Tall Boy Quotes

We've searched our database for all the quotes and captions related to Tall Boy. Here they are! All 100 of them:

You are your mother's trueborn son of Lannister." "Am I?" the dwarf replied, sardonic. "Do tell my lord father. My mother died birthing me, and he's never been sure." "I don't even know who my mother was," Jon said. "Some woman, no doubt. Most of them are." He favored Jon with a rueful grin. "Remember this, boy. All dwarfs may be bastards, yet not all bastards need be dwarfs." And with that he turned and sauntered back into the feast, whistling a tune. When he opened the door, the light from within threw his shadow clear across the yard, and for just a moment Tyrion Lannister stood tall as a king.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
You, have this whole tall, dark stranger thing going on. Not to mention the tortured artist bit. And you, have that whole blonde cool and collected perfect smart thing going on. You're the boy all the girls want to rebel with. You, are the unattainable girl in homeroom who never gives a guy the time of day.
Sarah Dessen (The Truth About Forever)
Still, I wonder if we shall ever be put into songs or tales. We're in one, of course, but I mean: put into words, you know, told by the fireside, or read out of a great big book with red and black letters, years and years afterwards. And people will say: "Let's hear about Frodo and the Ring!" And they will say: "Yes, that's one of my favourite stories. Frodo was very brave, wasn't he, dad?" "Yes, my boy, the famousest of the hobbits, and that's saying a lot." 'It's saying a lot too much,' said Frodo, and he laughed, a long clear laugh from his heart. Such a sound had not been heard in those places since Sauron came to Middle-earth. To Sam suddenly it seemed as if all the stones were listening and the tall rocks leaning over them. But Frodo did not heed them; he laughed again. 'Why, Sam,' he said, 'to hear you somehow makes me as merry as if the story was already written. But you've left out one of the chief characters: Samwise the stouthearted. "I want to hear more about Sam, dad. Why didn't they put in more of his talk, dad? That's what I like, it makes me laugh. And Frodo wouldn't have got far without Sam, would he, dad?"' 'Now, Mr. Frodo,' said Sam, 'you shouldn't make fun. I was serious.' 'So was I,' said Frodo, 'and so I am.
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
I want a place you hardly dare to even whisper. I want the bravery to not only read, but to do. I want a man, not a library boy. A man who is tall and witty and knows more about the world than you would ever dare dream.
Elise Kova (Air Awakens (Air Awakens, #1))
Once there was a little girl who played her music for a little boy in the wood. She was small and dark, he was tall and fair, and the two of them made a fancy pair as they danced together, dancing to the music the little girl heard in her head.
S. Jae-Jones (Wintersong (Wintersong, #1))
Wait--we have one left," the runner said, bringing out what was surely the most expensive bouquet of all: a three-foot tall arrangement of two hundred white roses, in the palest ivory color. All the girls swooned. Almost no boys bought white roses ever. It was a big sign of commitment. But this one practically trumpeted a captured heart. The runner set the bouquet in front of Schuyler. Mimi raised an eyebrow. She had always won the roses lottery. What was this all about? For me?" Schuyler asked, awestruck by the size of the thing. She took the card from the tallest stem. For Schuyler, who doesn't like love stories." It was not signed.
Melissa de la Cruz (Masquerade (Blue Bloods, #2))
Remember this, boy. All dwarfs may be bastards, yet not all bastards need be dwarfs." And with that he turned and sauntered back into the feast, whistling a tune. When he opened the door, the light from within threw his shadow clear across the yard, and for just a moment Tyrion Lannister stood tall as a king.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Here is your flaw, Shaitan, Lord of the Dark, Lord of Envy, Lord of Nothing, here is why you fail. It was not about me. It’s never been about me.” It was about a woman, torn and beaten down, cast from her throne and made a puppet. A woman who had crawled when she had to. That woman still fought. It was about a man that love repeatedly forsook. A man who found relevance in a world that others would have let pass them by. A man who remembered stories and who took fool boys under his wing when the smarter move would have been to keep on walking. That man still fought. It was about a woman with a secret, a hope for the future. A woman who had hunted the truth before others could. A woman who had given her live, then had it returned. That woman still fought. It was about a man whose family was taken from him, but who stood tall in his sorrow and protected those he could. It was about a woman who refused to believe that she could not help, could not heal those who had been harmed. It was about a hero who insisted with every breath that he was anything but a hero. It was about a woman who would not bend her back while she was beaten, and who shown with a light for all who watched, including Rand. It was about them all. ~Rand al Thor
Robert Jordan (A Memory of Light (The Wheel of Time, #14))
Oh my. He's English. "Er. Does Mer live here?" Seriously, I don't know any American girl who can resist an English accent. The boy clears his throat. "Meredith Chevalier? Tall girl? Big, curly hair?" Then he looks at me like I'm crazy or half deaf, like my Nana Oliphant. Nanna just smiles and shakes her head whenever I ask, "What kind of salad dressing would you like?" or "Where did you put Granddad's false teeth?" "I'm sorry." He takes the smallest step away from me. "You were going to bed." "Yes! Meredith lives here. I've just spent two hours with her." I announce this proudly like my little brother, Seany, whenever he finds something disgusting in the yard. "I'm Anna! I'm new here!" Oh, [Gosh]. What. Is with. The scary enthusiasm? My cheeks catch fire, and it's all so humiliating. The beautiful boy gives an amused grin. His teeth are lovely - straight on top and crooked on the bottom, with a touch of overbite. I'm a sucker for smiles like this, due to my own lack of orthodontia. I have a gap between my front teeth the size of a raisin. "Étienne," he says. "I live one floor up." "I live here." I point dumbly at my room while my mind whirs: French name, English accent, American school. Anna confused. He raps twice on Meredith's door. "Well. I'll see you around then, Anna." Eh-t-yen says my name like this: Ah-na.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
...the more risks you allow children to take, the better they learn to take care of themselves. If you never let them take any risks, then I believe they become very prone to injury. Boys should be allowed to climb tall trees and walk along the tops of high walls and dive into the sea from high rocks... The same with girls. I like the type of child who takes risks. Better by far than the one who never does so.
Roald Dahl (My Year)
Really, she didn’t know if she’d truly like to find out more about the pygmy tyrant. She just liked the name, because, for a five-foot-tall girl, pygmy tyrant sounded like a career.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
One of the boringly human pair of boys, the obvious leader, was tall and broad-shouldered, with golden hair, as if Nature has said, 'No worries, buddy, I gotcha, no nasty tiring thinking will ever be necessary, also have a crown.
Sarah Rees Brennan (In Other Lands)
He can't fly around tall buildings, or outrun a speeding train, the only talent he seems to have is leaving a nasty stain!
Tim Burton (The Melancholy Death of Oyster Boy and Other Stories)
On the day of the dead, when the year too dies, Must the youngest open the oldest hills Through the door of the birds, where the breeze breaks. There fire shall fly from the raven boy, And the silver eyes that see the wind, And the light shall have the harp of gold. By the pleasant lake the Sleepers lie, On Cadfan’s Way where the kestrels call; Though grim from the Grey King shadows fall, Yet singing the golden harp shall guide To break their sleep and bid them ride. When light from the lost land shall return, Six Sleepers shall ride, six Signs shall burn, And where the midsummer tree grows tall By Pendragon’s sword the Dark shall fall. Y maent yr mynyddoedd yn canu, ac y mae’r arglwyddes yn dod.
Susan Cooper (The Dark Is Rising Sequence (The Dark is Rising, #1-5))
Carter looked awful—I mean even worse than usual. Honestly, the boy had never been in a proper school, and he dressed like a junior professor, with his khaki trousers and a button-down brown shirt and loafers. He’s not bad looking, I suppose. He’s reasonably tall and fit and his hair isn’t hopeless. He’s got Dad’s eyes, and my mates Liz and Emma have even told me from his picture that he’s hot, which I must take with a grain of salt because (a) he’s my brother, and (b) my mates are a bit crazed. When it came to clothes, Carter wouldn’t have known hot if it bit him on the bum.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
He smiled at two people walking by: a tall, good-looking boy with a streak of white in his dark hair and a brunette girl whose eyes were shaded by sunglasses. They ignored him. But
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
The TV said you should ignore bullies and they would stop harassing you. In practice this worked about half the time. The other half, you ended up with two tall boys shadowing you through a trailer park, their fingers taking little nips at your clothes, like dogs.
Jennifer Echols (Such a Rush)
„You're Ned Stark's bastard, aren't you?“ Jon felt a coldness pass right through him. He pressed his lips together and said nothing. „Did I offend you?“ Lannister said. „Sorry. Dwarfs don't have to be tactful. Generations of capering fools in motley have won me the right to dress badly and say any damn thing that comes into my head.“ He grinned. „You are the bastard, though.“ „Lord Eddard Stark is my father,“ Jon admitted stiffly. Lannister studied his face. „Yes,“ he said. „I can see it. You have more of the north in you than your brothers.“ „Half brothers,“ Jon corrected. He was pleased by the dwarf's comment, but he tried not to let it show. „Let me give you some counsel, bastard,“ Lannister said. „Never forget what you are, for surely the world will not. Make it your strenght. Then it can never be your weakness. Armor yourself in it, and it will never be used to hurt you.“ Jon was in no mood for anyone's counsel. „What do you know about being a bastard?“ „All dwarfs are bastards in their father's eyes.“ „You are your mother's trueborn son of Lannister.“ „Am I?“ the dwarf replied, sardonic. „Do tell my lord father. My mother died birthing me, and he's never been sure.“ „I don't even know who my mother was,“ Jon said. „Some woman, no doubt. Most of them are.“ He favored Jon with a rueful grin. „Remember this, boy. All dwarfs may be bastards, yet not all bastards need be dwarfs.“ And with that he turned and sauntered back into the feast, whistling a tune. When he opened the door, the light from within threw his shadow clear across the yard, and for just a moment Tyrion Lannister stood tall as a king.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
When I asked him the meaning of life, Dr. Webb got very quiet and then told me life has no one meaning, it only has whatever meaning each of us puts on our own life. I'll tell you now that I still don't know the meaning of mine. And Lucas Cader, with all his brains and talent, doesn't know the meaning of his, either. But I'll tell you the meaning of all this. The meaning of some bird showing up and some boy disappearing and you knowing all about it. The meaning of this was not to save you, but to warn you instead. To warn you of confusion and delusion and assumption. To warn you of psychics and zombies and ghosts of your lost brother. To warn you of Ada Taylor and her sympathy and mothers who wake you up with vacuums. To warn you of two-foot-tall birds that say they can help, but never do.
