Boot Hill Quotes

Just you wait. Papa Koschei is coming, coming, coming, over the hills on his red horse and he's got bells on his boots and a ring in his poket and he knows your name, Marya Morevna.

Don't roll a tire down a hill if there's a cow standing behind you wearing rubber boots.

The cemetery, my dear. The repository of the deceased. The tomb … the vault … the crypt … the resting place … the ossuary. Dig? Boot Hill, baby.” Pamela

Your beard and your big leather jacket and your big black car and your big black boots. No one puts on all that armor unless they been hurt by someone who didn’t have no right to hurt them.

to die with your boots on while writing poetry is not as glorious as riding a horse down Broadway with a stick of dynamite in your teeth,

Oh land of farms and green hills mild Once formed by giants rough and wild With massive paws they gripped and tore With one great rip they formed the shore Where heavy boots left prints so deep Blue lakes remain 'tween summits steep The giants fought beneath our skies And from their bones our mountains rise

All that the unsuspecting Bilbo saw that morning was an old man with a staff. He had a tall pointed blue hat, a long grey cloak, a silver scarf over which his long white beard hung down below his waist, and immense black boots. "Good morning!" said Bilbo, and he meant it. The sun was shining, and the grass was very green. But Gandalf looked at him from under long bushy eyebrows that stuck out further than the brim of his shady hat. "What do you mean?" he said. "Do you wish me a good morning, or mean that it is a good morning whether I wish it or not; or that you feel good this morning; or that it is a morning to be good on?" "All of them at once," said Bilbo. "And a very fine morning for a pipe of tobacco out of doors, into the bargain." Then Bilbo sat down on a seat by his door, crossed his legs, and blew out a beautiful grey ring of smoke that sailed up into the air without breaking and floated away over The Hill.

• At 1 A.M. I'd pull on my coat, my boots. Walk down the stairway, out the door, down the long driveway to the road. Sometimes, I'd go to the stoned boy's house. We'd sit and watch TV. We'd have sex, sometimes. I remember only that the bedroom had two windows through which blue light spilled, and it smelled sticky sweet. His guitar leaned against the wall. Sometimes, I'd just walk. Down roads and up roads, through hills, through the neighborhoods, cold. Counting the small squares of lamplight in the houses where someone was still awake. I wondered who they were, and what kept them up. I went down to the little strip mall, the all-night 7-Elevena single glow beside the dark bluegrass bar, the dark deli, the dark beauty salon, Acrylic's Only $19. I bought a thirty-two-ounce cup of coffee, black. I sat outside on the bench, smoking, holding the cup in both hands.

But what's left on earth that I haven't tried?" Prince Lír demanded. "I have swum four rivers, each in full flood and none less than a mile wide. I have climbed seven mountains never before climbed, slept three nights in the Marsh of the Hanged Men, and walked alive out of that forest where the flowers burn your eyes and the nightingales sing poison. I have ended my betrothal to the princess I had agreed to marry — and if you don't think that was a heroic deed, you don't know her mother. I have vanquished exactly fifteen black knights waiting by fifteen fords in their black pavilions, challenging all who come to cross. And I've long since lost count of the witches in the thorny woods, the giants, the demons disguised as damsels; the glass hills, fatal riddles, and terrible tasks; the magic apples, rings, lamps, potions, swords, cloaks, boots, neckties, and nightcaps. Not to mention the winged horses, the basilisks and sea serpents, and all the rest of the livestock." He raised his head, and the dark blue eyes were confused and sad. "And all for nothing," he said. "I cannot touch her, whatever I do. For her sake, I have become a hero — I, sleepy Lír, my father's sport and shame — but I might as well have remained the dull fool I was. My great deeds mean nothing to her.

Love equals a morbid and relentless fear of losing the other person. It’s a freak-accident fear, a piece of space junk falling from the sky and obliterating him, leaving nothing but his smoking boots. It’s the unfortunate-organ-defect fear—suddenly, on his thirtieth birthday, the little crack in his heart that’s been there since birth will rear its ugly head and take him in his sleep while he’s spooning you. It’s the only way to know you’re really in love, when you ask the question would it be harder to watch him die, or to know he’ll watch me die? Is there more mercy in being the one who does the watching or in being the one who does the dying? It’s when you realize what mercy-killing actually means, it’s when you actually care to the point of tormenting worry. It’s not roses and white horses, it’s fucking brutal and it can send a person running for the hills. To love is brave and Will was the bravest person I knew.

Do you mind?" she finally breathed. His lips twitched. "What's good for the goose." Lena felt ice slide down her spine. Crap. He had seen her checking him out.

He sighed raggedly. 'Do you ever give up?' 'No.' 'Do you ever go away?' 'No.' 'Do you ever do as you're told?' 'Not if I can help it.' 'Thank God.

If you are boot out, do not go to boot hill.

I'm a light sleeper, and if Hicks tries any shenanigans, I'll find him a permanent bed on Boot Hill.

I had no mind then for anything except Sebastian, and I saw him already as being threatened, though I did not yet know how black was the threat. His constant, despairing prayer was to be let alone. By the blue waters and rustling palm of his own mind he was happy and harmless as a Polynesian; only when the big ship dropped anchor beyond the coral reef, and the cutter beached in the lagoon, and, up the golden slope that had never known the print of a boot there trod the grim invasion of trader, administrator, missionary and tourist – only then was it time to disinter the archaic weapons of the tribe and sound the drums in the hills; or, more easily, to turn from the sunlit door and lie alone in the darkness, where the impotent, painted deities paraded the walls in vain, and cough his heart out among the rum bottles.

Men got two guns, you know. One for now," he tapped the barrel of his gun against her nose. "And one for later." When his free hand went to his zipper, she twisted underneath him, bringing her knee into his groin and pulling her knife from her boot. "Mother taught me to carry a knife for always." She left him holding his intestines in disbelief as she disappeared down the hill, his gun tucked securely in her waistband.

BALLROOMS OF MARS" "You gonna look fine Be primed for dancing You're gonna trip and glide All on the trembling plane Your diamond hands Will be stacked with roses And wind and cars And people of the past I'll call you thing Just when the moon sings And place your face in stone Upon the hill of stars And gripped in the arms Of the changeless madman We'll dance our lives away In the Ballrooms of Mars You talk about day I'm talking 'bout night time When the monsters call out The names of men Bob Dylan knows And I bet Alan Freed did There are things in night That are better not to behold You dance With your lizard leather boots on And pull the strings That change the faces of men You diamond browed hag You're a gutter-gaunt gangster John Lennon knows your name And I've seen his

Bing was sitting in front of the TV with the de Zoets an hour later when Mr. Manx came out, fully dressed, in his silk shirt and tails and narrow-toed boots. His starved, cadaverous face had an unhealthy sheen to it in the flickering blue shadows.

She was down the street and around the corner when she realized she hadn’t put anything on besides the jacket and her boots. She was tramping around greater Denver at two in the morning in her faded pink panties. At least she had remembered the whiskey.

He had read somewhere that the Eskimos had over two hundred different words for snow, without which their conversation would probably have got very monotonous. So they would distinguish between thin snow and thick snow, light snow and heavy snow, sludgy snow, brittle snow, snow that came in flurries, snow that came in drifts, snow that came in on the bottom of your neighbor’s boots all over your nice clean igloo floor, the snows of winter, the snows of spring, the snows you remember from your childhood that were so much better than any of your modern snow, fine snow, feathery snow, hill snow, valley snow, snow that falls in the morning, snow that falls at night, snow that falls all of a sudden just when you were going out fishing, and snow that despite all your efforts to train them, the huskies have pissed on.

We stepped a little quicker, laughed a little louder and chatted over the fences a little longer. We gathered bouquets of wildflowers, dined on fresh strawberries and began to ride our bikes up and down the Third Line again. We ran up grassy hills and rolled back down through the young clover, feeling light and giddy, free from our heavy boots and coats. There were trilliums to pick for Mother and tadpoles to catch and keep in a jar. Spring had come at last to Bathurst Township and was she ever worth the wait!

And afterward tracing down the hot sinister shin of the Italian boot with the wind soughing around those eerie castles, the dead watching from up on those hills.

Many a general who would have walked up a hill blazing with enemy fire without thinking twice quailed in his polished boots on the receipt of a congressional letter.

