“
If you obsess over whether you are making the right decision, you are basically assuming that the universe will reward you for one thing and punish you for another.
The universe has no fixed agenda. Once you make any decision, it works around that decision. There is no right or wrong, only a series of possibilities that shift with each thought, feeling, and action that you experience.
If this sounds too mystical, refer again to the body. Every significant vital sign- body temperature, heart rate, oxygen consumption, hormone level, brain activity, and so on- alters the moment you decide to do anything… decisions are signals telling your body, mind, and environment to move in a certain direction.
”
”
Deepak Chopra (The Book of Secrets: Unlocking the Hidden Dimensions of Your Life)
“
i worry, sometimes, that my love for her will expand beyond the limitations of my body, that it will one day kill me with its heft.
”
”
Tahereh Mafi (Believe Me (Shatter Me, #6.5))
“
Elizabeth felt as if every cell in her body was aflame with desire.
”
”
Patricia D'Arcy Laughlin (Sacrifices Beyond Kingdoms: A Provocative Romance Torn Between Continents and Cultures (The Sacrifices and Kingdoms Series Book 2))
“
Beware, my body and my soul, beware above all of crossing your arms and assuming the sterile attitude of the spectator, for life is not a spectacle, a sea of griefs is not a proscenium, and a man who wails is not a dancing bear.
”
”
Aimé Césaire (Notebook of a Return to the Native Land (Wesleyan Poetry Series))
“
I've always had a theory that some of us are born with nerve endings longer than our bodies
”
”
Joy Harjo (In Mad Love and War (Wesleyan Poetry Series))
“
Humans are amphibians...half spirit and half animal...as spirits they belong to the eternal world, but as animals they inhabit time. This means that while their spirit can be directed to an eternal object, their bodies, passions, and imaginations are in continual change, for to be in time, means to change. Their nearest approach to constancy, therefore, is undulation--the repeated return to a level from which they repeatedly fall back, a series of troughs and peaks.
”
”
C.S. Lewis (The Screwtape Letters)
“
In times of extreme stress, one can often find energy hidden in even the most exhausted areas of the body.
”
”
Lemony Snicket (The Austere Academy (A Series of Unfortunate Events, #5))
“
She was already mine. Her fragile, tender body was already in the mouth of a terrible monster, I just had to grit my teeth for the blood to start flowing.
”
”
Yanina K. (Seduction by Death: Seduction Series)
“
Thought breeds thought; children familiar with great thoughts take as naturally to thinking for themselves as the well-nourished body takes to growing; and we must bear in mind that growth, physical, intellectual, moral, spiritual, is the sole end of education.
”
”
Charlotte M. Mason (The Original Home Schooling Series by Charlotte Mason)
“
What a woman you are,” he murmured, and she heard the emotion in it, the
way the Irish thickened just a bit in his voice. And saw it in those vivid eyes when he drew back. “That you would think of this. That you would do this.”
He shook his head, kissed her. Like the breath, long and quiet.
“I can’t thank you enough. There isn’t enough thanks. I can’t say what this means to me, even to you. I don’t have the words for it.” He took her hands,
brought them both to his lips. “A ghra. You stagger me.”
He framed her face now, touched his lips to her brow. “You’re the beat of my heart, the breath in my body, the light in my soul.
”
”
J.D. Robb (Indulgence in Death (In Death, #31))
“
I said, you're the beat of my heart, the breath in my body, the light in my soul.
”
”
J.D. Robb (Indulgence in Death (In Death, #31))
“
Every body is different, but none of them are wrong.
”
”
Rosie Danan (The Roommate (Shameless #1))
“
Because salvation is by grace through faith, I believe that among the countless number of people standing in front of the throne and in front of the Lamb, dressed in white robes and holding palms in their hands (see Revelation 7:9), I shall see the prostitute from the Kit-Kat Ranch in Carson City, Nevada, who tearfully told me that she could find no other employment to support her two-year-old son. I shall see the woman who had an abortion and is haunted by guilt and remorse but did the best she could faced with grueling alternatives; the businessman besieged with debt who sold his integrity in a series of desperate transactions; the insecure clergyman addicted to being liked, who never challenged his people from the pulpit and longed for unconditional love; the sexually abused teen molested by his father and now selling his body on the street, who, as he falls asleep each night after his last 'trick', whispers the name of the unknown God he learned about in Sunday school.
'But how?' we ask.
Then the voice says, 'They have washed their robes and have made them white in the blood of the Lamb.'
