Boiling Rock Quotes

Rock'n'roll is a teenage sport, meant to be played by teenagers of all ages--they could be 15, 25 or 35. It all boils down to whether they've got the love in their hearts, that beautiful teenage spirit... -Calvin Johnson

We need to boil water. We need clean towels,” Ava announced, following too. “She ain’t birthin’ no baby! She’s got a gunshot wound!” Indy shouted. “I know that!” Ava shouted back. “But we need a sterile environment.

He's more than just a good-looking guy and you know it." But, I thought, he doesn't have flashlight eyes or a cocky-bastard smile that can boil water or a voice from the heavens and most of all he says things like, It's only rock 'n' roll.

I have a very precise memory of the local train, the hot bricks and copper boxes filled with boiling water to warm us up. Someone in another compartment was playing the guitar. To the rhythm of the train's rocking movement, I heard the chorus "Porque yo to quiero, porque yo to quiero," and I traveled toward my Tonio telling myself, "Because I love you ... because I love you

Death and ruin is man’s preferred ecosystem. Did you ever read about the bacterium that thrives in volcanoes, right on the edge of boiling rock? That’s us. Humanity is a germ that thrives on the very edge of catastrophe.

You never felt jealousy, did you, Miss Eyre? Of course not: I need not ask you; because you never felt love. You have both sentiments yet to experience: your soul sleeps; the shock is yet to be given which shall waken it. You think all existence lapses in as quiet a flow as that in which your youth has hitherto slid away. Floating on with closed eyes and muffled ears, you neither see the rocks bristling not far off in the bed of the flood, nor hear the breakers boil at their base. But I tell you--and you may mark my words--you will come some day to a craggy pass in the channel, where the whole of life's stream will be broken up into whirl and tumult, foam and noise: either you will be dashed to atoms on crag points, or lifted up and borne on by some master-wave into a calmer current- -as I am now.

I am the dangerous daughter, thigh-stroking, soft-tongued lover, the pit, the well, and the well of horniness, laughter rolling up out of me like gravy boiling over the edge of a pan. I become the romantic, the mystic, the one without shame, rocking myself on the hip of a rock, a woman as sharp as coral. I make in my mind the muscle that endures, tame rage and hunger to spirit and blood. I become the rock. I become the knife. I am myself the mystery. The me that will be waits for me. If I cannot dream myself new, how will I find my true self?

The contemplation of revealed truth is a disturbing element in Christian philosophy though a very beautiful one, for it means that the framework of philosophy is widened, and, above all, it can never rest satisfied with the flat, one-dimensional "harmonies" of rationalism. That is the moment when a Christian philosophy, striking upon the rock of divine truth, foams and boils; and that is its unique privilege.

.... So Cu Chulainn asked and he asked, and at length he learned that the best teacher of the arts of war was a woman, Scathach, a strange creature who lived on a tiny island off the coast of Alba." "A woman?" someone echoed scornfully. "How could that be?" "Ah, well, this was no ordinary woman, as our hero soon found out for himself. When he came to the wild shore of Alba and looked across the raging waters to the island where she lived with her warrior women, he saw that there could be a difficulty before he even set foot there. For the only way across was by means of a high, narrow bridge, just wide enough for one man to walk on. And the instant he set his foot upon its span, the bridge began to shake and flex and bounce up and down, all along its considerable length, so that anyone foolish enough to venture farther along it would straightaway be tossed down onto the knife-sharp rocks or into the boiling surf." "Why didn't he use a boat?" asked Spider with a perplexed frown. "Didn't you hear what Liadan said?" Gull responded with derision. "Raging waters? Boiling surf? No boat could have crossed that sea, I'd wager.

Blow on, ye death fraught whirlwinds! blow, Around the rocks, and rifted caves; Ye demons of the gulf below! I hear you, in the troubled waves. High on this cliff, which darkness shrouds In night's impenetrable clouds, My solitary watch I keep, And listen, while the turbid deep Groans to the raging tempests, as they roll Their desolating force, to thunder at the pole. Eternal world of waters, hail! Within thy caves my Lover lies; And day and night alike shall fail Ere slumber lock my streaming eyes. Along this wild untrodden coast, Heap'd by the gelid' hand of frost; Thro' this unbounded waste of seas, Where never sigh'd the vernal breeze; Mine was the choice, in this terrific form, To brave the icy surge, to shiver in the storm. Yes! I am chang'd - My heart, my soul, Retain no more their former glow. Hence, ere the black'ning tempests roll, I watch the bark, in murmurs low, (While darker low'rs the thick'ning' gloom) To lure the sailor to his doom; Soft from some pile of frozen snow I pour the syren-song of woe; Like the sad mariner's expiring cry, As, faint and worn with toil, he lays him down to die. Then, while the dark and angry deep Hangs his huge billows high in air ; And the wild wind with awful sweep, Howls in each fitful swell - beware! Firm on the rent and crashing mast, I lend new fury to the blast; I mark each hardy cheek grow pale, And the proud sons of courage fail; Till the torn vessel drinks the surging waves, Yawns the disparted main, and opes its shelving graves. When Vengeance bears along the wave The spell, which heav'n and earth appals; Alone, by night, in darksome cave, On me the gifted wizard calls. Above the ocean's boiling flood Thro' vapour glares the moon in blood: Low sounds along the waters die, And shrieks of anguish fill the' sky; Convulsive powers the solid rocks divide, While, o'er the heaving surge, the embodied spirits glide. Thrice welcome to my weary sight, Avenging ministers of Wrath! Ye heard, amid the realms of night, The spell that wakes the sleep of death. Where Hecla's flames the snows dissolve, Or storms, the polar skies involve; Where, o'er the tempest-beaten wreck, The raging winds and billows break; On the sad earth, and in the stormy sea, All, all shall shudd'ring own your potent agency. To aid your toils, to scatter death, Swift, as the sheeted lightning's force, When the keen north-wind's freezing breath Spreads desolation in its course, My soul within this icy sea, Fulfils her fearful destiny. Thro' Time's long ages I shall wait To lead the victims to their fate; With callous heart, to hidden rocks decoy, And lure, in seraph-strains, unpitying, to destroy.

I know a place on this Earth that contains wonders enough to stop the breath. A place where the very rocks whisper and whine, where the rivers boil and the snow-studded peaks thrust into a bowl of blue; where great shaggy beasts press the earth with cloven hooves or threaten with claw and fang; where new life and lurking death coexist in the shallows of varicolored pools.

Thank the gods I did not have to sleep. Every minute I must wash and boil and clean and scrub and put to soak. Yet how could I do that, when every minute he also needed something, food and change and sleep? That last I had always thought the most natural thing for mortals, easy as breathing, yet he could not seem to do it. However I wrapped him, however I rocked and sang, he screamed, gasping and shaking until the lions fled, until I feared he would do himself harm. I made a sling to carry him, so he might lie against my heart. I gave him soothing herbs, I burned incenses, I called birds to sing at our windows. The only thing that helped was if I walked—walked the halls, walked the hills, walked the shore. Then at last he would wear himself out, close his eyes, and sleep.

The rock struck Piggy a glancing blow from chin to knee; the conch exploded into a thousand white fragments and ceased to exist. Piggy, saying nothing, with no time for even a grunt, travelled through the air sideways from the rock, turning over as he went. The rock bounded twice and was lost in the forest. Piggy fell forty feet and landed on his back across that square, red rock in the sea. His head opened and stuff came out and turned red. Piggy's arms and legs twitched a bit, like a pig's after it has been killed. Then the sea breathed again in a long, slow sigh, the water boiled white and pink over the rock; and when it went, sucking back again, the body of Piggy was gone.

What is it that a young man wants? Where is the central source of that wild fury that boils up in him, that goads and drives and lashes him, that explodes his energies and strews his purpose to the wind of a thousand instant and chaotic impulses? The older and assured people of the world, who have learned to work without waste and error, think they know the reason for the chaos and confusion of a young man’s life. They have learned the thing at hand, and learned to follow their single way through all the million shifting hues and tones and cadences of living, to thread neatly with unperturbed heart their single thread through that huge labyrinth of shifting forms and intersecting energies that make up life—and they say, therefore, that the reason for a young man’s confusion, lack of purpose, and erratic living is because he has not “found himself.

The sun was shining on the sea, Shining with all his might: He did his very best to make The billows smooth and bright-- And this was odd, because it was The middle of the night. The moon was shining sulkily, Because she thought the sun Had got no business to be there After the day was done-- "It's very rude of him," she said, "To come and spoil the fun!" The sea was wet as wet could be, The sands were dry as dry. You could not see a cloud, because No cloud was in the sky: No birds were flying over head-- There were no birds to fly. The Walrus and the Carpenter Were walking close at hand; They wept like anything to see Such quantities of sand: "If this were only cleared away," They said, "it WOULD be grand!" "If seven maids with seven mops Swept it for half a year, Do you suppose," the Walrus said, "That they could get it clear?" "I doubt it," said the Carpenter, And shed a bitter tear. "O Oysters, come and walk with us!" The Walrus did beseech. "A pleasant walk, a pleasant talk, Along the briny beach: We cannot do with more than four, To give a hand to each." The eldest Oyster looked at him. But never a word he said: The eldest Oyster winked his eye, And shook his heavy head-- Meaning to say he did not choose To leave the oyster-bed. But four young oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore. The Walrus and the Carpenter Walked on a mile or so, And then they rested on a rock Conveniently low: And all the little Oysters stood And waited in a row. "The time has come," the Walrus said, "To talk of many things: Of shoes--and ships--and sealing-wax-- Of cabbages--and kings-- And why the sea is boiling hot-- And whether pigs have wings." "But wait a bit," the Oysters cried, "Before we have our chat; For some of us are out of breath, And all of us are fat!" "No hurry!" said the Carpenter. They thanked him much for that. "A loaf of bread," the Walrus said, "Is what we chiefly need: Pepper and vinegar besides Are very good indeed-- Now if you're ready Oysters dear, We can begin to feed." "But not on us!" the Oysters cried, Turning a little blue, "After such kindness, that would be A dismal thing to do!" "The night is fine," the Walrus said "Do you admire the view? "It was so kind of you to come! And you are very nice!" The Carpenter said nothing but "Cut us another slice: I wish you were not quite so deaf-- I've had to ask you twice!" "It seems a shame," the Walrus said, "To play them such a trick, After we've brought them out so far, And made them trot so quick!" The Carpenter said nothing but "The butter's spread too thick!" "I weep for you," the Walrus said. "I deeply sympathize." With sobs and tears he sorted out Those of the largest size. Holding his pocket handkerchief Before his streaming eyes. "O Oysters," said the Carpenter. "You've had a pleasant run! Shall we be trotting home again?" But answer came there none-- And that was scarcely odd, because They'd eaten every one.