The sheer brutality of it ate at him. He hated war. He hated the Germans for starting it. For what? Putting your boot on another man’s head and stealing him blind, until someone with a bigger boot comes along to kick you out of the way? As far as Pino was concerned, wars were about murder and thievery. One army killed to steal the hill; then another killed to steal it back.

You and your beard and your big leather jacket and your big black car and your huge black boots. Nobody wears this much armor unless it has been hurt by someone who had no reason to hurt him.

I understand Gil has a quote by Graham Greene on his chest,” Renée said. She was studying a bit of wet snow as it slid off the tip of one boot. Her voice was calculatedly indifferent. “Something about the nature of imprisonment.

They were only to glad to come, ... as an alibi to test their charms ... ... but once they'd made it into the house their hearts where in their boots because they knew enough to see that here Madame Verona was still living off the interest.

Don't you believe people when they tell you that people sought for a sign, and believed in miracles because they were ignorant. They did it because they were wise, filthily, vilely wise—too wise to eat or sleep or put on their boots with patience.

Last Night’s Moon," “When will we next walk together under last night’s moon?” - Tu Fu March aspens, mist forest. Green rain pins down the sea, early evening cyanotype. Silver saltlines, weedy toques of low tide, pillow lava’s black spill indelible in the sand. Unbroken broken sea. — Rain sharpens marsh-hair birth-green of the spring firs. In the bog where the dead never disappear, where river birch drown, the surface strewn with reflection. This is the acid-soaked moss that eats bones, keeps flesh; the fermented ground where time stops and doesn’t; dissolves the skull, preserves the brain, wrinkled pearl in black mud. — In the autumn that made love necessary, we stood in rubber boots on the sphagnum raft and learned love is soil–stronger than peat or sea– melting what it holds. The past is not our own. Mole’s ribbon of earth, termite house, soaked sponge. It rises, keloids of rain on wood; spreads, milkweed galaxy, broken pod scattering the debris of attention. Where you are while your body is here, remembering in the cold spring afternoon. The past is a long bone. — Time is like the painter’s lie, no line around apple or along thigh, though the apple aches to its sweet edge, strains to its skin, the seam of density. Invisible line closest to touch. Lines of wet grass on my arm, your tongue’s wet line across my back. All the history in the bone-embedded hills of your body. Everything your mouth remembers. Your hands manipullate in the darkness, silver bromide of desire darkening skin with light. — Disoriented at great depths, confused by the noise of shipping routes, whales hover, small eyes squinting as they consult the magnetic map of the ocean floor. They strain, a thousand miles through cold channels; clicking thrums of distant loneliness bounce off seamounts and abyssal plains. They look up from perpetual dusk to rods of sunlight, a solar forest at the surface. Transfixed in the dark summer kitchen: feet bare on humid linoleum, cilia listening. Feral as the infrared aura of the snake’s prey, the bees’ pointillism, the infrasonic hum of the desert heard by the birds. The nighthawk spans the ceiling; swoops. Hot kitchen air vibrates. I look up to the pattern of stars under its wings.

morning, someone had smashed them into chunks and dust. Boot Hill released its boys one by one. Jody was excited when she hosed down some artifacts from one of the trenches and came across her first remains. Professor Carmine told her that the little flute of bone in her hand most likely belonged to a raccoon or other small animal. The secret graveyard redeemed her. Jody found it while wandering the grounds in search of a cell signal. Her professor backed up her hunch, on account of the irregularities at the Boot Hill site: all those fractures and cratered skulls, the rib cages riddled with buckshot. If the remains from the

I often wonder what kind of food I would like if I were fully human. Would I purposefully eat Japanese food, to strengthen that part of my identity - my Japanese ethnicity passed down from my dad - or would I reject Japanese food and fill myself with as much British food as possible: vegetables and roots grown in British soil, fish caught in British seas, meat from animals kept in British fields, in British landscapes - hills covered in wildflowers and heather, slate mountains, flat yellow and green fields, little farmhouses, people in Hunter Wellington boots, with several dogs on leads they hold in a bunch, white cliffs in the background?

His constant, despairing prayer was to be let alone. By the blue waters and rustling palms of his own mind he was happy and harmless as a Polynesian; only when the big ship dropped anchor beyond the coral reef, and the cutter beached in the lagoon, and, up the slope that had never known the print of a boot, there trod the grim invasion of trader, administrator, missionary, and tourist—only then was it time to disinter the archaic weapons of the tribe and sound the drums in the hills; or, more easily, to turn from the sunlit door and lie alone in the darkness, where the impotent, painted deities paraded the walls in vain, and cough his heart out among the rum bottles. And

Elwood took the long way back, around the trails that circumnavigated Boot Hill and took him past the stables and laundry. He was slow with his steps. He didn’t want to know if Turner had been intercepted, or if the boy had ratted on him or simply taken his letter up to his hideout and put a match to it. Whatever waited for him on the other side would still be waiting for him whenever he got there, so he whistled a tune he remembered from when he was little, a blues tune. He didn’t recall the words or whether it had been his father or mother who sang it, but he felt good whenever the song snuck up on him, a kind of coolness like the shadow of a cloud out of nowhere, something that broke off something bigger. Yours briefly before it sailed on its way.

[Currahee was more a hill than a mountain, but it rose 1,000 feet above the parade ground and dominated the landscape.] A few minutes later, someone blew a whistle. We fell in, were ordered to change to boots and athletic trunks, did so, fell in again—and then ran most of the three miles to the top and back down again.” They lost some men that first day. Within a week, they were running—or at least double-timing—all the way up and back.

THE MEETING" "Scant rain had fallen and the summer sun Had scorched with waves of heat the ripening corn, That August nightfall, as I crossed the down Work-weary, half in dream. Beside a fence Skirting a penning’s edge, an old man waited Motionless in the mist, with downcast head And clothing weather-worn. I asked his name And why he lingered at so lonely a place. “I was a shepherd here. Two hundred seasons I roamed these windswept downlands with my flock. No fences barred our progress and we’d travel Wherever the bite grew deep. In summer drought I’d climb from flower-banked combe to barrow’d hill-top To find a missing straggler or set snares By wood or turmon-patch. In gales of March I’d crouch nightlong tending my suckling lambs. “I was a ploughman, too. Year upon year I trudged half-doubled, hands clenched to my shafts, Guiding my turning furrow. Overhead, Cloud-patterns built and faded, many a song Of lark and pewit melodied my toil. I durst not pause to heed them, rising at dawn To groom and dress my team: by daylight’s end My boots hung heavy, clodded with chalk and flint. “And then I was a carter. With my skill I built the reeded dew-pond, sliced out hay From the dense-matted rick. At harvest time, My wain piled high with sheaves, I urged the horses Back to the master’s barn with shouts and curses Before the scurrying storm. Through sunlit days On this same slope where you now stand, my friend, I stood till dusk scything the poppied fields. “My cob-built home has crumbled. Hereabouts Few folk remember me: and though you stare Till time’s conclusion you’ll not glimpse me striding The broad, bare down with flock or toiling team. Yet in this landscape still my spirit lingers: Down the long bottom where the tractors rumble, On the steep hanging where wild grasses murmur, In the sparse covert where the dog-fox patters.” My comrade turned aside. From the damp sward Drifted a scent of melilot and thyme; From far across the down a barn owl shouted, Circling the silence of that summer evening: But in an instant, as I stepped towards him Striving to view his face, his contour altered. Before me, in the vaporous gloaming, stood Nothing of flesh, only a post of wood.

CONDENSATION COVERS THE walls, dimpling into tiny individual drops that follow an almost fractal pattern, like someone has been writing out the secrets of the universe in the most transitory medium they can find. The smell of damp steel assaults my nose as I walk the hall, uncomfortable boots clumping heavily with every step I force myself to take. The space is tight, confined, unyielding; it is like living inside a coral reef, trapped by the limits of our own necessary shells. We are constantly envious of those who escape its limitations, and we fear for them at the same time, wishing them safe return to the reef, where they can be kept away from all the darkness and predations of the open sea.

