Bracket Quotes

We've searched our database for all the quotes and captions related to Bracket. Here they are! All 100 of them:

I tested the brackets by hitting them with rocks. This kind of sophistication is what we interplanetary scientists are known for.
Andy Weir (The Martian)
I comma square bracket recruit's name square bracket comma do solemnly swear by square bracket recruit's deity of choice square bracket to uphold the Laws and Ordinances of the City of Ankh-Morpork comma serve the public truƒt comma and defend the ƒubjects of his ƒtroke her bracket delete whichever is inappropriate bracket Majeƒty bracket name of reigning monarch bracket without fear comma favour comma or thought of perƒonal ƒafety semi-colon to purƒue evildoers and protect the innocent comma comma laying down my life if neceƒsary in the cauƒe of said duty comma so help me bracket aforeƒaid deity bracket full stop Gods Save the King stroke Queen bracket delete whichever is inappropriate bracket full stop.
Terry Pratchett (Night Watch (Discworld, #29; City Watch, #6))
His arms became a set of parentheses bracketing the sweetest secret phrase.
Christina Lauren (Love and Other Words)
Of all the things a man may do, sleep probably contributes most to keeping him sane. It puts brackets about each day. If you do something foolish or painful today, you get irritated if somebody mentions it, today. If it happened yesterday, though, you can nod or chuckle, as the case may be. You've crossed through nothingness or dream to another island in Time.
Roger Zelazny (Isle of the Dead)
The captivating changes in the social space sealed by class transmigration may astound us. How clever class fugitives escape from their birth stigma or topical inheritance and how they blend slickly into a new chosen communal grouping may look impressive to most observers. Class migration always remains a challenge, but once the outgoers are at the end of the road, they can tell their life stories of adventure, bravery, or hardship with much self-esteem. How happy they are, and how good they feel when they can say with satisfaction that they have seen it all before closing brackets. (“Schengen”)
Erik Pevernagie
What sense would it make to classify a man as handicapped because he is in a wheelchair today, if he is expected to be walking again in a month, and competing in track meets before the year is out? Yet Americans are generally given 'class' labels on the basis of their transient location in the income stream. If most Americans do not stay in the same broad income bracket for even a decade, their repeatedly changing 'class' makes class itself a nebulous concept. Yet the intelligentsia are habituated, if not addicted, to seeing the world in class terms.
Thomas Sowell (The Vision of the Anointed: Self-Congratulation as a Basis for Social Policy)
I do like him. I'm sick of just liking people. I wish to God I could meet somebody I could respect.... .... Listen, don't hate me because I can't remember some person immediately. Especially when they look like everybody else, and talk and dress and act like everybody else." Franny made her voice stop. It sounded to her caviling and bitchy, and she felt a wave of self-hatred that, quite literally, made her forehead begin to perspire again. But her voice picked up again, in spite of herself. "I don't mean there's anything horrible about him or anything like that. It's just that for four solid years I've kept seeing Wally Campbells wherever I go. I know when they're going to be charming, I know when they're going to start telling you some really nasty gossip about some girl that lives in your dorm, I know when they're going to ask me what I did over the summer, I know when they're going to pull up a chair and straddle it backward and start bragging in a terribly, terribly quiet voice--or name-dropping in a terribly quiet, casual voice. There's an unwritten law that people in a certain social or financial bracket can name-drop as much as they like just as long as they say something terribly disparaging about the person as soon as they've dropped his name—that he's a bastard or a nymphomaniac or takes dope all the time, or something horrible." She broke off again. She was quiet for a moment, turning the ashtray in her fingers. Franny quickly tipped her cigarette ash, then brought the ashtray an inch closer to her side of the table. "I'm sorry. I'm awful," she said. "I've just felt so destructive all week. It's awful, I'm horrible.
J.D. Salinger (Franny and Zooey)
I emphasize the distinction between brackets and no brackets because it will affect your reading experience, if you will allow it. Brackets are exciting. Even though you are approaching Sappho in translation, that is no reason you should miss the drama of trying to read a papyrus torn in half or riddled with holes or smaller than a postage stamp--brackets imply a free space of imaginal adventure.
Anne Carson (If Not, Winter: Fragments of Sappho)
Brackets come in various shapes, types and names: 1 round brackets (which we call brackets, and the Americans call parentheses) 2 square brackets [which we call square brackets, and the Americans call brackets]
Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
What needs to be discharged is the intolerable tenderness of the past, the past gone and grieved over and never made sense of. Music ransoms us from the past, declares an amnesty, brackets and sets aside the old puzzles. Sing a new song. Start a new life, get a girl, look into her shadowy eyes, smile.
Walker Percy (Love in the Ruins)
There was a dragon who had a long-standing obsession with a queen's breasts," she said, growing breathless. "The dragon knew the penalty to touch her would mean death, yet he revealed his secret desire to the king's chief doctor. This man promised he could arrange for the dragon to satisfy his desire, but it would cost him one thousand gold coins." She spread her soapy hands over his nipples, then down his arms. "Though he didn't have the money, the dragon readily agreed to the scheme." Grace," Darius moaned, his erection straining against her stomach. She hid her smile, loving that she had this much power over such a strong man. That she, Grace Carlyle, made him ache with longing. "The next day the physician made a batch of itching powder and poured some into the queen's bra… uh, you might call it a brassiere… while she bathed. After she dressed, she began itching and itching and itching. The physician was summoned to the Royal Chambers, and he informed the king and queen that only a special saliva, if applied for several hours, would cure this type of itch. And only a dragon possessed this special saliva." Out of breath, she paused. Continue," Darius said. His arms wound around her so tightly she could barely breathe. His skin blazed hot against hers, hotter than even the steamy water. Are you sure?" Continue." Taut lines bracketed his mouth. Well, the king summoned the dragon. Meanwhile, the physician slipped him the antidote for the itching powder, which the dragon put into his mouth, and for the next few hours, the dragon worked passionately on the queen's breasts. Anyway," she said, reaching around him and lathering the muscled mounds of his butt, "the queen's itching was eventually relieved, and the dragon left satisfied and touted as a hero." This does not sound like a joke," Darius said. I'm getting to the punch line. Hang on. When the physician demanded his payment, the now satisfied dragon refused. He knew that the physician could never report what really happened to the king. So the next day, the physician slipped a massive dose of the same itching powder into the king's loincloth. And the king immediately summoned the dragon." -Heart of the Dragon
Gena Showalter
Misery is a no U-turns, no stopping road. Travel down it pushed by those behind, tripped by those in front. Travel down it at furious speed though the days are mummified in lead. It happens so fast once you get started, there’s no anchor from the real world to slow you down, nothing to hold on to. Misery pulls away the brackets of life leaving you to free fall. Whatever your private hell, you’ll find millions like it in Misery. This is the town where everyone’s nightmares come true.
Jeanette Winterson (Written on the Body)
I love the sight of his naked body. especially in these quiet, vulnerable moments. These brackets of time stapled between dreams and reality are my favorite. There's a sweetness in this hesitant consciousness - a careful, gentle return of form of function, I've found I love these minutes most for the delicate way in which they unfold. It's tender. Slow motion. Time tying its shoes.
Tahereh Mafi (Restore Me (Shatter Me, #4))
He would wrap his arms all the way around her shoulders, press his face into her hair while his body curved over hers. His arms became a set of parentheses bracketing the sweetest secret phrase.
Christina Lauren (Love and Other Words)
Her hair is longer now, and fine lines bracket her mouth, parentheses around a lifetime of words I was not around to hear.
Jodi Picoult (My Sister’s Keeper)
I hide your portrait in a closet with no holes your dress in the dresser I place the mirror on the bracket upside down remains of your hair are dancing on the windowsill in direction of the wind in my room there is always a vacant chair
Ali Abdollahi
I comma square bracket recruit's name square bracket comma...
