“
Because to influence a person is to give him one's own soul. He does not think his natural thoughts, or burn with his natural passions. His virtues are not real to him. His sins, if there are such things as sins, are borrowed. He becomes an echo of some one else's music, an actor of a part that has not been written for him. The aim of life is self-development. To realize one's nature perfectly -- that is what each of us is here for. People are afraid of themselves, nowadays. They have forgotten the highest of all duties, the duty that one owes to oneself. Of course they are charitable. They feed the hungry, and clothe the beggar. But their own souls starve, and are naked. Courage has gone out of our race. Perhaps we never really had it. The terror of society, which is the basis of morals, the terror of God, which is the secret of religion -- these are the two things that govern us.
”
”
Oscar Wilde (The Picture of Dorian Gray and Other Stories)
“
I borrowed this from Kyle. My other shirt was pretty filthy."
"Wow, you're wearing each other's clothes now. That's, like, best friend stuff."
"Feeling left out?" said Kyle. "I suppose you want to borrow a black T-shirt too."
"As long as everyone's wearing their own pants."
"I see have come in on a fascinating moment in the conversation." Eric poked his head through the curtain.
”
”
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
“
Having a teenager is like having a really, really shitty roommate. They eat all your food and steal your clothes and take money out of your purse and borrow your car without asking.
”
”
Karin Slaughter (Pretty Girls)
“
Sleep just go to sleep.
Cam lived across the hall?
You need to get up early. Go to sleep.
How in the world was that possible? He was everywhere I went.
Go to sleep.
And why did he have a pet turtle and did he seriously name it after the Teenage Mutant Ninja Turtles, because that was kind of funny.
Morning's going to come soon.
Did he only wear a shirt during class? Oh my God, he seriously lived across the hall. Jacob was going to flip...and probably move in. That would be fun. I really liked Jacob, but I had a feeling he'd borrow my clothes.
Go the fuck to sleep.
”
”
J. Lynn (Wait for You (Wait for You, #1))
“
the frightening truth about desire
it's on but
i don't know
whether i want
to be
her, fuck her
or borrow
her clothes.
”
”
Daphne Gottlieb
“
Did he only wear a shirt during class? Oh my God, he seriously lived across the hall. Jacob was going to flip... and probably move in. That would be fun. I really liked Jacob, but I had a feeling he'd borrow my clothes.
”
”
J. Lynn (Wait for You (Wait for You, #1))
“
A moment later, Helen had returned; she was walking slowly now, and carefully, her hand on the back of a thin boy with a mop of wavy brown hair. He couldn’t have been older than twelve, and Clary recognized him immediately. Helen, her hand firmly clamped around the wrist of a younger boy whose hands were covered with blue wax. He must have been playing with the tapers in the huge candelabras that decorated the sides of the nave. He looked about twelve, with an impish grin and the same wavy, bitter-chocolate hair as his sister.
Jules, Helen had called him. Her little brother.
The impish grin was gone now. He looked tired and dirty and frightened. Skinny wrists stuck out of the cuffs of a white mourning jacket whose sleeves were too long for him. In his arms he was carrying a little boy, probably not more than two years old, with the same wavy brown hair that he had; it seemed to be a family trait. The rest of his family wore the same borrowed mourning clothes: following Julian was a brunette girl about ten, her hand firmly clasped in the hold of a boy the same age: the boy had a sheet of tangled black hair that nearly obscured his face. Fraternal twins, Clary guessed. After them came a girl who might have been eight or nine, her face round and very pale between brown braids.
The misery on their faces cut at Clary’s heart. She thought of her power with runes, wishing that she could create one that would soften the blow of loss. Mourning runes existed, but only to honor the dead, in the same way that love runes existed, like wedding rings, to symbolize the bond of love. You couldn’t make someone love you with a rune, and you couldn’t assuage grief with it, either. So much magic, Clary thought, and nothing to mend a broken heart.
“Julian Blackthorn,” said Jia Penhallow, and her voice was gentle. “Step forward, please.”
Julian swallowed and handed the little boy he was holding over to his sister. He stepped forward, his eyes darting around the room. He was clearly scouring the crowd for someone. His shoulders had just begun to slump when another figure darted out onto the stage. A girl, also about twelve, with a tangle of blond hair that hung down around her shoulders: she wore jeans and a t-shirt that didn’t quite fit, and her head was down, as if she couldn’t bear so many people looking at her. It was clear that she didn’t want to be there — on the stage or perhaps even in Idris — but the moment he saw her, Julian seemed to relax. The terrified look vanished from his expression as she moved to stand next to him, her face ducked down and away from the crowd.
“Julian,” said Jia, in the same gentle voice, “would you do something for us? Would you take up the Mortal Sword?
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
Every war and every conflict between human beings has happened because of some disagreement about names. It is such an unnecessary foolishness, because just beyond the arguing there is a long table of companionship set and waiting for us to sit down. What is praised is one, so the praise is one too, many jugs being poured into a huge basin. All religions, all this singing one song. The differences are just illusion and vanity. Sunlight looks a little different on this wall than it does on that wall and a lot different on this other one, but it is still one light. We have borrowed these clothes, these time-and-space personalities, from a light, and when we praise, we are pouring them back in.
”
”
Jalal ad-Din Muhammad ar-Rumi
“
If I’m going to wage battle with demons both on the street and in my own head, I’m going to do it with all of myself, and not weighed down by borrowed clothes and secondhand memories.
”
”
Hanna Alkaf (The Weight of Our Sky)
“
She had been born to cradle other people's children, wear their hand-me-down clothing, eat their leftovers, live on borrowed happiness and grief, grow old beneath other people's roofs, die one day in her miserable little room in the far courtyard in a bed that did not belong to her, and be buried in a common grave in the public cemetery.
”
”
Isabel Allende (The House of the Spirits)
“
There is no such thing as a good influence, Mr. Gray. All influence is immoral - immoral from the scientific point of view.'
'Why?'
'Because to influence a person is to give him one's own soul. He does not think his natural thoughts, or burn with his natural passions. His virtues are not real to him. His sins, if there are such things as sins, are borrowed. He becomes an echo of someone else's music, an actor of a part that has not been written for him. The aim of life is self-development. To realize one's nature perfectly - that is what each of us is here ofr. People are afraid of themselves, nowadays. They have forgotten the highest of all duties, the duty that one owes to one's self. Of course they are charitable. They feed the hungry, and clothe the beggar. But their own souls starve, and are naked. Courage has gone out of our race. Perhaps we never had it. The terror of society, which is the basis of morals, the terror of God, which is the secret of religion - these are the two things that govern us. And yet [...] I believe that if one man were to live out his life fully and completely, were to give form to every feeling, expression to every thought, reality to every dream - I believe that the world would gain such a fresh impulse of joy that we would forget all maladies of medievalism, and return to the Hellenic ideal - to something finer, richer, than the Hellenic ideal, it may be. [...] We are punished for our refusals. Every impulse that we strive to strangle broods in the mind, and poisons us. ... The only way to get rid of a temptation is to yield to it. Resist it, and your soul grows sick with longing for the things it has forbidden to itself, with desire for what its monstrous laws have made monstrous and unlawful.
”
”
Oscar Wilde
“
a philosophy borrowed from the long-suffering Scots, that there is no such thing as bad weather, only the wrong clothes.
”
”
Bruce Beckham (Murder in the Mind)
“
There are times when all the lies you have told about yourself to yourself just fall away. In your twenties, you tell yourself the lie that you are unusual, unprecedented, and interesting. You do this largely by purchasing things or stealing things. You adorn yourself with songs and clothes and borrowed ideas and poses. In your thirties, you tell yourself the lie that you are still in your twenties.
”
”
John Hodgman (Vacationland: True Stories from Painful Beaches)
“
The girls were always running out of money, out of cash, precisely, to pay taxi drivers, train conductors, men who delivered pizzas after dark. They borrowed cash, normally, upon arrival. They borrowed passions—Wallace Stevens, Joseph Conrad, Mozart, hiking, the Bible—from each other, as girls of another generation borrowed clothes.
”
”
Renata Adler (Speedboat)
“
I was in the fifth grade the first time I thought about turning thirty. My best friend Darcy and I came across a perpetual calendar in the back of the phone book, where you could look up any date in the future, and by using this little grid, determine what the day of the week would be. So we located our birthdays in the following year, mine in May and hers in September. I got Wednesday, a school night. She got a Friday. A small victory, but typical. Darcy was always the lucky one. Her skin tanned more quickly, her hair feathered more easily, and she didn't need braces. Her moonwalk was superior, as were her cart-wheels and her front handsprings (I couldn't handspring at all). She had a better sticker collection. More Michael Jackson pins. Forenze sweaters in turquoise, red, and peach (my mother allowed me none- said they were too trendy and expensive). And a pair of fifty-dollar Guess jeans with zippers at the ankles (ditto). Darcy had double-pierced ears and a sibling- even if it was just a brother, it was better than being an only child as I was.
But at least I was a few months older and she would never quite catch up. That's when I decided to check out my thirtieth birthday- in a year so far away that it sounded like science fiction. It fell on a Sunday, which meant that my dashing husband and I would secure a responsible baby-sitter for our two (possibly three) children on that Saturday evening, dine at a fancy French restaurant with cloth napkins, and stay out past midnight, so technically we would be celebrating on my actual birthday. I would have just won a big case- somehow proven that an innocent man didn't do it. And my husband would toast me: "To Rachel, my beautiful wife, the mother of my chidren and the finest lawyer in Indy." I shared my fantasy with Darcy as we discovered that her thirtieth birthday fell on a Monday. Bummer for her. I watched her purse her lips as she processed this information.
"You know, Rachel, who cares what day of the week we turn thirty?" she said, shrugging a smooth, olive shoulder. "We'll be old by then. Birthdays don't matter when you get that old."
I thought of my parents, who were in their thirties, and their lackluster approach to their own birthdays. My dad had just given my mom a toaster for her birthday because ours broke the week before. The new one toasted four slices at a time instead of just two. It wasn't much of a gift. But my mom had seemed pleased enough with her new appliance; nowhere did I detect the disappointment that I felt when my Christmas stash didn't quite meet expectations. So Darcy was probably right. Fun stuff like birthdays wouldn't matter as much by the time we reached thirty.
The next time I really thought about being thirty was our senior year in high school, when Darcy and I started watching ths show Thirty Something together. It wasn't our favorite- we preferred cheerful sit-coms like Who's the Boss? and Growing Pains- but we watched it anyway. My big problem with Thirty Something was the whiny characters and their depressing issues that they seemed to bring upon themselves. I remember thinking that they should grow up, suck it up. Stop pondering the meaning of life and start making grocery lists. That was back when I thought my teenage years were dragging and my twenties would surealy last forever.
Then I reached my twenties. And the early twenties did seem to last forever. When I heard acquaintances a few years older lament the end of their youth, I felt smug, not yet in the danger zone myself. I had plenty of time..
”
”
Emily Giffin (Something Borrowed (Darcy & Rachel, #1))
“
Little girls are the nicest things that can happen to people. They are born with a bit of angel-shine about them, and though it wears thin sometimes, there is always enough left to lasso your heart—even when they are sitting in the mud, or crying temperamental tears, or parading up the street in Mother’s best clothes.
A little girl can be sweeter (and badder) oftener than anyone else in the world. She can jitter around, and stomp, and make funny noises that frazzle your nerves, yet just when you open your mouth, she stands there demure with that special look in her eyes. A girl is Innocence playing in the mud, Beauty standing on its head, and Motherhood dragging a doll by the foot.
God borrows from many creatures to make a little girl. He uses the song of a bird, the squeal of a pig, the stubbornness of a mule, the antics of a monkey, the spryness of a grasshopper, the curiosity of a cat, the speed of a gazelle, the slyness of a fox, the softness of a kitten, and to top it all off He adds the mysterious mind of a woman.
A little girl likes new shoes, party dresses, small animals, first grade, noisemakers, the girl next door, dolls, make-believe, dancing lessons, ice cream, kitchens, coloring books, make-up, cans of water, going visiting, tea parties, and one boy. She doesn’t care so much for visitors, boys in general, large dogs, hand-me-downs, straight chairs, vegetables, snowsuits, or staying in the front yard.
She is loudest when you are thinking, the prettiest when she has provoked you, the busiest at bedtime, the quietest when you want to show her off, and the most flirtatious when she absolutely must not get the best of you again. Who else can cause you more grief, joy, irritation, satisfaction, embarrassment, and genuine delight than this combination of Eve, Salome, and Florence Nightingale.
She can muss up your home, your hair, and your dignity—spend your money, your time, and your patience—and just when your temper is ready to crack, her sunshine peeks through and you’ve lost again. Yes, she is a nerve-wracking nuisance, just a noisy bundle of mischief. But when your dreams tumble down and the world is a mess—when it seems you are pretty much of a fool after all—she can make you a king when she climbs on your knee and whispers, "I love you best of all!
