β
She'd laughed, and if he could have bottled the sound and gotten drunk on it every night, he would have. It terrified him.
β
β
Leigh Bardugo (Six of Crows (Six of Crows, #1))
β
Nothing thatβs worthwhile is ever easy. Remember that.
β
β
Nicholas Sparks (Message in a Bottle)
β
God alert!" Blackjack yelled. "It's the wine dude!
Mr. D sighed in exasperation. "The next person, or horse, who calls me the 'wine dude' will end up in a bottle of Merlot!
β
β
Rick Riordan (The Titanβs Curse (Percy Jackson and the Olympians, #3))
β
If you like her, if she makes you happy, and if you feel like you know her---then don't let her go.
β
β
Nicholas Sparks (Message in a Bottle)
β
True love is rare, and it's the only thing that gives life real meaning.
β
β
Nicholas Sparks (Message in a Bottle)
β
I didnβt go to religion to make me happy. I always knew a bottle of Port would do that. If you want a religion to make you feel really comfortable, I certainly donβt recommend Christianity.
β
β
C.S. Lewis
β
Ho! Ho! Ho! To the bottle I go
To heal my heart and drown my woe
Rain may fall, and wind may blow
And many miles be still to go
But under a tall tree will I lie
And let the clouds go sailing by
β
β
J.R.R. Tolkien
β
Sometimes the Bible in the hand of one man is worse than a whisky bottle in the hand of (another)... There are just some kind of men who - who're so busy worrying about the next world they've never learned to live in this one, and you can look down the street and see the results.
β
β
Harper Lee (To Kill a Mockingbird)
β
If only there could be an invention that bottled up a memory, like scent. And it never faded, and it never got stale. And then, when one wanted it, the bottle could be uncorked, and it would be like living the moment all over again.
β
β
Daphne du Maurier (Rebecca)
β
Accept what life offers you and try to drink from every cup. All wines should be tasted; some should only be sipped, but with others, drink the whole bottle.
β
β
Paulo Coelho (Brida)
β
Hello, Harry" said George, beaming at him. "We thought we heard your dulcet tones."
"You don't want to bottle up your anger like that, Harry, let it all out," said Fred, also beaming. "There might be a couple of people fifty miles away who didn't hear you.
β
β
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
β
When beetles fight these battles in a bottle with their paddles
and the bottle's on a poodle and the poodle's eating noodles...
...they call this a muddle puddle tweetle poodle beetle noodle
bottle paddle battle.
β
β
Dr. Seuss (Fox in Socks)
β
Without you in my arms, I feel an emptiness in my soul. I find myself searching the crowds for your face - I know it's an impossibility, but I cannot help myself.
β
β
Nicholas Sparks (Message in a Bottle)
β
Love blurs your vision; but after it recedes, you can see more clearly than ever. It's like the tide going out, revealing whatever's been thrown away and sunk: broken bottles, old gloves, rusting pop cans, nibbled fishbodies, bones. This is the kind of thing you see if you sit in the darkness with open eyes, not knowing the future.
β
β
Margaret Atwood (Catβs Eye)
β
If you drink much from a bottle marked 'poison' it is certain to disagree with you sooner or later.
β
β
Lewis Carroll (Alice's Adventures in Wonderland)
β
Be like water making its way through cracks. Do not be assertive, but adjust to the object, and you shall find a way around or through it. If nothing within you stays rigid, outward things will disclose themselves.
Empty your mind, be formless. Shapeless, like water. If you put water into a cup, it becomes the cup. You put water into a bottle and it becomes the bottle. You put it in a teapot, it becomes the teapot. Now, water can flow or it can crash. Be water, my friend.
β
β
Bruce Lee
β
Someday you'll find someone special again. People who've been in love once usually do. It's in their nature.
β
β
Nicholas Sparks (Message in a Bottle)
β
I can teach you how to bottle fame, brew glory, even put a stopper on death.
β
β
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
β
Act
on your impulse,
swallow the bottle,
cut a little deeper,
put the gun to your chest.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
I stepped into the bookshop and breathed in that perfume of paper and magic that strangely no one had ever thought of bottling.
β
β
Carlos Ruiz ZafΓ³n (The Angel's Game (The Cemetery of Forgotten Books, #2))
β
I often don't say things out loud, even when I should. I contain and compartmentalize to a disturbing degree: In my belly-basement are hundreds of bottles of rage, despair, fear, but you'd never guess from looking at me.
β
β
Gillian Flynn (Gone Girl)
β
Thank you for coming into my life and giving me joy, thank you for loving me and receiving my love in return. Thank you for the memories I will cherish forever. But most of all, thank you for showing me that there will come a time when I can eventually let you go.
β
β
Nicholas Sparks (Message in a Bottle)
β
Ever wonder about those people who spend $2 apiece on those little bottles of Evian water? Try spelling Evian backward.
β
β
George Carlin (George Carlin Reads to You: An Audio Collection Including Recent Grammy Winners Braindroppings and Napalm & Silly Putty)
β
Books are letters in bottles, cast into the waves of time, from one person trying to save the world to another.
β
β
Amal El-Mohtar (This Is How You Lose the Time War)
β
We try so hard to hide everything we're really feeling from those who probably need to know our true feelings the most. People try to bottle up their emotions, as if it's somehow wrong to have natural reactions to life.
