Book Shops Quotes

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You should date a girl who reads. Date a girl who reads. Date a girl who spends her money on books instead of clothes, who has problems with closet space because she has too many books. Date a girl who has a list of books she wants to read, who has had a library card since she was twelve. Find a girl who reads. You’ll know that she does because she will always have an unread book in her bag. She’s the one lovingly looking over the shelves in the bookstore, the one who quietly cries out when she has found the book she wants. You see that weird chick sniffing the pages of an old book in a secondhand book shop? That’s the reader. They can never resist smelling the pages, especially when they are yellow and worn. She’s the girl reading while waiting in that coffee shop down the street. If you take a peek at her mug, the non-dairy creamer is floating on top because she’s kind of engrossed already. Lost in a world of the author’s making. Sit down. She might give you a glare, as most girls who read do not like to be interrupted. Ask her if she likes the book. Buy her another cup of coffee. Let her know what you really think of Murakami. See if she got through the first chapter of Fellowship. Understand that if she says she understood James Joyce’s Ulysses she’s just saying that to sound intelligent. Ask her if she loves Alice or she would like to be Alice. It’s easy to date a girl who reads. Give her books for her birthday, for Christmas, for anniversaries. Give her the gift of words, in poetry and in song. Give her Neruda, Pound, Sexton, Cummings. Let her know that you understand that words are love. Understand that she knows the difference between books and reality but by god, she’s going to try to make her life a little like her favorite book. It will never be your fault if she does. She has to give it a shot somehow. Lie to her. If she understands syntax, she will understand your need to lie. Behind words are other things: motivation, value, nuance, dialogue. It will not be the end of the world. Fail her. Because a girl who reads knows that failure always leads up to the climax. Because girls who read understand that all things must come to end, but that you can always write a sequel. That you can begin again and again and still be the hero. That life is meant to have a villain or two. Why be frightened of everything that you are not? Girls who read understand that people, like characters, develop. Except in the Twilight series. If you find a girl who reads, keep her close. When you find her up at 2 AM clutching a book to her chest and weeping, make her a cup of tea and hold her. You may lose her for a couple of hours but she will always come back to you. She’ll talk as if the characters in the book are real, because for a while, they always are. You will propose on a hot air balloon. Or during a rock concert. Or very casually next time she’s sick. Over Skype. You will smile so hard you will wonder why your heart hasn’t burst and bled out all over your chest yet. You will write the story of your lives, have kids with strange names and even stranger tastes. She will introduce your children to the Cat in the Hat and Aslan, maybe in the same day. You will walk the winters of your old age together and she will recite Keats under her breath while you shake the snow off your boots. Date a girl who reads because you deserve it. You deserve a girl who can give you the most colorful life imaginable. If you can only give her monotony, and stale hours and half-baked proposals, then you’re better off alone. If you want the world and the worlds beyond it, date a girl who reads. Or better yet, date a girl who writes.
Rosemarie Urquico
In the shop we buy and sell them, but in truth books have no owner. Every book you see here has been somebody’s best friend.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
It is clear that the books owned the shop rather than the other way about. Everywhere they had run wild and taken possession of their habitat, breeding and multiplying, and clearly lacking any strong hand to keep them down.
Agatha Christie (The Clocks (Hercule Poirot, #39))
Forget men, I want to marry my MacBook. It’s dependable, reliable and you can even go shopping with it.
Alexandra Potter (You're The One That I Don't Want)
You know, it's a funny thing about writers. Most people don't stop to think of books being written by people much like themselves. They think that writers are all dead long ago--they don't expect to meet them in the street or out shopping. They know their stories but not their names, and certainly not their faces. And most writers like it that way.
Cornelia Funke (Inkheart (Inkworld, #1))
There’s so much more to life than finding someone who will want you, or being sad over someone who doesn’t. There’s a lot of wonderful time to be spent discovering yourself without hoping someone will fall in love with you along the way, and it doesn’t need to be painful or empty. You need to fill yourself up with love. Not anyone else. Become a whole being on your own. Go on adventures, fall asleep in the woods with friends, wander around the city at night, sit in a coffee shop on your own, write on bathroom stalls, leave notes in library books, dress up for yourself, give to others, smile a lot. Do all things with love, but don’t romanticize life like you can’t survive without it. Live for yourself and be happy on your own. It isn’t any less beautiful, I promise.
Emery Allen
In the shop window you have promptly identified the cover with the title you were looking for. Following this visual trail, you have forced your way through the shop past the thick barricade of Books You Haven't Read, which are frowning at you from the tables and shelves, trying to cow you...And thus you pass the outer girdle of ramparts, but then you are attacked by the infantry of Books That If You Had More Than One Life You Would Certainly Also Read But Unfortunately Your Days Are Numbered. With a rapid maneuver you bypass them and move into the phalanxes of the Books You Mean To Read But There Are Others You Must Read First, the Books Too Expensive Now And You'll Wait Till They're Remaindered, the Books ditto When They Come Out in Paperback, Books You Can Borrow From Somebody, Books That Everybody's Read So It's As If You Had Read Them, Too.
Italo Calvino (If on a Winter's Night a Traveler)
Every face, every shop, bedroom window, public-house, and dark square is a picture feverishly turned--in search of what? It is the same with books. What do we seek through millions of pages?
Virginia Woolf (Jacob's Room)
Finally, in October 1945, a man with swampy eyes, feathers of hair, and a clean-shaven face walked into the shop. He approached the counter. "Is there someone here by the name of Leisel Meminger?" "Yes, she's in the back," said Alex. He was hopeful, but he wanted to be sure. "May I ask who is calling on her?" Leisel came out. They hugged and cried and fell to the floor.
Markus Zusak (The Book Thief)
As I got older, I discovered that nothing within me cried out for a baby. My womb did not seem to have come equipped with that famously ticking clock. Unlike so many of my friends, I did not ache with longing whenever I saw an infant. (Though I did ache with longing, it is true, whenever I saw a good used-book shop)
Elizabeth Gilbert (Committed: A Skeptic Makes Peace with Marriage)
None of the other kids my age has to do all the grocery shopping, cooking, cleaning, and bill paying. It’s just not fair that I have to be an adult when I’m still a kid.
Wayne Edwards (A Stone's Throw: A heartwarming story of a city girl and her rancher grandfather turning adversity into love and community)
I don't know about you, but I'm kind of fed up with realism. After all, there's enough reality already; why make more of it? Why not leave realism for the memoirs of drug addicts, the histories of salt, the biographies of porn stars? Why must we continue to read about the travails of divorced people or mildly depressed Canadians when we could be contemplating the shopping habits of zombies, or the difficulties that ensue when living and dead people marry each other? We should be demanding more stories about faery handbags and pyjamas inscribed with the diaries of strange women. We should not rest until someone writes about a television show that features the Free People's World-Tree Library, with its elaborate waterfalls and Forbidden Books and Pirate-Magicians. We should be pining for a house haunted by rabbits. (from the review of Kelly Link's Magic for Beginners in The Guardian)
Audrey Niffenegger
My bookstore obsession grew to the point where I'd search for new shops during family trips, as though that were the reason for our travel.
Lewis Buzbee (The Yellow-Lighted Bookshop: A Memoir, a History)
I sat, a solitary man, In a crowded London shop, An open book and empty cup On the marble table-top. While on the shop and street I gazed My body of a sudden blazed; And twenty minutes more or less It seemed, so great my happiness, That I was blessed and could bless.
W.B. Yeats (The Winding Stair And Other Poems)
The book can produce an addiction as fierce as heroin or nicotine, forcing us to spend much of our lives, like junkies, in book shops and libraries, those literary counterparts to the opium den.
Phillip Adams
She could spend an entire afternoon just looking at fountain pens and ink bottles or flipping through books that spoke of poetry and love and loss.
Marjan Kamali (The Stationery Shop)
Books bend space and time. One reason the owners of those aforesaid little rambling, poky secondhand bookshops always seem slightly unearthly is that many of them really are, having strayed into this world after taking a wrong turning in their own bookshops in worlds where it is considered commendable business practice to wear carpet slippers all the time and open your shop only when you feel like it.
Terry Pratchett (Guards! Guards! (Discworld, #8; City Watch, #1))
The hotel shop only had two decent books, and I'd written both of them
Douglas Adams (The Salmon of Doubt: Hitchhiking the Galaxy One Last Time)
They sit there in the window of the coffee shop for almost an hour, not talking much, but looking at each other over the tops of their books, flirting somehow even without words. It would be gross if it weren’t adorable.
Sandy Hall (A Little Something Different)
Alas! Where is human nature so weak as in the book-store?
Henry Ward Beecher
I asked the girl at the coffee shop out on a date. Unfortunately she said no, probably because I asked her out to coffee.
Jarod Kintz (This Book Has No Title)
Run away with me. You like tea. I like books. Care to open a shop and forget the world exists?
Rebecca Thorne (Can't Spell Treason Without Tea (Tomes & Tea, #1))
The shop owner did not try to push the book on any of her customers. She knew that in the wrong hands such a book could easily be dismissed, or, worse, go unread. Instead she let it sit where it was in the hope that the right reader might discover it.
Nicole Krauss (The History of Love)
Books are, let's face it, better than everything else. If we played cultural Fantasy Boxing League, and made books go 15 rounds in the ring against the best that any other art form had to offer, then books would win pretty much every time. Go on, try it. “The Magic Flute” v. Middlemarch? Middlemarch in six. “The Last Supper” v. Crime and Punishment? Fyodor on points. See? I mean, I don’t know how scientific this is, but it feels like the novels are walking it. You might get the occasional exception -– “Blonde on Blonde” might mash up The Old Curiosity Shop, say, and I wouldn’t give much for Pale Fire’s chance against Citizen Kane. And every now and again you'd get a shock, because that happens in sport, so Back to the Future III might land a lucky punch on Rabbit, Run; but I'm still backing literature 29 times out of 30.
Nick Hornby (The Polysyllabic Spree)
Liam cleared his throat again and turned to fully face me. “So, it’s the summer and you’re in Salem, suffering through another boring, hot July, and working part-time at an ice cream parlor. Naturally, you’re completely oblivious to the fact that all of the boys from your high school who visit daily are more interested in you than the thirty-one flavors. You’re focused on school and all your dozens of clubs, because you want to go to a good college and save the world. And just when you think you’re going to die if you have to take another practice SAT, your dad asks if you want to go visit your grandmother in Virginia Beach.” “Yeah?” I leaned my forehead against his chest. “What about you?” “Me?” Liam said, tucking a strand of hair behind my ear. “I’m in Wilmington, suffering through another boring, hot summer, working one last time in Harry’s repair shop before going off to some fancy university—where, I might add, my roommate will be a stuck-up-know-it-all-with-a-heart-of-gold named Charles Carrington Meriwether IV—but he’s not part of this story, not yet.” His fingers curled around my hip, and I could feel him trembling, even as his voice was steady. “To celebrate, Mom decides to take us up to Virginia Beach for a week. We’re only there for a day when I start catching glimpses of this girl with dark hair walking around town, her nose stuck in a book, earbuds in and blasting music. But no matter how hard I try, I never get to talk to her. “Then, as our friend Fate would have it, on our very last day at the beach I spot her. You. I’m in the middle of playing a volleyball game with Harry, but it feels like everyone else disappears. You’re walking toward me, big sunglasses on, wearing this light green dress, and I somehow know that it matches your eyes. And then, because, let’s face it, I’m basically an Olympic god when it comes to sports, I manage to volley the ball right into your face.” “Ouch,” I said with a light laugh. “Sounds painful.” “Well, you can probably guess how I’d react to that situation. I offer to carry you to the lifeguard station, but you look like you want to murder me at just the suggestion. Eventually, thanks to my sparkling charm and wit—and because I’m so pathetic you take pity on me—you let me buy you ice cream. And then you start telling me how you work in an ice cream shop in Salem, and how frustrated you feel that you still have two years before college. And somehow, somehow, I get your e-mail or screen name or maybe, if I’m really lucky, your phone number. Then we talk. I go to college and you go back to Salem, but we talk all the time, about everything, and sometimes we do that stupid thing where we run out of things to say and just stop talking and listen to one another breathing until one of us falls asleep—” “—and Chubs makes fun of you for it,” I added. “Oh, ruthlessly,” he agreed. “And your dad hates me because he thinks I’m corrupting his beautiful, sweet daughter, but still lets me visit from time to time. That’s when you tell me about tutoring a girl named Suzume, who lives a few cities away—” “—but who’s the coolest little girl on the planet,” I manage to squeeze out.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
As the pair turned to leave they were taken by surprise by the shop owner. He was middle-aged and did not look as though he could overpower Arvid, although the large club he wielded showed his intention. Raimund instinctively made a run for the door, only to be floored by a blow from the club. From his dazed prone position Raimund watched in horror as his uncle thrust his knife into the shopkeeper’s chest. With blood pumping from the fatal wound, the shopkeeper fell across Raimund.
Robert Reid (The Emperor (The Emperor, the Son and the Thief, #1))
Books are educational; so you can buy as many as you want." Sophie Kinsella, shopping at the Limelight Marketplace
Sophie Kinsella
To a lover of books the shops and sales in London present irresistible temptations.
Edward Gibbon (Memoirs of My Life)
I have never been drawn to luxury. I love the simple things; coffee shops, books, and people who try to understand.
R.Y.S. Perez (I Hope You Fall in Love: Poetry Collection)
It is a good plan to have a book with you in all places and at all times. If you are presently without, hurry without delay to the nearest shop and buy one of mine.
Oliver Wendell Holmes Sr.
Fill yourself up with love. Become a whole being on your own. Go on adventures, fall asleep in the woods with friends, wander around the city at night, sit in a coffee shop on your own, write on bathroom stalls, leave notes in library books, dress up for yourself, give to others, smile a lot. Live for yourself and be happy on your own.
Emery Allen
I walked inside Macy’s and faced the pathetic spectacle of a department store full of shoppers, none of whom were shopping for themselves. Without the instant gratification of a self-aimed purchase, everyone walked around in the tactical stupor of the financially obligated.
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
In the shop window you have promptly identified the cover with the title you were looking for. Following this visual trail, you have forced your way through the shop past the thick barricade of Books You Haven't Read, which were frowning at you from the tables and shelves, trying to cow you. But you know you must never allow yourself to be awed, that among them there extend for acres and acres the Books You Needn't Read, the Books Made For Purposes Other Than Reading, Books Read Even Before You Open Them Since They Belong To The Category Of Books Read Before Being Written. And thus you pass the outer girdle of ramparts, but then you are attacked by the infantry of the Books That If You Had More Than One Life You Would Certainly Also Read But Unfortunately Your Days Are Numbered. With a rapid maneuver you bypass them and move into the phalanxes of the Books You Mean To Read But There Are Others You Must Read First, the Books Too Expensive Now And You'll Wait Till They're Remaindered, the Books ditto When They Come Out In Paperback, Books You Can Borrow From Somebody, Books That Everybody's Read So It's As If You Had Read Them, Too. Eluding these assaults, you come up beneath the towers of the fortress, where other troops are holding out: the Books You've Been Planning To Read For Ages, the Books You've Been Hunting For Years Without Success, the Books Dealing With Something You're Working On At The Moment, the Books You Want To Own So They'll Be Handy Just In Case, the Books You Could Put Aside Maybe To Read This Summer, the Books You Need To Go With Other Books On Your Shelves, the Books That Fill You With Sudden, Inexplicable Curiosity, Not Easily Justified, Now you have been able to reduce the countless embattled troops to an array that is, to be sure, very large but still calculable in a finite number; but this relative relief is then undermined by the ambush of the Books Read Long Ago Which It's Now Time To Reread and the Books You've Always Pretended To Have Read And Now It's Time To Sit Down And Really Read Them.
Italo Calvino (If on a Winter's Night a Traveler)
Draco talked to Aurore more than he talked to anyone, even Hermione. He would monologue to her about anything, about the trees, and the furniture, all the shops where he’d bought books for Hermione, about what the weather might be, and what all the colours and hues of the analytic spells meant. Aurore would listen to him intently and fret when he got distracted or fell silent for too long.
SenLinYu (Manacled)
Books were the best way Nina knew – apart from, sometimes, music – to breach the barrier; to connect the internal universe with the external, the words acting merely as a conduit between the two worlds.
Jenny Colgan (The Little Shop of Happy Ever After (Kirrinfief, #1))
Beautiful songs could sometimes take a person out of themselves and carry them away to a place of magic. But when Jill sang, it was not about the song, really. She could sing the phone book. She could sing a shopping list. Whatever she sang, whatever the words or the tune, it was so beautiful, so achingly lovely, that no one could listen and be untouched.
Michael Grant (Lies (Gone, #3))
He found himself in a room not unlike the shop. All books again, packed tight on shelves or laying in piles on every surface. It was a cozy room, for all that ; it smelled of warm, rich words and very deep thoughts.
Jenny Nimmo (Midnight for Charlie Bone (The Children of the Red King, #1))
Why books?” Her brows rose. “I beg your pardon?” “Why are they your vice?” She set her plate down and wiped her hand on her skirts before reaching for the top volume on a stack of small, leather bound books nearby and extending it to him. “Go on.” He took it. “Now what?” “Smell it.” He tilted his head. She couldn’t help but smile. “Do it.” He lifted it to his nose. Inhaled. “Not like that,” she said. “Really give it a smell.” He raised one brow but did as he was told. “What do you smell?” Sophie asked. “Leather and ink?” She shook her head. “Happiness. That’s what books smells like. Happiness. That’s why I always wanted to have a book shop. What better life than to trade in happiness?
Sarah MacLean (The Rogue Not Taken (Scandal & Scoundrel, #1))
Yes, we know you are a graduate with PhD. But when was the last time you chase after a book shop to buy and read a book at your own volition to obtain an information for your self-development? Knowledge doesn't chase people; people chase knowledge and information.
Israelmore Ayivor
I called in sick to work, and my employer called in hospital to me. We decided to meet in the middle, at my favorite coffee shop.
Jarod Kintz (This Book is Not for Sale)
I carried the trace of her lips, of her breath on my skin through streets full of faceless people escaping from offices and shops.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
Some people buried their fears in food, she knew, and some in booze, and some in planning elaborate engagements and weddings and other life events that took up every spare moment of their time, in case unpleasant thoughts intruded. But for Nina, whenever reality, or the grimmer side of reality, threatened to invade, she always turned to a book. Books had been her solace when she was sad; her friends when she was lonely. They had mended her heart when it was broken, and encouraged her to hope when she was down. Yet
Jenny Colgan (The Little Shop of Happy Ever After (Kirrinfief, #1))
Maya knows that her mother left her in Island Books. But maybe that’s what happens to all children at a certain age. Some children are left in shoe stores. And some children are left in toy stores. And some children are left in sandwich shops. And your whole life is determined by what store you get left in. She does not want to live in the sandwich shop.
Gabrielle Zevin (The Storied Life of A.J. Fikry)
Anything that spreads books and brings about more books, I would say it is good. Good medicine, not bad.
Jenny Colgan (The Little Shop of Happy Ever After)
Caught in the doldrums of August we may have regretted the departing summer, having sighed over the vanished strawberries and all that they signified. Now, however, we look forward almost eagerly to winter's approach. We forget the fogs, the slush, the sore throats an the price of coal, we think only of long evenings by lamplight, of the books which we are really going to read this time, of the bright shop windows and the keen edge of the early frosts.
