Bone Idle Quotes

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I guess we'd better move the trash. We can start with the Dumpster." He pointed at it, looking distinctly unenthusiastic. "You'd rather face a ravening horde of demons, wouldn't you?" Clary said. "At least they wouldn't be crawling with maggots. Well," he added thoughtfully, "not most of them, anyway. There was this one demon, once, that I tracked down to the sewers under Grand Central—" "Don't." Clary raised a warning hand. "I'm not really in the mood right now." "That's got to be the first time a girl's ever said that to me," Jace mused. "Stick with me and it won't be the last." The corner of Jace's mouth twitched. "This is hardly the time for idle banter. We have garbage to haul.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
sticks and stones will break my bones, but words will make me cry by myself in a corner for hours.
Eric Idle
People are wrong when they think that an unemployed man only worries about losing his wages; on the contrary, an illiterate man, with the work habit in his bones, needs work even more than he needs money. An educated man can put up with enforced idleness, which is one of the worst evils of poverty. But a man like Paddy, with no means of filling up time, is as miserable out of work as a dog on the chain. That is why it is such nonsense to pretend that those who have 'come down in the world' are to be pitied above all others. The man who really merits pity is the man who has been down from the start, and faces poverty with a blank, resourceless mind.
George Orwell (Down and Out in Paris and London)
All of this cuteness, it was one of nature's great bait and switches, because... that wasn't all there was to Zuzana Nováková. Not even a little bit. Deciding to take her on was akin to a fish deciding idly to gobble up that pretty light bobbing in the shadows and then--OH GOD THE TEETH THE HORROR!--meeting the anglerfish on the other side.
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
And so to read is, in truth, to be in the constant act of creation. The old lady on the bus with her Orwell, the businessman on the Tube with Patricia Cornwell, the teenager roaring through Capote -- they are not engaged in idle pleasure. Their heads are on fire. Their hearts are flooding. With a book, you are the landscape, the sets, the snow, the hero, the kiss -- you are the mathematical calculation that plots the trajectory of the blazing, crashing zeppelin. You -- pale, punchable reader -- are terraforming whole worlds in your head, which will remain with you until the day you die. These books are as much a part of you as your guts and your bone. And when your guts fail and your bones break, Narnia, or Jamaica Inn, or Gormenghast will still be there; as pin-sharp and bright as the day you first imagined them -- hiding under the bedclothes, sitting on the bus. Exhausted, on a rainy day, weeping over the death of someone you never met, and who was nothing more than words until you transfused them with your time, and your love, and the imagination you constantly dismiss as "just being a bit of a bookworm.
Caitlin Moran
But, look, it is good to have a dream so long as you do not let it gnaw at the substance of your present. I have seen men consumed by their dreams, and it is a sour business. If you cling too tightly to a dream—a poodle bitch or a personal sausage chef or whatever—then you miss the felicity of your heart beating and the smell of the grass growing and the sounds lizards make when you run through the neighborhood with our friend. Your dream should be like a favorite old bone that you savor and cherish and chew upon gently. Then, rather than stealing from you a wasted sigh or the life of an idle hour, it nourishes you, and you become strangely contented by nostalgia for a possible future, so juicy with possibility and redolent of sautéed garlic and decadent slabs of bacon that you feel full when you’ve eaten nothing. And then, one fine day when the sun smiles upon your snout, then the time is right, you bite down hard. The dream is yours. And then you chew on the next one.
Kevin Hearne (Hammered (The Iron Druid Chronicles, #3))
Sticks and stones may break my bones but words will make you go into a corner by myself and cry for hours.
Eric Idle
Here Mankind is not governed by the rules of reason, stupid and strict, but by the heart and intuition. The people do not indulge in idle chatter, parading what they know, but create remarkable things by applying their imagination. The state ceases to impose the shackles of daily oppression, but helps people to realize their hopes and dreams. And Man is not just a cog in the system, not just playing a role, but a free Creature. That’s what was passing through my mind, making my bed-rest almost a pleasure. Sometimes I think that only the sick are truly healthy.
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
My Venus is damaged, or in exile, that’s what you say of a Planet that can’t be found in the sign where it should be. What’s more, Pluto is in a negative aspect to Venus, and in my case Pluto rules the Ascendant. The result of this situation is that I have, as I see it, Lazy Venus syndrome. That’s what I call this Conformity. In this case we’re dealing with a Person whom fortune has gifted generously, but who has entirely failed to use their potential. Such People are bright and intelligent, but don’t apply themselves to their studies, and use their intelligence to play card games or patience instead. They have beautiful bodies, but they destroy them through neglect, poison themselves with harmful substances, and ignore doctors and dentists. This Venus induces a strange kind of laziness—lifetime opportunities are missed, because you overslept, because you didn’t feel like going, because you were late, because you were neglectful. It’s a tendency to be sybaritic, to live in a state of mild semiconsciousness, to fritter your life away on petty pleasures, to dislike effort and be devoid of any penchant for competition. Long mornings, unopened letters, things put off for later, abandoned projects. A dislike of any authority and a refusal to submit to it, going your own way in a taciturn, idle manner. You could say such people are of no use at all.