John Corey Whaley (Where Things Come Back)
Stain Boy Of all the super heroes, the strangest one by far, doesn't have a special power, or drive a fancy car. next to Superman and batman, I guess he must seem tame. But to me he is quite special, and Stain Boy is his name. He can't fly around tall buildings, or outrun a speeding train, the only talent he seems to have is to leave a nasty stain. Sometimes I know it bothers him, that he can't run or swim or fly, and because of this one ability, his dry cleaning bill is sky-high.
Tim Burton
The last dying days of summer, fall coming on fast. A cold night, the first of the season, a change from the usual bland Maryland climate. Cold, thought the boy; his mind felt numb. The trees he could see through his bedroom window were tall charcoal sticks, shivering, afraid of the wind or only trying to stand against it. Every tree was alone out there. The animals were alone, each in its hole, in its thin fur, and anything that got hit on the road tonight would die alone. Before morning, he thought, its blood would freeze in the cracks of the asphalt.
Poppy Z. Brite
A tall, thin boy with choppy black hair stood next to her. He eyed Isobel as she approached, sizing her up, grinning like he found something funny. She glared at him in return, ready for him to say just one thing about her cheer uniform, because she knew he must have pulled the black jeans he wore straight from the girls' rack at Target.
Kelly Creagh (Nevermore (Nevermore, #1))
I just shook my head, knowing this was him evading the question. You," I said, "have this whole tall, dark stranger thing going on. Not to mention the tortured artist bit." Bit?" You know what I mean." He shook his head, clearly discounting this description. And you," he said, "have that whole blonde, cool and collected, perfect smart girl thing going on." You're the boy all the girls want to rebel with," I said. You," he replied, "are the unattainable girl in homeroom who never gives a guy the time of day.
Sarah Dessen (The Truth About Forever)
Life, love, boys—it was all about balance. ~Anna Percy
Zoey Dean (Tall Cool One (A-List, #4))
Everything's got a purpose, really - you just have to look for it. Cats are good at keeping old dogs alive. Loss helps you reach for gain. Death helps you celebrate life. War helps you work for peace. A flood makes you glad you're still standing. And a tall boy can stop the wind so a candle of hope can burn bright.
Joan Bauer (Stand Tall)
It had been June, the bright hot summer of 1937, and with the curtains thrown back the bedroom had been full of sunlight, sunlight and her and Will's children, their grandchildren, their nieces and nephews- Cecy's blue eyed boys, tall and handsome, and Gideon and Sophie's two girls- and those who were as close as family: Charlotte, white- haired and upright, and the Fairchild sons and daughters with their curling red hair like Henry's had once been. The children had spoken fondly of the way he had always loved their mother, fiercely and devotedly, the way he had never had eyes for anyone else, and how their parents had set the model for the sort of love they hoped to find in their own lives. They spoke of his regard for books, and how he had taught them all to love them too, to respect the printed page and cherish the stories that those pages held. They spoke of the way he still cursed in Welsh when he dropped something, though he rarely used the language otherwise, and of the fact that though his prose was excellent- he had written several histories of the Shadowhunters when he's retired that had been very well respected- his poetry had always been awful, though that never stopped him from reciting it. Their oldest child, James, had spoken laughingly about Will's unrelenting fear of ducks and his continual battle to keep them out of the pond at the family home in Yorkshire. Their grandchildren had reminded him of the song about demon pox he had taught them- when they were much too young, Tessa had always thought- and that they had all memorized. They sang it all together and out of tune, scandalizing Sophie. With tears running down her face, Cecily had reminded him of the moment at her wedding to Gabriel when he had delivered a beautiful speech praising the groom, at the end of which he had announced, "Dear God, I thought she was marrying Gideon. I take it all back," thus vexing not only Cecily and Gabriel but Sophie as well- and Will, though too tired to laugh, had smiled at his sister and squeezed her hand. They had all laughed about his habit of taking Tessa on romantic "holidays" to places from Gothic novels, including the hideous moor where someone had died, a drafty castle with a ghost in it, and of course the square in Paris in which he had decided Sydney Carton had been guillotined, where Will had horrified passerby by shouting "I can see the blood on the cobblestones!" in French.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Jesus, holy fuck,” Rivera murmured, coming to a quick halt and looking up at the tall, hulking, tattoo-sleeved Ryker. “Boy, what’d your Mama feed you growin’ up?” he asked. “Newborn babies,” Ryker answered, scowling down at Rivera.
Kristen Ashley (Games of the Heart (The 'Burg, #4))
When I was a boy, I dreamt that I could fly, he announces. When I woke, I couldn't... or so the maester said. But what if he lied? What do you mean? Perhaps we can fly. All of us. How will we ever know unless we leap from some tall tower? No man ever truly knows what he can do unless he dares to leap. There is the window. Leap. What do you want? The world.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
You think you can uncuff me now?" "Sorry, man, I have orders not to do that. Madison said she would bring me a huge slice of cake if I left you cuffed." "You're leaving me like this for cake?" he asked dumbfounded that cake held that kind of power over a boy. He wondered if it was like bloodlust.
R.L. Mathewson (Tall, Dark & Lonely (Pyte/Sentinel, #1))
On the back part of the step, toward the right, I saw a small iridescent sphere of almost unbearable brilliance. At first I thought it was revolving; then I realised that this movement was an illusion created by the dizzying world it bounded. The Aleph's diameter was probably little more than an inch, but all space was there, actual and undiminished. Each thing (a mirror's face, let us say) was infinite things, since I distinctly saw it from every angle of the universe. I saw the teeming sea; I saw daybreak and nightfall; I saw the multitudes of America; I saw a silvery cobweb in the center of a black pyramid; I saw a splintered labyrinth (it was London); I saw, close up, unending eyes watching themselves in me as in a mirror; I saw all the mirrors on earth and none of them reflected me; I saw in a backyard of Soler Street the same tiles that thirty years before I'd seen in the entrance of a house in Fray Bentos; I saw bunches of grapes, snow, tobacco, lodes of metal, steam; I saw convex equatorial deserts and each one of their grains of sand; I saw a woman in Inverness whom I shall never forget; I saw her tangled hair, her tall figure, I saw the cancer in her breast; I saw a ring of baked mud in a sidewalk, where before there had been a tree; I saw a summer house in Adrogué and a copy of the first English translation of Pliny -- Philemon Holland's -- and all at the same time saw each letter on each page (as a boy, I used to marvel that the letters in a closed book did not get scrambled and lost overnight); I saw a sunset in Querétaro that seemed to reflect the colour of a rose in Bengal; I saw my empty bedroom; I saw in a closet in Alkmaar a terrestrial globe between two mirrors that multiplied it endlessly; I saw horses with flowing manes on a shore of the Caspian Sea at dawn; I saw the delicate bone structure of a hand; I saw the survivors of a battle sending out picture postcards; I saw in a showcase in Mirzapur a pack of Spanish playing cards; I saw the slanting shadows of ferns on a greenhouse floor; I saw tigers, pistons, bison, tides, and armies; I saw all the ants on the planet; I saw a Persian astrolabe; I saw in the drawer of a writing table (and the handwriting made me tremble) unbelievable, obscene, detailed letters, which Beatriz had written to Carlos Argentino; I saw a monument I worshipped in the Chacarita cemetery; I saw the rotted dust and bones that had once deliciously been Beatriz Viterbo; I saw the circulation of my own dark blood; I saw the coupling of love and the modification of death; I saw the Aleph from every point and angle, and in the Aleph I saw the earth and in the earth the Aleph and in the Aleph the earth; I saw my own face and my own bowels; I saw your face; and I felt dizzy and wept, for my eyes had seen that secret and conjectured object whose name is common to all men but which no man has looked upon -- the unimaginable universe. I felt infinite wonder, infinite pity.
Jorge Luis Borges
Oh, what a lovely owl!" Cried the Wart. But when he went up to it and held out his hand, the owl grew half as tall again, stood up as stiff as a poker, closed its eyes so that there was only the smallest slit to peep through - as you are in the habit of doing when told to shut your eyes at hide-and-seek - and said in a doubtful voice "There is no owl." Then it shut its eyes entirely and looked the other way. "It is only a boy," said Merlyn. "There is no boy," said the owl hopefully, without turning round.
T.H. White (The Once and Future King)
How tall are you, Constantine?” I asked, unable to hide my tears. Constantine narrowed her eyes at me. “How tall is you?” “Five-eleven,” I cried. “I’m already taller than the boys’ basketball coach.” “Well, I’m five-thirteen, so quit feeling sorry for yourself.
Kathryn Stockett (The Help)
This was middle school, the age of miracles, the time when kids shot up three inches over the summer, when breasts bloomed from nothing, when voices dipped and dove. Our first flaws were emerging, but they were being corrected. Blurry vision could be fixed invisibly with the magic of the contact lens. Crooked teeth were pulled straight with braces. Spotty skin could be chemically cleared. Some girls were turning beautiful. A few boys were growing tall.
Karen Thompson Walker (The Age of Miracles)
David held the knife up with a shaky hand. “ “Get that damn thing out of my face, boy. David shook his head. “No, you’re going to hit me!” “Of course I am and you’re only pissing me off more with that damn knife!
R.L. Mathewson (Tall, Dark & Lonely (Pyte/Sentinel, #1))
There he is, tall, tanned, Italian, sophisticated. So what do you do?" I said, "Er, leap on him and snog him within an inch of his life? Taking care not to strangle myself on his false beard, or disturb his banana.
Louise Rennison (Then He Ate My Boy Entrancers (Confessions of Georgia Nicolson, #6))
Are all Grisha so immodest?” he asked defensively. “Boys and girls train side by side together in the First and Second Armies. There isn’t a lot of room for maidenly blushing.” “It’s not natural for women to fight.” “It’s not natural for someone to be as stupid as he is tall, and yet there you stand. Did you really swim all those miles just to die in this hut?” “It’s a lodge, and you don’t know that we swam miles.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
To the many around the world who feel lost, insecure or inferior.   Breathe deep. Be strong. Be brave. And if you fall, look up to the stars and reach for their glittering lights. You are meant to stand tall with the rest of the world. You are not damaged… You are beautiful.
