β
The tragedy is not that things are broken. The tragedy is that things are not mended again.
β
β
Alan Paton (Cry, the Beloved Country)
β
But there is only one thing that has power completely, and this is love. Because when a man loves, he seeks no power, and therefore he has power.
β
β
Alan Paton (Cry, the Beloved Country)
β
I have one great fear in my heart, that one day when they are turned to loving, they will find that we are turned to hating.
β
β
Alan Paton (Cry, the Beloved Country)
β
Cry, the beloved country, for the unborn child that's the inheritor of our fear. Let him not love the earth too deeply. Let him not laugh too gladly when the water runs through his fingers, nor stand too silent when the setting sun makes red the veld with fire. Let him not be too moved when the birds of his land are singing. Nor give too much of his heart to a mountain or a valley. For fear will rob him if he gives too much.
β
β
Alan Paton (Cry, the Beloved Country)
β
Pain and suffering, they are a secret. Kindness and love, they are a secret. But I have learned that kindness and love can pay for pain and suffering.
β
β
Alan Paton (Cry, the Beloved Country)
β
The truth is, our civilization is not Christian; it is a tragic compound of great ideal and fearful practice, of loving charity and fearful clutching of possessions.
β
β
Alan Paton (Cry, the Beloved Country)
β
The Judge does not make the law. It is people that make the law. Therefore if a law is unjust, and if the Judge judges according to the law, that is justice, even if it is not just.
β
β
Alan Paton (Cry, the Beloved Country)
β
For it is the dawn that has come, as it has come for a thousand centuries, never failing.
β
β
Alan Paton (Cry, the Beloved Country)
β
I have never thought that a Christian would be free of suffering, umfundisi. For our Lord suffered. And I come to believe that he suffered, not to save us from suffering, but to teach us how to bear suffering. For he knew that there is no life without suffering.
β
β
Alan Paton (Cry, the Beloved Country)
β
Happy the eyes that can close
β
β
Alan Paton (Cry, the Beloved Country)
β
Sorrow is better than fear. Fear is a journey,a terrible journey, but sorrow is at least an arrival.
When the storm threatens, a man is afraid for his house. But when the house is destroyed, there is something to do. About a storm he can do nothing, but he can rebuild a house.
β
β
Alan Paton (Cry, the Beloved Country)
β
because life slips away, and because I need for the rest of my journey a star that will not play false to me, a compass that will not lie.
β
β
Alan Paton (Cry, the Beloved Country)
β
For who can stop the heart from breaking?
β
β
Alan Paton (Cry, the Beloved Country)
β
It is not permissible for us to go on destroying the family life when we know that we are destroying it.
β
β
Alan Paton (Cry, the Beloved Country)
β
But when that dawn will come, of our emancipation, from the fear of bondage and the bondage of fear, why, that is a secret.
β
β
Alan Paton (Cry, the Beloved Country)
β
It was not his habit to dwell on what might have been but what could never be.
β
β
Alan Paton (Cry, the Beloved Country)
β
And were your back as broad as heaven, and your purse full of gold, and did your compassion reach from here to hell itself, there is nothing you can do.
β
β
Alan Paton (Cry, the Beloved Country)
β
Indeed, mother, you are always our helper."
"For what else are we born?
β
β
Alan Paton (Cry, the Beloved Country)
β
I see only one hope for our country, and that is when white men and black men, desiring neither power nor money, but desiring only the good for their country, come together to work for it.
I have one great fear in my heart, that one day when they are turned to loving, they will find we are turned to hating.
β
β
Alan Paton (Cry, the Beloved Country)
β
β This world is full of trouble, umfundisi.
β Who knows it better?
β Yet you believe?
Kumalo looked at him under the light of the lamp. I believe, he said, but I have learned that it is a secret. Pain and suffering, they are a secret. Kindness and love, they are a secret. But I have learned that kindness and love can pay for pain and suffering. There is my wife, and you, my friend, and these people who welcomed me, and the child who is so eager to be with us here in Ndotsheni β so in my suffering I can believe.
β I have never thought that a Christian would be free of suffering, umfundisi. For our Lord suffered. And I come to believe that he suffered, not to save us from suffering, but to teach us how to bear suffering. For he knew that there is no life without suffering.
Kumalo looked at his friend with joy. You are a preacher, he said.