Denis Mackail (Greenery Street)
How are you coming with your home library? Do you need some good ammunition on why it's so important to read? The last time I checked the statistics...I think they indicated that only four percent of the adults in this country have bought a book within the past year. That's dangerous. It's extremely important that we keep ourselves in the top five or six percent. In one of the Monthly Letters from the Royal Bank of Canada it was pointed out that reading good books is not something to be indulged in as a luxury. It is a necessity for anyone who intends to give his life and work a touch of quality. The most real wealth is not what we put into our piggy banks but what we develop in our heads. Books instruct us without anger, threats and harsh discipline. They do not sneer at our ignorance or grumble at our mistakes. They ask only that we spend some time in the company of greatness so that we may absorb some of its attributes. You do not read a book for the book's sake, but for your own. You may read because in your high-pressure life, studded with problems and emergencies, you need periods of relief and yet recognize that peace of mind does not mean numbness of mind. You may read because you never had an opportunity to go to college, and books give you a chance to get something you missed. You may read because your job is routine, and books give you a feeling of depth in life. You may read because you did go to college. You may read because you see social, economic and philosophical problems which need solution, and you believe that the best thinking of all past ages may be useful in your age, too. You may read because you are tired of the shallowness of contemporary life, bored by the current conversational commonplaces, and wearied of shop talk and gossip about people. Whatever your dominant personal reason, you will find that reading gives knowledge, creative power, satisfaction and relaxation. It cultivates your mind by calling its faculties into exercise. Books are a source of pleasure - the purest and the most lasting. They enhance your sensation of the interestingness of life. Reading them is not a violent pleasure like the gross enjoyment of an uncultivated mind, but a subtle delight. Reading dispels prejudices which hem our minds within narrow spaces. One of the things that will surprise you as you read good books from all over the world and from all times of man is that human nature is much the same today as it has been ever since writing began to tell us about it. Some people act as if it were demeaning to their manhood to wish to be well-read but you can no more be a healthy person mentally without reading substantial books than you can be a vigorous person physically without eating solid food. Books should be chosen, not for their freedom from evil, but for their possession of good. Dr. Johnson said: "Whilst you stand deliberating which book your son shall read first, another boy has read both.
Earl Nightingale
She didn’t really know anything about running a shop or magic or jam… But I do know books - and that meant there was nothing she couldn’t know, eventually. That was magic in and of itself.
Sarah Beth Durst (The Spellshop (Spellshop, #1))
It's time to shop high heels if your fiance kisses you on the forehead.
Amit Kalantri (Wealth of Words)
Why are there so many people out here?' Boomer asked as we bobbed and weaved roughly forward. 'Christmas shopping.' I explained. 'Already? Isn't it early to returning things?' I really had no sense of how his mind worked.
David Levithan (Dash & Lily's Book of Dares (Dash & Lily, #1))
If a painting really works down in your heart and changes the way you see, and think, and feel, you don't think, 'oh, I love this picture because it's universal.' 'I love this painting because it speaks to all mankind.' That's not the reason anyone loves a piece of art. It's a secret whisper from an alleyway. Psst, you. Hey kid. Yes, you. ... You see one painting, I see another, the art book puts it at another remove still, the lady buying the greeting card at the museum gift shop sees something else entirely, an that's not even to mention the people separated from us by time -four hundred years before us, four hundred years after we're gone- it'll never strike anybody the same way and the great majority of people it'll never strike in any deep way at all but- a really great painting is fluid enough to work its way into the mind and heart through all kinds of different angles, in ways that are unique and very particular. Yours, yours. I was painted for you.
Donna Tartt (The Goldfinch)
Those who spend the greater part of their time in reading or writing books are, of course, apt to take rather particular notice of accumulations of books when they come across them. They will not pass a stall, a shop, or even a bedroom-shelf without reading some title, and if they find themselves in an unfamiliar library, no host need trouble himself further about their entertainment. The putting of dispersed sets of volumes together, or the turning right way up of those which the dusting housemaid has left in an apoplectic condition, appeals to them as one of the lesser Works of Mercy. Happy in these employments, and in occasionally opening an eighteenth-century octavo, to see 'what it is all about,' and to conclude after five minutes that it deserves the seclusion it now enjoys, I had reached the middle of a wet August afternoon at Betton Court... -the beginning of the story "A Neighbor's Landmark
M.R. James (A Warning to the Curious: Ghost Stories)
Inside, it was clear that the books owned the shop rather than the other way about. Everywhere they had run wild and taken possession of their habitat, breeding and multiplying and clearly lacking any strong hand to keep them down.
Agatha Christie (The Clocks (Hercule Poirot, #39))
My fiftieth year had come and gone, I sat, a solitary man, In a crowded London shop, An open book and empty cup On the marble table-top. While on the shop and street I gazed My body of a sudden blazed; And twenty minutes more or less It seemed, so great my happiness, That I was blessed and could bless.
W.B. Yeats (The Collected Poems of W.B. Yeats)
I’m not a consumer, because consumers are consumed with shopping. No, I prefer shoplifting.
Jarod Kintz (This Book is Not for Sale)
Dostoyevsky was her brother, Victorian children's books her passion and though she lived, when in funds, mainly on avocado pears, she took her bath each night with a different cookery book.
Eva Ibbotson (A Glove Shop in Vienna and Other Stories)
Business cards, of course, are not proof of anything. Anyone can go to a print shop and have cards made that say anything they like. The king of Denmark can order business cards that say he sells golf balls. Your dentist can order business cards that say she is your grandmother. In order to escape from the castle of an enemy of mine, I once had cards printed that said I was an admiral in the French navy. Just because something is typed - whether it is typed on a business card or typed in a newspaper or book - this does not mean it is true.
Lemony Snicket (The Wide Window (A Series of Unfortunate Events, #3))
Another Kilgore Trout book there in the window was about a man who built a time machine so he could go back and see Jesus. It worked, and he saw Jesus when Jesus was only twelve years old. Jesus was learning the carpentry trade from his father. Two Roman soldiers came into the shop with a mechanical drawing on papyrus of a device they wanted built by sunrise the next morning. It was a cross to be used in the execution of a rabble-rouser. Jesus and his father built it. They were glad to have the work. And the rabble-rouser was executed on it. So it goes.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Cities have often been compared to language: you can read a city, it’s said, as you read a book. But the metaphor can be inverted. The journeys we make during the reading of a book trace out, in some way, the private spaces we inhabit. There are texts that will always be our dead-end streets; fragments that will be bridges; words that will be like the scaffolding that protects fragile constructions. T.S. Eliot: a plant growing in the debris of a ruined building; Salvador Novo: a tree-lined street transformed into an expressway; Tomas Segovia: a boulevard, a breath of air; Roberto Bolano: a rooftop terrace; Isabel Allende: a (magically real) shopping mall; Gilles Deleuze: a summit; and Jacques Derrida: a pothole. Robert Walser: a chink in the wall, for looking through to the other side; Charles Baudelaire: a waiting room; Hannah Arendt: a tower, an Archimedean point; Martin Heidegger: a cul-de-sac; Walter Benjamin: a one-way street walked down against the flow.
Valeria Luiselli
There are people who think contraception is immoral because the object of copulation is procreation. In a similar way there are people who think the only reason to read a book is to write a book; people should call up books from the dust and the dark and write thousands of words to be sent down to the dust and the dark which can be called up so that other people can send further thousands of words to join them in the dust and the dark. Sometimes a book can be called from the dust and the dark to produce a book which can be bought in shops, and perhaps it is interesting, but the people who buy it and read it because it is interesting are not serious people, if they were serious they would not care about the interest they would be writing thousands of words to consign to the dust and the dark. There are people who think death a fate worse than boredom.
Helen DeWitt (The Last Samurai)
Armies aren’t very good about carrying libraries with them. I can’t imagine why. We’d fight so much less if everyone would just sit down and read.” Gifford’s laugh rumbled through him, loud against her ear. “A question I often ask myself. Imagine how much money the realm would save if the rulers focused their finances on libraries, rather than wars.” “Not if I were allowed to shop for books.” “England would go bankrupt,” he said gravely. “Thank God for wars.
Cynthia Hand (My Lady Jane (The Lady Janies, #1))
What’s this?” “It’s a napkin used by the saddest girl in the world to dry her tears.” “Let me guess. Sylvia Plath?” “No, no one famous. But we knew about her. She gave off so much resonance, it turned our entire map black for one city block.” “And she was no one special?” “You wouldn’t recognise her name if I told it to you.” “So just an everyday, normal person carrying their shopping, reading books at night and going for drinks occasionally with her friends, just some person, that’s the saddest girl in the world?” “Yes. Just a regular person.
Iain S. Thomas
Visiting any shop for the first time is exciting. There's always that buzz as you push open the door; that hope; that belief - that this is going to be the shop of all shops, which will bring you everything you ever wanted, at magically low prices.
Sophie Kinsella (Shopaholic Takes Manhattan (Shopaholic, #2))
Everyday, you get home from the shops with a bag of cat food and bin-liners and realise that, yet again, you failed to have cosmetic surgery, book a cheap weekend in Paris, change your name to something more glamorous, buy the fifth series of The Sopranos, divorce your spouse, sell up and move to Devon, or adopt a child from Guatemala.
Lynne Truss (Talk to the Hand: The Utter Bloody Rudeness of the World Today, or Six Good Reasons to Stay Home and Bolt the Door)
What shop did this book come from? she asked. Her father was looking worried at the cooker. He always got rice wrong. I don't know, Brooksie, he said, I don't remember. That was unimaginable, not remembering where a book has come from! and where it was bought from! That was part of the whole history, the whole point, of any book that you owned! And when you picked it up later in the house at home, you knew, you just knew by looking and having it in your hand, where it came from and where you got it and when and why you'd decided to buy it.
Ali Smith (There But For The)
I guessed she must be, at most, twenty, but there was something about her manner that made me think she could be ageless. She seemed trapped in that state of perpetual youth reserved for mannequins in shop windows.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
Old lady, if I die I'd like you to do one small thing for me. I want you to build a one-hundred-acre museum dedicated to my memory. Bronze my clothing and possessions. Have at least three hundred marble statues erected of me in my most dashing poses. One of these statues should stand one hundred feet tall and greet ships as they float down the Hudson River. One of the fourteen wings of the museum should have an amusement park with the world's fastest roller coaster inside. None of these rides should be equipped with safety devices. You can license some of the space to fast-food restaurants and ice-cream parlors but nothing should be healthy or nutritious. The gift shop should sell stuffed Puck dolls packed with broken glass and asbestos. There's a more detailed list in my room." Puck saidduble
Michael Buckley (Sisters Grimm Books 1, 2, and 3 Three-Pack (The Sisters Grimm, #1-3))
Having had virtually no contact with the outside world for the last few weeks, Evan had temporarily forgotten the social norms governing shopping conduct or approaching celebrities in public.
Zack Love (Sex in the Title: A Comedy about Dating, Sex, and Romance in NYC (Back When Phones Weren't So Smart))
At 10.15 a.m. a woman walked in and roared, ‘I am in my element! Books!’, then continued to shout questions at me for an hour while she waddled about the shop like a ‘stately goose’, as Gogol describes Sobakevich’s wife in Dead Souls. Predictably, she didn’t buy anything.
Shaun Bythell (The Diary of a Bookseller (The Bookseller Series by Shaun Bythell Book 1))
You can wander around these outlet shops for hours, accumulating clothing and accessories until your credit cards melt down. But you will not find one single shop that sells anything for the mind or the soul. There are no books. There is no music. There is no art. There is no poetry. The outlets are a spiritual wasteland.
Lou Marinoff (The Power of Tao: A Timeless Guide to Happiness and Harmony)
When you were making excuses someone else was making enterprise.
Amit Kalantri (Wealth of Words)
The only criterion I have is that the books must look clean, which means that I have to disregard a lot of potential reading material in the charity shop. I don't use the library for the same reason, althought obviously, in principle and reality, libraries are life-enhancing palaces of wonder.
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
Yet it is the masculine values that prevail. Speaking crudely, football and sport are ‘important’; the worship of fashion, the buying of clothes ‘trivial’. And these values are inevitably transferred from life to fiction. This is an important book, the critic assumes, because it deals with war. This is an insignificant book because it deals with the feelings of women in a drawing-room. A scene in a battle-field is more important than a scene in a shop — everywhere and much more subtly the difference of value persists.
Virginia Woolf
If you’re looking for lollipops and rainbows while you shop for the latest best seller, you best not come to me. I won’t chat you up and tell you how cute your kid is. I won’t smile and flirt. I won’t stroke your ego about the jewelry you are wearing or the shirt you have on. I will help you find what you need. I will recommend books and hell I even talk about what I liked about one book over another but all that other shit is just not my thing.
J.L. Mac (Wreck Me (Wrecked, #1))
The fire? It has been alive as long as I have. We talk and think together all night long. It’s like a book to me – the only book I ever learned to read; and many an old story it tells me. It’s music, for I should know its voice among a thousand, and there are other voices in its roar. It has its pictures too. You don’t know how many strange faces and different scenes I trace in the red-hot coals. It’s my memory, that fire, and shows me all my life.
Charles Dickens (The Old Curiosity Shop)
England once there lived a big And wonderfully clever pig. To everybody it was plain That Piggy had a massive brain. He worked out sums inside his head, There was no book he hadn't read. He knew what made an airplane fly, He knew how engines worked and why. He knew all this, but in the end One question drove him round the bend: He simply couldn't puzzle out What LIFE was really all about. What was the reason for his birth? Why was he placed upon this earth? His giant brain went round and round. Alas, no answer could be found. Till suddenly one wondrous night. All in a flash he saw the light. He jumped up like a ballet dancer And yelled, "By gum, I've got the answer!" "They want my bacon slice by slice "To sell at a tremendous price! "They want my tender juicy chops "To put in all the butcher's shops! "They want my pork to make a roast "And that's the part'll cost the most! "They want my sausages in strings! "They even want my chitterlings! "The butcher's shop! The carving knife! "That is the reason for my life!" Such thoughts as these are not designed To give a pig great piece of mind. Next morning, in comes Farmer Bland, A pail of pigswill in his hand, And piggy with a mighty roar, Bashes the farmer to the floor… Now comes the rather grizzly bit So let's not make too much of it, Except that you must understand That Piggy did eat Farmer Bland, He ate him up from head to toe, Chewing the pieces nice and slow. It took an hour to reach the feet, Because there was so much to eat, And when he finished, Pig, of course, Felt absolutely no remorse. Slowly he scratched his brainy head And with a little smile he said, "I had a fairly powerful hunch "That he might have me for his lunch. "And so, because I feared the worst, "I thought I'd better eat him first.
Roald Dahl
Melrose was so concerned that the [book]shop might close for lack of business, that he had suggested he would like to invest in it or even become a silent partner. "You see, books have always been a hobby of mine." Books had never been a hobby; they were a necessity.
Martha Grimes (Vertigo 42 (Richard Jury, #23))
People and their dwellings were such a thin dust on the surface of the globe, like invisible specks of bacteria on an orange, and the feeble lights of kebab shops and supermarkets failed utterly to register on the infinities of space above.
Michel Faber (The Book of Strange New Things)
The books in her shop weren’t merely things. They were gifts wrapped in imagination, inspiration, excite ment, pain, and heartache. Gifts given by thousands of writers. Gifts just waiting to be opened.
Ellery Adams (The Secret, Book & Scone Society (Secret, Book, & Scone Society, #1))
In the middle of a novel, a kind of magical thinking takes over. To clarify, the middle of the novel may not happen in the actual geographical centre of the novel. By middle of the novel I mean whatever page you are on when you stop being part of your household and your family and your partner and children and food shopping and dog feeding and reading the post—I mean when there is nothing in the world except your book, and even as your wife tells you she’s sleeping with your brother her face is a gigantic semi-colon, her arms are parentheses and you are wondering whether rummage is a better verb than rifle. The middle of a novel is a state of mind. Strange things happen in it. Time collapses.
Zadie Smith
As Harry Potter was the only other thing I was passionate about, the doctors gave consent for me to leave the hospital and collect the fifth Harry Potter book, Harry Potter and the Order of the Phoenix, from the local book shop. I was so ecstatic to have the book and excited to begin reading it, but there was never any hint of your imminent arrival and the way you would change my life so drastically. Luna, you instantly captivated me. I didn’t know why but there was something about you with your upside-down magazine, straggly blonde hair, and the honest, abashed way you stared at people without blinking that fascinated and perplexed me at once. You laughed hysterically at one of Ron’s quips and didn’t stop to excuse yourself and feel ashamed when it became clear that everyone found you strange. Throughout the book, I found myself waiting for your brief appearances and wanting to know more about you and why you were the way you were. You baffled me, not because you were odd (though indeed you were), but because you were… perfect. But it was a different kind of perfect to the perfectly thin, smiling magazine girls I simultaneously idolised and reviled. It was the way you carried your oddness like it was the most natural thing in the world. You didn’t market your oddness as your defining feature the way some insecure teenagers do, in guise of confidence and security. And nor were you oblivious to the awkward and uncomfortable feelings your oddness provoked in others. When, unable to comprehend how you wore your oddness so honestly and unashamedly, your peers reverted to mockery and bullying, you recognized this as a reflection of their own deep-seated insecurity and calmly let them carry on, quite above your head. You weren’t trying hard to present a certain aspect of yourself that would boldly identify you in the world. And that’s when it occurred to me how bizarre and positively ridiculous it was to apply the word “weird” to describe you, when you represented the most natural and unpretentious state possible to be; you were yourself.
Evanna Lynch
In the shop I have a quotation from Erasmus painted on a wall which reads ‘Whenever I have money I buy books. Whatever is left I spend on food and clothes.
Shaun Bythell (Confessions of a Bookseller)
My husband claims I have an unhealthy obsession with secondhand bookshops. That I spend too much time daydreaming altogether. But either you intrinsically understand the attraction of searching for hidden treasure amongst rows of dusty shelves or you don't; it's a passion, bordering on a spiritual illness, which cannot be explained to the unaffected. True, they're not for the faint of heart. Wild and chaotic, capricious and frustrating, there are certain physical laws that govern secondhand bookstores and like gravity, they're pretty much nonnegotiable. Paperback editions of D. H. Lawrence must constitute no less than 55 percent of all stock in any shop. Natural law also dictates that the remaining 45 percent consist of at least two shelves worth of literary criticism on Paradise Lost and there should always be an entire room in the basement devoted to military history which, by sheer coincidence, will be haunted by a man in his seventies. (Personal studies prove it's the same man. No matter how quickly you move from one bookshop to the next, he's always there. He's forgotten something about the war that no book can contain, but like a figure in Greek mythology, is doomed to spend his days wandering from basement room to basement room, searching through memoirs of the best/worst days of his life.) Modern booksellers can't really compare with these eccentric charms. They keep regular hours, have central heating, and are staffed by freshly scrubbed young people in black T-shirts. They're devoid of both basement rooms and fallen Greek heroes in smelly tweeds. You'll find no dogs or cats curled up next to ancient space heathers like familiars nor the intoxicating smell of mold and mildew that could emanate equally from the unevenly stacked volumes or from the owner himself. People visit Waterstone's and leave. But secondhand bookshops have pilgrims. The words out of print are a call to arms for those who seek a Holy Grail made of paper and ink.