”
”
Alan Beck
“
Anyway, it struck me now in a different light, as being yet another bit of personal meaning which had ben taken from me, stripped off like clothes I'd only borrowed or stolen. I had maybe the least persuasive case for self-pity of any human soul on the planet. Or anyway, the most hilarious.
”
”
Jonathan Lethem (The Fortress of Solitude)
“
There is no such thing as a good influence, Mr. Gray. All influence is immoral—immoral from the scientific point of view."
"Why?"
"Because to influence a person is to give him one's own soul. He does not think his natural thoughts, or burn with his natural passions. His virtues are not real to him. His sins, if there are such things as sins, are borrowed. He becomes an echo of some one else's music, an actor of a part that has not been written for him. The aim of life is self-development. To realize one's nature perfectly—that is what each of us is here for. People are afraid of themselves, nowadays. They have forgotten the highest of all duties, the duty hat one owes to one's self. Of course, they are charitable. They feed the hungry and clothe the beggar. But their own souls starve, and are naked. Courage has gone out of our race. Perhaps we never really had it. The terror of society, which is the basis of morals, the terror of God, which is the secret of religion—these are the two things that govern us. And yet, I believe that if one man were to live out his life fully and completely, were to give form to every feeling, expression to every thought, reality to every dream—I believe that the world would gain such a fresh impulse of joy that we would forget all the maladies of mediaevalism, and return to the Hellenic ideal—to something finer, richer than the Hellenic ideal, it may be. But the bravest man amongst us is afraid of himself
”
”
Oscar Wilde (The Picture of Dorian Gray (Collector's Edition): Including the Uncensored 13 Chapter Version & The Revised 20 Chapter Version)
“
Will you help me strategize?”
“Sure,” Becca said, her voice cheery. “First. Remove all your clothes, and then borrow my trench coat. If a hottie like Leo Trevi called me the love of his life, I wouldn’t be eating takeout on the living room floor with my roommate. At least one of us should be having sex with someone who doesn’t require batteries.
”
”
Sarina Bowen (Rookie Move (Brooklyn Bruisers, #1))
“
Someday, the lady would not be imaginary. The clothes would not be borrowed and ill-fitting. Someday she would stride down the street and women would fall at her feet (not failing to notice the perfectly polished brogues) and men would tip their hats to a lady-killer more accomplished than they.
”
”
Cassandra Clare (Every Exquisite Thing (Ghosts of the Shadow Market, #3))
“
I who had before clothed myself in the bright garb of sincerity must now borrow one of divers colours: it might sit awkwardly at first, but use would enable me to place it in elegant folds, to lie with grace.
”
”
Mary Wollstonecraft Shelley (Mathilda)
“
From that original colony sprang seven names that still feature on the landscape: Roanoke (which has the distinction of being the first Indian word borrowed by English settlers), Cape Fear, Cape Hatteras, the Chowan and Neuse Rivers, Chesapeake, and Virginia. (Previously, Virginia had been called Windgancon, meaning "what gay clothes you wear" - apparently what the locals had replied when an early reconnoitering party had asked the place's name.)
”
”
Bill Bryson (Made in America: An Informal History of the English Language in the United States)
“
Oh," he said again and picked up two petals of cherry blossom which he folded together like a sandwich and ate slowly. "Supposing," he said, staring past her at the wall of the house, "you saw a little man, about as tall as a pencil, with a blue patch in his trousers, halfway up a window curtain, carrying a doll's tea cup-would you say it was a fairy?"
"No," said Arrietty, "I'd say it was my father."
"Oh," said the boy, thinking this out, "does your father have a blue patch on his trousers?"
"Not on his best trousers. He does on his borrowing ones."
'Oh," said the boy again. He seemed to find it a safe sound, as lawyers do. "Are there many people like you?"
"No," said Arrietty. "None. We're all different."
"I mean as small as you?"
Arrietty laughed. "Oh, don't be silly!" she said. "Surely you don't think there are many people in the world your size?"
"There are more my size than yours," he retorted.
"Honestly-" began Arrietty helplessly and laughed again. "Do you really think-I mean, whatever sort of a world would it be? Those great chairs . . . I've seen them. Fancy if you had to make chairs that size for everyone? And the stuff for their clothes . . . miles and miles of it . . . tents of it ... and the sewing! And their great houses, reaching up so you can hardly see the ceilings . . . their great beds ... the food they eat ... great, smoking mountains of it, huge bogs of stew and soup and stuff."
"Don't you eat soup?" asked the boy.
"Of course we do," laughed Arrietty. "My father had an uncle who had a little boat which he rowed round in the stock-pot picking up flotsam and jetsam. He did bottom-fishing too for bits of marrow until the cook got suspicious through finding bent pins in the soup. Once he was nearly shipwrecked on a chunk of submerged shinbone. He lost his oars and the boat sprang a leak but he flung a line over the pot handle and pulled himself alongside the rim. But all that stock-fathoms of it! And the size of the stockpot! I mean, there wouldn't be enough stuff in the world to go round after a bit! That's why my father says it's a good thing they're dying out . . . just a few, my father says, that's all we need-to keep us. Otherwise, he says, the whole thing gets"-Arrietty hesitated, trying to remember the word-"exaggerated, he says-"
"What do you mean," asked the boy, " 'to keep us'?
”
”
Mary Norton (The Borrowers (The Borrowers, #1))
“
Poor Luka, he'll never know what it is to have six sisters trying to borrow his clothes"
"Well maybe he will" Sasha joked. "Katya says she wants more, and maybe one day you'll have seven daughters of your own."
"Please, don't curse me today, Sashenka," Marya sighed. "I've had a very trying morning, and I simply cannot bring myself to imagine such a dystopian future right now.
”
”
Olivie Blake (One for My Enemy)
“
Looking past Lucien and Elisabet, Tana finally saw Aidan. He was underdressed, slouching against a wall in a black silk shirt over black jeans. Tana wondered if Midnight had picked out those clothes for him and then wondered if they’d been borrowed from Rufus. Steeling herself, she walked over to him, giving a wide berth to any other vampire she saw. “Tana!” Aidan said, looking incredibly pleased to see her right up to the moment when she punched him in the face.
”
”
Holly Black (The Coldest Girl in Coldtown)
“
People were differentiated by this substance, which was called nganon. Nganon was a concentrate which was defined in each person by nurture and circumstance. She believed that she and a certain few others were not of the same nganon as the rest of Earth's people. At first Deborah had thought that it was only she who was set apart from human kind, but others of the un-dead on D ward seemed to be tainted as she was. All of her life, herself and all her possessions had been imbued with her essence, the poisonous nganon. She had never lent her clothes or books or pencils, or let anyone touch any of her things, and she had often borrowed or stolen from other children at school or camp, delighting, until their stolen nganon wore off them, in the health and purity and grace of the possessions.
”
”
Joanne Greenberg (I Never Promised You a Rose Garden)
“
He went with olive green, because it almost matched his borrowed coat, which was tan. He chose pants with flannel lining, a T-shirt a flannel shirt, and a sweater made of thick cotton. He added white underwear and a pair of black gloves and a khaki watch cap. Total damage was a hundred and thirty bucks. The store owner took a hundred and twenty cash. Four days wear, probably, at the rate of thirty dollars a day. Which added up to more than ten grand a year, just for clothes. Insane, some would say. But Reacher liked the deal. He knew that most folks spent much less than ten grand a year on clothes. They had a small number of good items that they kept in closets and laundered in basements. But the closets and basements were surrounded by houses, and houses cost a whole lot more than ten grand a year, to buy or rent, and to maintain and repair and insure.
So who was really nuts ?
”
”
Lee Child (61 Hours (Jack Reacher, #14))
“
Hope you don’t mind, I borrowed some of your mother’s clothes.”
“I’m wearing a dead man’s underwear,” he said. “Why would I mind?
”
”
Veronica Roth (Carve the Mark (Carve the Mark, #1))
“
Skinny as Mum was, she'd always had a good appetite, so when she couldn't eat her roast potatoes I knew the end must be nigh.
[...] We opened our presents and Mum put a polka-dot shower cap on her head and let us take pictures of her in it, which was most unlike her, she liked to be a bit dignified about things. This was another indication that she knew she was dying. Other signs to look out for are when an elderly person starts giving away their things – usually about two or three years before they die – and if they insist, rather aggressively, on returning anything they've borrowed or get annoyed if you give them gifts – they don't want any more clutter.
”
”
Viv Albertine (Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys)
“
Maya's eyes grew wide, and Grace finally saw the little-sister potential in her. She could imagine Maya toddling after her, annoying her, pulling her hair and borrowing her clothes without asking first. She didn't tell Maya about all the people she'd talked to on the phone, trying to follow a seventeen-year-old trail of bread crumbs that had mostly blown to the wind and taken Joaquin with them. She didn't mention that some people had been rude, others had been so helpful that it made Grace's heart hurt, that Joaquin's family tree seemed to have way too many scraggly branches and not enough roots, not the kind of roots you would need when the storm was strong.
”
”
Robin Benway (Far from the Tree)
“
Though we are addicted to instant gratification, we are seldom gratified because, although we are making everything possible now, we are seldom present to enjoy it now. The moment we attain our desire, our attention jumps out of the present and into planning our next acquisition. This creates a world that’s comfortable with living in debt, on borrowed time, and on somebody else’s energy. We no longer own our houses, cars, and clothes – the bank does. We have robbed ourselves of the satisfaction of organic accomplishment. There’s no more “rite of passage,” only the fast lane. Young children want to be teenagers, teenagers want to be adults, and adults want to accomplish a lifetime’s work before turning thirty. We spend each moment running ahead of ourselves, believing there’s a destination we are supposed to arrive at that’s saturated with endless happiness, acknowledgement, ease, and luxury. We are forever running away from something and toward something – and because everyone is behaving in this manner, we accept it as normal. We mentally leapfrog over the eternal present moment in everything we do, ignoring the flow of life. The Presence Process – including the consequences inherent in completing it – moves at a different pace. This journey isn’t about getting something done “as quickly as possible.” It’s about process, not instant gratification. The consequences we activate by completing this journey are made possible because of its gently unfolding integrative approach. By following the instructions carefully, taking one step at a time, being consistent and committed to completing the task at hand no matter what, we experience a rite of passage that reminds us of what “process” means. Realizing what “process” involves isn’t just a mental realization, but requires an integrated emotional, mental, and physical experience. Awakening to the value of process work is rare in a world of instant gratification. It powerfully impacts the quality of our experience because life in the present is an ongoing organic process. Realizing the power within the rhythm of process work may not necessarily impact our ability to earn a living, but it enhances our ability to open ourselves to the heartbeat of life.
”
”
Michael L. Brown (The Presence Process - A Journey Into Present Moment Awareness)
“
I pass to the Stationery Department. I buy several fountain and stylographic pens - it being my experience that, though a fountain pen in England behaves in an exemplary manner, the moment it is let loose in desert surroundings, it perceives that it is at liberty to go on strike and behaves accordingly, either spouting ink indiscriminately over me, my clothes, my notebook and anything else handy, or else coyly refusing to do anything but scratch invisibly across the surface of the paper. I also buy a modest two pencils. Pencils are, fortunately, not temperamental, and though given to a knack of quiet disappearance, I have always a resource at hand. After all, what is the use of an architect if not to borrow pencils from.
”
”
Agatha Christie (Come, Tell Me How You Live)
“
for the strange person in it who looked so frightened and watchful, who was discernibly neither female nor male, whose clothes looked borrowed, who was mimicking the gestures and postures of adulthood while clearly understanding nothing of them.
”
”
Hanya Yanagihara (A Little Life)
“
The word 'image' is in bad repute because we have thoughtlessly believed that a drawing was a tracing, a copy, a second thing, and that the mental image was such a drawing, belonging among our private bric-a-brac. But if in fact it is nothing of the kind, then neither the drawing nor the picture belongs to the in-itself any more than the image does. They are the inside of the outside and the outside of the inside, which the duplicity of sensing makes possible and without which we would never understand the quasi-presence and imminent visibility which make up the whole problem of the imaginary. The picture, the actor's mimicry--these are not extras that I borrow from the real world in order to aim across them at prosaic things in their absence. The imaginary is much nearer to and much farther away from the actual. It is nearer because it is the diagram of the life of the actual in my body, its pulp and carnal obverse exposed to view for the first time...And the imaginary is much further away from the actual because the picture is an analogue only according to the body; because it does not offer to the mind an occasion to rethink the constitutive relations of things, but rather it offers to the gaze traces of the vision of the inside, in order that the gaze may espouse them; it offers to vision that which clothes vision internally, the imaginary texture of the real.
