Horses Are Good For The Soul Quotes

Not that Dr Watson wasn't benign - he was one of the best souls in the Empire - but a man didn't get to be her uncle's right-hand man without a good uppercut and the stamina of a draft horse.

It is a well-known established fact throughout the many-dimensional worlds of the multiverse that most really great discoveries are owed to one brief moment of inspiration. There's a lot of spadework first, of course, but what clinches the whole thing is the sight of, say, a falling apple or a boiling kettle or the water slipping over the edge of the bath. Something goes click inside the observer's head and then everything falls into place. The shape of DNA, it is popularly said, owes its discovery to the chance sight of a spiral staircase when the scientist‘s mind was just at the right receptive temperature. Had he used the elevator, the whole science of genetics might have been a good deal different. This is thought of as somehow wonderful. It isn't. It is tragic. Little particles of inspiration sleet through the universe all the time traveling through the densest matter in the same way that a neutrino passes through a candyfloss haystack, and most of them miss. Even worse, most of the ones that hit the exact cerebral target, hit the wrong one. For example, the weird dream about a lead doughnut on a mile-high gantry, which in the right mind would have been the catalyst for the invention of repressed-gravitational electricity generation (a cheap and inexhaustible and totally non-polluting form of power which the world in question had been seeking for centuries, and for the lack of which it was plunged into a terrible and pointless war) was in fact had by a small and bewildered duck. By another stroke of bad luck, the sight of a herd of wild horses galloping through a field of wild hyacinths would have led a struggling composer to write the famous Flying God Suite, bringing succor and balm to the souls of millions, had he not been at home in bed with shingles. The inspiration thereby fell to a nearby frog, who was not in much of a position to make a startling contributing to the field of tone poetry. Many civilizations have recognized this shocking waste and tried various methods to prevent it, most of them involving enjoyable but illegal attempts to tune the mind into the right wavelength by the use of exotic herbage or yeast products. It never works properly.

I am sorry for your girl, Ned. Truly. About the wolf, I mean. My son was lying, I’d stake my soul on it. My son … you love your children, don’t you?” “With all my heart,” Ned said. “Let me tell you a secret, Ned. More than once, I have dreamed of giving up the crown. Take ship for the Free Cities with my horse and my hammer, spend my time warring and whoring, that’s what I was made for. The sellsword king, how the singers would love me. You know what stops me? The thought of Joffrey on the throne, with Cersei standing behind him whispering in his ear. My son. How could I have made a son like that, Ned?” “He’s only a boy,” Ned said awkwardly. He had small liking for Prince Joffrey, but he could hear the pain in Robert’s voice. “Have you forgotten how wild you were at his age?” “It would not trouble me if the boy was wild, Ned. You don’t know him as I do.” He sighed and shook his head. “Ah, perhaps you are right. Jon despaired of me often enough, yet I grew into a good king.” Robert looked at Ned and scowled at his silence. “You might speak up and agree now, you know.” “Your Grace …” Ned began, carefully. Robert slapped Ned on the back. “Ah, say that I’m a better king than Aerys and be done with it. You never could lie for love nor honor, Ned Stark. I’m still young, and now that you’re here with me, things will be different. We’ll make this a reign to sing of, and damn the Lannisters to seven hells.

The only good soul is a lost soul, and only a lost soul can find its way home.

In the American Civil War it was a matter of principle that a good officer rode his horse as little as possible. There were sound reasons for this. If you are riding and your soldiers are marching, how can you judge how tired they are, how thirsty, how heavy their packs weigh on their shoulders? I applied the same philosophy in Vietnam, where every battalion commander had his own command-and-control helicopter. Some commanders used their helicopter as their personal mount. I never believed in that. You had to get on the ground with your troops to see and hear what was happening. You have to soak up firsthand information for your instincts to operate accurately. Besides, it’s too easy to be crisp, cool, and detached at 1, 500 feet; too easy to demand the impossible of your troops; too easy to make mistakes that are fatal only to those souls far below in the mud, the blood, and the confusion.

Suppose a white man should come to me and say, “Joseph, I like your horses. I want to buy them.” I say to him, “No, my horses suit me; I will not sell them.” Then he goes to my neighbor and says to him, “Joseph has some good horses. I want to buy them, but he refuses to sell.” My neighbor answers, “Pay me the money and I will sell you Joseph's horses.” The white man returns to me and says, “Joseph, I have bought your horses and you must let me have them.” If we sold our lands to the government, this is the way they bought them. — Chief Joseph Nez Perce We

When Dolly Parton prayed over me, I believed in God again. Every part of my soul came crashing to the earth like it was riding on lightning. I became connected to it again. I remembered that I was just a tiny part of that day and that little moment in time. Most important, that I was in fact responsible for none of it. Good, bad, or indifferent. The prayer is just between me and Dolly. But it was life-affirming and I like to think Dolly prays for all of us like that.

What is the use of beauty in woman? Provided a woman is physically well made and capable of bearing children, she will always be good enough in the opinion of economists. What is the use of music? -- of painting? Who would be fool enough nowadays to prefer Mozart to Carrel, Michael Angelo to the inventor of white mustard? There is nothing really beautiful save what is of no possible use. Everything useful is ugly, for it expresses a need, and man's needs are low and disgusting, like his own poor, wretched nature. The most useful place in a house is the water-closet. For my part, saving these gentry's presence, I am of those to whom superfluities are necessaries, and I am fond of things and people in inverse ratio to the service they render me. I prefer a Chinese vase with its mandarins and dragons, which is perfectly useless to me, to a utensil which I do use, and the particular talent of mine which I set most store by is that which enables me not to guess logogriphs and charades. I would very willingly renounce my rights as a Frenchman and a citizen for the sight of an undoubted painting by Raphael, or of a beautiful nude woman, -- Princess Borghese, for instance, when she posed for Canova, or Julia Grisi when she is entering her bath. I would most willingly consent to the return of that cannibal, Charles X., if he brought me, from his residence in Bohemia, a case of Tokai or Johannisberg; and the electoral laws would be quite liberal enough, to my mind, were some of our streets broader and some other things less broad. Though I am not a dilettante, I prefer the sound of a poor fiddle and tambourines to that of the Speaker's bell. I would sell my breeches for a ring, and my bread for jam. The occupation which best befits civilized man seems to me to be idleness or analytically smoking a pipe or cigar. I think highly of those who play skittles, and also of those who write verse. You may perceive that my principles are not utilitarian, and that I shall never be the editor of a virtuous paper, unless I am converted, which would be very comical. Instead of founding a Monthyon prize for the reward of virtue, I would rather bestow -- like Sardanapalus, that great, misunderstood philosopher -- a large reward to him who should invent a new pleasure; for to me enjoyment seems to be the end of life and the only useful thing on this earth. God willed it to be so, for he created women, perfumes, light, lovely flowers, good wine, spirited horses, lapdogs, and Angora cats; for He did not say to his angels, 'Be virtuous,' but, 'Love,' and gave us lips more sensitive than the rest of the skin that we might kiss women, eyes looking upward that we might behold the light, a subtile sense of smell that we might breathe in the soul of the flowers, muscular limbs that we might press the flanks of stallions and fly swift as thought without railway or steam-kettle, delicate hands that we might stroke the long heads of greyhounds, the velvety fur of cats, and the polished shoulder of not very virtuous creatures, and, finally, granted to us alone the triple and glorious privilege of drinking without being thirsty, striking fire, and making love in all seasons, whereby we are very much more distinguished from brutes than by the custom of reading newspapers and framing constitutions.

CUP AND OCEAN These forms we seem to be are cups floating in an ocean of living consciousness. They fill and sink without leaving an arc of bubbles or any good-bye spray. What we are is that ocean, too near to see, though we swim in it and drink it in. Don't be a cup with a dry rim, or someone who rides all night and never knows the horse beneath his thighs, the surging that carries him along.

