Bottle Caps Quotes

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Here's to bottle caps,the Yankees, and 'birds', and most of all"...he paused and lowered his voice to a whisper.." and,most of all to a beautiful girl named Molly who refuses to believe the man-the man who loves her more than she'll ever know
Gail McHugh (Collide (Collide, #1))
I carefully lay out the provisions. One thin black sleeping bag that reflects body heat. A pack of crackers. A pack of dried beef strips. A bottle of iodine. A box of wooden matches. A small coil of wire. A pair of sunglasses. And a half-gallon plastic bottle with a cap for carrying water that's bone dry. No water. How hard would it have been for them to fill up the bottle?
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
I close his fingers around the gift. “I threw away your bottle cap, because it killed me to look at. But I never could throw away this. I’ve been waiting to give it to you for two and a half years.” “I don’t know what to say,” he whispers. “I’m almost full,” I say. “Thank you for waiting for me, too.
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
Her Yankees-loving, bottle cap-giving, dimpled smile other half was gone, and there wasn’t anything she wouldn’t do to turn back time.
Gail McHugh (Pulse (Collide, #2))
But more than anything… thank you for loving me. Thank you for your dimpled smile and your bottle caps.
Gail McHugh (Pulse (Collide, #2))
Little did she know then, a stolen moment, a sweatshirt, many bottle caps, and few layers peeled back later, her life would never be the same.
Gail McHugh (Pulse (Collide, #2))
The bartenders are the regular band of Jack, and the heavenly drummer who looks up to the sky with blue eyes, with a beard, is wailing beer-caps of bottles and jamming on the cash register and everything is going to the beat - It's the beat generation, its béat, it's the beat to keep, it's the beat of the heart, it's being beat and down in the world and like oldtime lowdown.
Jack Kerouac (Desolation Angels)
New Rule: You don't have to put the cap back on the bottled water after every sip. It's water, not a genie.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
Please forgive me for fighting against us, Gavin. Please forgive me for not fighting for us when I knew we were supposed to be together. Forgive me for being the weak mess I am. But more than anything… thank you for loving me. Thank you for your dimpled smile and your bottle caps. I’ll never be able to look at one without thinking of you. Thank you for your stupid Yankees and your wiseass remarks. Thank you for wanting late night drives and sunset-watching with me. Thank you for wanting the good, the bad, and the in-between.
Gail McHugh (Pulse (Collide, #2))
Mr. Normal stepped forward and offered him a Scotch bottle. "You look like you could use some." Yeah, you think? Butch took a swig. "Thanks." "So can we kill him now?" said the one with the goatee and the baseball hat. Beth's man spoke harshly. "Back off, V." "Why? He's just a human." "And my shellan is half-human. The man doesn't die just because he's not one of us." "Jesus, you've changed your tune." "So you need to catch up, brother." Butch got to his feet. If his death was going to be debated, he wanted in on the discussion. "I appreciate the support," he said to Beth's boy. "But I don't need it." He went over to the guy with the hat, discreetly switching his grip on the bottle's neck in case he had to crack the damn thing over a head. He moved in tight, so their noses were almost touching. He could feel the vampire heating up, priming for a fight. "I'm happy to take you on, asshole," Butch said. "I'll probably end up losing, but I fight dirty, so I'll make you hurt while you kill me." Then he eyed the guy's hat. "Though I hate clocking the shit out of another Red Sox fan." There was a shout of laughter from behind him. Someone said, "This is gonna be fun to watch." The guy in front of Butch narrowed his eyes into slits. "You true about the Sox?" "Born and raised in Southie. Haven't stopped grinning since '04." There was a long pause. The vampire snorted. "I don't like humans." "Yeah, well, I'm not too crazy about you bloodsuckers." Another stretch of silence. The guy stroked his goatee. "What do you call twenty guys watching the World Series?" "The New York Yankees," Butch replied. The vampire laughed in a loud burst, whipped the baseball cap off his head, and slapped it on his thigh. Just like that, the tension was broken.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
I never felt this way before. We are machines, stamped out like bottle caps. It's an illusion that I - I personally - really exist; I'm just representative of a type.
Philip K. Dick (Do Androids Dream of Electric Sheep?)
The bottle and the cap don't fit: is the problem with the bottle or the cap?
Haruki Murakami (1Q84 (1Q84, #1-3))
Freshly brainwashed from rehab, I carry the bottle into the bathroom. I hold it up to the light. See the pretty bottle? Isn't it beautiful? Yes, it's beautiful. I unscrew the cap and pour it into the toilet. I flush twice. And then I think, why did I flush twice? The answer, is of course, because I truly do know myself. I cannot be sure I won't attempt to drink from the toilet, like a dog.
Augusten Burroughs (Dry)
I never let myself yearn for Buckley, afraid he might see my image in a mirror or a bottle cap. Like everyone else I was trying to protect him.
Alice Sebold (The Lovely Bones)
He never cried, not even in his dreams, for hard-heartedness was a point of pride. A large iron anchor withstanding the corrosion of the sea and scornful of the barnacles and oysters that harass the hulls of ships, sinking polished and indifferent through heaps of broken glass, toothless combs, bottle caps, and prophylactics into the mud at harbour bottom – that was how he liked to imagine his heart. Someday he would have an anchor tattooed on his chest.
Yukio Mishima
I feel...I don't know...like a bottle of soda that's been shaken up. Do you know what I want? I want you to take me inside, and then take the cap off.
Stephen King (11/22/63)
That night, after Gansey had gone to meet Blue, Ronan retrieved one of Kavinsky’s green pills from his still-unwashed pair of jeans and returned to bed. Propped up in the corner, he stretched out his hand to Chainsaw, but she ignored him. She had stolen a cheese cracker and now was very busily stacking things on top of it to make sure Ronan would never take it back. Although she kept glancing back at his outstretched hand, she pretended not to see it as she added a bottle cap, an envelope, and a sock to the pile hiding the cracker.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
For God's sake, woman, I'm not going to dive into the shelves and rip the caps off the bottles. Are you okay?
Jodi Ellen Malpas (Beneath This Man (This Man, #2))
I felt as though someone had snuck in and packed my head with beach sand, even including the bottle caps and cigarette butts.
Jeff Lindsay (Dearly Devoted Dexter (Dexter, #2))
It was like putting a bottle cap in the ground and pulling out a coke.
Hank Green (A Beautifully Foolish Endeavor (The Carls, #2))
... the lawnmower sounded like bottle caps in a blender.
Julie Jaret (Extreme Close-Up (Perspectives, #1))
her bottle cap popping vagina
Sonali Dev (Pride, Prejudice, and Other Flavors (The Rajes, #1))
He went to the kitchen and grabbed the bottle of Jack Daniels from the top of the refrigerator. 'Ah, my last surviving friend,' he said to no one at all. He unscrewed the cap, and put the bottle to his lips. Better to drink until a blackout, than to remember thoughts like knives that cut him from the inside out, and bled him dry.
Sean M. Thompson (Soul Survivors Hometown Tales Vol. 1)
Well, fuck a duck,” comes Morris’s delighted voice. I jerk in surprise, then spin around to glare at him for sneaking up on me from behind. Judging by the amusement dancing in his eyes, it’s obvious he peeked over my shoulder and caught a glimpse of the photo I’d been drooling over. “I was wondering how he’d pull that one off,” Morris remarks, still grinning like a fool. “Shouldn’t have doubted him, though. That dude is an unstoppable force of nature.” I narrow my eyes. “He told you about the picture?” “About the whole list, actually. We hung out last night—Lorris is close to taking over Brooklyn, by the way—and he was moaning and groaning about not being able to track down a red velvet couch.” Morris shrugs. “I offered to throw a red blanket on the sofa in my common room and take some pictures, but he said you’d consider that cheating and deprive him of your love.” Stifling a sigh, I shove the phone in my purse, then walk over to the mini-fridge across the room and grab a bottle of water. I twist off the cap, doing my best to ignore the sheer enjoyment Morris is getting out of this. “I wish I was gay,” he says ruefully. A snicker pops out. “Uh-huh. Go on. I’m willing to follow you down this rabbit hole and see where it leads.” “Seriously, Gretch, I love him. I have a boner for him.” Morris sighs. “If I’d known he existed, I wouldn’t have asked you out in the first place.” “Gee, thanks.” “Oh, shut up. You’re awesome, and I’d tap that in a second. But I can’t compete with this guy. He’s operating on a whole other level when it comes to you.
Elle Kennedy (The Mistake (Off-Campus, #2))
Not taking a drink was easy. Just a matter of muscle movement, the simple refusal to put alcohol to my lips. The impossible part was everything else. How could I talk to people? Who would I be? What would intimacy look like, if it weren’t coaxed out by the glug-glug of a bottle of wine or a pint of beer? Would I have to join AA? Become one of those frightening 12-step people? How the fuck could I write? My livelihood, my identity, my purpose, my light—all extinguished with the tightening of a screw cap.
Sarah Hepola (Blackout: Remembering the Things I Drank to Forget)
In the long draw of last light across the Eatery, as the tables around them are scrubbed with white vinegar and only they are left in their island of four, flicking the bottle cap from one to another in silence, he is grateful, again, for the infinite generosity of boys.
Lauren Groff (Arcadia)
If Candy doesn't do it for her, I bet Mrs. Marvin Housby would like the smooth ride of your Woody." "You're going to get your ass handed to you later. I'm still pissed about you snapping my glasses. Don't even get me started on you pimping me to the blue-hair." Jillian popped the caps off two bottles of beer, the handed one to Jackson. "I like her. I bet she's a real cougar." Jackson took a long pull. "I don't know. The whiskers on her chin bear greater resemblance to a wild boar than a cougar.