There they are. There *we* are - the multitude who so wanted to be faithful, who at times got defeated, soiled by life, and bested by trials, wearing the bloodied garments of life's tribulations, but through it all clung to faith.
My friends, if this is not good news to you, you have never understood the gospel of grace.
”
”
Brennan Manning (The Ragamuffin Gospel)
“
What your body looks like has nothing to do with how well your brain works!
”
”
Sharon M. Draper (Out of My Mind (The Out of My Mind Series))
“
If you're too damn stubborn to let yourself cry, then your body finds other ways to let it out.
”
”
Laurell K. Hamilton (Narcissus in Chains (Anita Blake, Vampire Hunter, #10))
“
know this one great truth: you are in control of your own life. You get one and only one chance to live, and life is passing you by. Stop beating yourself up, and dang it, stop letting others do it too. Stop accepting less than you deserve. Stop buying things you can’t afford to impress people you don’t even really like. Stop eating your feelings instead of working through them. Stop buying your kids’ love with food, or toys, or friendship because it’s easier than parenting. Stop abusing your body and your mind. Stop! Just get off the never-ending track.
”
”
Rachel Hollis (Girl, Wash Your Face: Stop Believing the Lies About Who You Are so You Can Become Who You Were Meant to Be (Girl, Wash Your Face Series))
“
I have spastic bilateral quadriplegia, also known as cerebral palsy. It limits my body, but not my mind.
”
”
Atheneum Books for Young Readers (Out of My Mind (The Out of My Mind Series))
“
No, Rhodes. Everything is not okay. You know the lake just north of the university?”
“Yeah, it’s all dried up now. Does that every summer.”
“Well, there’s a dead body in the middle of it. You need to call the police and tell them to get out here, now.
”
”
Behcet Kaya (Uncanny Alliance (Jack Ludefance PI Series))
“
The body was far smaller than the heart it had held
”
”
Stephen King
“
We need more bodies, 'cause it's not looking enough like the last scene in Hamlet already. --Chopper Jim Chopin
”
”
Dana Stabenow (Whisper to the Blood (Kate Shugak, #16))
“
Kowkosvki? You handling this?”
“I am.”
The suit turned and stared at me with his dark eyes. “Detective Hayden. I take it you’re the shooter?”
“I am.”
“And you are?”
“Jack Ludefance. I’m a PI hired by Mr. Kingsley to investigate the murder of Professor Zambear.”
“Oh, yeah, I heard about you. Who’s in the bedroom?”
“Rudy Orkut. My computer tech.”
“Computer tech, huh? Any idea who this dead body is?”
“Not a clue.
”
”
Behcet Kaya (Uncanny Alliance (Jack Ludefance PI Series))
“
[T]he essence of belief is doubt, the essence of reality is questioning. The essence of Time is Flow, not Fix. The essence of faith is the knowledge that all flows and that everything must change. The growing man is Man Alive, and his "philosophy" must grow, must flow, with him. . . . the man too fixed today, unfixed tomorrow - and his body of beliefs is nothing but a series of fixations.
”
”
Thomas Wolfe (You Can't Go Home Again)
“
Sometimes, the person who could make you happiest is the one who waits patiently in the wings.
”
”
Tess Gerritsen (Rizzoli & Isles Series Collection: The Surgeon, The Apprentice, The Sinner, Body Double, Vanish, The Mephisto Club, Keeping the Dead and The Killing Place)
“
For the person facing death, mourning begins in the present tense, in a series of private, preemptive goodbyes that take place long before the body’s last breath.
”
”
Suleika Jaouad (Between Two Kingdoms: A Memoir of a Life Interrupted)
“
I promise to plant kisses like seeds on you body, so in time you can grow to love yourself as I love you.
”
”
Tyler Knott Gregson (Chasers of the Light: Poems from the Typewriter Series)
“
When all you want is a person's body and you don't really want their mind, heart or spirit, you have reduced a person to a thing.
