Boy George Quotes

We've searched our database for all the quotes and captions related to Boy George. Here they are! All 100 of them:

Harry!" said Fred, elbowing Percy out of the way and bowing deeply. "Simply splendid to see you, old boy-" "Marvelous," said George, pushing Fred aside and seizing Harry's hand in turn. "Absolutely spiffing." Percy scowled. "That's enough, now," said Mrs. Weasley. "Mum!" said Fred as though he'd only just spotted her and seizing her hand too. "How really corking to see you-
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
Fred, you next," the plump woman said. "I'm not Fred, I'm George," said the boy. "Honestly, woman, you call yourself our mother? Can't you tell I'm George?" "Sorry, George, dear." "Only joking, I am Fred," said the boy and off he went.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
Kill the boy, Jon Snow. Winter is almost upon us. Kill the boy and let the man be born.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
When I was a boy the Dead Sea was only sick.
George Burns
Noseless and Handless, the Lannister Boys.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
Her heart - like every heart, if only its fallen sides were cleared away - was an inexhaustible fountain of love: she loved everything she saw.
George MacDonald (The Day Boy and the Night Girl)
You are your mother's trueborn son of Lannister." "Am I?" the dwarf replied, sardonic. "Do tell my lord father. My mother died birthing me, and he's never been sure." "I don't even know who my mother was," Jon said. "Some woman, no doubt. Most of them are." He favored Jon with a rueful grin. "Remember this, boy. All dwarfs may be bastards, yet not all bastards need be dwarfs." And with that he turned and sauntered back into the feast, whistling a tune. When he opened the door, the light from within threw his shadow clear across the yard, and for just a moment Tyrion Lannister stood tall as a king.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
We've got it [Percy's Head Boy badge]," Fred whispered to Harry. "We're improving it." The badge now read Bighead Boy.
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
You must learn to be strong in the dark as well as in the day, else you will always be only half brave.
George MacDonald (The Day Boy and the Night Girl)
How do you know about Boy George? (Jesse) I was in hell, Jesse. What do you think they used to torture me with? Bad pop songs. (Xypher)
Sherrilyn Kenyon (Dream Chaser (Dark-Hunter, #13; Dream-Hunter, #3))
Give me priests who are fat and corrupt and cynical,(...) the sort who like to sit on soft satin cushions, nibble sweetmeats, and diddle little boys. It's the ones who believe in gods who make the trouble. (Tyrion)
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
Hermes smiled. "I knew a boy once ... oh, younger than you by far. A mere baby, really." Here we go again, George said. Always talking about himself. Quiet! Martha snapped. Do you want to get set on vibrate? Hermes ignored them. "One night, when this boy's mother wasn't watching, he sneaked out of their cave and stole some cattle that belonged to Apollo." "Did he get blasted to tiny pieces?" I asked. "Hmm ... no. Actually, everything turned out quite well. To make up for his theft, the boy gave Apollo an instrument he'd invented-a lyre. Apollo was so enchanted with the music that he forgot all about being angry." So what's the moral?" "The moral?" Hermes asked. "Goodness, you act like it's a fable. It's a true story. Does truth have a moral?" "Um ..." "How about this: stealing is not always bad?" "I don't think my mom would like that moral." Rats are delicious, suggested George. What does that have to do with the story? Martha demanded. Nothing, George said. But I'm hungry. "I've got it," Hermes said. "Young people don't always do what they're told, but if they can pull it off and do something wonderful, sometimes they escape punishment. How's that?
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
That boy had wanted to be Ser Arthur Dayne, but someplace along the way he had become the Smiling Knight instead.
George R.R. Martin
When people ask me how I got into activism, I often say, “The first person you are ever an activist for is yourself.” If I wasn’t gonna fight for me, who else was?
George M. Johnson (All Boys Aren’t Blue)
The old man laid a withered, spotted hand on his shoulder. "It hurts, boy," he said softly. "Oh, yes. Choosing . . . it has always hurt. And always will. I know.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Navigating in a space that questions your humanity isn’t really living at all. It’s existing. We all deserve more than just the ability to exist.
George M. Johnson (All Boys Aren't Blue)
Luke: Boy, it's lucky you have these compartments. Han: I use them for smuggling. I never thought I'd be smuggling myself in them. This is ridiculous.
George Lucas (Star Wars: A New Hope (Star Wars Novelizations, #4))
Remember this, boy. All dwarfs may be bastards, yet not all bastards need be dwarfs." And with that he turned and sauntered back into the feast, whistling a tune. When he opened the door, the light from within threw his shadow clear across the yard, and for just a moment Tyrion Lannister stood tall as a king.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
If I hear ‘Karma Chameleon’ one more time, I swear I’m going to find Boy George and make him eat Jesse’s record. What does red, gold, and green have to do with anything anyway? (Gloria)
Sherrilyn Kenyon (Dream Chaser (Dark-Hunter, #13; Dream-Hunter, #3))
This is not Winterfell', he told him as he cut his meat with fork and dagger. 'On the Wall, a man gets only what he earns. You're no ranger, Jon, only a green boy with the smell of summer still on you.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
It is hard to make that boat go as fast as you want to. The enemy, of course, is resistance of the water, as you have to displace the amount of water equal to the weight of men and equipment, but that very water is what supports you and that very enemy is your friend. So is life: the very problems you must overcome also support you and make you stronger in overcoming them. —George Yeoman Pocock
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
You know that feeling at the end of the day, when the anxiety of that-which-I-must-do falls away and, for maybe the first time that day, you see, with some clarity, the people you love and the ways you have, during that day, slightly ignored them, turned away from them to get back to what you were doing, blurted out some mildly hurtful thing, projected, instead of the deep love you really feel, a surge of defensiveness or self-protection or suspicion? That moment when you think, Oh God, what have I done with this day? And what am I doing with my life? And how must I change to avoid catastrophic end-of-life regrets? I feel like that now: tired of the Me I've always been, tired of making the same mistakes, repetitively stumbling after the same small ego strokes, being caught in the same loops of anxiety and defensiveness. At the end of my life, I know I won't be wishing I'd held more back, been less effusive, more often stood on ceremony, forgiven less, spent more days oblivious to the secret wishes and fears of the people around me... --"Buddha Boy
George Saunders (The Braindead Megaphone)
She would wonder what had hurt her when she found her face wet with tears, and then would wonder how she could have been hurt without knowing it.
George MacDonald (The Day Boy and the Night Girl)
Boy, these conservatives are really something, aren't they? They're all in favor of the unborn. They will do anything for the unborn. But once you're born, you're on your own. Pro-life conservatives are obsessed with the fetus from conception to nine months. After that, they don't want to know about you. They don't want to hear from you. No nothing. No neonatal care, no day care, no head start, no school lunch, no food stamps, no welfare, no nothing. If you're preborn, you're fine; if you're preschool, you're fucked.
