Bouncing Souls Quotes

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Never underestimate the grace of bouncing back from a fallen heart.
Angelica Hopes (Rhythm of a Heart, Music of a Soul)
Did you think you could dump me, and I’d bounce back to her and miraculously be happy? I’m not a Ping-Pong ball. You can’t just swat me back and forth and expect me to be content wherever I land. If Tod dumped you tomorrow, would you come back to me?
Rachel Vincent (Before I Wake (Soul Screamers, #6))
Once upon a time there was a king who had three beautiful daughters. No, no, wait. Once upon a time there were three bears who lived in a wee house in the woods. Once upon a time there were three soldiers, tramping together down the road after the war. Once upon a time there were three little pigs. Once upon a time there were three brothers. No, this is it. This is the variation I want. Once upon a time there were three Beautiful children, two boys and a girl. When each baby was born, the parents rejoiced, the heavens rejoiced, even the fairies rejoiced. The fairies came to christening parties and gave the babies magical gifts. Bounce, effort, and snark. Contemplation and enthusiasm. Ambition and strong coffee. Sugar, curiosity, and rain. And yet, there was a witch. There's always a witch. This which was the same age as the beautiful children, and as she and they grew, she was jealous of the girl, and jealous of the boys, too. They were blessed with all these fairy gifts, gifts the witch had been denied at her own christening. The eldest boy was strong and fast, capable and handsome. Though it's true, he was exceptionally short. The next boy was studious and open hearted. Though it's true, he was an outsider. And the girl was witty, Generous, and ethical. Though it's true, she felt powerless. The witch, she was none of these things, for her parents had angered the fairies. No gifts were ever bestowed upon her. She was lonely. Her only strength was her dark and ugly magic. She confuse being spartan with being charitable, and gave away her possessions without truly doing good with them. She confuse being sick with being brave, and suffered agonies while imagining she merited praise for it. She confused wit with intelligence, and made people laugh rather than lightening their hearts are making them think. Hey magic was all she had, and she used it to destroy what she most admired. She visited each young person in turn in their tenth birthday, but did not harm them out right. The protection of some kind fairy - the lilac fairy, perhaps - prevented her from doing so. What she did instead was cursed them. "When you are sixteen," proclaimed the witch in a rage of jealousy, "you shall prick your finger on a spindle - no, you shall strike a match - yes, you will strike a match and did in its flame." The parents of the beautiful children were frightened of the curse, and tried, as people will do, to avoid it. They moved themselves and the children far away, to a castle on a windswept Island. A castle where there were no matches. There, surely, they would be safe. There, Surely, the witch would never find them. But find them she did. And when they were fifteen, these beautiful children, just before their sixteenth birthdays and when they're nervous parents not yet expecting it, the jealous which toxic, hateful self into their lives in the shape of a blonde meeting. The maiden befriended the beautiful children. She kissed him and took them on the boat rides and brought them fudge and told them stories. Then she gave them a box of matches. The children were entranced, for nearly sixteen they have never seen fire. Go on, strike, said the witch, smiling. Fire is beautiful. Nothing bad will happen. Go on, she said, the flames will cleanse your souls. Go on, she said, for you are independent thinkers. Go on, she said. What is this life we lead, if you did not take action? And they listened. They took the matches from her and they struck them. The witch watched their beauty burn, Their bounce, Their intelligence, Their wit, Their open hearts, Their charm, Their dreams for the future. She watched it all disappear in smoke.
E. Lockhart (We Were Liars)
You know what my heart is—no, my soul? It’s like an old mattress that’s been bounced on so many times that now, if you put your hand on it, it leaves a permanent imprint. That’s what my soul is now. Just a big old mattress showing every dent.
Taylor Jenkins Reid (Carrie Soto Is Back)
The highest correlation for reaching ninety or hundred years of age in good shape is emotional resilience, the ability to bounce back from life’s setbacks. That fits neatly with one of the qualities of healthy energy: flexibility.
Deepak Chopra (Reinventing the Body, Resurrecting the Soul: How to Create a New You)
Camouflage with a defensive grace and bounce back with joy.
Angelica Hopes (Landscapes of a Heart, Whispers of a Soul (Speranza Odyssey Trilogy, #1))
We all hit rock bottom; sometimes, you bounce up fast, sometimes you crawl until you can straighten up and sometimes you have to lay there for a long time until you learn how to rise again.
J. Autherine (Wild Heart, Peaceful Soul: Poems and Inspiration to Live and Love Harmoniously)
The living has a great hope, we have life to bounce back from any difficulty. The dead had no hope.
Lailah Gifty Akita (Think Great: Be Great! (Beautiful Quotes, #1))
How Did You Die? Did you tackle that trouble that came your way With a resolute heart and cheerful? Or hide your face from the light of day With a craven soul and fearful? Oh, a trouble's a ton, or a trouble's an ounce, Or a trouble is what you make it. And it isn't the fact that you're hurt that counts, But only how did you take it? You are beaten to earth? Well, well what's that? Come up with a smiling face. It's nothing against you to fall down flat, But to lie there - that's disgrace. The harder you're thrown, why the higher you bounce; Be proud of your blackened eye! It isn't the fact that you're licked that counts; It's how did you fight and why? And though you be done to death, what then? If you battled the best you could; If you played your part in the world of men, Why the critic will call it good. Death comes with a crawl, or comes with a pounce, And whether he's slow or spry, It isn't the fact that you're dead that counts, But only, how did you die?
Edmund Vance Cooke
For another moment, she watched Hatcher, relaxed looking despite the bounce of the tractor. Yearning filled her soul. She didn’t want a man just to have a man. But she ached to share with someone. Be able to reveal her deepest feelings without fear of ridicule or condemnation. Hatcher, with his quiet patience, had allowed her that if only for brief periods.
Linda Ford (The Road to Love (Depression Series, #1))
I need her.” I tapped my head. “In here, I need her.” Then I bounced my fist over my heart. “And here. I feel her in here too.
Tillie Cole (Souls Unfractured (Hades Hangmen, #3))
Some hours later Cooper took the packet of ash from his pocket, where earlier in the evening he had put it for greater security, and threw it angrily at a man who had given him great offence. It bounced, burst, off the wall on to the floor, where at once it became the object of much dribbling, passing, trapping, shooting, punching, heading and even some recognition from the gentleman's code. By closing time the body, mind and soul of Murphy were freely distributed over the floor of the saloon; and before another dayspring greyened the earth had been swept away with the sand, the beer, the butts, the glass, the matches, the spits, the vomit.
Samuel Beckett (Murphy)
Every song was the same song. These were songs for people who were scared to open their mailboxes, whose phone calls never brought good news. These were songs for people standing at the crossroads waiting for the bus. People who bounced between debt collectors and dollar stores, collection agencies and housing offices, family court and emergency rooms, waiting for a check that never came, waiting for a court date, waiting for a call back, waiting for a break, crushed beneath the wheel.
