Botanical Love Quotes

Tomber amoureux. To fall in love. Does it occur suddenly or gradually? If gradually, when is the moment “already”? I would fall in love with a monkey made of rags. With a plywood squirrel. With a botanical atlas. With an oriole. With a ferret. With a marten in a picture. With the forest one sees to the right when riding in a cart to Jaszuny. With a poem by a little-known poet. With human beings whose names still move me. And always the object of love was enveloped in erotic fantasy or was submitted, as in Stendhal, to a “cristallisation,” so it is frightful to think of that object as it was, naked among the naked things, and of the fairy tales about it one invents. Yes, I was often in love with something or someone. Yet falling in love is not the same as being able to love. That is something different.

When you walk through a beautiful botanical garden, you feel open and light. You feel love. You see beauty. You don’t judge the shape and placement of every leaf. The leaves are of all sizes and shapes and they face every-which-way. That’s what makes them beautiful. What if you felt that way about people? What if they didn’t all have to dress the same, believe the same, or behave the same? What if they were like the flowers, and however they happened to be seemed beautiful to you?

I ran from them. Nights, yellow lights scoured sand. What was ever found but women in skirts folded around the men they loved that Friday? No one found me. And how could that have been, here, where even botanical names were recorded and small roads mapped in red? Night, the sky is black paper pecked with pinholes.

When you walk through a beautiful botanical garden, you feel open and light. You feel love. You see beauty. You don’t judge the shape and placement of every leaf. The leaves are of all sizes and shapes and they face every-which-way. That’s what makes them beautiful. What if you felt that way about people?

When her parents had company over, it wasn’t uncommon to see guests stopping to check out the koi ponds, exotic flowers and rare species of trees that offered plenty of cool shade. This backyard could easily rival the best botanical garden in town.

I notice you have written about mussels a few times, but you only ever mention cooking clams. I recently learned a creative mussels recipe from a Frenchwoman I met on a voyage to the Far East. I am enclosing a packet of saffron from that voyage. It is my small way of thanking you for "Letters from the Island." For steamed mussels, in a stockpot add a generous pinch of saffron, coarsely chopped garlic, and parsley to a half cup of melted butter. The red enamel pot you mentioned in your column about racing Dungeness crabs, the one with the pockmark from your niece's Red Ryder BB gun, will do perfectly. If you can't find fresh garlic, shallots can be substituted, but in my opinion, without fresh garlic the dish isn't worth making. The Frenchwoman told me the addition of a cup or so of white wine is considered standard for this broth, but she prefers vermouth. I agree with her. It gives the dish a crisp, botanical flavor, and I can save my Chablis for drinking with my meal.

I had come to love the space, and I could see why Lady Anna had too. The orchids were positively glorious. She'd tagged each flower with its proper botanical name, but I favored the pet names she'd given each bloom. For instance, a stunning pink 'Cattleya' was named "Lady Catalina." And a yellow 'Oncidium,' which to me looked like a flock of ladies in fluffy party dresses, was called "Lady Aralia of the Bayou.

If a fountain could jet bouquets of chrome yellow in dazzling arches of chrysanthemum fireworks, that would be Canada Goldenrod. Each three-foot stem is a geyser of tiny gold daisies, ladylike in miniature, exuberant en masse. Where the soil is damp enough, they stand side by side with their perfect counterpart, New England Asters. Not the pale domesticates of the perennial border, the weak sauce of lavender or sky blue, but full-on royal purple that would make a violet shrink. The daisylike fringe of purple petals surrounds a disc as bright as the sun at high noon, a golden-orange pool, just a tantalizing shade darker than the surrounding goldenrod. Alone, each is a botanical superlative. Together, the visual effect is stunning. Purple and gold, the heraldic colors of the king and queen of the meadow, a regal procession in complementary colors. I just wanted to know why. In composing a palette, putting them together makes each more vivid; just a touch of one will bring out the other. In an 1890 treatise on color perception, Goethe, who was both a scientist and a poet, wrote that “the colors diametrically opposed to each other . . . are those which reciprocally evoke each other in the eye.” Purple and yellow are a reciprocal pair. Growing together, both receive more pollinator visits than they would if they were growing alone. It’s a testable hypothesis; it’s a question of science, a question of art, and a question of beauty. Why are they beautiful together? It is a phenomenon simultaneously material and spiritual, for which we need all wavelengths, for which we need depth perception. When I stare too long at the world with science eyes, I see an afterimage of traditional knowledge. Might science and traditional knowledge be purple and yellow to one another, might they be goldenrod and asters? We see the world more fully when we use both. The question of goldenrod and asters was of course just emblematic of what I really wanted to know. It was an architecture of relationships, of connections that I yearned to understand. I wanted to see the shimmering threads that hold it all together. And I wanted to know why we love the world, why the most ordinary scrap of meadow can rock us back on our heels in awe.