It’s like we've been flung back in time," he said. "Here we are in the Stone Age, knowing all these great things after centuries of progress but what can we do to make life easier for the Stone Agers? Can we make a refrigerator? Can we even explain how it works? What is electricity? What is light? We experience these things every day of our lives but what good does it do if we find ourselves hurled back in time and we can’t even tell people the basic principles much less actually make something that would improve conditions. Name one thing you could make. Could you make a simple wooden match that you could strike on a rock to make a flame? We think we’re so great and modern. Moon landings, artificial hearts. But what if you were hurled into a time warp and came face to face with the ancient Greeks. The Greeks invented trigonometry. They did autopsies and dissections. What could you tell an ancient Greek that he couldn’t say, ‘Big Deal.’ Could you tell him about the atom? Atom is a Greek word. The Greeks knew that the major events in the universe can’t be seen by the eye of man. It’s waves, it’s rays, it’s particles." “We’re doing all right.” “We’re sitting in this huge moldy room. It’s like we’re flung back.” “We have heat, we have light.” “These are Stone Age things. They had heat and light. They had fire. They rubbed flints together and made sparks. Could you rub flints together? Would you know a flint if you saw one? If a Stone Ager asked you what a nucleotide is, could you tell him? How do we make carbon paper? What is glass? If you came awake tomorrow in the Middle Ages and there was an epidemic raging, what could you do to stop it, knowing what you know about the progress of medicines and diseases? Here it is practically the twenty-first century and you’ve read hundreds of books and magazines and seen a hundred TV shows about science and medicine. Could you tell those people one little crucial thing that might save a million and a half lives?” “‘Boil your water,’ I’d tell them.” “Sure. What about ‘Wash behind your ears.’ That’s about as good.” “I still think we’re doing fairly well. There was no warning. We have food, we have radios.” “What is a radio? What is the principle of a radio? Go ahead, explain. You’re sitting in the middle of this circle of people. They use pebble tools. They eat grubs. Explain a radio.” “There’s no mystery. Powerful transmitters send signals. They travel through the air, to be picked up by receivers.” “They travel through the air. What, like birds? Why not tell them magic? They travel through the air in magic waves. What is a nucleotide? You don’t know, do you? Yet these are the building blocks of life. What good is knowledge if it just floats in the air? It goes from computer to computer. It changes and grows every second of every day. But nobody actually knows anything.

At the bottom of the ravine was a glittering stream, about two feet in depth and six feet wide. A waterfall plunged from a shelf of shale rock to the right, tumbling in three broad steps toward the stream, where the water bubbled and boiled. Dappled shade from the trees cast intriguing shadows onto the water, while the flickering sunlight painted the early spring foliage in shades of gold and emerald and soft buttery yellow.

Know what?” he said. “The one I’m really mad at is God. I try not to, but the truth is, when you boil it down, he let me get cancer.” “Humph,” I said. “I always thought that God must trust you a lot to let you go through this.” Jeff flinched. “What do you mean?” “Well, he knew you believed in him. He must have known how you would react. He trusted you to go through it.” Jeff frowned. “That’s a thought. He’s the one giving me the strength. That’s funny. I’m mad at the one giving me strength.” I hadn’t meant to be profound. It just slipped out.

To cover his embarrassment, he attuned Curiosity and tried Rock’s drink of the day. “This is good! What is in it?” “Ha! Is water I boiled cremlings in, before serving them last night.

Say you could view a time lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by widening lead. Mountains burst up, jutting, and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up- mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash-frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and crumble, like paths of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues whose split second in the light was too brief an exposure to yield any image but the hunched shadowless figures of ghosts. Slow it down more, come closer still. A dot appears, a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.

You think all existence lapses in as quiet a flow as that in which your youth has hitherto slid away. Floating on with closed eyes and muffled ears, you neither see the rocks bristling not far off in the bed of the flood, nor hear the breakers boil at their base. But I tell you—and you may mark my words—you will come some day to a craggy pass in the channel, where the whole of life's stream will be broken up into whirl and tumult, foam and noise: either you will be dashed to atoms on crag points, or lifted up and borne on by some master-wave into a calmer current—as I am now.

In front of him, a flat pan of dry and lifeless earth stretched as far as he could see. Not a single tree. Not a bush. No hills or valleys. Just an orange-yellow sea of dust and rocks; wavering currents of heated air boiled on the horizon

But to be furious, murderously furious, is to be alive. No longer young, no longer pretty, no longer loved, or sweet, or lovable, unmasked, writhing on the ground for all to see in my utter ingloriousness, there’s no telling what I might do. I could film my anger and sell it, I could do some unmasking of my own, beat the fuckers at their own game, and on the way I could become the best-known fucking artist in America, out of sheer spite. You never know. I’m angry enough to set fire to a house just by looking at it. It can’t be contained, stored away with the recycling. I’m done staying quietly upstairs. My anger is not a little person’s, a sweet girl’s, a dutiful daughter’s. My anger is prodigious. My anger is a colossus. I’m angry enough to understand why Emily Dickinson shut out the world altogether, why Alice Neel betrayed her children, even though she loved them mightily. I’m angry enough to see why you walk into the water with rocks in your pockets, even though that’s not the kind of angry I am. Virginia Woolf, in her rage, stopped being afraid of death; but I’m angry enough, at last, to stop being afraid of life, and angry enough—finally, God willing, with my mother’s anger also on my shoulders, a great boil of rage like the sun’s fire in me—before I die to fucking well live. Just watch me.

The torrent, swollen by the melting snow, plunges into a tremendous abyss, from which the spray rolls up like the smoke from a burning house. The shaft into which the river hurls itself is an immense chasm, lined by glistening coal-black rock, and narrowing into a creaming, boiling pit of incalculable depth, which brims over and shoots the stream onward over its jagged lip. The long sweep of green water roaring forever down, and the thick flickering curtain of spray hissing forever upward, turn a man giddy with their constant whirl and clamor.

Gently boiling potatoes make a sound not unlike a small stream moving quickly over rocks. I thought it would be perfect for one of those ambient-noise tapes: The Ocean; Wind in the Pine Trees; Boiling Potatoes. It was very soothing. I measured baking powder to its dulcet tones.

People talk of rage as something fluid; it boils, flows, spills over, scalds. For her, it is not any of these things. Instead it is a vast, frozen sea, solid as rock, unthawable. She has never seen the sea, but she knows it wraps around three-quarters of the world. All her anger is that and more.

[180] Caught in a fiery tempest shall be hurled Each on his rock transfixed, the sport and prey Of racking whirlwinds, or for ever sunk Under yon boiling ocean, wrapped in chains; There to converse with everlasting groans, [185] Unrespited, unpitied, unreprieved, Ages of hopeless end; this would be worse.

There were worse things than death. There would be a leap and a moment suspended, then a long hopeless curve to the rocks and river below. They would fall like leaves between clouds of swifts and then be washed away by the thundering rapids. Bramble clung to that thought. If their bodies washed away then there could be no identification, no danger of reprisals on her family. She hung on tighter. The roan's hindquarters bunched under her and they were in the air. It was like she had imagined: the leap, and then the moment suspended in air that seemed to last forever. Below her the swifts boiled up through the river mist, swerving and swooping, while she and the roan seemed to stay frozen above them. Bramble felt, like a rush of air, the presence of the gods surround her. The shock made her lose her balance and begin to slide sideways. She felt herself falling. With an impossible flick of both legs, the roan shrugged her back onto his shoulders. Then the long curve downward and she braced herself to see the cliffs rushing past as they fell. Time to die. Instead she felt a thumping jolt that flung her from the roan's back and tossed her among the rocks at the cliff's edge on the other side. On the other side. Her sight cleared, although the light still seemed dim. Her hearing came back a little. On the other side of the abyss a jumble of men and hounds were milling, shouting, astonished and very angry. "You can't do that!" one yelled. "It's impossible!" "Well, he shagging did it!" another said. "Can't be impossible!" "Head for the bridge!" Beck shouted. "We can still get him! I want that horse!

The dark river was flecked with rotten ice, rocks studding its course glistening like fresh-mined coal. The current frothed and boiled, standing waves at the head of a rock and a quiet lozenge of still water at the tail, where, in the old days before the rivers carried millions of bobbing, colliding logs, big salmon would lie.

Say you could view a time-lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by a widening lead. Mountains burst up, jutting and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up-mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too swift and intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and then crumble, like patches of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues that roamed the earth’s surface, are a wavering blur whose split second in the light was too brief an exposure to yield any images. The great herds of caribou pour into the valleys and trickle back, and pour, a brown fluid. Slow it down more, come closer still. A dot appears, like a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.