”
”
Maurice Merleau-Ponty (L'Œil et l'Esprit)
“
he could almost see how lovely an image it was, and why JB would have been attracted to it: for the strange person in it who looked so frightened and watchful, who was discernibly neither female nor male, whose clothes looked borrowed, who was mimicking the gestures of adulthood while clearly understanding nothing of them.
”
”
Hanya Yanagihara (A Little Life)
“
If you’re a girl, you’ve been programmed to make sure you keep social harmony. This is a matter of life and death to the brain, even if it’s not so important in the twenty-first century. We could see this in the behavior of three-and-a-half-year-old twin girls. Every morning the sisters climbed on each other’s dressers to get to the clothes hanging in their closets. One girl had a pink two-piece outfit, and the other had a green two-piece outfit. Their mother giggled every time she’d see them switch the tops—pink pants with a green top and green pants with a pink top. The twins did it without a fight. “Can I borrow your pink top? I’ll give it back later, and you can have my green top” was how the dialogue went. This would not be a likely scenario if one of the twins were a boy. A brother would have grabbed the shirt he wanted, and the sister would have tried to reason with him, though she would have ended up in tears because his language skills simply wouldn’t have been as advanced as hers.
”
”
Louann Brizendine (The Female Brain)
“
Mr. Earp was still in his hybrid form and he appeared to have borrowed clothing from Dottie. He looked, strangely enough, like what I'd always pictured the devil would look like. Reptilian tail, wide mouth with grooved teeth, thick beaded flesh. I was a little less afraid of Hell after seeing Satan standing over me in a flower-print muumuu.
”
”
C.P. Rider (Spiked (Sundance, #1))
“
Roe sinks his head into his hands, pushing his hair back off his face to reveal two pearl earrings. “What am I going to do?” “You can come to my house. Pat has clothes you can borrow before going home.” “No, I mean, what am I going to do?” he says, his voice breaking. He gestures to himself in his ripped red velvet. “How am I supposed to live?
”
”
Caroline O'Donoghue (All Our Hidden Gifts)
“
You must have six boxes of cat food in that cupboard."
"Moshe gets cranky if I don't keep a variety."
After tasking his breakfast, Alan found it better than he had expected. "I have a hard time understanding anyone as strong-willed as you being intimidated by a temperamental cat."
Shelby lifted her shoulders and continued to eat. "We all have our weaknesses.Besides,as roommates go, he's perfect.He doesn't listen in on my phone calls or borrow my clothes."
"Are those your prerequisites?"
"They're certainly in the top ten."
Watching her,Alan nodded. She'd plowed hre way through the toast in record time. "If I promised to restrain myself from doing either of those things, would you marry me?
”
”
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
“
Have you really a very bad influence, Lord Henry? As bad as Basil says?’ ‘There is no such thing as a good influence, Mr Gray. All influence is immoral – immoral from the scientific point of view.’ ‘Why?’ ‘Because to influence a person is to give him one’s own soul. He does not think his natural thoughts, or burn with his natural passions. His virtues are not real to him. His sins, if there are such things as sins, are borrowed. He becomes an echo of some one else’s music, an actor of a part that has not been written for him. The aim of life is self-development. To realize one’s nature perfectly – that is what each of us is here for. People are afraid of themselves, nowadays. They have forgotten the highest of all duties, the duty that one owes to one’s self. Of course they are charitable. They feed the hungry, and clothe the beggar. But their own souls starve, and are naked. Courage has gone out of our race. Perhaps we never really had it. The terror of society, which is the basis of morals, the terror of God, which is the secret of religion – these are the two things that govern us.
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
Sorry. It took me a little longer to get ready because someone keeps borrowing my clothes and makeup."
"Yeah, I can't help myself. Your turqoise eye shadow looks so good on me," Leo said, giving Katrina a crooked smile.
Anya snorted and shoved into her brother. "And don't forget how her pink miniskirt highlights the dark hairs on your legs."
Leo looked at Anya and gave her a short nod. "This is true.
”
”
Jaci Burton (Quarterback Draw (Play by Play, #9))
“
Now her hair is like the nights of disunion and separation and her face like the days of union and delectation; She hath a nose like the edge of the burnished blade and cheeks like purple wine or anemones blood-red: her lips as coral and carnelian shine and the water of her mouth is sweeter than old wine; its taste would quench Hell's fiery pain. Her tongue is moved by wit of high degree and ready repartee: her breast is a seduction to all that see it (glory be to Him who fashioned it and finished it!); and joined thereto are two upper arms smooth and rounded; She hath breasts like two globes of ivory, from whose brightness the moons borrow light, and a stomach with little waves as it were a figured cloth of the finest Egyptian linen made by the Copts, with creases like folded scrolls, ending in a waist slender past all power of imagination; based upon back parts like a hillock of blown sand, that force her to sit when she would fief stand, and awaken her, when she fain would sleep, And those back parts are upborne by thighs smooth and round and by a calf like a column of pearl, and all this reposeth upon two feet, narrow, slender and pointed like spear-blades, the handiwork of the Protector and Requiter, I wonder how, of their littleness, they can sustain what is above them.
”
”
Richard Burton (The Arabian Nights)
“
A Bat, a Bramble, and a Seagull went into partnership and determined to go on a trading voyage together. The Bat borrowed a sum of money for his venture; the Bramble laid in a stock of clothes of various kinds; and the Seagull took a quantity of lead: and so they set out. By and by a great storm came on, and their boat with all the cargo went to the bottom, but the three travellers managed to reach land. Ever since then the Seagull flies to and fro over the sea, and every now and then dives below the surface, looking for the lead he’s lost; while the Bat is so afraid of meeting his creditors that he hides away by day and only comes out at night to feed; and the Bramble catches hold of the clothes of every one who passes by, hoping someday to recognise and recover the lost garments. All men are more concerned to recover what they lose than to acquire what they lack.
”
”
Aesop (Aesop's Fables)
“
The only items she approved of in my wardrobe were my shoes. In fact, she borrowed a pair of orange faux-crocodile leather wedge heals with a turquoise bow at the toe. I wore a zebra printed spiked heal; the rest of my outfit came from her closet. She said I owned the clothes of a radiologist and the shoes of an OBGYN; which is like the medical doctor equivalent of saying that I dressed like a librarian with a propensity for fuckmeboots.
”
”
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
“
to influence a person is to give him one’s own soul. He does not think his natural thoughts, or burn with his natural passions. His virtues are not real to him. His sins, if there are such things as sins, are borrowed. He becomes an echo of some one else’s music, an actor of a part that has not been written for him. The aim of life is self-development. To realize one’s nature perfectly—that is what each of us is here for.* People are afraid of themselves, nowadays. They have forgotten the highest of all duties, the duty that one owes to one’s self. Of course they are charitable. They feed the hungry, and clothe the beggar. But their own souls starve, and are naked. Courage has gone out of our race. Perhaps we never really had it. The terror of society, which is the basis of morals, the terror of God, which is the secret of religion—these are the two things that govern us.
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
and then, what do you think we did? We dressed up Chamberlayne in woman's clothes on purpose to pass for a lady, only think what fun! Not a soul knew of it, but Colonel and Mrs. Forster, and Kitty and me, except my aunt, for we were forced to borrow one of her gowns; and you cannot imagine how well he looked! When Denny, and Wickham, and Pratt, and two or three more of the men came in, they did not know him in the least. Lord! how I laughed! and so did Mrs. Forster. I thought I should have died. And THAT made the men suspect something, and then they soon found out what was the matter.
”
”
Jane Austen (Pride and Prejudice)
“
In fact, as Foucault and others have shown, prisons and factories came in at about the same time, and their operators consciously borrowed from each other's control techniques. A worker is a part-time slave. The boss says when to show up, when to leave, and what to do in the meantime. He tells you how much work to do and how fast. He is free to carry his control to humiliating extremes, regulating, if he feels like it, the clothes you wear or how often you go to the bathroom. With a few exceptions he can fire you for any reason, or no reason. He has you spied on by snitches and supervisors, he amasses a dossier on every employee. Talking back is called "insubordination," just as if a worker is a naughty child, and it not only gets you fired, it disqualifies you for unemployment compensation… The demeaning system of domination I've described rules over half the waking hours of a majority of women and the vast majority of men for decades, for most of their lifespans. For certain purposes it's not too misleading to call our system democracy or capitalism or -- better still -- industrialism, but its real names are factory fascism and office oligarchy. Anybody who says these people are "free" is lying or stupid.
”
”
Bob Black (The Abolition of Work)
“
I would expect such behavior from the children,not from their mother."
She tsked at him, not even a little daunted. "Aren't you the least bit curious?"
"Certainly,but I can wait until-"
"But I can't wait," she cut in passionately. "Come with me, Warren. I'll be careful with it. And if it's nothing more'n a simple gift, albeit a mysterious one, then I'll have the box wrapped up again perfectly, so no one will know we tampered with it."
"You're serious about this?" he asked. "You're actually going to sneak downstairs in the middle of the night like an errant schoolgirl-"
"No,no,we are, like two perfectly sensible adults making a reasonable effort to solve a mystery that has been around far too long."
He chuckled at that point, used to his wife's strange logic, and used to her ignoring any of his attempts at sternness.But then that was the magic of Amy.She was unlike any other woman he'd ever known.
He gave in gracefully with a smile. "Very well,fetch our robes and some shoes.I would imagine the fire has been banked in the parlor, so it will be a mite chilly."
It wasn't that long before they were standing next to The Present, Warren merely curious, Amy finding it hard to contain her excitement, considering what she expected to find beneath the pretty cloth wrapping.The parlor wasn't chilly at all,since whoever had lef the room last had closed the doors to contain the earlier warmth, and Warren had closed them again before he lit several of the lamps.
But the doors opened once more, giving Amy quite a start since she was just reaching for The Present when it happened, and Jeremy said as he entered the room, "Caught in the act,eh? Amy,for shame."
Amy,noticeably embarrassed despite the fact that Jeremy wasn't just her cousin, but one of her closest friends, said stiffly, "And what,pray tell, are you doing down here at this hour?"
He winked at her and said dryly, "Same thing you are, I would imagine."
She chuckled then. "Scamp. Close the door while you're at it."
He started to,but stepped out of the way instead as Reggie sauntered in, barefoot and still in the process of tying her bed robe. When everyone else there just stared at her, she huffed indignantly, "I did not come down here to open The Present-well, maybe I did, but I would have chickened out before actually doing so."
"What a whopper, Reggie," Derek said as he came in right behind her. "Nice try, though. Mind if I borrow that lame excuse? Better than having none a'tall.
”
”
Johanna Lindsey (The Holiday Present)
“
She sorted through the clothes. “Do you mind wearing Emilio’s underwear?” She turned back to him with the two different styles that she’d found. “You’re about the same size. And they’re clean. They were wrapped in a paper package, like from a laundry service.”
Max gave her a look, because along with the very nice, very expensive pair of black silk boxers she’d pilfered from Emilio, she’d also borrowed one of his thongs.
“What?” Gina said. It was definitely a man-thong. It had all that extra room for various non-female body parts.
“Don’t be ridiculous.”
“I’m not,” she said, trying to play it as serious. “One, it’s been a while, maybe your tastes have changed. And two, these might actually be more comfortable, considering the placement of your bandage and—”
He took the boxers from her.
“Apparently I was wrong.” She turned away and started sorting through the pairs of pants and Bermuda shorts she’d grabbed, trying not to be too obvious about the fact that she was watching him out of the corner of her eye. To make sure he didn’t fall over.
Right.
After he got the boxers on, he took off the bathrobe and . . .
Okay, he definitely wasn’t as skinny as he’d been after his lengthy stint in the hospital. Emilio’s pants probably weren’t going to fit him, after all. Although, there was one pair that looked like they’d be nice and loose . . . There they were. The Kelly green Bermuda shorts.
Max gave her another one of those you’ve-got-to-be-kidding glances as he put the bathrobe over the back of another chair. “Do I really look as if I’ve ever worn shorts that color in my entire life?”
She tried not to smile. “I honestly don’t think you have much choice.” She let herself look at him. “You know, you could just go with the boxers. At least until your pants dry. You know what would really work with that, though? A bowtie.” She turned, as if to go back to the closet. “I’m sure Emilio has a tux. Judging from his other clothes, it’s probably polyester and chartreuse, but maybe the bowtie is—”
“Gina.” Max stopped her before she reached the door. He motioned for her to come back.
She held out the green shorts, but instead of taking them, he took her arm, pulled her close.
“I love you,” Max said, as if he were dispatching some terrible, dire news that somehow still managed to amuse him at least a little.
Gina had been hoping that he’d say it, praying even, but the fact that he’d managed to smile, even just a bit while he did, was a miracle.
And then, before her heart even had a chance to start beating again, he kissed her.