”
”
Stephen R. Covey (The 8th Habit: From Effectiveness to Greatness (The Covey Habits Series))
“
That's what humanity is: a series of successes and failures, a testing of one's own nature and aptitude. Neither the body nor the soul can sustain such a state. Eventually it consumes a person
”
”
Richelle Mead (Succubus on Top (Georgina Kincaid, #2))
“
When I put my hands on your body on your flesh I feel the history of that body. Not just the beginning of its forming in that distant lake but all the way beyond its ending. I feel the warmth and texture and simultaneously I see the flesh unwrap from the layers of fat and disappear. I see the fat disappear from the muscle. I see the muscle disappearing from around the organs and detaching iself from the bones. I see the organs gradually fade into transparency leaving a gleaming skeleton gleaming like ivory that slowly resolves until it becomes dust. I am consumed in the sense of your weight, the way your flesh occupies momentary space the fullness of it beneath my palms. I am amazed at how perfectly your body fits to the curves of my hands. If I could attach our blood vessels so we could become each other I would. If I could attach our blood vessels in order to anchor you to the earth to this present time I would. If I could open up your body and slip inside your skin and look out your eyes and forever have my lips fused with yours I would. It makes me weep to feel the history of your flesh beneath my hands in a time of so much loss. It makes me weep to feel the movement of your flesh beneath my palms as you twist and turn over to one side to create a series of gestures to reach up around my neck to draw me nearer. All these memories will be lost in time like tears in the rain.
”
”
David Wojnarowicz
“
The three monotheism share a series of identical forms of aversion: hatred of reason and intelligence; hatred of freedom; hatred of all books in the name of one book alone; hatred of sexuality, women,and pleasure; hatred of feminine; hatred of body, of desires, of drives. Instead Judaism, Christianity, and Islam extol faith and belief, obedience and submission, taste for death and longing for the beyond, the asexual angel and chastity, virginity and monogamous love, wife and mother, soul and spirit. In other words, life crucified and nothingness exalted.
”
”
Michel Onfray (Atheist Manifesto: The Case Against Christianity, Judaism, and Islam)
“
Science is the one human activity that is truly progressive. The body of positive knowledge is transmitted from generation to generation.
”
”
Edwin Powell Hubble (The Realm of the Nebulae (The Silliman Memorial Lectures Series))
“
Without attachment, a naked body is merely a lifeless sex-toy.
”
”
Abhijit Naskar (The Bengal Tigress: A Treatise on Gender Equality (Humanism Series))
“
War has changed.
It's no longer about nations, ideologies, or ethnicity. It's an endless series of proxy battles, fought by mercenaries and machines.
War--and it's consumption of life--has become a well-oiled machine.
War has changed.
ID-tagged soldiers carry ID-tagged weapons, use ID-tagged gear. Nanomachines inside their bodies enhance and regulate their abilities.
Genetic control, information control, emotion control, battlefield control…everything is monitored and kept under control.
War…has changed.
The age of deterrence has become the age of control, all in the name of averting catastrophe from weapons of mass destruction, and he who controls the battlefield, controls history.
War…has changed.
When the battlefield is under total control, war becomes routine.
”
”
David Hayter
“
The New Testament is a brutal destroyer of human illusions. If you follow Jesus and don't end up dead, it appears you have some explaining to do. The stark signifier of the human condition is one who spoke up for love and justice and was done to death for his pains. The traumatic truth of human history is a mutilated body.
”
”
Terry Eagleton (Reason, Faith, and Revolution: Reflections on the God Debate (The Terry Lectures Series))
“
What we do know, and what we can assert without further hesitation, is that the universe had a beginning. The universe continues to evolve. And yes, every one of our body’s atoms is traceable to the big bang and to the thermonuclear furnaces within high-mass stars that exploded more than five billion years ago. We are stardust brought to life, then empowered by the universe to figure itself out—and we have only just begun. †
”
”
Neil deGrasse Tyson (Astrophysics for People in a Hurry (Astrophysics for People in a Hurry Series))
“
When believers have a low view of God, everything focuses on meeting felt needs within the body of Christ. When the church adopts such a perspective, it often offers people nothing more than spiritual placebos. It centers on psychology, self-esteem, entertainment, and a myriad of other diversions to attempt to meet perceived and felt needs.
”
”
John F. MacArthur Jr. (Alone With God (MacArthur Study Series))
“
The Buggers have finally, finally learned that we humans value each and every individual human life... But they've learned this lesson just in time for it to be hopelessly wrong—for we humans do, when the cause is sufficient, spend our own lives. We throw ourselves onto the grenade to save our buddies in the foxhole. We rise out of the trenches and charge the entrenched enemy and die like maggots under a blowtorch. We strap bombs on our bodies and blow ourselves up in the midst of our enemies. We are, when the cause is sufficient, insane.