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
The men came to mind as mostly idle between nights of running wild or time in the pen, cooking moon and gathering around the spout, with ears chewed, fingers chopped, arms shot away, and no apologies grunted ever. The women came to mind bigger, closer, with their lonely eyes and homely yellow teeth, mouths clamped against smiles, working in the hot fields from can to can't, hands tattered rough as dry cobs, lips cracked all winter, a white dress for marrying, a black dress for burying, and Ree nodded yup. Yup.
Daniel Woodrell (Winter's Bone)
Respectability had its uses. I wondered idly how many spymasters had thought of using elderly ladies? You didn’t hear about old women as spies—but then again, that might merely indicate how good they were at it.
Diana Gabaldon (An Echo in the Bone (Outlander, #7))
You think of travelers as bold, but our guilty secret is that travel is one of the laziest ways on earth of passing the time. Travel is not merely the business of being bone-idle, but also an elaborate bumming evasion, allowing us to call attention to ourselves with our conspicuous absence while we intrude upon other people’s privacy — being actively offensive as fugitive freeloaders. The traveler is the greediest kind of romantic voyeur, and in some well-hidden part of the traveler’s personality is an unpickable knot of vanity, presumption, and mythomania bordering on the pathological. This is why a traveler’s worst nightmare is not the secret police or the witch doctors or malaria, but rather the prospect of meeting another traveler. Most writing about travel takes the form of jumping to conclusions, and so most travel books are superfluous, the thinnest, most transparent monologuing. Little better than a license to bore, travel writing is the lowest form of literary self-indulgence: dishonest complaining, creative mendacity, pointless heroics, and chronic posturing, much of it distorted with Munchausen syndrome.
Paul Theroux
And so to read is, in truth, to be in the constant act of creation. The old lady on the bus with her Orwell, the businessman on the Tube with Patricia Cornwell, the teenager roaring through Capote -- they are not engaged in idle pleasure. Their heads are on fire. Their hearts are flooding. With a book, you are the landscape, the sets, the snow, the hero, the kiss -- you are the mathematical calculation the plots the trajectory of the blazing, crashing zeppelin. You -- pale, punchable reader -- are terraforming whole worlds in your head, which will remain with you until the day you die. These books are as much a part of you as your guts and your bone. And when your guts fail and your bones break, Narnia, or Jamaica Inn, or Gormenghast will still be there; as pin-sharp and bright as the day you first imagined them -- hiding under the bedclothes, sitting on the bus. Exhausted, on a rainy day, weeping over the death of someone you never met, and who was nothing more than words until you transformed them with your time, and your love, and the imagination you constantly dismiss as "just being a bit of a bookworm.
Caitlin Moran (Moranifesto)
People are wrong when they think that an unemployed man only worries about losing his wages; on the contrary, an illiterate man, with the work habit in his bones, needs work even more than he needs money. An educated man can put up with enforced idleness, which is one of the worst evils of poverty. But a man like Paddy, with no means of filling up time, is as miserable out of work as a dog on the chain.
George Orwell (Down and Out in Paris and London)
Languor is underrated. It is not possible to be immobile in modern society except by dint of constant effort. Holding on tightly to the riverbank and fighting the current is not languor. Nobody likes that. But bone-lazy idleness hours and hours spent staring at the sky and remembering books and birthdays and great kisses: this is a pure pleasure that eludes the productive in all their confident superiority. Languor s sunny and hot. It is at home near the sea and is best appreciated in environments of beauty and limited promise. It contains within it the idea of boredom but is also colored by idle fancy and the understanding that some things proceed best with limited attention.