β
β
Colleen Hoover (Maybe Someday (Maybe, #1))
β
I have always had more dread of a pen, a bottle of ink, and a sheet of paper than of a sword or pistol.
β
β
Alexandre Dumas (The Count of Monte Cristo)
β
You must be shapeless, formless, like water. When you pour water in a cup, it becomes the cup. When you pour water in a bottle, it becomes the bottle. When you pour water in a teapot, it becomes the teapot. Water can drip and it can crash. Become like water my friend.
β
β
Bruce Lee
β
A breeze ruffled the neat hedges of Privet Drive, which lay silent and tidy under the inky sky, the very last place you would expect astonishing things to happen. Harry Potter rolled over inside his blankets without waking up. One small hand closed on the letter beside him and he slept on, not knowing he was special, not knowing he was famous, not knowing he would be woken in a few hours' time by Mrs. Dursley's scream as she opened the front door to put out the milk bottles, nor that he would spend the next few weeks being prodded and pinched by his cousin Dudley...He couldn't know that at this very moment, people meeting in secret all over the country were holding up their glasses and saying in hushed voices: "To Harry Potter - the boy who lived!
β
β
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
β
I also felt guilty about the three pens I'd stolen, but only for a second. And since there was no convenient way to give them back, I stole a bottle of ink before I left.
β
β
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
β
As the alcohol overcomes my mind, I hear the glass bottle shatter on the floor. This seems appropriate since I have obviously lost my grip on everything.
β
β
Suzanne Collins (Catching Fire (The Hunger Games, #2))
β
This is not a goodbye, my darling, this is a thank you. Thank you for coming into my life and giving me joy, thank you for loving me and receiving my love in return. Thank you for the memories I will cherish forever. But most of all, thank you for showing me that there will come a time when I can eventually let you go.
I love you, T.
β
β
Nicholas Sparks (Message in a Bottle)
β
Hey, ah, does anyone want a cookie or something? Oh yeah. A cookie. That would make everything better. Dunked in a shot of tequila , maybe? Or better yet, just the bottle? Yeah, that ought to do it.
β
β
Kim Harrison (Every Which Way But Dead (The Hollows, #3))
β
Let me wake up next to you, have coffee in the morning and wander through the city with your hand in mine, and I'll be happy for the rest of my fucked up little life.
β
β
Charlotte Eriksson (Empty Roads & Broken Bottles: in search for The Great Perhaps)
β
But because they didn't see each other very often, their relationship had more ups and downs than either of them had experienced before. Since everything felt right when they were together, everything felt wrong when they weren't.
β
β
Nicholas Sparks (Message in a Bottle)
β
You never laugh," she said. "You behave as if everything is funny to you, but you never laugh. Sometimes you smile when you think no one is paying attention."
For a moment he was silent. Then, "You," he said, half reluctantly. "You make me laugh. From the moment you hit me with that bottle."
"It was a jug," she said automatically.
His lips quirked up at the corners. "Not to mention the way you always correct me. With that funny look on your face when you do it. And the way you shouted at Gabriel Lightwood. And even the way you talked back to de Quincey. You make me..." He broke off, looking at her, and she wondered if she looked the way she felt - stunned and breathless.
β
β
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
β
I know that somehow, every step I took since the moment I could walk was a step towards finding you.
β
β
Nicholas Sparks (Message in a Bottle)
β
But before he went loopy he was the life and soul of the party," said Fred. "He used to down an entire bottle of firewhiskey, then run onto the dance floor, hoist up his robes, and start pulling bunches of flowers out of his--"
Yes, he sounds like a real charmer," said Hermione, while Harry roared with laughter.
Never married, for some reason," said Ron.
β
β
J.K. Rowling
β
Freddie experienced the sort of abysmal soul-sadness which afflicts one of Tolstoy's Russian peasants when, after putting in a heavy day's work strangling his father, beating his wife, and dropping the baby into the city's reservoir, he turns to the cupboards, only to find the vodka bottle empty.
β
β
P.G. Wodehouse (The Best of Wodehouse: An Anthology)
β
Never underestimate how much assistance, how much satisfaction, how much comfort, how much soul and transcendence there might be in a well-made taco and a cold bottle of beer.
β
β
Tom Robbins (Jitterbug Perfume)
β
If you discovered something that made you tighten inside, you had better try to learn more about it.
β
β
Nicholas Sparks (Message in a Bottle)
β
I'd rather have a bottle in front of me than a frontal lobotomy.
β
β
Dorothy Parker
β
I wish I could bottle this moment and wear it as a perfume. It would always be with me. Everywhere I went, heβd be there too, and so Iβd always feel like myself.
β
β
Emily Henry (People We Meet on Vacation)
β
There are winds of destiny that blow when we least expect them. Sometimes they gust with the fury of a hurricane, sometimes they barely fan oneβs cheek. But the winds cannot be denied, bringing as they often do a future that is impossible to ignore.
β
β
Nicholas Sparks (Message in a Bottle)
β
sarcasm and jokes were often the bottle in which clinical depressives sent out their most plangent screams for someone to care and help them.
β
β
David Foster Wallace (Infinite Jest)
β
I try to convince myself that it's the alcohol talking. But alcohol can't talk. It just sits there. It can't even get itself out of the bottle.
