Bouquet Of White Roses Quotes

Wait--we have one left," the runner said, bringing out what was surely the most expensive bouquet of all: a three-foot tall arrangement of two hundred white roses, in the palest ivory color. All the girls swooned. Almost no boys bought white roses ever. It was a big sign of commitment. But this one practically trumpeted a captured heart. The runner set the bouquet in front of Schuyler. Mimi raised an eyebrow. She had always won the roses lottery. What was this all about? For me?" Schuyler asked, awestruck by the size of the thing. She took the card from the tallest stem. For Schuyler, who doesn't like love stories." It was not signed.

Here's the thing, say Shug. The thing I believe. God is inside you and inside everybody else. You come into the world with God. But only them that search for it inside find it. And sometimes it just manifest itself even if you not looking, or don't know what you looking for. Trouble do it for most folks, I think. Sorrow, lord. Feeling like shit. It? I ast. Yeah, It. God ain't a he or a she, but a It. But what do it look like? I ast. Don't look like nothing, she say. It ain't a picture show. It ain't something you can look at apart from anything else, including yourself. I believe God is everything, say Shug. Everything that is or ever was or ever will be. And when you can feel that, and be happy to feel that, you've found It. Shug a beautiful something, let me tell you. She frown a little, look out cross the yard, lean back in her chair, look like a big rose. She say, My first step from the old white man was trees. Then air. Then birds. Then other people. But one day when I was sitting quiet and feeling like a motherless child, which I was, it come to me: that feeling of being part of everything, not separate at all. I knew that if I cut a tree, my arm would bleed. And I laughed and I cried and I run all around the house. I knew just what it was. In fact, when it happen, you can't miss it. It sort of like you know what, she say, grinning and rubbing high up on my thigh. Shug! I say. Oh, she say. God love all them feelings. That's some of the best stuff God did. And when you know God loves 'em you enjoys 'em a lot more. You can just relax, go with everything that's going, and praise God by liking what you like. God don't think it dirty? I ast. Naw, she say. God made it. Listen, God love everything you love? and a mess of stuff you don't. But more than anything else, God love admiration. You saying God vain? I ast. Naw, she say. Not vain, just wanting to share a good thing. I think it pisses God off if you walk by the color purple in a field somewhere and don't notice it. What it do when it pissed off? I ast. Oh, it make something else. People think pleasing God is all God care about. But any fool living in the world can see it always trying to please us back. Yeah? I say. Yeah, she say. It always making little surprises and springing them on us when us least expect. You mean it want to be loved, just like the bible say. Yes, Celie, she say. Everything want to be loved. Us sing and dance, make faces and give flower bouquets, trying to be loved. You ever notice that trees do everything to git attention we do, except walk? Well, us talk and talk bout God, but I'm still adrift. Trying to chase that old white man out of my head. I been so busy thinking bout him I never truly notice nothing God make. Not a blade of corn (how it do that?) not the color purple (where it come from?). Not the little wildflowers. Nothing. Now that my eyes opening, I feels like a fool. Next to any little scrub of a bush in my yard, Mr. ____s evil sort of shrink. But not altogether. Still, it is like Shug say, You have to git man off your eyeball, before you can see anything a'tall. Man corrupt everything, say Shug. He on your box of grits, in your head, and all over the radio. He try to make you think he everywhere. Soon as you think he everywhere, you think he God. But he ain't. Whenever you trying to pray, and man plop himself on the other end of it, tell him to git lost, say Shug. Conjure up flowers, wind,water, a big rock. But this hard work, let me tell you. He been there so long, he don't want to budge. He threaten lightening, floods and earthquakes. Us fight. I hardly pray at all. Every time I conjure up a rock, I throw it. Amen

They didn’t need proof. All a woman had to be was alive. Just being a woman was, in the church’s eyes, evil.” “But there must’ve been a reason,” said Gabri. “Is there a reason gay, lesbian, and transgender people are attacked?” asked Ruth. “Is there a reason Black men are shot? Is there a reason women are raped, abused, refused abortions, groomed and sold as sex slaves?” “Murdered,” said Myrna, looking at the bouquet of white roses on the kitchen island.

The rose, however, made us girls somewhat fainthearted, because it really was something we felt mattered, the white bridal dream with the wedding bouquet and the kiss from the man who was to be ours forever. But then Laura said that the lady who had given it to us had gotten divorced only five years later. And since many of our parents were also divorce, if indeed they had ever been married at all, that dream clearly wasn't worth our time.