Kevin Patterson (The Water in Between: A Journey at Sea)
Bagpipe Music' It's no go the merrygoround, it's no go the rickshaw, All we want is a limousine and a ticket for the peepshow. Their knickers are made of crêpe-de-chine, their shoes are made of python, Their halls are lined with tiger rugs and their walls with heads of bison. John MacDonald found a corpse, put it under the sofa, Waited till it came to life and hit it with a poker, Sold its eyes for souvenirs, sold its blood for whiskey, Kept its bones for dumb-bells to use when he was fifty. It's no go the Yogi-Man, it's no go Blavatsky, All we want is a bank balance and a bit of skirt in a taxi. Annie MacDougall went to milk, caught her foot in the heather, Woke to hear a dance record playing of Old Vienna. It's no go your maidenheads, it's no go your culture, All we want is a Dunlop tyre and the devil mend the puncture. The Laird o' Phelps spent Hogmanay declaring he was sober, Counted his feet to prove the fact and found he had one foot over. Mrs Carmichael had her fifth, looked at the job with repulsion, Said to the midwife 'Take it away; I'm through with overproduction'. It's no go the gossip column, it's no go the Ceilidh, All we want is a mother's help and a sugar-stick for the baby. Willie Murray cut his thumb, couldn't count the damage, Took the hide of an Ayrshire cow and used it for a bandage. His brother caught three hundred cran when the seas were lavish, Threw the bleeders back in the sea and went upon the parish. It's no go the Herring Board, it's no go the Bible, All we want is a packet of fags when our hands are idle. It's no go the picture palace, it's no go the stadium, It's no go the country cot with a pot of pink geraniums, It's no go the Government grants, it's no go the elections, Sit on your arse for fifty years and hang your hat on a pension. It's no go my honey love, it's no go my poppet; Work your hands from day to day, the winds will blow the profit. The glass is falling hour by hour, the glass will fall for ever, But if you break the bloody glass you won't hold up the weather.
Louis MacNeice
The whole, complex human psyche has evolved to prevent Man from understanding what he is really seeing. To stop the truth from reaching him by wrapping it in illusion, in idle chatter. The world is a prison full of suffering so constructed that in order to survive one must inflict pain on others.
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
When the ship cracks in the typhoon, we cover our heads and tell ourselves that all will resolve back to normal. But we are unbelieving. This time may not be like the other times that with time grew into cheerful anecdotes. The stories we heard, about the ten thousand buried in the quake, were, after all, true. And more irredeemable than any human catastrophe, the dinosaurs trailed across the desert to their end. They left no descendents to embellish their saga, but only the white bones and the marks in the clay for archeologists to make into footnotes. Our hour may be this hour, and our end the dinosaurs’. So perhaps there will be no revolving back at all, and only archives, full of archetypes, like the composite photographs of movie heroines. But with or without us, the Day itself must return, we insist, when the Joke at least sits basking in the sun, decorating her idle body with nameless red, once blood. Philosophy, like lichens, takes centuries to grow and is always ignored in the Book of Instructions. If you can’t Take It, Get Out. I can’t take it, so I lie on the hotel bed dissolving into chemicals whose adventure will pursue time to her extinguishment, without the slightest influence from these few years when I held them together in human passion.
Elizabeth Smart (By Grand Central Station I Sat Down and Wept)
I can understand the ignorant masses loving to soak themselves in drink—oh, yes, it's very shocking that they should, of course—very shocking to us who live in cozy homes, with all the graces and pleasures of life around us, that the dwellers in damp cellars and windy attics should creep from their dens of misery into the warmth and glare of the public-house bar, and seek to float for a brief space away from their dull world upon a Lethe stream of gin. But think, before you hold up your hands in horror at their ill-living, what "life" for these wretched creatures really means. Picture the squalid misery of their brutish existence, dragged on from year to year in the narrow, noisome room where, huddled like vermin in sewers, they welter, and sicken, and sleep; where dirt-grimed children scream and fight and sluttish, shrill-voiced women cuff, and curse, and nag; where the street outside teems with roaring filth and the house around is a bedlam of riot and stench. Think what a sapless stick this fair flower of life must be to them, devoid of mind and soul. The horse in his stall scents the sweet hay and munches the ripe corn contentedly. The watch-dog in his kennel blinks at the grateful sun, dreams of a glorious chase over the dewy fields, and wakes with a yelp of gladness to greet a caressing hand. But the clod-like life of these human logs never knows one ray of light. From the hour when they crawl from their comfortless bed to the hour when they lounge back into it again they never live one moment of real life. Recreation, amusement, companionship, they know not the meaning of. Joy, sorrow, laughter, tears, love, friendship, longing, despair, are idle words to them. From the day when their baby eyes first look out upon their sordid world to the day when, with an oath, they close them forever and their bones are shoveled out of sight, they never warm to one touch of human sympathy, never thrill to a single thought, never start to a single hope. In the name of the God of mercy; let them pour the maddening liquor down their throats and feel for one brief moment that they live!
