Brave Woman Quotes

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It’s OKAY to be scared. Being scared means you’re about to do something really, really brave.
Mandy Hale (The Single Woman–Life, Love, and a Dash of Sass: Embracing Singleness with Confidence)
Being brave enough to be alone frees you up to invite people into your life because you want them and not because you need them.
Mandy Hale (The Single Woman–Life, Love, and a Dash of Sass: Embracing Singleness with Confidence)
Many of my movies have strong female leads- brave, self-sufficient girls that don't think twice about fighting for what they believe with all their heart. They'll need a friend, or a supporter, but never a savior. Any woman is just as capable of being a hero as any man.
Hayao Miyazaki
No man or woman born, coward or brave, can shun his destiny.
Homer (The Iliad)
Single" means you are brave enough to face the glorious unknown of the unaccompanied journey.
Mandy Hale (The Single Woman–Life, Love, and a Dash of Sass: Embracing Singleness with Confidence)
You are one brave woman," he whispers, "I am in awe of you.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
How dreadful are the curses which Mohammedanism lays on its votaries! Besides the fanatical frenzy, which is as dangerous in a man as hydrophobia in a dog, there is this fearful fatalistic apathy. The effects are apparent in many countries. Improvident habits, slovenly systems of agriculture, sluggish methods of commerce, and insecurity of property exist wherever the followers of the Prophet rule or live. A degraded sensualism deprives this life of its grace and refinement; the next of its dignity and sanctity. The fact that in Mohammedan law every woman must belong to some man as his absolute property – either as a child, a wife, or a concubine – must delay the final extinction of slavery until the faith of Islam has ceased to be a great power among men. Thousands become the brave and loyal soldiers of the faith: all know how to die but the influence of the religion paralyses the social development of those who follow it. No stronger retrograde force exists in the world. Far from being moribund, Mohammedanism is a militant and proselytizing faith. It has already spread throughout Central Africa, raising fearless warriors at every step; and were it not that Christianity is sheltered in the strong arms of science, the science against which it had vainly struggled, the civilisation of modern Europe might fall, as fell the civilisation of ancient Rome.
Winston S. Churchill (The River War)
She looked so irresistibly beautiful as she said those brave words that no man alive could have steel his heart against her.
Wilkie Collins (The Woman in White)
It's not very easy to grow up into a woman. We are always taught, almost bombarded, with ideals of what we should be at every age in our lives: "This is what you should wear at age twenty", "That is what you must act like at age twenty-five", "This is what you should be doing when you are seventeen." But amidst all the many voices that bark all these orders and set all of these ideals for girls today, there lacks the voice of assurance. There is no comfort and assurance. I want to be able to say, that there are four things admirable for a woman to be, at any age! Whether you are four or forty-four or nineteen! It's always wonderful to be elegant, it's always fashionable to have grace, it's always glamorous to be brave, and it's always important to own a delectable perfume! Yes, wearing a beautiful fragrance is in style at any age!
C. JoyBell C.
Stay wild, moon child." I will shine my full silver light on your path, Moon child. Trust your intuition and follow your dreams. When I go dark, go within and tend to yourself, set your goals and release what no longer serves. When I come out of the shadow Moon child, go, be brave, and to yourself stay wild and true.
Riitta Klint
It's not brave to do something that doesn't scare you.
Lena Dunham (Not That Kind of Girl: A Young Woman Tells You What She's "Learned")
Dare to be strong and courageous. That is the road. Venture anything. Be brave enough to dare to be loved. Be something more than man or woman. Be Tandy.
Sherwood Anderson (Winesburg, Ohio)
It's up to brave hearts, sir, to be patient when things are going badly, as well as being happy when they're going well ... For I've heard that what they call fortune is a flighty woman who drinks too much, and, what's more, she's blind, so she can't see what she's doing, and she doesn't know who she's knocking over or who she's raising up.
Miguel de Cervantes Saavedra (Don Quixote)
The world has enough women who know how to be smart. It needs women who are willing to be simple. The world has enough women who know how to be brilliant. It needs some who will be brave. The world has enough women who are popular. It needs more who are pure. We need women, and men, too, who would rather be morally right than socially correct.
Peter Marshall
Such a mysterious business, motherhood. How brave a woman must be to embark on it.
M.L. Stedman (La luce sugli oceani)
She was a gypsy, as soon as you unravelled the many layers to her wild spirit she was on her next quest to discover her magic. She was relentless like that, the woman didn't need no body but an open road, a pen and a couple of sunsets.
Nikki Rowe
All men fear death. It’s a natural fear that consumes us all. We fear death because we feel that we haven’t loved well enough or loved at all, which ultimately are one and the same. However, when you make love with a truly great woman, one that deserves the utmost respect in this world and one that makes you feel truly powerful, that fear of death completely disappears. Because when you are sharing your body and heart with a great woman the world fades away. You two are the only ones in the entire universe. You conquer what most lesser men have never conquered before, you have conquered a great woman’s heart, the most vulnerable thing she can offer to another. Death no longer lingers in the mind. Fear no longer clouds your heart. Only passion for living, and for loving, become your sole reality. This is no easy task for it takes insurmountable courage. But remember this, for that moment when you are making love with a woman of true greatness you will feel immortal. I believe that love that is true and real creates a respite from death. All cowardice comes from not loving or not loving well, which is the same thing. And when the man who is brave and true looks death squarely in the face like some rhino hunters I know or Belmonte, who is truly brave, it is because they love with sufficient passion to push death out of their minds. Until it returns, as it does to all men. And then you must make really good love again. Think about it.
Woody Allen
Her seductive power, however, did not lie in her looks [...]. In reality, Cleopatra was physically unexceptional and had no political power, yet both Caesar and Antony, brave and clever men, saw none of this. What they saw was a woman who constantly transformed herself before their eyes, a one-woman spectacle. Her dress and makeup changed from day to day, but always gave her a heightened, goddesslike appearance. Her words could be banal enough, but were spoken so sweetly that listeners would find themselves remembering not what she said but how she said it.
Robert Greene (The Art of Seduction)
I've never met anyone as quietly brave and strong as you. I've never met a woman so unassuming, so kind, and so selfless. You are a complex lady." His mouth curled up at the corners. "And you are smart, and passionate, and funny, and exciting, and you blow me fucking away.
Samantha Young (Down London Road (On Dublin Street, #2))
I'm not staring. I'm observing. . . . And what do you observe? . . . A brave young woman who has always fought for what was right, even when it was unpopular.
Michelle Moran (Cleopatra's Daughter)
You act young," he said, "because you are young. But you know things, Roza. Things people older than you don't even know. That day...." I knew instantly which day he referred to. The one up against the wall. "You were right, about how I fight to stay in control. No one else has ever figured that out- and it scared me. You scare me." "Why? Don't you want anyone to know?" He shrugged. "Whether they know that fact or not doesn't matter. What matters is that someone- that you- know me that well. When a person can see into your soul, it's hard. It forces you to be open. Vulnerable. It's much easier being with someone who's just more of a casual friend." "Like Tasha." "Tasha Ozera is an amazing woman. She's beautiful and she's brave. But she doesn't-" "She doesn't get you," I finished. He nodded. "I knew that. But I still wanted the relationship. I knew it would be easy and that she could take me away from you. I thought she could make me forget you." I'd thought the same thing about Mason. "But she couldn't." "Yes. And, so.....that's a problem.
Richelle Mead (Frostbite (Vampire Academy, #2))
A real man doesn’t lie about how he feels. He tells the world he loves someone and dares his enemies to hurt the woman he adores. A brave man has holes in his armor but goes to war anyway. A fierce man isn’t afraid to love someone even though he knows there’s an ending down the road. That’s what it means to be a real man.
Penelope Sky (Buttons & Pain (Buttons, #3))
Her gaze met his, her green eyes glazed and filled with shadows. "I-Iain?" Iain understood those shadows only too well. She was in shock. She had witnessed the full horror of war. Worse, she had killed a man. Like a young soldier after his first battle, she was struggling to cope. 'Twas an anguish no woman should have to bear. His rage broke like the tide against the shore, and before he could think, he pulled her hard against him, held her, stroked her hair. "You foolish, brave woman! Why do you no' obey me?" "What the bloody hell is he doin'?" Connor asked from somewhere behind them. Morgan answered, "I think he's punishin' her." "If he tries this on the men, they'll mutiny.
Pamela Clare (Surrender (MacKinnon’s Rangers, #1))
So many people are so terrified to be alone that they settle for a loveless relationship or stay trapped in a miserable one for months and even years on end. But as it turns out, alone means unique, unequaled, and unexcelled. Or in other words: Unparalleled. Unrepeatable. Unable to be imitated or duplicated. Brave. FABULOUSLY ORIGINAL.
Mandy Hale (The Single Woman–Life, Love, and a Dash of Sass: Embracing Singleness with Confidence)
What did she say?” asked Matthias. Nina coughed and took his arm, leading him away. “She said you’re a very nice fellow, and a credit to the Fjerdan race. Ooh, look, blini! I haven’t had proper blini in forever.” “That word she used: babink,” he said. “You’ve called me that before. What does it mean?” Nina directed her attention to a stack of paper-thin buttered pancakes. “It means sweetie pie.” “Nina—” “Barbarian.” “I was just asking, there’s no need to name-call.” “No, babink means barbarian.” Matthias’ gaze snapped back to the old woman, his glower returning to full force. Nina grabbed his arm. It was like trying to hold on to a boulder. “She wasn’t insulting you! I swear!” “Barbarian isn’t an insult?” he asked, voice rising. “No. Well, yes. But not in this context. She wanted to know if you’d like to play Princess and Barbarian.” “It’s a game?” “Not exactly.” “Then what is it?” Nina couldn’t believe she was actually going to attempt to explain this. As they continued up the street, she said, “In Ravka, there’s a popular series of stories about, um, a brave Fjerdan warrior—” “Really?” Matthias asked. “He’s the hero?” “In a manner of speaking. He kidnaps a Ravkan princess—” “That would never happen.” “In the story it does, and”—she cleared her throat—“they spend a long time getting to know each other. In his cave.” “He lives in a cave?” “It’s a very nice cave. Furs. Jeweled cups. Mead.” “Ah,” he said approvingly. “A treasure hoard like Ansgar the Mighty. They become allies, then?” Nina picked up a pair of embroidered gloves from another stand. “Do you like these? Maybe we could get Kaz to wear something with flowers. Liven up his look.” “How does the story end? Do they fight battles?” Nina tossed the gloves back on the pile in defeat. “They get to know each other intimately.” Matthias’ jaw dropped. “In the cave?” “You see, he’s very brooding, very manly,” Nina hurried on. “But he falls in love with the Ravkan princess and that allows her to civilize him—” “To civilize him?” “Yes, but that’s not until the third book.” “There are three?” “Matthias, do you need to sit down?” “This culture is disgusting. The idea that a Ravkan could civilize a Fjerdan—” “Calm down, Matthias.” “Perhaps I’ll write a story about insatiable Ravkans who like to get drunk and take their clothes off and make unseemly advances toward hapless Fjerdans.” “Now that sounds like a party.” Matthias shook his head, but she could see a smile tugging at his lips. She decided to push the advantage. “We could play,” she murmured, quietly enough so that no one around them could hear. “We most certainly could not.” “At one point he bathes her.” Matthias’ steps faltered. “Why would he—” “She’s tied up, so he has to.” “Be silent.” “Already giving orders. That’s very barbarian of you. Or we could mix it up. I’ll be the barbarian and you can be the princess. But you’ll have to do a lot more sighing and trembling and biting your lip.” “How about I bite your lip?” “Now you’re getting the hang of it, Helvar.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
That’s the thing about fear. It can only hang around until faith enters the room, then it’s forced to flee.
Mandy Hale (The Single Woman–Life, Love, and a Dash of Sass: Embracing Singleness with Confidence)
I’ve never had anorexia, but I know it well. I see it on the street, in the gaunt and sunken face, the boney chest, the spindly arms of an emaciated woman. I’ve come to recognize the flat look of despair, the hopelessness that follows, inevitably, from years of starvation. I think: That could have been [me]. It wasn’t. It’s not.
Harriet Brown (Brave Girl Eating: A Family's Struggle with Anorexia)
I’ve never met a woman so willing to brave her own destruction for just a little truth.
Kate Stewart (Exodus (The Ravenhood Duet, #2))
There's something about kindred spirits, you meet them and for a moment this world no matter ugly, makes sense. They bring a sense of freedom and clarity to one conversation; just enough to remind you of who you are.
Nikki Rowe (Once a Girl, Now a Woman)
She was the woman who’d come here to ask about love. She was the woman who’d decided to change her entire life with nothing but a list. She was the woman who survived, every single day. She was Chloe fucking Brown, and she was starting to wonder if she’d been brave from the beginning. If she’d just needed to love herself enough to realize it.
Talia Hibbert (Get a Life, Chloe Brown (The Brown Sisters, #1))
For Jenn At 12 years old I started bleeding with the moon and beating up boys who dreamed of becoming astronauts. I fought with my knuckles white as stars, and left bruises the shape of Salem. There are things we know by heart, and things we don't. At 13 my friend Jen tried to teach me how to blow rings of smoke. I'd watch the nicotine rising from her lips like halos, but I could never make dying beautiful. The sky didn't fill with colors the night I convinced myself veins are kite strings you can only cut free. I suppose I love this life, in spite of my clenched fist. I open my palm and my lifelines look like branches from an Aspen tree, and there are songbirds perched on the tips of my fingers, and I wonder if Beethoven held his breath the first time his fingers touched the keys the same way a soldier holds his breath the first time his finger clicks the trigger. We all have different reasons for forgetting to breathe. But my lungs remember the day my mother took my hand and placed it on her belly and told me the symphony beneath was my baby sister's heartbeat. And I knew life would tremble like the first tear on a prison guard's hardened cheek, like a prayer on a dying man's lips, like a vet holding a full bottle of whisky like an empty gun in a war zone… just take me just take me Sometimes the scales themselves weigh far too much, the heaviness of forever balancing blue sky with red blood. We were all born on days when too many people died in terrible ways, but you still have to call it a birthday. You still have to fall for the prettiest girl on the playground at recess and hope she knows you can hit a baseball further than any boy in the whole third grade and I've been running for home through the windpipe of a man who sings while his hands playing washboard with a spoon on a street corner in New Orleans where every boarded up window is still painted with the words We're Coming Back like a promise to the ocean that we will always keep moving towards the music, the way Basquait slept in a cardboard box to be closer to the rain. Beauty, catch me on your tongue. Thunder, clap us open. The pupils in our eyes were not born to hide beneath their desks. Tonight lay us down to rest in the Arizona desert, then wake us washing the feet of pregnant women who climbed across the border with their bellies aimed towards the sun. I know a thousand things louder than a soldier's gun. I know the heartbeat of his mother. Don't cover your ears, Love. Don't cover your ears, Life. There is a boy writing poems in Central Park and as he writes he moves and his bones become the bars of Mandela's jail cell stretching apart, and there are men playing chess in the December cold who can't tell if the breath rising from the board is their opponents or their own, and there's a woman on the stairwell of the subway swearing she can hear Niagara Falls from her rooftop in Brooklyn, and I'm remembering how Niagara Falls is a city overrun with strip malls and traffic and vendors and one incredibly brave river that makes it all worth it. Ya'll, I know this world is far from perfect. I am not the type to mistake a streetlight for the moon. I know our wounds are deep as the Atlantic. But every ocean has a shoreline and every shoreline has a tide that is constantly returning to wake the songbirds in our hands, to wake the music in our bones, to place one fearless kiss on the mouth of that brave river that has to run through the center of our hearts to find its way home.
