Bollywood Love Quotes

Dying is not a solution.. I want to live with You..!

It doesn't matter what my life has been like, Samir. What matters is hope. If you don't believe in a happy ending, what are you living for?

Just what I was afraid of—now I was his pet clown girl…you don’t date clown girls and you definitely don’t fall in love with them. Clown girls are like the caricatures in a Bollywood movie—I’ll never be his leading lady.

Unfairness – this is hardest to deal with, but unfortunately that is how our country works. People with connections, rich dads, beautiful faces, pedigree find it easier to make it – not just in Bollywood, but everywhere. And sometimes it is just plain luck. There are so few opportunities in India, so many stars need to be aligned for you to make it happen. Merit and hard work is not always linked to achievement in the short term, but the long term correlation is high, and ultimately things do work out. But realize, there will be some people luckier than you. In fact, to have an opportunity to go to college and understand this speech in English means you are pretty damm lucky by Indian standards. Let’s be grateful for what we have and get the strength to accept what we don’t. I have so much love from my readers that other writers cannot even imagine it. However, I don’t get literary praise. It’s ok. I don’t look like Aishwarya Rai, but I have two boys who I think are more beautiful than her. It’s ok. Don’t let unfairness kill your spark

Dancing is the real plastic surgery," Uma loved to say. "It's what keeps you young.

I want you, exactly the way you are today, the way you'll be tomorrow, and fifty years from now. And I want you to want me enough to deal with whatever happens. I can't promise you'll be okay. But without you I will never be okay. And I know that without me you will never be okay either.

came to India with a whole lifetime of expectations and assumptions about the way the world should work, the way life was supposed to be.

You can’t learn anything from losing someone you love. Any lesson you learn from that isn’t a lesson. It’s a compromise with life. A lie you tell yourself.

Sometimes the people you loved didn't know what was best for them and you had to be their good sense.

What could be more than being friends? What could be more than what it felt like to wait by the phone to hear that she was okay? More than waiting to discuss every case with her?

Sometimes you just have to have faith. Sometimes you have to leap first to see if your parachute will open.

You find the most important things in life suddenly. And it's almost funny how ordinary those extraordinary moments feel.

…what could be better than making love to your wife, than listening to her, rolling around in her incredible mind, drowning in her laughter, and soaking up her love-drenched moans as she came around you?

Abdul’s deepest affection was for his two-year-old brother, Lallu, a fact that had begun to concern him. Listening to Bollywood love songs, he could only conclude that his own heart had been made too small. He’d never longed with extravagance for a girl, and while he felt certain he loved his mother, the feeling didn’t come in any big gush. But he could get tearful just looking at Lallu, who was as fearless as Abdul was flinchy. All those swollen rat bites on his cheeks, on the back of his head.

My mother showed her gratitude for her life in exile by alluding to India’s modernity: the expansive railway network; the Bollywood movies she came to love for their tumultuous stories which ultimately conceded to the cardinal guidelines she held in her own life- love, family and duty. Still, it was Tibet’s antiquity that anchored her in exile. It was phayul she longed for when her skin was scorched by the summer heat of India’s plains. When she drank milk she compared it to the milk of her childhood for such sweetness and creaminess was not easily forgotten, and when she felt nauseous riding the buses that weaved their way around curvaceous mountain roads she spoke of the horses she had loved to ride.

The troubadours did give us a particular myth of “true” love--the idea that real love burns brightly and passionately, and then it just keeps on burning until death, and then it just keeps on burning after death as the lovers are reunited in heaven. This myth seems to have grown and diffused in modern times into a set of interrelated ideas about love and marriage. As I see it, the modern myth of true love involves these beliefs: True love is passionate love that never fades; if you are in true love, you should marry that person; if love ends, you should leave that person because it was not true love; and if you can find the right person, you will have true love forever. You might not believe this myth yourself, particularly if you are older than thirty; but many young people in the Western nations are raised on it, and it acts as an ideal that they unconsciously carry with them even if they scoff at it. (It’s not just Hollywood that perpetrates the myth; Bollywood, the Indian film industry, is even more romanticized.) But if true love is defined as eternal passion, it is biologically impossible. p. 124

He asked you not to like me, So why did you, Neera? Even now, I perform breaststrokes in caterpillar-stuffed north eastern clouds He didn’t ask me for any poems for 50 years, So why are you asking now, Neera? Even now, standing in 10-foot-deep water, I wield icy rods He wrote an editorial on my sub-judice case, Turning an editor, why are you asking for my writing, Neera? Even now, I love flatbreads stuffed with smoked penguin fat He did not confess to being my anthology’s publisher Why did you confess, Neera? Even now, I have family-pack yawns in the face of families, He didn’t like pronouncing my name So why are you telling it to youths, Neera? Even now, in bloody waters, I join the Bollywood chorus of tiger sharks He had said I have nothing of a true writer So why do you think I do, Neera? At Imlitala, I knew rat roasts don’t taste too good without charcoal smoke He said I have nothing creative in me So why do you think I do, Neera? Having burnt bank notes worth Rs 5,000 crore, I smelt death He said I’ll never write poetry So why do you think I have, Neera? On the banks of Amsterdam’s canals I have heard doddering old men sing limericks He transcended from sorrow to anger and anger to hate Why are you so generous Neera? Please don’t tell my grandmother.