The Widow Russell apparently took her at-home retirement so far as the abstain from receiving guests in the formal parlors: Theo was shown to a pink-papered upstairs room where she sat in an armchair whose chintz upholstery featured roses twining daintily on a white ground. She was head-to-toe in black, of course, and for a moment he had the very odd impression of a spider lurking in a rose bouquet.

Pandora, who walked down the aisle of the estate chapel on Devon's arm, was radiantly beautiful in a dress of white silk, the billowing skirts so intricately gathered and draped that no lace or ornamental trim had been necessary. She wore a coronet of fresh daisies and a veil of sheer tulle and carried a small bouquet of roses and daisies. If West had any remaining doubts about St. Vincent's true feelings for his bride, they were forever banished as he saw the man's expression. St. Vincent stared at Pandora as if she were a miracle, his cool composure disrupted by a faint flush of emotion. When Pandora reached him and the veil was pushed back, St. Vincent broke with etiquette by leaning down to press a tender kiss on her forehead. "That part isn't 'til later," Pandora whispered to him, but it was loud enough that the people around them overheard, and a rustle of laughter swept through the crowd.

I follow her into a storeroom at the back of the shop and catch my breath when I see the bouquets she has made for the shoot. I've seen a lot of wedding flowers, but nothing like these. There are soft apricot roses with dusty-blue delphiniums, creamy-white peonies with miniature pink alliums. Waxy green orchids with deep purple irises. A phone rings in the shop and she excuses herself and goes back outside to answer it. I bend down and pick up a pretty tumble of glossy green ivy and pale purple bells on slender stems. The flowers have a delicate scent, something elusive between hyacinth and freesia.

the blue butterfly fluttered across her range of vision to land on the head of a butter yellow dandelion in Emma’s bouquet. The surprise and pleasure struck the three faces in that triangle under the white roses almost as one. Mac pressed the shutter. She knew, knew, the photograph wouldn’t be blurry and dark or fuzzy and washed out. Her thumb wouldn’t be blocking the lens. She knew exactly what the picture would look like, knew her grandmother had been wrong after all. Maybe happy ever after was bull, but she knew she wanted to take more pictures of moments that were happy. Because then they were ever after.

As Blake leaned down to accept her hug she whispered, “Remember when you and Livia tried to hog the spotlight at my wedding? Just when you and Livia get to the good part, Cole and I are going to have porno sex right there.”She and John took one small step at a time. She was obviously much more concerned about tripping than Kyle had been. During her descent, Blake just looked. Her white gown fit her frame perfectly, and the strapless dress revealed the gentle, tempting curves of her shoulders. Her bouquet contained the paper-napkin roses he’d made for her, combined with baby’s breath. A flowing train cascaded down the stairs behind Livia, and an even longer veil billowed in the gentle breeze like a blown wish.

I have important things to tell you, but who can concentrate with all that racket?" That "racket" turned out to be because of flowers, hundreds of them, arriving by the cartful. Roses, orchids, lilies, daffodils, irises, and a dozen other varieties that she could not name. Heavy porcelain vases were mounted all around the grand ballroom and the royal gardens, displaying the arrangements in all their grandeur. But one arrangement stood out from the rest. From the duchess's window, Cinderella watched the gardeners erect a trellis studded with roses. When the palace staff wheeled out a barrow of flowers, white pearlescent roses intertwined with pink ones as flushed as the height of sunrise, she nearly gasped. Her parents' favorite flowers. White and pink roses, with a touch of myrtle. Charles had been listening.

You're Beautiful Like the green romance of a bud and lily's pink, gentle sway. You: more beautiful than yesterday. Wildflower's blue surprise. Daisy's white, sunny play. You're more beautiful than yesterday. Orchid's purple mystery Mum's bronze ole` You: more beautiful than yesterday. Rose's orange perfume, even tulip's yellow secrets say: You're more beautiful that yesterday. Poppy's red, teasing lips, but YOUR beauty will never fade. You: more lovely than yesterday, You: my dazzling bouquet.