Andrea Gibson
Beautiful creatures cannot be confined Her wings will grow, she'll find the sky.
Christy Ann Martine
It was a great story and I admired her. And I also felt a little envious. Because that bloody tampon had been a secret weapon. And every woman had one. But only a woman like Debby would be brave enough to use it.
Augusten Burroughs (Possible Side Effects)
I have of late—but wherefore I know not—lost all my mirth, forgone all custom of exercises; and indeed it goes so heavily with my disposition that this goodly frame, the earth, seems to me a sterile promontory, this most excellent canopy, the air, look you, this brave o'erhanging firmament, this majestical roof fretted with golden fire, why, it appears no other thing to me than a foul and pestilent congregation of vapors. What a piece of work is a man! How noble in reason, how infinite in faculties, in form and moving how express and admirable, in action how like an angel, in apprehension how like a god! The beauty of the world, the paragon of animals! And yet, to me, what is this quintessence of dust? Man delights not me—no, nor woman neither, though by your smiling you seem to say so.
William Shakespeare (Hamlet)
Ô, Muse of the Heart’s Passion, let me relive my Love’s memory, to remember her body, so brave and so free, and the sound of my Dreameress singing to me, and the scent of my Dreameress sleeping by me, Ô, sing, sweet Muse, my soliloquy!
Roman Payne
She is a woman who is complex and sometimes exhausted, but mostly brave. She loves imperfect people fiercely.
Angeline Boulley (Firekeeper’s Daughter (Firekeeper's Daughter, #1))
Sometimes it seems every woman I meet is more than a match for me.
Leif Enger (So Brave, Young, and Handsome)
A brave woman is one who stands up when she hears gunshots. She doesn’t dive under the desk.
Lee Child (Jack Reacher's Rules)
I don’t feel brave, especially not right now. (Delphine) That’s what bravery is, especially for a woman not used to having emotions. When you feel deep, paralyzing fear and you don’t let it stop you, that is true courage. There’s never been bravery without fear. Just as there’s no love without hate. (M'Adoc)
Sherrilyn Kenyon (Dream Warrior (Dream-Hunter, #4; Dark-Hunter, #17))
That’s how you tell what a man’s really made of. It’s one thing for a man to be big and brave and kill a spider. Any man could do that. Trailin’ after a woman when she’s shopping for thongs and push-up bras is a whole other category of man. And then if you want to see how far you can go with it, you ask him to carry one of those little pink bags they give you.
Janet Evanovich (To the Nines (Stephanie Plum, #9))
Tink was there … Slung over his shoulder was a…Wonder Woman backpack. I parted from Ren, walking up to him. “Where did you get that?” “I stole it from a little fae girl.” He paused. “Hashtag thug life.
Jennifer L. Armentrout (Brave (Wicked Trilogy, #3))
I think sexy is a grown-up word to describes a person who's confident that she is already exactly who she was made to be. A sexy woman knows herself and she likes the way she looks, thinks & feels. She doesn't try to change to match anybody else. She's a good friend herself kind and patient. and she knows how to use her words to tell people she trusts about what's going on inside of her-her fears and anger, love, dreams the mistakes, and needs. When she's angry she expresses her anger in healthy ways. When she's joyful, she does the same thing. She doesn't hide her true self because she is not ashamed. She knows she's just human-exactly how God made her and that's good enough. She's brave enough to be honest and kind enough to except others when they're honest. When two people are sexy enough to be brave and kind with each other, that's love. Sexy is more about how you feel and how you look. Real sexy is letting your true self come out of hiding and find love in safe places. That kind of sexy is good, really good, because we all we want and need love more than anything else
Glennon Doyle Melton (Love Warrior)
A nation is not conquered, Until the hearts of it's women Are on the ground. then it is done, no matter How brave it's warriors, Or how strong it's weapons.
Rosemary Agonito (Buffalo Calf Road Woman: The Story Of A Warrior Of The Little Bighorn)
Romance novels are tales of brave women taming dangerous men. They are stories that capture the excitement of that most mysterious of relationships, the one between a woman and a man. They are legends told to women by other women, and they are as powerful and as endlessly fascinating to women as the legends that lie at the heart of all the other genres.
Jayne Ann Krentz
The girl was a gypsy before an illness took control of her legs, now she watches in awe the world pass by whilst stillness teaches her about inner strength.
Nikki Rowe
Why love the boy in a March field with his kite braving the sky? Because our fingers burn with the hot string singeing our hands. Why love some girl viewed from a train bent to a country well? The tongue remembers iron water cool on some long lost noon. Why weep at strangers dead by the road? They resemble friends unseen in forty years. Why laugh when clowns are hot by pies? We taste custard we taste life. Why love the woman who is your wife? Her nose breathes the air of a world that I know; therefore I love that nose. Her ears hear music I might sing half the night through; therefore I love her ears. Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh knows heat, cold, affliction, I know fire, snow, and pain. Shared and once again shared experience. Billions of prickling textures. Cut one sense away, cut part of life away. Cut two senses; life halves itself on the instant. We love what we know, we love what we are. Common cause, common cause, common cause of mouth, eye, ear, tongue, hand, nose, flesh, heart, and soul.
Ray Bradbury (Something Wicked This Way Comes)
You know who you are, he said- that intimidates boys but oneday a man will come along and value that exact part in you. - Wise words from my best friend.
Nikki Rowe
A woman can be strong and weak. Beautiful and scarred. Scared and brave. Smart and sexy.
K.A. Knight (Den of Vipers)
I like life, it's wonderous and chaotic and somewhere in the middle I've created a safe place to do my thing in the world ~ I can't ask for much more & I am already so thankful when everything I got
Nikki Rowe
opinion. Love meant being brave, otherwise you had already lost your own argument: the man who couldn’t tell a woman he loved her was, by definition, not worthy of her.
Nick Hornby (Funny Girl)
A woman with a strong sense of personal power, is self confident enough to accurately identify her strengths as well as her blind spots, which she is continually working to improve.
Stacey Radin (Brave Girls: Raising Young Women with Passion and Purpose to Become Powerful Leaders)
But if you knew that, why on earth did you marry her?" Rosemary asked. "Why?" Rhett's mouth twisted in a smile. "Because she was so full of fire and so recklessly, stubbornly brave.Because she was such a child beneath all her pretenses.Because she was unlike any woman I had ever known. She fascinated me,infuriated me, drove me mad. I loved her as consumingly as she loved him. From the day I first laid eyes on her. It was a kind of disease." There was a weight of sorrow in his voice. He bowed his head into his two hands and laughed shakily. His voice was muffled and blurred by his fingers. "What a grotesque practical joke life is. Now Ashley Wilkes is a free man and would marry Scarlett on a moment's notice, and I want to be rid of her. Naturally that makes her determined to have me. She wants only what she cannot have." Rhett raised his head. "I'm afraid," he said quietly, "afraid that it will all begin again. I know that she's heartless and completely selfish, that she's like a child who cries for a toy and then breaks it once she has it. But there are moments when she tilts her head at a certain angle, or she smiles that gleeful smile, or she suddenly looks lost-and I come close to forgetting what I know.
Alexandra Ripley (Scarlett)
Seeing with your heart, speaking from your heart, wearing your heart on your sleeve, and sacrificing for your heart will transform you into an extravagant lover. Hard work? Absolutely. But when you're an old woman at the end of your life and you evaluate your time on earth, I believe that there is only one question- beyond that of your salvation- that will really matter: Did I love well?
Sharon A. Hersh (Brave Hearts: Unlocking the Courage to Love with Abandon)
For you see, the face of destiny or luck or god that gives us war also gives us other kinds of pain: the loss of health and youth; the loss of loved ones or of love; the fear that we will end our days alone. Some people suffer in peace the way others suffer in war. The special gift of that suffering, I have learned, is how to be strong while we are weak, how to be brave when we are afraid, how to be wise in the midst of confusion, and how to let go of that which we can no longer hold. In this way, anger can teach us forgiveness, hate can teach us love, and war can teach us peace.
Le Ly Hayslip (When Heaven and Earth Changed Places: A Vietnamese Woman's Journey from War to Peace)
We want no proofs. We ask none to believe us! This boy will some day know what a brave and gallant woman his mother is. Already he knows her sweetness and loving care. Later on he will understand how some men so loved her, that they did dare much for her sake.
Bram Stoker (Dracula)
For a long time I felt I had done a very brave thing. There is nothing more boring for an intelligent woman than to spend endless amounts of time with small children. I felt I wasn’t the best person to bring them up. I would have ended up an alcoholic or a frustrated intellectual like my mother.
Doris Lessing
Godly womanhood ... the very phrase sounds strange in our ears. We never hear it now. We hear about every other type of women: beautiful women, smart women, sophisticated women, career women, talented women, divorced women. But so seldom do we hear of a godly woman - or of a godly man either, for that matter.We believe women come nearer to fulfilling their God-given function in the home than anywhere else. It is a much nobler thing to be a good wife, than to be Miss America. It is a greater achievement to establish a Christian home than it is to produce a second-rate novel filled with filth. It is a far, far better thing in the realms of morals to be old-fashioned, than to be ultra-modern. The world has enough women who know how to be smart. It needs women who are willing to be simple. The world has enough women who know how to be brilliant. It needs some who will be brave. The world has enough women who are popular. It needs more who are pure. We need women, and men, too, who would rather be morally right than socially correct.
Peter Marshall
I’m a man, Sassenach,” he said, very softly. “If I thought there was a choice … then I maybe couldna do it. Ye dinna need to be so brave about things if ye ken ye canna help it, aye?” He looked at me then, with a faint smile. “Like a woman in childbirth, aye? Ye must do it, and it makes no difference if you’re afraid—ye’ll do it. It’s only when ye ken ye can say no that it takes courage.
Diana Gabaldon (Voyager (Outlander, #3))
I want to love like my grandmother, who loved a woman like Joseph loved Mary. Someone so imperfect, so human, brave enough to love someone who already knows God.
R.Y.S. Perez (I Hope You Fall in Love: Poetry Collection)
Love meant being brave, otherwise you had already lost your own argument: the man who couldn’t tell a woman he loved her was, by definition, not worthy of her.
Nick Hornby (Funny Girl)
You’re brave, to admit you don’t know everything and then do something about it.
Tamora Pierce (The Woman Who Rides Like a Man (Song of the Lioness, #3))
I didn’t know if I was brave or reckless.
Aspen Matis (Girl in the Woods: A Memoir)
Who is this brave woman,” he said softly between gasps, “who has pierced my heart?” Rivka smiled, at peace, and held him. She was still wearing her sword.
Shira Glassman (The Second Mango (Mangoverse, #1))
I brushed a kiss over her lips and then studied her face, finally daring to believe that this beautiful, brave woman was really my wife.
Richelle Mead (Silver Shadows (Bloodlines, #5))
If I must share my story, I want to do so on my terms, without the attention that inevitably follows. I do not want pity or appreciation or advice. I am not brave or heroic. I am not strong. I am not special. I am one woman who has experienced something countless women have experienced. I am a victim who survived. It could have been worse, so much worse. That’s
Roxane Gay (Hunger: A Memoir of (My) Body)
You want to know why I love you. You brought light into my formerly gray existence.” He touched her cheek. “Until you, I never knew a woman could be both friend and lover. You saved me from the dark. I love you for what you are; strong and brave and kind. When I walk into a room and you are there, my heart lifts. When I’m away, just thinking of you makes me smile. Being with you makes me happy. No one else has ever done that. When I am with you, I am whole. Better than whole, for on my own, I’m a worthless fool.
Carolyn Jewel (Lord Ruin (The Sinclair Sisters, #1))
How easily such a thing can become a mania, how the most normal and sensible of women once this passion to be thin is upon them, can lose completely their sense of balance and proportion and spend years dealing with this madness.
Kathryn Hurn (HELL HEAVEN & IN-BETWEEN: One Woman's Journey to Finding Love)
Let us fight for every woman and every man to have the opportunity to live healthy, secure lives, full of opportunity and love. We are all time travellers, journeying together into the future. But let us work together to make that future a place we want to visit. Be brave, be curious, be determined, overcome the odds. It can be done.
Stephen W. Hawking (Brief Answers to the Big Questions)
Much to the confusion of small-minded people, confidence does not equate arrogance.
Amber Hurdle (The Bombshell Business Woman: How to Become a Bold, Brave Female Entrepreneur)
Do your best in the day, for the day, and then work on tomorrow when it comes. Show yourself grace and laugh at yourself.
Amber Hurdle (The Bombshell Business Woman: How to Become a Bold, Brave Female Entrepreneur)
A fine lady she weren't, oh, but a damn fine woman and a brave one....
C.J. Cherryh (Fortress in the Eye of Time (Fortress, #1))
When you don't know what to do, go back to the places, the people and the promises where you know you last heard God.
Pam Farrel (Becoming a Brave New Woman: Step into God's Adventure for You)
Be brave, be strong, read your sacred texts, and practice death.
Suzanne Morrison (Yoga Bitch: One Woman's Quest to Conquer Skepticism, Cynicism, and Cigarettes on the Path to Enlightenment)
Thank you Liv… Thank you for being the only woman ever brave enough to love me.
Mimi Jean Pamfiloff (Mermen (The Mermen Trilogy, #1))
Bravery is not the absence of fear but the ability to conquer our fears and choose to do the right thing.
Emily Wilson Hussem (Go Bravely: Becoming the Woman You Were Created to Be)
Will there ever be a time when it is not a curse to be born a woman? When we can do no more, than stand by and be extremely brave and watch them die?
Guy Gavriel Kay
In the history of the world there was not one example of a man ever having written a satisfactory letter to a woman who mattered to him.
Chris Cleave (Everyone Brave is Forgiven)
say, beautiful & point to the map of your body say, brave & were your skin like a gown or a suit say, hero & cast yourself in the lead role /// when a girl pronounces her own name there is glory when a woman tells her own life story she lives forever
Denice Frohman (Women of Resistance: Poems for a New Feminism)
You mean we won't get to run through burning buildings?" I could see he wanted to laugh, but instead he watched me intently. "What? Why are you staring at me?" "I'm not staring. I'm observing." I smiled through my tears. "And what do you observe?" He brushed his lips against my ear. "A brave young woman who has always fought for what was right, even when it was unpopular. A woman who can't return to the land of her birth, but is wlcome to cross the seas and rebuild Alexandria in mine. And a woman who has suffered enough in Rome and deserves happiness for a change. Will you come to Mauretania and be my queen?" He drew back to look at me, but I held him closer. "Yes." "Just yes?" I nodded and pressed my lips against his.
