Ironing Business Quotes

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Whenever you are going through life’s challenges, remember that for iron to be cast into its desired form, it must first go through intense heat.
Idowu Koyenikan (All You Need Is a Ball: What Soccer Teaches Us about Success in Life and Business)
Nico strode forward. The enemy army fell back before him like he radiated death, which of course he did. Through the face guard of his skull-shaped helmet, he smiled. "Got your message. Is it too late to join the party?" "Son of Hades." Kronos spit on the ground. "Do you love death so much you wish to experience it?" "Your death," Nico said, "would be great for me." "I'm immortal, you fool! I have escaped Tartarus. You have no business here, and no chance to live." Nico drew his sword-three feet of wicked sharp Stygian iron, black as a nightmare. "I don't agree.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
It was ironic, really - you want to die because you can't be bothered to go on living - but then you're expected to get all energetic and move furniture and stand on chairs and hoist ropes and do complicated knots and attach things to other things and kick stools from under you and mess around with hot baths and razor blades and extension cords and electrical appliances and weedkiller. Suicide was a complicated, demanding business, often involving visits to hardware shops. And if you've managed to drag yourself from the bed and go down the road to the garden center or the drug store, by then the worst is over. At that point you might as well just go to work.
Marian Keyes (Lucy Sullivan Is Getting Married)
But she was seventeen now and not actually dumb. She knew that you could love somebody more than anything and still not love the person all that much, if you were busy with other things.
Jonathan Franzen (Freedom)
Instead of saying “I don’t have time” try saying “it’s not a priority,” and see how that feels. Often, that’s a perfectly adequate explanation. I have time to iron my sheets, I just don’t want to. But other things are harder. Try it: “I’m not going to edit your résumé, sweetie, because it’s not a priority.” “I don’t go to the doctor because my health is not a priority.” If these phrases don’t sit well, that’s the point. Changing our language reminds us that time is a choice. If we don’t like how we’re spending an hour, we can choose differently.
Laura Vanderkam
Some days I feel like playing it smooth. Some days I feel like playing it like a waffle iron.
Raymond Chandler (Trouble Is My Business (Philip Marlowe, #8))
I closed my eyes instead. And Puck kissed me. “If you are going to do that, would you mind not jostling the bed so much?” came a sarcastic voice near the headboard. “Perhaps you could roll around on the floor.” Blushing furiously, I looked up. Grimalkin lay on the pillow, watching us with a bemused, half-lidded stare. Puck followed my gaze and let out an explosive sigh. “Did I ever mention how much I hate cats?” “Do not blame me, Goodfellow.” Grimalkin blinked, managing to sound bored and indignant at the same time. “I was minding my own business long before you and the princess started humping like rabbits.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
He stepped back with exaggerated courtesy. But when I walked past him, he swatted my rump. Hard enough to sting. “You need to be more careful,” he growled. “Keep interfering in my business and you might get hurt.” I said sweetly as I continued to Jesse's room, “The last man who swatted me like that is rotting in his grave.” “I have no doubt about it.” His voice was more satisfied then contrite.
Patricia Briggs (Iron Kissed (Mercy Thompson, #3))
Will you tell me about Genghis Khan’s whores while I’m in the bath?" "Hordes, not whores. He had both, though, now that you mention it." "Sounds like he was a busy guy." You have no idea.
Kevin Hearne (Hounded (The Iron Druid Chronicles, #1))
W-what do you want?" I asked, thankful that my voice only trembled a little bit. That Cat Didn't blink. "Human," he said, and if a cat could sound patronizing, this one nailed it, "think about the absurdity of the question. I am resting in my tree, minding my own business and wondering if I should hunt today, when you come flying in like a bean sidhe and scare off every bird for miles around. Then, you have the audacity to ask what I want." He sniffed and gave me a very catlike stare of disdain. "I am aware that mortals are rude and barbaric, but still.
Julie Kagawa (The Iron King (The Iron Fey, #1))
There is an internal landscape, a geography of the soul; we search for its outlines all our lives. Those who are lucky enough to find it ease like water over a stone, onto its fluid contours, and are home. Some find it in the place of their birth; others may leave a seaside town, parched, and find themselves refreshed in the desert. There are those born in rolling countryside who are really only at ease in the intense and busy loneliness of the city. For some, the search is for the imprint of another; a child or a mother, a grandfather or a brother, a lover, a husband, a wife, or a foe. We may go through our lives happy or unhappy, successful or unfulfilled, loved or unloved, without ever standing cold with the shock of recognition, without ever feeling the agony as the twisted iron in our soul unlocks itself and we slip at last into place.
Josephine Hart
Though her husband often went on business trips, she hated to be left alone. "I've solved your problem," he said. "I've bought you a St. Bernard. Its name is Great Reluctance. Now, when I go away, you shall know that I am leaving you with Great Reluctance!" She hit him with a waffle iron.
Charles M. Schulz (The Complete Peanuts, 1973-1974 (The Complete Peanuts, #12))
Whats ironic,” he adds, shaking his head, “is that everyone’s so busy trying not to look like they’re looking at you that they’re really not looking at you.” Wait. So what you’re saying…” I pause. “What you’re saying is…people aren’t really looking at me?
K.L. Going (Fat Kid Rules the World)
Then the business game is to make profits out of others, and to prevent others from making profits out of you.
Jack London (The Iron Heel)
Most of the time we are trying to make the good things last, or we are thinking about replacing them with something even better in the future, or we are sunk in the past, reminiscing about happier times. Ironically, we never truly appreciated the experience for which we are nostalgic because we were too busy clinging to our hopes and fears at the time.
Dzongsar Jamyang Khyentse (What Makes You Not a Buddhist)
It is truly ironic that a four-hundred tonne aluminium monster floats so effortlessly through the sky, and only the five-year-old thinks to say, "Wow!
Salma Farook (What Your Soul Already Knows)
Past the flannel plains and blacktop graphs and skylines of canted rust, and past the tobacco-brown river overhung with weeping trees and coins of sunlight through them on the water downriver, to the place beyond the windbreak, where untilled fields simmer shrilly in the A.M. heat: shattercane, lambsquarter, cutgrass, saw brier, nutgrass, jimson-weed, wild mint, dandelion, foxtail, spinecabbage, goldenrod, creeping Charlie, butterprint, nightshade, ragweed, wild oat, vetch, butcher grass, invaginate volunteer beans, all heads nodding in a soft morning breeze like a mother’s hand on your check. An arrow of starlings fired from the windbreak’s thatch. The glitter of dew that stays where it is and steams all day. A Sunflower, four more one bowed, and horses in the distance standing rigid as toys. All nodding. Electric sounds of insects at their business. Ale-colored sunshine and pale sky and whorls of cirrus so high they cast no shadow. Insects all business all the time. Quartz and chert and schist and chondrite iron scabs in granite. Very old land. Look around you. The horizon trembling, shapeless. We are all of us brothers.
David Foster Wallace
I’m probably the only sixteen-year-old girl in a three hundred mile radius who knows how to distinguish between a poltergeist from an actual ghost (hint: If you can disrupt it with nitric acid, or if it throws new crap at you every time, it’s a poltergeist), or how to tell if a medium’s real or faking it (poke ‘em with a true iron needle). I know the six signs of a good occult store (Number One is the proprietor bolts the door before talking about Real Business) and the four things you never do when you’re in a bar with other people who know about the darker side of the world (don’t look weak). I know how to access public information and talk my way around clerks in courthouses (a smile and the right clothing will work wonders). I also know how to hack into newspaper files, police reports, and some kinds of government databases (primary rule: Don’t get caught. Duh).
Lilith Saintcrow (Strange Angels (Strange Angels, #1))
In life, the question is not if you will have problems, but how you are going to deal with your problems. If the possibility of failure were erased, what would you attempt to achieve? The essence of man is imperfection. Know that you're going to make mistakes. The fellow who never makes a mistake takes his orders from one who does. Wake up and realize this: Failure is simply a price we pay to achieve success. Achievers are given multiple reasons to believe they are failures. But in spite of that, they persevere. The average for entrepreneurs is 3.8 failures before they finally make it in business. When achievers fail, they see it as a momentary event, not a lifelong epidemic. Procrastination is too high a price to pay for fear of failure. To conquer fear, you have to feel the fear and take action anyway. Forget motivation. Just do it. Act your way into feeling, not wait for positive emotions to carry you forward. Recognize that you will spend much of your life making mistakes. If you can take action and keep making mistakes, you gain experience. Life is playing a poor hand well. The greatest battle you wage against failure occurs on the inside, not the outside. Why worry about things you can't control when you can keep yourself busy controlling the things that depend on you? Handicaps can only disable us if we let them. If you are continually experiencing trouble or facing obstacles, then you should check to make sure that you are not the problem. Be more concerned with what you can give rather than what you can get because giving truly is the highest level of living. Embrace adversity and make failure a regular part of your life. If you're not failing, you're probably not really moving forward. Everything in life brings risk. It's true that you risk failure if you try something bold because you might miss it. But you also risk failure if you stand still and don't try anything new. The less you venture out, the greater your risk of failure. Ironically the more you risk failure — and actually fail — the greater your chances of success. If you are succeeding in everything you do, then you're probably not pushing yourself hard enough. And that means you're not taking enough risks. You risk because you have something of value you want to achieve. The more you do, the more you fail. The more you fail, the more you learn. The more you learn, the better you get. Determining what went wrong in a situation has value. But taking that analysis another step and figuring out how to use it to your benefit is the real difference maker when it comes to failing forward. Don't let your learning lead to knowledge; let your learning lead to action. The last time you failed, did you stop trying because you failed, or did you fail because you stopped trying? Commitment makes you capable of failing forward until you reach your goals. Cutting corners is really a sign of impatience and poor self-discipline. Successful people have learned to do what does not come naturally. Nothing worth achieving comes easily. The only way to fail forward and achieve your dreams is to cultivate tenacity and persistence. Never say die. Never be satisfied. Be stubborn. Be persistent. Integrity is a must. Anything worth having is worth striving for with all your might. If we look long enough for what we want in life we are almost sure to find it. Success is in the journey, the continual process. And no matter how hard you work, you will not create the perfect plan or execute it without error. You will never get to the point that you no longer make mistakes, that you no longer fail. The next time you find yourself envying what successful people have achieved, recognize that they have probably gone through many negative experiences that you cannot see on the surface. Fail early, fail often, but always fail forward.