Kathleen Tessaro (Elegance)
This is what books only aimed to do and never could. Give you the glint of someone else's sunrise, what living is really like, you get old and it hurts to bend your elbow; your friends start to die, you can’t get fresh fruit in the shops.
Geoff Ryman (Paradise Tales: and Other Stories)
I once expected to spend seven years walking around the world on foot. I walked from Mexico to Panama where the road ended before an almost uninhabited swamp called the Choco Colombiano. Even today there is no road. Perhaps it is time for me to resume my wanderings where I left off as a tropical tramp in the slums of Panama. Perhaps like Ambrose Bierce who disappeared in the desert of Sonora I may also disappear. But after being in all mankind it is hard to come to terms with oblivion - not to see hundreds of millions of Chinese with college diplomas come aboard the locomotive of history - not to know if someone has solved the riddle of the universe that baffled Einstein in his futile efforts to make space, time, gravitation and electromagnetism fall into place in a unified field theory - never to experience democracy replacing plutocracy in the military-industrial complex that rules America - never to witness the day foreseen by Tennyson 'when the war-drums no longer and the battle-flags are furled, in the parliament of man, the federation of the world.' I may disappear leaving behind me no worldly possessions - just a few old socks and love letters, and my windows overlooking Notre-Dame for all of you to enjoy, and my little rag and bone shop of the heart whose motto is 'Be not inhospitable to strangers lest they be angels in disguise.' I may disappear leaving no forwarding address, but for all you know I may still be walking among you on my vagabond journey around the world." [Shakespeare & Company, archived statement]
George Whitman
There were adventure stories supplied with cloths for mopping your brow, thrillers containing pressed leaves of soothing valerian to be sniffed when the suspense became too great, and books with stout locks sealed by the Atlantean censorship authorities ("Sale permitted, reading prohibited!"). One shop sold nothing but 'half' works that broke off in the middle because their author had died while writing them; another specialised in novels whose protagonists were insects. I also saw a Wolperting shop that sold nothing but books on chess and another patronised exclusively by dwarfs with blond beards, all of whom wore eye-shades.
Walter Moers (The City of Dreaming Books (Zamonia, #4))
From almost nothing, France in four years built up an aircraft industry that employed nearly 200,000 people and produced some 70,000 planes. Britain built 55,000 planes, Germany 48,000, and Italy 20,000 – quite an advance bearing in mind that only a few years earlier the entire world aviation industry consisted of two brothers in a bicycle shop in Ohio.
Bill Bryson (One Summer: America 1927 (Bryson Book 2))
If your memory was OK you could descend upon on a bookshop – a big enough one so that the staff wouldn’t hassle a browser – and steal the contents of books by reading them. I drank down 1984 while loitering in the 'O' section of the giant Heffers store in Cambridge. When I was full I carried the slopping vessel of my attention carefully out of the shop.
Francis Spufford (The Child That Books Built: A Life in Reading)
A woman spent about ten minutes looking around the shop, then told me that she was a retired librarian. I suspect she thought that this was some sort of a bond between us. Not so. On the whole, booksellers dislike librarians. To realise a good price for a book, it has to be in decent condition, and there is nothing librarians like more than taking a perfectly good book and covering it with stamps and stickers before – and with no sense of irony – putting a plastic sleeve over the dust jacket to protect it from the public. The final ignominy for a book that has been in the dubious care of a public library is for the front free endpaper to be ripped out and a ‘DISCARD’ stamp whacked firmly onto the title page, before it is finally made available for members of the public to buy in a sale. The value of a book that has been through the library system is usually less than a quarter of one that has not.
Shaun Bythell (The Diary of a Bookseller (Diary of a Bookseller, #1))
Sometimes even now I think I see him in the street or standing in a window or bent over a book in a coffee shop. And in that instant, before I understand that it's someone else, my lungs tighten and I lose my breath.
Siri Hustvedt (The Blindfold)
His goal (Bezos's)was not just to make browsing for books easy, but an enjoyable experience. “People don’t just buy books because they need books,” he has said. “There are products like that. Pharmaceuticals are that way. Nobody enjoys browsing the Preparation H counter. But people will gladly spend hours in a bookstore, so you have to make the shopping experience fun and engaging.
Richard L. Brandt (One Click: Jeff Bezos and the Rise of Amazon.com)
My cousins made fun of me for my city ways. I did not like going barefoot. I read books and I had a different accent and used slang expressions from Mingora. My clothes were often from shops and not homemade like theirs.
Malala Yousafzai (I Am Malala: The Story of the Girl Who Stood Up for Education and Was Shot by the Taliban)
Those who spend the greater part of their time in reading or writing books are, of course, apt to take rather particular notice of accumulations of books when they come across them. They will not pass a stall, a shop, or even a bedroom-shelf without reading some title, and if they find themselves in an unfamiliar library, no host need trouble himself further about their entertainment.
M.R. James
How strange it was to be inside a machine again! All his life he’d been inside machines, whether he realised it or not. Modern houses were machines. Shopping centres were machines. Schools. Cars. Trains. Cities. They were all sophisticated technological constructs, wired up with lights and motors. You switched them on, and didn’t spare them a thought while they pampered you with unnatural services.
Michel Faber (The Book of Strange New Things)
Srinagar is a medieval city dying in a modern war. It is empty streets, locked shops, angry soldiers and boys with stones. It is several thousand military bunkers, four golf courses, and three book-shops. It is wily politicians repeating their lies about war and peace to television cameras and small crowds gathered by the promise of an elusive job or a daily fee of a few hundred rupees. It is stopping at sidewalks and traffic lights when the convoys of rulers and their patrons in armored cars, secured by machine guns, rumble on broken roads. It is staring back or looking away, resigned. Srinagar is never winning and never being defeated.
Basharat Peer (Curfewed Night)
Those that spend the greater part of their time in reading or writing books are, of course, apt to take rather particular notice of accumulations of books when they come across them. They will not pass a stall, a shop, or even a bedroom-shelf without reading some title, and if they find themselves in an unfamiliar library, no host need trouble himself further about their entertainment. The putting of dispersed sets of volumes together, or the turning right way up of those which the dusting housemaid has left in an apoplectic condition, appeals to them as one of the lesser Works of Mercy.
M.R. James (Collected Ghost Stories)
But really it says everything that’s wrong about the publishing industry, that a quarter of a million people bought and read a sex and shopping novel that wasn’t even written by one of those footballer girlfriends, and yet most of the shortlisted titles on the Orange Prize, which is an award for women writers, don’t even sell ten thousand copies. It’s just not right.
Sarra Manning (You Don't Have to Say You Love Me)
Roya leaned against the shelves lined with books as Bahman talked, her back digging into the spines of poetry and politics. If he went on too long about representation and taxes and trade, she simply focused on his eyes, lost, but in the best of ways.
Marjan Kamali (The Stationery Shop)
I firmly believe that writers must take full accountability for their careers. It’s a business, and part of business is marketing. You wouldn’t slap an OPEN sign on the window of your new barber shop, go home, and wait for the money to start rolling in.
Alistair Cross
one cup of it took the place of the evening papers, of all the old evenings in cafés, of all chestnut trees that would be in bloom now in this month, of the great slow horses of the outer boulevards, of book shops, of kiosques, and of galleries, of the Parc Montsouris, of the Stade Buffalo, and of the Butte Chaumont, of the Guaranty Trust Company and the Ile de la Cité, of Foyot’s old hotel, and of being able to read and relax in the evening; of all the things he had enjoyed and forgotten and that came back to him when he tasted that opaque, bitter, tongue-numbing, brain-warming, stomach-warming, idea-changing liquid alchemy.
Ernest Hemingway (For Whom the Bell Tolls)
I loved Twitter: an open, rhizomatic forum where you could aggravate existing mental illnesses, shop for new ones, violate your Miranda rights, and get fired. A place to be judged on the character of your content, driven by rubbernecking and spite, where fame is a millstone and names are bad op-sec. Twitter was the right word for it, birdsong being a Darwinian squall mistaken for idle chatter, screaming for territory and mates. An improv class, press conference, intervention, Klan rally, comics convention, and struggle session all booked in the same conference room.
Tony Tulathimutte (Rejection)
Beautiful!” she would murmur, nudging Septimus, that he might see. But beauty was behind a pane of glass. Even taste (Rezia liked ices, chocolates, sweet things) had no relish to him. He put down his cup on the little marble table. He looked at people outside; happy they seemed, collecting in the middle of the street, shouting, laughing, squabbling over nothing. But he could not taste, he could not feel. In the tea-shop among the tables and the chattering waiters the appalling fear came over him—he could not feel. He could reason; he could read, Dante for example, quite easily (“Septimus, do put down your book,” said Rezia, gently shutting the Inferno), he could add up his bill; his brain was perfect; it must be the fault of the world then—that he could not feel.
Virginia Woolf (Mrs. Dalloway)
But the central branch of the Enoch Pratt Free Library was still a place of wonders to Tess, even if the book budget had been slashed and the hours cut. Her parents had made a lot of mistakes, a fact Tess compulsively shared on first dates, but she gave them credit for doing one thing right: Starting when she was eight, they gave her a library card and dropped her off at the downtown Pratt every Saturday while they shopped. Twenty-one years later, Tess still entered through the children's entrance on the side, pausing to toss a penny in the algae-coated fish pond, then climbing the stairs to the main hall. If she could be married here, she would.
Laura Lippman (Baltimore Blues (Tess Monaghan, #1))
Academic masochism reflects a metaphysical prejudice that the truth should be a hard-won treasure, that what is read or learnt easily must therefore be flighty and inconsequential. The truth should be like a mount to be scaled, it is dangerous, obscure and demanding. Under the light of the library reading room, the academics' motto reads: the more a text makes me suffer, the truer it must be.
Alain de Botton (The Romantic Movement: Sex, Shopping, and the Novel)
My dreams have wings. But not soaring eagle wings, more like the wings of a butterfly—colorful and easily ripped off. The last time my dreams got ripped off was when I shopped at Walmart, the place where freedom soars like a caterpillar under the foot of oppression.
Jarod Kintz (This Book is Not for Sale)
I stepped inside and stopped, blinking in astonishment. From the exterior I'd expected a charming little book and curio shop with the inner dimensions of a university Starbucks. What I got was a cavernous interior that housed a display of books that made the library Disney's Beast gave to Beauty on their wedding day look understocked.
Karen Marie Moning (Darkfever (Fever, #1))
Yes Please is an attempt to present an open scrapbook that includes a sense of what I am thinking and feeling right now. But mostly, let’s call this book what it really is: an obvious money grab to support my notorious online shopping addiction. I have already spent the advance on fancy washcloths from Amazon, so I need this book to really sell a lot of copies or else I am in trouble. Chop-chop, people.
Amy Poehler (Yes Please)
My mom . . . she told me once that the hardest part about being a parent is that you never know when it’s going to be the last time you do something for your child. The last time you will wash their hair. Fix their lunch for school. Help them tie their shoes. It’s true as a child, too, though. When you watch your parent die. No one tells you this, warns you. That you need to hang on to every detail because it could be the last time you go to a movie together or go shopping together.
Lyssa Kay Adams (Crazy Stupid Bromance (Bromance Book Club, #3))
You know,” I tease, “you still haven’t told me why you’re here. You were…passing by? Wanted to brag about getting a week off from school?” “Oh. Uh, right.” Josh sort of laughs and glances out my window. “I was just wondering if you wanted to go out.” Holy. Shit. “I’m on my way to Album,” he continues, referring to a nearby comics shop. “Since we were talking about that new Sfar earlier, I thought if you weren’t busy, you might want to come along.” …Oh. My heart beats like a cracked-out drummer. Josh, don’t do that to a lady. I’m still clutching the book about the shipwreck, so I set it down to wipe my sweaty palms. “Sure".
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
But the modern Pharisees don’t see it that way. Instead, these critics put on their $100 blue jeans, leave their nice homes, drive their SUVs to the trendy coffee shop down the street, pull out their $1,000 MacBooks, sip their $8 coffees, and type blog posts about how wealth is evil.
Dave Ramsey (The Legacy Journey: A Radical View of Biblical Wealth and Generosity)
The truth is that wherever you go, people want ideas, want language, want discussion, want space to share and to talk. The Web is great but there is nothing better than people in a room together. I used to be a bit dubious about all these literary festivals happening all the time, but this last visit to Sydney has convinced me of how important, and necessary they are. There is a collective hunger for real things – a kind of self-administered antidote to consumerism and spin. Yes, people spend money, buy books, but it is not about redundant marketing or pointless shopping; it is about really choosing instead of being fed the lie of choice.
Jeanette Winterson
In residency, I studied in a bookstore’s coffee shop, which was where a clutch of women gathered monthly for book club. They would set their library books and blueberry scones on the table. I started eavesdropping and realized that the books they read were just an excuse to talk about their own lives. Every character, every broken heart, every twist of fate inspired a story about an unruly mother-in-law, a philandering father, or the cousin who came out to his unforgiving parents. Sometimes it sounded more like a therapy session than a book discussion. I could never join a book club.
Nadia Hashimi (Sparks Like Stars)
To feel everything in every way; to be able to think with the emotions and feel with the mind; not to desire much except with the imagination; to suffer with haughtiness; to see clearly so as to write accurately; to know oneself through diplomacy and dissimulation; to become naturalized as a different person, with all the necessary documents; in short, to use all sensations but only on the inside, peeling them all down to God and then wrapping everything up again and putting it back in the shop window like the sales assistant I can see from here with the small tins of a new brand of shoe polish.
Fernando Pessoa (The Book of Disquiet)
Sometimes the books were arranged under signs, but sometimes they were just anywhere and everywhere. After I understood people better, I realized that this incredible disorder was one of the things that they loved about Pembroke Books. They did not come there just to buy a book, plunk down some cash and scram. They hung around. They called it browsing, but it was more like excavation or mining. I was surprised they didn't come in with shovels. They dug for treasures with bare hands, up to their armpits sometimes, and when they hauled some literary nugget from a mound of dross, they were much happier than if they had just walked in and bought it. In that way, shopping at Pembroke was like reading: you never knew what you might encounter on the next page -- the next shelf, stack, or box --and that was part of the pleasure of it.
Sam Savage (Firmin)
Eli was entranced. Her servant. Spellbound. He considered begging her to let him touch her. To let him go down on her in the hallway. He would go grocery shopping and make her dinner off a YouTube recipe of her choice. He'd wash her car, read her a book, sit here outside her door and just make sure she was safe and protected. They could hold hands all night. They could play Scrabble.
Ali Hazelwood (Not in Love (Not in Love, #1))
There's so much more to life than finding someone who will want you, or being sad over someone who doesn't. There's a lot of time to be spent discovering yourself without hoping someone will fall in love with you along the way, and it doesn't need to be painful or empty. You need to fill yourself up with love. Not anyone else. Become a whole new being on your own. Go on adventures, fall asleep in the woods with your friends, wander around the city at night, sit in a coffee shop on your own, write on bathroom stalls, leave notes in library books, dress up for yourself, give to others, smile a lot. Do all things with love but don't romanticize life like you can't survive without it. Live for yourself and be happy on your own. It isn't any less beautiful, I promise.
Emery Allen
Some bookstores are organized, more gallery than shop. Some are sterile, reserved for only the new and untouched. But not this one. This shop is a labyrinth of stacks and shelves, texts stacked two, even three deep, leather beside paper beside board. Her favorite kind of store, one that’s easy to get lost in.
Victoria Schwab (The Invisible Life of Addie LaRue)
I love storms. They make life so much simpler. You stay inside with the fire going. You read books, you watch the snow fall. You eat simple meals and go to bed early. No shopping. No strangers. No work. We always lose signal, so no phones or television. It's good for you. Cleans your brain out. Helps you reset.
Lily Gold (Three Swedish Mountain Men)
Near him were two men in hip-hop uniform, spotless footwear and new baggy jeans and tilted Yankees caps. Shopping for blue jeans at Macy’s, Dismas had discovered that hip-hop labels were as expensive as, if not more expensive than some of the high-end names he coveted. Functional clothing designed to absorb sweat and repel mud cost as much as designer eveningwear. Phat Farm, Armani, same difference.
Jeet Thayil (The Book of Chocolate Saints)
My mama wore pajamas to the grocery store. She smashed a bunch of eggs on the grocery floor. One dozen, two dozen, four dozen, six. She dumped a bunch of jelly jars into the mix. Grape jelly, apricot, don’t forget cherry. Orange marmalade and wild strawberry. A man walked by and fell in the glop. He slid next door to the barber shop. His icky-sticky body got covered in hair. He tore a hole in his under—
Louis Sachar (The Wayside School 4-Book Collection: Sideways Stories from Wayside School, Wayside School Is Falling Down, Wayside School Gets a Little Stranger, Wayside School Beneath the Cloud of Doom)
The chief causes of the environmental destruction that faces us today are not biological, or the product of individual human choice. They are social and historical, rooted in the productive relations, technological imperatives, and historically conditioned demographic trends that characterize the dominant social system. Hence, what is ignored or downplayed in most proposals to remedy the environmental crisis is the most critical challenge of all: the need to transform the major social bases of environmental degradation, and not simply to tinker with its minor technical bases. As long as prevailing social relations remain unquestioned, those who are concerned about what is happening are left with few visible avenues for environmental action other than purely personal commitments to recycling and green shopping, socially untenable choices between jobs and the environment, or broad appeals to corporations, political policy-makers, and the scientific establishment--the very interests most responsible for the current ecological mess.
John Bellamy Foster (The Vulnerable Planet: A Short Economic History of the Environment (Cornerstone Books))
In her book, Robin implied that we hadn’t slept together, but I actually nailed her the first or second night when she came to my hotel. Instead she claimed that we strolled through the mall and played with puppies at pet shops for hours. Can you see me in a motherfucking mall, the heavyweight champ of the world? What the fuck am I doing in a mall?
Mike Tyson (Undisputed Truth)
The recipe for becoming a good novelist, for example is easy to give but to carry it out presupposes qualities one is accustomed to overlook when one says 'I do not have enough talent'. One has only to make a hundred or so sketches for novels, none longer than two pages but of such distinctness that every word in them is necessary; one should write down anecdotes each day until one has learned how to give them the most pregnant and effective form; one should be tireless in collecting and describing human types and characters; one should above all relate things to others and listen to others relate, keeping one's eyes and ears open for the effect produced on those present, one should travel like a landscape painter or costume designer; one should excerpt for oneself out of the individual sciences everything that will produce an artistic effect when it is well described, one should, finally, reflect on the motives of human actions, disdain no signpost to instruction about them and be a collector of these things by day and night. One should continue in this many-sided exercise some ten years: what is then created in the work­shop, however, will be fit to go out into the world. - What, however, do most people do? They begin, not with the parts, but with the whole. Per­haps they chance to strike a right note, excite attention and from then on strike worse and worse notes, for good, natural reasons.