Tillie Cole (Sweet Fall (Sweet Home, #2; Carillo Boys, #1))
The things of your life arrived in their own time, like a train you had to catch. Sometimes this was easy, all you had to do was step onto it, the train was plush and comfortable and full of people smiling at you in a hush, and a conductor who punched your ticket and tousled your head with his big hand, saying, Ain’t you pretty, ain’t you the prettiest girl now, lucky lady taking a big train trip with your daddy, while you sank into the dreamy softness of your seat and sipped ginger ale from a can and watched the world float in magical silence past your window, the tall buildings of the city in the crisp autumn light and then the backs of the houses with laundry flapping and a crossing with gates where a boy was waving from his bicycle, and then the woods and fields and a single cow eating grass....... .....Because sometimes it was one way, easy, and sometimes it was the other, not easy; the things of your life roared down to you and it was all you could do to grab hold and hang on. Your old life ended, and the train took you away to another...
Justin Cronin (The Passage (The Passage, #1))
How do you make a living if you’re writing a book?” Joshua asked. The boy was getting a bike for Christmas that’s all there was to it. David squirmed in his seat. “It doesn’t pay anything yet.” “So, then what do you do to pay the bills?” Joshua asked. Forget the bike, he was getting a go-cart.
R.L. Mathewson (Tall, Dark & Lonely (Pyte/Sentinel, #1))
Some woman, no doubt. Most of them are." He favored Jon with a rueful grin. "Remember this, boy. All dwarfs are bastards, yet not all bastards need be dwarfs." And with that he turned and sauntered back into the feast, whistling a tune. When he opened the door, the light from within threw his shadow clear across the yard, and for just a moment Tyrion Lannister stood tall as a king.
George R.R. Martin
As a boy I heard this story in church. A man was patching a pitched roof of a tall building when he began sliding off. As he neared the edge of the roof he prayed, "Save me, Lord, and I'll go to church every Sunday, I'll give up drinking, I'll be the best man this city has ever known." As he finished his prayer, a nail snagged onto his overalls and saved him. The man looked up to the sky and shouted, "Never mind, God. I took care of it myself." How true of us.
Richard Paul Evans (The Walk (The Walk, #1))
…he stood behind her, tall and pale, like the ghost of his former self…
Louisa May Alcott (Jo's Boys (Little Women, #3))
Ponytail girl leaned over and she and the tall boy kissed and it was carcinogen gums and magical.
Aimee Bender (Willful Creatures)
At this moment the headmaster found Master Wesendonck's tall pile of books slipping from his grasp. He juggled frantically with them for a moment and then, to the infinite joy of the boarders and day boys, they crashed to the ground in all directions. A bevy of form masters rushed forward to the rescue. Master Wesendonck, realising with immense presence of mind that his natural enemies were for once in their proper place, grovelling on the floor, stood still and did nothing.
Angela Thirkell (High Rising (Barsetshire, #1))
That’s where they make the books by the hundreds of thousands, and each one is a child different and special and some walk tall and some are crippled, but they all go out into the world from there.
Robert McCammon (Boy's Life)
It turned out, when pretty tall, pretty handsome boys needed to shave they became less "pretty" and more...handsome.
Ally Carter (Not If I Save You First)
Oil and Water, Daddy calls us. At four years younger than me, Katie is only fourteen and she already has half the boys in town eating from her pretty little hand. She tells me I am too tall and too wicked looking to capture the heart of any sensible young man.
Gwenn Wright (The BlueStocking Girl (The Von Strassenberg Saga, #2))
Once there was a little girl who played her music for a little boy in the wood. She was small and dark, he was tall and fair, and the two of them made a fancy pair as they danced together, dancing to the music the little girl heard in her head. Her grandmother had told her to beware the wolves that prowled in the wood, but the little girl knew the little boy was not dangerous, even if he was the king of the goblins. Will you marry me, Elisabeth? the little boy asked, and the little girl did not wonder at how he knew her name. Oh, she replied, but I am too young to marry. Then I will wait, the little boy said. I will wait as long as you remember. And the little girl laughed as she danced with the Goblin King, the little boy who was always just a little older, a little out of reach. As
S. Jae-Jones (Wintersong (Wintersong, #1))
There were dozens of stones of all sizes in the small meadow. Tall stones, bigger than either of the boys, and small ones, just the right size for sitting on. There were some broken stones. The Runt knew what sort of place this was, but it did not scare him. It was a loved place.
Neil Gaiman (M Is for Magic)
Unlike Ronan, Adam's Aglionby jumper was second-hand, but he'd taken great care to be certain it was impeccable. He was slim and tall, with dusty hair unevenly cropped above a fine-boned, tanned face. He was a sepia photograph.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Lilah stood above them, tall and beautiful, her white hair whipping in the fresh breeze, her clothes streaked with gore, her hazel eyes glowing with fire. She turned slowly to Nix and in her ghostly whisper of a voice said, "I hate boys.
Jonathan Maberry (Flesh & Bone (Rot & Ruin, #3))
Virgin, right?" the voice asks again. It comes from the tall one with white-blond hair falling into his eyes. Frankie is still giggling, and my entire body goes hot and red, despite the chill in the water. If Frankie thinks she's just going to auction me off, well ... I don't know. It's kind of hard to be witty when you're trying to call forth a giant sea squid to swallow you up and drag you down to the depths of the ocean floor, never to be seen, heard from, or mocked again.
Sarah Ockler (Twenty Boy Summer)
A boy who was such a threat to my mental health and happiness should not be so tall.
Jennifer Echols
Since Sienna was in an unusually cooperative mood, the session went well. He was returning from it midmorning - after a short detour - when a small naked body barreled into him in one of the main corridors. Steadying the boy with Tk, he looked down. The child lifted a finger to his lips. "Shh. I'm hiding." With that, he went behind Judd and scrambled into a small alcove. "Quickly! Not sure why he obeyed the order, Judd backed up to stand in front of the alcove, arms crossed. A flustered Lara came running around the corner a few seconds later. "Have you seen Ben? Four-year-old. Naked as a jaybird?" "How tall is he?" Judd asked in his most overbearing Psy manner. Lara stared. "He's four. How tall do you think he is? Have you seen him or not?" "Let me think...did you say he was naked?" "He was about to be bathed. Slippery little monkey." A giggle from behind Judd. Lara's eyes widened and then her lips twitched. "So you haven't seen him?" "Without a proper description, I can't be sure." The healer was obviously trying not to laugh. "You shouldn't encourage him - he's incorrigible as it is." Judd felt childish hands on his left calf and then Ben poked his head out. "I'm incorwigeable, did ya hear?" Judd nodded. "I do believe you've been found. Why don't you go have your bath?" "Come on, munchkin." Lara held out a hand. Surprisingly strong baby arms and legs wrapped around Judd's leg. "No. I wanna stay with Uncle Judd." Lara anticipated his question. "Ben spends a lot of time with Marlee." "I spend a lot of time with Marlee," a small voice piped up.
Nalini Singh (Caressed by Ice (Psy-Changeling, #3))
Humnnn,” he grunted, then laughed. “A dog bite can’t hurt a nigger.” “It’s swelling and it hurts,” I said. “If it bothers you, let me know,” he said. “But I never saw a dog yet that could really hurt a nigger.” He turned and walked away and the black boys gathered to watch his tall form disappear down the aisles of wet bricks. “Sonofabitch!” “He’ll get his someday!” “Boy, their hearts are hard!” “Lawd, a white man’ll do anything!
Richard Wright (Black Boy)
Every year, Kansas watches the world die. Civilizations of wheat grow tall and green; they grow old and golden, and then men shaped from the same earth as the crop cut those lives down. And when the grain is threshed, and the dances and festivals have come and gone, then the fields are given over to fire, and the wheat stubble ascends into the Kansas sky, and the moon swells to bursting above a blackened earth. The fields around Henry, Kansas, had given up their gold and were charred. Some had already been tilled under, waiting for the promised life of new seed. Waiting for winter, and for spring, and another black death. The harvest had been good. Men, women, boys and girls had found work, and Henry Days had been all hot dogs and laughter, even without Frank Willis's old brown truck in the parade. The truck was over on the edge of town, by a lonely barn decorated with new No Trespassing signs and a hole in the ground where the Willis house had been in the spring and the early summer. Late summer had now faded into fall, and the pale blue farm house was gone. Kansas would never forget it.