Jewel E. Ann (End of Day (Jack & Jill, #1))
I’d spent months carefully winding my gift into a tight spool, only letting it out by inches, and only when I needed it. The strain of keeping it bound up had been a steady, constant reminder that I had to work to keep the life I’d built for myself out here. It was a muscle I’d carefully toned to withstand nearly any pressure. Letting it all go felt like shaking a bottle of soda and ripping off the cap. It fizzed and flooded and swept out of me, searching for the connections waiting to be made. I didn’t guide it, and I didn’t stop it—I don’t know if I could have if I tried. I was the burning center of a galaxy of faces, memories, loves, heartbreaks, disappointments, and dreams. It was like living dozens of different lives. I was lifted and shattered by it, how strangely beautiful it was to feel their minds linked with my own. The spinning inside my head slowed with the movement around me. I felt time hovering nearby, waiting to resume its usual tempo. The darkness slid into the edges of my vision, seeping through my mind like a drop of ink in water. But I was in control of the moment, and there was one last thing that I needed to say to them, one last idea to imprint in their minds. “I’m Green.
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
Something’s wrong with the world, or something’s wrong with me: one or the other. The bottle and the cap don’t fit: is the problem with the bottle or the cap?
Haruki Murakami (1Q84 (Vintage International))
I think you’re asking too much. You know what I have? Toward this Pris android?” “Empathy,” he said. “Something like that. Identification; there goes I. My god; maybe that’s what’ll happen. In the confusion you’ll retire me, not her. And she can go back to Seattle and live my life. I never felt this way before. We are machines, stamped out like bottle caps. It’s an illusion that I—I personally—really exist; I’m just representative of a type.” He could not help being amused; Rachael had become so mawkishly morose. “Ants don’t feel like that,” he said, “and they’re physically identical.” “Ants. They don’t feel period.” “Identical human twins. They don’t—” “But they identify with each other; I understand they have an empathic, special bond.
Philip K. Dick (Do Androids Dream of Electric Sheep?)
He obviously enjoyed her annoyance. He took his time and uncapped the bottle of water. Removed his ball cap. Dumped the water over his head. Julianna’s breath caught. Her body slammed into overdrive at the raw sexual scene before her. Water dripped from his thick blond hair and ran down his face. Over a carved jaw. Slid down to dampen perfectly cut lips. His t-shirt soaked up the liquid and clung to his chest like a Women’s Night gone wild. Hunger hit hard and deep as she followed the trail down to his belt buckle, where droplets slid under the denim and hid beyond.
Jennifer Probst (Sex, Lies and Contracts)
If the case isn't plea bargained, dismissed or placed on the inactive docket for an indefinite period of time, if by some perverse twist of fate it becomes a trial by jury, you will then have the opportunity of sitting on the witness stand and reciting under oath the facts of the case-a brief moment in the sun that clouds over with the appearance of the aforementioned defense attorney who, at worst, will accuse you of perjuring yourself in a gross injustice or, at best, accuse you of conducting an investigation so incredibly slipshod that the real killer has been allowed to roam free. Once both sides have argued the facts of the case, a jury of twelve men and women picked from computer lists of registered voters in one of America's most undereducated cities will go to a room and begin shouting. If these happy people manage to overcome the natural impulse to avoid any act of collective judgement, they just may find one human being guilty of murdering another. Then you can go to Cher's Pub at Lexington and Guilford, where that selfsame assistant state's attorney, if possessed of any human qualities at all, will buy you a bottle of domestic beer. And you drink it. Because in a police department of about three thousand sworn souls, you are one of thirty-six investigators entrusted with the pursuit of that most extraordinary of crimes: the theft of a human life. You speak for the dead. You avenge those lost to the world. Your paycheck may come from fiscal services but, goddammit, after six beers you can pretty much convince yourself that you work for the Lord himself. If you are not as good as you should be, you'll be gone within a year or two, transferred to fugitive, or auto theft or check and fraud at the other end of the hall. If you are good enough, you will never do anything else as a cop that matters this much. Homicide is the major leagues, the center ring, the show. It always has been. When Cain threw a cap into Abel, you don't think The Big Guy told a couple of fresh uniforms to go down and work up the prosecution report. Hell no, he sent for a fucking detective. And it will always be that way, because the homicide unit of any urban police force has for generations been the natural habitat of that rarefied species, the thinking cop.
David Simon
Examples of unintelligent design in nature are so numerous that an entire book could be written simply listing them. I will permit myself just one more example. The human respiratory and digestive tracts share a little plumbing at the pharynx. In the United States alone, this intelligent design feature lands tens of thousands of children in the emergency room each year. Some hundreds choke to death. Many others suffer irreparable brain injury. What compassionate purpose does this serve? Of course, we can imagine a compassionate purpose: perhaps the parents of these children needed to be taught a lesson; perhaps God has prepared a special reward in heaven for every child who chokes to death on a bottle cap. The problem, however, is that such imaginings are compatible with any state of the world. What horrendous mishap could not be rationalized in this way? And why would you be inclined to think like this? How is it moral to think like this?
Sam Harris (Letter to a Christian Nation)
My sister has appendages connected to her ankles. They feature toes and arches, but I cannot call them feet. In color they resemble the leathery paws of great apes, but in texture they are closer to hooves. In order to maintain her balance, she’ll periodically clear the bottoms of debris—a bottle cap, bits of broken glass, a chicken bone—but within moments she’ll have stepped on something else and begun the process all over again. It’s what happens when you sell both your broom and your vacuum cleaner.
David Sedaris (Dress Your Family in Corduroy and Denim)
Even working on the dead, with their faces covered, their names a mystery, you find that their humanity pops up at you—in opening my cadaver’s stomach, I found two undigested morphine pills, meaning that he had died in pain, perhaps alone and fumbling with the cap of a pill bottle.
Paul Kalanithi (When Breath Becomes Air)
She unscrews the cap, sniffs it, and then shrugs, dumping the entire contents into the bubbling brew. “It could be marjoram, but it might be mushrooms. I had a bottle of poisonous, green ones I dried out last winter on the solstice. Oh well.” Leaning out over the cauldron, she stirs thrice counterclockwise, using the wooden spoon with a handle about as tall as she is. Then she scoops a bit and brings it to her mouth for a taste. “No!” Jason and I scream at the same time. She blinks at us. “What?” “You just put something that may be poisonous in there,” I say.
Rita J. Webb (Playing Hooky (Paranormal Investigations, #1))
You okay?" He moved past her into the kitchen and deposited his beer bottle in the sink. "You're all flushed." "I'm fine," she said a little too quickly. "It's hot in here, that's all." Oh sure. It was a little hot anywhere he was. The kitchen...the living room... the polar ice caps...
Sara Humphreys (Brave the Heat (The McGuire Brothers, #1))
Thanks to years of travel at other people’s expense, I have a lifetime supply of soaps, small bottles of shampoo, aromatic lotions, sewing kits, and shoe mitts. I have over eleven hundred shower caps and require now only a reason to use them. I am so well prepared financially that I have money in a range
Bill Bryson (The Road to Little Dribbling: More Notes from a Small Island)
She and Stacy both turned from Eric to smile at Jeff, as if taunting him. He didn’t respond—what was the point? Clearly, it had already been decided: they were going to the village. Pablo finally stopped talking; Mathias was putting the cap back on the water bottle. Jeff shouldered his pack. “Shall we?” he said.
Scott Smith (The Ruins)
Sully's, on South Prospect, was the quintessential biker-bar, complete with hefty, leather-clad Harley worshippers, and stringy-haired heroin-addicted women who made the rounds among the bikers. Its décor was decidedly Medieval Garage Sale, with a dose of Americana thrown in. An old motorcycle carcass dangled from the vaulted section of the beamed ceiling, and the wood plank floors were littered with butts, scarred by bottle caps and splattered with homogenized bodily fluids. The only light to be had was from neon, dying sconces, and lit cigarettes. Various medieval swords perched on each wall, reminiscent of the times of Beowulf and Fire Dragons on the Barrow.
Kelli Jae Baeli (Achilles Forjan)
Hold on," Marjan said, reaching behind a tin of pistachio nougats. She found the bottle, unscrewing the cap as her back was turned to her sisters. She upended it, letting the rosewater, the priceless tears of that queen of blossoms, pool in her cupped hand. She turned back to Bahar and smiled. "Better late than never," she said, showering her sister with a brand-new day.
Marsha Mehran (Rosewater and Soda Bread (Babylon Café #2))
I found the little bottle of nail varnish at the bottom of a charity box. It still had the price ticket on it. If I ever discover the person who gave it then I will tell them, for the cost of one British pound and ninety-nine pence, they saved my life. Because this is what I did in that place, to remind myself I was alive underneath everything; under my steel toe caps I wore bright red nail varnish.
Chris Cleave (Little Bee)
I know that it was around this time that I started having a recurring dream. In it, I find myself on the streets of some unnamed city, a neighborhood with trees, storefronts, light traffic. The day is pleasant and warm, with a soft breeze, and people are out shopping or walking their dogs or coming home from work. In one version I'm riding a bike, but most often I'm on foot, and I'm strolling along, without any thoughts in particular, when suddenly I realize that no one recognizes me. My security detail is gone. there's nowhere I have to be. My choices have no consequence. I wander into a corner store and buy a bottle of water or iced tea, making small talk with the person behind the counter. I settle down on a nearby bench, pop open the cap on my drink, take a sip, and just watch the world passing by. I feel like I've won the lottery.
