyes and leaned back into his body; his fingers kneaded my hips, caressed my stomach. God, it felt good.
My lips parted and the misty veil slipped between them, playing along my tongue. The taste of flower buds about to burst into bloom filled my mouth. Suddenly I wanted nothing more than to melt into Ren. The surge of desire terrified me. I had no idea if the compulsion to draw him more tightly around my body emerged from my own heart or from the succubi’s spellcraft. This couldn’t happen!
I started to panic when he bent his head, pressing his lips against my neck. My eyes fluttered and I struggled to focus despite the suffocating heat that pressed down all around me. His sharpened canines traced my skin, scratching but not breaking the surface. My body quaked and I pivoted in his arms, pushing against his chest, making space between us.
“I’m a fighter, not a lover,” I gasped.
“You can’t be both?” His smile made my knees buckle.
”
”
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
“
Edward spoke in a voice so peaceful and gentle that it made the words strangely more threatening. "I'm not going to kill you now, because it would upset Bella."
"Hmph," I grumbled.
Edward turned slightly to throw me a quick smile. His face was still calm. "It would bother you in the morning," he said, brushing his fingers across my cheek.
The he turned back to Jacob. "But if you ever bring her back damaged again--and I don't care whose fault it is; I don't care if she merely trips, or if a meteor falls out of the sky and hits her in the head--if you return her to me in less than the perfect condition that I left her in, you will be running with three legs. Do you understand that, mongrel?"
Jacob rolled his eyes.
"who's going back?" I muttered
Edward continued as if he hadn't heard me. "And if you ever kiss her again, I wiil break your jaw for her," he promised, his voice still gentle and velvet deadly.
"What if she wants me to?" Jacob drawled, arrogant.
"Hah!" I snorted.
"If that's what she wants, then I won't object." Edward shrugged, untroubled. "You might want to wait for her to say it, rather than trust your interpretation of body language-but it's your face."
Jacob grinned.
"You wish," I grumbled.
"Yes, he does," Edward murmured.
"Well, if you're done rummaging through my head," Jacob said with a think edge of annoyance, "why don't you go take care of her hand?"
"One more thing," Edward said slowly. "I'll be fighting for her, too. You should know that. I'm not taking anything for granted, and I'll be fighting twice as hard as you will."
"Good," Jacob growled. "it's no fun beating someone who forfeits."
She is mine." Edward's low voice was suddenly dark, not as composed as before, "i did't say I would fight fair."
"Neither did I."
"Best of luck."
Jacob nodded. "Yes, may the best man win."
"That sounds about right...pup.
”
”
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
“
eat, baby.
eat.
chew.
please.
I know it hurts. I know it doesn’t feel good.
please.
I know your hunger is different than mine.
I know it doesn’t taste the same as mine.
imagine you could grow up all over again
and pinpoint the millisecond that you started
counting calories like casualties of war,
mourning each one like it had a family.
would you?
sometimes I wonder that.
sometimes I wonder if you would go back
and watch yourself reappear and disappear right in front of your own eyes.
and I love you so much.
I am going to hold your little hand through the night.
just please eat. just a little.
you wrote a poem once,
about a city of walking skeletons.
the teacher called home because you
told her you wished it could be like that
here.
let me tell you something about bones, baby.
they are not warm or soft.
the wind whistles through them like they are
holes in a tree.
and they break, too. they break right in half.
they bruise and splinter like wood.
are you hungry?
I know. I know how much you hate that question.
I will find another way to ask it, someday.
please.
the voices.
I know they are all yelling at you to stretch yourself thinner.
l hear them counting, always counting.
I wish I had been there when the world made you
snap yourself in half.
I would have told you that your body is not a war-zone,
that, sometimes,
it is okay to leave your plate empty.
”
”
Caitlyn Siehl
“
There are only two ways to influence human behavior: you can manipulate it or you can inspire it.
Very few people or companies can clearly articulate WHY they do WHAT they do. By WHY I mean your purpose, cause or belief - WHY does your company exist? WHY do you get out of bed every morning? And WHY should anyone care?