N.D. Wilson (The Chestnut King (100 Cupboards, #3))
[excerpt] The usual I say. Essence. Spirit. Medicine. A taste. I say top shelf. Straight up. A shot. A sip. A nip. I say another round. I say brace yourself. Lift a few. Hoist a few. Work the elbow. Bottoms up. Belly up. Set ‘em up. What’ll it be. Name your poison. I say same again. I say all around. I say my good man. I say my drinking buddy. I say git that in ya. Then a quick one. Then a nightcap. Then throw one back. Then knock one down. Fast & furious I say. Could savage a drink I say. Chug. Chug-a-lug. Gulp. Sauce. Mother’s milk. Everclear. Moonshine. White lightning. Firewater. Hootch. Relief. Now you’re talking I say. Live a little I say. Drain it I say. Kill it I say. Feeling it I say. Wobbly. Breakfast of champions I say. I say candy is dandy but liquor is quicker. I say Houston, we have a drinking problem. I say the cause of, and solution to, all of life’s problems. I say god only knows what I’d be without you. I say thirsty. I say parched. I say wet my whistle. Dying of thirst. Lap it up. Hook me up. Watering hole. Knock a few back. Pound a few down. My office. Out with the boys I say. Unwind I say. Nurse one I say. Apply myself I say. Toasted. Glow. A cold one a tall one a frosty I say. One for the road I say. Two-fisted I say. Never trust a man who doesn’t drink I say. Drink any man under the table I say. Then a binge then a spree then a jag then a bout. Coming home on all fours. Could use a drink I say. A shot of confidence I say. Steady my nerves I say. Drown my sorrows. I say kill for a drink. I say keep ‘em comin’. I say a stiff one. Drink deep drink hard hit the bottle. Two sheets to the wind then. Knackered then. Under the influence then. Half in the bag then. Out of my skull I say. Liquored up. Rip-roaring. Slammed. Fucking jacked. The booze talking. The room spinning. Feeling no pain. Buzzed. Giddy. Silly. Impaired. Intoxicated. Stewed. Juiced. Plotzed. Inebriated. Laminated. Swimming. Elated. Exalted. Debauched. Rock on. Drunk on. Bring it on. Pissed. Then bleary. Then bloodshot. Glassy-eyed. Red-nosed. Dizzy then. Groggy. On a bender I say. On a spree. I say off the wagon. I say on a slip. I say the drink. I say the bottle. I say drinkie-poo. A drink a drunk a drunkard. Swill. Swig. Shitfaced. Fucked up. Stupefied. Incapacitated. Raging. Seeing double. Shitty. Take the edge off I say. That’s better I say. Loaded I say. Wasted. Off my ass. Befuddled. Reeling. Tanked. Punch-drunk. Mean drunk. Maintenance drunk. Sloppy drunk happy drunk weepy drunk blind drunk dead drunk. Serious drinker. Hard drinker. Lush. Drink like a fish. Boozer. Booze hound. Alkie. Sponge. Then muddled. Then woozy. Then clouded. What day is it? Do you know me? Have you seen me? When did I start? Did I ever stop? Slurring. Reeling. Staggering. Overserved they say. Drunk as a skunk they say. Falling down drunk. Crawling down drunk. Drunk & disorderly. I say high tolerance. I say high capacity. They say protective custody. Blitzed. Shattered. Zonked. Annihilated. Blotto. Smashed. Soaked. Screwed. Pickled. Bombed. Stiff. Frazzled. Blasted. Plastered. Hammered. Tore up. Ripped up. Destroyed. Whittled. Plowed. Overcome. Overtaken. Comatose. Dead to the world. The old K.O. The horrors I say. The heebie-jeebies I say. The beast I say. The dt’s. B’jesus & pink elephants. A mindbender. Hittin’ it kinda hard they say. Go easy they say. Last call they say. Quitting time they say. They say shut off. They say dry out. Pass out. Lights out. Blackout. The bottom. The walking wounded. Cross-eyed & painless. Gone to the world. Gone. Gonzo. Wrecked. Sleep it off. Wake up on the floor. End up in the gutter. Off the stuff. Dry. Dry heaves. Gag. White knuckle. Lightweight I say. Hair of the dog I say. Eye-opener I say. A drop I say. A slug. A taste. A swallow. Down the hatch I say. I wouldn’t say no I say. I say whatever he’s having. I say next one’s on me. I say bottoms up. Put it on my tab. I say one more. I say same again
Nick Flynn (Another Bullshit Night in Suck City)
Donneven," I said, in my best Monica imitation, and he laughed. "We're not talking about me." "We could be," he said, as I watched Bert take note of a group of what looked like ninth graders who had just come into the living room. "I'm not gorgeous," I said. "Sure you are." I just shook my head, knowing this was him evading the question. "You," I said, "have this whole tall, dark stranger thing going on. Not to mention the tortured artist bit." "Bit?" "You know what I mean." He shook his head, clearly discounting this description. "And you," he said, "have that whole blonde, cool and collected, perfect smart girl thing going on." "You're the boy all the girls want to rebel with," I said. "You," he replied, "are the unattainable girl in homeroom who never gives a guy the time of day.
Sarah Dessen (The Truth About Forever)
He just looked like a pretty boy, tall and lanky. She thought again of the crumpled paper in her purse and of him, caged beneath a cemetery. How long had he been there? How long had he looked just as he did now? A hundred years? Two hundred? Could he even remember the press of time? Maybe having stepped outside of it would drive anybody crazy.
Holly Black (The Coldest Girl in Coldtown)
He was tall, dark and handsome, the complete trifecta. His unique grey eyes and his tousled dark brown hair, made him look like he belonged on the cover of a romance novel.
Nicole Gulla (The Lure of the Moon (The Scripter Trilogy, #1))
The washroom door swung open, and all thoughts of pirates vanished. A tall boy walked inside, dressed in black clothes at least two sizes too tight. His cherry-red hair stood in haphazard spikes, and his eyes were heavily lined in kohl. If a rock star had an affair with a circus clown, this guy would be the result. It took a few moments to recognize him as Doran.
Melissa Landers (Starflight (Starflight, #1))
Astrid Dane. . . Her long colorless hair was woven back into a braid, and her porcelain skin bled straight into the edges of her tunic. Her entire outfit was fitted to her like armor; the collar of her shirt was high and rigid, guarding her throat, and the tunic itself ran from chin to wrist to waist, less out of a sense of modesty, Kell was sure, than protection. Below a gleaming silver belt, she wore fitted pants that tapered into tall boots (rumor had it that a man once spat at her for refusing to wear a dress; she’d cut off his lips). The only bits of color were the pale blue of her eyes and the greens and reds of the talismans that hung from her neck and wrists and were threaded through her hair. . . “I smell something sweet,” she said. She’d been gazing up at the ceiling. Now her eyes wandered down and landed on Kell. “Hello, flower boy.
Victoria Schwab (A Darker Shade of Magic (Shades of Magic, #1))
it’s a bit like if we were on a planet where all the space creatures were short, green and fat. Except a very few of them were tall, thin and yellow. And all the advertising was of the tall, yellow ones, airbrushed to make them even taller and yellower. So all the little green space creatures spent their whole time feeling sad because they weren’t tall, thin and yellow.
Helen Fielding (Mad About the Boy (Bridget Jones, #3))
I didn't want to miss out on a chance to congratulate you on your bouncing baby boy.” Garrett’s eyes trailed over to Milo who stood tall with an arrogant smile on his face next to his father. “I’m not sure on the protocol over here, though, is it customary to celebrate bastards?” Garrett’s comment hit the mark just like he knew it would. The smile was wiped from Milo’s face, and he stalked right up to Garrett and threw a punch at his jaw.
Tara Sivec (A Beautiful Lie (Playing with Fire, #1))
He was tall—6’ 3” or so—with haunting green eyes that seemed to smolder despite his lazy smile. His eyes were a great contrast to his thick, shiny, dark hair. And not that I’d ever seen it personally but judging from the way his t-shirt clung to his torso, he had a body that completed the entire handsome package. He was every inch a rock star. He was charming, playful and confident. He was practically irresistible. His only flaw was that he knew it.
Kelly Oram (V is for Virgin (V is for Virgin, #1))
The strangest think I have learned is that it's impossible to know what's inside someone. The wizards didn't teach me this, but I have learned it myself. Those who appear tall and straight and very good are sometimes rotten on the inside, and others, huge and clawed and apparently very bad, sometimes contain a pure and sweet form of goodness. The biggest trap is to judge a person by their outer casing. Their skin. Their hair. Their snow-white feathers.
Karen Foxlee (Ophelia and the Marvelous Boy)
Somewhere in the gluey Nyquil haze, the memory came of standing in the lake with Lise the week before, stomping their feet in the emerald thick of the water. On the shoreline were Skye’s hard-jeaned boys with their disappearing tattoos. They whistled at Lise, fingers hooked in their mouths. Let’s do it, Lise whispered in her ear, her tongue showing between her teeth. Let’s go in. When she woke up, in the purple of four a.m., she could still hear Lise’s voice in her ear, high as a little girl’s. We went behind those tall bushes. He took my tights off first. It was so cold, but his hands—
Megan Abbott (The Fever)
Jackson watched in amazement that she had convinced the driver to handle the vehicle in such a way. Tourists began taking pictures of Imogene, standing tall in the seat while the driver guided the horse with the reins. She kept her eye trained on Catfish, describing his every step as if the driver couldn’t see the runner for himself … Catfish stopped at the “T” in the road up ahead. He was heaving air, and Imogene said, “We’ve worn him out, son. Keep on him. He’s ours for the catchin’.
Hunter Murphy (Imogene in New Orleans (Imogene and the Boys #1))
Georgette was a hip queer. She (he) didn't try to disguise or conceal it with marriage and mans talk, satisfying her homosexuality with the keeping of a secret scrapbook of pictures of favorite male actors or athletes or by supervising activities of young boys or visiting turkish baths or mens locker rooms, leering sidely while seeking protection behind a carefully guarded guise of virility (fearing that moment at a cocktail party or in a bar when this front may start crumbling from alcohol and be completely disintegrated with an attempted kiss or groping of an attractive young man and being repelled with a punch and - rotten fairy - followed with hysteria and incoherent apologies and excuses and running from the room) but, took a pride in being a homosexual by feeling intellectually and esthetically superior to those (especially women) who weren't gay (look at all the great artists who were fairies!); and with the wearing of womens panties, lipstick, eye makeup (this including occasionally gold and silver - stardust - on the lids),long marcelled hair, manicured and polished fingernails, the wearing of womens clothes complete with a padded bra, high heels and wig (one of her biggest thrills was going to BOP CITY dressed as a tall stately blond ( she was 6'4 in heels) in the company of a negro (he was a big beautiful black bastard and when he floated in all the cats in the place jumped and the squares bugged. We were at crazy pad before going and were blasting like crazy, and were up so high that I just didnt give ashit for anyone honey, let me tell you!); and the occasional wearing of menstrual napkin.
Hubert Selby Jr.
Aue sent an office boy with a message to the company’s original accountant, a Polish Jew named Itzhak Stern, who was at home with influenza. Aue was a political appointee with little accounting experience. He wanted Stern to come into the office and resolve the impasse over the bolts of linen. He had just sent the message off to Stern’s house in Podgórze when his secretary came into the office and announced that a Herr Oskar Schindler was waiting outside, claiming to have an appointment. Aue went into the outer room and saw a tall young man, placid as a large dog, tranquilly smoking. The two had met at a party the night before. Oskar had been there with a Sudeten German girl named Ingrid, Treuhänder, or supervisor, of a Jewish hardware company, just as Aue was Treuhänder of Buchheister’s. They were a glamorous couple, Oskar and this Ingrid, frankly in love, stylish, with lots of friends in the Abwehr.