It was the same book, every day. The pages of said book were rounded and soft where Young Sam had chewed them, but to one person in this nursery this was the book of books, the greatest story ever told. Vimes didn't need to read it any more. He knew it by heart. It was called Where's My Cow? The unidentified complainant had lost their cow. That was the story, really. Page one started promisingly: Where's my cow? Is that my cow? It goes, "Baa!" It is a sheep! That's not my cow! Then the author began to get to grips with their material: Where's my cow? Is that my cow? It goes, "Neigh!" It is a horse! That's not my cow! At this point the author had reached an agony of creation and was writing from the racked depths of their soul. Where's my cow? Is that my cow? It goes, "Hruuugh!" It is a hippopotamus! That's not my cow! This was a good evening. Young Sam was already grinning widely and crowing along with the plot. Eventually, the cow would be found. It was that much of a pageturner. Of course, some suspense was lent by the fact that all other animals were presented in some way that could have confused a kitten, who perhaps had been raised in a darkened room. The horse was standing in front of a hatstand, as they so often did, and the hippo was eating at a trough against which was an upturned pitchfork. Seen from the wrong direction, the tableau might look for just one second like a cow ... Young Sam loved it, anyway. It must have been the most cuddled book in the world. Nevertheless, it bothered Vimes, even though he'd got really good at the noises and would go up against any man in his rendition of the "Hruuugh!" But was this a book for a city kid? When would he ever hear these noises? In the city the only sound those animals would make was "sizzle" But the nursery was full of the conspiracy, with baa-lambs and teddy bears and fluffy ducklings everywhere he looked.

A human can be a real prick but maintain the capacity for good and a good hearted soul is capable of great evil. Never judge a person as absolutely one way or another because you sell the human race short when you do.

Oh how corrupted is the man to whom a dog and a horse are better than the soul! Oh how deformed is he to whom a shoe, whatever its worth, is more beautiful than the soul! Nothing is truly good or beautiful in the house of that man where all things seem good and beautiful before himself, that is before the soul. If some Cynic philosopher were to enter the sanctuary of that man, in all its adornment, and were compelled by some necessity to spit, certainly he should spit in his face, for clearly he would see each single thing therein clean and adorned, in preference to the man himself.

For those poor souls who can only think of the terrible fear and danger of a runaway horse, think of this: a speed like water flowing over stone, a skimming sensation that hovers and dips while the world spins around and the wind drags your skin taut across your bones. You can close your eyes and lose yourself in the rhythm, because nothing you do or shout or wish for will happen until the running makes up its mind to stop. So you hold steady, balancing yourself in the wake, and unhook your mind from the everyday while you sit at the silent center of it all and hope that the feeling won't stop till you're good and ready for life to be ordinary once more.

XII. If there pushed any ragged thistle-stalk Above its mates, the head was chopped, the bents Were jealous else. What made those holes and rents In the dock's harsh swarth leaves, bruised as to baulk All hope of greenness? Tis a brute must walk Pashing their life out, with a brute's intents. XIII. As for the grass, it grew as scant as hair In leprosy; thin dry blades pricked the mud Which underneath looked kneaded up with blood. One stiff blind horse, his every bone a-stare, Stood stupified, however he came there: Thrust out past service from the devil's stud! XIV. Alive? he might be dead for aught I knew, With that red gaunt and colloped neck a-strain. And shut eyes underneath the rusty mane; Seldom went such grotesqueness with such woe; I never saw a brute I hated so; He must be wicked to deserve such pain. XV. I shut my eyes and turned them on my heart, As a man calls for wine before he fights, I asked one draught of earlier, happier sights, Ere fitly I could hope to play my part. Think first, fight afterwards, the soldier's art: One taste of the old time sets all to rights. XVI. Not it! I fancied Cuthbert's reddening face Beneath its garniture of curly gold, Dear fellow, till I almost felt him fold An arm to mine to fix me to the place, The way he used. Alas, one night's disgrace! Out went my heart's new fire and left it cold. XVII. Giles then, the soul of honour - there he stands Frank as ten years ago when knighted first, What honest man should dare (he said) he durst. Good - but the scene shifts - faugh! what hangman hands Pin to his breast a parchment? His own bands Read it. Poor traitor, spit upon and curst! XVIII. Better this present than a past like that: Back therefore to my darkening path again! No sound, no sight as far as eye could strain. Will the night send a howlet or a bat? I asked: when something on the dismal flat Came to arrest my thoughts and change their train. XIX. A sudden little river crossed my path As unexpected as a serpent comes. No sluggish tide congenial to the glooms; This, as it frothed by, might have been a bath For the fiend's glowing hoof - to see the wrath Of its black eddy bespate with flakes and spumes. XX. So petty yet so spiteful! All along, Low scrubby alders kneeled down over it; Drenched willows flung them headlong in a fit Of mute despair, a suicidal throng: The river which had done them all the wrong, Whate'er that was, rolled by, deterred no whit. XXI. Which, while I forded - good saints, how I feared To set my foot upon a dead man's cheek, Each step, of feel the spear I thrust to seek For hollows, tangled in his hair or beard! - It may have been a water-rat I speared, But, ugh! it sounded like a baby's shriek. XXII. Glad was I when I reached the other bank. Now for a better country. Vain presage! Who were the strugglers, what war did they wage, Whose savage trample thus could pad the dank soil to a plash? Toads in a poisoned tank Or wild cats in a red-hot iron cage - XXIII. The fight must so have seemed in that fell cirque, What penned them there, with all the plain to choose? No footprint leading to that horrid mews, None out of it. Mad brewage set to work Their brains, no doubt, like galley-slaves the Turk Pits for his pastime, Christians against Jews.

When I am, as it were, completely myself, entirely alone, and of good cheer; say traveling in a carriage, or walking after a good meal, or during the night when I cannot sleep; it is on such occasions that my ideas flow best and most abundantly. All this fires my soul, and provided I am not disturbed, my subject enlarges itself, becomes methodized and defined, and the whole, though it be long, stands almost finished and complete in my mind, so that I can survey it, like a fine picture or a beautiful statue, at a glance. Nor do I hear in my imagination the parts successively, but I hear them, as it were, all at once. When I proceed to write down my ideas the committing to paper is done quickly enough, for everything is, as I said before, already finished; and it rarely differs on paper from what it was in my imagination.

Or when you wanted me in one spot and I was in another. Or when the horse was too tall, or the bed was too high, or the seas were too rough. Honestly, Matthew. You have a very selective memory when it suits you. As for making love, it’s not always the tender act that you describe. Not in the books I’ve seen. Sometimes it’s just a good, hard—’ Before I could finish my sentence, a tall, handsome vampire flung me over his shoulder. ‘We will continue this conversation in private.’ ‘Help! I think my husband is a vampire!’ I laughed and pounded on the backs of his thighs.

Between her breasts, entangled in her shining hair, I wept as if to purge away my soul in water. She put me to bed, and sang to me, and said when I was quiet, “Don’t grieve for the King Horse; he has gone to the Earth Mother, who made us all. She has a thousand thousand children, and knows each one of them. He was too good for anyone here to ride; but she will find him some great hero, a child of the sun or the north wind, to be his friend and master; they will gallop all day, and never be tired. Tomorrow you shall take her a present for him, and I will tell her it comes from you.

The self-conscious feedback mechanism of the cortex allows us the hallucination that we are two souls in one body -a rational soul and an animal soul, a rider and a horse, a good guy with better instincts and finer feelings and a rascal with rapacious lusts and untruly passions. Hence the marvelously involved hypocrisies of guilt and penitence, and the frightful cruelties of punishment, warfare, and even self-torment in the name of taking the side of the good soul against the evil. The more it sides with itself, the more the good soul reveals its inseparable shadow, and the more it disowns its shadow, the more it becomes it.