People don’t buy WHAT you do, they buy WHY you do it.
We are drawn to leaders and organizations that are good at communicating what they believe. Their ability to make us feel like we belong, to make us feel special, safe and not alone is part of what gives them the ability to inspire us.
For values or guiding principles to be truly effective they have to be verbs. It’s not “integrity,” it’s “always do the right thing.” It’s not “innovation,” it’s “look at the problem from a different angle.” Articulating our values as verbs gives us a clear idea - we have a clear idea of how to act in any situation.
Happy employees ensure happy customers. And happy customers ensure happy shareholders—in that order.
Leading is not the same as being the leader. Being the leader means you hold the highest rank, either by earning it, good fortune or navigating internal politics. Leading, however, means that others willingly follow you—not because they have to, not because they are paid to, but because they want to.
You don’t hire for skills, you hire for attitude. You can always teach skills.
Great companies don’t hire skilled people and motivate them, they hire already motivated people and inspire them. People are either motivated or they are not. Unless you give motivated people something to believe in, something bigger than their job to work toward, they will motivate themselves to find a new job and you’ll be stuck with whoever’s left.
Trust is maintained when values and beliefs are actively managed. If companies do not actively work to keep clarity, discipline and consistency in balance, then trust starts to break down.
All organizations start with WHY, but only the great ones keep their WHY clear year after year.
”
”
Simon Sinek (Start with Why: How Great Leaders Inspire Everyone to Take Action)
“
London
The Institute
Year of Our Lord 1878
“Mother, Father, my chwaer fach,
It’s my seventeenth birthday today. I know that to write to you is to break the law, I know that I will likely tear this letter into pieces when it is finished. As I have done on all my birthdays past since I was twelve. But I write anyway, to commemorate the occasion - the way some make yearly pilgrimages to a grave, to remember the death of a loved one. For are we not dead to each other?
I wonder if when you woke this morning you remembered that today, seventeen years ago, you had a son? I wonder if you think of me and imagine my life here in the Institute in London? I doubt you could imagine it. It is so very different from our house surrounded by mountains, and the great clear blue sky and the endless green. Here, everything is black and gray and brown, and the sunsets are painted in smoke and blood. I wonder if you worry that I am lonely or, as Mother always used to, that I am cold, that I have gone out into the rain again without a hat? No one here worries about those details. There are so many things that could kill us at any moment; catching a chill hardly seems important.
I wonder if you knew that I could hear you that day you came for me, when I was twelve. I crawled under the bed to block out the sound of you crying my name, but I heard you. I heard mother call for her fach, her little one. I bit my hands until they bled but I did not come down. And, eventually, Charlotte convinced you to go away. I thought you might come again but you never did. Herondales are stubborn like that.
I remember the great sighs of relief you would both give each time the Council came to ask me if I wished to join the Nephilim and leave my family, and each time I said no and I send them away. I wonder if you knew I was tempted by the idea of a life of glory, of fighting, of killing to protect as a man should. It is in our blood - the call to the seraph and the stele, to marks and to monsters.
I wonder why you left the Nephilim, Father? I wonder why Mother chose not to Ascend and to become a Shadowhunter? Is it because you found them cruel or cold? I have no fathom side. Charlotte, especially, is kind to me, little knowing how much I do not deserve it. Henry is mad as a brush, but a good man. He would have made Ella laugh. There is little good to be said about Jessamine, but she is harmless. As little as there is good to say about her, there is as much good to say about Jem: He is the brother Father always thought I should have. Blood of my blood - though we are no relation. Though I might have lost everything else, at least I have gained one thing in his friendship.
And we have a new addition to our household too. Her name is Tessa. A pretty name, is it not? When the clouds used to roll over the mountains from the ocean? That gray is the color of her eyes.