Terry Pratchett (Men at Arms (Discworld, #15; City Watch, #2))
Barrons stood inside the front door, dripping cool old-world elegance. I hadn’t heard him come in over the music. He was leaning, shoulder against the wall, arms folded, watching me. “ ‘One eye is taken for an eye . . .’ ” I trailed off, deflating. I didn’t need a mirror to know how stupid I looked. I regarded him sourly for a moment, then moved for the sound dock to turn it off. When I heard a choked sound behind me I spun, and shot him a hostile glare. He wore his usual expression of arrogance and boredom. I resumed my path for the sound dock, and heard it again. This time when I turned back, the corners of his mouth were twitching. I stared at him until they stopped. I’d reached the sound dock, and just turned it off, when he exploded. I whirled. “I didn’t look that funny,” I snapped. His shoulders shook. “Oh, come on! Stop it!” He cleared his throat and stopped laughing. Then his gaze took a quick dart upward, fixed on my blazing MacHalo, and he lost it again. I don’t know, maybe it was the brackets sticking out from the sides. Or maybe I should have gotten a black bike helmet, not a hot pink one. I unfastened it and yanked it off my head. I stomped over to the door, flipped the interior lights back on, slammed him in the chest with my brilliant invention, and stomped upstairs. “You’d better have stopped laughing by the time I come back down,” I shouted over my shoulder. I wasn’t sure he even heard me, he was laughing so hard.
Karen Marie Moning (Faefever (Fever, #3))
The Scots (originally Irish, but by now Scotch) were at this time inhabiting Ireland, having driven the Irish (Picts) out of Scotland; while the Picts (originally Scots) were now Irish (living in brackets) and vice versa. It is essential to keep these distinctions clearly in mind (and verce visa).
W.C. Sellar (1066 and All That: A Memorable History of England)
True listening involves bracketing, a setting aside of the self.
M. Scott Peck
Tom felt his darkness. His father was beautiful and clever, his mother was short and mathematically sure. Each of his brothers and sisters had looks or gifts or fortune. Tom loved all of them passionately, but he felt heavy and earth-bound. He climbed ecstatic mountains and floundered in the rocky darkness between the peaks. He had spurts of bravery but they were bracketed in battens of cowardice.
John Steinbeck (East of Eden)
The point was, Eve supposed, no matter who you were—sex, race, tax bracket—death leveled it all out.
J.D. Robb (Strangers in Death (In Death, #26))
Yet Irina had once tucked away, she wasn't sure when or why, that happiness is almost definitionally a condition of which you are not aware at the time. To inhabit your own contentment is to be wholly present, with no orbiting satellite to take clinical readings of the state of the planet. Conventionally, you grow conscious of happiness at the very point that it begins to elude you. When not misused to talk yourself into something - when not a lie - the h-word is a classification applied in retrospect. It is a bracketing assessment, a label only decisively pasted onto an era once it is over.
Lionel Shriver (The Post-Birthday World)
The thing about pills, Regan wanted to say to the doctor who had clearly never taken any, was that the ups and downs still happened; they were just different now, contained within brackets of limitation. Some inner lawlessness was still there, screeching for a higher high and clawing for a lower low, but ultimately the pills were loose restraints, a method of numbly shrinking
Olivie Blake (Alone With You in the Ether)
There just isn’t enough cock in this world to be caught suckin’ and be called anything but a slut for life. The cynic in me would call it a bad habit, but that’d make me a whore in denial and if there’s one thing I am, it’s an honest bitch. Then again, you don’t get famous for being daddy’s little angel, but you can easily fall into the Infamy Bracket by preaching a made-up Bible quote now and again. They say I’m shallow, but I’ve made a living out off diving off the deep end.
Dave Matthes (Sleepeth Not, the Bastard)
What I didn’t see was that the time had severe brackets around it. Within those brackets nothing else existed. Outside of them, all you could remember was the blur of a momentary madness.
Stephanie Danler (Sweetbitter)
THE WONDERS OF PUNCTUATION AND SPELLING                1    ABSOLUTE CERTAINTY ABOUT THE COMMA!                2    I BEFORE E COMPLETELY SORTED OUT!                3    THE MYSTERY OF THE SEMICOLON REVEALED!!!                4    SEE THE AMPERSAND! (SMALL EXTRA CHARGE)                5    FUN WITH BRACKETS! ** WILL ACCEPT VEGETABLES, EGGS, AND CLEAN USED CLOTHING
Terry Pratchett (The Wee Free Men (Discworld, #30))
She’s in big trouble,” Evie said grumpily. “Go easy on her—she’s young,” The Villain said diplomatically. Evie turned toward him, planting her hands on her hips, a look of mock outrage on her face. “Aren’t you supposed to be evil?” “Encouraging children to neglect their education fits under that bracket, does it not?
Hannah Nicole Maehrer (Apprentice to the Villain (Assistant to the Villain, #2))
You will wear the féth fiada until this is done, Amadan.” “Bloody hell,” Adam muttered savagely. “I hate being invisible.” “And Keltar,” Aoibheal said in a voice like sudden thunder, with a glance up at the balustrade. “Henceforth I would advise against tampering with my curses. Perform the Lughnassadh ritual now or face my wrath.” “Aye, Queen Aoibheal,” Dageus and Drustan replied together, stepping our from behind stone columns bracketing the stairs. Adam smiled faintly. He should have known no Highlander would flee, only retreat to a higher vantage – take to the hills, in a manner of speaking – waiting in silent readiness should battle be necessary.
Karen Marie Moning (The Immortal Highlander (Highlander, #6))
Shaping the brackets involved a hammer and … well, that’s it, actually. Making an L doesn’t take a lot of precision.
Andy Weir (The Martian)
Oh,” says Fi in an expansive voice, “I know them well.” She grins, all cheeky, her brows waggling. “They bracket Victory Lane on the road to Cocksville.
Kristen Callihan (The Friend Zone (Game On, #2))
Will it be the same in the future?  Will the prized treasures of to-day always be the cheap trifles of the day before?  Will rows of our willow-pattern dinner-plates be ranged above the chimneypieces of the great in the years 2000 and odd?  Will the white cups with the gold rim and the beautiful gold flower inside (species unknown), that our Sarah Janes now break in sheer light-heartedness of spirit, be carefully mended, and stood upon a bracket, and dusted only by the lady of the house?
Jerome K. Jerome (Three Men in a Boat (To Say Nothing of the Dog))
When you get an e-mail and reply to the sender, you simply obliterate everything they sent you and then, in small square brackets, write: [deletia] It stands for everything that's been lost.
Douglas Coupland (Microserfs)
I want you, Reagan. I want every piece of you.” “Even the shattered pieces?” she asks. I bracket her face with my hands and pull her face up to mine. “I’ll be the glue that puts you back together,
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
I ran across an excerpt today (in English translation) of some dialogue/narration from the modern popular writer, Paulo Coelho in his book: Aleph.(Note: bracketed text is mine.)... 'I spoke to three scholars,' [the character says 'at last.'] ...two of them said that, after death, the [sic (misprint, fault of the publisher)] just go to Paradise. The third one, though, told me to consult some verses from the Koran. [end quote]' ...I can see that he's excited. [narrator]' ...Now I have many positive things to say about Coelho: He is respectable, inspiring as a man, a truth-seeker, and an appealing writer; but one should hesitate to call him a 'literary' writer based on this quote. A 'literary' author knows that a character's excitement should be 'shown' in his or her dialogue and not in the narrator's commentary on it. Advice for Coelho: Remove the 'I can see that he's excited' sentence and show his excitement in the phrasing of his quote.(Now, in defense of Coelho, I am firmly of the opinion, having myself written plenty of prose that is flawed, that a novelist should be forgiven for slipping here and there.)Lastly, it appears that a belief in reincarnation is of great interest to Mr. Coelho ... Just think! He is a man who has achieved, (as Leonard Cohen would call it), 'a remote human possibility.' He has won lots of fame and tons of money. And yet, how his preoccupation with reincarnation—none other than an interest in being born again as somebody else—suggests that he is not happy!
