Bold Makeup Quotes

We've searched our database for all the quotes and captions related to Bold Makeup. Here they are! All 16 of them:

Take care of your costume and your confidence will take care of itself.
Amit Kalantri (Wealth of Words)
With right fashion, every female would be a flame.
Amit Kalantri (Wealth of Words)
Fashion doesn't make you perfect, but it makes you pretty.
Amit Kalantri (Wealth of Words)
It's time to shop high heels if your fiance kisses you on the forehead.
Amit Kalantri (Wealth of Words)
Any girl with a grin never looks grim.
Amit Kalantri (Wealth of Words)
Dresses don't look beautiful on hangers.
Amit Kalantri (Wealth of Words)
Dresses won't worn out in the wardrobe, but that is not what dresses are designed for.
Amit Kalantri (Wealth of Words)
took the magazine from him and turned it the right way round. There they were again, the images of my childhood: bold, striding, confident, their arms flung out as if to claim space, their legs apart, feet planted squarely on the earth. There was something Renaissance about the pose, but it was princes I thought of, not coiffed and ringleted maidens. Those candid eyes, shadowed with makeup, yes, but like the eyes of cats, fixed for the pounce. No quailing, no clinging there, not in those capes and rough tweeds, those boots that came to the knee. Pirates, these women, with their ladylike briefcases for the loot and their horsy acquisitive teeth. I
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
A Remarkable Woman She is so exquisite Even without make-up on her face She is very special Even if she lets others seem important She is selfless Even when the selfish surround her She offers a lot of love Even so, she needs it often She has a big heart Even though she appears small She lets others belong But she longs to be appreciated She adds value Despite her own worth being undermined She is attentive Nonetheless; no one pays attention to her needs She is patient No matter how long it takes, she waits She is giving While no one could be willing to give She is forgiving Much as the worst was done against her She is trusting Albeit her trust was broken a countless times She is wise In spite of being treated otherwise by some She works hard Notwithstanding that she requires to rest She is helpful Yet, there is none to lend her a hand She makes life seem easy Whilst going through difficult times herself She stands by others Although there is no one to stand by her She chooses to be peaceful Against being somehow provoked She is calm Undeterred by what is not She is bold In defiance of tough battles ahead She shows bravery Still in the presence of adversity She is fearless Though she may seem helpless She is spirited Contrary to attempts to bring her down She is never destroyed Irrespective of storms she faces sometimes She keeps moving forward Granting the hindrances along the way She does not look down on others Regardless of some doing so to her She recognizes those who shielded her on rainy days Whenever the sun shines upon her She keeps on running her race Because she knows for her, grace is abundant She puts a smile on, always Since prayer keeps her in the right place She is an inspiration A pioneer of transformation True leader of economic revolution How the world aspires for such A remarkable woman!
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
Overall look: Soft and delicate   Hair: Most often blonde or golden grey   Skintone: Light, ivory to soft beige, peachy tones. Very little contrast between hair and skin   Eyes: Blue, blue-green, aqua, light green IF you are a Light Spring you should avoid dark and dusty colors, which would make you look pale, tired and even pathetic. Spring women who need to look strong, for example chairing a meeting, can do so by wearing mid-tone grey or light navy, not deeper shades. If you are a Light Spring and you wear too much contrast, say a light blouse and dark jacket, or a dress with lots of bold colors against a white background, you ‘disappear’ because our eye is drawn to the colors you are wearing. See your Light Spring palette opposite. Your neutrals can be worn singly or mixed with others in a print or weave. The ivory, camel and blue-greys are good investment shades that will work with any others in your palette. Your best pinks will be warm—see the peaches, corals and apricots—but also rose pink. Never go as far as fuchsia, which is too strong and would drain all the life from your skin. Periwinkle blue toned with a light blue blouse is a smart, striking alternative to navy and white for work. Why wear black in the evening when you will sparkle in violet (also, warm pink and emerald turquoise will turn heads)? For leisure wear, team camel with clear bright red or khaki with salmon.   Make-Up Tips Foundation: Ivory, porcelain Lipstick: Peach, salmon, coral, clear red Blush: Salmon, peach Eyeshadow for blue eyes: Highlighter Champagne, melon, apricot, soft pink Contour Soft grey, violet, teal blue, soft blues, cocoa Eyeshadow for blue-green and aqua eyes: Highlighter Apricot, lemon, champagne Contour Cocoa or honey brown, spruce or moss green, teal blue Eyeshadow for green eyes: Highlighter Pale aqua, apricot, champagne Contour Cocoa or honey brown, teal blue, violet, spruce.