Barack Obama (A Promised Land)
Vodafone took India to court for trying to make them pay tax. Vodafone won. US agribusiness giant Cargill/ADM sued Mexico for introducing a sugar tax on soft drinks to fight childhood obesity. Cargill/ADM won. Mexico was sued for daring to put a cap on the price of water, access to which is a basic human right under the UN charter. The manufacturer won and as a result, Coca Cola is now cheaper to drink than bottled water in Mexico.9
Jacques Peretti (Done: The Secret Deals that are Changing Our World)
Victor Noir. He was a journalist shot by Pierre Bonaparte," St. Clair says, as if that explains anything. He pulls The Hat up off his eyes. "The statue on his grave is supposed to help...fertility." "His wang us rubbed shiny," Josh elaborates. "For luck." "Why are we talking about parts again?" Mer asks. "Can't we ever talk about anything else?" "Really?" I ask. "Shiny wang?" "Very," St. Clair says. "Now that's something I've gotta see." I gulp my coffee dregs, wipe the bread crumbs from my mouth, and hop up. "Where's Victor?" "Allow me." St. Clair springs up to his feet and takes off. I chase after him. He cuts through a stand of bare trees, and I crash through the twigs behind him. We're both laughing when we hit the pathway and run smack into a guard. He frowns at us from underneath his military-style cap. St. Clair gives an angelic smile and a small shrug. The guard shakes his head but allows us to pass. St. Clair gets away with everything. We stroll with exaggerated calm, and he points out an area occupied with people snapping pictures.We hang back and wait our turn. A scrawny black cat darts out from behind an altar strewn with roses and wine bottles,and rushes into the bushes. "Well.That was sufficiently creepy. Happy Halloween." "Did you know this place is home to three thousand cats?" St. Clair asks. "Sure.It's filed away in my brain under 'Felines,Paris.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I unscrewed the cap and brought the purple-lined rim to my mouth. Then I almost hacked up a lung. Madeline remained motionless as I struggled for breath. 'So what part of this is supposed to be fun?' I asked. 'Just relax,' she said. 'You can't rush the feeling. It takes a few minutes for the alcohol to take effect.' [...] She sat up and picked up the bottle. 'You having fun yet?' 'Of course. Can't you tell from my labored breathing and the look of pain on my face?
Varian Johnson (Saving Maddie)
A Man Adrift On A Slim Spar" A man adrift on a slim spar A horizon smaller than the rim of a bottle Tented waves rearing lashy dark points The near whine of froth in circles. God is cold. The incessant raise and swing of the sea And growl after growl of crest The sinkings, green, seething, endless The upheaval half-completed. God is cold. The seas are in the hollow of The Hand; Oceans may be turned to a spray Raining down through the stars Because of a gesture of pity toward a babe. Oceans may become gray ashes, Die with a long moan and a roar Amid the tumult of the fishes And the cries of the ships, Because The Hand beckons the mice. A horizon smaller than a doomed assassin's cap, Inky, surging tumults A reeling, drunken sky and no sky A pale hand sliding from a polished spar. God is cold. The puff of a coat imprisoning air: A face kissing the water-death A weary slow sway of a lost hand And the sea, the moving sea, the sea. God is cold.
Stephen Crane
She cracked open a Diet Mountain Dew. We watched the movie in silence. In the middle, I fell back asleep. • • • OCTOBER WAS PLACID. The radiator hissed and sputtered, releasing a sharp vinegary smell that reminded me of my dead parents’ basement, so I rarely turned on the heat. I didn’t mind the cold. My visit to Dr. Tuttle that month was relatively unremarkable. “How is everything at home?” she asked. “Good? Bad? Other?” “Other,” I said. “Do you have a family history of nonbinary paradigms?” When I explained for the third time that both my parents had died, that my mother had killed herself, Dr. Tuttle unscrewed the cap of her value-size bottle of Afrin, twirled around in her chair, tilted her head back so that she was looking at me upside down, and started sniffing. “I’m listening,” she said. “It’s allergies, and now I’m hooked on this nasal spray. Please continue. Your parents are dead, and . . . ?” “And nothing. It’s fine. But I’m still not sleeping well.
Ottessa Moshfegh (My Year of Rest and Relaxation)
Beer. There’s nothing I don’t like about it. I love the smell, the taste—even the sound of it. The cool thunk of the cap coming off the bottle, the silvery crack of the pop-top can. You need to sip a whiskey. And I was never a sipper. I was a guzzler. I loved the feeling of it: to open wide the mouth of the soul and pour a cold one down my throat, with my mind racing ever-forward toward the next. Beer was kind and faithful, like an old friend. Every drinker has their poison. I am a beer man.
Tod A (Banging the Monkey)
I greet you jar of jam. You glass who once was sand upon the beach, Washed back and forth and bathed in foam and seagull cries, but who are formed into a glass until you once again return to the sea... I hardly give the computer a second glance. I can muster no reflective moment for plastic. It is so far removed from the natural world. I wonder if that's a place where the disconnection began, the loss of respect, when we could no longer easily see the life within the object. And yet I mean no disrespect for the diatoms and the marine invertebrates who two hundred million years ago lived well and fell to the bottom of an ancient sea, where under great pressure of a shifting earth they became oil that was pumped from the ground to a refinery where it was broken down and then polymerized to make the case of my laptop or the cap of the aspirin bottle- but being mindful in the vast network of hyperindustrialized goods really gives me a headache. We weren't made for that sort of constant awareness. We've got work to do.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants)
We've been trying to recreate Mum's Coorg pandhi curry." "Is that so?" said Mynah. "How was that supposed to work without the kachampuli?" "The what?" "Kachampuli," she repeated. "What is kachampuli supposed to be?" Dad asked, sounding out the syllables carefully. Mynah let out a shriek of laughter. "Are you telling me you've been trying to make Coorg pandhi curry all this time, and neither of you knows about kachampuli? Which is only the most essential ingredient?" "But surely the pandhi is the most essential ingredient," Anna protested, gesturing in the direction of the pork rind sitting on the counter. "Otherwise it would be called kachampuli curry." Mynah ignored that and wiped tears of laughter from her eyes. "Kachampuli, my sweet ignorant ones, is what gives the pandhi curry its distinct flavor. It's a little vinegar, and it's made from a limey sort of fruit they grow in Coorg." She marched to one of the cupboards, rooted around in the back, and retrieved a dusty bottle with a sealed cap. Inside gleamed a thick, dark liquid. "Behold," she said dramatically, "kachampuli.
Sangu Mandanna (Hungry Hearts: 13 Tales of Food & Love)
To the wreck hunters," Orion said, raising his water bottle, "And to whale songs." "To truthing," said Liv. "To tea leaves," said Felix. We kept toasting: To Fidelia and Ransome. To the rest of the Lyric passengers whose bones has been picked clean by fish. To adventures. Our voices overlapped and were indistinguishable. To baseball caps, to Patsy Cline. To whiskey and blow jobs and cunnilingus, birth control, treasure, no treasure, sleeping bags, bug spray, headphones, and crosswords. "To family," I called. "Surviving," said Sam. "Please can you keep it down!" yelled a voice from inside the kayakers' tent. "To angry, reluctant chaperones," Mariah stage-whispered. We all collapsed into stifled giggles, then put out the fire and trekked down to the beach to stage an impromtu, perfectly imperfect reading of Cousteau! by cell-phone light. Same had brought the latest printout of the script with him. That night, it didn't matter what had come before and what was going to come after. In that moment, we were the last true poets of the sea, and what mattered more than anything else was our quest.
Julia Drake (The Last True Poets of the Sea)
Then you can go to Cher's Pub at Lexington and Guilford, where that selfsame assistant state's attorney, if possessed of any human qualities at all, will buy you a bottle of domestic beer. And you drink it. Because in a police department of about three thousand sworn souls, you are one of thirty-six investigators entrusted with the pursuit of that most extraordinary of crimes: the theft of a human life. You speak for the dead. You avenge those lost to the world. Your paycheck may come from fiscal services but, goddammit, after six beers you can pretty much convince yourself that you work for the Lord himself. If you are not as good as you should be, you'll be gone within a year or two, transferred to fugitive, or auto theft or check and fraud at the other end of the hall. If you are good enough, you will never do anything else as a cop that matters this much. Homicide is the major leagues, the center ring, the show. It always has been. When Cain threw a cap into Abel, you don't think The Big Guy told a couple of fresh uniforms to go down and work up the prosecution report. Hell no, he sent for a fucking detective.
David Simon (Homicide: A Year on the Killing Streets)
THIS IS WHAT they want. The words tumbled through Sophie’s mind as she raced up the spiral staircase, counting her steps, trying to guess which door to take. The first handle she tried was locked. Another opened into darkness. A third revealed a path that glowed with eerie blue balefire sconces. The floor shook as she hesitated and threads of dust slipped through the ceiling, scratching her throat and making it hurt to breathe. She followed the flames. Back and forth the halls snaked—a careful maze, designed to deceive. Swallow. Separate. The tremors grew with every step, the shifting subtle but unmistakable. And too far away. No one else would feel the ripples swelling, like waves gathering speed. They were too focused on their celebration. Too caught up in their imagined victory. Too trusting. Too blind. Too late. The ground rattled harder, the first fissures crackling the stones. This is what they want. ONE THIS IS A security nightmare!” Sandor grumbled, keeping his huge gray hand poised over his enormous black sword. His squeaky voice reminded Sophie more of a talking mouse than a deadly bodyguard. Several prodigies raced past, and Sandor pulled Sophie closer as the giggling group jumped to pop the candy-filled bubbles floating near the shimmering crystal trees. All around them, kids were running through the confetti-covered atrium in their amber-gold Level Three uniforms, capes flying as they caught snacks and bottles of lushberry juice and stuffed tinsel-wrapped gifts into the long white thinking caps dangling from everyone’s lockers. The Midterms Celebration was a Foxfire Academy tradition—hardly the impending doom Sandor was imagining. And yet, Sophie understood his concern. Every parent roaming the streamer-lined halls. Every face she didn’t recognize. Any of them could be a rebel.