John C. Maxwell (Failing Forward)
But, look, it is good to have a dream so long as you do not let it gnaw at the substance of your present. I have seen men consumed by their dreams, and it is a sour business. If you cling too tightly to a dream—a poodle bitch or a personal sausage chef or whatever—then you miss the felicity of your heart beating and the smell of the grass growing and the sounds lizards make when you run through the neighborhood with our friend. Your dream should be like a favorite old bone that you savor and cherish and chew upon gently. Then, rather than stealing from you a wasted sigh or the life of an idle hour, it nourishes you, and you become strangely contented by nostalgia for a possible future, so juicy with possibility and redolent of sautéed garlic and decadent slabs of bacon that you feel full when you’ve eaten nothing. And then, one fine day when the sun smiles upon your snout, then the time is right, you bite down hard. The dream is yours. And then you chew on the next one.
Kevin Hearne (Hammered (The Iron Druid Chronicles, #3))
What business have I with this pipe? This thing that is meant for sereneness, to send up mild white vapors among mild white hairs, not among torn iron-grey locks like mine. I'll smoke no more.
Herman Melville (Moby-Dick or, The Whale)
There is evidence that the honoree [Leonard Cohen] might be privy to the secret of the universe, which, in case you're wondering, is simply this: everything is connected. Everything. Many, if not most, of the links are difficult to determine. The instrument, the apparatus, the focused ray that can uncover and illuminate those connections is language. And just as a sudden infatuation often will light up a person's biochemical atmosphere more pyrotechnically than any deep, abiding attachment, so an unlikely, unexpected burst of linguistic imagination will usually reveal greater truths than the most exacting scholarship. In fact. The poetic image may be the only device remotely capable of dissecting romantic passion, let alone disclosing the inherent mystical qualities of the material world. Cohen is a master of the quasi-surrealistic phrase, of the "illogical" line that speaks so directly to the unconscious that surface ambiguity is transformed into ultimate, if fleeting, comprehension: comprehension of the bewitching nuances of sex and bewildering assaults of culture. Undoubtedly, it is to his lyrical mastery that his prestigious colleagues now pay tribute. Yet, there may be something else. As various, as distinct, as rewarding as each of their expressions are, there can still be heard in their individual interpretations the distant echo of Cohen's own voice, for it is his singing voice as well as his writing pen that has spawned these songs. It is a voice raked by the claws of Cupid, a voice rubbed raw by the philosopher's stone. A voice marinated in kirschwasser, sulfur, deer musk and snow; bandaged with sackcloth from a ruined monastery; warmed by the embers left down near the river after the gypsies have gone. It is a penitent's voice, a rabbinical voice, a crust of unleavened vocal toasts -- spread with smoke and subversive wit. He has a voice like a carpet in an old hotel, like a bad itch on the hunchback of love. It is a voice meant for pronouncing the names of women -- and cataloging their sometimes hazardous charms. Nobody can say the word "naked" as nakedly as Cohen. He makes us see the markings where the pantyhose have been. Finally, the actual persona of their creator may be said to haunt these songs, although details of his private lifestyle can be only surmised. A decade ago, a teacher who called himself Shree Bhagwan Rajneesh came up with the name "Zorba the Buddha" to describe the ideal modern man: A contemplative man who maintains a strict devotional bond with cosmic energies, yet is completely at home in the physical realm. Such a man knows the value of the dharma and the value of the deutschmark, knows how much to tip a waiter in a Paris nightclub and how many times to bow in a Kyoto shrine, a man who can do business when business is necessary, allow his mind to enter a pine cone, or dance in wild abandon if moved by the tune. Refusing to shun beauty, this Zorba the Buddha finds in ripe pleasures not a contradiction but an affirmation of the spiritual self. Doesn't he sound a lot like Leonard Cohen? We have been led to picture Cohen spending his mornings meditating in Armani suits, his afternoons wrestling the muse, his evenings sitting in cafes were he eats, drinks and speaks soulfully but flirtatiously with the pretty larks of the street. Quite possibly this is a distorted portrait. The apocryphal, however, has a special kind of truth. It doesn't really matter. What matters here is that after thirty years, L. Cohen is holding court in the lobby of the whirlwind, and that giants have gathered to pay him homage. To him -- and to us -- they bring the offerings they have hammered from his iron, his lead, his nitrogen, his gold.
Tom Robbins
When a woman gets pregnant, her body is suddenly everybody’s business. Endless restrictions could be clamped onto her “for the good of the baby.” There’s no better tool of control.
Xiran Jay Zhao (Iron Widow (Iron Widow, #1))
We’ve been so busy with these things we let ourselves think actually mattered, but they don’t. There’s no such thing as the right career, or morality, or destiny, or fate. There’s only life. And whether you honor it or ignore it. It’s ironic, but in trying to find God we’ve been ignoring life.
Trevor D. Richardson (Dystopia Boy: The Unauthorized Files)
The usual example given to illustrate an Outside Context Problem was imagining you were a tribe on a largish, fertile island; you'd tamed the land, invented the wheel or writing or whatever, the neighbours were cooperative or enslaved but at any rate peaceful and you were busy raising temples to yourself with all the excess productive capacity you had, you were in a position of near-absolute power and control which your hallowed ancestors could hardly have dreamed of and the whole situation was just running along nicely like a canoe on wet grass... when suddenly this bristling lump of iron appears sailless and trailing steam in the bay and these guys carrying long funny-looking sticks come ashore and announce you've just been discovered, you're all subjects of the Emperor now, he's keen on presents called tax and these bright-eyed holy men would like a word with your priests.
Iain Banks
Do not blame me, Goodfellow.” Grimalkin blinked, managing to sound bored and indignant at the same time. “I was minding my own business long before you and the princess started humping like rabbits.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
Thriving through change requires clear strategy. But ironically, it also requires the willingness to toss all of your existing plans out the window if the business is presented with new data or new circumstances that delegitimize the clear strategy.
Hendrith Vanlon Smith Jr.
Past the flannel plains and blacktop graphs and skylines of canted rust, and past the tobacco-brown river overhung with weeping trees and coins of sunlight through them on the water downriver, to the place beyond the windbreak, where untilled fields simmer shrilly in the A.M. heat: shattercane, lamb's-quarter, cutgrass, sawbrier, nutgrass, jimsonweed, wild mint, dandelion, foxtail, muscadine, spinecabbage, goldenrod, creeping charlie, butter-print, nightshade, ragweed, wild oat, vetch, butcher grass, invaginate volunteer beans, all heads gently nodding in a morning breeze like a mother's soft hand on your cheek. An arrow of starlings fired from the windbreak's thatch. The glitter of dew that stays where it is and steams all day. A sunflower, four more, one bowed, and horses in the distance standing rigid and still as toys. All nodding. Electric sounds of insects at their business. Ale-colored sunshine and pale sky and whorls of cirrus so high they cast no shadow. Insects all business all the time. Quartz and chert and schist and chondrite iron scabs in granite. Very old land. Look around you. The horizon trembling, shapeless. We are all of us brothers. Some crows come overhead then, three or four, not a murder, on the wing, silent with intent, corn-bound for the pasture's wire beyond which one horse smells at the other's behind, the lead horse's tail obligingly lifted. Your shoes' brand incised in the dew. An alfalfa breeze. Socks' burrs. Dry scratching inside a culvert. Rusted wire and tilted posts more a symbol of restraint than a fence per se. NO HUNTING. The shush of the interstate off past the windbreak. The pasture's crows standing at angles, turning up patties to get at the worms underneath, the shapes of the worms incised in the overturned dung and baked by the sun all day until hardened, there to stay, tiny vacant lines in rows and inset curls that do not close because head never quite touches tail. Read these.
David Foster Wallace (The Pale King)
Did I ever mention how much I hate cats?” “Do not blame me, Goodfellow.” Grimalkin blinked, managing to sound bored and indignant at the same time. “I was minding my own business long before you and the princess started humping like rabbits.” Puck snorted. Rolling to his stomach, he pushed himself off the bed and pulled me up with him, wrapping me in his arms.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
Did you slip in some cheese? Did it make you hate cheese, which you had previously loved? Why not sue a cheese-maker? Sue him for all the cheese he's got, drive him out of the cheese-making business! Did you burn your face with an iron? Why not sue Prometheus, the god that invented fire? Or an Iron Age chieftain, for having the temerity to popularise the metal.
Stewart Lee
Only the spider paid no mind when the unicorn called softly to her through the open door. Arachne was busy with a web which looked to her as though the Milky Way had begun to fall like snow. The unicorn whispered, 'Weaver, freedom is better, freedom is better,' but the spider fled unhearing up and down her iron loom.
Peter S. Beagle
It’s ironic that people speak of artists as dreamers. I think they are the most grounded people around. Conscious and present. As an artist, you really see life, connect with its beauty, and create something that shares those observations with others. You notice things.