β
β
Alan Paton (Cry, the Beloved Country)
β
There is not much talking now. A silence falls upon them all. This is no time to talk of hedges and fields, or the beauties of any country. Sadness and fear and hate, how they well up in the heart and mind, whenever one opens pages of these messengers of doom. Cry for the broken tribe, for the law and the custom that is gone. Aye, and cry aloud for the man who is dead, for the woman and children bereaved. Cry, the beloved country, these things are not yet at an end. The sun pours down on the earth, on the lovely land that man cannot enjoy. He knows only the fear of his heart.
β
β
Alan Paton (Cry, the Beloved Country)
β
What broke in a man when he could bring himself to kill another? What broke when he could bring himself to thrust down the knife into the warm flesh, to bring down the axe on the living head, to cleave down between the seeing eyes, to shoot the gun that would drive death into the beating heart?
β
β
Alan Paton (Cry, the Beloved Country)
β
One thing is about to be finished, but here is something that is only begun. And while I live it will continue
β
β
Alan Paton (Cry, the Beloved Country)
β
We do not work for men. We work for the land and the people. We do not even work for money.
β
β
Alan Paton (Cry, the Beloved Country)
β
Deep down the fear of a man who lives in a world not made for him, whose own world is slipping away, dying, being destroyed, beyond any recall.
β
β
Alan Paton (Cry, the Beloved Country)
β
Therefore let us sell our labour for what it is worth. And if an industry cannot buy our labour, let that industry die. But let us not sell our labour cheap to keep an industry alive.
β
β
Alan Paton (Cry, the Beloved Country)
β
[S]orrow is better than fear. For fear impoverishes always, while sorrow may enrich ... Sorrow is better than fear. Fear is a journey, a terrible journey, but sorrow is at least an arriving.
β
β
Alan Paton (Cry, the Beloved Country)
β
In the deserted harbour there is yet water that laps against the quays. In the dark and silent forest, there is a leaf that falls. Behind the polished panelling the white ant eats away the wood. Nothing is ever quiet, except for fools
β
β
Alan Paton (Cry, the Beloved Country)
β
The judge does not make the law. It is the people that make the law. It is the duty of a judge to do justice, but it is only the people that can be just
β
β
Alan Paton (Cry, the Beloved Country)
β
In the meantime the strike is over, with a remarkably low loss of life. All is quiet, they report, all is quiet.
In the deserted harbour there is yet water that laps against the quays. In the dark and silent forest there is a leaf that falls. Behind the polished panelling the white ant eats away the wood. Nothing is ever quiet, except for fools.
β
β
Alan Paton (Cry, the Beloved Country)
β
For fear will rob him of all if he gives too much.
β
β
Alan Paton (Cry, the Beloved Country)
Alan Paton (Cry, the Beloved Country)
β
For mines are for men, not for money. And money is not something to go mad about, and throw your hat into the air for. Money is for food and clothes and comfort, and a visit to the pictures. Money is to make happy the lives of children. Money is for security, and for dreams, and for hopes, and for purposes. Money is for buying the fruits of the earth, of the land where you were born.
β
β
Alan Paton (Cry, the Beloved Country)
β
The humble man reached in his pocket for his sacred book, and began to read. It was this world alone that was certain.
β
β
Alan Paton (Cry, the Beloved Country)
β
I do this not because I am courageous and honest, but because it is the only way to end the conflict of my deepest soul.
β
β
Alan Paton (Cry, the Beloved Country)
β
It is the duty of a judge to do justice, but it is only the people who can be just
β
β
Alan Paton (Cry, the Beloved Country)
β
There are voices crying what must be done, a hundred, a thousand voices. But what do they help if one seeks for counsel, for one cries this, and one cries that, and another cries something that is neither this nor that.
β
β
Alan Paton (Cry, the Beloved Country)
β
Nothing is every quiet, except for fools.
β
β
Alan Paton (Cry, the Beloved Country)
β
Who indeed knows the secret of the earthly pilgrimage? Who indeed knows why there can be comfort in a world of desolation? Now God be thanked that there is a beloved one who can lift up the heart in suffering, that one can play with a child in the face of such misery. Now God be thanked that the name of a hill is such music, that the name of a river can heal. Aye, even the name of a river that runs no more.
