Brandy Glass Quotes

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I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong. I will love you as a battlefield loves young men and as peppermints love your allergies, and I will love you as the banana peel loves the shoe of a man who was just struck by a shingle falling off a house. I will love you as a volunteer fire department loves rushing into burning buildings and as burning buildings love to chase them back out, and as a parachute loves to leave a blimp and as a blimp operator loves to chase after it. I will love you as a dagger loves a certain person’s back, and as a certain person loves to wear dagger proof tunics, and as a dagger proof tunic loves to go to a certain dry cleaning facility, and how a certain employee of a dry cleaning facility loves to stay up late with a pair of binoculars, watching a dagger factory for hours in the hopes of catching a burglar, and as a burglar loves sneaking up behind people with binoculars, suddenly realizing that she has left her dagger at home. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguised and until every home is rebuilt from the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where we once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from slim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and now matter how I am discovered after what happens to me as I am discovering this.
Lemony Snicket
I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world.
Lemony Snicket
She was a sweet girl but not really pretty, a rough sketch of a woman with a little of everything in her, one of those silhouettes which artists draw in three strokes on the tablecloth in a café after dinner, between a glass of brandy and a cigarette. Nature sometimes turns out creatures like that.
Guy de Maupassant (Selected Short Stories)
What are you doing?” Celaena lifted another piece of paper. “If His Pirateness can’t be bothered to clean for us, then I don’t see why I can’t have a look.” “He’ll be here any second,” Sam hissed. She picked up a flattened map, examining the dots and markings along the coastline of their continent. Something small and round gleamed beneath the map, and she slipped it into her pocket before Sam could notice. “Oh, hush,” she said, opening the hutch on the wall adjacent to the desk. “With these creaky floors, we’ll hear him a mile off.” The hutch was crammed with rolled scrolls, quills, the odd coin, and some very old, very expensive-looking brandy. She pulled out a bottle, swirling the amber liquid in the sunlight streaming through the tiny porthole window. “Care for a drink?
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
To survive the Canadian winter, one needs a body of brass, eyes of glass, and blood made of brandy.
Louis-Armand de Lom d'Arce
Wade Coenen poured her a glass of brandy. 'Theater,' he said. 'Glorious theater. It creates family for all kinds of orphans.
Rebecca Wells (Divine Secrets of the Ya-Ya Sisterhood)
Eleanor found herself unexpectedly admiring her own feet. Theodora dreamed over the fire beyond the tips of her toes, and Eleanor thought with deep satisfaction that her feet were handsome in their red sandals; what a complete and separate thing I am, she thought, going from my red toes to the top of my head, individually an I, possessed of attributes belonging only to me. I have red shoes, she thought-that goes with being Eleanor; I dislike lobster and sleep on my left side and crack my knuckles when I am nervous and save buttons. I am holding a brandy glass which is mine because I am here and I am using it and I have a place in this room. I have red shoes and tomorrow I will wake up and I will still be here. 'I have red shoes,' she said very softly, and Theodora turned and smiled up at her.
Shirley Jackson (The Haunting of Hill House)
…she sipped her drink and tried not to stare at Dalgliesh. But he was murderously handsome, dark as a gypsy, with sleepy, bedroom eyes, his hunter’s gaze shuttered now that he was lounging relaxed in his chair, his brandy glass resting on his chest. His legs were stretched out before him…
Susan Johnson (Seductive as Flame (Bruton Street Bookstore, #4))
Well, hell. It’s been five years. Maybe she’s learned to lose gracefully. Maybe she’s out of practice.” “Maybe trained monkeys will climb out of my ass and pour me a glass of Austershalin brandy,” said Jean.
Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguished and until every home is rebuilt form the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love you until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from skim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and no matter how I am discovered after what happens to me happens to me as I am discovering this. I will love you if you don’t marry me. I will love you if you marry someone else – your co-star, perhaps, or Y., or even O., or anyone Z. through A., even R. although sadly I believe it will be quite some time before two women can be allowed to marry – and I will love you if you have a child, and I will love you if you have two children, or three children, or even more, although I personally think three is plenty, and I will love you if you never marry at all, and never have children, and spend your years wishing you had married me after all, and I must say that on late, cold nights I prefer this scenario out of all the scenarios I have mentioned. That, Beatrice, is how I will love you even as the world goes on its wicked way.
Lemony Snicket (The Beatrice Letters)
This will not do,' he said to himself. 'If I go on like this I shall become a crazy fool. This must stop! I promised the doctor I would not take tea. Faith, he was pretty right! My nerves must have been getting in a queer state. Funny I did not notice it. I never felt better in my life. However it is all right now, and I shall not be such a fool again.' Then he mixed himself a good stiff glass of brandy and water and resolutely sat down to his work.
Bram Stoker (The Judge's House)
The moral of the story couldn’t be clearer: you already know if your partner is fucking around behind your back, you just need to decide if you’re done being a doormat. You need to wake up one morning and decide that those rose-colored glasses are so last fucking season.
Brandi Glanville (Drinking and Tweeting and Other Brandi Blunders)
You and those shot-glass eyes, deep swirling pools of 80-proof firewater, with the depth and profundity of Saturn’s spinning pulsars…
Brandi L. Bates
This torture inflicted on her by my great-aunt, the sight of my grandmother's vain entreaties, of her feeble attempts, doomed in advance, to remove the liqueur-glass from my grandfather's hands -- all these were things of the sort to which, in later years, one can grow so accustomed as to smile at them and to take the persecutor's side resolutely and cheerfully enough to persuade oneself that it is not really persecution; but in those days they filled me with such horror that I longed to strike my great-aunt. And yet, as soon as I heard her "Bathilde! Come in and stop your husband drinking brandy," in my cowardice I became at once a man, and did what all we grown men do when face to face with suffering and injustice: I preferred not to see them.
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
You would have,” I say, with a bit of surprise, although it shouldn’t surprise me. Ben has been in love with Savannah since puberty. “Without hesitation,” he replies coldly, and takes another sip of brandy. When his glass is drained, he slaps it on the desk and walks toward my door. “Ben,” Declan says, stopping our friend when he grips the doorknob. “What exactly is Savannah to you?” Ben glances over his shoulder at Dec, shakes his head, his eyes suddenly sad, and leaves without a word.
Kristen Proby (Easy Love (Boudreaux, #1))
The valley below, the rock underfoot, and the mountain before him will outlast him. On the scale of this land, he is nothing; words like “shame” and “guilt” mean little here; and a reputation is no more than a fleeting blue flame, an evanescent spirit in a brandy glass.
Abraham Verghese (The Covenant of Water)
Theodora dreamed over the fire just beyond the tips of her toes, and Eleanor thought with a deep satisfaction that her feet were handsome in their ed sandals; what a complete and separate thing I am, she thought, going from my red toes to the top of my head, individually an I, possessed of attributes belonging only to me. I have red shoes, she thought —that goes with being Eleanor; I dislike lobster and sleep on my left side and crack my knuckles when I'm nervous and save buttons. I am holding a brandy glass which is mine because I am here and I am using it and I have a place in this room. I have red shoes and tomorrow I will wake up and I will still be here.
Shirley Jackson
She thumped her weapon (others might call it a cane, but he knew better) against the floor. “Fell off your horse?” “No, I—” “Tripped down the stairs? Dropped a bottle on your foot?” Her expression grew sly. “Or does it involve a woman?” He fought the urge to cross his arms. She was looking up at him with a bit of a smirk. She liked poking fun at her companions; she’d once told him that the best part of growing old was that she could say anything she wanted with impunity. He leaned down and said with great gravity, “Actually, I was stabbed by my valet.” It was, perhaps, the only time in his life he’d managed to stun her into silence. Her mouth fell open, her eyes grew wide, and he would have liked to have thought that she even went pale, but her skin had such an odd tone to begin with that it was hard to say. Then, after a moment of shock, she let out a bark of laughter and said, “No, really. What happened?” “Exactly as I said. I was stabbed.” He waited a moment, then added, “If we weren’t in the middle of a ballroom, I’d show you.” “You don’t say?” Now she was really interested. She leaned in, eyes alight with macabre curiosity. “Is it gruesome?” “It was,” he confirmed. She pressed her lips together, and her eyes narrowed as she asked, “And where is your valet now?” “At Chatteris House, likely nicking a glass of my best brandy.” She let out another one of her staccato barks of laughter.
Julia Quinn (Just Like Heaven (Smythe-Smith Quartet, #1))
Proper writing ink comes in a bottle, can be swirled like brandy in a glass, and smells like apple blossom after rain.
Fennel Hudson (A Writer's Year: Fennel's Journal No. 3)
I used to like mine with champagne. The champagne as cold as Valley Forge and about a third of a glass of brandy beneath it.
Raymond Chandler (The Big Sleep (Philip Marlowe, #1))
His ruby red rimmed moist eyes were two glasses of cranberry. He wore a cashmere sweater the color of Earl Grey tea...
Brandi L. Bates (Soledad)
I gather from Audrius that that concoction contains ten different ingredients. In addition to vodka, rum, brandy, and grenadine, it boasts an extraction of rose, a dash of bitters, and a melted lollipop. But a cocktail is not meant to be a mélange. It is not a potpourri or an Easter parade. At its best, a cocktail should be crisp, elegant, sincere—and limited to two ingredients.” “Just two?” “Yes. But they must be two ingredients that complement each other; that laugh at each other’s jokes and make allowances for each other’s faults; and that never shout over each other in conversation. Like gin and tonic,” he said, pointing to his drink. “Or bourbon and water . . . Or whiskey and soda . . .” Shaking his head, he raised his glass and drank from it. “Excuse me for expounding.
Amor Towles (A Gentleman in Moscow)
Look on the branch above your head,' said the Gnat, 'and there you'll find a snap-dragon-fly. Its body is made of plum-pudding, its wings of holly-leaves, and its head is a raisin burning in brandy.
Lewis Carroll (Through the Looking-Glass and What Alice Found There (Alice's Adventures in Wonderland, #2))
You are not to tell my parents,” he said, with his arm over his eyes, “but I drank a little brandy from a glass someone left and I am not feeling well this morning. One does not think it was poisoned.
