Bounce House Quotes

We've searched our database for all the quotes and captions related to Bounce House. Here they are! All 100 of them:

Because I wanted you." He turned from the window to face me. "More than I ever wanted anything in my life," he added softly. I continued staring at him, dumbstruck. Whatever I had been expecting, it wasn't this. Seeing my openmouthed expression, he continued lightly. "When I asked my da how ye knew which was the right woman, he told me when the time came, I'd have no doubt. And I didn't. When I woke in the dark under that tree on the road to Leoch, with you sitting on my chest, cursing me for bleeding to death, I said to myself, 'Jamie Fraser, for all ye canna see what she looks like, and for all she weighs as much as a good draft horse, this is the woman'" I started toward him, and he backed away, talking rapidly. "I said to myself, 'She's mended ye twice in as many hours, me lad; life amongst the MacKenzies being what it is, it might be as well to wed a woman as can stanch a wound and set broken bones.' And I said to myself, 'Jamie, lad, if her touch feels so bonny on your collarbone, imagine what it might feel like lower down...'" He dodged around a chair. "Of course, I thought it might ha' just been the effects of spending four months in a monastery, without benefit of female companionship, but then that ride through the dark together"--he paused to sigh theatrically, neatly evading my grab at his sleeve--"with that lovely broad arse wedged between my thighs"--he ducked a blow aimed at his left ear and sidestepped, getting a low table between us--"and that rock-solid head thumping me in the chest"--a small metal ornament bounced off his own head and went clanging to the floor--"I said to myself..." He was laughing so hard at this point that he had to gasp for breath between phrases. "Jamie...I said...for all she's a Sassenach bitch...with a tongue like an adder's ...with a bum like that...what does it matter if she's a f-face like a sh-sh-eep?" I tripped him neatly and landed on his stomach with both knees as he hit the floor with a crash that shook the house. "You mean to tell me that you married me out of love?" I demanded. He raised his eyebrows, struggling to draw in breath. "Have I not...just been...saying so?
Diana Gabaldon (Outlander (Outlander, #1))
The harder you slam a ball into the ground, the higher it bounces back up... A divorce, a breakup, losing a job, or just feeling seriously down can ground you, rough you up a bit, leave calluses on your feet and grit under your finger nails. But more than that, it leaves you wiser and stronger next time... Life is about experiencing opposites isn’t it?
Laurel House (QuickieChick's Cheat Sheet to Life, Love, Food, Fitness, Fashion, and Finance---on a Less-Than-Fabulous Budget)
[Leo] lunged at Passalos, but the red-furred dwarf was too quick. He sprang from his chair, bounced off Jason’s head, did a flip, and landed next to Leo, his hairy arms around Leo’s waist. “Save me?” the dwarf pleaded. “Get off!” Leo tried to shove him away, but Passalos did a backward somersault and landed out of reach. Leo’s pants promptly fell around his knees. He stared at Passalos, who was now grinning and holding a small zigzaggy strip of metal. Somehow, the dwarf had stolen the zipper right off Leo’s pants. “Give—stupid—zipper!” Leo stuttered, trying to shake his fist and hoist up his pants at the same time. “Eh, not shiny enough.” Passalos tossed it away.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
Anxiety is very accommodating. Minutes ago, Stevie’s anxiety was all about failure. It neatly converted itself into worry about places called Bounce Houses and not having hot water or air-conditioning. It was perfectly ready to bring the snakes to the party. It’s a big tent. All problems are welcome.
Maureen Johnson (The Box in the Woods (Truly Devious, #4))
I didn't bounce, I coughed," said Tigger crossly. "Bouncy or coffy, it's all the same at the bottom of the river.
A.A. Milne (The House at Pooh Corner (Winnie-the-Pooh, #2))
The house-elves of Hogwarts swarmed into the entrance hall, screaming and waving carving knives and cleavers, and at their head, the locket of Regulus Black bouncing on his chest, was Kreacher, his bullfrog’s voice audible even above this din: “Fight! Fight! Fight for my Master, defender of house-elves! Fight the Dark Lord, in the name of brave Regulus! Fight!
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
He sneered and bared his teeth, but then Razor knocked over a platter of fruit, and he hurried off with a curse. Leanansidhe threw up her hands. “Keirran, dove. Your gremlin. Please keep it under control.” The Exile Queen pinched the bridge of her nose and sighed heavily. “Worse than having Robin Goodfellow in my house,” she murmured, as Kenzie clapped her hands, and Razor bounced happily into her lap.
Julie Kagawa (The Lost Prince (The Iron Fey: Call of the Forgotten, #1))
Once upon a time there was a king who had three beautiful daughters. No, no, wait. Once upon a time there were three bears who lived in a wee house in the woods. Once upon a time there were three soldiers, tramping together down the road after the war. Once upon a time there were three little pigs. Once upon a time there were three brothers. No, this is it. This is the variation I want. Once upon a time there were three Beautiful children, two boys and a girl. When each baby was born, the parents rejoiced, the heavens rejoiced, even the fairies rejoiced. The fairies came to christening parties and gave the babies magical gifts. Bounce, effort, and snark. Contemplation and enthusiasm. Ambition and strong coffee. Sugar, curiosity, and rain. And yet, there was a witch. There's always a witch. This which was the same age as the beautiful children, and as she and they grew, she was jealous of the girl, and jealous of the boys, too. They were blessed with all these fairy gifts, gifts the witch had been denied at her own christening. The eldest boy was strong and fast, capable and handsome. Though it's true, he was exceptionally short. The next boy was studious and open hearted. Though it's true, he was an outsider. And the girl was witty, Generous, and ethical. Though it's true, she felt powerless. The witch, she was none of these things, for her parents had angered the fairies. No gifts were ever bestowed upon her. She was lonely. Her only strength was her dark and ugly magic. She confuse being spartan with being charitable, and gave away her possessions without truly doing good with them. She confuse being sick with being brave, and suffered agonies while imagining she merited praise for it. She confused wit with intelligence, and made people laugh rather than lightening their hearts are making them think. Hey magic was all she had, and she used it to destroy what she most admired. She visited each young person in turn in their tenth birthday, but did not harm them out right. The protection of some kind fairy - the lilac fairy, perhaps - prevented her from doing so. What she did instead was cursed them. "When you are sixteen," proclaimed the witch in a rage of jealousy, "you shall prick your finger on a spindle - no, you shall strike a match - yes, you will strike a match and did in its flame." The parents of the beautiful children were frightened of the curse, and tried, as people will do, to avoid it. They moved themselves and the children far away, to a castle on a windswept Island. A castle where there were no matches. There, surely, they would be safe. There, Surely, the witch would never find them. But find them she did. And when they were fifteen, these beautiful children, just before their sixteenth birthdays and when they're nervous parents not yet expecting it, the jealous which toxic, hateful self into their lives in the shape of a blonde meeting. The maiden befriended the beautiful children. She kissed him and took them on the boat rides and brought them fudge and told them stories. Then she gave them a box of matches. The children were entranced, for nearly sixteen they have never seen fire. Go on, strike, said the witch, smiling. Fire is beautiful. Nothing bad will happen. Go on, she said, the flames will cleanse your souls. Go on, she said, for you are independent thinkers. Go on, she said. What is this life we lead, if you did not take action? And they listened. They took the matches from her and they struck them. The witch watched their beauty burn, Their bounce, Their intelligence, Their wit, Their open hearts, Their charm, Their dreams for the future. She watched it all disappear in smoke.
E. Lockhart (We Were Liars)
Of the not very many ways known of shedding one's body, falling, falling, falling is the supreme method, but you have to select your sill or ledge very carefully so as not to hurt yourself or others. Jumping from a high bridge is not recommended even if you cannot swim, for wind and water abound in weird contingencies, and tragedy ought not to culminate in a record dive or a policeman's promotion. If you rent a cell in the luminous waffle, room 1915 or 1959, in a tall business centre hotel browing the star dust, and pull up the window, and gently - not fall, not jump - but roll out as you should for air comfort, there is always the chance of knocking clean through into your own hell a pacific noctambulator walking his dog; in this respect a back room might be safer, especially if giving on the roof of an old tenacious normal house far below where a cat may be trusted to flash out of the way. Another popular take-off is a mountaintop with a sheer drop of say 500 meters but you must find it, because you will be surprised how easy it is to miscalculate your deflection offset, and have some hidden projection, some fool of a crag, rush forth to catch you, causing you to bounce off it into the brush, thwarted, mangled and unnecessarily alive. The ideal drop is from an aircraft, your muscles relaxed, your pilot puzzled, your packed parachute shuffled off, cast off, shrugged off - farewell, shootka (little chute)! Down you go, but all the while you feel suspended and buoyed as you somersault in slow motion like a somnolent tumbler pigeon, and sprawl supine on the eiderdown of the air, or lazily turn to embrace your pillow, enjoying every last instant of soft, deep, death-padded life, with the earth's green seesaw now above, now below, and the voluptuous crucifixion, as you stretch yourself in the growing rush, in the nearing swish, and then your loved body's obliteration in the Lap of the Lord.
Vladimir Nabokov (Pale Fire)
And one cried wee, wee, wee, all the way—" Jessica breaking down in a giggle as he reaches for the spot along her sweatered flank he knows she can't bear to be tickled in. She hunches, squirming, out of the way as he rolls past, bouncing off the back of the sofa but making a nice recovery, and by now she's ticklish all over, he can grab an ankle, elbow— But a rocket has suddenly struck. A terrific blast quite close beyond the village: the entire fabric of the air, the time, is changed—the casement window blown inward, rebounding with a wood squeak to slam again as all the house still shudders. Their hearts pound. Eardrums brushed taut by the overpressure ring in pain. The invisible train rushes away close over the rooftop.... They sit still as the painted dogs now, silent, oddly unable to touch. Death has come in the pantry door: stands watching them, iron and patient, with a look that says try to tickle me.
Thomas Pynchon (Gravity’s Rainbow)
How did you fall in, Eeyore?" asked Rabbit, as he dried him with Piglet's handkerchief. "I didn't," said Eeyore. "But how--" "I was BOUNCED," said Eeyore. "Oo," said Roo excitedly, "did somebody push you?" "Somebody BOUNCED me. I was just thinking by the side of the river--thinking, if any of you know what that means--when I received a loud BOUNCE." "Oh, Eeyore!" said everybody. "Are you sure you didn't slip?" asked Rabbit wisely. "Of course I slipped. If you're standing on the slippery bank of a river, and somebody BOUNCES you loudly from behind, you slip. What did you think I did?
A.A. Milne (The House at Pooh Corner (Winnie-the-Pooh, #2))
The guys in the saloons shoving free ones across the bar and saying happy new year and many more of them kid you been a good customer have one on the house happy new year and the hell with the prohibitionists some day the bastards are going to give us trouble. The girls from the hash houses and the girls from the hotels and the guys swarming out of dirty little apartment bedrooms and music and dancing and smoke and somebody with the ukulele and have another and the feeling of being lonesome that everybody has inside him and people bouncing against you and off you and have another one and a girl passing out at the bar and a fight and happy new year.
