Bosch Quotes

We've searched our database for all the quotes and captions related to Bosch. Here they are! All 100 of them:

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Only bad books have good endings. If a book is any good, it's ending is always bad - because you don't want the book to end.
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Pseudonymous Bosch (The Name of This Book Is Secret (Secret, #1))
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Books can also provoke emotions. And emotions sometimes are even more troublesome than ideas. Emotions have led people to do all sorts of things they later regret-like, oh, throwing a book at someone else.
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Pseudonymous Bosch (The Name of This Book Is Secret (Secret, #1))
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Generally speaking, books don't cause much harm. Except when you read them, that is. Then they cause all kinds of problems.
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Pseudonymous Bosch (The Name of This Book Is Secret (Secret, #1))
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There is nothing you can do about the past except keep it there.
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Michael Connelly (The Brass Verdict (The Lincoln Lawyer, #2; Harry Bosch Universe, #19))
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The paintings of Francis Bacon to my eye are very beautiful. The paintings of Bosch or Goya are to my eye very beautiful. I've also stood in front of those same paintings with people who've said, 'let's get on to the Botticellis as soon as possible.' I have lingered, of course.
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Clive Barker
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USE COMMON SENSE. If somebody offers you a thousand dollars for this book, chances are their motives are not pure. Then again, a thousand dollars is a lot of money. Take the money and run.
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Pseudonymous Bosch (This Isn't What It Looks Like (Secret, #4))
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But remember what I said about forgetting what I said?
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Pseudonymous Bosch (The Name of This Book Is Secret (Secret, #1))
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It was like walking into a treasure trove of books, hoarded by pirate librarians.
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Pseudonymous Bosch (The Name of This Book Is Secret (Secret, #1))
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If we are always arriving and departing, it is also true that we are eternally anchored. One's destination is never a place but rather a new way of looking at things.
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Henry Miller (Big Sur and the Oranges of Hieronymus Bosch)
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This book will not harm you unless someone throws it at you which is a possibilty never to be discounted.
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Pseudonymous Bosch (The Name of This Book Is Secret (Secret, #1))
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*Appendix usually means "small outgrowth from large intestine," but in this case it means "additional information accompanying main text." Or are those really the same things? Think carefully before you insult this book.
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Pseudonymous Bosch (The Name of This Book Is Secret (Secret, #1))
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There is no client as scary as an innocent man." J. Michael Haller, Criminal Defense Attorney, Los Angeles, 1962.
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Michael Connelly (The Lincoln Lawyer (The Lincoln Lawyer, #1; Harry Bosch Universe, #16))
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Whoever uses the spirit that is in him creatively is an artist. To make living itself an art, that is the goal.
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Henry Miller (Big Sur and the Oranges of Hieronymus Bosch)
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Who needs to go somewhere when you can read about it.
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Pseudonymous Bosch (The Name of This Book Is Secret (Secret, #1))
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Being an author, is being a dictator. (in a good way)
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Pseudonymous Bosch
β€œ
Very little in this world makes sense.
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Pseudonymous Bosch (If You're Reading This, It's Too Late (Secret, #2))
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You can't patch a wounded soul with a Band-Aid.
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Michael Connelly (The Black Echo (Harry Bosch, #1; Harry Bosch Universe, #1))
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Surely every one realizes, at some point along the way, that he is capable of living a far better life than the one he has chosen.
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Henry Miller (Big Sur and the Oranges of Hieronymus Bosch)
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What is important is not what you hear said, it's what you observe.
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Michael Connelly (Trunk Music (Harry Bosch, #5; Harry Bosch Universe, #6))
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Not all novelists are power-hungry madman. Some are power-hungry madwomen.
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Pseudonymous Bosch (The Name of This Book Is Secret (Secret, #1))
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Q: Why do you like chocolate so much? A: The answer, clearly, is because I've tasted chocolate.
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Pseudonymous Bosch
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Before we do, I suggest you take a break. If you need to go to the bathroom, this is a good time. If you're sleepy, go to bed and save the next chapter for tomorrow. For the magician's story, you must have all your wits about you. No wandering minds allowed.