Saturday evening, on a quiet lazy afternoon, I went to watch a bullfight in Las Ventas, one of Madrid's most famous bullrings. I went there out of curiosity. I had long been haunted by the image of the matador with its custom made torero suit, embroidered with golden threads, looking spectacular in his "suit of light" or traje de luces as they call it in Spain. I was curious to see the dance of death unfold in front of me, to test my humanity in the midst of blood and gold, and to see in which state my soul will come out of the arena, whether it will be shaken and stirred, furious and angry, or a little bit aware of the life embedded in every death. Being an avid fan of Hemingway, and a proponent of his famous sentence "About morals, I know only that what is moral is what you feel good after and what is immoral is what you feel bad after,” I went there willingly to test myself. I had heard atrocities about bullfighting yet I had this immense desire to be part of what I partially had an inclination to call a bloody piece of cultural experience. As I sat there, in front of the empty arena, I felt a grandiose feeling of belonging to something bigger than anything I experienced during my stay in Spain. Few minutes and I'll be witnessing a painting being carefully drawn in front of me, few minutes and I will be part of an art form deeply entrenched in the Spanish cultural heritage: the art of defying death. But to sit there, and to watch the bull enter the arena… To watch one bull surrounded by a matador and his six assistants. To watch the matador confronting the bull with the capote, performing a series of passes, just before the picador on a horse stabs the bull's neck, weakening the neck muscles and leading to the animal's first loss of blood... Starting a game with only one side having decided fully to engage in while making sure all the odds will be in the favor of him being a predetermined winner. It was this moment precisely that made me feel part of something immoral. The unfair rules of the game. The indifferent bull being begged to react, being pushed to the edge of fury. The bull, tired and peaceful. The bull, being teased relentlessly. The bull being pushed to a game he isn't interested in. And the matador getting credits for an unfair game he set. As I left the arena, people looked at me with mocking eyes. Yes, I went to watch a bull fight and yes the play of colors is marvelous. The matador’s costume is breathtaking and to be sitting in an arena fills your lungs with the sands of time. But to see the amount of claps the spill of blood is getting was beyond what I can endure. To hear the amount of claps injustice brings is astonishing. You understand a lot about human nature, about the wars taking place every day, about poverty and starvation. You understand a lot about racial discrimination and abuse (verbal and physical), sex trafficking, and everything that stirs the wounds of this world wide open. You understand a lot about humans’ thirst for injustice and violence as a way to empower hidden insecurities. Replace the bull and replace the matador. And the arena will still be there. And you'll hear the claps. You've been hearing them ever since you opened your eyes.

The wealthy young man has a hundred coarse and brilliant distractions, horse races, hunting, dogs, tobacco, gaming, good repasts, and all the rest of it; occupations for the baser side of the soul, at the expense of the loftier and more delicate sides. The poor young man wins his bread with difficulty; he eats; when he has eaten, he has nothing more but meditation. He goes to the spectacles which God furnishes gratis; he gazes at the sky, space, the stars, flowers, children, the humanity among which he is suffering, the creation amid which he beams. He gazes so much on humanity that he perceives its soul, he gazes upon creation to such an extent that he beholds God.

Why do we like being Irish? Partly because It gives us a hold on the sentimental English As members of a world that never was, Baptised with fairy water; And partly because Ireland is small enough To be still thought of with a family feeling, And because the waves are rough That split her from a more commercial culture; And because one feels that here at least one can Do local work which is not at the world's mercy And that on this tiny stage with luck a man Might see the end of one particular action. It is self-deception of course; There is no immunity in this island either; A cart that is drawn by somebody else's horse And carrying goods to somebody else's market. The bombs in the turnip sack, the sniper from the roof, Griffith, Connolly, Collins, where have they brought us? Ourselves alone! Let the round tower stand aloof In a world of bursting mortar! Let the school-children fumble their sums In a half-dead language; Let the censor be busy on the books; pull down the Georgian slums; Let the games be played in Gaelic. Let them grow beet-sugar; let them build A factory in every hamlet; Let them pigeon-hole the souls of the killed Into sheep and goats, patriots and traitors. And the North, where I was a boy, Is still the North, veneered with the grime of Glasgow, Thousands of men whom nobody will employ Standing at the corners, coughing.

In too many households prayer is neglected. Parents feel that they have no time for morning and evening worship. They cannot spare a few moments to be spent in thanksgiving to God for his abundant mercies—for the blessed sunshine and the showers of rain, which cause vegetation to flourish, and for the guardianship of holy angels. They have no time to offer prayer for divine help and guidance and for the abiding presence of Jesus in the household. They go forth to labor as the ox or the horse goes, without one thought of God or heaven. They have souls so precious that rather than permit them to be hopelessly lost, the Son of God gave his life to ransom them; but they have little more [144] appreciation of his great goodness than have the beasts that perish.

Chapter One: The Dawn and the Dread Heartbeat, heartbeat comes from Valhallan way, To meet down in judgment, to ply its trade. Two →swords← to join in worthy cross, Actions to be rendered, one to be lost. She did come now from ’yond northern slope, A day of reckoning did she again once hope. A devout meeting was her qwesterly bane, To stay her hand was to go insane. St. Kari of the Blade to meet her past, A wicked enemy, peerless of match. Rode Kari she her charger on down, Past the Dead Land where Gaul sat crowned. A killing job, yea, she desired to lastly kill, To set things right so her heart might lie still. Upon the mist and roaring plain, She entered in, a soul uncontained. A fierce wind in deed, and forever freed, Enemies she annihilhates (’tis hur’ creed). Her own advanced guard of a sort, Multitudes to follow in her report. Know this Valkyrie from on cold, An ancient maiden soft and bold. A warrior spirit from Ages past, A fragmented mind like broken glass. Solid in stature this eternal framed being, Yet crippled within from internaled bleedings. A sword saint so refined in the poetic art, A noble character yet with a banshee’s heart. Rhythmed horse now to the beats, Kari emboldened amid the sleet. Beyond the mountain she does come, Unto southern fields wherein rules hot sun. Far from that murderous Deadlands ground, The land up swells; the dead still abound. Traverses she those bygones of leprous civilizations Those cities crumbled by the exhalted of oblivions. Stark traces etched now bare in the land, That are no more again, save dust in the hand. A cool stream now in desert sans (Does more good when one is damned). Stopped she her mount to admire the flow, A lovely stream with skeletons packed below. Blue air whisps; dragon flied motion. Flintsteel striking!!! Sparked of commotion. Cold water chortles rushtish with tint, Told of past carnage, it whetted her glint. Fallen warriors, they are no more, Swirls and eddies mark their discord. Gurgled shouts slung and gathered, Faces glazed while steel lathered. Refreshing though it was to her mouth, She smelled an air; she flared about. Came up that ridge of loud, sanded hill, Below a man and his half-score of kills. Kari’s eyes waxed in smug contempt, Possibilities ran deep with no repent . . . On Kari, Valkyrie, Cold Steel Eternity Vol. II

And one by one, driven to exhaustion, trapped by fence and horses and bewilderment, under an immaculate sky the mythic creatures died. They died not in mercy, not in the majesty which was their due, but as the least of life, accursed of nature. They died in the dust of insult and the spittle of lead. There was more here than profaned the eye or ear or nose or heart. There was more here than mere destruction. The American soul itself was involved, its anthropology. We are born with buffalo blood upon our hands. In the prehistory of us all, the atavistic beasts appear. They graze the plains of our subconscious, they trample through our sleep, and in our dreams we cry out our damnation. We know what we have done, we violent people. We know that no species was created to exterminate another, and the sight of their remnant stirs in us the most profound lust, the most undying hatred, the most inexpiable guilt. A living buffalo mocks us. It has no place or purpose. It is a misbegotten child, a monster with which we cannot live and which we cannot live without. Therefore we slay, and slay again, for while a single buffalo remains, the sin of our fathers, and hence our own, is imperfect. But the slaughter of the buffalo is part of something larger. It is as though the land of Canaan into which we were led was too divine, and until we have done it every violence, until we have despoiled and murdered and dirtied every blessing, until we have erased every reminder of our original rape, until we have washed our hands of the blood of every other, we shall be unappeased. It is as though we are too proud to be beholden to Him. We cannot bear the goodness of God.