Jerome K. Jerome (Idle Thoughts of an Idle Fellow)
After three years of music-hall and theatre I'm still the same: always ready too soon. Ten thirty-five. . . . I'd better open that book lying on the make-up shelf, even though I've read it over and over again, or the copy of Paris-Sport the dresser was marking just now with my eyebrow pencil; otherwise I'll find myself all alone, face to face with that painted mentor who gazes at me from the other side of the looking-glass, with deep-set eyes under lids smeared with purplish grease-paint. Her cheek-bones are as brightly coloured as garden phlox and her blackish-red lips gleam as though they were varnished. She gazes at me for a long time and I know she is going to speak to me. She is going to say: "Is that you there? All alone, therr in that cage where idle, impatient, imprisoned hands have scored the white walls with interlaced initials and embellished them with crude, indecent shapes? On those plaster walls reddened nails, like yours, have unconsciously inscribed the appeal of the forsaken. Behind you a feminine hand has carved Marie, and the name ends in a passionate mounting flourish, like a cry to heaven. Is it you there, all alone under that ceiling booming and vibrating beneath the feet of dancers, like the floor of a mill in action? Why are you there, all alone? And why not somewhere else?" Yes, this is the dangerous, lucid hour. Who will knock at the door of my dressing-room, what face will come between me and the painted-mentor peering at me from the other side of the looking-glass? Chance, my master and my friend, will, I feel sure, deign once again to send me the spirits of his unruly kingdom. All my trust is now in him----and in myself. But above all in him, for when I go under he always fishes me out, seizing and shaking me like a life-saving dog whose teeth tear my skin a little every time. So now, whenever I despair, I no longer expect my end, but some bit of luck, some commonplace little miracle which, like a glittering link, will mend again the necklace of my days. Faith, that is what it is, genuine faith, as blind as it sometimes pretends to be, with all the dissembling renunciations of faith, and that obstinacy which makes it continue to hope even at the moment if crying. "I am utterly forsaken!" There is no doubt that, if ever my heart were to call my master Chance by another name, I should make an excellent Catholic.
Colette Gauthier-Villars
You think of travellers as bold, but our guilty secret is that travel is one of the laziest ways on earth of passing the time. Travel is not merely the business of being bone-idle, but also an elaborate bumming evasion, allowing us to call attention to ourselves with our conspicuous absence while we intrude upon other people’s privacy – being actively offensive as fugitive freeloaders. The traveller is the greediest kind of romantic voyeur, and in some well-hidden part of the traveller’s personality is an unpickable knot of vanity, presumption and mythomania bordering on the pathological. This is why a traveller’s worst nightmare is not the secret police or the witch doctors or malaria, but rather the prospect of meeting another traveller.
Paul Theroux (The Great Railway Bazaar: By Train Through Asia (Penguin Modern Classics))
Now to call these collective entities machines is no idle play on words. If a machine be defined, more or less in accord with the classic definition of Franz Reuleaux, as a combination of resistant parts, each specialized in function, operating under human control, to utilize energy and to perform work, then the great labor machine was in every aspect a genuine machine: all the more because its components, though made of human bone, nerve, and muscle, were reduced to their bare mechanical elements and rigidly standardized for the performance of their limited tasks. The taskmaster's lash ensured conformity. Such machines had already been assembled if not invented by kings in the early part of the Pyramid age, from the end of the Fourth Millennium on.
Lewis Mumford (Technics and Human Development (The Myth of the Machine, Vol 1))
Immediate pleasure tingled over his flesh at the contact, her hand soft and delicate and extraordinarily feminine. Tiny, as well, her palm barely a fraction of the size of his own- so small that without care he knew he could crush the fragile bones inside with no more than a squeeze. He was careful and tender, though, aware of his height and strength as he towered high above her. Gazing down, he met the suddenly rapt expression in her eyes. Without thinking, he tightened the contact between them, the tips of his fingers brushing idly against the silky texture of her skin as he pulled her a fraction closer. She trembled but did not resist, subtly swaying toward him, near enough now for the skirts of her gown to brush against his pantaloon leg. Her lips parted- pink and pretty and sweetly kissable. He bent his head and stared at her luscious, strawberry-hued mouth, wondering if her flesh would taste as good as it looked.
Tracy Anne Warren (Tempted by His Kiss (The Byrons of Braebourne, #1))
As the driver pulled over to attend the injured animal, I sat and watched the sky - an oceanic mass of gray, with islands of steel blue - thinking, yes, certainly, birds must sleep at times while they fly. How ridiculous it was to think otherwise. Yet my brothers' tutor, a man from Oxford with red eyebrows, had informed me the previous morning that no such thing could occur. Such a thing, he'd opined, would be an affront to God, who had blessed birds with the ability to sleep and the ability to fly, but not the ability to sleep while flying or fly while sleeping. Absurd! Moreover, he went on, were it to be case, each morning we would find at our feet heaps of dead birds that had smashed into rooftops or trees in the night. Night after night we would be awakened by this ornithological cacophony, this smashing of beaks against masonry, this violence of feathers and bones. It will not do, he said, to too greatly admire the mysteries of nature. But I remembered that sparrow on the riverbank and secretly held that the world was not so easily explained by a tutor's reason. Indeed, it was then that I first formed the opinion - if childishly, idly - that a person should trust to her own good sense and nature's impenetrable wisdom.