Billos ran. He tore down the shore, bounded up on the rock, and dove into the air. The warm water engulfed him. A boiling heat knocked the wind from his lungs. The shock alone might kill him. But it was pleasure that surged through his body, not pain. The sensations coursed through his bones in great unrelenting waves. Elyon. How he was certain, he did not know. But he knew. Elyon was in this lake with him. Billos opened his eyes. Gold light drifted by. He lost all sense of direction. The water pressed in on every inch of his body, as intense as any acid, but one that burned with pleasure instead of pain. He sank into the water, opened his mouth and laughed. He wanted more, much more. He wanted to suck the water in and drink it. Without thinking, he did just that. The liquid hit his lungs. Billos pulled up, panicked. He tried to hack the water from his lungs, but inhaled more instead. No pain. He carefully sucked more water and breathed it out slowly. Then again, deep and hard. Out with a soft whoosh. He was breathing the water! Billos shrieked with laughter. He swam into the lake, deeper and deeper. The power contained in this lake was far greater than anything he'd ever imagined. "I made this, Billos." Billos whipped his body around, searching for the words' source. "Elyon?" His voice was muffled, hardly a voice at all. "Do you like it?" "Yes!" Billos said. He might have spoken; he might have shouted--he didn't know. He only knew that his whole body screamed it. Billos looked around. "Elyon?" "Why do you doubt me, Billos?" In that single moment the full weight of Billos's foolishness crashed on him like a sledgehammer. "I see you, Billos." "I made you." "I love you." The words crashed over him, reaching into the deepest folds of his flesh, caressing each hidden synapse, flowing through every vein, as though he had been given a transfusion. "I choose you, Billos." Billos began to weep. The feeling was more intense than any pain he had ever felt. The current pulled at him, tugging him up through the colors. His body trembled with pleasure. He wanted to speak, to yell, to tell the whole world that he was the most fortunate person in the universe. That he was loved by Elyon. Elyon himself. "Never leave me, Billos." "Never! I will never leave you." The current pushed him through the water and then above the surface not ten meters from the shore. He stood on the sandy bottom. For a moment he had such clarity of mind that he was sure he could understand the very fabric of space if he put his mind to it. He was chosen. He was loved.

Piggy fell forty feet and landed on his back across the square red rock in the sea. His head opened and stuff came out and turned red. Piggy's arm sand legs twitched a bit, like a pig's after it has been killed. Then the sea breathed again in along, slow sigh, the water boiled white and pink over the rock; and when it went, sucking back again, the body of Piggy was gone.

All of it. Especially the arrogant notion that the world will end just because humans might not make it through this century. We were never properly grateful for making it through the last century, as far as I’m concerned. Humanity is worse than flies. If even one dried nugget of offal survives the flames, we’ll be swarming all over it. Fighting about who owns it and selling the most fragrant chunks to the wealthy and the gullible. You’re afraid it’s the End Times because we’re surrounded by death and ruin. Nurse Willowes, don’t you know? Death and ruin is man’s preferred ecosystem. Did you ever read about the bacterium that thrives in volcanoes, right on the edge of boiling rock? That’s us. Humanity is a germ that thrives on the very edge of catastrophe.

All of it. Especially the arrogant notion that the world will end just because humans might not make it through this century. We were never properly grateful for making it through the last century, as far as I’m concerned. Humanity is worse than flies. If even one dried nugget of offal survives the flames, we’ll be swarming all over it. Fighting about who owns it and selling the most fragrant chunks to the wealthy and the gullible. You’re afraid it’s the End Times because we’re surrounded by death and ruin. Nurse Willowes, don’t you know? Death and ruin is man’s preferred ecosystem. Did you ever read about the bacterium that thrives in volcanoes, right on the edge of boiling rock? That’s us. Humanity is a germ that thrives on the very edge of catastrophe.” “Who

She once told me of a night that fumed with escapes and was filled with bedsides reeking of ecstasy; she told me the stars cast not judgments, but blessings, knowing full well the disastrous outcomes of the deeds they cradled with the strings of their young hearts. She’d inhaled the night itself, those around her doing the same, and so all become one. No disharmony. No discordance. Nothing to shatter the cause; nothing to unearth the beauty. So as we together ascended that front porch, allowing the glow behind the blown-out windows and the odious steams plunder us from through the cracks...time forgot to distill us, and our steps became as silver as glass. I could no longer deny the boiling words of my blood: tonight would be the beginning of a very long road indeed.

What part of the end of the world is funny to you?” “All of it. Especially the arrogant notion that the world will end just because humans might not make it through this century. We were never properly grateful for making it through the last century, as far as I’m concerned. Humanity is worse than flies. If even one dried nugget of offal survives the flames, we’ll be swarming all over it. Fighting about who owns it and selling the most fragrant chunks to the wealthy and the gullible. You’re afraid it’s the End Times because we’re surrounded by death and ruin. Nurse Willowes, don’t you know? Death and ruin is man’s preferred ecosystem. Did you ever read about the bacterium that thrives in volcanoes, right on the edge of boiling rock? That’s us. Humanity is a germ that thrives on the very edge of catastrophe.

I cannot detain Love, holding him captive so that he may never break my heart. No more than I can stick Guilt in a pot so that I may boil him until all of my sins are vaporized, rising alongside the screaming steam. I cannot hold Sorrow in my arms and rock him to a fit and endless sleep. Nor can I search for Joy and effortlessly find him beneath the pink-dusted sky of late afternoon, where he waits for me with open arms.

I wanted to think I gave the Professor and his chubby granddaughter and my librarian friend a little happiness. Could I have given happiness to anyone else? There wasn’t much time left, and I doubted anyone would dispute those rights after I was gone, but how about the Police-reggae taxi driver? He’d let us ride in his cab, mud and all. He deserved his share of happiness. He was probably behind the wheel right now, cruising around to his rock cassettes.

The moon can't help it. It's only a fat dumb object, the pumpkin of the sky. The moon's a mess, to tell the truth. A burnt-out cinder the color of dishwater; a stale gray cookie covered with scars. Every loose rock in our solar system has taken a punch at it. It's been scorched, golf-clubbed, and inflicted with boils. If lovers have chosen this brutalized derelict, this tortured dustball, this pitted and pimpled parcel of wasteland as the repository of their dreams, the moon can't help it.

And all this time I was keeping my eyes open, or trying to, only they kept closing, because I wanted to go on watching the stars, where the most extraordinary things were happening. A bright satellite, a man-made star, very slowly and somehow carefully crossed the sky in a great arc, from one side to the other, a close arc, one knew it was not far away, a friendly satellite slowly going about its business round and round the globe. And then, much much farther away, stars were quietly shooting and tumbling and disappearing, silently falling and being extinguished, lost utterly silent falling stars, falling from nowhere to nowhere into an unimaginable extinction. How many of them there were, as if the heavens were crumbling at last and being dismantled. And I wanted to show all these things to my father. Later I knew that I had been asleep and I opened my eyes with wonder and the sky had utterly changed again and was no longer dark but bright, golden, gold-dust golden, as if curtain after curtain had been removed behind the stars I had seen before, and now I was looking into the vast interior of the universe, as if the universe were quietly turning itself inside out. Stars behind stars and stars behind stars behind stars until there was nothing between them, nothing beyond them, but dusty dim gold of stars and no space and no light but stars. The moon was gone. The water lapped higher, nearer, touching the rock so lightly it was audible only as a kind of vibration. The sea had fallen dark, in submission to the stars. And the stars seemed to move as if one could see the rotation of the heavens as a kind of vast crepitation, only now there were no more events, no shooting stars, no falling stars, which human senses could grasp or even conceive of. All was movement, all was change, and somehow this was visible and yet unimaginable. And I was no longer I but something pinned down as an atom, an atom of an atom, a necessary captive spectator, a tiny mirror into which it was all indifferently beamed, as it motionlessly seethed and boiled, gold behind gold behind gold. Later still I awoke and it had all gone; and for a few moments I thought that I had seen all those stars only in a dream. There was a weird shocking sudden quiet, as at the cessation of a great symphony or of some immense prolonged indescribable din. Had the stars then been audible as well as visible and had I indeed heard the music of the spheres? The early dawn light hung over the rocks and over the sea, with an awful intent gripping silence, as if it had seized these faintly visible shapes and were very slowly drawing tgem out of a darkness in which they wanted to remain. Even the water was now totally silent, not a tap, not a vibration. The sky was a faintly lucid grey and the sea was a lightless grey, and the rocks were a dark fuzzy greyish brown. The sense of loneliness was far more intense than it had been under the stars. Then I had felt no fear. Now I felt fear. I discovered that I was feeling very stiff and rather cold. The rock beneath me was very hard and I felt bruised and aching. I was surprised to find my rugs and cushions were wet with dew. I got up stiffly and shook them. I looked around me. Mountainous piled-up rocks hid the house. And I saw myself as a dark figure in the midst of this empty awfully silent dawn, where light was scarcely yet light, and I was afraid of myself and quickly lay down again and settled my rug and closed my eyes, lying there stiffly and not imagining that I would sleep again.

Back then the towering gums marched down to the water and the area was sparsely populated with fibro weekenders - simple cottages and boat sheds - mainly owned by coal miners from the nearby Hunter Valley. My grandfather worked in the mines. He'd lend my family the one room boffy attached to his boasted almost every school holiday, and I have such vivid memories of jumping off his jetty and boiling crabs for dinner and fishing with a line wrapped around a piece of cork and playing in the rock pools and parking about in his tin runabout.

Cooking was creative, but also a quotidian process of transformation, central to Vivekananda's maternal relationship to his disciples. He bragged to his Bengali friends about his culinary prowess: 'Last night I made a dish. It was such a delicious mixture of saffron, lavender, mace, nutmeg, cubebs [a java pepper with a tang of allspice], cinnamon, cloves, cardamom, cream, lime juice, onions, raisins, almonds, peppers, and rice ....' He adored spices, but also loved sweetness, as the ingredients to this recipe suggests. In California, he taught his disciples to make rock candy, which he boiled and boiled to ensure its purity. For him, it symbolized the sweetness vital to his spiritual lessons.

MY RECIPE FOR BANGERS AND MASH First off, find a butcher who makes his sausages fresh. Fry up a mixture of onions and bacon and seasoning. Get the spuds on the boil with a dash of vinegar, some chopped onions and salt (seasoning to taste). Chuck in some peas with the spuds. (Throw in some chopped carrots too, if you like.) Now we’re talking. Now, you have a choice of grilling or broiling your bangers or frying. Throw them on low heat with the simmering bacon and onions (or in the cold pan, as the TV lady said, and add the onions and bacon in a bit) and let the fuckers rock gently, turning every few minutes. Mash yer spuds and whatever. Bangers are now fat free (as possible!). Gravy if desired. HP sauce, every man to his own.

Valyria. It was written that on the day of Doom every hill for five hundred miles had split asunder to fill the air with ash and smoke and fire, blazes so hot and hungry that even the dragons in the sky were engulfed and consumed. Great rents had opened in the earth, swallowing palaces, temples, entire towns. Lakes boiled or turned to acid, mountains burst, fiery fountains spewed molten rock a thousand feet into the air, red clouds rained down dragonglass and the black blood of demons, and to the north the ground splintered and collapsed and fell in on itself and an angry sea came rushing in. The proudest city in all the world was gone in an instant, its fabled empire vanished in a day, the Lands of the Long Summer scorched and drowned and blighted.