And now I will tell you a terrible truth, since I never intend to send this letter. I came here to the Institute because I had nowhere else to go. I did not expect it to ever be home, but in the time I have been here I have discovered that I am a true Shadowhunter. In some way my blood tells me that this is what I was born to do.If only I had known before and gone with the Clave the first time they asked me, perhaps I could have saved Ella’s life. Perhaps I could have saved my own.
Your Son,
Will
”
”
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
“
i will tell you about selfish people. even when they know they will hurt you they walk into your life to taste you because you are the type of being they don’t want to miss out on. you are too much shine to not be felt. so when they have gotten a good look at everything you have to offer. when they have taken your skin your hair and your secrets with them. when they realize how real this is. how much of a storm you are and it hits them.
that is when the cowardice sets in. that is when the person you thought they were is replaced by the sad reality of what they are. that is when they lose every fighting bone in their body and leave after saying you will find better than me.
you will stand there naked with half of them still hidden somewhere inside you and sob. asking them why they did it. why they forced you to love them when they had no intention of loving you back and they’ll say something along the lines of i just had to try. i had to give it a chance. it was you after all.
but that isn’t romantic. it isn’t sweet. the idea that they were so engulfed by your existence they had to risk breaking it for the sake of knowing they weren’t the one missing out. your existence meant that little next to their curiosity of you.
”
”
Rupi Kaur (milk and honey)
“
When I say that evil has to do with killing, I do not mean to restrict myself to corporeal murder. Evil is that which kills spirit. There are various essential attributes of life -- particularly human life -- such as sentience, mobility, awareness, growth, autonomy, will. It is possible to kill or attempt to kill one of these attributes without actually destroying the body. Thus we may "break" a horse or even a child without harming a hair on its head.
Erich Fromm was acutely sensitive to this fact when he broadened the definition of necrophilia to include the desire of certain people to control others-to make them controllable, to foster their dependency, to discourage their capacity to think for themselves, to diminish their unpredectibility and originalty, to keep them in line. Distinguishing it from a "biophilic" person, one who appreciates and fosters the variety of life forms and the uniqueness of the individual, he demonstrated a "necrophilic character type," whose aim it is to avoid the inconvenience of life by transforming others into obedient automatons, robbing them of their humanity.
Evil then, for the moment, is the force, residing either inside or outside of human beings, that seeks to kill life or liveliness. And goodness is its opposite. Goodness is that which promotes life and liveliness.
”
”
M. Scott Peck (People of the Lie: The Hope for Healing Human Evil)
“
December 27, 11:00 p.m.
My Dear America,
I’ve never written a love letter, so forgive me if I fail now. . . .
The simple thing would be to say that I love you. But, in truth, it’s so much more than that. I want you, America. I need you.
I’ve held back so much from you out of fear. I’m afraid that if I show you everything at once, it will overwhelm you, and you’ll run away. I’m afraid that somewhere in the back of your heart is a love for someone else that will never die. I’m afraid that I will make a mistake again, something so huge that you retreat into that silent world of yours. No scolding from a tutor, no lashing from my father, no isolation in my youth has ever hurt me so much as you separating yourself from me.
I keep thinking that it’s there, waiting to come back and strike me. So I’ve held on to all my options, fearing that the moment I wipe them away, you will be standing there with your arms closed, happy to be my friend but unable to be my equal, my queen, my wife.
And for you to be my wife is all I want in the world. I love you. I was afraid to admit it for a long time, but I know it now.
I would never rejoice in the loss of your father, the sadness you’ve felt since he passed, or the emptiness I’ve experienced since you left. But I’m so grateful that you had to go. I’m not sure how long it would have taken for me to figure this out if I hadn’t had to start trying to imagine a life without you. I know now, with absolute certainty, that is nothing I want.
I wish I was as true an artist as you so that I could find a way to tell you what you’ve become to me. America, my love, you are sunlight falling through trees. You are laughter that breaks through sadness. You are the breeze on a too-warm day. You are clarity in the midst of confusion.
You are not the world, but you are everything that makes the world good. Without you, my life would still exist, but that’s all it would manage to do.