Michelle Moran (Cleopatra's Daughter)
There is a word in the English language that follows the rules bellow: a. The first two letters indicate a man. b. The first three letters indicate a woman. c. The first four letters refer to a brave man. d. The entire word refers to a brave woman.
Brett Williams (Riddles for Kids: 150 Riddles and Brain Teasers That Will Leave Kids and Their Families Stumped)
We have always had war," Terry explained. ... "It is human nature." "Human?" asked Ellador. ......................... "Are some of the soldiers women?" she inquired. "Women! Of course not! They are men; strong, brave men. ..." ........................ "Then why do you call it 'human nature?' she persisted. "If it was human wouldn't they both do it?" ........................ "Do you call bearing children 'human nature'? she asked him. "It's woman nature," he answered. "It's her work." "Then why do you not call fighting 'man nature' -- instead of human?
Charlotte Perkins Gilman (With Her in Ourland)
The deepest work is usually the darkest. A brave woman, a wisening woman, will develop the poorest psychic land, for if she builds only on the best land of her psyche, she will have for a view the least of what she is. So do not be afraid to investigate the worst.
Clarissa Pinkola Estés (Women Who Run With the Wolves)
The greatest barrier preventing us from fully challenging sexism is the pervasive antifeminine sentiment that runs wild in both the straight and queer communities, targeting people of all genders and sexualities. The only realistic way to address this issue is to work toward empowering femininity itself. We must rightly recognize that feminine expression is strong, daring, and brave - that it is powerful - and not in an enchanting, enticing, or supernatural sort of way, but in a tangible, practical way that facilitates openness, creativity, and honest expression. We must move beyond seeing femininity as helpless and dependent, or merely as masculinity's sidekick, and instead acknowledge that feminine expression exists of its own accord and brings its own rewards to those who naturally gravitate toward it. By embracing femininity, feminism will finally be able to reach out to the vast majority of feminine women who have felt alienated by the movement in the past.
Julia Serano (Whipping Girl: A Transsexual Woman on Sexism and the Scapegoating of Femininity)
I kiss her on the forehead and make her a promise. "It stops here. With me and you. It ends with us.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
Van Helsing strode forward, and took his hand, looking him straight in the eyes as he said, "A brave man's blood is the best thing on this earth when a woman is in trouble. You're a man and no mistake. Well, the devil may work against us for all he's worth, but God sends us men when we want them.
Bram Stoker (Dracula)
Malini looked at Priya's face. Thought, I do not know this woman at all. And yet that did not frighten her as it should have. She knew how many faces people possessed, one hidden beneath the other, good and monstrous, brave and cowardly, all of them true.
Tasha Suri (The Jasmine Throne (The Burning Kingdoms, #1))
Healthy wolves and healthy women share certain psychic characteristics: keen sensing, playful spirit, and a heightened capacity for devotion. Wolves and women are relational by nature, inquiring, possessed of great endurance and strength. They are deeply intuitive, intensely concerned with their young, their mates, and their pack. They are experienced in adapting to constantly changing circumstances; they are fiercely stalwart and very brave. Yet both have been hounded, harassed, and falsely imputed to be devouring and devious, overly aggressive, of less value than those who are their detractors. They have been the targets of those who would clean up the wilds as well as the wildish environs of the psyche, extincting the instinctual, and leaving no trace of it behind.
Clarissa Pinkola Estés (Women Who Run With the Wolves: Myths and Stories of the Wild Woman Archetype)
I hate being judged all the time and having to hide my fear, my emotions, my vulnerabilities. You think I'm a brave, talented young woman, who is never intimidated by anything. Well, you're wrong. Everything intimidates me. I avoid glances, smiles, close contact.
Paulo Coelho
Just because someone out there has it worse doesn’t make your pain any less significant. It happened to you, not them. It’s your pain that you suffer with. You’re a brave, strong, woman, and I don’t think you should blow off your pain just because someone else has it bad.
Lisa Helen Gray (Myles (Carter Brothers, #3))
We want no proofs. We ask none to believe us! This boy will some day know what a brave and gallant woman his mother is. Already he knows her sweetness and loving care. Later on he will understand how some men so loved her, that they did dare much for her sake.” Excerpt From: Stoker, Bram. “Dracula.” iBooks. This material may be protected by copyright. Check out this book on the iBookstore: https://itunes.apple.com/WebObjects/M...
Bram Stoker (Dracula)
I was young, and it sank into my mind that the shield maiden would be more monster than woman. Even as a grown man, I . . . I had this vision of what you'd be like." He looked away. "It couldn't have been further from the truth. Not a monster, but a beautiful and brave woman who rescued fish and walks through fire to protect others.
Danielle L. Jensen (A Fate Inked in Blood (Saga of the Unfated, #1))
You might make people uncomfortable, even those you love them most and it will hurt. The masses will likely misunderstand you and as a result they will judge you and even lash out at you and you may have to walk alone sometimes. Your joy, your freedom and your magic will infuriate those who feel trapped in a life they secretly hate. When your truth threatens someones belief system, they will come at you like a storm and you will have to stand and let them roar all around you. If you're creating change, the people benefiting from the current system will likely try to stop you. Be brave. Stand. Hold space for change. Keep writing. Keep dancing. Keep singing. Keep shining your light on the world. We need your beauty and your truth. We need you- the real you!
Brooke Hampton
How could it be wrong to wish to prove yourself?" she asked, a fierce light in her eyes. "You were not wrong to dare." "Jason -" "Jason cannot protect you forever. We cannot spend our lives in hiding, wondering what we might accomplish if given the chance. We have to take that chance ourselves. You were brave to board that boat." "I was stupid. Everything that happened just proved Jason right." "No. You survived the wreck. When the waves came, you held on. Maybe you were stronger than you think you are, than anyone thinks you are.
Leigh Bardugo (Wonder Woman: Warbringer)
I’m a woman who’s chosen her soul-mate. I’m strong enough to love you unconditionally. I’m smart enough to know some days will be good and some days will be bad. And I’m brave enough to solemnly swear that we will be together until the end.
Pepper Winters (Indebted Epilogue (Indebted, #6.5))
Amanda Briars was a beautiful woman masquerading as a plain one…she was funny, intelligent, brave, practical, and, most of all, interesting.
Lisa Kleypas (Suddenly You)
A brave captain of Spahis cannot risk this, even to gratify a pretty woman, which is, in my opinion, one of the most sacred obligations in the world.
Alexandre Dumas
Customer service has everything to do with consistency, systems, training, and the habits you and your team create.
Amber Hurdle (The Bombshell Business Woman: How to Become a Bold, Brave Female Entrepreneur)
Creating a company culture is the first operational step in becoming a bold, brave fempreneur. It creates certainty, a road map and stability.
Amber Hurdle (The Bombshell Business Woman: How to Become a Bold, Brave Female Entrepreneur)
Before you can decide on your brand fonts, colors or imagery, let alone your messaging, you need to know who you're trying to attract first.
Amber Hurdle (The Bombshell Business Woman: How to Become a Bold, Brave Female Entrepreneur)
Exceptional customer service proactively manages your brand and reactively can turn upset customers into raving fans based on how you handled their complaint.
Amber Hurdle (The Bombshell Business Woman: How to Become a Bold, Brave Female Entrepreneur)
A brave man's hand can speak for itself, it does not even need a woman's love to hear it.
Bram Stoker (Dracula)
Batman: What have I told you about trusting dangerous and obsessive criminal geniuses? Wonder Woman: To be fair, you tend to warn everyone about everything. Batman: Point.
Landry Q. Walker (Batman: Brave and the Bold - Emerald Knight)
To be meek, patient, tactful, modest, honorable, brave is not to be either manly or womanly; it is to be humane
Jane Harrison
Being brave enough to be alone frees you up to invite people into your life because you want them, not because you need them. I
Mandy Hale (The Single Woman–Life, Love, and a Dash of Sass: Embracing Singleness with Confidence)
A brave man’s hand can speak for itself; it does not even need a woman’s love to hear its music.
Bram Stoker (Dracula)
You’re brave enough to have the audacity to believe still that maybe, just maybe, someone at this very moment might be wishing on the same star as you are for someone just like you.
Mandy Hale (The Single Woman–Life, Love, and a Dash of Sass: Embracing Singleness with Confidence)
I was so much more powerful than anyone knew. I was an animal learning to fight back, instinctively, fiercely. I was a brave girl. I was a fit fox. I realized that the most empowering important thing was actually simply taking care of myself.
Aspen Matis (Girl in the Woods: A Memoir)
What house do you belong to?” “Ravenclaw,” I say. The clever one. The woman hands me the blue Ravenclaw scarf. “You’re also kind of a Hufflepuff, don’t you think?” Leela asks. “Hardworking, loyal . . . Although last night you were a total Gryffindor. So brave.” “Maybe I’m Divergent,” I say. I pose under the Platform 9¾ sign, point my wand, and smile for Leela’s photo.
Sarah Mlynowski (I See London, I See France)
There are many gifts a friend brings to a woman’s life. History. Empathy. Honesty. Lucky was the woman who kept a childhood friend because that friend remembered what you looked like, who you were, and your people. Lucky was the woman who had a friend from the age of ten, when girls were brave, gutsy, and full of questions and had the time and pep to seek the answers. That friend knew who you really were. That friend had seen your soul.
Adriana Trigiani (The Good Left Undone)
So I told him that I don't look for boyfriends; I look for a person, then if the person happens to be the one then he's the one. And if not, then not! And I was also thinking to myself, about how I will not commit myself to a man more than he is willing to commit himself to me. I refuse to be braver. I choose to be secure. I am brave in so many areas of life and when it comes to a man I would rather he be braver than I. I would rather he commit himself to me in ways that will make my heart know him so well that I can say he swims in my blood and he walks inside my bones. But for me to throw my commitment in front of him, on the ground, to see if it's good enough? Hell will freeze over before that happens. I compromise myself in many ways, because compromise is selfless and compromise is giving. But one thing I will not compromise is my commitment. I have to feel safe to do that. I have to know that I am reciprocating; not initiating.
C. JoyBell C.
Tonight," he announced, "is the night we take back that village. And we're not going to do it by marching in lines or committing acts of brave idiocy. We're going to do it by being men. Manly men. The kind of men a woman wants to take control." Brows wrinkled in confusion. "But . . ." The blacksmith looked around the group. "We are men. Last I checked, anyhow." "It's not just a matter of having the proper equipment. It's using the equipment properly." Leaping up on a crate, Colin spread his arms wide. "Look at me. Now look at yourselves. Now look back at me. I am the man you want to be like." Dawes crossed his arms. "Why is that, precisely?" "Do you know how many women I've bedded?" When Rufus and Finn perked, he waved at them. "Have a guess, boys." "Seventeen," offered Finn. "More." "Eighteen." "Still more." "Er . . . nineteen?" "Oh, for the love of God," he muttered. "We'll be here all day. Let's just call the number more than you can imagine. Because clearly, that is the case." Under his breath, he added, "Perhaps higher than you know how to count.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
Healthy wolves and healthy women share certain psychic characteristics: keen sensing, playful spirit, and a heightened capacity for devotion. Wolves and women are relational by nature, inquiring, possessed of great endurance and strength. They are deeply intuitive, intensely concerned with their young, their mates, and their pack. They are experienced in adapting to constantly changing circumstances; they are fiercely stalwart and very brave.
Clarissa Pinkola Estés (Women Who Run With the Wolves: Myths and Stories of the Wild Woman Archetype)
What she saw in their eyes terrified her. She was a woman traveling alone, in a country that had not seen exposed female faces in over five years. She turned back and cried tears of frustration all the way to Pakistan. ...Asra..., I find her fantasy delightful. Who else would risk her life to take stuffies to Afghanistan?
Mariane Pearl (A Mighty Heart: The Brave Life and Death of My Husband, Danny Pearl)
When it no longer would destroy a boy to be likened to a girl, when a girl feels vital doing the things she values, when it's considered as brave to be womanly as it is to be manly, than boys and girls, man and women can break out of the boxes that constrain us all
Elizabeth Lesser (Cassandra Speaks: When Women Are the Storytellers, the Human Story Changes)
For a man, however, it was the opposite. Alexander’s beauty was not felt to detract from his generalship. Nowhere was it hinted that a handsome man could not be a good ruler, or clever, or strong, or brave. In fact, people longed for a resplendent king. But for a woman…I shook my head. It was as if beauty in a woman rendered all other traits suspect.
Margaret George (The Memoirs of Cleopatra)
Home, home - a few small rooms, stiflingly over-inhabited by a man, by a periodically teeming woman, by rabble of boys and girls of all ages. No air, no space; an understerilized prison; darkness, disease and smells.
Aldous Huxley (Brave New World)
But this was no good, this line of thought. This was the thinking that had kept every woman from her greatness. There did not have to be an answer to the question why; everything important started out mysterious and this mystery was like a great sea you had to be brave enough to cross. How many times had I turned back at the first ripple of self-doubt? You had to withstand a profound sense of wrongness if you ever wanted to get somewhere new. So far each thing I had done in Monrovia was guided by a version of me that had never been in charge before. A nitwit? A madwoman? Probably. But my more seasoned parts just had to be patient, hold their tongues - their many and sharp tongues - and give this new girl a chance.