Friedrich Nietzsche (Human, All Too Human: A Book for Free Spirits)
I thought. I thought of the slow yellow autumn in the swamp and the high honey sun of spring and the eternal silence of the marshes, and the shivering light on them, and the whisper of the spartina and sweet grass in the wind and the little liquid splashes of who-knew-what secret creatures entering that strange old place of blood-warm half earth, half water. I thought of the song of all the birds that I knew, and the soft singsong of the coffee-skinned women who sold their coiled sweet-grass baskets in the market and on Meeting Street. I thought of the glittering sun on the morning harbor and the spicy, somehow oriental smells from the dark old shops, and the rioting flowers everywhere, heavy tropical and exotic. I thought of the clop of horses' feet on cobblestones and the soft, sulking, wallowing surf of Sullivan's Island in August, and the countless small vistas of grace and charm wherever the eye fell; a garden door, a peeling old wall, an entire symmetrical world caught in a windowpane. Charlestone simply could not manage to offend the eye. I thought of the candy colors of the old houses in the sunset, and the dark secret churchyards with their tumbled stones, and the puresweet bells of Saint Michael's in the Sunday morning stillness. I thought of my tottering piles of books in the study at Belleau and the nights before the fire when my father told me of stars and butterflies and voyages, and the silver music of mathematics. I thought of hot, milky sweet coffee in the mornings, and the old kitchen around me, and Aurelia's gold smile and quick hands and eyes rich with love for me.
Anne Rivers Siddons (Colony)
But it is obvious that the values of women differ very often from the values which have been made by the other sex; naturally, this is so. Yet it is the masculine values that prevail. Speaking crudely, football and sport are ‘important’; the worship of fashion, the buying of clothes ‘trivial’. And these values are inevitably transferred from life to fiction. This is an important book, the critic assumes, because it deals with war. This is an insignificant book because it deals with the feelings of women in a drawing-room. A scene in a battle-field is more important than a scene in a shop — everywhere and much more subtly the difference of value persists.
Virginia Woolf (A Room of One's Own)
The goddess of sex that most men had fantasized about since their teenage years wasn’t to be found in some red-light district of town or in an illicit magazine but was actually standing right next to them at work, at the library, at the coffee shop. And they were too blind to see it!
Ray Smith (The Magnolia That Bloomed Unseen)
Hi there, cutie." Ash turned his head to find an extremely attractive college student by his side. With black curly hair, she was dressed in jeans and a tight green top that displayed her curves to perfection. "Hi." "You want to go inside for a drink? It's on me." Ash paused as he saw her past, present, and future simultaneously in his mind. Her name was Tracy Phillips. A political science major, she was going to end up at Harvard Med School and then be one of the leading researchers to help isolate a mutated genome that the human race didn't even know existed yet. The discovery of that genome would save the life of her youngest daughter and cause her daughter to go on to medical school herself. That daughter, with the help and guidance of her mother, would one day lobby for medical reforms that would change the way the medical world and governments treated health care. The two of them would shape generations of doctors and save thousands of lives by allowing people to have groundbreaking medical treatments that they wouldn't have otherwise been able to afford. And right now, all Tracy could think about was how cute his ass was in leather pants, and how much she'd like to peel them off him. In a few seconds, she'd head into the coffee shop and meet a waitress named Gina Torres. Gina's dream was to go to college herself to be a doctor and save the lives of the working poor who couldn't afford health care, but because of family problems she wasn't able to take classes this year. Still Gina would tell Tracy how she planned to go next year on a scholarship. Late tonight, after most of the college students were headed off, the two of them would be chatting about Gina's plans and dreams. And a month from now, Gina would be dead from a freak car accident that Tracy would see on the news. That one tragic event combined with the happenstance meeting tonight would lead Tracy to her destiny. In one instant, she'd realize how shallow her life had been, and she'd seek to change that and be more aware of the people around her and of their needs. Her youngest daughter would be named Gina Tory in honor of the Gina who was currently busy wiping down tables while she imagined a better life for everyone. So in effect, Gina would achieve her dream. By dying she'd save thousands of lives and she'd bring health care to those who couldn't afford it... The human race was an amazing thing. So few people ever realized just how many lives they inadvertently touched. How the right or wrong word spoken casually could empower or destroy another's life. If Ash were to accept Tracy's invitation for coffee, her destiny would be changed and she would end up working as a well-paid bank officer. She'd decide that marriage wasn't for her and go on to live her life with a partner and never have children. Everything would change. All the lives that would have been saved would be lost. And knowing the nuance of every word spoken and every gesture made was the heaviest of all the burdens Ash carried. Smiling gently, he shook his head. "Thanks for asking, but I have to head off. You have a good night." She gave him a hot once-over. "Okay, but if you change your mind, I'll be in here studying for the next few hours." Ash watched as she left him and entered the shop. She set her backpack down at a table and started unpacking her books. Sighing from exhaustion, Gina grabbed a glass of water and made her way over to her... And as he observed them through the painted glass, the two women struck up a conversation and set their destined futures into motion. His heart heavy, he glanced in the direction Cael had vanished and hated the future that awaited his friend. But it was Cael's destiny. His fate... "Imora thea mi savur," Ash whispered under his breath in Atlantean. God save me from love.
Sherrilyn Kenyon (Dark Side of the Moon (Dark-Hunter, #9; Were-Hunter, #3))
Bookstores, invariably, are a refuge. There's one in the town where they live, and the first time Lydia ventures in, it takes her breath away. She has to steady herself against a shelf. The smell of coffee and paper and ink. It's nothing like her little shop back home. It's stocked mostly with religious books, and instead of calendars and toys, they carry rosaries, Buddha figurines, yarmulkes. Still, the upright spines of the books are bedrock. Steady. There's an international poetry section. Hafiz. Heaney. Neruda. Lydia flips past the twenty love poems and reads "The Song of Despair." She reads it desperately, hungrily, bent over the books in the aisle of the quiet shop. Her fingers ready the next page while she devours the words. The book is water in the desert.
Jeanine Cummins (American Dirt)
Without any warning, tears filled my eyes. No one had ever given me such a kind and thoughtful gift before. I pictured Will going into the shop, looking over the books, and then discovering the very one he knew I would love. I even pictured him watching as the clerk wrapped the volume in brown paper. I wondered if the clerk had tied the green bow on it or if Will had gone into a notion shop and chosen it himself. These were all small things, but kindness was built of small things.
Sharon Biggs Waller (A Mad, Wicked Folly)
Through the words on the page she followed Alice down rabbit holes and Dorothy into tornados, solved mysteries alongside Trixie Belden and Nancy Drew, flew with Peter to Neverland, and made a wonderful journey to a Mushroom Planet. Her family was reasonably well-off, and there was no shortage of books, either through the shops or the library, which seemed to be entirely without limits.
Seanan McGuire (In an Absent Dream (Wayward Children, #4))
Along the way I stopped into a coffee shop. All around me normal, everyday city types were going about their normal, everyday affairs. Lovers were whispering to each other, businessmen were poring over spread sheets, college kids were planning their next ski trip and discussing the new Police album. We could have been in any city in Japan. Transplant this coffee shop scene to Yokohama or Fukuoka and nothing would seem out of place. In spite of which -- or, rather, all the more because -- here I was, sitting in this coffee shop, drinking my coffee, feeling a desperate loneliness. I alone was the outsider. I had no place here. Of course, by the same token, I couldn't really say I belonged to Tokyo and its coffee shops. But I had never felt this loneliness there. I could drink my coffee, read my book, pass the time of day without any special thought, all because I was part of the regular scenery. Here I had no ties to anyone. Fact is, I'd come to reclaim myself.
Haruki Murakami (Dance Dance Dance)
WANT I want to hold Shelley with the force of an eagle taming the wind within its wings. I want to grasp him unfailingly, like a gentle moth dancing with flame. I want to have strength enough to beat off the beasts that dwell within his heart. I want to believe in impossible promises and shift the world so they can be kept. I want to be more than a girl selling books in a bankrupt shop.
Lita Judge (Mary's Monster: Love, Madness, and How Mary Shelley Created Frankenstein)
People open shops in order to sell things, they hope to become busy so that they will have to enlarge the shop, then to sell more things, and grow rich, and eventually not have to come into the shop at all. Isn't that true? But are there other people who open a shop with the hope of being sheltered there, among such things as they most value - the yarn or the teacups or the books - and with the idea only of making a comfortable assertion? They will become a part of the block, a part of the street, part of everybody's map of the town, and eventually of everybody's memories. They will sit and drink coffee in the middle of the morning, they will get out the familiar bits of tinsel at Christmas, they will wash the windows in spring before spreading out the new stock. Shops, to these people, are what a cabin in the woods might be to somebody else - a refuge and a justification.
Alice Munro (Carried Away: A Personal Selection of Stories)
I had a bizarre rapport with this mirror and spent a lot of time gazing into the glass to see who was there. Sometimes it looked like me. At other times, I could see someone similar but different in the reflection. A few times, I caught the switch in mid-stare, my expression re-forming like melting rubber, the creases and features of my face softening or hardening until the mutation was complete. Jekyll to Hyde, or Hyde to Jekyll. I felt my inner core change at the same time. I would feel more confident or less confident; mature or childlike; freezing cold or sticky hot, a state that would drive Mum mad as I escaped to the bathroom where I would remain for two hours scrubbing my skin until it was raw. The change was triggered by different emotions: on hearing a particular piece of music; the sight of my father, the smell of his brand of aftershave. I would pick up a book with the certainty that I had not read it before and hear the words as I read them like an echo inside my head. Like Alice in the Lewis Carroll story, I slipped into the depths of the looking glass and couldn’t be sure if it was me standing there or an impostor, a lookalike. I felt fully awake most of the time, but sometimes while I was awake it felt as if I were dreaming. In this dream state I didn’t feel like me, the real me. I felt numb. My fingers prickled. My eyes in the mirror’s reflection were glazed like the eyes of a mannequin in a shop window, my colour, my shape, but without light or focus. These changes were described by Dr Purvis as mood swings and by Mother as floods, but I knew better. All teenagers are moody when it suits them. My Switches could take place when I was alone, transforming me from a bright sixteen-year-old doing her homework into a sobbing child curled on the bed staring at the wall. The weeping fit would pass and I would drag myself back to the mirror expecting to see a child version of myself. ‘Who are you?’ I’d ask. I could hear the words; it sounded like me but it wasn’t me. I’d watch my lips moving and say it again, ‘Who are you?
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
Try to avoid your house catching fire, as this does no good at all. And while your house is still intact, it is a sound idea to persuade all babies and animals to live in another one - and if you really value your books, only offer hospitality to illiterates who won't persist in bloody touching them all the time. Mind you, you will have to tolerate them telling you you could open a shop with all these books (people have suggested this to me - in the shop) and betting that you haven't read them all.
Joseph Connolly (Modern First Editions: Their Value to Collectors)
No," she said. "No. It's only a bad time. A terrible time, but not everyone will die. And there will be wonderful times after this. The Renaissance and class reforms and music. Wonderful times. There will be new medicines, and people won't have to die from this or smallpox or pneumonia. And everyone will have enough to eat, and their houses will be warm even in the winter." She thought of Oxford, decorated for Christmas, the streets and shops lit. "There will be lights everywhere, and bells that you don't have to ring.
Connie Willis (Doomsday Book (Oxford Time Travel, #1))
There is also a keen pleasure (and after all, what else should the pursuit of science produce?) in meeting the riddle of the initial blossoming of man's mind by postulating a voluptuous pause in the growth of the rest of nature, a lolling and loafing which allowed first of all the formation of Homo poeticus-- without which sapiens could not have been evolved. "Struggle for life" indeed! The curse of battle and toil leads man back to the boar, to the grunting beast's crazy obsession with the search for food. You and I have frequently remarked upon that maniacal glint in a housewife's scheming eye as it roves over food in a grocery or about the morgue of a butcher's shop. Toilers of the world, disband! Old books are wrong. The world was made on a Sunday.
Vladimir Nabokov (Speak, Memory)
In the old days, when he flew a lot, he'd never been able to get absorbed in a book until the plane had taken off, so he'd spent the pre-boarding time flicking through magazines and browsing in gift shops, and that's what the last couple of decades had felt like: one long flick through a magazine. If he'd known how long he was going to spend in the airport lounge of his own life, he'd have made different travel arrangements, but instead he'd sat there, sighing and fidgeting and, more often than was ever really acceptable, snapping at his traveling companions.
Nick Hornby (Juliet, Naked)
Have you ever wondered What happens to all the poems people write? The poems they never let anyone else read? Perhaps they are Too private and personal Perhaps they are just not good enough. Perhaps the prospect of such a heartfelt expression being seen as clumsy shallow silly pretentious saccharine unoriginal sentimental trite boring overwrought obscure stupid pointless or simply embarrassing is enough to give any aspiring poet good reason to hide their work from public view. forever. Naturally many poems are IMMEDIATELY DESTROYED. Burnt shredded flushed away Occasionally they are folded Into little squares And wedged under the corner of An unstable piece of furniture (So actually quite useful) Others are hidden behind a loose brick or drainpipe or sealed into the back of an old alarm clock or put between the pages of AN OBSCURE BOOK that is unlikely to ever be opened. someone might find them one day, BUT PROBABLY NOT The truth is that unread poetry Will almost always be just that. DOOMED to join a vast invisible river of waste that flows out of suburbia. well Almost always. On rare occasions, Some especially insistent pieces of writing will escape into a backyard or a laneway be blown along a roadside embankment and finally come to rest in a shopping center parking lot as so many things do It is here that something quite Remarkable takes place two or more pieces of poetry drift toward each other through a strange force of attraction unknown to science and ever so slowly cling together to form a tiny, shapeless ball. Left undisturbed, this ball gradually becomes larger and rounder as other free verses confessions secrets stray musings wishes and unsent love letters attach themselves one by one. Such a ball creeps through the streets Like a tumbleweed for months even years If it comes out only at night it has a good Chance of surviving traffic and children and through a slow rolling motion AVOIDS SNAILS (its number one predator) At a certain size, it instinctively shelters from bad weather, unnoticed but otherwise roams the streets searching for scraps of forgotten thought and feeling. Given time and luck the poetry ball becomes large HUGE ENORMOUS: A vast accumulation of papery bits That ultimately takes to the air, levitating by The sheer force of so much unspoken emotion. It floats gently above suburban rooftops when everybody is asleep inspiring lonely dogs to bark in the middle of the night. Sadly a big ball of paper no matter how large and buoyant, is still a fragile thing. Sooner or LATER it will be surprised by a sudden gust of wind Beaten by driving rain and REDUCED in a matter of minutes to a billion soggy shreds. One morning everyone will wake up to find a pulpy mess covering front lawns clogging up gutters and plastering car windscreens. Traffic will be delayed children delighted adults baffled unable to figure out where it all came from Stranger still Will be the Discovery that Every lump of Wet paper Contains various faded words pressed into accidental verse. Barely visible but undeniably present To each reader they will whisper something different something joyful something sad truthful absurd hilarious profound and perfect No one will be able to explain the Strange feeling of weightlessness or the private smile that remains Long after the street sweepers have come and gone.
Shaun Tan (Tales from Outer Suburbia)
The thing about marriage is that it requires so much compromise. And, naturally, someone is going to come into the marriage being better at The Yield. In fact, I say a lengthy marriage requires it. Someone is always going to come in with horns down and nostrils flaring. That requires that the other person run away as quickly as possible while waving the white flag. Certainly not the red flag, because I don't want to be that poor woman who accidentally ran over her spouse sixty-five times. Someone is the bull. Someone must be the china shop. We all have important roles to play.
Jen Mann (I Just Want to Be Alone (I Just Want to Pee Alone Book 2))
Great paintings—people flock to see them, they draw crowds, they’re reproduced endlessly on coffee mugs and mouse pads and anything-you-like. And, I count myself in the following, you can have a lifetime of perfectly sincere museum-going where you traipse around enjoying everything and then go out and have some lunch. But if a painting really works down in your heart and changes the way you see, and think, and feel, you don’t think, ‘oh, I love this picture because it’s universal.’ ‘I love this painting because it speaks to all mankind.’ That’s not the reason anyone loves a piece of art. It’s a secret whisper from an alleyway. Psst, you. Hey kid. Yes you. An individual heart-shock. Your dream, Welty’s dream, Vermeer’s dream. You see one painting, I see another, the art book puts it at another remove still, the lady buying the greeting card at the museum gift shop sees something else entire, and that’s not even to mention the people separated from us by time—four hundred years before us, four hundred years after we’re gone—it’ll never strike anybody the same way and the great majority of people it’ll never strike in any deep way at all but—a really great painting is fluid enough to work its way into the mind and heart through all kinds of different angles, in ways that are unique and very particular. Yours, yours. I was painted for you. And—oh, I don’t know, stop me if I’m rambling… but Welty himself used to talk about fateful objects. Every dealer and antiquaire recognizes them. The pieces that occur and recur. Maybe for someone else, not a dealer, it wouldn’t be an object. It’d be a city, a color, a time of day. The nail where your fate is liable to catch and snag.
Donna Tartt (The Goldfinch)
Nothing irks me more than the vocabulary of social responsibility. The very word ‘duty’ is unpleasant to me, like an unwanted guest. But the terms ‘civic duty’, ‘solidarity’, ‘humanitarianism’ and others of the same ilk disgust me like rubbish dumped out of a window right on top of me. I’m offended by the implicit assumption that these expressions pertain to me, that I should find them worthwhile and even meaningful. I recently saw in a toy-shop window some objects that reminded me exactly of what these expressions are: make-believe dishes filled with make-believe tidbits for the miniature table of a doll. For the real, sensual, vain and selfish man, the friend of others because he has the gift of speech and the enemy of others because he has the gift of life, what is there to gain from playing with the dolls of hollow and meaningless words?
Fernando Pessoa (The Book of Disquiet)
Turtles don’t have nations. Or flags. Or strategic nuclear weapons. They don’t have terrorism or referendums or trade wars with China. They don’t have Spotify playlists for their workouts. They don’t have books on the decline and fall of turtle empires. They don’t have internet shopping or self-service checkouts. Other animals don’t have progress, they say. But the human mind itself doesn’t progress. We stay the same glorified chimpanzees, just with ever bigger weapons. We have the knowledge to realise we are just a mass of quanta and particles, like everything else is, and yet we keep trying to separate ourselves from the universe we live in, to give ourselves a meaning above that of a tree or a rock or a cat or a turtle.
Matt Haig (How to Stop Time)
When I worked in a second-hand bookshop — so easily pictured, if you don't work in one, as a kind of paradise where charming old gentlemen browse eternally among calf-bound folios — the thing that chiefly struck me was the rarity of really bookish people. Our shop had an exceptionally interesting stock, yet I doubt whether ten per cent of our customers knew a good book from a bad one. First edition snobs were much commoner than lovers of literature, but oriental students haggling over cheap textbooks were commoner still, and vague-minded women looking for birthday presents for their nephews were commonest of all.
George Orwell (Books v. Cigarettes)
Books do not per­ish like hu­mankind. Of course we com­mon­ly see them bro­ken in the hab­er­dash­er's shop when on­ly a few months be­fore they lay bound on the sta­tion­er's stall; these are not true works, but mere trash and new­fan­gle­ness for the vul­gar. There are thou­sands of such gew­gaws and toys which peo­ple have in their cham­bers, or which they keep up­on their shelves, be­liev­ing that they are pre­cious things, when they are the mere pass­ing fol­lies of the pass­ing time and of no more val­ue than pa­pers gath­ered up from some dunghill or raked by chance out of the ken­nel. True books are filled with the pow­er of the un­der­stand­ing which is the in­her­itance of the ages: you may take up a book in time, but you read it in eter­ni­ty.