Roman Payne
As with other paired bracketing devices (such as parentheses, dashes and quotation marks), there is actual mental cruelty involved , incidentally, in opening up a pair of commas and then neglecting to deliver the closing one. The reader hears the first shoe drop and then strains in agony to hear the second. In dramatic terms, it's like putting a gun on the mantelpiece in Act I and then having the heroine drown herself quietly offstage in the bath during the interval. It's just not cricket.
Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
I'm changing..." I said. "Don't do that," Alex said into my hair. Then he scooped me up and over so I was below him, his knees bracketing mine, his arms curving around my head. "Don't change." Truth: When he kissed me again, I couldn't have cared less about being a good person.I felt amazing.
Melissa Jensen (The Fine Art of Truth or Dare)
Initiative is a special kind of action. It’s doing something worthwhile without being told to do it. The person with initiative has a standing invitation to join the high income brackets in every business and profession.
David J. Schwartz (The Magic of Thinking Big)
Loneliness, on the other hand, has no age bracket. I used to think that exciting countries could keep you happy and warm on novelty alone. Now I know: you can move to Paris, delight in the city, drink your cafe au lait, but no matter how pretty the buildings and balconies are, eventually you're going to find yourself hugging the lamp posts for company like you're in Les Miserables.
Jessica Pan (Sorry I'm Late, I Didn't Want to Come: An Introvert's Year of Living Dangerously)
The phobic has no other object than the abject. But that word, "fear"- a fluid haze an elusive clamminess- no sooner has it cropped up than it shades off like a mirage and permeates all words of the language with nonexistence, with a hallucinatory, ghostly glimmer. Thus, fear having been bracketed, discourse will seem tenable only if it ceaselessly confront that otherness, a burden both repellent and repelled, a deep well of memory that is unapproachable and intimate: the abject.
Julia Kristeva (Powers of Horror: An Essay on Abjection)
The fundamental confusion that makes income bracket data and individual income data seem mutually contradictory is the implicit assumption that people in particular income brackets at a given time are an enduring “class” at that level. If that were true, then trends over time in comparisons between income brackets would be the same as trends over time between individuals. Because that is not the case, the two sets of statistics lead not only to different conclusions but even opposite conclusions.
Thomas Sowell (Basic Economics: A Common Sense Guide to the Economy)
So much for the recreational side of night life in the upper-bracket-income hotels of Manhattan. And in its root-origins the very word itself is implicit with implication: re-create. Analyze it and you'll see it also means to reproduce. But clever, ingenious Man has managed to sidetrack it into making life more livable. ("New York Blues")
Cornell Woolrich (Night and Fear: A Centenary Collection of Stories by Cornell Woolrich (Otto Penzler Book))
My worst, Persephone?” His voice gets lower, almost a growl. “You dip one toe into the water and think you’re ready to swim the length of the River Styx. You can’t begin to handle what my worst has to offer.” He finally moves his hand up, only to shove it into my panties and spear me with two fingers. The contact bows my back, but his other hand is there, bracketing my throat and holding me in place. “Can you feel their eyes on you?
Katee Robert (Neon Gods (Dark Olympus, #1))
Every happiness is a bright ray between shadows, every gaiety bracketed by grief. There is no birth that does not recall a death, no victory but brings to mind a defeat.
Geraldine Brooks (Caleb's Crossing)
A smile, bracketing his still mouth, spread like bane over Lymond's pale face.
Dorothy Dunnett (Queens' Play (The Lymond Chronicles, #2))
tested the brackets by hitting them with rocks. This kind of sophistication is what we interplanetary scientists are known for.
Andy Weir (The Martian)
Wisdom isn't bound by wealth brackets, status or caste, religion or pedigree. She feeds all who come to her hungry.
D.M. Anthony
It’s a weird thing, depression. Even now, writing this with a good distance of fourteen years from my lowest point, I haven’t fully escaped. You get over it, but at the same time you never get over it. It comes back in flashes, when you are tired or anxious or have been eating the wrong stuff, and catches you off guard. I woke up with it a few days ago, in fact. I felt its dark wisps around my head, that ominous life-is-fear feeling. But then, after a morning with the best five- and six-year-olds in the world, it subsided. it is now an aside. Something to put brackets around. Life lesson: the way out is never through yourself.
Matt Haig (Reasons to Stay Alive)
Jane's leaning in, taking advantage of her height to bracket August in, burning so hot that August can't make sense of the chill sweeping up her spine. So steady and beautiful and close, too close, never close enough, and August is so completely, irreversibly, spectacularly screwed.
Casey McQuiston (One Last Stop)
fourteen-year-olds club!” He held out his hand for a high five. Sophie was too stunned to return it. “Please try not to stress, Miss Foster. Nothing has actually changed. You’re the exact same girl you were a few minutes ago. You’re simply learning the proper way of counting.” She knew he was right—but it felt so much huger than that. Especially when Biana said, “Huh, so you’re older than me.” Based on their IDs, Biana was a little more than thirteen-and-a-half. Dex was also thirteen, but he would be fourteen in a few weeks. Keefe was less than a month away from turning fifteen, and Fitz was about two months away from turning sixteen. “So, you’re kind of in the middle,” Dex said. “But you and I are still the closest in age.” He was right—though now she was six months older than him. And the gap between her and Keefe and Fitz had narrowed significantly. “Wait—was I in the wrong level in Foxfire?” Sophie asked. “Your age falls in the middle of the grade level brackets,” Mr. Forkle said. So you could’ve started as a Level Two just as easily as a Level Three. And given how behind you
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
That was it. The bracket of her bent leg against the stones. The way her mouth angled around the cigar in a grimace that was almost a smile. The sight of a woman in a well-tailored jacket and trousers. Unexpected, unimagined. A prickling sensation. A stomach-dropping, blood-fizzing, breath-stopping, knotted lurch-and-swoop that I recognized, by then, as the first faltering step towards falling in love.
Nell Stevens (Briefly, A Delicious Life)
I don't know if I can watch,' Dain says, drawing my attention back to his strong face. His perfectly trimmed beard brackets full lips drawn tight into a frown. 'Then close your eyes.' I have a plan- a shitty one, but it's worth a try. 'What changed between Parapet and now?' Dain asks again, a wealth of emotions in his eyes that I can't begin to interpret. Well, except the fear. That doesn't need any interpretation. 'Me.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
The [carried-interest] loophole was in essence an accounting trick that enabled hedge fund and private equity managers to categorize huge portions of their income as ‘interest,’ which was taxed at the 15 percent rate then applied to long-term capital gains. This was less than half the income tax rate paid by other top-bracket wage earners. Critics called the loophole a gigantic subsidy to millionaires and billionaires at the expense of ordinary taxpayers. The Economic Policy Institute, a progressive think tank, estimated that the hedge fund loophole cost the government over $6 billion a year—the cost of providing health care to three million children. Of that total, it said, almost $2 billion a year from the tax break went to just twenty-five individuals.
Jane Mayer (Dark Money: The Hidden History of the Billionaires Behind the Rise of the Radical Right)
We checked our bags and got on line with some of our fellow passengers. Judging from the looks of them, it was clear that they were members of a different income bracket from the people I preferred to surround myself with. But since I also wasn't from the income bracket I preferred, I held off on voicing my initial feelings of despair.