Grady Hendrix (We Sold Our Souls)
Introspection means talking to yourself, and one of the best ways of talking to yourself is by talking to another person. One other person you can trust, one other person to whom you can unfold your soul. One other person you feel safe enough with to allow you to acknowledge things—to acknowledge things to yourself—that you otherwise can’t. Doubts you aren’t supposed to have, questions you aren’t supposed to ask. Feelings or opinions that would get you laughed at by the group or reprimanded by the authorities. This is what we call thinking out loud, discovering what you believe in the course of articulating it. But it takes just as much time and just as much patience as solitude in the strict sense. And our new electronic world has disrupted it just as violently. Instead of having one or two true friends that we can sit and talk to for three hours at a time, we have 968 “friends” that we never actually talk to; instead we just bounce one-line messages off them a hundred times a day. This is not friendship, this is distraction.
Kate Fagan (What Made Maddy Run: The Secret Struggles and Tragic Death of an All-American Teen)
Somehow the realization that nothing was to be hoped for had a salutary effect upon me. For weeks and months, for years, in fact, all my life I had been looking forward to something happening, some intrinsic event that would alter my life, and now suddenly, inspired by the absolute hopelessness of everything, I felt relieved, felt as though a great burden had been lifted from my shoulders. At dawn I parted company with the young Hindu, after touching him for a few francs, enough for a room. Walking toward Montparnasse I decided to let myself drift with the tide, to make not the least resistance to fate, no matter in what form it presented itself. Nothing that had happened to me thus far had been sufficient to destroy me; nothing had been destroyed except my illusions. I myself was intact. The world was intact. Tomorrow there might be a revolution, a plague, an earthquake; tomorrow there might not be left a single soul to whom one could turn for sympathy, for aid, for faith. It seemed to me that the great calamity had already manifested itself, that I could be no more truly alone than at this very moment. I made up my mind that I would hold on to nothing, that I would expect nothing, that henceforth I would live as an animal, a beast of prey, a rover, a plunderer. Even if war were declared, and it were my lot to go, I would grab the bayonet and plunge it, plunge it up to the hilt. And if rape were the order of the day then rape I would, and with a vengeance. At this very moment, in the quiet dawn of a new day, was not the earth giddy with crime and distress? Had one single element of man's nature been altered, vitally, fundamentally altered, by the incessant march of history? By what he calls the better part of his nature, man has been betrayed, that is all. At the extreme limits of his spiritual being man finds himself again naked as a savage. When he finds God, as it were, he has been picked clean: he is a skeleton. One must burrow into life again in order to put on flesh. The word must become flesh; the soul thirsts. On whatever crumb my eye fastens, I will pounce and devour. If to live is the paramount thing, then I will live, even if I must become a cannibal. Heretofore I have been trying to save my precious hide, trying to preserve the few pieces of meat that hid my bones. I am done with that. I have reached the limits of endurance. My back is to the wall; I can retreat no further. As far as history goes I am dead. If there is something beyond I shall have to bounce back. I have found God, but he is insufficient. I am only spiritually dead. Physically I am alive. Morally I am free. The world which I have departed is a menagerie. The dawn is breaking on a new world, a jungle world in which the lean spirits roam with sharp claws. If I am a hyena I am a lean and hungry one: I go forth to fatten myself.
Henry Miller (Tropic of Cancer (Tropic, #1))
While a deep need in each of us is to know and be known, there is one deeper. One that undergirds everything else. It's the stuff of us. Out of it, we breathe, or not. We wander the earth like shipwrecked castaways, intersecting other island dwellers, and when we meet them, we hold ourselves out in offering and grant them a chance to accept or reject us. With our souls held together with twine and tape and glue, we bounce from rejection to rejection until we find the one who accepts us. This is the thirst of the human soul, and only one thing satisfies it: to be accepted in the knowing.
Charles Martin (The Letter Keeper (Murphy Shepherd, #2))
If Only We Had Taller Been The fence we walked between the years Did bounce us serene. It was a place half in the sky where In the green of leaf and promising of peach We'd reach our hands to touch and almost touch the sky, If we could reach and touch, we said, 'Twould teach us, not to ,never to, be dead. We ached and almost touched that stuff; Our reach was never quite enough. If only we had taller been, And touched God's cuff, His hem, We would not have to go with them Who've gone before, Who, short as us, stood tall as they could stand And hoped by stretching, tall, that they might keep their land, Their home, their hearth, their flesh and soul. But they, like us, were standing in a hole. O, Thomas, will a Race one day stand really tall Across the Void, across the Universe and all? And, measured out with rocket fire, At last put Adam's finger forth As on the Sistene Ceiling, And God's hand come down the other way To measure man and find him Good, And Gift him with Forever's Day? I work for that. Short man, Large dream, I send my rockets forth between my ears, Hoping an inch of Good is worth a pound of years. Aching to hear a voice cry back along the universal Mall: We've reached Alpha Centauri! We're tall, O God, we're tall!
Ray Bradbury
From birth to death and further on As we were born and introduced into this world, We had a gift hard to express by word And somewhere in our continuous road, It kind of lost it sense and turned. There was that time we sure remember, When everything was now and 'till forever Children with no worries and no regrets, The only goal was making a few friends. But later on everything has changed, By minds that had it all arranged To bring the people into stress, Into creating their own mess. We have been slaved by our own mind, Turned into something out of our kind Slowly faded away from the present time, Forced to believe in lies, in fights and crime. They made it clearly a fight of the ego, A never ending war that won't just go They made it a competitive game, To seek selfish materialistic fame. They turned us one against eachother, Man against man, brother against brother Dividing us by religion and skin color, Making us fight to death over a dollar. Making us lose ourselves in sadly thoughts, Wasting our days by living in the past Depressed and haunted by the memories, And yet still hoping to fly in our dreams. Some of us tried learning how to dance, Step after step, giving our soul a new chance Some of us left our ego vanish into sounds, Thus being aware of our natural bounce. Some tried expressing in their rhymes, The voice of a generation which never dies They reached eternity through poetry Leaving the teachings that shall fulfill the prophecy Others have found their way through spirituality, Becoming conscious of the human duality Seeking the spiritual enlightenment, Of escaping an ego-oriented fighting Science, philosophy, religion, Try to explain the human origin. Maybe changes are yet to come, And it shall be better for some Death's for the spirit not an end, But a relieving of the embodiment So I believe that furthermore, We'll understand the power of our soul But leaving behind all we know, And all that we might not yet know It all resumes to that certain truth, That we all seek to once conclude.
