Bowling Strike Quotes

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Well then," Roen said briskly, "are you sleeping?" "Yes." "Come now. A mother can tell when her son lies. Are you eating?" "No," Brigan said gravely. "I've not eaten in two months. It's a hunger strike to protest the spring flooding in the south." "Gracious," Roen said, reaching for the fruit bowl. "Have an apple, dear.
Kristin Cashore (Fire (Graceling Realm, #2))
People want to be bowled over by something special. Nine times out of ten you might strike out, but that tenth time, that peak experience, is what people want. That's what can move the world. That's art.
Haruki Murakami
Leave the dishes. Let the celery rot in the bottom drawer of the refrigerator and an earthen scum harden on the kitchen floor. Leave the black crumbs in the bottom of the toaster. Throw the cracked bowl out and don't patch the cup. Don't patch anything. Don't mend. Buy safety pins. Don't even sew on a button. Let the wind have its way, then the earth that invades as dust and then the dead foaming up in gray rolls underneath the couch. Talk to them. Tell them they are welcome. Don't keep all the pieces of the puzzles or the doll's tiny shoes in pairs, don't worry who uses whose toothbrush or if anything matches, at all. Except one word to another. Or a thought. Pursue the authentic-decide first what is authentic, then go after it with all your heart. Your heart, that place you don't even think of cleaning out. That closet stuffed with savage mementos. Don't sort the paper clips from screws from saved baby teeth or worry if we're all eating cereal for dinner again. Don't answer the telephone, ever, or weep over anything at all that breaks. Pink molds will grow within those sealed cartons in the refrigerator. Accept new forms of life and talk to the dead who drift in though the screened windows, who collect patiently on the tops of food jars and books. Recycle the mail, don't read it, don't read anything except what destroys the insulation between yourself and your experience or what pulls down or what strikes at or what shatters this ruse you call necessity.
Louise Erdrich (Original Fire)
I gave my mother a matching set [of mugs] for Christmas, and she accepted them as graciously as possible, announcing that they would make the perfect pet bowls. The mugs were set on the kitchen floor and remained there until the cat chipped a tooth and went on a hunger strike.
David Sedaris
My robust lexicon notwithstanding, I struggle to find the right words to describe just how much I despise, hate, abhor, revile, detest and categorically abominate anything to do with home maintenance. While cooking strikes me as an essentially creative act, cleaning seems little more than an exercise in decay management, enough to trigger an existential crisis each time the ring around the toilet bowl reappears.
Rachel Held Evans (A Year of Biblical Womanhood)
Perhaps the greatest strike against philosophical pessimism is that its only theme is human suffering. This is the last item on the list of our species’ obsessions and detracts from everything that matters to us, such as the Good, the Beautiful, and a Sparking Clean Toilet Bowl. For the pessimist, everything considered in isolation from human suffering or any cognition that does not have as its motive the origins, nature, and elimination of human suffering is at base recreational, whether it takes the form of conceptual probing or physical action in the world—for example, delving into game theory or traveling in outer space, respectively. And by “human suffering,” the pessimist is not thinking of particular sufferings and their relief, but of suffering itself. Remedies may be discovered for certain diseases and sociopolitical barbarities may be amended. But those are only stopgaps. Human suffering will remain insoluble as long as human beings exist. The one truly effective solution for suffering is that spoken of in Zapffe’s “Last Messiah.” It may not be a welcome solution for a stopgap world, but it would forever put an end to suffering, should we ever care to do so. The pessimist’s credo, or one of them, is that nonexistence never hurt anyone and existence hurts everyone. Although our selves may be illusory creations of consciousness, our pain is nonetheless real.
Thomas Ligotti (The Conspiracy Against the Human Race)
Evil is not one large entity, but a collection of countless, small depravities brought up from the muck by petty men. Many have traded the enrichment of vision for a gray fog of mediocrity--the fertile inspiration of striving and growth, for mindless stagnation and slow decay--the brave new ground of the attempt, for the timid quagmire of apathy. Many of you have traded freedom not even for a bowl of soup, but worse, for the spoken empty feelings of others who say that you deserve to have a full bowl of soup provided by someone else. Happiness, joy, accomplishment, achievement . . . are not finite commodities, to be divided up. Is a child’s laughter to be divided and allotted? No! Simply make more laughter! Every person’s life is theirs by right. An individual’s life can and must belong only to himself, not to any society or community, or he is then but a slave. No one can deny another person their right to their life, nor seize by force what is produced by someone else, because that is stealing their means to sustain their life. It is treason against mankind to hold a knife to a man’s throat and dictate how he must live his life. No society can be more important than the individuals who compose it, or else you ascribe supreme importance, not to man, but to any notion that strikes the fancy of the society, at a never-ending cost of lives. Reason and reality are the only means to just laws; mindless wishes, if given sovereignty, become deadly masters. Surrendering reason to faith in unreasonable men sanctions their use of force to enslave you--to murder you. You have the power to decide how you will live your life. Those mean, unreasonable little men are but cockroaches, if you say they are. They have no power to control you but that which you grant them!