George Carlin
He turns to the painting. "I fear Mark was right." "Who is Mark?" "A silly little boy who runs after George Boleyn. I once heard him say I looked like a murderer." Gregory says, "Did you not know?
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
It's a fool boy who mocks a giant, and a mad world when a cripple has to defend him.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
many of us connect with each other through trauma and pain: broken people finding other broken people in the hopes of fixing one another.
George M. Johnson (All Boys Aren't Blue)
Allow me to give my lord one last piece of counsel," the old man had said, "the same counsel I once gave my brother when we parted for the last time. He was three-and-thirty when the Great Council chose him to mount the Iron Throne. A man grown with sons of his own, yet in some ways still a boy. Egg had an innocence to him, a sweetness we all loved. Kill the boy within you, I told him the day I took ship for the Wall. It takes a man to rule. An Aegon, not an Egg. Kill the boy and let the man be born." The old man felt Jon's face. "You are half the age that Egg was, and your own burden is crueler one, I fear. You will have little joy of your command, but I think you have the strength in you to do the things that must be done. Kill the boy, Jon Snow. Winter is almost upon us. Kill the boy and let the man be born.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
Symbolism gives folks hope. But I’ve come to learn that symbolism is a threat to actual change—it’s a chance for those in power to say, “Look how far you have come” rather than admitting, “Look how long we’ve stopped you from getting here.
George M. Johnson (All Boys Aren't Blue)
Love who you want to love, and do it unapologetically, including that face you see every day in the mirror.
George M. Johnson (All Boys Aren’t Blue)
The boy should enclose and keep, as his life, the old child at the heart of him, and never let it go. He must still, to be a right man, be his mother's darling, and more, his father's pride, and more. The child is not meant to die, but to be forever fresh born.
George MacDonald (The Princess and Curdie (Princess Irene and Curdie, #2))
Irri and Jhiqui argued about Rakharo. “You are too skinny for him,” Jhiqui was saying. “You are almost a boy. Rakharo does not bed with boys. This is known.” Irri bristled back. “It is known that you are almost a cow. Rakharo does not bed with cows.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
Who do you think our champion will be today? Have you seen Mace Tyrell's boy? The Knight of Flowers, they call him. Now there's a son any man would be proud to own to. Last tourney, he dumped the Kingslayer on his golden rump, you ought to have seen the look on Cersei's face. I laughed till my sides hurt.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
A brigand, a barber, a beggar, two orphans, and a boy whore. With such do we defend the realms of men.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
I believe that the dominant society establishes an idea of what “normal” is simply to suppress differences, which means that any of us who fall outside of their “normal” will eventually be oppressed.
George M. Johnson (All Boys Aren't Blue)
I am not going to get into it myself, except to say (1) if I am writing "boy fiction," who are all those boys with breasts who keep turning up by the hundreds at my signings and readings? and (2) thank you, geek girls! I love you all.
George R.R. Martin
We are now the proud owners of a white boy. Now we have to shop in the caucasian isle and get sunscreen, mayonaise and mild salsa because the other ones really hawt!
George Lopez
It's not," Mormont told him. "Gods save us, boy, you're not blind and you're not stupid. When dead men come hunting in the night, do you think it matters who sits the Iron Throne?
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Rowing is perhaps the toughest of sports. Once the race starts, there are no time-outs, no substitutions. It calls upon the limits of human endurance. The coach must therefore impart the secrets of the special kind of endurance that comes from mind, heart, and body. —George Yeoman Pocock
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
Can you be sure?" "I haven't spent the last fifteen hundred years learning how to knit my own socks, boy!" The crone looked like she might box Heinrich's ears, if she could reach them.
Jessica Day George (Princess of the Silver Woods (The Princesses of Westfalin Trilogy, #3))
The Bear and the Maiden Fair A bear there was, a bear, a bear! All black and brown, and covered with hair! The bear! The bear! Oh, come, they said, oh come to the fair! The fair? Said he, but I'm a bear! All black, and brown, and covered with hair! And Down the road from here to there. From here! To There! Three boys, a goat, and a dancing bear! [He] danced and spun, all the way to the Fair! The Fair! The Fair! [...] Oh, sweet she was, and pure, and fair! The maid with honey in her hair! Her hair! Her hair! The maid with honey in her hair! [The bear,] smelled the scent on the summer air. The bear! The bear! All black and brown and covered with hair. He smelled the scent on the summer air! He sniffed and roared and smelled it there! Honey on the summer air! Oh, I'm a maid, and I'm pure and fair! I'll never dance with a hairy bear! A bear! A bear! I'll never dance with a hairy bear! He lifted her high into the air! The bear! The bear! I called for a knight, but you're a bear! A bear! A bear! All black and brown and covered with hair! She kicked and wailed, the maid so fair, But he licked the honey from her hair, Her hair! Her hair! Then she sighed and squealed and kicked the air! My bear! She sang. My bear so fair! And off they went, from here to there, The bear, the bear, and the maiden fair. ~"The Bear and the Maiden Fair",
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
American history is truly the greatest fable ever written.
George M. Johnson (All Boys Aren't Blue)
The American white relegates the black to the rank of shoeshine boy; and he concludes from this that the black is good for nothing but shining shoes.
George Bernard Shaw
Behind every successful woman is a man who tried to stop her. - Graffiti on the wall of the women’s lavatory, the George Tavern, East London
Viv Albertine (Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys)
How is it that the poets have said so many fine things about our first love, so few about our later love? Are their first poems their best? or are not those the best which come from their fuller thought, their larger experience, their deeper-rooted affections? The boy's flute-like voice has its own spring charm; but the man should yield a richer, deeper music.