C.J. Cherryh (Protector (Foreigner, #14))
Lady Margaret's icy blue eyes were enough to give Charity chills -- but the brandy in the cut-glass decanter was enough to melt the polar ice caps. Each time she drank, Charity could feel the warmth all the way down to her toes.
Carol Storm (Burning Captivity (The Charity Chronicles #2))
A breakfast recorded by the Duke of Wellington consisted of ‘two pigeons and three beefsteaks, three parts of a bottle of Mozelle, a glass of champagne, two glasses of port and a glass of brandy’ – and this was when he was feeling a little under the weather.
Bill Bryson (At Home: A Short History of Private Life)
There shall be brandy!" Sebastian stood "And we shall even drink it, although Robert will stop after two glasses because he always does." "There will be food!" Oliver declaimed, mirroring Sebastian's stance. "And we shan't drink that, because then we would choke
Courtney Milan (The Duchess War (Brothers Sinister, #1))
As they talked, West reflected privately that he knew exactly why people confided in Tom Severin, who never muddled an issue with moralizing or judgements, and never tried to change your opinions or talk you out of wanting something. Severin was never shocked by anything. And although he could be frequently disloyal or dishonorable, he was never dishonest. "I'll tell you what your problem is," Severin eventually said. "It's feelings." West paused with a crystal glass of brandy close to his lips. "Do you mean that unlike you, I have them?" "I have feelings too, but I never let them turn into obstacles. If I were in your situation, for example, I would marry the woman I wanted and not worry about what was best for her. And if the children you raise turn out badly, that's their business, isn't it? They'll decide for themselves whether or not they want to be good. Personally, I've always seen more advantage in being bad. Everyone knows the meek won't really inherit the earth. That's why I don't hire meek people." "I hope you're never going to be a father," West said sincerely. "Oh, I will," Severin said. "I have to leave my fortune to someone, after all. I'd rather it be my own offspring- it's the next best thing to leaving it to myself.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
September 10, 1965 Dear Francesca, Enclosed are two photographs. One is the shot I took of you in the pasture at sunrise. I hope you like it as much as I do. The other is of Roseman Bridge before I removed your note tacked to it. I sit here trolling the gray areas of my mind for every detail, every moment, of our time together. I ask myself over and over, “What happened to me in Madison County, Iowa?” And I struggle to bring it together. That’s why I wrote the little piece, “Falling from Dimension Z,” I have enclosed, as a way of trying to sift through my confusion. I look down the barrel of a lens, and you’re at the end of it. I begin work on an article, and I’m writing about you. I’m not even sure how I got back here from Iowa. Somehow the old truck brought me home, yet I barely remember the miles going by. A few weeks ago, I felt self-contained, reasonably content. Maybe not profoundly happy, maybe a little lonely, but at least content. All of that has changed. It’s clear to me now that I have been moving toward you and you toward me for a long time. Though neither of us was aware of the other before we met, there was a kind of mindless certainty humming blithely along beneath our ignorance that ensured we would come together. Like two solitary birds flying the great prairies by celestial reckoning, all of these years and lifetimes we have been moving toward one another. The road is a strange place. Shuffling along, I looked up and you were there walking across the grass toward my truck on an August day. In retrospect, it seems inevitable—it could not have been any other way—a case of what I call the high probability of the improbable. So here I am walking around with another person inside of me. Though I think I put it better the day we parted when I said there is a third person we have created from the two of us. And I am stalked now by that other entity. Somehow, we must see each other again. Any place, anytime. Call me if you ever need anything or simply want to see me. I’ll be there, pronto. Let me know if you can come out here sometime—anytime. I can arrange plane fare, if that’s a problem. I’m off to southeast India next week, but I’ll be back in late October. I Love You, Robert P. S., The photo project in Madison County turned out fine. Look for it in NG next year. Or tell me if you want me to send a copy of the issue when it’s published. Francesca Johnson set her brandy glass on the wide oak windowsill and stared at an eight-by-ten black-and-white photograph of herself.
Robert James Waller (The Bridges Of Madison County)
Scott stared at her mouth, just stared like he was hypnotized, paralyzed, like that crimson O was the answer to all of life’s problems, or maybe just his prayers. I kicked his shin to break the spell, which worked; he blinked, then ate the bite himself as if he’d never even offered it to anyone at all. I looked frankly at Carmel; her expression was innocently amused. There are women whose whole selves are engaged in being a public commodity, and Carmel was one of these. Every gesture she made, every syllable she uttered, the tinkle of her laughter, the way her dress’s fabric draped over her breasts, all of it was self-conscious and deliberate, designed to elicit admiration in women, desire in men. This isn’t to say I held any of that against her. Not a bit. I liked her, in fact. The way I saw it, she was a kind of living work of art, and funny and thoughtful besides. Was it her fault if she, as had happened to me, sometimes provoked the basest feelings in a man? Scott and Fred made short work of that second bottle of brandy while Carmel’s and my glasses still held our initial pour. I’d found that drinking very much of any kind of alcohol still did bad things to my stomach. Carmel might have found that it did bad things to her self-preservation; I know that if I looked like her, I’d never let down my guard.
Therese Anne Fowler (Z: A Novel of Zelda Fitzgerald)
Weetzie could not even cry and make Kleenex roses. She remembered the day her father, Charlie, had driven away in the smashed yellow T-bird, leaving her mother Brandy-Lynn clutching her flowered robe with one hand and an empty glass in the other, and leaving Weetzie holding her arms crossed over her chest that was taking its time to develope into anything
Francesca Lia Block (Dangerous Angels (Weetzie Bat, #1-5))
She brought the brandy bottle and a glass to the table. She had read books in which characters had sat down with a fifth of booze and a heavy load of despair, determined to use the former to wash away the latter. Sometimes it worked for them, so maybe it would work for her. If brandy could improve her state of mind even marginally, she was prepared to drink the whole damn bottle.
Dean Koontz (Watchers)
I look into the chocolaterie. It looks warm in there, almost intimate. Candles are burning on the tables; the Advent window is lit with a rose glow. It smells of orange and clove from the pomander hanging above the door; of pine from the tree; of the mulled wine that we are serving alongside our spiced hot chocolate; and of fresh gingerbread straight out of the oven. It draws them in- three or four at a time- regulars and strangers and tourists alike. They stop at the window, catch the scent, and in they come, looking a little dazed, perhaps, at the many scents and colors and all their favorites in their little glass boxes- bitter orange cracknel; mendiants du roi; hot chili squares; peach brandy truffle; white chocolate angel; lavender brittle- all whispering inaudibly- Try me. Taste me. Test me.
Joanne Harris (The Girl with No Shadow (Chocolat, #2))
Ultimately, Roger learned only of the encounter with the urban bees. The boy remained thoroughly fascinated by what he heard nonetheless, his blue-eyed stare never once straying from Holmes; his visage passive and accepting, his eyes wide, Roger's pupils stated fixed on those venerable, reflective eyes, as though the boy were seeing distant lights shimmering along an opaque horizon, a glimpse of something flickering and alive existing beyond his reach. And, in turn, the gray eyes that focused sharply on him - piercing and kind at the same instant - endeavoured to bridge the lifetime that separated the two of them, attempting to do so as brandy was sipped, and the vial's glass grew warmer against soft palms, and that seasoned, well-lived voice somehow made Roger feel much older and more worldly than his years.
Mitch Cullin (A Slight Trick of the Mind)
Wallingford vaulted up from his chair. “You’ve come here so that I can mollify you and share in your belittling of Anais? Well, you’ve knocked on the wrong bloody door, Raeburn, because I will not join you in disparaging Anais. I will not! Not when I know what sort of woman she is—she is better than either of us deserves. Damn you, I know what she means to you. I know how you’ve suffered. You want her and you’re going to let a mistake ruin what you told me only months ago you would die for. Ask yourself if it is worth it. Is your pride worth all the pain you will make your heart suffer through? Christ,” Wallingford growled, “if I had a woman who was willing to overlook everything I’d done in my life, every wrong deed I had done to her or others, I would be choking back my pride so damn fast I wouldn’t even taste it.” Lindsay glared at Wallingford, galled by the fact his friend— the one person on earth he believed would understand his feelings—kept chastising him for his anger, which, he believed, was natural and just. “If I had someone like Anais in my life,” Wallingford continued, blithely ignoring Lindsay’s glares, “I would ride back to Bewdley with my tail between my legs and I would do whatever I had to do in order to get her back.” “You’re a goddamned liar! You’ve never been anything but a selfish prick!” Lindsay thundered. “What woman would you deign to lower yourself in front of? What woman could you imagine doing anything more to than fucking?” Wallingford’s right eye twitched and Lindsay wondered if his friend would plant his large fist into his face. He was mad enough for it, Lindsay realized, but so, too, was he. He was mad, angry—all but consumed with rage, but the bluster went out of him when Wallingford spoke. “I’ve never bothered to get to know the women I’ve been with. Perhaps if I had, I would have found one I could have loved—one I could have allowed myself to be open with. But out of the scores of women I’ve pleasured, I’ve only ever been the notorious, unfeeling and callous libertine—that is my shame.Your shame is finding that woman who would love you no matter what and letting her slip through your fingers because she is not the woman your mind made her out to be. You have found something most men only dream of. Things that I have dreamed of and coveted for myself. The angel is dead. It is time to embrace the sinner, for if you do not, I shall expect to see you in hell with me. And let me inform you, it’s a burning, lonely place that once it has its hold on you, will never let you go. Think twice before you allow pride to rule your heart.” “What do you know about love and souls?” Lindsay growled as he stalked to the study door. “I know that a soul is something I don’t have, and love,” Wallingford said softly before he downed the contents of his brandy, “love is like ghosts, something that everyone talks of but few have seen. You are one of the few who have seen it and sometimes I hate you for it. If I were you, I’d think twice about throwing something like that away, but of course, I’m a selfish prick and do as I damn well please.” “You do indeed.” Wallingford’s only response was to raise his crystal glass in a mock salute.“To hell,” he muttered,“make certain you bring your pride. It is the only thing that makes the monotony bearable.