In a private room down the hall, a tired but delighted Cecily was watching her husband with his brand-new son. Cecily had thought that the expression on Tate’s face at their wedding would never be duplicated. But when they placed the tiny little boy in his father’s gowned arms in the delivery room, and he saw his child for the first time, the look on his face was indescribable. Tears welled in his eyes. He’d taken the tiny little fist in his big, dark hand and smoothed over the perfect little fingers and then the tiny little face, seeking resemblances. “Generations of our families,” he said softly, “all there, in that face.” He’d looked down at his wife with unashamedly wet eyes. “In our son’s face.” She wiped her own tears away with a corner of the sheet and coaxed Tate’s head down so that she could do the same for him where they were, temporarily, by themselves. Now she was cleaned up, like their baby, and drowsy as she lay on clean white sheets and watched her husband get acquainted with his firstborn. “Isn’t he beautiful?” he murmured, still awed by the child. “Next time, we have to have a little girl,” he said with a tender smile, “so that she can look like you.” Her heart felt near to bursting as she stared up at that beloved face, above the equally beloved face of their firstborn. “My heart is happy when I see you,” she whispered in Lakota. He chuckled, having momentarily forgotten that he’d taught her how to say it. “Mine is equally happy when I see you,” he replied in English. She reached out and clasped his big hand with her small one. On the table beside her was a bouquet of roses, red and crisp with a delightful soft perfume. Her eyes traced them, and she remembered the first rose he’d ever given her, when she was seventeen: a beautiful red paper rose that he’d brought her from Japan. Now the roses were real, not imitation. Just as her love for him, and his for her, had become real enough to touch. He frowned slightly at her expression. “What is it?” he asked softly. “I was remembering the paper rose you brought me from Japan, just after I went to live with Leta.” She shrugged and smiled self-consciously. He smiled back. “And now you’re covered in real ones,” he discerned. She nodded, delighted to see that he understood exactly what she was talking about. But, then, they always had seemed to read each others’ thoughts-never more than now, with the baby who was a living, breathing manifestation of their love. “Yes,” she said contentedly. “The roses are real, now.” Outside the window, rain was coming down in torrents, silver droplets shattering on the bright green leaves of the bushes. In the room, no one noticed. The baby was sleeping and his parents were watching him, their eyes full of warm, soft dreams.

Sitting under a tree, I studied my options. The fall flowers were in full bloom: verbena, goldenrod, chrysanthemum, and a late-blooming rose. The carefully tended city beds around the park held layers of textured evergreen but little color. I set to work, considering height, density, texture, and layers of scent, removing touch-damaged petals with careful pinches. When I had finished, spiraling white mums emerged from a cushion of snow-colored verbena, and clusters of pale climbing roses circled and dripped over the edge of a tightly wrapped nosegay. I removed every thorn. The bouquet was white as a wedding and spoke of prayers, truth, and an unacquainted heart.

The air was steeped with the heady fragrance of roses, as if the entire hall had been rinsed with expensive perfume. "Good Lord!" she exclaimed, stopping short at the sight of massive bunches of flowers being brought in from a cart outside. Mountains of white roses, some of them tightly furled buds, some in glorious full bloom. Two footmen had been recruited to assist the driver of the cart, and the three of them kept going outside to fetch bouquet after bouquet wrapped in stiff white lace paper. "Fifteen dozen of them," Marcus said brusquely. "I doubt there's a single white rose left in London." Aline could not believe how fast her heart was beating. Slowly she moved forward and drew a single rose from one of the bouquets. Cupping the delicate bowl of the blossom with her fingers, she bent her head to inhale its lavish perfume. Its petals were a cool brush of silk against her cheek. "There's something else," Marcus said. Following his gaze, Aline saw the butler directing yet another footman to pry open a huge crate filled with brick-sized parcels wrapped in brown paper. "What are they, Salter?" "With your permission, my lady, I will find out." The elderly butler unwrapped one of the parcels with great care. He spread the waxed brown paper open to reveal a damply fragrant loaf of gingerbread, its spice adding a pungent note to the smell of the roses. Aline put her hand over her mouth to contain a bubbling laugh, while some undefinable emotion caused her entire body to tremble. The offering worried her terribly, and at the same time, she was insanely pleased by the extravagance of it. "Gingerbread?" Marcus asked incredulously. "Why the hell would McKenna send you an entire crate of gingerbread?" "Because I like it," came Aline's breathless reply. "How do you know this is from McKenna?" Marcus gave her a speaking look, as if only an imbecile would suppose otherwise. Fumbling a little with the envelope, Aline extracted a folded sheet of paper. It was covered in a bold scrawl, the penmanship serviceable and without flourishes. No miles of level desert, no jagged mountain heights, no sea of endless blue Neither words nor tears, nor silent fears will keep me from coming back to you. There was no signature... none was necessary. Aline closed her eyes, while her nose stung and hot tears squeezed from beneath her lashes. She pressed her lips briefly to the letter, not caring what Marcus thought. "It's a poem," she said unsteadily. "A terrible one." It was the loveliest thing she had ever read. She held it to her cheek, then used her sleeve to blot her eyes. "Let me see it." Immediately Aline tucked the poem into her bodice. "No, it's private." She swallowed against the tightness of her throat, willing the surge of unruly emotion to recede. "McKenna," she whispered, "how you devastate me.