Danielle Dutton (Margaret the First)
His warm tickling fingers stroked against her like the idle sway of river reeds... cunning fingertips that quickly discovered where she most wanted them. He toyed with her, parting her, slowly investigating the cambered softness and the sensitive places within. Blindly she reached down to grip his stronger wrist, feeling the intricate movements of bone and tendon. He slid two fingers inside her, his thumb gliding over her sex in tender circles. The water sloshed in the tub as she began to push up rhythmically, urging herself into his hand. A third finger worked inside, and she tightened and gasped out a protest- it was too much, she couldn't- but he whispered that she could, she must, and he stretched her carefully and took her groans into his mouth. Splayed and floating, Win felt herself loosening, opening to the sensuality of the fingers reaching inside her. She felt greedy and wild, undulating to capture more of the obliterating pleasure. She actually clawed him a little, her hands scrabbling against his hard, bare skin, and he growled as if it pleased him. An abbreviated cry left her lips at the first shock of release. She tried to stifle it, but another was torn from her, and another, and the bathwater rippled as she shuddered, the climax lengthened by the delicately emphatic thrusting that continued until she was limp and panting.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
We are lovers of beauty without extravagance, and lovers of wisdom without unmanliness. Wealth to us is not mere material for vainglory but an opportunity for achievement; and poverty we think it no disgrace to acknowledge but a real degradation to make no effort to overcome.... Let us draw strength, not merely from twice-told arguments—how fair and noble a thing it is to show courage in battle—but from the busy spectacle of our great city's life as we have it before us day by day, falling in love with her as we see her, and remembering that all this greatness she owes to men with the fighter's daring, the wise man's understanding of his duty, and the good man's self-discipline in its performance—to men who, if they failed in any ordeal, disdained to deprive the city of their services, but sacrificed their lives as the best offerings on her behalf. So they gave their bodies to the commonwealth and received, each for his own memory, praise that will never die, and with it the grandest of all sepulchres, not that in which their mortal bones are laid, but a home in the minds of men, where their glory remains fresh to stir to speech or action as the occasion comes by. For the whole earth is a sepulchre of famous men; and their story is not graven only on stone over their native earth, but lives on far away, without visible symbol, woven into the stuff of other men's lives. For you now it remains to rival what they have done and, knowing the secret of happiness to be freedom and the secret of freedom a brave heart, not idly to stand aside from the enemy's onset.
Jawaharlal Nehru (The Discovery of India)
Prince Wen Hui’s cook Was cutting up an ox. Out went a hand, Down went a shoulder, He planted a foot, He pressed with a knee, The ox fell apart With a whisper, The bright cleaver murmured Like a gentle wind. Rhythm! Timing! Like a sacred dance, Like “The Mulberry Grove,” Like ancient harmonies! “Good work!” the Prince exclaimed, “Your method is faultless!” “Method?” said the cook Laying aside his cleaver, “What I follow is Tao Beyond all methods!” “When I first began To cut up an oxen I would see before me The whole ox All in one mass. “After three years I no longer saw this mass. I saw the distinctions. “But now, I see nothing With the eye. My whole being Apprehends. My senses are idle. The spirit Free to work without plan Follows its own instinct Guided by natural line, By the secret opening, the hidden space, My cleaver finds its own way. I cut through no joint, chop no bone. A good cook needs a new chopper Once a year–he cuts. A poor cook needs a new one Every month–he hacks! “I have used this same cleaver Nineteen years. It has cut up A thousand oxen. Its edge is as keen As if newly sharpened. “There are spaces in the joints; The blade is thin and keen: When this thinness Finds that space There is all the room you need! It goes like a breeze! Hence I have this cleaver nineteen years As if newly sharpened! “True, there are sometimes Tough joints. I feel them coming, I slow down, I watch closely, Hold back, barely move the blade, And whump! the part falls away Landing like a clod of earth. “Then I withdraw the blade, I stand still And let the joy of the work Sink in. I clean the blade And put it away.” Prince Wan Hui said, “This is it! My cook has shown me How I ought to live My own life!” Chuang Tzu, The Way of Chuang Tzu, translated by Thomas Merton
Thomas Merton (The Way of Chuang Tzu (Shambhala Library))
No, no, I get that,” said the man. “I mean, are you Republicans or Democrats?” “The earth shall burst like a fat boil and denizens of shadow shall lick the marrow from the bones of the idle!” shouted the Hand. “Who cares for your paltry government?” “I’m a taxpayer. I care,” said the man. The Mouth intervened. “What my associate is trying to say is that we hope to end existence as we know it before the next election cycle.” “Oh. Not interested,” said the man. He deposited his pamphlet in a nearby trashcan as he walked away. It was already overflowing with identical pamphlets.