Now, heavy socks removed, stepping tentatively, trying the pressure of the leather against the toes, the argument past, she wanting not to suffer, but to keep up and please Mr. J. P., me ashamed at having been a four-letter man about boots, at being righteous against pain, at being righteous at all, at ever being righteous, stopping to whisper about it, both of us grinning at what was whispered, it all right now, the boots too, without the heavy socks, much better, me hating all righteous bastards now, one absent American friend especially, having just removed myself from that category, certainly never to be righteous again, watching Droopy ahead, we went down the long slant of the trail toward the bottom of the canyon where the trees were heavy and tall and the floor of the canyon, that from above had been a narrow gash, opened to a forest-banked stream.

I spent most of the afternoon tempering the new batch of couverture and working on the window display. A thick covering of green tissue paper for the grass. Paper flowers- daffodils and daisies, Anouk's contribution- pinned to the window frame. Green-covered tins that had once contained cocoa powder, stacked up against each other to make a craggy mountainside. Crinkly cellophane paper wraps it like a covering of ice. Running past and winding into the valley, a river of blue silk ribbon, upon which a cluster of houseboats sits quiet and unreflecting. And below, a procession of chocolate figures, cats, dogs, rabbits, some with raisin eyes, pink marzipan ears, tails made of licorice-whips, with sugar flowers between their teeth... And mice. On every available surface, mice. Running up the sides of the hill, nestling in corners, even on the riverboats. Pink and white sugar coconut mice, chocolate mice of all colors, variegated mice marbled through with truffle and maraschino cream, delicately tinted mice, sugar-dappled frosted mice. And standing above them, the Pied Piper resplendent in his red and yellow, a barley-sugar flute in one hand, his hat in the other. I have hundreds of molds in my kitchen, thin plastic ones for the eggs and the figures, ceramic ones for the cameos and liqueur chocolates. With them I can re-create any facial expression and superimpose it upon a hollow shell, adding hair and detail with a narrow-gauge pipe, building up torso and limbs in separate pieces and fixing them in place with wires and melted chocolate.... A little camouflage- a red cloak, rolled from marzipan. A tunic, a hat of the same material, a long feather brushing the ground at his booted feet. My Pied Piper looks a little like Roux, with his red hair and motley garb.

I am as happy here as I have ever been in my life: Ted and I take a long walk each day up to the moors (It’s generally rainy, or at least overcast) and never have I loved country so! All you can see us dark hills of heather stretching toward the horizon, as if you were striding on top of the world; last night at sunset the horizontal light turned us both luminous pink as we hiked in waterproof boots in the wuthering free wind, starting up rabbits that flicked away with a white flag of tail, staring back at the black-faced, gray furred moor sheep that graze, apparently wild, and with their curling horns looking like primeval yellow-eyed druid monsters. I never thought I could like any country as well as the ocean, but these moors are really even better, with the great luminous emerald lights changing always, and the animals and wildness. Read “Wuthering Heights” again here, and really felt it this time more than ever. --from a letter to her mother Aurelia Schober Plath, written on 11 September 1956

That afternoon I say about five thousand cars or probably three thousand passed me not one of them ever dreamed of stopping -- Which didnt bother me anyway because at first seeing that gorgeous long coast up to Monterey I thought "Well I'll just hike right in, it's only fourteen miles, I oughta do that easy" -- And on the way there's all kindsa interesting things to see anyway like the seals barking on rocks below, or quiet old farms made of logs on the hills across the highway, or sudden upstretches that go along dreamy seaside meadows where cows grace and graze in full sight of endless blue Pacific -- But because I'm wearing desert boots with their fairly thin soles, and the sun is beating hot on the tar road, the heat finally gets through the soles and I begin to deliver heat blisters inmy sockiboos -- I'm limping along wondering what's the matter with me when I realize I've got blisters -- I sit by the side of the road and look -- I take out my first aid kit from the pack and apply unguents and put on cornpads and carry on -- But the combination of the heavy pack and the heat of the road increases the pain of the blisters until finally I realize I've got to hitch hike a ride or never make it to Monterey at all. But the tourists bless their hearts after all, they couldnt know, only think I'm having a big happy hike with my rucksack and they drive on, even tho I stick out my thumb

We were on a family holiday to Cyprus to visit my aunt and uncle. My uncle Andrew was then the brigadier to all the British forces on the island, and as such a senior military figure I am sure he must have dreaded us coming to town. After a few days holed up in the garrison my uncle innocently suggested that maybe we would enjoy a trip to the mountains. He already knew the answer that my father and I would give. We were in. The Troodos Mountains are a small range of snowy peaks in the center of the island, and the soldiers posted to Cyprus use them to ski and train in. There are a couple of ski runs, but the majority of the peaks in winter are wild and unspoiled. In other words, they are ripe for an adventure. Dad and I borrowed two sets of army skis and boots from the garrison up in the hills and spent a great afternoon together skiing down the couple of designated runs. But designated runs can also be quite boring. We both looked at each other and suggested a quick off-piste detour. It was all game…age eleven. It wasn’t very far into this between-the-trees deep-powder detour that the weather, dramatically, and very suddenly, took a turn for the worse. A mountain mist rolled in, reducing visibility to almost zero. We stopped to try and get, or guess, our directions back to the piste, but our guess was wrong, and very soon we both realized we were lost. (Or temporarily geographically challenged, as I have learned to call it.) Dad and I made the mistake that so many do in that situation, and plowed on blind, in the vain hope that the miraculous would occur. We had no map, no compass, no food, no water, no mobile telephone (they hadn’t even been invented yet), and in truth, no likelihood of finding our way. We were perfect candidates for a disaster.

It was a feeling that I could be a little different from everyone else of my age, and that, if pushed, I could battle against the forces of nature and prevail. Adventure felt the most natural thing in the world, and it was where I came alive. It is what made me feel, for the first time, really myself. As I got older and the rest of my world got more complicated and unnatural, I sought more and more the identity and wholeness that adventure gave me. In short, when I was wet, muddy, and cold, I felt like a million dollars, and when I was with the lads, with everyone desperately trying to be “cool,” I felt more awkward and unsure of myself. I could do mud, but trying to be cool was never a success. So I learned to love the former and shy away from the latter. (Although I gave “cool” a brief, good go as a young teenager, buying winklepicker boots and listening to heavy metal records all through one long winter, both of which were wholly unsatisfying, and subsequently dropped as “boring.”) Instead, I would often dress up in my “worst” (aka my best) and dirtiest clothes, stand under the hosepipe in the garden, get soaking wet--in December--and then go off for a run on my own in the hills. The locals thought me a bit bonkers, but my dog loved it, and I loved it. It felt wild, and it was a feeling that captured me more and more. Once, I returned from one such run caked in mud and ran past a girl I quite fancied. I wondered if she might like the muddy look. It was at least original, I thought. Instead, she crossed the road very quickly, looking at me as if I were just weird. It took me a while to begin to learn that girls don’t always like people who are totally scruffy and covered in mud. And what I considered natural, raw, and wild didn’t necessarily equal sexy. Lesson still in progress.

That's Branton, Michigan, by the way. Don't try to find it on a map - you'd need a microscope. It's one of a dozen dinky towns north of Lansing, one of the few that doesn't sound like it was named by a French explorer. Branton, Michigan. Population: Not a Lot and Yet Still Too Many I Don't Particularly Care For. We have a shopping mall with a JCPenny and an Asian fusion place that everyone says they are dying to try even though it’s been there for three years now. Most of our other restaurants are attached to gas stations, the kind that serve rubbery purple hot dogs and sodas in buckets. There’s a statue of Francis B. Stockbridge in the center of town. He’s a Michigan state senator from prehistoric times with a beard that belongs on Rapunzel’s twin brother. He wasn’t born in Branton, of course – nobody important was ever born in Branton – but we needed a statue for the front of the courthouse and the name Stockbridge looks good on a copper plate. It’s all for show. Branton’s the kind of place that tries to pretend it’s better than it really is. It’s really the kind of place with more bars than bookstores and more churches than either, not that that’s necessarily a bad thing. It’s a place where teenagers still sometimes take baseball bats to mailboxes and wearing the wrong brand of shoes gets you at least a dirty look. It snows a lot in Branton. Like avalanches dumped from the sky. Like heaps to hills to mountains, the plows carving their paths through our neighborhood, creating alpine ranges nearly tall enough to ski down. Some of the snow mounds are so big you can build houses inside them, complete with entryways and coat closets. Restrooms are down the hall on your right. Just look for the steaming yellow hole. There’s nothing like that first Branton snow, though. Soft as a cat scruff and bleach white, so bright you can almost see your reflection in it. Then the plows come and churn up the earth underneath. The dirt and the boot tracks and the car exhaust mix together to make it all ash gray, almost black, and it sickens your stomach just to look at it. It happens everywhere, not just Branton, but here it’s something you can count on.