Mrs. Flanigan made this for you and dropped it off earlier. So pretty, wouldn't you agree?"... "White roses - the bride's flower," Mrs. Norton said with a lilt in her voice. "For unity, purity, and a love stronger than death." She touched the edge of a blossom. "And, in addition, you have chrysanthemums for fidelity, optimism, joy, and long life, with the color white standing for truth and loyal love." As if caught in a spell, Grace stared at the flowers, a lump forming in her throat, the words echoing in her mind... Joy, truth, fidelity, a love stronger than death. Mrs. Flanigan chuckled. "Mrs. Norton, you make the bouquet sound so poetic. I'm afraid I can't take credit for such a romantic arrangement. I chose the only white flowers still blooming in my garden.

Danielle wore a simple bias-cut gown of the palest blush silk- one of her own designs- with white roses and jasmine braided into her thick auburn hair swept up from the nape of her neck, onto which she'd applied a new perfume she'd blended with a corresponding harmony just for the wedding. She carried the flowers of Bellerose: mimosa, rose, jasmine, violet, and orange blossom, twined into a voluptuous bouquet that spilled from her hand. Jon stood before her, his velvety brown eyes sparkling with flecks of gold. She drank in the delicious, virile smell of him, loving how the scent of his skin melded with the perfume she had blended for him for this day- blood orange and orange blossom, patchouli and sandalwood, cinnamon and clove. She had devised a salty note, too, and added the sea's airy freshness.

A fresh, uplifting mélange of Italian bergamot, mandarin, and raspberry that comprised the opening accord filled her nostrils with the carefree scents of spring. Her imagination soared with memories. The gardens of Bellerose, picnic baskets bursting with summer fruits on sunny Mediterranean beaches, summers spent on the Riviera, yacht parties, and the casino in Monte Carlo. The plain little bottle held the essence of the happy life she had known. She inhaled again, closed her eyes, and allowed her mind to wander, to visualize the images the aroma evoked. Excitement coursed through her veins. She imagined a glamorous, luxurious lifestyle of exotic locales, mysterious lovers, sandy beaches, glittering parties, elegant gowns, and precious jewels. And amid it all, sumptuous bouquets of fabulous flowers, enchanting and romantic, intense aromas of pure, bridal white jasmine and sultry tuberose, and the heady, evocative aroma of rose. Seductive spices, clove with musk and patchouli, smoothed with sandalwood and vanilla, elegant and sensual, like a lover in the night. And finally, she realized what was missing. A strong, smooth core, a warm amber blend that would provide a deep connection to the soul. Love.

It? I ast. Yeah, It. God ain't a he or a she, but a It. But what do it look like? I ast. Don't look like nothing, she say. It ain't a picture show. It ain't something you can look at apart from anything else, including yourself. I believe God is everything, say Shug. Everything that is or ever was or ever will be. And when you can feel that, and be happy to feel that, you've found It. Shug a beautiful something, let me tell you. She frown a little, look out cross the yard, lean back in her chair, look like a big rose. She say, My first step from the old white man was trees. Then air. Then birds. Then other people. But one day when I was sitting quiet and feeling like a motherless child, which I was, it come to me: that feeling of being part of everything, not separate at all. I knew that if I cut a tree, my arm would bleed. And I laughed and I cried and I run all around the house. I knew just what it was. In fact, when it happen, you can't miss it. It sort of like you know what, she say, grinning and rubbing high up on my thigh. Shug! I say. Oh, she say. God love all them feelings. That's some of the best stuff God did. And when you know God love 'em you enjoys 'em a lot more. You can just relax, go with everything that's going and praise God by liking what you like. God don't think it dirty? I ast. Naw, she say. God made it. Listen, God love everything you love - and a mess of stuff you don't. But more than anything else. God love admiration. You saying God vain? I ast. Naw, she say. Not vain, just wanting to share a good thing. I think it pisses God off if you walk by the color purple in a field somewhere and don't notice it. What it do when it pissed off? I ast. Oh, it make something else. People think pleasing God is all God care about. But any fool living in the world can see it always trying to please us back. Yeah? I say. Yeah, she say. It always making little surprises and springing them on us when us least expect. You mean it want to be loved, just like the bible say. Yes, Celie, she say. Everything want to be loved. Us sing and dance, make faces and give flower bouquets, trying to be loved. You ever notice that trees do everything to git attention we do, except walk?