Charlotte Featherstone (Addicted (Addicted, #1))
Mahogany shelves lined the counters, stacked with glass bottles and jars, like something from a fairy tale. There were whole, plump roses steeping in honey; purple-stained sugar, thick with lavender, tiny jars of crimson threads, cherries and peaches suspended in syrup as if they had fallen there from the trees. The luxurious scents wrapped around him. 'Butter,' his nose relayed, 'cream, nuts, brandy, chocolate...
Laura Madeleine (The Confectioner's Tale)
Palmer? Would you bring us a little brandy?” Back the pewter tray came, with glasses and decanters. Palmer set it down on the occasional table and let a measure of syrup into each of two glasses. He scalped an orange and placed a shaving of peel in each glass. These he compressed with a pestle sufficiently to release their oils but not to macerate them. He added a dash of bitters and a measure of brandy to each glass, finishing with ice.
Chris Cleave (Everyone Brave is Forgiven)
Richard Brooman-White, Elliott’s chum who had eased Philby into Section V, came to stay in 1946 and was very nearly immolated when a waitress in Elliott’s favorite restaurant attempted to flambé an omelet at the table by pouring brandy onto a heated pan, causing a violent explosion that set fire to the hair of a Swedish diner. Elliott extinguished her with three glasses of white wine. Philby made a point of stopping off in Switzerland during his
Ben Macintyre (A Spy Among Friends: Kim Philby and the Great Betrayal)
He could gaze upon a particular deep shade of green and pick out every nuance of the color. Zeluppian Fern Green, his mind would inform him. Gray, said his soul. Just a shade of gray with a greenish name. His well-trained tongue could pick out every flavor of a sweetmeat. Honey from bees fed only cowslip nectar, his mind would tell him, with cherries marinated for twenty-one years in peach-and-saffron brandy. Ash, said his soul. Ash and dust. Even
Frances Hardinge (A Face Like Glass)
So I said, and quickly reached for my glass so as to duck my disingenuous face and take a bitter drop of brandy on my tongue. But Lonoff had read my designing mind, all right; for when I came upon Babel’s description of the Jewish writer as a man with autumn in his heart and spectacles on his nose, I had been inspired to add, “and blood in his penis,” and had then recorded the words like a challenge—a flaming Dedalian formula to ignite my soul’s smithy.
Philip Roth (The Ghost Writer: A Novel)
Daemon picked her up, took her into the bathroom, and filled the tub with hot water. She’d been unnaturally quiet all day, and he’d feared she was becoming ill. Now he feared she was in shock. There were dark smudges beneath her eyes, and she didn’t seem to know where she was. She struggled when he tried to lift the nightgown over her head. “No,” she said feebly as she attempted to hold the garment down. “I know what girls look like,” Daemon snapped as he pulled off the nightgown and lifted her into the tub. “Sit there.” He pointed a finger at her. She stopped trying to get out of the tub. Daemon went into the bedroom and got the brandy and glass he kept tucked in the bottom drawer of the nightstand. Returning to the bathroom, he sat on the edge of the tub, poured a healthy dose into the glass, and handed it to her. “Drink this.” He watched her take a small taste and grimace before he put the bottle to his own lips and took a long swallow. “Drink it,” he said angrily when she tried to hand him the glass. “I don’t like it.” It was the first time he’d ever heard her sound so young and vulnerable. He wanted to scream. “What—” He knew. Suddenly, all too clearly, he knew. The mud, the dirge, her hands cut up from digging in the hard ground, the dirt beneath her fingernails. He knew. Daemon took another long swallow of brandy. “Who?” “Rose,” Jaenelle replied in a hollow voice. “He killed my friend Rose.
Anne Bishop (Daughter of the Blood (The Black Jewels, #1))
He looked at me, and I saw the knowledge in his eyes. The horror. “I didn’t know, Gideon. I swear to God, I didn’t know.” My heart jerked in my chest, then began to pound. My mouth went dry. “I, uh, went to see Terrence Lucas.” Chris’s voice grew hoarse. “ Barged into his office. He denied it, the lying son of a bitch, but I could see it on his face.” The brandy sloshed in my glass. I set it down carefully, feeling the floor shift under my feet. Eva had confronted Lucas, but Chris..? “I decked him, knocked him out could, but Good … I wanted to take one of those awards on his shelves and bash his head in.” “Stop.” The word broke from my throat like slivers of glass. “And the asshole who did … That asshole is dead. I can’t get to him. Goddamn it.” Chris dropped the tumbler onto the granite with a thud, but it was the sob that tore out of him that nearly shattered me. “Hell, Gideon. It was my job to protect you. And I failed.” “Stop!” I pushed off the counter, my hands clenching. “Don’t fucking look at me like that!” He trembled visibly, but didn’t back down. “I had to tell you –“ His wrinkled dress shirt was in my fist, his feet dangling above the floor. “Stop talking. Now!” Tears lipped down his face. “I love you like my own. Always have.” I shoved him away. Turned my back to him when he stumbled and hit the wall. I left, crossing the living room without seeing it. “I’m not expecting your forgiveness,” he called after me, tears clogging his words. “I don’t deserve it. But you need to hear that I would’ve ripped him apart with my bare hands if I’d known.” I rounded on him, feeling the sickness clawing up from my gut and burning my throat. “What the fuck do you want?” Chris pulled his shoulders back. He faced me with reddened eyes and wet cheeks, shaking but too stupid to run. “I want you to know that you’re not alone.” Alone. Yes. Far away from the pity and guilt and pain staring out at me through his tears. “Get out.” Nodding, he headed toward the foyer. I stood immobile, my chest heaving, my eyes burning. Words backed up in my throat, violence pounded in the painful clench of my fists. He stopped before he left the room, facing me. “I’m glad you told Eva.” “Don’t talk about her.” I couldn’t bear to even think of her. Not now, when I was so close to losing it. He left. The weight of the day crashed onto my shoulders, dropping me to my knees. I broke.
Sylvia Day (Captivated by You (Crossfire, #4))
Then she sent Schweik for lunch and wine. And before he returned, she put on a filmy gown which made her extremely attractive and alluring. At lunch she drank a bottle of wine and smoked several Memphis cigarettes. And while Schweik was in the kitchen feasting on army bread which he soaked in a glass of brandy she retired to rest. "Schweik," she shouted from the bedroom. "Schweik!" Schweik opened the door and beheld the young lady in an enticing attitude among the cushions. "Come here." He stepped up to the bed, and with a peculiar smile she scrutinized his sturdy build. Then, she pulled aside the thin covering which had hitherto concealed her person. And so it came about that when the lieutenant returned from the barracks, the good soldier Schweik was able to inform him: "Beg to report, sir, I carried out all the lady's wishes and treated her courteously, just as you instructed me." "Thank you, Schweik," said the lieutenant. "And did she want many things done?" "About six," replied Schweik.
Jaroslav Hašek (The Good Soldier Švejk)
There is a visitor, Countess.” “A visitor?” Mother looks toward the rain-drenched windows. “Who would be out in this mess? Has their car given out?” “No, My Lady. The young woman says her name is Nancy Herald. She apologized for not making an appointment and provided her card. It seems to be a business proposition.” My mother makes a sweeping motion with the back of her hand. “I have no interest or time for business propositions. Send her on her way, please.” Stanhope places a business card on the table, bows, and leaves the room. Penny picks it up as she sips her drink, looks it over—and then spits her brandy all over the carpet. “Penelope!” mother yells. My sister stands up, waving the card over her head like Veruca Salt after she got her hands on the golden ticket to the chocolate factory. “Stanhope!” she screams. “Don’t let her leave! She a television producer!” Penny turns to me and in a quieter but urgent voice says, “She’s a television producer.” As if I didn’t hear her the first time. Then she sprints from the room. Or . . . tries to. Halfway to the door, her heel catches on the carpet and she falls flat on her face with an “Ooof.” “Are you all right, Pen?” She pulls herself up, waving her hands. “I’m fine! Or I will be, as long as she doesn’t leave!” The second try’s the charm, and Penelope scurries out of the room as fast as her four-inch heels will take her. My mother shakes her head at my sister’s retreating form. “Too much sugar, that one.” Then she drains her glass.
Emma Chase (Royally Matched (Royally, #2))
Well, naturally. Keir is descended from my line. Our virility is unmatched." Westcliff tried to look severe. "You realize, Kingston, that my first grandchild has been sired by your illegitimate offspring." "Yes, yes, who cares about legitimacy. This child will be magnificent. With my looks and your brains..." "It could have my looks and your brains," Westcliff pointed out. "Don't be such a pessimist. Bring the brandy bottle over here, and we'll start making plans." And the two old friends grinned at each other as they clinked their glasses.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
That”-Mr. Grayson slammed the door of the captain’s cabin-“was the most breathtaking display of stupidity I have ever witnessed in my life.” Sophia cringed in her chair as he plunked a basin of water on the table. Liquid sloshed over the side, trickling toward the floor. With jerky motions, he removed a flask from his breast pocket, unscrewed the top, and added a splash of brandy. Then he threw back a healthy swallow, himself. She’d never seen him so agitated. He took everything as a joke, laughed off confrontation, deflected insult with a roguish smile. “You’re angry,” she said. “Damn right, I’m angry. I’d like to string every one of those bloody idiots up to the yardarm and shout them deaf.” “So why are you here, shouting at me?” He yanked open a drawer and removed a box. When he flung it on the table and flipped the latch, the box proved to be a medicine kit, crowded with brown glass vials and plasters and rolls of gauze. “Because…” With a sullen sigh, he dropped into the other chair. “Shouting the crew deaf is the captain’s privilege. And I’m not the captain. So I’m here instead, playing nursemaid. Give me your hands.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Everyone in the room—all Franco-French white kids, it occurred to me—knew their Louis Armstrong inside and out, knew the names of the songs, had their favorites. That is phenomenal, I thought. “How do you guys know so much about black music?” I asked. “Are you kidding?” Stéphane, replied, assuming, I think, that I was implying only an American could be so well versed. “This is something the whole world knows. Practically everything except classical is black music!” I refilled my glass with the brandy, which, I noticed, tasted an awful lot like Hennessy—better, though.