My cold-weather gear left a lot to be desired: black maternity leggings under boot-cut maternity jeans, and a couple of Marlboro Man’s white T-shirts under an extra-large ASU sweatshirt. I was so happy to have something warm to wear that I didn’t even care that I was wearing the letters of my Pac-10 rival. Add Marlboro Man’s old lumberjack cap and mud boots that were four sizes too big and I was on my way to being a complete beauty queen. I seriously didn’t know how Marlboro Man would be able to keep his hands off of me. If I caught a glimpse of myself in the reflection of the feed truck, I’d shiver violently. But really, when it came right down to it, I didn’t care. No matter what I looked like, it just didn’t feel right sending Marlboro Man into the cold, lonely world day after day. Even though I was new at marriage, I still sensed that somehow--whether because of biology or societal conditioning or religious mandate or the position of the moon--it was I who was to be the cushion between Marlboro Man and the cruel, hard world. That it was I who’d needed to dust off his shoulders every day. And though he didn’t say it, I could tell that he felt better when I was bouncing along, chubby and carrying his child, in his feed truck next to him. Occasionally I’d hop out of the pickup and open gates. Other times he’d hop out and open them. Sometimes I’d drive while he threw hay off the back of the vehicles. Sometimes I’d get stuck and he’d say shit. Sometimes we’d just sit in silence, shivering as the vehicle doors opened and closed. Other times we’d engage in serious conversation or stop and make out in the snow. All the while, our gestating baby rested in the warmth of my body, blissfully unaware of all the work that awaited him on this ranch where his dad had grown up. As I accompanied Marlboro Man on those long, frigid mornings of work, I wondered if our child would ever know the fun of sledding on a golf course hill…or any hill, for that matter. I’d lived on the ranch for five months and didn’t remember ever hearing about anyone sledding…or playing golf…or participating in any recreational activities at all. I was just beginning to wrap my mind around the way daily life unfolded here: wake up early, get your work done, eat, relax, and go to bed. Repeat daily. There wasn’t a calendar of events or dinner dates with friends in town or really much room for recreation--because that just meant double the work when you got back to work. It was hard for me not to wonder when any of these people ever went out and had a good time, or built a snowman. Or slept past 5:00 A.M.

He was but three-and-twenty, and had only just learned what it is to love—­to love with that adoration which a young man gives to a woman whom he feels to be greater and better than himself. Love of this sort is hardly distinguishable from religious feeling. What deep and worthy love is so, whether of woman or child, or art or music. Our caresses, our tender words, our still rapture under the influence of autumn sunsets, or pillared vistas, or calm majestic statues, or Beethoven symphonies all bring with them the consciousness that they are mere waves and ripples in an unfathomable ocean of love and beauty; our emotion in its keenest moment passes from expression into silence, our love at its highest flood rushes beyond its object and loses itself in the sense of divine mystery. And this blessed gift of venerating love has been given to too many humble craftsmen since the world began for us to feel any surprise that it should have existed in the soul of a Methodist carpenter half a century ago, while there was yet a lingering after-glow from the time when Wesley and his fellow-labourer fed on the hips and haws of the Cornwall hedges, after exhausting limbs and lungs in carrying a divine message to the poor. That afterglow has long faded away; and the picture we are apt to make of Methodism in our imagination is not an amphitheatre of green hills, or the deep shade of broad-leaved sycamores, where a crowd of rough men and weary-hearted women drank in a faith which was a rudimentary culture, which linked their thoughts with the past, lifted their imagination above the sordid details of their own narrow lives, and suffused their souls with the sense of a pitying, loving, infinite Presence, sweet as summer to the houseless needy. It is too possible that to some of my readers Methodism may mean nothing more than low-pitched gables up dingy streets, sleek grocers, sponging preachers, and hypocritical jargon—­elements which are regarded as an exhaustive analysis of Methodism in many fashionable quarters. That would be a pity; for I cannot pretend that Seth and Dinah were anything else than Methodists—­not indeed of that modern type which reads quarterly reviews and attends in chapels with pillared porticoes, but of a very old-fashioned kind. They believed in present miracles, in instantaneous conversions, in revelations by dreams and visions; they drew lots, and sought for Divine guidance by opening the Bible at hazard; having a literal way of interpreting the Scriptures, which is not at all sanctioned by approved commentators; and it is impossible for me to represent their diction as correct, or their instruction as liberal. Still—­if I have read religious history aright—­faith, hope, and charity have not always been found in a direct ratio with a sensibility to the three concords, and it is possible—­thank Heaven!—­to have very erroneous theories and very sublime feelings. The raw bacon which clumsy Molly spares from her own scanty store that she may carry it to her neighbour’s child to “stop the fits,” may be a piteously inefficacious remedy; but the generous stirring of neighbourly kindness that prompted the deed has a beneficent radiation that is not lost. Considering these things, we can hardly think Dinah and Seth beneath our sympathy, accustomed as we may be to weep over the loftier sorrows of heroines in satin boots and crinoline, and of heroes riding fiery horses, themselves ridden by still more fiery passions.

Lottie had devised three or four different walks, each lasting approximately an hour. This morning she chose the one that began along Hill Road, crossed through a medieval oak and hazel forest, and passed the source of a local spring called the Wishing Well. It was a cool, damp morning typical of the beginning of May, and Lottie drew in deep breaths of the earth-scented air. Dressed in a gown with loose ankle-lemgth skirts, her feet shod in sturdy mid-calf boots, Lottie trod energetically away from Westcliff Manor. She followed a sandy track that led into the forest, while natterjack toads hopped out of the path of her oncoming boots. The trees rustled overhead, the wind carrying the cries of nuthatches and whitethroats. A huge, ungainly buzzard flapped its way toward the nearby bogs in search of breakfast.

All we had were maps that said “unsurveyed.

Then we started reading books, and would go out and pretend what we had read about, emulating some hero or heroine.

Birds— and Territory My dad and I designed a house for a wren family when I was ten years old. It looked like a Conestoga wagon, and had a front entrance about the size of a quarter. This made it a good house for wrens, who are tiny, and not so good for other, larger birds, who couldn’t get in. My elderly neighbour had a birdhouse, too, which we built for her at the same time, from an old rubber boot. It had an opening large enough for a bird the size of a robin. She was looking forward to the day it was occupied. A wren soon discovered our birdhouse, and made himself at home there. We could hear his lengthy, trilling song, repeated over and over, during the early spring. Once he’d built his nest in the covered wagon, however, our new avian tenant started carrying small sticks to our neighbour’s nearby boot. He packed it so full that no other bird, large or small, could possibly get in. Our neighbour was not pleased by this pre- emptive strike, but there was nothing to be done about it. “If we take it down,” said my dad, “clean it up, and put it back in the tree, the wren will just pack it full of sticks again.” Wrens are small, and they’re cute, but they’re merciless. I had broken my leg skiing the previous winter— first time down the hill— and had received some money from a school insurance policy designed to reward unfortunate, clumsy children. I purchased a cassette recorder (a high- tech novelty at the time) with the proceeds. My dad suggested that I sit on the back lawn, record the wren’s song, play it back, and watch what happened. So,

When you're at rock bottom, strap on a different pair of boots and start climbing - The New Mrs D

I went for walks across the fields in my cozy, cotton-knit shirt, my worn out jeans, and my cowboy boots. I would stand at the pasture fence and watch the sun set. One day, pink ripples trailed its red ball; then the next it was a yellow bulb shining against gold-dusted clouds. Though it seemed as if heaven was on the other side of the hill, for some reason, the sunset was sad. At night, I would sit in the rocking chair by the fire with a cup of coffee and a book in my hand, a practice I had grown to love over the years. But what was once refreshing was now depressing. And when I stopped to ask myself what was wrong with me to see the world as so dull, dark, and worn-out looking, I remembered.