Terry Goodkind (Faith of the Fallen (Sword of Truth, #6))
Frustrated with drawing, I switched to the printmaking department, where I overturned great buckets of ink. After trying my hand at sculpture, I attempted pottery. During class critiques the teacher would lift my latest project from the table and I’d watch her arm muscles strain and tighten against the weight. With their thick, clumsy bases, my mugs weighed in at close to five pounds each. The color was muddy and the lips rough and uninviting. I gave my mother a matching set for Christmas, and she accepted them as graciously as possible, announcing that they would make the perfect pet bowls. The mugs were set on the kitchen floor and remained there until the cat chipped a tooth and went on a hunger strike.
David Sedaris (Me Talk Pretty One Day)
The soul is like the bowl of water, with the soul's impressions like the rays of light that strike the water. Now, if the water is disturbed, the light appears to be disturbed together with it — though of course it is not. So when someone loses consciousness, it is not the person's knowledge and virtues that are impaired, it is the breath that contains them. Once the breath returns to normal, knowledge and the virtues are restored to normal also.
Epictetus (Discourses and Selected Writings)
Happiness, in my experience, is like a bowl of bananas, because if you pay too much attention, it gets gobbled away, but if you forget all about it, either a robber steals it or it ends up rotten mush. It can be tricky to keep one’s happiness intact, and the interference of a supermarket strikes me as only making things trickier.
Lemony Snicket (Poison for Breakfast)
Mungo lunged at him then and cracked his fist off his chest. He dared him to strike back. Violence always preceded affection; Mungo didn’t know any other way. Mo-Maw would crack her Scholl sandal off his back, purpling bruises curdling his cream skin, then she would realize she had gone too far and pull him into the softness of her breast. Jodie would scold and demean his poorly wired brain and then, feeling guilty, make a heaped bowl of warm Weetabix and white sugar.
Douglas Stuart (Young Mungo)
To pragmatists, the letter Z is nothing more than a phonetically symbolic glyph, a minor sign easily learned, readily assimilated, and occasionally deployed in the course of a literate life. To cynics, Z is just an S with a stick up its butt. Well, true enough, any word worth repeating is greater than the sum of its parts; and the particular word-part Z can, from a certain perspective, appear anally wired. On those of us neither prosaic nor jaded, however, those whom the Fates have chosen to monitor such things, Z has had an impact above and beyond its signifying function. A presence in its own right, it’s the most distant and elusive of our twenty-six linguistic atoms; a mysterious, dark figure in an otherwise fairly innocuous lineup, and the sleekest little swimmer ever to take laps in a bowl of alphabet soup. Scarcely a day of my life has gone by when I’ve not stirred the alphabetical ant nest, yet every time I type or pen the letter Z, I still feel a secret tingle, a tiny thrill… Z is a whip crack of a letter, a striking viper of a letter, an open jackknife ever ready to cut the cords of convention or peel the peach of lust. A Z is slick, quick, arcane, eccentric, and always faintly sinister - although its very elegance separates it from the brutish X, that character traditionally associated with all forms of extinction. If X wields a tire iron, Z packs a laser gun. Zap! If X is Mike Hammer, Z is James Bond. If X marks the spot, Z avoids the spot, being too fluid, too cosmopolitan, to remain in one place. In contrast to that prim, trim, self-absorbed supermodel, I, or to O, the voluptuous, orgasmic, bighearted slut, were Z a woman, she would be a femme fatale, the consonant we love to fear and fear to love.
Tom Robbins
There is something about the two of us that seems to survive all things. Tragedy strikes and we wobble like bowling pins but return to our places, upright and beside each other.
Elizabeth O'Roark (Parallel (Parallel, #1))
At the bowling alley, Sam’s giant hands selected a marbled red ball and flung it through the air so that it could land on the oiled alley like a swan and score him, yes, his third strike.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
I won’t hold you, I won’t even refute you — go! — strike out for Italy on the winds, your realm across the sea. I hope, I pray, if the just gods still have any power, wrecked on the rocks mid-sea you’ll drink your bowl of pain to the dregs, crying out the name of Dido over and over, and worlds away I’ll hound you then with pitch-black flames, and when icy death has severed my body from its breath, then my ghost will stalk you through the world! You’ll pay, you shameless, ruthless — and I will hear of it, yes, the report will reach me even among the deepest shades of Death!