Chelsea Handler (My Horizontal Life: A Collection of One-Night Stands)
But the King, nothing daunted, put on his Markov chain mail and all his impervious parameters, took his increment Δk to infinity and dealt the beast a truly Boolean blow, sent it reeling through an x-axis and several brackets—but
Stanisław Lem (The Cyberiad: Stories)
Will the prized treasures of to-day always be the cheap trifles of the day before?  Will rows of our willow-pattern dinner-plates be ranged above the chimneypieces of the great in the years 2000 and odd?  Will the white cups with the gold rim and the beautiful gold flower inside (species unknown), that our Sarah Janes now break in sheer light-heartedness of spirit, be carefully mended, and stood upon a bracket, and dusted only by the lady of the house? China
Jerome K. Jerome (Three Men in a Boat (To Say Nothing of the Dog))
The life changing seems always bracketed by the mundane. The quotidian wrapped around the profound, like plain brown paper concealing the emotional version of an improvised explosive device. Then, in a single interminable moment, when we discover the bomb, absolutely everything changes. But when we recall it from our now forever-changed lives, when we start with the plain brown wrapping, it looks like every other package, every other morning, every other walk.
Nadia Bolz-Weber (Pastrix: The Cranky, Beautiful Faith of a Sinner & Saint)
Be careful to leave your sons [and daughters] well instructed rather than rich, for the hopes of the instructed are better than the wealth of the ignorant." [in brackets: though I have only sons, I am--of course--someone's daughter]
Epictetus
I would now, however, more strongly emphasize, and especially as to the United States, the inequality in income and that it is getting worse—that the poor remain poor and the command of income by those in the top income brackets is increasing egregiously. So is the political eloquence and power by which that income is defended. This I did not foresee.
John Kenneth Galbraith (The Affluent Society)
... He remembered once hearing his grandmother... say plaintively: "Why daughter, I presume I can go without -- BUT I CAN'T ECONOMIZE.
Edith Wharton (Hudson River Bracketed (Vance Weston #1))
Imagine you are a member of a tour visiting Greece. The group goes to the Parthenon. It is a bore. Few people even bother to look — it looked better in the brochure. So people take half a look, mostly take pictures, remark on serious erosion by acid rain. You are puzzled. Why should one of the glories and fonts of Western civilization, viewed under pleasant conditions — good weather, good hotel room, good food, good guide — be a bore? Now imagine under what set of circumstances a viewing of the Parthenon would not be a bore. For example, you are a NATO colonel defending Greece against a Soviet assault. You are in a bunker in downtown Athens, binoculars propped up on sandbags. It is dawn. A medium-range missile attack is under way. Half a million Greeks are dead. Two missiles bracket the Parthenon. The next will surely be a hit. Between columns of smoke, a ray of golden light catches the portico. Are you bored? Can you see the Parthenon? Explain.
Walker Percy (Lost in the Cosmos: The Last Self-Help Book)
Our world is falling apart quietly. Human civilization has reduced the plant, a four-million-year-old life form, into three things: food, medicine, and wood. In our relentless and ever-intensifying obsession with obtaining a higher volume, potency, and variety of these three things, we have devastated plant ecology to an extent that millions of years of natural disaster could not. Roads have grow like a manic fungus and the endless miles of ditches that bracket these roads serve as hasty graves for perhaps millions of plant species extinguished in the name of progress. Planet Earth is nearly a Dr. Seuss book made real: every year since 1990 we have created more than eight billion new stumps. If we continue to fell healthy trees at this rate, less then six hundred years from now, every tree on the planet will have been reduced to a stump. My job is about making sure there will be some evidence that someone cared about the great tragedy that unfolded during our age.
Hope Jahren (Lab Girl)
All it takes is six cuts,” he said near her ear. She nodded, relaxing against him as he guided her hands with precision. One deep stroke of the blade neatly removed an angled section of wood. They rotated the pencil and made another cut, and then a third, creating a precise triangular prism. “Now trim the sharp edges.” They concentrated on the task with his hands still bracketed over hers, using the blade to chamfer each corner of wood until they had created a clean, satisfying point. Done.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Abby had a little trick that she used any time Red acted like a cranky old codger. She reminded herself of the day she had fallen in love with him. “It was a beautiful, breezy, yellow-and-green afternoon,” she’d begin, and it would all come back to her—the newness of it, the whole new world magically opening before her at the moment when she first realized that this person that she’d barely noticed all these years was, in fact, a treasure. He was perfect, was how she’d put it to herself. And then that clear-eyed, calm-faced boy would shine forth from Red’s sags and wrinkles, from his crumpled eyelids and hollowed cheeks and the two deep crevices bracketing his mouth and just his general obtuseness, his stubbornness, his infuriating belief that simple cold logic could solve all of life’s problems, and she would feel unspeakably lucky to have ended up with him.
Anne Tyler (A Spool of Blue Thread)
He got up. It was too early to go to bed; at least, he was not in the mood for it. He pined for a bit of amusement - something cheap and easy. A seat in the pictures, cigarettes, beer. Useless! No money to pay for any of them. He would read KING LEAR and forget this filthy century. Finally, however, it was THE ADVENTURES OF SHERLOCK HOLMES that he took from the mantelpiece. SHERLOCK HOLMES was his favorite of all books, because he knew it by heart. The oil in the lamp was giving out and it was getting beastly cold. Gordon dragged the quilt from his bed, wrapped it round his legs and sat down to read. His right elbow on the table, his hands under his coat to keep them warm, he read through "The Adventure of the Speckled Band." The little gas-mantle sighed above, the circular flame of the oil-lamp burned low, a thin bracket of fire, giving out no more heat than a candle.
George Orwell
After Laura and Mary had washed and wiped the dishes, swept the floor, made their bed, and dusted, they settled down with their books. But the house was so cosy and pretty that Laura kept looking up at it. The black stove was polished till it gleamed. A kettle of beans was bubbling on its top and bread was baking in the oven. Sunshine slanted through the shining windows between the pink-edged curtains. The red-checked cloth was on the table. Beside the clock on its shelf stood Carrie’s little brown-and-white dog, and Laura’s sweet jewel-box. And the little pink-and-white shepherdess stood smiling on the wood-brown bracket.
Laura Ingalls Wilder (On the Banks of Plum Creek (Little House, #4))
The dead man's companions at the counter started to their feet, but halted as Voynod with great aplomb turned to face them. "Take care, you dunghill cocks! Notice the fate of your fellow! He died by the power of my magic blade, which is of inexorable metal and cuts rock and steel like butter. Behold!" And Voynod struck out at a pillar. The blade, striking an iron bracket, broke into a dozen pieces. Voynod stood non-plussed, but the bravo's companions surged forward. "What then of your magic blade? Our blades are ordinary steel but bite deep!" And in a moment Voynod was cut to bits. The bravos now turned upon Cugel. "What of you? Do you wish to share the fate of your comrade?" "By no means!" stated Cugel. "This man was but my servant, carrying my pouch. I am a magician; observe this tube! I will project blue concentrate at the first man to threaten me!" The bravos shrugged and turned away. Cugel secured Voynod's pouch, then gestured to the landlord. "Be so good as to remove these corpses; then bring a further mug of spiced wine.
Jack Vance (The Eyes of the Overworld (The Dying Earth, #2))
Love like a dog. As long as it’s been treated with kindness and respect a dog will love you. A dog doesn’t care about your age, sex, gender identity, orientation, religion, race or socioeconomic bracket. A dog doesn’t care if you’re skinny, have stretch marks or scars. A dog doesn’t care how many people you’ve slept with, what hardships you’ve had to overcome; and if you’re crying a dog will come put its little chin on your chest and love you regardless. A dog doesn’t let these things dictate to whom or how much it extends its heart. A dog just loves. Love like a dog. A dog never tries to play it cool, hard to get or shies away from showing how much it loves. A dog’s composure is never betrayed by its tail because it freely and without hesitation shows how ecstatic it is to see you every time you walk through the door. When a dog is around other dogs it doesn’t pretend that it doesn’t really love tennis balls. A dog loves what it loves and is never embarrassed about showing how it feels. Love like a dog. A dog is loyal to and would fiercely defend those whom it loves. “For the strength of the pack is the wolf, and the strength of the wolf is the pack.” Life is not always easy. At times you will have to be brave. At times you will be hurt. But a dog will never leave you. Stay close. Be faithful. Protect your pack. Love like a dog. That is my advice to you. Love like a dog.