George Eliot (Adam Bede)
„You're Ned Stark's bastard, aren't you?“ Jon felt a coldness pass right through him. He pressed his lips together and said nothing. „Did I offend you?“ Lannister said. „Sorry. Dwarfs don't have to be tactful. Generations of capering fools in motley have won me the right to dress badly and say any damn thing that comes into my head.“ He grinned. „You are the bastard, though.“ „Lord Eddard Stark is my father,“ Jon admitted stiffly. Lannister studied his face. „Yes,“ he said. „I can see it. You have more of the north in you than your brothers.“ „Half brothers,“ Jon corrected. He was pleased by the dwarf's comment, but he tried not to let it show. „Let me give you some counsel, bastard,“ Lannister said. „Never forget what you are, for surely the world will not. Make it your strenght. Then it can never be your weakness. Armor yourself in it, and it will never be used to hurt you.“ Jon was in no mood for anyone's counsel. „What do you know about being a bastard?“ „All dwarfs are bastards in their father's eyes.“ „You are your mother's trueborn son of Lannister.“ „Am I?“ the dwarf replied, sardonic. „Do tell my lord father. My mother died birthing me, and he's never been sure.“ „I don't even know who my mother was,“ Jon said. „Some woman, no doubt. Most of them are.“ He favored Jon with a rueful grin. „Remember this, boy. All dwarfs may be bastards, yet not all bastards need be dwarfs.“ And with that he turned and sauntered back into the feast, whistling a tune. When he opened the door, the light from within threw his shadow clear across the yard, and for just a moment Tyrion Lannister stood tall as a king.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Your wolves have more wit than your maester," the wildling woman said. "They know truths the grey man has forgotten." The way she said it made him shiver, and when he asked what the comet meant, she answered, "Blood and fire, boy, and nothing sweet.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
Want your boat, Georgie?' Pennywise asked. 'I only repeat myself because you really do not seem that eager.' He held it up, smiling. He was wearing a baggy silk suit with great big orange buttons. A bright tie, electric-blue, flopped down his front, and on his hands were big white gloves, like the kind Mickey Mouse and Donald Duck always wore. Yes, sure,' George said, looking into the stormdrain. And a balloon? I’ve got red and green and yellow and blue...' Do they float?' Float?' The clown’s grin widened. 'Oh yes, indeed they do. They float! And there’s cotton candy...' George reached. The clown seized his arm. And George saw the clown’s face change. What he saw then was terrible enough to make his worst imaginings of the thing in the cellar look like sweet dreams; what he saw destroyed his sanity in one clawing stroke. They float,' the thing in the drain crooned in a clotted, chuckling voice. It held George’s arm in its thick and wormy grip, it pulled George toward that terrible darkness where the water rushed and roared and bellowed as it bore its cargo of storm debris toward the sea. George craned his neck away from that final blackness and began to scream into the rain, to scream mindlessly into the white autumn sky which curved above Derry on that day in the fall of 1957. His screams were shrill and piercing, and all up and down Witcham Street people came to their windows or bolted out onto their porches. They float,' it growled, 'they float, Georgie, and when you’re down here with me, you’ll float, too–' George's shoulder socked against the cement of the curb and Dave Gardener, who had stayed home from his job at The Shoeboat that day because of the flood, saw only a small boy in a yellow rain-slicker, a small boy who was screaming and writhing in the gutter with muddy water surfing over his face and making his screams sound bubbly. Everything down here floats,' that chuckling, rotten voice whispered, and suddenly there was a ripping noise and a flaring sheet of agony, and George Denbrough knew no more. Dave Gardener was the first to get there, and although he arrived only forty-five seconds after the first scream, George Denbrough was already dead. Gardener grabbed him by the back of the slicker, pulled him into the street...and began to scream himself as George's body turned over in his hands. The left side of George’s slicker was now bright red. Blood flowed into the stormdrain from the tattered hole where his left arm had been. A knob of bone, horribly bright, peeked through the torn cloth. The boy’s eyes stared up into the white sky, and as Dave staggered away toward the others already running pell-mell down the street, they began to fill with rain.
Stephen King (It)
Prince of the Enchanted Forest. Adopted son of the Fairy Folk. Wild Boy. Your reputation precedes you, child. All of Germany has been talking about you lately. And yet, no one knows your name.” The boy looked up at the King and smiled. The king smiled back, and took a deep breath. “…Henceforth, you shall be known as Peter.
Christopher Daniel Mechling (Peter: The Untold True Story)
Reading books again? Books will ruin your sword eye, boy.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
But when we are following the light, even its extinction is a guide.
George MacDonald (The Day Boy and the Night Girl)
The day my father came to claim me, my mother did not wish for me to go. ‘She is a girl,' she said, ‘and I do not think that she is yours. I had a thousand other men.' He tossed his spear at my feet and gave my mother the back of his hand across the face, so she began to weep. ‘Girl or boy, we fight our battles,' he said, ‘but the gods let us choose our weapons.' He pointed to the spear, then to my mother's tears, and I picked up the spear.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
Littlefinger looked like a boy who had just taken a furtive bite from a honeycomb. He was TRYING to watch for bees, but the honey was so sweet.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
Harmony, balance, and rhythm. They’re the three things that stay with you your whole life. Without them civilization is out of whack. And that’s why an oarsman, when he goes out in life, he can fight it, he can handle life. That’s what he gets from rowing. —George Yeoman Pocock
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
You know, this porridge isn't at all bad," Simon said, digging in. George nodded enthusiastically, his mouth full. Beatriz looked sad for them, and possibly sad that boys were so stupid in general. "This isn't porridge," she told them. "These are scrambled eggs." "Oh, no," George whispered faintly, his mouth still full, his voice terribly sad. "Oh no.
Cassandra Clare (Bitter of Tongue (Tales from the Shadowhunter Academy, #7))
I want to live forever in a land where summer lasts a thousand years. I want a castle in the clouds where I can look down over the world. I want to be six-and-twenty again. When I was six-and-twenty I could fight all day and fuck all night. What men want does not matter. Winter is almost upon us, boy. And winter is death. I would sooner my men die fighting for the Ned's little girl than alone and hungry in the snow, weeping tears that freeze upon their cheeks. No one sings songs of men who die like that. As for me, I am old. This will be my last winter. Let me bathe in Bolton blood before I die. I want to feel it spatter across my face when my axe bites deep into a Bolton skull. I want to lick it off my lips and die with the taste of it on my tongue.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
I saw a little boy, perhaps ten years old, driving a huge cart-horse along a narrow path, whipping it whenever it tried to turn. It struck me that if only such animals became aware of their strength we should have no power over them, and that men exploit animals in much the same way as the rich exploit the proletariat.
George Orwell (Animal Farm)
If you let people's perception of you dictate your behavior, you will never grow as a person.
Mr. George Feeny (Boy Meets World)
What honest boy would pride himself on not picking pockets ? A thief who was trying to reform would. To be conceited of doing one's duty is then a sign of how little one does it, and how little one sees what a contemptible thing it is not to do it. Could any but a low creature be conceited of not being contemptible? Until our duty becomes to us common as breathing, we are poor creatures.
George MacDonald (The Wise Woman and Other Stories)
When I was a boy, I dreamt that I could fly, he announces. When I woke, I couldn't... or so the maester said. But what if he lied? What do you mean? Perhaps we can fly. All of us. How will we ever know unless we leap from some tall tower? No man ever truly knows what he can do unless he dares to leap. There is the window. Leap. What do you want? The world.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
Look at me!" he would shout as he ran laughing through the halls of Storm's End. "Look at me, I'm a dragon," or "Look at me, I'm a wizard," or "Look at me, look at me, I'm the rain god." The bold little boy with wild black hair and laughing eyes was a man grown now, one-and-twenty, and still he played his games. Look at me, I'm a king, Cressen thought sadly.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
I swear it by earth and water,"said the boy in green. "I swear it by bronze and iron," his sister said. "We swear it by ice and fire," they finished it together. Bran groped for words. Was he supposed to swear something back to them.-- "May your winters be short and your summers bountiful,"he said.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
Well, even if the boy lives, he'll be a cripple, grotesque. Give me a good, clean death any day.'...'Speaking for the grotesques, I'll have to disagree. Death is so final. Whereas life, ah life is so full of possibilities.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
The two boys stood and looked at each other. There was no amusement and no scorn in Attean's eyes. How very strange, Matt thought. After all the brave deeds he had dreamed of doing to win this boy's respect, he had gained it at last by doing nothing, just by staying here and refusing to leave.