Thomas Chatterton Williams (Losing My Cool: How a Father's Love and 15,000 Books Beat Hip-hop Culture: Love, Literature, and a Black Man's Escape from the Crowd)
He knew everything. He knew at least a thousand Hungarian folk songs, all the words and tunes, he could handle Gypsies, give them instructions and keep them in order, check their familiarity with the flicker of an eyelid, then win their affection with a lordly, condescending, and yet fraternal-playful sidelong glance, he could call 'acsi' perfectly, shout at the first violin when he didn't strike up Csendesen, csak csendesen quietly enough and the cimbalonist when the padded sticks didn't make the steel strings thunder and rumble sufficiently in Hullamzo Balaton, he could kiss the viola player's pock-marked face, give the double bass a kick, break glasses and mirrors, drink wine, beer and marc brandy for three days on end out of tumblers, smack his lips at the site of cabbage soup and cold pork stew, take ages inspecting his cards (with relish, one eye closed), dance a quick csardas for a whole half-hour, urging and driving himself on to stamp and shout and toss his partner high in the air and catch her, light as a feather, with one arm: so, as I said, he could do everything that raises Man from his animal condition and makes him truly Man.
Dezső Kosztolányi
Ian, about Elizabeth Cameron. Her duenna said some things-“ That alarmingly pleasant yet distant smile returned to Ian’s face. “I’ll spare you further conversation, Duncan. It’s over.” “The discussion or-“ “All of it.” “It didn’t look over to me!” Duncan snapped, nudged to the edge by Ian’s infuriating calm. “That scene I witnessed-“ “You witnessed the end.” He said that, Duncan noted, with the same deadly finality, the same amused calm with which he’d spoken of his grandfather. It was as if he’d resolved matters to his complete satisfaction in his own mind, and nothing and no one could ever invade the place where he put them to rest. Based on Ian’s last reaction to the matter of Elizabeth Cameron, she was now relegated to the same category as the Duke of Stanhope. Frustrated, Duncan jerked the bottle of brandy off the table at Ian’s elbow and splashed some into his glass. “There’s something I’ve never told you,” he said angrily. “And that is?” Ian inquired. “I hate it when you turn all pleasant and amused. I’d rather see you furious! At least then I know I still have a chance of reaching you.” To Duncan’s boundless annoyance, Ian merely picked up his book and started reading again.
Judith McNaught (Almost Heaven (Sequels, #3))
Why does it feel as if I've barely closed my eyes?" "Possibly because you just have, my insatiable young minx. I should have remembered what effect Archibald's company had on your tolerance for wine." "It was not the wine that kept me awake, sir. It was the brandy." He glanced up from tucking his shirttails into his breeches and grinned wolfishly. "Perhaps next time we should try drinking it out of glasses." "Perverted and lustful,"she grumbled crossly. "That's what you are. And far too knowledgeable of things decent men and women would never dream of going in their most wicked fantasies." "Is that a complaint?
Marsha Canham (The Blood of Roses (Highlands, #2))
Upon entering the main room, Evie discovered her husband lounging in a large, old-fashioned slipper tub. Since the lavatory was too small to allow for a tub, a portable one had to be carried in by footmen and laboriously filled with large cans of hot water brought by housemaids. Sebastian leaned back with one long leg propped at the far end of the tub, a crystal glass of brandy clasped negligently in one hand. His once tawny amber hair was handsomely silvered at the sides and temples. The daily ritual of a morning swim had kept him fit and limber, his skin glowing as if he existed in perpetual summer. He might have been Apollo lazing on Olympus: a decadent golden sun god utterly lacking in modesty.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
I didn’t answer, occupied in dissolving the penicillin tablets in the vial of sterile water. I selected a glass barrel, fitted a needle, and pressed the tip through the rubber covering the mouth of the bottle. Holding it up to the light, I pulled back slowly on the plunger, watching the thick white liquid fill the barrel, checking for bubbles. Then pulling the needle free, I depressed the plunger slightly until a drop of liquid pearled from the point and rolled slowly down the length of the spike. “Roll onto your good side,” I said, turning to Jamie, “and pull up your shirt.” He eyed the needle in my hand with keen suspicion, but reluctantly obeyed. I surveyed the terrain with approval. “Your bottom hasn’t changed a bit in twenty years,” I remarked, admiring the muscular curves. “Neither has yours,” he replied courteously, “but I’m no insisting you expose it. Are ye suffering a sudden attack of lustfulness?” “Not just at present,” I said evenly, swabbing a patch of skin with a cloth soaked in brandy. “That’s a verra nice make of brandy,” he said, peering back over his shoulder, “but I’m more accustomed to apply it at the other end.” “It’s also the best source of alcohol available. Hold still now, and relax.” I jabbed deftly and pressed the plunger slowly in. “Ouch!” Jamie rubbed his posterior resentfully. “It’ll stop stinging in a minute.” I poured an inch of brandy into the cup. “Now you can have a bit to drink—a very little bit.” He drained the cup without comment, watching me roll up the collection of syringes. Finally he said, “I thought ye stuck pins in ill-wish dolls when ye meant to witch someone; not in the people themselves.” “It’s not a pin, it’s a hypodermic syringe.” “I dinna care what ye call it; it felt like a bloody horseshoe nail. Would ye care to tell me why jabbing pins in my arse is going to help my arm?” I took a deep breath. “Well, do you remember my once telling you about germs?” He looked quite blank. “Little beasts too small to see,” I elaborated. “They can get into your body through bad food or water, or through open wounds, and if they do, they can make you ill.” He stared at his arm with interest. “I’ve germs in my arm, have I?” “You very definitely have.” I tapped a finger on the small flat box. “The medicine I just shot into your backside kills germs, though. You get another shot every four hours ’til this time tomorrow, and then we’ll see how you’re doing.” I paused. Jamie was staring at me, shaking his head. “Do you understand?” I asked. He nodded slowly. “Aye, I do. I should ha’ let them burn ye, twenty years ago.
Diana Gabaldon (Voyager (Outlander, #3))
Many of us drink in order to take that flight, in order to pour ourselves, literally, into new personalities: uncap the bottle, pop the cork, slide into someone else’s skin. A liquid makeover, from the inside out. Everywhere we look, we are told that this is possible; the knowledge creeps inside us and settles in dark corners, places where fantasies lie. We see it on billboards, in glossy magazine ads, in movies and on TV: we see couples huddled together by fires, sipping brandy, flames reflecting in the gleam of glass snifters; we see elegant groups raising celebratory glasses of wine in restaurants; we see friendships cemented over barstools and dark bottles of beer. We see secrets shared, problems solved, romances bloom. We watch, we know, and together the wine, beer, and liquor industries spend more than $1 billion each year*2 reinforcing this knowledge: drinking will transform us.
Caroline Knapp (Drinking: A Love Story)
   I was soon bored, for my friend Moschku had his hands full with serving his guests with brandy and gossip, and only seldom did he hop over the bar to my table, sink his verbal claws into me, and attempt a learned conversation about politics and literature.    I was bored even without that and looked around the room.    Its basic color was green.    The frugally trimmed petroleum lamp filled the room with greenish light. Green mold lay on the walls, the great rectangular oven was lacquered green, and green moss grew out of Israel's fieldstone floor. Green sediment in the schnaps glasses, green oxidation on the small tin measuring glasses that the peasants drank out of when they walked up and put their copper coins down on the bar. A green vegetation covered the cheese that Moschku placed in front of me, and his wife was sitting behind the oven in a yellow nightgown with bluish green flowers and rocking her pale green child. Green in the Jew's careworn face, green around his small, restless eyes, around his thin, motionless nostrils, and in the mockingly twisted, sour corners of his mouth.
Leopold von Sacher-Masoch (Love. The Legacy of Cain)
George, who had been standing gripping the back of a chair, demanded in a voice which boded ill for the absent Viscount. 'What has Sherry done to you?' "He has not done anything yet. That is why I had to run away, to prevent him! I could not bear it, I "could" not!' 'By God!' George swore, his brilliant eyes beginning to smolder. 'Only tell me!' Mr Ringwood emerged from his stupefaction at this point. He poured himself out some brandy, tossed it off, and set down the glass with the air of a man who was now competent to deal with any emergency. 'Hold your tongue, George!' he commanded tersely. 'So Sherry's home, is he, Kitten?' She nodded, two large tears rolling down her cheeks. 'I take it it's this curst race of yours?' 'Yes. How could I have been so wicked and stupid as to- Oh, Ferdy, if I had but listened to you this morning!' He shook his head sadly. 'Pity,' he agreed. 'Thought so at the time.' 'But even then it would have been too late, for Sherry says they are betting on me in the clubs, and my reputation is quite ruined! Everyone is talking of me, b-bandying my name about-' 'Let anyone bandy your name about in my presence!' said George, grinding his teeth. 'Only let them mention your name, that's all I ask! "I" shall know what to do if Sherry don't!