They [mountains] are portions of the heart of the earth that have escaped from the dungeon down below, and rushed up and out. For the heart of the earth is a great wallowing mass, not of blood, as in the hearts of men and animals, but of glowing hot melted metals and stones. And as our hearts keep us alive, so that great lump of heat keeps the earth alive: it is a huge power of buried sunlight—that is what it is. Now think: out of that caldron, where all the bubbles would be as big as the Alps if it could get room for its boiling, certain bubbles have bubbled out and escaped—up and away, and there they stand in the cool, cold sky—mountains. Think of the change, and you will no more wonder that there should be something awful about the very look of a mountain: from the darkness—for where the light has nothing to shine upon, it is much the same as darkness—from the heat, from the endless tumult of boiling unrest—up, with a sudden heavenward shoot, into the wind, and the cold, and the starshine, and a cloak of snow that lies like ermine above the blue-green mail of the glaciers; and the great sun, their grandfather, up there in the sky; and their little old cold aunt, the moon, that comes wandering about the house at night; and everlasting stillness, except for the wind that turns the rocks and caverns into a roaring organ for the young archangels that are studying how to let out the pent-up praises of their hearts, and the molten music of the streams, rushing ever from the bosoms of the glaciers fresh-born. Think too of the change in their own substance—no longer molten and soft, heaving and glowing, but hard and shining and cold. Think of the creatures scampering over and burrowing in it, and the birds building their nests upon it, and the trees growing out of its sides, like hair to clothe it, and the lovely grass in the valleys, and the gracious flowers even at the very edge of its armour of ice, like the rich embroidery of the garment below, and the rivers galloping down the valleys in a tumult of white and green! And along with all these, think of the terrible precipices down which the traveller may fall and be lost, and the frightful gulfs of blue air cracked in the glaciers, and the dark profound lakes, covered like little arctic oceans with floating lumps of ice. All this outside the mountain! But the inside, who shall tell what lies there? Caverns of awfullest solitude, their walls miles thick, sparkling with ores of gold or silver, copper or iron, tin or mercury, studded perhaps with precious stones—perhaps a brook, with eyeless fish in it, running, running ceaseless, cold and babbling, through banks crusted with carbuncles and golden topazes, or over a gravel of which some of the stones are rubies and emeralds, perhaps diamonds and sapphires—who can tell?—and whoever can't tell is free to think—all waiting to flash, waiting for millions of ages—ever since the earth flew off from the sun, a great blot of fire, and began to cool. Then there are caverns full of water, numbing cold, fiercely hot—hotter than any boiling water. From some of these the water cannot get out, and from others it runs in channels as the blood in the body: little veins bring it down from the ice above into the great caverns of the mountain's heart, whence the arteries let it out again, gushing in pipes and clefts and ducts of all shapes and kinds, through and through its bulk, until it springs newborn to the light, and rushes down the mountain side in torrents, and down the valleys in rivers—down, down, rejoicing, to the mighty lungs of the world, that is the sea, where it is tossed in storms and cyclones, heaved up in billows, twisted in waterspouts, dashed to mist upon rocks, beaten by millions of tails, and breathed by millions of gills, whence at last, melted into vapour by the sun, it is lifted up pure into the air, and borne by the servant winds back to the mountain tops and the snow, the solid ice, and the molten stream.

We always speak of Canada as a new country. In one sense, of course, this is true. The settlement of Europeans on Canadian soil dates back only three hundred years. Civilization in Canada is but a thing of yesterday, and its written history, when placed beside the long millenniums of the recorded annals of European and Eastern peoples, seems but a little span. But there is another sense in which the Dominion of Canada, or at least part of it, is perhaps the oldest country in the world. According to the Nebular Theory the whole of our planet was once a fiery molten mass gradually cooling and hardening itself into the globe we know. On its surface moved and swayed a liquid sea glowing with such a terrific heat that we can form no real idea of its intensity. As the mass cooled, vast layers of vapour, great beds of cloud, miles and miles in thickness, were formed and hung over the face of the globe, obscuring from its darkened surface the piercing beams of the sun. Slowly the earth cooled, until great masses of solid matter, rock as we call it, still penetrated with intense heat, rose to the surface of the boiling sea. Forces of inconceivable magnitude moved through the mass. The outer surface of the globe as it cooled ripped and shrivelled like a withering orange. Great ridges, the mountain chains of to-day, were furrowed on its skin. Here in the darkness of the prehistoric night there arose as the oldest part of the surface of the earth the great rock bed that lies in a huge crescent round the shores of Hudson Bay, from Labrador to the unknown wilderness of the barren lands of the Coppermine

The smell of the sea swept over the wall and in through the empty window-hole, wide and wild with a million intoxicating secrets. I don’t trust that smell. It hooks us somewhere deeper than reason or civilization, in the fragments of our cells that rocked in oceans before we had minds, and it pulls till we follow mindlessly as rutting animals. When I was a teenager, that smell used to set me boiling, spark my muscles like electricity, bounce me off the walls of the caravan till my parents sprang me free to obey the call, bounding after whatever tantalizing once-in-a-lifetimes it promised. Now I know better. That smell is bad medicine. It lures us to leap off high cliffs, fling ourselves on towering waves, leave behind everyone we love and face into thousands of miles of open water for the sake of what might be on the far shore.

What can I tell them? Sealed in their metallic shells like molluscs on wheels, how can I pry the people free? The auto as tin can, the park ranger as opener. Look here, I want to say, for godsake folks get out of them there machines, take off those fucking sunglasses and unpeel both eyeballs, look around; throw away those goddamned idiotic cameras! For chrissake folks what is this life if full of care we have no time to stand and stare? eh? Take off your shoes for a while, unzip your fly, piss hearty, dig your toes in the hot sand, feel that raw and rugged earth, split a couple of big toenails, draw blood! Why not? Jesus Christ, lady, roll that window down! You can't see the desert if you can't smell it. Dusty? Of course it's dusty—this is Utah! But it's good dust, good red Utahn dust, rich in iron, rich in irony. Turn that motor off. Get out of that peice of iron and stretch your varicose veins, take off your brassiere and get some hot sun on your old wrinkled dugs! You sir, squinting at the map with your radiator boiling over and your fuel pump vapor-locked, crawl out of that shiny hunk of GM junk and take a walk—yes, leave the old lady and those squawling brats behind for a while, turn your back on them and take a long quiet walk straight into the canyons, get lost for a while, come back when you damn well feel like it, it'll do you and her and them a world of good. Give the kids a break too, let them out of the car, let them go scrambling over rocks hunting for rattlesnakes and scorpions and anthills—yes sir, let them out, turn them loose; how dare you imprison little children in your goddamned upholstered horseless hearse? Yes sir, yes madam, I entreat you, get out of those motorized wheelchairs, get off your foam rubber backsides, stand up straight like men! like women! like human beings! and walk—walk—WALK upon your sweet and blessed land!

Then there are caverns full of water, numbingly cold, fiercely hot—hotter than any boiling water. From some of these the water cannot get out, and from others it runs in channels as the blood in the body: little veins bring it down from the ice above into the great caverns of the mountain's heart, whence the arteries let it out again, gushing in pipes and clefts and ducts of all shapes and kinds, through and through its bulk, until it springs newborn to the light, and rushes down the Mountainside in torrents, and down the valleys in rivers—down, down, rejoicing, to the mighty lungs of the world, that is the sea, where it is tossed in storms and cyclones, heaved up in billows, twisted in waterspouts, dashed to mist upon rocks, beaten by millions of tails, and breathed by millions of gills, whence at last, melted into vapour by the sun, it is lifted up pure into the air, and borne by the servant winds back to the mountaintops and the snow, the solid ice, and the molten stream.

A woman pushed her way through the swarm of people. “She’s the daughter of Matthias, head scribe to Herod Antipas, and known to be a fornicator.” I called out again in protest, but my denial was swallowed by the black odium that boiled out of their hearts. “Show us your pocket!” a man yelled. One by one, they took up the petition. Gripping my forearm, Chuza let their shouts grow fevered before he reached for my sleeve. I writhed and kicked. I was a fluttering moth, a hapless girl. My skirmish yielded nothing but jeers and laughter. He snatched the sheet of ivory from my coat and lifted it over his head. A roar erupted. “She is a thief, a blasphemer, and a fornicator!” Chuza cried. “What would you do with her?” “Stone her!” someone cried. The chant began, the dark prayer. Stone her. Stone her. I shut my eyes against the dazzling blur of anger. Their hearts are boulders and their heads are straw. They seemed to be not a multitude of persons, but a single creature, a behemoth feeding off their combined fury. They would stone me for all the wrongs ever done to them. They would stone me for God. Most often victims were dragged to a cliff outside the city and thrown off before being pelted, which lessened the laborious effort of having to throw so many stones—it was in some way more merciful, at least quicker—but I saw I would not be accorded that lenience. Men and women and children plucked stones from the ground. These stones, God’s most bountiful gift to Galilee. Some rushed into the building site, where the stones were larger and more deadly. I heard the sizzle of a rock fly over my head and fall behind me. Then the commotion and noise slowed, elongating, receding to some distant pinnacle, and in that strange slackening of time, I no longer cared to fight. I felt myself bending to my fate. I ached for the life I would never live, but I yearned even more to escape it. I sank onto the ground, making myself as small as I could, my arms and legs tucked beneath my chest and belly, my forehead pressed to the ground. I fashioned myself into a walnut shell. I would be broken apart and God could have the meat. A stone struck my hip in a sunburst of pain. Another fell beside my ear. I heard the stomp of sandals running toward me, then a voice glittering with indignation. “Cease your violence! Would you stone her on the word of this man?” The mob quieted, and I dared to raise my head. Jesus stood before them, his back to me. I stared at the bones in his shoulders. The way his hands were drawn into fists. How he’d planted himself between me and the stones.

