Body Odor Quotes

We've searched our database for all the quotes and captions related to Body Odor. Here they are! All 100 of them:

There are other people on the Internet. It's awesome. You get all the benefits of 'other people' without the body odor and the eye contact.
Rainbow Rowell (Fangirl)
Guess who has PE first hour? This is so unfair. I start the day off perspiring like an elephant in heat. Don't the people who make up our schedule understand body odor? Don't they understand frizzy hair?
Becca Fitzpatrick (Silence (Hush, Hush, #3))
You're not a book person, and now you're not an Internet person? What does that leave you?" Levi laughed. "Life. Work. Class. Other people." "Other people", Catch repeated, shaking her head and taking a sip. "There are other people on internet. It's awesome. You get all the benefits of 'other people' without the body odor and the eye contact.
Rainbow Rowell (Fangirl)
You dump trash. You dump yard waste and old ripped couches that smell like body odor and forgetfulness. You dump cigarette butts and banana peels and hazardous waste. But people?
Autumn Doughton (I'll Be Here)
It smells terrible in here.' Well, what do you expect? The human body, when confined, produces certain odors which we tend to forget in this age of deodorants and other perversions. Actually, I find the atmosphere of this room rather comforting. Schiller needed the scent of apples rotting in his desk in order to write. I, too, have my needs. You may remember that Mark Twain preferred to lie supinely in bed while composing those rather dated and boring efforts which contemporary scholars try to prove meaningful. Veneration of Mark Twain is one of the roots of our current intellectual stalemate.
John Kennedy Toole (A Confederacy of Dunces)
Nothing else dangerous we could find. Other than Wayne’s body odor.” “That’s the smell of incredibleness,” Wayne called from inside.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
Body odor mixed with deodorant must make chloroform.
Belle Aurora (Willing Captive)
How do I look to him?" she asked herself. She got up and brought a long mirror towards the window. She stood it on the floor against a chair. Then she sat down in front of it on the rug and, facing it, slowly opened her legs. The sight was enchanting. The skin was flawless, the vulva, roseate and full. She thought it was like the gum plant leaf with its secret milk that the pressure of the finger could bring out, the odorous moisture that came like the moisture of the sea shells. So was Venus born of the sea with this little kernel of salty honey in her, which only caresses could bring out of the hidden recesses of her body.
Anaïs Nin (Delta of Venus)
...a man could be dogmatic, and that was all right, or he could be stupid, and no harm done, but stupid and dogmatic at the same time was too much, especially fluxed with body odor.
Terry Pratchett (Unseen Academicals (Discworld, #37; Rincewind, #8))
Advice from a Caterpillar Chew your way into a new world. Munch leaves. Molt. Rest. Molt again. Self-reinvention is everything. Spin many nests. Cultivate stinging bristles. Don't get sentimental about your discarded skins. Grow quickly. Develop a yen for nettles. Alternate crumpling and climbing. Rely on your antennae. Sequester poisons in your body for use at a later date. When threatened, emit foul odors in self-defense. Behave cryptically to confuse predators: change colors, spit, or feign death. If all else fails, taste terrible.
Amy Gerstler (Dearest Creature)
They may not change your skins colour; they may not change your body odour; but once they can change your daily thoughts, they can influence your habits! Beware of evil companions!
Israelmore Ayivor (Daily Drive 365)
I get out of the car, and I'm blasted by the stench of body odor. Cricket is beside me, and he's talking, but his words don't reach my ears. Because it's my mother. Smelling. On my porch.
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
There are other people on the Internet. It’s awesome. You get all the benefits of ‘other people’ without the body odor and the eye contact.
Rainbow Rowell (Fangirl)
A little thing, like children putting flowers in my hair, can fill up the widening cracks in my self-assurance like soothing lanolin. I was sitting out on the steps today, uneasy with fear and discontent. Peter, (the little boy-across-the-street) with the pointed pale face, the grave blue eyes and the slow fragile smile came bringing his adorable sister Libby of the flaxen braids and the firm, lyrically-formed child-body. They stood shyly for a little, and then Peter picked a white petunia and put it in my hair. Thus began an enchanting game, where I sat very still, while Libby ran to and fro gathering petunias, and Peter stood by my side, arranging the blossoms. I closed my eyes to feel more keenly the lovely delicate-child-hands, gently tucking flower after flower into my curls. "And now a white one," the lisp was soft and tender. Pink, crimson, scarlet, white ... the faint pungent odor of the petunias was hushed and sweet. And all my hurts were smoothed away. Something about the frank, guileless blue eyes, the beautiful young bodies, the brief scent of the dying flowers smote me like the clean quick cut of a knife. And the blood of love welled up in my heart with a slow pain.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
this breed of people who used manners to cover up unfriendliness the way people used perfume to cover up body odor
Angie Kim (Miracle Creek)
Ah, contradiction! The perpetual body odor of humanity! No one was spared, not even the Americans or the Vietnamese, who bathed daily, or the French, who bathed less than daily.
Viet Thanh Nguyen (The Committed (The Sympathizer, #2))
The woman is perfected. Her dead Body wears the smile of accomplishment, The illusion of a Greek necessity Flows in the scrolls of her toga, Her bare Feet seem to be saying: We have come so far, it is over. Each dead child coiled, a white serpent, One at each little Pitcher of milk, now empty. She has folded Them back into her body as petals Of a rose close when the garden Stiffens and odors bleed From the sweet, deep throats of the night flower. The moon has nothing to be sad about, Staring from her hood of bone. She is used to this sort of thing. Her blacks crackle and drag.
Sylvia Plath
You will know if you are too acidic if you get sick often, get urinary tract infections, suffer from headaches, and have bad breath and body odor (when you do not use antiperspirant). Acidosis is the medical term for a blood alkalinity of less than 7.35. A normal reading is called homeostasis. It is not considered a disease; although in and of itself it is recognized as an indicator of disease. Your blood feeds your organs and tissues; so if your blood is acidic, your organs will suffer and your body will have to compensate for this imbalance somehow. We need to do all we can to keep our blood alkalinity high. The way to do this is to dramatically increase our intake of alkaline-rich elements like fresh, clean air; fresh, clean water; raw vegetables (particularly their juices); and sunlight, while drastically reducing our intake of and exposure to acid-forming substances: pollution, cigarettes, hard alcohol, white flour, white sugar, red meat, and coffee. By tipping the scales in the direction of alkalinity through alkaline diet and removal of acid waste through cleansing, and acidic body can become an alkaline one. "Bear in mind that some substances that are alkaline outside the body, like milk, are acidic to the body; meaning that they leave and acid reside in the tissues, just as many substances that are acidic outside the body, like lemons and ripe tomatoes, are alkaline and healing in the body and contribute to the body's critical alkaline reserve.
Natalia Rose (Detox for Women: An All New Approach for a Sleek Body and Radiant Health in 4 Weeks)
When it came time to retire to his chamber for the night, the khan had his pick of beautiful young women, all of whom had been tested to make sure that they did not snore, have bad breath, or discharge any unpleasant body odors.
Jack Weatherford (Genghis Khan and the Making of the Modern World)
Chloe scoffed. "Excuse me, but if this place reeks of body odor, it’s not because of me. I am not the one with the shirt soaked in sweat here." She glanced at me. My cheeks burned. It was one of those moments where you wished the earth could rip open and swallow you whole. "Oh, that’s why I can see your bra," Vincent pointed out, looking at my chest. "Nice boobs by the way." I looked down and almost had a heart attack. In the haste, I’d put a white top over a black bra.
Tatiana Vila
You have already proven yourself very capable, even in our short time together. And besides, you have judged many throughout your life. You have judged the actions and even the motivations of others, as if you somehow knew what those were in truth. You have judged the color of skin and body language and body odor. You have judged history and relationships. You have even judged the value of a person’s life by the quality of your concept of beauty. By all accounts, you are quite well practiced in the activity.
William Paul Young (The Shack)
...his sleep, though deep as death itself, was not dreamless this time, but threaded with ghostly wisps of dreams. These wisps were clearly recognizable as scraps of odors. At first they merely floated in thin threads past Grenouille's nose, but then they grew thicker, more cloudlike. And now it seemed as if he were standing in the middle of a moor from which fog was rising. The fog slowly climbed higher. Soon Grenouille was completely wrapped in fog, saturated with fog, and it seemed he could not get his breath for the foggy vapor. If he did not want to suffocate, he would have to breathe the fog in. And the fog was, as noted, an odor. And Grenouille knew what kind of odor. The fog ws his own odor. His, Grenouille's, own body odor was the fog. And the awful thing was that Grenouille, although he knew that his odor was his odor, could not smell it. Virtually drowning in himself, he could not for the life of him smell himself!