Poverty in youth, when it succeeds, has this magnificent property about it, that it turns the whole will toward effort, and the whole soul toward aspiration. Poverty instantly lays material life bare and renders it hideous; hence inexpressible bounds toward the ideal life. The wealthy young man has a hundred coarse and brilliant distractions, horse races, hunting, tobacco, gaming, good repasts, and all the rest of it; occupations for the baser side of the soul, at the expense of the loftier and more delicate sides. The poor young man wins his bread with difficulty; he eats; when he has eaten, he has nothing more but meditation. He goes to the spectacles which God furnishes gratis; he gazes at the sky, space, the stars, flowers, children, the humanity among which he is suffering, the creation admits which he beams. He gazes so much on humanity that he perceives its soul, he gazes upon creation to such an extent that he beholds God. He dreams, he feels himself great; he dreams on and feels himself tender.

- You as a good catholic, he observed, talking of body and soul, believe in the soul...Do you? Thus cornered, Stephen had to make a superhuman effort of memory to try and concentrate and remember before he could say: - They tell me on the best authority it is a simple substance and therefore incorruptible. It would be immortal, I understand, but for the possibility of its annihilation by its First Cause Who, from all I can hear, is quite capable of adding that to the number of His other practical jokes, corruptio per se and corruptio per accidens both being excluded by court etiquette. Mr Bloom thoroughly acquiesced in the general gist of this...still he felt bound to enter a demurrer on the head of simple, promptly rejoining: - Simple? I shouldn’t think that is the proper word...but it’s a horse of quite another color to say you believe in the existence of a supernatural God. - Oh that, Stephen expostulated, has been proved conclusively by several of the best known passages in Holy Writ, apart from circumstantial evidence.

These men were very kind. They made presents to our chiefs and our people made presents to them. We had a great many horses, of which we gave them what they needed, and they gave us guns and tobacco in return. All the Nez Perce made friends with Lewis and Clark, and agreed to let them pass through their country, and never to make war on white men. This promise the Nez Perce have never broken. No white man can accuse them of bad faith and speak with a straight tongue. It has always been the pride of the Nez Perce that they were the friends of the white men. When my father was a young man there came to our country a white man [Rev. Henry H. Spaulding] who talked spirit law. He won the affections of our people because he spoke good things to them. At first he did not say anything about white men wanting to settle on our lands. Nothing was said about that until about twenty winters ago, when a number of white people came into our country and built houses and made farms. At first our people made no complaint. They thought there was room

When did my heart turn away from its willingness to die if need be in order to kill d’Albret? Perhaps once I escaped, once I was no longer in his orbit or infected with the bleak despair that enveloped me while I was in his household. Or mayhap my short time away from him has reminded me that there are things worth living for. There are good people in this world, in this duchy. Those who mean to do all they can to stop d’Albret. Living inside his walls, it was all too easy to forget that. There is the thrill of a fast horse, and the sun and wind in your face. The rare—and all the more precious for it—moments of laughter to be had. The excitement of seeing Mortain’s marque and knowing the hunt is about to begin. The look in someone’s eye when he truly see you—not just your face and hair, but the very essence of your soul. It is a raw and uncomfortable realization that Beast is partly behind this newfound will to live. Not for him, but because he reminded me of what life has to offer. He lives life so joyously—it is impossible not to want that joy for oneself.

Well?” demanded the vicar at last, looking at Ian. “What do you have to say to me?” “Good afternoon?” Ian suggested drolly. And then he added, “I didn’t expect to see you until tomorrow, Uncle.” “Obviously,” retorted the vicar with unconcealed irony. “Uncle!” blurted Elizabeth, gaping incredulously at Ian Thornton, who’d been flagrantly defying rules of morality with his passionate kisses and seeking hands from the first night she met him. As if the vicar read her thoughts, he looked at her, his brown eyes amused. “Amazing, is it not, my dear? It quite convinces me that God has a sense of humor.” A hysterical giggle welled up in Elizabeth as she saw Ian’s impervious expression begin to waver when the vicar promptly launched into a recitation of his tribulations as Ian’s uncle: “You cannot imagine how trying it used to be when I was forced to console weeping young ladies who’d cast out lures in hopes Ian would come up to scratch,” he told Elizabeth. “And that’s nothing to how I felt when he raced his horse and one of my parishioners thought I would be the ideal person to keep of the bets!” Elizabeth’s burst of laughter rang like music through the hills, and the vicar, ignoring Ian’s look of annoyance, continued blithely, “I have flat knees from the hours, the weeks, the months I’ve spent praying for his immortal soul-“ “When you’re finished itemizing my transgressions, Duncan, “ Ian cut in, “I’ll introduce you to my companion.” Instead of being irate at Ian’s tone, the vicar looked satisfied. “By all means, Ian,” he said smoothly. “We should always observe all the proprieties.” At that moment Elizabeth realized with a jolt that the shaming tirade she’d expected the vicar to deliver when he first saw them had been delivered after all-skillfully and subtly. The only difference was that the kindly vicar had aimed it solely at Ian, absolving her from blame and sparing her any further humiliation. Ian evidently realized it, too; reaching out to shake his uncle’s hand, he said dryly, “You’re looking well, Duncan-despite your flattened knees. And,” he added, “I can assure you that your sermons are equally eloquent whether I’m standing up or sitting down.” “That is because you have a lamentable tendency to doze off in the middle of them either way,” the vicar replied a little irritably, shaking Ian’s hand.

Sophie heard the sound of booted feet stomping in the hallway. Good heavens, Merriweather or Higgins would be coming to check on her. She rose, swiped at her cheeks, and set aside the baby’s spoon and rag. Then a thought hit her that had her sitting down hard on the bench again: her brothers. Oh, please God, not those three. Yes, she’d missed them terribly, but at that precise moment, she didn’t want to see anybody, not one soul except the very person she would never see again. Vim. He stood in the doorway, looking haggard, chilled to the bone, and so, so dear. Sophie flew across the kitchen to embrace him, the sob escaping her midflight. “I’m sorry,” he said, his arms going around her. “There were no coaches going to Kent, no horses to hire for a distance that great. No horses to buy, not even a mule. All day… I tried all day.” He sounded exhausted, and the cold came off him palpably. His cheeks were rosy with it, his voice a little hoarse, and against his ruddy complexion, his blue eyes gleamed brilliantly. “You must be famished.” Sophie did not let him go while she made that prosaic, female observation. Despite all she’d eaten, she was famished—for the sight of him, for the sound of his voice, and oh, for the feel of his tall body against her. “Hungry,

