Bouquet Romantic Quotes

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A man should be more original than a bouquet of roses and a box of chocolates. Flowers die and sugar sticks to your hips like a permanent record to a criminal.
Dannika Dark (Seven Years (Seven, #1))
Love blooms where souls intertwine, creating a garden of endless possibilities.
Rendi Ansyah (Beyond the Bouquet: A Symphony of Love in Fifty Movements)
Your laughter is the echo of joy in the halls of my heart.
Rendi Ansyah (Beyond the Bouquet: A Symphony of Love in Fifty Movements)
Each moment with you is a verse in the poetry of my heart.
Rendi Ansyah (Beyond the Bouquet: A Symphony of Love in Fifty Movements)
He sent me a book bouquet" "What's a book bouquet?" Libby replied. "Exactly!" Max said. 'Mother-faxing exactly.
Jennifer Lynn Barnes (The Final Gambit (The Inheritance Games, #3))
But the thing was, love wasn’t in the bouquet of flowers or the romantic, candle-lit dinners. It was in the everyday stuff, like knowing when your person was tired and needed help, understanding what made them tick, what to do to soothe and comfort.
Jill Shalvis (Rainy Day Friends (Wildstone, #2))
I don’t get the point, really,” I’d said as we contemplated the plastic-wrapped roses. “Why give a girl something that’s supposed to represent love that’s only going to wilt and die in a matter of hours?” Steven laughed and said that was a pretty pessimistic way to view life, and I shrugged. Then he said, “All the best things are like that, though, Lex, the most beautiful things. Part of the beauty comes from the fact that they’re short-lived.” He picked up a bouquet of deep-red roses, held it out to me. “These will never be as beautiful as they are at this moment, so we have to enjoy them now.” I stared at him. He scratched the back of his neck, a little red-faced, then gave me a sheepish grin. “Just call me a romantic,” he said. I wanted to say that there were some things in this world, some rare things, that were beautiful and stayed that way.
Cynthia Hand (The Last Time We Say Goodbye)
Finally, the survey findings also lent a helping hand to those men who wanted to engage in some heartfelt wooing, by identifying the gestures that women view as most, and least, romantic. The top-ten list of gestures is shown below, along with the percentage of women who assigned each gesture maximum marks on the “how romantic is this” scale. Cover her eyes and lead her to a lovely surprise—40 percent Whisk her away somewhere exciting for the weekend—40 percent Write a song or poem about her—28 percent Tell her that she is the most wonderful woman that you have ever met—25 percent Run her a relaxing bath after she has had a bad day at work—22 percent Send her a romantic text or e-mail, or leave a note around the house—22 percent Wake her up with breakfast in bed—22 percent Offer her a coat when she is cold—18 percent Send her a large bouquet of flowers or a box of chocolates at her workplace—16 percent Make her a mix CD of her favorite music—12 percent Interestingly, it seems that gestures that reflect a form of escapism and surprise top the list, followed by those that reflect thoughtfulness, with blatant acts of materialism trailing in last place—scientific evidence, perhaps, that when it comes to romance, it really is the thought that counts.
Richard Wiseman (59 Seconds: Think a Little, Change a Lot)
Do you know how the tradition of the bridal bouquet toss was formed?” Hugh asked. Sarah shook her head. “Are you asking me because you know, or are you asking me because you want to know?” He ignored her slight sarcasm and said, “Brides are considered to be good luck, and many centuries ago young women who wanted a piece of that luck tried quite literally to get a piece of it by tearing off bits of her gown.” “That’s barbaric!” Frances exclaimed. He smiled at her outburst. “I can only deduce that some clever soul realized that if the bride could offer a different token of her romantic success, it might prove beneficial to her health and well-being.