Dalton Trumbo (Johnny Got His Gun)
Then there were no more houses, just the burnt foothills and the cement ribbon and a sheer drop on the left into the coolness of a nameless canyon, and on the right heat bouncing off the seared clay bank at whose edge a few unbeatable wild flowers clawed and hung on like naughty children who won’t go to bed.
Raymond Chandler (Mandarin's Jade and Other Stories)
I liked my house. I liked my stuff. I had to start over once. I don't want to have to do it again. But life says, ‘Tough bounce,' and what are my options? Take it on the chin and keep marching.
Tami Hoag (Ashes to Ashes (Kovac and Liska, #1))
Housing projects are a great metaphor for the government's relationship to poor folks: these huge islands built mostly in the middle of nowhere, designed to warehouse lives. People are still people, though, so we turned the projects into real communities, poor or not. We played in fire hydrants and had cookouts and partied, music bouncing off concrete walls. But even when we could shake off the full weight of those imposing buildings and try to just live, the truth of our lives and struggle was still invisible to the larger country. The rest of the country was freed of any obligation to claim us. Which was fine, because we weren't really claiming them, either.
Jay-Z (Decoded)
At five that night, I went back to the market and bought three sixteen-ounce Rainier Ales. I bounced back to my house, Mary Lou Retton-like, sipped the first ale, took the Valium, smoked a joint, drank the second ale, took another Valium, listened to “Into the Mystic” ten times, drank the third Ale, too the Valium and the Halcion, and discovered two unhappy thoughts. One was it was only seven o’clock. The second was that I was wide awake.
Anne Lamott (Traveling Mercies: Some Thoughts on Faith)
Grendel waved his tail. Whatever horrors happened in his canine life, Grendel always bounced back with easy enthusiasm whenever some food made an appearance. A treat, a blanket in a nice warm house, an occasional pat on the head, and Grendel would be as happy as he could be. If only people were so easy.
Ilona Andrews (Magic Slays (Kate Daniels, #5))
Well, I've got an idea," said Rabbit, "and here it is. We take Tigger for a long explore, somewhere where he's never been, and we lose him there, and next morning we find him again, and--mark my words--he'll be a different Tigger altogether." "Why?" said Pooh. "Because he'll be a Humble Tigger. Because he'll be a Sad Tigger, a Melancholy Tigger, a Small and Sorry Tigger, an Oh-Rabbit-I-am-glad-to-see-you Tigger. That's why." "Will he be glad to see me and Piglet, too?" "Of course." "That's good," said Pooh. "I should hate him to go on being Sad," said Piglet doubtfully. "Tiggers never go on being Sad," explained Rabbit.
A.A. Milne (The House at Pooh Corner (Winnie-the-Pooh, #2))
But, along with the street lamp, everything breathes deceit. It lies all the time, this Nevsky Prospect, but most of all at the time when night heaves its dense mass upon it and sets off the white and pale yellow walls of the houses, when the whole city turns into a rumbling and brilliance, myriads of carriages tumble from the bridges, postillions shout and bounce on their horses, and the devil himself lights the lamps only so as to show everything not as it really looks.
Nikolai Gogol (The Collected Tales of Nikolai Gogol)
I will digest your words like a chicken leg bouncing around in my stomach.
K.A. Holt (House Arrest (House Arrest, #1))
The street itself is an orchestra of white noise, the drops bouncing off the ground or pummeling hoods of cars, the rain is so thick I can barely see the houses across from me.
Penelope Douglas (Birthday Girl)
Yo momma's so fat, when we went to a kid's birthday party, everyone thought she was the bounce house.
THE CLOWN FACTORY (Yo Mama Jokes Encyclopedia.....The Worlds Funniest Yo Momma Jokes!: Try Not to Cry Your Eyes Out!)
Lottie, trust me when I say you’re not imposing. I want you in my house, in my room, in my bed. I want you on my couch, holding my hand while watching a show you’ve forced me to reluctantly binge. I want you in my pool, skinny-dipping like you enjoy so much. I want you on my roof, feeling the rain bounce off you during a storm. I want you at my dining room table, eating dinner next to me, giving me a hard time for whatever reason you come up with that day.” He lifts my knuckles to his lips and places a soft kiss to them. “I want you, okay?
Meghan Quinn (A Not So Meet Cute (Cane Brothers, #1))
Josh? Can you come to my room?” My wolfish grin broke some of the tension on her face. “Oh, stop. There’s a spider. I need you to kill it. Please. Before it disappears and I have to burn my whole house down.” I laughed. “Should I get my gun or…?” She bounced nervously. “Josh, I’m serious. I hate them. Please help me.” I pulled a few tissues from the box on my nightstand. “You know, you seem too fearless to be afraid of spiders.” “A black widow killed my schnauzer when I was a kid. Embracing a lifelong debilitating fear of spiders is cheaper than therapy.” She stopped in the doorway of her room like there was an invisible force field, and I almost bumped into her back.
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
That's what I call bouncing," said Eeyore. "Taking people by surprise. Very unpleasant habit. I don't mind Tigger being in the Forest," he went on, "because it's a large Forest, and there's plenty of room to bounce in it. But I don't see why he should come into my little corner of it, and bounce there. It isn't as if there was anything very wonderful about my little corner. Of course for people who like cold, wet, ugly bits it is something rather special, but otherwise it's just a corner, and if anybody feels bouncy ---
A.A. Milne (The House at Pooh Corner (Winnie-the-Pooh, #2))
In the emptiness that was all around me, I noticed an old tennis ball in the plantings; I picked it up and dropped it at Zoë’s feet. I didn’t know what I was doing, if I had a specific intention. Was I trying to lighten the mood? I don’t know, but I felt I had to do something. So there the ball bounced to a stop at her bare feet. She looked down at the ball but did nothing with it. Maxwell noticed what I had done, and he noticed Zoë’s lack of reaction. He picked up the ball and, with a mighty heave, threw it so far into the woods behind the house that I lost sight of it and could only barely hear it crash through the leaves of bushes on its way back to earth. It was quite an impressive toss, the pale tennis ball sailing through the air against the clear blue sky. What amount of psychic pain was expended on that ball, I had no idea.
Garth Stein (The Art of Racing in the Rain)
I squeeze through sweaty bodies and follow Kenya, her curls bouncing past her shoulders. A haze lingers over the room, smelling like weed, and music rattles the floor. Some rapper calls out for everybody to Nae-Nae, followed by a bunch of "Heys" as people launch into their own versions.
Angie Thomas (The Hate U Give (The Hate U Give, #1))
As Adrian hurried past the Senate House he noticed two old men standing outside Bowes and Bowes. He put an extra spring in his step, a thing he often did when walking near elderly. He imagined old people would look at his athletic bounce with a misty longing for their own youth. Not that he was trying to show off or rub salt into the wounds of the infirm, he really believed he was offering a service, an opportunity for nostalgia, like whistling the theme tune from Happidrome or spinning a Diablo. He skipped past them with carefree ease, missed his footing and fell to the ground with a thump. One of the old men helped him up.
Stephen Fry (The Liar)
Driving home, I am struck by the sudden thought that the world is inflatable, trees and grass and houses ready to collapse with the single prick of a pin. I have the sense that if I veer the car to the left, smash through the picket fence and the little Tykes playground, it will bounce us back like a rubber bumper.
Jodi Picoult (My Sister’s Keeper)
Driving home, I am struck by the sudden thought that the world is inflatable--trees and grass and houses ready to collapse with the single prick of a pin. I have the sense that if I veer the car to the left, smash through the picket fence, and the Little Tykes playground, it will bounce us back like a rubber bumper.
Jodi Picoult (My Sister’s Keeper)
She took a puff, put the cigarette in the ashtray and stared at it. Without looking up, she said, But do you believe in love, Mr Evans? She rolled the cigarette end around in the ash tray. Do you? Outside, he thought, beyond this mountain and its snow, there was a world of countless millions of people. He could see them in their cities, in the heat and the light. And he could see this house, so remote and isolated, so far away, and he had a feeling that it once must have seemed to her and Jack, if only for a short time, like the universe with the two of them at its centre. And for a moment he was at the King of Cornwall with Amy in the room they thought of as theirs—with the sea and the sun and the shadows, with the white paint flaking off the French doors and with their rusty lock, with the breezes late of an afternoon and of a night the sound of the waves breaking—and he remembered how that too had once seemed the centre of the universe. I don’t, she said. No, I don’t. It’s too small a word, don’t you think, Mr Evans? I have a friend in Fern Tree who teaches piano. Very musical, she is. I’m tone-deaf myself. But one day she was telling me how every room has a note. You just have to find it. She started warbling away, up and down. And suddenly one note came back to us, just bounced back off the walls and rose from the floor and filled the place with this perfect hum. This beautiful sound. Like you’ve thrown a plum and an orchard comes back at you. You wouldn’t believe it, Mr Evans. These two completely different things, a note and a room, finding each other. It sounded … right. Am I being ridiculous? Do you think that’s what we mean by love, Mr Evans? The note that comes back to you? That finds you even when you don’t want to be found? That one day you find someone, and everything they are comes back to you in a strange way that hums? That fits. That’s beautiful. I’m not explaining myself at all well, am I? she said. I’m not very good with words. But that’s what we were. Jack and me. We didn’t really know each other. I’m not sure if I liked everything about him. I suppose some things about me annoyed him. But I was that room and he was that note and now he’s gone. And everything is silent.
Richard Flanagan (The Narrow Road to the Deep North)
Becky tilts her chin upwards, watches the cold sun bouncing off the windows in the tops of the buildings, dripping its yolk across pale stone and glass.
Kae Tempest (The Bricks that Built the Houses)
With a sudden flash of anger, she blurted, "Lash wasn't impotent, all right? He wasn't ... impotent-" The temperature in the room plummeted so fast and so far, her breath came out in clouds. And what she saw in the mirror made her swing around and take a step back from John: His blue eyes glowed with an unholy light and his upper lip curled up to reveal fangs that were sharp and so long they looked like daggers. Objects all around the room began to vibrate: the lamps on the bed stands, the clothes on their hangers, the mirror on the wall. The collective rattling crescendoed to a dull roar and she had to steady herself on the bureau or run the risk of being knocked on her ass. The air was alive. Supercharged. Electric. Dangerous. And John was the center of the raging energy, his hands cranking into fists so tight his forearms trembled, his thighs grabbing onto his bones as he sank down into fighting stance. John's mouth stretched wide as his head shot forward on his spine... and he let out a war cry- Sound exploded all around her, so loud she had to cover her ears, so powerful she felt the blast against her face. For a moment, she thought he'd found his voice- except it wasn't vocal cords making that bellowing noise. The glass in the sliders blew out behind him, the sheets shattering into thousands of shards that blasted free of the house, the fragments bouncing on the slate and catching the light like raindrops... Or like tears.