Patrick Süskind (Perfume: The Story of a Murderer)
this was the man who would not submit to her need for probing intimacy, overintimacy, the urge to ask, examine, delve, draw things out, trade secrets, tell everything. it was a need that had the body in it, hands, feet, genitals, scummy odors, clotted dirt, even if it was all talk or sleepy murmur. she wanted to absorb everything, childlike, the dust of stray sensation, whatever she could breathe in from other people's pores. she used to think she was other people. other people have truer lives.
Don DeLillo (Falling Man)
I had to live in a cramped environment that was full of junk and reeked of body odor. Same as my college days. Rim shot!
Andy Weir (The Martian)
that weird sour body odor only monsters have, like a skunk that’s been living off Mexican food. Grover
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
A smell that seems pleasant when it’s labeled “cheese” smells gross when it is labeled “body odor.
Emily Nagoski (Come As You Are: The Surprising New Science That Will Transform Your Sex Life)
I sent a message silently, through body language and body odor.
Jarod Kintz (This Book is Not for Sale)
Ah contradiction! The perpetual body odor of humanity!
Viet Thanh Nguyen (The Committed (The Sympathizer, #2))
There are other people on the Internet. It’s awesome. You get all the benefits of ‘other people’ without the body odor and the eye contact.” Levi
Rainbow Rowell (Fangirl)
Some people can detect the odor molecules in a green bell pepper at a concentration of less than one part per trillion. That is like picking out one grain of sand from a mile-long beach.
Neil Shubin (Your Inner Fish: a Journey into the 3.5-Billion-Year History of the Human Body)
The Night-Apple Last night I dreamed of one I loved for seven long years, but I saw no face, only the familiar presence of the body: sweat skin eyes feces urine sperm saliva all one odor and mortal taste.
Allen Ginsberg (Collected Poems, 1947-1997)
I had a smell in my nose that just wouldn't go away, and I hated it. It was coating my lungs inside, I thought, and I'd spend the rest of my life breathing it in and breathing it out. The odor was composed of burning building materials, scorched bodies, and disintegrating vampires. It was the smell of hatred.
Charlaine Harris (All Together Dead (Sookie Stackhouse, #7))
His body was sweet and clean smelling. As she finished [massaging his dislocated shoulder], Fay bent and gently kissed him on the neck, that part where the skin is so soft abd sensitive, midway between the angle of the jaw and the hair line at the back of the neck. He opened his eyes, startled, then smiled as he murmured, "Oh! It's you. That's all right." He folded his arms about her, bringing her head close to his, then like a contented child sank into a deep sleep. His clean body odor gave her keenest delight. She hesitated to attempt to alter their relationship, and possibly lose him entirely. He had accepted her as a pal, that she would be.
Robert Scully
In praise of mu husband's hair A woman is alone in labor, for it is an unfortunate fact that there is nobody who can have the baby for you. However, this account would be inadequate if I did not speak to the scent of my husband's hair. Besides the cut flowers he sacrifices his lunches to afford, the purchase of bags of licorice, the plumping of pillows, steaming of fish, searching out of chic maternity dresses, taking over of work, listening to complaints and simply worrying, there was my husband's hair. His hair has always amazed stylists in beauty salons. At his every first appointment they gather their colleagues around Michael's head. He owns glossy and springy hair, of an animal vitality and resilience that seems to me so like his personality. The Black Irish on Michael's mother's side of the family have changeable hair--his great-grandmother's hair went from black to gold in old age. Michael's went from golden-brown of childhood to a deepening chestnut that gleams Modoc black from his father under certain lights. When pushing each baby I throw my arm over Michael and lean my full weight. When the desperate part is over, the effort, I turn my face into the hair above his ear. It is as though I am entering a small and temporary refuge. How much I want to be little and unnecessary, to stay there, to leave my struggling body at the entrance. Leaves on a tree all winter that now, in your hand, crushed, give off a dry, true odor. The brass underside of a door knocker in your fingers and its faint metallic polish. Fresh potter's clay hardening on the wrist of a child. The slow blackening of Lent, timeless and lighted with hunger. All of these things enter into my mind when drawing into my entire face the scent of my husband's hair. When I am most alone and drowning and I think I cannot go on, it is breathing into his hair that draws me to the surface and restores my small courage.
Louise Erdrich (The Blue Jay's Dance: A Birth Year)
The fact is that odors and flavors are created entirely inside our heads. Think of something delicious—a moist, gooey, warm chocolate brownie fresh from the oven, say. Take a bite and savor the velvety smoothness, the rich heady waft of chocolate that fills your head. Now consider the fact that none of those flavors or aromas actually exist. All that is really going in your mouth is texture and chemicals. It is your brain that reads these scentless, flavorless molecules and vivifies them for your pleasure. Your brownie is sheet music. It is your brain that makes it a symphony.
Bill Bryson (The Body: A Guide for Occupants)
Ohhhhh." A lush-bodied girl in the prime of her physical beauty. In an ivory georgette-crepe sundress with a halter top that gathers her breasts up in soft undulating folds of the fabric. She's standing with bare legs apart on a New York subway grating. Her blond head is thrown rapturously back as an updraft lifts her full, flaring skirt, exposing white cotton panties. White cotton! The ivory-crepe sundress is floating and filmy as magic. The dress is magic. Without the dress the girl would be female meat, raw and exposed. She's not thinking such a thought! Not her. She's an American girl healthy and clean as a Band-Aid. She's never had a soiled or a sulky thought. She's never had a melancholy thought. She's never had a savage thought. She's never had a desperate thought. She's never had an un-American thought. In the papery-thin sundress she's a nurse with tender hands. A nurse with luscious mouth. Sturdy thighs, bountiful breasts, tiny folds of baby fat at her armpits. She's laughing and squealing like a four year-old as another updraft lifts her skirt. Dimpled knees, a dancer's strong legs. This husky healthy girl. The shoulders, arms, breasts belong to a fully mature woman but the face is a girl's face. Shivering in New York City mid-summer as subway steam lifts her skirt like a lover's quickened breath. "Oh! Ohhhhh." It's nighttime in Manhattan, Lexington Avenue at 51st Street. Yet the white-white lights exude the heat of midday. The goddess of love has been standing like this, legs apart, in spike-heeled white sandals so steep and so tight they've permanently disfigured her smallest toes, for hours. She's been squealing and laughing, her mouth aches. There's a gathering pool of darkness at the back of her head like tarry water. Her scalp and her pubis burn from the morning's peroxide applications. The Girl with No Name. The glaring-white lights focus upon her, upon her alone, blond squealing, blond laughter, blond Venus, blond insomnia, blond smooth-shaven legs apart and blond hands fluttering in a futile effort to keep her skirt from lifting to reveal white cotton American-girl panties and the shadow, just the shadow, of the bleached crotch. "Ohhhhhh." Now she's hugging herself beneath her big bountiful breasts. Her eyelids fluttering. Between the legs, you can trust she's clean. She's not a dirty girl, nothing foreign or exotic. She's an American slash in the flesh. That emptiness. Guaranteed. She's been scooped out, drained clean, no scar tissue to interfere with your pleasure, and no odor. Especially no odor. The Girl with No Name, the girl with no memory. She has not lived long and she will not live long.
Joyce Carol Oates (Blonde)
The water closet's rusting and slightly broken porcelain throne betrayed its purported grandeur. The air was dank and unrecycled.  The motel room stunk of body odor because all of the windows were tightly nailed shut and never opened, even though that was in violation of municipal ordinances.
Daniel Maldonado (From the Streets of Chambers Lane (Chambers Lane #1))
The Great Fires" Love is apart from all things. Desire and excitement are nothing beside it. It is not the body that finds love. What leads us there is the body. What is not love provokes it. What is not love quenches it. Love lays hold of everything we know. The passions which are called love also change everything to a newness at first. Passion is clearly the path but does not bring us to love. It opens the castle of our spirit so that we might find the love which is a mystery hidden there. Love is one of many great fires. Passion is a fire made of many woods, each of which gives off its special odor so we can know the many kinds that are not love. Passion is the paper and twigs that kindle the flames but cannot sustain them. Desire perishes because it tries to be love. Love is eaten away by appetite. Love does not last, but it is different from the passions that do not last. Love lasts by not lasting. Isaiah said each man walks in his own fire for his sins. Love allows us to walk in the sweet music of our particular heart.