You said that to get things right one of us would have to take a leap of faith. I think I’ve discovered the canyon that must be leaped, and I hope to find you waiting for me on the other side.
I love you, America.
Yours forever,
Maxon
”
”
Kiera Cass (The One (The Selection, #3))
“
A good movie can take you out of your dull funk and the hopelessness that so often goes with slipping into a theatre; a good movie can make you feel alive again, in contact, not just lost in another city. Good movies make you care, make you believe in possibilities again. If somewhere in the Hollywood-entertainment world someone has managed to break through with something that speaks to you, then it isn’t all corruption. The movie doesn’t have to be great; it can be stupid and empty and you can still have the joy of a good performance, or the joy in just a good line. An actor’s scowl, a small subversive gesture, a dirty remark that someone tosses off with a mock-innocent face, and the world makes a little bit of sense. Sitting there alone or painfully alone because those with you do not react as you do, you know there must be others perhaps in this very theatre or in this city, surely in other theatres in other cities, now, in the past or future, who react as you do. And because movies are the most total and encompassing art form we have, these reactions can seem the most personal and, maybe the most important, imaginable. The romance of movies is not just in those stories and those people on the screen but in the adolescent dream of meeting others who feel as you do about what you’ve seen. You do meet them, of course, and you know each other at once because you talk less about good movies than about what you love in bad movies.
”
”
Pauline Kael (For Keeps: 30 Years at the Movies)
“
Shigure: Perhaps I can offer some advice? ...You know, Tohru-kun, when you get anxiety about the future it's better not to think about it. And let's not wipe our faces with dishtowels... For example let's say, Tohru-kun, that you are surrounded with a mountain of laundry piled so high around your feet that you can't move. Are you with me? Now, let's assume you don't have a washing machine, so you have to wash everything individually by hand. You would be at a loss for what to do, right? You'd worry about if you could ever wash everything, if you could get it all clean, if you'd ever have time for anything but laundry ever again! The more you'd think about it, the more anxious you'd get. But the time keeps passing, and the laundry doesn't wash itself. So what do you do, Tohru-kun? It might be a good idea to start washing the laundry right at your feet. Of course it's important to think about what lies ahead, too, but if you only look at what's down the road you'll get tangled in the laundry at your feet and you'll fall, won't you? You see, it's also important to think about what you can do now, what you can do today. And if you keep washing things one at a time, you'll be done before you know it. Because fortune is looking out for you. Sometimes the anxiety will start to well up, but when it does, take a little break. Read a book, watch TV, or eat soumen with everyone. Oh my, I'm shocked! Wow! What a wonderful analogy! I really must treat myself to some soumen as a reward... Oh! I'd like some tea, too!
Kyo: Why you... You just wanted to eat soumen, didn't you?!
”
”
Natsuki Takaya (Fruits Basket, Vol. 8)
“
That a good man may have his back to the wall is no more than we knew already, but that God could have His back to the wall is a boast for all insurgents forever. Christianity is the only religion on earth that has felt that omnipotence made God incomplete. Christianity alone felt that God, to be wholly God, must have been a rebel as well as a king. Alone of all creeds, Christianity has added courage to the virtues of the Creator. For the only courage worth calling courage must necessarily mean that the soul passes a breaking point -- and does not break. In this indeed I approach a matter more dark and awful than it is easy to discuss; and I apologize in advance if any of my phrases fall wrong or seem irreverent touching a matter which the greatest saints and thinkers have justly feared to approach. But in the terrific tale of the Passion there is a distinct emotional suggestion that the author of all things (in some unthinkable way) went not only through agony, but through doubt. It is written, "Thou shalt not tempt the Lord thy God." No; but the Lord thy God may tempt Himself; and it seems as if this was what happened in Gethsemane. In a garden Satan tempted man: and in a garden God tempted God. He passed in some superhuman manner through our human horror of pessimism. When the world shook and the sun was wiped out of heaven, it was not at the crucifixion, but at the cry from the cross: the cry which confessed that God was forsaken of God. And now let the revolutionists choose a creed from all the creeds and a god from all the gods of the world, carefully weighing all the gods of inevitable recurrence and of unalterable power. They will not find another god who has himself been in revolt. Nay (the matter grows too difficult for human speech), but let the atheists themselves choose a god. They will find only one divinity who ever uttered their isolation; only one religion in which God seemed for an instant to be an atheist.