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
When a woman enters my house, a tunnel of books welcomes her, a carnival of heroes bounces from every corner, and I lead her straight through the welcoming applause of writers and mice.
Rawi Hage (Carnival)
Maybe I'd absorbed the capacity to hurt someone by listening to my parents every night, who were under the impression that turning the volume on the television all the way up somehow drowned out the voices, when the truth was and is (and my father, of all people, should have known this about the physical properties of materials, about what goes through walls, what moves through houses, what is muffled and what makes it through): everything gets transmitted. Call it the law of conservation of parental anger. It may change forms, may appear to dissipate, but draw a big box around the whole space, and add up everything inside the box, and when you've accounted for everything you find that it's all there, in one phase or another, bouncing around, some of it reflected, some of it absorbed by the smaller bodies in the house. The edge in their voices and turning up the TV only meant that I listened to them destroy each other to a sound track of Fantasy Island or The Incredible Hulk or The Love Boat.
Charles Yu (How to Live Safely in a Science Fictional Universe)
This was different. It had synths droning and sending saltwater waves under my feet. It had drumbeats bursting like fireworks, rumbling the furniture out of place, and then a crazy, irregular, disharmonious, spiral crescendo of pure electric noise, like a typhoon dragging our bodies into it. It featured brass orchestras and choirs of mermaids and a piano in Iceland, all of them right there, visible, touchable, in Axton House. It shook us, fucked us, suspended us far above the reach of Help bouncing on his hind legs. It spoke of magenta sunsets and plastic patio chairs growing moss under summer storms rolling on caterpillar tracks. It sprinkled a bokeh of car lights rushing through night highways and slapped our faces like the wind at a hundred and twenty miles an hour. It pictured Niamh playing guitar, washed up naked on a beach in Fiji.
Edgar Cantero (The Supernatural Enhancements)
I think that women are often just asking for a seat at the table,” Alix said. The microphone attached at her collar bounced her voice to the back of the house. “But what’s heard is ‘I want special treatment,’ when that’s not the case.
Kiley Reid (Such a Fun Age)
Every song was the same song. These were songs for people who were scared to open their mailboxes, whose phone calls never brought good news. These were songs for people standing at the crossroads waiting for the bus. People who bounced between debt collectors and dollar stores, collection agencies and housing offices, family court and emergency rooms, waiting for a check that never came, waiting for a court date, waiting for a call back, waiting for a break, crushed beneath the wheel.
Grady Hendrix (We Sold Our Souls)
Giacomo was walking as usual but with an additional bounce in his step for he was after all going over to Delilah Gange’s house, hers was the best and the poshest of the village yet her disposition was kind and of humility yet polished and admirable.
Aliza S. (the Poppy fields near the French countryside)
They were turning now, panning past the Sandias, the black-green crags and rocky faces, the ribbon of road leading to the white crest. Amina looked down on Albuquerque, the light bouncing off the sprawling tile of houses and pools, the cars running along the highways like busy insects. She imagined all of it gone, undone, erased back to 1968, when the city was nothing but eighty miles of hope huddling in a desert storm. She imagined Kamala on the tarmac, walking toward a life in the desert, her body pulled forward by faith and dirty wind.
Mira Jacob (The Sleepwalker's Guide to Dancing)
Last Night’s Moon," “When will we next walk together under last night’s moon?” - Tu Fu March aspens, mist forest. Green rain pins down the sea, early evening cyanotype. Silver saltlines, weedy toques of low tide, pillow lava’s black spill indelible in the sand. Unbroken broken sea. — Rain sharpens marsh-hair birth-green of the spring firs. In the bog where the dead never disappear, where river birch drown, the surface strewn with reflection. This is the acid-soaked moss that eats bones, keeps flesh; the fermented ground where time stops and doesn’t; dissolves the skull, preserves the brain, wrinkled pearl in black mud. — In the autumn that made love necessary, we stood in rubber boots on the sphagnum raft and learned love is soil–stronger than peat or sea– melting what it holds. The past is not our own. Mole’s ribbon of earth, termite house, soaked sponge. It rises, keloids of rain on wood; spreads, milkweed galaxy, broken pod scattering the debris of attention. Where you are while your body is here, remembering in the cold spring afternoon. The past is a long bone. — Time is like the painter’s lie, no line around apple or along thigh, though the apple aches to its sweet edge, strains to its skin, the seam of density. Invisible line closest to touch. Lines of wet grass on my arm, your tongue’s wet line across my back. All the history in the bone-embedded hills of your body. Everything your mouth remembers. Your hands manipullate in the darkness, silver bromide of desire darkening skin with light. — Disoriented at great depths, confused by the noise of shipping routes, whales hover, small eyes squinting as they consult the magnetic map of the ocean floor. They strain, a thousand miles through cold channels; clicking thrums of distant loneliness bounce off seamounts and abyssal plains. They look up from perpetual dusk to rods of sunlight, a solar forest at the surface. Transfixed in the dark summer kitchen: feet bare on humid linoleum, cilia listening. Feral as the infrared aura of the snake’s prey, the bees’ pointillism, the infrasonic hum of the desert heard by the birds. The nighthawk spans the ceiling; swoops. Hot kitchen air vibrates. I look up to the pattern of stars under its wings.
Anne Michaels
Nancy and Ned hurried off to tell their friends about the trip. Quarter of an hour later the young people were seated in the back of a green pickup truck bouncing along a narrow road toward Elizabethtown. When they reached the main street of the small town, the driver let them out. “Where is the police station?” Nancy asked. The man chuckled. “We don’t need one. There’s only one policeman—he’s the marshal. But he’s away on vacation. Go up this side street,” he said, pointing to a tree-shaded lane, “to the third house. That’s where Ben Wooster lives. He’s the marshal’s deputy right now.
Carolyn Keene (The Message in the Hollow Oak (Nancy Drew, #12))
The houses reminded me of hopeful homely girls on a Friday night, hopping bars in spangly tops, packs of them where you assumed at least one might be pretty, but none were, and never would be. And here was Magda’s house, the ugliest girl with the most accessories, frantically piled on. The front yard was spiked with lawn ornaments: gnomes bouncing on wire legs, flamingos on springs, and ducks with plastic wings that circled when the wind blew. A forgotten cardboard Christmas reindeer sat soggy in the front garden, which was mostly mud, baby-fuzz patches of grass poking through intermittently.
Gillian Flynn (Dark Places)
From his beach bag the man took an old penknife with a red handle and began to etch the signs of the letters onto nice flat pebbles. At the same time, he spoke to Mondo about everything there was in the letters, about everything you could see in them when you looked and when you listened. He spoke about A, which is like a big fly with its wings pulled back; about B, which is funny, with its two tummies; or C and D, which are like the moon, a crescent moon or a half-full moon; and then there was O, which was the full moon in the black sky. H is high, a ladder to climb up trees or to reach the roofs of houses; E and F look like a rake and a shovel; and G is like a fat man sitting in an armchair. I dances on tiptoes, with a little head popping up each time it bounces, whereas J likes to swing. K is broken like an old man, R takes big strides like a soldier, and Y stands tall, its arms up in the air, and it shouts: help! L is a tree on the river's edge, M is a mountain, N is for names, and people waving their hands, P is asleep on one paw, and Q is sitting on its tail; S is always a snake, Z is always a bolt of lightning, T is beautiful, like the mast on a ship, U is like a vase, V and W are birds, birds in flight; and X is a cross to help you remember.
J.M.G. Le Clézio (Mondo et autres histoires)
The rain is colder than I expect—which is ridiculous, since it’s March. My cheeks are freezing by the time we go two blocks, my hair has a sodden weight on my shoulder. My glasses are so wet I need to shove them in a pocket. I threw Mom’s pullover windbreaker over my sweatshirt before leaving the house, thinking it would be waterproof, but I am so wrong. By the time I make the final turn for the church, I wonder if I’m stupid for being out here. It’s pouring so hard that a haze has formed around the streetlight, and I can barely see anything through the darkness. My sneakers squish in the grass. I get to the spot where we sat for the last two nights. And of course he’s not there. I sigh. Only a complete moron would go meet in the rain. Then Texy woofs and bounces on her front paws. I turn, and it’s like I’m in a chick flick. His shadowed figure lopes across the grass. Okay, maybe the dark and rain make it more like a horror movie than a romantic comedy, BUT STILL. He draws to a stop in front of me. He had the sense to wear a heavy, waterproof coat over his hoodie, but the hood is soaked and rain drips down his cheeks. “Hey,” he says, his voice a little loud over the rain. I’m blushing. I tell my cheeks to knock it off. “Hey.” “I wasn’t sure you’d show up, but I didn’t have a way to text you …” “I had the same thought process.
Brigid Kemmerer (More Than We Can Tell (Letters to the Lost, #2))
Though Beckett remained confined to the same claustrophobic hotel room that had housed him for weeks now, he’d attended the wedding in every sense but literally. He dressed for the occasion, and Eve helped him get his bow tie just right before she left, promising once again that her hummingbird pin would send him every detail it could. Riveted to the live feed from Eve’s transmitter on his hotel room TV, Beckett stood when the congregation stood, and he sat when they sat. And when he noticed that the camera had bounced even lower, Beckett knelt. As Kyle came fluttering down the aisle in her simple blue dress, Beckett swore aloud in the empty room. “Shit, Fairy Princess, you’re an angel.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
Below them the town was laid out in harsh angular patterns. The houses in the outskirts were all exactly alike, small square boxes painted gray. Each had a small, rectangular plot of lawn in front, with a straight line of dull-looking flowers edging the path to the door. Meg had a feeling that if she could count the flowers there would be exactly the same number for each house. In front of all the houses children were playing. Some were skipping rope, some were bouncing balls. Meg felt vaguely that something was wrong with their play. It seemed exactly like children playing around any housing development at home, and yet there was something different about it. She looked at Calvin, and saw that he, too, was puzzled.
Madeleine L'Engle (A Wrinkle in Time (Time Quintet, #1))
Pa always stopped telling the story here, and waited until Laura said: “Go on, Pa! Please go on.” “Well,” Pa said, “then your Grandpa went out into the yard and cut a stout switch. And he came back into the house and gave me a good thrashing, so that I would remember to mind him after that. “‘A big boy nine years old is old enough to remember to mind,’ he said. ‘There’s a good reason for what I tell you to do,’ he said, ‘and if you’ll do as you’re told, no harm will come to you.’” “Yes, yes, Pa!” Laura would say, bouncing up and down on Pa’s knee. “And then what did he say?” “He said, ‘If you’d obeyed me, as you should, you wouldn’t have been out in the Big Woods after dark, and you wouldn’t have been scared by a screech-owl.