Who indeed knows the secret of the earthly pilgrimage? Who knows for what we live, and struggle and die? Who knows what keeps us living and struggling, while all things break about us? Who knows why the warm flesh of a child is such comfort, when one's own child is lost and cannot be recovered? Wise men write many books, in words too hard to understand. But this, the purpose of our lives, the end of all our struggle, is beyond all human wisdom.
β
β
Alan Paton (Cry, the Beloved Country)
β
He was reluctant to open it, for once such a thing is opened, it cannot be shut again.
β
β
Alan Paton (Cry, the Beloved Country)
β
Stand unshod upon it, for the ground is holy, being even as it came from the Creator. Keep it, guard it, care for it, for it keeps men, guards men, cares for men. Destroy it and man is destroyed.
β
β
Alan Paton (Cry, the Beloved Country)
β
We do not know, we do not know. We shall live from day to day, and put more locks on the doors, and get a fine fierce dog when the fine fierce bitch next door has pups, and hold on to our handbags more tenaciously; and the beauty of the trees by night, and the raptures of lovers under the stars, these things we shall forego. We shall forego the coming home drunken through the midnight streets, and the evening walk over the star-lit veld. We shall be careful, and knock this off our lives, and knock that off our lives, and hedge ourselves about with safety and precaution. And our lives will shrink, but they shall be the lives of superior beings; and we shall live with fear, but at least it will not be a fear of the unknown. And the conscience shall be thrust down; the light of life shall not be extinguished, but be put under a bushel, to be preserved for a generation that will live by it again, in some day not yet come; and how it will come, and when it will come, we shall not think about at all.
β
β
Alan Paton (Cry, the Beloved Country)
β
Cry, the beloved country, these things are not yet at an end. The sun pours down on the earth, on the lovely land that man cannot enjoy. He knows only the fear of his heart.
β
β
Alan Paton
β
I am not kind. I am a selfish and sinful man, but God put his hands on me, that is all.
β
β
Alan Paton (Cry, The Beloved Country)
β
There is a man sleeping in the grass. And over him is gathering the greatest storm of all his days. Such lightening and thunder will come there has never been seen before, bringing death and destruction. People hurry home past him, to places safe from danger. And whether they do not see him there in the grass, or whether they fear to halt even a moment, but they do not wake him, they let him be.
β
β
Alan Paton (Cry, the Beloved Country)
β
Would age now swiftly overtake him? Would this terrible nodding last now for all his days, so that men said aloud in his presence, it is nothing, he is old and does nothing but forget? And would he nod as though he too were saying, Yes, it is nothing, I am old and do nothing but forget? But who would know that he said, I do nothing but remember?
β
β
Alan Paton (Cry, the Beloved Country)
β
Aye, but the hand that had murdered had once pressed the mother's breast into the thirsting mouth, had stolen into the father's hand when they went out into the dark. Aye, but the murderer afraid of death had once been a child afraid of the night.
β
β
Alan Paton (Cry, the Beloved Country)
β
He pondered long over this, for might not another man, returning to another valley, have found none of these things? Why was it given to one man to have his pain transmuted into gladness? Why was it given to one man to have such an awareness of God?
β
β
Alan Paton (Cry, the Beloved Country)
β
Indeed, there is something in this valley, some spirit and some life, and much to talk about in the huts. Although nothing has come yet, something is here already.
β
β
Alan Paton (Cry, the Beloved Country)
β
And he was silent again, for who is not silent when someone is dead, who was a small bright boy?
β
β
Alan Paton (Cry, The Beloved Country)
β
Nothing is ever quiet, except for fools.
β
β
Alan Paton (Cry, the Beloved Country)
β
I cannot stop you from thinking your thoughts. It is good that a young man has such deep thoughts. But hate no man, and desire power over no man.
β
β
Alan Paton (Cry, The Beloved Country)
β
Does he repent him or is there only room for his fear?
β
β
Alan Paton (Cry, The Beloved Country)
β
It was to the small serious boy that he turned for his enjoyment. He had bought the child some cheap wooden blocks, and with these the little one played endlessly and intently, with a purpose obscure to the adult mind, but completely absorbing.
β
β
Alan Paton (Cry, the Beloved Country)
β
They were your friends?"
"Yes, they were my friends."
"And they will leave you to suffer alone?"
"Now I see it."