Jack Gilbert (The Great Fires)
There is a wonderful word for this sensory bubble—Umwelt. It was defined and popularized by the Baltic-German zoologist Jakob von Uexküll in 1909. Umwelt comes from the German word for “environment,” but Uexküll didn’t use it simply to refer to an animal’s surroundings. Instead, an Umwelt is specifically the part of those surroundings that an animal can sense and experience—its perceptual world. Like the occupants of our imaginary room, a multitude of creatures could be standing in the same physical space and have completely different Umwelten. A tick, questing for mammalian blood, cares about body heat, the touch of hair, and the odor of butyric acid that emanates from skin. These three things constitute its Umwelt. Trees of green, red roses too, skies of blue, and clouds of white—these are not part of its wonderful world. The tick doesn’t willfully ignore them. It simply cannot sense them and doesn’t know they exist.
Ed Yong (An Immense World: How Animal Senses Reveal the Hidden Realms Around Us)
Our water taxi driver is named Buck, and he’s not much older than us, with a tangle of sun-bleached yellow hair sticking out from under his mesh-backed hat. He’s handsome in an utterly filthy way, with that specifically beachy kind of body odor mixed with patchouli. It should be repulsive, but he makes it work.
Emily Henry (People We Meet on Vacation)
It is a strange, nonintuitive fact of existence that photons of light have no color, sound waves no sound, olfactory molecules no odors.
Bill Bryson (The Body: A Guide for Occupants)
Maybe it begins the day you pledge allegiance, face the flag and suddenly clutch your left clavicle because you find a tender puff of breast where yesterday your heart was Or maybe it happens later when you're walking home from school and they rush you on the street-- those boys who reach out fast, disgrace your blouse with rubs of dirt, their laughter stinging hot against your face. And you bite your rage, swallow your tears because the fact is, your territory's up for grabs and somehow it's your own damned fault. And one day you stand at your mirror armed with jars and razor blades against the scents and grasses of your shameless bleeding body, and you see what you've become--a freak manufactured to disguise the real one, the one who sometimes still recalls your innocence, the time before you became a dirty joke. And maybe it begins to end the day you try against the odds to love yourself again. Even though you know the worst thing you can call someone is cunt, you try to love the flesh and fur you are, that convoluted, prehistoric flower, petals dripping weeds and echoing vaguely fragrant odors of the sea.
Marilyn Johnson
1: There are at least six of them:     Sight, which embraces space itself, and tells us by means of light of the existence of the objects which surround us, and of their colors. Hearing, which absorbs through the air the vibrations caused by agreeably resonant or merely noisy bodies. Smell, by means of which we savor all odorous things. Taste, by which we appreciate whatever is palatable or only edible. Touch, by which we are made aware of the surfaces and the textures of objects. Finally physical desire, which draws the two sexes together so that they may procreate.
Jean Anthelme Brillat-Savarin (The Physiology of Taste: or Meditations on Transcendental Gastronomy (Vintage Classics))
No, autosuggestion would explain that, he recalled, as well as reports that, in certain instances, the mentally ill seemed able to unconsciously direct their bodies to emit a variety of odors.
William Peter Blatty (The Exorcist)
from "Semele Recycled" But then your great voice rang out under the skies my name!-- and all those private names for the parts and places that had loved you best. And they stirred in their nest of hay and dung. The distraught old ladies chasing their lost altar, and the seers pursuing my skull, their lost employment, and the tumbling boys, who wanted the magic marbles, and the runaway groom, and the fisherman's thirteen children, set up such a clamor, with their cries of "Miracle!" that our two bodies met like a thunderclap in midday-- right at the corner of that wretched field with its broken fenceposts and startled, skinny cattle. We fell in a heap on the compost heap and all our loving parts made love at once, while the bystanders cheered and prayed and hid their eyes and then went decently about their business. And here is is, moonlight again; we've bathed in the river and are sweet and wholesome once more. We kneel side by side in the sand; we worship each other in whispers. But the inner parts remember fermenting hay, the comfortable odor of dung, the animal incense, and passion, its bloody labor, its birth and rebirth and decay.
Carolyn Kizer
For centuries we had probed their faces, the angles of their bodies, the sounds of their voices and even their odors. Often our survival had depended upon the accurate reading of a white man’s chuckle or the disdainful wave of a white woman’s hand. Whites, on the other hand, always knew that no serious penalty threatened them if they misunderstood blacks. Whites were safely isolated from our concerns.
Maya Angelou (The Collected Autobiographies of Maya Angelou (Modern Library (Hardcover)))
...but prejudices, like odorous bodies, have a double existence both solid and subtle — solid as the pyramids, subtle as the twentieth echo of an echo, or as the memory of hyacinths which once scented the darkness.
George Eliot (Middlemarch)
Hello there,” he said to me. “My name is Buddy Ray. What’s yours?” He had a faint lisp. I swallowed. “Robert Johnson.” Buddy Ray’s smile would make small children flee to their mamas. “Nice to meet you, Robert.” Buddy Ray—I didn’t know if that was a double first name or a first and last name—looked me over as though I were a bite-size snack. Something was off with this guy—you could just see it. He kept licking his lips. I risked a glance back at the big bouncer. Even he looked jittery in Buddy Ray’s presence. As Buddy Ray approached, a pungent stench of cheap cologne failing to mask foul body odor wafted off him, the foul smell taking the lead like a Doberman he was walking. Buddy Ray stopped directly in front of me, maybe six inches away. I held my breath and stood my ground. I, too, had a foot on him. The bouncer took another step backward. Buddy
Harlan Coben (Shelter (Micky Bolitar, #1))
We are small worms, Zorba, very small worms on the tiniest leaf of a gigantic tree. This tiny leaf is our earth; the other leaves are the stars you see moving at night. We drag ourselves along on our tiny leaf, eagerly ferreting around in it. We smell it: it has an odor. We taste it: it can be eaten. We strike it: it resounds, shouting like a living thing. Some of us human beings, the most fearless, reach the edge of the leaf. We bend over this edge with open eyes and ears, observing chaos below. We shudder. We divine the terrible drop beneath us, occasionally hear a sound made by the gigantic tree’s other leaves, sense the sap rising from the roots, swelling our hearts. In this way, leaning over the abyss, we realize with all our body and soul that we are being overcome by terror. What begins at that moment is—” I stopped. I had wanted to say, “What begins at that moment is poetry,” but Zorba would not have understood, so I kept silent. “What begins?” asked Zorba eagerly. “Why did you stop?” “At that moment, Zorba, begins the great danger,” I replied. “Some become dazed and delirious; others, growing afraid, take great pains to discover an answer that will brace their heart. These say, ‘God.’ Still others, calmly, bravely, look down at the drop from the leaf’s edge and say, ‘I like it.’ 
Nikos Kazantzakis (Zorba the Greek)
I envied the sons their life in the country. I wasn’t even jealous of how at home they were in the fields and woods and barns; of how they could do so many things I couldn’t, drive tractors, take apart and fix motors, pluck eggs from under a hen, shove their way into a stall with a stubborn horse pushing back: I just marveled at it all, and wanted it. They and the boys who lived on farms near them were also so enviably at ease in their bodies: what back in the city would be taken as a slouch of disinterest, here was an expression of physical grace. No need to be tense when everything so readily submitted to your efficiently minimal gestures: hoisting bales of hay into a loft, priming a recalcitrant pump … Something else there was as well, something more elusive: perhaps that they lived so much of the time in a world of wild, poignant odors—mown grass, the redolent pines, even the tang of manure and horse-piss-soaked hay. Just the thought of those sensory elations inflicted me with a feeling I still have to exert myself to repress that I was squandering my time, wasting what I knew already were irretrievable clutches of years, now hecatombs of years, trapped in my trivial, stifling life.
C.K. Williams (All at Once: Prose Poems)
This is Radio Free Hayden podcasting from somewhere dark and dingy that smells of ancient grease and more recent body odor. If anyone actually hears this podcast, I must first apologize that there’s no visual of me. My bandwidth is the digital equivalent of a mule train. So instead, I’ve posted this wonderful Norman Rockwell image instead of a video. You’ll note how the poor innocent ginger kid standing on the chair with his butt hanging out is about to be tranq’d in the ass by the ‘kindly country doctor.’ I felt the image was somehow appropriate.