Oliver Tremble
Sloane was obviously exhausted, but even with faint purple smudges beneath her eyes and lines of tension bracketing her mouth, she was the most beautiful woman I'd ever seen. It had nothing to do with her looks and everything to do with who she was. Smart, fierce and so damn mine.
Ana Huang (King of Sloth (Kings of Sin, #4))
Without you having to do anything, the phone brackets the shot so that you can pretend to time travel, to pick the perfect instant when everyone is smiling. Skin is smoothed out; pores and small imperfections are erased. What used to take my father a day's work is now done in the blink of an eye, and far better. Do the people who take these photos believe them to be reality? Or have the digital paintings taken the place of reality in their memory? When they try to remember the captured moment, do they recall what they saw, or what the camera crafted for them?
Ken Liu (The Hidden Girl and Other Stories)
He put down the receiver and looked vaguely at the paper in his hand. It was a rough piece of white wrapping paper. Scrawled in pencil in ragged block letters were the words: HE DISAGREED WITH SOMETHING THAT ATE HIM And underneath in brackets: (P.S. WE HAVE PLENTY MORE JOKES AS GOOD AS THIS)
Ian Fleming
I met with a man. His name is, "Michael Bush", a very sophisticated sage. He said to me, "Michael, don't associate yourself with people in your age bracket, but relate with elderly men, who had achieve in life far more greater than you, and then, there will be no hidden place for jealousy in his heart, but if you happen to mingle with your mates, they will always say, "why always Michael, why not me?" and you'll be poisoned sooner or later.
Michael Bassey Johnson
The table gives major crops, of five crop classes, from early agricultural sites in various parts of the world. Square brackets enclose names of crops first domesticated elsewhere; names not enclosed in brackets refer to local domesticates. Omitted are crops that arrived or became important only later, such as bananas in Africa, corn and beans in the eastern United States, and sweet potato in New Guinea. Cottons are four species of the genus
Jared Diamond (Guns, Germs, and Steel)
would read through one of Chris’s books until my eyes gave in to my exhaustion and I could no longer focus. One night as I read from Leo Tolstoy’s Family Happiness, I came across a section where Chris had placed an asterisk in the margin and brackets around the following excerpt: “It is a bad thing,” he said, “not to be able to stand solitude.
Carine McCandless (The Wild Truth: The secrets that drove Chris McCandless into the wild)
Mad! Quite mad!' said Stalky to the visitors, as one exhibiting strange beasts. 'Beetle reads an ass called Brownin', and M'Turk reads an ass called Ruskin; and-' 'Ruskin isn't an ass,' said M'Turk. 'He's almost as good as the Opium-Eater. He says we're "children of noble races, trained by surrounding art." That means me, and the way I decorated the study when you two badgers would have stuck up brackets and Christmas cards. Child of a noble race, trained by surrounding art, stop reading or I'll shove a pilchard down your neck!
Rudyard Kipling (The Complete Stalky and Co.)
Her face was like a clear pool reflecting every change in a shifting sky.
Edith Wharton (Hudson River Bracketed (Vance Weston #1))
Just how many fully-fledged members do you have in this club?” “No members, just passengers in my wild youth.” He bracketed her head with his arms and grinned down at her pouting expression. “Jealous, sweetheart?” “Do I have a cause to be jealous?” She cupped his chin. “Never.” He kissed the tip of her nose. “There is one thing I am religious about—I never cheat.” His expression turned from playful to serious. “You should know something. My dad used to tell me, ‘Respect women, Domenico.’” He did his best imitation of his father’s baritone. “Make sure you treat them well. Cheating is a despicable act. Always put your mother or your female relatives in place of the woman you cheat on and imagine how hurt they would feel.’ It affected me to the point of imbibing it as a rule.
Nat Chelloni (A Favor For a Favor)
A few words which he wanted to emphasize were put into brackets or set off by quotation marks. My first impulse was to point out to him that it was ridiculous to put slang words and expressions between quotation marks, for that prevents them from entering the language. But I decided not to. When I received his letters, his parentheses made me shudder. At first, it was a shudder of slight shame, disagreeable. Later (and now, when I reread them) the shudder was the same, but I know, by some indefinable, imperceptible change, that it is a shudder of love- it is both poignant and delightful, perhaps because of the memory of the word shame that accompanied it in the beginning. Those parentheses and quotation marks are the flaw on the hip, the beauty mark on the thigh whereby my friend showed that he was himself, irreplaceable, and that he was wounded.
Jean Genet (Miracle of the Rose)
But Wilson was ahead of the curve. Long before the first octopus-enrichment handbook was published, many octopuses ago, he set out to create a safe toy worthy of an octopus’s intellect. Working at his lab at Arthur D. Little Corp., Wilson devised a series of three clear Plexiglas cubes with different locks. The smallest of the three has a sliding latch that twists to lock down, like the bolt on a horse’s stall. You can put a live crab—a favorite food—inside and leave the lid unlocked. The octopus will lift the lid. When you lock the lid, invariably the octopus will figure out how to open it. Then it’s time to deploy the second cube. This one has a latch that slides counterclockwise to catch on a bracket. You put the crab in the first box and then lock it inside the second box. The octopus will figure it out. And finally, there’s a third cube. This one has two different latches: a bolt that slides into position to lock down, and a second one with a lever arm, sealing the lid much like an old-fashioned canning jar closes. Bill told me that once the octopus “gets it,” the animal can open all four locks in three or four minutes.
Sy Montgomery (The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness)
Occasionally the poster pictures a pair of cyclists; and then one grasps the fact how much superior for purposes of flirtation is the modern bicycle to the old-fashioned parlour or the played-out garden gate. He and she mount their bicycles, being careful, of course, that such are of the right make. After that they have nothing to think about but the old sweet tale. Down shady lanes, through busy towns on market days, merrily roll the wheels of the “Bermondsey Company’s Bottom Bracket Britain’s Best,” or of the “Camberwell Company’s Jointless Eureka.” They need no pedalling; they require no guiding. Give them their heads, and tell them what time you want to get home, and that is all they ask. While Edwin leans from his saddle to whisper the dear old nothings in Angelina’s ear, while Angelina’s face, to hide its blushes, is turned towards the horizon at the back, the magic bicycles pursue their even course.
Jerome K. Jerome (Three Men on the Bummel)
He couldn’t be— Oh, Lord. He was. He was going to kiss her. “Wait.” Panicked, Maddie put both hands on his chest, holding him off. “Your men, my servants … they could be watching us.” “I’m certain they’re watching us. That’s why we’re going to kiss.” “But I don’t know how. You know I don’t know how.” His lips quirked. “I know how.” Those three little words, spoken in that low, devastating Scottish burr, did absolutely nothing to ease Maddie’s concerns. Thankfully, she had a reprieve. He pulled back and peered at her hair. He looked like a boy marveling at clockwork, wondering how it all worked. After a few moments, she felt him grasp the pencil holding her chignon. With one long, slow tug, he eased it loose and cast it aside. It landed in the loch with a splash. His fingers sifted through her hair, teasing the locks free of their haphazard knot and arranging them about her shoulders. Tenderly. Like she’d always imagined a lover would. Sparks of sensation danced from her scalp to her toes. “That was my best drawing pencil,” she said. “It’s just a pencil.” “It came from London. I have a limited supply.” His thumb caressed her cheek. “It almost put out my eye. I’ve a limited supply of those, too. And it’s better this way.” “But—” Her breath caught. “Oh.” He bracketed her cheeks with his hands, tilting her face to his. Her pulse thundered in her ears. She stared at his mouth. A wave of inevitability washed over her. She whispered, “This is really happening, isn’t it?” In answer, he pressed his lips to hers.