He sighed. “You’ve chosen poorly, you know. When we return to England you’ll be celebrated, just as I will be. If you’ve decided to abandon me, you might have netted someone titled, someone with enough wealth to see you esteemed and me able to continue my botanical studies. That would have been the aim of a dutiful daughter.” “I’m not abandoning you, and I chose Shaw. You’re the one who declined to attend your daughter’s wedding.” “You never used to speak to me like this. A dutiful child would never have accepted a proposal from the first man who asked, simply because he did ask.” “He didn’t propose to me. I proposed to him.” Finally he looked more surprised than angry and frustrated. “You proposed to him?” “Yes, because I didn’t think he believed me when I said that I loved him. I can hardly blame him, since I had to think about it for an entire day after he said it to me, but I do love him. More than I can articulate to you.

Are you chuckling yet? Because then along came you. A big, broad meat eater with brash blond hair and ruddy skin that burns at the beach. A bundle of appetites. A full, boisterous guffaw; a man who tells knock know jokes. Hot dogs - not even East 86th Street bratwurst but mealy, greasy big guts that terrifying pink. Baseball. Gimme caps. Puns and blockbuster movies, raw tap water and six-packs. A fearless, trusting consumer who only reads labels to make sure there are plenty of additives. A fan of the open road with a passion for his pickup who thinks bicycles are for nerds. Fucks hard and talks dirty; a private though unapologetic taste for porn. Mysteries, thrillers, and science fiction; a subscription to National Geographic. Barbecues on the Fourth of July and intentions, in the fullness of time, to take up golf. Delights in crappy snack foods of ever description: Burgles. Curlies. Cheesies. Squigglies - you're laughing - but I don't eat them - anything that looks less like food than packing material and at least six degrees of separation from the farm. Bruce Springsteen, the early albums, cranked up high with the truck window down and your hair flying. Sings along, off-key - how is it possible that I should be endeared by such a tin ear?Beach Boys. Elvis - never lose your roots, did you, loved plain old rock and roll. Bombast. Though not impossibly stodgy; I remember, you took a shine to Pearl Jam, which was exactly when Kevin went off them...(sorry). It just had to be noisy; you hadn't any time for my Elgar, my Leo Kottke, though you made an exception for Aaron Copeland. You wiped your eyes brusquely at Tanglewood, as if to clear gnats, hoping I didn't notice that "Quiet City" made you cry. And ordinary, obvious pleasure: the Bronx Zoo and the botanical gardens, the Coney Island roller coaster, the Staten Island ferry, the Empire State Building. You were the only New Yorker I'd ever met who'd actually taken the ferry to the Statue of Liberty. You dragged me along once, and we were the only tourists on the boat who spoke English. Representational art - Edward Hopper. And my lord, Franklin, a Republican. A belief in a strong defense but otherwise small government and low taxes. Physically, too, you were such a surprise - yourself a strong defense. There were times you were worried that I thought you too heavy, I made so much of your size, though you weighed in a t a pretty standard 165, 170, always battling those five pounds' worth of cheddar widgets that would settle over your belt. But to me you were enormous. So sturdy and solid, so wide, so thick, none of that delicate wristy business of my imaginings. Built like an oak tree, against which I could pitch my pillow and read; mornings, I could curl into the crook of your branches. How luck we are, when we've spared what we think we want! How weary I might have grown of all those silly pots and fussy diets, and how I detest the whine of sitar music!

Arnold had never given much thought to whether or not he loved America—but now it seemed pretty obvious to him that he didn’t. Not in the way Nathan Hale had loved America. Or even in the way his late father, a Dutch-Jewish refugee, had loved America. In fact, he found the idea of sacrificing his life for his country somewhat abhorrent. Moreover, it wasn’t that he disliked abstract loyalties in general. He loved New York, for instance: Senegalese takeout at three a.m., and strolling through the Botanical Gardens on the first crisp day of autumn, and feeding the peacocks at the Cathedral of St. John the Divine. If Manhattan were invaded—if New Jersey were to send an expeditionary force of militiamen across the Hudson River—he’d willingly take up arms to defend his city. He also loved Sandpiper Key in Florida, where they owned a time-share, and maybe Brown University, where he’d spent five years of graduate school. But the United States? No one could mistake his qualified praise for love.