You are not capable of loving anything in this world if you do not love yourself first. For whoever you are. And if there is anything in this world that I know with a conviction, it is that you were made to love, to spread sunshine.

Unsurprisingly, the nation’s xenophobia has seeped into popular culture. Bollywood, long known for its extensive Muslim involvement across the entire industry, is being forced to toe the anti-Islam perspective. Many in Bollywood happily pushed the hard-line Hindu nationalist agenda, releasing films that openly celebrated the actions of the Indian armed forces. In a similar vein, the Israeli series Fauda, which features undercover Israeli agents in the West Bank, has been hugely popular among right-wing Indians, looking for a sugar hit of war on terror and anti-Islamist propaganda in a slickly produced format. During the May 2020 Covid-19 lockdown, the right-wing economist Subramanian Swamy, who sits on the BJP national executive, tweeted that he loved Fauda.28 The post-9/11 “war on terror” suited both India and Israel in their plans to pacify their respective unwanted populations. To this end, Israel trained Indian forces in counterinsurgency. Following a 2014 agreement between Israel and India, pledging to cooperate on “public and homeland security,” countless Indian officers, special forces, pilots, and commandoes visited Israel for training. In 2020, Israel refused to screen Indian police officers to determine if they had committed any abuses in India. Israeli human rights advocate Eitay Mack and a range of other activists petitioned the Israeli Supreme Court in 2020 to demand that Israel stop training Indian police officers who “blind, murder, rape, torture and hide civilians in Kashmir.” The court rejected the request, and in the words of the three justices, “without detracting from the importance of the issue of human rights violations in Kashmir.

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Es mutet unstreitig höchst befremdlich an, dass Bollywood der leidenschaftlichen Liebe das Wort redet, während ebendie im Alltag der Inder faktisch ohne Belang ist. Wer unter die Haube kommt, lässt sich nämlich nach wie vor von althergebrachten Erwägungen wie Abkunft, Konfession, Bildung und Einkommen leiten, was ja beileibe nicht ausschließt, sein Herz an den künftigen Partner verlieren zu können.

Rakesh Roshan Rakesh Roshan is a producer, director, and actor in Bollywood films. A member of the successful Roshan film family, Mr. Roshan opened his own production company in 1982 and has been producing Hindi movies ever since. His film Kaho Naa…Pyaar Hai won nine Filmfare awards, including those for best movie and best director. I didn’t have the privilege of meeting Diana personally, but as a keen observer I learned a lot about her through the media and television coverage of her various activities and her visits to various countries, including India. I vividly remember when she came to my country and visited places that interested her, such as Mother Teresa’s Missionaries of Charity, various homes of the destitute, orphanages, hospitals, and so on. On all of these occasions, her kind looks, kind words, and kind actions, such as holding the poor orphan children in her lap, caring for them with love, and wiping their tears, were sufficient indications to convey the passion that Diana had in her heart for the service of the poor and underprivileged. Wherever she went, she went with such noble mission. She derived a sort of divine pleasure through her visits to charitable institutions, orphanages, and homes of the destitute. By minutely looking at her, one could see a deity in Diana--dedicated to love and kindness--devoted to charity and goodness and the darling of all she met. For such human virtues, love for the poor and concern for the suffering of humanity, Diana commands the immense respect, admiration, and affection of the whole world. Wherever she went, she was received with genuine affection and warmth, unlike politically staged receptions.