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Pseudonymous Bosch (The Name of This Book Is Secret (Secret, #1))
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What is jealousy but a reflection of your own failures?
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Michael Connelly (The Last Coyote (Harry Bosch, #4))
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There were a billion lights out there on the horizon and I knew that all of them put together weren't enough to light the darkness in the hearts of some men.
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Michael Connelly (The Scarecrow (Jack McEvoy, #2; Harry Bosch Universe, #20))
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Los Angeles was the kind of place where everybody was from somewhere else and nobody really droppped anchor. It was a transient place. People drawn by the dream, people running from the nightmare. Twelve million people and all of them ready to make a break for it if necessary. Figuratively, literally, metaphorically -- any way you want to look at it -- everbody in L.A. keeps a bag packed. Just in case.
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Michael Connelly (The Brass Verdict (The Lincoln Lawyer, #2; Harry Bosch Universe, #19))
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Oh, talking is not so bad as that," said the Jester. "True, most people say only silly things when they speak. But it's easier to ignore them if you're saying silly things yourself.
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Pseudonymous Bosch (If You're Reading This, It's Too Late (Secret, #2))
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Some secrets are meant to be known- but once known you can never forget them.
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Pseudonymous Bosch (The Name of This Book Is Secret (Secret, #1))
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The name of this book is mysterious.
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Pseudonymous Bosch
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...books were better than travel.
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Pseudonymous Bosch (The Name of This Book Is Secret (Secret, #1))
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Please be SILENT and LISTEN. I am the SCHOOLMASTER and you are in the CLASSROOM. Just like ELEVEN PLUS TWO equals TWELVE PLUS ONE, And even a FUNERAL can be REAL FUN, You will find my DICTIONARY is quite INDICATORY. If you want to read my story, just look... THEN UNREAD.
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Pseudonymous Bosch (The Name of This Book Is Secret (Secret, #1))
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Why did so many grown-ups want to be young, she wondered, when it took so long to grow old? It was like going on a million-mile road trip then wanting to turn around without getting out of the car.
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Pseudonymous Bosch (The Name of This Book Is Secret (Secret, #1))
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I ate him," said the homunculus, biting into his sausage. The kids couldn't hide their looks of horror. He smiled, sausage juice running down his chin. "Oh, don't worry - I cooked him first. I'm not a barbarian.
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Pseudonymous Bosch (If You're Reading This, It's Too Late (Secret, #2))
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Better to cry wolf over and over than never to cry wolf at all.
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Pseudonymous Bosch (The Name of This Book Is Secret (Secret, #1))
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I view people two ways. They're either eye-for-an-eye people or they are turn-the-cheek people.
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Michael Connelly (The Lincoln Lawyer (The Lincoln Lawyer, #1; Harry Bosch Universe, #16))
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Certainly paradise, whatever, wherever it be, contains flaws. (Paradisical flaws, if you like.) If it did not, it would be incapable of drawing the hearts of men or angels.
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Henry Miller (Big Sur and the Oranges of Hieronymus Bosch)
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Death is like an old dog. He always knows when you are at his door.
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Pseudonymous Bosch (This Book Is Not Good for You (Secret, #3))
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You know, people always warn children about taking candy from strange adults. But they never warn us adults about taking candy from strange children. All those sweet-looking kids who sell boxes of candy bars on the street to help pay for schooling - how do we know what's in those bars? And don't even get me stated on that nefarious institution designed to lure unsuspecting customers into buying mysterious frosted goodies: the bake sale. Adults, be warned: if a child wanted to poison you it would be a piece of cake! Literally a piece of cake.
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Pseudonymous Bosch (This Book Is Not Good for You (Secret, #3))
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That Hieronymus Bosch. What a weirdo.
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Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
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You must have your wits about you. No wandering minds allowed.
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Pseudonymous Bosch (The Name of This Book Is Secret (Secret, #1))
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The setting sun burned the sky pink and orange in the same bright hues as surfers' bathing suits. It was beautiful deception, Bosch thought, as he drove north on the Hollywood Freeway to home. Sunsets did that here. Made you forget it was the smog that made their colors so brilliant, that behind every pretty picture there could be an ugly story.