”
”
G.K. Chesterton (Orthodoxy)
“
Perfectionism is a particularly evil lure for women, who, I believe, hold themselves to an even higher standard of performance than do men. There are many reasons why women’s voices and visions are not more widely represented today in creative fields. Some of that exclusion is due to regular old misogyny, but it’s also true that—all too often—women are the ones holding themselves back from participating in the first place. Holding back their ideas, holding back their contributions, holding back their leadership and their talents. Too many women still seem to believe that they are not allowed to put themselves forward at all, until both they and their work are perfect and beyond criticism. Meanwhile, putting forth work that is far from perfect rarely stops men from participating in the global cultural conversation. Just sayin’. And I don’t say this as a criticism of men, by the way. I like that feature in men—their absurd overconfidence, the way they will casually decide, “Well, I’m 41 percent qualified for this task, so give me the job!” Yes, sometimes the results are ridiculous and disastrous, but sometimes, strangely enough, it works—a man who seems not ready for the task, not good enough for the task, somehow grows immediately into his potential through the wild leap of faith itself. I only wish more women would risk these same kinds of wild leaps. But I’ve watched too many women do the opposite. I’ve watched far too many brilliant and gifted female creators say, “I am 99.8 percent qualified for this task, but until I master that last smidgen of ability, I will hold myself back, just to be on the safe side.” Now, I cannot imagine where women ever got the idea that they must be perfect in order to be loved or successful. (Ha ha ha! Just kidding! I can totally imagine: We got it from every single message society has ever sent us! Thanks, all of human history!) But we women must break this habit in ourselves—and we are the only ones who can break it. We must understand that the drive for perfectionism is a corrosive waste of time, because nothing is ever beyond criticism. No matter how many hours you spend attempting to render something flawless, somebody will always be able to find fault with it. (There are people out there who still consider Beethoven’s symphonies a little bit too, you know, loud.) At some point, you really just have to finish your work and release it as is—if only so that you can go on to make other things with a glad and determined heart. Which is the entire point. Or should be.
”
”
Elizabeth Gilbert (Big Magic: How to Live a Creative Life, and Let Go of Your Fear)
“
My dearest friend Abigail, These probably could be the last words I write to you and I may not live long enough to see your response but I truly have lived long enough to live forever in the hearts of my friends. I thought a lot about what I should write to you. I thought of giving you blessings and wishes for things of great value to happen to you in future; I thought of appreciating you for being the way you are; I thought to give sweet and lovely compliments for everything about you; I thought to write something in praise of your poems and prose; and I thought of extending my gratitude for being one of the very few sincerest friends I have ever had. But that is what all friends do and they only qualify to remain as a part of the bunch of our loosely connected memories and that's not what I can choose to be, I cannot choose to be lost somewhere in your memories. So I thought of something through which I hope you will remember me for a very long time. I decided to share some part of my story, of what led me here, the part we both have had in common. A past, which changed us and our perception of the world. A past, which shaped our future into an unknown yet exciting opportunity to revisit the lost thoughts and to break free from the libido of our lost dreams. A past, which questioned our whole past. My dear, when the moment of my past struck me, in its highest demonised form, I felt dead, like a dead-man walking in flesh without a soul, who had no reason to live any more. I no longer saw any meaning of life but then I saw no reason to die as well. I travelled to far away lands, running away from friends, family and everyone else and I confined myself to my thoughts, to my feelings and to myself. Hours, days, weeks and months passed and I waited for a moment of magic to happen, a turn of destiny, but nothing happened, nothing ever happens. I waited and I counted each moment of it, thinking about every moment of my life, the good and the bad ones. I then saw how powerful yet weak, bright yet dark, beautiful yet ugly, joyous yet grievous; is a one single moment. One moment makes the difference. Just a one moment. Such appears to be the extreme and undisputed power of a single moment. We live in a world of appearance, Abigail, where the reality lies beyond the appearances, and this is also only what appears to be such powerful when in actuality it is not. I realised that the power of the moment is not in the moment itself. The power, actually, is in us. Every single one of us has the power to make and shape our own moments. It is us who by feeling joyful, celebrate for a moment of success; and it is also us who by feeling saddened, cry and mourn over our losses. I, with all my heart and mind, now embrace this power which lies within us. I wish life offers you more time to make use of this power. Remember, we are our own griefs, my dear, we are our own happinesses and we are our own remedies.