Elizabeth George Speare (The Sign of the Beaver)
The mind is a machine that is constantly asking: What would I prefer? Close your eyes, refuse to move, and watch what your mind does. What it does is become discontent with That Which Is. A desire arises, you satisfy that desire, and another arises in its place. This wanting and rewanting is an endless cycle for which, turns out, there is already a name: samsara. Samsara is at the heart of the vast human carnival: greed, neurosis, mad ambition, adultery, crimes of passion, the hacking to death of a terrified man on a hillside in the name of A More Pure And Thus Perfect Nation--and all of this takes place because we believe we will be made happy once our desires have been satisfied. I know this. But still I'm full of desire... --"Buddha Boy
George Saunders (The Braindead Megaphone)
And then the years were gone, and he was back at Winterfell once more, wearing a quilted leather coat in place of mail and plate. His sword was not made of wood, and it was Robb who stood facing him, not Iron Emmett. Every morning they had trailed together, since they were big enough to walk; Snow and Stark, spinning and slashing about the wards of Winterfell, shouting and laughing, sometimes crying when there was no one else to see. They were not little boys when they fought, but knights and mighty heroes. "I'm Prince Aemon the Dragonknight," Jon would call out, and Robb would shout back, "Well, I'm Florian the Fool." Or Robb would say, "I'm the Young Dragon," and Jon would reply, "I'm Ser Ryam Redwyne." That morning he called it first. "I'm Lord of Winterfell!" he cried, as he had a hundred times before. Only this time, this time, Robb had answered, "You can't be Lord of Winterfell, you're bastard-born. My lady mother says you can't ever be the Lord of Winterfell.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
An old man sat down beside her. "Well, aren't you a pretty little peach?" His breath smelled near as foul as the dead men in the cages, and his little pig eyes were crawling up and down her. "Does my sweet peach have a name?" For half a heartbeat she forgot who she was supposed to be. She wasn't any peach, but she couldn't be Arya Stark either, not here with some smelly drunk she did not know. "I'm . . ." "She's my sister." Gendry put a heavy hand on the old man's shoulder, and squeezed. "Leave her be." The man turned, spoiling for a quarrel, but when he saw Gendry's size he thought better of it. "You sister, is she? What kind of brother are you? I'd never bring no sister of mine to the Peach, that I wouldn't." He got up from the bench and moved off muttering, in search of a new friend. "Why did you say that?" Arya hopped to her feet, "You're not my brother." "That's right," he said angrily. "I'm too bloody lowborn to be kin to m'lady high." Arya was taken aback by the fury in his voice. "That's not the way I mean it." "Yes it is." He sat down on the bench, cradling a cup of wine between his hands. "Go away. I want to drink this wine in peace. Then maybe I'll go find that black-haired girl and ring her bell for her." "But . . ." "I said, go away. M'lady." Arya whirled and left him there. A stupid bullheaded bastard boy, that's all he is. He could ring all the bells he wanted, it was nothing to her.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
Hello, Harry, dear. I suppose you’ve heard our exciting news?” She pointed to the brand-new silver badge on Percy’s chest. “Second Head Boy in the family!” she said, swelling with pride. “And last,” Fred muttered under his breath. “I don’t doubt that,” said Mrs. Weasley, frowning suddenly. “I notice they haven’t made you two prefects.” “What do we want to be prefects for?” said George, looking revolted at the very idea. “It’d take all the fun out of life.” Ginny giggled. “You want to set a better example for your sister!” snapped Mrs. Weasley.
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
It is hard to make the boat go as fast as you want to. The enemy of course, is resistance of the water, as you have to displace the amount of water equal to the weight of the men and equipment, but that very water is what supports you and that very enemy is your friend. So is life: the very problems you must overcome also support you and make you stronger in overcoming them.
George Yeoman Pocock
Your name is one of the most important pieces of your identity. It is the thing that you own. It is attached to every piece of work that you put into the world. Your name holds power when you walk into a room. No two people with the same name are the same person. It’s important that, like everything else you grow to love in life, your name is something you appreciate as well.
George M. Johnson (All Boys Aren't Blue)
Tyrion Lannister sniggered. That was when Catelyn knew he was hers. “This man came a guest into my house, and there conspired to murder my son, a boy of seven,” she proclaimed to the room at large, pointing. Ser Rodrik moved to her side, his sword in hand. “In the name of King Robert and the good lords you serve, I call upon you to seize him and help me return him to Winterfell to await the king’s justice.” She did not know what was more satisfying: the sound of a dozen swords drawn as one or the look on Tyrion Lannister’s face.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Where is Galen?" She had many questions to ask the king, and it surprised her a little that this should be the first one to pop out of her mouth. Still, it was just as urgent as any of the others. "What have you done to him?" "Nothing." The king spread his weirdly elongated hands in an innocent gesture. "The gardener's boy is in perfect health. For the present." "And then he'll fall off a horse, or slip on the wet pavement? So that you don't need to get your hands dirty?" Rose sneered at him. He smiled his cold smile. "Keeping one's hands clean – maintaining one's innocence. Is that not the human way?
Jessica Day George (Princess of the Midnight Ball (The Princesses of Westfalin Trilogy, #1))
But I did not bring the Wild Boy to England simply so he could learn from us. I also brought him here so we could learn from him; so we can remember what it means to be young- to be innocent. You are still young now, but there will come a time when you will be grown-up, and it is easy, so easy, to forget how precious, how dear, life is. Then you forget to smile, to laugh, to cry, to dream. I hope knowing Peter will help you to hold on fiercely to your own innocence, to live joyfully, even in the midst of difficult times.
Christopher Daniel Mechling (Peter: The Untold True Story)
People worship power in the form in which they are able to understand it. A twelve-year-old boy worships Jack Dempsey. An adolescent in a Glasgow slum worships Al Capone. An aspiring pupil at a business college worships Lord Nuffield. A New Statesman reader worships Stalin. There is a difference in intellectual maturity, but none in moral outlook.
George Orwell (All Art Is Propaganda: Critical Essays)
And it's a wonderful thing to be a boy, to go roaming where grown-ups can't catch you, and to chase rats and kill birds and shy stones and cheek carters and shout dirty words. It's a kind of a strong, rank feeling, a feeling of knowing everything and fearing nothing, and it's all bound up with breaking rules and killing things.