Neal Shusterman (UnDivided (Unwind, #4))
In the mid-1800s, Dr. Ignaz Philipp Semmelweis noticed that new mothers who were treated by midwives fared much better than those who were treated by trainee doctors, who also handled and dissected cadavers. He believed that sticking one’s hands into a dead body and then directly into a laboring woman was dangerous. So, Semmelweis issued a mandate that hands must be washed between the two activities. And it worked! Rates of infection dropped from one in ten to one in a hundred within the first few months. Unfortunately, the finding was rejected by much of the medical establishment of the time. One of the reasons it was so hard to get doctors to wash up? The stench of “hospital odor” on their hands was a mark of prestige. They called it “good old hospital stink.” Quite simply, decayed corpse smell was a badge of honor they had no intention of removing.
Caitlin Doughty (Will My Cat Eat My Eyeballs? And Other Questions About Dead Bodies)
Are you persuaded of what you do or not? Do you need something to happen or not in order to do what you do? Do you need the correlations to coincide always, because the end is never in what you do, even if what you do is vast and distant but is always in your continuation? Do you say you are persuaded of what you do, no matter what? Yes? Then I tell you: tomorrow you will certainly be dead. It doesn't matter? Are you thinking about fame? About your family? But your memory dies with you,with you your family is dead. Are you thinking about your ideals? You want to make a will? You want a headstone? But tomorrow those too are dead, dead. All men die with you. Your death is an unwavering comet. Do you turn to god? There is no god, god dies with you. The kingdom of heaven crumbles with you, tomorrow you are dead, dead. Tomorrow everything is finished—your body, family, friends, country, what you’re doing now, what you might do in the future, the good, the bad, the true, the false, your ideas, your little part, god and his kingdom, paradise, hell, everything, everything, everything. Tomorrow everything is over—in twenty four hours is death. Well, then the god of today is no longer yesterday’s, no longer the country, the good, the bad, friends, or family. You want to eat? No, you cannot. The taste of food is no longer the same; honey is bitter, milk is sour, meat nauseating, and the odor, the odor sickens you: it reeks of the dead. You want a woman to comfort you in your last moments? No, worse: it is dead flesh. You want to enjoy the sun, air, light, sky? Enjoy?! The sun is a rotten orange, the light extinguished, the air suffocating. The sky is a low, oppressive arc. . . .No, everything is closed and dark now. But the sun shines, the air is pure, everything is like before, and yet you speak like a man buried alive, describing his tomb. And persuasion? You are not even persuaded of the sunlight; you cannot move a finger, cannot remain standing. The god who kept you standing,made your day clear and your food sweet, gave you family, country, paradise—he betrays you now and abandons you because the thread of your philopsychia is broken. The meaning of things, the taste of the world, is only for continuation’s sake. Being born is nothing but wanting to go on on: men live in order to live, in order not to die. Their persuasion is the fear of death. Being born is nothing but fearing death, so that, if death becomes certain in a certain future, they are already dead in the present. All that they do and say with fixed persuasion, a clear purpose, and evident reason is nothing but fear of death– ‘indeed, believing one is wise without being wise is nothing but fearing death.
Carlo Michelstaedter (Persuasion and Rhetoric)
Jobs thus became one of the first fifty employees at Atari, working as a technician for $5 an hour. “In retrospect, it was weird to hire a dropout from Reed,” Alcorn recalled. “But I saw something in him. He was very intelligent, enthusiastic, excited about tech.” Alcorn assigned him to work with a straitlaced engineer named Don Lang. The next day Lang complained, “This guy’s a goddamn hippie with b.o. Why did you do this to me? And he’s impossible to deal with.” Jobs clung to the belief that his fruit-heavy vegetarian diet would prevent not just mucus but also body odor, even if he didn’t use deodorant or shower regularly. It was a flawed theory.
Walter Isaacson (Steve Jobs)
Tidy Tip: Dig deep, and be sure to cover the body in a heavy layer of slaked lime—also known as calcium hydroxide, or Ca(OH)—which accelerates decomposition and kills odors that attract animals who may want to dig it up. A layer of dirt, then another of the slaked lime before a final half-foot of dirt. The bugs will help finish the job!
Josie Brown (The Housewife Assassin's Handbook (Housewife Assassin, #1))
Cecilia, the youngest, only thirteen, had gone first, slitting her wrists like a Stoic while taking a bath, and when they found her, afloat in her pink pool, with the yellow eyes of someone possessed and her small body giving off the odor of a mature woman, the paramedics had been so frightened by her tranquillity that they had stood mesmerized.
Jeffrey Eugenides, The Virgin Suicides
The foreigners who heard the noise in the dining room and hastened to remove the body noticed the suffocating odor of Remedios the Beauty on his skin. It was so deep in his body that the cracks in his skull did not give off blood but an amber-colored oil that was impregnated with that secret perfume, and then they understood that the smell of Remedios the Beauty kept on torturing men beyond death, right down to the dust of their bones.
Gabriel García Márquez (One Hundred Years of Solitude)
Sottoportico San Zaccaria" It rains on the roofs As it rains in my poems Under the thunder We fit together like parts Of a magic puzzle Twelve winds beat the gulls from the sky And tear the curtains And lightning glisters On your sweating breasts Your face topples into dark And the wind sounds like an army Breaking through dry reeds We spread our aching bodies in the window And I can smell the odor of hay In the female smell of Venice
Kenneth Rexroth
In Elizabethan times lovers were so enamored of each other’s body odors that it was common for a woman to keep a peeled apple in her armpit until it had absorbed her sweat and smell. She would give this “love apple” to her lover to sniff at in her absence. We, on the other hand, use synthetic aromas of fruits and flowers to mask our body odor from our lovers. Which of these two approaches is acquired and which is natural is not so easy to determine. A substance as “naturally” repugnant to us as the urine of cows is used by the Masai tribe in East Africa as a lotion for their hair—a direct consequence of the cow’s importance in their culture. Many tastes we think “natural” are acquired through learning and become “second nature” to us. We are unable to distinguish our “second nature” from our “original nature” because our neuroplastic brains, once rewired, develop a new nature, every bit as biological as our original.
Norman Doidge (The Brain That Changes Itself: Stories of Personal Triumph from the Frontiers of Brain Science)
He also registers that in a few places at the resort he routinely catches the whiff of certain unmistakable odors. At the far side of the swimming pool, warm garbage. At the turn in the gravel path that leads from their room to the beach, sewage...he still hasn't found paradise, not quite. Because, like everywhere else, when you get down to it, it is all just bodies and their manifold wastes and where to put it all, it is all just disorder two days from taking over.
Alexis Schaitkin (Saint X)
did just that but felt no better. The toxin carried by the fish was heat resistant, I was to learn, and more boiling or baking could not neutralize it. As it was explained to me later in Boston, the cigua toxin was quickly excreted by the body but not before it had radically damaged the nervous system. Very much like Ravelstein’s Guillain-Barré syndrome. Among the first symptoms is a sudden distaste for food. I even disliked the look of it. I came to loathe all food odors.
Saul Bellow (Ravelstein)
In recent years I had begun to be interested in fashion. But sometimes—especially when I had dressed not only to make a good impression in general but for a man—preparing myself (this was the word) seemed to me to have something ridiculous about it. All that struggle, all that time spent camouflaging myself when I could be doing something else. The colors that suited me, the ones that didn’t, the styles that made me look thinner, those that made me fatter, the cut that flattered me, the one that didn’t. A lengthy, costly preparation. Reducing myself to a table set for the sexual appetite of the male, to a well-cooked dish to make his mouth water. And then the anguish of not succeeding, of not seeming pretty, of not managing to conceal with skill the vulgarity of the flesh with its moods and odors and imperfections. But I had done it. I had done it also for Nino, recently. I had wanted to show him that I was different. But now, enough. He had brought his wife and it seemed to me a mean thing. I hated competing in looks with another woman, especially under the gaze of a man, and I suffered at the thought of finding myself in the same place with the beautiful girl I had seen in the photograph, it made me sick to my stomach. She would size me up, study every detail with the pride of a woman of Via Tasso taught since birth to attend to her body; then, at the end of the evening, alone with her husband, she would criticize me with cruel lucidity.