Danny Gregory (Art Before Breakfast: A Zillion Ways to be More Creative No Matter How Busy You Are)
Ironically, the biggest obstacle to putting a training program in place is the perception that it will take too much time. Keep in mind that there is no investment that you can make that will do more to improve productivity in your company. Therefore, being too busy to train is the moral equivalent of being too hungry to eat. Furthermore, it’s not that hard to create basic training courses.
Ben Horowitz (The Hard Thing About Hard Things: Building a Business When There Are No Easy Answers)
Do you think you people will get it on the six or seventh hundredth time? We’re being ironically evil.” “But he’s actually dead!” pressed Tim. “Ugh,” the priest waved a hand dismissively. “I wouldn’t expect your generation to understand sophisticated humor. Now, if no one has any other business to raise . . .
Yahtzee Croshaw (Jam)
Her hand shot to the front of his breeches, making claws of her fingers and trapping his genitals in a tight grip. He froze. As if testing, she hefted the firm weight she found. Heavy, but so very delicate. She bared her teeth. “And even in the dark, now I’ll know that I’m ripping off the right cods.” His eyes narrowed, and the hot interest she saw in his gaze sent shivers skittering down her spine. That wasn’t just business now. She tightened her grip.
Meljean Brook
When they want to do a thing, in business of course, they must wait till there arises in their brains, somehow, a religious, or ethical, or scientific, or philosophic, concept that the thing is right. And then they go ahead and do it, unwitting that one of the weaknesses of the human mind is that the wish is parent to the thought.
Jack London (The Iron Heel)
She saw beauty in ordinary little things and took pleasure in it (and this was just as well because she had had very little pleasure in her life). She took pleasure in a well-made cake, a smoothly ironed napkin, a pretty blouse, laundered and pressed; she liked to see the garden well dug, the rich soil brown and gravid; she loved her flowers. When you are young you are too busy with yourself... you haven't time for ordinary little things but, when you leave youth behind, your eyes open and you see magic and mystery all around you: magic in the flight of a bird, the shape of a leaf, the bold arch of a bridge against the sky, footsteps at night and a voice calling in the darkness, the moment in a theatre before the curtain rises, the wind in the trees, or (in winter) an apple-branch clothed with pure white snow and icicles hanging from from a stone and sparkling with rainbow colours.
D.E. Stevenson (Vittoria Cottage (Dering Family #1))
A business man who was also a biologist and a sociologist would know, approximately, the right thing to do for humanity. But, outside the realm of business, these men are stupid. They know only business. They do not know mankind nor society, and yet they set themselves up as arbiters of the fates of the hungry millions and all the other millions thrown in. History, some day, will have an excruciating laugh at their expense." I was not surprised when I had my
Jack London (The Iron Heel)
There is an internal landscape, a geography of the soul: we search for its outlines all over our lives. Those who are lucky enough to find it ease like water over stone, onto its fluid contours, and are home. Some find it in a place of their birth; others may leave a seaside town, parched, and find themselves refreshed in the desert. there are those born in rolling countryside who are really only at ease in the intense and busy loneliness of the city. For some, the search is for the imprint of another; a child or a mother, a grandfather or a brother, a lover, a husband, a wife, or a foe. We may go through our lives happy or unhappy, successful or unfulfilled, loved, or unloved, without ever standing cold with the shock or recognition, without ever feeling the agony as the twisted iron in our soul unlocks itself and we slip at last into place.
Josephine Hart
It's ironic - but in business, the greatest success goes to the greatest servants.
Hendrith Vanlon Smith Jr.
You cannot prove your worth by bylines and busyness.
Katelyn S. Bolds
It's ironic, since they're supposed to be immortal, but vampires are kind of like small businesses: half of them go down within their first year
Alexis Hall (Shadows & Dreams (Kate Kane, Paranormal Investigator, #2))
Ironically, much of the information we have on how the Indian system actually works comes from the result of investigations abroad –
Josy Joseph (A Feast of Vultures: The Hidden Business of Democracy in India)
When a woman gets pregnant, her body is suddenly everybody's business. Endless restrictions could be clamped onto her "for the good of the baby". There's no better tool of control.
Xiran Jay Zhao (Iron Widow (Iron Widow, #1))
Oberon said from behind the counter. I busied myself making Emily's tea and spoke to him through our link. 'Yes, well, she's decided to take the high road, so I'll be happy to walk it with her as long as she likes.' 'Nope. She's a witch. A polite witch, but still a witch. She's got a charm on her hair that would have had me giving her anything she wanted if I hadn't been wearing protection. Don't take anything from her, by the way.' 'Oh yes she does. Emily has probably already told her.' 'How would you know the difference if she did? You think all sausages are magic.
Kevin Hearne (Hounded (The Iron Druid Chronicles, #1))
Thus far, our responsibility for how we treat chickens and allow them to be treated in our culture is dismissed with blistering rhetoric designed to silence objection: “How the hell can you compare the feelings of a hen with those of a human being?” One answer is, by looking at her. It does not take special insight or credentials to see that a hen confined in a battery cage is suffering, or to imagine what her feelings must be compared with those of a hen ranging outside in the grass and sunlight. We are told that we humans are capable of knowing just about anything that we want to know—except, ironically, what it feels like to be one of our victims. We are told we are being “emotional” if we care about a chicken and grieve over a chicken’s plight. However, it is not “emotion” that is really under attack, but the vicarious emotions of pity, sympathy, compassion, sorrow, and indignity on behalf of the victim, a fellow creature—emotions that undermine business as usual. By contrast, such “manly” emotions as patriotism, pride, conquest, and mastery are encouraged.
Karen Davis (Prisoned Chickens Poisoned Eggs: An Inside Look at the Modern Poultry Industry)
It is ironic that a business in which the serving of clients depends so heavily on interpersonal psychology should be peopled with those who believe in the exclusive power of technical mastery. And
David H. Maister (The Trusted Advisor: 20th Anniversary Edition)
A totalitarian regime thus has one political party, one educational system, one artistic creed, one centrally planned economy, one unified media, and one moral code. In a totalitarian state there are no independent schools, no private businesses, no grassroots organizations, and no critical thought.
Anne Applebaum (Iron Curtain: The Crushing of Eastern Europe, 1944-1956)
So much of life, it seems to me, is the framing and naming of things. I had been so busy creating a future of love that I never identified the life I was living as the life of love, because up until then I had never felt entitled enough or free enough or, honestly, brave enough to embrace my own narrative. Ironically, I had gone ahead and created the life I secretly must have wanted, but it had to be covert and off the record. Chemo was burning away the wrapper and suddenly I was in my version of life. Thus began the ecstasy - the joy, the pure joy of a spiritual pirate who finds the secret treasure.
V (formerly Eve Ensler) (In the Body of the World)
Illness strips you back to an authentic self, but not one you need to meet. Too much is claimed for authenticity. Painfully we learn to live in the world, and to be false. Then all our defences are knocked down in one sweep. In sickness we can’t avoid knowing about our body and what it does, its animal aspect, its demands. We see things that never should be seen; our inside is outside, the body’s sewer pipes and vaults exposed to view, as if in a woodcut of our own martyrdom. The whole of life – the business of moving an inch – requires calculation. The suffering body must shape itself around the iron dawn routine, which exists for the very sick as well as the convalescent: the injection in the abdomen, pain relief, blood tests as needed, then the long haul out of bed, the shaking progress to the bathroom, the awesome challenge of washcloth and soap.
Hilary Mantel (Ink In The Blood: A Hospital Diary)
Around about now, young John Owen comes out of the shack lugging my old musket from the War. At six years of age, our youngest boy already knew his business. Not a word, just brings the shooting iron somewhat closer so's he don't waste powder, then hoists her up, set to haul back on the trigger. I believe his plan was to shoot this feller, get the story later.
Peter Matthiessen (Shadow Country)
As for human contact, I'd lost all appetite for it. Mankind has, as you may have noticed, become very inventive about devising new ways for people to avoid talking to each other and I'd been taking full advantage of the most recent ones. I would always send a text message rather than speak to someone on the phone. Rather than meeting with any of my friends, I would post cheerful, ironically worded status updates on Facebook, to show them all what a busy life I was leading. And presumably people had been enjoying them, because I'd got more than seventy friends on Facebook now, most of them complete strangers. But actual, face-to-face, let's-meet-for-a-coffee-and-catch-up sort of contact? I seemed to have forgotten what that was all about.
Jonathan Coe (The Terrible Privacy of Maxwell Sim)
Carnegie survived and triumphed in an environment rife with cronyism and corruption. Much of the capital invested in his iron and steel companies was derived from business activities that might be today, but were not at the time, regarded as immoral
David Nasaw (Andrew Carnegie)
We need you to catch up on your defensive training as soon as possible. And I will have to discuss this with the Council.” Her hand went to her hips.  “Now remember,” she went on, “you are to go nowhere without Kael, unless he is busy instructing, then you are to either have Captain Garit or Joss with you at all times. Any questions?” I opened my mouth for a rebuttal, but she
Chanda Hahn (The Iron Butterfly (Iron Butterfly #1))
Because I love you!" My voice breaks into a mortifying whisper that's almost half as embarrassing as the thoughts I can't keep from spinning in my brain. The thoughts that I've fought to hold at bay ever since my mother told me about the deal she made with him. Heat flushes my cheeks as he holds my stare, and frustration curls my hands into fists. "Because I want to think you kept me alive those first few months before Threshing because you were intrigued or impressed by me or attracted to me like I was to you, and not because you made a deal with my mother. Because it's horrifying to think that the only reason you fell in love with me is because of her. Because maybe you're right and I didn't want that particular truth, since I know there's a thin line between devotion and obsession, between cowardice and self-preservation, and I'm walking it when it comes to you. I love you so fucking much that I ignored every warning signal last year, and now half the time I don't know what side of that line I'm standing on because I'm too busy looking at you to watch my own feet!