"And until this, were they friends you could trust?"
"I could trust them."
"I see what you mean. You mean they were the kind of friends that a good man could choose, upright, hard-working, obeying the law?
Tell me, were they such friends?
And now they leave you alone?
Did you not see it before?"
"I saw it.
β
β
Alan Paton (Cry, the Beloved Country)
β
I shall do this, not because I am noble or unselfish, but because life slips away, and because I need for the rest of my journey a star that will not play false to me, a compass that will not lie.
β
β
Alan Paton (Cry, The Beloved Country)
β
The Judge does not make the Law. It is the People that make the Law. Therefore if a Law is unjust, and if the Judge judges according to the Law, that is justice, even if it is not just.
It is the duty of a Judge to do justice, but it is only the People who can be just.
β
β
Alan Paton (Cry, the Beloved Country)
β
We do what is in us, and why it is in us, that is also a secret. It is Christ in us, crying that men may be succoured and forgiven, even when He Himself is forsaken.
β
β
Alan Paton (Cry, the Beloved Country)
β
Tears come out of his eyes, but it seems that he weeps only for himself, not for his wickedness, but for his danger.
β
β
Alan Paton (Cry, the Beloved Country)
β
He says we are not forsaken. For while I wonder for what we live and struggle and die, for while I wonder what keeps us living and struggling, men are sent to minister to the blind ... Who gives, at this one hour, a friend to make darkness light before me?
β
β
Alan Paton (Cry, the Beloved Country)
β
For what can men do when so many have grown lawless? Who can enjoy the lovely land, who can enjoy the seventy years, and the sun that pours down on the earth, when there is fear in the heart?
β
β
Alan Paton (Cry, the Beloved Country)
β
We are grateful for the saints, he says, who lift up the heart in the days of our distress. Would we do less? For do we less, there are no saints to lift up any heart. If Christ be Christ he says, true Lord of Heaven, true Lord of Men, what is there that we would not do no matter what our suffering may be?
β
β
Alan Paton (Cry, the Beloved Country)
β
All roads lead to Johannesburg. If you are white or if you are black they lead to Johannesburg. If the crops fail, there is work in Johannesburg. If there are taxes to be paid, there is work in Johannesburg. If the farm is too small to be divided further, some must go to Johannesburg. If there is a child to be born that must be delivered in secret, it can be delivered in Johannesburg.
β
β
Alan Paton (Cry, the Beloved Country)
β
I say we shall always have native crime to fear until the native people of this country have worthy purposes to inspire them and worthy goals to work for. For it is only because they see neither purpose nor goal that they turn to drink and crime and prostitution.
β
β
Alan Paton (Cry, The Beloved Country)
β
In the dark and silent forest there is a leaf that falls. Behind the polished panelling the white ant eats away the wood. Nothing is ever quiet, except for fools.
β
β
Alan Paton (Cry, the Beloved Country)
β
Such is the lot of women, to carry, to bear, to watch, and to lose.
β
β
Alan Paton (Cry, the Beloved Country)
β
It is true that the victim was a black man, and there is a school of thought which would regard such an offence as less serious when the victim is black.
β
β
Alan Paton (Cry, the Beloved Country)
β
Aye, but the murderer afraid of death had once been a child afraid of the night.
β
β
Alan Paton (Cry The Beloved Country)
β
The tragedy is not that things are broken. The tragedy is that they are not mended again.
β
β
Alan Paton (Cry, the Beloved Country)
β
When the storm threatens, a man is afraid for his house. But when the house is destroyed, there is something to do. About a storm he can do nothing, but he can rebuild a house.
β
β
Alan Paton (Cry, the Beloved Country)
β
No second Johannesburg is needed upon the earth. One is enough.
β
β
Alan Paton (Cry, the Beloved Country)
β
But there is only one thing that has power completely, and that is love. Because when a man loves, he seeks no power, and therefore he has power. I see only one hope for our country, and that is when white men and black men, desiring neither power nor money, but desiring only the good of their country, come together to work for it.
He was grave and silent, and then he said somberly, I have one great fear in my heart, that one day when they are turned to loving, they will find we are turned to hating.
β
β
Alan Paton (Cry, the Beloved Country)
β
His eyes fill with tears, his deep gentleness returns to him. He goes to her and lifts her from the floor to the chair. Inarticulately he strokes her face, his heart filled with pity.βGod forgives us, he says. Who am I not to forgive? Let us pray.