Laura Ingalls Wilder (Little House in the Big Woods (Little House, #1))
Gray mattresses with red and blue stripes in something that looks like a hallway or an overly long waiting room. In any case, his memory is frozen in immediate past like a faceless man in a dentist's chair. There are houses and streets that run down to the sea, dirty windows and shadows on staircase landings. We hear someone say "a long time ago it was noon," the light bounces off the center of immediate past, something that's neither a screen nor attempts to offer images. Memory slowly dictates soundless sentences. We imagine that all of this has been done to avoid confusion, a layer of white paint covers the film on the floor. Fleeing together long ago became living together and thus the integrity of the gesture was lost; the shine of immediate past.
Roberto Bolaño (Antwerp)
Dresden, who was a king as of the old age, swished his tail--just once. Then, deliberately, he turned to face the coming dogs. Every muscle stood out in stark relief. He roared. The sound echoed down the street, bouncing off the neat suburban houses and well-manicured hedges with the force of dynamite. The dogs flowed at him like a tide, bottomless and unstoppable. Dresden charged them.
Scott Hawkins (The Library at Mount Char)
I bounced around on top naturally. But that belly, yai! It grew big as a hill and I couldn’t see over it. I’d call out, Are you still back there? Holler to me! Like most fat Indians he did have a skinny butt. Man, those muscles in his back cheeks were powerful, too. He swung me around like a circus act. So I enjoyed him real well, those times were good. Awee, said Mooshum. His voice was wistful.
Louise Erdrich (The Round House)
As one client of mine said when it finally dawned on her that her friend had free time on the weekends, “You mean this woman doesn’t have six months worth of unfolded clothes piling up around the house? She doesn’t have stacks of unopened mail to wade through or unpaid bills to confront? You mean she’s not constantly worried that the phone or electricity will be turned off or that the rent check will bounce?
Sari Solden (Women With Attention Deficit Disorder: Embrace Your Differences and Transform Your Life)
I jumped up, my hands in the air. “Yes!” Lend laughed. “Okay, looks like I need to make a run to the grocery store. Do faeries hate wheat or white bread more, you think?” “Get bread with raisins,” I said. “Everyone hates raisins.” Jack was bouncing, obviously excited. “That’s all we need, right?” “We need Reth.” “No,” Lend and Jack whined in unison. “Come on, you two. Reth knows the Faerie Realms better than you do. Jack, you didn’t see where the people were; it might take you a while to find them, and that’s time we can’t afford to lose. And Reth’s getting worse; being there might give him more time.” Lend scowled, grabbing the car keys off the counter. “Fine. But I’m really getting tired of his stupid smirk and prissy clothes.” Jack nodded. “And his voice that sounds like it’d even taste good. Really, it’s overkill. Best to have only a few absolutely perfect traits—for example, my hair and eyes and sparkling personality—so you don’t overwhelm them.” “Aww, are you guys jealous of how pretty Reth is? That’s kind of adorable.” “You know I could look exactly like him,” Lend said, frowning darkly. “Please for the love of all that is good and holy, never, ever wear Reth. That’s the stuff of nightmares.” That brightened his face a bit and he left me with a lingering kiss and a promise to be back with every loaf of bread we could carry. “Well, go find your stupid faerie boyfriend,” Jack said, lying down on top of the counter and drumming his fingers on his stomach. “I haven’t filled my quota for pissing off the Dark Court yet this week.” “We are going to blow your quote sky high.” He held up a hand and I high-fived him as I walked past and out of the house toward the trail. Yet again. I should have invested in a dirt bike or something given the amount of mileage I was getting out of the path between the house and the pond.
Kiersten White (Endlessly (Paranormalcy, #3))
But there was one girl who had a big influence over me. Barbie. I worshipped Barbie. In fact, I would say Barbie was my twelve-inch plastic life coach. She had it all, a camper, a dune buggy, even a dream house. Part of why it was a dream house to me was that she was the only one who lived there. Her boyfriend, Ken, came to visit when she--er, I decided. She had a sports car and would bounce from job to job as she--er, I saw fit.Barbie owned zero floral baby-making dresses. I craved that indepence. And her weird-ass boobs? So what? She still reached the steering wheel of her royal blue sports car. Some people thought that the fact that her feet were fucked and she couldn't stand was a problem. But to me, it meant she was free. Free from standing at a stove, or a washing machine, or with a baby hanging off her hip. She has no hip. She has no hips. Plus, she didn't have to walk; she drove her convertible everywhere. God, I loved Barbie. She was free in every way I knew how to define freedom.
Lizz Winstead (Lizz Free Or Die)
Robert gestured Lydia ahead of him across the threshold of number nineteen. Once inside, the atmosphere was entirely different from his previous visits. Silent calm had been replaced by chatter, laughter, and scolding that bounced into the three-story entrance from various regions of the house. There was a smell of newly lit fires, and the accompanying puffs of smoke, as well as the enticing aroma of cooking wafting up from the kitchens. It was a bustling, busy household. Shodster stepped into the hall and rushed toward Robert, hands outstretched ready to take Robert’s hat and cane. “Thank you, no. Miss Whitfield and I are going for a walk.” Robert took a half step back. “We will be leaving shortly.” Looking to Lydia for confirmation, Shodster nodded. “I do beg your pardon, Miss Whitfield. I was not here for the door. It will not happen again.” “Worry not, Shodster.” Lydia shrugged. “I learned how to open a door some time ago. The trick is to turn the handle.” The butler blinked at Lydia’s lightheartedness. “Yes. That would, indeed, be the trick.
Cindy Anstey (Duels & Deception)
Picture a summer stolen whole from some coming-of-age film set in the small-town 1950s. This is none of Ireland's subtle seasons mixed for a connoisseur's palate, watercolor nuances within a pinch-sized range of cloud and soft rain; this is summer full-throated and extravagant in a hot pure silkscreen blue. This summer explodes on your tongue tasting of chewed blades of long grass, your own clean sweat, Marie biscuits with butter squirting through the holes and shaken bottles of red lemonade picnicked in tree houses. It tingles on your skin with BMX wind in your face, ladybug feet up your arm; it packs every breath full of mown grass and billowing wash lines; it chimes and fountains with birdcalls, bees, leaves and football-bounces and skipping-chants, One! two! three! This summer will never end. It starts every day with a shower of Mr. Whippy notes and your best friend's knock at the door, finishes it with long slow twilight and mothers silhouetted in doorways calling you to come in, through the bats shrilling among the black lace trees. This is Everysummer decked in all its best glory.
Tana French (In the Woods (Dublin Murder Squad, #1))
When we’re in line for food, Peter reaches for a brownie and I say, “Don’t--I brought cookies,” and he gets excited. “Can I have one now?” he asks. I pull my Tupperware out of my bag and Peter grabs one. “Let’s not share with anybody else,” he says. “Too late,” I say, because our friends have spotted us. Darrell is singing, “Her cookies bring all the boys to the yard,” as we walk up to the table. I set the Tupperware down on the table and the boys wrestle for it, snatching cookies and gobbling them up like trolls. Pammy manages to snag one and says, “Y’all are beasts.” Darrell throws his head back and makes a beastlike sound, and she giggles. “These are amazing,” Gabe groans, licking chocolate off his fingers. Modestly I say, “They’re all right. Good, but not amazing. Not perfect.” I break a piece off of Peter’s cookie. “They taste better fresh out of the oven.” “Will you please come over to my house and bake me cookies so I know what they taste like fresh out of the oven?” Gabe bites into another one and closes his eyes in ecstasy. Peter snags one. “Stop eating all my girlfriend’s cookies!” Even a year later, it still gives me a little thrill to hear him say “my girlfriend” and know that I’m her. “You’re gonna get a gut if you don’t quit with that shit,” Darrell says. Peter takes a bite of cookie and lifts up his shirt and pats his stomach. “Six-pack, baby.” “You’re a lucky girl, Large,” Gabe says. Darrell shakes his head. “Nah, Kavinsky’s the lucky one.” Peter catches my eye and winks, and my heart beats quicker. I have a feeling that when I’m Stormy’s age, these everyday moments will be what I remember: Peter’s head bent, biting into a chocolate chip cookie; the sun coming through the cafeteria window, bouncing off his brown hair; him looking at me.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Check the baby and then teach that idiot a lesson in manners.” “I do so love it when you go all soldier on me.” “Quit flirting with me and get the job done.” “You started it by blowing up the house,” he pointed out righteously. Dutifully he took another look at Sebastian. The bouncing of the Humvee didn’t seem to bother him, although he did open his eyes to stare at his father through narrow, sleep slits. “We’re fine, son,” Kane soothed. “Mommy’s a terrible driver, but she’s having fun, so we’ll overlook it this once.” Sebastian’s little bow of a mouth curved in a smile, and his eyes closed.
Christine Feehan (Ruthless Game (GhostWalkers, #9))
Then Agnes came out the front door and down the steps with a tray of drinks, dark curls bouncing and red-rimmed glasses sliding down her nose again, wearing some kind of red dress with straps that tied on her shoulders and a skirt that whipped around her legs in the breeze, and Shane's thoughts jumped track until she led the other two women around the side of the house to the gazebo. Agnes had damn good legs. And a great back. One pull on those ties- And she'd smiled at him, standing there in the morning sunlight. Might have been an invitation. Might not have been, too. Probably should make sure before he started untying things.
Jennifer Crusie (Agnes and the Hitman (The Organization, #0))
Cassian nudged his bastard-brother-whatever out of the way, Azriel's mighty wings flaring slightly as he balanced himself. 'How the hell did you make that bone ladder in the Middengard Wyrm's lair when you look like your own bones can snap at any moment?' ... I met Cassian's gaze, if only because having Rhysand defend me might very well make me crumble a bit more. And maybe it made me as mean as an adder, maybe I relished being one, but I said, 'How the hell did you manage to survive this long without anyone killing you?' Cassian tipped back his head and laughed, a full, rich sound that bounced off the ruddy stones of the House.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
When they stopped to pick up Mike, Violet started to get out so she could climb in back with Chelsea, giving Mike’s longer legs the front seat, but Jay reached out and caught her wrist. “What are you doing? I want you to sit with me.” His fingers moved to lace through hers as he drew her back inside. “Mike can sit in back.” Violet felt herself blush with satisfaction. Mike came out of his house and jumped down the porch without ever touching the steps. Behind the darkened curtains, the television flickered. “Here he comes!” Chelsea squealed, sounding like a little girl as she bounced up and down in the backseat, shaking the entire car. She clapped her hands with excitement. Violet pulled her seat as far forward as she could to give Mike some extra room. He’d need it if he was going to be confined back there with Chelsea. “Heeyyy, Mike.” Chelsea managed to drawl the two words into several long syllables as Mike slid into the car. The syrupiness of it sounded so foreign oozing from Chelsea’s mouth. “Hey,” Mike said back to her. One word, one syllable. “So I guess it’s just the four of us tonight,” she purred. “Really? I thought we were meeting a buncha people.” “Nope. Just us. Everyone else bailed.” Violet smiled to herself as she listened to Chelsea’s account, amazed that her words came out sounding so…sincere. But Violet knew better. And she realized from the look Jay flashed her that he knew too. Mike, on the other hand, was too new to understand the disturbing way that Chelsea’s mind worked. There was a brief pause, and then Violet swore she could hear a smile in his voice when he answered, “That’s cool.” He might rethink that later, Violet thought, when Chelsea stops holding back and decides to assault him right in the middle of a crowded movie theater. Unless he’s into that kind of thing. She grinned wickedly to herself. And then she wondered if Jay would attack her. She hoped so.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
I thought it was another avalanche. This morning it was terrible." "What was?" asked Sniff. "The avalanche, of course," answered the Hemulen. "Quite terrible! Rocks the size of houses bouncing about like hail-stones! My best glass jar was broken, and I myself had to move quite quickly to get out of the way." "I'm afraid we happened to knock a few stones down as we were passing," said Snufkin. "It's so easily done walking on these tracks." "Do you mean to say it was you who made the avalanche?" said the Hemulen. "Well -- yes -- sort of," Snufkin answered. "I never thought very much of you," said the Hemulen slowly, "and now I think even less.