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Michael Connelly (The Black Echo (Harry Bosch, #1; Harry Bosch Universe, #1))
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You know you're going to get burned from time to time. It's just part of the game. So when it happens you have to pick yourself up, dust yourself off and forget about it because they're about to snap the ball again.
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Michael Connelly (The Fifth Witness (The Lincoln Lawyer, #4; Harry Bosch Universe, #23))
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I've learned over the years that sometimes if you ask the same question more than once you get different responses.
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Michael Connelly (The Brass Verdict (The Lincoln Lawyer, #2; Harry Bosch Universe, #19))
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WARNING: DO NOT READ BEYOND THIS PAGE!
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Pseudonymous Bosch (The Name of This Book Is Secret (Secret, #1))
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If this was a normal cover for a normal book,I would tell it's FANTASTIC!GRIPPING! (according to all book covers they're fantastic and gripping)
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Pseudonymous Bosch (The Name of This Book Is Secret (Secret, #1))
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He [Harry Bosch] defined good company not by the conversation but by the lack of it. When there was no need to talk to feel comfortable, that was the right company
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Michael Connelly (The Black Echo (Harry Bosch, #1; Harry Bosch Universe, #1))
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Everybody matters or nobody matters.
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Harry Bosch by Michel Connelly
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Despite my vanity, I fear for my sanity.
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Pseudonymous Bosch (This Isn't What It Looks Like (Secret, #4))
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If the system turns away from the abuses inflicted on the guilty, then who can be next but the innocents?
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Michael Connelly (The Concrete Blonde (Harry Bosch, #3; Harry Bosch Universe, #3))
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No matter how many heavy-metal album covers you’ve seen, how many Hieronymus Bosch prints of the tortures of Hell, or even the scene in Indiana Jones where the Nazi’s face melts off, you cannot be prepared to view a body being cremated. Seeing a flaming human skull is intense beyond your wildest flights of imagination.
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Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
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Cassandra, when you want to speak to me, you should say 'Excuse me, Mrs. Johnson.' Then wait until you get my attention." "Excuse me, Mrs. Johnson. Do I have your attention now?
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Pseudonymous Bosch (The Name of This Book Is Secret (Secret, #1))
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Out yonder they may curse, revile, and torture one another, defile all the human instincts, make a shambles of creation (if it were in their power), but here, no, here, it is unthinkable, here there is abiding peace, the peace of God, and the serene security created by a handful of good neighbors living at one with the creature world.
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Henry Miller (Big Sur and the Oranges of Hieronymus Bosch)
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One dictionary defines denouement as "a final part in which everything is made clear and no questions or surprises remain." By that definition, it is exactly the wrong word to describe this chapter. This chapter will make nothing clear; it will raise many questions; and it may even contain a surprise or two. But I say we call it the denouement anyway because the words sounds so sophisticated and French.
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Pseudonymous Bosch (The Name of This Book Is Secret (Secret, #1))
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Whether it’s chocolate or socks, the rule is the same; the darker the better.
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Pseudonymous Bosch (This Isn't What It Looks Like (Secret, #4))
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We create our fate everyday
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Henry Miller (Big Sur and the Oranges of Hieronymus Bosch)
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You can fall in love and make love many times but there is only one bullet with your name etched on the side. And if you are lucky enough to be shot with that bullet then the wound never heals.
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Michael Connelly (Lost Light (Harry Bosch, #9; Harry Bosch Universe, #13))
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The law was not about truth. It was about negotiation, amelioration, manipulation.
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Michael Connelly (The Lincoln Lawyer (The Lincoln Lawyer, #1; Harry Bosch Universe, #16))
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I detest mediocrity.
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Pseudonymous Bosch (This Isn't What It Looks Like (Secret, #4))
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Don't go growing a conscience on me," I said. "I've been down that road. It doesn't lead you to anything good.
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Michael Connelly (The Fifth Witness (The Lincoln Lawyer, #4; Harry Bosch Universe, #23))
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It’s lucky no one else knows what our most secret thoughts are. We’d all be seen for the cunning, self-aggrandizing fools we are.