Shannon Messenger (Lodestar (Keeper of the Lost Cities, #5))
These are some of my favorite smells: toasting bagel, freshly cut figs, the bergamot in good Earl Grey tea, a jar of whole soybeans slowly turning beneath a tropical sun. You'd expect the latter to smell salty, meaty, flaccid- like what you'd smell if you unscrewed the red cap of the bottle on a table in your neighborhood Chinese restaurant and stuck your nose in as far as it would go. But real, fermenting soybeans smell nothing like sauce in a plastic bottle. Tangy and pungent, like rising bread or wet earth, these soybeans smell of history, of life, of tiny, patient movements, unseen by the naked eye.
Kirstin Chen (Soy Sauce for Beginners)
More Activities to Develop Sensory-Motor Skills Sensory processing is the foundation for fine-motor skills, motor planning, and bilateral coordination. All these skills improve as the child tries the following activities that integrate the sensations. FINE-MOTOR SKILLS Flour Sifting—Spread newspaper on the kitchen floor and provide flour, scoop, and sifter. (A turn handle is easier to manipulate than a squeeze handle, but both develop fine-motor muscles in the hands.) Let the child scoop and sift. Stringing and Lacing—Provide shoelaces, lengths of yarn on plastic needles, or pipe cleaners, and buttons, macaroni, cereal “Os,” beads, spools, paper clips, and jingle bells. Making bracelets and necklaces develops eye-hand coordination, tactile discrimination, and bilateral coordination. Egg Carton Collections—The child may enjoy sorting shells, pinecones, pebbles, nuts, beans, beads, buttons, bottle caps, and other found objects and organizing them in the individual egg compartments. Household Tools—Picking up cereal pieces with tweezers; stretching rubber bands over a box to make a “guitar”; hanging napkins, doll clothes, and paper towels with clothespins; and smashing egg cartons with a mallet are activities that strengthen many skills.
Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)
I’m tired, Reva,” I said, peeling the wrapper off the cap of a bottle of NyQuil. “Oh, come on.” “You go without me.” “You want to stay here and sleep your life away? That’s it?” “If you knew what would make you happy, wouldn’t you do it?” I asked her. “See, you do want to be happy. Then why did you tell me that being happy is dumb?” she asked. “You’ve said that to me more than once.” “Let me be dumb,” I said, glugging the NyQuil. “You go be smart and tell me how great it is. I’ll be here, hibernating.” Reva rolled her eyes. “It’s natural,” I told her. “People used to hibernate all the time.” “People never hibernated. Where are you getting this?
Ottessa Moshfegh (My Year of Rest and Relaxation)
It was filled with a dark paste, rather than liquid. I unscrewed the cap. The smell rolled toward me, and I reared back. I could almost hear growling, the pop of a bone socket. "Civet," Claudia said, unfazed. "It takes a strong stomach to smell an animalic base note straight, don't you think? But a drop or two, down there in the bottom of a perfume? It sends that other message. Death and sex- that's what perfume's all about. You'll understand when you're older." I stared back at her. I knew about death. I knew about sex. I didn't need her to tell me. She held out another bottle, her expression bland. "Jasmine." I was cautious this time, barely sniffing the contents, but the smell was a relief- sweet, white, and creamy, almost euphoric. I felt as if I were floating in it. Just as I was about to put the bottle down, though, I caught a whiff of something else in the background, something narcotic and sticky. I inhaled more deeply, trying to pin it down. "You like it," Claudia said. For the first time, she seemed pleased with me. "Do you know what that is, that note you're searching for?" I shook my head. It was right there, but in that cool, blank room, I couldn't quite name it. "It's shit," Claudia said. She smiled, slow and lazy. "Technically, the molecule's called indole, but a rose by any other name...
Erica Bauermeister (The Scent Keeper)
There’s a lot I will never adopt from my Amish neighbors (long black pants in summer and a cap on education at eighth-grade spring to mind), but Sam opened my eyes to the difference between rules that hold you back and rules that help you grow. That was why he could read thrillers if he felt like it and had no qualms telling me that he’d seen (and kind of enjoyed) the movie Witness . Amos, our closest neighbor over the hill, dropped in one evening while friends were over for dinner. “This is wine?” he asked, never having seen it before. “Can I try?” Before I could reach for the bottle, he’d filled a water glass to the brim. He drank it off like it was lemonade, then set off to walk tipsily home in the dark. “Yeah, I don’t think I’ll be having that again,” Amos told me the next day. “Not enough evenings in life to spoil another one.” The Amish aren’t closed to the world, he’s saying; they’re just a little more goal-oriented about how much of it to let in.
Christopher McDougall (Running with Sherman)
That night, the tent that I had been alone in for so long was suddenly heaving with bodies, and piles of rope and kit--with Neil, Geoffrey, and Graham squeezed in beside me. I tried to drink as much boiled water as I could get down. I knew that I would need to be as hydrated as I could possibly be to tackle what lay ahead. So I drank and I peed. But still my pee was dark brown. It was almost impossible to hydrate at this altitude. The ritual of peeing into a water bottle had become second nature to us all, even in the dark, and even with someone’s head inches away from the bottle. We each had two bottles: one for pee, one for water. It was worth having a good system to remember which was which. At 10:00 P.M. I needed to pee--again. I grabbed my bottle, crouched over and filled it. I screwed it shut--or so I thought--then settled back into my bag to try and find some elusive sleep. Soon I felt the dampness creeping through my clothes. You have got to be joking. I swore to myself as I scrambled to the crouch position again. I looked down. The cap was hanging loosely off the pee bottle. Dark, stinking brown pee had soaked through all my clothes and sleeping bag. I obviously hadn’t done it up properly. Brute of a mistake. Maybe an omen for what lay ahead. On that note I fell asleep.
Bear Grylls (Mud, Sweat and Tears)
Dear troubles, my amigo Accolades to your valour and vigour in battling Me. Though each time you have lost the crusade, your persistent effort in drubbing me down with tiresome regularity, is remarkable. Sadly your trials have all been clunkers, and your lingering rage at being unceremoniously busted by snippy woman storm trooper inside me to boot is axiomatic. I know it’s not your fault, fighting me is not a cake walk. You can’t quash my acquaintance with the strategic moves you make, or the unreal-fleeting bonds you break. I am rather familiar with aimless, exasperated steps you take and that Duchenne smile you fake. I can, for sure, guess any rare cryptic word you say or sinister cat and mouse game you play. My dear old stinging Gordian’s Knot, I love the way you have always tailed me, but to your dismay I guess I was always ahead of the curve. My love, my darling, quandary little Catch-22, I suggest you kill me now, shoot me now, show no mercy bury me deep, deport me to hellhole, coz I have right to die. Hang me and close me in a gas chamber, entomb me and put my soul in a bottle, cap it tight and throw it in the deep sea. Get rid of me else if slightest of me comes back then my lovely, ‘stumbling hornets nest’, you are bound to fizzle out and evanesce into nothingness. Run, I say, run now and never return, you know I am kinda tried and tested………..
Usha banda
Images of people in the Middle East dressing like Westerners, spending like Westerners, that is what the voters watching TV here at home want to see. That is a visible sign that we really are winning the war of ideas—the struggle between consumption and economic growth, and religious tradition and economic stagnation. I thought, why are those children coming onto the streets more and more often? It’s not anything we have done, is it? It’s not any speeches we have made, or countries we have invaded, or new constitutions we have written, or sweets we have handed out to children, or football matches between soldiers and the locals. It’s because they, too, watch TV. They watch TV and see how we live here in the West. They see children their own age driving sports cars. They see teenagers like them, instead of living in monastic frustration until someone arranges their marriages, going out with lots of different girls, or boys. They see them in bed with lots of different girls and boys. They watch them in noisy bars, bottles of lager upended over their mouths, getting happy, enjoying the privilege of getting drunk. They watch them roaring out support or abuse at football matches. They see them getting on and off planes, flying from here to there without restriction and without fear, going on endless holidays, shopping, lying in the sun. Especially, they see them shopping: buying clothes and PlayStations, buying iPods, video phones, laptops, watches, digital cameras, shoes, trainers, baseball caps. Spending money, of which there is always an unlimited supply, in bars and restaurants, hotels and cinemas. These children of the West are always spending. They are always restless, happy and with unlimited access to cash. I realised, with a flash of insight, that this was what was bringing these Middle Eastern children out on the streets. I realised that they just wanted to be like us. Those children don’t want to have to go to the mosque five times a day when they could be hanging out with their friends by a bus shelter, by a phone booth or in a bar. They don’t want their families to tell them who they can and can’t marry. They might very well not want to marry at all and just have a series of partners. I mean, that’s what a lot of people do. It is no secret, after that serial in the Daily Mail, that that is what I do. I don’t necessarily need the commitment. Why should they not have the same choices as me? They want the freedom to fly off for their holidays on easy Jet. I know some will say that what a lot of them want is just one square meal a day or the chance of a drink of clean water, but on the whole the poor aren’t the ones on the street and would not be my target audience. They aren’t going to change anything, otherwise why are they so poor? The ones who come out on the streets are the ones who have TVs. They’ve seen how we live, and they want to spend.