Virgil Kalyana Mittata Iordache
With the smugness of an end man on parade, he bounced along on his sinewy legs, effortlessly marching to attention, floating with a lightness of step remarkably different from the heavy tread of the soldiers keeping time with him. Down by his thigh he carried, unsheathed, a thin little sword – it was a small curved sabre, for ceremonial use only – and he looked and turned sideways to the commander and back to the men behind, without straining his big powerful frame or getting out of step. He seemed to strive with every fibre of his soul to march past his commander with maximum style, and his strong sense of doing this well made him a happy man. ‘Left . . . left . . . left . . .’ he seemed to be mouthing to himself at each alternate step, and that was the rhythm to which the solid wall of military men, weighed down by packs and guns, advanced; each face was different in its stern concentration, and each one of these hundreds of soldiers seemed to mouth his own ‘Left . . . left . . . left . . .’ at each alternate step
Leo Tolstoy (War and Peace)
Do you have any idea what you've done?” I ask, tilting my head to carefully study the soft human. She shrugs. Her shoulders bounce like it's no big deal she just motherfucking claimed my eternal soul. Fine, I'm not entirely sure I have a soul, but she just claimed my dick for her entire existence . . .  So yeah, that constitutes more than a shrug.
Jillian West (The Monster's Den (A Monstrous World, #1))
The heavy rain dripped off his thick leather hat and sloshed on the dry hard ground. To someone with a soul, it might have been peaceful, pretty, even to watch the drops bounce and form graceful puddles before they disappeared into the cracks in the Earth. Daniel Marlin merely cursed. He only saw the weather as another delay before they could rescue their brother from jail. He turned the horse back into the copse of trees, hating to admit defeat.
Grace Willows
Some of us... we have worlds on the inside of us. I think that the age of the soul corresponds to the number of worlds (or to the depth of a single inner universe). We feel things, on the inside, at a universe-depth. I can look at people and wonder how things just bounce off the surface of them: things HAPPEN to them; things don't BECOME them. Then there's me: there are plenty of broken butterflies in a couple of dark forests within me, because when things happen: they really happen! But there are also oceans in the Sun and mountains made of rubies. There are immortal butterflies and fluffy living things that teach me how to fly. Depression happens to the people with the deepest universes, the densest worlds: because we FEEL things. But also: our happiness is unmatched by others'. There are feeling people in this world, walking around, wondering why things hurt too much. Sometimes, we walk through our dark forests and all we can see are the broken butterflies. And some people never make it out of there to the other side. But all of them: they were all good people, they were the best kinds of people.
C. JoyBell C.
While a deep need in each of us is to know and be known, there is one deeper. One that undergirds everything else. It's the stuff of us. Out of it, we breathe, or not. We wander the earth like shipwrecked castaways, intersecting other island dwellers, and when we meet them, we hold ourselves out in offering and grant them a chance to accept or reject us. With our souls held together with twine and tape and glue, we bounce from rejection to rejection until we find the one who accepts us. This is the thirst of the human soul, and only one thing satisfies it: to be accepted in the knowing. [Murphy Shepherd]
Charles Martin (The Letter Keeper (Murphy Shepherd, #2))
Sisyphus cheated death,” Nico explained. “First he chained up Thanatos, the reaper of souls, so no one could die. Then when Thanatos got free and was about to kill him, Sisyphus told his wife to do incorrect funeral rites so he wouldn’t rest in peace. Sisy here—May I call you Sisy?” “No!” “Sisy tricked Persephone into letting him go back to the world to haunt his wife. And he didn’t come back.” The old man cackled. “I stayed alive another thirty years before they finally tracked me down!” Thalia was halfway up the hill now. She gritted her teeth, pushing the boulder with her back. Her expression said Hurry up! “So that was your punishment,” I said to Sisyphus. “Rolling a boulder up a hill forever. Was it worth it?” “A temporary setback!” Sisyphus cried. “I’ll bust out of here soon, and when I do, they’ll all be sorry!” “How would you get out of the Underworld?” Nico asked. “It’s locked down, you know.” Sisyphus grinned wickedly. “That’s what the other one asked.” My stomach tightened. “Someone else asked your advice?” “An angry young man,” Sisyphus recalled. “Not very polite. Held a sword to my throat. Didn’t offer to roll my boulder at all.” “What did you tell him?” Nico said. “Who was he?” Sisyphus massaged his shoulders. He glanced up at Thalia, who was almost to the top of the hill. Her face was bright red and drenched in sweat. “Oh . . . it’s hard to say,” Sisyphus said. “Never seen him before. He carried a long package all wrapped up in black cloth. Skis, maybe? A shovel? Maybe if you wait here, I could go look for him. . . .” “What did you tell him?” I demanded. “Can’t remember.” Nico drew his sword. The Stygian iron was so cold it steamed in the hot dry air of Punishment. “Try harder.” The old man winced. “What kind of person carries a sword like that?” “A son of Hades,” Nico said. “Now answer me!” The color drained from Sisyphus’s face. “I told him to talk to Melinoe! She always has a way out!” Nico lowered his sword. I could tell the name Melinoe bothered him. “Are you crazy?” he said. “That’s suicide!” The old man shrugged. “I’ve cheated death before. I could do it again.” “What did this demigod look like?” “Um . . . he had a nose,” Sisyphus said. “A mouth. And one eye and—” “One eye?” I interrupted. “Did he have an eye patch?” “Oh . . . maybe,” Sisyphus said. “He had hair on his head. And—” He gasped and looked over my shoulder. “There he is!” We fell for it. As soon as we turned, Sisyphus took off down the hill. “I’m free! I’m free! I’m—ACK!” Ten feet from the hill, he hit the end of his invisible leash and fell on his back. Nico and I grabbed his arms and hauled him up the hill. “Curse you!” He let loose with bad words in Ancient Greek, Latin, English, French, and several other languages I didn’t recognize. “I’ll never help you! Go to Hades!” “Already there,” Nico muttered. “Incoming!” Thalia shouted. I looked up and might have used a few cuss words myself. The boulder was bouncing straight toward us. Nico jumped one way. I jumped the other. Sisyphus yelled, “NOOOOOOO!” as the thing plowed into him. Somehow he braced himself and stopped it before it could run him over. I guess he’d had a lot of practice. “Take it again!” he wailed. “Please. I can’t hold it.” “Not again,” Thalia gasped. “You’re on your own.” He treated us to a lot more colorful language. It was clear he wasn’t going to help us any further, so we left him to his punishment.
Rick Riordan (The Demigod Files (Percy Jackson and the Olympians))
The only people who remained there after the exodus that night were an assortment of lost, unclaimed souls. There was a boy from Iran who appeared very sad, his eyelashes clustered together in little wet starbursts. He sat in a chair in a corner of the first-floor lounge with his computer on his lap, gazing at it mournfully. When Greer entered the lounge—her room, a rare single, was too depressing to stay in all evening, and she’d been unable to concentrate on her book—she was startled to realize that he was merely looking at his screen saver, which was a picture of his parents and sister, all of them smiling at him from far away. The family image swept across the computer screen and gently bounced against one side, before slowly heading back
Meg Wolitzer (The Female Persuasion)
The frightened soul ran into the wine cellar with the steel door. I’m safe, Calloway thought, but he was dead wrong. Railrunner’s claws slashed through the steel door. They cut through the metal like butter. He then began to pull the door off its hinges. Suddenly a smoke bomb fell to the floor, making the place vaporous, but Railrunner’s eyes could see through it. He discovered the flashing lights of squad cars. His eyes narrowed and he growled low in his throat. “Come on out with your hands up!” an officer yelled. Railrunner walked upright towards the entrance. He then pushed the doors off their hinges and stood in the line of fire. “It’s a - roller coaster?” One of the police said baffled, the gun shaking in his hand. Railrunner crossly walked up to the police. They began to fire, their bullets simply bouncing off of him. He then grabbed the front bumper of the cruiser, and tossed it like a toy. It smashed into another car. Railrunner flung an officer out of his way and roared in sheer amusement. Within a blink of an eye he obliterated the small police force.
