Bouquet Related Quotes

After Col. Henry Bouquet defeated the Ohio Indians at Bushy Run in 1763, he demanded the release of all white captives. Most of them, especially the children, had to be “bound hand and foot” and forcibly returned to white society. Meanwhile, the Native prisoners “went back to their defeated relations with great signs of joy,” in the words of the anthropologist Frederick Turner (in Beyond Geography, 245). Turner rightly calls these scenes “infamous and embarrassing.

True poetry is the perception of human feelings, the voice of the heart, open or hidden. It is the lyrics, compositions, and melody of the relation between humankind, the universe and God, a shadow pinpointing each of the truths we can discern everywhere (from the earth to the stars), a photograph of the creation’s projection cast in our feelings and thoughts and framed through words, a heartfelt tune of our loves and joys played on different strings, and it is a bouquet of our faith, hope, determination, beauty, love, reunion, and yearnings.

Neither knew where they would go from here except that it would not be anything related to growing apart this time.

Delirious as it can be, sex is only one kind of intimacy, and yet has become the cultural catchment area for all kinds of needs because our understanding of intimacy is so poor. Brutal work schedules, related geographic isolation, and the concomitant fracturing of families has meant that there is little time for intimacy, and even less to teach the necessary skills. But intimacy, the axis of romance, is slow, based on the sharing of a life rather than show. In terms of intimacy, folding laundry together or sharing the feeding of a child can have more impact than the most extravagant bouquet.

Every generation of children instinctively nests itself in nature, no matter matter how tiny a scrap of it they can grasp. In a tale of one city child, the poet Audre Lord remembers picking tufts of grass which crept up through the paving stones in New York City and giving them as bouquets to her mother. It is a tale of two necessities. The grass must grow, no matter the concrete suppressing it. The child must find her way to the green, no matter the edifice which would crush it. "The Maori word for placenta is the same word for land, so at birth the placenta is buried, put back in the mothering earth. A Hindu baby may receive the sun-showing rite surya-darsana when, with conch shells ringing to the skies, the child is introduced to the sun. A newborn child of the Tonga people 'meets' the moon, dipped in the ocean of Kosi Bay in KwaZulu-Natal. Among some of the tribes of India, the qualities of different aspects of nature are invoked to bless the child, so he or she may have the characteristics of earth, sky and wind, of birds and animals, right down to the earthworm. Nothing is unbelonging to the child. "'My oldest memories have the flavor of earth,' wrote Frederico García Lorca. In the traditions of the Australian deserts, even from its time in the womb, the baby is catscradled in kinship with the world. Born into a sandy hollow, it is cleaned with sand and 'smoked' by fire, and everything -- insects, birds, plants, and animals -- is named to the child, who is told not only what everything is called but also the relationship between the child and each creature. Story and song weave the child into the subtle world of the Dreaming, the nested knowledge of how the child belongs. "The threads which tie the child to the land include its conception site and the significant places of the Dreaming inherited through its parents. Introduced to creatures and land features as to relations, the child is folded into the land, wrapped into country, and the stories press on the child's mind like the making of felt -- soft and often -- storytelling until the feeling of the story of the country is impressed into the landscape of the child's mind. "That the juggernaut of ants belongs to a child, belligerently following its own trail. That the twitch of an animal's tail is part of a child's own tale or storyline, once and now again. That on the papery bark of a tree may be written the songline of a child's name. That the prickles of a thornbush may have dynamic relevance to conscience. That a damp hollow by the riverbank is not an occasional place to visit but a permanent part of who you are. This is the beginning of belonging, the beginning of love. "In the art and myth of Indigenous Australia, the Ancestors seeded the country with its children, so the shimmering, pouring, circling, wheeling, spinning land is lit up with them, cartwheeling into life.... "The human heart's love for nature cannot ultimately be concreted over. Like Audre Lord's tufts of grass, will crack apart paving stones to grasp the sun. Children know they are made of the same stuff as the grass, as Walt Whitman describes nature creating the child who becomes what he sees: There was a child went forth every day And the first object he look'd upon, that object he became... The early lilacs became part of this child... And the song of the phoebe-bird... In Australia, people may talk of the child's conception site as the origin of their selfhood and their picture of themselves. As Whitman wrote of the child becoming aspects of the land, so in Northern Queensland a Kunjen elder describes the conception site as 'the home place for your image.' Land can make someone who they are, giving them fragments of themselves.

Mimicry flows like beauty from Mexico City’s faucets, space and time are relative, and instead of the usual floral-and-stone façade, there’s dahlia and obsidian. In the course of time, what was yesterday a lake of water becomes asphalt today, and the past is a perpetual duplication that drowns the future. Yesterday’s omens come back, the same substance in a different shape. The city is a nagual that becomes a wall of skulls, an intelligent domotique structure: the Huitzilopochtli temple in a cathedral and Castile roses in cactus bouquets. Time is measured simultaneously with the Aztec, Julian, and Gregorian calendars and the cesium fountain atomic clock; the heart of Mexico City is made of mud and green rocks, and the God of Rain continues to cry over the whole country.