memoir A Ride in the Neon Sun. Here’s what she says about traveling: Some people travel with firm ideas for a journey, following in the footsteps of an intrepid ancestor whose exotic exploits were happened upon in a dusty, cobweb-laced attic containing immovable trunks full of sepia-curled daguerreotypes and age-discoloured letters redolent of bygone days. Others travel for anthropological, botanical, archaeological, geological, and other logical reasons. Some are smitten by a specific country brewed from childhood dreams. For others, travel is a challenge, a release, an escape, a shaking off of the shackles, and even if they don’t know where they will end up they usually know where they will begin. The very hardest part of writing this book was that I was unable to stop working on it. I kept reading even after the initial manuscript was turned in, discovering new titles and authors whose works I just couldn’t bear to leave out. I even envisioned myself watching the book being printed and shouting periodically, “Stop the presses!” so that I could add yet another section or title. But of course the day actually came when I knew I had to stop or there would never be an end to the project.And here is the result, in your hands right now. So, before your next trip—either virtual or actual—grab a pen and begin making notes about the titles that sound good to you. And enjoy the journeys. I’d love to hear from you. My email address is nancy@nancypearl .com.

the God of the Bible is so immense, omnipotent, and omniscient that for God, knowing each of us in the depths of our beings is an afternoon walk in Sydney’s botanical garden. The God of Jesus knows us by name, knows our minds and hearts and emotions, loves us (anyway), and summons us, as it were, into the divine presence to lay out our requests.

They reached the garden, and Beryl turned to him. “Is it safe for him to play on his own here?” “Define safe.” “No dog-eating plants, he can’t open the doors and run away, that sort of thing.” “I can disable to the motion-sensing feature on the entrance,” Zylar said, doing so as he offered. “And there are no aggressive botanical lifeforms cultivated here. Those are contained in the secure greeneries.” Beryl’s eyes widened. “You’re growing attack petunias somewhere?” “I don’t understand.” “Never mind.” She knelt and put her hands on Snaps’s face, so the fur-person had to look at her. “Don’t eat anything in here. You understand? It might make you sick.” “Eat nothing. Smell everything. I got it!” Snaps said. “Can I dig?” “It’s probably fine. Just don’t hurt the plants.” She pulled the cord off him, setting him free to explore, while Zylar tried to understand why Snaps wanted to dig. “I have nothing to bury,” Snaps said sadly, then he bounded off.

I read in a magazine the other day that Hindu Indians do not mourn their dead; instead they rejoice, believing that the loved one has gone to a better place. I cannot imagine that, myself, for how can the heart not ache with the sorrow of that terrible finality? Do these people have no feelings?

I was of the opinion that a good heart was not money in the bank. You couldn't buy a bowl of rice with sympathy, I used to say. But two baht worth of rice with love at the supper table is a feast, and I know, because we starved on roast pork.

What twist of perception allows us to believe that, in poisoning the world, we are not also poisoning ourselves, poisoning the people and places we love?

Take an extreme case, where E-Prime seems overly pedantic: instead of “This is a chair,” I write “I call this a chair, and use it as a chair.” The is-ness statement tends, to a greater or lesser degree, to make you forget what the E-Prime statement helps you to remember: the non-verbal space-time event called a “chair” can have many other names, and many other uses — e.g., an aggressive weapon in a dysfunctional family, a defensive weapon if a burglar breaks in, kindling wood in some Ice Age situation, a scratching post for Kitty, etc. Similarly, “This is a rose” encourages you to forget that the non-verbal Gizmo “is” also a botanical specimen, a structure created by DNA out of other molecules, a source of pleasant aroma, a gift for a loved one, a subject for a painter, a mass of electrons, etc. etc. etc.