Take care!
Love,
Francis.
Title: Letter to Abigail
Scene: "Death-bed"
Chapter: The Road To Awe
”
”
Huseyn Raza
“
What is to be done with the millions of facts that bear witness that men, consciously, that is fully understanding their real interests, have left them in the background and have rushed headlong on another path, to meet peril and danger, compelled to this course by nobody and by nothing, but, as it were, simply disliking the beaten track, and have obstinately, wilfully, struck out another difficult, absurd way, seeking it almost in the darkness. So, I suppose, this obstinacy and perversity were pleasanter to them than any advantage...
The fact is, gentlemen, it seems there must really exist something that is dearer to almost every man than his greatest advantages, or (not to be illogical) there is a most advantageous advantage (the very one omitted of which we spoke just now) which is more important and more advantageous than all other advantages, for the sake of which a man if necessary is ready to act in opposition to all laws; that is, in opposition to reason, honour, peace, prosperity -- in fact, in opposition to all those excellent and useful things if only he can attain that fundamental, most advantageous advantage which is dearer to him than all. "Yes, but it's advantage all the same," you will retort. But excuse me, I'll make the point clear, and it is not a case of playing upon words. What matters is, that this advantage is remarkable from the very fact that it breaks down all our classifications, and continually shatters every system constructed by lovers of mankind for the benefit of mankind. In fact, it upsets everything...
One's own free unfettered choice, one's own caprice, however wild it may be, one's own fancy worked up at times to frenzy -- is that very "most advantageous advantage" which we have overlooked, which comes under no classification and against which all systems and theories are continually being shattered to atoms. And how do these wiseacres know that man wants a normal, a virtuous choice? What has made them conceive that man must want a rationally advantageous choice? What man wants is simply independent choice, whatever that independence may cost and wherever it may lead. And choice, of course, the devil only knows what choice.
Of course, this very stupid thing, this caprice of ours, may be in reality, gentlemen, more advantageous for us than anything else on earth, especially in certain cases… for in any circumstances it preserves for us what is most precious and most important -- that is, our personality, our individuality. Some, you see, maintain that this really is the most precious thing for mankind; choice can, of course, if it chooses, be in agreement with reason… It is profitable and sometimes even praiseworthy. But very often, and even most often, choice is utterly and stubbornly opposed to reason ... and ... and ... do you know that that, too, is profitable, sometimes even praiseworthy?
I believe in it, I answer for it, for the whole work of man really seems to consist in nothing but proving to himself every minute that he is a man and not a piano-key! …And this being so, can one help being tempted to rejoice that it has not yet come off, and that desire still depends on something we don't know?
You will scream at me (that is, if you condescend to do so) that no one is touching my free will, that all they are concerned with is that my will should of itself, of its own free will, coincide with my own normal interests, with the laws of nature and arithmetic. Good heavens, gentlemen, what sort of free will is left when we come to tabulation and arithmetic, when it will all be a case of twice two make four? Twice two makes four without my will. As if free will meant that!
”
”
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
“
The moon is always jealous of the heat of the day, just as the sun always longs for something dark and deep.
They could see how love might control you, from your head to your toes, not to mention every single part of you in between.