George Orwell (Coming up for Air)
we all make vows, Jimmy. And there is something very beautiful and touching and noble about wanting good impulses to be permanent and true forever," she said. "Most of us stand up and vow to love, honor and cherish someone. And we truly mean it, at the time. But two or twelve or twenty years down the road, the lawyers are negotiating the property settlement." "You and George didn't go back on your promises." She laughed. "Lemme tell ya something, sweetface. I have been married at least four times, to four different men." She watched him chew that over for a moment before continuing, "They've all been named George Edwards but, believe me, the man who is waiting for me down the hall is a whole lot different animal from the boy I married, back before there was dirt. Oh, there are continuities. He has always been fun and he has never been able to budget his time properly and - well, the rest is none of your business." "But people change," he said quietly. "Precisely. People change. Cultures change. Empires rise and fall. Shit. Geology changes! Every ten years or so, George and I have faced the fact that we have changed and we've had to decide if it makes sense to create a new marriage between these two new people." She flopped back against her chair. "Which is why vows are such a tricky business. Because nothing stays the same forever. Okay. Okay! I'm figuring something out now." She sat up straight, eyes focused somewhere outside the room, and Jimmy realized that even Anne didn't have all the answers and that was either the most comforting thing he'd learned in a long time or the most discouraging. "Maybe because so few of us would be able to give up something so fundamental for something so abstract, we protect ourselves from the nobility of a priest's vows by jeering at him when he can't live up to them, always and forever." She shivered and slumped suddenly, "But, Jimmy! What unnatural words. Always and forever! Those aren't human words, Jim. Not even stones are always and forever.
Mary Doria Russell (The Sparrow (The Sparrow, #1))
Some woman, no doubt. Most of them are." He favored Jon with a rueful grin. "Remember this, boy. All dwarfs are bastards, yet not all bastards need be dwarfs." And with that he turned and sauntered back into the feast, whistling a tune. When he opened the door, the light from within threw his shadow clear across the yard, and for just a moment Tyrion Lannister stood tall as a king.
George R.R. Martin
When no buyers were near, he talked to me earnestly to impress upon me how valuable work would be to me in the future: 'Some men hate it. They make it their enemy. Better to treat it like a friend, make thyself like it. Don't mind because it is hard. If thou thinkest about what a good house thou build, then who cares if the beams are heavy and it is far from the well to carry the water for the plaster. Promise me, boy, if thou get a master, work for him as hard as thou canst. If he does not appreciate all thou do, never mind. Remember, work, well-done, does good to the man who does it. It makes him a better man.
George S. Clason (The Richest Man in Babylon)
If you’re not filing patents, but your competitors are, all you have is risk. You’re taking a huge chance that no one else will enter your space and kick you out. That’s the benefit of patents; you don’t have to let everybody in. You can let just a few major players in because you want what they have, or you don’t want to worry about them. Remember, you’re not at the big boys’ lunch table. But if you partner with their competitor, they’ll be worried. Then they’ll want to see if your patent protection is strong or if they can exploit a weakness.
JiNan George (The IP Miracle: How to Transform Ideas into Assets that Multiply Your Business)
His rapier was at his belt, glittering as he swung. He reached down, ripped the sword clear. I jumped over a slashing frond of plasm, spun round with the water bottle in my hand. I hurled it across to Lockwood. George threw his rapier to me. Watch this now. Sword and bottle, sailing through the air, twin trajectories, arching beautifully through the mass of swirling tendrils towards Lockwood and me. Lockwood held out his hand. I held out mine. Remember I said there was that moment of sweet precision when we gelled perfectly as a team? Yeah, well. This wasn't it. The rapier shot past, missing me by miles. It skidded halfway across the floor. The bottle struck Lockwood plumb in the centre of his forehead, knocking him through the window. There was a moment's pause. 'Is he dead?' the skulls voice said 'Yay! Oh. No, he's hanging onto the shutters. Shame. Still, this is defiantly the funniest thing I've ever seen. You three really are incompetence on a stick
Jonathan Stroud (The Hollow Boy (Lockwood & Co., #3))
Jonquil went by with a full plate of food, and Petunia reached out and tried to snag a small cream puff from it. Jonquil lifted it over Petunia's head before she could, and clucked her tongue. "These are for Lily," she said. "Oh really?" Petunia gave her a look. "And possibly some are for that Analousian duke Jacques invited," Jonquil said with a sparkle in her eye. "But none are for you." Then she flipped one to Oliver. "You can have one, my lord earl," she said, and twirled away. "These are excellent," Oliver said, eating half of it in one bite. He fed Petunia the other half so she wouldn't get cream on her knitting. Oliver was just leaning in to steal a kiss - "I hope this means you're planning on marrying her, boy," barked King Gregor. Oliver leaped to his feet. "Sire! Yes! I mean ... I ... sire!" "I didn't pardon you and restore your earldom so that you could loll around my gardens flirting with my daughters," King Gregor said. Then he bent down and gave Petunia a kiss on the cheek. "I like him," he whispered loudly in her ear. "Me too," she whispered back, blushing.
Jessica Day George (Princess of the Silver Woods (The Princesses of Westfalin Trilogy, #3))
I am sorry for your girl, Ned. Truly. About the wolf, I mean. My son was lying, I’d stake my soul on it. My son … you love your children, don’t you?” “With all my heart,” Ned said. “Let me tell you a secret, Ned. More than once, I have dreamed of giving up the crown. Take ship for the Free Cities with my horse and my hammer, spend my time warring and whoring, that’s what I was made for. The sellsword king, how the singers would love me. You know what stops me? The thought of Joffrey on the throne, with Cersei standing behind him whispering in his ear. My son. How could I have made a son like that, Ned?” “He’s only a boy,” Ned said awkwardly. He had small liking for Prince Joffrey, but he could hear the pain in Robert’s voice. “Have you forgotten how wild you were at his age?” “It would not trouble me if the boy was wild, Ned. You don’t know him as I do.” He sighed and shook his head. “Ah, perhaps you are right. Jon despaired of me often enough, yet I grew into a good king.” Robert looked at Ned and scowled at his silence. “You might speak up and agree now, you know.” “Your Grace …” Ned began, carefully. Robert slapped Ned on the back. “Ah, say that I’m a better king than Aerys and be done with it. You never could lie for love nor honor, Ned Stark. I’m still young, and now that you’re here with me, things will be different. We’ll make this a reign to sing of, and damn the Lannisters to seven hells.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Bran knew. "She's a child. A child of the forest." He shivered, as much from wonderment as cold. They had fallen into one of Old Nan's tales. "The First Men named us children," the little woman said. "The giants called us wok dak nag gran, the squirrel people, because we were small and quick and fond of trees, but we are no squirrels, no children. Our name in the True Tongue means those who sing the song of the earth. Before your Old Tongue was ever spoken, we had sun our songs ten thousand years." Meera said, "You speak the Common Tongue now." "For him. The Bran boy. I was born in the time of the dragon, and for two hundred years I walked the world of men, to watch and listen and learn. I might be walking still, but my legs were sore and my heart was weary, so I turned my feet for home." "Two hundred years?" said Meera. The child smiled. "Men, they are the children.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
Time can play all sorts of tricks on you. In the blink of an eye, babies appear in carriages, coffins disappear into the ground, wars are won and lost, and children transform, like butterflies, into adults. That's what happened to me. Once upon a time, I was a boy named Hugo Cabret, and I desperately believed that a broken automaton would save my life. Now that my cocoon has fallen away and I have emerged as a magician named Professor Alcofrisbas, I can look back and see that I was right. The automaton my father discovered did save me. But now I have built a new automaton. I spent countless hours designing it. I made every gear myself, carefully cut every brass disk, and fashioned every bt of machinery with my own hands. When you wind it up, it can do something I'm sure no other automaton in the world can do. It can tel you the incredible story of Georges Melies, his wife, their goddaughter, and a beloved clock maker whose son grew up to be a magician. The complicated machinery inside my automaton can produce one-hundred and fifty-eight different pictures, and it can wrote, letter, by letter, an entire book, twenty-six thousand one hundred and fifty-nine words. These words. THE END
Brian Selznick (The Invention of Hugo Cabret)
It would not have occurred to her that an action which is ineffectual thereby becomes meaningless. If you loved someone you loved him and when you had nothing else to give you still gave him love. When the last of the chocolate was gone his mother had clasped the child in her arms. It was no use it changed nothing it did not produce more chocolate it did not avert the child's death of her own but it seemed natural to her to do it. The refugee woman in the boat had also covered the little boy with her arm which was no more use against the bullets than a sheet of paper...What mattered were individual relationships and a completely helpless gesture an embrace a tear a word spoken to a dying man could have value in itself.