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
The disabled elite, if you will. The surfer with one arm, the mountain climber with no legs, a drummer with one hand. And, deep down, I knew I should be proud of them. They were my community, and they were only working to erase stigma for the rest of us. But I didn’t feel proud. I felt bitter. Jealous too. Angry that they weren’t just great surfer, record-breaking mountain climber, and successful drummer. To me, they were a reminder that the world will always view me differently—put me in a different bracket—even if I landed myself on a pedestal. I didn’t want to achieve despite myself. I didn’t want to defy anything. I just wanted to feel ordinary. To not overcompensate every day. I wanted to be bad at things and have people laugh at me because that’s life. I didn’t want pity.
Hannah Bonam-Young (Out on a Limb)
Tom felt his darkness. His father was beautiful and clever, his mother was short and mathematically sure. Each of his brothers and sisters had looks or gifts or fortune. Tom loved all of them passionately, but he felt heavy and earth-bound. He climbed ecstatic mountains and floundered in the rocky darkness between the peaks. He had spurts of bravery but they were bracketed in battens of cowardice. Samuel said that Tom was quavering over greatness, trying to decide whether he could take the cold responsibility. Samuel knew his son’s quality and felt the potential of violence, and it frightened him, for Samuel had no violence—even when he hit Adam Trask with his fist he had no violence. And the books that came into the house, some of them secretly—well, Samuel rode lightly on top of a book and he balanced happily among ideas the way a man rides white rapids in a canoe. But Tom got into a book, crawled and groveled between the covers, tunneled like a mole among the thoughts, and came up with the book all over his face and hands. John Steinbeck. East of Eden (Kindle Locations 4766-4770). Viking.
John Steinbeck
Moses?” I said softly. “Yeah?” His eyes lifted from the canvas briefly. “There’s a new law in Georgia.” “Does it directly contradict one of the laws of Moses?” “Yes. Yes it does,” I confessed. “Hmm. Let’s hear it.” He set his brush down, wiped his hands on a cloth and approached the bed where I was positioned, draped in a sheet like a Rubenesque Madonna. I learned the term from him, and he seemed to think it was a good thing. “Thou shall not paint,” I commanded sternly. He leaned over me, one knee on the bed, his strong arms bracketing my head, and I turned slightly, looking up at him. “Ever?” He smiled. I watched his head descend and his lips brushed mine. But his golden-green eyes stayed open, watching me as he kissed me. My toes curled and my eyes fluttered, the sensation of lips tasting lips pulling me under. “No. Not ever, just sometimes,” I sighed. “Just when I’m in Georgia?
Amy Harmon (The Law of Moses (The Law of Moses, #1))
The past has given us much too many bad answers for us not to see that the mistakes were in the questions themselves. There is no need to choose between the fetishism of spontaneity and the organization control; between the "come one, come all" of activist networks and the discipline of hierarchy; between acting desperately now and waiting desperately for later; between bracketing that which is to be lived and experimented in the name of paradise that seems more and more like a hell the longer it is put off and flogging the dead horse of how planting carrots is enough to leave this nightmare.
The Invisible Committee (The Coming Insurrection)
Now, brooder is an interesting word. People who worry a lot in silence are known as brooders. But then again so is a hen sitting on her eggs. The more I get to know chickens, the more I realize half our language comes from chickens. Well, not half. But an awful lot considering this isn't Latin or anything. Cooped up. Egghead. Hatch a plan. Henpecked. Pecker. Cock. Chickenshit. Chicken-scratch. A lot of chicken words are meant to deliver attitude, which isn't surprising to me now that I have chickens. Chickens aren't background animals like fish or sheep or horses. Chickens are in-your-face animals. Chickens if you have them, come to bracket your days. The rooster hollers all morning, and then in the evening the hens have left you their mysterious gift of eggs. Silkies are said to be excellent brooders, to have a tendency toward "broodiness." This, too, is usually meant as a compliment.
Jeanne Marie Laskas (Growing Girls: The Mother of All Adventures)
Hope you got your things together.’” I sang, stabbing a pillow with my spear. Feathers exploded into the air. “‘Hope you are quite prepared to die!’” I spun in a dazzling whirl of lights, landed a killer back-kick on a phantom Shade, and simultaneously punched the magazine rack. “‘Looks like we’re in for nasty weather!’” I took a swan dive at a short, imaginary Shade, lunged up at a taller one— —and froze. Barrons stood inside the front door, dripping cool-world elegance. I hadn’t heard him come in over the music. He was leaning, shoulder against the wall, arms folded, watching me. “‘One eye is taken for an eye . . .’” I trailed off, deflating. I didn’t need a mirror to know how stupid I looked. I regarded him sourly for a moment, then moved for the sound dock to turn it off. When I heard a choked sound behind me I spun, and shot him a hostile glare. He wore his usual expression of arrogance and boredom. I resumed my path for the sound dock, and heard it again. This time when I turned back, the corners of his mouth were twitching. I stared at him until they stopped. I’d reached the sound dock, and just turned it off, when he exploded. I whirled. “I didn’t look that funny,” I snapped. His shoulders shook. “Oh, come on! Stop it!” He cleared his throat and stopped laughing. Then his gaze took a quick dart upward, fixed on my blazing MacHalo, and he lost it again. I don’t know, maybe it was the brackets sticking out from the sides. Or maybe I should have gotten a black bike helmet, not a hot pink one. I unfastened it and yanked it off my head. I stomped over to the door, flipped the interior lights back on, slammed him in the chest with my brilliant invention, and stomped upstairs. “You’d better have stopped laughing by the time I come back down,” I shouted over my shoulder. I wasn’t sure he even heard me, he was laughing so hard.
Karen Marie Moning (Faefever (Fever, #3))
the split-strike conversion strategy. Option traders often referred to it as a “collar” or “bull spread.” Basically, it involved buying a basket of stocks, in Madoff’s case 30 to 35 blue-chip stocks that correlated very closely to the Standard & Poor’s (S&P) 100-stock index, and then protecting the stocks with put options. By bracketing an investment with puts and calls, you limit your potential profit if the market rises sharply; but in return you’ve protected yourself against devastating losses should the market drop. The calls created a ceiling on his gains when the market went up; the puts provided a floor to cut his losses when the market went down.
Harry Markopolos (No One Would Listen)
One of them stepped from the crowd. It was Zeebo, the garbage collector. “Mister Jem,” he said, “we’re mighty glad to have you all here. Don’t pay no ’tention to Lula, she’s contentious because Reverend Sykes threatened to church her. She’s a troublemaker from way back, got fancy ideas an’ haughty ways—we’re mighty glad to have you all.” With that, Calpurnia led us to the church door where we were greeted by Reverend Sykes, who led us to the front pew. First Purchase was unceiled and unpainted within. Along its walls unlighted kerosense lamps hung on brass brackets; pine benches served as pews. Behind the rough oak pulpit a faded pink silk banner proclaimed God Is Love, the church’s only decoration except a roto-gravure print of Hunt’s The Light of the World.
Harper Lee (To Kill a Mockingbird)
Furious, the beast writhed and wriggled its iterated integrals beneath the King’s polynomial blows, collapsed into an infinite series of indeterminate terms, then got back up by raising itself to the nth power, but the King so belabored it with differentials and partial derivatives that its Fourier coefficients all canceled out (see Riemann’s Lemma), and in the ensuing confusion the constructors completely lost sight of both King and beast. So they took a break, stretched their legs, had a swig from the Leyden jug to bolster their strength, then went back to work and tried it again from the beginning, this time unleashing their entire arsenal of tensor matrices and grand canonical ensembles, attacking the problem with such fervor that the very paper began to smoke. The King rushed forward with all his cruel coordinates and mean values, stumbled into a dark forest of roots and logarithms, had to backtrack, then encountered the beast on a field of irrational numbers (F1) and smote it so grievously that it fell two decimal places and lost an epsilon, but the beast slid around an asymptote and hid in an n-dimensional orthogonal phase space, underwent expansion and came out, fuming factorially, and fell upon the King and hurt him passing sore. But the King, nothing daunted, put on his Markov chain mail and all his impervious parameters, took his increment Δk to infinity and dealt the beast a truly Boolean blow, sent it reeling through an x-axis and several brackets—but the beast, prepared for this, lowered its horns and—wham!!—the pencils flew like mad through transcendental functions and double eigentransformations, and when at last the beast closed in and the King was down and out for the count, the constructors jumped up, danced a jig, laughed and sang as they tore all their papers to shreds, much to the amazement of the spies perched in the chandelier-—perched in vain, for they were uninitiated into the niceties of higher mathematics and consequently had no idea why Trurl and Klapaucius were now shouting, over and over, “Hurrah! Victory!!