β
β
David Levithan (The Lover's Dictionary)
β
No," I say, looking up at Griggs. "It's actually because my heart belongs to someone else." And if I could bottle the look on his face, I'd keep it by my bedside for the rest of my life.
β
β
Melina Marchetta (On the Jellicoe Road)
β
Thereβs something about arriving in new cities, wandering empty streets with no destination. I will never lose the love for the arriving, but I'm born to leave.
β
β
Charlotte Eriksson (Empty Roads & Broken Bottles: in search for The Great Perhaps)
β
Love blurs your vision; but after it recedes, you can see more clearly than ever. It's like the tide going out, revealing whatever's been thrown away and sunk: broken bottles, old gloves, rusting pop cans, nibbled fishbodies, bones. This is the kind of thing you see if you sit in the darkness with open eyes, not knowing the future. The ruin you've made.
β
β
Margaret Atwood (Catβs Eye)
β
Things changed, people changed, and the world went rolling along right outside the window.
β
β
Nicholas Sparks (Message in a Bottle)
β
Yeah, tell me Iβm a bottle of single malt scotch, she thought. Thatβs the way to my heart.
β
β
L.J. Smith (Nightfall (The Vampire Diaries: The Return, #1))
β
Welcome, welcome to Caraval! The grandest show on land or by sea. Inside youβll experience more wonders than most people see in a lifetime. You can sip magic from a cup and buy dreams in a bottle. But before you fully enter into our world, you must remember itβs all a game.
β
β
Stephanie Garber (Caraval (Caraval, #1))
β
The ocean has been singing to me, and the song is that of our life together...
β
β
Nicholas Sparks (Message in a Bottle)
β
Wine is bottled poetry.
β
β
Robert Louis Stevenson
β
Here's to bottle caps,the Yankees, and 'birds', and most of all"...he paused and lowered his voice to a whisper.." and,most of all to a beautiful girl named Molly who refuses to believe the man-the man who loves her more than she'll ever know
β
β
Gail McHugh (Collide (Collide, #1))
β
WHY DOES THIS KEEP HAPPENING?" There was a sound of shattering glass, and they both sat up to see Alec glaring at them. He had dropped the empty bottle of wine he had been carrying, and there were bits of sparkly glass all over the cave floor. "WHY CAN'T YOU GO SOMEWHERE ELSE TO DO THESE HORRIBLE THINGS? MY EYES."
"It's a demon realm, Alec," Isabelle said. "There's nowhere for us to go."
"And you said I should look after her-" Simon began, then realized that would not be a productive line of conversation, and shut up.
β
β
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
β
I clinked my bottle against his. βTo being the only girl a
guy with no standards doesnβt want to sleep with.β I said,
taking a swig.
βAre you serious?β he asked, pulling the bottle from my
mouth. When I didnβt recant, he leaned toward me. βFirst of
allβ¦I have standards. Iβve never been with an ugly woman.
Ever. Second of all, I wanted to sleep with you. I thought
about throwing you over my couch fifty different ways, but I
havenβt because I donβt see you that way anymore. Itβs not
that Iβm not attracted to you, I just think youβre better than
that.β
I couldnβt hold back the smug smile that crept across my
face. βYou think Iβm too good for you.β
He sneered at my second insult. βI canβt think of a single
guy I know thatβs good enough for you.
β
β
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
β
A dragon just gave me a piece of jewelry,β she said. She took another swig and handed the bottle back to Graydon. βHave I been added to his hoard?β
He shook his head and drank too. βNo, cupcake,β he said. βIβm pretty sure youβve replaced it.
β
β
Thea Harrison (Dragon Bound (Elder Races, #1))
β
Here's to the kids.
The kids who would rather spend their night with a bottle of coke & Patrick or Sonny playing on their headphones than go to some vomit-stained high school party.
Here's to the kids whose 11:11 wish was wasted on one person who will never be there for them.
Here's to the kids whose idea of a good night is sitting on the hood of a car, watching the stars.
Here's to the kids who never were too good at life, but still were wicked cool.
Here's to the kids who listened to Fall Out boy and Hawthorne Heights before they were on MTV...and blame MTV for ruining their life.
Here's to the kids who care more about the music than the haircuts.
Here's to the kids who have crushes on a stupid lush.
Here's to the kids who hum "A Little Less 16 Candles, A Little More Touch Me" when they're stuck home, dateless, on a Saturday night.
Here's to the kids who have ever had a broken heart from someone who didn't even know they existed.
Here's to the kids who have read The Perks of Being a Wallflower & didn't feel so alone after doing so.
Here's to the kids who spend their days in photobooths with their best friend(s).
Here's to the kids who are straight up smartasses & just don't care.
Here's to the kids who speak their mind.
Here's to the kids who consider screamo their lullaby for going to sleep.
Here's to the kids who second guess themselves on everything they do.
Here's to the kids who will never have 100 percent confidence in anything they do, and to the kids who are okay with that.
Here's to the kids.
This one's not for the kids,
who always get what they want,
But for the ones who never had it at all.
It's not for the ones who never got caught,
But for the ones who always try and fall.
This one's for the kids who didnt make it,
We were the kids who never made it.
The Overcast girls and the Underdog Boys.
Not for the kids who had all their joys.
This one's for the kids who never faked it.
We're the kids who didn't make it.
They say "Breaking hearts is what we do best,"
And, "We'll make your heart be ripped of your chest"
The only heart that I broke was mine,
When I got My Hopes up too too high.