Miranda July (All Fours)
I am the interpretation of the prophet I am the artist in the coffin I am the brave flag stained with blood I am the wounds overcome I am the dream refusing to sleep I am the bare-breasted voice of liberty I am the comic the insult and the laugh I am the right the middle and the left I am the poached eggs in the sky I am the Parisian streets at night I am the dance that swings till dawn I am the grass on the greener lawn I am the respectful neighbour and the graceful man I am the encouraging smile and the helping hand I am the straight back and the lifted chin I am the tender heart and the will to win I am the rainbow in rain I am the human who won’t die in vain I am Athena of Greek mythology I am the religion that praises equality I am the woman of stealth and affection I am the man of value and compassion I am the wild horse ploughing through I am the shoulder to lean onto I am the Muslim the Jew and the Christian I am the Dane the French and the Palestinian I am the straight the square and the round I am the white the black and the brown I am the free speech and the free press I am the freedom to express I will die for my right to be all the above here mentioned And should threat encounter I’ll pull my pencil
Mie Hansson (Where Pain Thrives)
Ladies and Gentlemen, I'd planned to speak to you tonight to report on the state of the Union, but the events of earlier today have led me to change those plans. Today is a day for mourning and remembering. Nancy and I are pained to the core by the tragedy of the shuttle Challenger. We know we share this pain with all of the people of our country. This is truly a national loss. Nineteen years ago, almost to the day, we lost three astronauts in a terrible accident on the ground. But we've never lost an astronaut in flight. We've never had a tragedy like this. And perhaps we've forgotten the courage it took for the crew of the shuttle. But they, the Challenger Seven, were aware of the dangers, but overcame them and did their jobs brilliantly. We mourn seven heroes: Michael Smith, Dick Scobee, Judith Resnik, Ronald McNair, Ellison Onizuka, Gregory Jarvis, and Christa McAuliffe. We mourn their loss as a nation together. For the families of the seven, we cannot bear, as you do, the full impact of this tragedy. But we feel the loss, and we're thinking about you so very much. Your loved ones were daring and brave, and they had that special grace, that special spirit that says, "Give me a challenge, and I'll meet it with joy." They had a hunger to explore the universe and discover its truths. They wished to serve, and they did. They served all of us. We've grown used to wonders in this century. It's hard to dazzle us. But for twenty-five years the United States space program has been doing just that. We've grown used to the idea of space, and, perhaps we forget that we've only just begun. We're still pioneers. They, the members of the Challenger crew, were pioneers. And I want to say something to the schoolchildren of America who were watching the live coverage of the shuttle's take-off. I know it's hard to understand, but sometimes painful things like this happen. It's all part of the process of exploration and discovery. It's all part of taking a chance and expanding man's horizons. The future doesn't belong to the fainthearted; it belongs to the brave. The Challenger crew was pulling us into the future, and we'll continue to follow them. I've always had great faith in and respect for our space program. And what happened today does nothing to diminish it. We don't hide our space program. We don't keep secrets and cover things up. We do it all up front and in public. That's the way freedom is, and we wouldn't change it for a minute. We'll continue our quest in space. There will be more shuttle flights and more shuttle crews and, yes, more volunteers, more civilians, more teachers in space. Nothing ends here; our hopes and our journeys continue. I want to add that I wish I could talk to every man and woman who works for NASA, or who worked on this mission and tell them: "Your dedication and professionalism have moved and impressed us for decades. And we know of your anguish. We share it." There's a coincidence today. On this day three hundred and ninety years ago, the great explorer Sir Francis Drake died aboard ship off the coast of Panama. In his lifetime the great frontiers were the oceans, and a historian later said, "He lived by the sea, died on it, and was buried in it." Well, today, we can say of the Challenger crew: Their dedication was, like Drake's, complete. The crew of the space shuttle Challenger honored us by the manner in which they lived their lives. We will never forget them, nor the last time we saw them, this morning, as they prepared for their journey and waved goodbye and "slipped the surly bonds of earth" to "touch the face of God." Thank you.
Ronald Reagan
I daresay we've heard a bit about original sin, but not nearly enough about original glory, which comes before sin and is deeper to our nature. We were crowned with glory and honor. Why does a woman long to be beautiful? Why does a man hope to be found brave? Because we remember, if only faintly, that we were once more than we are now.
John Eldredge (Epic: The Story God Is Telling)
They didn’t understand why a brave, independent woman had been so brutally treated. Many of them began to wonder why they themselves often feigned opinions rather than speak their minds, no matter how clever they were, for fear they’d be thought of as difficult.
Alice Hoffman (The Rules of Magic (Practical Magic, #0.2))
My dearest Mary, Both my words and my conduct at our last meeting were ungentlemanly - born of haste and high emotion, rather than friendship and good judgement - and yet I cannot find it within me to apologize. I am glad I kissed you; glad to have revelled in your scent, your taste, the touch of your hands; glad, even, to have quarrelled with you because during those moments of anger, I was in your presence. Mary, you are the most singular woman I know: intelligent, brave and honest, and I crave your friendship. I confess to only the haziest notion of what I ask, having never been friends with a woman before. My friendships are male and conventional; pleasant and without distinction. But a friendship with you would be a bright, new, rare thing - if you would do me the honour. I expect that what I ask is impossible. But it is sweet to dream, Mary, and thus I tender one last, insolent, unapologetic request: write to me only if you can say yes. Yours, James
Y.S. Lee (The Traitor in the Tunnel (The Agency, #3))
Nicole is a brave, bold, beautiful woman who’s unafraid to carve out a life on her own terms. I admire the fuck out of that. And I also want to fuck her.
Lauren Blakely (The Knocked up Plan (One Love, #3))
Understanding who isn’t your ideal customer sometimes helps you better clarify who is.
Amber Hurdle (The Bombshell Business Woman: How to Become a Bold, Brave Female Entrepreneur)
What a brave little psycho she was. What a reckless woman. What a fierce and sensitive warrior.
C.D. Reiss (King of Code)
I knew we had to celebrate, not the breakup of a marriage, but a woman prepared to be brave.
Grace G. Payge (A narrow escape from an ordinary life: A true story)
I will tell you why; so shall my anticipation Prevent your discovery, and your secrecy to the king And queen moult no feather. I have of late--but Wherefore I know not--lost all my mirth, forgone all Custom of exercises; and indeed it goes so heavily With my disposition that this goodly frame, the Earth, seems to me a sterile promontory, this most Excellent canopy, the air, look you, this brave O'erhanging firmament, this majestical roof fretted With golden fire, why, it appears no other thing to Me than a foul and pestilent congregation of vapours. What a piece of work is a man! how noble in reason! How infinite in faculty! in form and moving how Express and admirable! in action how like an angel! In apprehension how like a god! the beauty of the World! the paragon of animals! And yet, to me, What is this quintessence of dust? man delights not Me: no, nor woman neither, though by your smiling You seem to say so.
William Shakespeare (Hamlet (Classics Illustrated #99))
You’re brave. You’re good. Why would you hesitate to explore yourself? Your dark nooks and crannies? With someone who is fascinated by the whole of you? You aren’t a bad woman, merely a human one, which entails a certain amount of”—he cocked his head—“‘awfulness,’ as you call it.
Judith Ivory (Untie My Heart)
Belle, so brave and noble—willing to take her father’s place as a prisoner in the castle dungeon. What sort of woman would do that—give up her life so easily, sacrificing her freedom for her father’s?
Serena Valentino (The Beast Within (Villains, #2))
The Active Life If an expert does not have some problem to vex him, he is unhappy! If a philosopher's teaching is never attacked, she pines away! If critics have no one on whom to exercise their spite, they are unhappy. All such people are prisoners in the world of objects. He who wants followers, seeks political power. She who wants reputation, holds an office. The strong man looks for weights to lift. The brave woman looks for an emergency in which she can show bravery. The swordsman wants a battle in which he can swing his sword. People past their prime prefer a dignified retirement, in which they may seem profound. People experienced in law seek difficult cases to extend the application of the laws. Liturgists and musicians like festivals in which they parade their ceremonious talents. The benevolent, the dutiful, are always looking for chances to display virtue. Where would the gardener be if there were no more weeds? What would become of business without a market of fools? Where would the masses be if there were no pretext for getting jammed together and making noise? What would become of labor if there were no superfluous objects to be made? Produce! Get results! Make money! Make friends! Make changes! Or you will die of despair! Those who are caught in the machinery of power take no joy except in activity and change--the whirring of the machine! Whenever an occasion for action presents itself, they are compelled to act; they cannot help themselves. They are inexorably moved, like the ma- chine of which they are a part. Prisoners in the world of objects, they have no choice but to submit to the demands of matter! They are pressed down and crushed by external forces, fashion, the mar- ket, events, public opinion. Never in a whole lifetime do they re- cover their right mind! The active life! What a pity!
Thomas Merton (The Way of Chuang Tzu (Shambhala Library))
Bar a weekly wrestle with the "Pink 'Un" and an occasional dip into the form book I'm not much of a lad for reading, and my sufferings as I tackled The Woman (curse her!) Who Braved All were pretty fearful.
P.G. Wodehouse
Stop worrying about whether you’re fat. You’re not fat. Or, rather, you’re sometimes a little bit fat, but who gives a shit? There is nothing more boring and fruitless than a woman lamenting the fact that her stomach is round. Feed yourself. Literally. The sort of people worthy of your love will love you more for this.
Cheryl Strayed (Brave Enough: A Collection of Inspirational Quotes)
If I must share my story , I want to do so on my terms , without the attention that inevitably follows . I do not want pity or appreciation or advice . I am not brave or heroic . I am not strong . I am not special . I am one woman who has experienced something countless women have experienced . I am a victim who survived .
Roxane Gay (Hunger: A Memoir of (My) Body)
How brave you are for building paths out of the wreckages. How strong you are for standing in the midst of a greater collapse. How wise you are the expand your spirit beyond human limitations and continue becoming more of yourself, every single time. The world won't make you a battle cry, you're a warrior who learnt to shine.
Nikki Rowe (Fragile but Fierce: A Quote Collection)
.....breathing secondhand smoke, being subject to unfair dairy pricing, and not being able to mime (or lap dance), though they are all tragic, tragic injustices, are not quite as bad as the systematic segregation of public transportation based on skin color. And while fighting for your right to lap dance and mime and breathe just regular pollution is a very fine, very American idea, it is not quite as brave as being middle-aged black woman in Alabama in 1955 telling a white man she's not giving him her seat despite the fact that the law requires her to do so.
Sarah Vowell (The Partly Cloudy Patriot)
She was a brave, hopeful woman and she was following her husband somewhere, changing herself to this kind of person or that, without being able to lead him a step out of his path, and sometimes realizing with discouragement how deep in him the guarded secret of her direction lay. And yet an air of luck clung about her, as if she were a token...
F. Scott Fitzgerald (Tender Is the Night)
There are garments in all of our wardrobes we don't wear because we don't dare. We bought the jumpsuit for when we were feeling brave and it turns out we never are. A friend of mine had a party and asked us to wear that thing we already own that we never dare wear and it was the most wonderful night. One woman wore her bridal gown. Others wore more cleavage than clothes. Some wore glam rock shoes and velvet capes. Others, tight jeans and crop tops. Some, cosplay cos times. We were all given permission to say yes to our most daring selves. The one we leave hanging up at home. You don't have to be queer to leave the best part of yourself in the closet. Most of us are doing it all the time,
Deborah Frances-White (The Guilty Feminist: From Our Noble Goals to Our Worst Hypocrisies)
As they walked back to the laundry, Brave Orchid showed her sister where to buy the various groceries and how to avoid Skid Row. "On days when you are not feeling safe, walk around it. But you can walk through it unharmed on your strong days." On weak days you notice bodies on the sidewalk, and you are visible to Panhandler Ghosts and Mugger Ghosts.
Maxine Hong Kingston (The Woman Warrior: Memoirs of a Girlhood Among Ghosts)
Mrs. O’Dowd, the good housewife, arrayed in curl papers and a camisole, felt that her duty was to act, and not to sleep, at this juncture. “Time enough for that,” she said, “when Mick’s gone”; and so she packed his travelling valise ready for the march, brushed his cloak, his cap, and other warlike habiliments, set them out in order for him; and stowed away in the cloak pockets a light package of portable refreshments, and a wicker-covered flask or pocket-pistol, containing near a pint of a remarkably sound Cognac brandy, of which she and the Major approved very much; ... Mrs. O’Dowd woke up her Major, and had as comfortable a cup of coffee prepared for him as any made that morning in Brussels. And who is there will deny that this worthy lady’s preparations betokened affection as much as the fits of tears and hysterics by which more sensitive females exhibited their love, and that their partaking of this coffee, which they drank together while the bugles were sounding the turn-out and the drums beating in the various quarters of the town, was not more useful and to the purpose than the outpouring of any mere sentiment could be? The consequence was, that the Major appeared on parade quite trim, fresh, and alert, his well-shaved rosy countenance, as he sate on horseback, giving cheerfulness and confidence to the whole corps. All the officers saluted her when the regiment marched by the balcony on which this brave woman stood, and waved them a cheer as they passed; and I daresay it was not from want of courage, but from a sense of female delicacy and propriety, that she refrained from leading the gallant--personally into action.
William Makepeace Thackeray (Vanity Fair)
I look away, farther down the hall, and I see Tish in line with her Sunday school class. Tish sees me and her face lights up. In that instant, I realize I owe nothing to the institution of Christianity—not my health, not my dignity, not my silence, not my martyrdom. I do not answer to this place, I answer to God, to myself, and to the little girl in that line. None of us wants me to try to pass off cowardice for strength, willful ignorance for loyalty, codependence for love. That little girl doesn’t want me to die for her; she never asked to bear that burden. She wants me to live for her. She needs me to show her not how a woman pretends her life is perfect, but how a woman deals honestly and bravely with an imperfect life. She needs to learn from me that these four walls don’t contain God and that the people inside them don’t own God, that God loves her more than any institution God made for her. She will learn this only if I show her that I believe it myself. She will know this only if I know it first. She will learn her song only if her mother keeps singing.
Glennon Doyle Melton (Love Warrior)
I don’t think that true love means your only love. I think true love means loving truly. Loving purely. Loving wholly. Maybe, if you’re the kind of person who’s willing to give all of yourself, the kind of person who is willing to love with all of your heart even though you’ve experienced just how much it can hurt . . . maybe you get lots of true loves, then. Maybe that’s the gift you get for being brave. I am a woman who dares to love again. I finally love that about myself.
Taylor Jenkins Reid (One True Loves)
She's an irritating, opinionated woman- a type Buddy can't stand. I don't think he could see her for what she is. A person deprived, for life, of any understanding or taste for the main current of poetry that flows through things, all things. She might as well be dead, and she goes on living, stopping off at the delicatessen, seeing her analyst, consuming a novel every night, putting on her girdle, plotting for Muriel's health and prosperity. I love her. I find her unimaginably brave.
J.D. Salinger
Brave young women complete heroic acts everyday, with no one bearing witness. This was a chance to even the ledger, to share one small story the made the difference between starvation and survival for the families whose lives it changed. I wanted to pull the curtain back for readers on a place foreigners know more for its rocket attacks and roadside bombs than its countless quiet feats of courage. And to introduce them to the young women like Kamila Sidiqi who will go on. No matter what.
Gayle Tzemach Lemmon (The Dressmaker of Khair Khana: Five Sisters, One Remarkable Family, and the Woman Who Risked Everything to Keep Them Safe)
Why?” Rhett’s mouth twisted in a smile. “Because she was so full of fire and so recklessly, stubbornly brave. Because she was such a child beneath all her pretenses. Because she was unlike any woman I had ever known. She fascinated me, infuriated me, drove me mad. I loved her as consumingly as she loved him. From the day I first laid eyes on her. It was a kind of disease.
Alexandra Ripley (Scarlett: The Sequel to Margaret Mitchell's Gone with the Wind)
What could he say that might make sense to them? Could he say love was, above all, common cause, shared experience? That was the vital cement, wasn't it? Could he say how he felt about their all being here tonight on this wild world running around a big sun which fell through a bigger space falling through yet vaster immensities of space, maybe toward and maybe away from Something? Could he say: we share this billion-mile-an-hour rid. We have common cause against the night. You start with little common causes. Why love the boy in a March field with his kite braving the sky? Because our fingers burn with the hot string singeing our hands. Why love some girl viewed from a train bent to a country well? The tongue remembers iron water cool on some long lost noon. Why weep at strangers dead by the road? They resemble friends unseen in forty years. Why laugh when clowns are hot by pies? We taste custard we taste life. Why love the woman who is your wife? Her nose breathes the air of a world that I know; therefore I love that nose. Her ears hear music I might sing half the night through; therefore I love her ears. Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh knows heat, cold, affliction, I know fire, snow, and pain. Shared and once again shared experience. Billions of prickling textures. Cut one sense away, cut part of life away. Cut two senses; life halves itself on the instant. We love what we know, we love what we are. Common cause, common cause, common cause of mouth, eye, ear, tongue, hand, nose, flesh, heart, and soul. But... how to say it?