And oh, she was also beyond ready for that particular marvel, for the sweet softness of his mouth, for the solidness of his arms around her. There was more of him to hold her since he’d regained his fighting weight—and that was amazing, too. She skimmed her hands across the muscular smoothness of his back, his shoulders, as his kiss changed from tender to heated.
And, God. That was a miracle, too.
Except she couldn’t help but wonder about those words, wrenched from him, as if it cost him his soul to speak them aloud. Why tell her this right now?
Yes, she’d been waiting for years for him to say that he loved her, but . . .
Max laughed his surprise. “No. Why do you . . .?” He figured it out himself. “No, no, Gina, just . . . I should’ve said it before. I should have said it years ago, but I really should have said it, you know, instead of hi.” He laughed again, clearly disgusted with himself. “God, I’m an idiot. I mean, hi? I should have walked in and said, ‘Gina, I need you. I love you, don’t ever leave me again.’”
She stared at him. It was probably a good thing that he hadn’t said that at the time, because she might’ve fainted.
It was obvious that he wanted her to say something, but she was completely speechless.
”
”
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
“
Where are your clothes?" Callie asked, noting he wore very little underneath his "borrowed" kirtle. Very little except for that warm, tawny flesh she found so delectable.
"The brambles caught him," Angus answered. "That's how we found him. There's shreds of English clothing from hither to yon."
Callie felt weak at the news of how close her husband had come to being seriously injured. "Are you truly unharmed?"
"A bit scratched and bruised, but nothing other than my ego is seriously damaged." Sin grinned playfully. "See now why I always travel with a sword? One never knows when a raging bull is likely to come storming down the street."
-Callie, Angus, & Sin
”
”
Kinley MacGregor (Born in Sin (Brotherhood of the Sword, #3; MacAllister, #2))
“
Teeth retracting, Lissianna pulled free of Greg Hewitt’s neck and glanced guiltily over her shoulder. The sight of Thomas and her mother staring at her wide-eyed from the doorway was enough to make her stand quickly, her hands moving to straighten her clothes and hair.
“I cannot believe this!” Marguerite stomped into the room. “Sneaking around and unwrapping your gifts before your birthday like you’re twelve instead of two hundred! What were you thinking?”
“Well, technically, it is her birthday, Aunt Marguerite,” Thomas pointed out as he closed the door.
Lissianna tossed her cousin a grateful smile, but said, “I wasn’t sneaking around. I came up to get fresh stockings.” She scooped them up off the bed, and added, “And I didn’t unwrap him.”
Marguerite stared pointedly at the floor.
After glancing down to see the untied bow lying forgotten there, Lissianna grimaced, and admitted, “Okay, I did unwrap him, but only because he was upset, and I hated to leave him distressed.” She paused, then tilted her head, and said, “I take it Bastien’s arrival interrupted you before you could put the full whammy on him? He was upset about being kidnapped and wanted to be untied when I got here.”
“I didn’t kidnap him,” Marguerite said with affront, then peered past Lissianna to Dr. Gregory Hewitt to say, “I didn’t kidnap you. I borrowed you.”
-Marguerite, Thomas, & Lissianna
”
”
Lynsay Sands (A Quick Bite (Argeneau #1))
“
If he could forget it was him, he could almost see how lovely an image it was, and why JB would have been attracted to it: for the strange person in it who looked so frightened and watchful, who was discernibly neither female nor male, whose clothes looked borrowed, who was mimicking the gestures and postures of adulthood while clearly understanding nothing of them. He no longer felt anything for that person, but not feeling anything for that person had been a conscious act of will, like turning away from someone in the street even though you saw them constantly, and pretending you couldn’t see them day after day until one day, you actually couldn’t - or so you could make yourself believe.
”
”
Hanya Yanagihara (A Little Life)
“
to influence a person is to give him one's own soul. He does not think his natural thoughts, or burn with his natural passions. His virtues are not real to him. His sins, if there are such things as sins, are borrowed. He becomes an echo of some one else's music, an actor of a part that has not been written for him. The aim of life is self-development. To realize one's nature perfectly - that is what each of us is here for. People are afraid of themselves, nowadays. They have forgotten the highest of all duties, the duty one owes to one's self. Of course they are charitable. They feed the hungry, and clothe the beggar. But their own souls starve, and are naked. Courage has gone out of our race. Perhaps we never really had it. The terror of society, which is the basis of morals, the terror of God, which is the secret of religion - these are the two things that govern us. And yet, I believe that if one man were to live out his life fully and completely, were to give form to every feeling, expression to every thought, reality to every dream - I believe that the world would gain such a fresh impulse of joy that we would forget all the maladies of mediævalism, and return to the Hellenic ideal - to something finer, richer, than the Hellenic ideal, it may be. But the bravest man amongst us is afraid of himself. The mutilation of the savage has its tragic survival in the self-denial that mars our lives. We are punished for our refusals. Every impulse that we strive to strangle broods in the mind, and poisons us. The body sins once, and has done with its sin, for action is a mode of purification. Nothing remains then but recollection of a pleasure, or the luxury of regret. The only way to get rid of a temptation is to yield to it. Resist it, and your soul grows sick with longing for the things it has forbidden itself, with desire for what its monstrous laws have made monstrous and unlawful. It is in the brain, and the brain only, that the great sins of the world takes place also. You, yourself, have had passions that made you afraid, thoughts that have filled you with terror, day-dreams and sleeping dreams whose mere memory might stain your cheek with shame -
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
If you’re the cook,” he said between mouthfuls, “I’m your captain. You can’t continue speaking to me that way.”
“You aren’t dressed like a captain.”
Gray looked down at his homespun tunic and the loose-fitting trousers cinched with a knotted cord. The clothes of a common seaman,, borrowed from a sailor now dead. He hadn’t the luxury of fine attire on the Kestrel. With the ship so undermanned, he had to be everywhere-climbing the rigging, down in the hold.
“Don’t look apologetic. They suit you.” Her gaze glanced off his shoulders, then dropped to the floor. “But I see you’ve kept the detested boots.”
He shrugged, spooning up another bite of chowder. “I’ve broken them in now.”
“And here I hoped you were keeping them for sentimental reasons.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
Why then does he seem great to you? It is because you are measuring the pedestal along with the man. A dwarf is not tall, though he stand upon a mountain-top; a colossal statue will still be tall, though you place it in a well. This is the error under which we labour; this is the reason why we are imposed upon: we value no man at what he is, but add to the man himself the trappings in which he is clothed. But when you wish to inquire into a man's true worth, and to know what manner of man he is, look at him when he is naked; make him lay aside his inherited estate, his titles, and the other deceptions of fortune; let him even strip off his body. Consider his soul, its quality and its stature, and thus learn whether its greatness is borrowed, or its own.
”
”
Epictetus (Stoic Six Pack (Illustrated): Meditations of Marcus Aurelius, Golden Sayings, Fragments and Discourses of Epictetus, Letters from a Stoic and The Enchiridion: ... Letters from a Stoic and The Enchiridion)
“
When you have a problem with an adult—say, for example, you have a friend who's always borrowing things and returning them late or broken or not at all—you probably don't think about how you can punish that person. You think about how to respectfully protect yourself. You don't say, "Now that you've given me back my jacket with a stain on it, and broken the side mirror off my car, I'm going to . . . slap you." That would be assault. Or ". . . lock you in your room for an hour." That would be imprisonment. Or ". . . take away your smart phone." That would be theft. You'd probably say something like, "I don't feel comfortable lending you clothes anymore. I get very upset when they come back damaged. And, I can't lend you my car, which I just got repaired. I need to have it in working condition. In fact, I'd appreciate some help with the repair bill!
”
”
Joanna Faber (How to Talk so Little Kids Will Listen: A Survival Guide to Life with Children Ages 2-7 (The How To Talk Series))
“
There is no such thing as a good influence, Mr. Gray. All influence is immoral,—immoral from the scientific point of view.’
‘Why?’
‘Because to influence a person is to give him one’s own soul. He does not think his natural thoughts, or burn with his natural passions. His virtues are not real to him. His sins, if there are such things as sins, are borrowed. He becomes an echo of some one else’s music, an actor of a part that has not been written for him. The aim of life is self-development. To realize one’s nature perfectly,—that is what each of us is here for. People are afraid of themselves, nowadays. They have forgotten the highest of all duties, the duty that one owes to one’s self. Of course they are charitable. They feed the hungry, and clothe the beggar. But their own souls starve, and are naked. Courage has gone out of our race. Perhaps we never really had it.
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
The failure of the Crusades intensified anti-Jewish persecutions in Europe. Banned from owning land or joining trading companies, forced to wear special clothing, Jews were often involved in moneylending, supposedly taboo for Christians. Kings borrowed money from them, and so protected them, but whenever society was strained, by recession or plague, they were attacked. In 1144, after a boy was murdered in Norwich, England, Jews were accused of killing Christian children to make Passover matzoh, unleashing the ‘blood libel’ which in various forms – but always featuring a conspiracy of Jews to harm non-Jews – reverberates down to the twenty-first century. It spread: in 1171, it hit Blois, France, where thirty-three Jews (seventeen women) were burned alive. In the failed state of England, where Henry III struggled to maintain royal power in the face of endemic noble revolt, both king and rebels borrowed from a wealthy banker, David of Oxford. After David’s death, his widow Licoricia of Winchester, the richest non-noble in England, lent to both sides, partly funding the building of Westminster Abbey. But her murder in 1277 showed the perils of being a prominent Jew. In 1290, Henry’s son Edward I expelled the Jews from England. Yet in 1264 Bolesław, duke of Poland, had granted the Statute of Kalisz which gave Jews the right to trade and worship freely and banned the blood libel, legislating against Christian conspiracy theories and denunciations: ‘Accusing Jews of drinking Christian blood is expressly prohibited,’ declared the Statute. ‘If, despite this, a Jew should be accused of murdering a Christian child, such charge must be sustained by testimony of three Christians and three Jews.’ Poland would be a Jewish sanctuary for many centuries.
”
”
Simon Sebag Montefiore (The World: A Family History of Humanity)
“
Because to influence a person is to give him one’s own soul. He does not think his natural thoughts, or burn with his natural passions. His virtues are not real to him. His sins, if there are such things as sins, are borrowed. He becomes an echo of some one else’s music, an actor of a part that has not been written for him. The aim of life is self-development. To realize one’s nature perfectly—that is what each of us is here for. People are afraid of themselves, nowadays. They have forgotten the highest of all duties, the duty that one owes to one’s self. Of course, they are charitable. They feed the hungry and clothe the beggar. But their own souls starve, and are naked. Courage has gone out of our race. Perhaps we never really had it. The terror of society, which is the basis of morals, the terror of God, which is the secret of religion—these are the two things that govern us.
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
The office of midwife was hereditary in the family of the basket-maker. It belonged to his wife. She might not be competent, but the office was hers, anyway. Her pay was not high—25 cents for a boy, and half as much for a girl. The girl was not desired, because she would be a disastrous expense by and by. As soon as she should be old enough to begin to wear clothes for propriety's sake, it would be a disgrace to the family if she were not married; and to marry her meant financial ruin; for by custom the father must spend upon feasting and wedding-display everything he had and all he could borrow—in fact, reduce himself to a condition of poverty which he might never more recover from. It was the dread of this prospective ruin which made the killing of girl-babies so prevalent in India in the old days before England laid the iron hand of her prohibitions upon the piteous slaughter.
”
”
Mark Twain (Following the Equator)
“
He had been a sophomore at Michigan State, studying toward an architect’s certificate, and felt unable to continue, on borrowed money and the world’s sufferance. There was a shuddering in his head he could not eliminate. He let his brother Johan—Joop—cheaply buy his share of the greenhouses and let himself be drafted. Since this accident, the world wore a slippery surface for Piet; he stood on the skin of things in the posture of a man testing newly formed ice, his head cocked for the warning crack, his spine curved to make himself light. “… and we lift our hearts in petition for those who have died, who in the ripening of time have pierced the beyond …” Piet bent his thought toward the hope of his parents’ immortality, saw them dim and small among clouds, in their workaday greenhouse clothes, and realized that if they were preserved it was as strangers to him, blind to him, more than an ocean removed from the earthly concerns of which he had—infant, child, boy, and beginning man—been but one.
”
”
John Updike (Couples)
“
There is no such thing as a good influence, Mr. Gray. All influence is immoral — immoral from the scientific point of view.Because to influence a person is to give him one's own soul. He does not think his natural thoughts, or burn with his natural passions. His virtues are not real to him. His sins, if there are such things as sins, are borrowed. He becomes an echo of someone elses music, an actor of a part that has not been written for him. The aim of life is self-development. To realize one's nature perfectly - that is what each of us is here for.People are afraid of themselves, nowadays. They have forgotten the highest of all duties, the duty that one owes to one's self. Of course, they are charitable. They feed the hungry, and clothe the beggar. But their own souls starve, and are naked. Courage has gone out of our race. Perhaps we never really had it. The terror of society, which is the basis of morals, the terror of God, which is the secret of religion -these are the two things that govern us.