Georgette Heyer (Friday's Child)
There was something different about Severin today, Devon thought. A look of being stranded in some foreign place without a map. “How are you, Tom?” he asked with a touch of concern. “Why are you really here?” Severin’s usual response would have been something flippant and amusing. Instead, he said distractedly, “I don’t know.” “Is there a problem with one of your businesses?” “No, no,” Severin said with a touch of impatience. “All that’s fine.” “Your health, then?” “No. It’s only that lately … I seem to want something I don’t have. But I don’t know what it is. And that’s impossible. I have everything.” Devon bit back a wry smile. The conversation always became somewhat tortured whenever Severin, who was habitually detached from his emotions, tried to identify one of them. “Do you think it could be loneliness?” he suggested. “No, it’s not that.” Severin looked pensive. “What do you call it when everything seems boring and pointless, and even the people you know well are like strangers?” “Loneliness,” Devon said flatly. “Damn it. That makes six.” “Six what?” Devon asked in bewilderment. “Feelings. I’ve never had more than five feelings, and they’re hard enough to manage as it is. I’ll be damned if I’ll add another.” Shaking his head, Devon went to retrieve his glass of brandy. “I don’t want to know what your five feelings are,” he said. “I’m sure the answer would worry me.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
I’m going to sleep now,” she said in a strangled voice. “Alone,” she added, and his face whitened as if she had slapped him. During his entire adult life Ian had relied almost as much on his intuition as on his intellect, and at that moment he didn’t want to believe in the explanation they were both offering. His wife did not want him in her bed; she recoiled from his touch; she had been away for two consecutive nights; and-more alarming than any of that-guilt and fear were written all over her pale face. “Do you know what a man thinks,” he said in a calm voice that belied the pain streaking through him, “when his wife stays away at night and doesn’t want him in her bed when she does return?” Elizabeth shook her head. “He thinks,” Ian said dispassionately, “that perhaps someone else has been taking his place in it.” Fury sent bright flags of color to her pale cheeks. “You’re blushing, my dear,” Ian said in an awful voice. “I am furious!” she countered, momentarily forgetting that she was confronting a madman. His stunned look was replaced almost instantly by an expression of relief and then bafflement. “I apologize, Elizabeth.” “Would you p-lease get out of here!” Elizabeth burst out in a final explosion of strength. “Just go away and let me rest. I told you I was tired. And I don’t see what right you have to be so upset! We had a bargain before we married-I was to be allowed to live my life without interference, and quizzing me like this is interference!” Her voice broke, and after another narrowed look he strode out of the room. Numb with relief and pain, Elizabeth crawled back into bed and pulled the covers up under her chin, but not even their luxurious warmth could still the alternating chills and fever that quaked through her. Several minutes later a shadow crossed her bed, and she almost screamed with terror before she realized it was Ian, who had entered silently though the connecting door of their suite. Since she’d gasped aloud when she saw him, it was useless to pretend she was sleeping. In silent dread she watched him walking toward her bed. Wordlessly he sat down beside her, and she realized there was a glass in his hand. He put it on the bedside table, then he reached behind her to prop up her pillows, leaving Elizabeth no choice but to sit up and lean back against them. “Drink this,” he instructed in a calm tone. “What is it?” she asked suspiciously. “It’s brandy. It will help you sleep.” He watched while she sipped it, and when he spoke again there was a tender smile in his voice. “Since we’ve ruled out another man as the explanation for all this, I can only assume something has gone wrong at Havenhurst. Is that it?” Elizabeth seized on that excuse as if it were manna from heaven. “Yes,” she whispered, nodding vigorously. Leaning down, he pressed a kiss on her forehead and said teasingly, “Let me guess-you discovered the mill overcharged you?” Elizabeth thought she would die of the sweet torment when he continued tenderly teasing her about being thrifty. “Not the mill? Then it was the baker, and he refused to give you a better price for buying two loaves instead of one.” Tears swelled behind her eyes, treacherously close to the surface, and Ian saw them. “That bad?” he joked.
Judith McNaught (Almost Heaven (Sequels, #3))
The railway journey to London was accomplished in a miraculous two hours, at least four times faster than it would have been had they gone by coach. That turned out to be fortunate, as it soon became apparent that the Ravenel family did not travel well. Pandora and Cassandra were both overcome with excitement, never having set foot on a train before. They chattered and exclaimed, darting across the station platform like feeding pigeons, begging West to purchase railway editions of popular novels--only a shilling apiece--and sandwiches packaged in cunning little paper boxes, and handkerchiefs printed with pastoral scenes. Loaded with souvenirs, they boarded the family’s first-class railway carriage and insisted on trying every seat before choosing the ones they preferred. Helen had insisted on bringing one of her potted orchids, its long, fragile stem having been stabilized with a stick and a bit of ribbon. The orchid was a rare and sensitive species of Blue Vanda. Despite its dislike of being moved, she believed it would be better off in London with her. She carried the orchid in her lap the entire way, her absorbed gaze focused on the passing landscape. Soon after the train had left the station, Cassandra made herself queasy by trying to read one of the railway novels. She closed the book and settled in her seat with her eyes closed, moaning occasionally as the train swayed. Pandora, by contrast, couldn’t stay seated for more than a few minutes at a time, jumping up to test the feeling of standing in a moving locomotive, and attempting to view the scenery from different windows. But the worst traveler by far was Clara, the lady’s maid, whose fear of the train’s speed proved resistant to all attempts at soothing. Every small jolt or lurch of the carriage drew a fearful cry from her until Devon had given her a small glass of brandy to settle her nerves.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Through the window we saw them, all three arm in arm, going toward the café. Rockets were going up in the square. "I'm going to sit here," Brett said. "I'll stay with you," Cohn said. "Oh, don't!" Brett said. "For God's sake, go off somewhere. Can't you see Jake and I want to talk?" "I didn't," Cohn said. "I thought I'd sit here because I felt a little tight." "What a hell of a reason for sitting with any one. If you're tight, go to bed. Go on to bed." "Was I rude enough to him?" Brett asked. Cohn was gone. "My God! I'm so sick of him!" "He doesn't add much to the gayety." "He depresses me so." "He's behaved very badly." "Damned badly. He had a chance to behave so well." "He's probably waiting just outside the door now." "Yes. He would. You know I do know how he feels. He can't believe it didn't mean anything." "I know." "Nobody else would behave as badly. Oh, I'm so sick of the whole thing. And Michael. Michael's been lovely, too." "It's been damned hard on Mike." "Yes. But he didn't need to be a swine." "Everybody behaves badly," I said. "Give them the proper chance." "You wouldn't behave badly." Brett looked at me. "I'd be as big an ass as Cohn," I said. "Darling, don't let's talk a lot of rot." "All right. Talk about anything you like." "Don't be difficult. You're the only person I've got, and I feel rather awful to-night." "You've got Mike." "Yes, Mike. Hasn't he been pretty?" "Well," I said, "it's been damned hard on Mike, having Cohn around and seeing him with you." “Don't I know it, darling? Please don't make me feel any worse than I do." Brett was nervous as I had never seen her before. She kept looking away from me and looking ahead at the wall. "Want to go for a walk?" "Yes. Come on." I corked up the Fundador bottle and gave it to the bartender. "Let's have one more drink of that," Brett said. "My nerves are rotten." We each drank a glass of the smooth amontillado brandy. "Come on," said Brett. As we came out the door I saw Cohn walk out from under the arcade. "He _was_ there," Brett said. "He can't be away from you." "Poor devil!" "I'm not sorry for him. I hate him, myself." "I hate him, too," she shivered. "I hate his damned suffering." We walked arm in arm down the side Street away from the crowd and the lights of the square. The street was dark and wet, and we walked along it to the fortifications at the edge of town. We passed wine-shops with light coming out from their doors onto the black, wet street, and sudden bursts of music. "Want to go in?" "No." We walked out across the wet grass and onto the stone wall of the fortifications. I spread a newspaper on the stone and Brett sat down.
Ernest Hemingway (The Sun Also Rises)
NICK [smiles at MARTHA. Then, to GEORGE, indicating a side table near the hall]: May I leave my drink here? GEORGE [as NICK exits without waiting for a reply]: Yeah . . . sure . . . why not? We've got half-filled glasses everywhere in the house, wherever Martha forgets she's left them...in the linen closet, on the edge of the bathtub....I even found one in the freezer, once. MARTHA [Amused in spite of herself]: You did not! GEORGE: Yes I did. MARTHA [ibid.]: You did not! GEORGE [Giving HONEY her brandy]: Yes I did. [To HONEY] Brandy doesn't give you a hangover? HONEY: I never mix. And then, I don't drink very much, either. GEORGE [Grimaces behind her back]: Oh...that's good. Your...your husband was telling me about the ...chromosomes. MARTHA [Ugly]: The What? GEORGE: The chromosomes, Martha...the genes, or whatever they are. [To HONEY] You've got quite a ...terrifying husband. HONEY [As if she's being joshed]: Ohhhhhhhhh.... GEORGE: No, really. He's quite terrifying, with his chromosomes, and all. MARTHA: He's in the Math Department. GEORGE: No, Martha...he's a biologist. MARTHA [Her voice rising]: He's in the Math Department! HONEY [Timidly]: Uh...biology. MARTHA [Unconvinced]: Are you sure? HONEY [With a little giggle]: Well, I ought to. [Then as an afterthought] Be. MARTHA [Grumpy]: I suppose so. I don't know who said he was in the Math Department. GEORGE: You did, Martha. MARTHA [By way of irritable explanation]: Well, I can't be expected to remember everything. I meet fifteen new teachers and their goddamn wives...present company outlawed, of course...[HONEY nods, smiles sillily]...and I'm supposed to remember everything. [Pause] So? He's a biologist. Good for him. Biology's even better. It's less...abstruse. GEORGE: Abstract. MARTHA: ABSTRUSE! In the sense of recondite. [Sticks her tongue out at GEORGE] Don't you tell me words. Biology's even better. It's...right at the meat of things. [NICK re-enters] You're right at the meat of things, baby. NICK [Taking his drink from the side table]: Oh? HONEY [With that giggle]: They thought you were in the Math Department. NICK: Well, maybe I ought to be. MARTHA: You stay right where you are...you stay right at the...meat of things. GEORGE: You're obsessed with that phrase, Martha....It's ugly. MARTHA [Ignoring GEORGE...to NICK]: You stay right there. [Laughs] Hell, you can take over the History Department just as easy from there as anywhere else. God knows, somebody's going to take over the History Department, some day, and it ain't going to be Georgie-boy, there...that's for sure. Are ya, swampy...are ya, Hunh? GEORGE: In my mind, Martha, you are buried in cement, right up to your neck. [MARTHA giggles] No...right up to your nose...that's much quieter.
Edward Albee (Who's Afraid of Virginia Woolf?)