A woman could want a man so much she might vomit in the kitchen sink or cry so fiercly blood would form in the corners of her eyes.
She put her hand to her throat as though someone were strangling her, but really she was choking on all that love she thought she’d needed so badly.
What had she thought, that love was a toy, something easy and sweet, just to play with? Real love was dangerous, it got you from inside and held on tight, and if you didn’t let go fast enough you might be willing to do anything for it’s sake.
She refused to believe in superstition, she wouldn’t; yet it was claiming her.
Some fates are guaranteed, no matter who tries to intervene.
After all I’ve done for you is lodged somewhere in her brain, and far worse, it’s in her heart as well.
She was bad luck, ill-fated and unfortunate as the plague.
She is not worth his devotion. She wishes he would evaporate into thin air. Maybe then she wouldn’t have this feeling deep inside, a feeling she can deny all she wants, but that won’t stop it from being desire.
Love is worth the sum of itself and nothing more.
But that’s what happens when you’re a liar, especially when you’re telling the worst of these lies to yourself.
He has stumbled into love, and now he’s stuck there. He’s fairly used to not getting what he wants, and he’s dealt with it, yet he can’t help but wonder if that’s only because he didn’t want anything so badly.
It’s music, it’s a sound that is absurdly beautiful in his mouth, but she won’t pay attention. She knows from the time she spent on the back stairs of the aunts’ house that most things men say are lies. Don’t listen, she tells herself. None if it’s true and none of it matters, because he’s whispering that he’s been looking for her forever. She can’t believe it. She can’t listen to anything he tells her and she certainly can’t think, because if she did she might just think she’d better stop.
What good would it do her to get involved with someone like him? She’d have to feel so much, and she’s not that kind.
The greatest portion of grief is the one you dish out for yourself.
She preferred cats to human beings and turned down every offer from the men who fell in love with her.
They told her how sticks and stones could break bones, but taunting and name-calling were only for fools.
— & now here she is, all used up.
Although she’d never believe it, those lines in *’s face are the most beautiful part about her. They reveal what she’s gone through and what she’s survived and who exactly she is, deep inside.
She’s gotten back some of what she’s lost. Attraction, she now understands, is a state of mind.
If there’s one thing * is now certain of, it’s house you can amaze yourself by the things you’re willing to do.
You really don’t know? That heart-attack thing you’ve been having? It’s love, that’s what it feels like.
She knows now that when you don’t lose yourself in the bargain, you find you have double the love you started with, and that’s one recipe that can’t be tampered with.
Always throw spilled salt over your left shoulder. Keep rosemary by your garden gate. Add pepper to your mashed potatoes. Plant roses and lavender, for luck. Fall in love whenever you can.
”
”
Alice Hoffman (Practical Magic (Practical Magic, #1))
“
is a broken man an outlaw?"
"More or less." Brienne answered.
Septon Meribald disagreed. "More less than more. There are many sorts of outlaws, just as there are many sorts of birds. A sandpiper and a sea eagle both have wings, but they are not the same. The singers love to sing of good men forced to go outside the law to fight some wicked lord, but most outlaws are more like this ravening Hound than they are the lightning lord. They are evil men, driven by greed, soured by malice, despising the gods and caring only for themselves. Broken men are more deserving of our pity, though they may be just as dangerous. Almost all are common-born, simple folk who had never been more than a mile from the house where they were born until the day some lord came round to take them off to war. Poorly shod and poorly clad, they march away beneath his banners, ofttimes with no better arms than a sickle or a sharpened hoe, or a maul they made themselves by lashing a stone to a stick with strips of hide. Brothers march with brothers, sons with fathers, friends with friends. They've heard the songs and stories, so they go off with eager hearts, dreaming of the wonders they will see, of the wealth and glory they will win. War seems a fine adventure, the greatest most of them will ever know.
"Then they get a taste of battle.
"For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they've been gutted by an axe.
"They see the lord who led them there cut down, and some other lord shouts that they are his now. They take a wound, and when that's still half-healed they take another. There is never enough to eat, their shoes fall to pieces from the marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water.