My father had a sister, Mady, who had married badly and ‘ruined her life.’ Her story was a classic. She had fallen in love before the war with an American adventurer, married him against her family’s wishes, and been disinherited by my grandfather. Mady followed her husband romantically across the sea. In America he promptly abandoned her. By the time my parents arrived in America Mady was already a broken woman, sick and prematurely old, living a life two steps removed from destitution. My father, of course, immediately put her on an allowance and made her welcome in his home. But the iron laws of Victorian transgression had been set in motion and it was really all over for Mady. You know what it meant for a woman to have been so disgraced and disinherited in those years? She had the mark of Cain on her. She would live, barely tolerated, on the edge of respectable society for the rest of her life. A year after we arrived in America, I was eleven years old, a cousin of mine was married out of our house. We lived then in a lovely brownstone on New York’s Upper West Side. The entire house had been cleaned and decorated for the wedding. Everything sparkled and shone, from the basement kitchen to the third-floor bedrooms. In a small room on the second floor the women gathered around the bride, preening, fixing their dresses, distributing bouquets of flowers. I was allowed to be there because I was only a child. There was a bunch of long-stemmed roses lying on the bed, blood-red and beautiful, each rose perfection. Mady walked over to them. I remember the other women were wearing magnificent dresses, embroidered and bejeweled. Mady was wearing only a simple white satin blouse and a long black skirt with no ornamentation whatever. She picked up one of the roses, sniffed deeply at it, held it against her face. Then she walked over to a mirror and held the rose against her white blouse. Immediately, the entire look of her plain costume was altered; the rose transferred its color to Mady’s face, brightening her eyes. Suddenly, she looked lovely, and young again. She found a long needle-like pin and began to pin the rose to her blouse. My mother noticed what Mady was doing and walked over to her. Imperiously, she took the rose out of Mady’s hand and said, ‘No, Mady, those flowers are for the bride.’ Mady hastily said, ‘Oh, of course, I’m sorry, how stupid of me not to have realized that,’ and her face instantly assumed its usual mask of patient obligation. “I experienced in that moment an intensity of pain against which I have measured every subsequent pain of life. My heart ached so for Mady I thought I would perish on the spot. Loneliness broke, wave after wave, over my young head and one word burned in my brain. Over and over again, through my tears, I murmured, ‘Unjust! Unjust!’ I knew that if Mady had been one of the ‘ladies’ of the house my mother would never have taken the rose out of her hand in that manner. The memory of what had happened in the bedroom pierced me repeatedly throughout that whole long day, making me feel ill and wounded each time it returned. Mady’s loneliness became mine. I felt connected, as though by an invisible thread, to her alone of all the people in the house. But the odd thing was I never actually went near her all that day. I wanted to comfort her, let her know that I at least loved her and felt for her. But I couldn’t. In fact, I avoided her. In spite of everything, I felt her to be a pariah, and that my attachment to her made me a pariah, also. It was as though we were floating, two pariahs, through the house, among all those relations, related to no one, not even to each other. It was an extraordinary experience, one I can still taste to this day. I was never again able to address myself directly to Mady’s loneliness until I joined the Communist Party. When I joined the Party the stifled memory of that strange wedding day came back to me. . .

The bride wore a long white peau de soie dress and carried a shower bouquet of sweetheart roses with stephanotis streamers. A coronet of seed pearls held her illusion veil.