Paul Torday (Salmon Fishing in the Yemen)
He opened the door after letting me pound on it for almost five minutes. His truck was in the carport. I knew he was here. He pulled the door open and walked back inside without looking at me or saying a word. I followed him in, and he dropped onto a sofa I’d never seen before. His face was scruffy. I’d never seen him anything but clean-shaven. Not even in pictures. He had bags under his eyes. He’d aged ten years in three days. The apartment was a mess. The boxes were gone. It looked like he had finally unpacked. But laundry was piled up in a basket so full it spilled out onto the floor. Empty food containers littered the kitchen countertops. The coffee table was full of empty beer bottles. His bed was unmade. The place smelled stagnant and dank. A vicious urge to take care of him took hold. The velociraptor tapped its talon on the floor. Josh wasn’t okay. Nobody was okay. And that was what made me not okay. “Hey,” I said, standing in front of him. He didn’t look at me. “Oh, so you’re talking to me now,” he said bitterly, taking a long pull on a beer. “Great. What do you want?” The coldness of his tone took me aback, but I kept my face still. “You haven’t been to the hospital.” His bloodshot eyes dragged up to mine. “Why would I? He’s not there. He’s fucking gone.” I stared at him. He shook his head and looked away from me. “So what do you want? You wanted to see if I’m okay? I’m not fucking okay. My best friend is brain-dead. The woman I love won’t even fucking speak to me.” He picked up a beer cap from the coffee table and threw it hard across the room. My OCD winced. “I’m doing this for you,” I whispered. “Well, don’t,” he snapped. “None of this is for me. Not any of it. I need you, and you abandoned me. Just go. Get out.” I wanted to climb into his lap. Tell him how much I missed him and that I wouldn’t leave him again. I wanted to make love to him and never be away from him ever again in my life—and clean his fucking apartment. But instead, I just stood there. “No. I’m not leaving. We need to talk about what’s happening at the hospital.” He glared up at me. “There’s only one thing I want to talk about. I want to talk about how you and I can be in love with each other and you won’t be with me. Or how you can stand not seeing me or speaking to me for weeks. That’s what I want to talk about, Kristen.” My chin quivered. I turned and went to the kitchen and grabbed a trash bag from under the sink. I started tossing take-out containers and beer bottles. I spoke over my shoulder. “Get up. Go take a shower. Shave. Or don’t if that’s the look you’re going for. But I need you to get your shit together.” My hands were shaking. I wasn’t feeling well. I’d been light-headed and slightly overheated since I went to Josh’s fire station looking for him. But I focused on my task, shoving trash into my bag. “If Brandon is going to be able to donate his organs, he needs to come off life support within the next few days. His parents won’t do it, and Sloan doesn’t get a say. You need to go talk to them.” Hands came up under my elbows, and his touch radiated through me. “Kristen, stop.” I spun on him. “Fuck you, Josh! You need help, and I need to help you!” And then as fast as the anger surged, the sorrow took over. The chains on my mood swing snapped, and feelings broke through my walls like water breaching a crevice in a dam. I began to cry. I didn’t know what was wrong with me. The strength that drove me through my days just wasn’t available to me when it came to Josh. I dropped the trash bag at his feet and put my hands over my face and sobbed. He wrapped his arms around me, and I completely lost it.
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
I was thinking, The last thing I want to do is get in a wreck and lose another limb. I completely lost it and blew up at my father. “Why did you do that? I can’t get injured again! Pull over. I’ll drive!” I screamed. Dad is not the kind of person who would have ever taken that kind of behavior from me in the past, but I think he understood the paranoia. I’d asked him while I was in the hospital, “Did you ever think one of your kids would ever lose a limb?” And he said, “No, it never crossed my mind. I was always more afraid I would lost another limb.” It wasn’t until later that I realized how great it was of him that he kept his cool and understood where I was coming from. He just let me freak out and let me drive. I think in some ways it was the same kind of lesson he taught me as a child without ever saying a word. I watched him just get on with things with one arm. He never made a fuss about it. It was an example that growing up I didn’t know I’d need eventually. So I got in the driver’s seat and we continued on our way. After a while we stopped at a gas station to stretch our legs and get some snacks. I grabbed a lemon-line Gatorade and Dad grabbed something to drink and we got back in the car. I turned the car on, so the air and the radio were going as I tried and tried to get my Gatorade bottle open, but the top was too big and I couldn’t quite get my fingers to grab it, hold it, and twist it open. My finger strength just wasn’t there yet. So I put it between my legs and tried to hold it still while I twisted the top. I heard the creak of release as I managed to break the seal of the plastic orange cap but my legs were squeezing the bottle so hard that the bright yellow liquid squirted all over me. “Crap!” I yelled. I heard my dad snicker. I turned to look at him and he smirked while holding a can of Coke in his hand. “And that’s why I drink out of a can,” he declared with a smug grin. Click. Fizzzz. With one hand, Dad popped that can open and took a big slug of his soda.
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
Have you got them?” “Got them! No. The old man’s not there.” He has been so horribly frightened in the short interval that his terror seizes the other, who makes a rush at him and asks loudly, “What’s the matter?” “I couldn’t make him hear, and I softly opened the door and looked in. And the burning smell is there—and the soot is there, and the oil is there—and he is not there!” Tony ends this with a groan. Mr. Guppy takes the light. They go down, more dead than alive, and holding one another, push open the door of the back shop. The cat has retreated close to it and stands snarling, not at them, at something on the ground before the fire. There is a very little fire left in the grate, but there is a smouldering, suffocating vapour in the room and a dark, greasy coating on the walls and ceiling. The chairs and table, and the bottle so rarely absent from the table, all stand as usual. On one chair-back hang the old man’s hairy cap and coat. “Look!” whispers the lodger, pointing his friend’s attention to these objects with a trembling finger. “I told you so. When I saw him last, he took his cap off, took out the little bundle of old letters, hung his cap on the back of the chair—his coat was there already, for he had pulled that off before he went to put the shutters up—and I left him turning the letters over in his hand, standing just where that crumbled black thing is upon the floor.” Is he hanging somewhere? They look up. No. “See!” whispers Tony. “At the foot of the same chair there lies a dirty bit of thin red cord that they tie up pens with. That went round the letters. He undid it slowly, leering and laughing at me, before he began to turn them over, and threw it there. I saw it fall.” “What’s the matter with the cat?” says Mr. Guppy. “Look at her!” “Mad, I think. And no wonder in this evil place.” They advance slowly, looking at all these things. The cat remains where they found her, still snarling at the something on the ground before the fire and between the two chairs. What is it? Hold up the light.
Charles Dickens (Bleak House)
They've never been able to ignore you, Ma'am." "I made damn sure they couldn't. I never let them or anyone tell me what to do, except where Peter was concerned." She sighed, her weak chest rising and falling beneath the teal hospital down. "I'd trade my diamonds for a cigarette." Vera reached into her purse and pulled out a package of Gigantes she'd purchased at a tobacconist shop on the way to the hospital. She removed the cellophane wrapper and handed it to the Princess, the ability to anticipate Her Royal Highness's needs never having left her, even after all these years. The Princess didn't thank her, but the delight in her blue eyes when she put one in the good side of her mouth and allowed Vera to light it was thanks enough. The Princess struggled to close her lips around the base, revealing the depths of her weakness but also her strength. She refused to be denied her pleasure, even if it took some time to bring her lips together enough to inhale. Pure bliss came over her when she did before she exhaled. "I don't suppose you brought anything to drink?" "As a matter of fact, I did." Vera took the small bottle of whiskey she'd been given on the plane and held it up. "It isn't Famous Grouse, I'm afraid." "I don't care what it is." She snatched the plastic cup off the bedside table and held it up. "Pour." Vera twisted off the cap and drained the small bottle into the cup. The Princess held it up, whiskey in one hand, the cigarette in the other, and nodded to Vera. "Cheers." She drank with a rapture equal to the one she'd shown with the cigarette, sinking back into the pillows to enjoy the forbidden luxuries. "It reminds me of when we used to get drinks at the 400 Club after a Royal Command Film Performance or some other dry event. Nothing ever tasted so good as that first whiskey after all the hot air of those stuffy officials." "We could work up quite a thirst, couldn't we, Ma'am?" "We sure could." She enjoyed the cigarette, letting out the smoke slowly to savour it before offering Vera a lopsided smile. "We had fun back then, didn't we, Mrs. Lavish?
Georgie Blalock (The Other Windsor Girl: A Novel of Princess Margaret, Royal Rebel)
it died away, Stu said: “This wasn’t on the agenda, but I wonder if we could start by singing the National Anthem. I guess you folks remember the words and the tune.” There was that ruffling, shuffling sound of people getting to their feet. Another pause as everyone waited for someone else to start. Then a girl’s sweet voice rose in the air, solo for only the first three syllables: “Oh, say can—” It was Frannie’s voice, but for a moment it seemed to Larry to be underlaid by another voice, his own, and the place was not Boulder but upstate Vermont and the day was July 4, the Republic was two hundred and fourteen years old, and Rita lay dead in the tent behind him, her mouth filled with green puke and a bottle of pills in her stiffening hand. A chill of gooseflesh passed over him and suddenly he felt that they were being watched, watched by something that could, in the words of that old song by The Who, see for miles and miles and miles. Something awful and dark and alien. For just a moment he felt an urge to run from this place, just run and never stop. This was no game they were playing here. This was serious business; killing business. Maybe worse. Then other voices joined in. “—can you see, by the dawn’s early light,” and Lucy was singing, holding his hand, crying again, and others were crying, most of them were crying, crying for what was lost and bitter, the runaway American dream, chrome-wheeled, fuel-injected, and stepping out over the line, and suddenly his memory was not of Rita, dead in the tent, but of he and his mother at Yankee Stadium—it was September 29, the Yankees were only a game and a half behind the Red Sox, and all things were still possible. There were fifty-five thousand people in the Stadium, all standing, the players in the field with their caps over their hearts, Guidry on the mound, Rickey Henderson was standing in deep left field (“—by the twilight’s last gleaming—”), and the light-standards were on in the purple gloaming, moths and night-fliers banging softly against them, and New York was around them, teeming, city of night and light. Larry joined the singing too, and when it was done and the applause rolled out once more, he was crying a bit himself. Rita was gone. Alice Underwood was gone. New York was gone. America was gone. Even if they could defeat Randall Flagg, whatever they might make would never be the same as that world of dark streets and bright dreams.