"If they want new boots or a warmer cloak or maybe a rusted iron halfhelm, they need to take them from a corpse, and before long they are stealing from the living too, from the smallfolk whose lands they're fighting in, men very like the men they used to be. They slaughter their sheep and steal their chicken's, and from there it's just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don't know where they are or how to get back home and the lord they're fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad all in steel, and the iron thunder of their charge seems to fill the world...
"And the man breaks.
"He turns and runs, or crawls off afterward over the corpses of the slain, or steals away in the black of night, and he finds someplace to hide. All thought of home is gone by then, and kings and lords and gods mean less to him than a haunch of spoiled meat that will let him live another day, or a skin of bad wine that might drown his fear for a few hours. The broken man lives from day to day, from meal to meal, more beast than man. Lady Brienne is not wrong. In times like these, the traveler must beware of broken men, and fear them...but he should pity them as well
”
”
George R.R. Martin
“
Who are we to say getting incested or abused or violated or any of those things can’t have their positive aspects in the long run? … You have to be careful of taking a knee-jerk attitude. Having a knee-jerk attitude to anything is a mistake, especially in the case of women, where it adds up to this very limited and condescending thing of saying they’re fragile, breakable things that can be destroyed easily. Everybody gets hurt and violated and broken sometimes. Why are women so special? Not that anybody ought to be raped or abused, nobody’s saying that, but that’s what is going on. What about afterwards? All I’m saying is there are certain cases where it can enlarge you or make you more of a complete human being, like Viktor Frankl. Think about the Holocaust. Was the Holocaust a good thing? No way. Does anybody think it was good that it happened? No, of course not. But did you read Viktor Frankl? Viktor Frankl’s Man’s Search for Meaning? It’s a great, great book, but it comes out of his experience. It’s about his experience in the human dark side. Now think about it, if there was no Holocaust, there’d be no Man’s Search for Meaning… . Think about it. Think about being degraded and brought within an inch of your life, for example. No one’s gonna say the sick bastards who did it shouldn’t be put in jail, but let’s put two things into perspective here. One is, afterwards she knows something about herself that she never knew before. What she knows is that the most totally terrible terrifying thing that she could ever have imagined happening to her has now happened, and she survived. She’s still here, and now she knows something. I mean she really, really knows. Look, totally terrible things happen… . Existence in life breaks people in all kinds of awful fucking ways all the time, trust me I know. I’ve been there. And this is the big difference, you and me here, cause this isn’t about politics or feminism or whatever, for you this is just ideas, you’ve never been there. I’m not saying nothing bad has ever happened to you, you’re not bad looking, I’m sure there’s been some sort of degradation or whatever come your way in life, but I’m talking Viktor Frankl’s Man’s Search for Meaning type violation and terror and suffering here. The real dark side. I can tell from just looking at you, you never. You wouldn’t even wear what you’re wearing, trust me.
What if I told you it was my own sister that was raped? What if I told you a little story about a sixteen-year-old girl who went to the wrong party with the wrong guy and four of his buddies that ended up doing to her just about everything four guys could do to you in terms of violation? But if you could ask her if she could go into her head and forget it or like erase the tape of it happening in her memory, what do you think she’d say? Are you so sure what she’d say? What if she said that even after that totally negative as what happened was, at least now she understood it was possible. People can. Can see you as a thing. That people can see you as a thing, do you know what that means? Because if you really can see someone as a thing you can do anything to him. What would it be like to be able to be like that? You see, you think you can imagine it but you can’t. But she can. And now she knows something. I mean she really, really knows.
This is what you wanted to hear, you wanted to hear about four drunk guys who knee-jerk you in the balls and make you bend over that you didn’t even know, that you never saw before, that you never did anything to, that don’t even know your name, they don’t even know your name to find out you have to choose to have a fucking name, you have no fucking idea, and what if I said that happened to ME? Would that make a difference?
”
”
David Foster Wallace (Brief Interviews with Hideous Men)