Rakesh Roshan Rakesh Roshan is a producer, director, and actor in Bollywood films. A member of the successful Roshan film family, Mr. Roshan opened his own production company in 1982 and has been producing Hindi movies ever since. His film Kaho Naa…Pyaar Hai won nine Filmfare awards, including those for best movie and best director. When I remember Diana and her activities in the last years of her life, I strongly feel that God sends some special people into this world to perform some special duties. Diana was one of these special people. Advancing on this godly path of love and goodness, Diana was blossoming like a flower, and with her captivating fragrance she started infusing new life in our dangerously sick garden--which was apparently at the brink of a precipice. The irony is that the cruel winds of autumn ruthlessly blew away this rare flower and deprived the world of its soothing fragrance. Diana, Princess of Wales, is no longer present in this world, but Diana, the queen of millions of hearts, is immortal and will live forever. My heart breaks when I think of her last journey, her funeral, which was brilliantly covered all over the world. One could see the whole of England in tears, and the eyes of all the television viewers were also flooded. Thousands of men, women, and children had lined up along the entire route from the palace to the church where the services were held. All the fresh flowers available in the United Kingdom were there on the passage. All eyes were tearful, and one could clearly hear the sobs of people. There were heartrending scenes of people paying tribute to their departed darling. Last, I would like to write here a translation in English of a poem written in Urdu. We hope you will come back…dear friend But why this pervading sadness…dear friend The familiar flavor in the atmosphere is singing… You are somewhere around…dear friend Please come back, Diana; this sinking world desperately needs a savior.

HEROPANTI MOVIE REVIEW & RATING Movie Name: Heropanti Director: Sabbir Khan Producer: Sajid Nadiadwala Music Director: Sajid-Wajid, Manj Musik Cast: Tiger Shroff, Kirti Sanon, Sandeepa Dhar ‘Heropanti’, a love story is directed by Sabbir Khan and produced by Sajid Nadiadwala. It is the debut movie of Tiger Shroff (son of superstar Jackie Shroff) and Kirti Sanon, both starring in lead roles alongside Sandeepa Dhar featuring in a pivotal role. Overall it is a remake of Telugu movie ‘Parugu’ starring Allu Arjun. ‘Heropanti’ is all about another new gem in Bollywood industry. Big launch with hit songs. New faces- heroine as well as hero. Does it work? Let’s go through to know it… ‘Heropanti’ borrows half of its title from Sr. Shroff’s breakout film and is also having the signature tune from ‘Hero’ (1983) which is being played in the background repeatedly. The action movie is not as terrible as Salman and Akshay films. The newcomer Tiger Shroff has done amazing stunts in the film. The story is set in the land of Jattland in Harayana where Chaudhary (Prakash Raj), the Haryanvi goon is completely against love marriages. He has two daughters- Renu (Sandeepa Dhar) and Dimpi (Kirti Sanon). Chaudharyji’s elder daughter Renu’s marriage is held, but on the wedding night she elopes with her boyfriend Rakesh. Her step results in a frantic search for her across the village. Chaudharyji launches a manhunt to track them down and eliminate them. Now Haryanvi goon’s men suspects Rakesh’s friends and thinks that they may know where Renu is. So the goon decides to kidnap the buddies of his daughter’s lover. Bablu (Tiger Shroff) turns to be one of the buddies with ultra muscular head and shoulders model who falls in love with Chaudharyji’s younger daughter Dimpy (Kirti Sanon). The goons manage to trace Bablu who has actually helped Rakesh and Renu in escaping. Bablu, meanwhile in captivity, shares with his pals about his love interest. Bablu falls in love at first sight with the pretty younger daughter of Chaudharyji’s, Dimpy. He comes to know quite early that it is none other than the Harynavi goon Chaudharyji’s daughter. The movie tries to end up in a ‘Dilwale Dulhania Le Jayenge’ style where Bablu uses his superpowers and figures out to be with his love but without offending her father. launch pad for Shroff to show his acting and dancing skills. Plan to watch it, if nothing left to do. Tiger Shoff is a great action hero. When it comes to action, he is a star but comparatively his acting skills are zero. Kirti Sanon requires a little brushing up on her acting skills she reminds us somewhere of young Deepika Padukone who is surely going to have a good run in the industry someday. Verdict: It’s the most masala-less movie of this year with more action and less drama. But the movie is a perfect

But when you can only accept life the way you’ve always known it, when you fight back against every deviation from “normal,” your mind is closed. It took nine months, a hundred tiny failures, and a shaggy-haired Indian boy holding a bunch of celery to open my eyes to a bigger picture.

Hindi films are known and enjoyed worldwide for their songs and dances. These days it is fashionable to battle tradition by using a Western format of telling stories, where music stays in the background. I can't wrap my head around it. I don't think it helps the story move forward. I also believe that a film gets a lot of repeat value when an actor is wooing an actress with a popular song. We represent a dream world and our audiences love it. It may seem old-fashioned but I firmly believe that lip-syncing (by an actor) is the best way to picturize a song, to maximize its appeal. It simply does not have the same magic when the song is played in the background.