β
β
Alan Paton (Cry, the Beloved Country)
β
He went out of the door, and she watched him through the little window, walking slowly to the door of the church. Then she sat down at his table, and put her head on it, and was silent, with the patient suffering of black women, with the suffering of oxen, with the suffering of any that are mute.
β
β
Alan Paton (Cry, the Beloved Country)
β
Who indeed knows the secret of the earthly pilgrimage? Who knows for what we live, and struggle, and die? Who knows what keeps us living and struggling, while all things break about us? Who knows why the warm flesh of a child is such comfort, when one's own child is lost and cannot be recovered? Wise men write many books, in words too hard to understand. But this, the purpose of our lives, the end of all our struggle, is beyond all human wisdom.
β
β
Alan Paton (Cry, the Beloved Country)
β
They were silent till the man passed, and then Kumalo said, in all my days I have known no one as you are. And Msimangu said sharply, I am a weak and sinful man, but God put His hands on me, that is all.
β
β
Alan Paton (Cry, the Beloved Country)
β
I have never thought that a Christian would be free of suffering, umfundisi. For our Lord suffered. And I come to believe that he suffered, not to save us from suffering, but to teach us how to bear suffering. For he knew that there is no life without suffering.
β
β
Alan Paton (Cry, the Beloved Country)
β
His son had gone astray in the great city, where so many others had gone astray before him, and where many others would go astray after him, until there was found some great secret that as yet no man had discovered.
β
β
Alan Paton (Cry, the Beloved Country)
β
Cry, the beloved country, for the unborn child that is the inheritor of our fear. Let him not love the earth too deeply. Let him not laugh too gladly when the water runs through his fingersβ¦for fear will rob him of all if he gives too much
β
β
Alan Paton
β
Have no doubt it is fear in the land. For what can men do when so many have grown lawless? Who can enjoy the lovely land, who can enjoy the seventy years, and the sun that pours down on the earth, when there is fear in the heart? Who can walk quietly in the shadow of the jacarandas, when their beauty is grown to danger? Who can lie peacefully abed, while the darkness holds some secret? What lovers can lie sweetly under the stars, when menace grows with the measure of their seclusion?
β
β
Alan Paton (Cry, the Beloved Country)
β
Then he gave himself over to deep and earnest prayer, and after each petition he raised his eyes and looked to the east. And the east lightened and lightened, till he knew that the time was not far off. And when he expected it, he rose to his feet and took off his hat and laid it down on the earth, and clasped his hands before him. And while he stood there the sun rose in the east.
β
β
Alan Paton (Cry, the Beloved Country)
β
They say that higher wages will cause the mines to close down. Then what is it worth, this mining industry? And why should it be kept alive, if it is only our poverty that keeps it alive? They say it makes the country rich, but what do we see of these riches? Is it we that must be kept poor so that others may stay rich?
β
β
Alan Paton (Cry, the Beloved Country)
β
Down in the valleys women scratch the soil that is left, and the maize hardly reaches the height of a man. They are valleys of old men and old women, of mothers and children. The men are away, the young men and the girls are away, the soil cannot keep them any more.
β
β
Alan Paton (Cry, the Beloved Country)
β
Tomorrow they would all go home, all except his son. And he would stay in the place where they would put him, in the great prison in Pretoria, in the barred and solitary cell; and mercy failing, would stay there till he was hanged. Aye, but the hand that had murdered had once pressed the motherβs breast into the thirsting mouth, had stolen into the fatherβs hand when they went out into the dark. Aye, but the murderer afraid of death had once been a child afraid of the night.
β
β
Alan Paton (Cry, the Beloved Country)
β
Cry, the beloved country, for the unborn child that is the inheritor of our fear. Let him not love the earth too deeply. Let him not laugh too gladly when the water runs through his fingers, nor stand too silent when the setting sun makes red the veld with fire. Let him not be too moved when the birds of his land are singing, nor give too much of his heart to a mountain or a valley. For fear will rob him of all if he gives too much.