Stephen King (The Stand)
Dear Mom and Dad How are you? If you are reading this it means your back from the wonderful cruise my brothers and I sent you on for your anniversary. We’re sure you both had a wonderful time. We want you to know that, while you were away, we did almost everything you asked. All but one thing, that is. We killed the lawn. We killed it dead. You asked us not to and we killed it. We killed it with extreme prejudice and no regard for its planty life. We killed the lawn. Now we know what you’re thinking: “But sons, whom we love ever so much, how can this be so? We expressly asked you to care for the lawn? The exactly opposite of what you are now conveying to us in an open digital forum.” True enough. We cannot dispute this. However, we have killed the lawn. We have killed it good. We threw a party and it was quite a good time. We had a moon bounce and beer and games and pirate costumes, oh it was a good time. Were it anyone else’s party that probably would have been enough but, hey, you know us. So we got a foam machine. A frothy, wet, quite fun yet evidently deadly, foam machine. Now this dastardly devise didn’t kill the lawn per se. We hypothesize it was more that it made the lawn very wet and that dancing in said area for a great many hours over the course of several days did the deed. Our jubilant frolicking simply beat the poor grass into submission. We collected every beer cap, bottle, and can. There is not a single cigarette butt or cigar to be found. The house is still standing, the dog is still barking, Grandma is still grandmaing but the lawn is no longer lawning. Now we’re sure, as you return from your wonderful vacation, that you’re quite upset but lets put this in perspective. For one thing whose idea was it for you to leave us alone in the first place? Not your best parenting decision right there. We’re little better than baboons. The mere fact that we haven’t killed each other in years past is, at best, luck. Secondly, let us not forget, you raised us to be this way. Always pushing out limits, making sure we thought creatively. This is really as much your fault as it is ours, if not more so. If anything we should be very disappointed in you. Finally lets not forget your cruise was our present to you. We paid for it. If you look at how much that cost and subtract the cost of reseeding the lawn you still came out ahead so, really, what position are you in to complain? So let’s review; we love you, you enjoyed a week on a cruise because of us, the lawn is dead, and it’s partially your fault. Glad that’s all out in the open. Can you have dinner ready for us by 6 tonight? We’d like macaroni and cheese. Love always Peter, James & Carmine
Peter F. DiSilvio
Don't believe that, dear. Don't ever believe that. Nobody's bad just because of the way they look. It's what's inside a person that counts.' 'But, Ma, what's inside a person? When people look different are they different inside, too?' Ma didn't answer, she was looking at her hands now, kneading a ball of dough. Saroj thought she had forgotten her and so she said, 'Ma?' Ma turned her eyes back to Saroj. 'I'll show you in a moment, dear. I'll just finish making these.' Saroj watched the stack of dhal puris grow into a flat round tower and then Ma said she was finished and covered them with a cloth and washed her hands. Then she opened the cupboard where she kept her spare jars and bottles and took out six jars and placed them on the kitchen counter. 'Do you see these jars, Saroj? Are they all the same?' Saroj shook her head. 'No, Ma.' The glasses were all different. There was a short flat one and a tall thin one and a medium-sized one, and other shapes in between. Some were different colours: green or brown or clear. 'All right. Now, just imagine these jars are people. People with different shapes of bodies and colours of skin. Can you do that?' Saroj nodded. 'Right. Well, now the bodies are empty. But look…’ Ma picked up a big glass jug, filled it at the tap and poured water into all the jars. 'See, Saroj? Now all the glasses are filled. All the bodies are alive! They have what we call a spirit. Now, is that spirit the same in all the glasses, or different?' 'It's the same, Ma. So people are —' But Ma broke in. 'Now, can you run into the pantry and get the tin where I keep my dyes? You know it, don't you?' Saroj was back even before Ma had finished speaking. Ma opened the tin and picked up one of the tiny bottles of powdered dye. It was cherry-coloured. Ma held the bottle over one of the jars and tipped a little of the powder into the water. Immediately, the water turned pink-red. Ma returned the cap to the bottle and picked up another one. The water turned lime-green. She did that six times and each time the water turned a different colour so that in the end Ma had six different shaped jars of six different colours. 'So, Saroj, now you answer me. Are these people here all the same inside, or are they all different?' Saroj took her time before answering. She puckered her brow and thought hard. Finally she said, 'Well, Ma, really they're all the same but the colours make them different.' 'Yes, but what is more real, the sameness or the differences?' Saroj thought hard again. Then she said: 'The sameness, Ma. Because the sameness holds up the differences. The differences are only the powders you put in.' 'Exactly. So think of all these people as having a spirit which is the same in each one, and yet each one is also different — that is because each person has a different personality. A personality is made up of thoughts, and everyone has different kinds of thoughts. Some have loving thoughts, some have angry thoughts, some have sad thoughts, some have mean thoughts. Most people have jumbles of thoughts — but everybody's thoughts are different, and so everybody is different. Different outside and different inside. And they see those differences in each other and they squabble and fight, because everyone thinks the way he is, is right. But if they could see through the differences to the oneness beyond, linking them all, then…’ 'Then what, Ma?' 'Then we would all be so wise, Saroj, and so happy!
Sharon Maas (Of Marriageable Age)
Here’s to bottle caps, the Yankees and ‘birds,’ and most of all . . .” He paused, his voice lowering to a whisper. “And most of all, to a beautiful girl named Molly who refuses to believe the man who loves her—the man who loves her more than she’ll ever know.
Gail McHugh (Collide (Collide, #1))
There was a time when you and I were a couple of firecrackers.  We were going to be together forever and make the rest of the universe jealous.  We had lightning in a bottle and cut our hands on the glass before we could even find the cap.
Markus Almond (Things To Shout Out Loud At Parties)
Oh,” she said, putting her hand to her mouth in mock surprise. “Do you mean you weren’t just feeling slightly airsick, and a bottle of ginger ale wouldn’t help your stomach feel better?” “I suppose,” I said, unscrewing the cap, “you may kinda sorta have a point.” “Besides, you get the most adorably consternated look on your face.
Craig Schaefer (The Long Way Down (Daniel Faust, #1))
In today’s culture, the temptation is to look at sins and refer to them as issues, mistakes, or problems. And as long as we see sin as something that we need to learn to cope with rather than something that needs to be removed, we will never take the action necessary to peel the cap off the bottle so we can be spiritually refreshed.
Perry Noble (Overwhelmed: Winning the War against Worry)
This is nice. Two friends being friendly,” he said. Rolling my eyes, I sipped my drink and ignored his cocky smile. “How long has it been?” he asked, tapping my sandal with his boot. “The abstaining thing.” Crossing my arms under my tits, I tightened them and pushed up the girls for him to admire. I always loved teasing boys. “I bet you’ve banged a girl recently. Like I could probably smell her on you, if I got close enough,” I grumbled, remembering how he smelled like chocolate and I had a sweet tooth. “You’re likely crawling with germs.” Instead of finding offense, Vaughn watched me in a weird way. His lids lowered as the corners of his mouth lifted. A sly look on his face, Vaughn ran his tongue along his top teeth. “I have a system,” he said softly. “After I hook up with a random chick, I shower with a big bottle of Purell. One of those economy-sized ones.” Even smiling, I kicked his foot away from mine. “I’m a bath person myself. Just fill up the tub with really hot water then toss in a cap of bleach plus a few bubbles and I’m set.” “Gotta have bubbles,” he said in a deep low voice. “What are you doing?” Vaughn shook his head, yet his gaze held mine. “Just admiring your beautiful smile.” Rolling my eyes again, I sighed. “Lame.” “I know. I really do. I use that line a lot, but it’s true with you. That smile changes your face. Makes you less sex kitten and more angel.” “I’m no angel.” “What a relief. I don’t like good girls.” “I didn’t say I was bad.” Vaughn sucked at his lower lip and sized me up with those eyes. “You didn’t have to, kitten.” “Don’t call me that.” “Sugar?” he said, grinning brighter now. “Your sister didn’t like my nickname for her either.” “Why would you give my sister a nickname?” “Don’t be jealous. I like giving girls nicknames. Even girls I don’t want to spend time inside.” “I can’t believe those lines ever work.” “They don’t. Girls are drawn to my looks, not my personality.” Snorting, I begged myself to stop smiling. “And you’re proud of this fact?” “I’m proud of very little, pumpkin.” “Keep trying.
Bijou Hunter (Damaged and the Outlaw (Damaged, #4))
the ide­o­log­i­cal defense of “pri­vate prop­erty” is both vague and mis­lead­ing. The seizure, or even abo­li­tion of pri­vate prop­erty doesn’t refer to the water bot­tles or homes that many of us have pur­chased; pri­vate prop­erty in the con­text of anti-capitalist pol­i­tics refers to the own­er­ship by bosses and land­lords of the resources peo­ple need to sur­vive. Most peo­ple have no access to the tools and sup­plies required to build their own fur­ni­ture, pro­vide all their own food, or main­tain a home entirely on their own. In a cap­i­tal­ist soci­ety, we depend on the mar­ket to pro­vide these for us in exchange for money. We work waged jobs, where we receive only a por­tion of the value we add to the com­modi­ties we pro­duce, and go into debt in order to afford them. When anti-capitalists talk about pri­vate prop­erty, they’re not refer­ring to the pos­ses­sions con­sumers have pur­chased in order to live; they’re refer­ring to those pos­ses­sions that the wealthy have accu­mu­lated in order to rent or sell to those who must work a waged job to survive.