Ray Bradbury (Something Wicked This Way Comes)
You must be like the mourning bird, do you remember? That it’s in the process of striving for her perfect song that she conquers fear and triumphs. Being brave can’t always put things in black and white, but it can be a pretty good beginning, Elyse—a fresh start.
Lee Fullbright (The Angry Woman Suite)
She knew well the history of which they spoke because her father had been a part of it. When the military overseers of Pakistan had refused to allow the winning party in Bangladesh—then East Pakistan—to form a government, her father had put down his textbooks, left the university, and joined the fight. Hundreds of thousands, millions of deaths later, Bangladesh had its independence. His stories had made a deep impact on on Asma as a child. She had resolved to be as brave, only to learn that as a woman she wasn't expected to be.
Amy Waldman (The Submission)
Aristotle tells us that the high-pitched voice of the female is one evidence of her evil disposition, for creatures who are brave or just (like lions, bulls, roosters and the human male) have large deep voices…. High vocal pitch goes together with talkativeness to characterize a person who is deviant from or deficient in the masculine ideal of self-control. Women, catamites, eunuchs and androgynes fall into this category. Their sounds are bad to hear and make men uncomfortable…. Putting a door on the female mouth has been an important project of patriarchal culture from antiquity to the present day. Its chief tactic is an ideological association of female sound with monstrosity, disorder and death…. Woman is that creature who puts the inside on the outside. By projections and leakages of all kinds—somatic, vocal, emotional, sexual—females expose or expend what should be kept in…. [As Plutarch comments,] “…she should as modestly guard against exposing her voice to outsiders as she would guard against stripping off her clothes. For in her voice as she is blabbering away can be read her emotions, her character and her physical condition.”… Every sound we make is a bit of autobiography. It has a totally private interior yet its trajectory is public. A piece of inside projected to the outside. The censorship of such projections is a task of patriarchal culture that (as we have seen) divides humanity into two species: those who can censor themselves and those who cannot…. It is an axiom of ancient Greek and Roman medical theory and anatomical discussion that a woman has two mouths. The orifice through which vocal activity takes place and the orifice through which sexual activity takes place are both denoted by the wordstoma in Greek (os in Latin) with the addition of adverbs ano and kato to differentiate upper mouth from lower mouth. Both the vocal and the genital mouth are connected to the body by the neck (auchen in Greek, cervix in Latin). Both mouths provide access to a hollow cavity which is guarded by lips that are best kept closed.
Anne Carson (Glass, Irony and God)
My love for these books, at its purest, is not really about Peeta or anything silly and girly. I love that a young woman character is fierce and strong but hum in ways I find believable, relatable. Katniss is clearly a heroine, but a heroine with issues. She intrigues me because she never seems to know her own strength. She isn't blandly insecure the way girls are often forced to be in fiction. She is brave but flawed. She is a heroine, but she is also a girl who loves two boys and can't choose which boy she loves more. She is not sure she is up to the task of leading a revolution, but she does her best, even as she doubts herself. Katniss endures the unendurable. She is damaged and it shows. At times, it might seem like her suffering is gratuitous, but life often presents unendurable circumstances people manage to survive. Only the details differ. The Hunger Games trilogy is dark and brutal, but in the end, the books also offer hope - for a better world and a better people and, for one woman, a better life, a life she can share with a man who understands her strength and doesn't expect her to compromise that strength, a man who can hold her weak places and love her through the darkest of her memories, the worst of her damage. Of course I love the Hunger Games. The trilogy offers the tempered hope that everyone who survives something unendurable hungers for.
Roxane Gay
Your mission statement, vision statement, core values, and service standards provide a clear focus for all while keeping your team humble and hungry. It creates that family environment in which your employees enjoy coming to work and dealing with the challenges they face each day.
Amber Hurdle (The Bombshell Business Woman: How to Become a Bold, Brave Female Entrepreneur)
The average woman is far braver than the average man. The common kind of courage-that of the soldier who disregards the danger of death-belongs to the majority of men in the last resort. I mean that if it has to be exercised they exercise it without making a fuss about it. But when you come to moral courage it hardly exists at all among men. There is only one man in ten thousand who will brave the full violence of public opinion. Women, on the other hand, will often do it, if they are in love or to defend their children... The bravest men are those who have a good deal of woman about them.
Alfred Bruce Douglas (The Autobiography of Lord Alfred Douglas)
My dear Princess, if you could creep unseen about your City, peeping at will through the curtain-shielded windows, you would come to think that all the world was little else than a big nursery full of crying children with none to comfort them. The doll is broken: no longer it sweetly sqeaks in answer to our pressure, "I love you, kiss me." The drum lies silent with the drumstick inside, no longer do we make a brave noise in the nursery. The box of tea-things we have clumsily put out foot upon; there will be no more merry parties around the three-legged stool. The tin trumpet will not play the note we want to sound; the wooden bricks keep falling down; the toy has exploded and burnt our fingers. Never mind, little man, little woman, we will try and mend things to-morrow
Jerome K. Jerome
The lessons of history are manifold. Nothing happens in isolation. Everything that happens has consequences. We are all part of a larger stream of events, past, present, and future. We are all the beneficiaries of those who went before us--who built the cathedrals, who braved the unknown, who gave of their time and service, and who kept faith in the possibilities of the mind and the human spirit. An astute observer of old wrote that history is philosophy taught with examples. Harry Truman liked to say that the only new thing in the world is the history you don't know. From history we learn that sooner is not necessarily better than later ... that what we don't know can often hurt us and badly ... and that there is no such thing as a self-made man or woman. A sense of history is an antidote to self-pity and self-importance, of which there is too much in our time. To a large degree, history is a lesson in proportions.
David McCullough (The American Spirit: Who We Are and What We Stand For)
It was not the same as charging down a machine-gun nest armed only with a Bowie knife, or strapping in to the tail-gunner seat of a four-engined heavy bomber. And no one else would ever know, since one did not get a medal for letting go of a woman’s hand on a gray Saturday morning in the middle of a European war. But to have faith—that a lover would be constant and life clement—this did require courage in a city more disposed to beginnings than safe continuations. As
Chris Cleave (Everyone Brave is Forgiven)
Deborah is an important answer to the question “Can a woman . . . ?” or “Is a woman allowed to . . . ?” Deborah could. Deborah was. God was behind it; he filled her with prophetic wisdom, and her sung words became part of the Word of God, testifying to the brave and wise woman who brought God’s peace to a troubled people.
Nijay K. Gupta (Tell Her Story: How Women Led, Taught, and Ministered in the Early Church)
Wylla." Lord Wyman smiled. "Did you see how brave she was? Even when I threatened to have her tongue out, she reminded me of the debt White Harbor owes to the Starks of Winterfell, a debt that can never be repaid. Wylla spoke from the heart, as did Lady Leona. Forgive her if you can, my lord. She is a foolish, frightened woman, and Wylis is her life. Not every man has it in him to be Prince Aemon the Dragonknight or Symeon Star-Eyes, and not every woman can be as brave as my Wylla.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
And did all the women shrink?’ Kirabo steered Nsuuta away from Grandmother. ‘With that kind of perversion, who would not shrink? Who would want to be huge, or loud, or brave, or any of the other characteristics men claim to be male? We hunched, lowered our eyes, voices, acted feeble, helpless. Even being clever became unattractive. Soon, being shrunken became feminine. Then it became beautiful and women aspired to it. That was when we began to persecute our original state out of ourselves.
Jennifer Nansubuga Makumbi (The First Woman)
I used to read in books how our fathers persecuted mankind. But I never appreciated it. I did not really appreciate the infamies that have been committed in the name of religion, until I saw the iron arguments that Christians used. I saw the Thumbscrew—two little pieces of iron, armed on the inner surfaces with protuberances, to prevent their slipping; through each end a screw uniting the two pieces. And when some man denied the efficacy of baptism, or may be said, 'I do not believe that a fish ever swallowed a man to keep him from drowning,' then they put his thumb between these pieces of iron and in the name of love and universal forgiveness, began to screw these pieces together. When this was done most men said, 'I will recant.' Probably I should have done the same. Probably I would have said: 'Stop; I will admit anything that you wish; I will admit that there is one god or a million, one hell or a billion; suit yourselves; but stop.' But there was now and then a man who would not swerve the breadth of a hair. There was now and then some sublime heart, willing to die for an intellectual conviction. Had it not been for such men, we would be savages to-night. Had it not been for a few brave, heroic souls in every age, we would have been cannibals, with pictures of wild beasts tattooed upon our flesh, dancing around some dried snake fetich. Let us thank every good and noble man who stood so grandly, so proudly, in spite of opposition, of hatred and death, for what he believed to be the truth. Heroism did not excite the respect of our fathers. The man who would not recant was not forgiven. They screwed the thumbscrews down to the last pang, and then threw their victim into some dungeon, where, in the throbbing silence and darkness, he might suffer the agonies of the fabled damned. This was done in the name of love—in the name of mercy, in the name of Christ. I saw, too, what they called the Collar of Torture. Imagine a circle of iron, and on the inside a hundred points almost as sharp as needles. This argument was fastened about the throat of the sufferer. Then he could not walk, nor sit down, nor stir without the neck being punctured, by these points. In a little while the throat would begin to swell, and suffocation would end the agonies of that man. This man, it may be, had committed the crime of saying, with tears upon his cheeks, 'I do not believe that God, the father of us all, will damn to eternal perdition any of the children of men.' I saw another instrument, called the Scavenger's Daughter. Think of a pair of shears with handles, not only where they now are, but at the points as well, and just above the pivot that unites the blades, a circle of iron. In the upper handles the hands would be placed; in the lower, the feet; and through the iron ring, at the centre, the head of the victim would be forced. In this condition, he would be thrown prone upon the earth, and the strain upon the muscles produced such agony that insanity would in pity end his pain. I saw the Rack. This was a box like the bed of a wagon, with a windlass at each end, with levers, and ratchets to prevent slipping; over each windlass went chains; some were fastened to the ankles of the sufferer; others to his wrists. And then priests, clergymen, divines, saints, began turning these windlasses, and kept turning, until the ankles, the knees, the hips, the shoulders, the elbows, the wrists of the victim were all dislocated, and the sufferer was wet with the sweat of agony. And they had standing by a physician to feel his pulse. What for? To save his life? Yes. In mercy? No; simply that they might rack him once again. This was done, remember, in the name of civilization; in the name of law and order; in the name of mercy; in the name of religion; in the name of Christ.
Robert G. Ingersoll (The Liberty of Man, Woman and Child)
I’m not sorry for intervening,” she said. “In fact, I’d do it again. But it seems like in choosing to do so, I surrendered my pacifist principles. Am I a hypocrite?” He laid a hand on her knee. “No, Eden. Not a hypocrite. You are a brave, beautiful woman, a guardian of pea . . . of life. You fought only when you had no other option. Truly honorable.
Karen Witemeyer (To Win Her Heart)
Passing over them [Egyptian kings], then, I will mention the person who reigned after them, whose name was Sesotris. [...] Whenever he encountered a brave people who put up a fierce fight in defence of their autonomy, he erected pillars in their territory with an inscription recording his own name and country, and how he and his army has overcome them. However, when he took a place easily, without a fight, he had a message inscribed on the pillar in the same way as for the brave tribes, but he also added a picture of a woman's genitalia, to indicate that they where cowards. 2-[102]
Herodotus
My love," he said with great patience, "you're hair is a rat's nest. Your eyes are swollen from weeping, your nose is red, your clothing is tattered, and you face is streaked with mud. You are still beyond passing fair, but not enough to tempt my immortal soul." He wiped a patch of mud from her delicate cheekbone. "I love you because you have a fierce heart, a brave soul, a tender touch, and woman's grace. I love you for a thousand reasons that I cant even begin to understand, when I didn't want to love you at all. I love your mind and your heart and soul, and yes, I love your pretty face as well.
Anne Stuart (Lord of Danger)
Compare King William with the philosopher Haeckel. The king is one of the anointed by the most high, as they claim—one upon whose head has been poured the divine petroleum of authority. Compare this king with Haeckel, who towers an intellectual colossus above the crowned mediocrity. Compare George Eliot with Queen Victoria. The Queen is clothed in garments given her by blind fortune and unreasoning chance, while George Eliot wears robes of glory woven in the loom of her own genius. The world is beginning to pay homage to intellect, to genius, to heart. We have advanced. We have reaped the benefit of every sublime and heroic self-sacrifice, of every divine and brave act; and we should endeavor to hand the torch to the next generation, having added a little to the intensity and glory of the flame.
Robert G. Ingersoll (The Liberty of Man, Woman and Child)
We had not got halfway to the door before she had overtaken us and was holding his arm. She had turned in a moment from steel to velvet. "Come and sit down, gentlemen. Let us talk this matter over. I feel that I may be frank with you, Mr. Holmes. You have the feelings of a gentleman. How quick a woman's instinct is to find it out. I will treat you as a friend." "I cannot promise to reciprocate, madame. I am not the law, but I represent justice so far as my feeble powers go. I am ready to listen, and then I will tell you how I will act." "No doubt it was foolish of me to threaten a brave man like yourself.
Arthur Conan Doyle (Sherlock Holmes: The Ultimate Collection)
The people of jewel," said Olga Ciavolga,"treat their children like delicate flowers. They think they will not survive without constant protection. But there are parts of the world where young boys and girls spend weeks at a time with no company except a herd of goats. They chase away wolves. They take care of themselves, and they take care of the herd. And so, when hard times come - as they always do in the end - those children are resourceful and brave. If they have to walk from one end of the county to the other, carrying their baby brother and sisters, they will do it. If they have to hide during the day and travel at night to avoid soldiers, they will do it. They do not give up easily." The tunnel took a sharp right-hand turn and, for a moment, the old woman s voice was lost. Something dropped onto Goldie's arm, and she opened her mouth to yelp - and thought of those children carrying their baby brothers and sisters through the night - and closed her mouth and kept going. She rounded the corner in time to hear Olga Ciavolga murmur,"Of course, I am not saying that it is a good thing to give children such heavy responsibility's. They must be allowed to have a childhood. But they must also be allowed to find their courage and their wisdom, and learn when to stand and when to run away. After all, if they are not permitted to climb the trees, how will they ever see the great and wonderful world that lies before them?
Lian Tanner (Museum of Thieves (The Keepers, #1))
Three black men walked past us wearing airline uniforms, visored caps, white pants and jackets whose shoulders bristled with epaulettes. Black pilots? Black captains? It was 1962. In our country, the cradle of democracy, whose anthem boasted ‘the land of the free, the home of the brave,’ the only black men in our airports fueled planes, cleaned cabins, loaded food or were skycaps, racing the pavement for tips.