My father had a sister, Mady, who had married badly and ‘ruined her life.’ Her story was a classic. She had fallen in love before the war with an American adventurer, married him against her family’s wishes, and been disinherited by my grandfather. Mady followed her husband romantically across the sea. In America he promptly abandoned her. By the time my parents arrived in America Mady was already a broken woman, sick and prematurely old, living a life two steps removed from destitution. My father, of course, immediately put her on an allowance and made her welcome in his home. But the iron laws of Victorian transgression had been set in motion and it was really all over for Mady. You know what it meant for a woman to have been so disgraced and disinherited in those years? She had the mark of Cain on her. She would live, barely tolerated, on the edge of respectable society for the rest of her life. A year after we arrived in America, I was eleven years old, a cousin of mine was married out of our house. We lived then in a lovely brownstone on New York’s Upper West Side. The entire house had been cleaned and decorated for the wedding. Everything sparkled and shone, from the basement kitchen to the third-floor bedrooms. In a small room on the second floor the women gathered around the bride, preening, fixing their dresses, distributing bouquets of flowers. I was allowed to be there because I was only a child. There was a bunch of long-stemmed roses lying on the bed, blood-red and beautiful, each rose perfection. Mady walked over to them. I remember the other women were wearing magnificent dresses, embroidered and bejeweled. Mady was wearing only a simple white satin blouse and a long black skirt with no ornamentation whatever. She picked up one of the roses, sniffed deeply at it, held it against her face. Then she walked over to a mirror and held the rose against her white blouse. Immediately, the entire look of her plain costume was altered; the rose transferred its color to Mady’s face, brightening her eyes. Suddenly, she looked lovely, and young again. She found a long needle-like pin and began to pin the rose to her blouse. My mother noticed what Mady was doing and walked over to her. Imperiously, she took the rose out of Mady’s hand and said, ‘No, Mady, those flowers are for the bride.’ Mady hastily said, ‘Oh, of course, I’m sorry, how stupid of me not to have realized that,’ and her face instantly assumed its usual mask of patient obligation. “I experienced in that moment an intensity of pain against which I have measured every subsequent pain of life. My heart ached so for Mady I thought I would perish on the spot. Loneliness broke, wave after wave, over my young head and one word burned in my brain. Over and over again, through my tears, I murmured, ‘Unjust! Unjust!’ I knew that if Mady had been one of the ‘ladies’ of the house my mother would never have taken the rose out of her hand in that manner. The memory of what had happened in the bedroom pierced me repeatedly throughout that whole long day, making me feel ill and wounded each time it returned. Mady’s loneliness became mine. I felt connected, as though by an invisible thread, to her alone of all the people in the house. But the odd thing was I never actually went near her all that day. I wanted to comfort her, let her know that I at least loved her and felt for her. But I couldn’t. In fact, I avoided her. In spite of everything, I felt her to be a pariah, and that my attachment to her made me a pariah, also. It was as though we were floating, two pariahs, through the house, among all those relations, related to no one, not even to each other. It was an extraordinary experience, one I can still taste to this day. I was never again able to address myself directly to Mady’s loneliness until I joined the Communist Party. When I joined the Party the stifled memory of that strange wedding day came back to me. . .

Satrangi Re” is a compilation of Hindi stories encompassing unique colors of love, relations, friendship, parent-child associations, and passion & emotions. These are my stories, your stories, and stories of our lives. These are the stories of seven different colors, fragrances, and flavors which after placing them together make a splendid rainbow, a vibrant bouquet, and a scrumptious buffet of stories. So, what are you waiting for? Pick up your cup of tea, a mug of coffee, a bowl of Maggi, and dive deep into your childhood innocence, youthful negligence, the hustle & bustle of relationships, the whiff of first love, the huddle of friends, and affectionate scolding of parents. And while doing all this, close your computer’s window and look outside the real window of your house and the window of your heart, which you might not have opened for weeks and months and try to see the splendid rainbow that you may have not seen for a long time. Saw your rainbow? If yes, Congrats. it’s the icing on the cake. If not, don’t worry…you have. Satrangi Re…. Now Available on Amazon and Flipkart....

She charms everybody.” “It could be worse.” The earl got up and went to the window, from which he could see Anna taking cuttings for her bouquets. “You could have proposed to her, oh, say a half-dozen times and been turned down each time. Quite lowering, the third and fourth rejections. One gets used to it after that. Or tries to.” “Gads.” Val’s eyebrows shot up. “I hadn’t realized it had reached that stage. What on earth is wrong with the woman?” “Nothing. She simply believes we would not suit, so I leave her in relative peace.” “Except you tuck her in each night?” “I do.” The earl’s eyes stayed fixed on the garden. “She is fond of me; she permits it. She is quite alone, Val, so I try not to take advantage of the liberties I’m granted. I comprehend, though, when a woman doesn’t even try to kiss me, that I have lost a substantial part of my allure in her eyes.” “And have you talked to her about this?” “I have.” The earl smiled faintly. “She confronted me quite clearly and asked how we were to go on. She wants comforting but nothing more. I can provide that.” Comforting and cosseting and cuddling. “You are a better man than I am.

Annie dear, be sure you marry the right person; don't stand in your wedding dress with doubts in your bouquet

THE MOST FAMILIAR wedding rituals can transform themselves into meaningful traditions when it’s your wedding. The tossing of the bouquet, dancing with relatives you haven’t seen in years, the achingly embarrassing toasts…I wanted it all, and I loved every minute of this Christmas wedding.

I laughed with them, cried with them—these characters became friends.

True love isn't perfect; it's perfectly imperfect.