Virgil (The Aeneid)
She had been taught in her girlhood to fondle and cherish those long-necked, sinuous creatures, the phrases of Chopin, so free, so flexible, so tactile, which begin by seeking their ultimate resting-place somewhere beyond and far wide of the direction in which they started, the point which one might have expected them to reach, phrases which divert themselves in those fantastic bypaths only to return more deliberately—with a more premediated reaction, with more precision, as on a crystal bowl which, if you strike it, will ring and throb until you cry aloud in anguish—to clutch at one’s heart.
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
The soul is like a bowl of water, with the soul’s impressions like the rays of light that strike the water. [21] Now, if the water is disturbed, the light appears to be disturbed together with it – though of course it is not.
Epictetus (Discourses and Selected Writings (Classics))
She had learned in her girlhood to fondle and cherish those long sinuous phrases of Chopin, so free, so flexible, so tactile, which begin by reaching out and exploring far outside and away from the direction in which they started, far beyond the point which one might have expected their notes to reach, and which divert themselves in those byways of fantasy only to return more deliberately—with a more premeditated reprise, with more precision, as on a crystal bowl that reverberates to the point of making you cry out—to strike at your heart. Brought
Marcel Proust (In Search of Lost Time: The Complete Masterpiece)
Blake studied the satisfied expression on Eliza’s face. Like a cat just finished the last bowl of cream. His hand rose involuntarily—how he’d like to strike her! Elisa barely flinched. But Blake wasn’t going to assault the woman. Instead he dropped his hand slightly and carefully traced his finger down her cheek until it rested above a strategically placed, heart-shaped beauty spot. He peeled off the tiny piece of black leather and held it between his index finger and thumb, studying it with apparent fascination. “We have one thing in common, Aunt ‘Lizzie’. We have both lost our hearts. But our likeness stops there. Unlike you, I wish to find mine.” After flicking her beauty spot onto the floor, he stepped on it and strode out of her parlour.
Tanya Kaley (Lady Highwayman)
...but tonight he remembered only the warm rooms and the faces of men and women bent over their bowls of steaming soup, and the children already asleep in their beds. He felt for them all a profound love, and he glowed. The moment of his loving was in the world of time merely sixty seconds ticked out by his watch, but in another dimension it was an arc of light encircling the city and leaving not one heart within it untouched by blessedness. Then the clocks began to strike, and the light of the ugly little man's moment of self-forgetfulness was drawn back again into the deep warmth within him. And he understood nothing of what had happened to him, only that now, for a little while, for a few moments or a few days, he would be happy and feel safe.
Elizabeth Goudge (The Dean's Watch)
This is like the Six Sigma approach to quality. Six Sigma refers to the quest for continuous improvement, ultimately leading to 3.4 defects per million units. The problem is that once you’re heading down this road, there’s no room left for amazing improvements and remarkable innovations. Either you rolled ten strikes or you didn’t. Organizations that earn dramatic success always do it in markets where asymptotes don’t exist, or where they can be shattered. If you could figure out how to bowl 320, that would be amazing. Until that happens, pick a different sport if you want to be a linchpin.
Seth Godin (Linchpin: Are You Indispensable?)
During the next week, everyone noticed that my appetite had improved, even Toddy. “Are you done with your hunger strike?” he asked me curiously, one morning. “Toddy, eat your breakfast.” “But I thought that was what it was called. When people don’t eat.” “No, a hunger strike is for people in prison,” Kitsey said coolly. “Kitten,” said Mr. Barbour, in a warning tone. “Yes, but he ate three waffles yesterday,” said Toddy, looking eagerly between his uninterested parents in an attempt to engage them. “I only ate two waffles. And this morning he ate a bowl of cereal and six pieces of bacon, but you said five pieces of bacon was too much for me. Why can’t I have five pieces, too?
Donna Tartt (The Goldfinch)
Through her sublimity?" "Through her noble, lonely life. Only--that's essential--it mustn't be lonely. It will be all right if she marries." "So we're to marry her?" "We're to marry her. It will be," Mrs. Assingham continued, "the great thing I can do." She made it out more and more. "It will make up." "Make up for what?" As she said nothing, however, his desire for lucidity renewed itself. "If everything's so all right what is there to make up for?" "Why, if I did do either of them, by any chance, a wrong. If I made a mistake." "You'll make up for it by making another?" And then as she again took her time: "I thought your whole point is just that you're sure." "One can never be ideally sure of anything. There are always possibilities." "Then, if we can but strike so wild, why keep meddling?" It made her again look at him. "Where would you have been, my dear, if I hadn't meddled with YOU?" "Ah, that wasn't meddling--I was your own. I was your own," said the Colonel, "from the moment I didn't object.