In the course of my discussion with Ravenswood, I tried to get him to tell me how you got your scar, but he wouldn’t. He said I’d have to ask you.” Jane’s words came suddenly into his head: That’s why you haven’t shared this with your own family? That’s why you keep all of us out? Because you think it was your fault? Oh, my sweet darling, none of it was your fault. When Dom didn’t answer right away, Tristan went on, “I told Ravenswood you’d always brushed off the question with some nonsense about a fight you got into. But that isn’t true, I assume.” Dom ventured a glance at his brother and winced to see the hurt on his face. Jane had said, Every time you refuse to reveal your secrets, Dom, I assume that you find me unworthy to hear them. Apparently, that was how he’d made all of them feel. As if he were somehow too important to let them into his life. Only God could have stopped this disaster, and contrary to what you think, you aren’t God. When she’d said it, he hadn’t understood why she would accuse him of such a thing. Why she sometimes called him “Dom the Almighty.” But he understood now. By shielding his guilt from the world, he’d shut himself off from his family. From her. He’d pushed away the very people he should have embraced. Having just watched Jane retreat into fear and shut him out, he now knew precisely how painful it could feel to be on the receiving end. If he wanted to change all that, he would have to start opening his heart, letting his family--and her--see the things he was most ashamed of, most worried about. He would have to trust them to understand, to empathize, to love him in spite of everything. The only other choice was to keep closing himself up until, as she’d said at that ball last year: One day that church you’re building around yourself shall become your crypt. He didn’t want that. He took a steadying breath as he and Tristan walked up the steps to Ravenswood’s manor house. “As it happens, I did receive my scar in a fight. But it was a fight against the militia at the Peterloo Massacre.” When Tristan shot him a startled look, Dom halted at the top of the steps to face him. “If you want to hear the story, I’ll tell you all about it. Right now, if you wish.” Tristan searched his face, as if not quite sure he believed what he was hearing. “I’d like that very much.” Then he broke into a grin. “But only if we do it over a glass of Ravenswood’s brandy. That’s the best damned brandy I’ve ever tasted.” “One of the privileges of being a spymaster is that you can get your hands on the good stuff,” Dom said lightly, though his stomach churned at the thought of revealing his most humiliating secret, even to his brother. Still, as they headed inside, Tristan clapped him on the shoulder, and that reassured him. Telling Tristan about Peterloo represented a beginning of sorts, toward a closer friendship than Dom had allowed himself to have with his brother in recent years. Jane would be proud.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Be angry with me if you wish. I suppose I deserve it. Be whatever you have to be with me. But stop this charade and be yourself. That’s all I ask.” He stood silent for a moment, looking at me with haughty disapproval. And then he came to take the other chair. He poured himself more brandy without offering me any. I could smell that it was the apricot one we had shared in my cabin less than a year ago. He sipped it and then observed, “Be myself. And who would that be?” He set down the glass, leaned back in the chair, and then crossed his arms on his chest. “I don’t know. I wish you were the Fool,” I said quietly. “But I think we have come too far to go back to that pretense. Yet if we could, I would. Willingly.” I looked away from him. I kicked at the end of a hearth log, pushing it farther into the fire and waking new flames in a gust of sparks. “When I think of you now, I do not even know how to name you to myself. You are not Lord Golden to me. You never truly were. Yet you are not the Fool anymore, either.” I steeled myself as the words came to me, unplanned but obvious. How can the truth be so difficult to say? For a teetering instant, I feared he would misunderstand my words. Then I knew that he would know exactly what I meant by them. For years, he had understood my feelings, in the silences he kept. Before we parted company, I had to repair, somehow, the rift between us. The words were the only tool I had. They echoed of the old magic, of the power one gained when one knew someone’s true name. I was determined. And yet, the utterance still came awkward to my tongue. “You said once that I might call you ‘Beloved,’ if I no longer wished to call you ‘Fool.’” I took a breath. “Beloved, I have missed your company.” He lifted a hand and covered his mouth. Then he disguised the gesture by rubbing his chin as if he thought something through carefully. I do not know what expression he hid behind his palm. When he dropped his hand from his face, he was smiling wryly. “Don’t you think that might cause some talk about the keep?” I let his comment pass for I had no answer to it. He had spoken to me in the Fool’s mocking voice. Even as it soothes my heart, I had to wonder if it was a sham for my benefit. Did he show me what I wished to see, or what he was? “Well.” He sighed. “I suppose that if you were going to have an appropriate name for me, it would still be Fool. So let us leave it at that, Fitzy. To you, I am the Fool.” He looked into the fire and laughed softly. “It balances, I suppose. Whatever is to come for us, I will always have these words to recall now.” He looked at me and nodded gravely, as if thanking me for returning something precious to him. There were so many things I wanted to discuss with him. I wanted to review the Prince’s mission and talk about Web and ask him why he now gambled so much and what his wild extravagances meant. But I suddenly wanted to add no more words to what we had said tonight. As he had said, it balanced now. It was a hovering scale between us; I would chance no word that might tip it awry again. I nodded to him and rose slowly. When I reached the door, I said quietly, “Then, good night, Fool.” I opened the door and went out into the corridor. “Good night, beloved,” he said from his fireside chair. I shut the door softly behind myself.
Robin Hobb (Golden Fool (Tawny Man, #2))
A stranger. Young, well-dressed, pale and visibly sweaty, as if he’d endured some great shock and needed a drink. West would have been tempted to pour him one, if not for the fact that he’d just pulled a small revolver from his pocket and was pointing it in his direction. The nose of the short barrel was shaking. Commotion erupted all around them as patrons became aware of the drawn pistol. Tables and chairs were vacated, and shouts could be heard among the growing uproar. “You self-serving bastard,” the stranger said unsteadily. “That could be either of us,” Severin remarked with a slight frown, setting down his drink. “Which one of us do you want to shoot?” The man didn’t seem to hear the question, his attention focused only on West. “You turned her against me, you lying, manipulative snake.” “It’s you, apparently,” Severin said to West. “Who is he? Did you sleep with his wife?” “I don’t know,” West said sullenly, knowing he should be frightened of an unhinged man aiming a pistol at him. But it took too much energy to care. “You forgot to cock the hammer,” he told the man, who immediately pulled it back. “Don’t encourage him, Ravenel,” Severin said. “We don’t know how good a shot he is. He might hit me by mistake.” He left his chair and began to approach the man, who stood a few feet away. “Who are you?” he asked. When there was no reply, he persisted, “Pardon? Your name, please?” “Edward Larson,” the young man snapped. “Stay back. If I’m to be hanged for shooting one of you, I’ll have nothing to lose by shooting both of you.” West stared at him intently. The devil knew how Larson had found him there, but clearly he was in a state. Probably in worse condition than anyone in the club except for West. He was clean-cut, boyishly handsome, and looked like he was probably very nice when he wasn’t half-crazed. There could be no doubt as to what had made him so wretched—he knew his wrongdoings had been exposed, and that he’d lost any hope of a future with Phoebe. Poor bastard. Picking up his glass, West muttered, “Go on and shoot.” Severin continued speaking to the distraught man. “My good fellow, no one could blame you for wanting to shoot Ravenel. Even I, his best friend, have been tempted to put an end to him on a multitude of occasions.” “You’re not my best friend,” West said, after taking a swallow of brandy. “You’re not even my third best friend.” “However,” Severin continued, his gaze trained on Larson’s gleaming face, “the momentary satisfaction of killing a Ravenel—although considerable—wouldn’t be worth prison and public hanging. It’s far better to let him live and watch him suffer. Look how miserable he is right now. Doesn’t that make you feel better about your own circumstances? I know it does me.” “Stop talking,” Larson snapped. As Severin had intended, Larson was distracted long enough for another man to come up behind him unnoticed. In a deft and well-practiced move, the man smoothly hooked an arm around Larson’s neck, grasped his wrist, and pushed the hand with the gun toward the floor. Even before West had a good look at the newcomer’s face, he recognized the smooth, dry voice with its cut-crystal tones, so elegantly commanding it could have belonged to the devil himself. “Finger off the trigger, Larson. Now.” It was Sebastian, the Duke of Kingston . . . Phoebe’s father. West lowered his forehead to the table and rested it there, while his inner demons all hastened to inform him they really would have preferred the bullet.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
WATERMELON COOKIES Preheat oven to 325 degrees F., rack in the middle position. 1 package (.16-ounce) watermelon (or any other flavor) Kool-Aid powder (Don’t get the kind with sugar or sugar substitute added.) 1 and ⅔ cup white (granulated) sugar 1 and ½ cups softened butter (2 and ½ sticks, 10 ounces) 2 large eggs, beaten (just whip them up in a glass with a fork) ½ teaspoon salt 1 teaspoon baking soda 3 cups all-purpose flour (pack it down in the cup when you measure it) ½ cup white (granulated) sugar in a bowl Hannah’s 1st Note: When Brandi makes these cookies, she rolls them out on a floured board and uses cookie cutters. Rolled cookies take more time than other types of cookies, so Lisa and I modified Brandi’s recipe for use at The Cookie Jar. Mix the watermelon Kool-Aid with the granulated sugar. Add the softened butter and mix until it’s nice and fluffy. Add the eggs and mix well. Mix in the salt and the baking soda. Make sure they’re well incorporated. Add the flour in half-cup increments, mixing after each addition. Spray cookie sheets with Pam or another nonstick cooking spray. You can also use parchment paper if you prefer. Roll dough balls one inch in diameter with your hands. (We use a 2-teaspoon cookie scooper at The Cookie Jar.) Roll the cookie balls in the bowl of white sugar and place them on the cookie sheet, 12 to a standard-size sheet. Bake the Watermelon Cookies at 325 degrees F. for 10 to 12 minutes (mine took 11 minutes) or until they’re just beginning to turn golden around the edges. Don’t overbake. Let the cookies cool on the cookie sheets for no more than a minute, and then remove them to a wire rack to cool completely. Yield: Approximately 6 dozen pretty and unusual cookies that kids will adore, especially if you tell them that they’re made with Kool-Aid. Hannah’s 2nd Note: Brandi’s mother baked these cookies to send to school on birthdays. She
Joanne Fluke (Apple Turnover Murder (Hannah Swensen, #13))
Come down and have a glass of brandy-and-water, and leave the people alone for the present. The people can take care of themselves a great deal better than we can take care of them.
Anthony Trollope (Complete Works of Anthony Trollope)
She listened again, and felt that the slight murmur of a snore with which her ears were regaled was altogether free from any real malady in the throat. Then it occurred to her, that after all, fatigue perhaps had only made him cross. She bethought herself how, during the whole journey, she had failed to believe in his illness. What meals he had eaten! How thoroughly he had been able to enjoy his full complement of cigars! And then that glass of brandy, against which she had raised her voice slightly in feminine opposition. And now he was sleeping there like an infant, with full, round, perfected, almost sonorous workings of the throat.