Tove Jansson (Comet in Moominland (The Moomins, #2))
Oh Jesus Mary mother of god!” Mrs. Sloane swore as she leapt up, Madeline still in her arms. “That is truly hideous, child!” She looked into the small red face and bounced the bundle around the laboratory, her voice raised above the noise. “Years ago, when I was a new mother, Mr. Sloane was away on business and a horrible man broke into the house and said if I didn’t give him all our money, he’d take the baby. I hadn’t slept or showered in four days, hadn’t combed my hair for at least a week, hadn’t sat down in I don’t know how long. So I said, ‘You want the baby? Here.’ ” She shifted Madeline to the other arm. “Never seen a grown man run so fast.
Bonnie Garmus (Lessons in Chemistry)
Unfinished Poem If only you allow me to take the colors of the dusk that bounce off your clear eyes. If only you could allow me to build a rain house in your dreams. Are you still waiting for me to say hello to an old time, my Dear? Time is somehow never meet us. Cracked rock and fragile flower petals that begin to wither. Even though I once wanted to pick the moon to decorate your dress. Promises that just pull over in the corner of our heart. Promises that have never been said through our mouth. Because the glint of your eyes is already painful and my tongue suddenly unable to find words. Words that I've always been intended as a poem from the first beginning.
Titon Rahmawan
a cute girl. And her body… I take the hand suffering from exposure and it’s still very cold. I touch her cheek with the back of my other hand and it’s warm. She leans into that like she’s starving for a gentle gesture. It makes me close my eyes for a minute. She’s so needy. It would be easy to just take care of that need. Instead, I kick off my boots and take my shirt off, then place her hand under my armpit. She tries to pull away but I hold her still and smile. “It’s a nice warm place, Syd. You have to heat up this hand. I’m pretty sure it’s gonna blister no matter what, but it needs to be warmed up.” “It’s gross,” she says. “I can do it—” “No,” I tell her back, sitting down on the bed and pulling on her at the same time, so she can’t remove it. “I’ll do it.” I scoot all the way back on the half-moon-shaped bed, which takes up roughly one half of the circular room, making her crawl along with me. Her tits are nice and firm, and hang down and bounce a little in a very alluring way. I keep pulling her until she’s sitting next to me, her frozen hand slipping out of place. So I put my arm around her and place her hand under my opposite arm, making her hug me a little. She stiffens when I do this and that makes me laugh a little. “You afraid of intimacy, Sydney? Tough girl like you?” “You’re tricking me somehow, I can feel it.” But even as she says this, she rests her head on my chest. “Probably. If there’s one thing you should know about me, it’s that I don’t give anything away for free. So now that I’m taking care of your mistake out there, let’s talk about that deal. I went above and beyond. I didn’t let you freeze, I came out of my nice warm house to save your ass. So the way I see it, you owe me. Start
J.A. Huss (Meet Me in the Dark)
How about going into town for lunch? My treat.” “With you? No.” “This may surprise you,” he said, a teasing lilt in his voice, “but I’m not my grandfather.” Shelby gazed at the broken swing. “Uncle Richard told me you’ve owned this house about five or six years.” “Six.” “What exactly did you do different than your grandfather?” A wounded frown replaced AJ’s amiable smile, and his eyes brimmed with pain. Regret gripped Shelby’s heart. She’d meant the words to sting a little, but not to cut. She opened her mouth to apologize, but he turned on his heel and headed toward his Jeep before she could say a word. Opening the driver’s door, he glared at her over the roof. “See you at the signing.” “I didn’t mean—” “I think you did.” He disappeared into the Jeep and started the ignition. As the vehicle bounced down the lane, Shelby’s heart jolted. It was as if she were fourteen again, as lonely and abandoned as the house behind her.
Johnnie Alexander (Where She Belongs (Misty Willow #1))
With one final flip the quarter flew high into the air and came down on the mattress with a light bounce. It jumped several inches off the bed, high enough for the instructor to catch it in his hand. Swinging around to face me, the instructor looked me in the eye and nodded. He never said a word. Making my bed correctly was not going to be an opportunity for praise. It was expected of me. It was my first task of the day, and doing it right was important. It demonstrated my discipline. It showed my attention to detail, and at the end of the day it would be a reminder that I had done something well, something to be proud of, no matter how small the task. Throughout my life in the Navy, making my bed was the one constant that I could count on every day. As a young SEAL ensign aboard the USS Grayback, a special operation submarine, I was berthed in sick bay, where the beds were stacked four high. The salty old doctor who ran sick bay insisted that I make my rack every morning. He often remarked that if the beds were not made and the room was not clean, how could the sailors expect the best medical care? As I later found out, this sentiment of cleanliness and order applied to every aspect of military life. Thirty years later, the Twin Towers came down in New York City. The Pentagon was struck, and brave Americans died in an airplane over Pennsylvania. At the time of the attacks, I was recuperating in my home from a serious parachute accident. A hospital bed had been wheeled into my government quarters, and I spent most of the day lying on my back, trying to recover. I wanted out of that bed more than anything else. Like every SEAL I longed to be with my fellow warriors in the fight. When I was finally well enough to lift myself unaided from the bed, the first thing I did was pull the sheets up tight, adjust the pillow, and make sure the hospital bed looked presentable to all those who entered my home. It was my way of showing that I had conquered the injury and was moving forward with my life. Within four weeks of 9/11, I was transferred to the White House, where I spent the next two years in the newly formed Office of Combatting Terrorism. By October 2003, I was in Iraq at our makeshift headquarters on the Baghdad airfield. For the first few months we slept on Army cots. Nevertheless, I would wake every morning, roll up my sleeping bag, place the pillow at the head of the cot, and get ready for the day.
William H. McRaven (Make Your Bed: Little Things That Can Change Your Life...And Maybe the World)
Perhaps the most amazing practitioner of echolocation among humans is Daniel Kish, blind since he was one year old, who early in life discovered that making clicking noises helped him get around. Much of his brain must be reassigned to sound, because he uses his own clicks to navigate. He can ride a bicycle in traffic (hard to imagine), and he has founded World Access for the Blind to teach other blind people to use their own sonar—to summon, as it were, their inner dolphin. Sounds from his tongue clicks, he explains, “bounce off surfaces all around and return to my ears as faint echoes. My brain processes the echoes into dynamic images.… I construct a three-dimensional image of my surroundings for hundreds of feet in every direction. Up close, I can detect a pole an inch thick. At 15 feet, I recognize cars and bushes. Houses come into focus at 150 feet.” This is all so hard to imagine, people have wondered if he is telling the truth. But he’s not alone, and his claims appear to check out. He says, “Many students are surprised how quickly results come. I believe echolocation capacity is latent within us.… The neural hardware seems to be there; I’ve developed ways to activate it. Vision isn’t in the eyes; it’s in the mind.” So, is it possible that a dolphin such as a killer whale might actually see the echoes?
Carl Safina (Beyond Words: What Animals Think and Feel)
Motor-scooter riders with big beards and girl friends who bounce on the back of the scooters and wear their hair long in front of their faces as well as behind, drunks who follow the advice of the Hat Council and are always turned out in hats, but not hats the Council would approve. Mr. Lacey, the locksmith,, shups up his shop for a while and goes to exchange time of day with Mr. Slube at the cigar store. Mr. Koochagian, the tailor, waters luxuriant jungle of plants in his window, gives them a critical look from the outside, accepts compliments on them from two passers-by, fingers the leaves on the plane tree in front of our house with a thoughtful gardener's appraisal, and crosses the street for a bite at the Ideal where he can keep an eye on customers and wigwag across the message that he is coming. The baby carriages come out, and clusters of everyone from toddlers with dolls to teenagers with homework gather at the stoops. When I get home from work, the ballet is reaching its cresendo. This is the time roller skates and stilts and tricycles and games in the lee of the stoop with bottletops and plastic cowboys, this is the time of bundles and packages, zigzagging from the drug store to the fruit stand and back over to the butcher's; this is the time when teenagers, all dressed up, are pausing to ask if their slips shows or their collars look right; this is the time when beautiful girls get out of MG's; this is the time when the fire engines go through; this is the time when anybody you know on Hudson street will go by. As the darkness thickens and Mr. Halpert moors the laundry cart to the cellar door again, the ballet goes under lights, eddying back nad forth but intensifying at the bright spotlight pools of Joe's sidewalk pizza, the bars, the delicatessen, the restaurant and the drug store. The night workers stop now at the delicatessen, to pick up salami and a container of milk. Things have settled down for the evening but the street and its ballet have not come to a stop. I know the deep night ballet and its seasons best from waking long after midnight to tend a baby and, sitting in the dark, seeing the shadows and hearing sounds of the sidewalk. Mostly it is a sound like infinitely patterning snatches of party conversation, and, about three in the morning, singing, very good singing. Sometimes their is a sharpness and anger or sad, sad weeping, or a flurry of search for a string of beads broken. One night a young man came roaring along, bellowing terrible language at two girls whom he had apparently picked up and who were disappointing him. Doors opened, a wary semicircle formed around him, not too close, until police came. Out came the heads, too, along the Hudsons street, offering opinion, "Drunk...Crazy...A wild kid from the suburbs" Deep in the night, I am almost unaware of how many people are on the street unless someone calls the together. Like the bagpipe. Who the piper is and why he favored our street I have no idea.