Elena Ferrante (Those Who Leave and Those Who Stay (Neapolitan Novels, #3))
The filth of these all-male rooms was horrifying. Moldy mandarin orange skins clung to the bottoms of wastebaskets. Empty cans used for ashtrays held mounds of cigarette butts, and when these started to smolder they’d be doused with coffee or beer and left to give off a sour stink. Blackish grime and bits of indefinable matter clung to all the bowls and dishes on the shelves, and the floors were littered with ramen wrappers and empty beer cans and lids from one thing or another. It never occurred to anyone to sweep up and throw these things in a wastebasket. Any wind that blew through would raise clouds of dust. Each room had its own horrendous smell, but the components of that smell were the same: sweat and body odor and garbage. Dirty clothes would pile up under the beds, and without anyone bothering to air the mattresses on a regular basis, these sweat-impregnated pads would give off odors beyond redemption. In retrospect, it seems amazing that these shit piles gave rise to no killer epidemics.
Haruki Murakami (Norwegian Wood)
How could I sacrifice her for the sake of Charlotte? I was getting tired of Charlotte, with her intact virtue and her tidy ways. Wearing her was like wearing a hair shirt, she made me itchy, I wanted her to fall into a mud puddle, have menstrual cramps, sweat, burp, fart. Even her terrors were too pure, her faceless murderers, her corridors, her mazes and forbidden doors. Perhaps in the new life, I thought, the life to come, I would be less impressed with capes and more with holes in stockings, hangnails, body odors and stomach problems. Maybe I should try to write a real novel, about someone who worked in an office and had tawdry, unsatisfying affairs. But that was impossible, it was against my nature. I longed for happy endings, I needed the feeling of release when everything turned out right and I could scatter joy like rice all over my characters and dismiss them into bliss. Redmond would kiss Charlotte so that her eyeballs rolled right back into her head, and then they could both vanish. When would they be joyful enough, when would my life be my own?
Margaret Atwood (Lady Oracle)
The glove comes off, flops loosely over, and there's suddenly horror beating into his brain, smashing, pounding, battering. He reels a little in his chair, has to hold onto the edge of the table with both hands, at the impact of it. A clawlike thing - two of the finger extremities already bare of flesh as far as the second joint; two more with only shriveled, bloodless, rotting remnants of it adhering, only the thumb intact, and that already unhealthy-looking, flabby. A dead hand - the hand of a skeleton - on a still-living body. A body he was dancing with only a few minutes ago. A rank odor, a smell of decay, of the grave and of the tomb, hovers about the two of them now. A woman points from the next table, screams. She's seen it, too. She hides her face, cowers against her companion's shoulder, shudders. Then he sees it too. His collar's suddenly too tight for him. Others see it, one by one. A wave of impalpable horror spreads centrifugally from that thing lying there in the blazing electric light on O'Shaughnessy's table. The skeleton at the feast! ("Jane Brown's Body")
Cornell Woolrich (The Fantastic Stories of Cornell Woolrich (Alternatives SF Series))
It is a strange, nonintuitive fact of existence that photons of light have no color, sound waves no sound, olfactory molecules no odors. As James Le Fanu has put it, “While we have the overwhelming impression that the greenness of the trees and the blueness of the sky are streaming through our eyes as through an open window, yet the particles of light impacting on the retina are colourless, just as the waves of sound impacting on the eardrum are silent and scent molecules have no smell. They are all invisible, weightless, subatomic particles of matter travelling through space.
Bill Bryson (The Body: A Guide for Occupants)
In the beginning, they had thought all the curled lips, cut eyes, turned-up noses—even the shaking heads—signified a bad scent emanating from their bodies because of the toil in the barn. The odor of swill alone had often made them strip bare and spend nearly an hour in the river bathing. Daily, just before sundown, when the others were bent out of shape from fieldwork and tried to find an elusive peace in their shacks, there Samuel and Isaiah were, scrubbing themselves with mint leaves, juniper, sometimes root beer, washing away the layers of stink. But the baths didn't change the demeanor of the sucked teeth that held The Two of Them in contempt.
Robert Jones Jr. (The Prophets)
Overproduction of gas is not a pleasant thing—it bloats the gut, making us feel uncomfortable—but passing a bit of wind is not only necessary, it is healthy, too. We are living creatures with a miniature world living inside us, working away and producing many things. Just as we release exhaust fumes into the Earth’s atmosphere, so must our microbes, too. It may make a funny sound and it may smell a bit, but not necessarily. Bifidobacteria and Lactobacilli, for instance, do not produce any unpleasant odors. People who never need to break wind are starving their gut bacteria and are not good hosts for their microbe guests. Pure prebiotics can be bought at
Giulia Enders (Gut: The Inside Story of Our Body’s Most Underrated Organ)
Having the Having" I tie knots in the strings of my spirit to remember. They are not pictures of what was. Not accounts of dusk amid the olive trees and that odor. The walking back was the arriving. For that there are three knots and a space and another two close together. They do not imitate the inside of her body, nor her clean mouth. They cannot describe, but they can prevent remembering it wrong. The knots recall. The knots are blazons marking the trail back to what we own and imperfectly forget. Back to a bell ringing far off, and the sweet summer darkening. All but a little of it blurs and leaks away, but that little is most of it, even damaged. Two more knots and then just straight string.
Jack Gilbert (Refusing Heaven: Poems)
Bumblebees detect the polarization of sunlight, invisible to uninstrumented humans; put vipers sense infrared radiation and detect temperature differences of 0.01C at a distance of half a meter; many insects can see ultraviolet light; some African freshwater fish generate a static electric field around themselves and sense intruders by slight perturbations induced in the field; dogs, sharks, and cicadas detect sounds wholly inaudible to humans; ordinary scorpions have micro--seismometers on their legs so they can detect in darkness the footsteps of a small insect a meter away; water scorpions sense their depth by measuring the hydrostatic pressure; a nubile female silkworm moth releases ten billionths of a gram of sex attractant per second, and draws to her every male for miles around; dolphins, whales, and bats use a kind of sonar for precision echo-location. The direction, range, and amplitude of sounds reflected by to echo-locating bats are systematically mapped onto adjacent areas of the bat brain. How does the bat perceive its echo-world? Carp and catfish have taste buds distributed over most of their bodies, as well as in their mouths; the nerves from all these sensors converge on massive sensory processing lobes in the brain, lobes unknown in other animals. how does a catfish view the world? What does it feel like to be inside its brain? There are reported cases in which a dog wags its tail and greets with joy a man it has never met before; he turns out to be the long-lost identical twin of the dog's "master", recognizable by his odor. What is the smell-world of a dog like? Magnetotactic bacteria contain within them tiny crystals of magnetite - an iron mineral known to early sailing ship navigators as lodenstone. The bacteria literally have internal compasses that align them along the Earth's magnetic field. The great churning dynamo of molten iron in the Earth's core - as far as we know, entirely unknown to uninstrumented humans - is a guiding reality for these microscopic beings. How does the Earth's magnetism feel to them? All these creatures may be automatons, or nearly so, but what astounding special powers they have, never granted to humans, or even to comic book superheroes. How different their view of the world must be, perceiving so much that we miss.
Carl Sagan (Shadows of Forgotten Ancestors)
Imagine that your prayer is a poorly dressed beggar reeking of alcohol and body odor, stumbling toward the palace of the great king. You have become your prayer. As you shuffle toward the barred gate, the guards stiffen. Your smell has preceded you. You stammer out a message for the great king: “I want to see the king.” Your words are barely intelligible, but you whisper one final word, “Jesus. I come in the name of Jesus.” At the name of Jesus, as if by magic, the palace comes alive. The guards snap to attention, bowing low in front of you. Lights come on, and the door flies open. You are ushered into the palace and down a long hallway into the throne room of the great king, who comes running to you and wraps you in his arms. “ASKING IN JESUS’ NAME” ISN’T ANOTHER THING I HAVE TO GET RIGHT SO MY PRAYERS ARE PERFECT. IT IS ONE MORE GIFT OF GOD BECAUSE MY PRAYERS ARE SO IMPERFECT. The name of Jesus gives my prayers royal access. They get through. Jesus isn’t just the Savior of my soul. He’s also the Savior of my prayers. My prayers come before the throne of God as the prayers of Jesus. “Asking in Jesus’ name” isn’t another thing I have to get right so my prayers are perfect. It is one more gift of God because my prayers are so imperfect. Jesus’ seal not only guarantees that my package gets through, but it also transforms the package. Paul says in Romans 8:26, “The Spirit helps us in our weakness. For we do not know what to pray for as we ought, but the Spirit himself intercedes for us with groanings too deep for words.