Henry James (The Golden Bowl)
He was forever wallowing in the mire, dirtying his nose, scrabbling his face, treading down the backs of his shoes, gaping at flies and chasing the butterflies (over whom his father held sway); he would pee in his shoes, shit over his shirt-tails, [wipe his nose on his sleeves,] dribble snot into his soup and go galumphing about. [He would drink out of his slippers, regularly scratch his belly on wicker-work baskets, cut his teeth on his clogs, get his broth all over his hands, drag his cup through his hair, hide under a wet sack, drink with his mouth full, eat girdle-cake but not bread, bite for a laugh and laugh while he bit, spew in his bowl, let off fat farts, piddle against the sun, leap into the river to avoid the rain, strike while the iron was cold, dream day-dreams, act the goody-goody, skin the renard, clack his teeth like a monkey saying its prayers, get back to his muttons, turn the sows into the meadow, beat the dog to teach the lion, put the cart before the horse, scratch himself where he ne’er did itch, worm secrets out from under your nose, let things slip, gobble the best bits first, shoe grasshoppers, tickle himself to make himself laugh, be a glutton in the kitchen, offer sheaves of straw to the gods, sing Magnificat at Mattins and think it right, eat cabbage and squitter puree, recognize flies in milk, pluck legs off flies, scrape paper clean but scruff up parchment, take to this heels, swig straight from the leathern bottle, reckon up his bill without Mine Host, beat about the bush but snare no birds, believe clouds to be saucepans and pigs’ bladders lanterns, get two grists from the same sack, act the goat to get fed some mash, mistake his fist for a mallet, catch cranes at the first go, link by link his armour make, always look a gift horse in the mouth, tell cock-and-bull stories, store a ripe apple between two green ones, shovel the spoil back into the ditch, save the moon from baying wolves, hope to pick up larks if the heavens fell in, make virtue out of necessity, cut his sops according to his loaf, make no difference twixt shaven and shorn, and skin the renard every day.]
François Rabelais (Gargantua and Pantagruel)
As I write this note, it is May 2020, and the world is battling the coronavirus pandemic. My husband’s best friend, Tom, who was one of the earliest of our friends to encourage my writing and who was our son’s godfather, caught the virus last week and has just passed away. We cannot be with his widow, Lori, and his family to mourn. Three years ago, I began writing this novel about hard times in America: the worst environmental disaster in our history; the collapse of the economy; the effect of massive unemployment. Never in my wildest dreams did I imagine that the Great Depression would become so relevant in our modern lives, that I would see so many people out of work, in need, frightened for the future. As we know, there are lessons to be learned from history. Hope to be derived from hardships faced by others. We’ve gone through bad times before and survived, even thrived. History has shown us the strength and durability of the human spirit. In the end, it is our idealism and our courage and our commitment to one another—what we have in common—that will save us. Now, in these dark days, we can look to history, to the legacy of the Greatest Generation and the story of our own past, and take strength from it. Although my novel focuses on fictional characters, Elsa Martinelli is representative of hundreds of thousands of men, women, and children who went west in the 1930s in search of a better life. Many of them, like the pioneers who went west one hundred years before them, brought nothing more than a will to survive and a hope for a better future. Their strength and courage were remarkable. In writing this story, I tried to present the history as truthfully as possible. The strike that takes place in the novel is fictional, but it is based on strikes that took place in California in the thirties. The town of Welty is fictional as well. Primarily where I diverged from the historical record was in the timeline of events. There are instances in which I chose to manipulate dates to better fit my fictional narrative. I apologize in advance to historians and scholars of the era. For more information about the Dust Bowl years or the migrant experience in California, please go to my website KristinHannah.com for a suggested reading list.