Julia Quinn (The Sum of All Kisses (Smythe-Smith Quartet, #3))
Mrs. Flanigan made this for you and dropped it off earlier. So pretty, wouldn't you agree?"... "White roses - the bride's flower," Mrs. Norton said with a lilt in her voice. "For unity, purity, and a love stronger than death." She touched the edge of a blossom. "And, in addition, you have chrysanthemums for fidelity, optimism, joy, and long life, with the color white standing for truth and loyal love." As if caught in a spell, Grace stared at the flowers, a lump forming in her throat, the words echoing in her mind... Joy, truth, fidelity, a love stronger than death. Mrs. Flanigan chuckled. "Mrs. Norton, you make the bouquet sound so poetic. I'm afraid I can't take credit for such a romantic arrangement. I chose the only white flowers still blooming in my garden.
Debra Holland (Grace: Bride of Montana (American Mail-Order Bride, #41))
A fresh, uplifting mélange of Italian bergamot, mandarin, and raspberry that comprised the opening accord filled her nostrils with the carefree scents of spring. Her imagination soared with memories. The gardens of Bellerose, picnic baskets bursting with summer fruits on sunny Mediterranean beaches, summers spent on the Riviera, yacht parties, and the casino in Monte Carlo. The plain little bottle held the essence of the happy life she had known. She inhaled again, closed her eyes, and allowed her mind to wander, to visualize the images the aroma evoked. Excitement coursed through her veins. She imagined a glamorous, luxurious lifestyle of exotic locales, mysterious lovers, sandy beaches, glittering parties, elegant gowns, and precious jewels. And amid it all, sumptuous bouquets of fabulous flowers, enchanting and romantic, intense aromas of pure, bridal white jasmine and sultry tuberose, and the heady, evocative aroma of rose. Seductive spices, clove with musk and patchouli, smoothed with sandalwood and vanilla, elegant and sensual, like a lover in the night. And finally, she realized what was missing. A strong, smooth core, a warm amber blend that would provide a deep connection to the soul. Love.
Jan Moran (Scent of Triumph)
Flowers. Lots of women say they don’t want them. But every woman is happy when they get them. Which is why I’ve arranged to have them delivered to Kate’s office, every hour on the hour. Seven dozen at a time. That’s one dozen for every day we were apart. Romantic, right? I thought so too. And although I know Kate’s favorite are white daisies, I specifically told the florist to avoid them. Instead, I’ve chosen exotics—bouquets with brightly colored petals and strange shapes. The kinds of flowers Kate has probably never seen in her life, from places she’s never been. Places I want to take her to. At first I kept the notes simple and generic. Take a look: Kate, I'm sorry. Drew Kate, Let me make it up to you. Drew Kate, I miss you. Please forgive me. Drew. But after a few hours I figured I needed to step it up a notch. Get more creative. What do you think? Kate, You're turning me into a stalker. Drew Kate, Go out with me on Saturday and I'll give you all of my clients. Every. Single. One. Drew Kate, If I throw myself in front of a bus, will you come visit me at the hospital? Drew PS - Try not to feel too guilty if I don't survive. Really. That last batch was delivered forty-five minutes ago. Now I’m just sitting at my desk, waiting. Waiting for what, you ask? You’ll see. Kate may be stubborn, but she’s not made of stone. My office door slams open, leaving a dent in the drywall. Here we go. “You are driving me crazy!” Her cheeks are flushed, her breathing’s fast, and she’s got murder in her eyes. Beautiful. I raise my brows hopefully. “Crazy? Like you want to rip my shirt open again?” “No. Crazy like the itch of a yeast infection that just won’t go away.” I flinch. Can’t help it. I mean—Christ. Kate steps toward my desk. “I am trying to work. I need to focus. And you’ve got Manny, Moe, and Jack playing every cheesy eighties song ever written outside my office door!” “Cheesy? Really? Huh. I so had you pegged for an eighties kind of girl.” Well, you live and learn.