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
There is no such thing as a good influence, Mr. Gray. All influence is immoral—immoral from the scientific point of view." "Why?" "Because to influence a person is to give him one's own soul. He does not think his natural thoughts, or burn with his natural passions. His virtues are not real to him. His sins, if there are such things as sins, are borrowed. He becomes an echo of someone else's music, an actor of a part that has not been written for him. The aim of life is self-development. To realise one's nature perfectly—that is what each of us is here for. People are afraid of themselves, nowadays. They have forgotten the highest of all duties, the duty that one owes to one's self. Of course they are charitable. They feed the hungry, and clothe the beggar. But their own souls starve, and are naked. Courage has gone out of our race. Perhaps we never really had it. The terror of society, which is the basis of morals, the terror of God, which is the secret of religion—these are the two things that govern us
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
How did we define “poverty-free”? After interviewing many borrowers about what a poverty-free life meant to them, we developed a set of ten indicators that our staff and outside evaluators could use to measure whether a family in rural Bangladesh lived a poverty-free life. These indicators are: (1) having a house with a tin roof; (2) having beds or cots for all members of the family; (3) having access to safe drinking water; (4) having access to a sanitary latrine; (5) having all school-age children attending school; (6) having sufficient warm clothing for the winter; (7) having mosquito nets; (8) having a home vegetable garden; (9) having no food shortages, even during the most difficult time of a very difficult year; and (10) having sufficient income-earning opportunities for all adult members of the family. We will be monitoring these criteria on our own and are inviting local and international researchers to help us track our successes and setbacks as we head toward our goal of a poverty-free Bangladesh.
”
”
Muhammad Yunus (Banker To The Poor: Micro-Lending and the Battle Against World Poverty)
“
There is no such thing as a good influence, Mr. Gray. All influence is immoral - immoral from the scientific point of view.'
'Why?'
'Because to influence a person is to give him one's own soul. He does not think his natural thoughts, or burn with his natural passions. His virtues are not real to him. His sins, if there are such things as sins, are borrowed. He becomes an echo of some one else's music, an actor of a part that has not been written for him. The aim of life is self-development. To realize one's nature perfectly - that is what each of us is here for. People are afraid of themselves, nowadays. They have forgotten the highest of all duties, the duty that one owes to one's self. Of course they are charitable. They feed the hungry, and clothe the beggar. But their own souls starve, and are naked. Courage has gone out of our race. Perhaps we never really had it. The terror of society, which is the basis of morals, the terror of God, which is the secret of religion - these are the two things that govern us.
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
Though we are addicted to instant gratification, we are seldom gratified because, although we are making everything possible now, we are seldom present to enjoy it now. The moment we attain our desire, our attention jumps out of the present and into planning our next acquisition. This creates a world that’s comfortable with living in debt, on borrowed time, and on somebody else’s energy. We no longer own our houses, cars, and clothes –the bank does. We have robbed ourselves of the satisfaction of organic accomplishment. There’s no more “rite of passage,” only the fast lane. Young children want to be teenagers, teenagers want to be adults, and adults want to accomplish a lifetime’s work before turning thirty. We spend each moment running ahead of ourselves, believing there’s a destination we are supposed to arrive at that’s saturated with endless happiness, acknowledgement, ease, and luxury. We are forever running away from something and toward something –and because everyone is behaving in this manner, we accept it as normal. We mentally leapfrog over the eternal present moment in everything we do, ignoring the flow of life.
”
”
Michael Brown (The Presence Process - A Journey Into Present Moment Awareness)
“
Her eyes watered triumphantly, and she let her gaze drop back towards the house: the window of her bedroom, the Michaelmas daisy she and Ma had planted over the poor, dead body of Constable the cat, the chink in the bricks where, embarrassingly, she used to leave notes for the fairies.
There were faint memories of a time before, of being a very small child, collecting winkles from a pool by the seashore, of dining each night in the front room of her grandmother's seaside boardinghouse, but they were like a dream. The farmhouse was the only home she'd ever known. And although she didn't want a matching armchair of her own, she liked seeing her parents in theirs each night, knowing as she feel asleep that they were murmuring together on the other side of the thin wall, that she only had to reach out an arm to bother one of her sisters.
She would miss them when she went.
Laurel blinked. She would miss them. The certainty was swift and heavy. It sat in her stomach like a stone. They borrowed her clothes, broke her lipsticks, scratched her records, but she would miss them. The noise and heat of them, the movement and squabbles and crushing joy. They were like a litter of puppies, tumbling together in their shared bedroom. They overwhelmed outsiders and this pleased them. They were the Nicolson girls, Laurel, Rose, Iris, and Daphne; a garden of daughters, as Daddy rhapsodized when he'd had a pint too many. Unholy terrors, as Grandma proclaimed after their holiday visits.
”
”
Kate Morton (The Secret Keeper)
“
Next morning, when Semyon woke up, the children were still asleep and his wife had gone over to the neighbour's to borrow some bread. Only the stranger was sitting on the bench, wearing the old trousers and shirt and looking up. His face was brighter than the evening before. Semyon said, 'Well, my friend. The belly needs food and the body clothes. We all have to earn a living, so what sort of work can you do?'
'I can't do anything.'
Semyon was amazed and replied, 'If a man has the will he can learn anything.'
'Yes, men work for their living, so I'll work too.'
'What's your name?'
'Mikhail.'
'Well, Mikhail, if you don't want to tell us about yourself that's your affair. But we have to earn our living. If you do as I tell you I'll see you have enough to eat.'
'God bless you! I'll learn how to work, just tell me what to do.'
Semyon took a piece of yarn, wound it round his fingers and twisted it.
'It's not hard, just watch...'
Mikhail watched and right away he caught the knack, winding the yarn and twisting it just like Semyon.
Then Semyon showed him how to wax it and Mikhail understood at once. Then he showed him how to draw it through and how to stitch. Again Mikhail immediately understood.
Whatever Semyon showed him he mastered right away and within three days was working as if he had been making shoes all his life. He would work without any let-up and ate very little. Only when one job was finished would he stop for a moment and silently look up. He never went out, only spoke when he really had to, and he never joked or laughed.
”
”
Leo Tolstoy (How Much Land Does a Man Need?)
“
In the words of Barbara Rossing and John Yoder, borrowing an image from the book of Revelation, the contrast between the “power over” kingdom of the world and the “power under” kingdom of God is “Lion power” versus “Lamb power.” The kingdom of God advances by people lovingly placing themselves under others, in service to others, at cost to themselves. This “coming under” doesn’t mean that followers of Jesus conform to other people’s wishes, but it does mean that we always interact with others with their best interests in mind.
Following the example of Christ, and in stark contrast to the modus operandi of the world, we are to do “nothing from selfish ambition or conceit, but in humility regard others as better than [our]selves.” We are to “look not to [our] own interests, but to the interests of others” (Phil. 2:3–4). We are to “not seek [our] own advantage, but that of the other” (1 Cor. 10:24, cf. 10:33). Following Jesus’ example, we are to find honor in washing people’s feet (John 13:14–15)—that is, in serving them in any way we can.
So too, in following our Master we are to seek to do good and free all who are “oppressed by the devil” (Acts 10:38) while we voluntarily bear others’ burdens (Gal. 6:2). We are to “outdo one another in showing honor” (Rom. 12:10) and never be competitive with others (unless, of course, it’s for fun) (Gal. 5:26). We are to “put up with the failings of the weak, and not please ourselves,” always asking how we might “please our neighbor for the good purpose of building up the neighbor” (Rom. 15:1–2). We are to feed the hungry, clothe the naked, take in the homeless, befriend the friendless, and visit the condemned prisoner (James 2:15–17; 1 John 3:14–18; cf. Matt. 25:34–40).
”
”
Gregory A. Boyd (The Myth of a Christian Nation: How the Quest for Political Power Is Destroying the Church)
“
Tomo did not join them. Kami saw that he had taken one of his violent fancies to Ash, the way he had taken to lemonade, Mr. Stearn’s bulldog, and his favorite toy race car that had burned with everything else in their house. He walked happily alongside Ash, holding on to his hand, and clearly wished for nothing more.
Ash seemed alarmed to have been so firmly taken possession of by an eight-year-old. He and Tomo fell back a little, until they were walking with Jared and Kami.
“I am so sad about my underwear,” Kami announced, and Ash looked as if he regretted all of his life decisions.
“Not in front of the little boy!” he said reproachfully. “Anyway, you were saying that you would borrow clothes from Holly and Angela.”
“I’m the third tallest in my class,” Tomo informed him, with the air of one out to impress. “And I know all about underwear.”
“You heard the man,” said Kami. “Besides which, no. I cannot possibly borrow underclothes from Holly and Angela. Bras especially.”
“I know,” said Jared.
“Oh, you do, do you?” Kami inquired. “And how do you know, may I ask?”
There was a slight flush along the lines of Jared’s cheekbones. “Observation.”
It was probably sad that this cheered Kami up, but Jared usually seemed so wary about her body, the physical fact of it, that the simple knowledge that he had been looking did please her. She leaned back infinitesimally closer into the warm line of his arm around her shoulders, the warm line of his body against her side.
“Kami, would you maybe stop mentioning your unmentionables,” Ash said, spoiling the moment.
“I shall not,” Kami told him. “It’s a serious problem. I am, and I mean this absolutely literally, in need of support.”
I’d suspect you of going funny in the head from smoke inhalation, said Ash, but you always talk like this.
”
”
Sarah Rees Brennan (Unmade (The Lynburn Legacy, #3))
“
When you are fully owned by your disbelief, then there is no further discussion that needs to be had between you and the God you once trusted. In fact, your very senses are numb to His presence, your eyes shut, your ears closed, and your body turned away. In this instance you have come to grips with the fact that, if need be, you would stand up in front of the world and say, “I deny Jesus is Lord,” and you would be content with that denial. But before you jump to your feet, first consider that this verbal rejection of Jesus comes with an effect, and that is that as you deny Him, so He denies you. As He said in the book of Matthew, “Whoever denies me before men, I also will deny before my Father who is in heaven” (Matt. 10:33 esv). So is it any wonder that in your denial of the One who was sent to save you, you have found more and more animosity toward God and His people? That your heart has hardened more with each passing day? This is the result of Jesus denying you more than it is of you denying Him. The truth is that you own your faith when and only when Christ owns you. William Barley, in The Letters of James and Peter, spoke this better than we ever could when he said, It frequently happens that the value of a thing lies in the fact that someone has possessed it. A very ordinary thing acquires a new value if it has been possessed by some famous person. In any museum we will find quite ordinary things—clothes, a walking-stick, a pen, pieces of furniture—which are only of value because they were possessed and used by some great person. It is the ownership which gives them worth. It is so with the Christian. The Christian may be a very ordinary person, but he acquires a new value and dignity and greatness because he belongs to God. The greatness of the Christian lies in the fact that he is God’s.
”
”
Hayley DiMarco (Own It: Leaving Behind a Borrowed Faith)
“
IN T H E last twenty-five years I have had a lot of people staying with me and sometimes I am tempted to write an essay on guests. There are the guests who never shut a door after them and never turn out the light when they leave their room. There are the guests who throw themselves on their bed in muddy boots to have a nap after lunch, so that the counterpane has to be cleaned on their departure. There are the guests who smoke in bed and burn holes in your sheets. There are the guests who are on a regime and have to have special food cooked for them and there are the guests who wait till their glass is filled with a vintage claret and then say: "I won't have any, thank you." There are the guests who never put back a book in the place from which they took it and there are the guests who take away a volume from a set and never return it. There are the guests who borrow money from you when they are leaving and do not pay it back. There are the guests who can never be alone for a minute and there are the guests who are seized with a desire to talk the moment they see you glancing at a paper. There are the guests who, wherever they are, want to be somewhere else and there are the guests who want to be doing something from the time they get up in the morning till the time they go to bed at night. There are the guests who treat you as though they were SOME NOVELISTS I HAVE KNOWN 459 gauleiters in a conquered province. There are the guests who bring three weeks* laundry with them to have washed at your expense and there are the guests who send their clothes to the cleaners and leave you to pay the bill. There are the guests who telephone to London, Paris, Rome, Madrid and New York, and never think of inquiring how much it costs. There are the guests who take all they can get and offer nothing in return. There are also the guests who are happy just to be with you, who seek to please, who have resources of their own, who amuse you, whose conversation is delightful, whose interests are varied, who exhilarate and excite you, who in short give you far more than you can ever hope to give them and whose visits are only too brief.