Rome: Did You Know This? Rome is often called the Eternal City. The spirits of ancient civilizations live on in monuments and ruins that are located throughout the city. Yet Rome today is also a vibrant, modern city. Once the capital of a huge empire, Rome has been the capital of Italy since 1871. Rome is located in the central part of the Italian boot along the Tiber River. The city was once defined by the Seven Hills of Rome. Today, these hills are in the center of a sprawling city, which is home to more than 2.5 million people. Palatine Hill is rich in ancient ruins and medieval mansions. Another of the Seven Hills, Capitoline, was the site of the Roman government in ancient times, as it is today. Michelangelo designed many structures on the Capitoline. In a valley among the Seven Hills lies the Forum, the center of ancient Rome, an area surrounded by temples and palaces. Rome also thrived during the Renaissance, when cities all over Italy competed to have the greatest art and architecture. Many of the city’s great churches and fountains were built during the Renaissance.

Saintcrow watched her for several minutes, admiring her curvy bottom, the way the moon cast silver highlights in her hair, the sound of her heart as it began to beat fast. All his predatory instincts came to life as he watched her run away from him. Yanking off his boots and socks, he pursued her. She let out a squeal when he grabbed her to the ground, twisting at the last minute so that she landed on top of him. She stared down at him, breathless, a hint of fear in her eyes. He took a deep breath, inhaling the fragrance of her hair and skin, the tempting scent of her blood. Cupping the back of her head, he kissed her. The salty smells of sea and sand clung to her skin. He tasted it on her lips. She moaned softly as he rolled over, tucking her beneath him. She wrapped her arms around him, drawing him closer. And all the while, she made little hungry sounds deep in her throat. Holding her close, he whisked them up into the hills above the bay. Removing his long leather coat, he held her to his chest with one arm while he spread his coat on the ground, then lowered her onto it. With hands that moved faster than her eyes could follow, he removed her clothing and his own, and then he gathered her body to his, his hunger for her blood, his longing for her body, merging in a maelstrom of desire that would not be ignored. She writhed beneath him, as eager as he, her hands roaming over him, now caressing him, now raking her nails across his back, down his chest. With a low growl, he buried himself deep within her, felt her answering cry of pleasure as desire engulfed them.

The colonel had better reason than the brigadier for knowing that the Russians were hunky-dory, for once, in Jugoslavia, he had watched a Soviet division capture in a few hours from the Germans a bridge which the 386th Division could not have taken in under a week. Down the hill those flaxen-haired boys had marched, laughing and singing, and the bullets had come tearing at them, smashing their tibias, cracking their femurs, opening their bellies, gouging their eyes, grounding them, scorching them. As, through his field-glasses, the colonel had watched them swept from the bridge into the river, it had not seemed to him that they could really be suffering, as he himself had suffered in 1914, with the big angry red thing up against him, and he had to make and effort of will to understand that each of these boys had died his own death, smash up against the Christ he didn't believe in, with his bowels gushing out over his boots as he thought for the last time of his mother, and with his hair still young in the sun. And still others had come on, laughing and singing, as they marched to kill and to be killed by other boys with lineless faces, because it was sweet and decorous to die for one's country. Yes, the Russians were hunky-dory all right, provided they were fighting on the same side as you were.

November The month of the drowned dog. After long rain the land Was sodden as the bed of an ancient lake, Treed with iron and bridles. In the sunk lane The ditch - a seep silent all summer - Made brown foam with a big voice: that, and my boots On the lane's scrubbed stones, in the gulleyed leaves, Against the hill's hanging silence; Mist silvering the droplets on bare thorns Slower than the change of daylight. In a let of the ditch a tramp was bundled asleep; Face tucked down into beard, drawn in Under his hair like a hedgehog's. I took him for dead, But his stillness separated from the death Of the rotting grass on the ground. A wind chilled, And a fresh comfort tightened through him, Each hand stuffed deeper into the other sleeve. His ankles, bound with sacking and hairy band, Rubbed each other, resettling. The wind hardened; A puff shook a glittering from the thorns, And against the rains' dragging grey columns Smudged the farms. In a moment The fields were jumping and smoking; the thorns Quivered, riddled with the glassy verticals. I stayed on under the welding cold Watching the tramp's face glisten and the drops on his coat Flash and darken. I thought what strong trust Slept in him - as the trickling furrows slept, And the thorn-roots in their grip on darkness; And the buried stones, taking the weight of winter; The hill where the hare crouched with clenched teeth. Rain plastered the land till it was shining Like hammered lead, and I ran, and in the rushing wood Shuttered by a black oak leaned. The keeper's gibbet had owls and hawks By the neck, weasels, a gang of cats, crows: Some stiff, weightless, twirled like dry bark bits In the drilling rain. Some still had their shape, Had their pride with it; hung, chins on chests Patient to outwait these worst days that beat Their crowns bare and dripped from their feat.

November The month of the drowned dog. After long rain the land Was sodden as the bed of an ancient lake, Treed with iron and bridles. In the sunk lane The ditch - a seep silent all summer - Made brown foam with a big voice: that, and my boots On the lane's scrubbed stones, in the gulleyed leaves, Against the hill's hanging silence; Mist silvering the droplets on bare thorns Slower than the change of daylight. In a let of the ditch a tramp was bundled asleep; Face tucked down into beard, drawn in Under his hair like a hedgehog's. I took him for dead, But his stillness separated from the death Of the rotting grass on the ground. A wind chilled, And a fresh comfort tightened through him, Each hand stuffed deeper into the other sleeve. His ankles, bound with sacking and hairy band, Rubbed each other, resettling. The wind hardened; A puff shook a glittering from the thorns, And against the rains' dragging grey columns Smudged the farms. In a moment The fields were jumping and smoking; the thorns Quivered, riddled with the glassy verticals. I stayed on under the welding cold Watching the tramp's face glisten and the drops on his coat Flash and darken. I thought what strong trust Slept in him - as the trickling furrows slept, And the thorn-roots in their grip on darkness; And the buried stones, taking the weight of winter; The hill where the hare crouched with clenched teeth. Rain plastered the land till it was shining Like hammered lead, and I ran, and in the rushing wood Shuttered by a black oak leaned. The keeper's gibbet had owls and hawks By the neck, weasels, a gang of cats, crows: Some stiff, weightless, twirled like dry bark bits In the drilling rain. Some still had their shape, Had their pride with it; hung, chins on chests Patient to outwait these worst days that beat Their crowns bare and dripped from their feet.

Getting It Right" Your ankles make me want to party, want to sit and beg and roll over under a pair of riding boots with your ankles hidden inside, sweating beneath the black tooled leather; they make me wish it was my birthday so I could blow out their candles, have them hung over my shoulders like two bags full of money. Your ankles are two monster-truck engines but smaller and lighter and sexier than a saucer with warm milk licking the outside edge; they make me want to sing, make me want to take them home and feed them pasta, I want to punish them for being bad and then hold them all night long and say I’m sorry, sugar, darling, it will never happen again, not in a million years. Your thighs make me quiet. Make me want to be hurled into the air like a cannonball and pulled down again like someone being pulled into a van. Your thighs are two boats burned out of redwood trees. I want to go sailing. Your thighs, the long breath of them under the blue denim of your high-end jeans, could starve me to death, could make me cry and cry. Your ass is a shopping mall at Christmas, a holy place, a hill I fell in love with once when I was falling in love with hills. Your ass is a string quartet, the northern lights tucked tightly into bed between a high-count-of-cotton sheets. Your back is the back of a river full of fish; I have my tackle and tackle box. You only have to say the word. Your back, a letter I have been writing for fifteen years, a smooth stone, a moan someone makes when his hair is pulled, your back like a warm tongue at rest, a tongue with a tab of acid on top; your spine is an alphabet, a ladder of celestial proportions. I am navigating the North and South of it. Your armpits are beehives, they make me want to spin wool, want to pour a glass of whiskey, your armpits dripping their honey, their heat, their inexhaustible love-making dark. I am bright yellow for them. I am always thinking about them, resting at your side or high in the air when I’m pulling off your shirt. Your arms of blue and ice with the blood running to make them believe in God. Your shoulders make me want to raise an arm and burn down the Capitol. They sing to each other underneath your turquoise slope-neck blouse. Each is a separate bowl of rice steaming and covered in soy sauce. Your neck is a skyscraper of erotic adult videos, a swan and a ballet and a throaty elevator made of light. Your neck is a scrim of wet silk that guides the dead into the hours of Heaven. It makes me want to die, your mouth, which is the mouth of everything worth saying. It’s abalone and coral reef. Your mouth, which opens like the legs of astronauts who disconnect their safety lines and ride their stars into the billion and one voting districts of the Milky Way. Darling, you’re my President; I want to get this right! Matthew Dickman, The New Yorker: Poems | August 29, 2011 Issue

In a flash it came to me - might not people who were forced to spend their working hours between walls like to hear about what went on in a hill-top croft, of how it was possible to get an immense amount of fun and satisfaction out of lifting loads of mud into a cart, even though your boots were leaking and you knew there was not enough in the kitty to buy another pair? Would they like to know about the way light could stream down a blue hillside on a spring noon, how a lark could suddenly leap into a pale, washed skye after a night of storm and make the air ring with song, of how it was possible to get by every sort of difficulty as long as there was this knowledge that you were all in it together, this solidarity with rock and sun and bird? I believed they would.