Anonymous
Sniff, swill, sip 329 words Leading whisky expert Charles MacLean on the underrated art of downing a good Scotch. USE ALL YOUR SENSES We all love a splash of golden liquor now and then, but the fine art of appreciating whisky requires a heightening of the senses. 'Nosing' whisky, a technique employed by blenders, is called sensory evaluation or analeptic assessment. Prior to sipping, examine its colour and 'tears', which are the reams left behind on the glass after you swirl it. Even our sense of hearing can help us judge the whisky; a full bottle should open with a happy little pluck of the cap. APPRECIATE A GOOD MALT Appreciation and enjoyment are two dimensions of downing a stiff one. Identify how you like your whisky (with ice, soda or water) and stick with it. Getting sloshed on blended whisky is all very good, but you will need single malt and an understanding of three simple things to truly cherish your drink. A squat glass with a bulb at the bottom releases the full burst of its aroma when swilled. A narrow rim is an added advantage. Instead of topping the drink with ice, which dilutes the aroma, go for water. NIBBLE, DON'T GOBBLE Small bites pair best with your whisky. It excites the palate minimally, letting you detect the characteristics of the whisky through contrast. If you're not a big fan of food and whisky pairing, skip it. OLD IS GOLD While old whiskies are not necessarily better, it's a known fact that most of the finer whiskies are well-aged. I would consider whiskies that are anywhere between 18 and 50 years as old, but it also depends on the age of the cask. If the cask is reactive, it will dominate the flavours of the whisky within ten years of the ageing process. If you leave the spirit in the cask for much longer, the flavour of the whisky will be overpowered by the wood, lending it a distinct edge. Maclean was in Delhi to conduct the Singleton Sensorial experience.
Anonymous
Wisdom is now so cheap and abundant that it floods over us from calendar pages, tea bags, bottle caps, and mass e-mail messages forwarded by well-meaning friends.
Jonathan Haidt (The Happiness Hypothesis: Putting Ancient Wisdom to the Test of Modern Science)
It was because you were flicking bottle caps.
James Rallison (The Odd 1s Out: How to Be Cool and Other Things I Definitely Learned from Growing Up)
She stood in line outside the American embassy in Lagos, staring straight ahead, barely moving, a blue plastic file of documents tucked under her arm. She was the forty-eighth person in the line of about two hundred that trailed from the closed gates of the American embassy all the way past the smaller, vine-encrusted gates of the Czech embassy. She did not notice the newspaper vendors who blew whistles and pushed The Guardian, Thenews, and The Vanguard in her face. Or the beggars who walked up and down holding out enamel plates. Or the ice-cream bicycles that honked. She did not fan herself with a magazine or swipe at the tiny fly hovering near her ear. When the man standing behind her tapped her on the back and asked, “Do you have change, abeg, two tens for twenty naira?” she stared at him for a while, to focus, to remember where she was, before she shook her head and said, “No.” The air hung heavy with moist heat. It weighed on her head, made it even more difficult to keep her mind blank, which Dr. Balogun had said yesterday was what she would have to do. He had refused to give her any more tranquilizers because she needed to be alert for the visa interview. It was easy enough for him to say that, as though she knew how to go about keeping her mind blank, as though it was in her power, as though she invited those images of her son Ugonna’s small, plump body crumpling before her, the splash on his chest so red she wanted to scold him about playing with the palm oil in the kitchen. Not that he could even reach up to the shelf where she kept oils and spices, not that he could unscrew the cap on the plastic bottle of palm oil. He was only four years old.
Chimamanda Ngozi Adichie (The Thing Around Your Neck)
There once was a wee little chap Trying his Lore on a beer bottle cap. The girl could conjure a flash. His friend could zap men to ash, But the little one’s attempts were all— “Bewlah!” the captain bellowed. “Be nice.
Amanda Foody (The Weeping Tide (Wilderlore, #2))
Good-Luck Bottle: Sometimes known as a Witch's Bottle, this generally takes the form of a jar with a tight-fitting screw-on lid. The dirt mixture is placed in the bottom of the container and sprinkled with herbs that vibrate to good fortune. (Any combination may be used, but I tend to use cinnamon, basil, and lavender, as they bring love, money, and spiritual protection.) Traditionally, fishhooks are also added to “hook” good luck, as are nine dimes in payment to the spirit world for its protection and rewards. Once the jar is at least half full, it should be filled to the top with your urine, capped tightly, and buried on your property—preferably as close to the front door as possible.
Dorothy Morrison (Utterly Wicked: Hexes, Curses, and Other Unsavory Notions)
The question is not whether the paranoid Germany is incurable but whether we are. All Germany did was start a war; we and our Allies have to finish one and then construct a world out of broken promises and old bottle caps.
E.B. White (The Wild Flag: Editorials from the New Yorker on Federal World Government and Other Matters)
Vat is real?” “But I told you, I don’t know what’s real!” “Of course not! That is what mekks it an excellent question.” The old man picked up the vodka bottle, unscrewed the cap, and started pouring more vodka into the three glasses. “Now we must toast to your question, and then you must go home and contemplate ze nature of reality, and when you hef an answer, you can come back and tell me all about it.” He handed the Aloha glass to Benny. “To reality!
Ruth Ozeki (The Book of Form and Emptiness)
That’s when the sound made perfect sense. It was snoring. From the imp now sleeping next to the empty bottle cap.
Kristen Painter (Miss Frost Ices the Imp (Jayne Frost, #2))
And then someone asks if Callum is as skilled in the bedroom as he is in the kitchen. That's when my blood turns to magma. I slam my hand on top of the metal countertop. "Listen the hell up!" My shout silences every last one of the vloggers. The high schooler looks on with a shocked expression and mutters, "Yes, ma'am." "My personal life isn't up for discussion. I'm also not interested in name-dropping any of you in a commercial when you've been harassing me and my customers every day since the festival. I'm here to cook and serve food, and you goddamn piranhas are crowding around my truck, making it impossible for my mother and me to serve our customers. Either get the hell out of the way so my customers can order, or else." There's silence, followed by soft mutters. A scrawny, white guy in the back of the crowd tucks his phone into his pocket and crosses his arms, stubborn written across his frown. "Or else what?" Leaning my head back, I puff out all the hot air pent up in my body. He's the pissant who asked about Callum's bedroom performance. I swipe a bottle of lemon-lime soda from the counter and give it a dozen of the most violent shakes I can manage. I stomp out of the truck and up to the offending vlogger. Even when I'm standing two inches from him, he has the audacity to smirk. But when I twist off the cap, a stream of soda smashes him square in the face. My frustration dissipates with each violent burst of carbonated liquid.
Sarah Smith (Simmer Down)
Red wine and Hennessy She fell out of her bottle when she fell into love, cup running over, overflowing emotions in glass- red stained palet, on a pallet on the grass, to a quilt on the floor -affixed between lips and red lipstick on a shirt that he wore. A familiar place, she know she's been here before Reminiscent of the evening On his shirt that she tore ............ Drop by drop, puddle in glass getting lower- impressions in her gut, rim of her glass, hour glass figure moves counter clockwise - while absorbing the contents of merlot. Hard liquor and fine wine ............. Red Wine and Hennessy A wicked twist on some champagne tips French nails, manicures over grapes Whoever said wine and liquor don't mix? Last night I had six Bottle caps, corks, bedazzled juice Merlot was her name - slim waist - good taste slinger neck, red lace. Long stem, pedestal - hands embraced her face ............. room temperature, her body temperature ... personality of two, she's mellow and chill... aged to perfection- pop the seal- watch the erection ... splatters on the floor- covers the rug, Residue of red lipstick- Merlot stained lips match the kiss on his neck ............ Chasing fantasy through the Red Sea While chasing that with a white BC How much will she pour- how much will she drink How much more before her ship sinks ........... A full body lush, blackberry crush Medium sized Bordeaux Intense velvety plum I asked her where she's from She said she's international She's longer thinking rational .......... Sips in sync with blinking eyes She sips too much to realize Every time you pour into me, my bottle gets more empty- Glass falling to the floor She staggers to the door Glass shatters her feet She stumbles to her seat She's still asking for more But she falls to the floor Red lipstick in the mud She covers up the blood ............ She lays in her wine She forgot about the time Clock on the wall Footsteps in the hall Pounding in her head She rushes to the bed ......... She lays motionless ... but her head is racing Her heart is pacing Her lungs are gasping - air, she needs air Rolls to her side, brings her self to sit up She gags and gags until She throws it all up- ........... Wakes up the next morning Dazed and confused She's laying in a bed That she's not used to She moves slowly, where did everyone go? She checks the time- it's a quarter pass 4 sounds on the other side of the door Are Muffled by the sound of a knock at the door ........... Looks around for her little red dress Notices a blotch - a red stain on her breast Lipstick smeared an accessory to her mess She reached for her clothes and saw a note on the desk. .......... Dearly beloved, I want to see you again I'd love to have to back I think we make a great blend I tried to wake you Because I had to go And Oh by the way, my name is merlot "Little Black Bird
Niedria Dionne Kenny (Love, Lust and Regrets: While the lights were off)
Star businesses needn’t be anything to do with technology. Only one of my five stars is a technology venture. The longest-running star business is surely the Coca-Cola Company, incorporated in 1888 and a consistent star business until the 1990s. For over a century, despite two world wars, the stock market crash of 1929 and the ensuing Great Depression, Coca-Cola remained a star. The global market for cola increased on trend by more than 10 per cent every year and Coke remained the dominant player in that market. The value of the company increased with remarkable consistency, even bucking the trend and rising from 1929 to 1945.The company used World War Two to its immense advantage. After Pearl Harbor, Coke boss Robert Woodruff pledged to ‘see that every man in uniform gets a bottle of Coca-Cola for five cents, wherever he is and whatever it costs our company’. The US administration exempted Coca-Cola that was sold to the military from all sugar rationing. The US Army gave Coke employees installing plants behind the front lines the pseudo-military status of ‘technical observers’. These ‘Coca-Cola Colonels’ were exempt from the draft but actually wore Army uniforms and carried military rank according to their company salaries. General Eisenhower, a self-confessed Coke addict, cabled urgently from North Africa on 29 June, 1943: ‘On early convoy request shipment three million bottled Coca-Cola (filled) and complete equipment for bottling, washing, capping same quantity twice monthly . . .’2 Coke became familiar throughout Europe during the war and continued its remarkably cosy arrangement with the US military in Germany and Japan during the postwar occupation. From the 1950s, Coke rode the wave of internationalisation. Roberto Goizueta, the CEO from 1980 to 1997, created more wealth for shareholders than any other CEO in history. He became the first CEO who was not a founder to become a billionaire. The business now rates a value of $104 billion.