Peter Ackroyd (The House of Doctor Dee)
I was walking up and down the rows of books at the antiquarian bookseller's in Karlova Street. Now and then I would take a look out the shop window. It started to snow heavily; holding a book in my hand I watched the snowflakes swirling in front of the wall of St Savior's Church. I returned to my book, savoring its aroma and allowing my eyes to flit over its pages, reading here and there the fragment of a sentence that suddenly sparkled mysteriously because it was taken out of context. I was in no hurry; I was happy to be in a room that smelled pleasantly of old books, where it was warm and quiet, where the pages rustled as they were turned, as if the books were sighing in their sleep. I was glad I didn't have to go out into the darkness and the snowstorm.
Wiesław Myśliwski
Our world is full of submissive activities. Shopping is submissive. You wander around buying the things the controllers have placed in front of you. Watching TV is submissive. You watch fictional lives rather than live your own life. Playing video games is submissive. You sit there shooting up the world (in virtual reality), while having no impact at all on actual reality. It’s easy to be a virtual hero, hard to be a real one. One involves no work, and the other is as hard as it gets. Video games are an avoidance of the real world. Voting is submissive too – you delegate your authority to one of the puppets of the controllers. Dominants are active, not passive. They DO. They ACT. They MOVE. They CHOOSE. They DECIDE. They are NOT CONTROLLED by the system. They are FREE. So, what are you?
Adam Weishaupt (Christianity: The Devil's Greatest Trick (The Anti-Christian Series Book 4))
Books bend space and time. One reason the owners of those aforesaid little rambling, poky secondhand bookshops always seem slightly unearthly is that many of them really are, having strayed into this world after taking a wrong turning in their own bookshops in worlds where it is considered commendable business practice to wear carpet slippers all the time and open your shop only when you feel like it. You stray into L-space at your peril. Very senior librarians, however, once they have proved themselves worthy by performing some valiant act of librarianship, are accepted into a secret order and are taught the raw arts of survival beyond the Shelves We Know.
Terry Pratchett
Baptist minister and inventor Burrell Cannon (1848–1922) led some Pittsburg investors to establish the Ezekiel Airship Company and build a craft described in the Biblical book of Ezekiel. The ship had large fabric-covered wings powered by an engine that turned four sets of paddles. It was built in a nearby machine shop and was briefly airborne at this site late in 1902, a year before the Wright brothers first flew. Enroute to the St. Louis World’s Fair in 1904, the airship was destroyed by a storm. A second model crashed and the Rev. Cannon gave up the project.
James W. Loewen (Lies Across America: What Our Historic Sites Get Wrong)
The magic of the room waned before her, like the sun at dusk yielding to the stars to let us lowly creatures know that it was time to dream. What was it about the stars that always made us dream? We looked upon the sky every night, and instead of seeing a graveyard of celestial objects, we saw beauty and possibility. Perhaps it was our nature. We were bodies of light, and we couldn’t help but worship the things that guided us through the darkness. So how could I resist? In all my life, I had never seen anything so beautiful. So unreachable. So easy to love and so hard to possess.
Iris Lake (The Little Shop of Grand Curiosities (Tales from the Faraway North, #1))
Long Distance II Though my mother was already two years dead Dad kept her slippers warming by the gas, put hot water bottles her side of the bed and still went to renew her transport pass. You couldn’t just drop in. You had to phone. He’d put you off an hour to give him time to clear away her things and look alone as though his still raw love were such a crime. He couldn’t risk my blight of disbelief though sure that very soon he’d hear her key scrape in the rusted lock and end his grief. He knew she’d just popped out to get the tea. I believe life ends with death, and that is all. You haven’t both gone shopping; just the same, in my new black leather phone book there’s your name and the disconnected number I still call.
Tony Harrison (Selected Poems)
The Dr. Nuts seemed only as an acid gurgling down into his intestine. He filled with gas, the sealed valve trapping it just as one pinches the mouth of a balloon. Great eructations rose from his throat and bounced upward toward the refuse-laden bowl of the milk glass chandelier. Once a person was asked to step into this brutal century, anything could happen. Everywhere there lurked pitfalls like Abelman, the insipid Crusaders for Moorish Dignity, the Mancuso cretin, Dorian Greene, newspaper reporters, stripteasers, birds, photography, juvenile delinquents, Nazi pornographers. And especially Myrna Minkoff. The musky minx must be dealt with. Somehow. Someday. She must pay. Whatever happened, he must attend to her even if the revenge took years and he had to stalk her through decades from one coffee shop to another, from one folksinging orgy to another, from subway train to pad to cotton field to demonstration. Ignatius invoked an elaborate Elizabethan curse upon Myrna and, rolling over, frantically abused the glove once more.
John Kennedy Toole (A Confederacy of Dunces)
Amedeo loved thick tomes, and in tackling them he felt the physical pleasure of undertaking a great task. Weighing them in his hand, thick, closely printed, squat, he would consider with some apprehension the number of pages, the length of the chapters, then venture into them, a bit reluctant at the beginning, without any desire to perform the initial chore of remembering the names, catching the drift of the story; then he would entrust himself to it, running along the lines, crossing the grid of the uniform page, and beyond the leaden print the flame and fire of battle appeared, the cannonball that, whistling through the sky, fell at the feet of Prince Andrei, and the shop filled with engravings and statues where Frederic Moreau, his heart in his mouth, was to meet the Arnoux family. Beyond the surface of the page you entered a world where life was more alive than here on this side…
Italo Calvino (Difficult Loves)
Now," he said. "I want to hear about your day. Did you read any new books?" "I've read all the books we have." She wrinkled her nose. "Armies aren't very good about carrying libraries with them. I can't imagine why. We'd fight so much less if everyone would just sit down and read." Gifford's laugh rumbled through him, loud against her ear. "A question I often ask myself. Imagine how much money the realm would save if the rulers focused their finances on libraries, rather than wars." "Not if I were allowed to shop for books." "England would go bankrupt," he said gravely. "Thank God for wars." She pushed him away, playful. "You can't switch sides like that." The corner of his mouth quirked up. "It's too late. I've switched already, and since you've forbidden switching that quickly again, I'm stuck opposing you." "Congratulations," she said. "You've just described our entire relationship.
Cynthia Hand (My Lady Jane (The Lady Janies, #1))
The Light and the Darkness both flow in to Delhi. Gurgaon, where Mr. Ashok lived, is the bright, modern end of the city, and this place. Old Delhi is the other end. Full of things that the modern world forget all about rickshaws, old stone buildings and Muslims. On a Sunday, though, there is something more: if you keep pushing through the crowd that is always there, go past the men clearing the other men’s ears by poking rusty metal rods into them, past the men selling small fish trapped in green bottles full of brine, past the cheap shoe market and the cheap shirt market, you come great secondhand book market Darya Ganj. You may have heard of this market, sir, since it is one of the wonders of the world. Tens of thousands of dirty, rotting, blackened books on every subject- Technology, Medicine, Sexual Pleasure, Philosophy, Education, and Foreign Countries — heaped upon the pavement from Delhi Gate onwards all the way until you get to the market in front of the Red Fort. Some books are so old they crumble when you touch them; some have silverfish feasting on them- some look like they were retrieved from a flood, or from a fire. Most shops on the pavement are shuttered down; but the restaurants are still open, and the smell of fried food mingles with the smell of rotting paper. Rusting exhaust fans turn slowly in the ventilators of the restaurants like the wings of giant moths. I went amid the books and sucked in the air; it was like oxygen after the stench of the brothel.
Aravind Adiga (The White Tiger)
Somehow she would manage to introduce herself, and before her victim had scented danger she had proffered an invitation to her suite. Her method of attack was so downright and sudden that there was seldom opportunity to escape. At the Côte d’Azur she staked a claim upon a certain sofa in the lounge, midway between the reception hall and the passage to the restaurant, and she would have her coffee there after luncheon and dinner, and all who came and went must pass her by. Sometimes she would employ me as a bait to draw her prey, and, hating my errand, I would be sent across the lounge with a verbal message, the loan of a book or paper, the address of some shop or other, the sudden discovery of a mutual friend. It seemed as though notables must be fed to her,
Daphne du Maurier (Rebecca)
To begin with, there is the frightful debauchery of taste that has already been effected by a century of mechanisation. This is almost too obvious and too generally admitted to need pointing out. But as a single instance, take taste in its narrowest sense - the taste for decent food. In the highly mechanical countries, thanks to tinned food, cold storage, synthetic flavouring matters, etc., the palate it almost a dead organ. As you can see by looking at any greengrocer’s shop, what the majority of English people mean by an apple is a lump of highly-coloured cotton wool from America or Australia; they will devour these things, apparently with pleasure, and let the English apples rot under the trees. It is the shiny, standardized, machine-made look of the American apple that appeals to them; the superior taste of the English apple is something they simply do not notice. Or look at the factory-made, foil wrapped cheeses and ‘blended’ butter in an grocer’s; look at the hideous rows of tins which usurp more and more of the space in any food-shop, even a dairy; look at a sixpenny Swiss roll or a twopenny ice-cream; look at the filthy chemical by-product that people will pour down their throats under the name of beer. Wherever you look you will see some slick machine-made article triumphing over the old-fashioned article that still tastes of something other than sawdust. And what applies to food applies also to furniture, houses, clothes, books, amusements and everything else that makes up our environment. These are now millions of people, and they are increasing every year, to whom the blaring of a radio is not only a more acceptable but a more normal background to their thoughts than the lowing of cattle or the song of birds. The mechanisation of the world could never proceed very far while taste, even the taste-buds of the tongue, remained uncorrupted, because in that case most of the products of the machine would be simply unwanted. In a healthy world there would be no demand for tinned food, aspirins, gramophones, gas-pipe chairs, machine guns, daily newspapers, telephones, motor-cars, etc. etc.; and on the other hand there would be a constant demand for the things the machine cannot produce. But meanwhile the machine is here, and its corrupting effects are almost irresistible. One inveighs against it, but one goes on using it. Even a bare-arse savage, given the change, will learn the vices of civilisation within a few months. Mechanisation leads to the decay of taste, the decay of taste leads to demand for machine-made articles and hence to more mechanisation, and so a vicious circle is established.
George Orwell (The Road to Wigan Pier)
At the same time I grew increasingly dissatisfied and irritable with what we are prone to call normal life. Except for wine, music, and books, I disliked shopping. Television grated on my nerves, the commercials in particular, so I got rid of the television. I found it harder and harder to rouse any interest in sports, celebrities, electronic gadgets, the chatter of the culture, the latest this or that. Nor did I have any desire to own a house, or get rich, or start a family. I wanted to keep traveling and see the world, live an eventful, unpredictable life with as much personal freedom as possible, and have a few adventures along the way.
Richard Grant (God's Middle Finger: Into the Lawless Heart of the Sierra Madre)
Like most people, I acquired my initial sense of the era from books and photographs that left me with the impression that the world of then had no color, only gradients of gray and black. My two main protagonists, however, encountered the fl esh-and-blood reality, while also managing the routine obligations of daily life. Every morning they moved through a city hung with immense banners of red, white, and black; they sat at the same outdoor cafés as did the lean, black-suited members of Hitler’s SS, and now and then they caught sight of Hitler himself, a smallish man in a large, open Mer-cedes. But they also walked each day past homes with balconies lush with red geraniums; they shopped in the city’s vast department stores, held tea parties, and breathed deep the spring fragrances of the Tier-garten, Berlin’s main park. They knew Goebbels and Göring as social acquaintances with whom they dined, danced, and joked—until, as their fi rst year reached its end, an event occurred that proved to be one of the most signifi cant in revealing the true character of Hitler and that laid the keystone for the decade to come. For both father and daughter it changed everything.
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
Now, when it was too late, and Life's shops were closed, he regretted not having bought a certain book he had always wanted; never having gone through an earthquake, a fire, a train accident; never having seen Tatsienlu in Tibet, or heard blue magpies chattering in Chinese willows; not having spoken to that errant schoolgirl with shameless eyes, met one day in a lonely glade; not having laughed at the poor little joke of a shy ugly woman, when no one had laughed in the room; having missed trains, allusions, and opportunities; not having handed the penny he had in his pocket to that old street violinist playing to himself tremulously on a certain bleak day in a certain forgotten town.
Vladimir Nabokov (The Real Life of Sebastian Knight)
Back then, come July, and the blazers would again make their way out of the steel trunks and evenings would be spent looking at snow-capped mountains from our terrace and spotting the first few lights on the hills above. It was the time for radishes and mulberries in the garden and violets on the slopes. The wind carried with it the comforting fragrance of eucalyptus. It was in fact all about the fragrances, like you know, in a Sherlock Holmes story. Even if you walked with your eyes closed, you could tell at a whiff, when you had arrived at the place, deduce it just by its scent. So, the oranges denoted the start of the fruit-bazaar near Prakash ji’s book shop, and the smell of freshly baked plum cake meant you had arrived opposite Air Force school and the burnt lingering aroma of coffee connoted Mayfair. But when they carved a new state out of the land and Dehra was made its capital, we watched besotted as that little town sprouted new buildings, high-rise apartments, restaurant chains, shopping malls and traffic jams, and eventually it spilled over here. I can’t help noticing now that the fragrances have changed; the Mogra is tinged with a hint of smoke and will be on the market tomorrow. The Church has remained and so has everything old that was cast in brick and stone, but they seem so much more alien that I almost wish they had been ruined.’ ('Left from Dhakeshwari')
Kunal Sen
I thought about Mother’s life, the part of it I knew. Going to work every day, first on the ferry then on the bus. Shopping at the old Red-and-White then at the new Safeway - new, fifteen years old! Going down to the Library one night a week, taking me with her, and we would come home on the bus with our load of books and a bag of grapes we bought at a Chinese place, for a treat. Wednesday afternoons too when my kids were small and I went over there to drink coffee and she rolled us cigarettes on that contraption she had. And I thought, all these things don’t seem that much like life, when you’re doing them, they’re just what you do, how you fill up your days, and you think all the time something is going to crack open, and you’ll find yourself, then you’ll find yourself, in life. It’s not even that you particularly want this to happen, this cracking open, youre comfortable enough the way things are, but you do expect it. Then you’re dying, Mother is dying, and it’s just the same plastic chairs and plastic plants and ordinary day outside with people getting groceries and what you’ve had is all there is, and going to the Library, just a thing like that, coming back up the hill on the bus with books and a bag of grapes seems now worth wanting, O god doesn’t it, you’d break your heart wanting back there.
Alice Munro
Employment in the Small Bookstore" Twelve Poems, 1975 The dust is almost motionless in this narrowness, this stillness, yet how unlike a coffin it is, sometimes letting a live one in, sometimes out and the air, though paused, impends not a thing, the silence isn't sinister, and in fact not much goes on at the Ariel Book Shop today, no one weeps in the back room full of books, old books, no one is tearing the books to shreds, in fact I am merely sitting here talking to no one, no one being here, and I am blameless, More, I am grateful for the job, I am fond of the books and touch them, I am grateful that King St. goes down to the river, and that the rain is lovely, the afternoon green. If the soft falling away of the afternoon is all there is, it is nearly enough, just let me hear the beautiful clear voice of a woman in song passing toward silence, and then that will be all for me at five o'clock I will walk down to see the untended sailing yachts of the Potomac bobbing hopelessly in another silence, the small silence that gets to be a long one when the past stops talking to you because it is dead, and still you listen, hearing just the tiny agonies of old boats on a cloudy day, in cloudy water. Talk to it. Men are talking to it by Cape Charles, for them it's the same silence with fishing lines in their hands. We are all looking at the river bearing the wreckage so far away. We wonder how the river ever came to be so grey, and think that once there were some very big doings on this river, and now that is all over.
Denis Johnson (The Throne of the Third Heaven of the Nations Millennium General Assembly)
Even then, retailers learned early that shoppers prefer their shopping suggestions not be too truthful. One of the great unwritten chapters of retail intelligence programming featured a “personal shopper” program that all-too-accurately modeled the shoppers’ desires and outputted purchase ideas based on what shoppers really wanted as opposed to what they wanted known that they wanted. This resulted in one overcompensatingly masculine test user receiving suggestions for an anal plug and a tribute art book for classic homoerotic artist Tom of Finland, while a female test user in the throes of a nasty divorce received suggestions for a small handgun, a portable bandsaw, and several gallons of an industrial solvent used to reduce organic matter to an easily drainable slurry.
John Scalzi (The Android's Dream)
This is a place of mystery, Daniel, a sanctuary. Every book, every volume you see here, has a soul. The soul of the person who wrote it and of those who read it and lived and dreamed with it. Every time a book changes hands, every time someone runs his eyes down its pages, its spirit grows and strengthens. This place was already ancient when my father brought me here for the first time, many years ago. Perhaps as old as the city itself. Nobody knows for certain how long it has existed, or who created it. I will tell you what my father told me, though. When a library disappears, or a bookshop closes down, when a book is consigned to oblivion, those of us who know this place, its guardians, make sure that it gets here. In this place, books no longer remembered by anyone, books that are lost in time, live forever, waiting for the day when they will reach a new reader's hands. In the shop we buy and sell them, but in truth books have no owner. Every book you here has been somebody's best friend. Now they only have us, Daniel. Do you think you'll be able to keep such a secret?' My gaze was lost in the immensity of the place and its sorcery of light. I nodded, and my father smiled.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
Every week seems to bring another luxuriantly creamy envelope, the thickness of a letter-bomb, containing a complex invitation – a triumph of paper engineering – and a comprehensive dossier of phone numbers, email addresses, websites, how to get there, what to wear, where to buy the gifts. Country house hotels are being block-booked, great schools of salmon are being poached, vast marquees are appearing overnight like Bedouin tent cities. Silky grey morning suits and top hats are being hired and worn with an absolutely straight face, and the times are heady and golden for florists and caterers, string quartets and Ceilidh callers, ice sculptors and the makers of disposable cameras. Decent Motown cover-bands are limp with exhaustion. Churches are back in fashion, and these days the happy couple are travelling the short distance from the place of worship to the reception on open-topped London buses, in hot-air balloons, on the backs of matching white stallions, in micro-lite planes. A wedding requires immense reserves of love and commitment and time off work, not least from the guests. Confetti costs eight pounds a box. A bag of rice from the corner shop just won’t cut it anymore.