J. Zachary Pike (The Cabal of Thotash)
Why should Milton, Shakespeare, and Lord Bacon, and Sir Philip Sidney die? Perhaps yet they shall not wholly die. I am not contented to visit the house in Bread-Street where Milton was born, or that in Bunhill-Row where he died, I want to repair to the place where he now dwells. Some spirit shall escape from his ashes, and whisper to me things unfelt before. I am not satisfied to converse only with the generation of men that now happens to subsist; I wish to live in intercourse with the Illustrious Dead of All Ages. I demand the friendship of Zoroaster. Orpheus, and Linus, and Musaeus shall be welcome to me. I have a craving and an earnest heart, that can never be contented with anything in this sort, while something more remains to be obtained. And I feel that thus much at least the human race owes to its benefactors, that they should never be passed by without an affectionate remembrance. I would say, with Ezekiel, the Hebrew, in his Vision, ‘Let these dry bones live!’ Not let them live merely in cold generalities and idle homilies of morality; but let them live, as my friends, my philosophers, my instructors, and my guides! I would say with the moralist of old, ‘Let me act, as I would wish to have acted, if Socrates or Cato were the spectators of what I did!’ And I am not satisfied only to call them up by a strong effort of the imagination, but I would have them, and men like them, ‘around my path, and around my bed,’ and not allow myself to hold a more frequent intercourse with the living, than with the good departed.
William Godwin (Essay on sepulchres: or, A proposal for erecting some memorial of the illustrious dead in all ages on the spot where their remains have been interred.)
We come into the world as wild things and go out the same way, no matter how many boxes of lead or concrete we sheath about our bones (and the faster we consume the resources that eons of creative wildness have left us, the faster will the wild forces of deterioration pull us down). So it is not enough to look back and admire wildness as our heritage, we must look forward to it as well.
David Rains Wallace (Idle Weeds: The Life of an Ohio Sandstone Ridge)
infirm might rest weary bones, but the idea that those who were hale and hearty might sit down during service was a new one, at the time when Lord de Vere arranged for the pews to be carved by the village carpenter and installed some six years earlier. I was familiar with pews from those Oxford churches which had begun the practice, but here some of the older villagers had muttered their disapproval, saying that only by standing and kneeling throughout the service could one show proper respect and piety in God’s house, not by sitting relaxed and idle. However, I noticed now that none of these die-hard traditionalists any longer stood resolutely at the back of the nave, behind
Ann Swinfen (The Huntsman's Tale (Oxford Medieval Mysteries, #3))
Mrs Noah: Taken After The Flood I can't sit still these days. The ocean is only memory, and my memory as fluttery as a lost dove. Now the real sea beats inside me, here, where I'd press fur and feathers if I could. I'm middle aged and plump. Back on dry land I shouldn't think these things: big paws which idly turn to bat the air my face by his ribs and the purr which ripples through the boards of the afterdeck, the roar - even at a distance - ringing in my bones, the rough tongue, the claws, the little bites, the crude taste of his mane. If you touched my lips with salt water I would tell you such words, words to crack the sky and launch the ark again.
Jo Shapcott
*JESUS IN LONDON 'INASMUCH AS YE DID IT NOT—' If JESUS came to London, Came to London to-day, He would not go to the West End, He would come down our way; He'd talk with the children dancing To the organ out in the street, And say He was their big Brother And give them something to eat. He wouldn't go to the mansions Where the charitable live, He'd come to the tenement houses Where we ain't got nothing to give. He'd come so kind and so homely, And feed us with love and bread, And then He'd tell us how to behave, And then we'd mind what He said. In the warm, bright, West End churches They sing and preach and pray, They call us “Beloved brethren,” But they do not act that way; And when He come to the church door He'd call out loud and free, “You stop that preaching and praying And show what you've done for Me.” Then they'd say, “Oh, Lord, we have given To the poor both blankets and tracts, And we've tried to make them sober And we've tried to teach them facts. But they will sneak round to the drink shop And pawn the blankets for beer, And we find them very ungrateful— But still we persevere.” Then He would say, “I told you The time I was here before, That you were all of you brothers, All you that I suffered for. I won't go into your churches, I'll stop in the sun outside. You bring out the men, your brothers, The men for whom I died!” Out of our lousy lodgings, From arches and doorways about, They'd have to do as He told them, They'd have to call us out. Millions and millions and millions, Thick and crawling like flies, We should creep out to the sunshine And not be afraid of His eyes. He'd see what God's image looks like When men have dealt with the same— Wrinkled with work that is never done, Swollen and dirty with shame. He'd see on the children's foreheads The branded gutter-sign That marks the girls to be harlots, That dooms the boys to be swine. Then He'd say, “What's the good of churches When these have nowhere to sleep? And how can I hear you praying When they are cursing so deep? I gave My blood and My body That