Richard Koch (The Star Principle: How it can make you rich)
I also made you some tea.” She handed back an old-fashioned tartan-plaid thermos bottle with a cap that doubled as a cup. “I know it’s very stereotypical for a British person to make tea, but the fact is, it’s chock-full of antioxidants and has far less sugar than that Gatorade that
Stuart Gibbs (Spy School Secret Service)
overloaded horses bent backwards by the chisel of the mason who once sculpted an eternal now on the brow of the wingless archangel, time-deformed cherubim and the false protests, overweight bowels fallen from the barracks of the pink house carved with grey rain unfallen, never creaking, never opening door, with the mouth wide, darkened and extinguished like a burning boat floating in a voiceless sea, bottle of rum down threadbare socks, singing from pavement to pavement, bright iridescent flame, "Oh, my Annie, my heart is sore!", slept chin on the curb of the last star, the lintel illuminated the forgotten light cast to a different plane, ah the wick of a celestial candle. The piling up of pigeons, tram lines, the pickpocket boys, the melancholy silver, an ode to Plotinus, the rattle of cattle, the goat in the woods, and the retreat night in the railroad houses, the ghosts of terraces, the wine shakes, the broken pencils, the drunk and wet rags, the eucalyptus and the sky. Impossible eyes, wide avenues, shirt sleeves, time receded, 'now close your eyes, this will not hurt a bit', the rose within the rose, dreaming pale under sheets such brilliance, highlighting unreality of a night that never comes. Toothless Cantineros stomp sad lullabies with sad old boots, turning from star to star, following the trail of the line, from dust, to dust, back to dust, out late, wrapped in a white blanket, top of the world, laughs upturned, belly rumbling by the butchers door, kissing the idol, tracing the balconies, long strings of flowers in the shape of a heart, love rolls and folds, from the Window to Window, afflicting seriousness from one too big and ever-charged soul, consolidating everything to nothing, of a song unsung, the sun soundlessly rising, reducing the majesty of heroic hearts and observing the sad night with watery eyes, everything present, abounding, horses frolic on the high hazy hills, a ships sails into the mist, a baby weeps for mother, windows open, lights behind curtains, the supple avenue swoons in the blissful banality, bells ringing for all yet to come forgotten, of bursting beauty bathing in every bright eternal now, counteract the charge, a last turn, what will it be, flowers by the gate, shoe less in the park, burn a hole in the missionary door, by the moonlit table, reading the decree of the Rose to the Resistance, holding the parchment, once a green tree, sticking out of the recital and the solitaire, unbuttoning her coat sitting for a portrait, uncorking a bottle, her eyes like lead, her loose blouse and petticoat, drying out briefs by the stone belfry and her hair in a photo long ago when, black as a night, a muddy river past the weeds, carrying the leaves, her coffee stained photo blowing down the street. Train by train, all goes slow, mist its the morning of lights, it is the day of the Bull, the fiesta of magic, the castanets never stop, the sound between the ringing of the bells, the long and muted silence of the distant sea, gypsy hands full of rosemary, every sweet, deep blue buckets for eyes, dawn comes, the Brahmanic splendour, sunlit gilt crown capped by clouds, brazen, illuminated, bright be dawn, golden avenues, its top to bottom, green to gold, but the sky and the plaza, blood red like the great bleeding out Bull, and if your quiet enough, you can hear the heart weeping.
Samuel J Dixey (The Blooming Yard)
I threw away picture-frame wire, metal bookends, cork coasters, plastic key tags, dusty bottles of Mercurochrome and Vaseline, crusted paintbrushes, caked shoe brushes, clotted correction fluid. I threw away candle stubs, laminated placemats, frayed pot holders. I went after the padded clothes hangers, the magnetic memo clipboards. I was in a vengeful and near savage state. I bore a personal grudge against these things. Somehow they’d put me in this fix. They’d dragged me down, made escape impossible. The two girls followed me around, observing a respectful silence. I threw away my battered khaki canteen, my ridiculous hip boots. I threw away diplomas, certificates, awards and citations. When the girls stopped me, I was working the bathrooms, discarding used bars of soap, damp towels, shampoo bottles with streaked labels and missing caps.
Don DeLillo (White Noise)
I watched in slow motion as the palette of diet sodas sunk an inch, shaking each bottle just enough so a tiny mint that was hidden in each of the bottle caps dropped into the carbonated beverage.
Marcus Emerson (Extra Large Soda Jerk (Secret Agent 6th Grader, #3))
In the produce section she stopped to inhale the smell of so many oranges- Valencia, blood, juice, navel- net bags of limes, stacks of pineapples. The hygienic overtones of bleach were also in the air and she sniffed at the scent of chlorine as though it were a delicacy. She picked up a watermelon as big as a child, lifting it with difficulty into her cart. A sheaf of plantains. Peaches thick with fuzz. She chose bottled waters from Maine and Italy, from Germany and France, then proud-colored squeeze bottles of Joy and Cheer, Dove and Palmolive. She reached for high-protein cereals and protein bars, granola with cranberries, Cap'n Crunch. She explored the store, lapping up the light, listening to the music with its brave half-heard songs of love lost and found. Naomi passed by the stacks of mammalian flesh cut into portions wrapped in tight plastic. She lingered at the fish counter to contemplate the blackness of the mussels, the glistening dislocated stripes of the mackerel, the rosy pinkness of the salmon fillets arrayed on the ice. Here were animals still with their eyes on, red snapper and Mediterranean black bass. In a tank of greenish water, lobsters swam with halting deliberation; she pursed her lips and gave a furtive salute, her fingers held like claws.
Grace Dane Mazur (The Garden Party: A Novel)
knitted web in the Common is based on various pacifist yarn-bombings around the U.S. and the U.K., while the ice children in Nashville have their seeds in the surprise overnight installations of statues, such as the nude Donald Trump statues created by INDECLINE to protest his policies, and the haunting depictions of caged children that were planted by the Refugee and Immigrant Center for Education and Legal Services (RAICES) to draw attention to migrant family separations at the U.S.-Mexico border. In particular, the nonviolent protests of the Serbian Otpor! movement, Syrian anti-Assad protestors, and other groups, especially as described so vividly in Blueprint for Revolution, by Srdja Popović, sparked the ideas for the cement block and crowbar in Austin, the ping-pong balls in Memphis, and Margaret’s bottle caps, as well as influencing the overall spirit of all the art protests. The struggles of prodemocracy Hong Kongers, particularly against the recent China-imposed “national security” legislation, were always on
Celeste Ng (Our Missing Hearts)
Was Ryan supportive?” “Ryan doesn’t know,” she says. She pulls a bottle of normal Advil out of her bag and fidgets with the childproof cap. “I told him I had food poisoning and really bad period cramps. He was gone for most of it but brought me home a ginger ale after work.” I imagine Sasha, weak, sick, and bleeding in bed, and all I want is to be able to go back in time and take care of her.
Anna Fitzpatrick (Good Girl)
Gildie’s coarse fur looked singed on the edges, and her enormous eyes were clouded and watery, but she seemed okay. Her foot still clutched the bottle, which was filled with tiny yellow beads of sparks and capped with a glowing golden seal. “You did it!” Sophie transmitted images of the treats she would give Gildie as she wrapped the bottle in her cape and tucked it under her arm. Then she pulled out her home crystal—glad she hadn’t given it back to Grady and Edaline—and leaped her and Gildie to safety. “WHAT WERE YOU THINKING?” GRADY demanded as he paced the living room. Edaline stayed outside, treating Gildie’s scorched fur. She couldn’t bear to look at Sophie’s burns, and Sophie couldn’t blame her after Jolie. She was surprised Grady could stand it. Alden and Elwin were on their way. This was the one thing she hadn’t thought through. She knew she would have to confess what
Shannon Messenger (Keeper of the Lost Cities (Keeper of the Lost Cities, #1))
Jane could already see the Cherish Hydration merch: mint-green water bottles with wooden caps, rose-quartz tote bags, possibly yoga-friendly T-shirts if she could find the right font. Cooking with Water: Recipes to Help You Cherish Hydration and Breathe Abundantly.
Jessie Gaynor (The Glow)
My eyes land on the bottle of lotion by her bed. I untwist the top and spit my come inside, place the cap back on, and shake it. She’ll never know.
January Rayne (Honeysuckles (Shallow Cove Dark Dimensions, #1))
She doesn’t belong here, Ivy,” he said, and I rolled my eyes. After draining the water bottle, I put the cap back on it and then flung it. It bounced right off his head and he blinked at me. “Stop deciding where people belong. I swear, you were a damn hall monitor when you were a kid.” He retrieved the bottle, eyeing me with what looked suspiciously like a smile, even if he fought it. “Did no one ever tell you that throwing things at people isn’t nice?” “Nope,” I informed him, popping the p. “I skipped that lesson with Ms. Manners. Didn’t Liam tell you? I’m a hellspawn.
Heather Long (Reckless Thief (82 Street Vandals, #8))
Your Bone set is unlikely to contain only actual bones, however. Some Bones will be bones; others might be nuts. Or shells. Or bottle caps. Or dominoes. Or that locket that sits in your jewelry box that you keep meaning to pass on to someone, but it keeps hanging around. But in bone casting, we call them all "Bones.
Tava Baird (Singing to the Bones: a bonecaster's notebook (The Old Ways))
Things are going to change,” I tell her, pushing to my feet. “I know you can’t see it. I know revolution never came for you, and I’m sorry, Mama. But I’m not in this alone. This baby has more than just me.” “For all of our sakes, I hope that’s true,” she says, capping the bottle of vodka. “Because as loyal as I am to what I’ve built here, I couldn’t ever not love something you made.” She glances down at my belly, a sad smile touching her lips. “Not even the heir to East End.
Angel Lawson (Princes of Ash (Royals of Forsyth University, #8))