β
β
Alan Paton (Cry, the Beloved Country)
β
There are many sides to this difficult problem. And people persist in discussing soil-erosion, and tribal decay, and lack of schools, and crime, as though they were all parts of the matter. If you think long enough about it, you will be brought to consider republics, and bilingualism, and immigration, and Palestine, and God knows what. So in a way it is best not to think about it at all.
β
β
Alan Paton (Cry, the Beloved Country)
β
Cry for the broken tribe, for the law and the custom that is gone. Aye, and cry aloud for the man who is dead, for the woman and children bereaved. Cry, the beloved country, these things are not yet at an end. The sun pours down on the earth, on the lovely land that man cannot enjoy. He knows only the fear of his heart.
β
β
Alan Paton (Cry, The Beloved Country)
β
And what was there evil in their desires, in their hunger? That men should walk upright in the land where they were born, and be free to use the fruits of the earth, what was there evil in it? Yet men were afraid, with a fear that was deep, deep in the heart, a fear so deep that they hid their kindness, or brought it out with fierceness and anger, and hid it behind fierce and frowning eyes. They were afraid because they were so few. And such fear could not be cast out, but by love.
β
β
Alan Paton (Cry, the Beloved Country)
β
Cry, the beloved country, for the unborn child that is the inheritor of our fear. Let him not love the earth too deeply. Let him not laugh too gladly when the water runs through his fingers, nor stand too silent when the setting sun makes red the veld with fire. Let him not be too moved when the birds of his land are singing, nor give too much of his heart to a mountain or valley. For fear will rob him of all if he gives too much.
β
β
Alan Paton (Cry, the Beloved Country)
β
He had come to tell his brother that power corrupts, that a man who fights for justice must himself be cleansed and purified, that love is greater than force. And none of these things had he done. God have mercy on me, Christ have mercy on me. He turned to the door, but it was locked and bolted. Brother had shut out brother, from the same womb had they come.
β
β
Alan Paton (Cry, the Beloved Country)
β
After the Bishop had gone, Kumalo stood outside the church in the gathering dark. The rain had stopped, but the sky was black with promise. It was cool, and the breeze blew gently from the great river, and the soul of the man was uplifted. And while he stood there looking out over the great valley, there was a voice that cried out of heaven, Comfort ye, comfort ye, my people, these things will I do unto you, and not forsake you. Only it did not happen as men deem such things to happen, it happened otherwise. It happened in that fashion that men call illusion, or the imaginings of people overwrought, or an intimation of the divine.
β
β
Alan Paton (Cry, the Beloved Country)
β
When she says margarita she means daiquiri.
When she says quixotic she means mercurial.
And when she says, "I'll never speak to you again,"
she means, "Put your arms around me from behind
as I stand disconsolate at the window."
He's supposed to know that.
When a man loves a woman he is in New York and she is in Virginia
or he is in Boston, writing, and she is in New York, reading,
or she is wearing a sweater and sunglasses in Balboa Park and he
is raking leaves in Ithaca
or he is driving to East Hampton and she is standing disconsolate
at the window overlooking the bay
where a regatta of many-colored sails is going on
while he is stuck in traffic on the Long Island Expressway.
When a woman loves a man it is one ten in the morning
she is asleep he is watching the ball scores and eating pretzels
drinking lemonade
and two hours later he wakes up and staggers into bed
where she remains asleep and very warm.
When she says tomorrow she means in three or four weeks.
When she says, "We're talking about me now,"
he stops talking. Her best friend comes over and says,
"Did somebody die?"
When a woman loves a man, they have gone
to swim naked in the stream
on a glorious July day
with the sound of the waterfall like a chuckle
of water rushing over smooth rocks,
and there is nothing alien in the universe.
Ripe apples fall about them.
What else can they do but eat?
When he says, "Ours is a transitional era,"
"that's very original of you," she replies,
dry as the martini he is sipping.
They fight all the time
It's fun
What do I owe you?
Let's start with an apology
Ok, I'm sorry, you dickhead.
A sign is held up saying "Laughter."
It's a silent picture.
"I've been fucked without a kiss," she says,
"and you can quote me on that,"
which sounds great in an English accent.
One year they broke up seven times and threatened to do it
another nine times.
When a woman loves a man, she wants him to meet her at the
airport in a foreign country with a jeep.
When a man loves a woman he's there. He doesn't complain that
she's two hours late
and there's nothing in the refrigerator.
When a woman loves a man, she wants to stay awake.