Paul E. Miller (A Praying Life: Connecting with God in a Distracting World)
PRAYING IN JESUS’ NAME Deep down, we just don’t believe God is as generous as he keeps saying he is. That’s why Jesus added the fine print—“ask in my name.” Let me explain what that means. Imagine that your prayer is a poorly dressed beggar reeking of alcohol and body odor, stumbling toward the palace of the great king. You have become your prayer. As you shuffle toward the barred gate, the guards stiffen. Your smell has preceded you. You stammer out a message for the great king: “I want to see the king.” Your words are barely intelligible, but you whisper one final word, “Jesus. I come in the name of Jesus.” At the name of Jesus, as if by magic, the palace comes alive. The guards snap to attention, bowing low in front of you. Lights come on, and the door flies open. You are ushered into the palace and down a long hallway into the throne room of the great king, who comes running to you and wraps you in his arms. The name of Jesus gives my prayers royal access. They get through. Jesus isn’t just the Savior of my soul. He’s also the Savior of my prayers. My prayers come before the throne of God as the prayers of Jesus. “Asking in Jesus’ name” isn’t another thing I have to get right so my prayers are perfect. It is one more gift of God because my prayers are so imperfect. Jesus’ seal not only guarantees that my package gets through, but it also transforms the package. Paul says in Romans 8:26, “The Spirit helps us in our weakness. For we do not know what to pray for as we ought, but the Spirit himself intercedes for us with groanings too deep for words.
Paul E. Miller (A Praying Life: Connecting With God In A Distracting World)
Between Myself and Death To Jimmy Blanton's Music: Sophisticated Lady, Body and Soul A fervor parches you sometimes, And you hunch over it, silent, Cruel, and timid; and sometimes You are frightened with wantonness, And give me your desperation. Mostly we lurk in our coverts, Protecting our spleens, pretending That our bandages are our wounds. But sometimes the wheel of change stops; Illusion vanishes in peace; And suddenly pride lights your flesh— Lucid as diamond, wise as pearl— And your face, remote, absolute, Perfect and final like a beast's. It is wonderful to watch you, A living woman in a room Full of frantic, sterile people, And think of your arching buttocks Under your velvet evening dress, And the beautiful fire spreading From your sex, burning flesh and bone, The unbelievably complex Tissues of your brain all alive Under your coiling, splendid hair. * * * I like to think of you naked. I put your naked body Between myself alone and death. If I go into my brain And set fire to your sweet nipples, To the tendons beneath your knees, I Can see far before me. It is empty there where I look, But at least it is lighted. I know how your shoulders glisten, How your face sinks into trance, And your eves like a sleepwalker's, And your lips of a woman Cruel to herself. I like to Think of you clothed, your body Shut to the world and self contained, Its wonderful arrogance That makes all women envy you. I can remember every dress, Each more proud then a naked nun. When I go to sleep my eves Close in a mesh of memory. Its cloud of intimate odor Dreams instead of myself.
Kenneth Rexroth (Selected Poems)
Smell is certainly an intensely personal experience. “I think the single most extraordinary aspect of olfaction is that we all smell the world differently,” Beauchamp says. “Although we all have 350 to 400 types of odor receptor, only about half of them are common to all people. That means that we don’t smell the same things.” He reached into his desk and pulled out a vial, which he uncapped and passed to me to sniff. I could smell nothing at all. “It’s a hormone called androsterone,” Beauchamp explained. “About a third of people, like you, can’t smell it. One-third smell something like urine, and one-third smell sandalwood.” His smile broadened. “If you have three people who cannot even agree on whether something is pleasant, revolting, or simply odorless, you begin to see how complicated the science of smell is.
Bill Bryson (The Body: A Guide for Occupants)
explanation of odor.  “Odor is particulate,” he had written. The sense of odor is triggered when particulates in the air hit receptors in the nasal passage and are interpreted in the brain. In other words, when you sense a certain odor, you are actually ingesting particulates (solid particles from the object you smell) that cling to the mucous membranes in the nose and give you that sense of odor. When you smell the decay of a dead body, you are actually ingesting particulates of dead flesh into your lungs. Dead flesh clinging to alveoli, the clusters of air sacs in your lungs. Jennifer had been so grossed out by his description that she had called him up and asked specifically about particulates. “Well, Sis (Jerry had always called her ‘Sis’) it’s like this. I don’t ever make coffee in hotels where they keep the coffee pot in the bathroom, and I use airplanes sparingly.” Gross.
Enes Smith (Cold River Rising: A Native American Mystery and Thriller Series (Cold River Series Book 1))
O Petronius, thou hast seen what endurance and comfort that religion gives in misfortune, how much patience and courage before death; so come and see how much happiness it gives in ordinary, common days of life. People thus far did not know a God whom man could love, hence they did not love one another; and from that came their misfortune, for as light comes from the sun, so does happiness come from love....Thou didst say to me that our teaching was an enemy of life; and I answer thee now, that, if from the beginning of this letter I had been repeating only the three words, ‘I am happy!’ I could not have expressed my happiness to thee. To this thou wilt answer, that my happiness is Lygia. True, my friend. Because I love her immortal soul, and because we both love each other in Christ; for such love there is no separation, no deceit, no change, no old age, no death. For, when youth and beauty pass, when our bodies wither and death comes, love will remain, for the spirit remains. Before my eyes were open to the light I was ready to burn my own house even, for Lygia’s sake; but now I tell thee that I did not love her, for it was Christ who first taught me to love. In Him is the source of peace and happiness. It is not I who say this, but reality itself. Compare thy own luxury, my friend, lined with alarm, thy delights, not sure of a morrow, thy orgies, with the lives of Christians, and thou wilt find a ready answer. But, to compare better, come to our mountains with the odor of thyme, to our shady olive groves on our shores lined with ivy. A peace is waiting for thee, such as thou hast not known for a long time, and hearts that love thee sincerely. Thou, having a noble soul and a good one, shouldst be happy. Thy quick mind can recognize the truth, and knowing it thou wilt love it. To be its enemy, like Cæsar and Tigellinus, is possible, but indifferent to it no one can be. O my Petronius, Lygia and I are comforting ourselves with the hope of seeing thee soon. Be well, be happy, and come to us.
Henryk Sienkiewicz (Quo Vadis (French Edition))
The areas of the cortex responsible for attention and self-regulation develop in response to the emotional interaction with the person whom we may call the mothering figure. Usually this is the birth mother, but it may be another person, male or female, depending on circumstances. The right hemisphere of the mother’s brain, the side where our unconscious emotions reside, programs the infant’s right hemisphere. In the early months, the most important communications between mother and infant are unconscious ones. Incapable of deciphering the meaning of words, the infant receives messages that are purely emotional. They are conveyed by the mother’s gaze, her tone of voice and her body language, all of which reflect her unconscious internal emotional environment. Anything that threatens the mother’s emotional security may disrupt the developing electrical wiring and chemical supplies of the infant brain’s emotion-regulating and attention-allocating systems. Within minutes following birth, the mother’s odors stimulate the branching of millions of nerve cells in the newborn’s brain. A six-day-old infant can already distinguish the scent of his mother from that of other women. Later on, visual inputs associated with emotions gradually take over as the major influences. By two to seven weeks, the infant will orient toward the mother’s face in preference to a stranger‘s — and also in preference to the father’s, unless the father is the mothering adult. At seventeen weeks, the infant’s gaze follows the mother’s eyes more closely than her mouth movements, thus fixating on what has been called “the visible portion of the mother’s central nervous system.” The infant’s right brain reads the mother’s right brain during intense eye-to-eye mutual gaze interactions. As an article in Scientific American expressed it, “Embryologically and anatomically the eye is an extension of the brain; it is almost as if a portion of the brain were in plain sight.” The eyes communicate eloquently the mother’s unconscious emotional states.