Rebecca Yarros (Iron Flame (The Empyrean, #2))
Every business is fundamentally limited by the size and quality of the market it attempts to serve. The Iron Law of the Market is cold, hard, and unforgiving: if you don’t have a large group of people who want what you have to offer, your chances of building a viable business are very slim.
Josh Kaufman (The Personal MBA)
It’s ironic that the Tea Party populists, most of whom believe that they are furthering the American ideal of “rugged individualism,” are supporting mega-corporate-friendly policies like Reaganomics and Clintonomics and are making it very difficult for individuals to be anything other than drones in a giant corporate-run economic machine. And, on the flipside, those countries that call themselves “democratic socialist” in their organization—Finland, Germany, Japan, the Netherlands, Sweden—actually provide a deep and fertile soil into which entrepreneurs may plant new businesses.
Thom Hartmann (Rebooting the American Dream: 11 Ways to Rebuild Our Country)
A man goes out to work, he earns a wage, he comes back home, he eats, he sleeps. That’s what he does. Our men think earning money and ordering around others is where the power lies. They don’t think power is in the hands of the woman who takes care of everyone all day long, and gives birth to their children. In our house my mother managed everything because my father was so busy. It was my mother who would wake up early in the morning, iron our school clothes, make our breakfast and teach us how to behave. It was my mother who would go to the market, shop for us and cook. All those things she did.
Malala Yousafzai (I Am Malala: The Story of the Girl Who Stood Up for Education and Was Shot by the Taliban)
They should mind their own business,” Andarna counters,
Rebecca Yarros (Iron Flame (The Empyrean, #2))
Nobody has any business to use the word “progress” unless he has a definite creed and a cast-iron code of morals.
G.K. Chesterton (The G.K. Chesterton Collection [34 Books])
In the model I'm describing, it is management's responsibility to provide each product team with the specific business objectives they need to tackle. The difference is that they are now prioritizing business results, rather than product ideas. And, yes, it is more than a little ironic that we sometimes need to convince management to focus on business results.
Marty Cagan (Inspired: How to Create Tech Products Customers Love (Silicon Valley Product Group))
The summer I turned eleven, I found out that ghosts are real. Guess it's hard to rest nice and easy in your coffin if you got stuff on your mind. Your soul stays chained to earth instead of zipping up to heaven to sing in one of the angel choirs. Sometimes ghosts show up in the msot peculiar places. Sometimes ghosts fool you. Then you are those ghosts that hang around because we have unfinished business. Business that sinks like old crawfish left in a bucket for a week. That's some nasty smell let me tell you. But the most important thing I learned is that ghosts can help you spill your guts before guilt eats you up and leaves a hole that can't ever be fixed no matter how many patches you try to steam iron across it.
Kimberley Griffiths Little
Did I tell you how much I liked your sermon on Sunday?” “You did not, or I would have remembered it.” “Well, it was glorious. You were very bold, I thought, to preach on sin. Hardly anyone wants to hear sin preached.” “Mainstream Christianity glosses over the fact that it isn’t just a question of giving up sin, but of doing something far more difficult—giving up our right to ourselves.” He made the turn onto the busy highway toward Wesley, which always, somehow, seemed a shock to his senses. “The sin life in us must be transformed into the spiritual life.” “How?” “Through sacrifice and obedience.” She smiled ironically. “How do you think that will be received by those of us who come to sit in a comfortable pew and find a hot seat instead? “They’ll just have to go across the street until I’ve finished preaching on that particular subject.” She laughed with delight. “You’re different these days.” He laughed with her. “I pray so,” he said.
Jan Karon (At Home in Mitford)
Anxious behaviour is rewarded in our culture. Being high strung, wound up, frenetic and soooo busy has cachet. I ask someone, “How are you?” and even if they’re kicking back in a caravan park in the outback with a beer watching the sunset, their default response is, “Gosh, so busy, out of control, crazy times.” And they wear it as a badge of honour. This means that many of us deny we have a problem and keep going and going. Indeed, the more anxious we are, the more we have to convince ourselves we don’t have a problem. This is ironic, or paradoxical. And it seems awfully cruel.
Sarah Wilson (First, We Make the Beast Beautiful: A New Story About Anxiety)
But it’s complete and total honesty from now on, or…” “Or what?” “Or I’ll get busy unfalling for you.” “Good luck with that. I tried it for a good five months. Let me know how it works out for you.
Rebecca Yarros (Iron Flame (The Empyrean, #2))
Humans, ironically, had a strange fascination with preserving the wildlife of their day. While they were busy changing the very atmosphere and seas, cutting and burning away swaths of forest and jungle to build cities and farms, they somehow felt better about all their damage by making sure species on the cusp of extinction still had a place in the world—even if they were really just a dead clade walking.
C. Robert Cargill (Sea of Rust (Sea of Rust, #1))
I can create a new business within three months: raise the money, assemble a team, and launch it. It’s fun for me. It’s really cool to see what can I put together. It makes money almost as a side effect. Creating businesses is the game I became good at. It’s just my motivation has shifted from being goal-oriented to being artistic. Ironically, I think I’m much better at it now. [74] Even when I invest, it’s because I like the people involved, I like hanging out with them, I learn from them, I think the product is really cool. These days, I will pass on great investments because I don’t find the products interesting.
Eric Jorgenson (The Almanack of Naval Ravikant: A Guide to Wealth and Happiness)
Our toilet was in a corrugated-iron outhouse shared among the adjoining houses. Inside, there was a concrete slab with a hole in it and a plastic toilet seat on top; there had been a lid at some point, but it had broken and disappeared long ago. We couldn’t afford toilet paper, so on the wall next to the seat was a wire hanger with old newspaper on it for you to wipe. The newspaper was uncomfortable, but at least I stayed informed while I handled my business.
Trevor Noah (Born A Crime: Stories from a South African Childhood)
The essential criterion for running a bookstore is less "Do you like books?" than "Do you like people?" Ironically, we find that having unlimited access to more reading material than we ever could have imagined means we read less. Chuck and Dee Robinson own Village Books [...]He once said in an interview with business writer Rober Spector, "If you're opening a bookstore because you love reading books, then become a night watchman because you'll be able to read more books that way." He was right. It's amazing how just the sight of so much intellectual fodder quells the appetite, let alone how little time remains to read once the shelves have been straightened, the day's swap credits assessed and put away, and the sales taxes tallied.
Wendy Welch (The Little Bookstore of Big Stone Gap: A Memoir of Friendship, Community, and the Uncommon Pleasure of a Good Book)
To be the only clean one in a dirty business. And isn’t that what so many of us want as we try to win the game of personal branding—or at least not to get slain by it? We carefully cultivate online personas—doubles of our “real” selves—that have just the right balance of sincerity and world-weariness. We hone ironic, detached voices that aren’t too promotional but do the work of promoting nonetheless. We go on social media to juice our numbers, while complaining about how much we hate the “hell sites.
Naomi Klein (Doppelganger: a Trip into the Mirror World)
An Outside Context Problem was the sort of thing most civilisations encountered just once, and which they tended to encounter rather in the same way a sentence encountered a full stop. The usual example given to illustrate an Outside Context Problem was imagining you were a tribe on a largish, fertile island; you’d tamed the land, invented the wheel or writing or whatever, the neighbours were cooperative or enslaved but at any rate peaceful and you were busy raising temples to yourself with all the excess productive capacity you had, you were in a position of near-absolute power and control which your hallowed ancestors could hardly have dreamed of and the whole situation was just running along nicely like a canoe on wet grass . . . when suddenly this bristling lump of iron appears sailless and trailing steam in the bay and these guys carrying long funny-looking sticks come ashore and announce you’ve just been discovered, you’re all subjects of the Emperor now, he’s keen on presents called tax and these bright-eyed holy men would like a word with your priests. That was an Outside Context Problem; so was the suitably up-teched version that happened to whole planetary civilisations when somebody like the Affront chanced upon them first rather than, say, the Culture.
Iain M. Banks (Excession (Culture, #5))
When you are quite well enough to travel, Latimer, I shall take you home with me. The journey will amuse you and do you good, for I shall go through the Tyrol and Austria, and you will see many new places. Our neighbours, the Filmores, are come; Alfred will join us at Basle, and we shall all go together to Vienna, and back by Prague...' My father was called away before he had finished his sentence, and he left my mind resting on the word Prague with a strange sense that a new and wondrous scene was breaking upon me: a city under the broad sunshine, that seemed to me as if it were summer sunshine of a long-past century arrested in its course-unrefreshed for ages by dews of night, or the rushing rain-cloud; scorching the dusty, weary, time-eaten grandeur of a people doomed to live on in the stale repetition of memories, like deposed and superannuated kings in their regal gold inwoven tatters. The city looked so thirsty that the broad river seemed to me a sheet of metal; and the blackened statues, as I passed under their blank gaze, along the unending bridge, with their ancient garments and their saintly crowns, seemed to me the real inhabitants and owners of this place, while the busy, trivial men and women, hurrying to and fro, were a swarm of ephemeral visitants infesting it for a day. It is such grim, stony beings as these, I thought, who are the fathers of ancient faded children, in those tanned time-fretted dwellings that crowd the steep before me; who pay their court in the worn and crumbling pomp of the palace which stretches its monotonous length on the height; who worship wearily in the stifling air of the churches, urged by no fear or hope, but compelled by their doom to be ever old and undying, to live on in the rigidity of habit, as they live on in perpetual midday, without the repose of night or the new birth of morning. A stunning clang of metal suddenly thrilled through me, and I became conscious of the objects in my room again: one of the fire-irons had fallen as Pierre opened the door to bring me my draught. My heart was palpitating violently, and I begged Pierre to leave my draught beside me; I would take it presently. ("The Lifted Veil")
George Eliot (The Lifted Veil (Fantasy and Horror Classics))
But if we look a little deeper we shall find there is a pathetic, one might almost say a tragic, side to the picture. A shy man means a lonely man—a man cut off from all companionship, all sociability. He moves about the world, but does not mix with it. Between him and his fellow-men there runs ever an impassable barrier—a strong, invisible wall that, trying in vain to scale, he but bruises himself against. He sees the pleasant faces and hears the pleasant voices on the other side, but he cannot stretch his hand across to grasp another hand. He stands watching the merry groups, and he longs to speak and to claim kindred with them. But they pass him by, chatting gayly to one another, and he cannot stay them. He tries to reach them, but his prison walls move with him and hem him in on every side. In the busy street, in the crowded room, in the grind of work, in the whirl of pleasure, amid the many or amid the few—wherever men congregate together, wherever the music of human speech is heard and human thought is flashed from human eyes, there, shunned and solitary, the shy man, like a leper, stands apart. His soul is full of love and longing, but the world knows it not. The iron mask of shyness is riveted before his face, and the man beneath is never seen. Genial words and hearty greetings are ever rising to his lips, but they die away in unheard whispers behind the steel clamps. His heart aches for the weary brother, but his sympathy is dumb. Contempt and indignation against wrong choke up his throat, and finding no safety-valve whence in passionate utterance they may burst forth, they only turn in again and harm him. All the hate and scorn and love of a deep nature such as the shy man is ever cursed by fester and corrupt within, instead of spending themselves abroad, and sour him into a misanthrope and cynic.