Stanisław Lem (The Cyberiad)
For Zuk and the other woman boycotters, this endeavor was not about escaping the confines of being working class, but about protecting the rights of the working class. What this strategy innately relies on is the foremost recognition that poor and working-class people have and deserve rights in the first place—and aren’t plagues on society who are lazy, unwilling to apply themselves, or should, through some elaborate matrix and suspension of systemic blockades, simply not be working class. Existing in this socioeconomic bracket with these intrinsic financial realities was a legitimate life, across their families as well as their neighbors. And this communal approach to understanding their needs and successes was anchored deeply in protecting food prices for everyone rather than reverse engineering their individual lives to accommodate the price hike.
Koa Beck (White Feminism: From the Suffragettes to Influencers and Who They Leave Behind)
Here he came then, day after day, week after week, month after month, year after year. He saw the beech trees turn golden and the young ferns unfurl; he saw the moon sickle and then circular; he saw—but probably the reader can imagine the passage which should follow and how every tree and plant in the neighbourhood is described first green, then golden; how moons rise and suns set; how spring follows winter and autumn summer; how night succeeds day and day night; how there is first a storm and then fine weather; how things remain much as they are for two or three hundred years or so, except for a little dust and a few cobwebs which one old woman can sweep up in half an hour; a conclusion which, one cannot help feeling, might have been reached more quickly by the simple statement that “Time passed” (here the exact amount could be indicated in brackets) and nothing whatever happened.
Virginia Woolf (Orlando: A Biography)
Beyond the family or particular Christian tradition, how much effort do we make to consider what the Mennonites or the Episcopalians, the Baptists or the Pentecostals, the Methodists or the Presbyterians have to say to the rest of us out of their DIFFERENCES, as well as out of the affirmation in common with other Christians? As I suggested earlier, our patterns of ecumenicity tend to bracket out our differences rather than to celebrate and capitalize upon them. Finding common ground has been the necessary first step in ecumenical relations and activity. But the next step is to acknowledge and enjoy what God has done elsewhere in the Body of Christ. And if at the congregational level we are willing to say, 'I can't do everything myself, for I am an ear: I must consult with a hand or an eye on this matter,' I suggest that we do the same among whole traditions. If we do not regularly and programmatically consult with each other, we are tacitly claiming that we have no need of each other, and that all the truth, beauty, and goodness we need has been vouchsafed to us by God already. Not only is such an attitude problematic in terms of our flourishing, as I have asserted, but in this context now we must recognize how useless a picture this presents to the rest of society. Baptists, Presbyterians, and Roman Catholics failing to celebrate diversity provide no positive examples to societies trying to understand how to celebrate diversity on larger scales.
John G. Stackhouse Jr. (Making the Best of It: Following Christ in the Real World)
It may feel awkward at first, and there may be any number of obstacles. In addition to the obstructions that arise as we inch into this inner mothering, we may be stopped before we start by a discounting voice (a critical parent or protector most likely) saying, “This is ridiculous.” Its tactic is to deny the need. “You’re making a mountain out of a molehill.” “It wasn’t that bad. Just buck up.” Here is where being aware of parts comes as an advantage. Only if we can recognize that this is a part speaking up—a part that has an agenda—will we have a choice to bracket these thoughts and move forward with our intention. One of the next barriers we may face is a feeling of inadequacy. If you were not well mothered, you can easily feel that you haven’t a clue how to do it. You’re uncomfortable, you don’t know what to say or do, and you feel phony trying what doesn’t come naturally. This is enough to stop you right here. If you succeed in making an authentic connection with the undermothered parts within yourself, you may be struck by a sense of guilt that you have inadvertently continued the abandonment by not showing up earlier. No one likes to feel the sharp pain of causing harm to another. And just as I’ve mentioned earlier that a mother may unconsciously keep a distance from a child so as not to arouse her own hurt, you may feel that opening up the locked-away pain in your heart is too high a price to pay for reconnecting with child parts inside you.
Jasmin Lee Cori (The Emotionally Absent Mother, Second Edition: How to Recognize and Cope with the Invisible Effects of Childhood Emotional Neglect (Second): How to Recognize ... Effects of Childhood Emotional Neglect)
There isn’t any room,” said Joshua. “You travel back along the line of time and you don’t find the past, but another world, another bracket of consciousness. The earth would be the same, you see, or almost the same. Same trees, same rivers, same hills, but it wouldn’t be the world we know. Because it has lived a different life, it has developed differently. The second back of us is not the second back of us at all, but another second, a totally separate sector of time. We live in the same second all the time. We move along within the bracket of that second, that tiny bit of time that has been allotted to our particular world.” “The way we keep time was to blame,” said Ichabod. “It was the thing that kept us from thinking of it in the way it really was. For we thought all the time that we were passing through time when we really weren’t, when we never have. We’ve just been moving along with time. We said, there’s another second gone, there’s another minute and another hour and another day, when, as a matter of fact the second or the minute or the hour was never gone. It was the same one all the time. It had just moved along and we had moved with it.” Jenkins nodded. “I see. Like driftwood on the river. Chips moving with the river. And the scene changes along the river bank, but the water is the same.” “That’s roughly it,” said Joshua. “Except that time is a rigid stream and the different worlds are more firmly fixed in place than the driftwood on the river.
Clifford D. Simak (City)
Why, all our art treasures of to-day are only the dug-up commonplaces of three or four hundred years ago. I wonder if there is real intrinsic beauty in the old soup-plates, beer-mugs, and candle-snuffers that we prize so now, or if it is only the halo of age glowing around them that gives them their charms in our eyes. The “old blue” that we hang about our walls as ornaments were the common every-day household utensils of a few centuries ago; and the pink shepherds and the yellow shepherdesses that we hand round now for all our friends to gush over, and pretend they understand, were the unvalued mantel-ornaments that the mother of the eighteenth century would have given the baby to suck when he cried. Will it be the same in the future? Will the prized treasures of to-day always be the cheap trifles of the day before? Will rows of our willow-pattern dinner-plates be ranged above the chimneypieces of the great in the years 2000 and odd? Will the white cups with the gold rim and the beautiful gold flower inside (species unknown), that our Sarah Janes now break in sheer light-heartedness of spirit, be carefully mended, and stood upon a bracket, and dusted only by the lady of the house? That china dog that ornaments the bedroom of my furnished lodgings. It is a white dog. Its eyes blue. Its nose is a delicate red, with spots. Its head is painfully erect, its expression is amiability carried to verge of imbecility. I do not admire it myself. Considered as a work of art, I may say it irritates me. Thoughtless friends jeer at it, and even my landlady herself has no admiration for it, and excuses its presence by the circumstance that her aunt gave it to her. But in 200 years’ time it is more than probable that that dog will be dug up from somewhere or other, minus its legs, and with its tail broken, and will be sold for old china, and put in a glass cabinet. And people will pass it round, and admire it. They will be struck by the wonderful depth of the colour on the nose, and speculate as to how beautiful the bit of the tail that is lost no doubt was. We, in this age, do not see the beauty of that dog. We are too familiar with it. It is like the sunset and the stars: we are not awed by their loveliness because they are common to our eyes. So it is with that china dog. In 2288 people will gush over it. The making of such dogs will have become a lost art. Our descendants will wonder how we did it, and say how clever we were. We shall be referred to lovingly as “those grand old artists that flourished in the nineteenth century, and produced those china dogs.” The “sampler” that the eldest daughter did at school will be spoken of as “tapestry of the Victorian era,” and be almost priceless. The blue-and-white mugs of the present-day roadside inn will be hunted up, all cracked and chipped, and sold for their weight in gold, and rich people will use them for claret cups; and travellers from Japan will buy up all the “Presents from Ramsgate,” and “Souvenirs of Margate,” that may have escaped destruction, and take them back to Jedo as ancient English curios.