I struggle with an embarrassing affliction, one that as far as I know doesn’t have a website or support group despite its disabling effects on the lives of those of us who’ve somehow contracted it. I can’t remember exactly when I started noticing the symptoms—it’s just one of those things you learn to live with, I guess. You make adjustments. You hope people don’t notice. The irony, obviously, is having gone into a line of work in which this particular infirmity is most likely to stand out, like being a gimpy tango instructor or an acrophobic flight attendant. The affliction I’m speaking of is moral relativism, and you can imagine the catastrophic effects on a critic’s career if the thing were left to run its course unfettered or I had to rely on my own inner compass alone. To be honest, calling it moral relativism may dignify it too much; it’s more like moral wishy-washiness. Critics are supposed to have deeply felt moral outrage about things, be ready to pronounce on or condemn other people’s foibles and failures at a moment’s notice whenever an editor emails requesting twelve hundred words by the day after tomorrow. The severity of your condemnation is the measure of your intellectual seriousness (especially when it comes to other people’s literary or aesthetic failures, which, for our best critics, register as nothing short of moral turpitude in itself). That’s how critics make their reputations: having take-no-prisoners convictions and expressing them in brutal mots justes. You’d better be right there with that verdict or you’d better just shut the fuck up. But when it comes to moral turpitude and ethical lapses (which happen to be subjects I’ve written on frequently, perversely drawn to the topics likely to expose me at my most irresolute)—it’s like I’m shooting outrage blanks. There I sit, fingers poised on keyboard, one part of me (the ambitious, careerist part) itching to strike, but in my truest soul limply equivocal, particularly when it comes to the many lapses I suspect I’m capable of committing myself, from bad prose to adultery. Every once in a while I succeed in landing a feeble blow or two, but for the most part it’s the limp equivocator who rules the roost—contextualizing, identifying, dithering. And here’s another confession while I’m at it—wow, it feels good to finally come clean about it all. It’s that … once in a while, when I’m feeling especially jellylike, I’ve found myself loitering on the Internet in hopes of—this is embarrassing—cadging a bit of other people’s moral outrage (not exactly in short supply online) concerning whatever subject I’m supposed to be addressing. Sometimes you just need a little shot in the arm, you know? It’s not like I’d crib anyone’s actual sentences (though frankly I have a tough time getting as worked up about plagiarism as other people seem to get—that’s how deep this horrible affliction runs). No, it’s the tranquillity of their moral authority I’m hoping will rub off on me. I confess to having a bit of an online “thing,” for this reason, about New Republic editor-columnist Leon Wieseltier—as everyone knows, one of our leading critical voices and always in high dudgeon about something or other: never fearing to lambaste anyone no matter how far beneath him in the pecking order, never fearing for a moment, when he calls someone out for being preening or self-congratulatory, as he frequently does, that it might be true of himself as well. When I’m in the depths of soft-heartedness, a little dose of Leon is all I need to feel like clambering back on the horse of critical judgment and denouncing someone for something.

March 19 MORNING “Strong in faith.” — Romans 4:20 CHRISTIAN, take good care of thy faith; for recollect faith is the only way whereby thou canst obtain blessings. If we want blessings from God, nothing can fetch them down but faith. Prayer cannot draw down answers from God’s throne except it be the earnest prayer of the man who believes. Faith is the angelic messenger between the soul and the Lord Jesus in glory. Let that angel be withdrawn, we can neither send up prayer, nor receive the answers. Faith is the telegraphic wire which links earth and heaven — on which God’s messages of love fly so fast, that before we call He answers, and while we are yet speaking He hears us. But if that telegraphic wire of faith be snapped, how can we receive the promise? Am I in trouble? — I can obtain help for trouble by faith. Am I beaten about by the enemy? — my soul on her dear Refuge leans by faith. But take faith away — in vain I call to God. There is no road betwixt my soul and heaven. In the deepest wintertime faith is a road on which the horses of prayer may travel — ay, and all the better for the biting frost; but blockade the road, and how can we communicate with the Great King? Faith links me with divinity. Faith clothes me with the power of God. Faith engages on my side the omnipotence of Jehovah. Faith ensures every attribute of God in my defence. It helps me to defy the hosts of hell. It makes me march triumphant over the necks of my enemies. But without faith how can I receive anything of the Lord? Let not him that wavereth — who is like a wave of the Sea — expect that he will receive anything of God! O, then, Christian, watch well thy faith; for with it thou canst win all things, however poor thou art, but without it thou canst obtain nothing. “If thou canst believe, all things are possible to him that believeth.

Hey,” he said, his hand gently rubbing my back. I heard the diesel rattle of vehicles driving away from the scene. “Hey,” I replied, sitting up and looking at my watch. It was 5:00 A.M. “Are you okay?” “Yep,” he said. “We finally got it out.” Marlboro Man’s clothes were black. Heavy soot covered his drawn, exhausted face. “Can I go home now?” I said. I was only halfway kidding. And actually, I wasn’t kidding at all. “Sorry about that,” Marlboro Man said, still rubbing my back. “That was crazy.” He gave a half-chuckle and kissed my forehead. I didn’t know what to say. Driving back to his house, the pickup was quiet. My mind began to race, which is never good at five in the morning. And then, inexplicably, just as we reached the road to his house, I lost it. “So, why did you even take me there, anyway?” I said. “I mean, if I’m just going to ride in someone’s pickup, why even bring me along? It’s not like I was any help to anyone…” Marlboro Man glanced over at me. His eyes were tired. “So…did you want to operate one of the sprayers?” he asked, an unfamiliar edge to his voice. “No, I just…I mean…” I searched for the words. “I mean, that was just ridiculous! That was dangerous!” “Well, prairie fires are dangerous,” Marlboro Man answered. “But that’s life. Stuff like this happens.” I was cranky. The nap had done little to calm me down. “What happens? You just drive right into fires and throw caution to the wind? I mean, people could die out there. I could have died. You could have died! I mean, do you realize how crazy that was?” Marlboro Man looked straight ahead, rubbing his left eye and blinking. He looked exhausted. He looked spent. We arrived in his driveway just in time to see the eastern sun peeking over the horse barn. Marlboro Man stopped his pickup, put it into park, and said, still looking straight ahead, “I took you with me…because I thought you’d like to see a fire.” He turned off the pickup and opened his door. “And because I didn’t want to leave you here by yourself.” I didn’t say anything. We both exited the pickup, and Marlboro Man began walking toward his house. And then, still walking, he said it--words that chilled me to the bone. “I’ll see you later.” He didn’t even turn around. I stood there, not knowing what to say, though deep down I knew I wouldn’t have to. I knew that just as he’d always done anytime I’d ever been rendered speechless in his presence, he’d speak up, turn around, come to my rescue, hold me in his arms…and infuse love into my soul, as only he could do. He always swooped in to save me, and this time would be no different. But he didn’t turn around. He didn’t speak up. He simply walked toward the house, toward the door on his back porch--the same porch door where, hours earlier, he and I had stood in a complete fit of romance and lust, where the heat between us was but a foreshadowing of the fire waiting for us in that distant prairie.

The first time Christina and Lachlan Meet ...Christina wasn't about to stop fighting—not until she took her last breath. Boring down with her heels, she thrashed. "Get off me, ye brute." She would hold her son in her arms this day if it was the last thing she did. And by the shift of the crushing weight on her chest, she only had moments before her life's breath completely whooshed from her lungs. The very thought of dying whilst her son was still held captive infused her with strength. With a jab, she slammed the heel of her hand across the man's chin. He flew from her body like a sack of grain. Praises be, had the Lord granted her with superhuman strength? Blinking, Christina sat up. No, no. Her strike hadn't rescued her from the pillager. A champion had. A behemoth of a man pummeled the pikeman's face with his fists. "Never. Ever." His fists moved so fast they blurred. "Harm. A. Woman!" Bloodied and battered, the varlet dropped to the dirt. A swordsman attacked her savior from behind. "Watch out," she cried, but before the words left her lips the warrior spun to his feet. Flinging his arm backward, he grabbed his assailant's wrist, stopped the sword midair and flipped the cur onto his back. Onward, he fought a rush of English attackers with his bare hands, without armor. Not even William Wallace himself had been so talented. This warrior moved like a cat, anticipating his opponent's moves before they happened. Five enemy soldiers lay on their backs. "Quickly," the man shouted, running toward her, his feet bare. No sooner had she rolled to her knees than his powerful arms clamped around her. The wind whipped beneath her feet. He planted her bum in the saddle. "Behind!" Christina screamed, every muscle in her body clenching taut. Throwing back an elbow, the man smacked an enemy soldier in the face resulting in a sickening crack. She picked up her reins and dug in her heels. "Whoa!" The big man latched onto the skirt of her saddle and hopped behind her, making her pony's rear end dip. But the frightened galloway didn't need coaxing. He galloped away from the fight like a deer running from a fox. Christina peered around her shoulder at the mass of fighting men behind them. "My son!" "Do you see him?" the man asked in the strangest accent she'd ever heard. She tried to turn back, but the man's steely chest stopped her. "They took him." "Who?" "The English, of course." The more they talked, the further from the border the galloway took them. "Huh?" the man mumbled behind her like he'd been struck in the head by a hammer. Everyone for miles knew the Scots and the English were to exchange a prisoner that day. The champion's big palm slipped around her waist and held on—it didn't hurt like he was digging in his fingers, but he pressed firm against her. The sensation of such a powerful hand on her body was unnerving. It had been eons since any man had touched her, at least gently. The truth? Aside from the brutish attack moments ago, Christina's life had been nothing but chaste. White foam leached from the pony's neck and he took in thunderous snorts. He wouldn't be able to keep this pace much longer. Christina steered him through a copse of trees and up the crag where just that morning she'd stood with King Robert and Sir Boyd before they'd led the Scottish battalion into the valley. There, she could gain a good vantage point and try to determine where the backstabbing English were heading with Andrew this time. At the crest of the outcropping, she pulled the horse to a halt. "The pony cannot keep going at this pace." The man's eyebrows slanted inward and he gave her a quizzical stare. Good Lord, his tempest-blue eyes pierced straight through her soul. "Are you speaking English?