Miranda Leek (Twisted!)
Like drops of water that fall on the rocks of the jungle, the silence is full of tenderness. Whisper softly my poetry unraveling your admiration. In the name of night. Everything I see is simplicity in your beautiful body Like an incandescent light that dispels the darkness Then it bounced on the rose petals in the dim moonlight. Blushing reconciles the anxiety of the soul Comforting a sore heart Your beauty is a flower that unites to dazzle the majesty of the universe. Ahhh love... Your beauty is like a waterfall from the height of a cliff that is so sensual, showing the magic of a perfect panorama. How seductive and alluring is your soft skin..... As gentle as the twilight wind blew the dandelions scattered under the night sky. As soft as a lump of cotton that lay white on the heart rug. As gentle as the caress of the night breeze, flaking your shiny black hair. Ahhh. Let my breath rest for a moment Here, Between two seas of wine flowing red I find on your lips. How beautiful is love When the stalks of a kiss fall lying down Tickling spoiled and whispering intimately about the love that is heaven behind your ear with a warm whisper blowing slowly And Slowly... caressing your face in a long soft moan Lull a thousand touches and then cast your body into a pleasure that you have not found. In the name of my chest. Let our restless tantrums grapple in the flames of burning love. Until our passion quells the passion, Wet and subside. ️
J.S. Dirga (Saga Moon Poem)
Tamlin's claws punched out. 'Even if I risked it, you're untrained abilities render your presence more of a liability than anything.' It was like being hit with stones- so hard I could feel myself cracking. But I lifted my chin and said, 'I'm coming along whether you want me to or not.' 'No, you aren't.' He strode right through the door, his claws slashing the air at his sides, and was halfway down the steps before I reached the threshold. Where I slammed into an invisible wall. I staggered back, trying to reorder my mind around the impossibility of it. It was identical to the one I'd built that day in the study, and I searched inside the shards of my soul, my heart, for a tether to that shield, wondering if I'd blocked myself, but- there was no power emanating from me. I reached a hand to the open air of the doorway. And met solid resistance. 'Tamlin,' I rasped. But he was already down the front drive, walking towards the looming iron gates. Lucien remained at the foot of the stairs, his face so, so pale. 'Tamlin,' I said again, pushing against the wall. He didn't turn. I slammed my hand into the invisible barrier. No movement- nothing but hardened air. And I had not learned about my own powers enough to try to push through, to shatter it... I had let him convince me not to learn those things for his sake- 'Don't bother trying,' Lucien said softly, as Tamlin cleared the gates and vanished- winnowed. 'He shielded the entire house around you. Others can go in and out, but you can't. Not until he lifts the shield.' He'd locked me in here. I hit the shield again. Again. Nothing. 'Just- be patient, Feyre,' Lucien tried, wincing as he followed after Tamlin. 'Please. I'll see what I can do. I'll try again.' I barely heard him over the roar in my ears. Didn't wait to see him pass the gates and winnow, too. He'd locked me in. He'd sealed me inside the house. I hurtled for the nearest window in the foyer and shoved it open. A cool spring breeze rushed in- and I shoved my hand through it- only for my fingers to bounce off an invisible wall. Smooth, hard air pushed against my skin. Breathing became difficult. I was trapped. I was trapped inside this house. I might as well have been Under the Mountain. I might as well have been inside that cell again- I backed away, my steps too light, too fast, and slammed into the oak table in the centre of the foyer. None of the nearby sentries came to investigate. He'd trapped me in here; he'd locked me up. I stopped seeing the marble floor, or the paintings on the walls, or the sweeping staircase looming behind me. I stopped hearing the chirping of the spring birds, or the sighing of the breeze through the curtains. And then crushing black pounded down and rose up beneath, devouring and roaring and shredding. It was all I could do to keep from screaming, to keep from shattering into ten thousand pieces as I sank onto the marble floor, bowing over my knees, and wrapped my arms around myself. He'd trapped me; he'd trapped me; he'd trapped me- I had to get out, because I'd barely escaped from another prison once before, and this time, this time- Winnowing. I could vanish into nothing but air and appear somewhere else, somewhere open and free. I fumbled for my power, for anything, something that might show me the way to do it, the way out. Nothing. There was nothing and I had become nothing, and I couldn't even get out- Someone was shouting my name from far away. Alis- Alis. But I was ensconced in a cocoon of darkness and fire and ice and wind, a cocoon that melted the ring off my finger until the folden ore dripped away into the void, the emerald tumbling after it. I wrapped that raging force around myself as if it could keep the walls from crushing me entirely, and maybe, maybe buy me the tiniest sip of air- I couldn't get out; I couldn't get out; I couldn't get out-
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
I can’t hear you, people! Make some noise if you want a good show. How about death? Do you wanna see lots and lots of death tonight?” I took in the applause, the hollering, the hammering feet, basking in it. Then my arm shot up, pointing one finger to the ceiling. The guard-tower window exploded. A man plummeted from the tower, slamming on the concrete floor behind me with a splat like someone stomping on a tomato. He’d been torn open from throat to groin, his chest a ragged ruin of splintered, wrenched-back ribs and mangled organs. His dead eyes were still open, jaw wrenched wide in terror. Then came the rain. The second sniper, one piece at a time. Hands. Feet. Arms, wrenched off at the elbows. His severed head bounced like a basketball as it hit the concrete, rolling across the floor and coming to a stop next to Warden Lancaster’s Italian leather shoe. A horrified silence fell across the room. The guards looked at one another, uncertain, hands on their guns but not sure if they should draw. Lancaster stared down at the severed head, frozen like a deer in the headlights. “Well,” I said, “you’re about to get everything you asked for. What do you think, Warden? Is this good and messy enough for you? Wouldn’t want you to think I ‘pussied out’ again.” His gaze snapped toward me. He took a halting step back, away from the carnage. “How? How did you—” A third body dove from the shattered window. Not in a guard’s uniform, but a billowing white leather coat. She landed as graceful as a raptor, absorbing the impact with one knee and the outstretched fingers of a single hand, and slowly rose to her full willowy height. Her eyes blazed like molten copper, as radiant as her twist of scarlet hair. “If anyone in this room believes themselves to be a righteous soul,” Caitlin said, “I suggest you kneel down and pray. If nobody answers…then you belong to me.