I became expert at making myself invisible. I could linger two hours over a coffee, four over a meal, and hardly be noticed by the waitress. Though the janitors in Commons rousted me every night at closing time, I doubt they ever realized they spoke to the same boy twice. Sunday afternoons, my cloak of invisibility around my shoulders, I would sit in the infirmary for sometimes six hours at a time, placidly reading copies of Yankee magazine ('Clamming on Cuttyhunk') or Reader's Digest (Ten Ways to Help That Aching Back!'), my presence unremarked by receptionist, physician, and fellow sufferer alike. But, like the Invisible Man in H. G. Wells, I discovered that my gift had its price, which took the form of, in my case as in his, a sort of mental darkness. It seemed that people failed to meet my eye, made as if to walk through me; my superstitions began to transform themselves into something like mania. I became convinced that it was only a matter of time before one of the rickety iron steps that led to my room gave and I would fall and break my neck or, worse, a leg; I'd freeze or starve before Leo would assist me. Because one day, when I'd climbed the stairs successfully and without fear, I'd had an old Brian Eno song running through my head ('In New Delhi, 'And Hong Kong,' They all know that it won't be long...'), I now had to sing it to myself each trip up or down the stairs. And each time I crossed the footbridge over the river, twice a day, I had to stop and scoop around in the coffee-colored snow at the road's edge until I found a decent-sized rock. I would then lean over the icy railing and drop it into the rapid current that bubbled over the speckled dinosaur eggs of granite which made up its bed - a gift to the river-god, maybe, for safe crossing, or perhaps some attempt to prove to it that I, though invisible, did exist. The water ran so shallow and clear in places that sometimes I heard the dropped stone click as it hit the bed. Both hands on the icy rail, staring down at the water as it dashed white against the boulders, boiled thinly over the polished stones, I wondered what it would be like to fall and break my head open on one of those bright rocks: a wicked crack, a sudden limpness, then veins of red marbling the glassy water. If I threw myself off, I thought, who would find me in all that white silence? Might the river beat me downstream over the rocks until it spat me out in the quiet waters, down behind the dye factory, where some lady would catch me in the beam of her headlights when she pulled out of the parking lot at five in the afternoon? Or would I, like the pieces of Leo's mandolin, lodge stubbornly in some quiet place behind a boulder and wait, my clothes washing about me, for spring?

Then we entered the Straits in great fear of mind, for on the one hand was Scylla, and on the other dread Charybdis kept sucking up the salt water. As she vomited it up, it was like the water in a cauldron when it is boiling over upon a great fire, and the spray reached the top of the rocks on either side. When she began to suck again, we could see the water all inside whirling round and round, and it made a deafening sound as it broke against the rocks. We could see the bottom of the whirlpool all black with sand and mud, and the men were at their wits ends for fear. While we were taken up with this, and were expecting each moment to be our last, Scylla pounced down suddenly upon us and snatched up my six best men. I was looking at once after both ship and men, and in a moment I saw their hands and feet ever so high above me, struggling in the air as Scylla was carrying them off, and I heard them call out my name in one last despairing cry. As a fisherman, seated, spear in hand, upon some jutting rock throws bait into the water to deceive the poor little fishes, and spears them with the ox’s horn with which his spear is shod, throwing them gasping on to the land as he catches them one by one—even so did Scylla land these panting creatures on her rock and munch them up at the mouth of her den, while they screamed and stretched out their hands to me in their mortal agony. This was the most sickening sight that I saw throughout all my voyages.

When Surkov finds out about the Night Wolves he is delighted. The country needs new patriotic stars, the great Kremlin reality show is open for auditions, and the Night Wolves are just the type that’s needed, helping the Kremlin rewrite the narrative of protesters from political injustice and corruption to one of Holy Russia versus Foreign Devils, deflecting the conversation from the economic slide and how the rate of bribes that bureaucrats demand has shot up from 15 percent to 50 percent of any deal. They will receive Kremlin support for their annual bike show and rock concert in Crimea, the one-time jewel in the Tsarist Empire that ended up as part of Ukraine during Soviet times, and where the Night Wolves use their massive shows to call for retaking the peninsula from Ukraine and restoring the lands of Greater Russia; posing with the President in photo ops in which he wears Ray-Bans and leathers and rides a three-wheel Harley (he can’t quite handle a two-wheeler); playing mega-concerts to 250,000 cheering fans celebrating the victory at Stalingrad in World War II and the eternal Holy War Russia is destined to fight against the West, with Cirque du Soleil–like trapeze acts, Spielberg-scale battle reenactments, religious icons, and holy ecstasies—in the middle of which come speeches from Stalin, read aloud to the 250,000 and announcing the holiness of the Soviet warrior—after which come more dancing girls and then the Night Wolves’ anthem, “Slavic Skies”: We are being attacked by the yoke of the infidels: But the sky of the Slavs boils in our veins . . . Russian speech rings like chain-mail in the ears of the foreigners, And the white host rises from the coppice to the stars.

A long time ago, I collected the flower petals stained with my first blood; I thought there was something significant about that, there was importance in all the little moments of experience, because when you live forever, the first times matter. The first time you bleed, first time you cry — I don’t remember that — first time you see your wings, because new things defile you, purity chips away. your purity. nestled flowers in your belly, waiting to be picked. do you want innocence back? small and young smiles that make your eyes squint and cheeks flare the feeling of your face dripping down onto the grass, the painted walls you tore down, the roads you chipped away, they’ll eat away at you, the lingering feelings of a warm hand on your waist, the taps of your feet as you dance, the beats of your timbrel.’ ‘and now you are like Gods, sparkling brilliant with jewelry that worships you, and you’re splitting in order to create.’ ‘The tosses of your wet hair, the rushes of chariots speeding past, the holy, holy, holy lord god of hosts, the sweetness of a strawberry, knocks against the window by your head, the little tunes of your pipes, the cuts sliced into your fingers by uptight cacti fruits, the brisk scent of a sea crashing into the rocks, the sweat of wrestling, onions, cumin, parsley in a metal jug, mud clinging to your skin, a friendly mouth on your cheeks and forehead, chimes, chirps of chatter in the bazaar, amen, amen, amen, the plump fish rushing to take the bread you toss, scraping of a carpenter, the hiss of chalk, the wisps of clouds cradling you as you nap, the splashes of water in a hot pool, the picnic in a meadow, the pounding of feet that are chasing you, the velvet of petals rustling you awake, a giant water lily beneath you, the innocent kiss, the sprawl of the universe reflected in your eyes for the first time, the bloody wings that shred out of your back, the apples in orchards, a basket of stained flowers, excited chants of a colosseum audience, the heat of spinning and bouncing to drums and claps, the love braided into your hair, the trickles of a piano, smell of myrrh, the scratches of a spoon in a cup, the coarseness of a carpet, the stringed instruments and trumpets, the serene smile of not knowing, the sleeping angel, the delight of a creator, the amusement of gossip and rumors, the rumbling laughter between shy singing, the tangling of legs, squash, celery, carrot, and chayote, the swirled face paint, the warmth of honey in your tea, the timid face in the mirror, mahogany beams, the embrace of a bed of flowers, the taste of a grape as its fed to you, the lip smacks of an angel as you feed him a raspberry, the first dizziness of alcohol, the cool water and scent of natron and the scratch of the rock you beat your dirty clothes against, the strain of your arms, the columns of an entrance, the high ceilings of a dark cathedral, the boiling surface of bubbling stew, the burn of stained-glass, the little joyous jump you do seeing bread rise, the silky taste of olive oil, the lap of an angel humming as he embroiders a little fox into his tunic, the softness of browned feathers lulling you to sleep, the weight of a dozen blankets and pillows on your small bed, the proud smile on the other side of a window in a newly-finished building, the myrtle trees only you two know about, the palm of god as he fashions you from threads of copper, his praises, his love, his kiss to your hair, your father.

It occurred to her that she had never thanked Arin for bringing her piano here. She found him in the library and meant to say what she had come to say, yet when she saw him studying a map near the fire, lit by an upward shower of sparks as one log fell on another, she remembered her promise precisely because of how she longed to forget it. She blurted something that had nothing to do with anything. “Do you know how to make honeyed half-moons?” “Do I…?” He lowered the map. “Kestrel, I hate to disappoint you, but I was never a cook.” “You know how to make tea.” He laughed. “You do realize that boiling water is within the capabilities of anybody?” “Oh.” Kestrel moved to leave, feeling foolish. What had possessed her to ask such a ridiculous question anyway? “I mean, yes,” Arin said. “Yes, I know how to make half-moons.” “Really?” “Ah…no. But we can try.” They went into the kitchens. A glance from Arin cleared the room, and then it was only the two of them, dumping flour onto the wooden worktable, Arin palming a jar of honey out of a cabinet. Kestrel cracked an egg into a bowl and knew why she had asked for this. So that she could pretend that there had been no war, there were no sides, and that this was her life. The half-moons came out as hard as rocks. “Hmm.” Arin inspected one. “I could use these as weapons.” She laughed before she could tell herself it wasn’t funny. “Actually, they’re about the size of your weapon of choice,” he said. “Which reminds me that you’ve never said how you dueled at Needles against the city’s finest fighter and won.” It would be a mistake to tell him. It would defy the simplest rule of warfare: to hide one’s strengths and weaknesses for as long as possible. Yet Kestrel told Arin the story of how she had beaten Irex. Arin covered his face with one floured hand and peeked at her between his fingers. “You are terrifying. Gods help me if I cross you, Kestrel.” “You already have,” she pointed out. “But am I your enemy?” Arin crossed the space between them. Softly, he repeated, “Am I?