Mary Spillane (Color Me Beautiful's Looking Your Best: Color, Makeup and Style)
Switching on the ground-floor lights, she checked the gas jet and the main gas plug and poured water over the smoldering, half-buried charcoal in the brazier. She stood before the upright mirror in the four-and-a-half-mat room and held up her skirts. The bloodstains made it seem as if a bold, vivid pattern was printed across the lower half of her white kimono. When she sat down before the mirror, she was conscious of the dampness and coldness of her husband’s blood in the region of her thighs, and she shivered. Then, for a long while, she lingered over her toilet preparations. She applied the rouge generously to her cheeks, and her lips too she painted heavily. This was no longer make-up to please her husband. It was make-up for the world which she would leave behind, and there was a touch of the magnificent and the spectacular in her brushwork. When she rose, the mat before the mirror was wet with blood. Reiko was not concerned about this. (...) The lieutenant was lying on his face in a sea of blood. The point protruding from his neck seemed to have grown even more prominent than before. Reiko walked heedlessly across the blood. Sitting beside the lieutenant’s corpse, she stared intently at the face, which lay on one cheek on the mat. The eyes were opened wide, as if the lieutenant’s attention had been attracted by something. She raised the head, folding it in her sleeve, wiped the blood from the lips, and bestowed a last kiss. (...) Reiko sat herself on a spot about one foot distant from the lieutenant’s body. Drawing the dagger from her sash, she examined its dully gleaming blade intently, and held it to her tongue. The taste of the polished steel was slightly sweet. Reiko did not linger. When she thought how the pain which had previously opened such a gulf between herself and her dying husband was now to become a part of her own experience, she saw before her only the joy of herself entering a realm her husband had already made his own. In her husband’s agonized face there had been something inexplicable which she was seeing for the first time. Now she would solve that riddle. Reiko sensed that at last she too would be able to taste the true bitterness and sweetness of that great moral principle in which her husband believed. What had until now been tasted only faintly through her husband’s example she was about to savor directly with her own tongue. Reiko rested the point of the blade against the base of her throat. She thrust hard. The wound was only shallow. Her head blazed, and her hands shook uncontrollably. She gave the blade a strong pull sideways. A warm substance flooded into her mouth, and everything before her eyes reddened, in a vision of spouting blood. She gathered her strength and plunged the point of the blade deep into her throat.
Yukio Mishima
Waldo inhaled deeply, staring at the ceiling. It was at times like this that he was at his worst. His mind, while indecisive, was also capable of producing the most detailed, fantastic daydreams imaginable, and with the mysterious disappearance of his grandfather as fodder, his speculations grew even more intense and far-fetched than usual. On the other hand, the logical part of his brain, underdeveloped as it was, went almost entirely untapped in such a situation. Waldo was literally frozen into inaction by his chemical makeup, and this was apparent in the number of cigarettes he lit, the number of sighs he expelled, and the number of times his helpless fingers alternated between nervously tapping the coffee table and running through his unkempt hair. All that night, Waldo remained awake, deep in unproductive thought, routinely walking back and forth from the living room to the front porch, where he would take a seat in the old-fashioned swing and smoke heavily. The blissful suburban setting, especially on spring nights like this, when the crickets chirped so lustily, and the porch swing creaked so reassuringly in the warm breeze, was perfect for conjuring up bold new fantasies.
Donald Jeffries (The Unreals)
When it’s not meant to make you up, it’s meant to fake you up. Just say no and act right. Be bold to say “no”.
Israelmore Ayivor (Shaping the dream)
course it was wrought iron. The stuff isn’t even attractive—it’s like the bold type equivalent of a chain-link fence, all bulky and aggressive and unnecessarily prone to rust—but something deep in humanity’s genetic makeup remembers that the fae are out there, roaming the night, and that sometimes when we get bored, whole villages can disappear. So they deny we ever existed out loud, and they quietly ornament their homes and gardens with as much iron as they can yank out of the hills. They’re still working at keeping us out.
Seanan McGuire (A Killing Frost (October Daye, #14))
A Remarkable Woman She is so exquisite Even without makeup on her face She is very special Even if she lets others seem important She is selfless Even when the selfish surround her She offers a lot of love Even so, she needs it often She has a big heart Even though she appears small She lets others belong But she longs to be appreciated She adds value Despite her worth being undermined She is attentive Nonetheless, no one pays attention to her needs She is patient No matter how long it takes, she waits She is generous While no one could be willing to give She is forgiving Much as the worst was done against her She is trusting Albeit her trust was broken countless times She is wise In spite of being treated otherwise by some She works hard Notwithstanding that she requires rest She is helpful Yet, there is none to lend her a hand She makes life seem easy Whilst going through difficult times herself She stands by others Although there is no one to stand by her She chooses to be peaceful Against being somehow provoked She is calm Undeterred by what is not She is bold In defiance of tough battles ahead She shows bravery Still in the presence of adversity She is fearless Though she may seem helpless She is spirited Contrary to attempts to bring her down She is never destroyed Irrespective of the storms she faces sometimes She keeps moving forward Granting the hindrances along the way She stands in the gap And makes things happen She does not look down on others Regardless of some doing so to her She recognises those who shielded her on rainy days Whenever the sun shines upon her She keeps running her race Because she knows for her, grace is abundant She wears a smile always Since prayer keeps her in the right place She is an inspiration A pioneer of transformation Cheerleader for economic revolution How the world adores such A remarkable woman!
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
In Rehab, I drew. I drew her and my father and Phoebe and I designed, filling my pad with sketches of makeup for women of all shades but my blueprint was always how my mom did her face, soft, feminine, pretty but with a certain boldness. It gave me a strength to eat, to pray, to move when I was at my worse, art saved my life but to my family it was a useless skill...
Dylana Alleyne (The Emerald Plot: The Emerald Plot)