Craig Schaefer (The Killing Floor Blues (Daniel Faust, #5))
Two stages facing us had been erected in the bowl-shaped field for use by the performers, and bleachers had been built during the night on the north side of the hill. Other spectators sat on the ground, the slope itself providing a form of tiered seating. The laughs, jeers and applause that rang out from the audience on all sides felt like manna from heaven--only it fed my soul, not my stomach. My sister, father and Semari were almost bouncing up and down in an enthusiastic show of appreciation, while my mother, Alantonya and I less flamboyantly indicated our delight. Koranis and Temerson were quite vocal, tossing out taunts and cheers with the rest of the crowd. The only people we had invited who had not yet joined us were Cannan and Faramay. When I inquired after the captain, no one had information on his whereabouts, and I did my best to dismiss my concern. “Perhaps he’s ill,” I suggested. “The man hasn’t been ill in all the years I’ve known him.” My father chortled. “He’s never missed a day of service. And if he had taken sick, he would have made sure it was on a day when he was off-duty!” Other than Narian, who seemed lost inside his head, we all laughed at the joke, then went back to observing the festivities. Another hour passed, along with lunch, which was served to us within the royal box. I received a few odd glances from my father for conversing freely with Narian throughout the meal, but he didn’t address it, perhaps because of the looks my mother was sending his way. Once servants had removed our plates and dishes, Temerson stood and stretched. “I think I’ll step out, if you don’t mind, love,” he said to Miranna, who nodded, then he turned to my father and Koranis. “Would anyone care to join me?” They both agreed, and all were soon departing through the door behind us. I chuckled at their odd behavior, and Semari came to sit by Miranna, taking up Temerson’s seat. It was then that I noticed Alantonya had been left a bit stranded. She didn’t seem to mind, but I nonetheless pointed this out to Narian. Though he looked almost like he was swallowing medicine, he rose to his feet and walked to his mother, ignoring Semari’s stare. “Do you mind?” he asked Alantonya, gesturing to the vacant chair beside her. “No,” she said, surprised. “No, not at all.” With one final glance at me, to which I responded with an encouraging nod, he took a seat. “Are you enjoying the festivities?” he asked the Baroness, beginning some small talk, but their voices gradually dropped lower, their conversation more private. Though I could not hear their words, their postures relaxed. Then Alantonya reached out to place her hand over her son’s where it rested on the arm of his chair, and he smiled.
Cayla Kluver (Sacrifice (Legacy, #3))
These are some mighty men about to hit the stage," an unseen announcer screamed through the PA system. "With an average height of six-foot-four, a massive weight of three hundred thirty pounds - all of it rock-solid muscle - they are nationally ranked power lifters, some of whom bench-press over six hundred pounds! And they're not here to brag on their muscles, but to brag on Jesus." The eight members of the Power Team ran up to the stage on thunderous feet, wearing red, black, and blue warm-up suits, weight belts, and boxing shoes. To a man, they were as big as a semitrailer truck. They pumped their fists in the air and stood before us bouncing lightly on the balls of their feet, ready to kick some religious butt. "Fasten your seat belts. If God is for you, who can be against you?" "Woo! Woo! Woo!" the audience screamed, instantly ready to rock and roll. We were less than an hour into the first night of a six-night revival, and already it seemed that Sin was going down in a terminal headlock, and Grand Junction would never be the same.... I had heard about the Power Team not from Christian friends, but from a succession of potheads - quintessential late-night cable TV channel surfers. To the stoned, there is nothing more entertaining than the sudden, near hallucinatory vision of this troupe of power-lifting missionaries led by former Oral Roberts University football star John Jacobs.... [My nephew] bought a comic book in which John Jacobs and the Power Team defeat a lisping South American drug lord. From that and an orientation video, we learned that the Team conducts seventy crusades each year, saves close to a million souls here and abroad - notably in Russia - and consists of "world-class athletes who inspire people to follow Christ - and to move away from drugs, alcohol, and suicide." (At the same time, we were pressured not to let our long-distance dollars go to support "nudity, profanity, or the Gay Games." We could avoid this by signing up with Lifeline, a Christian long-distance provider.)" People Who Sweat: Ordinary People, Extraordinary Pursuits, pp. 126-8.
Robin Chotzinoff (People Who Sweat: Ordinary People, Extraordinary Pursuits)
There was nothing to aim at. Seth hadn’t screamed. Seth wasn’t down there. Another scream split the air. But someone else was. He holstered his gun and rushed for the cave. “Please, someone help me!” It was Seth. No, not Seth. “Someone help me!” The voice broke. Sobbing echoed off the cavern walls. Not a little boy. He stuck his head over the cavern entrance. “A woman?” Rafe spoke aloud. Trying to believe his own ears. The words echoed into the depths. There was no response, only sobs. But it was not his imagination. There really was someone down there. The crying rose and fell, echoed off the walls until it sounded like ten women crying, all ghostly, terrified. “Who’s down there?” His voice bounced back to him. Only more tears. The sun was gone. Dank, cool air rose up from the pit. He could see nothing. After those first words, there were no more. But she might be out of her mind with fear. Something Rafe could understand. Rafe looked at the rope but didn’t care to trust his weight to it. His eyes went to a flat boulder only feet away. Would it still be there? After all this time? Rafe muscled the boulder aside, stone scratching on stone, and uncovered a depression in the rocks to reveal . . . “My ladder.” He pulled it out, the metal clinking. It was chain, badly rusted after lying in the ground for years. Long ago Rafe had switched it for the hand-woven hemp rope he, Ethan, and Seth had trusted with their lives. Then trust had died and Rafe had anchored the ladder to this boulder. The sobbing had a haunting quality, but this was no ghost—Rafe didn’t believe in them—although for a few uncertain seconds, he’d been tempted to consider the possibility. “I’m coming down.” The sobs stopped. Then he heard them again, softer, muffled, as if she was trying to squelch the sound. “I’ll get you out,” he called, his voice echoing. Had someone abandoned her down there? “Can you tell me your name?” No response. He gave his chain ladder a quick inspection and wasn’t too happy with its condition. “I’m Rafe Kincaid. I ranch near here.” Rafe had known the cavern very well by the time he’d given up his exploring. Not as well as Seth. No one knew this cavern like Rafe’s little brother. Seth had run wild down there. Once, in a particularly wild mood, Seth had told Rafe he’d lost his soul down there and had to find it. Seth had always been
Mary Connealy (Out of Control (Kincaid Brides, #1))
HAPPINESS is a choice. We all seem to be chasing it. It starts with us! True happiness is a gift that we give to ourselves, but it is also a gift that we pass to others. True happiness radiates from us and affects those around us…so the gift just keeps on giving! Every moment of the day there's a chance to create it. How? By the little and simplest ways. Doing things that we love, for our self and for others - nurtures and fulfills our soul. There will always be times of sadness in our life, we can't escape that, however, being optimistic with our thoughts at times like these we will bounce back from adversity. Most of all, be generous with your time, your compassion and your heart.