”
”
Orson Scott Card (Ender's Shadow (The Shadow Series, #1))
“
They lay on their heathery beds and listened to all the sounds of the night. They heard the little grunt of a hedgehog going by. They saw the flicker of bats overhead. They smelt the drifting scent of honeysuckle, and the delicious smell of wild thyme crushed under their bodies. A reed-warbler sang a beautiful little song in the reeds below, and then another answered.
”
”
Enid Blyton (The Secret Island (Secret Series, #1))
“
C'mon, lets get out of here. It's too dark. Besides, its more fun if I can see you while you're bitching me out.
”
”
Kimberly Derting
“
This was the Hart Eleanor had known years ago, the one she'd agreed without hesitation to marry. He'd had the body of a god, a smile that melted her heart, a sinful glint in his eyes that had been just for her and her alone.
”
”
Jennifer Ashley (The Duke's Perfect Wife (MacKenzies & McBrides, #4))
“
A society where feminine beauty is defined not by the human self on genuine intellectual and sentimental grounds, but by a computer software on the grounds of economic interest, is more dead than alive. It is a society of human bodies, not human beings.
”
”
Abhijit Naskar (The Bengal Tigress: A Treatise on Gender Equality (Humanism Series))
“
Today, he saw the true cost of two men’s immovable wills. He saw what happened when men were forced to fight each other for months on end. It was not merely sickness of the body that plagued sieges, but sickness of the soul that turned men into monsters.
”
”
Kiersten White (Now I Rise (And I Darken Series, #2))
“
I promise to plant kisses
like seeds on your body,
so in time you
can grow to love yourself
as I love you.
”
”
Tyler Knott Gregson (Chasers of the Light: Poems from the Typewriter Series)
“
At the moment the eyes of the body closed, the eyes of the mind were opened.
”
”
Ousmane Sembène (God's bits of wood (ZPH writers series))
“
I'm already inside your head. And your body's most definitely next.
”
”
Lindsay J. Pryor
“
Mehmed’s face and the feeling of his hands on her body still haunted her, though. She wished she could carve out his memory with a knife. Trace the lines of him that would not leave her, then cut them free. She would bleed, but she would not die. Still, he lingered in places no knife could ever reach.
”
”
Kiersten White (Now I Rise (And I Darken Series, #2))
“
No, but I imagine there's a gun tucked away somewhere on your body. And I know what you can do with that, hotshot."
He took a step toward her. "With what, sweetheart? With the gun? Or the body?
”
”
Lynn Raye Harris (Hot Shot (Hostile Operations Team - Strike Team 1 #3))
“
The steps were crowded with bodies then. Now they are clean and cool, like nothing ever happened here.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
[And there was the matter of Dick Turpin. It looked like the same car, except that forever afterwards it seemed able to do 250 miles on a gallon of petrol, ran so quietly that you practically had to put your mouth over the exhaust pipe to see if the engine was firing , and issued its voice-synthesized warnings in a series of exquisite and perfectly-phrased haikus, each one original and apt...
Late frost burns the bloom
Would a fool not let the belt
Restrain the body?
...it would say. And,
The cherry blossom
Tumbles from the highest tree
One needs more petrol]
”
”
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
“
How do I describe the feeling that envelopes my being when he is near? It is like a cocoon of warmth and peace, but beneath that there is a deep longing, a hunger that one kiss would not be able to satisfy, one kiss would only make the hunger greater. But oh, how I long for that kiss, a kiss that might never come.
Being close to him does things to me, makes me feel things I never knew existed, makes me want things I have never wanted before. I have never desired to know a man's body before I met Ariston. I wonder if he knows that I desire him in such a way, that I not only want to know his body, but that I want him to know mine. There is a part of me that would not care if he loves me or not if I could just have one beautiful, passionate night with him, while the rest of me knows that one night would never be enough.
”
”
Jasmine Dubroff
“
Ivanov: Once I worked hard and thought a lot but I never got tired; now I do nothing and think of nothing, but I'm tired in body and spirit. My conscience aches day and night, I feel deeply guilty but I don't understand where I am actually at fault. And add to that my wife's illness, my lack of money, the constant bickering, gossip, unnecessary conversations, that stupid Borkin... My home has become loathsome to me and I find living there worse than torture.
”
”
Anton Chekhov (Ivanov (Plays for Performance Series))
“
Where have the years gone, Ruby Rose? Sometimes I have to stop and think about how old I am. When I wake up in the morning, before I move this tired old body or look in the blasted mirror, I swear I'm still a young man. It just feels like yesterday. I don't know how it's gone so fast.