Jane Jacobs
We had something real,” Nobley said, starting to sound a little desperate. “You must have felt it, seeping through the costumes and pretenses.” The brunette nodded. “Seeping through the pretenses? Listen to him, he’s still acting.” Martin turned to the brunette in search of an ally. “Do I detect any jealousy there, my flagpole-like friend?” Nobley said. “Still upset that you weren’t cast as a gentleman? You do make a very good gardener.” Martin took a swing. Nobley ducked and rammed into his body, pushing them both to the ground. The brunette squealed and bounced on the balls of her feet. “Stop it!” Jane pulled at Nobley, then slipped. He put out an arm and caught her midfall across her middle. “Here, let me…” Nobley tried to give her a hand up and push Martin away at the same time. “Get off me,” Martin said. “I’ll help her.” He kicked Nobley in the rear, followed by some swatting of hands. Jane planted her feet, grabbed Nobley’s arm, and pulled him off. Martin was still swiping at Nobley from the ground. Nobley’s cap fell off, then his trench coat twisted up around Martin, who batted at it crazily. “Cut it out!” Jane said, pushing Nobley back and putting herself between them. She felt more like a teacher stopping a schoolboy scuffle than an ingénue with two brawling beaus. “M-m-martin’s gay!” Nobley said. “I am not! You’re thinking of Edgar.” “Who the hell is Edgar?” “You know, that other gardener who always smells of fish.” “Oh, right.” Jane raised her hands in exasperation. “Would you two…” A stuffed-up voice over the PA announced preboarding for Jane’s flight. The brunette made an audible moan of disappointment. Martin struggled to his feet with a hand up from Nobley, and they both stood before Jane, silent, pathetic as wet dogs who want to be let back in the house. She felt very sure of herself just then, tall and sleek and confident. “Well, they’re playing my song, boys,” she said melodically.
Shannon Hale (Austenland (Austenland, #1))
So Dad was a tedious, well-connected workaholic. But the other thing you need to understand is that Mom was a living wet dream. A former Guess model and Miller Lite girl, she was tall, curvy and gorgeous. At thirty-eight, she had somehow managed to remain ageless and maintained her killer body. She’s five-foot-nine with never-ending legs, generous breasts and full hips that scoop dramatically into her slim waist. People who say Barbie’s proportions are unrealistic obviously never met my stepmother. Her face is pretty too, with long eyelashes, sculpted cheekbones and big, blue eyes that tease and smile at the same time. Her long brown hair rests on her shoulders in thick, tousled layers like in one of those Pantene Pro-V commercials. One memory seared in to my brain from my early teenage years is of Mom parading around the house one evening in nothing but her heels and underwear. I was sitting on the couch in the living room watching TV when a flurry of long limbs and blow-dried hair burst in front of the screen. “Teddy-bear. Do you know where Silvia left the dry cleaning? I’m running late for dinner with the Blackwells and I can’t find my red cocktail dress.” Mom stood before me in matching off-white, La Perla bra and panties and Manolo Blahnik stilettos. Some subtle gold hoop earrings hung from her ears and a tiny bit of mascara on her eye lashes highlighted her sparkling, blue eyes. Aside from the missing dress, she was otherwise ready to go. “I think she left them hanging on the chair next to the other sofa,” I said, trying my best not to gape at Mom’s perfect body. Mom trotted across the room, her heels tocking on the hard wood floor. I watched her slim, sexy back as she lifted the dry cleaning onto the sofa and then bent over to sort through the garments. My eyes followed her long mane of brown hair down to her heart-shaped ass. Her panties stretched tightly across each cheek as she bent further down. “Found it!” She cried, springing back upright, causing her 35Cs to bounce up and down from the sudden motion. They were thrusting proudly off her ribcage and bulging out over the fabric of the balconette bra like two titanic eggs. Her supple skin pushed out over the silk edges. And then she was gone as quickly as she had arrived, her long legs striding back down the hallway.
C.R.R. Crawford (Sins from my Stepmother: Forbidden Desires)
You wonder what had happened, when a feller like that, in a place like that, talked of a childhood that might have as easily belonged to a millionaire, a lawyer, a schoolteacher, you. You had to think he was defective somehow, or had fucked up not once, not twice, but again and again, a peculiar resolve to his life. That was the thing, that resolve. We didn’t credit it. You looked at him and your brain said he was on the losing end of one of the two bargains that America made with you. There was the romantic one, that of the rambler, the man out seeking his destiny, living by his wits, all that horseshit. Then there was the classical American dare, that you could risk all, take an internal grudge and make of it a billion dollars and get a monumental tomb in the bargain. But the truth was neither. America was a grindstone. She used those notions as twin abrasives to wear you down into a dutiful drudge walking the straight and narrow. But there was something in the hearts of the some men, some of whom became Fritz, that wouldn’t accept that. These men in crummy bars, some of them, most of them, they were main-chance fellers. You could take ten of these wrecks and offer them a salesman’s job, a dozen white shirts and ties, forty Gs a year and perks, a neat house on a quiet street, a yard, a car, a dog, a wife, an expense account, a Chinese laundryman, membership in a church, grandkids who’d bounce on their knees, and you’d be lucky if one or two took you up on it. And those two would be the most defeated, the most broken and worn down. Take the same ten and offer them eight dollars a day to be litter bearers on a great adventure, a hike after a lost civilization, a one in hundred shot at survival, a one in thousand shot at a fabulous fortune of jewels and gold, and if you provided rum along the way, nine of the ten would sign up. I guarantee it. I guarantee too that the one or two who took the salesman’s job—within a year or two or three, he’d be fucking up again and again, no matter how many chances you gave him. He’s a main-chance feller, and even if he didn’t have the brains or the luck to make it work, he still couldn’t abide the line others toed, even if he couldn’t think of anything else to do with his life but the miserable American two step—toe the line, fuck up, toe the line, fuck up....
T.D. Badyna (Flick)
It was awful. It was three in the morning. And I finally said, “Chip, I’m not sleeping in this house.” We were broke. We couldn’t go to a hotel. There was no way we were gonna go knock on one of our parents’ doors at that time of night. That’s when I got an idea. We happened to have Chip’s parents’ old RV parked in a vacant lot a few blocks down. We had some of our things in there and had been using it basically as a storage unit until we moved in. “Let’s get in the RV. We’ll go find somewhere to plug it in, and we’ll have AC,” I said. As we stepped outside, the skies opened up. It started pouring rain. When we finally got into the RV, soaking wet, we pulled down the road a ways and Chip said, “I know where we can go.” It was raining so hard we could barely see through the windshield, and all of a sudden Chip turned the RV into a cemetery. “Why are you pulling in to a cemetery?” I asked him. “We’re not going to the cemetery,” Chip said. “It’s just next to a cemetery. There’s an RV park back here.” “Are you kidding me? Could this get any worse?” “Oh, quit it. You’re going to love it once I get this AC fired up.” Chip decided to go flying through the median between the two rows of RV parking, not realizing it was set up like a culvert for drainage and rain runoff. That RV bounced so hard that, had it not been for our seat belts, we would’ve both been catapulted through the roof of that vehicle. “What was that?!” “I don’t know,” Chip said. I tried to put it in reverse, and then forward, and then reverse again, and the thing just wouldn’t move. I hopped out to take a look and couldn’t believe it. There was a movie a few years ago where the main character gets his RV caught on this fulcrum and it’s sitting there teetering with both sets of wheels up in the air. Well, we sort of did the opposite. We went across this valley, and because the RV was so long, the butt end of it got stuck on the little hill behind us, and the front end got stuck on the little hill in front of us, and the wheels were just sort of hanging there in between. I crawled back into the RV soaking wet and gave Jo the bad news. We had no place to go, no place to plug in so we could run the AC; it was pouring rain so we couldn’t really walk anywhere to get help. And at that point I was just done. We wound up toughing it out and spending the first night after our honeymoon in a hot, old RV packed full of our belongings, suspended between two bumps in the road.
Joanna Gaines (The Magnolia Story)
Dear Mom and Dad How are you? If you are reading this it means your back from the wonderful cruise my brothers and I sent you on for your anniversary. We’re sure you both had a wonderful time. We want you to know that, while you were away, we did almost everything you asked. All but one thing, that is. We killed the lawn. We killed it dead. You asked us not to and we killed it. We killed it with extreme prejudice and no regard for its planty life. We killed the lawn. Now we know what you’re thinking: “But sons, whom we love ever so much, how can this be so? We expressly asked you to care for the lawn? The exactly opposite of what you are now conveying to us in an open digital forum.” True enough. We cannot dispute this. However, we have killed the lawn. We have killed it good. We threw a party and it was quite a good time. We had a moon bounce and beer and games and pirate costumes, oh it was a good time. Were it anyone else’s party that probably would have been enough but, hey, you know us. So we got a foam machine. A frothy, wet, quite fun yet evidently deadly, foam machine. Now this dastardly devise didn’t kill the lawn per se. We hypothesize it was more that it made the lawn very wet and that dancing in said area for a great many hours over the course of several days did the deed. Our jubilant frolicking simply beat the poor grass into submission. We collected every beer cap, bottle, and can. There is not a single cigarette butt or cigar to be found. The house is still standing, the dog is still barking, Grandma is still grandmaing but the lawn is no longer lawning. Now we’re sure, as you return from your wonderful vacation, that you’re quite upset but lets put this in perspective. For one thing whose idea was it for you to leave us alone in the first place? Not your best parenting decision right there. We’re little better than baboons. The mere fact that we haven’t killed each other in years past is, at best, luck. Secondly, let us not forget, you raised us to be this way. Always pushing out limits, making sure we thought creatively. This is really as much your fault as it is ours, if not more so. If anything we should be very disappointed in you. Finally lets not forget your cruise was our present to you. We paid for it. If you look at how much that cost and subtract the cost of reseeding the lawn you still came out ahead so, really, what position are you in to complain? So let’s review; we love you, you enjoyed a week on a cruise because of us, the lawn is dead, and it’s partially your fault. Glad that’s all out in the open. Can you have dinner ready for us by 6 tonight? We’d like macaroni and cheese. Love always Peter, James & Carmine
Peter F. DiSilvio
An unexpected sight opens in front of my eyes, a sight I cannot ignore. Instead of the calm waters in front of the fortress, the rear side offers a view of a different sea—the sea of small, dark streets and alleys—like an intricate puzzle. The breathtaking scenery visible from the other side had been replaced by the panorama of poverty–stricken streets, crumbling house walls, and dilapidated facades that struggle to hide the building materials beneath them. It reminds me of the ghettos in Barcelona, the ghettos I came to know far too well. I take a deep breath and look for a sign of life—a life not affected by its surroundings. Nothing. Down, between the rows of dirty dwellings stretches a clothesline. Heavy with the freshly washed laundry it droops down, droplets of water trickling onto the soiled pavement from its burden. Around the corner, a group of filthy children plays with a semi–deflated soccer ball—it makes a funny sound as it bounces off the wall—plunk, plunk. A man sitting on a staircase puts out a cigarette; he coughs, spits phlegm on the sidewalk, and lights a new one. A mucky dog wanders to a house, lifts his leg, and pisses on it. His urine flows down the wall and onto the street, forming a puddle on the pavement. The children run about, stepping in the piss, unconcerned. An old woman watches from the window, her large breasts hanging over the windowsill for the world to see. Une vie ordinaire, a mundane life...life in its purest. These streets bring me back to all the places I had escaped when I sneaked onto the ferry. The same feeling of conformity within despair, conformity with their destiny, prearranged long before these people were born. Nothing ever changes, nothing ever disturbs the gloomy corners of the underworld. Tucked away from the bright lights, tucked away from the shiny pavers on the promenade, hidden from the eyes of the tourists, the misery thrives. I cannot help but think of myself—only a few weeks ago my life was not much different from the view in front of my eyes. Yet, there is a certain peace soaring from these streets, a peace embedded in each cobblestone, in each rotten wall. The peace of men, unconcerned with the rest of the world, disturbed neither by global issues, nor by the stock market prices. A peace so ancient that it can only be found in the few corners of the world that remain unchanged for centuries. This is one of the places. I miss the intricacy of the street, I miss the feeling of excitement and danger melted together into one exceptional, nonconforming emotion. There is the real—the street; and then there is all the other—the removed. I am now on the other side of reality, unable to reach out with my hand and touch the pure life. I miss the street.