Thomas Keneally (Schindler's List)
Presently, he looked at the people standing round and said, "You have leave to go." They bowed out. When the lads behind him started to follow, he reached out and caught one by the arm, saying, "No, you stay, Hephaistion." The tall boy came back with a lightening of all his face, and stood close beside him. He said to me, "The others are the Companions of the Prince; but we two are just Hephaistion and Alexander." "So it was" I said, smiling at them, "in the tent of Achilles". He nodded; it was a thought he was used to.
Mary Renault (The Mask of Apollo)
When gangs took over the [abandoned public land in Philadelphia] and the neighborhood took a turn for the worse, horses became a way of saving lives. By getting boys interested in raising a horse rather than killing another human being, these cowboys gave the youth something positive: father figures, focus, and the ability to stand tall.
G. Neri (Ghetto Cowboy (the inspiration for Concrete Cowboy))
And put myself in the hands of total strangers?" She snapped the lid shut, "What do you take me for? Of course I checked out their stories. I am a researcher, you know. They are who they say they are, and their stories are verifiable. You have nothing to fear. I wouldn't put my daughter in any danger." "Any danger!" I cried. "what do you call hunting unicorns? Big, sharp horns; fangs..." And those were just the goat-sized ones. "I call it your birthright." Lilith stood tall. "Honey, I know you've been down ever since that stupid boy broke up with you but this is about more than a prom date. Don't you realize that? You have a destiny. Most people would kill for something like that." If Lilith and this Cornelius guy had their way with me at this boot camp, I was going to kill.
Diana Peterfreund (Rampant (Killer Unicorns, #1))
Oh," he said again and picked up two petals of cherry blossom which he folded together like a sandwich and ate slowly. "Supposing," he said, staring past her at the wall of the house, "you saw a little man, about as tall as a pencil, with a blue patch in his trousers, halfway up a window curtain, carrying a doll's tea cup-would you say it was a fairy?" "No," said Arrietty, "I'd say it was my father." "Oh," said the boy, thinking this out, "does your father have a blue patch on his trousers?" "Not on his best trousers. He does on his borrowing ones." 'Oh," said the boy again. He seemed to find it a safe sound, as lawyers do. "Are there many people like you?" "No," said Arrietty. "None. We're all different." "I mean as small as you?" Arrietty laughed. "Oh, don't be silly!" she said. "Surely you don't think there are many people in the world your size?" "There are more my size than yours," he retorted. "Honestly-" began Arrietty helplessly and laughed again. "Do you really think-I mean, whatever sort of a world would it be? Those great chairs . . . I've seen them. Fancy if you had to make chairs that size for everyone? And the stuff for their clothes . . . miles and miles of it . . . tents of it ... and the sewing! And their great houses, reaching up so you can hardly see the ceilings . . . their great beds ... the food they eat ... great, smoking mountains of it, huge bogs of stew and soup and stuff." "Don't you eat soup?" asked the boy. "Of course we do," laughed Arrietty. "My father had an uncle who had a little boat which he rowed round in the stock-pot picking up flotsam and jetsam. He did bottom-fishing too for bits of marrow until the cook got suspicious through finding bent pins in the soup. Once he was nearly shipwrecked on a chunk of submerged shinbone. He lost his oars and the boat sprang a leak but he flung a line over the pot handle and pulled himself alongside the rim. But all that stock-fathoms of it! And the size of the stockpot! I mean, there wouldn't be enough stuff in the world to go round after a bit! That's why my father says it's a good thing they're dying out . . . just a few, my father says, that's all we need-to keep us. Otherwise, he says, the whole thing gets"-Arrietty hesitated, trying to remember the word-"exaggerated, he says-" "What do you mean," asked the boy, " 'to keep us'?
Mary Norton (The Borrowers (The Borrowers, #1))
Down vith children! Do them in! Boil their bones and fry their skin! Bish them, sqvish them, bash them, mash them! Brrreak them, shake them, slash them, smash them! Offer chocs vith magic powder! Say “Eat up!” then say it louder. Crrram them full of sticky eats, Send them home still guzzling sveets. And in the morning little fools Go marching off to separate schools. A girl feels sick and goes all pale. She yells, “Hey look! I've grrrown a tail!” A boy who's standing next to her Screams, “Help! I think I'm grrrowing fur!” Another shouts, “Vee look like frrreaks! There's viskers growing on our cheeks!” A boy who vos extremely tall Cries out, “Vot's wrong? I'm grrrowing small!” Four tiny legs begin to sprrrout From everybody rrround about. And all at vunce, all in a trrrice, There are no children! Only MICE!
Roald Dahl (The Witches)
He was looking at Mr. Nancy, an old black man with a pencil moustache, in his check sports jacket and his lemon yellow gloves, riding a carousel lion as it rose and lowered, high in the air; and, at the same time, in the same place, he saw a jeweled spider as high as a horse, its eyes an emerald nebula, strutting, staring down at him; and simultaneously he was looking at an extraordinarily tall man with teak colored skin and three sets of arms, wearing a flowing ostrich-feather headdress, his face painted with red stripes, riding an irritated golden lion, two of his six hands holding on tightly to the beast’s mane; and he was also seeing a young black boy, dressed in rags, his left foot all swollen and crawling with black flies; and last of all, and behind all these things, Shadow was looking at a tiny brown spider, hiding under a withered ochre leaf. Shadow saw all these things, and he knew they were the same thing.
Neil Gaiman (American Gods (American Gods, #1))
Dear Young Black Males, Don’t be afraid to shine! Dimming your light just to appeal to others is an insult to self. Be who YOU are. If you’re smart, don’t play dumb just to fit in. If you have a special talent, don’t be afraid to show it off. If you’re considered a nerd, OWN it! Intelligence is what many people wish they had. Stand tall with your head held high. Self-confidence is an attractive quality to have. People may talk about you, tease you, or even try to discourage you, but don’t you EVER quit or doubt yourself. Be brave! Be authentic! Be comfortable in your own skin! Your life has purpose and YOU matter.
Stephanie Lahart
Excuse me while I throw this down, I’m old and cranky and tired of hearing the idiocy repeated by people who ought to know better. Real women do not have curves. Real women do not look like just one thing. Real women have curves, and not. They are tall, and not. They are brown-skinned, and olive-skinned, and not. They have small breasts, and big ones, and no breasts whatsoever. Real women start their lives as baby girls. And as baby boys. And as babies of indeterminate biological sex whose bodies terrify their doctors and families into making all kinds of very sudden decisions. Real women have big hands and small hands and long elegant fingers and short stubby fingers and manicures and broken nails with dirt under them. Real women have armpit hair and leg hair and pubic hair and facial hair and chest hair and sexy moustaches and full, luxuriant beards. Real women have none of these things, spontaneously or as the result of intentional change. Real women are bald as eggs, by chance and by choice and by chemo. Real women have hair so long they can sit on it. Real women wear wigs and weaves and extensions and kufi and do-rags and hairnets and hijab and headscarves and hats and yarmulkes and textured rubber swim caps with the plastic flowers on the sides. Real women wear high heels and skirts. Or not. Real women are feminine and smell good and they are masculine and smell good and they are androgynous and smell good, except when they don’t smell so good, but that can be changed if desired because real women change stuff when they want to. Real women have ovaries. Unless they don’t, and sometimes they don’t because they were born that way and sometimes they don’t because they had to have their ovaries removed. Real women have uteruses, unless they don’t, see above. Real women have vaginas and clitorises and XX sex chromosomes and high estrogen levels, they ovulate and menstruate and can get pregnant and have babies. Except sometimes not, for a rather spectacular array of reasons both spontaneous and induced. Real women are fat. And thin. And both, and neither, and otherwise. Doesn’t make them any less real. There is a phrase I wish I could engrave upon the hearts of every single person, everywhere in the world, and it is this sentence which comes from the genius lips of the grand and eloquent Mr. Glenn Marla: There is no wrong way to have a body. I’m going to say it again because it’s important: There is no wrong way to have a body. And if your moral compass points in any way, shape, or form to equality, you need to get this through your thick skull and stop with the “real women are like such-and-so” crap. You are not the authority on what “real” human beings are, and who qualifies as “real” and on what basis. All human beings are real. Yes, I know you’re tired of feeling disenfranchised. It is a tiresome and loathsome thing to be and to feel. But the tit-for-tat disenfranchisement of others is not going to solve that problem. Solidarity has to start somewhere and it might as well be with you and me
Hanne Blank
The door to the situation room door opened, drawing her attention to a tall, lean man with eyes as sharp as razors. The sound of a metal chair scraping on the tile floor filled the room as Reed shot to his feet, stood at attention, and saluted crisply. The man stopped, scowled, and heaved a heavy sigh. "All right you clown. At ease. It hasn't been that long since I've been here." "Just showing my respect, sir," Reed said with a smart-ass grin. "It's not often we're fortunate enough to be in the company of such greatness.
Cindy Gerard (With No Remorse (Black Ops Inc., #6))
January? The month is dumb. It is fraudulent. It does not cleanse itself. The hens lay blood-stained eggs. Do not lend your bread to anyone lest it nevermore rise. Do not eat lentils or your hair will fall out. Do not rely on February except when your cat has kittens, throbbing into the snow. Do not use knives and forks unless there is a thaw, like the yawn of a baby. The sun in this month begets a headache like an angel slapping you in the face. Earthquakes mean March. The dragon will move, and the earth will open like a wound. There will be great rain or snow so save some coal for your uncle. The sun of this month cures all. Therefore, old women say: Let the sun of March shine on my daughter, but let the sun of February shine on my daughter-in-law. However, if you go to a party dressed as the anti-Christ you will be frozen to death by morning. During the rainstorms of April the oyster rises from the sea and opens its shell — rain enters it — when it sinks the raindrops become the pearl. So take a picnic, open your body, and give birth to pearls. June and July? These are the months we call Boiling Water. There is sweat on the cat but the grape marries herself to the sun. Hesitate in August. Be shy. Let your toes tremble in their sandals. However, pick the grape and eat with confidence. The grape is the blood of God. Watch out when holding a knife or you will behead St. John the Baptist. Touch the Cross in September, knock on it three times and say aloud the name of the Lord. Put seven bowls of salt on the roof overnight and the next morning the damp one will foretell the month of rain. Do not faint in September or you will wake up in a dead city. If someone dies in October do not sweep the house for three days or the rest of you will go. Also do not step on a boy's head for the devil will enter your ears like music. November? Shave, whether you have hair or not. Hair is not good, nothing is allowed to grow, all is allowed to die. Because nothing grows you may be tempted to count the stars but beware, in November counting the stars gives you boils. Beware of tall people, they will go mad. Don't harm the turtle dove because he is a great shoe that has swallowed Christ's blood. December? On December fourth water spurts out of the mouse. Put herbs in its eyes and boil corn and put the corn away for the night so that the Lord may trample on it and bring you luck. For many days the Lord has been shut up in the oven. After that He is boiled, but He never dies, never dies.