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Michael Connelly (The Poet (Jack McEvoy, #1; Harry Bosch Universe, #5))
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And no one sets about saving the world unless he has first experienced the miracle of personal salvation.
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Henry Miller (Big Sur and the Oranges of Hieronymus Bosch)
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Friends don't have to have a lot of things in common. But there's one thing friends usually do have in common - a sense of humor. That doesn't mean they find all the same things funny. Sometimes, they might even laugh at each other. But at the end of the day, friends can always laugh with each other.
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Pseudonymous Bosch (You Have to Stop This (Secret, #5))
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In the long run, all wrongs are righted, every minus is equalized with a plus, the columns are totaled and the totals are found correct. But that's in the long run. We must live in the short run and matters are often unjust there. The compensating for us of the universe makes all the accounts come out even, but they grind down the good as well as the wicked in the process.
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Michael Connelly (The Poet (Jack McEvoy, #1; Harry Bosch Universe, #5))
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This new condition, this unwilled silence, had fallen over him ten days ago. The day Cass had gone into the hospital. The day she had fallen into a coma.
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Pseudonymous Bosch (This Isn't What It Looks Like (Secret, #4))
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The first expert said he had attention deficit disorder. The second expert said the first was out of order. One said he was autistic, another that he was artistic. One said he had Tourette's syndrome. One said he had Asperger's syndrome. And one said the problem was that his parents had Munchausen syndrome. Still another said all he needed was a good old-fashioned spanking.
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Pseudonymous Bosch (The Name of This Book Is Secret (Secret, #1))
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She refused to accept the simple truism that the better you were, the bigger threat you were to those at the top....
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Michael Connelly (The Lincoln Lawyer (The Lincoln Lawyer, #1; Harry Bosch Universe, #16))
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Only bad books have good endings.if a book is any good, its ending is always bad_because byou don't want the book to end.
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Pseudonymous Bosch
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Sweet or bitter, I am now convinced that all experience is enriching and rewarding. Above all, instructive.
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Henry Miller (Big Sur and the Oranges of Hieronymus Bosch)
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Bosch had never liked Las Vegas, though he came often on cases. It shared a kinship with Los Angeles; both were places desperate people ran to. Often, when they ran from Los Angeles, they came here. It was the only place left.
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Michael Connelly (Trunk Music (Harry Bosch, #5; Harry Bosch Universe, #6))
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The world was full of people who could not get over things. There was no closure and there was no peace. The truth did not set you free. But you could get through things. That’s what Bosch would tell him. You could head toward the light and climb and dig and fight your way out of the hole.
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Michael Connelly (The Closers (Harry Bosch, #11; Harry Bosch Universe, #15))
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Veronica ran out to tell Amber the shocking news - and returned in less than a minute with another message for Yo-Yoji: "Amber says she was watching and she knows you got in detention on purpose," she said breathlessly. "Because you have a crush on Cass!" Cass's ears instantly turned red. Max-Ernest looked like he'd been hit by a truck.
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Pseudonymous Bosch (If You're Reading This, It's Too Late (Secret, #2))
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Everybody counts or nobody counts.
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Michael Connelly (The Crossing (Harry Bosch, #18; Harry Bosch Universe, #28))
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If I do find out the Secret,I won't be able to tell it to you-you know that right?And that doesn't mean I don't trust you.It's just because I can't.Sometimes even best friends have to keep secrets from each other." -Cass
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Pseudonymous Bosch (This Book Is Not Good for You (Secret, #3))
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When I was younger, I loved graveyards. They weren't spooky so much as mysterious. Each tombstone another story to uncover. Another life to learn about. Now that I'm older - I won't say how old - I hate graveyards. The only life - or rather death - I see in the tombstones is my own.
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Pseudonymous Bosch (If You're Reading This, It's Too Late (Secret, #2))
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I'm relaxed, Belk. I call it Zen and the art of not giving a shit.
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Michael Connelly (The Concrete Blonde (Harry Bosch, #3; Harry Bosch Universe, #3))
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Money. The ultimate motivation. The ultimate way of keeping score.