Henry Martin (Finding Eivissa (Mad Days of Me #2))
Soon after I arrived on the island I had a run-in with my son’s first grade teacher due to my irreverent PJ sense of humor. When Billy lost a baby tooth I arranged the traditional parentchild Tooth Fairy ritual. Only six years old, Billy already suspected I was really the Tooth Fairy and schemed to catch me in the act. With each lost tooth, he was getting harder and harder to trick. To defeat my precocious youngster I decided on a bold plan of action. When I tucked him in I made an exaggerated show of placing the tooth under his pillow. I conspicuously displayed his tooth between my thumb and forefinger and slid my hand slowly beneath his pillow. Unbeknownst to him, I hid a crumpled dollar bill in the palm of my hand. With a flourish I pretended to place the tooth under Billy’s pillow, but with expert parental sleight of hand, I kept the tooth and deposited the dollar bill instead. I issued a stern warning not to try and stay awake to see the fairy and left Billy’s room grinning slyly. I assured him I would guard against the tricky fairy creature. I knew Billy would not be able to resist checking under his pillow. Sure enough, only a few minutes later he burst from his room wide-eyed with excitement. He clutched a dollar bill tightly in his fist and bounced around the room, “Dad! Dad! The fairy took my tooth and left a dollar!” I said, “I know son. I used my ninja skills and caught that thieving fairy leaving your room. I trapped her in a plastic bag and put her in the freezer.” Billy was even more excited and begged to see the captured fairy. I opened the freezer and gave him a quick glimpse of a large shrimp I had wrapped in plastic. Viewed through multiple layers of wrap, the shrimp kind of looked like a frozen fairy. I stressed the magnitude of the occasion, “Tooth fairies are magical, elusive little things with their wings and all. I think we are the first family ever to capture one!” Billy was hopping all over the house and it took me quite awhile to finally calm him down and get him to sleep. The next day I got an unexpected phone call at work. My son’s teacher wanted to talk to me about Billy, “Now what?” I thought. When I arrived at the school, Billy’s teacher met me at the door. Once we settled into her office, she explained she was worried about him. Earlier that day, Billy told his first grade class his father had killed the tooth fairy and had her in a plastic bag in the freezer. He was very convincing. Some little kids started to cry. I explained the previous night’s fairy drama to the teacher. I was chuckling—she was not. She looked at me as if I had a giant booger hanging out of a nostril. Despite the look, I could tell she was attracted to me so I told her no thanks, I already had a girlfriend. Her sputtering red face made me uncomfortable and I quickly left. Later I swore Billy to secrecy about our fairy hunting activities. For dinner that evening, we breaded and fried up a couple dozen fairies and ate them with cocktail sauce and fava beans.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
My bisnonno is such a man...Fine, you laugh again. Not so handsome,I think,but just as proud. He struts through the square with his new shoes. He buys a carriage. But he gives to the poor,too, to the Church.He is kind to his siters; he is a friend to many.He is raffinato, a gentleman. And the girl he chooses? Hmm? Hmm?" "I don't know, Nonna. Elizabeth Benedetto?" "Hah!" Nonna slapped her hand hard against her knee. It bounced soundlessly off the leopard plush. "Elisabetta. Elisabetta, daughter of a man who works on another's boat. Elisabetta who has many sisters and who is intended for the Church if she does not marry. I don't remember her family name, if I ever knew. Maybe Benedetto.Why not? It does not matter.What matters is that no one understands why Michelangelo Costa chooses this girl. No one can...oh,the word...to say a picture of: descrivere." "Describe?" "Si. Describe.No one can describe her.Small,they think. Brown, maybe. Maybe not so pretty, not so ugly. Just a girl. She sits by the seawall mending nets her family does not own. She is odd,too,her neighbors think.They think it is she who leaves little bit of shell and rock when she is done with the nets, little mosaico on the wall. So why? the piu bella girls ask, the ones with long,long necks, and long black hair, and noses that turn up at the end. Why this odd, nobody girl in her ugly dresses, with her dirty feet? "Michelangelo sends his cousins to her with gifts. A cameo, silk handkerchiefs, a fine pair of gloves. Again,the laugh.Then, you would not have laughed at a gift of gloves, piccola. Oh,you girls now. You want what? E-mails and ePods?" "That's iPods,Nonna." "Whatever. See,that word I know. Now, Elisabetta sends back the little girst. So my bisnonno sends bigger: pearls, meters of silk cloth, a horse. These,too,she will not take. And the people begin to look,and ask: Who is she, this nobody girl,to refuse him? No money,no beauty,no family name.You are a fool,they tell her. Accept. Accept! "And my proud bisnonno does not understand. He can have any girl in the town.So again,he gathers the gifts, he carries them himself, leads the horse. But Elisabetta is not to be found. She is not at her papa's house or in the square or at the seawall. Michelangelo fears she has gone to the convent. But no. As he stands at the seawall, a seabird,a gull, lands on his shoulder and says-" "Nonna-" "Shh! The girl tells him to follow the delfino....delfin? Dolphin! So he looks, and there, a dolphin with its head above the water says, 'Follow!' So he follows,the sack with gifts for Elisabetta on his back,like a peddler, the horse trailing behind.The dolphin leads him around the bay to a beach, and there is Elisabetta, old dress covered in sand,feet bare, just drawing circles in the sand. She starts to run, but Michelangelo calls to her. 'Why,' he asks her. 'Why do you hide? Why will you not take my gifts?' And she says..." I'd been fighting a losing battle with yawning for a while. I was failing fast. "I have no idea. 'I'm in love with someone else.'?
Melissa Jensen (The Fine Art of Truth or Dare)
Before their chaise drew to a complete halt in front of the house a door was already being flung open, and a tall, stocky man was bouncing down the steps. “It would appear that our greeting here is going to be far more enthusiastic than the one we received at our last stop,” Elizabeth said in a resolute voice that still shook with nerves as she drew on her gloves, bravely preparing to meet and defy the next obstacle to her happiness and independence. The door of their chaise was wrenched open with enough force to pull it from its hinges, and a masculine face poked inside. “Lady Elizabeth!” boomed Lord Marchman, his face flushed with eagerness-or drink; Elizabeth wasn’t certain. “This is indeed a long-awaited surprise,” and then, as if dumbstruck by his inane remark, he shook his large head and hastily said, “A long-awaited pleasure, that is! The surprise is that you’ve arrived early.” Elizabeth firmly repressed a surge of compassion for his obvious embarrassment, along with the thought that he might be rather likeable. “I hope we haven’t inconvenienced you overmuch,” she said. “Not overmuch. That is,” he corrected, gazing into her wide eyes and feeling himself drowning, “not at all.” Elizabeth smiled and introduced “Aunt Berta,” then allowed their exuberant host to escort them up the steps. Beside her Berta whispered with some satisfaction, “I think he’s as nervous as I am.” The interior of the house seemed drab and rather gloomy after the sunny splendor outside. As their host led her forward Elizabeth glimpsed the furnishings in the salon and drawing room-all of which were upholstered in dark leathers that appeared to have once been maroon and brown. Lord Marchman, who was watching her closely and hopefully, glanced about and suddenly saw his home as she must be seeing it. Trying to explain away the inadequacies of his furnishings, he said hastily, “This home is in need of a woman’s touch. I’m an old bachelor, you see, as was my father.” Berta’s eyes snapped to his face. “Well, I never!” she exclaimed in outraged reaction to his apparent admission of being a bastard.” “I didn’t mean,” Lord Marchman hastily assured, “that my father was never married. I meant”-he paused to nervously tug on his neckcloth, as if trying to loosen it-“that my mother died when I was very young, and my father never remarried. We lived here together.” At the juncture of two hallways and the stairs Lord Marchman turned and looked at Berta and Elizabeth. “Would you care for refreshment, or would you rather go straight to bed?” Elizabeth wanted a rest, and she particularly wanted to spend as little time in his company as was possible. “The latter, if you please.” “In that case,” he said with a sweeping gesture of his arm toward the staircase, “let’s go.” Berta let out a gasp of indignant outrage at what she perceived to be a clear indication that he was no better than Sir Francis. “Now see here, milord! I’ve been putting her in bed for nigh onto two score, and I don’t need help from the likes of you!” And then, as if she realized her true station, she ruined the whole magnificent effect by curtsying and adding in a servile whisper, “if you don’t mind, sir.” “Mind? No, I-“ It finally occurred to John Marchmen what she thought, and he colored up clear to the roots of his hair. “I-I only meant to show you how,” he began, and then he leaned his head back and briefly closed his eyes as if praying for deliverance from his own tongue. “How to find the way,” he finished with a gusty sigh of relief. Elizabeth was secretly touched by his sincerity and his awkwardness, and were the situation less threatening, she would have gone out of her way to put him at his ease.