Adaptogens: Herbs for Strength, Stamina, and Stress Relief by David Winston and Steven Maimes An in-depth discussion of adaptogens with detailed monographs for many adaptogenic, nervine, and nootropic herbs. Adaptogens in Medical Herbalism: Elite Herbs and Natural Compounds for Mastering Stress, Aging, and Chronic Disease by Donald R. Yance A scientifically based herbal and nutritional program to master stress, improve energy, prevent degenerative disease, and age gracefully. Alchemy of Herbs: Transform Everyday Ingredients into Foods and Remedies That Heal by Rosalee de la Forêt This book offers an introduction to herbal energetics for the beginner, plus a host of delicious and simple recipes for incorporating medicinal plants into meals. Rosalee shares short chapters on a range of herbs, highlighting scientific research on each plant. The Business of Botanicals: Exploring the Healing Promise of Plant Medicines in a Global Industry by Ann Armbrecht Forbes In a world awash with herbal books, this is a much-needed reference, central to the future of plant medicine itself. Ann weaves a complex tapestry through the story threads of the herbal industry: growers, gatherers, importers, herbalists, and change-making business owners and non-profits. As interest in botanical medicine surges and the world’s population grows, medicinal plant sustainability is paramount. A must-read for any herbalist. The Complete Herbal Tutor: The Ideal Companion for Study and Practice by Anne McIntyre Provides extensive herbal profiles and materia medica; offers remedy suggestions by condition and organ system. This is a great reference guide for the beginner to intermediate student. Foundational Herbcraft by jim mcdonald jim mcdonald has a gift for explaining energetics in a down-to-earth and engaging way, and this 200-page PDF is a compilation of his writings on the topic. jim’s categorization of herbal actions into several groups (foundational actions, primary actions, and secondary actions) adds clarity and depth to the discussion. Access the printable PDF and learn more about jim’s work here. The Gift of Healing Herbs: Plant Medicines and Home Remedies for a Vibrantly Healthy Life by Robin Rose Bennett A beautiful tour of some of our most healing herbs, written in lovely prose. Full of anecdotes, recipes, and simple rituals for connecting with plants. Herbal Healing for Women: Simple Home Remedies for All Ages by Rosemary Gladstar Thorough and engaging materia medica. This was the only book Juliet brought with her on a three-month trip to Central America and she never tired of its pages. Information is very accessible with a lot of recipes and formulas. Herbal Recipes for Vibrant Health: 175 Teas, Tonics, Oils, Salves, Tinctures, and Other Natural Remedies for the Entire Family by Rosemary Gladstar Great beginner reference and recipe treasury written by the herbal fairy godmother herself. The Modern Herbal by Maude Grieve This classic text was first published in 1931 and contains medicinal, culinary, cosmetic, and economic properties, plus cultivation and folklore of herbs. Available for free online.

Oh, how stubbornly does love - or even that cunning semblance of love which flourishes in the imagination, but strikes no depth of root into the heart - how stubbornly does it hold its faith, until the moment come, when it is doomed to vanish into thin mist! (...) After the first interview, a second was in the inevitable course of what we call fate. A third; a fourth; and a meeting with Beatrice in the garden was no longer an incident in Giovanni’s daily life, but the whole space in which he might be said to live; for the anticipation and memory of that ecstatic hour made up the remainder.

After selecting a brush, she moistened the cakes of watercolor in her traveling palette with some of the water from her cup and, with careful strokes, began to record the almond flowers in painstaking detail. Her father had successfully cultivated them at Trebithick, but she had never seen them growing in the wild before. More often than not, Elizabeth would collect plant samples to study carefully indoors, and would sketch them out before taking up her brush, spending hours ensuring she captured each detail precisely. But recently she had begun to experiment with a more free-form style of painting. It wasn't strictly the style of illustration she had learned, nor did she think her father would approve, but she loved the immediacy of it. The trick was to get the lighting just right--- a strong source helped to create shade and give the work a three-dimensional effect. The afternoon light was perfect, and she also used a dry brush, rubbed over the paint cakes, to add detail and depth to the watercolors. Daisy wandered off to the shade of a wide-spreading tree a few yards away. 'It's a canela tree, I think," Elizabeth called out, pausing for a moment from her work. 'False cinnamon,' she explained. 'I can smell it,' replied Daisy, sniffing appreciatively. 'Like Cook's apple pie.

What would have happened, I wondered, if Clover and Jotter never ran the river—if they had listened to the critics and doomsayers, or to their own doubts? They brought knowledge, energy, and passion to their botanical work, but also a new perspective. Before them, men had gone down the Colorado to sketch dams, plot railroads, dig gold, and daydream little Swiss chalets stuck up on the cliffs. They saw the river for what it could be, harnessed for human use. Clover and Jotter saw it as it was, a living system made up of flower, leaf, and thorn, lovely in its fierceness, worthy of study for its own sake. They knew every saltbush twig and stickery cactus was, in its own way, as much a marvel as Boulder Dam—shaped to survive against all the odds. In the United States, half of all bachelor’s degrees in science, engineering, and mathematics go to women, yet these women go on to earn only 74 percent of a man’s salary in those fields. A recent study found that it will be another two decades before women and men publish papers at equal rates in the field of botany, a field traditionally welcoming to women. It may take four decades for chemistry, and three centuries for physics. Stereotypes linger of scientists as white-coated, wild-haired men, and they limit the ways in which young people envision their futures. In a famous, oft-replicated study, 70 percent of six-year-old girls, asked to draw a picture of a scientist, draw a woman, but only 25 percent do so at the age of sixteen.