Anne Sexton
Where are you?” she shouted. “Don’t you see us?” taunted the woman’s voice. “I thought Hecate chose you for your skill.” Another bout of queasiness churned through Hazel’s gut. On her shoulder, Gale barked and passed gas, which didn’t help. Dark spots floated in Hazel’s eyes. She tried to blink them away, but they only turned darker. The spots consolidated into a twenty-foot-tall shadowy figure looming next to the Doors. The giant Clytius was shrouded in the black smoke, just as she’d seen in her vision at the crossroads, but now Hazel could dimly make out his form—dragon-like legs with ash-colored scales; a massive humanoid upper body encased in Stygian armor; long, braided hair that seemed to be made from smoke. His complexion was as dark as Death’s (Hazel should know, since she had met Death personally). His eyes glinted cold as diamonds. He carried no weapon, but that didn’t make him any less terrifying. Leo whistled. “You know, Clytius…for such a big dude, you’ve got a beautiful voice.” “Idiot,” hissed the woman. Halfway between Hazel and the giant, the air shimmered. The sorceress appeared. She wore an elegant sleeveless dress of woven gold, her dark hair piled into a cone, encircled with diamonds and emeralds. Around her neck hung a pendant like a miniature maze, on a cord set with rubies that made Hazel think of crystallized blood drops. The woman was beautiful in a timeless, regal way—like a statue you might admire but could never love. Her eyes sparkled with malice. “Pasiphaë,” Hazel said. The woman inclined her head. “My dear Hazel Levesque.” Leo coughed. “You two know each other? Like Underworld chums, or—” “Silence, fool.” Pasiphaë’s voice was soft, but full of venom. “I have no use for demigod boys—always so full of themselves, so brash and destructive.” “Hey, lady,” Leo protested. “I don’t destroy things much. I’m a son of Hephaestus.” “A tinkerer,” snapped Pasiphaë. “Even worse. I knew Daedalus. His inventions brought me nothing but trouble.” Leo blinked. “Daedalus…like, the Daedalus? Well, then, you should know all about us tinkerers. We’re more into fixing, building, occasionally sticking wads of oilcloth in the mouths of rude ladies—” “Leo.” Hazel put her arm across his chest. She had a feeling the sorceress was about to turn him into something unpleasant if he didn’t shut up. “Let me take this, okay?
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
I like the idea that when I die, I will have a long sit-down chat with God and get answers to all my questions. For example, those apple cores that I threw out of car windows when I was a child—did any of them become trees? Few boys or men had ever asked me out. I told myself that it was because I was almost 6-feet tall. Was that true or was there something humbling I needed to know?
Kristine K. Stevens (If Your Dream Doesn't Scare You, It Isn't Big Enough: A Solo Journey Around the World)
I was trying to do you a favor, you silly woman. A few more hours in the fire, and your baby boy would have been immortal! He would’ve grown into a fine young god and brought you eternal honor. Now you’ve ruined the magic. He will simply be human—a great hero, yes, strong and tall, but doomed to a mortal life. He will only be Demophoon, when he could have been Fully Phoon! Phoon the Great!
Rick Riordan (Percy Jackson's Greek Gods)
THERE WAS ALWAYS a boy in your life that common sense and the prayers of parents told you to stay away from: fast talker, fast car, and fast hands. He was the boy your father kept a loaded shotgun by the door for and met on the front porch if he ever thought about venturing onto his property…let alone the threshold. He was the tall, dark, mysteriously handsome, and uncharacter-istically quiet one that made you wonder what was going on in his head, and that little voice in your head said it wasn’t always so honorable. He was the boy you broke all of the rules over because bad-boys equaled excitement and the rebel in you liked the ride.
A.J. Lape (Grade A Stupid (The Darcy Walker Series, #1))
Tenways showed his rotten teeth. ‘Fucking make me.’ ‘I’ll give it a try.’ A man came strolling out of the dark, just his sharp jaw showing in the shadows of his hood, boots crunching heedless through the corner of the fire and sending a flurry of sparks up around his legs. Very tall, very lean and he looked like he was carved out of wood. He was chewing meat from a chicken bone in one greasy hand and in the other, held loose under the crosspiece, he had the biggest sword Beck had ever seen, shoulder-high maybe from point to pommel, its sheath scuffed as a beggar’s boot but the wire on its hilt glinting with the colours of the fire-pit. He sucked the last shred of meat off his bone with a noisy slurp, and he poked at all the drawn steel with the pommel of his sword, long grip clattering against all those blades. ‘Tell me you lot weren’t working up to a fight without me. You know how much I love killing folk. I shouldn’t, but a man has to stick to what he’s good at. So how’s this for a recipe…’ He worked the bone around between finger and thumb, then flicked it at Tenways so it bounced off his chain mail coat. ‘You go back to fucking sheep and I’ll fill the graves.’ Tenways licked his bloody top lip. ‘My fight ain’t with you, Whirrun.’ And it all came together. Beck had heard songs enough about Whirrun of Bligh, and even hummed a few himself as he fought his way through the logpile. Cracknut Whirrun. How he’d been given the Father of Swords. How he’d killed his five brothers. How he’d hunted the Shimbul Wolf in the endless winter of the utmost North, held a pass against the countless Shanka with only two boys and a woman for company, bested the sorcerer Daroum-ap-Yaught in a battle of wits and bound him to a rock for the eagles. How he’d done all the tasks worthy of a hero in the valleys, and so come south to seek his destiny on the battlefield. Songs to make the blood run hot, and cold too. Might be his was the hardest name in the whole North these days, and standing right there in front of Beck, close enough to lay a hand on. Though that probably weren’t a good idea. ‘Your fight ain’t with me?’ Whirrun glanced about like he was looking for who it might be with. ‘You sure? Fights are twisty little bastards, you draw steel it’s always hard to say where they’ll lead you. You drew on Calder, but when you drew on Calder you drew on Curnden Craw, and when you drew on Craw you drew on me, and Jolly Yon Cumber, and Wonderful there, and Flood – though he’s gone for a wee, I think, and also this lad here whose name I’ve forgotten.’ Sticking his thumb over his shoulder at Beck. ‘You should’ve seen it coming. No excuse for it, a proper War Chief fumbling about in the dark like you’ve nothing in your head but shit. So my fight ain’t with you either, Brodd Tenways, but I’ll still kill you if it’s called for, and add your name to my songs, and I’ll still laugh afterwards. So?’ ‘So what?’ ‘So shall I draw?
Joe Abercrombie (The Heroes)
GEORGE AND MARLEE UP IN A TREE! K-I-S-S-I-N-G! We stopped. There was a kid over there, standing by a hackberry bush. I’d never seen him before, not at Mary Day or anywhere else. He wasn’t but four and a half feet tall, and stocky. He had on gray shorts that went down all the way to his knees, and a green sweater with orange stripes. It was rounded out up top with little boy-tits and a poochy belly underneath. He had a beanie on his head, the stupid kind with a plastic propeller. His
Stephen King (The Bazaar of Bad Dreams)
Poem in October" It was my thirtieth year to heaven Woke to my hearing from harbour and neighbour wood And the mussel pooled and the heron Priested shore The morning beckon With water praying and call of seagull and rook And the knock of sailing boats on the net webbed wall Myself to set foot That second In the still sleeping town and set forth. My birthday began with the water- Birds and the birds of the winged trees flying my name Above the farms and the white horses And I rose In rainy autumn And walked abroad in a shower of all my days. High tide and the heron dived when I took the road Over the border And the gates Of the town closed as the town awoke. A springful of larks in a rolling Cloud and the roadside bushes brimming with whistling Blackbirds and the sun of October Summery On the hill's shoulder, Here were fond climates and sweet singers suddenly Come in the morning where I wandered and listened To the rain wringing Wind blow cold In the wood faraway under me. Pale rain over the dwindling harbour And over the sea wet church the size of a snail With its horns through mist and the castle Brown as owls But all the gardens Of spring and summer were blooming in the tall tales Beyond the border and under the lark full cloud. There could I marvel My birthday Away but the weather turned around. It turned away from the blithe country And down the other air and the blue altered sky Streamed again a wonder of summer With apples Pears and red currants And I saw in the turning so clearly a child's Forgotten mornings when he walked with his mother Through the parables Of sun light And the legends of the green chapels And the twice told fields of infancy That his tears burned my cheeks and his heart moved in mine. These were the woods the river and sea Where a boy In the listening Summertime of the dead whispered the truth of his joy To the trees and the stones and the fish in the tide. And the mystery Sang alive Still in the water and singingbirds. And there could I marvel my birthday Away but the weather turned around. And the true Joy of the long dead child sang burning In the sun. It was my thirtieth Year to heaven stood there then in the summer noon Though the town below lay leaved with October blood. O may my heart's truth Still be sung On this high hill in a year's turning.
Dylan Thomas (Collected Poems)
There you see two typical members of the class which has down-trodden the poor for centuries. Idlers! Non-producers! Look at the tall thin one with the face like a motor-mascot. Has he ever done an honest day's work in his life? No! A prowler, a trifler, and a blood-sucker! And I bet he still owes his tailor for those trousers!" He seemed to me to be verging on the personal, and I didn't think a lot of it. Old Bittlesham, on the other hand, was pleased and amused. "A great gift of expression these fellows have," he chuckled. "Very trenchant." "And the fat one!" proceeded the chappie. "Don't miss him. Do you know who that is? That's Lord Bittlesham! One of the worst. What has he ever done except eat four square meals a day? His god is his belly, and he sacrifices burnt-offerings to it. If you opened that man now you would find enough lunch to support ten working-class families for a week." "You know, that's rather well put," I said, but the old boy didn't seem to see it. He had turned a brightish magenta and was bubbling like a kettle on the boil. "Come away, Mr Wooster," he said. "I am the last man to oppose the right of free speech, but I refuse to listen to this vulgar abuse any longer." We legged it with quiet dignity, the chappie pursuing us with his foul innuendoes to the last. Dashed embarrassing.