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Michael Connelly (Chasing the Dime (Harry Bosch Universe, #12))
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Bosch knew the dawn had nothing on the dusk. Dawn always came up ugly, as if the sun was clumsy and in a hurry. The dusk was smoother, the moon more graceful. Maybe it was because the moon was more patient. In life and nature, Bosch thought, darkness always waits.
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Michael Connelly (The Closers (Harry Bosch, #11; Harry Bosch Universe, #15))
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You know what my father said about innocent clients? ... He said the scariest client a lawyer will ever have is an innocent client. Because if you fuck up and he goes to prison, it'll scar you for life ... He said there is no in-between with an innocent client. No negotiation, no plea bargain, no middle ground. There's only one verdict. You have to put an NG up on the scoreboard. There's no other verdict but not guilty." Levin nodded thoughtfully. "The bottom line was my old man was a damn good lawyer and he didn't like having innocent clients," I said. "I'm not sure I do, either.
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Michael Connelly (The Lincoln Lawyer (The Lincoln Lawyer, #1; Harry Bosch Universe, #16))
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No wandering minds allowed.
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Pseudonymous Bosch (The Name of This Book Is Secret (Secret, #1))
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There is nothing like the start of a season, before all the one-run losses, pitching breakdowns and missed opportunities. Before reality sets in.
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Michael Connelly (The Lincoln Lawyer (The Lincoln Lawyer, #1; Harry Bosch Universe, #16))
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Your problem, it is not here' - he pointed the pen at Max-Ernest's throat - 'it is here' - he pointed the pen at Max-Ernest's chest. 'My heart is heavy, too. But you must be strong. This situation, it is very serious. It is not only Cass's life that is at stake. If she dies, the Secret, it will die too.
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Pseudonymous Bosch (This Isn't What It Looks Like (Secret, #4))
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I still can't figure out if it's bravery or cowardice to take your own life. I can't figure out whether it's being selfish, or selfless. It is the ultimate act of letting go of oneself, or a cheap act of self-possession? People say a failed attempt is a cry for help. I guess that's true if the person meant it to be unsuccessful. But then, I guess most failed attempts aren't entirely sincere, because, let's face it, if you want to off yourself, there are plenty of ways to make sure it works.
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Neal Shusterman (Challenger Deep)
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You're a sleazy defense lawyer with two ex-wifes and an eight-year-old daughter and we all love you.
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Michael Connelly (The Lincoln Lawyer (The Lincoln Lawyer, #1; Harry Bosch Universe, #16))
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I swear, if I could eat my children, I would. I'd consume them like some beast in a Hieronymus Bosch painting, but in a friendlier, more momlike way. Their little bodies make me salivate. It takes everything I have not to swallow them whole.
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Amy Poehler (Yes Please)
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Well, did he do it?" She always asked the irrelevant question. It didn't matter in terms of the strategy of the case whether the defendant "did it" or not. What mattered was the evidence against him -- the proof -- and if and how it could be neutralized. My job was to bury the proof, to color the proof a shade of gray. Gray was the color of reasonable doubt.
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Michael Connelly (The Lincoln Lawyer (The Lincoln Lawyer, #1; Harry Bosch Universe, #16))
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There is no end of things in the heart. ...she understood it to mean that if you took something to heart, really brought it inside those red velvet folds, then it would always be there for you. No matter what happened, it would be there waiting. She said this could mean a person, a place, a dream. A mission. Anything sacred. She told me that it is all connected in those secret folds. Always. It is all part of the same and will always be there, carrying the same beat as your heart.
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Michael Connelly (Lost Light (Harry Bosch, #9; Harry Bosch Universe, #13))
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If you go into darkness, the darkness goes into you.
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Michael Connelly (The Late Show (RenΓ©e Ballard, #1; Harry Bosch Universe, #30))
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No matter how much they tried to dress her up with neon and family entertainment she [Las Vegas] was still a whore.
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Michael Connelly (Trunk Music (Harry Bosch, #5; Harry Bosch Universe, #6))
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She discovered what others know only too well in a cynical way, that people prefer to believe in and worship a god who is remote rather than live out the godlike nature which is their inherent being.