”
”
Anonymous
“
#1 of 2 Leah munched another chip as she watched a couple on-screen race madly away from men with guns who were intent on killing them. She and Seth sat shoulder to shoulder on the sofa, both slumped down until they were practically lying on their backs. Seth had pulled the matching ottoman up against the sofa, so it really did feel as if they were lying in bed together, watching a movie.
She slid him a covert glance.
He had donned black cargo pants and a black T-shirt after his shower but had left his big feet bare. He had also left his hair loose. It now spilled over the back of the sofa in a glossy curtain, the thick wavy tresses still drying.
He chuckled at something the male protagonist said.
Leah smiled. She loved seeing him laugh. She didn’t think he did so as often as he should.
Every once in a while, she noticed his gaze would slide to her legs. Her feet were propped on the ottoman close to his. The robe she had borrowed had parted just above her knees and fallen back, leaving most of her legs bare. And that pale flesh repeatedly drew Seth’s attention.
She held the bag of chips out to him.
Smiling, unaware that the faint golden light of desire illuminated his eyes, he poked his hand in and drew out a couple of chips.
She smiled back, then returned her attention to the screen.
The protagonists had at last made it to safety. They checked each other over for wounds, something both had miraculously escaped incurring in true Hollywood fashion. Then they fell into each other’s arms, finally giving in to the lust that had sparked between them ever since their first contentious meeting.
Leah sighed as she watched them peel each other’s clothes off with eager hands. It made her want to do the same with Seth. Her body even began to respond as her imagination kicked in. “I miss sex.” The words were out of her mouth before she could question the wisdom of speaking them.
“I do, too,” Seth confessed.
She glanced over at him and found his eyes glued to the screen.
More so since I met you.
Her eyes widened when his voice sounded in her head. “Really?”
“Yes.” The actors on-screen fell naked onto the bed and began to simulate sex, their moans and groans and cries of passion filling the room. “It’s natural to miss it,” he said matter-of-factly. “Nothing to feel guilty about.”
“No. I mean, you really miss it more since you met me?”
He froze. A look of dismay crossed his features as he cut her a glance. “I said that out loud?”
“No. I heard it in my head.”
Sh**.
She grinned. “I heard that, too.”
F**k.
”
”
Dianne Duvall (Death of Darkness (Immortal Guardians, #9))
“
Lesson one: Pack light unless you want to hump the eight around the mountains all day and night.
By the time we reached Snowdonia National Park on Friday night it was dark, and with one young teacher as our escort, we all headed up into the mist. And in true Welsh fashion, it soon started to rain.
When we reached where we were going to camp, by the edge of a small lake halfway up, it was past midnight and raining hard. We were all tired (from dragging the ridiculously overweight packs), and we put up the tents as quickly as we could. They were the old-style A-frame pegged tents, not known for their robustness in a Welsh winter gale, and sure enough by 3:00 A.M. the inevitable happened.
Pop.
One of the A-frame pegs supporting the apex of my tent broke, and half the tent sagged down onto us.
Hmm, I thought.
But both Watty and I were just too tired to get out and repair the first break, and instead we blindly hoped it would somehow just sort itself out.
Lesson two: Tents don’t repair themselves, however tired you are, however much you wish they just would.
Inevitably, the next peg broke, and before we knew it we were lying in a wet puddle of canvas, drenched to the skin, shivering, and truly miserable.
The final key lesson learned that night was that when it comes to camping, a stitch in time saves nine; and time spent preparing a good camp is never wasted.
The next day, we reached the top of Snowdon, wet, cold but exhilarated. My best memory was of lighting a pipe that I had borrowed off my grandfather, and smoking it with Watty, in a gale, behind the summit cairn, with the teacher joining in as well.
It is part of what I learned from a young age to love about the mountains: They are great levelers.
For me to be able to smoke a pipe with a teacher was priceless in my book, and was a firm indicator that mountains, and the bonds you create with people in the wild, are great things to seek in life.
(Even better was the fact that the tobacco was homemade by Watty, and soaked in apple juice for aroma. This same apple juice was later brewed into cider by us, and it subsequently sent Chipper, one of the guys in our house, blind for twenty-four hours. Oops.)
If people ask me today what I love about climbing mountains, the real answer isn’t adrenaline or personal achievement. Mountains are all about experiencing a shared bond that is hard to find in normal life. I love the fact that mountains make everyone’s clothes and hair go messy; I love the fact that they demand that you give of yourself, that they make you fight and struggle. They also induce people to loosen up, to belly laugh at silly things, and to be able to sit and be content staring at a sunset or a log fire.
That sort of camaraderie creates wonderful bonds between people, and where there are bonds I have found that there is almost always strength.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
There is no such thing as a good influence, Mr Gray. All influence is immoral — immoral from the scientific point of view.'
'Why?'
'Because to influence a person is to give him one's own soul. He does not think his natural thoughts, or burn with his natural passions. His virtues are not real to him. His sins, if there are such things as sins, are borrowed. He becomes an echo of some one else's music, an actor of a part that has not been written for him. The aim of life is self-development. To realize one's nature perfectly — that is what each of us is here for. People are afraid of themselves, nowadays. They have forgotten the highest of all duties, the duty that one owes to one's self. Of course they are charitable. They feed the hungry, and clothe the beggar. But their own souls starve, and are naked. Courage has gone out of our race. Perhaps we never really had it. The terror of society, which is the basis of morals, the terror of God, which is the secret of religion — these are the two things that govern us. And yet —'
'Just turn your head a little more to the right, Dorian, like a good boy,' said the painter, deep in his work, and conscious only that a look had come into the lad's face that he had never seen there before.
'And yet,' continued Lord Henry, in his low, musical voice, and with that graceful wave of the hand that always was so characteristic of him, and that he had even in his Eton days, 'I believe that if one man were to live out his life fully and completely, were to give form to every feeling, expression to every thought, reality to every dream — I believe that the world would gain such a fresh impulse of joy that we would forget all the maladies of mediævalism, and return to the Hellenic ideal — to something finer, richer, than the Hellenic ideal, it may be. But the bravest man amongst us is afraid of himself. The mutilation of the savage has its tragic survival in the self-denial that mars our lives. We are punished for our refusals. Every impulse that we strive to strangle broods in the mind, and poisons us. The body sins once, and has done with its sin, for action is a mode of purification. Nothing remains then but the recollection of a pleasure, or the luxury of a regret. The only way to get rid of a temptation is to yield to it. Resist it, and your soul grows sick with longing for the things it has forbidden to itself, with desire for what its monstrous laws have made monstrous and unlawful. It has been said that the great events of the world take place in the brain. It is in the brain, and the brain only, that the great sins of the world take place also. You, Mr Gray, you yourself, with your rose-red youth and your rose-white boyhood, you have had passions that have made you afraid, thoughts that have filled you with terror, day-dreams and sleeping dreams whose mere memory might stain your cheek with shame—
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
If we take God’s Word seriously, we should avoid debt when possible. In those rare cases where we go into debt, we should make every effort to get out as soon as we can. We should never undertake debt without prayerful consideration and wise counsel. Our questions should be, Why go into debt? Is the risk called for? Will the benefits of becoming servants to the lender really outweigh the costs? What should we ask ourselves before going into debt? Before we incur debt, we should ask ourselves some basic spiritual questions: Is the fact that I don’t have enough resources to pay cash for something God’s way of telling me it isn’t his will for me to buy it? Or is it possible that this thing may have been God’s will but poor choices put me in a position where I can’t afford to buy it? Wouldn’t I do better to learn God’s lesson by foregoing it until—by his provision and my diligence—I save enough money to buy it? What I would call the “debt mentality” is a distorted perspective that involves invalid assumptions: • We need more than God has given us. • God doesn’t know best what our needs are. • God has failed to provide for our needs, forcing us to take matters into our own hands. • If God doesn’t come through the way we think he should, we can find another way. • Just because today’s income is sufficient to make our debt payments, tomorrow’s will be too (i.e., our circumstances won’t change). Those with convictions against borrowing will normally find ways to avoid it. Those without a firm conviction against going into debt will inevitably find the “need” to borrow. The best credit risks are those who won’t borrow in the first place. The more you’re inclined to go into debt, the more probable it is that you shouldn’t. Ask yourself, “Is the money I’ll be obligated to repay worth the value I’ll receive by getting the money or possessions now? When it comes time for me to repay my debt, what new needs will I have that my debt will keep me from meeting? Or what new wants will I have that will tempt me to go further into debt?” Consider these statements of God’s Word: • “True godliness with contentment is itself great wealth. After all, we brought nothing with us when we came into the world, and we can’t take anything with us when we leave it. So if we have enough food and clothing, let us be content” (1 Timothy 6:6-8). • “Those who love money will never have enough. How meaningless to think that wealth brings true happiness!” (Ecclesiastes 5:10). • “My child, don’t lose sight of common sense and discernment. Hang on to them, for they will refresh your soul. They are like jewels on a necklace. They keep you safe on your way, and your feet will not stumble. You can go to bed without fear; you will lie down and sleep soundly. You need not be afraid of sudden disaster or the destruction that comes upon the wicked, for the LORD is your security. He will keep your foot from being caught in a trap” (Proverbs 3:21-26). • “Don’t copy the behavior and customs of this world, but let God transform you into a new person by changing the way you think. Then you will learn to know God’s will for you, which is good and pleasing and perfect” (Romans 12:2).
”
”
Randy Alcorn (Managing God's Money: A Biblical Guide)
“
As Frank promised, there was no other public explosion. Still. The multiple times when she came home to find him idle again, just sitting on the sofa staring at the rug, were unnerving. She tried; she really tried. But every bit of housework—however minor—was hers: his clothes scattered on the floor, food-encrusted dishes in the sink, ketchup bottles left open, beard hair in the drain, waterlogged towels bunched on bathroom tiles. Lily could go on and on. And did. Complaints grew into one-sided arguments, since he wouldn’t engage.
“Where were you?”
“Just out.”
“Out where?”
“Down the street.”
Bar? Barbershop? Pool hall. He certainly wasn’t sitting in the park.
“Frank, could you rinse the milk bottles before you put them on the stoop?”
“Sorry. I’ll do it now.”
“Too late. I’ve done it already. You know, I can’t do everything.”
“Nobody can.”
“But you can do something, can’t you?”
“Lily, please. I’ll do anything you want.”
“What I want? This place is ours.”
The fog of displeasure surrounding Lily thickened. Her resentment was justified by his clear indifference, along with his combination of need and irresponsibility. Their bed work, once so downright good to a young woman who had known no other, became a duty. On that snowy day when he asked to borrow all that money to take care of his sick sister in Georgia, Lily’s disgust fought with relief and lost. She picked up the dog tags he’d left on the bathroom sink and hid them away in a drawer next to her bankbook. Now the apartment was all hers to clean properly, put things where they belonged, and wake up knowing they’d not been moved or smashed to pieces. The loneliness she felt before Frank walked her home from Wang’s cleaners began to dissolve and in its place a shiver of freedom, of earned solitude, of choosing the wall she wanted to break through, minus the burden of shouldering a tilted man. Unobstructed and undistracted, she could get serious and develop a plan to match her ambition and succeed. That was what her parents had taught her and what she had promised them: To choose, they insisted, and not ever be moved. Let no insult or slight knock her off her ground. Or, as her father was fond of misquoting, “Gather up your loins, daughter. You named Lillian Florence Jones after my mother. A tougher lady never lived. Find your talent and drive it.”
The afternoon Frank left, Lily moved to the front window, startled to see heavy snowflakes powdering the street. She decided to shop right away in case the weather became an impediment. Once outside, she spotted a leather change purse on the sidewalk. Opening it she saw it was full of coins—mostly quarters and fifty-cent pieces. Immediately she wondered if anybody was watching her. Did the curtains across the street shift a little? The passengers in the car rolling by—did they see? Lily closed the purse and placed it on the porch post. When she returned with a shopping bag full of emergency food and supplies the purse was still there, though covered in a fluff of snow. Lily didn’t look around. Casually she scooped it up
and dropped it into the groceries. Later, spread out on the side of the bed where Frank had slept, the coins, cold and bright, seemed a perfectly fair trade. In Frank Money’s empty space real money glittered. Who could mistake a sign that clear? Not Lillian Florence Jones.
”
”
Toni Morrison (Home)
“
If anything's to be praised, it's most likely how
the west wind becomes the east wind, when a frozen bough
sways leftward, voicing its creaking protests,
and your cough flies across the Great Plains to Dakota's forests.
At noon, shouldering a shotgun, fire at what may well
be a rabbit in snowfields, so that a shell
widens the breach between the pen that puts up these limping
awkward lines and the creature leaving
real tracks in the white. On occasion the head combines
its existence with that of a hand, not to fetch more lines
but to cup an ear under the pouring slur
of their common voice. Like a new centaur.
There is always a possibility left to let
yourself out to the street whose brown length
will soothe the eye with doorways, the slender forking
of willows, the patchwork puddles, with simply walking.