Anthony Trollope (Christmas at Thompson Hall: And Other Christmas Stories)
It was another hour before the door opened again, this time to admit the Governor. He was still handsome and neat as a white camellia, but definitely beginning to turn brown round the edges. I set the untouched glass of brandy down and got to my feet to face him. “Where is Jamie?” “Still being questioned by Captain Jacobs, the militia commander.” He sank into his chair, looking bemused. “I had no notion he spoke French so remarkably well.
Diana Gabaldon (Voyager (Outlander, #3))
The room was suddenly too hot, and the walls seemed to be closing in around her. She had to get away, to get fresh air, before she screamed. “Please, excuse me,” Lydia said before fleeing. *** “Well,” Ian drawled, leaning back in his chair. “That went well.” Vincent ignored him and turned to Miss Hobson with an icy glare. “You did inform Lydia that she is to wed, did you not?” The woman’s chin lifted in a vain attempt to hide her anxiety. “I’d assumed she understood her responsibility as a young lady of noble birth.” Her voice quavered defensively. “She’d spoken of having a Season in New Orleans. How was I to know things may have been different there?” Vincent cursed as the matter became clear. “Because her father failed to perform his responsibility to Society when he married for love… Bloody hell, I should have known!” “Vincent.” The duke’s voice was implacable. “My wife will not sponsor the young woman if she is not willing.” Miss Hobson sighed. “Surely she could not expect something so fanciful as love.” Vincent ignored the chaperone and faced Ian. “I am certain we can persuade Miss Price to see reason. She has been receptive to all other aspects of taking her place in Society.” Ian swirled the brandy in the glass before giving a slight nod. “No doubt her grief remains for the loss of her parents.” Miss Hobson nodded. “A reasonable assumption, Your Grace. I’m certain she’ll collect herself after a while and be down soon.” Ten
Brooklyn Ann (One Bite Per Night (Scandals with Bite, #2))
He brushed her hair until it was nearly dry. He had to reach forward to catch the brandy glass. Lazy delight swirled through her at the glance of his hand over hers. Each stroke of the brush leached away another layer of resistance. After all the fear and anger, she slid into a fog of languorous docility. Perhaps soon he'd take her to bed. Surely he hadn't meant it when he said she'd sleep alone. He set the brush aside and lifted her into his arms. She murmured sleepily and nestled into his chest. She was warm. He was warm. Everything was delicious warmth. She smothered a yawn and shut her eyes. Jonas... She might have spoken his name aloud. She nuzzled his chest, drawing in more rain-fresh scent. She thought he growled softly in his throat. She wasn't sure. She was so tired, she wasn't sure about much. He set her down on the bed, the mattress sagging beneath her, and pulled up the covers. His arms slipped away with what felt like reluctance and the loss pierced her drowsiness. She whimpered in protest and waited for him to slide in beside her. She kept her eyes shut. Looking at him veered too near to admitting she'd stopped fighting. She heard him sigh. His clean scent flooded her senses when he pressed his lips to her forehead then briefly kissed her mouth.
Anna Campbell (Seven Nights in a Rogue's Bed (Sons of Sin, #1))
He lurched forward to correct the slant of her glass. She seemed unaware of anything beyond the sexual energy blazing between them. She blushed at his action and straightened against the gold upholstery. He was a cad to delight in her confusion, but she had him in such a maelstrom, he was devilish tickled not to suffer alone. Her eyes were glazed, her cheeks flushed. She licked her lips, leaving them glistening and, oh, so kissable. Her voice was husky. "Sir, I..." Damn this. He stood and prowled across to retrieve her glass before she spilled brandy over her pretty dress. Her fingers trembled as she pulled free. "Shh." He placed the glass on the side table. Ignoring her discouraging posture, he started to take down her hair. She batted at his hands. "Merrick! Stop it." "Calm, bella." He stood before her, blocking any escape. "I won't be calm," she snapped, trying ineffectually to stop him spreading the mane of hair over her shoulders. It crinkled after its confinement and caught the firelight, shining gold and brown and red, the rich colors of autumn.
Anna Campbell (Seven Nights in a Rogue's Bed (Sons of Sin, #1))
Before dinner each night the two leaders, Hopkins, and various other members of the president’s official family gathered for cocktails in the Red Room. Roosevelt sat by a tray of bottles and mixed the cocktails himself. This was a cherished part of the president’s daily routine, his “children’s hour,” as he sometimes called it, when he let the day’s tensions and stresses slip away. “He loved the ceremony of making the drinks,” said Churchill’s daughter Mary Soames; “it was rather like, ‘Look, I can do it.’ It was formidable. And you knew you were supposed to just hand him your glass, and not reach for anything else. It was a lovely performance.” Roosevelt did not take drink orders, but improvised new and eccentric concoctions, variations on the whiskey sour, Tom Collins, or old-fashioned. The drinks he identified as “martinis” were mixed with too much vermouth, and sometimes contaminated with foreign ingredients such as fruit juice or rum. Churchill, who preferred straight whiskey or brandy, accepted Roosevelt’s mysterious potions gracefully and usually drank them without complaint, though Alistair Cooke reported that the prime minister sometimes took them into the bathroom and poured them down the sink.
Ian W. Toll (Pacific Crucible: War at Sea in the Pacific, 1941–1942)
Two glass of Exile, formed in a brownish color, A sip to get lost and no where, to be found, brandy it's. The taste of it under the tongue, for the weekend, remain blessed, and intoxicated to dark rum, Dark till it grows glommy. drinking and sipping with purpose, With the rose of lousy laughter's, A moment to forget your worries, And live again the next day.
©Inspiredavina
It was a waste.” His voice was harsh. “A whole city died because too damn many people lived there. They all wanted things. Another car. Television. Wash-after-one-wearing clothes. Freezers full of food. Everyone wanted that.” He stopped long enough to finish the brandy in the glass and pour more. “It wasn’t their fault, though it wasn’t. No one told them the truth.No. Not the truth Truth. Truth.” He wagged a finger at her – “Doesn’t win elections. Or sell papers Truth isn’t popular. So they died. Suddenly he stopped. So we’re like goths living in the ruins. The dark ages comes again.
Chelsea Quinn Yarbro (False Dawn)
She told me to stop writing this book. She told me to imagine a glass vase filled with blue marbles and to put all my sickness and fear into a single green marble. Then she told me to push that green marble all the way down into the middle of that vase and asked me if I could still see it. I couldn’t.
Brandi Carlile (Broken Horses)
On the table near the big globe were tree-ripened olives, mahallebi, three bowls of nuts, and a comprehensive array of liquids ranging from Wolfe’s best brandy down to beer. Each of the guests had a little table at his elbow. At a quarter to nine, when the last arrival had been ushered in, Bernard Daumery and Ward Roper had nothing on their tables but their napkins, Cynthia had Scotch and water, Demarest a Tom Collins, and Polly Zarella a glass and a bottle of Tokaji Essencia. Bernard had phoned around seven o’clock that we could expect him.
Rex Stout (Three Doors to Death (Nero Wolfe, #16))
Perhaps if I can entice him into discussing something other than trivialities—with a few glasses of brandy thrown into the mix—I might learn something about what is affecting him. After all, as is said: in vino, veritas.
C.P. Odom (Determination)
I sat beside him on a blanket, leaning back against the warm rock. Ahead of me, the sea flashed and sparkled like a giant glitter ball. I closed my eyes and heard a glass clink. ‘Here.’ ‘What’s this?’ ‘Slivovitz.’ ‘What?’ ‘Plum brandy to you.’ ‘What?’ ‘Think of it as a kind of fruit drink.’ ‘Great. I’ll put it towards my five a day.’ I sipped, got my breath back, and listened to the enamel on my teeth erode. Actually, it wasn’t that bad. I said so. ‘Just don’t get it near any metal; and for God’s sake don’t spill it on the console.’ We sat sipping and silent.
Jodi Taylor (Just One Damned Thing After Another (The Chronicles of St Mary's, #1))
Rohan was staring into the flames and savoring a brandy. The sensual way he cupped the rounded snifter in his palm caused a completely unexpected shudder of wild longing to run the length of her entire body, for his tender hold on that globelike glass brought back hazy memories of his attentions last night to her breasts. And when he raised the glass to his lips and took a slow, leisurely sip, Kate had to close her eyes for a moment to steady herself. Dear God. His butler announced her in a formal tone. "Your Grace: Miss Madsen." Kate flicked her eyes open, but her cheeks were already burning when the duke looked over. He cast her a dangerous smile, and a giddy weakness crept up her body, starting at her knees. She tightened them reflexively and gave her quivering legs the silent order to move, and by all means, to forget the feel of his forbidden caresses running up her thighs.
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
On the scale of this land, he is nothing; words like “shame” and “guilt” mean little here; and a reputation is no more than a fleeting blue flame, an evanescent spirit in a brandy glass.
Abraham Verghese (The Covenant of Water)
Who would have ever guessed my favorite spot to quote Hugo would be in a bookshop drinking brandy. I mean, darling, an evening at Heywood's these days tops the Ritz." I clinked his glass with mine to acknowledge the elaborate compliment. "Don't forget to buy a book on your way out. This club may not have annual dues, be we do have bills all the same," I teased.
Eliza Knight (The Mayfair Bookshop)
He turned off the canoreo and helped himself to the brandy stored behind a sliding panel, drinking from the bottle, because all three glasses were filthy. He felt surrounded by crashing great trees, and the monstrous beasts of unachieved, perhaps unachievable tasks. One such task was Ada whom he knew he would never give up; to her he would surrender the remnants of his self at the first trumpet blast of destiny. Another was his philosophic work, so oddly impeded by his own virtue—by that originality of literary style which constitutes the only real honesty of a writer. He had to do it his own way, but the cognac was frightful, and the history of thought bristled with clichés, and it was that history he had to surmount.
Nabokov Vladimir (Ada, or Ardor: A Family Chronicle)
Frederick the Great once said that the greatest crime in war is not to make the wrong decision, but to make no decision.’ Again the Prince gestured at Sharpe with the brandy glass. ‘You should remember that axiom, Sharpe!’ Sharpe did not even know what an axiom was, but he nodded respectfully. ‘I will, sir.
Bernard Cornwell (Sharpe's Waterloo (Sharpe, #20))
Grenville, brandy glass in hand, cool sangfroid in place, greeted us with a nod. “Lord Gillis, may I present my friend, Captain Gabriel Lacey. Captain Lacey, Lord Gillis.