Be You [Verse] Standin' at the crossroads burnin' in the sun Dust in my boots heart on the run Grit in my teeth fire in my veins Be who you are don't play no games [Verse 2] Voices in the dark shadows on the wall Be the change you wish to see stand tall False love fades but truth stays bright Better hated for real than loved in the night [Chorus] Be who you are shout from the hills Be who you are shake off them chills Sing your song loud bang on those drums Be who you are let the wild winds hum [Verse 3] Roads twist and turn dreams take flight Stars burn bright in the cold Cold night Chains of the world break 'em down Be who you are find your own crown [Bridge] Feel the heartbeat thunder in your chest Rumble through the night never settle for less Voices might whisper they might scream Be who you are chase your wildest dream [Chorus] Be who you are shout from the hills Be who you are shake off them chills Sing your song loud bang on those drums Be who you are let the wild winds hum

Maybe I’m wrong but it seems to me people nowdays don’t have much compassion for others and think they should pull themselves up by their bootstraps which is pretty hard to do if you don’t have any boots. The

While George fell asleep in the back of the bus, I examined his outfit, noting that my strange American friend had now got his ‘world traveller’ apparel down to a fine art. His compact munchkin figure wore a short-cropped jeans jacket from Nepal over a ratty pink T-shirt he’d picked up in Bangkok which was decorated with the simple message, ‘Fuck You.’ Beneath a pair of worn out, fashionably torn Levis from Dharamsala poked a brace of dusty hiking boots obtained second-hand from a hill porter in Manali. All this was topped by an expandable Afghani hat, into which he tucked his long, matted dreadlocks. As for his bespectacled features, these were rendered quite dwarfish by a wispy little beard, cut short at the cheeks and running wild below the chin. A glittering array of chunky ethnic rings adorned each finger. He actually had an extra one—fortunately out of sight—which had been inserted into his penis during his last foray into Paharganj. Around his neck hung a final touch: a valuable Zzi-bead necklace purchased from a Tibetan family in Ladakh for the considerable sum of 1600 dollars. Nobody looking at him would have guessed that this was the foremost wholesaler of hippy goods into America.

I fought through the boisterous crowd and saw that the bowl-shaped field was certainly not vacant anymore, its new occupant a rather unsightly scarecrow dressed in a Cokyrian uniform, framed against the tranquil green of summer grass. I gazed down the hill, ignoring the shoving and jostling of the people around me, brimming with pride. This was the work of my cousin. Only he and his friends would have had the nerve to do something like this. Cokyrians were preventing Hytanicans from descending the slope, pushing us back like cattle and trying to make us disband. When one of the soldiers passed close to me, I spat on his boots, jumping back so the blunt end of the sword he thrust at me tickled my temple and nothing more. I grinned at him, then tensed as someone put their hands on my shoulders from behind. “It makes you wonder, doesn’t it?” the person said in a lazily irreverent tone that I knew well. “Whatever befell the poor soldier who lost his uniform to that creature?” Before I could turn around, Steldor tugged me backward through the crowd, out of harm’s way. Releasing me, he strode toward the thoroughfare, forcing me to jog in order to keep pace with him. “How did you manage it?” I breathlessly asked, scrutinizing his handsome profile. He stood several inches taller than me, and it was difficult to look at him, keep up and dodge people all at once. Quite the opposite, the throng parted for him, his height and build such that he could not pass notice, and his recent actions earning him a few hardy pats on the back. “You really shouldn’t be out here, Shaselle,” he responded, sidestepping my actual question. He glanced at me, and despite his next words, there was bemusement in his dark brown eyes. “And you certainly shouldn’t be spitting on Cokyrian boots.” “You laugh in their faces--why shouldn’t I spit on their boots?” I countered, earning a smirk and a shrug. “Perhaps…because home is a better place for you?” Despite the tease in his voice, there was seriousness behind what he said.

She remembered waiting for her beautiful Spencer, hearing the bell, peering out the windshield, watching the kids erupt-exit like ants scattering after a human boot toes their hill. She’d smile when she first laid eyes on him and most of the time, especially in the early days, Spencer would smile back. She

] The real trouble is not the mere difference of opinion, as between one scholar and another, but the fact that Graves (like myself) refuses to treat his subject as dead. A scholar only feels secure if he is sure that the subject of his study is not one day going to get up and look him between the eyes; and nothing could be in worse taste than a suggestion that anything more is required of him than a chaste rational disinterestedness. Both the Buddha and the White Goddess, it is felt, have been safely dead these two thousand years and more, and the professors of these subjects congratulate themselves on having chosen such admirably extinct fields of study. (Quite the last thing that a professor of Buddhism would dream of doing is to profess Buddhism—that is left to mere amateurs like myself.) But what happens? Here comes Graves and myself shouting out one, that you cannot know the Goddess unless you worship her—and in the flesh, to boot (or, should I say, to buskin?)—, and, the other, that you cannot understand the Buddha unless you practise his teaching—in the jungle, preferably, and barefoot. If I have my way, these comfortable scholars will have to exchange the fleshpots of Oxford for the almsbowl of India; and if Graves has his, their dutiful wives will become Bassarids, dancing naked with Dionysian fury on Boar's Hill, and tearing the Vice-Chancellor to pieces and devouring him raw at the summer solstice. And that would never do, would it?

walked down the hill and stuck out my thumb, standing in the same spot where I had stood when I hitchhiked to high school. My clothes and gear were in my official Boy Scout backpack, a big old thing on an aluminum rack, with my sleeping bag and pup tent lashed to it. I’d been a serious Boy Scout — I joined at 12, after my failed Little League career, and took to it immediately, racking up merit badges and making it all the way to Eagle Scout. I knew first aid, how to start a fire in the rain, how to make a mean camp stew, and lots of other useful stuff. And I didn’t mind sleeping outside, which was a good thing, since there was no way I could afford motels. My official Boy Scout sheath knife, a serious piece of business with a leather-wrapped handle and a five-inch blade, was also in the pack; I’d move it into my boot by the end of the first day.

I guess I’m left with only one option.” She spun out of the kitchen into the pantry. “I’ll have to be the one to go and get her.” She stomped toward the back door and banged it open. As she rushed outside, a gust of wind slapped her cheeks. “Where are you going?” Connell caught the door before it slammed shut, and he followed her outside. A hill of dark clouds had pushed in with the growing darkness. She pulled her coat tighter and started toward the front of the hotel, trying to ignore the long shadows of the evening that reached out to haunt her. “I’m heading to the Stockade to see if Frankie’s there.” “You can’t go up there by yourself,” he called after her. “I’m certain God would want me to do whatever I can to rescue the girl, even if it means going by myself.” She picked up her pace, and her boots sloshed through the muddy snow that remained after the past week. She made it only a half a dozen more steps before Connell’s hand gripped her upper arm and dragged her to a stop. “I won’t let you go.” He spun her around so that she had no choice but to face him. “How dare you? What right do you have to stop me?” She jerked her arm and tried to break away. But his hold didn’t budge. “I probably don’t have any right to stop you.” She tugged again, this time harder. “Then leave me alone.” He wavered, almost as if he would let her go, but then with a growl he yanked her against his body. The strength of his grip held her captive. But the hard width of his chest against hers and the nearness of his face—only inches away—held her in greater captivity. For a long moment she couldn’t breathe, couldn’t move, couldn’t think. The crashing thud of her heartbeat and the soft rasp of his breath filled the space between them. His gaze lingered upon her cheek, her chin, her other cheek before moving to her lips. Spring butterflies awakened in her stomach, and she couldn’t keep from studying his mouth, so close, so warm, so firm. But the boldness of such an inspection sent embarrassed heat through her, making her want to duck her head. “Lily,” he whispered. His eyes turned into a forest at midnight. “I just don’t want anything to happen to you. I can’t let you go up to the Stockade. It’s too dangerous.