”
”
Lea Davey (Silkworm Secrets (Silkworm Secrets Series #1))
“
I will be girl with claws, heart bared and bruised and wanting. I am soul-shattering wolf-howl. I am lioness and hunt. I am more and enough. I am.
”
”
Venetta Octavia (Prelude to Light (Celestial Bodies Poetry Series Book 4))
“
The female body is like an endless sentence that invites us to rearrange it, so that its real meaning becomes clear through a series of endless anagrams.
”
”
Hans Bellmer
“
Why is the raw body so unloved when it's out-loud? Just veins, blood, what we're made of?
”
”
Jan Beatty (Red Sugar (Pitt Poetry Series))
“
My heart and my body already belonged to someone.
”
”
V. Theia (Naughty Irish Liar (Naughty Irish Series))
“
You have to do your best while you still have a chance. Life is short. You never know when the game, when your body, will be taken away from you. Don’t waste it!
”
”
Ryan Holiday (Discipline Is Destiny: The Power of Self-Control (The Stoic Virtues Series))
“
There is a way to read a poem, and then there is a way to allow the poem to exit the body and be read by everyone in the room.
”
”
Hanif Abdurraqib (Go Ahead in the Rain: Notes to A Tribe Called Quest (American Music Series))
“
Psychologists tell us that by the time we’re in our mid-30s, our identity or personality will be completely formed. This means that for those of us over 35, we have memorized a select set of behaviors, attitudes, beliefs, emotional reactions, habits, skills, associative memories, conditioned responses, and perceptions that are now subconsciously programmed within us. Those programs are running us, because the body has become the mind. This means that we will think the same thoughts, feel the same feelings, react in identical ways, behave in the same manner, believe the same dogmas, and perceive reality the same ways. About 95 percent of who we are by midlife1 is a series of subconscious programs that have become automatic—driving a car, brushing our teeth, overeating when we’re stressed, worrying about our future, judging our friends, complaining about our lives, blaming our parents, not believing in ourselves, and insisting on being chronically unhappy, just to name a few.
”
”
Joe Dispenza (Breaking the Habit of Being Yourself: How to Lose Your Mind and Create a New One)
“
But that's the Way, and there is no other. And once his mind's made up, the trembling and aimless walking stops, and he can look doom in the face without flinching. ("Jane Brown's Body")
”
”
Cornell Woolrich (The Fantastic Stories of Cornell Woolrich (Alternatives SF Series))
“
Sometimes I felt that growing up and being a girl was about learning to be afraid. Not paranoid, exactly, but always alert and aware, like checking out the exits in the movie theatre or the fire escape in a hotel. You came to know, in a way you hadn't as a kid, that the body you inhabited was vulnerable, imperfectly fortified. On TV, in the papers, in books and movies, it isn't ever men being raped or kidnapped or bludgeoned or dismembered or burned with acid. But in stories and crime shows and TV series and movies and in life too, it's going on all the time, all around you. So you learn, in your mind, that your body needs to be protected. It's both precious and totally dispensable, depending on whom you encounter.
”
”
Claire Messud (The Burning Girl)
“
Trauma is not a flaw or a weakness. It is a highly effective tool of safety and survival. Trauma is also not an event. Trauma is the body’s protective response to an event—or a series of events—that it perceives as potentially dangerous.
”
”
Resmaa Menakem (My Grandmother's Hands: Racialized Trauma and the Mending of Our Bodies and Hearts)
“
And if all I know how to do is speak, it is for you that I shall speak. My lips shall speak for miseries that have no mouth, my voice shall be the liberty of those who languish in the dungeon of despair… And above all my body as well as my soul, beware of folding your arms in the sterile attitude of spectator, for life is not a spectacle, for a sea of pain is not a proscenium.
”
”
Aimé Césaire (Notebook of a Return to the Native Land (Wesleyan Poetry Series))
“
Maybe the trick is not to define yourself as a container for your experiences, your thoughts. Maybe it's to assume you are larger than the things you have felt over a series of years, that your history is not a list of things your body has done or been present for, that your family is not people who you spent a lot of time around as a child or carry your genetic code. Maybe the trick is to push violently at your own boundaries, to find your own contradictions, and use your teeth and nails to destroy what separates you from something else.
I am trying.
”
”
Jessa Crispin (The Dead Ladies Project: Exiles, Expats, and Ex-Countries)
“
Once a man offered me his heart and I said no. Not because I didn’t love him. Not because he was a beast or white — I couldn’t love him. Do you understand? In bed while we slept, our bodies inches apart, the dark between our flesh a wick. It was burning down. And he couldn’t feel it.