Emma Chase (Tangled (Tangled, #1))
My father had a sister, Mady, who had married badly and ‘ruined her life.’ Her story was a classic. She had fallen in love before the war with an American adventurer, married him against her family’s wishes, and been disinherited by my grandfather. Mady followed her husband romantically across the sea. In America he promptly abandoned her. By the time my parents arrived in America Mady was already a broken woman, sick and prematurely old, living a life two steps removed from destitution. My father, of course, immediately put her on an allowance and made her welcome in his home. But the iron laws of Victorian transgression had been set in motion and it was really all over for Mady. You know what it meant for a woman to have been so disgraced and disinherited in those years? She had the mark of Cain on her. She would live, barely tolerated, on the edge of respectable society for the rest of her life. A year after we arrived in America, I was eleven years old, a cousin of mine was married out of our house. We lived then in a lovely brownstone on New York’s Upper West Side. The entire house had been cleaned and decorated for the wedding. Everything sparkled and shone, from the basement kitchen to the third-floor bedrooms. In a small room on the second floor the women gathered around the bride, preening, fixing their dresses, distributing bouquets of flowers. I was allowed to be there because I was only a child. There was a bunch of long-stemmed roses lying on the bed, blood-red and beautiful, each rose perfection. Mady walked over to them. I remember the other women were wearing magnificent dresses, embroidered and bejeweled. Mady was wearing only a simple white satin blouse and a long black skirt with no ornamentation whatever. She picked up one of the roses, sniffed deeply at it, held it against her face. Then she walked over to a mirror and held the rose against her white blouse. Immediately, the entire look of her plain costume was altered; the rose transferred its color to Mady’s face, brightening her eyes. Suddenly, she looked lovely, and young again. She found a long needle-like pin and began to pin the rose to her blouse. My mother noticed what Mady was doing and walked over to her. Imperiously, she took the rose out of Mady’s hand and said, ‘No, Mady, those flowers are for the bride.’ Mady hastily said, ‘Oh, of course, I’m sorry, how stupid of me not to have realized that,’ and her face instantly assumed its usual mask of patient obligation. “I experienced in that moment an intensity of pain against which I have measured every subsequent pain of life. My heart ached so for Mady I thought I would perish on the spot. Loneliness broke, wave after wave, over my young head and one word burned in my brain. Over and over again, through my tears, I murmured, ‘Unjust! Unjust!’ I knew that if Mady had been one of the ‘ladies’ of the house my mother would never have taken the rose out of her hand in that manner. The memory of what had happened in the bedroom pierced me repeatedly throughout that whole long day, making me feel ill and wounded each time it returned. Mady’s loneliness became mine. I felt connected, as though by an invisible thread, to her alone of all the people in the house. But the odd thing was I never actually went near her all that day. I wanted to comfort her, let her know that I at least loved her and felt for her. But I couldn’t. In fact, I avoided her. In spite of everything, I felt her to be a pariah, and that my attachment to her made me a pariah, also. It was as though we were floating, two pariahs, through the house, among all those relations, related to no one, not even to each other. It was an extraordinary experience, one I can still taste to this day. I was never again able to address myself directly to Mady’s loneliness until I joined the Communist Party. When I joined the Party the stifled memory of that strange wedding day came back to me. . .