And to top off her country girl look, she’s got on a pair of tan cowgirl boots, reminding me of one of her favorite sexual positions. She used to ride my cock hard and fast. Like she was in the Kentucky fucking Derby.

overloaded horses bent backwards by the chisel of the mason who once sculpted an eternal now on the brow of the wingless archangel, time-deformed cherubim and the false protests, overweight bowels fallen from the barracks of the pink house carved with grey rain unfallen, never creaking, never opening door, with the mouth wide, darkened and extinguished like a burning boat floating in a voiceless sea, bottle of rum down threadbare socks, singing from pavement to pavement, bright iridescent flame, "Oh, my Annie, my heart is sore!", slept chin on the curb of the last star, the lintel illuminated the forgotten light cast to a different plane, ah the wick of a celestial candle. The piling up of pigeons, tram lines, the pickpocket boys, the melancholy silver, an ode to Plotinus, the rattle of cattle, the goat in the woods, and the retreat night in the railroad houses, the ghosts of terraces, the wine shakes, the broken pencils, the drunk and wet rags, the eucalyptus and the sky. Impossible eyes, wide avenues, shirt sleeves, time receded, 'now close your eyes, this will not hurt a bit', the rose within the rose, dreaming pale under sheets such brilliance, highlighting unreality of a night that never comes. Toothless Cantineros stomp sad lullabies with sad old boots, turning from star to star, following the trail of the line, from dust, to dust, back to dust, out late, wrapped in a white blanket, top of the world, laughs upturned, belly rumbling by the butchers door, kissing the idol, tracing the balconies, long strings of flowers in the shape of a heart, love rolls and folds, from the Window to Window, afflicting seriousness from one too big and ever-charged soul, consolidating everything to nothing, of a song unsung, the sun soundlessly rising, reducing the majesty of heroic hearts and observing the sad night with watery eyes, everything present, abounding, horses frolic on the high hazy hills, a ships sails into the mist, a baby weeps for mother, windows open, lights behind curtains, the supple avenue swoons in the blissful banality, bells ringing for all yet to come forgotten, of bursting beauty bathing in every bright eternal now, counteract the charge, a last turn, what will it be, flowers by the gate, shoe less in the park, burn a hole in the missionary door, by the moonlit table, reading the decree of the Rose to the Resistance, holding the parchment, once a green tree, sticking out of the recital and the solitaire, unbuttoning her coat sitting for a portrait, uncorking a bottle, her eyes like lead, her loose blouse and petticoat, drying out briefs by the stone belfry and her hair in a photo long ago when, black as a night, a muddy river past the weeds, carrying the leaves, her coffee stained photo blowing down the street. Train by train, all goes slow, mist its the morning of lights, it is the day of the Bull, the fiesta of magic, the castanets never stop, the sound between the ringing of the bells, the long and muted silence of the distant sea, gypsy hands full of rosemary, every sweet, deep blue buckets for eyes, dawn comes, the Brahmanic splendour, sunlit gilt crown capped by clouds, brazen, illuminated, bright be dawn, golden avenues, its top to bottom, green to gold, but the sky and the plaza, blood red like the great bleeding out Bull, and if your quiet enough, you can hear the heart weeping.

And she got the feeling that Boots Smith's relationship to this swiftly moving car was no ordinary one. He wasn't just a black man driving a car at a pell-mell pace. He had lost all sense of time and space as the car plunged forward into the cold, white night. The act of driving the car made him feel he was a powerful being who could conquer the world. Up over hills, fast down on the other side. It was like playing god and commanding everything within hearing to awaken and listen to him. The people sleeping in the white farmhouses were at the mercy of the sound of his engine roaring past in the night. It brought them half-awake—disturbed, uneasy. The cattle in the barns moved in protest, the chickens stirred on their roosts and before any of them could analyze the sound that had alarmed them, he was gone—on and on into the night. And she knew, too, that this was the reason white people turned scornfully to look at Negroes who swooped past them on the highways. 'Crazy niggers with autos' in the way they looked. Because they sensed that the black men had to roar past them, had for a brief moment to feel equal, feel superior; had to take reckless chances going around curves, passing on hills, so that they would be better able to face a world that took pains to make them feel that they didn't belong, that they were inferior. Because in that one moment of passing a white man in a car they could feel good and the good feeling would last long enough so that they could hold their heads up the next day and the day after that. And the white people in the cars hated it because—and her mind stumbled over the thought and then went on—because possibly they, too, needed to go on feeling superior. Because if they didn't, it upset the delicate balance of the world they moved in when they could see for themselves that a black man in a ratclap car could overtake and pass them on a hill. Because if there was nothing left for them but that business of feeling superior to black people, and that was taken away even for the split second of one car going ahead of another, it left them with nothing.

They used my name and permit to grow the weed and earn money to repay their debts and compensate their investors. To keep my girlfriend. To take her. I am uncertain if any of them have ever spent a minute in jail for any of these activities. Adam proudly showcases his new motorcycles on Instagram, posing on a hill above Barcelona. He also displays his brand new electric camper van, which they use to travel and transport drugs across Europe and Iberia, as well as his gigantic marijuana cultivation located in Portugal. People like Ruan and Martina admire his public images. I came across a picture of Ruan and Martina together in Berlin, where their mother Fernanda visited them. Martina became member of the Evil Eye Cult, and the custom made mafia group in Spain, which used her as a pawn in their porn and drug-related activities. She now operates as their representative in Berlin. Martina and I have lost the ability to genuinely smile. Her social media posts only show disinterest or a malicious demeanor. ‘A boot stomping on a human face.’ In a picture with her brother and mother, she puts on a forced fake “good vibe” and “happy” smile, revealing her flawless teeth and the subtle lines of aging. With each passing day, she bears a greater resemblance to her rich and so happy mother, the bad person. As far as I know, none of these individuals have faced consequences for their actions, such as having their teeth broken. As I had. Innocently. Taking care of business and their lives. With love. I find this to be incredibly unjust. In the 21st century. In Europe. On planet Earth. By non-EU criminals. “Matando – ganando” – “killing and gaining” like there were no Laws at all. Nowadays, you can observe Sabrina flaunting her fake lips and altered face, just like Martina her enhanced breasts. Guess who was paying for it? It seems that both girls now sustain themselves through their bodies and drug involvement, to this day, influencing criminals to gain friends in harming Tomas and having a lavish lifestyle filled with fun and mischief. Making a living. Enjoying Spain. Enjoying Life. My money. My tears. This is the situation as it stands. I was wondering what Salvador Dali was trying to tell me. I stood in front of the Lincoln portrait for a long time, but I couldn't grasp the point or the moral behind it. I can listen to Abraham Lincoln and ‘trust people. To see. If I can trust them.’ But he ultimately suffered a tragic fate, with his life being taken. (Got his head popped.) I believe there may have also been a female or two involved in that situation, too, possibly leading to his guards being let down. While he was watching: Acting performances, he was facing a: Stage. Theater. It is disheartening, considering he was a good person. Like Jesus, John Lennon and so on. Shows a pattern Machiavelli was talking about. Some individuals are too bright for those in darkness; they feel compelled to suppress those brighter minds simply because they think and act differently. Popping their heads. Reptilian lower brain-based culture, the concept of the Evil Eye, Homo erectus. He couldn't even stand up properly when I was shouting at him, urging him to stand up from the stairs. ‘Homo seditus reptilis.’ But what else was there in the Lincoln image that I didn't see? What was Dali trying to convey or express or tell me? Besides the fact that the woman is in his mind, on his mind, in the image, exactly, his head got popped open. Perhaps because he was focusing on a woman, trusting her for a split second, or turning his head away for a moment.