David Nicholls (One Day)
Ed Lim’s daughter, Monique, was a junior now, but as she’d grown up, he and his wife had noted with dismay that there were no dolls that looked like her. At ten, Monique had begun poring over a mail-order doll catalog as if it were a book–expensive dolls, with n ames and stories and historical outfits, absurdly detailed and even more absurdly expensive. ‘Jenny Cohen has this one,’ she’d told them, her finger tracing the outline of a blond doll that did indeed resemble Jenny Cohen: sweet faced with heavy bangs, slightly stocky. 'And they just made a new one with red hair. Her mom’s getting it for her sister Sarah for Hannukkah.’ Sarah Cohen had flaming red hair, the color of a penny in the summer sun. But there was no doll with black hair, let alone a face that looked anything like Monique’s. Ed Lim had gone to four different toy stores searching for a Chinese doll; he would have bought it for his daughter, whatever the price, but no such thing existed. He’d gone so far as to write to Mattel, asking them if there was a Chinese Barbie doll, and they’d replied that yes, they offered 'Oriental Barbie’ and sent him a pamphlet. He had looked at that pamphlet for a long time, at the Barbie’s strange mishmash of a costume, all red and gold satin and like nothing he’d ever seen on a Chinese or Japanese or Korean woman, at her waist-length black hair and slanted eyes. I am from Hong Kong, the pamphlet ran. It is in the Orient, or Far East. Throughout the Orient, people shop at outdoor marketplaces where goods such as fish, vegetables, silk, and spices are openly displayed. The year before, he and his wife and Monique had gone on a trip to Hong Kong, which struck him, mostly, as a pincushion of gleaming skyscrapers. In a giant, glassed-in shopping mall, he’d bought a dove-gray cashmere sweater that he wore under his suit jacket on chilly days. Come visit the Orient. I know you will find it exotic and interesting. In the end he’d thrown the pamphlet away. He’d heard, from friends with younger children, that the expensive doll line now had one Asian doll for sale – and a few black ones, too – but he’d never seen it. Monique was seventeen now, and had long outgrown dolls.
Celeste Ng (Little Fires Everywhere)
J. P. Morgan tells the story of how he would get his shoes shined every Wednesday at the same shop around the corner from his office. One day the shoe shine attendant asked him if he and his friends could buy some stock through Morgan’s brokerage. The three friends had about $40—a lot of money in 1929. Morgan politely refused, hurried back to his office, and ordered that his company was not to have a single share of stock on its books by the end of the day. Morgan simply asked, “If the shoe shine boys are buying stocks, who else is left?” Of course, the 1929 stock market crash was only a few days away, and Morgan looked like a genius. He was not a genius; he noted that the order flow was likely running out on the buy side. It wasn’t his army of analysts that showed him that. It was a public investor.
Anonymous
I pretended to be interested in their secret undertaking, but in fact I was very sorry about it. Although the two siblings had involved me by choosing me as their confidant, it was still an experience that I could enter only as witness: on that path Lila would do great things by herself, I was excluded. But above all, how, after our intense conversations about love and poetry, could she walk me to the door, as she was doing, far more absorbed in the atmosphere of excitement around a shoe?...What did I care about shoes. I still had, in my mind's eye, the most secret stages of that affair of violated trust, passion, poetry that became a book, and it was as if she and I had read a novel together, as if we had seen, there in the back of the shop and not in the parish hall on Sunday, a dramatic film.
Elena Ferrante (My Brilliant Friend (Neapolitan Novels, #1))
He looks up. Our eyes lock,and he breaks into a slow smile. My heart beats faster and faster. Almost there.He sets down his book and stands.And then this-the moment he calls my name-is the real moment everything changes. He is no longer St. Clair, everyone's pal, everyone's friend. He is Etienne. Etienne,like the night we met. He is Etienne,he is my friend. He is so much more. Etienne.My feet trip in three syllables. E-ti-enne. E-ti-enne, E-ti-enne. His name coats my tongue like melting chocolate. He is so beautiful, so perfect. My throat catches as he opens his arms and wraps me in a hug.My heart pounds furiously,and I'm embarrassed,because I know he feels it. We break apart, and I stagger backward. He catches me before I fall down the stairs. "Whoa," he says. But I don't think he means me falling. I blush and blame it on clumsiness. "Yeesh,that could've been bad." Phew.A steady voice. He looks dazed. "Are you all right?" I realize his hands are still on my shoulders,and my entire body stiffens underneath his touch. "Yeah.Great. Super!" "Hey,Anna. How was your break?" John.I forget he was here.Etienne lets go of me carefully as I acknowledge Josh,but the whole time we're chatting, I wish he'd return to drawing and leave us alone. After a minute, he glances behind me-to where Etienne is standing-and gets a funny expression on hs face. His speech trails off,and he buries his nose in his sketchbook. I look back, but Etienne's own face has been wiped blank. We sit on the steps together. I haven't been this nervous around him since the first week of school. My mind is tangled, my tongue tied,my stomach in knots. "Well," he says, after an excruciating minute. "Did we use up all our conversation over the holiday?" The pressure inside me eases enough to speak. "Guess I'll go back to the dorm." I pretend to stand, and he laughs. "I have something for you." He pulls me back down by my sleeve. "A late Christmas present." "For me? But I didn't get you anything!" He reaches into a coat pocket and brings out his hand in a fist, closed around something very small. "It's not much,so don't get excited." "Ooo,what is it?" "I saw it when I was out with Mum, and it made me think of you-" "Etienne! Come on!" He blinks at hearing his first name. My face turns red, and I'm filled with the overwhelming sensation that he knows exactly what I'm thinking. His expression turns to amazement as he says, "Close your eyes and hold out your hand." Still blushing,I hold one out. His fingers brush against my palm, and my hand jerks back as if he were electrified. Something goes flying and lands with a faith dink behind us. I open my eyes. He's staring at me, equally stunned. "Whoops," I say. He tilts his head at me. "I think...I think it landed back here." I scramble to my feet, but I don't even know what I'm looking for. I never felt what he placed in my hands. I only felt him. "I don't see anything! Just pebbles and pigeon droppings," I add,trying to act normal. Where is it? What is it? "Here." He plucks something tiny and yellow from the steps above him. I fumble back and hold out my hand again, bracing myself for the contact. Etienne pauses and then drops it from a few inches above my hand.As if he's avoiding me,too. It's a glass bead.A banana. He clears his throat. "I know you said Bridgette was the only one who could call you "Banana," but Mum was feeling better last weekend,so I took her to her favorite bead shop. I saw that and thought of you.I hope you don't mind someone else adding to your collection. Especially since you and Bridgette...you know..." I close my hand around the bead. "Thank you." "Mum wondered why I wanted it." "What did you tell her?" "That it was for you,of course." He says this like, duh. I beam.The bead is so lightweight I hardly feel it, except for the teeny cold patch it leaves in my palm.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I was extremely curious about the alternatives to the kind of life I had been leading, and my friends and I exchanged rumors and scraps of information we dug from official publications. I was struck less by the West's technological developments and high living standards than by the absence of political witch-hunts, the lack of consuming suspicion, the dignity of the individual, and the incredible amount of liberty. To me, the ultimate proof of freedom in the West was that there seemed to be so many people there attacking the West and praising China. Almost every other day the front page of Reference, the newspaper which carded foreign press items, would feature some eulogy of Mao and the Cultural Revolution. At first I was angered by these, but they soon made me see how tolerant another society could be. I realized that this was the kind of society I wanted to live in: where people were allowed to hold different, even outrageous views. I began to see that it was the very tolerance of oppositions, of protesters, that kept the West progressing. Still, I could not help being irritated by some observations. Once I read an article by a Westerner who came to China to see some old friends, university professors, who told him cheerfully how they had enjoyed being denounced and sent to the back end of beyond, and how much they had relished being reformed. The author concluded that Mao had indeed made the Chinese into 'new people' who would regard what was misery to a Westerner as pleasure. I was aghast. Did he not know that repression was at its worst when there was no complaint? A hundred times more so when the victim actually presented a smiling face? Could he not see to what a pathetic condition these professors had been reduced, and what horror must have been involved to degrade them so? I did not realize that the acting that the Chinese were putting on was something to which Westerners were unaccustomed, and which they could not always decode. I did not appreciate either that information about China was not easily available, or was largely misunderstood, in the West, and that people with no experience of a regime like China's could take its propaganda and rhetoric at face value. As a result, I assumed that these eulogies were dishonest. My friends and I would joke that they had been bought by our government's 'hospitality." When foreigners were allowed into certain restricted places in China following Nixon's visit, wherever they went the authorities immediately cordoned off enclaves even within these enclaves. The best transport facilities, shops, restaurants, guest houses and scenic spots were reserved for them, with signs reading "For Foreign Guests Only." Mao-tai, the most sought-after liquor, was totally unavailable to ordinary Chinese, but freely available to foreigners. The best food was saved for foreigners. The newspapers proudly reported that Henry Kissinger had said his waistline had expanded as a result of the many twelve-course banquets he enjoyed during his visits to China. This was at a time when in Sichuan, "Heaven's Granary," our meat ration was half a pound per month, and the streets of Chengdu were full of homeless peasants who had fled there from famine in the north, and were living as beggars. There was great resentment among the population about how the foreigners were treated like lords. My friends and I began saying among ourselves: "Why do we attack the Kuomintang for allowing signs saying "No Chinese or Dogs" aren't we doing the same? Getting hold of information became an obsession. I benefited enormously from my ability to read English, as although the university library had been looted during the Cultural Revolution, most of the books it had lost had been in Chinese. Its extensive English-language collection had been turned upside down, but was still largely intact.
Jung Chang (Wild Swans: Three Daughters of China)
In my light-headedness and fatigue, which made me feel drastically cut off from myself and as if I were observing it all at a remove, I walked past candy shops and coffee shops and shops with antique toys and Delft tiles from the 1800s, old mirrors and silver glinting in the rich, cognac-colored light, inlaid French cabinets and tables in the French court style with garlanded carvings and veneerwork that would have made Hobie gasp with admiration—in fact the entire foggy, friendly, cultivated city with its florists and bakeries and antiekhandels reminded me of Hobie, not just for its antique-crowded richness but because there was a Hobie-like wholesomeness to the place, like a children’s picture book where aproned tradespeople swept the floors and tabby cats napped in sunny windows. But there was much too much to see, and
Donna Tartt (The Goldfinch)
The breakdown of the neighborhoods also meant the end of what was essentially an extended family....With the breakdown of the extended family, too much pressure was put on the single family. Mom had no one to stay with Granny, who couldn't be depended on to set the house on fire while Mom was off grocery shopping. The people in the neighborhood weren't there to keep an idle eye out for the fourteen-year-old kid who was the local idiot, and treated with affection as well as tormented....So we came up with the idea of putting everybody in separate places. We lock them up in prisons, mental hospitals, geriatric housing projects, old-age homes, nursery schools, cheap suburbs that keep women and the kids of f the streets, expensive suburbs where everybody has their own yard and a front lawn that is tended by a gardener so all the front lawns look alike and nobody uses them anyway....the faster we lock them up, the higher up goes the crime rate, the suicide rate, the rate of mental breakdown. The way it's going, there'll be more of them than us pretty soon. Then you'll have to start asking questions about the percentage of the population that's not locked up, those that claim that the other fifty-five per cent is crazy, criminal, or senile. WE have to find some other way....So I started imagining....Suppose we built houses in a circle, or a square, or whatever, connected houses of varying sizes, but beautiful, simple. And outside, behind the houses, all the space usually given over to front and back lawns, would be common too. And there could be vegetable gardens, and fields and woods for the kids to play in. There's be problems about somebody picking the tomatoes somebody else planted, or the roses, or the kids trampling through the pea patch, but the fifty groups or individuals who lived in the houses would have complete charge and complete responsibility for what went on in their little enclave. At the other side of the houses, facing the, would be a little community center. It would have a community laundry -- why does everybody have to own a washing machine?-- and some playrooms and a little cafe and a communal kitchen. The cafe would be an outdoor one, with sliding glass panels to close it in in winter, like the ones in Paris. This wouldn't be a full commune: everybody would have their own way of earning a living, everybody would retain their own income, and the dwellings would be priced according to size. Each would have a little kitchen, in case people wanted to eat alone, a good-sized living space, but not enormous, because the community center would be there. Maybe the community center would be beautiful, lush even. With playrooms for the kids and the adults, and sitting rooms with books. But everyone in the community, from the smallest walking child, would have a job in it.
Marilyn French (The Women's Room)
Up there in my little room I was reading revolutionary works and had the feeling that the whole world might explode at any moment; then when I went out, I found life going on as usual, peacefully and calmly: office workers were going off to their jobs, tradesmen were selling their wares in their shops, and one could even see people lazing on benches in the squares, just sitting there watching the hours go by: all of them equally dull and monotonous. Once again, and this would not be the last time, I felt more or less as though I were a stranger in the world, as though I had awakened in it all of a sudden and had no notion of its laws and meaning. I wandered aimlessly about the streets of Buenos Aires, I watched its people, I sat down on a bench in the Plaza Constitucion and meditated. Then I would return to my little room, feeling lonelier than ever. And it was only when I buried myself in books that I seemed to be in touch with reality again, as though that existence out in the streets were, by contrast, a sort of vast dream unfolding in the minds of hypnotized people. It took me many years to realize that in those streets, those public sqaures, and even in those business establishments and offices of Buenos Aires there were thousands who thought or felt more or less as I did at that moment: lonely anguished people, people pondering the sense and nonsense of life, people who had the feeling that they were seeing a world that had gone to sleep round about them, a world made up of men and women who had been hypnotized or turned into robots.
Ernesto Sabato
Second hand books had so much life in them. They'd lived, sometimes in many homes, or maybe just one. They'd been on airplanes, traveled to sunny beaches, or crowded into a backpack and taken high up a mountain where the air thinned. "Some had been held aloft tepid rose-scented baths, and thickened and warped with moisture. Others had child-like scrawls on the acknowledgement page, little fingers looking for a blank space to leave their mark. Then there were the pristine novels, ones that had been read carefully, bookmarks used, almost like their owner barely pried the pages open so loathe were they to damage their treasure. I loved them all. And I found it hard to part with them. Though years of book selling had steeled me. I had to let them go, and each time made a fervent wish they'd be read well, and often. Missy, my best friend, said I was completely cuckoo, and that I spent too much time alone in my shadowy shop, because I believed my books communicated with me. A soft sigh here, as they stretched their bindings when dawn broke, or a hum, as they anticipated a customer hovering close who might run a hand along their cover, tempting them to flutter their pages hello. Books were fussy when it came to their owners, and gave off a type of sound, an almost imperceptible whirr, when the right person was near. Most people weren't aware that books chose us, at the time when we needed them.
Rebecca Raisin (The Little Bookshop on the Seine (The Little Paris Collection, #1; The Bookshop, #2))
WE ALL DO IT, YOU know. Distract ourselves from noticing how time’s passing. We throw ourselves into our jobs. We focus on keeping the blight off our tomato plants. We fill up our gas tanks and top off our Metro cards and do the grocery shopping so that the weeks look the same on the surface. And then one day, you turn around, and your baby is a man. One day, you look in the mirror, and see gray hair. One day, you realize there is less of your life left than what you’ve already lived. And you think, How did this happen so fast? It was only yesterday when I was having my first legal drink, when I was diapering him, when I was young. When this realization hits, you start doing the math. How much time do I have left? How much can I fit into that small space? Some of us let this realization guide us, I guess. We book trips to Tibet, we learn how to sculpt, we skydive. We try to pretend it’s not almost over. But some of us just fill up our gas tanks and top off our Metro cards and do the grocery shopping, because if you only see the path that’s right ahead of you, you don’t obsess over when the cliff might drop off. Some of us never learn. And some of us learn earlier than others. —
Jodi Picoult (Small Great Things)
Behind my office, to the south-east, was Police Headquarters, and I imagined all the good hard work that was being done there to crack down on Berlin's crime. Villainies like speaking disrespectfully of the Führer, displaying a 'Sold Out' sign in your butcher's shop window, not giving the Hitler Salute, and homosexuality. That was Berlin under the National Socialist Government: a big, haunted house with dark corners, gloomy staircases, sinister cellars, locked rooms and a whole attic full of poltergeists on the loose, throwing books, banging doors, breaking glass, shouting in the night and generally scaring the owners so badly that there were times when they were ready to sell up and get out. But most of the time they just stopped up their ears, covered their blackened eyes and tried to pretend that there was nothing wrong. Cowed with fear, they spoke very little, ignoring the carpet moving underneath their feet, and their laughter was the thin, nervous kind that always accompanies the boss's little joke.
Philip Kerr (March Violets (Bernie Gunther, #1))
This book is, in a way, a scrapbook of my writing life. From shopping the cathedral flea market in Barcelona with David Sedaris to having drinks at Cognac with Nora Ephron just months before she died. To the years of sporadic correspondence I had with Thom Jones and Ira Levin. I’ve stalked my share of mentors, asking for advice. Therefore, if you came back another day and asked me to teach you, I’d tell you that becoming an author involves more than talent and skill. I’ve known fantastic writers who never finished a project. And writers who launched incredible ideas, then never fully executed them. And I’ve seen writers who sold a single book and became so disillusioned by the process that they never wrote another. I’d paraphrase the writer Joy Williams, who says that writers must be smart enough to hatch a brilliant idea—but dull enough to research it, keyboard it, edit and re-edit it, market the manuscript, revise it, revise it, re-revise it, review the copy edit, proofread the typeset galleys, slog through the interviews and write the essays to promote it, and finally to show up in a dozen cities and autograph copies for thousands or tens of thousands of people… And then I’d tell you, “Now get off my porch.” But if you came back to me a third time, I’d say, “Kid…” I’d say, “Don’t say I didn’t warn you.
Chuck Palahniuk (Consider This: Moments in My Writing Life After Which Everything Was Different)
I understand that it’s disheartening to pour effort and money into a work of art and find that others do not value it with the same intensity. I’ve been to this rodeo more than a few times, and yes, it’s painful and hard on the soul. It is also the sort of thing that grown-ups do every day. Anyone deluded enough to think they are owed monetary success because they bled for their art is in for some hard, hard knocks and buckets full of tears. There will be many cries of “unfair” and much jealousy and hatred. And to be fair, all authors go through this every time they watch their books ride the waves of bestseller charts and the ego torture chamber known as Goodreads reviews. Even the most well-adjusted of us watch that horrible piece of shit book beat our baby to pieces and gnash our teeth and shout at our monitors demanding to know what brain-donors are shopping on amazon.com these days. But holy Smart Bitch on a cracker, Batman, to write a post about how stupid readers are and worse to actually put it out there on the internet is so beyond the pale there’s a special hell for that kind of idiocy. Let me repeat: authors exist at the pleasure of readers. Without the people who buy and read my books, I am just another dizzy broad writing shit down. Readers aren’t just an author’s audience; they are her lifeblood. --
Heidi Cullinan
I am always concerned when people, finding out that I am a writer, apologise and say, “I’m not much of a reader actually. I know I ought to, but I just don’t seem able to find the time,” and then go on to tell me how they feel obliged to finish any book they begin. Well, of course, I say, you will be reluctant to open one in the first place, knowing what it might entail. It isn’t meant to be like that, I assure them. If you begin a book and you don’t like it, just throw it away. Or take it round to a charity shop. It’s like going to a party: some people you linger with, knowing you get on. Some people you exchange greeting with and move on fast. It’s nothing against them. They’re just not your kind of person. It’s the same with books. You must be prepared to discard. And though you may feel it’s a waste of money not reading a book you don’t get on with, that’s like not opening the windows when the weather turns warm for fear of wasting the central heating. So, as I say, now is a good point to abandon the book. You have my permission - even my encouragement.