She's like a child crying
at nightfall because she didn't want the day to end.
When a man loves a woman, he watches her sleep, thinking:
as midnight to the moon is sleep to the beloved.
A thousand fireflies wink at him.
The frogs sound like the string section
of the orchestra warming up.
The stars dangle down like earrings the shape of grapes.
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David Lehman (When a Woman Loves a Man: Poems)
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It is my own belief that the only power which can resistthe power of fear is the power of love. Itβs a weak thing anda tender thing; men despise and deride it. But I look for theday when in South Africa we shall realize that the only last-ing and worth-while solution of our grave and profoundproblems lies not in the use of power, but in that under-standing and compassion without which human life is anintolerable bondage, condemning us all to an existence ofviolence, misery and fear.
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Alan Paton (Cry, The Beloved Country)
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I say we shall always have native crime to fear until the native people of this country have worthy goals to work for. For it is only because they see neither purpose nor goal that they turn to drink and crime and prostitution. Which do we prefer, a law-abiding, industrious and purposeful native people, or a lawless, idle and purposeless people? The truth is that we do not know, for we fear them both. And so long as we vacillate, so long will we pay dearly for the dubious pleasure of not having to make up our minds. And the answer does not lie, except temporarily, in more police and more protection.
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Alan Paton (Cry, the Beloved Country)
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Have you a room that you could let?"
"Yes, I have a room that I could let, but I do not want to let it. I have only two rooms, and there are six of us already, and the boys and girls are growing up. But school books cost money, and my husband is ailing, and when he is well it is only thirty-five shillings a week. And six shillings of that is for the rent, and three shillings of that is for the rent, and three shillings for travelling, and a shilling that we may all be buried decently, and a shilling for the books, and three shillings is for clothes and that is little enough, and a shilling for my husband's beer, and a shilling for his tobacco, and these I do not grudge for he is a decent man and does not gamble or spend his money on other women, and a shilling for the Church, and a shilling for sickness. And that leaves seventeen shillings for food for six, and we are always hungry. Yes I have a room but I do not want to let it. How much could you pay?"
"I could pay three shillings a week for the room."
"And I would not take it."
"Three shillings and sixpence."
"Three shillings and sixpence. You can't fill your stomach on privacy. You need privacy when your children are growing up, but you can't fill your stomach on it. Yes, I shall take three shillings and sixpence.
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Alan Paton (Cry, the Beloved Country)
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Aye, even the name of a river that runs no more. Who indeed knows the secret of the earthly pilgrimage? Who knows for what we live, and struggle, and die? Who knows what keeps us living and struggling, while all things break about us? Who knows why the warm flesh of a child is such comfort, when oneβs own child is lost and cannot be recovered? Wise men write many books, in words too hard to understand. But this, the purpose of our lives, the end of all our struggle, is beyond all human wisdom. Oh God, my God, do not Thou forsake me. Yea, though I walk through the valley of the shadow of death, I shall fear no evil, if Thou art with meβ¦.
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Alan Paton (Cry, the Beloved Country)
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I shall no longer ask myself if this or that is expedient, but only if it is right. I shall do this, not because I am noble or unselfish, but because life slips away, and because I need for the rest of my journey a star that will not play false to me, a compass that will not lieβ¦. I am lost when I balance this against that, I am lost when I ask if this is safeβ¦. Therefore I shall try to do what is right, and to speak what is true. I do this not because I am courageous and honest, but because it is the only way to end the conflict of my deepest soul. I do it because I am no longer able to aspire to the highest with one part of myself, and to deny it with another. I do not wish to live like that, I would rather die than live like that. I understand better those who have died for their convictions, and have not thought it was wonderful or brave or noble to die. They died rather than live, that was all.
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Alan Paton (Cry, The Beloved Country)
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There is a lamp outside the church, the lamp they light for the services. There are women of the church sitting on the red earth under the lamp; they are dressed in white dresses, each with a green cloth about her neck. They rise when the party approaches, and one breaks into a hymn, with a high note that cannot be sustained; but others come in underneath it, and support and sustain it, and some men come in too, with the deep notes and the true. Kumalo takes off his hat and he and his wife and his friend join in also, while the girl stands and watches in wonder. It is a hymn of thanksgiving, and man remembers God in it, and prostrates himself and gives thanks for the Everlasting Mercy. And it echoes in the bare red hills and over the bare red fields of the broken tribe. And it is sung in love and humility and gratitude, and the humble simple people pour their lives into the song.