Cutie van der Waals, Mr. Smooth Boots, and the names of her four favorite bone-white minerals: pandermite, carnallite, aphrodite, and pearl. They connect their last names and applaud the performance of the hyphen, then add even more names to their names, toss on things like “Madame” and “Esquire,” toss on weird phrases like “Her Regal Excellency” and “Chancellor of the Exchequer

Our search lasted hours. We discovered treasures. A field of wedding-white blossoms, but with a few firework-colored flowers seething underneath, like rebels. An abandoned pair of boots on top of a hill. Odd spots where cobwebs had been spun between the trees, so that thatches of silver gleamed in midair like suspended pockets of rain.

When I arrived in San Francisco, there was no way to find the Castro on any map. People were forever calling the bookstore for directions to the neighborhood. In my group there was the sense that we were a wave arriving on the West Coast from the East: postcollegiate youngsters seeking and finding a paradise of cheap apartments and thrift stores bursting with the old athletic T-shirts and jeans and flannel shirts we all prixed. I remember when I put the empty clothes together with the empty apartments, on an ordinary sunny afternoon walking down the sidewalk to work: there on a blanket stood a pari of black leather steel-toed boots, twelve-hole lace-ups. They gleamed, freshly polished, in the light of the morning. As I approached them, feeling the pull of the hill, I drew up short to examine the rest of the sidewalk sale. Some old albums, Queen and Sylvester; three pairs of jeans; two leather wristbands; a box of old T-shirts; a worn watch, the hands still moving; a pressed-leather belt, west style; and cowboy boots, the same size as the steel-toes. I tried the steel-toes on and took a long look at the salesman as I stood up, feelign that they were exactly my size. This man was thin, thin in a way that was immediately familiar. Hollowing from the inside out. His skin reddened, and his brown eyes looked over me as if lighting might fall on me out of that clear afternoon sky. And I knew then, as I paid twenty dollars for the boots, that they'd been recently emptied. That he was watching me walk off in the shoes of the newly dead. And that all of this had been happening for some time now.

Birds— and Territory My dad and I designed a house for a wren family when I was ten years old. It looked like a Conestoga wagon, and had a front entrance about the size of a quarter. This made it a good house for wrens, who are tiny, and not so good for other, larger birds, who couldn’t get in. My elderly neighbour had a birdhouse, too, which we built for her at the same time, from an old rubber boot. It had an opening large enough for a bird the size of a robin. She was looking forward to the day it was occupied. A wren soon discovered our birdhouse, and made himself at home there. We could hear his lengthy, trilling song, repeated over and over, during the early spring. Once he’d built his nest in the covered wagon, however, our new avian tenant started carrying small sticks to our neighbour’s nearby boot. He packed it so full that no other bird, large or small, could possibly get in. Our neighbour was not pleased by this pre- emptive strike, but there was nothing to be done about it. “If we take it down,” said my dad, “clean it up, and put it back in the tree, the wren will just pack it full of sticks again.” Wrens are small, and they’re cute, but they’re merciless. I had broken my leg skiing the previous winter— first time down the hill— and had received some money from a school insurance policy designed to reward unfortunate, clumsy children. I purchased a cassette recorder (a high- tech novelty at the time) with the proceeds. My dad suggested that I sit on the back lawn, record the wren’s song, play it back, and watch what happened. So, I went out into the bright spring sunlight and taped a few minutes of the wren laying furious claim to his territory with song. Then I let him hear his own voice. That little bird, one- third the size of a sparrow, began to dive- bomb me and my cassette recorder, swooping back and forth, inches from the speaker. We saw a lot of that sort of behaviour, even in the absence of the tape recorder. If a larger bird ever dared to sit and rest in any of the trees near our birdhouse there was a good chance he would get knocked off his perch by a kamikaze wren.

Mack drove over to Boot Hill, an old cemetery where they’d buried the second-place finishers in gunfights of yore.

I was fortunate to grow up in a place where snowfall was abundant, exclusion from private property was frowned upon, and outside my door were thousands of acres of forested hills to explore. By the time I was ten my feet were as big as my mother's, and I pinched her leather cross-country ski boots and a set of wooden skis and poles from Finland that had stood neglected in the cellar for years. I never had any instruction in Nordic skiing technique, but as soon as I pushed off it was obvious that this was an easier way to move about in the winter woods. To this day I have a hard time thinking of skiing as a sport and have felt self-conscious the few times I've skied in prepared tracks among the athletic and sleek-suited crowd that frequents Nordic centers. For me skiing is just the way you walk when there's snow on the ground. It's walking in cursive, and I love to walk.

The commander of one army, or battalion if you’re all broken up over a distance, writes insulting letters to the enemy commander, and their messengers run them back and forth, and then they say, well, let's meet in two days on the hill with the big rock that looks like a nose. And then they get their troops to polish all their boots and armor, and everyone trots out in the morning two days later, and they have a fight. And someone goes home and someone doesn't. I mean I've read a lot of foriegn books about how to do war differently, but I don't see why you would, unless you were a dirty cheat. This way has rules and everyone knows how to play it, and you know who wins fair and square.

Our climb began in earnest on May 9. By then we’d successfully negotiated the Khumbu Icefall, surmounted the Western Cwm, and now were halfway up a moderately steep, four-thousand-foot wall of blue ice called the Lhotse Face, which the prudent climber will traverse very carefully. This extreme care is a function of the physics involved. With hard ice such as that found on the Lhotse Face, there is no coefficient of friction; you are traction free. Fall into an uncontrolled slide, and your chances of stopping are nil. You’re history. A Taiwanese climber named Chen Yu-Nan would discover the truth of this, to his horror, on the morning of May 9. Because the Lhotse Face is a slope, you pitch Camp Three by carving out a little ice platform for your tent, which you crawl into exhausted, desperate for some rest. No matter how tired you are, however, you must remember a couple of fairly simple rules. One, don’t sleepwalk. Two, when you get up in the morning, the very first thing you’ve got to do, without fail, is put those twelve knives on each climbing boot, your crampons, because they are what stick you down to that hill. Chen Yu-Nan forgot. He got out of his tent wearing his inner boots, took two steps, and went zhoooooooop! down into a crevasse, leading to his death.

The sun at that altitude is an enormous ball of light so powerful that it can burn the inside of your mouth and the inside of your nose. If you take off those protective glasses, within ten minutes your retinas will be seared to total blindness. Hence, I expected that, once the sun was fully out, even behind my jet-black lenses my pupils would clamp down to pinpoints and everything would be infinitely focused. I was certain I was right. It had to work. In the predawn darkness, however, I was too blind to climb. So I stepped out of line and let everyone pass, going from fourth out of thirty-some climbers to absolutely dead last. It wasn’t unpleasant, really, watching everybody traipse past me. I basically stood there chatting and acting like a Wal-Mart greeter until the sun began to illuminate the summit face. As I expected, my vision did begin to clear, and I was able to dig in the front knives on my boots, move across, and head on up to the summit ridge. Then I compounded my problem by reaching to wipe my face with an ice-crusted glove. A crystal painfully lacerated my right cornea, leaving that eye completely blurred. That meant I had no depth perception, and that’s not good in that environment. My left eye was a little blurry but basically okay. But I knew that I could not climb above this point, a living-room size promontory called the Balcony, about fifteen hundred feet below the summit, unless my vision improved. Still believing it would, I said to Rob, “You guys go ahead and boogie on up the hill. At a point that I can see, I’ll just wander up after you.” It was about 7:30 A.M. “Beck,” he answered in that unmistakable Kiwi accent, “I don’t like that idea. You’ve got thirty minutes. If you can see in thirty minutes, climb on. If you cannot see in thirty minutes, I don’t want you climbing.” “Okay.” I hesitated. “I’ll accept that.” This was not a willing and happy answer; I had come too far to quit so close to the summit. But I also recognized the common sense in what Hall said.

Egard Rost shook in his worn boots as he approached the wide leather tent staked out at the top of the hill before him. It loomed out of the dark at him and his paired escorts, illuminated by braziers set on either side of the entrance and by the glow of a hundred cooking fires ablaze about the camp at his back. Above and beyond it, the trees of the Arocklen Woods towered overhead, glowing a dim blue as the ice and snow piled in the thick branches reflected the sheen of the moon and stars somewhere far above them