Pelewen still wanders the night Under the canopy of long-dead days, A knight sword-sworn to duty and might, A knight faith-sealed with truth and right.   Nerena still wanders the misty eve, Under the canopy of long-dead days, A witch evil-sworn to lies believe, A witch dark-sealed to darkness wreathe.   What brought you, knight, to wander that wood? What brought the thieves who cut you down? Where, dark witch, did you find the good, To succor he who for goodness stood?   With secrets whispered in secluded shade, She healed you, knight, your life returned, With kisses, witch, the first he gave, Your soul was healed and holy made.   Love, you too we see this night Under the canopy of long-dead days; A blessing sworn to the good and right, A love that sealed a witch and knight.   What partings made upon the morn, Under wind and sun and forest song: One body whole and one soul born, Four eyes wet and two hearts torn.   What drove you, Knight, to the distant glade? What drove you to confess, dear maid? Why, Knight, did heart turn horse ‘round again? And why, Pureman, could you not forgive her stain?   One maid burned at morning’s light. One horse rides through ash at night. One soul to tell the Knight the tale. One Knight upon his sword impaled.   Death, you too we see this eve, Under the canopy of long-dead days; A death dark-sworn to love bereave, A death dark-sealed to sadness wreathe.   “Well, that was depressing,” Chertanne derided

The Lord is good to all: and his tender mercies are over all his works. —Psalm 145:9 (KJV) The gray clouds hung below the mountain peaks, smothering the sun. A cold breeze brushed across my cheeks as I tossed hay in the feeder for the horses and mules. I glanced at the brown grass in the pasture rimmed by the skeletal trees. Not a sprig of life showed anywhere. The gloomies seeped into my soul. How I longed for signs of life! Lord, I need You to brighten my day. I heard a low bellow from the neighbors’ pasture a few hundred yards away. Uh-oh, it sounds like a cow’s having problems giving birth. The neighbors lived miles away and wouldn’t be back to check on the cows for a couple more hours. “C’mon, Sunrise,” I called to my golden retriever, “let’s go check it out.” As we neared the pasture, I noticed a lone black cow standing with her head down. Keeping my distance, I stood on tiptoes, craning my neck. A brand-new wet calf lay on the ground. “Isn’t this exciting? What a cute baby!” Sunrise’s nose wiggled as she caught the scent of the baby. For the next hour I sat in the pasture, watching the newborn struggle to stand on its stiltlike legs. I giggled as the calf sucked on its mom’s knees and elbows before it found the udder and slurped. Lord, when my days are glum, remind me to ask You to brighten them. —Rebecca Ondov Digging Deeper: Pss 8, 84:11

The sensation I was feeling on the clifftop was some sort of reverberation in the air itself.… The whale had submerged and I was still feeling something. The strange rhythm seemed now to be coming from behind me, from the land, so I turned to look across the gorge … where my heart stopped.… Standing there in the shade of the tree was an elephant … staring out to sea!… A female with a left tusk broken off near the base.… I knew who she was, who she had to be. I recognized her from a color photograph put out by the Department of Water Affairs and Forestry under the title “The Last Remaining Knysna Elephant.” This was the Matriarch herself.… She was here because she no longer had anyone to talk to in the forest. She was standing here on the edge of the ocean because it was the next, nearest, and most powerful source of infrasound. The underrumble of the surf would have been well within her range, a soothing balm for an animal used to being surrounded by low and comforting frequencies, by the lifesounds of a herd, and now this was the next-best thing. My heart went out to her. The whole idea of this grandmother of many being alone for the first time in her life was tragic, conjuring up the vision of countless other old and lonely souls. But just as I was about to be consumed by helpless sorrow, something even more extraordinary took place.… The throbbing was back in the air. I could feel it, and I began to understand why. The blue whale was on the surface again, pointed inshore, resting, her blowhole clearly visible. The Matriarch was here for the whale! The largest animal in the ocean and the largest living land animal were no more than a hundred yards apart, and I was convinced that they were communicating! In infrasound, in concert, sharing big brains and long lives, understanding the pain of high investment in a few precious offspring, aware of the importance and the pleasure of complex sociality, these rare and lovely great ladies were commiserating over the back fence of this rocky Cape shore, woman to woman, matriarch to matriarch, almost the last of their kind. I turned, blinking away the tears, and left them to it. This was no place for a mere man.… Early afternoon. They were coming to this place, to this tall grass, all along. They will feed here for a while and then, because there’s no water right here, go down to where those egrets are. There’s water there. After they’ve had a good drink, they might make a big loop and come back here again later to feed some more. It will be a one-family-at-a-time choice as the adults decide when to drink and bathe. When elephants are finally ready to make a significant move, everyone points in the same direction. But they do wait until the matriarch decides. “I’ve seen families cued up waiting for half an hour,” comments Vicki, “waiting for the matriarch to signal, ‘Okay.’” And now they go. Makelele, eleven years old, walks with a deep limp. Five years ago he showed up with a broken right rear leg. It must have been agony, and it’s healed at a horrible angle, almost as if his knee faces backward, shaping that leg like the hock on a horse. Yet he is here, surviving with a little help from his friends. “He’s slow,” Vicki acknowledges. “It’s remarkable that he’s managing, but his family seems to wait for him.” Another Amboseli elephant, named Tito, broke a leg when he was a year old, probably from falling into a garbage pit.

Don't laugh, the love of books is a charming eccentricity: it is respectable, it is innocent, it proves you have an honest soul, a contented mind. To love books is to renounce games, good eating, useless luxury, horse-racing, political ambition, the pains of love. In his library the bibliophile is King.