We were the kids who didnt make it.
We are the kids who never made it.
β
β
Pete Wentz
β
It's a weird smile, but it reaches his eyes and I bottle it. And I put it in my ammo pack that's kept right next to my soul and Justine's spirit and Siobhan's hope and Tara's passions. Because if I'm going to wake up one morning and not be able to get out of bed, I'm going to need everything I've got to fight this disease that could be sleeping inside of me.
β
β
Melina Marchetta (Saving Francesca)
β
It's impossible to protect your kids against disappointment in life.
β
β
Nicholas Sparks (Message in a Bottle)
β
Traveling, I am finding, teaches you a lot of things about yourself. For instance, I never thought myself to be the kind of person who pees into a mostly empty bottle of Bluefin energy drink while driving through South Carolina at seventy-seven miles per hour - but in face I am that kind of person.
β
β
John Green (Paper Towns)
β
Never be ashamed,β he said. βAccept what life offers you and try to drink from every cup. All wines should be tasted; some should only be sipped, but with others, drink the whole bottle.β
βHow will I know which is which?β
βBy the taste. You can only know a good wine if you have first tasted a bad one.
β
β
Paulo Coelho (Brida)
β
ALICE
She drank from a bottle called DRINK ME
And she grew so tall,
She ate from a plate called TASTE ME
And down she shrank so small.
And so she changed, while other folks
Never tried nothin' at all.
β
β
Shel Silverstein (Where the Sidewalk Ends)
β
Liraz may have captured Ziri's soul like a butterfly in a bottle, but that was only a formality. It was already hers.
And, clearly, judging by the state of her laugh-sobbing in Karou's arms, hers was his, too.
β
β
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
β
Wish you could turn off the questions, turn off the voices, turn off all sound.
Yearn to close out the ugliness, close out the filthiness, close out all light.
Long to cast away yesterday, cast away memory, cast away all jeapordy.
Pray you could somehow stop uncertainty, somehow stop the loathing, somehow stop the pain.
Act on your impulse, swallow the bottle, cut a little deeper, put the gun to your chest.
β
β
Ellen Hopkins (Impulse (Impulse, #1))
β
We start off with high hopes, then we bottle it. We realise that weβre all going to die, without really finding out the big answers. We develop all those long-winded ideas which just interpret the reality of our lives in different ways, without really extending our body of worthwhile knowledge, about the big things, the real things. Basically, we live a short disappointing life; and then we die. We fill up our lives with shite, things like careers and relationships to delude ourselves that it isnβt all totally pointless.
β
β
Irvine Welsh (Trainspotting)
β
If you simply ignored the feeling, you would never know what might happen, and in many ways that was worse than finding out in the first place. Because if you were wrong, you could go forward in your life without ever looking back over your shoulder and wondering what might have been.
β
β
Nicholas Sparks (Message in a Bottle)
β
As a girl, she had come to believe in the ideal man -- the prince or knight of her childhood stories. In the real world, however, men like that simply didn't exist.
β
β
Nicholas Sparks (Message in a Bottle)
β
When I was a girl, my life was music that was always getting louder.
Everything moved me. A dog following a stranger. That made me feel so much. A calendar that showed the wrong month. I could have cried over it. I did. Where the smoke from a chimney ended. How an overturned bottle rested at the edge of a table.
I spent my life learning to feel less.
Every day I felt less.
Is that growing old? Or is it something worse?
You cannot protect yourself from sadness without protecting yourself from happiness.
β
β
Jonathan Safran Foer (Everything Is Illuminated)
β
I have come to realize that destiny can hurt a person as much as it can bless them, and I find myself wondering why--out of all the people in all the world I could ever have loved--I had to fall in love with someone who was taken away from me.
β
β
Nicholas Sparks (Message in a Bottle)
β
But even though she was attractive, there was something else about her that caught his eye. She was intelligent, he could sense that right away, and confident, too, as if she were able to move through life on her own terms. To him, these were the things that really mattered. Without them, beauty was nothing.
β
β
Nicholas Sparks (Message in a Bottle)
β
Deprived of their newspapers or a novel, reading-addicts will fall back onto cookery books, on the literature which is wrapped around bottles of patent medicine, on those instructions for keeping the contents crisp which are printed on the outside of boxes of breakfast cereals. On anything.
β
β
Aldous Huxley (Olive Tree)
β
She was everything I wanted. She was beautiful and charming, with a quick sense of humor, and she supported me in everything I did.
β
β
Nicholas Sparks (Message in a Bottle)
β
That initial anger she had felt turned to sadness, and now it had become something else, almost a dullness of sorts. Even though she was constantly in motion, it seemed as if nothing special ever happened to her anymore. Each day seemed exactly like the last, and she had trouble differentiating among them.