The sun was shining on the sea, Shining with all his might: He did his very best to make The billows smooth and bright — And this was odd, because it was The middle of the night. The moon was shining sulkily, Because she thought the sun Had got no business to be there After the day was done — "It's very rude of him," she said, "To come and spoil the fun." The sea was wet as wet could be, The sands were dry as dry. You could not see a cloud, because No cloud was in the sky: No birds were flying overhead — There were no birds to fly. The Walrus and the Carpenter Were walking close at hand; They wept like anything to see Such quantities of sand: If this were only cleared away,' They said, it would be grand!' If seven maids with seven mops Swept it for half a year, Do you suppose,' the Walrus said, That they could get it clear?' I doubt it,' said the Carpenter, And shed a bitter tear. O Oysters, come and walk with us!' The Walrus did beseech. A pleasant walk, a pleasant talk, Along the briny beach: We cannot do with more than four, To give a hand to each.' The eldest Oyster looked at him, But never a word he said: The eldest Oyster winked his eye, And shook his heavy head — Meaning to say he did not choose To leave the oyster-bed. But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat — And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more — All hopping through the frothy waves, And scrambling to the shore. The Walrus and the Carpenter Walked on a mile or so, And then they rested on a rock Conveniently low: And all the little Oysters stood And waited in a row. The time has come,' the Walrus said, To talk of many things: Of shoes — and ships — and sealing-wax — Of cabbages — and kings — And why the sea is boiling hot — And whether pigs have wings.' But wait a bit,' the Oysters cried, Before we have our chat; For some of us are out of breath, And all of us are fat!' No hurry!' said the Carpenter. They thanked him much for that. A loaf of bread,' the Walrus said, Is what we chiefly need: Pepper and vinegar besides Are very good indeed — Now if you're ready, Oysters dear, We can begin to feed.' But not on us!' the Oysters cried, Turning a little blue. After such kindness, that would be A dismal thing to do!' The night is fine,' the Walrus said. Do you admire the view? It was so kind of you to come! And you are very nice!' The Carpenter said nothing but Cut us another slice: I wish you were not quite so deaf — I've had to ask you twice!' It seems a shame,' the Walrus said, To play them such a trick, After we've brought them out so far, And made them trot so quick!' The Carpenter said nothing but The butter's spread too thick!' I weep for you,' the Walrus said: I deeply sympathize.' With sobs and tears he sorted out Those of the largest size, Holding his pocket-handkerchief Before his streaming eyes. O Oysters,' said the Carpenter, You've had a pleasant run! Shall we be trotting home again?' But answer came there none — And this was scarcely odd, because They'd eaten every one.

Nevertheless, it would be prudent to remain concerned. For, like death, IT would come: Armageddon. There would be-without exaggeration-a series of catastrophes. As a consequence of the evil in man...-no mere virus, however virulent, was even a burnt match for our madness, our unconcern, our cruelty-...there would arise a race of champions, predators of humans: namely earthquakes, eruptions, tidal waves, tornados, typhoons, hurricanes, droughts-the magnificent seven. Floods, winds, fires, slides. The classical elements, only angry. Oceans would warm, the sky boil and burn, the ice cap melt, the seas rise. Rogue nations, like kids killing kids at their grammar school, would fire atomic-hydrogen-neutron bombs at one another. Smallpox would revive, or out of the African jungle would slide a virus no one understood. Though reptilian only in spirit, the disease would make us shed our skins like snakes and, naked to the nerves, we'd expire in a froth of red spit. Markets worldwide would crash as reckless cars on a speedway do, striking the wall and rebounding into one another, hurling pieces of themselves at the spectators in the stands. With money worthless-that last faith lost-the multitude would riot, race against race at first, God against God, the gots against the gimmes. Insects hardened by generations of chemicals would consume our food, weeds smother our fields, fire ants, killer bees sting us while we're fleeing into refuge water, where, thrashing we would drown, our pride a sodden wafer. Pestilence. War. Famine. A cataclysm of one kind or another-coming-making millions of migrants. Wearing out the roads. Foraging in the fields. Looting the villages. Raping boys and women. There'd be no tent cities, no Red Cross lunches, hay drops. Deserts would appear as suddenly as patches of crusty skin. Only the sun would feel their itch. Floods would sweep suddenly over all those newly arid lands as if invited by the beach. Forest fires would burn, like those in coal mines, for years, uttering smoke, making soot for speech, blackening every tree leaf ahead of their actual charring. Volcanoes would erupt in series, and mountains melt as though made of rock candy till the cities beneath them were caught inside the lava flow where they would appear to later eyes, if there were any eyes after, like peanuts in brittle. May earthquakes jelly the earth, Professor Skizzen hotly whispered. Let glaciers advance like motorboats, he bellowed, threatening a book with his fist. These convulsions would be a sign the parasites had killed their host, evils having eaten all they could; we'd hear a groan that was the going of the Holy Ghost; we'd see the last of life pissed away like beer from a carouse; we'd feel a shudder move deeply through this universe of dirt, rock, water, ice, and air, because after its long illness the earth would have finally died, its engine out of oil, its sky of light, winds unable to catch a breath, oceans only acid; we'd be witnessing a world that's come to pieces bleeding searing steam from its many wounds; we'd hear it rattling its atoms around like dice in a cup before spilling randomly out through a split in the stratosphere, night and silence its place-well-not of rest-of disappearance. My wish be willed, he thought. Then this will be done, he whispered so no God could hear him. That justice may be served, he said to the four winds that raged in the corners of his attic.

All that was left of the Navane was a dark orange film, hardened against the plastic walls of the dropper bottle, segmented and flaking like dried earth. I remembered this stuff. It was the worst of the worst. It came with all kinds of warnings about going out into the sun and what to use on your skin to protect yourself from the extra sensitivity, which seemed like jokes to me, like they had to be meant as jokes. I think it was years before I stood outside in the sun at all for longer than the few minutes it took me to get from a transport van into the cool shade of the indoors. I sniffed at the bottle. There wasn’t a whole lot of scent left; just enough for me to grab hold of the memory of what it had been like getting this stuff from the dropper to my tongue. Like forcing a cadaver to drool something sweet into my mouth. Whole sweeping narratives had formed inside me around this medication, I remembered: stories I’d told myself to make taking it less numbing, to give not just meaning but intrigue to my dull condition. Explorers on distant South American mountainsides retrieving flowers from rock cliffs whose petals alone could yield the essence that would make the nauseating syrup in the tinted bottle: but you couldn’t get the essence directly from the petals; it was far too potent for human beings, it’d kill you; first you had to feed it to sparrows, whose livers filtered out the toxins, then cut out the livers and boil all the remaining organs in water. Then you strained the resulting decoction through cheesecloth and diluted it in a ten-to-one solution, and capped the bottles you’d drained it into and kept them away from light, because what you were left with was thiothixene HCl, known commercially as Navane, which I took in oral suspension because the doctor thought without it I might see or hear bad things.

A dozen or so guests gathered in the conservatory for breakfast. The sweet scent of jasmine perfumed the air and an aviary of lemon yellow canaries sang for them. They drank fresh-squeezed juice that smelled like orange blossoms and spooned perfect bites of soft-boiled eggs from fragile shells. White sunlight poured through the glass dome above their heads like an affirmation from heaven, and a constant breeze blew over them as though fanned by invisible servants. Beyond the open doors stretched emerald lawn. Beyond the lawn, the ocean, blue as a robin's egg.

Regardless of where they strike, large asteroids would boil seas, fill the air with dust and acidic compounds, and perhaps induce carbon dioxide to cook off out of the rocks and into the air, triggering a strong greenhouse effect, all of which in turn would change the world’s climate faster than living things could adjust to. Giant impactors could create enormous waves in the ocean and in the atmosphere that could upset weather patterns around the world for extended periods. Perhaps asteroids have also helped unleash Earth’s internal heat and caused subsequent volcanism.

I felt raw and bruised. Severed in some vital part, as always when parted from Jamie for very long, but also as though I had been violently ejected from my home, like a barnacle ripped from its rock and heedlessly tossed into boiling surf.

I think there are many things in life, many choices that we made, that cannot be boiled down to the bare bones of an equation. We are men; we make mistakes. We hurt others and we hurt ourselves.

KNOW THE SECRET: ROCK ‘N’ ROLL IS A TEENAGE SPORT, MEANT TO BE PLAYED BY TEENAGERS OF ALL AGES—THEY COULD BE 15, 25 OR 35. IT ALL BOILS DOWN TO WHETHER THEY’VE GOT THE LOVE IN THEIR HEARTS, THAT BEAUTIFUL TEENAGE SPIRIT…

I feel I am receiving more information than I bargained for.” “Do you know—I would never have thought this of Warry, but he can eat any food, and I do mean any food, in a manner suggestive of playing a fellow’s pipe? Just last week I watched him eat a boiled egg and nearly spent in my drawers.” “This is definitely more information than I bargained for.” “You asked.” “And I am sorry I did.

Whatever the army had failed to teach me about staying out of sight, they had made up for by teaching me a lot about fighting. They had taken one look at me and sent me straight to the gym. I was like a lot of military children. We had weird backgrounds. We had lived all over the world. Part of our culture was to learn from the locals. Not history or language or political concerns. We learned fighting from them. Their favored techniques. Martial arts from the Far East, full-on brawling from the seamier parts of Europe, blades and rocks and bottles from the seamier parts of the States. By the age of twelve we had it all boiled down to a kind of composite uninhibited ferocity. Especially uninhibited. We had learned that inhibitions will hurt you faster than anything else. Just do it was our motto, well before Nike started making shoes. Those of us who signed up for military careers of our own were recognized and mentored and offered further tuition, where we were taken apart and put back together again. We thought we were tough when we were twelve. At eighteen, we thought we were unbeatable. We weren’t. But we were very close to it, by the age of twenty-five.

I could hear the roaring fill the air but I could not find a source. A waterfall around the bend, I thought, across these rocks. Ahead, I could see a small crack in the rock. I went forward prepared to leap it. As I took the step nearest it, I glanced down. “And nearly fell, two hundred feet I’m sure, into a boiling cauldron of water trapped in a deep, narrow chasm of stone so curled and convoluted by erosion that it seemed like some fantastic cloth. I can record all this now but at the time I had to fling myself back, and the navigator grabbed me and prevented me from sliding in. We both fell backward, and I lay there panting and sweating. “‘What?’ she said. ‘What?’ I gestured, and she crawled ahead. When she returned, her face was white, but she was laughing. “‘I can die now,’ she said, that Avanue phrase Annalise has read in books but I had never heard spoken before. The navigator lay beside me laughing until she calmed, while the others, including the merchanter, took their turn. He alone seemed unmoved. “When we jumped across the chasm (so narrow there was no effort to it)—and there is no easy way to say it—she jumped not across but in. I did not see it. No-one saw it but the merchanter. I only heard her falling laughter.… “Annalise tells me that if a northerner says that phrase ‘I can die now,’ it means great joy, but they mean it truly. Not many of them choose to actually die, but they do not grieve for those who do.