Kristin Hannah (The Four Winds)
THE most important divide in America today is class, not race, and the place where it matters most is in the home. Conservatives have been banging on about family breakdown for decades. Now one of the nation’s most prominent liberal scholars has joined the chorus. Robert Putnam is a former dean of Harvard’s Kennedy School of Government and the author of “Bowling Alone” (2000), an influential work that lamented the decline of social capital in America. In his new book, “Our Kids”, he describes the growing gulf between how the rich and the poor raise their children. Anyone who has read “Coming Apart” by Charles Murray will be familiar with the trend, but Mr Putnam adds striking detail and some excellent graphs (pictured). This is a thoughtful and
Anonymous
ant to spruce up your bathroom? Don't hesitate to hang pictures in there. Plaques, posters, framed magazine covers-whatever strikes your fancy. Mirrors and clocks are naturals too. Flowers are always a plus. Seashells are also at home in the bathroom. Put them in a bowl, hang them, or glue them to a frame. Add favorite bathroom accessories such as lamps and scented candles. Potpourri gives everything a special ambience. Put in a few unexpected touches to make your bathroom unique. A guaranteed hope-producer is spending time with children. Get down on the floor and talk to them. And listen to them. Let their youth and enthusiasm rub off on you. And here's the best tip of all, taken from Psalm 39:7: "But now, Lord, what do I look for? My hope is in you." May the God of hope fill you with all joy and peace as you trust in Him. ey, if little things can drag you down, then little things can also pick you up! Here are a few ideas. • Always keep something green in a little vase or pot by your kitchen sink. And I'm not talking about cash-I'm talking plants.
Emilie Barnes (365 Things Every Woman Should Know)
The New Dog I. “I’m intensely afraid of almost everything. Grocery bags, potted poinsettias, bunches of uprooted weeds wilting on a hot sidewalk, clothes hangers, deflated rubber balls, being looked in the eye, crutches, an overcoat tossed across the back of a chair (everybody knows empty overcoats house ghosts), children, doorways, music, human hands and the newspaper rustling as my owner, in striped pajamas, drinks coffee and turns its pages. He wants to find out where there’ll be war in the mid-east this week. Afraid even of eating, if someone burps or clinks a glass with a fork, or if my owner turns the kitchen faucet on to wash his hands during my meal I go rigid with fear, my legs buckle, then I slink from the room. I pee copiously if my food bowl is placed on the floor before the other dogs’. I have to be served last or the natural order of things - in which every moment I am about to be sacrificed - (have my heart ripped from my chest by the priest wielding his stone knife or get run out of the pack by snarling, snapping alphas) - the most sacred hierarchy, that fated arrangement, the glue of the universe, will unstick. The evolution will never itself, and life as we know it will subside entirely, until only the simplest animal form remain - jellyfish headless globs of cells, with only microscopic whips for legs and tails. Great swirling arms of gas will arm wrestle for eons to win cosmic dominance. Starless, undifferentiated chaos will reign. II. I alone of little escaped a hell of beating, neglect, and snuffling dumpsters for sustenance before this gullible man adopted me. Now my new owner would like me to walk nicely by his side on a leash (without cowering or pulling) and to lie down on a towel when he asks, regardless of whether he has a piece of bologna in his pocket or not. I’m growing fond of that optimistic young man in spite of myself. If only he would heed my warnings I’d pour out my thoughts to him: When panic strikes you like a squall wind and disaster falls on you like a gale, when you are hunted and scorned, wisdom shouts aloud in the streets: What is consciousness? What is sensation? What is mind? What is pain? What about the sorrows of unwatered houseplants? What indoor cloudburst will slake their thirst? What of my littler brothers and sisters, dead at the hands of dirty two legged brutes? Who’s the ghost in the universe behind its existence, necessary to everything that happens? Is it the pajama-clad man offering a strip of bacon in his frightening hand (who’ll take me to the park to play ball if he ever gets dressed)? Is it his quiet, wet-eyed, egg-frying wife? Dear Lord, Is it me?
Amy Gerstler (Ghost Girl)
Ignoring all the whispering couples around him, Vaughn taught me to bowl while I faked like I cared. We were both on the outs and I suspected he wanted to find a new buddy now that Judd was attached to his angel. Every time Tawny laughed, Vaughn’s frown darkened. “You should be happy for them,” I said as he guided me towards the alley. “I am. Fucking overwhelmed with happiness. Now, pay attention.” When I flinched at his tone, Vaughn sighed. “It gets boring when your best friend is busy mating like a rabbit.” “My best friend ditched me too, so I found new friends. Maybe you should too.” “Crap no. Sounds like too much effort.” I grinned. “You could play with Bailey. Here, she comes.” Vaughn didn’t even glance at the arriving blonde who threw her hands in the air. “I got dumped again! Men suck! I hate them all!” she cried, enjoying a hug from Tawny. “Who wants to set me up now?” “I thought you hated men,” Tucker mumbled with his mouth full of a hot dog. “I do, but one of them has got to work, right? Everyone in the world gets someone good, but I get shit. It’s not fair. I’m nicer than anyone ever.” This comment elicited laughter from the crew including Vaughn who took my bowling ball and rolled it for me. “Look,” he said,” you got a strike. I’m an excellent teacher.” “Best ever.