I missed the rest of the conversation because, while the good actor was carefully cooking his sentences with criticisms spiced with kindness, another member of the group, a young man who looked Chinese, with a face like raspberry jelly, stumbled up to me. His naturally yellow complexion was complemented by bright threads of broken veins, more purple than red. He had thick hair, a receding brow, jutting cheekbones, narrow eyes whose dark pupils seemed more polished than alive, a barely visible moustache the color of dead leaves, a little salt and pepper beard that was worn out like an old carpet, a long neck with an Adam’s apple stuck in it like a huge walnut, and shoulders like a scrawny old horse which did not fit with his thick, short chest and his pot belly. He was knock-kneed and bowed legged, with kneecaps shaped like coconuts. He also borrowed Doctor Magne’s chair, blew cigarette smoke out his nose, and took his turn to tackle me. His language was less elegant than the other two; it was hard for him to speak, which you could put down to shyness. He was dull and awkward. He seemed horribly unhappy and sorry to have come over, but there he was. He had to march on—and he did so heroically!—death in his soul. “Monsieur—finally yes!... Monsieur… I don’t like to jaw about brothers… absolutely not! But I have to tell you that Desbosquets is a lot more… absolutely… oh, I’ll blurt it out… a lot more… absolutely cracked than our friend Magne. Absolutely yes!” He wanted to be frank, to open up, which he constantly regretted, because he knew that he would be clumsy and mocked; he felt ridiculous and it was killing him. But his need for some honest self-indulgence gnawed at him, and he spit out his slang and his absolutelys—‘absolutely yes!’ and ‘absolutely no!’— which made him think he was revealing the deepest depths of his soul. He continued. “Maybe they told you about me—yes! I know: bing, bang —mechanics! Absolutely yes! A hack, they must have told you…” (Aha! I thought. So it’s my colleague the poet!) “…and the worst trouble, right? That’s Leonard—yes! Ah! When I’m a little…bing, bang…mechanics! I guess—grumpy—I don’t say… but there’s not an ounce of meanness in me! Disgusting, this awful problem with talking, but the mechanics, you know—because it’s the mechanics—no way! Do you want me to tell you my name? Ah! Totally unknown, my name, but don’t want them to mangle it mechanically when quoting it to you: Oswald Norbert Nigeot. Don’t say Numskull—no!—Although my verses!... Ah! Damned mechanics!... A bonehead, a stupid bonehead, bitten by the morbid mania to write—and the slander of the old students of the Polytechnic! Oh! To write! Terrible trade for the poorly gifted like me who are… bing, bang, not mechanics! And angry at the mechanics of words. Polytechnic pigs manufacture words; so, poor hacks can’t use them. Ah! Even this is mechanics!... And drunk on it, Desbosquets too, very drunk! Obviously you see it: Cusenier, Noilly-Prat, why not Pernod? It’s awful for people like him and me! See, you know— liquids are scarce—but thanks to the guards’ hatred of Bid’homme… and thanks to old Froin, too good, don’t believe in any bad—but can you call that bad? He lives with the Heaven of…mechanics…of…bang…of derangements, no! I want arrangements, not derangements!” Mr. Nigeot seemed very proud of having successfully (?) completed such a long sentence propped up by only one “bang” and one “mechanics,” but in spite of his satisfaction, he was scared of continuing less elegantly and he got all tangled up in a run of bizarre expressions in which the hated Polytechnicians and the bings and bangs (not to mention the absolutelys) got so out of hand that I could not understand a word of what he said.

Valley of the Damned. Valkyrie Kari tells of the great warrior Crazy Horse (abridged) ’Twas written of those of long ago, That honor should be “as long as grass shall grow.” In battle honor is a fearsome beast, none can contain, In the strength of heart, it brings only shame. A mighty warrior of the plains was he, Crazy Horse of Sioux battle creed. Given to the ravages of noble, savage war, Against his enemies, he vaulted fore. Peering down from lofty mountain hold, The Horse in dream; the warrior was of olde. The promises they were broken one by one, Until only war unbridled could be hardtily done. Understanding and honor was not for those weak, Only the evil Long-knives now he eagerly did seek. The Knives came to steal, to plunder their land, To kill sacred mother with marauding, guilty hands. They had no regard for their own swelling words, With lust in their eyes, their greed greatly stirred. From southern lands came noise that Longhair did kill, Black Kettle’s camp, their blood he had spilled. Longhair destroyed all; dastard agent of evil strife, Deprived them of children and their bountiful life. Yet this lone, brave holy man stood in Longhair’s way, Crazy Horse, vision man, his plans were well framed. His command rode north hard to that destined battle, To meet wicked Longhair—to dash him from the saddle. Fate led him on to Little Bighorn, Where warriors of the sun met with sacred horn. A hellish dry place of calamitous battle, Found many a soul hearing death’s final rattle. The Long-snakes scouted for the great camp, That morn’ they set their fateful, forked-tongue attack. They raised their sabers, waved them strong, Entered eternity, their deaths foresaw. A sea of pilfered blue engulfed in crimson red, Amidst swirls of feathers sacred of the motherland. Through carnage, The Horse did lead his men, Beyond the battle, to the place where legend began. Up hill rode the bold Crazy Horse, With a thousand others to show determined force. To engage Long-knives at their last stand, Striking them down until dead was every man. Great Gall and Crazy Horse led that righteous attack, Against forceful Custer, whose plans did not lack, For ’twas he himself who boasted, wantonly said, “I will become a great chief, if my enemies I fill with lead.” With righteous honor as their sacred ally, Holy arrows that day swiftly let fly. Horse met Longhair in battle forever stayed, Defeated mighty Custer; his corpse on the field in state. Upon that fateful day, on sage choked sandy plain, Spirits clashed with spirits, for the sacred domain. Unconquerable, indomitable this sacred warrior heart, Leads many against the evil now, for this righteous court. Thus, Horse brought the valiants into stark raved battle, Battle scarred by holy wounds delivered by blue devils. Yet he would not relent, this honorable man of gifted vision, But peace came through the lie; his life ended by steel incision. Breathing his last, quiet honor came his way, “Bring my heart home, the Great Spirit will find my way.” Thus ˊtis with all whose understanding shows what may, Honor leads righteousness to death, ask they of that claim. War spirit vigilant with mighty spear and bow in hand, Leads Great Plains spirits, under his gallant command. His spirit never conquered lives it to this good day, Among the heroic mighty, let us his spirit proclaim. In the hour of travail, honor can be finely seen, Leading multitudes unto battle, their hearts boundlessly free. Cowards can never know the freedom of the plains and wind, Or how she musters a soul and the courage found within. Born in deep commune of Earth and Great Spirit above, Understanding and honor flow from hearts of great love. One without understanding is a fool at best, One without honor is a spirit that ne’er rests. O’ majestic One of the relentless plain, The mountains ring joyous with thy name.

It’s a common thing in the world. A man who is poor, alone, and humiliated— he is an anima vilis for the amusement of his fellowmen. In Siberia, as well as in Europe, the same principle applies.” He whipped up his horse and added with a smile: “I am accustomed to it. Fate and mankind have tested me. My life was hard, and my sister, observing it , used to say, ‘Antony, you deserve happiness. Fate is your debtor, and one day she will pay you.’” Miss Marya made an impatient movement, and her eyes again became dark. “That is not true,” she said bitterly. “Man’s luck is for life. One is born to enjoy life, to succeed in love, in winning general favor, or to use others. Another is born to be hated, treated with indifference, or forgotten altogether. A man who is not born with good luck gets no pay for his suffering.”“That is not true,” he said with gentle dignity. “Honest work brings its own peace, and poverty borne patiently makes a man better-natured and more open. Perhaps he who has the least for himself has the most in himself. That also constitutes riches.

They were good people, on the whole, despite their occasional bickering and hobby-horse riding. They cared about what happened to her and how her soul was faring. She was risking their friendship for the sake of the man who cared nothing for her — apart from how quickly he could persuade her onto her back.