It is an elemental irony, isn’t it, that the more we love, the more we fear.

But the only thing she’d ever wanted was to run the Cupid Botanical Gardens and spend her life studying the mesmerizing plants of the Trans-Pecos region. Her roots ran deep in this arid soil, and family was important to her,

We believed Harriet had been collected in 1835 by Charles Darwin himself. She was brought to Australia from England in 1841 by Captain Wickham aboard the HMS Beagle. Actually, three giant Galapagos tortoises had been donated to the Brisbane Botanic Gardens, after Darwin realized they did not flourish in England, where he had originally taken them in 1835. How could we determine whether Harriet was one of the Darwin Three? Scott Thomson found a giant tortoise in the collection of the Queensland Museum that had been mislabeled an Aldabran tortoise. Carved on the carapace was the animal’s name. “Tom,” and “1929.” We now had potentially found two of the three Darwin tortoises. Harriet and Tom had been seen together in living memory. The third tortoise was never found and was presumed buried somewhere in the botanic gardens. Harriet lived on. Steve and I became very excited at this news. Our studies and research into Harriet’s history continued for years, and it was amazing to learn what a special resident we had at the zoo. Despite her impressive background, Harriet remained attractively modest. She had a sweet personality like a little dog. She loved hibiscus flowers, and certain veggies were her favorites. Steve carried on a practice that his parents had implemented: Whatever you feed animals should be good enough for you to eat. Thus Harriet got the most beautiful mustard greens, kale, eggplant, zucchinis, and even roses. In return, Harriet gave zoo visitors a rare chance to watch her keepers cuddle and scratch one of the grandest creatures on earth. She was the oldest living chelonian and the only living creature to have met Charles Darwin and traveled aboard the Beagle. And she gave us all something else, too--a lesson in how to live a long life. Don’t worry too much. Take it easy. Stop and munch the flowers. It was a lesson Steve noted and understood but could never quite take to heart. He was a meteor. Harriet was more of a mountain. In this world, we need both.

One year, Alma bought Prudence- who liked to draw flowers (beautifully, though not 'accurately')- a lovely book on botanical illustration called "Every Lady Her Own Drawing Master: A New Treatise on Flower Painting." That same year, Prudence made for Alma an exquisite satin pincushion, rendered in Alma's favorite color, aubergine.

Hoodoo, Hoodoo Doctor, Hoodoo Man, Hoodoo Woman: A melting pot American magic, Hoodoo was born when enslaved African magical practitioners, deprived of their traditional materials, were forced to develop an entirely new botanical repertoire to fuel their emergency magic. These practitioners exemplify the ideal of the questing, curious occultist: they took wisdom from all available sources, applied it to a blended West and Central African framework and created a powerful new system of practical magic. In addition to African traditions, Hoodoo incorporates Native American, European and Romany traditions, Freemasonry, Kabalah, and Pow-Wow. Hoodoo may be used as a noun or verb: • Hoodoo names the magical tradition. • Hoodoo names the action of spell-casting: “I will hoodoo you.” • Hoodoo names a state of bewitchment: “I’ve been hoodooed.” Unlike hex or jinx, Hoodoo is a neutral term: one can be Hoodooed with love and blessings as well as curses. Further Reading: Catherine Yronwode’s Hoodoo Herb and Root Magic (Lucky Mojo, 2002).