β
β
Nicholas Sparks (Message in a Bottle)
β
I love you,' Buttercup said. 'I know this must come as something of a surprise to you, since all I've ever done is scorn you and degrade you and taunt you, but I have loved you for several hours now, and every second, more. I thought an hour ago that I loved you more than any woman has ever loved a man, but a half hour after that I knew that what I felt before was nothing compared to what I felt then. But ten minutes after that, I understood that my previous love was a puddle compared to the high seas before a storm. Your eyes are like that, did you know? Well they are. How many minutes ago was I? Twenty? Had I brought my feelings up to then? It doesn't matter.' Buttercup still could not look at him. The sun was rising behind her now; she could feel the heat on her back, and it gave her courage. 'I love you so much more now than twenty minutes ago that there cannot be comparison. I love you so much more now then when you opened your hovel door, there cannot be comparison. There is no room in my body for anything but you. My arms love you, my ears adore you, my knees shake with blind affection. My mind begs you to ask it something so it can obey. Do you want me to follow you for the rest of your days? I will do that. Do you want me to crawl? I will crawl. I will be quiet for you or sing for you, or if you are hungry, let me bring you food, or if you have thirst and nothing will quench it but Arabian wine, I will go to Araby, even though it is across the world, and bring a bottle back for your lunch. Anything there is that I can do for you, I will do for you; anything there is that I cannot do, I will learn to do. I know I cannot compete with the Countess in skills or wisdom or appeal, and I saw the way she looked at you. And I saw the way you looked at her. But remember, please, that she is old and has other interests, while I am seventeen and for me there is only you. Dearest Westley--I've never called you that before, have I?--Westley, Westley, Westley, Westley, Westley,--darling Westley, adored Westley, sweet perfect Westley, whisper that I have a chance to win your love.' And with that, she dared the bravest thing she'd ever done; she looked right into his eyes.
β
β
William Goldman (The Princess Bride)
β
All I wanted was to live a life where I could be me, and be okay with that. I had no need for material possessions, money or even close friends with me on my journey. I never understood people very well anyway, and they never seemed to understand me very well either. All I wanted was my art and the chance to be the creator of my own world, my own reality. I wanted the open road and new beginnings every day.
β
β
Charlotte Eriksson (Empty Roads & Broken Bottles: in search for The Great Perhaps)
β
I just want to be someone, to mean something to anyoneβ¦
β
β
Charlotte Eriksson
β
It is at moments like these that I know my what my purpose is in life. I am here to love you, to hold you in my arms, to protect you. I am here to learn from you and to receive your love in return.I am here because there is no other place to be.
β
β
Nicholas Sparks (Message in a Bottle)
β
Besides the obvious difference, there was not much distinction between losing a best friend and losing a lover: it was all about intimacy. One moment, you had someone to share your biggest triumphs and fatal flaws with; the next minute, you had to keep them bottled inside. One moment, you'd start to call her to tell her a snippet of news or to vent about your awful day before realizing you did not have that right anymore; the next, you could not remember the digits of her phone number.
β
β
Jodi Picoult
β
So for now,
I will miss you like Iβll never see you again,
And the next time I see you,
I will kiss you like Iβll never kiss you again,
And when I fall asleep beside you
I will fall asleep as if Iβll never wake up again,
because I donβt know if I will.
I donβt know if I will.
- I Will Love You Like The World Is Ending
β
β
Charlotte Eriksson (Empty Roads & Broken Bottles: in search for The Great Perhaps)
β
I am lost without you. I am soulless, a drifter without a home, a solitary bird in a flight to nowhere. I am all these things, and I am nothing at all. This, my darling, is my life without you. I long for you to show me how to live again.
β
β
Nicholas Sparks (Message in a Bottle)
β
Writing is something that you don't know how to do. You sit down and it's something that happens, or it may not happen. So, how can you teach anybody how to write? It's beyond me, because you yourself don't even know if you're going to be able to. I'm always worried, well, you know, every time I go upstairs with my wine bottle. Sometimes I'll sit at that typewriter for fifteen minutes, you know. I don't go up there to write. The typewriter's up there. If it doesn't start moving, I say, well this could be the night that I hit the dust.
β
β
Charles Bukowski
β
He lifted the lavender soap to his hair, and she squeaked.
βYou donβt use that in your hair,β she hissed, jolting from her perch to reach for one of the many hair tonics lining the little shelf above the bath. βRose, lemon verbena, or β¦β She sniffed the glass bottle. βJasmine.β She squinted down at him.
He was staring up at her, his green eyes full of the words he knew he didnβt have to say. Do I look like I care what you pick?
β
β
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
β
I got tired, I told him. Not worn out, but worn through. Like one of those wives who wakes up one morning and says I can't bake any more bread.
You never bake bread, he wrote, and we were still joking.
Then it's like I woke up and baked bread, I said, and we were joking even then. I wondered will there come a time when we won't be joking? And what would it look like? And how would that feel?
When I was a girl, my life was music that was always getting louder. Everything moved me. A dog following a stranger. That made me feel so much. A calender that showed the wrong month. I could have cried over it. I did. Where the smoke from the chimney ended. How an overturned bottle rested at the edge of a table.
I spent my life learning to feel less.
Every day I felt less.
Is that growing old? Or is it something worse?
You cannot protect yourself from sadness without protecting yourself from happiness.
β
β
Jonathan Safran Foer
β
She rises up out of a sea of faces and embraces me, embraces me passionately--- a thousand eyes, noses, fingers, legs, bottles, windows, purses, saucers all glaring at us an we in each other's arm oblivious. I sit down beside her and she talks--- a flood of talk. Wild consumptive notes of hysteria, perversion, leprosy. I hear not a word because she is beautiful and I love her and now I am happy and willing to die.