Anyway, you never know, she might turn out to be right. Maybe you will meet someone at the wedding.’ I groan loudly. I’ve fantasised about meeting The One at weddings since I was fifteen. We’d bump into each other on the dance floor, my bangle would get caught on the sleeve of his kurta and in the process of untangling ourselves, he would fall in love with the way a faint blush bloomed across my perfect cheekbones. Cheekbones that neither fifteen-year-old Sunny, nor indeed thirty-year-old Sunny, possessed. Bollywood has a lot to answer for – especially heightening the romantic expectations of shy, chubby Indian teenagers from Gravesend.

To be a bathroom singer, one need not have an enthralling voice, need not sing in tune or have the right rhythm or beat. All it takes to qualify is to have a love for music and enthusiasm. It is not rare to come across bathroom singers in one's own family whose genuine efforts to sing a popular song could come across as braying to others as they are often loud, out of tune and out of breath. What we overlook in such situations is that they are connoisseurs of music. Fans of Bollywood and Hollywood films have no problems accepting actors and actresses, who in their roles of common men and women sing in the shower in perfect pitch, like a nightingale or a cuckoo.

I was nothing but I became something which awfully makes me feel jubilant , again on the other hand , there are certain things which I desire in my life I haven’t achieved and here I keep trying fulfilling those desires for my own contentment” - Bollywood Affair's

Bollywood’s Govinda was gyrating his hips in front of a Swiss Alpine landscape.

Director: Saravana Rajan Producer: Dayanidhi Azhagiri Written : Saravana Rajan Starring: Jai,Swati Reddy Music: Yuvan Shankar Raja Cinematography: Venkatesh S. Release Date: Jan 24, 2014 Editing: Praveen K. L, N. B. Srikanth Director Saravana Rajan’s debut comedy thriller ‘Vadacurry’ features actors Swati Reddy and Jai in lead role. ‘Vadacurry’ is produced by Dhayanidhi Alagiri with Yuvan Shankar Raja’s music. Bollywood actress Sunny Leone has shaken her legs for ‘Vadacurry’ Tamil film’s dream song with actor Jai in Bangkok. The shooting of the song was held in December 2013. It’s a dream sequence of Jai’s character in the ‘Vadacurry’ where, Sunny will be grooving with him. Sunny was given half-sari, bangles and anklets to portray a typical south Indian look in this song. However, the hot diva loved trying these accessories to shake her legs for her debut film in Kollywood ‘Vadacurry’. ‘Vadacurry’ Tamil movie’s cinematography is handled by Venkatesh. ‘Vadacurry’ team started rolling on floors from August 19, 2013. Interestingly, ‘Vadacurry’ Tamil movie’s music composer Yuvan Shankar Raja is cousin of director Saravana Rajan. Director Saravana Rajan has followed the steps of his tutor Venkat Prabhu in coining food names as title for his movie ‘Vadacurry’ that matched with Venkat Prabhu’s recent release ‘Biriyani’. The charming beauty Anusha Dhayanidhi has made a debut as costume designer in ‘Vadacurry’. Anusha Dhayanidhi has transformed the looks of female lead Swathi in ‘Vadacurry’ Tamil film. It should be noted that ‘Subramaniyapuram’ pairs, who had portrayed good chemistry have joined this comedy entertainer ‘Vadacurry’. However, ‘Vadacurry’ Tamil film is ready to be served on 24January, 2014 to give a punch of full-on comedy with its taste and essence.

Sammy stopped when you saw me. The music faded away, along with the voices of the people who were crowded around. The only think I could hear was my heart beating. Loudly.

I want you to love me for me, for now, for as much time as we have. I swear I'll do all I can to take care of myself. I already do. But that's it. If that's enough, I'm yours. If you can only love me if you have a guarantee that I'll be around forever, then find someone else to be terrified of losing and let me go.

You make me feel this, this thing inside that makes me me. And I think I might be addicted to that feeling. I crave it. All the time. You know how I crawled into your lap that day? ... I want to be able to do that whenever I want. It makes me whole, Rahul. It makes everything all right. Maybe just for a few moments, but when you hold me, everything falls into place, here.

Love, friendship -- with her it had never been two different things. Him and her -- they had never been different either. If they had, all the destruction around them would have separated them. But it hadn't.

What is more than being friends?

Sometimes I don't know exactly how to navigate what I'm feeling. I don't know if what I'm feeling is real or right or how to go on around it. I feel several things about one thing and it's a vortex and I get stuck in it.

She felt something then, something she had only ever felt with Rahul. It had taken her all these years to be able to name it. It was trust. For whatever reason, she had never once in her life doubted that she would get what she needed from him. Not always what she wanted, but what she really needed.

Child, don't wait until it's too late. Lost time is lost forever.

You can't learn anything from losing someone you love. Any lesson you learn from that isn't a lesson. It's a compromise with life. A lie you tell yourself.

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