Knowing that R. L.’s death at nineteen is not his end, Mrs. O’Brien and Jack can trust the nuns. Those who live in the way of grace may die young. They may die horribly. But they never come to a bad end because death is not the end. We are quite a ways beyond Heidegger here. Whatever other influence he had on Malick’s vision, Malick doesn’t accept that death is the limit, that time has a final horizon beyond which the rest is silence. Beyond death there is reconciliation, reunion, hope. Beyond death, there are sunflowers. The sunflower is a perfect image for the way of grace. Its name is suggestive of heavenly glory. In color and shape, it is a reflex of the burning suns of what might be an infinite universe. Malick uses Hubble Telescope pictures of deep space, but one doesn’t have to have a telescope to see the glory shine. Suns grow in the backyard, if we our eyes are open windows. Sunflowers follow the sun through the day, the perfect botanical expression of the way of grace that receives the glory. It’s the perfect Heideggerian flower that never forgets Being. But Malick does something stunning with his sunflowers. The first shot of is a close-up of a single flower, as Mrs. O’Brien speaks of the way of grace. We can see others dancing in the wind behind, but we concentrate on this one. At the end of the film, the camera pulls back, a brilliant blue sky fills the top two-thirds of the screen, and we see a breathtaking field of sunflowers. Through the suffering and loss that the movie depicts, the single sunflower of grace blossoms into a field of sunflowers. It’s Job, surrounded by his second family that he can love. It’s Brothers Karamazov. It’s the Agnus Dei and all seeds that go into the earth to die, so they can produce fruit.

The recent enormous popularity of gin means there has been a parallel surge in delicious high-end tonics. Try Fentimans, Fever Tree and good old Schweppes Indian Tonic. One of those with a slice of lime looks just like a G&T and is delicious. • I used to say brunch isn’t brunch without a Bloody Mary. Now, unless it’s a special occasion, I go for a just-as-delicious and way-more-virtuous Virgin Mary. Just make sure they don’t scrimp on the Tabasco so that you get that kick. • Bitters are great for solving the issue of so many alcohol-free drinks being sickly sweet (I mean, what’s the point of not drinking if you’re going to feel like throwing up in the taxi home anyway?). A soda water with a dash of Angostura bitters hits the spot. • Kombucha is made with ‘live’ fermented tea, so it’s packed with nutrients and great for your gut. Search out craft kombucha brewers like Equinox, Love, Jarr, or Profusion, whose kombucha is available from Ocado. • If a bar has a cocktail list, it will almost certainly have an alcohol-free section. If not, just ask. Mixologists love showing off, so they’ll relish the challenge of creating something bespoke. • For widely available botanically brewed deliciousness, try Folkington’s, Belvoir, Luscombe and Peter Spanton. • A bitter lemon is a great option, assuming you don’t mind (or perhaps you quite enjoy) the slight vibe of Dot and Ethel in the Queen Vic. Personally, I love a bit of 1970s kitsch, and a bitter lemon is usually served on ice in a low-ball glass, so it is perfect for evenings when you don’t want to make a big deal of not drinking, because it looks like a ‘proper’ drink.

Bade round the youth explosive steam aspire, In gathering clouds, and wing'd the wave with fire; Bade with cold streams the quick expansion stop, And sunk the immense of vapour to a drop.- Press'd by the ponderous air the Piston falls Resistless, sliding through its iron walls; Quick moves the balanced beam, of giant-birth, Wields his large limbs, and nodding shakes the earth.

It was in Kuala Lumpur that I saw the tree roots at the botanical gardens grow as much outside of the ground as inside. I saw what used to be the tallest building in the world still appreciated for its beauty long after it lost its title. I thought people could be like buildings, still adored despite their best years behind them. I heard the horns of cars drown out the sound of fountains spurting illuminated shades of violet and crashing against themselves and I thought it was time to leave, to head home the same way I left it; expecting things to be a different way than how they actually will work out. The actions of ones life, makes his life, and in this way things can disappear but never leave. A person that sees beauty in only the grand has never witnessed true beauty, if the abyss is to remind us of anything it is that there is beauty in nothingness and everything. The forest that has no trees, no stones, no path and no flowers is still a forest because of the feeling one can get walking through it which leaves me wondering if the grand zero is everything, that reality was a moment in which I both existed and ceased to exist.

As for the smells I associate with her, I was a bit of a swot too, so I love all the stationery aromas: the woody/metallic aroma of pencil shavings, the flat winey smell of ink, the sticky sweetness of a leaking biro and- my favorite- the almost talcum-powder softness of a new exercise book. For her veggie diet there is the powerful grassiness of leafy vegetables, the caramel of sweet potatoes, carrots and beetroots roasting, and the sulfurous note of brassicas. The nutty starchiness of brown rice and other whole grains. The green tang of fresh herbs, warm ginger. The bite of garlic and the spiciness of coriander seeds, cardamom, turmeric and chili. White flowers for her youthful freshness and lemon for her mental sharpness. So my scents for a daughter are: Gold Heart v. 4 by Map of the Heart Botanical Essence No. 20 Rose by Liz Earle (it has a carrot seed note in it) Wild Green by Bronley White Musk by The Body Shop Neroli by Annick Goutal Cristalle by Chanel