George Orwell (1984)
Somehow: Molly. He heard her in the entryway. Mol, Molly, oh boy. When they were first married they used to fight. Say the most insane things. Afterward, sometimes there would be tears. Tears in bed? And then they would - Molly pressing her hot wet face against his hot wet face. They were sorry, they were saying with their bodies, they were accepting each other back, and that feeling, that feeling of being accepted back again and again, of someone's affection for you expanding to encompass whatever new flawed thing had just manifested in you, that was the deepest, dearest thing he'd ever - She came in flustered and apologetic, a touch of anger in her face. He'd embarrassed her. He saw that. He'd embarrassed her by doing something that showed she hadn't sufficiently noticed him needing her. She'd been too busy nursing him to notice how scared he was. She was angry at him for pulling this stunt and ashamed of herself for feeling angry at him in his hour of need, and was trying to put the shame and anger behind her now so she could do what might be needed. All of this was in her face. He knew her so well. Also concern. Overriding everything else in that lovely face was concern. She came to him now, stumbling a bit on a swell in the floor of this stranger's house.
George Saunders (Tenth of December)
Tyrion turned to his nephew. “Joffrey, it is past time you called on Lord Eddard and his lady, to offer them your comfort.” Joffrey looked as petulant as only a boy prince can look. “What good will my comfort do them?” “None,” Tyrion said. “Yet it is expected of you. Your absence has been noted.” “The Stark boy is nothing to me,” Joffrey said. “I cannot abide the wailing of women.” Tyrion Lannister reached up and slapped his nephew hard across the face. The boy’s cheek began to redden. “One word,” Tyrion said, “and I will hit you again.” “I’m going to tell Mother!” Joffrey exclaimed. Tyrion hit him again. Now both cheeks flamed. “You tell your mother,” Tyrion told him. “But first you get yourself to Lord and Lady Stark, and you fall to your knees in front of them, and you tell them how very sorry you are, and that you are at their service if there is the slightest thing you can do for them or theirs in this desperate hour, and that all your prayers go with them. Do you understand?
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Beside the sleeping Max, who was curled up like a little boy, knees tucked into his chest, mouth pursed into a surprised pout, lay Sanary’s Southern Lights. Perdu picked up the slim volume. Max had underlined certain sentences in pencil and jotted some questions in the margins; he had read the book as a book ought to be read. Reading—an endless journey; a long, indeed never-ending journey that made one more temperate as well as more loving and kind. Max had set out on that journey. With each book he would absorb more of the world, things and people.
Nina George (The Little Paris Bookshop)
All the books were beginning to turn against me. Indeed, I must have been blind as a bat not to have seen it long before, the ludicrous contradiction between my theory of life and my actual experiences as a reader. George MacDonald had done more to me than any other writer; of course it was a pity that he had that bee in his bonnet about Christianity. He was good in spite of it. Chesterton has more sense than all the other moderns put together; bating, of course, his Christianity. Johnson was one of the few authors whom I felt I could trust utterly; curiously enough, he had the same kink. Spenser and Milton by a strange coincidence had it too. Even among ancient authors the same paradox was to be found. The most religious (Plato, Aeschylus, Virgil) were clearly those on whom I could really feed. On the other hand, those writers who did not suffer from religion and with whom in theory my sympathy ought to have been complete -- Shaw and Wells and Mill and Gibbon and Voltaire -- all seemed a little thin; what as boys we called "tinny". It wasn't that I didn't like them. They were all (especially Gibbon) entertaining; but hardly more. There seemed to be no depth in them. They were too simple. The roughness and density of life did not appear in their books.
C.S. Lewis (Surprised by Joy: The Shape of My Early Life)
Her clothes were almost dry by the time she reached the gatehouse. The portcullis was down and the gates barred, so she turned aside to a postern door. The gold cloaks who had the watch sneered when she told them to let her in. “Off with you,” one said. “The kitchen scraps are gone, and we’ll have no begging after dark.” “I’m not a beggar,” she said. “I live here.” “I said, off with you. Do you need a clout on the ear to help your hearing?” “I want to see my father.” The guards exchanged a glance. “I want to fuck the queen myself, for all the good it does me,” the younger one said. The older scowled. “Who’s this father of yours, boy, the city ratcatcher?” “The Hand of the King,” Arya told him. Both men laughed, but then the older one swung his fist at her, casually, as a man would swat a dog. Arya saw the blow coming even before it began. She danced back out of the way, untouched. “I’m not a boy,” she spat at them. “I’m Arya Stark of Winterfell, and if you lay a hand on me my lord father will have both your heads on spikes. If you don’t believe me, fetch Jory Cassel or Vayon Poole from the Tower of the Hand.” She put her hands on her hips. “Now are you going to open the gate, or do you need a clout on the ear to help your hearing?