Angie karan
I picked up the closest thing at hand—which happened to be a hand—and threw it. It bounced off the hollow’s back, and the thing turned around to face me.
Ransom Riggs (Library of Souls (Miss Peregrine's Peculiar Children, #3))
They developed the confidence to bounce back from adversity and tap into a source of inner strength many of them had never experienced before. They faced their demons head-on and didn’t blink.
Phil Jackson (Eleven Rings: The Soul of Success)
Hear the echo from your soul. Many answers bounce off of the infinitum of the here, the before and after.
P.C. Clotter
Baseball is a sport of failure. It’s a profession where the most successful batters fail seventy percent of the time and the most successful teams have to endure sixty losses or more each season. To succeed in baseball, you must learn not how to avoid failure, but how to quickly bounce back from it—with optimism and perseverance. That is what positive thinking is all about. It’s about responding to life’s obstacles with a positive, never-back-down attitude. It’s true in baseball. It’s true in life.
Darrin Donnelly (Relentless Optimism: How a Commitment to Positive Thinking Changes Everything (Sports for the Soul Book 3))
At the end of the day, Terry Bradshaw was great at the most important thing: bouncing back from adversity. He didn’t lose his confidence. He kept his enthusiasm. He never believed he was out of the game and
Darrin Donnelly (The Turnaround: How to Build Life-Changing Confidence (Sports for the Soul Book 6))
What you choose to focus on tends to become your reality. If you focus on all the past examples of failures, you’ll be drawn to living out negative outcomes. If you focus on past examples of successful people who bounced back from adversity, you’ll be drawn to living out positive outcomes.
Darrin Donnelly (Victory Favors the Fearless: How to Defeat the 7 Fears That Hold You Back (Sports for the Soul Book 5))
Vasily screamed. The gut-wrenching sound bounced off the walls behind us. It wasn’t a short burst of pain like the previous one. It went on and on. Warbling. The sound you would make if someone was carving out your eyeballs with a blunt knife. It climbed octave after octave to a soul-shattering soprano of prolonged agony—which, in the end, turned one-eighty into a crescendo of blistering rage.
Jeremy Bates (Mountain of the Dead (World's Scariest Places #5))
Tamlin's claws punched out. 'Even if I risked it, you're untrained abilities render your presence more of a liability than anything.' It was like being hit with stones- so hard I could feel myself cracking. But I lifted my chin and said, 'I'm coming along whether you want me to or not.' 'No, you aren't.' He strode right through the door, his claws slashing the air at his sides, and was halfway down the steps before I reached the threshold. Where I slammed into an invisible wall. I staggered back, trying to reorder my mind around the impossibility of it. It was identical to the one I'd built that day in the study, and I searched inside the shards of my soul, my heart, for a tether to that shield, wondering if I'd blocked myself, but- there was no power emanating from me. I reached a hand to the open air of the doorway. And met solid resistance. 'Tamlin,' I rasped. But he was already down the front drive, walking towards the looming iron gates. Lucien remained at the foot of the stairs, his face so, so pale. 'Tamlin,' I said again, pushing against the wall. He didn't turn. I slammed my hand into the invisible barrier. No movement- nothing but hardened air. And I had not learned about my own powers enough to try to push through, to shatter it... I had let him convince me not to learn those things for his sake- 'Don't bother trying,' Lucien said softly, as Tamlin cleared the gates and vanished- winnowed. 'He shielded the entire house around you. Others can go in and out, but you can't. Not until he lifts the shield.' He'd locked me in here. I hit the shield again. Again. Nothing. 'Just- be patient, Feyre,' Lucien tried, wincing as he followed after Tamlin. 'Please. I'll see what I can do. I'll try again.' I barely heard him over the roar in my ears. Didn't wait to see him pass the gates and winnow, too. He'd locked me in. He'd sealed me inside the house. I hurtled for the nearest window in the foyer and shoved it open. A cool spring breeze rushed in- and I shoved my hand through it- only for my fingers to bounce off an invisible wall. Smooth, hard air pushed against my skin. Breathing became difficult. I was trapped. I was trapped inside this house. I might as well have been Under the Mountain. I might as well have been inside that cell again- I backed away, my steps too light, too fast, and slammed into the oak table in the centre of the foyer. None of the nearby sentries came to investigate. He'd trapped me in here; he'd locked me up. I stopped seeing the marble floor, or the paintings on the walls, or the sweeping staircase looming behind me. I stopped hearing the chirping of the spring birds, or the sighing of the breeze through the curtains. And then crushing black pounded down and rose up beneath, devouring and roaring and shredding. It was all I could do to keep from screaming, to keep from shattering into ten thousand pieces as I sank onto the marble floor, bowing over my knees, and wrapped my arms around myself. He'd trapped me; he'd trapped me; he'd trapped me- I had to get out, because I'd barely escaped from another prison once before, and this time, this time- Winnowing. I could vanish into nothing but air and appear somewhere else, somewhere open and free. I fumbled for my power, for anything, something that might show me the way to do it, the way out. Nothing. There was nothing and I had become nothing, and I couldn't even get out- Someone was shouting my name from far away. Alis- Alis. But I was ensconced in a cocoon of darkness and fire and ice and wind, a cocoon that melted the ring off my finger until the golden ore dripped away into the void, the emerald tumbling after it. I wrapped that raging force around myself as if it could keep the walls from crushing me entirely, and maybe, maybe buy me the tiniest sip of air- I couldn't get out; I couldn't get out; I couldn't get out-
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
You cannot borrow security. You must invest in yourself. It is through this investment that you develop resilience. Each failure creates an opportunity for “bouncing back,’ thus strengthening your soul’s elasticity.
Molly M. Cantrell-Kraig (Circuit Train Your Brain: Daily Habits That Develop Resilience)
If everything bounces back from the surface of your head, how will anything reach your soul? Be less reactive and more receptive. Be a little more feminine. Surrender and let things penetrate your being.
Shunya
Janelle smiles at me as she bounces Lily on her hip. I can’t deny this situation feels surreal. This right here, a family with Janelle, is everything I thought I wanted in high school. Someone I could devote my heart and soul to, someone who would have my back. Not having my parents and sister in my life fucked me up, and I guess I figured having a family of my own would fill that hole. But when I look at Janelle, that brick wall I erected after she dumped my sorry ass is bigger than ever. I feel... nothing. Not anger or hatred or pain or affection. Just this empty space she used to inhabit when we were kids driving country roads and sharing our hopes for the future. Who says apathy is bad? If it’ll protect me from this woman, I’m down for apathy. My only worry is that I won’t know how to let anyone else in. Like my daughter.
Lex Martin (Tight Ends & Tiaras (Varsity Dads #2))
Iverson Grey is the type of man who sneaks up on you and steals your soul before you realize it was ever up for grabs. He’s the type of man you don’t bounce back from. He’s the one you will forever compare every lover to and wish they were him, and he’s by no means boyfriend material, let alone the marrying type.
