Breakfast At Tiffany's Movie Quotes

I knew damn well I would never be a movie star. It's too hard; and if you are intelligent, it's too embarrassing. My complexes aren't inferior enough: being a movie star and having a big fat ego are supposed to go hand-in-hand; actually, it's essential not to have any ego at all. I don't mean I'd mind being rich and famous. That's very much on my schedule, and someday I'll try and get around to it; but if it happens, I'd like to have my ego, tagging along. I want to still be me when I wake up one fine morning and have breakfast at Tiffany's.

I knew damn well I’d never be a movie star. It’s too hard; and if you’re intelligent, it’s too embarrassing.

The baby boom produced a fresh batch of American youngsters -- teenagers they were called -- and they were suddenly coming of age. But until Roman Holiday, it was hard for them to see themselves in the movies. What Audrey offered -- namely to the girls -- was a glimpse of someone who lived by her own code of interests, not her mother's, and who did so with a wholesome independence of spirit.

I was jut vamping for time to make a few self-improvements: I knew damn well I'd never be a movie star, it's too hard; and if you're intelligent, it's too embarrassing. My complexes aren't inferior enough: being a movie star and having a big fat ego are supposed to go hand-in-hand; actually, it's essential not to have any ego at all.

My complexes aren´t inferior enough: being a movie star and having a big fat ego are supposed to go hand-in-hand; actually it's essential not to have any ego at all. I don't mean I'd mind being rich and famous. That's very much on my schedule, and some day I'll try to get around to it; but if it happens, I'd like to have my ego tagging along. I want to still be me when I wake up one fine morning and have breakfast at Tiffany's.

I knew damn well I’d never be a movie star. It’s too hard; and if you’re intelligent, it’s too embarrassing. My complexes aren’t inferior enough:

We don't want to make a movie about a hooker," he assured her, "we want to make a movie about a dreamer of dreams.

I realize something. I haven't had a single flashback or panic attack since I stepped inside the house. It's so cut off from the outside world, so cocooned, I feel utterly safe. A line from my favorite movie floats into my head. The quietness and the proud look of it. Nothing very bad could happen to you there.

Tiff like in Breakfast at Tiffany's,' he says. 'Right?' I couldn't be more shocked. 'Um... yes, that's right - it's an old movie.' 'Is it? Don't watch that much TV. I've only heard of the book - got it at home. I bought it 'cause Truman Capote wrote it. I was stoked by In Cold Blood. He wrote that, too. You read it?' 'No.' 'Aw, you gotta. It rocks.' I look away as if I've been suddenly distracted by something out the window. It's my version of the pause button. There's a lot of information to process. Here's a boy my own age; he shakes my hand, he talks to me - not just to ask directions to the toilet - and he reads books. Heathcliff?

being a movie star and having a big fat ego are supposed to go hand-in-hand; actually, it’s essential not to have any ego at all.

Breakfast at Tiffany's was one of the earliest pictures to ask us to be sympathetic toward a slightly immoral young woman. Movies were beginning to say that if you were imperfect, you didn’t have to be punished.

I knew damn well I’d never be a movie star. It’s too hard; and if you’re intelligent, it’s too embarrassing. My complexes aren’t inferior enough: being a movie star and having a big fat ego are supposed to go hand-in-hand; actually, it’s essential not to have any ego at all. I don’t mean I’d mind being rich and famous. That’s very much on my schedule, and someday I’ll try to get around to it; but if it happens, I’d like to have my ego tagging along. I want to still be me when I wake up one fine morning and have breakfast at Tiffany’s.

All the visitors do make an effort to look their best and it's very tender, it's sweet as hell, the way the women wear their prettiest everything, I mean the old ones and the really poor ones too, they make the dearest effort to look nice and smell nice too, and I love them for it. I love the kids too, especially the colored ones. I mean the kids the wives bring. It should be sad, seeing the kids there, but it isn't, they have ribbons in their hair and lots of shine on their shoes, you'd think there was going to be ice cream; and sometimes that's what it's like in the visitors' room, a party. Anyway, it's not like the movies: you know, grim whisperings through a grille. There isn't any grille, just a counter between you and them, and the kids can stand on it to be hugged; all you have to do to kiss somebody is lean across. What I like most, they're so happy to see each other, they've saved up so much to talk about, it isn't possible to be dull, they keep laughing and holding hands. It's different afterwards," she said. "I see them on the train. They sit so quiet watching the river go by.

A movie without music is a little bit like an aeroplane without fuel. However beautifully the job is done, we are still on the ground and in a world of reality. Your music has lifted us all up and sent us soaring. Everything we cannot say with words or show with action you have expressed for us. You have done this with so much imagination, fun, and beauty. - Audrey Hepburn, to Henry Mancini

-You know those days when you get the mean reds? -The mean reds? You mean like the blues? -No. The blues are because you're getting fat and maybe it's been raining too long, you're just sad that's all. The mean reds are horrible. Suddenly you're afraid and you don't know what you're afraid of. Do you ever get that feeling?