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Henry Miller (Big Sur and the Oranges of Hieronymus Bosch)
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Nobody in this world is who they say they are. Nobody. Not when they’re in their own room with the door shut and locked. And nobody knows anybody, no matter what they think... The best you can hope for is to know yourself. And sometimes when you do, when you see your true self, you have to turn away.
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Michael Connelly (The Concrete Blonde (Harry Bosch, #3; Harry Bosch Universe, #3))
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I detest mediocrity. - Benjamin Blake
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Pseudonymous Bosch (You Have to Stop This (Secret, #5))
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Whatever made her happy made me happyβ€”except the time she thought divorcing me would make her life happier. That didn’t do much for me.
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Michael Connelly (The Lincoln Lawyer (The Lincoln Lawyer, #1; Harry Bosch Universe, #16))
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He had lived alone most of his life. He was used to places that were empty. He knew the real shelter of a home was inside yourself.
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Michael Connelly (Angels Flight (Harry Bosch, #6; Harry Bosch Universe, #8))
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Everybody has a jury, the voices they carry inside. Earl Briggs sits on my jury, Gloria Dayton, too. They are there with Katie and Sandy, my mother, my father, and soon Legal Siegel as well. Those I have loved and those I have hurt. Those who bless me and those who haunt me. My gods of guilt. Every day I carry on and I carry them close. Every day I step into the well before them and I argue my case.
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Michael Connelly (The Gods of Guilt (The Lincoln Lawyer, #5; Harry Bosch Universe, #26))
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It's only a wonderful world if you can make it that way. There are no street signs pointing to Paradise Road.
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Michael Connelly (Lost Light (Harry Bosch, #9; Harry Bosch Universe, #13))
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Loneliness had been the trash can fire he huddled around for most of his life.
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Michael Connelly (The Last Coyote (Harry Bosch, #4))
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Surely every one realizes, at some point along the way, that he is capable of living a far better life than the one he has chosen. What stays him, usually, is the fear of the sacrifices involved. (Even to relinquish his chains seems like a sacrifice.) yet everyone knows that nothing is accomplished without sacrifice.
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Henry Miller (Big Sur and the Oranges of Hieronymus Bosch)
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If it be knowledge or wisdom one is seeking, then one had better go direct to the source. And the source is not the scholar or philosopher, not the master, saint, or teacher, but life itself - direct experience of life. The same is true for art. Here, too, we an dispense with "the masters.
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Henry Miller (Big Sur and the Oranges of Hieronymus Bosch)
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it’s like the laws of physicsβ€”for every action, there is an opposite and equal reaction. If you go into darkness, the darkness goes into you. You then have to decide what to do with it. How to keep yourself safe from it. How to keep it from hollowing you out.
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Michael Connelly (The Late Show (RenΓ©e Ballard, #1; Harry Bosch Universe, #30))
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There’s a reason why the story of the ghetto should never come with a photo. The Third World slum is a nightmare that defies beliefs or facts, even the ones staring right at you. A vision of hell that twists and turns on itself and grooves to its own soundtrack. Normal rules do not apply here. Imagination then, dream, fantasy. You visit a ghetto, particularly a ghetto in West Kingston, and it immediately leaves the real to become this sort of grotesque, something out of Dante or the infernal painting of Hieronymus Bosch. It’s a rusty red chamber of hell that cannot be described so I will not try to describe it. It cannot be photographed because some parts of West Kingston, such as Rema, are in the grip of such bleak and unremitting repulsiveness that the inherent beauty of the photographic process will lie to you about just how ugly it really is.
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Marlon James (A Brief History of Seven Killings)
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from the short story, Cielo Azul β€œHarry, get an ambulance.” I stood up and stepped back from the scene. I felt my chest growing tight, a clarity of thought coming over me. In all my years I had spoken for the dead many times. I had avenged the dead. I was at home with the dead. But I had never so clearly had a part in pulling someone away from the outstretched hands of death. And in that moment I knew we had done just that. And I knew that whatever happened afterward and wherever my life took me, I would always have this moment, that it would be a light that could lead me out of the darkest of tunnels.
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Michael Connelly (Suicide Run (Harry Bosch, #14.5; Harry Bosch Universe, #23.4))