L.A. Ferro (Rewriting Grey)
I always prayed the same way at night: "Now I lay me down to sleep. I pray the Lord my soul to keep. If I die before I wake, I pray the Lord my soul to take. Please bless my mother, father, sister, everyone in the word, and me. And please make my father quit drinking." As a child growing up in a family battling alcoholism, this is what I know: Something bad is coming; it always does. I can't ask for help; I'm too ashamed. I can't talk about our secrets; no one understands. I can't trust anyone; they always leave. Questions bounced off my self-constructed wall of values--a barricade I'd made from the fears I'd pushed into my darkness. How could Ryan, a professional baseball player, really resist all those women? How could I really trust Jerry, my childhood friend? I'd barely awakened to sex and already boys were the seventh wonder of the world. Did anyone really trust another person? I needed proof. That proof hadn't revealed itself . . . yet.
Pamela Taeuffer (Shadow Heart (Broken Bottle, #1))
I gave the man a comely smile before inquiring, “What’s hard-a-lee?” Instead of responding, he tapped my erection, which bounced uncontrollably. His hardness had grown during our flirtatious intercourse, its bulbaceous size stirring my concupiscence to flutter as his sturdy hand stroked me into a dizzying spell. He pulled me to him, French kissing me passionately. Spellbound by his erotic expertise, I lost all sense of propriety. The feel of his bearded chin and hairy chest spawned my stiffness to drum incessantly against his furry torso. I had desired this sinewy helmsman from the moment we met. When he gave me the traditional nose-to-nose greeting, he’d stared at me unflinchingly. He had claimed my person with his assertive eyes then; now, thrills of chilling excitement coursed through my body as he cupped and squeezed my buttocks, teasing my tenderness with his manly hands. He inserted his fingers into my opening, claiming my cloven his. As we continued our alluring foreplay, the boat had drifted into an aquiline cove. It was then that I noticed my beloved Andy observing us by the doorway. My Valet gave me his approval to continue appeasing the beguiling athlete as he stared, mesmerized, at our erotic performance. He, like me, was entranced by Tad’s virility. He was witnessing a reflective manifestation of our intimate moments together in which I had surrendered myself fully to his maleness, as I did now to the helmsman. My chaperone needed no invitation. He knelt to suckle our thumping palpitations simultaneously as we jabbed into his craving throat. This hallowed ecstasy intensified my hunger for both men. Just then, I felt a pair of hairy arms pinching my bristled nipples from behind. The sheik’s sultry lips caressed my tender neck, seducing me into his web of libidinous captivity. While his jouncing member knocked at my doorway to paradise, I couldn’t help but succumb to this jubilant exultation, when another stimulation seized my searing soul, propelling me into an inferno of pleasurable jouissance.
Young (Turpitude (A Harem Boy's Saga Book 4))
Jabril’s epicurean tongue rimmed at my anal receptacle before jabbing into my tunnel of love with abandon. His commanding lividity drove my tilting pelvis to receive slivers of his dripping saliva. He was preparing me for the feast of the gods. And I was delighted to suffice. Much like my Valet relishing the helmsman’s mightiness, Victor devoured the captain’s prowess with avid ferocity. Spittle of beaming wetness coated their organs. Tad led me above deck while the men followed suit. Pulling me atop a comfortable mattress, I straddled the athlete with aplomb, kissing his succulent mouth with wanton fervency. Quivers of euphoric rhapsody surged through my body when his tumid avidity eased into my passageway of forbidden love. His bouncing gyrations commingled with my lustful kisses brought our hankering spirits into a unified entity. Just as this newfound vivacity took hold, I felt another force in my core. This elevated double entry catapulted me into an uncharted and blissful realm. The captain and the champion tantalized my tightness with symmetrical cadences as we tangoed to the rhythm of the lapping waves. Tad’s provocative expertise, coalescing with Fahrib’s rousing mastery, hurled my frenzied soul to an intensified crescendo of erotic gratification. Rainbows of aesthetic enthusiasm flashed before me as Andy and Victor mirrored one another as the Levantine logerez himself onto their throbbing hardness simultaneously. He was at once in agony and ecstasy before his misshapen expression transformed into gleeful entrancement. Heaving sighs of euphoric relief, he accommodated both obelisks with pride.
Young (Turpitude (A Harem Boy's Saga Book 4))
Music touches our hearts and moves our souls. Music has moods. Music can make us happy, relaxed or exhilarated. Music is sounds and voices strung together in joyful tune; we hear it's harmonies, revel in its rhythms, and bounce to its beat. Music lies hidden in the spaces between the notes.
Various
She was no moon. She was a space station. Even dressed in a cheap witch's costume, the very air around her seemed to glow. Dave had never been in love before but, if love felt like a fat man - on a space hopper made of pure misery - bouncing on your heart until all that was left was soul-crushing pain, he was pretty sure that this was the real thing.
Dave Turner (How To Be Dead #1-3 (The 'How To Be Dead' Grim Reaper))
• He stopped, blocked by the difficulty of holding himself to honesty and finding the way language fails, sometimes, to get honesty right.” “His mouth was tight, eyes wide: flooded with something hot and rich and hurt.” “He’d felt this new thing, giddy and bright. It spun inside him, soft and warm and summery.” “That door was locked.” “I gave her the keys.” Roshar exploded. “Fear,” he said, “of what it would mean for me not to trust you. I saddled a horse. I was ready to ride… but I thought that if I did, I’d be nothing more than a different kind of prison to you.” “Never say so. I am the soul of thoughtfulness.” “I’ve been thinking.” “Dear gods.” “He wondered if some part of him was drawn to lies. What was it that made him so easy to deceive?” “Spears of sun pierced through the trees. Her damp braid bounced between her shoulder blades.” “Dear ghost, he will tie you and me up and dump us both into a very deep hole before he allows you to do what you plan to do.” “She paused—had she heard the sore thump of his heart?” “Yet he understood that there are some things you feel and others that you choose to feel, and that the choice doesn’t make the feeling less valid.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
The Noah story in Genesis is not just about how God offered a path out of destruction, but about all that followed. The regeneration of human society meant a return to respecting limits, curbing the reckless pursuit of wealth and power, looking out for the poor and those living on the edges. The introduction of the Sabbath and the Jubilee—moments of recovery and reparation, forgiving debts and restoring relationships—were key to that regeneration, giving time for the earth to bounce back, for the poor to find fresh hope, for people to find their souls again.