Jerome K. Jerome (Complete Works of Jerome K. Jerome)
To be ridiculously sweeping: baby boomers and their offspring have shifted emphasis from the communal to the individual, from the future to the present, from virtue to personal satisfaction. Increasingly secular, we pledge allegiance to lowercase gods of our private devising. We are concerned with leading less a good life than the good life. In contrast to our predecessors, we seldom ask ourselves whether we serve a greater social purpose; we are more likely to ask ourselves if we are happy. We shun self-sacrifice and duty as the soft spots of suckers. We give little thought to the perpetuation of lineage, culture or nation; we take our heritage for granted. We are ahistorical. We measure the value of our lives within the brackets of our own births and deaths, and we’re not especially bothered by what happens once we’re dead. As we age—oh, so reluctantly!—we are apt to look back on our pasts and question not did I serve family, God and country, but did I ever get to Cuba, or run a marathon? Did I take up landscape painting? Was I fat? We will assess the success of our lives in accordance not with whether they were righteous, but with whether they were interesting and fun. If that package sounds like one big moral step backward, the Be Here Now mentality that has converted from sixties catchphrase to entrenched gestalt has its upsides. There has to be some value in living for today, since at any given time today is all you’ve got. We justly cherish characters capable of living “in the moment.”…We admire go-getters determined to pack their lives with as much various experience as time and money provide, who never stop learning, engaging, and savoring what every day offers—in contrast to the dour killjoys who are bitter and begrudging in the ceaseless fulfillment of obligation. For the role of humble server, helpmate, and facilitator no longer to constitute the sole model of womanhood surely represents progress for which I am personally grateful. Furthermore, prosperity may naturally lead any well-off citizenry to the final frontier: the self, whose borders are as narrow or infinite as we make them. Yet the biggest social casualty of Be Here Now is children, who have converted from requirement to option, like heated seats for your car. In deciding what in times past never used to be a choice, we don’t consider the importance of raising another generation of our own people, however we might choose to define them. The question is whether kids will make us happy.
Lionel Shriver
It has often been claimed that there has been very little change in the average real income of American households over a period of decades. It is an undisputed fact that the average real income—that is, money income adjusted for inflation—of American households rose by only 6 percent over the entire period from 1969 to 1996. That might well be considered to qualify as stagnation. But it is an equally undisputed fact that the average real income per person in the United States rose by 51 percent over that very same period.3 How can both these statistics be true? Because the average number of individuals per household has been declining over the years. Half the households in the United States contained six or more people in 1900, as did 21 percent in 1950. But, by 1998, only ten percent of American households had that many people.4 The average number of persons per household not only varies over time, it also varies from one racial or ethnic group to another at a given time, and varies from one income bracket to another. As of 2007, for example, black household income was lower than Hispanic household income, even though black per capita income was higher than Hispanic per capita income, because black households average fewer people than Hispanic households. Similarly, Asian American household income was higher than white household income, even though white per capita income was higher than Asian American per capita income, because Asian American households average more people.5 Income comparisons using household statistics are far less reliable indicators of standards of living than are individual income data because households vary in size while an individual always means one person. Studies of what people actually consume—that is, their standard of living—show substantial increases over the years, even among the poor,6 which is more in keeping with a 51 percent increase in real per capita income than with a 6 percent increase in real household income. But household income statistics present golden opportunities for fallacies to flourish, and those opportunities have been seized by many in the media, in politics, and in academia.
Thomas Sowell (Economic Facts and Fallacies)
Get your dagger,' he orders. 'What?' My eyes fly wide. He has me defenceless and in the kill position already. 'Get. Your. Dagger,' he repeats, taking my hand in his and retrieving the last blade I have. His fingers curl over mine, clasping the hilt. Fire races along my skin at the feel of his fingers lacing with mine. Toxic. Dangerous. Wants to kill you. Nope, doesn't matter. My pulse still skitters like a teenager. 'You're tiny.' He says it like an insult. 'Well aware.' My eyes narrow. 'So stop going for bigger moves that expose you.' He drags the tip of the dagger down his side. 'A rib shot would've worked just fine.' Then he guides our hands around his back, making himself vulnerable. 'Kidneys are a good fit from this angle, too.' I swallow, refusing to think of other things that are a good fit at this angle. He leads our hands to his waist, his gaze never leaving mine. 'Chances are, if your opponent is in armour, it's weak here. Those are three easy places you could have struck before your opponent would have had time to stop you.' They're also fatal wounds, and I've avoided them at all costs. 'Do you hear me?' I nod. 'Good. Because you can't poison every enemy you come across,' he whispers, and I blanche. 'You're not going to have time to offer tea to some Braevi gryphon rider when they come at you.' 'How did you know?' I finally ask. My muscles lock, including my thighs, which just happen to still be bracketing his hips. His eyes darken. 'Oh, Violence. You're good, but I've known better poison masters. The trick is to not make it quite so obvious.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
[...]a man and a boy, side by side on a yellow Swedish sofa from the 1950s that the man had bought because it somehow reminded him of a zoot suit, watching the A’s play Baltimore, Rich Harden on the mound working that devious ghost pitch, two pairs of stocking feet, size 11 and size 15, rising from the deck of the coffee table at either end like towers of the Bay Bridge, between the feet the remains in an open pizza box of a bad, cheap, and formerly enormous XL meat lover’s special, sausage, pepperoni, bacon, ground beef, and ham, all of it gone but crumbs and parentheses of crusts left by the boy, brackets for the blankness of his conversation and, for all the man knew, of his thoughts, Titus having said nothing to Archy since Gwen’s departure apart from monosyllables doled out in response to direct yes-or-nos, Do you like baseball? you like pizza? eat meat? pork?, the boy limiting himself whenever possible to a tight little nod, guarding himself at his end of the sofa as if riding on a crowded train with something breakable on his lap, nobody saying anything in the room, the city, or the world except Bill King and Ken Korach calling the plays, the game eventless and yet blessedly slow, player substitutions and deep pitch counts eating up swaths of time during which no one was required to say or to decide anything, to feel what might conceivably be felt, to dread what might be dreaded, the game standing tied at 1 and in theory capable of going on that way forever, or at least until there was not a live arm left in the bullpen, the third-string catcher sent in to pitch the thirty-second inning, batters catnapping slumped against one another on the bench, dead on their feet in the on-deck circle, the stands emptied and echoing, hot dog wrappers rolling like tumbleweeds past the diehards asleep in their seats, inning giving way to inning as the dawn sky glowed blue as the burner on a stove, and busloads of farmhands were brought in under emergency rules to fill out the weary roster, from Sacramento and Stockton and Norfolk, Virginia, entire villages in the Dominican ransacked for the flower of their youth who were loaded into the bellies of C-130s and flown to Oakland to feed the unassuageable appetite of this one game for batsmen and fielders and set-up men, threat after threat giving way to the third out, weak pop flies, called third strikes, inning after inning, week after week, beards growing long, Christmas coming, summer looping back around on itself, wars ending, babies graduating from college, and there’s ball four to load the bases for the 3,211th time, followed by a routine can of corn to left, the commissioner calling in varsity teams and the stars of girls’ softball squads and Little Leaguers, Archy and Titus sustained all that time in their equally infinite silence, nothing between them at all but three feet of sofa;
Michael Chabon (Telegraph Avenue)