Bijou Hunter (Damaged and the Cobra (Damaged, #3))
Sometimes she rode east to Camp Pendleton, where she watched a movie or bowled at Stars and Strikes or played pool with Marines. The young ones were the loneliest, so she always found a pack of privates, awkward with their shorn heads and big boots, and by the end of the night, she usually ended up kissing one of them until kissing made her feel like crying.
Brit Bennett (The Mothers)
Word arrived from a more distant district that its public crier had likewise observed the turret clock striking the hour before he had finished his new year’s recital. What made this notable was that his district’s clock employed a different mechanism, one in which the hours were marked by the flow of mercury into a bowl. Here the discrepancy could not be explained by a common mechanical fault. Most people suspected fraud, a practical joke perpetrated by mischief-makers. I had a different suspicion, a darker one that I dared not voice, but it decided my course of action; I would proceed with my experiment.
Ted Chiang (Exhalation)
She reached for a nearby bowl. “Would you like more sauce, sweeting?” His fingers strangled the stem of his wineglass. She could practically hear the grapes calling for help. She hoped that was a good sign. “If you don’t cease that nonsense,” he said, “you will regret it.” “Is that so, my heart?” He plunked one forearm on the table and turned to face her. Piercing blue eyes, striking scars, and all. “Yes.
Tessa Dare (The Duchess Deal (Girl Meets Duke, #1))
The decades between the Civil War and World War I were also an epoch of rapid population growth and urbanization. Between 1870 and 1900 national population nearly doubled from 40 million to 76 million, while the population of cities tripled from 10 million to 30 million. … Year after year an endless stream of hopeful emigrants from American farms and European villages poured into the anonymous teeming cities of tenements and skyscrapers. These migrants were living now not merely in a new community, but in a setting so unfamiliar and disjointed that many doubted it deserved the term community at all. Most of the new urban dwellers were also living in a new country. In the thirty years between 1870 and 1900, nearly 12 million persons immigrated to the United States, more than had come to our shores in the previous two and a half centuries. In the following fourteen years nearly another 13 million would arrive. In 1870 one-third of all industrial workers in America were foreign born. By 1900 more than half were. In 1890, immigrant adults actually outnumbered native adults in eighteen of the twenty cities with a population over 100,000. … To those who lived through this epoch, what was most striking was simply the overwhelmingly accelerated pace of change itself. We often speak easily about the rapid pace of change in our own time. However, nothing in the experience of the average American at the end of the twentieth century matches the wrenching transformation experienced at the beginning of the century by an immigrant raised as a peasant in a Polish village little changed from the sixteenth century who within a few years was helping to construct the avant-garde skyscrapers of Louis Sullivan in the city of ‘big shoulders’ besides Lake Michigan. Even for native-born Americans, the pace of change in the last decades of the nineteenth century was extraordinary. A Bostonian Henry Adams later wrote of his own boyhood, ‘The American boy of 1854 stood nearer the year 1 than to the year 1900.
Robert D. Putnam (Bowling Alone: The Collapse and Revival of American Community)
The decades between the Civil War and World War I were also an epoch of rapid population growth and urbanization. Between 1870 and 1900 national population nearly doubled from 40 million to 76 million, while the population of cities tripled from 10 million to 30 million. … Year after year an endless stream of hopeful emigrants from American farms and European villages poured into the anonymous teeming cities of tenements and skyscrapers. These migrants were living now not merely in a new community, but in a setting so unfamiliar and disjointed that many doubted it deserved the term community at all. Most of the new urban dwellers were also living in a new country. In the thirty years between 1870 and 1900, nearly 12 million persons immigrated to the United States, more than had come to our shores in the previous two and a half centuries. In the following fourteen years nearly another 13 million would arrive. In 1870 one-third of all industrial workers in America were foreign born. By 1900 more than half were. In 1890, immigrant adults actually outnumbered native adults in eighteen of the twenty cities with a population over 100,000. … To those who lived through this epoch, what was most striking was simply the overwhelmingly accelerated pace of change itself. We often speak easily about the rapid pace of change in our own time. However, nothing in the experience of the average American at the end of the twentieth century matches the wrenching transformation experienced at the beginning of the century by an immigrant raised as a peasant in a Polish village little changed from the sixteenth century who within a few years was helping to construct the avant-garde skyscrapers of Louis Sullivan in the city of ‘big shoulders’ besides Lake Michigan. Even for native-born Americans, the pace of change in the last decades of the nineteenth century was extraordinary. A Bostonian Henry Adams later wrote of his own boyhood, ‘The American boy of 1854 stood nearer the year 1 than to the year 1900.