Gabor Maté (Scattered: How Attention Deficit Disorder Originates and What You Can Do About It)
The Hospital for Infectious Diseases...The only people who lived here were those who made resistance to germs their only reason for being. Unceasing approbation of life; a rough, rude approbation that did not care at all about appearances. An approbation of life beyond law and beyond morality, dramatized and incessantly demanded by delirium, incontinence, bloody excrement, vomit, diarrhea, and horrible odors. This air which, like a mob of merchants hosting bids at a produce auction, craved in every second the call: "Still alive! Still alive!"...This mass off active bodies, unified by the unique form of existence they bore, namely, contagious disease. Here the value of men's lives and germ's lives frequently came to the same thing; patient and practitioner were metamorphosed into bacteria - into such objectless life. Here life existed only for the sake of being affirmed; no prettier desire was allowed. Here happiness reigned. In fact, here happiness, that mostly rapidly rotting of all foods, reigned in its most rotten, most inedible form.
Yukio Mishima
While Edna worked she sometimes sang low the little air, " Ah! si tu savais! " It moved her with recollections. She could hear again the ripple of the water, the flapping sail. She could see the glint of the moon upon the bay, and could feel the soft, gusty beating of the hot south wind. A subtle current of desire passed through her body, weakening her hold upon the brushes and making her eyes burn. There were days when she was very happy without knowing why. She was happy to be alive and breathing, when her whole being seemed to be one with the sunlight, the color, the odors, the luxuriant warmth of some perfect Southern day. She liked then to wander alone into strange and unfamiliar places. She discovered many a sunny, sleepy corner, fashioned to dream in. And she found it good to dream and to be alone and unmolested. There were days when she was unhappy, she did not know why—when it did not seem worth while to be glad or sorry, to be alive or dead; when life appeared to her like a grotesque pandemonium and humanity like worms struggling blindly toward inevitable annihilation. She could not work on such a day, nor weave fancies to stir her pulses and warm her blood.
Kate Chopin (The Awakening)
In the landscape of my native land, a stranger in my own fields, --I had a homeland where the Duero flows between gray cliffs and the ghosts of ancient oaks, there in Castile, mystic and warlike, graceful Castile, humble and boastful, Castile of arrogance and power, in the fields of Andalusia where I was born, I long to sing! My childhood memories are here, images of palm trees and sun against a golden brilliance, distant bell towers with storks, city streets without women under an indigo sky, deserted swuares where blazing orange trees ripen with round vermillon fruit, and in a shady garden, the dusty branches of a lemon tree, pale yellow lemons reflected in the clear water of the fountains. The scent of lilies and carnations, pungent odor of basil and mint. images of gloomy olive groves under a torrid sun that blinds and dazes, winding blue mountain ranges under the red glow of an immense afternoon; but if the thread that links memory to the heart is missing, the anchor to the shore, these memories are soulless. In their ragged dress, they are remnants of memory, castoffs the mind drags along. One day, anointed with light from below, our virginal bodies will return to their ancient shore.
Antonio Machado (Campos de Castilla)
As the Christian faith grew, more and more members of the congregation insisted on being buried in and around the church to reap the benefits of saint proximity. This burial practice spread throughout the empire, from Rome to Byzantium and to what is now present-day England and France. Entire towns grew up around these corpse churches. Demand rose and the churches supplied it—for a fee, of course. The wealthiest church patrons wanted the best spots, nearest the saints. If there was a nook in the church big enough for a corpse, you were sure to find a body in it. There were, without hyperbole, dead bodies everywhere. The preferred locations were the half circle around the apse and the vestibule at the entrance. Beyond those key positions, it was a free-for-all: corpses were placed under the slabs on the floor, in the roof, under the eaves, even piled into the walls themselves. Going to church meant the corpses in the walls outnumbered the living parishioners. Without refrigeration, in the heat of the summer months, the noxious smell of human decomposition in these churches must have been unimaginable. Italian physician Bernardino Ramazzini complained that “there are so many tombs in the church, and they are so often opened that this abominable smell is too often unmistakable. However much they fumigate the sacred edifices with incense, myrrh, and other aromatic odors, it is obviously very injurious to those present.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
I gave them the same advice that had worked for me: Start by stocking your sense memory. Smell everything and attach words to it. Raid your fridge, pantry, medicine cabinet, and spice rack, then quiz yourself on pepper, cardamom, honey, ketchup, pickles, and lavender hand cream. Repeat. Again. Keep going. Sniff flowers and lick rocks. Be like Ann, and introduce odors as you notice them, as you would people entering a room. Also be like Morgan, and look for patterns as you taste, so you can, as he does, “organize small differentiating units into systems.” Master the basics of structure—gauge acid by how you drool, alcohol by its heat, tannin by its dryness, finish by its length, sweetness by its thick softness, body by its weight—and apply it to the wines you try. Actually, apply it to everything you try. Be systematic: Order only Chardonnay for a week and get a feel for its personality, then do the same with Pinot Noir, and Sauvignon Blanc, and Cabernet Franc (the Wine Folly website offers handy CliffsNotes on each one’s flavor profile). Take a moment as you drink to reflect on whether you like it, then think about why. Like Paul Grieco, try to taste the wine for what it is, not what you imagine it should be. Like the Paulée-goers, splurge occasionally. Mix up the everyday bottles with something that’s supposed to be better, and see if you agree. Like Annie, break the rules, do what feels right, and don’t be afraid to experiment.
Bianca Bosker (Cork Dork: A Wine-Fueled Adventure Among the Obsessive Sommeliers, Big Bottle Hunters, and Rogue Scientists Who Taught Me to Live for Taste)
Hundreds of men crowded the yard, and not a one among them was whole. They covered the ground thick as maggots on a week old carcass, the dirt itself hardly anywhere visible. No one could move without all feeling it and thus rising together in a hellish contortion of agony. Everywhere men moaned, shouting for water and praying for God to end their suffering. They screamed and groaned in an unending litany, calling for mothers and wives and fathers and sisters. The predominant color was blue, though nauseations of red intruded throughout. Men lay half naked, piled on top of one another in scenes to pitiful to imagine. Bloodied heads rested on shoulders and laps, broken feet upon arms. Tired hands held in torn guts and torsos twisted every which way. Dirty shirts dressed the bleeding bodies and not enough material existed in all the world to sop up the spilled blood. A boy clad in gray, perhaps the only rebel among them, lay quietly in one corner, raised arm rigid with a finger extended, as if pointing to the heavens. His face was a singular portrait of contentment among the misery. Broken bones, dirty white and soiled with the passing of hours since injury, were everywhere abundant. All manner of devices splinted the damaged and battered limbs: muskets, branches, bayonets, lengths of wood or iron from barns and carts. One individual had bone splinted with bone: the dried femur of a horse was lashed to his busted shin. A blind man, his eyes subtracted by the minié ball that had enfiladed him, moaned over and over “I’m kilt, I’m kilt! Oh Gawd, I’m kilt!” Others lay limp, in shock. These last were mostly quiet, their color unnaturally pale. It was agonizingly humid in the still air of the yard. The stink of blood mixed with human waste produced a potent and offensive odor not unlike that of a hog farm in the high heat of a South Carolina summer. Swarms of fat, green blowflies everywhere harassed the soldiers to the point of insanity, biting at their wounds. Their steady buzz was a noise straight out of hell itself, a distress to the ears.
Edison McDaniels (Not One Among Them Whole: A Novel of Gettysburg)
And oh, could he smell them. It wasn't just the stench of body sweat. It was the rancid odor of human meat. With every breath they gave it off. Blood under their tongue. Long pork between their teeth. Eau de cannibal.
Chuck Wendig (Double Dead (Tomes of The Dead, #1))
Ah, yes,” Mrs. Wilmington said, apparently recognizing the picture. “All the roses. Aren’t they lovely?” With a gentle tug, Gage coaxed the paper from Miranda’s hand. She didn’t even realize she’d grabbed it away from him. “What about the roses?” gage’s tone was casual, but Miranda could hear an underlying hint of excitement. “There’s so many of them.” “And hundreds more you can’t even see here,” Parker’s mother informed him. “Red roses had a special significance at the opera house.” Miranda had begun to shiver. From some distant place, she was vaguely aware of Gage’s hand on her back. “And,” the woman added, “when red roses lined the driveway and spilled from every door and window of the opera house, it always meant that Mademoiselle DuVrey was performing that night.” “And why was that?” Roo stared pensively into Mrs. Wilmington’s enraptured face. “Did she have body odor or offensive personal habits?” Gage choked down a laugh. Ashley looked horrified. Etienne shifted from one foot to the other and mumbled under his breath. Mrs. Wilmington maintained her dignity.