Fay Weldon (Chalcot Crescent)
I couldn't motivate myself. I was subject to occasional depression, relatively mild, certainly not suicidal, and not long episodes so much as passing moments like this, when meaning and purpose and all prospect of pleasure drained away and left me briefly catatonic. For minutes on end I couldn't remember what kept me going. As I stared at the litter of cups and pot and jug in front of me, I thought it was unlikely I would ever get out of my wretched little flat. The two boxes I called rooms, the stained ceilings walls and floors would contain me to the end. There was a lot like me in the neighbourhood, but thirty or forty years older. I had seen them in Simon's shop, reaching for the quality journals from the top shelf. I noted the men especially and their shabby clothes. They had swept past some crucial junction in their lives many years back - a poor career choice, a bad marriage, the unwritten book, the illness that never went away. Now there options were closed, they managed to keep themselves going with some shred of intellectual longing or curiosity. But their boat was sunk.
Ian McEwan (Machines like Me)
From then on he would make two or three trips a week to similar premises – bookstores, crystal shops, candle parlours, short-let niche operations selling a mix of pop-cultural memorabilia and truther merchandise from two or three generations ago – which had flourished along the abandoned high streets of the post-2007 austerity, run by a network of shabby voters hoping to take advantage of tumbling rents. Their real obsession lay in the idea of commerce as a kind of politics, expression of a fundamental theology. They had bought the rhetoric without having the talent or the backing. The internet was killing them. The speed of things was killing them. They were like old-fashioned commercial travellers, fading away in bars and single rooms, exchanging order books on windy corners as if it was still 1981 – denizens of futures that failed to take, whole worlds that never got past the economic turbulence and out into clear air, men and women in cheap business clothes washed up on rail platforms, weak-eyed with the brief energy of the defeated, exchanging obsolete tradecraft like Thatcherite spies.
M. John Harrison (The Sunken Land Begins to Rise Again)
Modern man is drinking and drugging himself out of awareness, or he spends his time shopping, which is the same thing. As awareness calls for types of heroic dedication that his culture no longer provides for him, society contrives to help him forget. Or, alternatively, he buries himself in psychology in the belief that awareness all by itself will be some kind of magical cure for his problems. But psychology was born with the breakdown of shared social heroisms; it can only be gone beyond with the creation of new heroisms that are basically matters of belief and will, dedication to a vision. Lifton has recently concluded the same thing, from a conceptual point of view almost identical to Rank's. When a thinker of Norman Brown's stature wrote his later book Love's Body, he was led to take his thought to this same point. He realized that the only way to get beyond the natural contradictions of existence was in the timeworn religious way: to project one's problems onto a god-figure, to be healed by an all-embracing and all-justifying beyond. To talk in these terms is not at all the same thing as to talk the language of the psychotherapeutic religionists. Rank was also not nor so messianic: he saw that the orientation of men has to be always beyond their bodies, has to be grounded in healthy repressions, and toward explicit immortality-ideologies, myths of heroic transcendence.
Ernest Becker (The Denial of Death)
167 It’s one of those days when the monotony of everything oppresses me like being thrown into jail. The monotony of everything is merely the monotony of myself, however. Each face, even if seen just yesterday, is different today, because today isn’t yesterday. Each day is the day it is, and there was never another one like it in the world. Only our soul makes the identification – a genuinely felt but erroneous identification – by which everything becomes similar and simplified. The world is a set of distinct things with varied edges, but if we’re near-sighted, it’s a continual and indecipherable fog. I feel like fleeing. Like fleeing from what I know, fleeing from what’s mine, fleeing from what I love. I want to depart, not for impossible Indias or for the great islands south of everything, but for any place at all – village or wilderness – that isn’t this place. I want to stop seeing these unchanging faces, this routine, these days. I want to rest, far removed, from my inveterate feigning. I want to feel sleep come to me as life, not as rest. A cabin on the seashore or even a cave in a rocky mountainside could give me this, but my will, unfortunately, cannot. Slavery is the law of life, and it is the only law, for it must be observed: there is no revolt possible, no way to escape it. Some are born slaves, others become slaves, and still others are forced to accept slavery. Our faint-hearted love of freedom – which, if we had it, we would all reject, unable to get used to it – is proof of how ingrained our slavery is. I myself, having just said that I’d like a cabin or a cave where I could be free from the monotony of everything, which is the monotony of me – would I dare set out for this cabin or cave, knowing from experience that the monotony, since it stems from me, will always be with me? I myself, suffocating from where I am and because I am – where would I breathe easier, if the sickness is in my lungs rather than in the things that surround me? I myself, who long for pure sunlight and open country, for the ocean in plain view and the unbroken horizon – could I get used to my new bed, the food, not having to descend eight flights of stairs to the street, not entering the tobacco shop on the corner, not saying good-morning to the barber standing outside his shop? Everything that surrounds us becomes part of us, infiltrating our physical sensations and our feeling of life, and like spittle of the great Spider it subtly binds us to whatever is close, tucking us into a soft bed of slow death which is rocked by the wind. Everything is us, and we are everything, but what good is this, if everything is nothing? A ray of sunlight, a cloud whose shadow tells us it is passing, a breeze that rises, the silence that follows when it ceases, one or another face, a few voices, the incidental laughter of the girls who are talking, and then night with the meaningless, fractured hieroglyphs of the stars.
Fernando Pessoa (The Book of Disquiet)
Methinks, Oh! vain ill-judging Book, I see thee cast a wishful look, Where reputations won and lost are In famous row called Paternoster. Incensed to find your precious olio Buried in unexplored port-folio, You scorn the prudent lock and key, And pant well bound and gilt to see Your Volume in the window set Of Stockdale, Hookham, or Debrett. Go then, and pass that dangerous bourn Whence never Book can back return: And when you find, condemned, despised, Neglected, blamed, and criticised, Abuse from All who read you fall, (If haply you be read at all Sorely will you your folly sigh at, And wish for me, and home, and quiet. Assuming now a conjuror’s office, I Thus on your future Fortune prophesy: — Soon as your novelty is o’er, And you are young and new no more, In some dark dirty corner thrown, Mouldy with damps, with cobwebs strown, Your leaves shall be the Book-worm’s prey; Or sent to Chandler–Shop away, And doomed to suffer public scandal, Shall line the trunk, or wrap the candle! But should you meet with approbation, And some one find an inclination To ask, by natural transition Respecting me and my condition; That I am one, the enquirer teach, Nor very poor, nor very rich; Of passions strong, of hasty nature, Of graceless form and dwarfish stature; By few approved, and few approving; Extreme in hating and in loving; Abhorring all whom I dislike, Adoring who my fancy strike; In forming judgements never long, And for the most part judging wrong; In friendship firm, but still believing Others are treacherous and deceiving, And thinking in the present aera That Friendship is a pure chimaera: More passionate no creature living, Proud, obstinate, and unforgiving, But yet for those who kindness show, Ready through fire and smoke to go. Again, should it be asked your page, ‘Pray, what may be the author’s age?’ Your faults, no doubt, will make it clear, I scarce have seen my twentieth year, Which passed, kind Reader, on my word, While England’s Throne held George the Third. Now then your venturous course pursue: Go, my delight! Dear Book, adieu!
Matthew Gregory Lewis (The Monk)
The bookshop of Kipps is on the left-hand side of the Hythe High Street coming from Folkestone, between the yard of the livery stable and the shop-window full of old silver and such like things—it is quite easy to find—and there you may see him for yourself and speak to him and buy this book of him if you like. He has it in stock, I know. Very delicately I've seen to that. His name is not Kipps, of course, you must understand that, but everything else is exactly as I have told you. You can talk to him about books, about politics, about going to Boulogne, about life, and the ups and downs of life. Perhaps he will quote you Buggins—from whom, by the bye, one can now buy everything a gentleman's wardrobe should contain at the little shop in Rendezvous Street, Folkestone. If you are fortunate to find Kipps in a good mood he may even let you know how he inherited a fortune "once." "Run froo it," he'll say with a not unhappy smile. "Got another afterwards—speckylating in plays. Needn't keep this shop if I didn't like. But it's something to do."... Or he may be even more intimate. "I seen some things," he said to me once. "Raver! Life! Why! once I—I 'loped! I did—reely!" (Of course you will not tell Kipps that he is "Kipps," or that I have put him in this book. He does not know. And you know, one never knows how people are going to take that sort of thing. I am an old and trusted customer now, and for many amiable reasons I should prefer that things remained exactly on their present footing.)
H.G. Wells (Kipps)
But there was a more recent author and public figure whose work spoke to the core of a new set of issues I was struggling with: the Bronx's own Colin Powell. His book, My American Journey, helped me harmonize my understanding of America's history and my aspiration to serve her in uniform. In his autobiography he talked about going to the Woolworth's in Columbus, Georgia, and being able to shop but not eat there. He talked about how black GIs during World War II had more freedoms when stationed in Germany than back in the country they fought for. But he embraced the progress this nation made and the military's role in helping that change to come about. Colin Powell could have been justifiably angry, but he wasn't. He was thankful. I read and reread one section in particular: The Army was living the democratic ideal ahead of the rest of America. Beginning in the fifties, less discrimination, a truer merit system, and leveler playing fields existed inside the gates of our military posts more than in any Southern city hall or Northern corporation. The Army, therefore, made it easier for me to love my country, with all its flaws, and to serve her with all of my heart." -The Other Wes Moore: One Name, Two Fates (p. 131)
Wes Moore (The Other Wes Moore: One Name, Two Fates)
I’m sorry, did you just say your boyfriend ditched you to go shoe shopping?” my mom asks her. Charlotte sighs and crosses her arms in front of her. “He didn’t ditch me. I told him he could go because I was tired.” “You don’t really mean shoe shopping right? You meant to say shopping for sports equipment or a new surround sound system, right?” Aunt Liz asks. “He told us his favorite book of all time was Under the Rainbow: The Real Liza Minnelli. I’m pretty sure shoe shopping would be right up his alley,” Mom reminds her. “Has Rocco gotten the memo yet that he’s gay?” Aunt Liz questions her. Tyler starts laughing hysterically and reaches his hand up to fist-bump my aunt. “Seriously, Mom? Are you judging him? That’s really low,” Charlotte complains. “I’m not judging him. Some of the best people I’ve ever met are gay. I just don’t particularly want my daughter dating someone who’s gay.” Charlotte stomps her foot and growls at Liz, and I have to tell myself not to get too excited. I love seeing her get fired up. Her cheeks turn pink and her eyes sparkle. Now is NOT the time to get a boner. “He is NOT gay! He’s just … he’s in touch with his feminine side.” Tyler snorts and Charlotte shoots an angry look in his direction. “Honey, he doesn’t have a feminine side. He has a vagina,” Aunt Liz informs her.
Tara Sivec (Love and Lists (Chocoholics, #1))
Over the years I have read many, many books about the future, my ‘we’re all doomed’ books, as Connie liked to call them. ‘All the books you read are either about how grim the past was or how gruesome the future will be. It might not be that way, Douglas. Things might turn out all right.’ But these were well-researched, plausible studies, their conclusions highly persuasive, and I could become quite voluble on the subject. Take, for instance, the fate of the middle-class, into which Albie and I were born and to which Connie now belongs, albeit with some protest. In book after book I read that the middle-class are doomed. Globalisation and technology have already cut a swathe through previously secure professions, and 3D printing technology will soon wipe out the last of the manufacturing industries. The internet won’t replace those jobs, and what place for the middle-classes if twelve people can run a giant corporation? I’m no communist firebrand, but even the most rabid free-marketeer would concede that market-forces capitalism, instead of spreading wealth and security throughout the population, has grotesquely magnified the gulf between rich and poor, forcing a global workforce into dangerous, unregulated, insecure low-paid labour while rewarding only a tiny elite of businessmen and technocrats. So-called ‘secure’ professions seem less and less so; first it was the miners and the ship- and steel-workers, soon it will be the bank clerks, the librarians, the teachers, the shop-owners, the supermarket check-out staff. The scientists might survive if it’s the right type of science, but where do all the taxi-drivers in the world go when the taxis drive themselves? How do they feed their children or heat their homes and what happens when frustration turns to anger? Throw in terrorism, the seemingly insoluble problem of religious fundamentalism, the rise of the extreme right-wing, under-employed youth and the under-pensioned elderly, fragile and corrupt banking systems, the inadequacy of the health and care systems to cope with vast numbers of the sick and old, the environmental repercussions of unprecedented factory-farming, the battle for finite resources of food, water, gas and oil, the changing course of the Gulf Stream, destruction of the biosphere and the statistical probability of a global pandemic, and there really is no reason why anyone should sleep soundly ever again. By the time Albie is my age I will be long gone, or, best-case scenario, barricaded into my living module with enough rations to see out my days. But outside, I imagine vast, unregulated factories where workers count themselves lucky to toil through eighteen-hour days for less than a living wage before pulling on their gas masks to fight their way through the unemployed masses who are bartering with the mutated chickens and old tin-cans that they use for currency, those lucky workers returning to tiny, overcrowded shacks in a vast megalopolis where a tree is never seen, the air is thick with police drones, where car-bomb explosions, typhoons and freak hailstorms are so commonplace as to barely be remarked upon. Meanwhile, in literally gilded towers miles above the carcinogenic smog, the privileged 1 per cent of businessmen, celebrities and entrepreneurs look down through bullet-proof windows, accept cocktails in strange glasses from the robot waiters hovering nearby and laugh their tinkling laughs and somewhere, down there in that hellish, stewing mess of violence, poverty and desperation, is my son, Albie Petersen, a wandering minstrel with his guitar and his keen interest in photography, still refusing to wear a decent coat.
David Nicholls (Us)
Like our other needs, meaning is an inherent expectation. Its denial has dire consequences. Far from a purely psychological need, our hormonees and nervous systems clock its presence or absence. As a medical study in 2020 found, the "presence [of] and search for meaning in life are important for health and well-being." Simply put, the more meaningful you find your life, the better your measures of mental and physical health are likely to be. It is itself a sign of the times that we even need such studies to confirm what our experience of life teaches. When do you feel happier, more fulfilled, more viscerally at ease: when you extend yourself to help and connect with others, or when you are focused on burnishing the importance of your little egoic self? We all know the answer, and yet somehow what we know doesn't always carry the day. Corporations are ingenious at exploiting people's needs without actually meeting them. Naomi Klein, in her book No Logo, made vividly clear how big business began in the 1980s to home in on people's natural desire to belong to something larger than themselves. Brand-aware companies such as Nike, Lululemon, and the Body Shop are marketing much more than products: they sell meaning, identification, and an almost religious sense of belonging through association with their brand. "That pressuposes a kind of emptiness and yearning in people," I suggested when I interviewed the prolific author and activist. "Yes," Klein replied. "They tap into a longing and a need for belonging, and they do it by exploiting the insight that just selling running shoes isn't enough. We humans want to be part of a transcendent project.
Gabor Maté (The Myth of Normal: Trauma, Illness, and Healing in a Toxic Culture)
I never leave home without my cayenne pepper. I either stash a bottle of the liquid extract in my pocket book or I stick it in the shopping cart I pull around with me all over Manhattan. When it comes to staying right side up in this world, a black woman needs at least three things. The first is a quiet spot of her own, a place away from the nonsense. The second is a stash of money, like the cash my mother kept hidden in the slit of her mattress. The last is several drops of cayenne pepper, always at the ready. Sprinkle that on your food before you eat it and it’ll kill any lurking bacteria. The powder does the trick as well, but I prefer the liquid because it hits the bloodstream quickly. Particularly when eating out, I won’t touch a morsel to my lips ‘til it’s speckled with with cayenne. That’s just one way I take care of my temple, aside from preparing my daily greens, certain other habits have carried me toward the century mark. First thing I do every morning is drink four glasses of water. People think this water business is a joke. But I’m here to tell you that it’s not. I’ve known two elderly people who died of dehydration, one of whom fell from his bed in the middle of the night and couldn’t stand up because he was so parched. Following my water, I drink 8 ounces of fresh celery blended in my Vita-mix. The juice cleanses the system and reduces inflammation. My biggest meal is my first one: oatmeal. I soak my oats overnight so that when I get up all I have to do is turn on the burner. Sometimes I enjoy them with warm almond milk, other times I add grated almonds and berries, put the mixture in my tumbler and shake it until it’s so smooth I can drink it. In any form, oats do the heart good. Throughout the day I eat sweet potatoes, which are filled with fiber, beets sprinkled with a little olive oil, and vegetables of every variety. I also still enjoy plenty of salad, though I stopped adding so many carrots – too much sugar. But I will do celery, cucumbers, seaweed grass and other greens. God’s fresh bounty doesn’t need a lot of dressing up, which is why I generally eat my salad plain. From time to time I do drizzle it with garlic oil. I love the taste. I also love lychee nuts. I put them in the freezer so that when I bite into them cold juice comes flooding out. As terrific as they are, I buy them only once in awhile. I recently bit into an especially sweet one, and then I stuck it right back in the freezer. “Not today, Suzie,” I said to myself, “full of glucose!” I try never to eat late, and certainly not after nine p.m. Our organs need a chance to rest. And before bed, of course, I have a final glass of water. I don’t mess around with my hydration.
Cicely Tyson (Just as I Am)
481 I went into the barbershop as usual, with the pleasant sensation of entering a familiar place, easily and naturally. New things are distressing to my sensibility; I’m at ease only in places where I’ve already been. After I’d sat down in the chair, I happened to ask the young barber, occupied in fastening a clean, cool cloth around my neck, about his older colleague from the chair to the right, a spry fellow who had been sick. I didn’t ask this because I felt obliged to ask something; it was the place and my memory that sparked the question. ‘He passed away yesterday,’ flatly answered the barber’s voice behind me and the linen cloth as his fingers withdrew from the final tuck of the cloth in between my shirt collar and my neck. The whole of my irrational good mood abruptly died, like the eternally missing barber from the adjacent chair. A chill swept over all my thoughts. I said nothing. Nostalgia! I even feel it for people and things that were nothing to me, because time’s fleeing is for me an anguish, and life’s mystery is a torture. Faces I habitually see on my habitual streets – if I stop seeing them I become sad. And they were nothing to me, except perhaps the symbol of all of life. The nondescript old man with dirty gaiters who often crossed my path at nine-thirty in the morning… The crippled seller of lottery tickets who would pester me in vain… The round and ruddy old man smoking a cigar at the door of the tobacco shop… The pale tobacco shop owner… What has happened to them all, who because I regularly saw them were a part of my life? Tomorrow I too will vanish from the Rua da Prata, the Rua dos Douradores, the Rua dos Fanqueiros. Tomorrow I too – I this soul that feels and thinks, this universe I am for myself – yes, tomorrow I too will be the one who no longer walks these streets, whom others will vaguely evoke with a ‘What’s become of him?’. And everything I’ve done, everything I’ve felt and everything I’ve lived will amount merely to one less passer-by on the everyday streets of some city or other.