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
What were you doing to that cat, boy?” Myrcella asked again, sternly. To her brother she said, “He’s a ragged boy, isn’t he? Look at him.” She giggled. “A ragged dirty smelly boy,” Tommen agreed. They don’t know me, Arya realized. They don’t even know I’m a girl. Small wonder; she was barefoot and dirty, her hair tangled from the long run through the castle, clad in a jerkin ripped by cat claws and brown roughspun pants hacked off above her scabby knees. You don’t wear skirts and silks when you’re catching cats. Quickly she lowered her head and dropped to one knee. Maybe they wouldn’t recognize her. If they did, she would never hear the end of it. Septa Mordane would be mortified, and Sansa would never speak to her again from the shame.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
You told me that the children of the forest had the greensight. I remember.” “Some claimed to have that power. Their wise men were called greenseers.” “Was it magic?” “Call it that for want of a better word, if you must. At heart it was only a different sort of knowledge.” Oh, to be sure, there is much we do not understand. The years pass in their hundreds and their thousands, and what does any man see of life but a few summers, a few winters? We look at mountains and call them eternal, and so they seem . . . but in the course of time, mountains rise and fall, rivers change their courses, stars fall from the sky, and great cities sink beneath the sea. Even gods die, we think. Everything changes. So long as there was magic, anything could happen. Ghosts could walk, trees could talk, and broken boys could grow up to be knights.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
Most people, when directly confronted by evidence that they are wrong, do not change their point of view or course of action but justify it even more tenaciously. Even irrefutable evidence is rarely enough to pierce the mental armor of self-justification. When we began working on this book, the poster boy for "tenacious clinging to a discredited belief" was George W. Bush. Bush was wrong in his claim that Saddam Hussein had weapons of mass destruction, he was wrong in claiming that Saddam was linked with Al Qaeda, he was wrong in predicting that Iraqis would be dancing joyfully in the streets to receive the American soldiers, he was wrong in predicting that the conflict would be over quickly, he was wrong in his gross underestimate of the financial cost of the war, and he was most famously wrong in his photo-op speech six weeks after the invasion began, when he announced (under a banner reading MISSION ACCOMPLISHED) that "major combat operations in Iraq have ended.
Carol Tavris (Mistakes Were Made, but Not by Me: Why We Justify Foolish Beliefs, Bad Decisions, and Hurtful Acts)
I spent the last Friday of summer vacation spreading hot, sticky tar across the roof of George Washington High. My companions were Dopey, Toothless, and Joe, the brain surgeons in charge of building maintenance. At least they were getting paid. I was working forty feet above the ground, breathing in sulfur fumes from Satan's vomitorium, for free. Character building, my father said. Mandatory community service, the judge said. Court-ordered restitution for the Foul Deed. He nailed me with the bill for the damage I had done, which meant I had to sell my car and bust my hump at a landscaping company all summer. Oh, and he gave me six months of meetings with a probation officer who thought I was a waste of human flesh. Still, it was better than jail. I pushed the mop back and forth, trying to coat the seams evenly. We didn't want any rain getting into the building and destroying the classrooms. Didn't want to hurt the school. No, sir, we sure didn't.
Laurie Halse Anderson (Twisted)
We’re all good when we want to be, otherwise we’re fucking animals. There’s no VIP room in reality, and there is no reality in this city. You can’t Google the answers. People talke about being on the ride of your life—THIS IS YOUR LIFE. Whatever you need to know, you already know. Imagine what it is to be in another country, another landscape—heat, insects, fear. Imagine watching someone right in front of you trip on a wire, step on a mine, blow their body to shreds, in mid-sentences, mid-cigarette. Imagine yourself splattered with human flesh. Imagine talking to that boy for the five minutes when he is profoundly conscious of the fact that he is not goingt to make it home. Imagine the difference between that and being in upstate New York, drinking beer, trying to get laid, and spending the summer as lifeguard at Lake George. Imagine zipping your friends into body bags. Tell me why anyone ever thought this was a good idea. How could anyone not be angry? You’d have to be insane.” --Nic Thompson
A.M. Homes (This Book Will Save Your Life)
If you loved someone, you loved him, and when you had nothing else to give, you still gave him love. when the last of the chocolate was gone, his mother had clasped the child in her arms. It was no use, it changed nothing, it did not produce more chocolate, it did net avert the child's death or her own; but it seemed natural to do it. The refugee woman in the boat had also covered the little boy with her arm, which was no more use against bullets than a sheet of paper. The terrible thing that the party has done was to persuade you that mere impulses, mere feelings, were of no account, while at the same time robbing you of all power over the material world. When once you were in the grip of the Party, what you felt or did not feel, what you did or refrained from doing, made literally no difference. Whatever happened you vanished, and neither you nor your actions were ever heard of again. You were lifted clean out of history.
George Orwell (1984)
Boy everyone in this country is running around yammering about their fucking rights. "I have a right, you have no right, we have a right." Folks I hate to spoil your fun, but... there's no such thing as rights. They're imaginary. We made 'em up. Like the boogie man. Like Three Little Pigs, Pinocio, Mother Goose, shit like that. Rights are an idea. They're just imaginary. They're a cute idea. Cute. But that's all. Cute...and fictional. But if you think you do have rights, let me ask you this, "where do they come from?" People say, "They come from God. They're God given rights." Awww fuck, here we go again...here we go again. The God excuse, the last refuge of a man with no answers and no argument, "It came from God." Anything we can't describe must have come from God. Personally folks, I believe that if your rights came from God, he would've given you the right for some food every day, and he would've given you the right to a roof over your head. GOD would've been looking out for ya. You know that. He wouldn't have been worried making sure you have a gun so you can get drunk on Sunday night and kill your girlfriend's parents. But let's say it's true. Let's say that God gave us these rights. Why would he give us a certain number of rights? The Bill of Rights of this country has 10 stipulations. OK...10 rights. And apparently God was doing sloppy work that week, because we've had to ammend the bill of rights an additional 17 times. So God forgot a couple of things, like...SLAVERY. Just fuckin' slipped his mind. But let's say...let's say God gave us the original 10. He gave the british 13. The british Bill of Rights has 13 stipulations. The Germans have 29, the Belgians have 25, the Sweedish have only 6, and some people in the world have no rights at all. What kind of a fuckin' god damn god given deal is that!?...NO RIGHTS AT ALL!? Why would God give different people in different countries a different numbers of different rights? Boredom? Amusement? Bad arithmetic? Do we find out at long last after all this time that God is weak in math skills? Doesn't sound like divine planning to me. Sounds more like human planning . Sounds more like one group trying to control another group. In other words...business as usual in America. Now, if you think you do have rights, I have one last assignment for ya. Next time you're at the computer get on the Internet, go to Wikipedia. When you get to Wikipedia, in the search field for Wikipedia, i want to type in, "Japanese-Americans 1942" and you'll find out all about your precious fucking rights. Alright. You know about it. In 1942 there were 110,000 Japanese-American citizens, in good standing, law abiding people, who were thrown into internment camps simply because their parents were born in the wrong country. That's all they did wrong. They had no right to a lawyer, no right to a fair trial, no right to a jury of their peers, no right to due process of any kind. The only right they had was...right this way! Into the internment camps. Just when these American citizens needed their rights the most...their government took them away. and rights aren't rights if someone can take em away. They're priveledges. That's all we've ever had in this country is a bill of TEMPORARY priviledges; and if you read the news, even badly, you know the list get's shorter, and shorter, and shorter. Yeup, sooner or later the people in this country are going to realize the government doesn't give a fuck about them. the government doesn't care about you, or your children, or your rights, or your welfare or your safety. it simply doesn't give a fuck about you. It's interested in it's own power. That's the only thing...keeping it, and expanding wherever possible. Personally when it comes to rights, I think one of two things is true: either we have unlimited rights, or we have no rights at all.