Jerome K. Jerome (Idle Thoughts of an Idle Fellow)
How come I used to be so busy from morning till night, and now I can’t hardly fill up the days? There was chickens to dress and ironing to get done, but seemed like they didn’t hardly take no time no more. My own chores didn’t seem to take much time neither. I hated feeling useless, which was what I felt like.
Elizabeth Hardinger (All the Forgivenesses)
I swear to you, sitting a throne is a thousand times harder than winning one. Laws are a tedious business and counting coppers is worse. And the people ... there is no end of them. I sit on that damnable iron chair and listen to them complain until my mind is numb and my ass is raw. They all want somenthing, money or land or justice. The lies they tell ... and my lords and ladies are no better. I am surrounded by flatterers and fools. It can drive a man to madness, Ned. Half of them don't dare to tell me the truth, and the other half can't find it. There are nights I wish we had lost at the Trident. Ah, no, not truly, but...
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Hello, sunshine,” said Jim’s voice. “I’m kind of busy.” I turned the file on its side and examined the doodle. Still nothing. “No shit,” he said. “Yeah. No gigs for me.” “That’s not why I’m calling.” I frowned at the phone and turned the file upside down. “I’m all ears.” “Someone wants to meet you,” he said. “Tell him to get in line,” I mumbled. The doodle almost looked like something. “I’m not joking.” “You never joke because you’re too damn busy proving that you’re a badass. Come on, black leather cloak? In mid-spring Atlanta? Besides I don’t have time to meet anybody.” Jim’s voice dropped low and he spoke each word very distinctly. “Think very carefully. Do you really want me to tell the man no?” Something about the way he said “the man” stopped me. I sat still and thought very hard about what kind of “man” would inspire Jim to use that voice. “What did I do to warrant the Beast Lord’s attention?” I asked dryly. “You’re sitting in the diviner’s office, aren’t you?” Touché. The Beast Lord was the Pack King, the lord of the shapechangers, and he ruled his brethren with an iron fist. Few ever saw him and the mention of his title was enough to make the loudest shapechanger shut up. In other words, he was precisely the kind of fellow my father and Greg had warned me to avoid. I ground my teeth, thinking of a way to weasel out of it.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
Chloroplasts bear chlorophyll; they give the green world its color, and they carry out the business of photosynthesis. Around the inside perimeter of each gigantic cell trailed a continuous loop of these bright green dots. They spun . . . they pulsed, pressed, and thronged . . . they shone, they swarmed in ever-shifting files around and around the edge of the cell; they wandered, they charged, they milled, raced . . . they flowed and trooped greenly . . . All the green in the planted world consists of these whole, rounded chloroplasts . . . If you analyze a molecule of chlorophyll itself, what you get is one hundred thirty-six atoms of hydrogen, carbon, oxygen, and nitrogen arranged in an exact and complex relationship around a central ring. At the ring’s center is a single atom of magnesium. Now: If you remove the atom of magnesium and in its place put an atom of iron, you get a molecule of hemoglobin. The iron atom combines with all the other atoms to make red blood, the streaming red dots in the goldfish’s tail.
Annie Dillard (Pilgrim at Tinker Creek)
When Verlaine and Rimbaud were young,” [Snyder] said, they were protesting the iron-grip bourgeois rationality had on all aspects of nineteenth-century French culture— the manners, the view of reality, and the exclusion of ‘the wild’ from public life. Rationality in business and society were dominant values. ‘Deranging the senses’ was one strategy artists like Verlaine and Rimbaud employed to break free of that. “Today,” he continued, “the bourgeoisie is sociopathic, overindulged, distracted, spoiled beyond measure, and unable to restrain its gluttony, even in the face of pending planetary destruction. In the face of such a threat, it has, by necessity, become the responsibility of the artist to model health and sanity.
Peter Coyote (The Rainman's Third Cure: An Irregular Education)
The more an executive focuses on upward contribution, the more will he require fairly big continuous chunks of time. The more he switches from being busy to achieving results, the more will he shift to sustained efforts—efforts which require a fairly big quantum of time to bear fruit. Yet to get even that half-day or those two weeks of really productive time requires self-discipline and an iron determination to say “No.
Peter F. Drucker (The Effective Executive: The Definitive Guide to Getting the Right Things Done (Harperbusiness Essentials))
Those then who know not wisdom and virtue, and are always busy with gluttony and sensuality, go down and up again as far as the mean; and in this region they move at random throughout life, but they never pass into the true upper world; thither they neither look, nor do they ever find their way, neither are they truly filled with true being, nor do they taste of pure and abiding pleasure. Like cattle, with their eyes always looking down and their heads stooping to the earth, that is, to the dining-table, they fatten and feed and breed, and, in their excessive love of these delights, they kick and butt at one another with horns and hoofs which are made of iron; and they kill one another by reason of their insatiable lust. For they fill themselves with that which is not substantial, and the part of themselves which they fill is also unsubstantial and incontinent.
Plato (Republic)
It’s ironic perhaps – but no one wants to lend money to someone or something that has no money or no monetary worth. You wouldn’t plant a seed on barren ground – you plant a seed where there’s already a wealth of resources sufficient to cultivate the seed. It could be a tiny bit of soil in a pot, or the expanse of your front yard. But you’re going to make sure the seed has enough soil to put down roots and a quality of soil that facilitates growth.
Hendrith Vanlon Smith Jr. (Capital Acquisition: Small Business Considerations for How to Get Financing)
Lucinda might sneak from her own house at midnight to place a wager somewhere else, but she dared not touch the pack that lay in her own sideboard. She knew how passionate he had become about his 'weakness.' She dared not even ask him how it was he had reversed his opinions on the matter. But, oh, how she yearned to discuss it with him, how much she wished to deal a hand on a grey wool blanket. There would be no headaches then, only this sweet consummation of their comradeship. But she said not a word. And although she might have her 'dainty' shoes tossed to the floor, have her bare toes quite visible through her stockings, have a draught of sherry in her hand, in short appear quite radical, she was too timid, she thought, too much a mouse, to reveal her gambler's heart to him. She did not like this mouselike quality. As usual, she found herself too careful, too held in. Once she said: 'I wish I had ten sisters and a big kitchen to laugh in.' Her lodger frowned and dusted his knees. She thought: He is as near to a sister as I am likely to get, but he does not understand. She would have had a woman friend so they could brush each other's hair, and just, please God, put aside this great clanking suit of ugly armor. She kept her glass dreams from him, even whilst she appeared to talk about them. He was an admiring listener, but she only showed him the opaque skin of her dreams--window glass, the price of transporting it, the difficulties with builders who would not pay their bills inside six months. He imagined this was her business, and of course it was, but all the things she spoke of were a fog across its landscape which was filled with such soaring mountains she would be embarrassed to lay claim to them. Her true ambition, the one she would not confess to him, was to build something Extraordinary and Fine from glass and cast iron. A conservatory, but not a conservatory. Glass laced with steel, spun like a spider web--the idea danced around the periphery of her vision, never long enough to be clear. When she attempted to make a sketch, it became diminished, wooden, inelegant. Sometimes, in her dreams, she felt she had discovered its form, but if she had, it was like an improperly fixed photograph which fades when exposed to daylight. She was wise enough, or foolish enough, to believe this did not matter, that the form would present itself to her in the end.