Maya Angelou (The Heart Of A Woman)
In The Garret Four little chests all in a row, Dim with dust, and worn by time, All fashioned and filled, long ago, By children now in their prime. Four little keys hung side by side, With faded ribbons, brave and gay When fastened there, with childish pride, Long ago, on a rainy day. Four little names, one on each lid, Carved out by a boyish hand, And underneath there lieth hid Histories of the happy band Once playing here, and pausing oft To hear the sweet refrain, That came and went on the roof aloft, In the falling summer rain. 'Meg' on the first lid, smooth and fair. I look in with loving eyes, For folded here, with well-known care, A goodly gathering lies, The record of a peaceful life-- Gifts to gentle child and girl, A bridal gown, lines to a wife, A tiny shoe, a baby curl. No toys in this first chest remain, For all are carried away, In their old age, to join again In another small Meg's play. Ah, happy mother! Well I know You hear, like a sweet refrain, Lullabies ever soft and low In the falling summer rain. 'Jo' on the next lid, scratched and worn, And within a motley store Of headless dolls, of schoolbooks torn, Birds and beasts that speak no more, Spoils brought home from the fairy ground Only trod by youthful feet, Dreams of a future never found, Memories of a past still sweet, Half-writ poems, stories wild, April letters, warm and cold, Diaries of a wilful child, Hints of a woman early old, A woman in a lonely home, Hearing, like a sad refrain-- 'Be worthy, love, and love will come,' In the falling summer rain. My Beth! the dust is always swept From the lid that bears your name, As if by loving eyes that wept, By careful hands that often came. Death canonized for us one saint, Ever less human than divine, And still we lay, with tender plaint, Relics in this household shrine-- The silver bell, so seldom rung, The little cap which last she wore, The fair, dead Catherine that hung By angels borne above her door. The songs she sang, without lament, In her prison-house of pain, Forever are they sweetly blent With the falling summer rain. Upon the last lid's polished field-- Legend now both fair and true A gallant knight bears on his shield, 'Amy' in letters gold and blue. Within lie snoods that bound her hair, Slippers that have danced their last, Faded flowers laid by with care, Fans whose airy toils are past, Gay valentines, all ardent flames, Trifles that have borne their part In girlish hopes and fears and shames, The record of a maiden heart Now learning fairer, truer spells, Hearing, like a blithe refrain, The silver sound of bridal bells In the falling summer rain. Four little chests all in a row, Dim with dust, and worn by time, Four women, taught by weal and woe To love and labor in their prime. Four sisters, parted for an hour, None lost, one only gone before, Made by love's immortal power, Nearest and dearest evermore. Oh, when these hidden stores of ours Lie open to the Father's sight, May they be rich in golden hours, Deeds that show fairer for the light, Lives whose brave music long shall ring, Like a spirit-stirring strain, Souls that shall gladly soar and sing In the long sunshine after rain
Louisa May Alcott (Little Women)
Anger delivers important information about where one of our boundaries has been crossed. When we answer the door and accept that delivery, we begin to know ourselves better. When we restore the boundary that was violated, we honor ourselves. When we know ourselves and honor ourselves, we live with integrity, peace, and power—understanding that we are the kind of woman who will be wise and brave enough to care for herself. Good stuff. And there’s more. Even better stuff comes when we go deeper. When we say, “Okay. I understand that this is my boundary.” But what is a boundary anyway? A boundary is the edge of one of our root beliefs about ourselves and the world.
Glennon Doyle (Untamed)
Iosif was particularly fond of the youngest, the sixteen-year-old schoolgirl Nadezhda, who reciprocated his feelings despite the twenty-three-year difference in their ages. To a young woman from a revolutionary family, he must have seemed like the ideal man: a tried-and-true revolutionary, brave and mysterious but also personable. In 1919 Stalin and Nadezhda tied the knot. As to the nature of their relationship before marriage, we can only guess.
Oleg V. Khlevniuk (Stalin: New Biography of a Dictator)
Kimberlé Crenshaw’s “Mapping the Margins: Intersectionality, Identity Politics, and Violence Against Women of Color”; Jennifer L. Morgan’s Laboring Women: Reproduction and Gender in New World Slavery; All the Women Are White, All the Blacks Are Men, but Some of Us Are Brave, edited by Akasha Gloria Hull, Patricia Bell-Scott, and Barbara Smith; bell hooks’s Ain’t I a Woman: Black Women and Feminism; and Alice Walker’s In Search of Our Mother’s Gardens are all like scripture to me. Zora Neale Hurston’s Their Eyes Were Watching God was my first introduction (on the page) to a Black feminist heroine as well as to the African American southern vernacular that my mother’s family spoke.
Honorée Fanonne Jeffers (The Love Songs of W.E.B. Du Bois)
SOPHOCLES (born ca. 496 B.C., died after 413) was one of the three major authors of Greek tragedy. Of his 123 plays, only seven survive in full. Antigone, written and first performed in the late 440s B.C., is among his most often revived plays; its strong roles, and its conflict between individual morality (championed by a brave young woman) and the overbearing political needs of the state, have never lost their compelling interest through the generations.
Sophocles (Antigone)
...A huge “army” of immature guys with blinders over their eyes, looking for UNCONDITIONAL LOVE, are going nowhere. Such men are all ending up to be eternal dating losers, because they are simply wasting huge amounts of effort, trying hard and hoping to find something that does not exist on the planet. To achieve the goal of personal happiness, we have to be honest with ourselves first of all. We need to be brave enough and smart enough to look into the mirror at our true selves, without our comfortable masks of lies or hypocrisy. LET’S FACE IT: There are always reasons why we feel love for another person; we don't love someone for no reason at all. We love them for the qualities they possess, which we admire; for those amazing, bright emotions they evoke from within ourselves; for the love and care that we so acceptingly receive from them; and for what good feelings we experience being around them, etc. Be HONEST with yourself!
Sahara Sanders (The Honest Book of International Dating: Smart Dating Strategies for Men (Win the Heart of a Woman of Your Dreams, #1))
Boys and girls are only little men and women. And WE are much harder and hardier than they are--" (Peter liked the "we." Perhaps the Doctor had known he would.)--"and much stronger, and things that hurt THEM don't hurt US. You know you mustn't hit a girl--" "I should think not, indeed," muttered Peter, indignantly. "Not even if she's your own sister. That's because girls are so much softer and weaker than we are; they have to be, you know," he added, "because if they weren't, it wouldn't be nice for the babies. And that's why all the animals are so good to the mother animals. They never fight them, you know." "I know," said Peter, interested; "two buck rabbits will fight all day if you let them, but they won't hurt a doe." "No; and quite wild beasts--lions and elephants--they're immensely gentle with the female beasts. And we've got to be, too." "I see," said Peter. "And their hearts are soft, too," the Doctor went on, "and things that we shouldn't think anything of hurt them dreadfully. So that a man has to be very careful, not only of his fists, but of his words. They're awfully brave, you know," he went on. "Think of Bobbie waiting alone in the tunnel with that poor chap. It's an odd thing- -the softer and more easily hurt a woman is the better she can screw herself up to do what HAS to be done. I've seen some brave women-- your Mother's one," he ended abruptly. "Yes," said Peter. "Well, that's all. Excuse my mentioning it. But nobody knows everything without being told. And you see what I mean, don't you?
E. Nesbit (The Railway Children)
Here haue I cause, in men iust blame to find, That in their proper prayse too partiall bee, And not indifferent to woman kind, To whom no share in armes and cheualrie They do impart, ne maken memorie Of their brave gestes and prowess martiall; Scarse do they spare to one or two or three, Rowme in their writs; yet the same writing small Does all their deeds deface, and dims their glories all, But by record of antique times I find, That women wont in warres to beare most sway, And to all great exploits them selues inclind: Of which they still the girlond bore away, Till enuious Men fearing their rules decay, Gan coyne straight laws to curb their liberty; Yet sith they warlike armes haue layd away: They haue exceld in artes and policy, That now we foolish men that prayse gin eke t'enuy.
Edmund Spenser (The Faerie Queene, Books Three and Four)
It is because of the Biblical curse on man's search for knowledge, which has so paralyzed his mind during the past ages, and its detrimental effect upon progress, that makes the Bible the most wicked, the most detestable, the most pernicious, and the most obnoxious book ever published. It has been a curse to the human race. It is the duty of every brave and honest man and woman to do everything in his and her power to destroy the influence of this utterly stupid and vicious book, with its infantile concept of life and its nonsense concerning the universe. It is their duty to do everything within their power to stop its demoralizing and paralyzing influence upon the life of man. We will never achieve intellectual liberty until the wickedness of this book has been discarded with the belief in the flatness of the earth.
Joseph Lewis (An Atheist Manifesto)
Winston Churchill on Islam: “How dreadful are the curses which Mohammedanism lays on its votaries! Besides the fanatical frenzy, which is as dangerous in a man as hydrophobia in a dog, there is this fearful fatalistic apathy. Improvident habits, slovenly systems of agriculture, sluggish methods of commerce, and insecurity of property exist wherever the followers of the Prophet rule or live. A degraded sensualism deprives this life of its grace and refinement; the next of its dignity and sanctity. The fact that in Mohammedan law every woman must belong to some man as his absolute property—either as a child, a wife, or a concubine—must delay the final extinction of slavery until the faith of Islam has ceased to be a great power among men. “Individual Moslems may show splendid qualities. Thousands become the brave and loyal soldiers of the Queen: all know how to die. But the influence of the religion paralyses the social development of those who follow it. No stronger retrograde force exists in the world. Far from being moribund, Mohammedanism is a militant and proselytising faith. It has already spread throughout Central Africa, raising fearless warriors at every step; and were it not that Christianity is sheltered in the strong arms of science—the science against which it had vainly struggled—the civilisation of modern Europe might fall, as fell the civilisation of ancient Rome.
Robert Spencer (The Politically Incorrect Guide to Islam (and the Crusades))
And do not try to be so brave. I am your lifemate.You cannot hide from me something as powerful as fear." "Trepidation," she corrected, nibbling at the pad of his thumb. "Is there a difference?" His pale eyes had warmed to molten mercury. Just that fast, her body ent liquid in answer. "You know very well there is." She laughed again, and the sound traveled down from his heart to pool in his groin, a heavy,familiar ache. "Slight, perhaps, but very important." "I will try to make you happy, Savannah," he promised gravely. Her fingers went up to brush at the thick mane of hair falling around his face. "You are my lifemate, Gregori. I have no doubt you will make me happy." He had to look away,out the window into the night. She was so good, with so much beauty in her, while he was so dark, his goodness drained into the ground with the blood of all the lives he had taken while he waited for her. But now,faced with the reality of her, Gregori could not bear her to witness the blackness within him, the hideous stain across his soul. For beyond his killing and law-breaking, he had committed the gravest crime of all. And he deserved the ultimate penalty, the forfeit of his life. He had deliberately tempered with nature.He knew he was powerful enough, knew his knowledge exeeded the boundaries of Carpathian law. He had taken Savannah's free will, manipulated the chemistry between them so that she would believe he was her true lifemate. And so she was with him-less than a quarter of a century of innocence pitted against his thousand years of hard study.Perhaps that was his punishment, he mused-being sentenced to an eternity of knowing Savannah could never really love him, never really accept his black soul.That she would be ever near yet so far away. If she ever found out the extent of his manipulation, she would despise him. Yet he could never,ever, allow her to leave him. Not if mortals and immortals alike were to be safe. His jaw hardened, and he stared out the window, turning slightly away from her. His mind firmly left hers, not wanting to alert her to the grave crime he had committed.He could bear torture and centuries of isolation, he could bear his own great sins, but he could not endure her loathing him. Unconsciously, he took her hand in his and tightened his grip until it threatened to crush her fragile bones. Savannah glanced at him, let out a breath slowly to keep from wincing, and kept her hand passively in his.He thought his mind closed to her.Didn't believe she was his true lifemate. He truly believed he had manipulated the outcome of their joining unfairly and that somewhere another Carpathian male with the chemistry to match hers might be waiting.Though he had offered her free access to his mind, had himself given her the power,to meld her mind with his,both as her wolf and as her healer before she was born,he likely didn't think a woman,a fledging, and one who was not his true lifemate, could possibly have the skill to read his innermost secrets.But Savannah could. And completing the ancient ritual of lifemates had only strengthened the bond.
Christine Feehan (Dark Magic (Dark, #4))
While some male "admirers" of trans women tend to fetishize us for our femininity or our imagined sexual submissiveness, I find trans women hot because we are anything but docile or demure. In order to survive as a trans woman, you must be, by definition, impervious, unflinching, and tenacious. In a culture in which femaleness and femininity are on the receiving end of a seemingly endless smear campaign, there is no act more brave - especially for someone assigned a male sex at birth - than embracing one's femme self. And unlike those male tranny-chasers who say that they like "T-girls" because we are supposedly "the best of both worlds", I am attracted to trans women because we are all woman! My femaleness is so intense that it has overpowered the trillions of lameass Y chromosomes that sheepishly hide inside the cells of my body. And my femininity is so relentless that it has survived over thirty years of male socialisation and twenty years of testosterone poisoning. Some kinky-identified thrill-seekers may envision trans women as androgyne fuck fantasies, but that's only because they are too self-absorbed to appreciate how completely fucking female we are.
Julia Serano (Whipping Girl: A Transsexual Woman on Sexism and the Scapegoating of Femininity)
courage. If I have even a sliver of it, I will be lucky. Be brave. It was the last thing she said to me in this world, and I wish I’d told her that her courage would always guide me. In my dreams, I say, I love you, I tell her every day how she shaped me, how she taught me to stand up and find my woman’s voice, even in this man’s world. This is how my love for her goes on: in moments remembered and moments imagined. It’s how I keep her alive. Hers is the voice in my head, my conscience. I see the world, at least in part, through her eyes. Her story—which is the story of a time and land and the indomitable
Kristin Hannah (The Four Winds)
Despite the occasional backlash, I’ll continue to speak on this topic until people stop assuming that this debate is about whether or not to allow women into combat. Women are already fighting in combat with or without anyone’s permission, and they’re doing so valiantly. What they aren’t doing is being trained alongside their comrades-in-arms, given credit for doing the same jobs as their counterparts, given promotions to jobs overseeing combat operations, or being treated like combat veterans by people back home (even some in the Veterans Administration). Not every man has the skill set or warrior spirit for combat. Not every woman does, either. But everyone that does have that skill set should be afforded the opportunity to compete for jobs that enable them to serve in the way their heart calls them. For some people, that calling is in music or art. Some are natural teachers. There are those who will save lives with science. I was called to be a warrior and to fly and fight for my country. I was afforded the opportunity to answer that call, and because of that, I have lived a full and beautiful life. People will always be afraid of change. Just like when we integrated racially or opened up combat cockpits to women, there will always be those who are vocal in their opposition and their fear. History will do what it always does, however. It will make their ignorant statements, in retrospect, seem shortsighted and discriminatory, and the women who will serve their country bravely in the jobs that are now opening up will prove them wrong. Just like we always have.