β
β
Henry Miller (Tropic of Cancer (Tropic, #1))
β
In certain areas of my life, I actively seek out solitude. Especially for someone in my line of work, solitude is, more or less, an inevitable circumstance. Sometimes, however, this sense of isolation, like acid spilling out of a bottle, can unconsciously eat away at a person's heart and dissolve it. You could see it, too, as a kind of double-edged sword. It protects me, but at the same time steadily cuts away at me from the inside.
β
β
Haruki Murakami (What I Talk About When I Talk About Running)
β
Would you like me to grovel with gratitude for bringing me here, High Lord?"
"Ah. The Suriel told you nothing important, did it?"
That smile of his sparked something bold in my chest. "He also said that you liked being brushed, and if I'm a clever girl, I might train you with treats."
Tamlin tipped his head to the sky and roared with laughter. Despite myself, I let out a quiet laugh.
"I might die of surprise," Lucien said behind me. "You made a joke, Feyre."
I turned to look at him with a cool smile. "You don't want to know what the Suriel said about you." I flicked my brows up, and Lucien lifted his hands in defeat.
"I'd pay good money to hear what the Suriel thinks of Lucien," Tamlin said.
A cork popped, followed by the sounds of Lucien chugging the bottle's contents and chuckling with a muttered, "Brushed.
β
β
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
β
Ponyboy, listen, don't get tough. You're not like the rest of us and don't try to be..."
What was the matter with Two-Bit? I knew as well as he did that if you got tough you didn't get hurt. Get smart and nothing can touch you...
"What in the world are you doing?" Two-Bit's voice broke into my thoughts.
I looked up at him. "Picking up the glass."
He stared at me for a second, then grinned. "You little sonofagun," he said in a relieved voice. I didn't know what he was talking about, so I just went on picking up the glass from the bottle end and put it in a trash can. I didn't want anyone to get a flat tire.
β
β
S.E. Hinton (The Outsiders)
β
6 months, 2 weeks, 4 days,
and I still donβt know which month it was then
or what day it is now.
Blurred out lines
from hangovers
to coffee
Another vagabond
lost to love.
4am alone and on my way.
These are my finest moments.
I scrub my skin
to rid me from
you
and I still donβt know why I cried.
It was just something in the way you took my heart and rearranged my insides and I couldnβt recognise the emptiness you left me with when you were done. Maybe you thought my insides would fit better this way, look better this way, to you and us and all the rest.
But then you must have changed your mind
or made a wrong
because why did you
leave?
6 months, 2 weeks, 4 days,
and I still donβt know which month it was then
or what day it is now.
I replace cafΓ©s with crowded bars and empty roads with broken bottles
and this town is healing me slowly but still not slow or fast enough because thereβs no right way to do this.
There is no right way to do this.
There is no right way to do this.
β
β
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
β
Frida Kahlo to Marty McConnell
leaving is not enough; you must
stay gone. train your heart
like a dog. change the locks
even on the house heβs never
visited. you lucky, lucky girl.
you have an apartment
just your size. a bathtub
full of tea. a heart the size
of Arizona, but not nearly
so arid. donβt wish away
your cracked past, your
crooked toes, your problems
are papier mache puppets
you made or bought because the vendor
at the market was so compelling you just
had to have them. you had to have him.
and you did. and now you pull down
the bridge between your houses,
you make him call before
he visits, you take a lover
for granted, you take
a lover who looks at you
like maybe you are magic. make
the first bottle you consume
in this place a relic. place it
on whatever altar you fashion
with a knife and five cranberries.
donβt lose too much weight.
stupid girls are always trying
to disappear as revenge. and you
are not stupid. you loved a man
with more hands than a parade
of beggars, and here you stand. heart
like a four-poster bed. heart like a canvas.
heart leaking something so strong
they can smell it in the street.
β
β
Marty McConnell
β
The ones who are not soul-mated β the ones who have settled β are even more dismissive of my singleness: Itβs not that hard to find someone to marry, they say. No relationship is perfect, they say β they, who make do with dutiful sex and gassy bedtime rituals, who settle for TV as conversation, who believe that husbandly capitulation β yes, honey, okay, honey β is the same as concord. Heβs doing what you tell him to do because he doesnβt care enough to argue, I think. Your petty demands simply make him feel superior, or resentful, and someday he will fuck his pretty, young coworker who asks nothing of him, and you will actually be shocked.
Give me a man with a little fight in him, a man who calls me on my bullshit. (But who also kind of likes my bullshit.) And yet: Donβt land me in one of those relationships where weβre always pecking at each other, disguising insults as jokes, rolling our eyes and βplayfullyβ scrapping in front of our friends, hoping to lure them to our side of an argument they could not care less about. Those awful if only relationships: This marriage would be great if onlyβ¦ and you sense the if only list is a lot longer than either of them realizes.
So I know I am right not to settle, but it doesnβt make me feel better as my friends pair off and I stay home on Friday night with a bottle of wine and make myself an extravagant meal and tell myself, This is perfect, as if Iβm the one dating me. As I go to endless rounds of parties and bar nights, perfumed and sprayed and hopeful, rotating myself around the room like some dubious dessert. I go on dates with men who are nice and good-looking and smart β perfect-on-paper men who make me feel like Iβm in a foreign land, trying to explain myself, trying to make myself known. Because isnβt that the point of every relationship: to be known by someone else, to be understood? He gets me. She gets me. Isnβt that the simple magic phrase?