Peter Carey (Oscar and Lucinda)
You’re a werewolf,” said Nemane. “Samuel Cornick.” There was a pause. “The Marrok is Bran Cornick.” I kept my gaze on Samuel. “I was just explaining to Dr. Altman why it would be inadvisable for them to eliminate me even though I’m sticking my nose in their business.” Comprehension lit his eyes, which he narrowed at the fae. “Killing Mercy would be a mistake,” he growled. “My da had Mercy raised in our pack and he couldn’t love Mercy more if she were his daughter. For her he would declare open war with the fae and damned be the consequences. You can call him and ask, if you doubt my word.” I’d expected Samuel to defend me—and the fae could not afford to hurt the son of the Marrok, not unless the stakes were a lot higher. I’d counted on that to keep Samuel safe or I’d have found some way to keep him out of it. But the Marrok… I’d always thought I was an annoyance, the only one Bran couldn’t count on for instant obedience. He’d been protective, still was—but his protective instinct was one of the things that made him dominant. I’d thought I was just one more person he had to take care of. But it was as impossible to doubt the truth in Samuel’s voice as it was to believe that he’d be mistaken about Bran. I was glad that Samuel was focused on Nemane, who had risen to her feet when Samuel began speaking. While I blinked back stupid tears, she leaned on the walking stick and said, “Is that so?” “Adam Hauptman, the Columbia Basin Pack’s Alpha, has named Mercy his mate,” continued Samuel grimly. Nemane smiled suddenly, the expression flowing across her face, giving it a delicate beauty I hadn’t noticed before. “I like you,” she said to me. “You play an underhanded and subtle game—and like Coyote, you shake up the order of the world.” She laughed. “Coyote indeed. Good for you. Good for you. I don’t know what else you’ll run into—but I’ll let the Others know what they are dealing with.” She tapped the walking stick on the floor twice. Then, almost to herself, she murmured, “Perhaps…perhaps this won’t be a disaster after all.
Patricia Briggs (Iron Kissed (Mercy Thompson, #3))
It is ironic that Keynesianism originated as a weapon to combat depression, but became universally accepted and "successful" only during (and because of!) the postwar expansion. At the first sign of renewed world recession, Keynesian theory has proved itself to be a snare and a delusion that has gone into immediate bankruptcy. The resulting "post-Keynesian synthesis" is also the theoretical reason for the reactionary exhumation of the simplistic, neoclassical, and monetarist economic theory of the 1920s. This revival of old theory is highlighted by the award of Nobel prizes in economics to Friedrich von Hayek, whose theoretical work was done before the Great Depression, and Milton Friedman, whose lone voice echoed in the wilderness until the new world economic crisis put his unpopular and antipopulist theories on the agenda of business board rooms and government cabinet rooms in one capitalist country after another. The real reason for the recent interest in fifty-year-old theories is that capital now wants them to legitimize its attack on the welfare state and "unproductive" expenditures on social services, which capital claims to need for "productive" investment in industry, including armaments.
André Gunder Frank (Reflections on World Economic Crisis)
Robert looked off into the darkness, for a moment as melancholy as a Stark. “I swear to you, sitting a throne is a thousand times harder than winning one. Laws are a tedious business and counting coppers is worse. And the people … there is no end of them. I sit on that damnable iron chair and listen to them complain until my mind is numb and my ass is raw. They all want something, money or land or justice. The lies they tell … and my lords and ladies are no better. I am surrounded by flatterers and fools. It can drive a man to madness, Ned. Half of them don’t dare tell me the truth, and the other half can’t find it.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
He caught my hand and drew me closer to his side. “Well, should I begin to list them one by one, and by name? If I did it would take several hours. If there had been someone special, all I would do is name one—and I can’t do that. I liked them all . . . but I didn’t like any well enough to love, if that’s what you want to know.” Yes, that was exactly what I wanted to know. “I’m sure you didn’t live a celibate life, even though you didn’t fall in love . . . ?” “That’s none of your business,” he said lightly. “I think it is. It would give me peace to know you had a girl you loved.” “I do have a girl I love,” he answered. “I’ve known her all my life. When I go to sleep at night, I dream of her, dancing overhead, calling my name, kissing my cheek, screaming when she has nightmares, and I wake up to take the tar from her hair. There are times when I wake up to ache all over, as she aches all over, and I dream I kiss the marks the whip made . . . and I dream of a certain night when she and I went out on the cold slate roof and stared up at the sky, and she said the moon was the eye of God looking down and condemning us for what we were. So there, Cathy, is the girl who haunts me and rules me, and fills me with frustrations, and darkens all the hours I spend with other girls who just can’t live up to the standards she set. And I hope to God you’re satisfied.” I turned to move as in a dream, and in that dream I put my arms about him and stared up into his face, his beautiful face that haunted me too. “Don’t love me, Chris. Forget about me. Do as I do, take whomever knocks first on your door, and let her in.” He smiled ironically and put me quickly from him. “I did exactly what you did, Catherine Doll, the first who knocked on my door was let in—and now I can’t drive her out. But that’s my problem—not yours.” “I don’t deserve to be there. I’m not an angel, not a saint . . . you should know that.” “Angel, saint, Devil’s spawn, good or evil, you’ve got me pinned to the wall and labeled as yours until the day I die. And if you die first, then it won’t be long before I follow.
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
Adelia began to get cross. Why was it women who were to blame for everything—everything, from the Fall of Man to these blasted hedges? “We are not in a labyrinth, my lord,” she said clearly. “Where are we, then?” “It’s a maze.” “Same difference.” Puffing at the horse: “Get back, you great cow.” “No, it isn’t. A labyrinth has only one path and you merely have to follow it. It’s a symbol of life or, rather, of life and death. Labyrinths twist and turn, but they have a beginning and an end, through darkness into light.” Softening, and hoping that he would, too, she added, “Like Ariadne’s. Rather beautiful, really.” “I don’t want mythology, mistress, beautiful or not, I want to get to that sodding tower. What’s a maze when it’s at home?” “It’s a trick. A trick to confuse. To amaze.” “And I suppose Mistress Clever-boots knows how to get us out?” “I do, actually.” God’s rib, he was sneering at her, sneering. She’d a mind to stay where she was and let him sweat. “Then in the name of Christ, do it.” “Stop bellowing at me,” she yelled at him. “You’re bellowing.” She saw his teeth grit in the pretense of a placatory smile; he always had good teeth. Still did. Between them, he said, “The Bishop of Saint Albans presents his compliments to Mistress Adelia and please to escort him out of this hag’s hole, for the love of God. How will you do it?” “My business.” Be damned if she’d tell him. Women were defenseless enough without revealing their secrets. “I’ll have to take the lead.” She stumped along in front, holding Walt’s mount’s reins in her right hand. In the other was her riding crop, which she trailed with apparent casualness so that it brushed against the hedge on her left. As she went, she chuntered to herself. Lord, how disregarded I am in this damned country. How disregarded all women are. ... Ironically, the lower down the social scale women were, the greater freedom they had; the wives of laborers and craftsmen could work alongside their men—even, sometimes, when they were widowed, take over their husband’s trade. Adelia trudged on. Hag’s hole. Grendel’s mother’s entrails. Why was this dreadful place feminine to the men lost in it? Because it was tunneled? Womb-like? Is this woman’s magic? The great womb? Is that why the Church hates me, hates all women? Because we are the source of all true power? Of life? She supposed that by leading them out of it, she was only confirming that a woman knew its secrets and they did not. Great God, she thought, it isn't a question of hatred. It’s fear. They are frightened of us. And Adelia laughed quietly, sending a suggestion of sound reverberating backward along the tunnel, as if a small pebble was skipping on water, making each man start when it passed him. “What in hell was that?” Walt called back stolidly, “Reckon someone’s laughing at us, master.” “Dear God.
Ariana Franklin (The Serpent's Tale (Mistress of the Art of Death, #2))
Military dictatorships love their tanks, don’t they? They appreciate the spectacle of rolling them through the center of cities. It’s great optics for control. Countries like ours, Western democracies, on the other hand, we don’t have a taste for tanks. It gives citizens the jitters, makes them feel like they’re being invaded, conjures up China or the Soviet Union. We prefer the spectacle of air and sea. Hell, we salute jets when they’re flying overhead. Those are optics of freedom, not oppression.” Kurt rolled a pen between his fingers. His voice grew thoughtful. “It’s ironic. You should be far more afraid of missiles than tanks, but there’s a lot of showmanship in this business. I think countries find the defense that fits their character.
Christopher Bollen (The Lost Americans)
The Montreux Palace Hotel was built in an age when it was thought that things would last. It is on the very shores of Switzerland's Lake Geneva, its balconies and iron railings look across the water, its yellow-ocher awnings are a touch of color in the winter light. It is like a great sanitarium or museum. There are Bechstein pianos in the public rooms, a private silver collection, a Salon de Bridge. This is the hotel where the novelist Vladimir Vladimirovich Nabokov and his wife, Véra, live. They have been here for 14 years. One imagines his large and brooding reflection in the polished glass of bookcases near the reception desk where there are bound volumes of the Illustrated London News from the year 1849 to 1887, copies of Great Expectations, The Chess Games of Greco and a book called Things Past, by the Duchess of Sermoneta. Though old, the hotel is marvelously kept up and, in certain portions, even modernized. Its business now is mainly conventions and, in the summer, tours, but there is still a thin migration of old clients, ancient couples and remnants of families who ask for certain rooms when they come and sometimes certain maids. For Nabokov, a man who rode as a child on the great European express trains, who had private tutors, estates, and inherited millions which disappeared in the Russian revolution, this is a return to his sources. It is a place to retire to, with Visconti's Mahler and the long-dead figures of La Belle Epoque, Edward VII, d'Annunzio, the munitions kings, where all stroll by the lake and play miniature golf, home at last.
James Salter
Man overboard!” Then everyone was busy. Some of the sailors hurried aloft to take in the sail; others hurried below to get to the oars; and Rhince, who was on duty on the poop, began to put the helm hard over so as to come round and back to the man who had gone overboard. But by now everyone knew that it wasn’t strictly a man. It was Reepicheep. “Drat that mouse!” said Drinian. “It’s more trouble than all the rest of the ship’s company put together. If there is any scrape to be got into, in it will get! It ought to be put in irons--keelhauled--marooned--have its whiskers cut off. Can anyone see the little blighter?” All this didn’t mean that Drinian really disliked Reepicheep. On the contrary he liked him very much and was therefore frightened about him, and being frightened put him in a bad temper--just as your mother is much angrier with you for running out into the road in front of a car than a stranger would be. No one, of course, was afraid of Reepicheep’s drowning, for he was an excellent swimmer; but the three who knew what was going on below the water were afraid of those long, cruel spears in the hands of the Sea People. In a few minutes the Dawn Treader had come round and everyone could see the black blob in the water which was Reepicheep. He was chattering with the greatest excitement but as his mouth kept on getting filled with water nobody could understand what he was saying. “He’ll blurt the whole thing out if we don’t shut him up,” cried Drinian. To prevent this he rushed to the side and lowered a rope himself, shouting to the sailors, “All right, all right. Back to your places. I hope I can heave a mouse up without help.