The hair on my gourd is stirred by a breeze
and the street, in distance, tapering to a V, is
like a face to a chin; and a barking puppy
flies out of a gateway like crumpled paper.
A street. Some houses, let's say,
are better than others. To take one item,
some have richer windows. What's more, if you go insane,
it won't happen, at least, inside them.
... and when 'the future' is uttered, swarms of mice
rush out of the Russian language and gnaw a piece
of ripened memory which is twice
as hole-ridden as real cheese.
After all these years it hardly matters who
or what stands in the corner, hidden by heavy drapes,
and your mind resounds not with a seraphic 'do',
only their rustle. Life, that no one dares
to appraise, like that gift horse's mouth,
bares its teeth in a grin at each
encounter. What gets left of a man amounts
to a part. To his spoken part. To a part of speech.
Not that I am losing my grip; I am just tired of summer.
You reach for a shirt in a drawer and the day is wasted.
If only winter were here for snow to smother
all these streets, these humans; but first, the blasted
green. I would sleep in my clothes or just pluck a borrowed
book, while what's left of the year's slack rhythm,
like a dog abandoning its blind owner,
crosses the road at the usual zebra. Freedom
is when you forget the spelling of the tyrant's name
and your mouth's saliva is sweeter than Persian pie,
and though your brain is wrung tight as the horn of a ram
nothing drops from your pale-blue eye.
”
”
Joseph Brodsky
“
But in the silence of the night in this funny little house in my too-big borrowed clothes, alternative narratives had begun to take shape and substance.
”
”
Lindsay Emory (The Royal Runaway)
“
But yes,” I have to say something to account for how upset I am. “Yes, I totally got the shits and I had to borrow these clothes!” I cry again. Wail into my pillow. Because I’d rather pretend I shit my pants in front of a hot guy instead of what really happened. “I
”
”
J.A. Huss (Mr. Romantic (Mister, #2))
“
Children displaced from their families, unconnected to their teachers, and not yet mature enough to relate to one another as separate beings, automatically regroup to satisfy their instinctive drive for attachment. The culture of the group is either invented or borrowed from the peer culture at large. It does not take children very long to know what tribe they belong to, what the rules are, whom they can talk to, and whom they must keep at a distance.
Despite our attempts to teach our children respect for individual differences and to instill in them a sense of belonging to a cohesive civilization, we are fragmenting at an alarming rate into tribal chaos. Our very own children are leading the way. The time we as parents and educators spend trying to teach our children social tolerance, acceptance, and etiquette would be much better invested in cultivating a connection with them. Children nurtured in traditional hierarchies of attachment are not nearly as susceptible to the spontaneous forces of tribalization.
The social values we wish to inculcate can be transmitted only across existing lines of attachment. The culture created by peer orientation does not mix well with other cultures. Because peer orientation exists unto itself, so does the culture it creates. It operates much more like a cult than a culture. Immature beings who embrace the culture generated by peer orientation become cut off from people of other cultures. Peer-oriented youth actually glory in excluding traditional values and historical connections.
People from differing cultures that have been transmitted vertically retain the capacity to relate to one another respectfully, even if in practice that capacity is often overwhelmed by the historical or political conflicts in which human beings become caught up. Beneath the particular cultural expressions they can mutually recognize the universality of human values and cherish the richness of diversity. Peer-oriented kids are, however, inclined to hang out with one another exclusively. They set themselves apart from those not like them.
As our peer-oriented children reach adolescence, many parents find themselves feeling as if their very own children are barely recognizable with their tribal music, clothing, language, rituals, and body decorations. “Tattooing and piercing, once shocking, are now merely generational signposts in a culture that constantly redraws the line between acceptable and disallowed behavior,” a Canadian journalist pointed out in 2003.
Many of our children are growing up bereft of the universal culture that produced the timeless creations of humankind: The Bhagavad Gita; the writings of Rumi and Dante, Shakespeare and Cervantes and Faulkner, or of the best and most innovative of living authors; the music of Beethoven and Mahler; or even the great translations of the Bible. They know only what is
current and popular, appreciate only what they can share with their peers.
True universality in the positive sense of mutual respect, curiosity, and shared human values does not require a globalized culture created by peer-orientation. It requires psychological maturity — a maturity that cannot result from didactic education, only from healthy development. Only adults can help children grow up in this way. And only in healthy relationships with adult mentors — parents, teachers, elders, artistic, musical and intellectual creators — can children receive their birthright, the universal and age-honored cultural legacy of humankind. Only in such relationships can they fully develop their own capacities for free and individual and fresh cultural expression.
”
”
Gabor Maté (Hold On to Your Kids: Why Parents Need to Matter More Than Peers)
“
Hunter crouched beside the fire, a cup of coffee cradled in his palms, his gaze fixed on the shifting flames. He could see his yellow-hair from the corner of his eye and knew every time she moved, every time she looked at him. Somehow she had managed to stay covered with the fur while she pulled on his shirt and her ruffled breeches.
His brother, Warrior, squatted next to him and began tossing chips of bark onto the coals, watching them ignite. “The tosi tivo must be very poor lovers.”
Hunter glanced up, more than a little bewildered by his brother’s observation. Warrior was like that, though, the thoughts in his heart darting here and there like autumn leaves caught up in the wind.
“You don’t agree?” Warrior pressed.
Warrior’s voice and the musical cadence of the Comanche language fell sweetly on Hunter’s ears. Talking tosi tivo talk to the yellow-hair had left a dirty taste on his tongue. “The tosi tivo are very poor at everything.”
Warrior glanced toward the yellow-hair, squinting as a trail of smoke got in his face. “She still hides beneath the buffalo robe. Your shirt and her ruffles are not enough.”
Hunter searched his brother’s dark eyes.
“I think the tosi tivo teach their women such foolishness because they are afraid.”
“Hm. And what would they be afraid of?”
Warrior grinned. “A woman who isn’t well loved will seek solace elsewhere.”
Hunter huffed at that idea. “With as many children as their women bear, how can you think they need solace? The trouble with the tosi tivo is that they have no honor. They will call a man friend, then borrow his woman when his back is turned. The many clothes make the wife borrowing a little more tricky, eh?”
A thoughtful frown settled on Warrior’s forehead. He dumped the remainder of the wood chips he had collected onto the fire. The flames hissed hungrily and flared brighter. “This is the truth? And what of the females? Don’t they spurn the men who try to shame them?”
“The females have no honor, either.”
Brushing his hands clean on his leggings, Warrior shot a worried look at the white woman. “You must teach her, eh? If you go down in battle and I have to take her into my lodge circle, I want to know her children are yours.”
“She will learn. I will teach her honor if I kill her doing it.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
shows her in her borrowed clothes, determined to keep her dignity
”
”
John Guy (Queen of Scots: The True Life of Mary Stuart)
“
Our Skirt (by Kathy Boudin)
You were forty-five and I was fourteen
when you gave me the skirt.
¨It's from Paris!¨ you said
as if that would impress me
who at best had mixed feelings
about skirts.
But I was drawn by that summer cotton
with splashes of black and white--like paint
dabbed by an eager artist.
I borrowed your skirt
and it moved like waves
as I danced at a ninth grade party.
Wearing it date after date
including my first dinner with a college man.
I never was much for buying new clothes,
once I liked something it stayed with me for years.
I remember the day I tried
ironing your skirt,
so wide it seemed to go on and on
like a western sky.
Then I smelled the burning
and, crushed, saw that I had left a red-brown scorch
on that painting.
But you, Mother, you understood
because ironing was not your thing either.
And over the years your skirt became my skirt
until I left it and other parts of home with you.
Now you are eighty and I almost fifty.
We sit across from each other
in the prison visiting room.
Your soft gray-thin hair twirls into style.
I follow the lines on your face, paths lit by your eyes
until my gaze comes to rest
on the black and white
on the years
that our skirt has endured.
”
”
Hettie Jones (Aliens at the Border: the Writing Workshop, Bedford Hills Correctional Facility)
“
Because to influence a person is to give him one’s own soul. He does not think his natural thoughts, or burn with his natural passions. His virtues are not real to him. His sins, if there are such things as sins, are borrowed. He becomes an echo of some one else’s music, an actor of a part that has not been written for him. The aim of life is self-development. To realize one’s nature perfectly—that is what each of us is here for. People are afraid of themselves, nowadays. They have forgotten the highest of all duties, the duty that one owes to one’s self. Of course, they are charitable. They feed the hungry and clothe the beggar. But their own souls starve, and are naked. Courage has gone out of our race. Perhaps we never really had it. The terror of society, which is the basis of morals, the terror of God, which is the secret of religion—these are the two things that govern us. And yet—
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
The student with whom Hal shared a bedroom, Englishman John Abel Smith, bore educational credentials that Hal could only dimly conceive. John was the namesake of a renowned merchant banker and British Member of Parliament. He had attended Eton, one of the world’s most famous preparatory schools, before entering Cambridge, where he had “read” under the personal tutelage of English scholars. Hal began to understand the difference between his public-school education and the background of his roommates when he surveyed them relative to a reading list he came across. It was titled, “One Hundred Books Every Educated Person Ought to Have Read.” George Montgomery and Powell Cabot had read approximately seventy and eighty, respectively. John Abel Smith had read all but four. Hal had read (though not necessarily finished) six. Hal also felt his social inferiority. He had long known that his parents weren’t fashionable. His mother never had her hair done in a beauty parlor. His father owned only one pair of dress shoes at a time and frequently took long trips abroad with nothing but his briefcase and a single change of underwear, washing his clothes—including a “wash-and-wear” suit—in hotel sinks at night. That was part of the reason why Hal took an expensive tailored suit—a broad-shouldered pinstripe—and a new fedora hat to Boston. He knew that he needed to rise to a new level, fashion-wise. But he realized that his fashion statement had failed when Powell Cabot asked, late in October, to borrow his suit and hat. Hal’s swell of pride turned to chagrin when Powell explained his purpose—he had been invited to a Halloween costume party, and he wanted to go as a gangster.
”
”
Robert I. Eaton (I Will Lead You Along: The Life of Henry B. Eyring)
“
Hayder didn’t bother checking the time when he left the condo. He banged on the closest door and waited with arms crossed, foot tapping. It opened a moment later on a tousled-hair Luna, who scowled. “What do you want?”
“A lifetime supply of porterhouse steaks in my freezer.” Like duh. What feline wouldn’t?
“Smartass.”
“Thank you. I knew those IQ tests I took in college were wrong. But enough of my mental greatness, I need a favor.”
“I am not lending you my eighties greatest hits CDs again to use for skeet practice,” she grumbled.
“That’s not a favor. That’s just making the world a better place. No, I need you to watch Arabella’s place while I talk to the boss about her situation.”
Obviously the rumor mill had been busy because Luna didn’t question what he meant. “You really think those wolves would be stupid enough to try something here?” Luna slapped her forehead. “Duh. Of course they are. Must be something in their processed dog food that inhibits their brain processes.”
“One, while I agree that pack is mentally defective, you might want to refrain from calling them dogs or bitches or any other nasty names in the near future.”
“Why? Aren’t you the one who coined the phrase ‘ass-licking, eau de toilette fleabags’?”
Ah yes, one of his brighter inspirations after a few too many shots of tequila. “Yeah. But that was in the past. If I’m going to be mated to a wolf—”
“Whoa there, big guy. Back up. Mated? As in”— Luna hummed the wedding march—“ dum-dum-dum-dum.”
Hayder fought not to wince. Knowing he’d found the one and admitting it in such final terms were two different things. “Yes, mated. To Arabella.”
“The girl who is allergic to you?”
Luna needed the wall to hold her up as she laughed.
And laughed.
Then cried as she laughed.
Irritated, Hayder tapped a foot and frowned. It just made her laugh all the harder. “It isn’t that funny.”
“Says you.” Luna snorted, wiping a hand across her eyes to swipe the tears. “Oh, wait until the girls hear this.”
“Could we hold off on that? It might help if I got Arabella to agree first.”
Which, given her past and state of mind, wasn’t a sure thing.
“You’re killing me here, Hayder. This is big news. Real big.”
“I’ll let you borrow my treadmill.” Damned thing was nothing more than a clothes rack in his room. Indoor running just couldn’t beat the fresh adrenaline of an outdoor sprint.
“Really big news,” she emphasized.
He sighed. “Fine. You can borrow my car. But don’t you dare leave any fast food wrappers in it like last time.”
“Who, me?” The innocent bat of her lashes didn’t fool him one bit.