Mary Jennings Hegar (Shoot Like a Girl: One Woman's Dramatic Fight in Afghanistan and on the Home Front)
Only the working class is capable of maintaining morale in the modern world with its distorted social relations. With firm and measured step it advances steadily towards its aim. It draws the working women to its ranks. The proletarian woman bravely starts out on the thorny path of labour. Her legs sag; her body is torn. There are dangerous precipices along the way, and cruel beasts of prey are close at hand. But only by taking this path is the woman able to achieve that distant but alluring aim – her true liberation in a new world of labour. During this difficult march to the bright future the proletarian woman, until recently a humiliated, downtrodden slave with no rights, learns to discard the slave mentality that has clung to her, step by step she transforms herself into an independent worker, an independent personality, free in love. It is she, fighting in the ranks of the proletariat, who wins for women the right to work; it is she, the “younger sister”, who prepares the ground for the “free” and “equal” woman of the future.
Alexandra Kollontai (The Social Basis of the Woman Question)
The Last Hero The wind blew out from Bergen from the dawning to the day, There was a wreck of trees and fall of towers a score of miles away, And drifted like a livid leaf I go before its tide, Spewed out of house and stable, beggared of flag and bride. The heavens are bowed about my head, shouting like seraph wars, With rains that might put out the sun and clean the sky of stars, Rains like the fall of ruined seas from secret worlds above, The roaring of the rains of God none but the lonely love. Feast in my hall, O foemen, and eat and drink and drain, You never loved the sun in heaven as I have loved the rain. The chance of battle changes -- so may all battle be; I stole my lady bride from them, they stole her back from me. I rent her from her red-roofed hall, I rode and saw arise, More lovely than the living flowers the hatred in her eyes. She never loved me, never bent, never was less divine; The sunset never loved me, the wind was never mine. Was it all nothing that she stood imperial in duresse? Silence itself made softer with the sweeping of her dress. O you who drain the cup of life, O you who wear the crown, You never loved a woman's smile as I have loved her frown. The wind blew out from Bergen to the dawning of the day, They ride and run with fifty spears to break and bar my way, I shall not die alone, alone, but kin to all the powers, As merry as the ancient sun and fighting like the flowers. How white their steel, how bright their eyes! I love each laughing knave, Cry high and bid him welcome to the banquet of the brave. Yea, I will bless them as they bend and love them where they lie, When on their skulls the sword I swing falls shattering from the sky. The hour when death is like a light and blood is like a rose, -- You never loved your friends, my friends, as I shall love my foes. Know you what earth shall lose to-night, what rich uncounted loans, What heavy gold of tales untold you bury with my bones? My loves in deep dim meadows, my ships that rode at ease, Ruffling the purple plumage of strange and secret seas. To see this fair earth as it is to me alone was given, The blow that breaks my brow to-night shall break the dome of heaven. The skies I saw, the trees I saw after no eyes shall see, To-night I die the death of God; the stars shall die with me; One sound shall sunder all the spears and break the trumpet's breath: You never laughed in all your life as I shall laugh in death.
G.K. Chesterton
We didn't, after all, sing "Another One Bites The Dust" as the coffin was carried out; Hazel and the vicar had settled instead on the more traditional "How Great Thou Art". And Aunty Rose's old adversary the mayor was pressed into service as a coffin bearer to replace Matt. Rose Adele Thornton, born in Bath, England, died in Waimanu, New Zealand, a mere fifty-three years later. Adept and compassionate nurse, fervent advocate of animal welfare, champion of correct diction and tireless crusader against the misuse of apostrophes. Experimental chef, peerless aunt, brave sufferer and true friend. She had the grace and courage to thoroughly enjoy a life which denied her everything she most wanted. The bravest woman I ever knew.
Danielle Hawkins (Dinner at Rose's)
A BRAVE AND STARTLING TRUTH We, this people, on a small and lonely planet Traveling through casual space Past aloof stars, across the way of indifferent suns To a destination where all signs tell us It is possible and imperative that we learn A brave and startling truth And when we come to it To the day of peacemaking When we release our fingers From fists of hostility And allow the pure air to cool our palms When we come to it When the curtain falls on the minstrel show of hate And faces sooted with scorn are scrubbed clean When battlefields and coliseum No longer rake our unique and particular sons and daughters Up with the bruised and bloody grass To lie in identical plots in foreign soil When the rapacious storming of the churches The screaming racket in the temples have ceased When the pennants are waving gaily When the banners of the world tremble Stoutly in the good, clean breeze When we come to it When we let the rifles fall from our shoulders And children dress their dolls in flags of truce When land mines of death have been removed And the aged can walk into evenings of peace When religious ritual is not perfumed By the incense of burning flesh And childhood dreams are not kicked awake By nightmares of abuse When we come to it Then we will confess that not the Pyramids With their stones set in mysterious perfection Nor the Gardens of Babylon Hanging as eternal beauty In our collective memory Not the Grand Canyon Kindled into delicious color By Western sunsets Nor the Danube, flowing its blue soul into Europe Not the sacred peak of Mount Fuji Stretching to the Rising Sun Neither Father Amazon nor Mother Mississippi who, without favor, Nurture all creatures in the depths and on the shores These are not the only wonders of the world When we come to it We, this people, on this minuscule and kithless globe Who reach daily for the bomb, the blade and the dagger Yet who petition in the dark for tokens of peace We, this people on this mote of matter In whose mouths abide cankerous words Which challenge our very existence Yet out of those same mouths Come songs of such exquisite sweetness That the heart falters in its labor And the body is quieted into awe We, this people, on this small and drifting planet Whose hands can strike with such abandon That in a twinkling, life is sapped from the living Yet those same hands can touch with such healing, irresistible tenderness That the haughty neck is happy to bow And the proud back is glad to bend Out of such chaos, of such contradiction We learn that we are neither devils nor divines When we come to it We, this people, on this wayward, floating body Created on this earth, of this earth Have the power to fashion for this earth A climate where every man and every woman Can live freely without sanctimonious piety Without crippling fear When we come to it We must confess that we are the possible We are the miraculous, the true wonder of this world That is when, and only when We come to it.
Maya Angelou (A Brave and Startling Truth)
I saw him with her last week, at a coffeehouse near my apartment. They were holding hands. She’s captivated him.” “The Lakota Captive.” Leta made a line in the air with her hand. “I can see it now, the wily, brave Lakota warrior with the brazen white woman pioneer. She carries him off into the sunset over her shoulder…” Cecily whacked her with a strand of grass she’d pulled. “You write history your way, I’ll write it my way,” Leta said wickedly. “Native Americans are stoic and unemotional,” Cecily reminded her. “All the books say so.” “We never read many books in the old days, so we didn’t know that,” came the dry explanation. She shook her head. “What a sad stereotype so many make of us-a bloodthirsty ignorant people who never smile because they’re too busy torturing people over hot fires.” “Wrong tribe,” Cecily corrected. She frowned thoughtfully. “That was the northeastern native people.” “Who’s the Native American here, you or me?” Cecily shrugged. “I’m German-American.” She brightened. “But I had a grandmother who dated a Cherokee man once. Does that count?” Leta hugged her warmly. “You’re my adopted daughter. You’re Lakota, even if you haven’t got my blood.
Diana Palmer (Paper Rose (Hutton & Co. #2))
I don't think that True love means your only love. I think true love means loving truly. Loving purely, loving wholly. Maybe if you're the kind of person who's willing to give all of yourself, the kind of person who is willing to love with all of your heart even though you've experienced just how much it can hurt. Maybe you get lots of true loves then. Maybe that's the gift you get for being brave. I am a woman who dares to love again. I finally love that about myself. It's messy to love after heartbreak. It's painful and it forces you to be honest with yourself about who you are. You have to work harder to find the words for your feelings because they don't fit into any prefabricated boxes. But it's worth it because look what you get. Great loves. Meaningful loves. True loves.
Taylor Jenkins Reid (One True Loves)
Sentimentality about Lee's story grew even as the harder truths of the book took no root. The story of an innocent black man bravely defended by a white lawyer in the 1930s fascinated millions of readers, despite its uncomfortable exploration of false accusations of rape involving a white woman. Lee's endearing characters, Atticus Finch and his precocious daughter, Scout, captivated readers while confronting them with some of the realities of race and justice in the South. A generation of future lawyers grew up hoping to become the courageous Atticus, who at one point arms himself to protect the defenseless black suspect from an angry mob of white men looking to lynch him. Today, dozens of legal organizations hand out awards in the fictional lawyer's name to celebrate the model of advocacy described in Lee's novel. What is often overlooked is that the black man falsely accused in the story was not successfully defended by Atticus. Tom Robinson, the wrongly accused black defendant, is found guilty. Later he dies when, full of despair, he makes a desperate attempt to escape from prison. He is shot seventeen times in the back by his captors, dying ingloriously but not unlawfully.
Bryan Stevenson (Just Mercy)
Feminism is going to make it possible for the first time for men to be free. At present the ordinary man has the choice between being a slave and being a scoundrel. For the ordinary man is prone to fall in love and marry and have children…. He wants to see them all taken care of, since they are unable to take care of themselves. Yet, if he has them to think about, he is not free…. The bravest things will not be done in the world until women do not have to look to men for support…. [But] men don’t want the freedom that women are thrusting on them. They don’t want a chance to be brave…. They want to give food and clothes and a little home with lace curtains to some woman. Men want the sense of power more than they want the sense of freedom…. They want someone dependent on them more than they want a comrade. As long as they can be lords in a thirty-dollar flat, they are willing enough to be slaves in the great world outside…. In short, they are afraid that they will cease to be sultans in little monogamic harems. But the world doesn’t want sultans. It wants men who can call their souls their own. And that is what feminism is going to do for men—give them back their souls, so that they can risk them fearlessly in the adventure of life.
Kate Bolick (Spinster: Making a Life of One's Own)
I felt like I was faking all of this, like I was playing the part of a student. I had the costume and the props, but I didn't really belong here. I'd pinned notes on the stupid corkboard backing of my desk, and I'd highlighted things...But it was all so meaningless. For about an hour, I had an overwheling urge to grab my bag, stuff in a few things, and take the next train to Bristol. I could be back on my parents' couch that night if I got moving. I could admit that I wasn't ready for this, that the semester was a wash. My parents would be thrilled, I was sure. Not about the semester being a wash--but certainly about having me back where they could keep me safe and sound. It would be so easy to do it. The very idea made me warm inside. It was okay to give up. I'd been brave. Everyone would say so. And yet...even as I opened a dresser drawer and figured out which things I would take with me in this hypothetical scenario, i remembered the problem. There would still be ghosts i would still have a future. I would still go back to school eventually. You can't curl up on the sofa and deny life forever. Life is always going to be a series of ouch-making moments, and the question was, was i going to go all fetal position, or was I going to woman up?
Maureen Johnson (The Madness Underneath (Shades of London, #2))
Artichokes Until you had been the last ones sitting in the cafe on the corner and she has kissed the dark rum from the rim of your glass and schooled you in the art of eating artichokes until then, you are not yet a woman. Until you put soft leaf to lip touch tongue to flesh, bite the lobe, swallow the juice she says will purify you until you open it up, sigh at the color, see it’s very middle and learn what fingers are best at until you reach further still into that thick, hot heart life has not yet started. Before you had been promised. Before she is a liar. Before you are dismantled, fixed and broke again you are not yet a lover. Remember on the right night and under the right light any idea can seem like a good one and love love is mostly ill-advised but always brave. The most important thing to do is not to worry. The lines on your face will never stop the sun from coming up. Your tears cannot affect the weather. There are wars going on. The one in your body is the only one you can be sure of losing or winning, then losing again. You drink more water than rum these days, don’t you? But you drink to her memory, don’t you? And you only take artichokes in salad. Never whole. Not in a cafe on a dusky street at midnight. Not with her. Never with her, or anyone like her.
Yrsa Daley-Ward (bone)
So, where’s my brother?” “I have no idea.” She tested the weight of the blade. “I hope you’re not . . . well, getting any feelings for him. That would be a mistake.” “Really? And why is that?” She gripped the handle of the dagger with one hand, while checking the sharpness of its blade with the other. “I just don’t think he could appreciate a woman like you.” “And you?” Gwenvael gave that smile that had gotten him more pleasure than he cared to admit. “I am not my brother, lady.” That’s when she moved. She was up and across the room, snatching him out of his chair in mere seconds. Annwyl slammed him face down on the table, her knee against his back to hold him in place. The point of her blade burrowed into the skin of his neck. As human, that blade could easily kill him. She leaned in and spoke quietly. “I don’t know what’s going on between you and your brother. And I don’t want to know. But I’ll not be the bone between you two dogs. So take yourself from my sight. I am in no mood.” With that she lifted him off the table and shoved him from the chamber. The crazed bitch had more strength than he had known, he realized as she sent him tumbling from her presence. He fell and slid across the cave floor, coming to an abrupt stop when a large boot slammed into his head. He looked up and braved a smile. “Oh. Hello, brother.” With a growl, Fearghus lifted him off the ground by the back of his neck.
G.A. Aiken (Dragon Actually (Dragon Kin, #1))
Why are you crying and laughing at the same time?” he demands. Was I laughing? So many feelings are flooding my body that I don’t know what to do with them. I look at him haughtily. “You’d have to be human to understand, Joshua dick-sucking piece-of-crap Smith. And by the way? You’re a liar, you little turd-breath asshole. You lied about nobody reporting me missing. You know why you had to lie? Because you’re fucking weak!” He lashes out and slaps me, and my ears ring, and I laugh and laugh, spiraling up into hysteria. “Oh my God. My God. Thank you for proving my point, wussy girl. I call you weak and it hurts your sad little feelings, and you respond like a puppet because I jerked your string. You just slapped a woman half your size who’s chained to a bed! You’re so brave, Joshua! Did that make you feel good about yourself? Are you going to come now?” Just fucking kill me already. What do I have to say to push him over the edge?
Ginger Talbot (Tamara, Taken (Blue Eyed Monsters #1))
I haven’t slept in two days so I feel tired now, lying on my sleeping bag. My feet are very cold but I am ok. In the long transition to sleep I entertain a complex paranoia about a group of people who will be assigned to review each action I have taken throughout my life. And once dead, I’ll meet them in council. There will be a group assigned to review my “thank-yous said” to “those not said.” There will be a group assigned to review every face I’ve made just after waking up. There will be a group assigned to review how I treated people who asked me for help. And a group assigned to review the times I felt bad but didn’t tell anyone. A group assigned to review the times I deliberately threw crayons into the small fan my third grade bus driver positioned by his face. And a group assigned to review bugs I needlessly stepped on. A group for this nap I’m taking too. And in the paranoia, I see myself getting dressed-up to go before them and answer questions. I’m very nervous before each council but I try to be brave. “This nap you took—” someone says. “Yes?” A mean-looking woman in the middle of the panel, she clasps her hands together and she says, “Tell us about this nap.” When I wake up, one of my legs is numb. And I remain awake in my sleeping bag, staring at the blinds until the black behind gets more blue, then lighter blue, then white. Sometimes I definitely feel a sense of accomplishment but it’s never after accomplishing something.