George Carlin (It's Bad for Ya)
The world shown us in books, whether the books be confessed epics or professed gospels, or in codes, or in political orations, or in philosophic systems, is not the main world at all: it is only the self-consciousness of certain abnormal people who have the specific artistic talent and temperament. A serious matter this for you and me, because the man whose consciousness does not correspond to that of the majority is a madman; and the old habit of worshipping madmen is giving way to the new habit of locking them up. And since what we call education and culture is for the most part nothing but the substitution of reading for experience, of literature for life, of the absolete fictitious for the contemporary real, education, as you no doubt observed at Oxford, destroys, by supplantation, every mind that is not strong enough to see through the imposture and to use the great Masters of Arts as what they really are and no more: that is, patentees of highly questionable methods of thinking, and manufacturers of highly questionable, and for the majority but half valid representations of life. The school boy who uses his Homer to throw at his fellow's head makes perhaps the safest and most rational use of him; and I observe with reassurance that you occasionally do the same, in your prime, with your Aristotle.
George Bernard Shaw
During my first few months of Facebooking, I discovered that my page had fostered a collective nostalgia for specific cultural icons. These started, unsurprisingly, within the realm of science fiction and fantasy. They commonly included a pointy-eared Vulcan from a certain groundbreaking 1960s television show. Just as often, though, I found myself sharing images of a diminutive, ancient, green and disarmingly wise Jedi Master who speaks in flip-side down English. Or, if feeling more sinister, I’d post pictures of his black-cloaked, dark-sided, heavy-breathing nemesis. As an aside, I initially received from Star Trek fans considerable “push-back,” or at least many raised Spock brows, when I began sharing images of Yoda and Darth Vader. To the purists, this bordered on sacrilege.. But as I like to remind fans, I was the only actor to work within both franchises, having also voiced the part of Lok Durd from the animated show Star Wars: The Clone Wars. It was the virality of these early posts, shared by thousands of fans without any prodding from me, that got me thinking. Why do we love Spock, Yoda and Darth Vader so much? And what is it about characters like these that causes fans to click “like” and “share” so readily? One thing was clear: Cultural icons help people define who they are today because they shaped who they were as children. We all “like” Yoda because we all loved The Empire Strikes Back, probably watched it many times, and can recite our favorite lines. Indeed, we all can quote Yoda, and we all have tried out our best impression of him. When someone posts a meme of Yoda, many immediately share it, not just because they think it is funny (though it usually is — it’s hard to go wrong with the Master), but because it says something about the sharer. It’s shorthand for saying, “This little guy made a huge impact on me, not sure what it is, but for certain a huge impact. Did it make one on you, too? I’m clicking ‘share’ to affirm something you may not know about me. I ‘like’ Yoda.” And isn’t that what sharing on Facebook is all about? It’s not simply that the sharer wants you to snortle or “LOL” as it were. That’s part of it, but not the core. At its core is a statement about one’s belief system, one that includes the wisdom of Yoda. Other eminently shareable icons included beloved Tolkien characters, particularly Gandalf (as played by the inimitable Sir Ian McKellan). Gandalf, like Yoda, is somehow always above reproach and unfailingly epic. Like Yoda, Gandalf has his darker counterpart. Gollum is a fan favorite because he is a fallen figure who could reform with the right guidance. It doesn’t hurt that his every meme is invariably read in his distinctive, blood-curdling rasp. Then there’s also Batman, who seems to have survived both Adam West and Christian Bale, but whose questionable relationship to the Boy Wonder left plenty of room for hilarious homoerotic undertones. But seriously, there is something about the brooding, misunderstood and “chaotic-good” nature of this superhero that touches all of our hearts.
George Takei
California during the 1940s had Hollywood and the bright lights of Los Angeles, but on the other coast was Florida, land of sunshine and glamour, Miami and Miami Beach. If you weren't already near California's Pacific Coast you headed for Florida during the winter. One of the things which made Miami such a mix of glitter and sunshine was the plethora of movie stars who flocked there to play, rubbing shoulders with tycoons and gangsters. Sometimes it was hard to tell the difference between the latter two. Miami and everything that surrounded it hadn't happened by accident. Carl Fisher had set out to make Miami Beach a playground destination during the 1930s and had succeeded far beyond his dreams. The promenade behind the Roney Plaza Hotel was a block-long lovers' lane of palm trees and promise that began rather than ended in the blue waters of the Atlantic. Florida was more than simply Miami and Miami Beach, however. When George Merrick opened the Biltmore Hotel in Coral Gables papers across the country couldn't wait to gush about the growing aura of Florida. They tore down Collins Bridge in the Gables and replaced it with the beautiful Venetian Causeway. You could plop down a fiver if you had one and take your best girl — or the girl you wanted to score with — for a gondola ride there before the depression, or so I'd been told. You see, I'd never actually been to Florida before the war, much less Miami. I was a newspaper reporter from Chicago before the war and had never even seen the ocean until I was flying over the Pacific for the Air Corp. There wasn't much time for admiring the waves when Japanese Zeroes were trying to shoot you out of the sky and bury you at the bottom of that deep blue sea. It was because of my friend Pete that I knew so much about Miami. Florida was his home, so when we both got leave in '42 I followed him to the warm waters of Miami to see what all the fuss was about. It would be easy to say that I skipped Chicago for Miami after the war ended because Pete and I were such good pals and I'd had such a great time there on leave. But in truth I decided to stay on in Miami because of Veronica Lake. I'd better explain that. Veronica Lake never knew she was the reason I came back with Pete to Miami after the war. But she had been there in '42 while Pete and I were enjoying the sand, sun, and the sweet kisses of more than a few love-starved girls desperate to remember what it felt like to have a man's arm around them — not to mention a few other sensations. Lake had been there promoting war bonds on Florida's first radio station, WQAM. It was a big outdoor event and Pete and I were among those listening with relish to Lake's sultry voice as she urged everyone to pitch-in for our boys overseas. We were in those dark early days of the war at the time, and the outcome was very much in question. Lake's appearance at the event was a morale booster for civilians and servicemen alike. She was standing behind a microphone that sat on a table draped in the American flag. I'd never seen a Hollywood star up-close and though I liked the movies as much as any other guy, I had always attributed most of what I saw on-screen to smoke and mirrors. I doubted I'd be impressed seeing a star off-screen. A girl was a girl, after all, and there were loads of real dolls in Miami, as I'd already discovered. Boy, was I wrong." - Where Flamingos Fly
Bobby Underwood (Where Flamingos Fly (Nostalgic Crime #2))