I am well aware already of the tricks that memory plays, of the traps that snare my mind do I recall only the good things, of how it chooses the nice apples from the tray and tosses out the bad things – like peels, like horse chestnuts – as if they’d never happened. I don’t know what hurts more: thinking only of the good memories and giving in to the piercing longing that never lets up, that intoxicated the soul, or bathing in the streams of thought that lead me to sad memories, the dark and cloudy ones that choke my heart and leave me feeling even more orphaned…

And yet erewhile, when thou wert in the ear, Even as a (golden) glittering grain, even then The fireflies came to cast on thee their light ^ And aid thy growth, because without their help Thou couldsl not grow nor beautiful become; Therefore thou dost belong unto the race Of witches or of fairies, and because The fireflies do belong unto the sun. . , , Queen of the Fireflies ! hurry apace,-Come to me now as if running a race, Bridle the horse as you hear me now sing! Bridle, O bridle the son of the king ! Come in a hurry and bring him to me! The son of the king will ere long set thee free; ' Theie is an evident association here of [he body of the firefly which much resembles a grain of wheat) wilh the latter. ' The six lines followiDg are oilen heard as 3. nursery rhyme. And because thou for ever art brilliant and fair, Under a glass I will keep thee; while there, With a lens I will study thy secrets concealed, Till all their bright mysteries are fully revealed. Yea, all the wondrous lore perplexed Of this life of our cross and of the next. Thus to all mysteries I shall attain, Yea, even to that at last of the grain; And when this at last I shall truly know. Firefly, freely I'll let thee go! When Earth's dark secrets are known to me. My blessing at last I will give to thee! Here follows the Conjuration of the Salt. Conjuration of the Salt. I do conjure thee, salt, lo! here at noon, Exactly in the middle of a stream I take my place and see the water round, Likewise the sun, and think of nothing else White here besides the water and the sun: For all my soul is turned in truth to them; I do indeed desire no other thought, I yearn to learn the very truth of truths. For I have suffered long with the desire To know my future or my coming fate. If good or evil will prevail in it. Water and sun, be gracious unto me ! Here follows the Conjuration of Cain. AMDU Scongiurasione di Caino. Tuo Caino, tu non possa aver Ne pace e ne bene fino che Dal sole' andaCe non sarai coi piedi Correndo, le mani battendo, E pregarlo per me che mi faccia sapere, II mio destino, se cattiva fosse, Allora me lo faccia cambiare, Se questa grazia mi farete, L' acqua al lo splendor del sol la guardero: E tu Caino colla tua bocca mi diiai II mio destino quale sark: Se questa grazia o Caino non mi farai, Pace e bene non avrai! The

Lemme tell you what a friend is. He's the bunkie that guards your back in a fight; he's the man that can ask for your hoss [horse] or your gun or your life, no matter how bad you want 'em; he's the gent that trusts you when the world calls you a liar; he's the one that don't grin when you're in trouble, who gives a cheer when you're going good. With a friend you let down the bars and turn your mind loose like wild hosses. I take out my soul like a gun and show it to my friend in the palm of my hand. It's sure full of holes and stains, this life of mine, but my friend checks off the good agin' the bad, and when you're through he says: 'Partner, now I like you better because I know you better.

What’s the matter? Can’t hear what I’m saying about you?” He raised a dark eyebrow at her. “Well, for starters, I hope this gray horse of mine reaches over and takes a big bite out of your thigh. And I hope it’s painful as heck and you need my help, because I’ll never again help you.” He rested the hand holding the reins on his thigh, as though tempting fate. “You know, Aunt Ruth said she never met a man she didn’t like, but she never met you. I’ll bet you would try her good Quaker soul to its further limits.

And then, on the day when his grandfather had turned him out of doors, he had been only a child, now he was a man. He felt it. Misery, we repeat, had been good for him. Poverty in youth, when it succeeds, has this magnificent property about it, that it turns the whole will towards effort, and the whole soul towards aspiration. Poverty instantly lays material life bare and renders it hideous; hence inexpressible bounds towards the ideal life. The wealthy young man has a hundred coarse and brilliant distractions, horse races, hunting, dogs, tobacco, gaming, good repasts, and all the rest of it; occupations for the baser side of the soul, at the expense of the loftier and more delicate sides. The poor young man wins his bread with difficulty; he eats; when he has eaten, he has nothing more but meditation. He goes to the spectacles which God furnishes gratis; he gazes at the sky, space, the stars, flowers, children, the humanity among which he is suffering, the creation amid which he beams. He gazes so much on humanity that he perceives its soul, he gazes upon creation to such an extent that he beholds God. He dreams, he feels himself great; he dreams on, and feels himself tender. From the egotism of the man who suffers he passes to the compassion of the man who meditates. An admirable sentiment breaks forth in him, forgetfulness of self and pity for all. As he thinks of the innumerable enjoyments which nature offers, gives, and lavishes to souls which stand open, and refuses to souls that are closed, he comes to pity, he the millionnaire of the mind, the millionnaire of money. All hatred departs from his heart, in proportion as light Free eBooks at Planet eBook.com 1167 penetrates his spirit. And is he unhappy? No. The misery of a young man is never miserable. The first young lad who comes to hand, however poor he may be, with his strength, his health, his rapid walk, his brilliant eyes, his warmly circulating blood, his black hair, his red lips, his white teeth, his pure breath, will always arouse the envy of an aged emperor. And then, every morning, he sets himself afresh to the task of earning his bread; and while his hands earn his bread, his dorsal column gains pride, his brain gathers ideas. His task finished, he returns to ineffable ecstasies, to contemplation, to joys; he beholds his feet set in afflictions, in obstacles, on the pavement, in the nettles, sometimes in the mire; his head in the light. He is firm serene, gentle, peaceful, attentive, serious, content with little, kindly; and he thanks God for having bestowed on him those two forms of riches which many a rich man lacks: work, which makes him free; and thought, which makes him dignified. This is what had happened with Marius. To tell the truth, he inclined a little too much to the side of contemplation. From the day when he had succeeded in earning his living with some approach to certainty, he had stopped, thinking it good to be poor, and retrenching time from his work to give to thought; that is to say, he sometimes passed entire days in meditation, absorbed, engulfed, like a visionary, in the mute voluptuousness of ecstasy and inward radiance. He had thus propounded the problem of his life: to toil as little as possible at material labor, in order to toil as much as possible at the labor which is impalpable; in other words, to bestow a few hours on real life, and to cast the rest to the 1168 Les Miserables infinite. As he believed that he lacked nothing, he did not perceive that contemplation, thus understood, ends by becoming one of the forms of idleness; that he was contenting himself with conquering the first necessities of life, and that he was resting from his labors too soon. It was evident that, for this energetic and enthusiastic nature, this could only be a transitory state, and that, at the first shock against the inevitable complications of destiny, Marius would awaken.

The opposition between women who are people and women who are something less does not only rest in the vague contrast between the women of the comedies and the women of the tragedies. There are more explicit examples of women who may earn love, like Helena who pursued her husband through military brothels to marriage and honour in All’s Well, and women who must lose it through inertia and gormlessness, like Cressida. In The Taming of the Shrew Shakespeare contrasted two types in order to present a theory of marriage which is demonstrated by the explicit valuation of both kinds of wooing in the last scene. Kate is a woman striving for her own existence in a world where she is a stale, a decoy to be bid for against her sister’s higher market value, so she opts out by becoming unmanageable, a scold. Bianca has found the women’s way of guile and feigned gentleness to pay better dividends: she woos for herself under false colours, manipulating her father and her suitors in a perilous game which could end in her ruin. Kate courts ruin in a different way, but she has the uncommon good fortune to find Petruchio who is man enough to know what he wants and how to get it. He wants her spirit and her energy because he wants a wife worth keeping. He tames her like he might a hawk or a high-mettled horse, and she rewards him with strong sexual love and fierce loyalty. Lucentio finds himself saddled with a cold, disloyal woman, who has no objection to humiliating him in public. The submission of a woman like Kate is genuine and exciting because she has something to lay down, her virgin pride and individuality: Bianca is the soul of duplicity, married without earnestness or good-will. Kate’s speech at the close of the play is the greatest defence of Christian monogamy ever written. It rests upon the role of a husband as protector and friend, and it is valid because Kate has a man who is capable of being both, for Petruchio is both gentle and strong (it is a vile distortion of the play to have him strike her ever). The message is probably twofold: only Kates make good wives, and then only to Petruchios; for the rest, their cake is dough.