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
Oh, it's a good story, as a story,' returned that gentleman; 'as good a thing of its kind as need be. This Mr Dorrit (his name is Dorrit) had incurred a responsibility to us, ages before the fairy came out of the Bank and gave him his fortune, under a bond he had signed for the performance of a contract which was not at all performed. He was a partner in a house in some large way—spirits, or buttons, or wine, or blacking, or oatmeal, or woollen, or pork, or hooks and eyes, or iron, or treacle, or shoes, or something or other that was wanted for troops, or seamen, or somebody—and the house burst, and we being among the creditors, detainees were lodged on the part of the Crown in a scientific manner, and all the rest Of it. When the fairy had appeared and he wanted to pay us off, Egad we had got into such an exemplary state of checking and counter-checking, signing and counter-signing, that it was six months before we knew how to take the money, or how to give a receipt for it. It was a triumph of public business,' said this handsome young Barnacle, laughing heartily, 'You never saw such a lot of forms in your life. "Why," the attorney said to me one day, "if I wanted this office to give me two or three thousand pounds instead of take it, I couldn't have more trouble about it." "You are right, old fellow," I told him, "and in future you'll know that we have something to do here."' The pleasant young Barnacle finished by once more laughing heartily. He was a very easy, pleasant fellow indeed, and his manners were exceedingly winning. Mr Tite Barnacle's view of the business was of a less airy character. He took it ill that Mr Dorrit had troubled the Department by wanting to pay the money, and considered it a grossly informal thing to do after so many years. But Mr Tite Barnacle was a buttoned-up man, and consequently a weighty one. All buttoned-up men are weighty. All buttoned-up men are believed in. Whether or no the reserved and never-exercised power of unbuttoning, fascinates mankind;
Charles Dickens (Little Dorrit)
...out of the counterfeiting of the black American's identity [in blackface minstrelsy] there arises a profound doubt in the white man's mind as to the authenticity of his own image of himself. He, after all, went into the business when he refused the king's shilling and revolted. He had put on a mask of his own, as it were...For the ex-colonials, the declaration of an American identity meant the assumption of a mask, and it imposed not only the discipline of national self-consciousness, it gave Americans an ironic awareness of the joke that always lies between appearance and reality, between the discontinuity of social tradition and that sense of the past which clings to the mind. And perhaps even an awareness of the joke that society is man's creation, not God's. Americans began their revolt from the English fatherland when they dumped the tea into Boston Harbor, masked as Indians, and the mobility of the society created in this limitless space has encouraged the use of the mask for good and evil ever since.
Ralph Ellison (Shadow and Act)
Arin watched the fire flare crimson. Then he went outside and surveyed the grounds, saw through leafless trees that no one was near. He could steal a few minutes. When he stepped back inside the forge, he leaned against the anvil. With one hand he pulled a book from its hiding place behind the kindling box, and in the other he held a hammer so that, if in danger of being caught, he could more quickly pretend to have been working. He began to read. It was a book he had seen in Kestrel’s possession, one on the history of the Valorian empire. He had taken it from the library after she had returned it, weeks ago. What would she say, if she saw him reading a book about his enemy, in his enemy’s tongue? What would she do? Arin knew this: her gaze would measure him, and he would sense a shift of perception within her. Her opinion of him would change as daylight changed, growing or losing shadow. Subtle. Almost indiscernible. She would see him differently, though he wouldn’t know in what way. He wouldn’t know what it meant. This had happened, again and again, since he had come here. Sometimes he wished he had never come here. Well. Kestrel couldn’t see him in the forge, or know what he read, because she couldn’t leave her rooms. She couldn’t even walk. Arin shut the book, gripped it between rigid fingers. He nearly threw it into the fire. I will have you torn limb from limb, the general had said. That wasn’t why Arin stayed away from her. Not really. He forced his thoughts from his head. He hid the book where it had been. He busied himself with quiet work, heating iron and charcoal in a crucible to produce steel. It took some time before Arin realized he was humming a dark tune. For once, he didn’t stop himself. The pressure of song was too strong, the need for distraction too great. Then he found that the music caged behind his closed teeth was the melody Kestrel had played for him months ago. He felt the sensation of it, low and alive, on his mouth. For a moment, he imagined it wasn’t the melody that touched his lips, but Kestrel. The thought stopped his breath, and the music, too.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Break down! Oh! Lord! Did you ever see such a little tittuppy thing in your life? There is not a sound piece of iron about it. The wheels have been fairly worn out these ten years at least—and as for the body! Upon my soul, you might shake it to pieces yourself with a touch. It is the most devilish little rickety business I ever beheld! Thank God! we have got a better. I would not be bound to go two miles in it for fifty thousand pounds." "Good heavens!" cried Catherine, quite frightened. "Then pray let us turn back; they will certainly meet with an accident if we go on. Do let us turn back, Mr. Thorpe; stop and speak to my brother, and tell him how very unsafe it is." "Unsafe! Oh, lord! What is there in that? They will only get a roll if it does break down; and there is plenty of dirt; it will be excellent falling. Oh, curse it! The carriage is safe enough, if a man knows how to drive it; a thing of that sort in good hands will last above twenty years after it is fairly worn out. Lord bless you! I would undertake for five pounds to drive it to York and back again, without losing a nail.
Jane Austen (The Complete Works of Jane Austen (All Novels, Short Stories, Unfinished Works, Juvenilia, Letters, Poems, Prayers, Memoirs and Biographies - Fully Illustrated))
was dog-tired when, a little before dawn, the boatswain sounded his pipe and the crew began to man the capstan-bars. I might have been twice as weary, yet I would not have left the deck, all was so new and interesting to me—the brief commands, the shrill note of the whistle, the men bustling to their places in the glimmer of the ship's lanterns. "Now, Barbecue, tip us a stave," cried one voice. "The old one," cried another. "Aye, aye, mates," said Long John, who was standing by, with his crutch under his arm, and at once broke out in the air and words I knew so well: "Fifteen men on the dead man's chest—" And then the whole crew bore chorus:— "Yo-ho-ho, and a bottle of rum!" And at the third "Ho!" drove the bars before them with a will. Even at that exciting moment it carried me back to the old Admiral Benbow in a second, and I seemed to hear the voice of the captain piping in the chorus. But soon the anchor was short up; soon it was hanging dripping at the bows; soon the sails began to draw, and the land and shipping to flit by on either side; and before I could lie down to snatch an hour of slumber the HISPANIOLA had begun her voyage to the Isle of Treasure. I am not going to relate that voyage in detail. It was fairly prosperous. The ship proved to be a good ship, the crew were capable seamen, and the captain thoroughly understood his business. But before we came the length of Treasure Island, two or three things had happened which require to be known. Mr. Arrow, first of all, turned out even worse than the captain had feared. He had no command among the men, and people did what they pleased with him. But that was by no means the worst of it, for after a day or two at sea he began to appear on deck with hazy eye, red cheeks, stuttering tongue, and other marks of drunkenness. Time after time he was ordered below in disgrace. Sometimes he fell and cut himself; sometimes he lay all day long in his little bunk at one side of the companion; sometimes for a day or two he would be almost sober and attend to his work at least passably. In the meantime, we could never make out where he got the drink. That was the ship's mystery. Watch him as we pleased, we could do nothing to solve it; and when we asked him to his face, he would only laugh if he were drunk, and if he were sober deny solemnly that he ever tasted anything but water. He was not only useless as an officer and a bad influence amongst the men, but it was plain that at this rate he must soon kill himself outright, so nobody was much surprised, nor very sorry, when one dark night, with a head sea, he disappeared entirely and was seen no more. "Overboard!" said the captain. "Well, gentlemen, that saves the trouble of putting him in irons." But there we were, without a mate; and it was necessary, of course, to advance one of the men. The boatswain, Job Anderson, was the likeliest man aboard, and though he kept his old title,
Robert Louis Stevenson (Treasure Island)
I tell you, my friends, the trouble with this whole country is that so many are selfish! Here's a hundred and twenty million people, with ninety-five per cent of 'em only thinking of self, instead of turning to and helping the responsible business men to bring back prosperity! All these corrupt and self-seeking labor unions! Money grubbers! Thinking only of how much wages they can extort out of their unfortunate employer, with all the responsibilities he has to bear! "What this country needs is Discipline! Peace is a great dream, but maybe sometimes it's only a pipe dream! I'm not so sure—now this will shock you, but I want you to listen to one woman who will tell you the unadulterated hard truth instead of a lot of sentimental taffy, and I'm not sure but that we need to be in a real war again, in order to learn Discipline! We don't want all this highbrow intellectuality, all this book-learning. That's good enough in its way, but isn't it, after all, just a nice toy for grownups? No, what we all of us must have, if this great land is going to go on maintaining its high position among the Congress of Nations, is Discipline—Will Power—Character!" She turned prettily then toward General Edgeways and laughed: "You've been telling us about how to secure peace, but come on, now, General—just among us Rotarians and Rotary Anns—'fess up! With your great experience, don't you honest, cross-your-heart, think that perhaps—just maybe—when a country has gone money-mad, like all our labor unions and workmen, with their propaganda to hoist income taxes, so that the thrifty and industrious have to pay for the shiftless ne'er-do-weels, then maybe, to save their lazy souls and get some iron into them, a war might be a good thing?