Pope Francis (Let Us Dream: The Path to a Better Future)
but in the meanwhile here were these slow undulations of lips and cheek, the articulate movements of tongue and jaw, the glow of alabaster skin. Sometimes in the woods near the farm in Percussina he lay on the leaf-soft ground and listened to the two-tone song of the birds, high low high, high low high low, high low high low high. Sometimes by a woodland stream he watched the water rush over the pebbled bed, its tiny modulations of bounce and flow. A woman's body was like that. If you watched it carefully enough you could see how it moved to the rhythm of the world, the deep rhythm, the music below the music, the truth below the truth. He believed in this hidden truth the way other men believed in God or love, believed that truth was in fact always hidden, that the apparent, the overt, was invariably a kind of lie. Because he was a man fond of precision he wanted to capture the hidden truth precisely, to see it clearly and set it down, the truth beyond ideas of right and wrong, ideas of good and evil, ideas of ugliness and beauty, all of “deceptions of the world, having little to do with how things really worked, disconnected from the what-ness, the secret codes, the hidden forms, the mystery. Here in this woman's body the mystery could be seen. This apparently inert being, her self erased or buried beneath this never-ending story, this labyrinth of story-rooms in which more tales had been hidden than he was interested to hear. This toothsome sleepwalker. This blank. The rote-learned words poured out of her as he looked on, and while he unbuttoned and caressed. He exposed her nudity without compunction, touched it without guilt, manipulated her without any feelings of remorse. He was the scientist of her soul. In the smallest motion of an eyebrow, in the twitch of a muscle in her thigh, in a sudden minuscule curling of the left corner of her upper lip, he deduced the presence of life. Her self, that sovereign treasure, had not been destroyed. It slept and could be awakened. He whispered in her ear, "This is the last time you will ever tell this story. As you tell it, let it go." Slowly, phrase by phrase, episode by episode, he would unbuild the “only a man looking for the deeper truth would have seen it, her back arched in return. There was nothing wrong in what he did. He was her rescuer. She would thank him in time” Excerpt From: Toppy. “The Enchantress of Florence - Salman Rushdie.
Salman Rushdie (The Enchantress of Florence)
We were putting everything away when a guitar started coming through the speakers. Figuring one of the guys had turned on the music, we thought nothing of it and I kept talking to Bryce until I heard a husky voice join in. I abruptly stopped talking and stood there with two glasses in my hands just staring at the wall that separated us from the area that held the stage. I bit my lip to contain my smile as I heard the first few lines of “Your Guardian Angel.” It didn’t matter what type of song it was; Kash could sing it. And in his deep voice? Lord, it was a treat. He’d just started the second verse of the song by The Red Jumpsuit Apparatus when I rounded the corner and leaned up against the wall to watch him. His lips curled up when he saw me enter the dim room, and other than the few times he’d look down when he was only playing the guitar, he kept his gray eyes trained on me. I took in the words like I was hearing them for the first time, because Kash had told me last week after dancing with me in my kitchen that he would only sing me songs that meant something for us. My heart beat wildly as I felt every word go straight to my soul, and I subconsciously grabbed at my warming chest. When his words trailed off and his hand stopped strumming the guitar, I was still leaning against the wall, hoping it would keep me standing as he set the guitar down and stepped off the stage. Much like the first night he sang to me in the bar, his stride was purposeful as he made his way toward me. Only this time, I didn’t turn and run. His smile grew when he got closer to me, but he didn’t pull me into his arms like he normally would. Just as I started to push myself off the wall, he spoke, his voice gruff. “I didn’t do this right the first time.” Dropping slowly to one knee, he grabbed my left hand and brought a diamond solitaire up to my ring finger. “Rachel Masters, I promise to love you and take care of you . . . no matter the cost, every day for the rest of my life. Will you marry me?” “Yes,” I whispered, and bounced on my toes when he slid the ring onto my finger. Grabbing his face, I pulled him up and kissed him with every bit of passion in my body.
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
Yesterday on Boston Common I saw a young man on a skateboard collide with a child. The skateboarder was racing down the promenade and smashed into the child with full force. I saw this happen from a considerable distance. It happened without a sound. It happened in dead silence. The cry of the terrified child as she darted to avoid the skateboard and the scream of the child’s mother at the moment of impact were absorbed by the gray wool of the November day. The child’s body simply lifted up into the air and, in slow motion, as if in a dream, floated above the promenade, bounced twice like a rubber ball, and lay still. All of this happened in perfect silence. It was as if I were watching the tragedy through a telescope. It was as if the tragedy were happening on another planet. I have seen stars exploding in space, colossal, planet-shattering, distanced by light-years, framed in the cold glass of a telescope, utterly silent. It was like that. During the time the child was in the air, the spinning Earth carried her half a mile to the east. The motion of the Earth about the sun carried her back again forty miles westward. The drift of the solar system among the stars of the Milky Way bore her silently twenty miles toward the star Vega. The turning pinwheel of the Milky Way Galaxy carried her 300 miles in a great circle about the galactic center. After that huge flight through space she hit the ground and bounced like a rubber ball. She lifted up into the air and flew across the Galaxy and bounced on the pavement. It is a thin membrane that separates us from chaos. The child sent flying by the skateboarder bounced in slow motion and lay still. There was a long pause. Pigeons froze against the gray sky. Promenaders turned to stone. Traffic stopped on Beacon Street. The child’s body lay inert on the asphalt like a piece of crumpled newspaper. The mother’s cry was lost in the space between the stars. How are we to understand the silence of the universe? They say that certain meteorites, upon entering the Earth’s atmosphere, disintegrate with noticeable sound, but beyond the Earth’s skin of air the sky is silent. There are no voices in the burning bush of the Galaxy. The Milky Way flows across the dark shoals of the summer sky without an audible ripple. Stars blow themselves to smithereens; we hear nothing. Millions of solar systems are sucked into black holes at the centers of the galaxies; they fall like feathers. The universe fattens and swells in a Big Bang, a fireball of Creation exploding from a pinprick of infinite energy, the ultimate firecracker; there is no soundtrack. The membrane is ruptured, a child flies through the air, and the universe is silent.
Chet Raymo (The Soul of the Night: An Astronomical Pilgrimage)
The Heart Is Kicking, Mind Bouncing Back. Let No Soul Break You.
Israel Mokwena
In North America the evidence is that hunter-gatherers bounced back quite successfully within less than a millennium of the onset of the Younger Dryas, and thereafter there is a thin but fairly continuous archaeological record. What is mysterious is not so much the early appearance of mound-building in this new age--perhaps as early as 8,000 years ago, as we've seen--or the sophistication of sites such as Watson Brake 5,500 years ago, nor even their obvious astronomical and geometrical connections to later vast earthworks such as Moundville and Cahokia, but that in this early monumental architecture of the New World memes of geometry, astronomy, and solar alignments consistently appear that are also found in the early monumental architecture of the Old World at iconic sites such as Stonehenge and the Great Pyramid of Giza. A tremendous leap forward in agricultural know-how, coupled with the sudden uptake of eerily distinctive spiritual ideas concerning the afterlife journey of the soul, also often accompanies the architectural memes. It's therefore hard to avoid the impression that some kind of 'package' is involved here.
Graham Hancock (America Before: The Key to Earth's Lost Civilization)