Robert D. Putnam (Bowling Alone: The Collapse and Revival of American Community)
A women was beat to death by the police in the hall of the east entrance, and another woman was shot inside. The woman beat to death was Rosanne Boyland. The media reported she died from a drug overdose, and that her fellow protestors trampled her. It is not hard, however, to find the video of a female officer striking her repeatedly, until she was motionless, until the officer’s baton breaks. That officer was commended for her actions. She was invited to the Super Bowl. She was paraded around like a hero. Good job beating a white female conservative unconscious. Good job continuing to beat her to death.
Liberty Justice (January 6: A Patriot's Story)
Once, a preacher joined a postal carrier making his rounds in No Man’s Land. The sky turned black and lightning flashed. Bolts struck the ground and electrified barbed-wire fences. The preacher cowered for cover. The carrier told him to relax. “God isn’t that awful,” he said. “Lightning will never strike a mailman or a preacher.” Within ten years, God would change moods.
Timothy Egan (The Worst Hard Time: The Untold Story of Those Who Survived the Great American Dust Bowl)
This is a sport where a ball with three holes is thrown down a wooden lane. The goal is to knock down as many pins as possible. If you hit all 10 in the first throw, it is a strike. If all 10 are knocked down on the second throw it is called a spare. Bowling remains popular in as many as 90 countries.
Jenny River (Sports! A Kids Book About Sports - Learn About Hockey, Baseball, Football, Golf and More)
Maybe tangled will be a spectacular rump. maybe i will adore it: it could happen. But one thing is for sure: tangled will not be rapunzel. And thats too bad , because rapunzel is an specially layered and relevant fairytale, less about the love between a man and a woman than the misguided attempts of a mother trying to protect her daughter from (what she perceives ) as the worlds evils. The tale, you may recall, begins with a mother-to-bes yearning for the taste of rapunzel, a salad green she spies growing in the garden of the sorceress who happens to live next door. The womans craving becomes so intense , she tells her husband that if he doesn't fetch her some, she and their unborn baby will die. So he steals into the baby's yard, wraps his hands around a plant, and, just as he pulls... she appears in a fury. The two eventually strike a bargain: the mans wife can have as much of the plant as she wants- if she turns over her baby to the witch upon its birth. `i will take care for it like a mother,` the sorceress croons (as if that makes it all right). Then again , who would you rather have as a mom: the woman who would do anything for you or the one who would swap you in a New York minute for a bowl of lettuce? Rapunzel grows up, her hair grows down, and when she is twelve-note that age-Old Mother Gothel , as she calls the witch. leads her into the woods, locking her in a high tower which offers no escape and no entry except by scaling the girls flowing tresses. One day, a prince passes by and , on overhearing Rapunzel singing, falls immediately in love (that makes Rapunzel the inverse of Ariel- she is loved sight unseen because of her voice) . He shinnies up her hair to say hello and , depending on the version you read, they have a chaste little chat or get busy conceiving twins. Either way, when their tryst is discovered, Old Mother Gothel cries, `you wicked child! i thought i had separated you from the world, and yet you deceived me!` There you have it : the Grimm`s warning to parents , centuries before psychologists would come along with their studies and measurements, against undue restriction . Interestingly the prince cant save Rapuzel from her foster mothers wrath. When he sees the witch at the top of the now-severed braids, he jumps back in surprise and is blinded by the bramble that breaks his fall. He wanders the countryside for an unspecified time, living on roots and berries, until he accidentally stumbles upon his love. She weeps into his sightless eyes, restoring his vision , and - voila!- they rescue each other . `Rapunzel` then, wins the prize for the most egalitarian romance, but that its not its only distinction: it is the only well-known tale in which the villain is neither maimed nor killed. No red-hot shoes are welded to the witch`s feet . Her eyes are not pecked out. Her limbs are not lashed to four horses who speed off in different directions. She is not burned at the stake. Why such leniency? perhaps because she is not, in the end, really evil- she simply loves too much. What mother has not, from time to time, felt the urge to protect her daughter by locking her in a tower? Who among us doesn't have a tiny bit of trouble letting our children go? if the hazel branch is the mother i aspire to be, then Old Mother Gothel is my cautionary tale: she reminds us that our role is not to keep the world at bay but to prepare our daughters so they can thrive within it. That involves staying close but not crowding them, standing firm in one`s values while remaining flexible. The path to womanhood is strewn with enchantment , but it also rifle with thickets and thorns and a big bad culture that threatens to consume them even as they consume it. The good news is the choices we make for our toodles can influence how they navigate it as teens. I`m not saying that we can, or will, do everything `right,` only that there is power-magic-in awareness.