, the forest was not cursed at all, nor was it magical in any way. But it was dangerous. The volcano beneath the forest—low-sloped and impossibly wide—was a tricky thing. It grumbled as it slept, while heating geysers till they burst and restlessly worrying at fissures until they grew so deep that no one could find the bottom. It boiled streams and cooked mud and sent waterfalls disappearing into deep pits, only to reappear miles away. There were vents that spewed foul odors and vents that spewed ash and vents that seemed to spew nothing at all—until a person’s lips and fingernails turned blue from bad air, and the whole world started to spin. The only truly safe passage across the forest for an ordinary person was the Road, which was situated on a naturally raised seam of rock that had smoothed over

In other words, when we’re running on autopilot, our choices to avoid “danger” can be boiled down to protecting, pleasing, and proving. Protecting — covering our ass, making sure we don’t do anything to feel discomfort or put ourselves at risk. Pleasing — keeping the peace and making sure we don’t rock the boat with regards to the people we care about. Proving — doing what we’ve got to do to consistently signal that we belong, that we’re worthy, and that we matter.

Forgive Us, Father Father, why is the thing we need the most, the thing we do the least? Why are most of us so busy we don’t have time? You must have many frustrated days when Your eyes roam to and fro throughout the earth in search of someone whose heart is completely Yours. You must weep often when You seek for a man or woman to stand in the gap to fill the breech and find no one. Your heart must ache at times for us, Your people, to rise up and be what You’ve called us to be. We humble ourselves before Your throne and ask You to forgive us for our lack of prayer. And forgive us as leaders, Lord, who have not told Your people the truth. Forgive us as a church—the Body of Christ—for allowing evil to rule in this land when You have more than enough power in our wombs to change it. Forgive us, for it is not Your fault that we have a generation marked X. It is not Your will that we kill the next generation before it takes its first breath. It is not Your plan that we still have not overcome the principality of hatred that divides this land. Forgive us, Lord. Cleanse us now and break the curses we have allowed to rule over us. Forgive us and cleanse us from the sin of apathy, complacency, ignorance and unbelief. Wash us with the water of Your Word. Break off of us this lethargic prayerlessness, which we justify a thousand different ways. It really boils down to disobedience, unbelief and sin. Father, please forgive us and deliver us. Set us free from being hearers of the Word only, and not doers. Give us homes and churches that are founded on the rock of obedience to Your Word. Rise up in Your people with the stubborn tenacity that Jesus had, that the Early Church walked in. Cause us to cast off everything that would oppose Your Spirit, and move us into a realm that pays a price and lays hold of the kingdom of God. Fill us with Your Spirit. Baptize us in fire. Let there be an impartation of the Spirit of grace and supplication. Let there be an anointing that comes from Your throne to hungry people who are tired of status quo, of mediocrity, of death and destruction. We are tired of it, God. We are tired of being defeated by a defeated enemy. We are tired of being held back from our destiny, both individually and as a nation. We are tired of lack and disease. We are tired of sin. We are hungry for something—the God of the Bible!

STAY CLOSE, MY HEART Stay close, my heart, to the one who knows your ways; Come into the shade of the tree that allays has fresh flowers. Don't stroll idly through the bazaar of the perfume-markers: Stay in the shop of the sugar-seller. If you don't find true balance, anyone can deceive you; Anyone can trick out of a thing of straw, And make you take it for gold Don't squat with a bowl before every boiling pot; In each pot on the fire you find very different things. Not all sugarcanes have sugar, not all abysses a peak; Not all eyes possess vision, not every sea is full of pearls. O nightingale, with your voice of dark honey! Go on lamenting! Only your drunken ecstasy can pierce the rock's hard heart! Surrender yourself, and if you cannot be welcomes by the Friend, Know that you are rebelling inwardly like a thread That doesn't want to go through the needle's eye! The awakened heart is a lamp; protect it by the him of your robe! Hurry and get out of this wind, for the weather is bad. And when you've left this storm, you will come to a fountain; You'll find a Friend there who will always nourish your soul. And with your soul always green, you'll grow into a tall tree Flowering always with sweet light-fruit, whose growth is interior.

boiling up onions with rock candy,

It made an angry whistling noise like a boiling kettle as it sat on the grass launchpad, but when the needle on the compressor’s dial trembled into the red section, something sprung a leak and the rocket screamed sideways into the fence. Every one of Dad’s experiments seemed to centre on blowing something up. Most of them took out a fence panel or two.  “I bet you’ve never done

Avery Adams," he said with a chuckle, dropping the towel where he stood. "Hello, Mr. Adams. I'm confirming your reservation tonight for dinner." The deep rich, masculine voice instantly sent his heart racing. His eyes were focused on the suit, but all he could see was the image of the man calling him. "Of course, I'll be there, unless you need the table." The thought made him furrow his brow, wishing he could take those words right back. He'd prepared all day for this dinner. Haircut, professional shave, plucked in all the most painful places. "No, sir, absolutely not. We'll see you at seven," Kane said. Avery could tell Kane was about to hang up and he jumped in before the man said goodbye. "Kane, tell me the specials for tonight." Avery couldn't actually care less what they served. He just wanted to hear the voice on the other end of the line. Kane's cultured Southern drawl made his blood boil, but Kane's voice still held all the proper hints of a well-practiced Italian accent as he efficiently ticked off the evening's menu. Avery stood transfixed, listening to the tone, until he closed his eyes, just letting the voice rock his world. "Our waitstaff will let you know if anything changes. Thank you, we'll see you at seven." The call disconnected, and Avery, a little slower at lowering the phone, finally managed to absently place it on the hook. He picked up the black Hugo Boss and hung it back in the closet. He tossed the towel in the hamper. Avery still had a couple of hours to kill before dinner.

To understand how the first tree appeared on Earth, we must look back more than 3 billion years to Earth’s cooling off and changing from a molten sphere to one that had a solid crust. As it cooled, a thin layer of granite formed over the fiery interior; the hot inner mass contracted; ridges were thrust upward to form mountains; molten lava surged up through cracks, and boiling water rose to the surface. As hot springs that even now gush up out of the Earth show, this process is still going on; geysers and active volcanoes testify to the searing heat that prevails far inside the earth. Scientists believe the water in our oceans today was first released by volcanic action as a gas, which formed the primeval atmosphere. When this vapor reached extremely high altitudes, it condensed into water and fell Earthward. For a long time, however, because the atmospheric temperature was so hot, it resumed its gaseous form before reaching the planet, but eventually, the surface cooled enough so that water began accumulating in liquid form. And then, for literally millions and millions of years, it must have rained continuously, the water sweeping minerals down from the rocks and filling the depressions in the Earth’s face. For

Breaking, burning. Sidney danced harder, aware of how the movement blended her into everyone dancing in the street. And the riling felt so very good. To cry, scream, sweat, and laugh through the physicality. Remaking her in the therapy of something primal. The more she danced, the more a tremendous lump inside her gave way, The beat bopped in her bones. Her muscles swelled of joy. Freedom. Laughter as a form of movement that popped, rocked, allowed her to slip free of herself and be gone into the rhythm. Burning up. Boiling. Steaming. So hot she spiraled upward. They all did. Far away from everything. Hot and bright as stars. Together in cosmic unity. A constellation right there in the streets of Mobile. Sidney welcomed the sensation. That she could be both alone and together. Down to the core. Down where everything and everyone blended into the dimension behind her eyelids connected, finally, in a living darkness. While the rhythm lasted there were no sides. No lines in the sand. No walls. No them. No they. Only us. Alone and together. Like the fine molecules of a mountain.

Creeping Charlie was the real rock star, though, according to Dad. It thrived in the shade on the edge of forests and sometimes on rocky soil, and the world saw it as a greedy invader. They didn't know, Dad said, that creeping Charlie was a jack-of-all-trades. It kept soil from sliding, sure, but also its dry leaves could be made into a tea that was great for colds and coughs. Eaten fresh or boiled, the leaves were a delicious source of vitamin C. But that was just the start. Creeping Charlie, and most ground ivy, was magic. It had strong antibacterial properties, rid the body of excess mucus, was an astringent and diuretic, could be turned into a balm that sped up healing, and treated everything from tuberculosis to tumors to tinnitus.

Traditionally,” Sir Bedivere continues, “we would be secure inside our castle stronghold, thoroughly protected from the enemy by high, thick walls. Our opponent would then attempt his siege in four distinct stages. First, the commander of the opposing army would call for our surrender, which we would immediately decline, resulting in a spirited exchange of well-crafted insults. Then, the enemy would attempt to scale our walls using waves of expendable foot soldiers. Of course, here we would simply deploy the usual means of repellent, such as flaming arrows, large stones, and boiling oil. Next, they would attempt to breach our defenses by hurling large objects at our walls, including rocks, boulders, and unfortunate prisoners of war. Finally, if they are successful in driving a breach, they would then dispatch their knights for hand-to-hand combat.

When you come down to it, alignment is about helping people understand what you want them to do. Most contributors will be motivated to ladder up to the top-line OKRs—assuming they know where to set the ladder. As our team got larger and more layered, we confronted new issues. One product manager was working on Premium, the enhanced subscription version of our app. Another focused on our API platform, to enable third parties like Fitbit to connect to MyFitnessPal and write data to it or applications on top of it. The third addressed our core login experience. All three had individual OKRs for what they hoped to accomplish—so far, so good. The problem was our shared engineering team, which got caught in the middle. The engineers weren’t aligned with the product managers’ objectives. They had their own infrastructure OKRs, to keep the plumbing going and the lights on. We assumed they could do it all—a big mistake. They got confused about what they should be working on, which could change without notice. (Sometimes it boiled down to which product manager yelled loudest.) As the engineers switched between projects from week to week, their efficiency dragged.