Vivian Gornick (The Romance of American Communism)
just correct bouguet for bouquet. love is important for an everyday life
Antonieta Máximo
That’s so sweet.” “So says the romance novel reader.” “You have something against romance, Callahan?” “Not at all. I have something against schmaltz.” “Schmaltz! That wasn’t schmaltz.” “Darlin’, that picnic was the epitome of schmaltz.” “All right then, Casanova. What should Harry have done to romance his lady?” Gabe stretched his legs out and crossed them at the ankles. He linked his hands behind his head and considered the question. “The bouquet was way overdone. A single rose would be okay, or even better, whatever flower she considered her favorite. Hiring a violinist to ride behind the courting buggy ruined the whole thing.” “Now, why would you say that? It’s terribly romantic.” “You like threesomes, do you?” “What? No!” Gabe chuckled and continued, “A mountain meadow picnic was good, but a linen-draped table? Fine china? Roast duckling? No. Way too formal. Too stuffy. All you need for a romantic mountain meadow picnic is a quilt to spread on the grass and a picnic basket with finger foods. The champagne was a good idea, but it’d have been better if he’d put it to chill in the creek.” “That’s a good idea,” Nic agreed. “What about the poetry and the dancing?” “Depends on the woman, of course. If she’s into that, then yeah. Nothing’s wrong with poetry or dancing.” “What do you do for music if you’ve left the violinist back in town?” “If a guy can carry a tune at all, he can sing softly, or hum. You can dance to birdsong or music in your mind, as far as that goes.” She let that sit a minute, then said, “That’s not bad, Callahan. Not bad at all.” He
Emily March (Angel's Rest (Eternity Springs, #1))
He's probably a security detail hired by Dr. Miller to ensure your safety." Everly eyes him from behind the bakery case. I pause and look at her. "You just said so many ridiculous things I'm not sure where to begin responding." "Oh, take your time." Everly hops onto the back counter. I laugh. "Okay, one, that man out there is not anyone's security detail." Everly shrugs so I continue. "Two, I’m not in any danger. And three, Luke isn't doing anything for me. We didn't leave things like that." Everly examines the French manicure left over from her brother's wedding last weekend as she responds. "One"—she eyes the kid sitting alone by the window—"truth. Two, in romance novels the heroine is always in danger. Three, there's no way Luke is done with you." "You do realize we are not in a romance novel, right? Besides which, when did you become a romantic?" I raise a skeptical eyebrow at Everly. "Did you catch a bouquet of unicorns at the wedding?
Jana Aston (Wrong (Cafe, #1))
He would spend ever minute plucking the stars from the sky to deliver a bouquet of constellations if that's what it took to please her.
Adalyn Grace
Love, she and me! She stood there waiting, And being an admirer of hers I thought she was waiting for me, She brushed her hair sideways, And like others I thought she was doing it for me, She walked with grace and well measured steps, And I thought she was walking towards me, She smiled and her shimmering lips parted slowly, And I thought they parted and shimmered to kiss me, She knelt a bit and looked at the ground, And I felt she was looking at my shadow and then at me, She spoke of some wonderful experiences she had, And I thought they were all due to me, She raised her eyes to stare at the midday Sun, And I felt in its gleaming rays she was discovering me, She called someone haply, And I wished if it were me, just me, She traveled to some favourite destination, And I wished if it were me, She confessed her heart gives rise to endless desires, And I so deeply wished, all her desires led to me, just me, She looked at the starry night and and closed her eyes to dream, How I wished all her dreams were about me, In the morning she woke up with fresh smile, And I hoped the smile always flashes only when she thinks of me, Then she ventured into the affairs of the day, And I wished her every step brought her closer to me, She often said her prayers and thought about God, And how I wished that her God thought of me, She was carrying a bouquet of roses yesterday, And I wondered for whom could it be? And wished it were for me, Then she walked away holding just one rose in her hand, And I hoped she dropped it in front of me, It is afternoon and she is walking towards me, Maybe it is just my imagination because I feel her true joy lies in being with me, But who cares whether it is my imagination or something I so deeply wish for me, That I want to love her, and spend the days thinking that she only loves me, She has walked by so many times, But she has never walked towards me, It is a dilemma alike the day and the night, where one would never know whether the day seeks night or the night seeks the day, So whenever she walks past me, I convince my heart she was walking towards me, A decade has passed and her mere glimpse still gladdens me, But today she walked up to me and said, “do you like me or you love me?” I stood there speechless, not that my feelings have turned numb, but my words were failing me, But somehow I managed to say, “I love you more than me!
Javid Ahmad Tak (They Loved in 2075!)
While you see to the hives, I’ll be at the hall, setting the whole miserable place on fire in the name of thwarted, impossible love. Her breath rattled like a tinderbox in her lungs. As though one would offer arson instead of a bouquet, to win a lover’s heart. High crimes were probably better suited to a betrothal than a mere courting gift: you couldn’t just start burning things down in hopes the other person found it romantic. You’d want to be sure.
Olivia Waite (The Care and Feeding of Waspish Widows (Feminine Pursuits, #2))
In love's symphony, every note counts, every beat matters.
Rendi Ansyah (Beyond the Bouquet: A Symphony of Love in Fifty Movements)