So you suffer through the night with the perfect-on-paper man β the stutter of jokes misunderstood, the witty remarks lobbed and missed. Or maybe he understands that youβve made a witty remark but, unsure of what to do with it, he holds it in his hand like some bit of conversational phlegm he will wipe away later. You spend another hour trying to find each other, to recognise each other, and you drink a little too much and try a little too hard. And you go home to a cold bed and think, That was fine. And your life is a long line of fine.
β
β
Gillian Flynn (Gone Girl)
β
Lately I can't help wanting us
to be like other people.
For example, if I were a smoker,
you'd lift a match to the cigarette
just as I put it between my lips.
It's never been like that
between us: none of that
easy chemistry, no quick, half automatic
flares. Everything between us
had to be learned.
Saturday finds me brooding
behind my book, all my fantasies
of seduction run up
against the rocks.
Tell me again
why you don't like
sex in the afternoon?
No, don't tell me--
I'll never understand you
never understand us, America's strangest
loving couple: they never
drink a bottle of wine together
and rarely look at each other.
Into each other's eyes, I mean.
β
β
Deborah Garrison (A Working Girl Can't Win)
β
Power
Living in the earth-deposits of our history
Today a backhoe divulged out of a crumbling flank of earth
one bottle amber perfect a hundred-year-old
cure for fever or melancholy a tonic
for living on this earth in the winters of this climate.
Today I was reading about Marie Curie:
she must have known she suffered from radiation sickness
her body bombarded for years by the element
she had purified
It seems she denied to the end
the source of the cataracts on her eyes
the cracked and suppurating skin of her finger-ends
till she could no longer hold a test-tube or a pencil
She died a famous woman denying
her wounds
denying
her wounds came from the same source as her power.
β
β
Adrienne Rich (The Dream of a Common Language)
β
I...I sang," she whispered, "if that matters," and Karou felt her heart pulled to pieces. This Misbegotten warrior, fiercest of them all, had crouched in an icy stream bed to sing a chimera soul into her canteen, because she hadn't known what else to do.
The singing wouldn't have mattered, but she wasn't going to tell Liraz that. If Ziri's soul was in that canteen, Karou would happily learn whatever song Liraz had sung and make it part of her resurrection ritual forever, just so that the angel would never feel that she'd been foolish.
β
β
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
β
You! You tricked me! I never want to see you or that bottle of liquid arsenic again!β
I chucked the empty moonshine jug at him. Or tried to. It missed him by a dozen feet.
He picked it up in astonishment. βYou drank the whole bloody thing? You were only supposed to have a few sips!β
βDid you say that? Did you?β He reached me just as I felt the ground tip. βDidnβt say anything. Iβve got those names, so thatβs all that matters, but you menβ¦youβre all alike. Alive, dead, undeadβall perverts! I had a drunken pervert in my pants! Do you know how unsanitary that is?β
Bones held me upright. I would have protested, but I couldnβt remember how to. βWhat are you saying?β
βWinston poltergeisted my panties, thatβs what!β I announced with a loud hiccup.
βWhy, you scurvy, lecherous spook!β Bones yelled in the direction of the cemetery. βIf my pipes still worked, Iβd go right back there and piss on your grave!
β
β
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
β
It's like you took a bottle of ink and you threw it at a wall. Smash! And all that ink spread. And in the middle, it's dense, isn't it? And as it gets out on the edge, the little droplets get finer and finer and make more complicated patterns, see? So in the same way, there was a big bang at the beginning of things and it spread. And you and I, sitting here in this room, as complicated human beings, are way, way out on the fringe of that bang. We are the complicated little patterns on the end of it. Very interesting. But so we define ourselves as being only that. If you think that you are only inside your skin, you define yourself as one very complicated little curlique, way out on the edge of that explosion. Way out in space, and way out in time. Billions of years ago, you were a big bang, but now you're a complicated human being. And then we cut ourselves off, and don't feel that we're still the big bang. But you are. Depends how you define yourself. You are actually--if this is the way things started, if there was a big bang in the beginning-- you're not something that's a result of the big bang. You're not something that is a sort of puppet on the end of the process. You are still the process. You are the big bang, the original force of the universe, coming on as whoever you are. When I meet you, I see not just what you define yourself as--Mr so-and- so, Ms so-and-so, Mrs so-and-so--I see every one of you as the primordial energy of the universe coming on at me in this particular way. I know I'm that, too. But we've learned to define ourselves as separate from it.
β
β
Alan W. Watts
β
But I was young
and didnβt know better
and someone should have told me to capture every second
every kiss & every night
Because now Iβm sitting here alone and itβs getting really hard to breath because tears are growing in my throat and they want to break out, but there are people
watching
and I just want to be somewhere silent
somewhere still
But still I donβt want to be alone because Iβm scared and lonely
and I donβt understand
Because I was alone my whole life
My whole life
I was so damn lonely and I was content with that
because I liked myself and my own company
and I didnβt need anyone
I thought
But then there was you .. ...
So, someone should have told me that love is for those few brave who can handle the unbearable emptiness,
the unbearable guilt and lack of oneself,
Because I lost myself to someone I love
and I might get myself back one day
but it will take time, it will take time.
This is gonna take some time.
I wish someone would have told me this.
Someone should have told me this.