P.G. Wodehouse (The Inimitable Jeeves (Jeeves, #2))
See you at breakfast?" "Yeah.See ya." I try to say this casually,but I'm so thrilled that I skip from her room and promptly slam into a wall. Whoops.Not a wall.A boy. "Oof." He staggers backward. "Sorry! I'm so sorry,I didn't know you were there." He shakes his head,a little dazed. The first thing I notice is his hair-it's the first thing I notice about everyone. It's dark brown and messy and somehow both long and short at the same time. I think of the Beatles,since I've just seen them in Meredith's room. It's artist hair.Musician hair. I-pretend-I-don't-care-but-I-really-do-hair. Beautiful hair. "It's okay,I didn't see you either. Are you all right,then?" Oh my.He's English. "Er.Does Mer live here?" Seriously,I don't know any American girl who can resist an English accent. The boy clears his throat. "Meredith Chevalier? Tall girl? Big,curly hair?" Then he looks at me like I'm crazy or half deaf,like my Nanna Oliphant. Nanna just smiles and shakes her head whenever I ask, "What kind of salad dressing would you like?" or "Where did you put Granddad's false teeth?" "I'm sorry." He takes the smallest step away from me. "You were going to bed." "Yes! Meredith lives there.I've just spent two hours with her." I announce this proudly like my brother, Seany, whenever he finds something disgusting in the yard. "I'm Anna! I'm new here!" Oh God. What.Is with.The scary enthusiasm? My cheeks catch fire, and it's all so humiliating. The beautiful boy gives an amused grin. His teeth are lovely-straight on top and crooked on the bottom,with a touch of overbite. I'm a sucker for smiles like this,due to my own lack of orthodontia. I have a gap between my front teeth the size of a raisin. "Etienne," he says. "I live one floor up." "I live here." I point dumbly at my room while my mind whirs: French name, English accent, American school. Anna confused. He raps twice on Meredith's door. "Well. I'll see you around then, Anna." Eh-t-yen says my name like this: Ah-na. My heart thump thump thumps in my chest.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
The death of her father and mother and the rich acres of land that had come down to her had set a train of suitors on her heels. For two years she saw suitors almost every evening. Except two they were all alike. They talked to her of passion and there was a strained eager quality in their voices and in their eyes when they looked at her. The two who were different were much unlike each other. One of them, a slender young man with white hands, the son of a jeweler in Winesburg, talked continually of virginity. When he was with her he was never off the subject. The other, a black-haired boy with large ears, said nothing at all but always managed to get her into the darkness, where he began to kiss her. For a time the tall dark girl thought she would marry the jeweler's son. For hours she sat in silence listening as he talked to her and then she began to be afraid of something. Beneath his talk of virginity she began to think there was a lust greater than in all the others. At times it seemed to her that as he talked he was holding her body in his hands. She imagined him turning it slowly about in the white hands and staring at it. At night she dreamed that he had bitten into her body and that his jaws were dripping. She had the dream three times, then she became in the family way to the one who said nothing at all but who in the moment of his passion actually did bite her shoulder so that for days the marks of his teeth showed.
Sherwood Anderson (Short Shorts)
THAT IS WHERE THIS COUNTRY IS HEADED—IT IS HEADED TOWARD OVERSIMPLIFICATION. YOU WANT TO SEE A PRESIDENT OF THE FUTURE? TURN ON ANY TELEVISION ON ANY SUNDAY MORNING—FIND ONE OF THOSE HOLY ROLLERS: THAT’S HIM, THAT’S THE NEW MISTER PRESIDENT! AND DO YOU WANT TO SEE THE FUTURE OF ALL THOSE KIDS WHO ARE GOING TO FALL IN THE CRACKS OF THIS GREAT, BIG, SLOPPY SOCIETY OF OURS? I JUST MET HIM; HE’S A TALL, SKINNY, FIFTEEN-YEAR-OLD BOY NAMED ‘DICK.’ HE’S PRETTY SCARY. WHAT’S WRONG WITH HIM IS NOT UNLIKE WHAT’S WRONG WITH THE TV EVANGELIST—OUR FUTURE PRESIDENT. WHAT’S WRONG WITH BOTH OF THEM IS THAT THEY’RE SO SURE THEY’RE RIGHT! THAT’S PRETTY SCARY—THE FUTURE, I THINK, IS PRETTY SCARY.” That was when I woke up and saw him pause
John Irving (A Prayer for Owen Meany)
Gator, go wake that woman of yours. I need some answers. We need her to run the computers for us.” “Tonight, Boss?” Gator complained. “I had other ideas.” He wiggled his eyebrows suggestively. “We all did. Hop to it.” “What about Sam?” Tucker asked. “His woman is the one who got us into this.” “I’m wounded.” Sam clutched his abdomen dramatically and staggered with quick, long strides so that he made it to the doorway in three quick steps. Jonas coughed, sounding suspiciously like he’d muttered “bullshit” under his breath. Kyle threw a peanut at him and Jeff surfed across the table in his bare socks to try to catch him before he bolted. “He’s in love, boys, let him go. He’ll probably just get laughed at,” Tucker said. “Do you really think Azami’s brothers are going to allow her to hook up with Sam? She’s fine and he’s . . . well . . . klutzy.” “That hurt,” Sam said, turning back. “Did you get a good look at those boys? I thought Japanese men were supposed to be on the short side, but Daiki was tall and all muscle. His brother moves like a fucking fighter,” Tucker added. “They might just decide to give you a good beating for having the audacity to even think you could date their sister, let alone marry her.” “Fat help you are,” Sam accused. “I could use a little confidence here.” Kyle snorted. “You don’t have a chance, buddy.” “Goin’ to meet your maker,” Gator added solemnly. Jeff crossed himself as he hung five toes off the edge of the table. “Sorry, old son, you don’t have a prayer. You’re about to meet up with a couple of hungry sharks.” “Have you ever actually used a sword before?” Kadan asked, all innocent. Jonas drew his knife and began to sharpen it. “Funny thing about blade men, they always like to go for the throat.” He grinned up at Sam. “Just a little tip. Keep your chin down.” “You’re all a big help,” Sam said and stepped out into the hall. This was the biggest moment of his life. If they turned him down, he was lost.
Christine Feehan (Samurai Game (GhostWalkers, #10))
The Hunchback in the Park The hunchback in the park A solitary mister Propped between trees and water From the opening of the garden lock That lets the trees and water enter Until the Sunday sombre bell at dark Eating bread from a newspaper Drinking water from the chained cup That the children filled with gravel In the fountain basin where I sailed my ship Slept at night in a dog kennel But nobody chained him up. Like the park birds he came early Like the water he sat down And Mister they called Hey mister The truant boys from the town Running when he had heard them clearly On out of sound Past lake and rockery Laughing when he shook his paper Hunchbacked in mockery Through the loud zoo of the willow groves Dodging the park keeper With his stick that picked up leaves. And the old dog sleeper Alone between nurses and swans While the boys among willows Made the tigers jump out of their eyes To roar on the rockery stones And the groves were blue with sailors Made all day until bell time A woman figure without fault Straight as a young elm Straight and tall from his crooked bones That she might stand in the night After the locks and chains All night in the unmade park After the railings and shrubberies The birds the grass the trees the lake And the wild boys innocent as strawberries Had followed the hunchback To his kennel in the dark.
Dylan Thomas
him." "Oh, I wish we had the old days back again," exclaimed Jem. "I'd love to be a soldier—a great, triumphant general. I'd give EVERYTHING to see a big battle." Well, Jem was to be a soldier and see a greater battle than had ever been fought in the world; but that was as yet far in the future; and the mother, whose first-born son he was, was wont to look on her boys and thank God that the "brave days of old," which Jem longed for, were gone for ever, and that never would it be necessary for the sons of Canada to ride forth to battle "for the ashes of their fathers and the temples of their gods." The shadow of the Great Conflict had not yet made felt any forerunner of its chill. The lads who were to fight, and perhaps fall, on the fields of France and Flanders, Gallipoli and Palestine, were still roguish schoolboys with a fair life in prospect before them: the girls whose hearts were to be wrung were yet fair little maidens a-star with hopes and dreams. Slowly the banners of the sunset city gave up their crimson and gold; slowly the conqueror's pageant faded out. Twilight crept over the valley and the little group grew silent. Walter had been reading again that day in his beloved book of myths and he remembered how he had once fancied the Pied Piper coming down the valley on an evening just like this. He began to speak dreamily, partly because he wanted to thrill his companions a little, partly because something apart from him seemed to be speaking through his lips. "The Piper is coming nearer," he said, "he is nearer than he was that evening I saw him before. His long, shadowy cloak is blowing around him. He pipes—he pipes—and we must follow—Jem and Carl and Jerry and I—round and round the world. Listen— listen—can't you hear his wild music?" The girls shivered. "You know you're only pretending," protested Mary Vance, "and I wish you wouldn't. You make it too real. I hate that old Piper of yours." But Jem sprang up with a gay laugh. He stood up on a little hillock, tall and splendid, with his open brow and his fearless eyes. There were thousands like him all over the land of the maple. "Let the Piper come and welcome," he cried, waving
L.M. Montgomery (Rainbow Valley (Anne of Green Gables #7))
How old is she now?” “Oh, she’s twenty now.” She hesitated. She was obligated to end our little chat with a stylized flourish. The way it’s done in serial television. So she wet her little bunny mouth, sleepied her eyes, widened her nostrils, patted her hair, arched her back, stood canted and hip-shot, huskied her voice and said, “See you aroun’, huh?” “Sure, Marianne. Sure.” Bless them all, the forlorn little rabbits. They are the displaced persons of our emotional culture. They are ravenous for romance, yet settle for what they call making out. Their futile, acne-pitted men drift out of high school into a world so surfeited with unskilled labor there is competition for bag-boy jobs in the supermarkets. They yearn for security, but all they can have is what they make for themselves, chittering little flocks of them in the restaurants and stores, talking of style and adornment, dreaming of the terribly sincere stranger who will come along and lift them out of the gypsy life of the two-bit tip and the unemployment, cut a tall cake with them, swell them up with sassy babies, and guide them masterfully into the shoal water of the electrified house where everybody brushes after every meal. But most of the wistful rabbits marry their unskilled men, and keep right on working. And discover the end of the dream. They have been taught that if you are sunny, cheery, sincere, group-adjusted, popular, the world is yours, including barbecue pits, charge plates, diaper service, percale sheets, friends for dinner, washer-dryer combinations, color slides of the kiddies on the home projector, and eternal whimsical romance—with crinkly smiles and Rock Hudson dialogue. So they all come smiling and confident and unskilled into a technician’s world, and in a few years they learn that it is all going to be grinding and brutal and hateful and precarious. These are the slums of the heart. Bless the bunnies. These are the new people, and we are making no place for them. We hold the dream in front of them like a carrot, and finally say sorry you can’t have any. And the schools where we teach them non-survival are gloriously architectured. They will never live in places so fine, unless they contract something incurable.