Fernando Pessoa (The Book of Disquiet: The Complete Edition)
More recently, Dallas Willard put it this way: Desire is infinite partly because we were made by God, made for God, made to need God, and made to run on God. We can be satisfied only by the one who is infinite, eternal, and able to supply all our needs; we are only at home in God. When we fall away from God, the desire for the infinite remains, but it is displaced upon things that will certainly lead to destruction.5 Ultimately, nothing in this life, apart from God, can satisfy our desires. Tragically, we continue to chase after our desires ad infinitum. The result? A chronic state of restlessness or, worse, angst, anger, anxiety, disillusionment, depression—all of which lead to a life of hurry, a life of busyness, overload, shopping, materialism, careerism, a life of more…which in turn makes us even more restless. And the cycle spirals out of control. To make a bad problem worse, this is exacerbated by our cultural moment of digital marketing from a society built around the twin gods of accumulation and accomplishment. Advertising is literally an attempt to monetize our restlessness. They say we see upward of four thousand ads a day, all designed to stoke the fire of desire in our bellies. Buy this. Do this. Eat this. Drink this. Have this. Watch this. Be this. In his book on the Sabbath, Wayne Muller opined, “It is as if we have inadvertently stumbled into some horrific wonderland.”6 Social media takes this problem to a whole new level as we live under the barrage of images—not just from marketing departments but from the rich and famous as well as our friends and family, all of whom curate the best moments of their lives. This ends up unintentionally playing to a core sin of the human condition that goes all the way back to the garden—envy. The greed for another person’s life and the loss of gratitude, joy, and contentment in our own.
John Mark Comer (The Ruthless Elimination of Hurry: How to Stay Emotionally Healthy and Spiritually Alive in the Chaos of the Modern World)
I never got to take you to the prom. You went with Henry Featherstone. And you wore a peach-colored dress.” “How could you possibly know that?” Callie asked. “Because I saw you walk in with him.” “You didn’t know I was alive in high school,” Callie scoffed. “You had algebra first period, across the hall from my trig class. You ate a sack lunch with the same three girls every day, Lou Ann, Becky and Robbie Sue. You spent your free period in the library reading Hemingway and Steinbeck. And you went straight home after school without doing any extracurricular activities, except on Thursdays. For some reason, on Thursdays you showed up at football practice. Why was that, Callie?” Callie was confused. How could Trace possibly know so much about her activities in high school? They hadn’t even met until she showed up at the University of Texas campus. “I don’t understand,” she said. “You haven’t answered my question. Why did you come to football practice on Thursdays?” “Because that was the day I did the grocery shopping, and I didn’t have to be home until later.” “Why were you there, Calllie?” Callie stared into his eyes, afraid to admit the truth. But what difference could it possibly make now? She swallowed hard and said, “I was there to see you.” He gave a sigh of satisfaction. “I hoped that was it. But I never knew for sure.” Callie’s brow furrowed. “You wanted me to notice you?” “I noticed you. Couldn’t you feel my eyes on you? Didn’t you ever sense the force of my boyish lust? I had it bad for you my senior year. I couldn’t walk past you in the hall without needing to hold my books in my lap when I saw down in the next class.” “You’re kidding, right?” Trace chuckled. “I wish I were.” “Then it wasn’t an accident, our meeting like that at UT?” “That’s the miracle of it,” Trace said. “It was entirely by accident. Fate. Kisma. Karma. Whatever you want to call it.
Joan Johnston (The Cowboy (Bitter Creek #1))
My life began by flickering out. It may sound strange but it is so. From the very first moment I became conscious of myself, I felt that I was already flickering out. I began to flicker out over the writing of official papers at the office; I went on flickering out when I read truths in books which I did not know how to apply in life, when I sat with friends listening to rumours, gossip, jeering, spiteful, cold, and empty chatter, and watching friendships kept up by meetings that were without aim or affection; I was flickering out and wasting my energies with Minna on whom I spent more than half of my income, imagining that I loved her; I was flickering out when I walked idly and dejectedly along Nevsky Avenue among people in raccoon coats and beaver collars – at parties, on reception days, where I was welcomed with open arms as a fairly eligible young man; I was flickering out and wasting my life and mind on trifles moving from town to some country house, and from the country house to Gorokhovaya, fixing the arrival of spring by the fact that lobsters and oysters had appeared in the shops, of autumn and winter by the special visiting days, of summer by the fêtes, and life in general by lazy and comfortable somnolence like the rest. ... Even ambition – what was it wasted on? To order clothes at a famous tailor's? To get an invitation to a famous house? To shake hands with Prince P.? And ambition is the salt of life! Where has it gone to? Either I have not understood this sort of life or it is utterly worthless; but I did not know of a better one. No one showed it to me.
Ivan Goncharov (Oblomov)
Wait." Walter went to the basket, taking what was a gray sleeve, drawing it out fro the middle of the heap. "Oh," He said. He held the shapeless wool sweater to his chest. Joyce had knit for months the year Daniel died, and here was the result, her handiwork, the garment that would fit a giant. It was nothing more than twelve skeins of yarn and thousands of loops, but it had the power to bring back in a flash the green-tiled walls of the hospital, the sound of an ambulance trying to cut through city traffic in the distance, the breathing of the dying boy, his father staring at the ceiling, the full greasy bucket of fried chicken on he bed table. "I'll take this one," Walter said, balling up the sweater as best he could, stuffing it into a shopping bag that was half full of the books he was taking home, that he was borrowing. "Oh, honey," Joyce said. "You don't want that old scrap." "You made it. I remember your making it." Keep it light, he said to himself, that's a boy. "There's a use for it. Don't you think so, Aunt Jeannie? No offense, Mom, but I could invade the Huns with it or strap the sleeves to my car tires in a blizzard, for traction, or protect our nation with it out in space, a shield against nuclear attack." Jeannie tittered in her usual way in spite of herself. "You always did have that sense of humor," she said as she went upstairs. When she was out of range, Joyce went to Walter's bag and retrieved the sweater. She laid it on the card table, the long arms hanging down, and she fingered the stitches. "Will you look at the mass of it," she exclaimed. "I don't even recall making it." ""'Memory -- that strange deceiver,'" Walter quoted.
Jane Hamilton (The Short History of a Prince)
American Indians share a magnificent history — rich in its astounding diversity, its integrity, its spirituality, its ongoing unique culture and dynamic tradition. It's also rich, I'm saddened to say, in tragedy, deceit, and genocide. Our sovereignty, our nationhood, our very identity — along with our sacred lands — have been stolen from us in one of the great thefts of human history. And I am referring not just to the thefts of previous centuries but to the great thefts that are still being perpetrated upon us today, at this very moment. Our human rights as indigenous peoples are being violated every day of our lives — and by the very same people who loudly and sanctimoniously proclaim to other nations the moral necessity of such rights. Over the centuries our sacred lands have been repeatedly and routinely stolen from us by the governments and peoples of the United States and Canada. They callously pushed us onto remote reservations on what they thought was worthless wasteland, trying to sweep us under the rug of history. But today, that so-called wasteland has surprisingly become enormously valuable as the relentless technology of white society continues its determined assault on Mother Earth. White society would now like to terminate us as peoples and push us off our reservations so they can steal our remaining mineral and oil resources. It's nothing new for them to steal from nonwhite peoples. When the oppressors succeed with their illegal thefts and depredations, it's called colonialism. When their efforts to colonize indigenous peoples are met with resistance or anything but abject surrender, it's called war. When the colonized peoples attempt to resist their oppression and defend themselves, we're called criminals. I write this book to bring about a greater understanding of what being an Indian means, of who we are as human beings. We're not quaint curiosities or stereotypical figures in a movie, but ordinary — and, yes, at times, extraordinary — human beings. Just like you. We feel. We bleed. We are born. We die. We aren't stuffed dummies in front of a souvenir shop; we aren't sports mascots for teams like the Redskins or the Indians or the Braves or a thousand others who steal and distort and ridicule our likeness. Imagine if they called their teams the Washington Whiteskins or the Washington Blackskins! Then you'd see a protest! With all else that's been taken from us, we ask that you leave us our name, our self-respect, our sense of belonging to the great human family of which we are all part. Our voice, our collective voice, our eagle's cry, is just beginning to be heard. We call out to all of humanity. Hear us!
Leonard Peltier (Prison Writings)
I have again been asked to explain how one can "become a Daoists..." with all of the sad things happening in our world today, Laozi and Zhuangzi give words of advice, tho not necessarily to become a Daoist priest or priestess... " So many foreigners who want to become “Religious Daoists” 道教的道师 (道士) do not realize that they must not only receive a transmission of a Lu 籙 register which identifies their Daoist school, and learn as well how to sing the ritual melodies, play the flute, stringed instruments, drums, and sacred dance steps, required to be an ordained and functioning Daoist priest or priestess. This process usually takes 10 years or more of daily discipleship and practice, to accomplish. There are 86 schools and genre of Daoist rituals listed in the Baiyun Guan Gazeteer, 白雲觀志, which was edited by Oyanagi Sensei, in Tokyo, 1928, and again in 1934, and re-published by Baiyun Guan in Beijing, available in their book shop to purchase. Some of the schools, such as the Quanzhen Longmen 全真龙门orders, allow their rituals and Lu registers to be learned by a number of worthy disciples or monks; others, such as the Zhengyi, Qingwei, Pole Star, and Shangqing 正一,清微,北极,上请 registers may only be taught in their fullness to one son and/or one disciple, each generation. Each of the schools also have an identifying poem, from 20 or 40 character in length, or in the case of monastic orders (who pass on the registers to many disciples), longer poems up to 100 characters, which identify the generation of transmission from master to disciple. The Daoist who receives a Lu register (給籙元科, pronounced "Ji Lu Yuanke"), must use the character from the poem given to him by his or her master, when composing biao 表 memorials, shuwen 梳文 rescripts, and other documents, sent to the spirits of the 3 realms (heaven, earth, water /underworld). The rituals and documents are ineffective unless the correct characters and talismanic signature are used. The registers are not given to those who simply practice martial artists, Chinese medicine, and especially never shown to scholars. The punishment for revealing them to the unworthy is quite severe, for those who take payment for Lu transmission, or teaching how to perform the Jinlu Jiao and Huanglu Zhai 金籙醮,黃籙齋 科儀 keyi rituals, music, drum, sacred dance steps. Tang dynasty Tangwen 唐文 pronunciation must also be used when addressing the highest Daoist spirits, i.e., the 3 Pure Ones and 5 Emperors 三请五帝. In order to learn the rituals and receive a Lu transmission, it requires at least 10 years of daily practice with a master, by taking part in the Jiao and Zhai rituals, as an acolyte, cantor, or procession leader. Note that a proper use of Daoist ritual also includes learning Inner Alchemy, ie inner contemplative Daoist meditation, the visualization of spirits, where to implant them in the body, and how to summon them forth during ritual. The woman Daoist master Wei Huacun’s Huangting Neijing, 黃庭內經 to learn the esoteric names of the internalized Daoist spirits. Readers must be warned never to go to Longhu Shan, where a huge sum is charged to foreigners ($5000 to $9000) to receive a falsified document, called a "license" to be a Daoist! The first steps to true Daoist practice, Daoist Master Zhuang insisted to his disciples, is to read and follow the Laozi Daode Jing and the Zhuangzi Neipian, on a daily basis. Laozi Ch 66, "the ocean is the greatest of all creatures because it is the lowest", and Ch 67, "my 3 most precious things: compassion for all, frugal living for myself, respect all others and never put anyone down" are the basis for all Daoist practice. The words of Zhuangzi, Ch 7, are also deeply meaningful: "Yin and Yang were 2 little children who loved to play inside Hundun (ie Taiji, gestating Dao). They felt sorry because Hundun did not have eyes, or eats, or other senses. So everyday they drilled one hole, ie 2 eyes, 2 ears, 2 nostrils, one mouth; and on the 7th day, Hundun died.
Michael Saso
He couldn’t have known it, but among the original run of The History of Love, at least one copy was destined to change a life. This particular book was one of the last of the two thousand to be printed, and sat for longer than the rest in a warehouse in the outskirts of Santiago, absorbing the humidity. From there it was finally sent to a bookstore in Buenos Aires. The careless owner hardly noticed it, and for some years it languished on the shelves, acquiring a pattern of mildew across the cover. It was a slim volume, and its position on the shelf wasn’t exactly prime: crowded on the left by an overweight biography of a minor actress, and on the right by the once-bestselling novel of an author that everyone had since forgotten, it hardly left its spine visible to even the most rigorous browser. When the store changed owners it fell victim to a massive clearance, and was trucked off to another warehouse, foul, dingy, crawling with daddy longlegs, where it remained in the dark and damp before finally being sent to a small secondhand bookstore not far from the home of the writer Jorge Luis Borges. The owner took her time unpacking the books she’d bought cheaply and in bulk from the warehouse. One morning, going through the boxes, she discovered the mildewed copy of The History of Love. She’d never heard of it, but the title caught her eye. She put it aside, and during a slow hour in the shop she read the opening chapter, called 'The Age of Silence.' The owner of the secondhand bookstore lowered the volume of the radio. She flipped to the back flap of the book to find out more about the author, but all it said was that Zvi Litvinoff had been born in Poland and moved to Chile in 1941, where he still lived today. There was no photograph. That day, in between helping customers, she finished the book. Before locking up the shop that evening, she placed it in the window, a little wistful about having to part with it. The next morning, the first rays of the rising sun fell across the cover of The History of Love. The first of many flies alighted on its jacket. Its mildewed pages began to dry out in the heat as the blue-gray Persian cat who lorded over the shop brushed past it to lay claim to a pool of sunlight. A few hours later, the first of many passersby gave it a cursory glance as they went by the window. The shop owner did not try to push the book on any of her customers. She knew that in the wrong hands such a book could easily be dismissed or, worse, go unread. Instead she let it sit where it was in the hope that the right reader might discover it. And that’s what happened. One afternoon a tall young man saw the book in the window. He came into the shop, picked it up, read a few pages, and brought it to the register. When he spoke to the owner, she couldn’t place his accent. She asked where he was from, curious about the person who was taking the book away. Israel, he told her, explaining that he’d recently finished his time in the army and was traveling around South America for a few months. The owner was about to put the book in a bag, but the young man said he didn’t need one, and slipped it into his backpack. The door chimes were still tinkling as she watched him disappear, his sandals slapping against the hot, bright street. That night, shirtless in his rented room, under a fan lazily pushing around the hot air, the young man opened the book and, in a flourish he had been fine-tuning for years, signed his name: David Singer. Filled with restlessness and longing, he began to read.
Nicole Krauss
Miss Lucinda Throckmorton-Jones, former paid companion to several of the ton’s most successful debutantes of prior seasons, came to Havenhurst to fill the position of Elizabeth’s duenna. A woman of fifty with wiry gray hair she scraped back into a bun and the posture of a ramrod, she had a permanently pinched face, as if she smelled something disagreeable but was too well-bred to remark upon it. In addition to the duenna’s daunting physical appearance, Elizabeth observed shortly after their first meeting that Miss Throckmorton-Jones possessed an astonishing ability to sit serenely for hours without twitching so much as a finger. Elizabeth refused to be put off by her stony demeanor and set about finding a way to thaw her. Teasingly, she called her “Lucy,” and when the casually affectionate nickname won a thunderous frown from the lady, Elizabeth tried to find a different means. She discovered it very soon: A few days after Lucinda came to live at Havenhurst the duenna discovered her curled up in a chair in Havenhurt’s huge library, engrossed in a book. “You enjoy reading?” Lucinda had said gruffly-and with surprise-as she noted the gold embossed title on the volume. “Yes,” Elizabeth had assured her, smiling. “Do you?” “Have you read Christopher Marlowe?” “Yes, but I prefer Shakespeare.” Thereafter it became their policy each night after supper to debate the merits of the individual books they’d read. Before long Elizabeth realized that she’d won the duenna’s reluctant respect. It was impossible to be certain she’d won Lucinda’s affection, for the only emotion the lady ever displayed was anger, and that only once, at a miscreant tradesman in the village. Even so, it was a display Elizabeth never forgot. Wielding her ever-present umbrella, Lucinda had advanced on the hapless man, backing him clear around his own shop, while from her lips in a icy voice poured the most amazing torrent of eloquent, biting fury Elizabeth had ever heard. “My temper,” Lucinda had primly informed her-by way of apology, Elizabeth supposed-“is my only shortcoming.” Privately, Elizabeth thought Lucy must bottle up all her emotions inside herself as she sat perfectly still on sofas and chairs, for years at a time, until it finally exploded like one of those mountains she’d read about that poured forth molten rock when the pressure finally reached a peak.
Judith McNaught (Almost Heaven (Sequels, #3))
But I am a paladin,” Cordelia cried. “It’s awful, I loathe it— don’t imagine that I feel anything other than hated for this thing that binds me to Lilith. But they fear me because of it. They dare not touch me—” “Oh?” snarled James. “They dare not touch you? That’s not what it bloody looked like.” “The demon at Chiswick House—it was about to tell me something about Belial, before you shot it.” “Listen to yourself, Cordelia!” James shouted. “You are without Cortana! You cannot even lift a weapon! Do you know what it means to me, that you cannot protect yourself? Do you understand that I am terrified, every moment of every day and night, for your safety?” Cordelia stood speechless. She had no idea what to say. She blinked, and felt something hot against her cheek. She put her hand up quickly—surely she was not crying?— and it came away scarlet. “You’re bleeding,” James said. He closed the distance between them in two strides. He caught her chin and lifted it, his thumb stroking across her cheekbone. “Just a scratch,” he breathed. “Are you hurt anywhere else? Daisy, tell me—” “No. I’m fine. I promise you,” she said, her voice wavering as his intent golden eyes spilled over her, searching for signs of injury. “It’s nothing.” “It’s the furthest thing from nothing,” James rasped. “By the Angel, when I realized you’d gone out, at night, weaponless—” “What were you even doing at the house? I thought you were staying at the Institute.” “I came to get something for Jesse,” James said. “I took him shopping, with Anna—he needed clothes, but we forgot cuff links—” “He did need clothes,” Cordelia agreed. “Nothing he had fit.” “Oh, no,” said James. “We are not chatting. When I came in, I saw your dress in the hall, and Effie told me she’d caught a glimpse of you leaving. Not getting in a carriage, just wandering off toward Shepherd Market—” “So you Tracked me?” “I had no choice. And then I saw you—you had gone to where your father died,” he said after a moment. “I thought—I was afraid—” “That I wanted to die too?” Cordelia whispered. It had not occurred to her that he might think that. “James. I may be foolish, but I am not self-destructive.” “And I thought, had I made you as miserable as that? I have made so many mistakes, but none were calculated to hurt you. And then I saw what you were doing, and I thought, yes, she does want to die. She wants to die and this is how she’s chosen to do it.” He was breathing hard, almost gasping, and she realized how much of his fury was despair. “James,” she said. “It was a foolish thing to do, but at no moment did I want to die—” He caught at her shoulders. “You cannot hurt yourself, Daisy. You must not. Hate me, hit me, do anything you want to me. Cut up my suits and set fire to my books. Tear my heart into pieces, scatter them across England. But do not harm yourself—” He pulled her toward him, suddenly, pressing his lips to her hair, her cheek. She caught him by the arms, her fingers digging into his sleeves, holding him to her. “I swear to the Angel,” he said, in a muffled voice, “if you die, I will die, and I will haunt you. I will give you no peace—” He kissed her mouth. Perhaps it had been meant to be a quick kiss, but she could not help herself: she kissed back. And it was like breathing air after being trapped underground for weeks, like coming into sunlight after darkness.
Cassandra Clare (Chain of Thorns (The Last Hours, #3))