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
The transitional object itself described by Winnicott (1953) is a monument to the need for this contact with the mother’s body, which is so touchingly expressed in the infant’s insistent preference for an object which is lasting, soft, pliable, warm to the touch, but especially in the demand that it remain saturated with body odors.1. .
Margaret S. Mahler (The Psychological Birth Of The Human Infant Symbiosis And Individuation)
As a team, then, the Golgis and the spindles produce a sensory impression that is very different in kind than the impressions of color, texture, odor, or sound produced by our more conscious sense. Instead of measuring any of these surface qualities, the muscle and tendon organs assess the pure mass of an object. Now mass is an invisible thing. We have only to contemplate the surprises offered by a tennis ball filled with lead, or a large “rock” made of styrofoam in a movie studio, to remind ourselves how easily deceived our other sense organs can be with regard to mass. Mass has nothing to do with surface qualities; it is the measure of an object’s resistance to movement, and I can have no idea of its value until I am actively engaged in moving the object. Nor are the sensory cues relating to mass at all constant with regard to the object. They vary continually, as a function of inertia, according to the speed with which I move the object, or the relative suddenness with which I attempt to change the direction of movement or stop the object. A five pound bucket “feels” much heavier if I swing it rapidly in a circle over my head—that is, I have to brace myself much more forcefully in order to resist its pull. It is the precise value of this resistance which is measured by the Golgi tendon organs, and when their information is correlated with the spindles’ measurement of the exact speed and distance of movement, I can arrive at an accurate estimate of mass, that invisible yet crucial property of all matter.
Deane Juhan (Job's Body: A Handbook for Bodywork)
If I could do it, I’d do no writing at all here. It would be photographs; the rest would be fragments of cloth, bits of cotton, lumps of earth, records of speech, pieces of wood and iron, phials of odors, plates of food and of excrement. . . . A piece of the body torn out by the roots might be more to the point. —JAMES AGEE, Let Us Now Praise Famous Men
Hillary Jordan (Mudbound)
Skin like milk with freckles across her face and shoulders. Wispy body frame, arms and legs like a spider. Black dead eyes fixed on the ceiling fan spinning her odor around the bedroom.
Justin Titus (Senses and Bones)
you have judged many throughout your life. You have judged the actions and even the motivations of others, as if you somehow knew what those were in truth. You have judged the color of skin and body language and body odor. You have judged history and relationships. You have even judged the value of a person’s life by the quality of your concept of beauty. By all accounts, you are quite well practiced in the activity.” Mack felt shame reddening his face. He had to admit he had done an awful lot of judging in his time. But he was no different from anyone else, was he? Who doesn’t jump to conclusions about others from the way they impact us? There it was again—his self-centered view of the world around him. He looked up and saw her peering intently at him and quickly looked down again.
William Paul Young (The Shack)
He wanted nothing more than to bury his nose in her armpits and pubis, inhaling those earthy odors cached in her peculiarly scant body hair, but he couldn’t do that. He had to keep his distance. He could smell their alluring aroma, even from the other side of the wall.
Jennifer Foehner Wells (Inheritance (Confluence #3))
Fall" Fall, falling, fallen. That’s the way the season Changes its tense in the long-haired maples That dot the road; the veiny hand-shaped leaves Redden on their branches (in a fiery competition With the final remaining cardinals) and then Begin to sidle and float through the air, at last Settling into colorful layers carpeting the ground. At twilight the light, too, is layered in the trees In a season of odd, dusky congruences—a scarlet tanager And the odor of burning leaves, a golden retriever Loping down the center of a wide street and the sun Setting behind smoke-filled trees in the distance, A gap opening up in the treetops and a bruised cloud Blamelessly filling the space with purples. Everything Changes and moves in the split second between summer’s Sprawling past and winter’s hard revision, one moment Pulling out of the station according to schedule, Another moment arriving on the next platform. It Happens almost like clockwork: the leaves drift away From their branches and gather slowly at our feet, Sliding over our ankles, and the season begins moving Around us even as its colorful weather moves us, Even as it pulls us into its dusty, twilit pockets. And every year there is a brief, startling moment When we pause in the middle of a long walk home and Suddenly feel something invisible and weightless Touching our shoulders, sweeping down from the air: It is the autumn wind pressing against our bodies; It is the changing light of fall falling on us.
Edward Hirsch (Wild Gratitude)
Let’s try it again,” Merve said as he tugged on the corpse. He pulled and rocked but she didn’t budge. “Okay, hand me the shovel,” he said. Ellen kept her flashlight trained on Merve, and with the shovel under the torso, he rocked her loose from the floor and she rolled over onto the body bag. When the deceased turned, body fluid shot up into the air like a fountain from the abdomen as an odor of feces and smoked burnt flesh filled the air. The face, nose and eyes were burned away and a bright red cooked tongue protruded out of the front teeth. A collective gasp came from the group. The ligature was still intact, and photographed. And Ellen’s flashlight beam suddenly disappeared. Ellen ran for the doorway. She almost made it, too. She projectile vomited before she hit the safety railing and her flashlight fell from her grasp and tumbled down to the courtyard below. “Holy cow!” exclaimed Officer Chimenti as he grabbed a hold of the detective’s left arm to steady her. “Are you all right, Ellen?” “I’ll be fine,” she replied while holding the railing and gasping for air. “Just give me a moment.” “Ellen?” “Not now, Richie.” Richie patted Ellen on her back softly while she continued to spit over the railing. He then leaned over close and whispered into her ear, “The lady standing behind you is Terri Dillon. She’s here to walk the dead dog. Its name was Buddy.” “Fuck me,” Ellen whispered back while continuing to spit. “Richie, please get her info and ask her to wait down in the lobby. Someone will be with her very soon.
Jim Kelly (The Temptation of Paradise (Rick Edwards Files, #2))
Leaders listen attentively, speak candidly, and treat others respectfully. They are vocally self-critical, even when doing so is awkward or embarrassing. Leaders do not believe their or their team’s body odor smells of perfume. They benchmark themselves and their teams against the best.
Colin Bryar (Working Backwards: Insights, Stories, and Secrets from Inside Amazon)
You need a good soap for body odor, and for character odor, you need mind purification; it cannot be available in any store; only you have it.
Ehsan Sehgal
A recent study by scientists in New Mexico counted up the tips made by lap dancers at local strip clubs and correlated this with the menstrual cycles of the dancers.31 During peak fertility, dancers raked in an average of $68 an hour. When they were menstruating, they earned only about $35. In between, they averaged $52. Although these women were presumably acting in a high capacity of flirtation throughout the month, their change in fertility was broadcast to hopeful customers by changes in body odor, skin, waist-to-hip ratio, and likely their own confidence as well. Interestingly, strippers on birth control did not show any clear peak in performance, and earned only a monthly average of $37 per hour (versus an average of $53 per hour for strippers not on birth control). Presumably they earned less because the pill leads to hormonal changes (and cues) indicative of early pregnancy, and the dancers were thus less interesting to Casanovas in the gentlemen’s clubs.
David Eagleman (Incognito: The Secret Lives of the Brain)
There are other people on the Internet. It's awesome. You get all the benefits of 'other people' without the body odor and the eye contact.
Rainbow Rowell (Fangirl)
Sometimes she felt much like a natural philosopher watching exotic animals in their native habitat. What she had always suspected was confirmed by life aboard the Fancy--men were simple creatures with uncomplicated brains. They wanted food, and drink, and fighting, and sexual congress. They were impressed with their own body's ability to make noise and odor. Their idea of humor was at best crude, at worst painful, yet even after some of the bizarre practical jokes that brought men to her sick bay they were still laughing and bragging about whatever insane thing they'd done that got them in that condition.
Marshall Darlene (Sea Change (High Seas #1))
In a survey of heterosexual college students, men rated visual information as being most important for selecting a lover, while women considered smell to be the single most important physical feature. In other words, women ranked body odor as more important for attraction than “looks.
Michael Greger (How Not to Age: The Scientific Approach to Getting Healthier as You Get Older)
So, whose body odor was the most pleasant, the most attractive? The results showed that the “odor of donors when on the nonmeat diet was judged as significantly more attractive, more pleasant, and less intense
Michael Greger (How Not to Age: The Scientific Approach to Getting Healthier as You Get Older)