John D. MacDonald (The Deep Blue Good-By)
Once there was a little girl who played her music for a little boy in the wood. She was small and dark, he was tall and fair, and the two of them made a fancy pair as they danced together, dancing to the music the little girl heard in her head. Her grandmother had told her to beware the wolves that prowled in the wood, but the little girl knew the little boy was not dangerous, even if he was the king of the goblins. Will you marry me, Elisabeth? the little boy asked, and the little girl did not wonder at how he knew her name. Oh, she replied, but I am too young to marry. Then I will wait, the little boy said. I will wait as long as you remember. And the little girl laughed as she danced with the Goblin King, the little boy who was always just a little older, a little out of reach. As the seasons turned and the years passed, the little girl grew older but the Goblin King remained the same. She washed the dishes, cleaned the floors, brushed her sister’s hair, yet still ran to the forest to meet her old friend in the grove. Their games were different now, truth and forfeit and challenges and dares. Will you marry me, Elisabeth? the little boy asked, and the little girl did not yet understand his question was not part of a game. Oh, she replied, but you have not yet won my hand. Then I will win, the little boy said. I will win until you surrender. And the little girl laughed as she played against the Goblin King, losing every hand and every round. Winter turned to spring, spring to summer, summer into autumn, autumn back into winter, but each turning of the year grew harder and harder as the little girl grew up while the Goblin King remained the same. She washed the dishes, cleaned the floors, brushed her sister’s hair, soothed her brother’s fears, hid her father’s purse, counted the coins, and no longer went into the woods to see her old friend. Will you marry me, Elisabeth? the Goblin King asked. But the little girl did not reply.
S. Jae-Jones (Wintersong (Wintersong, #1))
I fancy my father thought me an odd child, and had little fondness for me; though he was very careful in fulfilling what he regarded as a parent's duties. But he was already past the middle of life, and I was not his only son. My mother had been his second wife, and he was five-and-forty when he married her. He was a firm, unbending, intensely orderly man, in root and stem a banker, but with a flourishing graft of the active landholder, aspiring to county influence: one of those people who are always like themselves from day to day, who are uninfluenced by the weather, and neither know melancholy nor high spirits. I held him in great awe, and appeared more timid and sensitive in his presence than at other times; a circumstance which, perhaps, helped to confirm him in the intention to educate me on a different plan from the prescriptive one with which he had complied in the case of my elder brother, already a tall youth at Eton. My brother was to be his representative and successor; he must go to Eton and Oxford, for the sake of making connexions, of course: my father was not a man to underrate the bearing of Latin satirists or Greek dramatists on the attainment of an aristocratic position. But intrinsically, he had slight esteem for "those dead but sceptred spirits"; having qualified himself for forming an independent opinion by reading Potter's Aeschylus, and dipping into Francis's Horace. To this negative view he added a positive one, derived from a recent connexion with mining speculations; namely, that scientific education was the really useful training for a younger son. Moreover, it was clear that a shy, sensitive boy like me was not fit to encounter the rough experience of a public school. Mr. Letherall had said so very decidedly. Mr. Letherall was a large man in spectacles, who one day took my small head between his large hands, and pressed it here and there in an exploratory, suspicious manner - then placed each of his great thumbs on my temples, and pushed me a little way from him, and stared at me with glittering spectacles. The contemplation appeared to displease him, for he frowned sternly, and said to my father, drawing his thumbs across my eyebrows - 'The deficiency is there, sir-there; and here,' he added, touching the upper sides of my head, 'here is the excess. That must be brought out, sir, and this must be laid to sleep.' I was in a state of tremor, partly at the vague idea that I was the object of reprobation, partly in the agitation of my first hatred - hatred of this big, spectacled man, who pulled my head about as if he wanted to buy and cheapen it. ("The Lifted Veil")
George Eliot (The Lifted Veil (Fantasy and Horror Classics))
Thomas heard the stamping of hooves of horses, a shout of warning, and the Institute carriage came crashing through the Portal barely remaining on all four of its wheels as it came. Balios and Xanthos looked very pleased with themselves as the carriage spun in midair and landed, with a jarring thud, at the foot of the steps. Magnus Bane was in the driver’s seat, wearing a dramatic white opera scarf and holding the reins in his right hand. He looked even more pleased with himself than the horses. “I wondered if it was possible to ride a carriage through a Portal,” he said, jumping down from the seat. “As it turns out, it is. Delightful.” The carriage doors opened, and rather unsteadily, Will, Lucie, and a boy Thomas didn’t know clambered out. Lucie waved at Thomas before leaning against the side of the carriage; she was looking rather green about the gills. Will went around the carriage to unstrap the luggage, while the unfamiliar boy—tall and slender, with straight black hair and a pretty face—put a hand on Lucie’s shoulder. Which was surprising—it was an intimate gesture, one that would be considered impolite unless the boy and girl in question were friends or relatives, or had an understanding between them. It seemed, however, unlikely that Lucie could have an understanding with someone Thomas had never seen before. He rather bristled at the thought, in an older-brother way—James didn’t seem to be here, so someone had to do the bristling for him. “I told you it would work!” Will cried in Magnus’s direction. Magnus was busy magicking the unfastened baggage to the top of the steps, blue sparks darting like fireflies from his gloved fingertips. “We should have done that on the way out!” “You did not say it would work,” Magnus said. “You said, as I recall, ‘By the Angel, he’s going to kill us all.’ “Never,” said Will. “My faith in you is unshakable, Magnus. Which is good,” he added, rocking back and forth a little, “because the rest of me feels quite shaken indeed.
Cassandra Clare (Chain of Thorns (The Last Hours, #3))
Charley looked over at him. "About how much you and Jesse have in common." Jesse said, "Why don't you tell it, Bob; if you remember." Bob inched forward in his chair. "Well, if you'll pardon my saying so, it is interesting, the many ways you and I overlap and whatnot. You begin with my daddy, J.T. Ford. J stands for James! And T is Thomas, meaning 'twin.' Your daddy was a pastor of the New Hope Baptist Church; my daddy was part-time pastor of a church at Excelsior Springs. You're the youngest of the three James boys; I'm the youngest of the five Ford boys. You had twins as sons, I had twins as sisters. Frank is four and a half years older than you, which incidentally is the difference between Charley and me, the two outlaws in the Ford clan. Between us is another brother, Wilbur here (with six letters in his name); between Frank and you was a brother, Robert, also with six letters. Robert died in infancy, as most everyone knows, and he was named after your father, Robert, who was remembered by your brother's first-born, another Robert. Robert, of course, is my Christian name. My uncle, Robert Austin Ford, has a son named Jesse James Ford. You have blue eyes; I have blue eyes. You're five feet eight inches tall; I'm five feet eight inches tall. We're both hot-tempered and impulsive and devil-may-care. Smith and Wesson is our preferred make of revolver. There's the same number of letters and syllables in our names; I mean, Jesse James and Robert Ford. Oh me, I must've had a list as long as your nightshirt when I was twelve, but I lost some curiosities over the years.
Ron Hansen (The Assassination of Jesse James by the Coward Robert Ford)
at Dunkin’ Donuts, how did we move our anchor to Starbucks? This is where it gets really interesting. When Howard Shultz created Starbucks, he was as intuitive a businessman as Salvador Assael. He worked diligently to separate Starbucks from other coffee shops, not through price but through ambience. Accordingly, he designed Starbucks from the very beginning to feel like a continental coffeehouse. The early shops were fragrant with the smell of roasted beans (and better-quality roasted beans than those at Dunkin’ Donuts). They sold fancy French coffee presses. The showcases presented alluring snacks—almond croissants, biscotti, raspberry custard pastries, and others. Whereas Dunkin’ Donuts had small, medium, and large coffees, Starbucks offered Short, Tall, Grande, and Venti, as well as drinks with high-pedigree names like Caffè Americano, Caffè Misto, Macchiato, and Frappuccino. Starbucks did everything in its power, in other words, to make the experience feel different—so different that we would not use the prices at Dunkin’ Donuts as an anchor, but instead would be open to the new anchor that Starbucks was preparing for us. And that, to a great extent, is how Starbucks succeeded. GEORGE, DRAZEN, AND I were so excited with the experiments on coherent arbitrariness that we decided to push the idea one step farther. This time, we had a different twist to explore. Do you remember the famous episode in The Adventures of Tom Sawyer, the one in which Tom turned the whitewashing of Aunt Polly’s fence into an exercise in manipulating his friends? As I’m sure you recall, Tom applied the paint with gusto, pretending to enjoy the job. “Do you call this work?” Tom told his friends. “Does a boy get a chance to whitewash a fence every day?” Armed with this new “information,” his friends discovered the joys of whitewashing a fence. Before long, Tom’s friends were not only paying him for the privilege, but deriving real pleasure from the task—a win-win outcome if there ever was one. From our perspective, Tom transformed a negative experience to a positive one—he transformed a situation in which compensation was required to one in which people (Tom’s friends) would pay to get in on the fun. Could we do the same? We
Dan Ariely (Predictably Irrational: The Hidden Forces That Shape Our Decisions)