Sinclair Lewis (It Can't Happen Here)
Then one evening he reached the last chapter, and then the last page, the last verse. And there it was! That unforgivable and unfathomable misprint that had caused the owner of the books to order them to be pulped. Now Bosse handed a copy to each of them sitting round the table, and they thumbed through to the very last verse, and one by one burst out laughing. Bosse was happy enough to find the misprint. He had no interest in finding out how it got there. He had satisfied his curiosity, and in the process had read his first book since his schooldays, and even got a bit religious while he was at it. Not that Bosse allowed God to have any opinion about Bellringer Farm’s business enterprise, nor did he allow the Lord to be present when he filed his tax return, but – in other respects – Bosse now placed his life in the hands of the Father, the Son and the Holy Spirit. And surely none of them would worry about the fact that he set up his stall at markets on Saturdays and sold bibles with a tiny misprint in them? (‘Only ninety-nine crowns each! Jesus! What a bargain!’) But if Bosse had cared, and if, against all odds, he had managed to get to the bottom of it, then after what he had told his friends, he would have continued: A typesetter in a Rotterdam suburb had been through a personal crisis. Several years earlier, he had been recruited by Jehovah’s Witnesses but they had thrown him out when he discovered, and questioned rather too loudly, the fact that the congregation had predicted the return of Jesus on no less than fourteen occasions between 1799 and 1980 – and sensationally managed to get it wrong all fourteen times. Upon which, the typesetter had joined the Pentecostal Church; he liked their teachings about the Last Judgment, he could embrace the idea of God’s final victory over evil, the return of Jesus (without their actually naming a date) and how most of the people from the typesetter’s childhood including his own father, would burn in hell. But this new congregation sent him packing too. A whole month’s collections had gone astray while in the care of the typesetter. He had sworn by all that was holy that the disappearance had nothing to do with him. Besides, shouldn’t Christians forgive? And what choice did he have when his car broke down and he needed a new one to keep his job? As bitter as bile, the typesetter started the layout for that day’s jobs, which ironically happened to consist of printing two thousand bibles! And besides, it was an order from Sweden where as far as the typesetter knew, his father still lived after having abandoned his family when the typesetter was six years old. With tears in his eyes, the typesetter set the text of chapter upon chapter. When he came to the very last chapter – the Book of Revelation – he just lost it. How could Jesus ever want to come back to Earth? Here where Evil had once and for all conquered Good, so what was the point of anything? And the Bible… It was just a joke! So it came about that the typesetter with the shattered nerves made a little addition to the very last verse in the very last chapter in the Swedish bible that was just about to be printed. The typesetter didn’t remember much of his father’s tongue, but he could at least recall a nursery rhyme that was well suited in the context. Thus the bible’s last two verses plus the typesetter’s extra verse were printed as: 20. He who testifies to these things says, Surely I am coming quickly. Amen. Even so, come, Lord Jesus!21. The grace of our Lord Jesus Christ be with you all. Amen.22. And they all lived happily ever after.
Jonas Jonasson (Der Hundertjährige, der aus dem Fenster stieg und verschwand)
Remain still; breathe naturally,” he whispered right in her ear, very, very quietly. She did as he suggested, not wanting to be found in the darkness with him by people too inebriated to observe a little discretion. And while she stood so close to him, the night breeze stirred the air, bringing Hazlit’s scent to Maggie’s nose. She puzzled over it, because it was faint but alluring. Complicated, like the man who wore it. Honeysuckle was the primary note, as sweet a scent as ever graced a bottle—and as intoxicating. She was marveling over that bit of deduction and deciding the undertone was bergamot, when she felt Hazlit’s hand in her hair. Holding her still? He gathered a few of the locks drifting over her right shoulder and rubbed them silently between his fingers. When had he taken off his gloves? Remain still; breathe naturally. It was good advice, when her heart wanted to pound, when she wanted both to run and to stand there forever, his fingers playing with her hair. His hand shifted so he brushed her hair back over her shoulder, just once. Maggie’s heart started to thud in her chest. She wasn’t frightened, exactly, but she was rattled. Men never touched her, not if they knew what was good for them, and she ought to abhor being rattled like this. She held still, waiting for him to repeat that simple caress. “They’re gone,” he said, still whispering. He took her by the wrist again and led her to the path, offering her his arm with perfect propriety. They returned to the house without incident, and Maggie thanked every merciful god in the pantheon she and her escort had missed the dancing. “Will you be going in to supper?” he asked. “I’d prefer not to.” And what had that business been with her hair? Was he going to pretend he hadn’t taken such a liberty? “I’ll fetch your coach. Find your wrap, and if you brought one, your reticule.” He offered her an ironic little bow and went off on his gentlemanly errand. Maggie was home and fighting her way toward sleep before she realized Hazlit hadn’t been pretending he’d never touched her hair. He’d been letting her ignore the fact that she’d allowed it. ***
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
And what’s the solution of preventing this debacle? Plenty of ‘em! The Communists have a patent Solution they know will work. So have the Fascists, and the rigid American Constitutionalists—who call themselves advocates of Democracy, without any notion what the word ought to mean; and the Monarchists—who are certain that if we could just resurrect the Kaiser and the Czar and King Alfonso, everybody would be loyal and happy again, and the banks would simply force credit on small business men at 2 per cent. And all the preachers—they tell you that they alone have the inspired Solution. “Well, gentlemen, I have listened to all your Solutions, and I now inform you that I, and I alone, except perhaps for Walt Trowbridge and the ghost of Pareto, have the perfect, the inevitable, the only Solution, and that is: There is no Solution! There will never be a state of society anything like perfect! “There never will be a time when there won’t be a large proportion of people who feel poor no matter how much they have, and envy their neighbors who know how to wear cheap clothes showily, and envy neighbors who can dance or make love or digest better.” Doremus suspected that, with the most scientific state, it would be impossible for iron deposits always to find themselves at exactly the rate decided upon two years before by the National Technocratic Minerals Commission, no matter how elevated and fraternal and Utopian the principles of the commissioners. His Solution, Doremus pointed out, was the only one that did not flee before the thought that a thousand years from now human beings would probably continue to die of cancer and earthquake and such clownish mishaps as slipping in bathtubs. It presumed that mankind would continue to be burdened with eyes that grow weak, feet that grow tired, noses that itch, intestines vulnerable to bacilli, and generative organs that are nervous until the age of virtue and senility. It seemed to him unidealistically probable, for all the “contemporary furniture” of the 1930’s, that most people would continue, at least for a few hundred years, to sit in chairs, eat from dishes upon tables, read books—no matter how many cunning phonographic substitutes might be invented, wear shoes or sandals, sleep in beds, write with some sort of pens, and in general spend twenty or twenty-two hours a day much as they had spent them in 1930, in 1630.
Sinclair Lewis (It Can't Happen Here)
Anarchism is the great liberator of man from the phantoms that have held him captive; it is the arbiter and pacifier of the two forces for individual and social harmony. To accomplish that unity, Anarchism has declared war on the pernicious influences which have so far prevented the harmonious blending of individual and social instincts, the individual and society. Religion, the dominion of the human mind; Property, the dominion of human needs; and Government, the dominion of human conduct, represent the stronghold of man's enslavement and all the horrors it entails. Religion! How it dominates man's mind, how it humiliates and degrades his soul. God is everything, man is nothing, says religion. But out of that nothing God has created a kingdom so despotic, so tyrannical, so cruel, so terribly exacting that naught but gloom and tears and blood have ruled the world since gods began. Anarchism rouses man to rebellion against this black monster. Break your mental fetters, says Anarchism to man, for not until you think and judge for yourself will you get rid of the dominion of darkness, the greatest obstacle to all progress. Property, the dominion of man's needs, the denial of the right to satisfy his needs. Time was when property claimed a divine right, when it came to man with the same refrain, even as religion, "Sacrifice! Abnegate! Submit!" The spirit of Anarchism has lifted man from his prostrate position. He now stands erect, with his face toward the light. He has learned to see the insatiable, devouring, devastating nature of property, and he is preparing to strike the monster dead. "Property is robbery," said the great French Anarchist, Proudhon. Yes, but without risk and danger to the robber. Monopolizing the accumulated efforts of man, property has robbed him of his birthright, and has turned him loose a pauper and an outcast. Property has not even the time-worn excuse that man does not create enough to satisfy all needs. The A B C student of economics knows that the productivity of labor within the last few decades far exceeds normal demand a hundredfold. But what are normal demands to an abnormal institution? The only demand that property recognizes is its own gluttonous appetite for greater wealth, because wealth means power; the power to subdue, to crush, to exploit, the power to enslave, to outrage, to degrade. America is particularly boastful of her great power, her enormous national wealth. Poor America, of what avail is all her wealth, if the individuals comprising the nation are wretchedly poor? If they live in squalor, in filth, in crime, with hope and joy gone, a homeless, soilless army of human prey. It is generally conceded that unless the returns of any business venture exceed the cost, bankruptcy is inevitable. But those engaged in the business of producing wealth have not yet learned even this simple lesson. Every year the cost of production in human life is growing larger (50,000 killed, 100,000 wounded in America last year); the returns to the masses, who help to create wealth, are ever getting smaller. Yet America continues to be blind to the inevitable bankruptcy of our business of production. Nor is this the only crime of the latter. Still more fatal is the crime of turning the producer into a mere particle of a machine, with less will and decision than his master of steel and iron. Man is being robbed not merely of the products of his labor, but of the power of free initiative, of originality, and the interest in, or desire for, the things he is making.
Emma Goldman (Anarchism and other essays (Illustrated))