”
”
Eve Langlais (When a Beta Roars (A Lion's Pride, #2))
“
Yet, as Brandon explained with a mixture of bitterness and regret, college proved to be the start of a long series of disappointments. Unable to pass calculus or physics, he switched his major from engineering to criminal justice. Still optimistic, he applied to several police departments upon graduation, excited about a future of “catching crooks.” The first department used a bewildering lottery system for hiring, and he didn’t make the cut. The second informed him that he had failed a mandatory spelling test (“I had a degree!”) and refused to consider his application. Finally, he became “completely turned off to this idea” when the third department disqualified him because of a minor incident in college in which he and his roommate “borrowed” a school-owned buffing machine as a harmless prank. Because he “could have been charged with a felony,” the department informed him, he was ineligible for police duty. Regrettably, his college had no record of the incident. Brandon had volunteered the information out of a desire to illustrate his honest and upstanding character and improve his odds of getting the job. With “two dreams deferred,”2 Brandon took a job as the nightshift manager of a clothing chain, hoping it would be temporary. Eleven years later, he describes his typical day, which consists of unloading shipments, steaming and pricing garments, and restocking the floor, as “not challenging at all. I don’t get to solve problems or be creative. I don’t get to work with numbers, and I am a numbers guy. I basically babysit a team and deal with personnel.” When his loans came out of deferment, he couldn’t afford the monthly payments and decided to get a master’s degree—partly to increase his earning potential and partly to put his loans back into deferment. After all, it had been “hammered into his head” that higher education was the key to success. He put on twenty-five pounds while working and going to school full-time for three years. He finally earned a master’s degree in government, paid for with more loans from “that mean lady Sallie Mae.”3 So far, Brandon has still not found a job that will pay him enough to cover his monthly loan and living expenses. He has managed to keep the loans in deferment by continually consolidating—a strategy that costs him $5,000 a year in interest. Taking
”
”
Jennifer M. Silva (Coming Up Short: Working-Class Adulthood in an Age of Uncertainty)
“
I have to see you in daylight.” His mouth chased lightly, hungrily over her throat and shoulder. “Monisha, you are the most beautiful woman, the most…” His hands moved with increasing impatience, pulling hard at her clothes until a few stitches popped.
“Don’t, this dress doesn’t belong to me,” Amelia said anxiously, fumbling to unfasten the borrowed garments herself rather than have them torn. She froze at the sound of footsteps coming along the hallway, passing the closed door without stopping. Most likely it was a servant. But what if someone had seen her entering Cam’s room?… What if someone were searching for her at this very moment? “Cam, please, not now.”
“I’ll be gentle.” He lifted her from the circle of discarded clothes. “I know it’s soon after your first time.”
She shook her head as he laid her on the bed. Clenching the fabric of her chemise with both hands to keep it in place, she whispered, “No, it’s not that. Someone will find out. Someone will hear. Someone will—”
“Let go, hummingbird, so I can take this off you.” There was a flick of devil’s fire in his eyes as he said mildly, “Let go, or I’ll rip it.”
“Cam, don’t—”
She was interrupted by the sound of rending linen. He had torn it completely down the front, the fragile material drooping on either side of her.
“You’ve ruined it,” she said in disbelief. “How am I to explain this to the maid? And how am I to put my corset back on?”
Cam didn’t look at all apologetic as he pulled the remnants of the chemise away from her body. “Take off your drawers. Or I’ll have to rip those, too.”
“Oh, God.” Seeing no way to stop him, Amelia pulled the drawers down over her hips. “Lock the door,” she whispered with a scarlet face. “Please, please lock it.”
A quick smile passed over Cam’s mouth. He left the bed and went to the door, stripping off his jerkin and shirt along the way. After turning the key in the lock, he took his time about returning to the bed, seeming to enjoy the sight of her burrowing beneath the bed linens.
He stood before her half-naked, the breeches riding low on his hips. Amelia dragged her gaze away from the sleek, tightly muscled surface of his torso, and shivered between the cold layers of the bedclothes. “You’re putting me in a terrible position.”
Cam finished undressing and joined her beneath the covers. “I know other positions you’ll like much better.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
This green place in which I stood with James turned slowly around us like a music box. All my memories returning, and all his. I could see and feel each of his days and he mine. Childhood songs, books read, hearts broken, arguments forgiven.The sweetness of these imperfections far outshining the regrets. Our lives overlapped as naturally as two blades of grass brushing together.
My pain forgotten, my clothes dry and clean, I pulled James close to me. As he lifted my chin, I felt no sensation of falling as when I had been Light touching one who is Quick. It wasn't the mere heat of a stolen moment in borrowed flesh. We touched now soul to soul, both of us Light. And when we kissed, the garden rocked, floating upstream.
”
”
Laura Whitcomb (A Certain Slant of Light (Light, #1))
“
Can I borrow a shirt?” she asks. She looks down at her bag. “All my clothes are dirty, and I hate to put on dirty clothes when I just got out of the shower.” I must have looked at her funny because she rushes on to say, “I’ll return it to you tomorrow, before I leave. I just want to sleep in it. Do you have a washing machine?” I nod. “Which question are you answering? The shirt? Or the washer?” “Both,” I say. She smiles at me. I’d talk to this girl all day long if it means she’ll smile at me like that.
”
”
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
“
IN T H E last twenty-five years I have had a lot of people staying with me and sometimes I am tempted to write an essay on guests. There are the guests who never shut a door after them and never turn out the light when they leave their room. There are the guests who throw themselves on their bed in muddy boots to have a nap after lunch, so that the counterpane has to be cleaned on their departure. There are the guests who smoke in bed and burn holes in your sheets. There are the guests who are on a regime and have to have special food cooked for them and there are the guests who wait till their glass is filled with a vintage claret and then say: "I won't have any, thank you." There are the guests who never put back a book in the place from which they took it and there are the guests who take away a volume from a set and never return it. There are the guests who borrow money from you when they are leaving and do not pay it back. There are the guests who can never be alone for a minute and there are the guests who are seized with a desire to talk the moment they see you glancing at a paper. There are the guests who, wherever they are, want to be somewhere else and there are the guests who want to be doing something from the time they get up in the morning till the time they go to bed at night. There are the guests who treat you as though they were SOME NOVELISTS I HAVE KNOWN 459 gauleiters in a conquered province. There are the guests who bring three weeks* laundry with them to have washed at your expense and there are the guests who send their clothes to the cleaners and leave you to pay the bill. There are the guests who telephone to London, Paris, Rome, Madrid and New York, and never think of inquiring how much it costs. There are the guests who take all they can get and offer nothing in return. There are also the guests who are happy just to be with you, who seek to please, who have resources of their own, who amuse you, whose conversation is delightful, whose interests are varied, who exhilarate and excite you, who in short give you far more than you
”
”
Anonymous
“
Grief denied will surface in borrowed clothes, the mad, sad clothes of paranoia, fear or loneliness
”
”
Johnny Rich (The Human Script)
“
And then she got older, and . . .” Lydia shook her head. “Having a teenager is like having a really, really shitty roommate. They eat all your food and steal your clothes and take money out of your purse and borrow your car without asking.” She put her hand over her heart. “But they soften you in ways you can’t imagine. It’s so unexpected. They just smooth out your hard lines. They make you into this better version of yourself that you never even knew was there.
”
”
Karin Slaughter (Pretty Girls)
“
You can borrow things and clothing from shops to look expensive and successful but remember that you cannot borrow personality or wisdom to look wise. Feed your mind!
”
”
Nicky Verd
“
Snakes shed their skin, cats their fur, manta rays their teeth. Man sheds used-up objects: he leaves an open Nesquik tin and a dirty glass on the kitchen counter, an open toothpaste tube, unmade beds, their sheets stained with urine; he leaves grandfather clocks, cigarette burns in the ashtrays, comics that have been scrawled on and books borrowed from the school library; he leaves clothes in the wardrobes and food in the fridge.
”
”
Marcelo Figueras (Kamchatka)
“
Surely you don’t mean right now.” Her startled gaze focused on the lodge door. “It’s not even dark yet. People are still awake. You haven’t eaten. There’s no fire built. We can’t just--”
He lifted the door flap and drew her into the dark lodge. “Blue Eyes, I have no hunger for food,” he said huskily. “But I will make a fire if you wish for one.”
Any delay, no matter how short, appealed to Loretta. “Oh, yes, it’s sort of chilly, don’t you think?” It was a particularly muggy evening, the kind that made clothing stick to the skin, but that hardly seemed important. “Yes, a fire would be lovely.”
He left her standing alone in the shadows to haul in some wood, which he quickly arranged in the firepit. Moments later golden flames lit the room, the light dancing and flickering on the tan walls. Remaining crouched by the flames, he tipped his head back and gave her a lazy perusal, his eyes touching on her dress, eyebrows lifting in a silent question.
“Do you hunger for food?” he asked her softly.
Loretta clamped a hand to her waist. “You know, actually I am hungry. Famished! Aren’t you? What sounds good?” She threw a frantic look at the cooking pots behind him. “I’ll bet stew would strike your fancy, wouldn’t it? After traveling so far and eating nothing but jerked meat. Yes, stew would be just the thing.”
Hunter’s mouth quirked. “Blue Eyes, a stew will take a very long time.”
All night, if she was lucky. “Oh, not that long. It’s no trouble, really!” She made a wide circle around him toward the pots. “I make a wonderful stew, really I do. I’m sure Maiden has some roots and onions I can borrow. Just you--”
Loretta leaped at the touch of his hand on her shoulder. She turned to face him, a large pot wedged between them, her hand white-knuckled on the handle.
“Blue Eyes, I do not want stew,” Hunter whispered, his voice laced with tenderness. “If you hunger, we will have nuts and fruit, eh?”
Loretta swallowed a lump of air. Fruit and nuts were better than the alternative. Maybe, if she ate one nut at a time…“All right, fruit and nuts.”
He spread a buffalo robe beside the fire while she put the pot away and dug up a parfleche of fruit and nuts from his store of preserved edibles. Kneeling beside him, Loretta munched industriously, staring into the leaping flames, aware with every bite she took that Hunter watched her. When she reached for her fourth handful, he clamped his long fingers around her wrist.
“Enough,” he said evenly. “You will sicken your gut if you eat more.”
Loretta’s gut was already in sorry shape. She swallowed, trying to avoid his gaze and failing miserably. When their eyes met, she felt as if the ground fell away. There was no mistaking that look in his eye. The moment of reckoning had come.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
He sat down behind her, then wrapped his arms around hers, pulling her back firmly against his chest. His warmth instantly seeped through her borrowed clothing to her skin.
”
”
Melanie Dickerson (The Beautiful Pretender (A Medieval Fairy Tale, #2))
“
The wind stirred his loose hair and Sorasa assessed him for the first time since her memory failed. Since the deck of the Tyri ship caught fire, and someone seized her around the middle, plunging them both into the dark waves.
She did not need to guess to know who.
Dom’s clothing was torn but long dry. He still wore the leather jerkin with the undershirt, but his borrowed cloak had been left to feed the sea serpents. The rest of him looked intact. He had only a few fresh cuts across the backs of his hands, like a terrible rope burn. Scales, Sorasa knew. The sea serpent coiled in her head, bigger than the mast, its scales flashing a dark rainbow.
Her breath caught when she realized he wore no sword belt, nor sheath. Nor sword.
“Dom,” she bit out, reaching between them. Only her instincts caught her, her hand freezing inches above his hip.
His brow furrowed again, carving a line of concern.
“Your sword.”
The line deepened, and Sorasa understood. She mourned her own dagger, earned so many decades ago, now lost to a burning palace. She could not imagine what Dom felt for a blade centuries old.
“It is done,” he finally said, fishing into his shirt.
The collar pulled, showing a line of white flesh, the planes of hard muscle rippling beneath. Sorasa dropped her eyes, letting him fuss.
Only when something soft touched her temple did she look up again.
Her heart thumped.
Dom did not meet her gaze, focused on his work, cleaning her wound with a length of cloth.
It was the fabric that made her breath catch.
Little more than a scrap of gray green. Thin but finely made by master hands. Embroidered with silver antlers.
It was a piece of Dom’s old cloak, the last remnant of Iona. It survived a kraken, an undead army, a dragon, and the dungeons of a mad queen.
But it would not survive Sorasa Sarn.
She let him work, her skin aflame beneath his fingers. Until the last bits of blood were gone, and the last piece of his home tossed away.
“Thank you,” she finally said to no reply.
”
”
Victoria Aveyard (Fate Breaker (Realm Breaker, #3))
“
Don’t mention it, Darling. After the way your pussy treated me last night, it’s the least I can do.” For some reason, it’s not the act that made me blush but the reminder of it in the daylight. Will we ever do that again? All of us? I want to. I want to very badly and just the thought of it happening again has my nipples pebbling beneath my borrowed clothes and a thrill sinking between my thighs. I haven’t had sex like that in, well, ever, and I’ve had a lot of sex in a very short amount of time, all things considered.
”
”
Nikki St. Crowe (The Never King (Vicious Lost Boys, #1))