Peggy Orenstein (Cinderella Ate My Daughter: Dispatches from the Frontlines of the New Girlie-Girl Culture)
The Patriots’ quarterback, Tom Brady, had scored touchdowns in far less time. Sure enough, within seconds of the start of play, Brady moved his team halfway down the field. With seventeen seconds remaining, the Patriots were within striking distance, poised for a final big play that would hand Dungy another defeat and crush, yet again, his team’s Super Bowl dreams. As the Patriots approached the line of scrimmage, the Colts’ defense went into their stances. Marlin Jackson, a Colts cornerback, stood ten yards back from the line. He looked at his cues: the width of the gaps between the Patriot linemen and the depth of the running back’s stance. Both told him this was going to be a passing play. Tom Brady, the Patriots’ quarterback, took the snap and dropped back to pass. Jackson was already moving. Brady cocked his arm and heaved the ball. His intended target was a Patriot receiver twenty-two yards away, wide open, near the middle of the field. If the receiver caught the ball, it was likely he could make it close to the end zone or score a touchdown. The football flew through the air. Jackson, the Colts cornerback, was already running at an angle, following his habits. He rushed past the receiver’s right shoulder, cutting in front of him just as the ball arrived. Jackson plucked the ball out of the air for an interception, ran a few more steps and then slid to the ground, hugging the ball to his chest. The whole play had taken less than five seconds. The game was over. Dungy and the Colts had won. Two weeks later, they won the Super Bowl. There are dozens of reasons that might explain why the Colts finally became champions that year. Maybe they got lucky. Maybe it was just their time. But Dungy’s players say it’s because they believed, and because that belief made everything they had learned—all the routines they had practiced until they became automatic—stick, even at the most stressful moments. “We’re proud to have won this championship for our leader, Coach Dungy,” Peyton Manning told the crowd afterward, cradling the Lombardi Trophy. Dungy turned to his wife. “We did it,” he said.
Charles Duhigg (The Power Of Habit: Why We Do What We Do In Life And Business)
We have used the same model for analyzing the off spinners, the left-arm spinners and the fast bowlers too but it is only in this chapter that we will burden the readers with the details and logic of our model building. Our premise is that every aspect of bowling performance—wickets, strike rate (SR), bowling average, five wickets in an innings, 10 wickets in a match and the wickets taken in away matches—has a bearing on determining the overall value or effectiveness of the bowler. In order to arrive at a composite overall effectiveness index, we used the SR, bowling average, five wickets in an innings, 10 wickets in a match and the proportion of wickets taken away from home to create a relative index and converted each bowler’s performance in each of these factors into his individual index score. To calculate the index for a particular parameter, let us demonstrate with the example of Warne’s index for SR. His SR is 57.4. The cumulative SR of 38 players in our list is 2760.7 and so Warne’s SR Index is 57.4/2760.7 expressed as a percentage which is 2.7. A similar index for each parameter is calculated for each of the players. The aggregate of the index for the five parameters—SR, bowling average, five wickets/innings, 10 wickets/match and proportion of away wickets—of each player provides us a score for each bowler. And as you would have noted from the way we calculated the SR Index, the lower this score the better is the bowler’s rating; thus the one with the lowest score is best in class and the ranks would progressively go down as the individual index scores went up. Let us call this aggregated score as “Bowler Index Score.” But this “Bowler Index Score” does not recognize or give weightage to the number of wickets that a bowler had taken. The number of wickets reflects a bowler’s longevity at the highest level of the game. Since 38 bowlers in our list range from an extreme high of 708 wickets to an extreme low of 40 wickets, we decided to convert the wickets to their logarithmic value. (Log W for 100 wickets has a value of 2.0, for 200 wickets would have a value of 2.3 and for 400 would be 2.6 and so on.) In order to retain consistency in the convention of lowest figures indicating highest degree of effectiveness, we created an overall Effectiveness Index by dividing the Bowler Index Score by the Log value of the wickets taken. Thus, Effectiveness Index = Bowler Index Score/Log W.
S. Giridhar (Mid-Wicket Tales: From Trumper to Tendulkar)
Our bodies collide, and my heart clatters like bowling pins with the strike of our kiss. It’s a never forget this kiss. A best kiss of my life kiss. An I always want to kiss only you kiss.
Chloe Liese (Two Wrongs Make a Right (The Wilmot Sisters #1))