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Alan Paton (Cry, the Beloved Country)
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-- They must go on, said Msimangu gravely. You cannot stop the world from going on. My friend, I am a Christian. It is not in my heart to hate a white man. It was a white man who brought my father out of darkness. But you will pardon me if I talk frankly to you. The tragedy is not that things are broken. The tragedy is that they are not mended again. The white man has broken the tribe. And it is my belief -- and again I ask your pardon -- that it cannot be mended again. But the house that is broken, and the man that falls apart when the house is broken, these are the tragic things. That is why children break the law, and old white people are robbed and beaten.
He passed his hand across his brown.
-- It suited the white man to break the tribe, he continued gravely. But it has not suited him to build something in the place of what is broken. I have pondered this for many hours, and I must speak it, for it is the truth for me. They are not all so. There are some white men who give their lives to build up what is broken.
--But they are not enough, he said. They are afraid, this is the truth. It is fear that rules this land.
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Alan Paton (Cry, the Beloved Country)
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When I close my eyes to see, to hear, to smell, to touch a country I have known, I feel my body shake and fill with joy as if a beloved person had come near me.
A rabbi was once asked the following question: βWhen you say that the Jews should return to Palestine, you mean, surely, the heavenly, the immaterial, the spiritual Palestine, our true homeland?β The rabbi jabbed his staff into the ground in wrath and shouted, βNo! I want the Palestine down here, the one you can touch with your hands, with its stones, its thorns and its mud!β
Neither am I nourished by fleshless, abstract memories. If I expected my mind to distill from a turbid host of bodily joys and bitternesses an immaterial, crystal-clear thought, I would die of hunger. When I close my eyes in order to enjoy a country again, my five senses, the five mouth-filled tentacles of my body, pounce upon it and bring it to me. Colors, fruits, women. The smells of orchards, of filthy narrow alleys, of armpits. Endless snows with blue, glittering reflections. Scorching, wavy deserts of sand shimmering under the hot sun. Tears, cries, songs, distant bells of mules, camels or troikas. The acrid, nauseating stench of some Mongolian cities will never leave my nostrils. And I will eternally hold in my hands β eternally, that is, until my hands rot β the melons of Bukhara, the watermelons of the Volga, the cool, dainty hand of a Japanese girlβ¦
For a time, in my early youth, I struggled to nourish my famished soul by feeding it with abstract concepts. I said that my body was a slave and that its duty was to gather raw material and bring it to the orchard of the mind to flower and bear fruit and become ideas. The more fleshless, odorless, soundless the world was that filtered into me, the more I felt I was ascending the highest peak of human endeavor. And I rejoiced. And Buddha came to be my greatest god, whom I loved and revered as an example. Deny your five senses. Empty your guts. Love nothing, hate nothing, desire nothing, hope for nothing. Breathe out and the world will be extinguished.
But one night I had a dream. A hunger, a thirst, the influence of a barbarous race that had not yet become tired of the world had been secretly working within me. My mind pretended to be tired. You felt it had known everything, had become satiated, and was now smiling ironically at the cries of my peasant heart. But my guts β praised be God! β were full of blood and mud and craving. And one night I had a dream. I saw two lips without a face β large, scimitar-shaped womanβs lips. They moved. I heard a voice ask, βWho if your God?β Unhesitatingly I answered, βBuddha!β But the lips moved again and said: βNo, Epaphus.β
I sprang up out of my sleep. Suddenly a great sense of joy and certainty flooded my heart. What I had been unable to find in the noisy, temptation-filled, confused world of wakefulness I had found now in the primeval, motherly embrace of the night. Since that night I have not strayed. I follow my own path and try to make up for the years of my youth that were lost in the worship of fleshless gods, alien to me and my race. Now I transubstantiate the abstract concepts into flesh and am nourished. I have learned that Epaphus, the god of touch, is my god.
All the countries I have known since then I have known with my sense of touch. I feel my memories tingling, not in my head but in my fingertips and my whole skin. And as I bring back Japan to my mind, my hands tremble as if they were touching the breast of a beloved woman.
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Nikos Kazantzakis (Travels in China & Japan)