β
β
Charlotte Eriksson (Empty Roads & Broken Bottles: in search for The Great Perhaps)
β
The Type
Everyone needs a place. It shouldn't be inside of someone else. -Richard Siken
If you grow up the type of woman men want to look at,
you can let them look at you. But do not mistake eyes for hands.
Or windows.
Or mirrors.
Let them see what a woman looks like.
They may not have ever seen one before.
If you grow up the type of woman men want to touch,
you can let them touch you.
Sometimes it is not you they are reaching for.
Sometimes it is a bottle. A door. A sandwich. A Pulitzer. Another woman.
But their hands found you first. Do not mistake yourself for a guardian.
Or a muse. Or a promise. Or a victim. Or a snack.
You are a woman. Skin and bones. Veins and nerves. Hair and sweat.
You are not made of metaphors. Not apologies. Not excuses.
If you grow up the type of woman men want to hold,
you can let them hold you.
All day they practice keeping their bodies upright--
even after all this evolving, it still feels unnatural, still strains the muscles,
holds firm the arms and spine. Only some men will want to learn
what it feels like to curl themselves into a question mark around you,
admit they do not have the answers
they thought they would have by now;
some men will want to hold you like The Answer.
You are not The Answer.
You are not the problem. You are not the poem
or the punchline or the riddle or the joke.
Woman. If you grow up the type men want to love,
You can let them love you.
Being loved is not the same thing as loving.
When you fall in love, it is discovering the ocean
after years of puddle jumping. It is realizing you have hands.
It is reaching for the tightrope when the crowds have all gone home.
Do not spend time wondering if you are the type of woman
men will hurt. If he leaves you with a car alarm heart, you learn to sing along.
It is hard to stop loving the ocean. Even after it has left you gasping, salty.
Forgive yourself for the decisions you have made, the ones you still call
mistakes when you tuck them in at night. And know this:
Know you are the type of woman who is searching for a place to call yours.
Let the statues crumble.
You have always been the place.
You are a woman who can build it yourself.
You were born to build.
β
β
Sarah Kay
β
For Jenn
At 12 years old I started bleeding with the moon
and beating up boys who dreamed of becoming astronauts.
I fought with my knuckles white as stars,
and left bruises the shape of Salem.
There are things we know by heart,
and things we don't.
At 13 my friend Jen tried to teach me how to blow rings of smoke.
I'd watch the nicotine rising from her lips like halos,
but I could never make dying beautiful.
The sky didn't fill with colors the night I convinced myself
veins are kite strings you can only cut free.
I suppose I love this life,
in spite of my clenched fist.
I open my palm and my lifelines look like branches from an Aspen tree,
and there are songbirds perched on the tips of my fingers,
and I wonder if Beethoven held his breath
the first time his fingers touched the keys
the same way a soldier holds his breath
the first time his finger clicks the trigger.
We all have different reasons for forgetting to breathe.
But my lungs remember
the day my mother took my hand and placed it on her belly
and told me the symphony beneath was my baby sister's heartbeat.
And I knew life would tremble
like the first tear on a prison guard's hardened cheek,
like a prayer on a dying man's lips,
like a vet holding a full bottle of whisky like an empty gun in a war zoneβ¦
just take me just take me
Sometimes the scales themselves weigh far too much,
the heaviness of forever balancing blue sky with red blood.
We were all born on days when too many people died in terrible ways,
but you still have to call it a birthday.
You still have to fall for the prettiest girl on the playground at recess
and hope she knows you can hit a baseball
further than any boy in the whole third grade
and I've been running for home
through the windpipe of a man who sings
while his hands playing washboard with a spoon
on a street corner in New Orleans
where every boarded up window is still painted with the words
We're Coming Back
like a promise to the ocean
that we will always keep moving towards the music,
the way Basquait slept in a cardboard box to be closer to the rain.
Beauty, catch me on your tongue.
Thunder, clap us open.
The pupils in our eyes were not born to hide beneath their desks.
Tonight lay us down to rest in the Arizona desert,
then wake us washing the feet of pregnant women
who climbed across the border with their bellies aimed towards the sun.
I know a thousand things louder than a soldier's gun.
I know the heartbeat of his mother.
Don't cover your ears, Love.
Don't cover your ears, Life.
There is a boy writing poems in Central Park
and as he writes he moves
and his bones become the bars of Mandela's jail cell stretching apart,
and there are men playing chess in the December cold
who can't tell if the breath rising from the board
is their opponents or their own,
and there's a woman on the stairwell of the subway
swearing she can hear Niagara Falls from her rooftop in Brooklyn,
and I'm remembering how Niagara Falls is a city overrun
with strip malls and traffic and vendors
and one incredibly brave river that makes it all worth it.
Ya'll, I know this world is far from perfect.
I am not the type to mistake a streetlight for the moon.
I know our wounds are deep as the Atlantic.
But every ocean has a shoreline
and every shoreline has a tide
that is constantly returning
to wake the songbirds in our hands,
to wake the music in our bones,
to place one fearless kiss on the mouth of that brave river
that has to run through the center of our hearts
to find its way home.
β
β
Andrea Gibson
β
You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room.
Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure.
If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it....
It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me.
I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun.
We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took.
And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things.
They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums.
Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me.
If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe.
Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort.
So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.
β
β
Alice Sebold (The Lovely Bones)