they might have bread and wine, And you have taken your share and theirs Of these good gifts of Mine!” Then some of the rich would be sorry, And all would be very scared; And they'd say, “But we never knew, Lord!” And He'd say, “You never cared!” And some would be sick and shameful Because they'd know that they knew, And the best would say, “We were wrong, Lord. Now tell us what to do!” I think He'd be sitting, likely, For someone 'ud bring Him a chair, With a common kid cuddled up on His knee And the common sun on His hair. And they'd be standing before Him, And He'd say, “You know that you knew. Why haven't you worked for your brothers The same as I worked for you? “For since you're all of you brothers, It's clear as God's blessed sun That each must work for the others, Not thousands work for one. And the ones that have lived bone-idle, If they want Me to hear them pray, Let them go and work for their livings— The only honest way! “I've got nothing new to tell you; You know what I always said. But you've built their bones into churches And stolen their wine and bread. You with My name on your foreheads, Liar, and traitor, and knave, You have lived by the death of your brothers, These whom I died to save.” I wish He would come and say it; Perhaps they'd believe it then, And work like men for their livings And let us work like men. Brothers? They don't believe it, The lie on their lips is red. They'll never believe till He comes again Or till we rise from the dead
E. Nesbit (Jesus In London By E. Nesbit: With Seven Pictures By Spencer Pryse)
He pulled her upright and they stood facing each other, her hands in his. Again with the held breaths, the locked gazes. Twice in a row. It was almost too much! And Jane wanted to stay in that moment with him so much, her belly ached with the desire. “Your hands are cold,” he said, looking at her fingers. She waited. They had never practiced this part and the flimsy play gave no directions, such as, Kiss the girl, you fool. She leaned in a tiny bit. He warmed her hands. “So…” she said. “I suppose we know our scene, more or less,” he said. Was he going to kiss her? No, it seemed nobody ever kissed in Regency England. So what was happening? And what did it mean to fall in love in Austenland anyway? Jane stepped back, the weird anxiety of his nearness suddenly making her heart beat so hard it hurt. “We should probably return. Curtain, or bedsheet, I should say, is in two hours.” “Right. Of course,” he said, though he seemed a little sorry. The evening had pulled down over them, laying chill like morning dew on her arms, right through her clothes and into her bones. Though she was wearing her wool pelisse, she shivered as they walked back to the house. He gave her his jacket. “This theatrical hasn’t been as bad as you expected,” Jane said. “Not so bad. No worse than idle novel reading or croquet.” “You make any entertainment sound like taking cod liver oil.” “Maybe I am growing weary of this place.” He hesitated, as though he’d said too much, which made Jane wonder if the real mad had spoken. He cleared his throat. “Of the country, I mean. I will return to London soon for the season, and the renovations on my estate will be completed by summer. It will be good to be home, to feel something permanent. I tire of the guests who come and go in the country, their only goal to find some kind of amusement, their sentiments shallow. It wears on a person.” He met her eyes. “I may not return to Pembrook Park. Will you?” “No, I’m pretty sure I won’t.” Another ending. Jane’s chest tightened, and she surprised herself to identify the feeling as panic. It was already the night of the play. The ball was two days away. Her departure came in three. Not so soon! Clearly she was swimming much deeper in Austenland waters than she’d anticipated. And loving it. She was growing used to slippers and empire waists, she felt naked outside without a bonnet, during drawing room evenings her mouth felt natural exploring the kinds of words that Austen might’ve written. And when this man entered the room, she had more fun than she had in four years of college combined. It was all feeling…perfect.
Shannon Hale (Austenland (Austenland, #1))
The moment you start to lose focus, confidence and determination towards the things you desire to achieve in life. The whole thing reveals your hidden bone idleness.
Euginia Herlihy
I listened idly to the voices of the couple working in the back bedroom.
Charlaine Harris (A Bone to Pick (Aurora Teagarden Mystery, #2))
I listened idly to the voices of the couple working in the back bedroom. You would have thought that since they lived together twenty-four hours a day they would’ve said all they could think of to say, but I could hear one offer the other a comment every now and then. This calm, intermittent dialogue seemed companionable, and I went into kind of a trance sitting on the end of that bed.
Charlaine Harris (A Bone to Pick (Aurora Teagarden Mystery, #2))
Europeans may as well try pacifism and bone-idleness, as starting two world wars that killed more than a hundred million people didn’t work out so well for them (or for the rest of the world, come to that). At least all those idle hours gives them more time to think of things to criticize America for. Those on the Left like to refer to this America-derangement-syndrome as sophistication. I call it penis envy.
Anonymous
It’s you I’m worried about, Fox. It must be so tiresome for you, having to follow me around—” “I don’t mind. I haven’t been as idle as you think. If you want to stay, then I’ll stay with you for as long as you want. And I’m sorry for making you afraid. This is new to me too.