Judith McNaught (Almost Heaven (Sequels, #3))
Tamlin's claws punched out. 'Even if I risked it, you're untrained abilities render your presence more of a liability than anything.' It was like being hit with stones- so hard I could feel myself cracking. But I lifted my chin and said, 'I'm coming along whether you want me to or not.' 'No, you aren't.' He strode right through the door, his claws slashing the air at his sides, and was halfway down the steps before I reached the threshold. Where I slammed into an invisible wall. I staggered back, trying to reorder my mind around the impossibility of it. It was identical to the one I'd built that day in the study, and I searched inside the shards of my soul, my heart, for a tether to that shield, wondering if I'd blocked myself, but- there was no power emanating from me. I reached a hand to the open air of the doorway. And met solid resistance. 'Tamlin,' I rasped. But he was already down the front drive, walking towards the looming iron gates. Lucien remained at the foot of the stairs, his face so, so pale. 'Tamlin,' I said again, pushing against the wall. He didn't turn. I slammed my hand into the invisible barrier. No movement- nothing but hardened air. And I had not learned about my own powers enough to try to push through, to shatter it... I had let him convince me not to learn those things for his sake- 'Don't bother trying,' Lucien said softly, as Tamlin cleared the gates and vanished- winnowed. 'He shielded the entire house around you. Others can go in and out, but you can't. Not until he lifts the shield.' He'd locked me in here. I hit the shield again. Again. Nothing. 'Just- be patient, Feyre,' Lucien tried, wincing as he followed after Tamlin. 'Please. I'll see what I can do. I'll try again.' I barely heard him over the roar in my ears. Didn't wait to see him pass the gates and winnow, too. He'd locked me in. He'd sealed me inside the house. I hurtled for the nearest window in the foyer and shoved it open. A cool spring breeze rushed in- and I shoved my hand through it- only for my fingers to bounce off an invisible wall. Smooth, hard air pushed against my skin. Breathing became difficult. I was trapped. I was trapped inside this house. I might as well have been Under the Mountain. I might as well have been inside that cell again- I backed away, my steps too light, too fast, and slammed into the oak table in the centre of the foyer. None of the nearby sentries came to investigate. He'd trapped me in here; he'd locked me up. I stopped seeing the marble floor, or the paintings on the walls, or the sweeping staircase looming behind me. I stopped hearing the chirping of the spring birds, or the sighing of the breeze through the curtains. And then crushing black pounded down and rose up beneath, devouring and roaring and shredding. It was all I could do to keep from screaming, to keep from shattering into ten thousand pieces as I sank onto the marble floor, bowing over my knees, and wrapped my arms around myself. He'd trapped me; he'd trapped me; he'd trapped me- I had to get out, because I'd barely escaped from another prison once before, and this time, this time- Winnowing. I could vanish into nothing but air and appear somewhere else, somewhere open and free. I fumbled for my power, for anything, something that might show me the way to do it, the way out. Nothing. There was nothing and I had become nothing, and I couldn't even get out- Someone was shouting my name from far away. Alis- Alis. But I was ensconced in a cocoon of darkness and fire and ice and wind, a cocoon that melted the ring off my finger until the folden ore dripped away into the void, the emerald tumbling after it. I wrapped that raging force around myself as if it could keep the walls from crushing me entirely, and maybe, maybe buy me the tiniest sip of air- I couldn't get out; I couldn't get out; I couldn't get out-
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
You’ve never been in a bounce house?” I ask, looking horrified. Who hasn’t been the kid who fell down and tried to get up while the others bounced harder to stop them?
Charity Ferrell (Just One Night (Blue Beech, #2))
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Spring Party Rentals offers bounce houses, mechanical bull rentals, inflatable, carnival rides and more in Houston, TX, Tomball, The Woodlands and other areas. We also serve Cypress, Spring and other surrounding areas in Texas. We also have the best water slide rentals Spring, TX has to offer. If you're looking for a trackless train in Houston, give us a call. For moonwalk rentals in Houston, TX, let Spring Party Rentals handle your next party or event.
Spring Party Rentals
She opened her eyes and then frowned. “Why are you dressed?” “Because I got up and got dressed so I could find some coffee, but I changed my mind and I’m coming back to bed.” “Fully dressed?” “Yes. No shoes, though.” It was too early to follow along with his crazy bouncing ball of logic. “Did Gram put a pot of coffee on yet?” He groaned and threw his arm over his eyes. “Not exactly.” “What is wrong with you this morning?” “I just ran into your grandmother. She was sneaking into the house…in the same dress she wore last night.” “What?” Emma sat up, aches and pains forgotten. “You caught Gram doing the walk of shame?” “Yes, and it was awkward and now I’m going back to bed.” She pushed his arm off his face. “What did she say?” “She said good-morning and told me she was going to take a quick shower and then start breakfast.” “And what did you say?” “I muttered something about taking her time and then ran like a girl.” Emma flopped back onto her pillow and stare at the ceiling. “Wow.” “I probably should have broken it to you better, but I’m not sure how I could have.” She didn’t know what to say. Go, Gram, a part of her was thinking, but another part wanted to hide under the covers with Sean and not deal with the fact her grandmother was currently taking a shower after doing the walk of shame. That was obviously the side of himself Sean was currently listening to. “We have to go down eventually,” she said. “I need coffee. And food.” “I’ll wait here. Bring some back.” She laughed and slapped his thigh. “If I can face her, so can you. She’s not your grandmother.” “It was awkward.” “I’m sure it’s awkward for her, knowing we’re having sex, but she’s an adult about it.” That just made him cover his face with his arm again. “That’s different.” “Why? Because she’s sixty-five?” “No. Because, as you just said, she’s a grandmother. Your grandmother.” “Come on. We’ll go down together.” She slid out of bed and walked toward the bathroom. “Stop making it such a big deal.” Gram was still in the shower when they went past the bathroom on their way down the hall. They could tell because she was whistling a very cheery tune that made Sean wince. Emma grabbed his arm and tugged him toward the stairs. “Coffee.” They got a pot going and sat at the table in silence until enough had brewed to sneak two cups from it. Emma put the kettle on and dropped a tea bag into Gram’s mug. The woman of the hour appeared just as it whistled, looking refreshed and cheerful. “Good morning.” “Good morning,” they both mumbled.
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
Let's Jump Events provides bounce house rentals, water slides, and more to Sarasota, Brandon, Bradenton, Lakewood Ranch, Palmetto and Parrish, Florida and more. Whether you are having a backyard birthday party, a school function, a church picnic or a corporate event, Let's Jump Events has you covered. With all of the latest and greatest inflatables and rides like the Toxic Meltdown, mechanical bull rental, bungee trampoline and more, let us create a one of a kind event for you.
Let's Jump Events
North Mississippi Party rentals proudly serves Corinth, New Albany, Oxford and Tupelo, MS and the surrounding areas. We provide bounce house rentals and more. We also rent water slides, casino gaming tables, tents for events and weddings, table and chair rentals, mechanical bull rentals, fun inflatables, cotton candy machines, concession rentals and more for backyard birthday parties, school functions, church picnics, corporate events and more.
North Mississippi Party Rentals
Arizona Inflatable Events carries bounce houses, water slides, mechanical bull rentals and more in Phoenix, Chandler, Mesa & Gilbert, AZ & surrounding areas. We carry everything from trackless trains, obstacle course rentals, mobile rock climbing wall, mobile zip line, bungee trampoline rentals, carnival games, concession machines, event tents, tables and chairs and more. We are Arizona's #1 choice for school functions, corporate events, church events, community events, backyard parties & more.
Arizona Inflatable Events
We are a family owned Bounce house rental business based out of the Toledo Ohio Area. Safety and Professionalism is always our number one priority at FunZone. Our selection of fun inflatables, games and mechanical rides will give your friends and family hours of excitement.We can also take the stress out of renting those tents,tables and chairs for that special day. Contact us and allow us to show your guests what having a safe and fun party is all about.
Fun Zone Rentals
If you're looking to make your summer party or special event unique and fun, 2 Dad's Bounce Houses have the just what you need. We have the best Phoenix water slide rentals available. Water slides are a great way to stay cool on those hot summer days. 2 Dad's has a wide variety of water slides for kids and adults, including a water slide and bounce house combos, stand-alone slides, and giant waterslides. When you're looking for Phoenix water slide rentals for your party.
Phoenix Water Slide Rentals
The elder members of the family never failed to marvel at the attitude of the kids, how Big Angel was a rolling laugh riot to them, arbiter of bad jokes, spiritual insight, ice cream money, and shelter when they were bounced out of their houses or were let out of jail or rehab or needed to come in off the streets at midnight.
Luis Alberto Urrea (The House of Broken Angels)
Fun 4 All Party Rentals provides bounce house rentals, water slides and more to Dallas, Fort Worth, Waxahachie, Midlothian, Ennis, & surrounding areas in Texas. We also carry a large assortment of inflatables, interactive games, carnival games, event tents for weddings, table and chair rentals and more. Whether you're having a school field day, a church picnic, a corporate event or a backyard birthday party, Fun 4 All Party Rentals has you covered.
Fun 4 All Party Rentals
Nothing makes a kid’s party rock more than having a bounce house where the little ones can jump to satisfaction. So, if you’re planning a party in Troy, Missouri, you might want to call The Bounce House Company to provide you with sound, high-quality bounce houses for your enjoyment. And you won’t be the first one to do so. The Bounce House Company has been renting durable, high-quality inflatables to residents of Missouri and Illinois for years.
Bounce House Rentals Troy MO
Nothing makes a kid’s party rock more than having a bounce house where the little ones can jump to satisfaction. So, if you’re planning a party in Warrenton, Missouri, you might want to call The Bounce House Company to provide you with sound, high-quality bounce houses for your enjoyment. And you won’t be the first one to do so. The Bounce House Company has been renting durable, high-quality inflatables to residents of Missouri and Illinois for years.
Bounce House Rentals Warrenton MO
Nothing makes a kid's party rock more than having a bounce house where the little ones can jump to satisfaction. So, if you’re planning a party in Wentzville, Missouri, you might want to call The Bounce House Company to provide you with sound, high-quality bounce houses for your enjoyment. And you won't be the first one to do so. The Bounce House Company has been renting durable, high-quality inflatables to residents of Missouri and Illinois for years.
Bounce House Rentals Wentzville MO
If you're looking for the bounce house rentals Jesup Georgia has been talking about, you're in the right place. At Graceland Bounce, we have the largest selection of inflatables to entertain all your party guests. Our selection is unparalleled in the Jesup, Georgia area thanks to our many years of dedicated service in the area and our passion for FUN and entertainment for kids of all ages. We love watching the joy and excitement on the faces of children when they see our giant inflatables!
Graceland Bounce
For the best bounce house rentals Tulsa, OK has to offer, look no further than Galaxy Jumpers. If you’re looking for the best in inflatable fun in Tulsa and the surrounding areas in Oklahoma, you’ve come to the right spot. Whether it’s a birthday party in your backyard, a school field day or an event at your church, we have the experience and equipment to take your party or event to the next level. We have tons of bounce houses, water slides, obstacle courses and more.
Galaxy Jumpers
For the best bounce house & water slide rentals in Marion, IL, trust the professionals at TNT Fun Bounce for all your inflatable and party rental needs. Whether you're having a birthday party in your back yard and need a bounce house rental, a school field day and looking for an obstacle course or having an event at your church and need a water slide, we have you covered. TNT Fun Bounce in Marion, IL has the experience and equipment to take your party or event to the next level.
TNT Fun Bounce Marion IL