Sam Pink (Person)
All in the wicked darkest eve In blood and shadows alike; We strive to live through mighty pain, By mighty arms unite, Oft mighty hands make plain romance, A traveling heart's plight. Ah, cruel Nine! In such an hour, Beneath such dreadful weather, To beg a tale of life so bleak To stir bound wings of feathers! Yet what can one lone voice avail Against ten tongues together? Imperious Alice tumbles forth Her edict “we will end it”— In wistful tones her people hope “There will be justice in it”— While her men carry on the tale And also help begin it. Shit, this sudden war's begun, In ire giving chase The young woman moving through a land Of wonders dark and base, In friendly tryst with man and beast— The darkness she would face. And ever, as the story changed The wells of knowledge lie, And hearty strove that weary one To put her subjects by, “I am not brave—” “True fear is fine!” The frightened voices cry. Thus grew the tale of Underland: Thus slowly, one by one, Its queer events are fucking wrote— The tale is far from done, And home is where, the girl may ask, As she debates to run. Alice! A terrifying story, And with a skeleton hand Lay it where graveyard's nightmares bury The rebels no longer stand, Like magic's withered throne of corpses Plucked from a far-off land.
C.M. Stunich (Allison's Adventures in Underland (Harem of Hearts, #1))
I here behold a Commander in Chief who looks idle and is always busy; who has no other desk than his knees, no other comb than his fingers; constantly reclined on his couch, yet sleeping neither in night nor in daytime. A cannon shot, to which he himself is not exposed, disturbs him with the idea that it costs the life of some of his soldiers. Trembling for others, brave himself, alarmed at the approach of danger, frolicsome when it surrounds him, dull in the midst of pleasure, surfeited with everything, easily disgusted, morose, inconstant, a profound philosopher, an able minister, a sublime politician, not revengeful, asking pardon for a pain he has inflicted, quickly repairing an injustice, thinking he loves God when he fears the Devil; waving one hand to the females that please him, and with the other making the sign of the cross; receiving numberless presents from his sovereign and distributing them immediately to others; preferring prodigality in giving, to regularity in paying; prodigiously rich and not worth a farthing; easily prejudiced in favor of or against anything; talking divinity to his generals and tactics to his bishops; never reading, but pumping everyone with whom he converses; uncommonly affable or extremely savage, the most attractive or most repulsive of manners; concealing under the appearance of harshness, the greatest benevolence of heart, like a child, wanting to have everything, or, like a great man, knowing how to do without; gnawing his fingers, or apples, or turnips; scolding or laughing; engaged in wantonness or in prayers, summoning twenty aides de camp and saying nothing to any of them, not caring for cold, though he appears unable to exist without furs; always in his shirt without pants, or in rich regimentals; barefoot or in slippers; almost bent double when he is at home, and tall, erect, proud, handsome, noble, majestic when he shows himself to his army like Agamemnon in the midst of the monarchs of Greece. What then is his magic? Genius, natural abilities, an excellent memory, artifice without craft, the art of conquering every heart; much generosity, graciousness, and justice in his rewards; and a consummate knowledge of mankind. There
Robert K. Massie (Catherine the Great: Portrait of a Woman)
Grey was here.” He hadn’t known, that was obvious from the way his eyes widened. “You lie.” Rose chuckled. “I saw him. I spoke to him. He said he came to see me. And then he ran out of here as though the hounds of hell were nipping at his heels.” Archer shook his head, an expression of disbelief on his face. “They tend to do that when Hades freezes over.” Then he offered her a grin. “He braved being seen in public just to come here and see you?” “He was watching from a balcony. I wouldn’t have known he was here if the fortune teller hadn’t told me.” His brows shot up. “And there’s a story for another time. Look, Lady Rose, I know he’s frustrating as all get-out, but you cannot expect Grey to change years of behavior in a week. You have to be patient-like waves lapping at a stone.” That was so very easily said. He wasn’t the one being pressured to find a husband. He wasn’t the one who felt as though everything she wanted was just out of reach. “You know, I suddenly find myself very interested in Lady Monteforte’s literary tastes. Shall I make the introductions?” “I will hang your puppy if you do not.” Rose grinned. He truly was the most charming of rascals. “How very fortunate for me then, that I do not own a puppy.” “For shame. Every young lady should have a puppy.” Rose made the introductions, and Archer wasted no time in asking Lady Monteforte if she cared to dance. For a moment it seemed the lady might decline, but then Rose offered to stay with Jacqueline and Archer offered the widow his arm. She hesitated before taking it. Interesting. Rose had never seen a woman react so coolly to Archer’s charm before. The Kane men were obviously losing their touch.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
I am thirty. I made two girls within my own body, felt the rush of bringing them into the world, and when I saw their bodies, I saw a miracle. Their skin and eye lashes perfect. Tiny lips, tiny fingernails, eyes embodying innocence and awe. They grow and run around my house naked and scream wildly without self-awareness or social concern. I teach them about our culture and what is and isn’t acceptable. But what I will not teach them is shame of their body. It was beautiful from moment one, and that will not change - not with age, not with anything. One daughter looks at her body in the mirror, we talk about the organs and skin, how her body will change. She is beautiful on every count. I remember when I was six, and I know I have to warn her. Not shame her, but tell her how some people were not taught to love, but take for themselves and she must be brave and aware. It pains me as I tell her, her innocent mind not know why one person would hurt another in such a way. “Do not be afraid,” I tell her. “But this is our culture, so be smart and be aware my brave girl.” Shame teaches us, but I will not teach my daughters in this way. I will empower them to be proud of their bodies, respectful of their bodies, in awe of how miraculous it is and what it is capable of. I will tell my daughter that to be a woman is not to be lesser, not object, not the bed in the red light district, nor the “bitch” in the hotel. She is not the body to exploit or product to consume. “She” is not shame. “She” is beautiful woman with beautiful body, capable of cosmic realities. Holding someone close, experiencing love, making love, creating life, accepting another human life as her own, feeling pain, joy, giving strength, healing with a kiss, wholeness with a touch; giving physical and mental nourishment with her own body. “She” is grounded enough to follow, still capable to lead from a child to a nation. The woman’s body is made in the image of Love, from Love herself, Life herself, so she herself is of God. For my Grandmother, for my Mother, for my daughters, my friends, and as a reminder to myself: be proud, beautiful woman, your body is intrinsically good, perfectly good. Perfect from moment one.
Lisa Gungor (The Most Beautiful Thing I've Seen: Opening Your Eyes to Wonder)
Ever since he’d set eyes on Elizabeth Cameron he’d been blind-no, he corrected himself with furious self-disgust, in England he’d recognized instinctively what she was-gentle and proud, brave and innocent and…rare. He’d known damned well she wasn’t a promiscuous little flirt, yet he’d later convinced himself she was, and then he’d treated her like one here-and she had endured it the entire time she’d been here! She had let him say those things to her and then tried to excuse his behavior by blaming herself for behaving like “a shameless wanton” in England! Bile rose up in his throat, suffocating him, and he closed his eyes. She was so damned sweet, and so forgiving, that she even did that for him. Duncan hadn’t moved; in taut silence he watched his nephew standing at the window, his eyes clenched shut, his stance like that of a man who was being stretched on the rack. Finally Ian spoke, and his voice was rough with emotion, as if the words were being gouged out of him: “Did the woman say that, or was that your own opinion?” “About what?” Drawing a ragged breath, he asked, “Did she tell you that Elizabeth was in love with me two years ago, or was that your opinion?” The answer to that obviously meant so much to Ian that Duncan almost smiled. At the moment, however, the vicar was more concerned with the two things he wanted above all else: He wanted Ian to wed Elizabeth and rectify the damage he’d done to her, and he wanted Ian to reconcile with his grandfather. In order to do the former, Ian would have to do the latter, for Elizabeth’s uncle was evidently determined that her husband should have a title if possible. So badly did Duncan want those two things to happen that he almost lied to help the cause, but the precepts of his conscience forbade it. “It was Miss Throckmorton-Jones’s opinion when she was under the influence of laudanum. It is also my opinion, based on everything I saw in Elizabeth’s character and behavior to you.” He waited through another long moment of awful suspense, knowing exactly where Ian’s thoughts would have to turn next, and then he plunged in, ready to press home his advantage with hard, systematic logic. “You have no choice except to rescue her from that repugnant marriage.
Judith McNaught (Almost Heaven (Sequels, #3))
Vague assertions as to the equality of the sexes and the similarity of their duties are only empty words; they are no answer to my argument. It is a poor sort of logic to quote isolated exceptions against laws so firmly established. Women, you say, are not always bearing children. Granted; yet that is their proper business. Because there are a hundred or so of large towns in the world where women live licentiously and have few children, will you maintain that it is their business to have few children? And what would become of your towns if the remote country districts, with their simpler and purer women, did not make up for the barrenness of your fine ladies? There are plenty of country places where women with only four or five children are reckoned unfruitful. In conclusion, although here and there a woman may have few children, what difference does it make? Is it any the less a woman's business to be a mother? And do not the general laws of nature and morality make provision for this state of things? Even if there were these long intervals, which you assume, between the periods of pregnancy, can a woman suddenly change her way of life without danger? Can she be a nursing mother to-day and a soldier tomorrow? Will she change her tastes and her feelings as a chameleon changes his color? Will she pass at once from the privacy of household duties and indoor occupations to the buffeting of the winds, the toils, the labors, the perils of war? Will she be now timid, now brave, now fragile, now robust? If the young men of Paris find a soldier's life too hard for them, how would a woman put up with it, a woman who has hardly ventured out of doors without a parasol and who has scarcely put a foot to the ground? Will she make a good soldier at an age when even men are retiring from this arduous business? There are countries, I grant you, where women bear and rear children with little or no difficulty, but in those lands the men go half-naked in all weathers, they strike down the wild beasts, they carry a canoe as easily as a knapsack, they pursue the chase for 700 or 800 leagues, they sleep in the open on the bare ground, they bear incredible fatigues and go many days without food. When women become strong, men become still stronger; when men become soft, women become softer; change both the terms and the ratio remains unaltered.
Jean-Jacques Rousseau (Emile, or On Education)
I only have the story in two parts from Miss Throckmorton-Jones. The first time she spoke she was under the influence of laudanum. Today she was under the influence of what I can only describe as the most formidable temper I’ve ever seen. However, while I may not have the complete story, I certainly have the gist of it, and if half what I’ve heard is true, then it’s obvious that you are completely without either a heart or a conscience! My own heart breaks when I imagine Elizabeth enduring what she has for nearly two years. When I think of how forgiving of you she has been-“ “What did the woman tell you?” Ian interrupted shortly, turning and walking over to the window. His apparent lack of concern so enraged the vicar that he surged to his feet and stalked over to Ian’s side, glowering at his profile. “She told me you ruined Elizabeth Cameron’s reputation beyond recall,” he snapped bitterly. “She told me that you convinced that innocent girl-who’d never been away from her country home until a few weeks before meeting you-that she should meet you in a secluded cottage, and later in a greenhouse. She told me that the scene was witnessed by individuals who made great haste to spread the gossip, and that it was all over the city in a matter of days. She told me Elizabeth’s fiancé heard of it and withdrew his offer because of you. When he did that, society assumed Elizabeth’s character must indeed be of the blackest nature, and she was summarily dropped by the ton. She told me that a few days later Elizabeth’s brother fled England to escape their creditors, who would have been paid off when Elizabeth made an advantageous marriage, and that he’s never returned.” With grim satisfaction the vicar observed the muscle that was beginning to twitch in Ian’s rigid jaw. “She told me the reason for Elizabeth’s going to London in the first place had been the necessity for making such a marriage-and that you destroyed any chance of that ever happening. Which is why that child will now have to marry a man you describe as a lecher three times her age!” Satisfied that his verbal shots were finding their mark, he fired his final, most killing around. “As a result of everything you have done, that brave, beautiful girl has been living in shamed seclusion for nearly two years. Her house, of which she spoke with such love, has been stripped of its valuables by creditors. I congratulate you, Ian. You have made an innocent girl into an impoverished leper! And all because she fell in love with you on sight. Knowing what I now know of you, I can only wonder what she saw in you!
Judith McNaught (Almost Heaven (Sequels, #3))
I have time for only one drink,” Jordan said, glancing at the ormolu clock on the opposite wall. “I’ve promised Alexandra to stand at her side at a ball tonight and beam approvingly at a friend of hers.” Whenever Jordan mentioned his wife’s name, Ian noted with amusement, the other man’s entire expression softened. “Care to join us?” Ian shook his head and accepted his drink from the footman. “It sounds boring as hell.” “I don’t think it’ll be boring, precisely. My wife has taken it upon herself to defy the entire ton and sponsor the girl back into the ranks. Based on some of the things Alexandra said in her note, that will be no mean feat.” “Why is that?” Ian inquired with more courtesy than interest. Jordan sighed and leaned his head back, weary from the hours he’d been working for the last several weeks and unexcited at the prospect of dancing attendance on a damsel in distress-one he’d never set eyes on. “The girl fell into the clutches of some man two years ago and an ugly scandal ensued.” Thinking of Elizabeth and himself, Ian said casually, “That’s not an uncommon occurrence, evidently.” “From what Alex wrote me, it seems this case is rather extreme.” “In what way?” “For one thing, there’s every chance the young woman will get the cut direct tonight from half the ton-and that’s the half that will be willing to acknowledge her. Alex has retaliated by calling in the heavy guns-my grandmother, to be exact, and Tony and myself, to a lesser degree. The object is to try to brave it out, but I don’t envy the girl. Unless I miss my guess, she’s going to be flayed alive by the wagging tongues tonight. Whatever the bastard did,” Jordan finished, downing his drink and starting to straighten in his chair, “it was damaging as hell. The girl-who’s purported to be incredibly beautiful, by the way-has been a social outcast for nearly two years.” Ian stiffened, his glass arrested partway to his mouth, his sharpened gaze on Jordan, who was already starting to rise. “Who’s the girl?” he demanded tautly. “Elizabeth Cameron.” “Oh, Christ!” Ian exploded, surging out of his chair and snatching up his evening jacket. “Where are they?” “At the Willington’s. Why?” “Because,” Ian bit out, impatiently shrugging into his jacket and tugging the frilled cuffs of his shirt into place, “I’m the bastard who did it.” An indescribable expression flashed across the Duke of Hawthorne’s face as he, too, pulled on his evening jacket. “You are the man Alexandra described in her note as an ‘unspeakable cad, vile libertine,’ and ‘despoiler of innocents’?” “I’m all that and more,” Ian replied grimly, stalking toward the door with Jordan Townsende beside him. “You go to the Willingtons’ as quickly as you can,” he instructed. “I’ll be close behind you, but I’ve a stop to make first. And don’t, for God’s sake, tell Elizabeth I’m on my way.” Ian flung himself into his coach, snapped orders to his driver, and leaned back, counting minutes, telling himself it couldn’t possibly be going as badly for her as he feared it would. And never once did he stop to think that Jordan Townsende had no idea what motives could possibly prompt Elizabeth Cameron’s “despoiler” to be bent on meeting her at the Willington’s ball.
Judith McNaught (Almost Heaven (Sequels, #3))