(1) Butterbeer and Ice Cream Floats Treat yourself with the ultimate mug of happiness. It has practically everything we all die for; cream, ice cream, and butterbeer. It serves as an excellent beverage for the table when there are special celebrations around. It's warming and soothing to the core. It does take a little extra time and is made with many ingredients, but it will be all worth it. Makes: 4 Cooking Time: 10 minutes Duration: 20 minutes Ingredient Checklist: For the Dark Butterscotch Caramel Sauce: 1 cup whole milk 1 3/4 cups dark brown sugar ¼ cup butter ½ cup heavy whipping cream 2 teaspoons vanilla extract 1 teaspoon sea salt 2 tablespoons Scotch whiskey 2 tablespoons molasses For the No-Churn Caramel Coconut Ice Cream: 4 cups whole milk 1 ½ cups sugar 2 cups full-fat coconut milk ¼ cup cornstarch 8 egg yolks 4 tablespoons butter ½ teaspoons salt 2 teaspoons vanilla ¼ cup prepared caramel For the Butterbeer: 1 ½ cups carbonated water 1 teaspoon strong black coffee ¼ teaspoon vanilla extract 3 ½ tablespoons prepared caramel 1 tablespoon whipping cream ½ teaspoons cocoa powder 3 - 4 drops cider vinegar 1 dash salt 1 dash nutmeg 1 dash cinnamon 1 dash ginger HHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH How to Cook: For the Caramel: Mix brown sugar with milk, butter, cream, salt and molasses in a saucepan on medium heat. Boil the mixture and stir cook for 10 minutes until it darkens. Stir in bourbon then reduce the heat. Cook for 5 minutes. Add vanilla and mix well. Allow it cool and store in a sealed container. For the No-Churn Coconut Caramel Ice Cream: Beat egg yolks with sugar in a large bowl. Stir in salt, cornstarch, and milk. Transfer the mixture to a cooking pan. Stir cook for 8 minutes on low heat then turns off the heat. Add vanilla, caramel, and butter and mix well. Strain the mixture through the mesh strainer into a container. Refrigerate for 30 minutes. Meanwhile, beat coconut milk until fluffy. Pour the cream into ice cream mixture and mix well. Freeze overnight. For the Butterbeer Floats: Mix all the ingredients for butterbeer except carbonated water at the bottom of a mug. Add a cup of carbonated water and place 2 scoops of coconut ice cream. Serve immediately.

A burning wheel always rolls out of flaming wreckage. Two men carrying a large sheet of glass always cross the road in front of any comedy actor involved in a crazy car chase. Some narrative conventions are so strong that equivalents happen even on planets where the rocks boil at noon. And when a fully laden table collapses, one miraculously unbroken plate always rolls across the floor and spins to a halt.

There in the embrace of the sand I felt the throbbing heart of the earth, felt the rhythm of the currents of boiling rock beneath me, and heard it the most hidden place in my ears a strange song of some of itching torment, trying to find a comfortable way to settle down and sleep, while the continents danced back and forth on my skin and oceans froze and fell. And while I heard the song of this largest dance, still I could hear the small melodies of shifting sand and falling stone and settling soil. I heard the agony of rock being cut and torn in a thousand places on the surface of my skin, and I wept at the thousand deaths of stone and soil, of plants that thinly held to life between the stone and the sky. Armies thundered on my skin, death in every heart, with dead trees carved to make tools to build more death. Only the voices of men are louder than the voices of trees, and though a million stalks of wheat whisper terribly together as they die, the death scream of a man's mind is the strongest cry the earth can hear. I felt blood soak into my skin, and I no longer wept; I longed to die, to be free of the incessant crying. I screamed.

There in the embrace of the sand I felt the throbbing heart of the earth, felt the rhythm of the currents of boiling rock beneath me, and heard in the most hidden place in my ears a strange song of some itching torment, trying to find a comfortable way to settle down and sleep, while the continents danced back and forth on my skin and oceans froze and fell. And while I heard the song of this largest dance, still I could hear the small melodies of shifting sand and falling stone and settling soil. I heard the agony of rock being cut and torn in a thousand places on the surface of my skin, and I wept at the thousand deaths of stone and soil, of plants that thinly held to life between the stone and the sky. Armies thundered on my skin, death in every heart, with dead trees carved to make tools to build more death. Only the voices of men are louder than the voices of trees, and though a million stalks of wheat whisper terribly together as they die, the death scream of a man's mind is the strongest cry the earth can hear. I felt blood soak into my skin, and I no longer wept; I longed to die, to be free of the incessant crying. I screamed.

There in the embrace of the sand I felt the throbbing heart of the earth, felt the rhythm of the currents of boiling rock beneath me, and heard in the most hidden place in my ears a strange song of some of itching torment, trying to find a comfortable way to settle down and sleep, while the continents danced back and forth on my skin and oceans froze and fell. And while I heard the song of this largest dance, still I could hear the small melodies of shifting sand and falling stone and settling soil. I heard the agony of rock being cut and torn in a thousand places on the surface of my skin, and I wept at the thousand deaths of stone and soil, of plants that thinly held to life between the stone and the sky. Armies thundered on my skin, death in every heart, with dead trees carved to make tools to build more death. Only the voices of men are louder than the voices of trees, and though a million stalks of wheat whisper terribly together as they die, the death scream of a man's mind is the strongest cry the earth can hear. I felt blood soak into my skin, and I no longer wept; I longed to die, to be free of the incessant crying. I screamed.

We did find fresh water; rainfall had collected in a sort of rock bowl not too far from a gnarled tree. It was a bit mucky, which the embarrassed harpooner was more than eager to point out, but Norrigal assured us it would serve if we could find something to boil it in. I couldn’t restrain myself from saying, “Of course, those of us who prefer drinking urine are under no obligation to stop.” That earned me a loveless sideways glance from old Gormalin, but Norrigal’s snort more than made up for that.

At least I’ve got a chef,” Zoya said. “Came off one of the barges and I’m pretty sure he prefers cooking to grinding rock.” “He any good?” Konstantin asked. “No. Terrible cook,” Natalya said. “You wouldn’t want him. Can’t boil water without burning it.

Re: Happiness, in pursuit thereof" It is 2005, just before landfall. Here I am, a labyrinth, and I am a mess. I am located at the corner of Waterway and Bluff. I need your help. You will find me to the left of the graveyard, where the trees grow especially talkative at night, where fog and alcohol rub off the edge. We burn to make one another sing; to stay the lake that it not boil, earth not rock. We are running on Aztec time, fifth and final cycle. Eyes switch on/off. We would be mercurochrome to one another bee balm or chamomile. We should be concrete, glass, and spandex. We should be digital or, at least, early. Be ivory-billed. Invisible except to the most prepared observer. We will be stardust. Ancient tailings of nothing. Elapsed breath. No, we must first be ice. Be nails. Be teeth. Be lightning.

She smiled and then she was gone, and I drove home more depressed than I had been in years. Why? Because the truth was that I wanted to drink. And I don’t mean I wanted to ease back into it, either, with casual Manhattans sipped at a mahogany and brass-rail bar with red leather booths and rows of gleaming glasses stacked in front of a long wall mirror. I wanted busthead boilermakers of Jack Daniel’s and draft beer, vodka on the rocks, Beam straight up with water on the side, raw tequila that left you breathless and boiling in your own juices. And I wanted it all in a run-down Decatur or Magazine Street saloon where I didn’t have to hold myself accountable for anything and where my gargoyle image in the mirror would be simply another drunken curiosity like the neon-lit rain striking against the window. After four years of sobriety I once again wanted to fill my mind with spiders and crawling slugs and snakes that grew corpulent off the pieces of my life that I would slay daily. I blamed it on the killing of Julio Segura. I decided my temptation for alcohol and self-destruction was maybe even an indication that my humanity was still intact. I said the rosary that night and did not fall asleep until the sky went gray with the false dawn.

In 1933, the U.S. Senate approved legislation introducing a thirty-hour workweek. Although the bill languished in the House of Representatives under industry pressure, a shorter workweek remained the labor unions’ top priority. In 1938, legislation protecting the five-day workweek was finally passed. The following year, the folk song “Big Rock Candy Mountain” climbed to the top of the charts, describing a utopia in which “hens lay soft-boiled eggs,” cigarettes grow on trees, and “the jerk that invented work” is strung up from the tallest tree. After World War II, leisure time continued its steady rise. In 1956, Vice President Richard Nixon promised Americans that they would only have to work four days a week “in the not too distant future.” The country had reached a “plateau of prosperity,” and he believed a shorter workweek was inevitable.8 Before long, machines would be doing all the work. This would free up “abundant scope for recreation,” enthused an English professor, “by immersion in the imaginative life, in art, drama, dance, and a hundred other ways of transcending the constraints of daily life.”9 Keynes’ bold prediction had become a truism. In the mid-1960s, a Senate committee report projected that by 2000 the workweek would be down to just fourteen hours, with at least seven weeks off a year. The RAND Corporation, an influential think tank, foresaw a future in which just 2% of the population would be able to produce everything society needed.10 Working would soon be reserved for the elite.

PROTEIN SOUP This soup is very easy to digest and can be eaten all year long. You could live on it alone for quite some time if need be. I recommend it especially for anyone with digestive difficulties like gas, malabsorption of food, or chronic fatigue. This soup makes a great medicine to rebuild the body without digestive difficulties, and so is ideal for babies, women after giving birth, the elderly, or anyone in a weakened condition. Spicing beans with onions, hing (asafetida), cumin, fennel, cayenne, salt, pepper, and cardamom helps produce less gas. INGREDIENTS 1 cup split yellow mung beans 2 cups white basmati rice 1 inch fresh gingerroot, chopped 1 small handful fresh cilantro leaves, chopped 2 tbs. ghee (clarified butter) 1 tsp. turmeric 1 tsp. coriander powder 1 tsp. cumin powder 1 tsp. whole cumin seeds 1 tsp. mustard seeds 1 tsp. kosher or rock salt* 1 pinch hing (asafoetida) 7–10 cups water *Bragg Liquid Aminos can be added after cooking for flavor or to replace salt. Wash beans and rice together until water runs clear. In a large pot on medium heat mix ghee, mustard seeds, turmeric, hing, ginger, cumin seeds, cumin powder, and coriander powder, and stir together for a few minutes. Add rice and beans and stir again. Add the water and salt and bring to a boil. Boil for 10 minutes. Turn heat to low, cover pot, and continue to cook until rice and beans become soft (about 30–40 minutes). Add the cilantro leaves just before serving.