Rin Chupeco (The Bone Witch (The Bone Witch, #1))
The idle business of show, plays on the stage, flocks of sheep, herds, exercises with spears, a bone cast to little dogs, a bit of bread into fish-ponds, labourings of ants and burden-carrying, runnings about of frightened little mice, puppets pulled by strings- all alike. It is thy duty then in the midst of such things to show good humour and not a proud air; to understand however that every man is worth just so much as the things are worth about which he busies himself.
Markus Aurelius
He makes no bones about saying ‘keep away from any brother who is living in idleness and not in accord with the tradition that you received from us’. So much for Jesus and his wandering Twelve. Paul was on the side of busy people who valued hard work and took a pride in the reward that they got from it: tent-makers of the world, unite.5 Christianity had become a religion for urban commercial centres, for speakers of common Greek who might see the whole Mediterranean as their home and might well have moved around it a good deal
Diarmaid MacCulloch (A History of Christianity: The First Three Thousand Years)
You’ll say it’s just one Boar,” I continued. “But what about the deluge of butchered meat that falls on our cities day by day like never-ending, apocalyptic rain? This rain heralds slaughter, disease, collective madness, the obfuscation and contamination of the Mind. For no human heart is capable of bearing so much pain. The whole, complex human psyche has evolved to prevent Man from understanding what he is really seeing. To stop the truth from reaching him by wrapping it in illusion, in idle chatter. The world is a prison full of suffering, so constructed that in order to survive one must inflict pain on others. Do you hear me?” I said. But now even the cleaner, disappointed by my speech, had set about his work, so I was only talking to the Poodle.
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
And perhaps, if he were still alive, seeing all this, Blake would say that there are some places in the Universe where the Fall has not occurred, the world has not turned upside down and Eden still exists. Here Mankind is not governed by the rules of reason, stupid and strict, but by the heart and intuition. The people do not indulge in idle chatter, parading what they know, but create remarkable things by applying their imagination. The state ceases to impose the shackles of daily oppression, but helps people to realize their hopes and dreams. And Man is not just a cog in the system, not just playing a role, but a free Creature.
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
When chemistry has told me that nitric acid thrown in a person’s face will cause great agony; when physics has told me that throwing a person out of a window will tend to cause broken bones or death; when economics has told me that promising to keep a person in old age will make him idle and improvident, then, and not till then, can ethics step in and forbid me to commit those actions.
George H. Smith (Individualism: A Reader)
It’s a tendency to be sybaritic, to live in a state of mild semiconsciousness, to fritter your life away on petty pleasures, to dislike effort and be devoid of any penchant for competition. Long mornings, unopened letters, things put off for later, abandoned projects. A dislike of any authority and a refusal to submit to it, going your own way in a taciturn, idle manner. You could say such people are of no use at all.
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
How long is some time? Fifteen years, you said?” “Oh, a good deal longer than that. Isobel—” He stopped abruptly, the smile vanishing. He hadn’t mentioned his dead wife before. “You never saw her naked?” I asked, with more than idle curiosity. He turned his face away a little, eyes cast down. “Ah … no. It wasn’t … She did not … No.” He cleared his throat, then raised his eyes, looking into mine with an honesty raw enough to make me want to look away. “I am naked to you,” he said simply, and drew back the sheet.
Diana Gabaldon (The Fiery Cross / A Breath of Snow and Ashes / An Echo in the Bone / Written in My Own Heart's Blood (Outlander #5-8))
looked out of the window. Dawn was breaking, and idle snowflakes were gradually starting to fill the nothingness. They were falling slowly, weaving their way through the air and spinning on their own axis like feathers.
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
How is simple living thought to be edifying? In various ways. Practicing frugality fosters prudence, temperance, and self-control. The need to work produces a strong work ethic (whereas “idle hands are the devil’s tools”). Doing things for yourself leads to self-sufficiency and a proper pride in your independence as opposed to the false pride of looking down on those who serve your needs. While luxury makes one soft, living closer to the bone makes one physically and mentally tougher, better able to cope with adversity and stronger in a crisis. And a modest, simple lifestyle will naturally be mirrored in character traits such as modesty, humility, and honesty, along with a corresponding absence of traits associated with high status such as pride, arrogance, and vanity. This last idea, that simplicity of life will produce simplicity of heart, is an assumption underlying a number of monastic orders, most notably the Franciscans. Perhaps no society was ever more committed to the edifying benefits of the simple lifestyle than the ancient Spartans.
Emrys Westacott (The Wisdom of Frugality: Why Less Is More - More or Less)
But here they sit in the pews, each one deep in thought, mentally reviewing what has happened lately and imagining what’s going to happen soon. Like this, they monitor their own lives. Just like everyone else, I would sit in a pew and sink into a sort of semiconscious state. My thoughts would move idly, as if coming from outside me, from other people’s heads, or maybe from the heads of the wooden angels positioned nearby. Every time, something new occurred to me, something different from what I would have thought at home. In this way the church is a good place.
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)