Ashley Gardner (Captain Lacey Regency Mysteries Volume Two (Captain Lacey Regency Mysteries, #4-6))
Marie came with the brandy and poured a glass for Rebekah—then one for Ian, at Rebekah’s gesture, and when Jamie made a small polite noise in his throat, half-filled his cup, pouring in more tea on top of it. The taste was peculiar, but he didn’t really mind. The pain had gone off to the far side of the room; he could see it sitting over there, a wee glowering sort of purple thing with a bad-tempered expression on its face. He laughed at it, and Ian frowned at him. “What are ye giggling at?” Jamie couldn’t think how to describe the pain beastie, so he just shook his head, which proved a mistake—the pain looked suddenly gleeful and shot back into his head with a noise like tearing cloth. The room spun and he clutched the table with both hands.
Diana Gabaldon (Virgins (Outlander, #0.5))
There he was, leaning with casual insolence against a magnificent mantle of carved Italian marble, a glass of brandy dangling from his fingertips. He was a dark angel, some brooding god of judgment, and as he turned his black, smoldering gaze upon her, Juliet felt her courage falter.
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
The low thrum of Dom’s voice sent her pulse into a dance. Devil take him! She’d just seen him last night; his mere voice shouldn’t make her swoon, for pity’s sake. It shouldn’t make her remember the soft words he’d whispered as he’d caressed her and kissed her and swept her into madness… What was wrong with her? She wasn’t letting that man sweep her anywhere, not as long as he only wanted to sweep her out of his way. Now if only she could be sure why. She strained to listen. For a while, the gentlemen were too intent on eating to say much of interest. But once the clink of silver ended and the clink of glasses began, their tongues loosened. Thank heaven for brandy. She could smell it all the way over here.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Anyone can piss in a glass and call it brandy, it takes a real genius to name the vintage.
Andi James Chamberlain
Horacio paused to pour himself another glass of brandy. “Do you understand what I’m trying to tell you, Prudencia? You can’t build yourself a world made to measure, but you can build a village. In a way, all of us here belong to a club of refugees. Your employer is one of the few inhabitants with family roots in San Ireneo. He came back a few years ago and set it all up. You may not know it, but his father’s family has lived here for centuries.” Miss
Natalia Sanmartín Fenollera (The Awakening of Miss Prim)
Amy planted a glass of brandy beside the bride’s cornflakes.
Jane Gardam (The Man in the Wooden Hat (Old Filth Trilogy Book 2))
Well,“ I said, attempting a smile, “at least we know Frank is safe, after all.” Jamie glowered down at me, ruddy brows nearly touching each other. “Damn Frank!” he said ferociously. “Damn all Randalls! Damn Jack Randall, and damn Mary Hawkins Randall, and damn Alex Randall—er, God rest his soul, I mean,” he amended hastily, crossing himself. “I thought you didn’t begrudge—” I started. He glared at me. “I lied.” He grabbed me by the shoulders and shook me slightly, holding me at arm’s length. “And damn you, too, Claire Randall Fraser, while I’m at it!” he said. “Damn right I begrudge! I grudge every memory of yours that doesna hold me, and every tear ye’ve shed for another, and every second you’ve spent in another’s man bed! Damn you!” He knocked the brandy glass from my hand—accidentally, I think—pulled me to him and kissed me hard. He drew back enough to shake me again. “You’re mine, damn ye, Claire Fraser! Mine, and I wilna share ye, with a man or a memory, or anything whatever, so long as we both shall live. You’ll no mention the man’s name to me again. D'ye hear?” He kissed me fiercely to emphasize the point. “Did ye hear me?” he asked, breaking off. “Yes,” I said, with some difficulty. “If you’d ….stop…shaking me, I might…answer you.” Rather sheepishly, he released his grip on my shoulders. “I’m sorry, Sassenach. It’s only…God, why did ye….well, aye, I see why…but did you have to—" I interrupted this incoherent sputtering by putting my hand behind his head and drawing him down to me. "Yes,” I said firmly, releasing him. “I had to. But it’s over now.” I loosened the ties of my cloak and let it fall back off my shoulders to the floor. He bent to pick it up, but I stopped him. “Jamie,” I said. “I’m tired. Will you take me to bed?
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
The prettiest bottle, made of glass molded in a pattern of leaves, was half-filled with a colorless liquor. Her attention was caught by the sight of a pear inside the bottle. Lifting the bottle, Lillian examined it closely and gently swirled the liquid until the pear lifted and turned with the motion. A perfectly preserved golden pear. This must be a new variety of eau-de-vie, as the French called it... "water of life," a colorless brandy distilled from grapes, plums, or elderberries. Pears as well, it seemed.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
I told Mick of my decision. He’d been drinking and was slumped against the wall, a glass of brandy in his hand. He pushed the glass in my face and said, “Go on, have some.” I backed away. “You’ve changed,” he murmured, slurring his words. “You’ve become strong.
Jenny Boyd (Jennifer Juniper)
The soft click of my trunk opening has both mine and Maddoc’s heads snapping that way. Royce comes into view first, a wide grin in place, but then Victoria whips past him, her arm at her side as she makes her way around the silver Audi. Amber follows my line of sight, spotting Vee coming from the other side. What— Suddenly she lifts a bat, bringing it down across the windshield in one hard, full swing. “Oh my god!” Amber jumps back, her hands in the air.The glass shatters but doesn’t fall in, so Victoria hops up on the hood and stomps through it, kicking it in completely until the glass covers the inside of the car. And I just fucking stand there staring. She jumps down, both feet planting at once, one of them an inch from Amber’s. Without looking, Victoria bends her elbow, tosses the bat up, and catches the barrel. She casually drapes it over the back of her neck, her free hand coming up to grip the stem. She cocks her head but says not a damn word. And she doesn’t have to, because there it fucking was. My girl’s public claim. Amber gets the message, her eyes falling to the ground as she rushes through the crowd that’s gathered a few feet back and disappears who the hell knows where. ‘Bout damn time, Beauty.
Meagan Brandy (Be My Brayshaw (Brayshaw, #4))
try to push off, but Collins is ready for it, grips me harder and slams me back a second time, my head rebounding against the broken glass.
Meagan Brandy (Trouble at Brayshaw High)
On his way? Oh fuck. That can’t be good. My throat dries, so I lift my wine and swig the nearly full glass in a single unladylike guzzle. Scott’s eyes fling to mine in alarm. Yep. That’s right. Twenty-four years of etiquette washed down with cabernet, buddy. I’m spiraling here. For both of us. You should drink up, too, before the demented gangster arrives to claim me. Jesus, I kind of love that. Not the time.
Brandy Hynes (Carving Graves (KORT, #2))
Fast cars and the roar of a beer-drinking crowd. A whirlwind of excitement for a sixteen-year-old girl.” She sucks in a sharp inhale, her hand tapping against her quivering lips. “My heart and innocence packed into a Dodge Viper, painted in a shimmery adrenaline-red with wide black stripes, racing for another win.” She refills her glass from the wine bottle, the crimson liquid sloshing up the sides of the goblet. “And exploding into flames before the finish line.
Brandy Hynes (Carving Graves (KORT, #2))
Since the beginning of storytelling, he explained, Death has called on the unwitting. In one tale or another, it arrives quietly in town and takes a room at an inn, or lurks in an alleyway, or lingers in the marketplace, surreptitiously. Then just when the hero has a moment of respite from his daily affairs, Death pays him a visit. This is all well and good, allowed the Count. But what is rarely related is the fact that Life is every bit as devious as Death. It too can wear a hooded coat. It too can slip into town, lurk in an alley, or wait in the back of a tavern. Hadn’t it paid such a visit to Mishka? Hadn’t it found him hiding behind his books, lured him out of the library, and taken his hand on a secluded spot overlooking the Neva? Hadn’t it found Andrey in Lyon and beckoned him to the big top? Emptying his glass, the Count rose from his chair and stumbled into the bookcase as he reached for the brandy. “Excusez-moi, monsieur.
Amor Towles (A Gentleman in Moscow)
But none the less, by some unwritten rule, they all quietly listened to the end of the song and, patient and enduring, did not reveal their mood, but only looked into the glasses before them where, on the shining surface of the plum-brandy, they seemed to see the victories so desired, the fights, the heroes, the glory and the glitter, such as existed nowhere in the world.
Ivo Andrić (The Bridge on the Drina (Bosnian Trilogy, #1))
once. A cheroot. Took it right from Leo’s office.” Honestly, nothing Phaedra did surprised Olivia anymore. “A disgusting habit and one in which a lady should not indulge,” Olivia answered in an imperious tone. The taste of a cheroot was a curiosity though. Gentlemen seemed to enjoy their cheroots quite a bit. “Are you saying Georgina isn’t a lady?” Phaedra gave her an innocent look. “She’s from New York. They do things differently there.” Not that Olivia actually thought New York society was terribly different from London. Only that Georgina liked to make her own rules. “You’ll be pleased to know I didn’t find a cheroot to be as compelling as I’d hoped,” Phaedra informed her, striding along the stone path. “Now, a good glass of brandy. That, I can see the benefit. Makes you cough a bit but leaves a lovely ball of warmth in your stomach.” Olivia didn’t comment. She’d developed a taste for scotch. Accidentally. But that was information she would keep to herself. “Sherry, Phaedra, is what a lady enjoys. Or ratafia.” Olivia stopped abruptly beside
Kathleen Ayers (The Making of a Gentleman (The Beautiful Barringtons, #6))
AMANDA: You're quite insufferable; I expect it's because you're drunk. ELYOT: I'm not in the least drunk. AMANDA: You always had a weak head. ELYOT: I think I mentioned once before that I have only had three minute liqueur glasses of brandy the whole evening long. A child of two couldn't get drunk on that. AMANDA: On the contrary, a child of two could get violently drunk on only one glass of brandy. ELYOT: Very interesting. How about a child of four, and a child of six, and a child of nine? AMANDA [turning her head away]: Oh do shut up. ELYOT [witheringly]: We might get up a splendid little debate about that, you know, Intemperate Tots.
Noël Coward (Private Lives: An Intimate Comedy in Three Acts)