But perhaps Hubbard’s most enduring contribution to psychedelic therapy emerged in, of all places, the treatment room. […] Though he never used those terms, Hubbard was the first researcher to grasp the critical importance of set and setting in shaping the psychedelic experience. He instinctively understood that the white walls and fluorescent lighting of the sanitised hospital room were all wrong. So he brought pictures and music, flowers and diamonds into the treatment room where he would use them to prime patients for a mystical revelation or divert a journey when it took a terrifying turn. He liked to show people paintings by Salvador Dali or pictures of Jesus or to ask them to study the facets of a diamond he carried. On patient he treated in Vancouver, an alcoholic paralysed by social anxiety recalled Hubbard handing him a bouquet of roses during a LSD session. “He said, ‘Now hate them’. They withered and the petals fell off, and I started to cry. Then he said ‘Love them’ and they came back, brighter and even more spectacular than before. That meant a lot to me. I realised you can make your relationships anything you want. The trouble I was having with people was coming from me.’” What Hubbard was bringing into the treatment room was something well-known to any traditional healer. Shamans have understood for millennia that a person in the depths of a trance or under the influence of a powerful plant medicine can be readily manipulated with the help of certain words, special objects, or the right kind of music. Hubbard understood intuitively how the suggestibility of the human mind during an altered state of consciousness could be harnessed as an important resource for healing—for breaking destructive patterns of thought and for proposing new perspectives in their place.

planned to come to DC next spring to pay my respects to your parents, but I will not be able to do that anymore. When you go visit them in the cemetery next time, please take along two bouquets, of white chrysanthemums or roses, on behalf of me and Sonya.

You look lovely.” Blushing, I smoothed hands down my suit. “Oh, I don’t know. It’s not very traditional.” Handing me a bouquet of fake white roses, she attempted to set me straight. “Honey, you should see half the people who come in here to get married. My bet is that most of them end up divorced within a few months. You are probably the classiest couple we’ve seen in years." Her words made me feel slightly better. “Thank you.” “And your man. Whew. I sure hope the fire alarms don’t trip because he is smoking hot.” She fanned herself to emphasize her point.

He circles the shrines, scanning each of them. There's one made in exclusively soft shades of pink, with a bouquet of blush roses at the center. It's surrounded by oysters, each one nestling a pearl. Smooth, heart-shaped rose quartz surrounds the perimeter in a perfect circle. Sliced guava reveals its rosy flesh, next to clamshells full of cherry blossoms. Another is built from a large shell in the center, filled with water that reflects the moon. White magnolias float on the surface, along with golden glitter that sparkles like starlight. Oranges with long stems and blossoms surround the shell, paired with sliced mango drizzled with honey. I swear I know who some of these belong to. The one with green grapes and pears decorated with golden butterfly appliqué must be Genevieve's. Beside it is one crafted from fuchsia carnations and obnoxiously large peonies, with different berries in porcelain dishes painted with bright pink flowers. So obviously Amelia's.

Bowing my head, I dipped my nose into the bouquet I'd assembled. There was flax, and forget-me-not, and hazel. There were white roses and pink ones, helenium and periwinkle, primrose, and lots and lots of bellflower. Between the tightly wrapped stems I'd packed velvety moss, barely visible, and I had sprinkled the bouquet with the purple and white petals of Grant's Mexican sage. The bouquet was enormous, and not nearly enough.

Round and round the blade went, producing petals that opened one on top of the other, white against the red. Ribbons fell from the knife's edge, curling around her crossed legs. And so it went until all twenty were done, the radishes cleared of their perky heads, their bodies floating in a bowl of chilled water like a delicate bouquet. No longer ordinary root vegetables, they were now brilliant roses carved to blooming age. The radish roses made pretty garnishes on the many cheese and herb plates that went out during the hungry hours of afternoon. They were also tangible, not to mention edible, proof of one of Bahar's greatest talents to date: hands that were extraordinarily agile, and arms of immense strength.

And then two footmen staggered forward. They were bearing between them a flower arrangement so brilliant it was nearly 'sentient.' A profusion of roses, the heads of which were nearly as pulsatingly crimson and large as actual hearts sprung from a luxurious froth of ferny greenery and minuscule lacy white flowers. It was magnificently intimidating and almost indecently sensual. The whole thing was the height of a three-year-old child.

At first she felt overwhelmed by the house, its airy symmetry its silence. Now she was accustomed to the place, but she caught herself wondering, Is this still Berkeley? George's neighborhood felt as far from Telegraph as the hanging gardens of Babylon. You could get a good kebab in Jess's neighborhood, and a Cal T-shirt, and a reproduction NO HIPPIES ALLOWED sign. Where George lived, you could not get anything unless you drove down from the hills. Then you could buy art glass, and temple bells, and burled-wood jewelry boxes, and dresses of hand-painted silk, and you could eat at Chez Panisse, or sip coffee at the authentically grubby French Hotel where your barista took a bent paper clip and drew cats or four-leaf clovers or nudes in your espresso foam. You returned home with organic, free-range groceries, and bouquets of ivory roses and pale green hydrangeas, and you held dinner parties where some guests got lost and arrived late, and others gave up searching for you in the fog. That was George's Berkeley, and even in these environs, his home stood apart, hidden, grand, and rambling; windows set like jewels in their carved frames, gables twined with wisteria of periwinkle and ghostly white.

I don’t know how to ask this,” Everett began. “You and Mr. Bradley…you’re not…” He gestured helplessly with his left hand. “I mean, there’s not, uh, something…is there?” After a bewildered moment Ellen’s eyes widened. “Oh, no! Not—not at all.” Everett’s breath hitched. “I thought—I thought perhaps there was. That’s why I hesitated…but if there isn’t…then I got the right color.” He studied his crimson bouquet, spinning it slowly in a mesmerizing circle. Ellen gulped. Everett looked up, walked forward, and glanced down at his roses, then held them out to her and recaptured her gaze. “I remember you said you liked roses. I think you said white roses, but they don’t have the right meaning.” He smiled sheepishly. Ellen’s eyes dropped. She reached out a shaky hand and clasped the firm, cool, de-thorned stems. “You…do understand me then?” he asked. “Perfectly.” Ellen burst into tears.

Escoffier set the table. He'd found a Japanese kimono, an obvious prop from some theater production, to use as a tablecloth. Paris had secretly fallen in love with all things oriental. It was red silk brocade, covered with a flock of white flying cranes, and made from a single bolt of fabric. The neckline and cuffs were thickly stained with stage makeup but the kimono itself was quite beautiful. It ran the length of the thin table. The arms overhung one end. Outside the building he'd seen a garden with a sign that read "Please do not pick." But it was, after all, for a beautiful woman. Who would deny him? And so Escoffier cut a bouquet of white flowers: roses, peonies and a spray of lilies, with rosemary stalks to provide the greenery. He placed them in a tall water glass and then opened the basket of food he'd brought. He laid out the china plates so that they rested between the cranes, and then the silver knives, forks and spoons, and a single crystal glass for her champagne. Even though it was early afternoon, he'd brought two dozen candles. The food had to be served 'à la française'; there were no waiters to bring course after course. So he kept it simple. Tartlets filled with sweet oysters from Arcachon and Persian caviar, chicken roasted with truffles, a warm baguette, 'pâté de foie gras,' and small sweet strawberries served on a bed of sugared rose petals and candied violets.

Janie walked back over with a bouquet of nine white, long stem roses and one white.

My mother used to grow roses in her garden. We'd pick them together every morning." She fell silent, remembering how she'd carried on the tradition with her papa after her mother died. One by one they'd cut the flowers, each still so fresh that dew glistened on its petals and trickled down her trembling fingers. "Eight pink roses, seven white ones, and three sprigs of myrtle," she murmured, pointing at the pink and white roses in the line of bushes. "What is that?" "It's what I would always bring Mama- the same arrangement my father presented to her when he'd asked her to marry him." The story of their courtship had been her favorite, one Papa had told her over and over. She'd never tired of it, never stopped asking him to tell it to her. Before her mother had died, he'd always ended the story with a smile, saying, "Your mother is my true love." Once she was gone, his expression became solemn, shadows sinking into the lines of his brow, his teeth clenched tight to keep from grimacing. Then he would say, "Your mother was my true love." So Cinderella had learned how one word could change everything. And she had stopped asking her father for the story.

A lady’s maid handed her a bouquet of white roses—a gift from Prince Severin and Princess Elle of Loire (as flowers were hard to come by in the middle of winter, Cinderella had no idea where they procured them)—and

I’m fine, but something… something came up.” Correction: a hundred somethings, judging by the number of bouquets littering the hallway. Pink roses for affection, white lilies for forgiveness, golden trumps for strength and triumph over obstacles. I tried to ignore the meaning behind each bouquet as I focused on the garden that had exploded inside the building. It didn’t take a rocket scientist to figure out who they were from. I’m going to kill Dominic.