”
”
Eduardo C. Corral (Slow Lightning (Volume 106) (Yale Series of Younger Poets))
“
night and day, a hundred billion neutrinos from the Sun pass through each square inch of your body, every second, without a trace of interaction with your body’s atoms.
”
”
Neil deGrasse Tyson (Astrophysics for People in a Hurry (Astrophysics for People in a Hurry Series))
“
I have seen words
fly out at the end of thoughts
and not return. I have seen
things at the end of thoughts
without words.
”
”
Ricardo M. de Ungria (Body English (Philippine writers series))
“
Awake my soul.
Awake my spirit.
Awake my desires.
Awake my light.
Awake my mind.
Awake my hope.
Awake my faith.
Awake my love.
”
”
Lailah Gifty Akita
“
I know, darling. Your body speaks to me in ways your mouth would never agree to confessing.
”
”
Sai Marie Johnson (Simply Scarlet)
“
The fact is, the body keeps score.
”
”
Ryan Holiday (Discipline Is Destiny: The Power of Self-Control (The Stoic Virtues Series))
“
For we were the purpose of his embodiment, and for our salvation he so loved human beings as to come to be and appear in a human body.
”
”
Athanasius of Alexandria (On the Incarnation: Saint Athanasius (Popular Patristics Series Book 44))
“
Lewis made sure Shaney left with an armload of books, a whole series, to prove to Peta why she’d been there, but the whole time, stacking them up, it felt like an overcorrection, like trying to hide a body on the lawn by covering it with eight other bodies.
”
”
Stephen Graham Jones (The Only Good Indians (The Only Good Indians, #1))
“
We are the memory keepers and the trappers of time; stealers of stolen glances and breathless lungs from all that have been taken away. We are the noticers of subtle signs hidden in plain sight by a benevolent universe bigger than we'd ever believe...We are the directionless wanderers and the destinationless travelers and we are the crumpled map that never got packed to join us. We are the cinematic lovers and the translucent curtains saturated in light. The soundtrack to the moments without sounds and the swiftness that two bodies can become one in the stillness of a second. We, says the last string pulled out, the final string that kept it all together, balled up tight, filling us after all this time, We, are the chasers of the light.
”
”
Tyler Knott Gregson (Chasers of the Light: Poems from the Typewriter Series)
“
I should walk away again. But “should” could go fuck itself. Giving her up the first time nearly killed me, and hurting her again wasn’t an option.
None of it would matter if I couldn’t convince her to give me another chance. While she said she hated me, her body told another story. Her pulse had raced, and the scent of her arousal haunted me.
Plus, she kissed me back.
”
”
Lisa Kessler (Blue Moon (Moon, #6))
“
Once upon a time,” Nora said, as she fluttered a series of kisses over his shoulders that sent every nerve in his body reeling, “a very poor girl from a fucked-up family became a famous writer with a wicked pen and an even more wicked tongue who made seven figures a year. And she went everywhere she wanted to and did everything she wanted to. And nobody ever tried to stop her. And she had her own pet Angel who needed to learn how to talk. So guess what she did?”
“What?” Michael asked. He laughed in surprise as Nora slammed him down onto his back and slid on top of him. She brought her mouth onto his and forced his lips apart.
“She gave him her tongue.
”
”
Tiffany Reisz (The Angel (The Original Sinners, #2))
“
Jace's arm looked like a map: runes spread down onto his collarbone and chest, the backs of his hands.
The road map of their bravery and hopes, their dreams and desires, marked clearly on their bodies. Shadowhunters weren't always the most forthcoming of people, but their skins were honest.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
The most important parenting skill: Manage yourself. Take care of yourself so you aren’t venting on your child. Intervene before your own feelings get out of hand. Keep your cup full. The more you care for yourself with compassion, the more love and compassion you’ll have for your child. Remember that your child will do every single thing you do, whether that’s yelling or making self-disparaging remarks about your body.
”
”
Laura Markham (Peaceful Parent, Happy Kids: How to Stop Yelling and Start Connecting (The Peaceful Parent Series))
“
The feeling of his lips on my skin and his hand just below my breasts sent shivers through my body. I ran my hands through his soft hair, slipping in a kiss as he ran his tongue up my neck. His lips met mine again.
”
”
Julia Crane (Dark Promise (Between Worlds, #1))
“
Beauty is an illusion, created by Mother Nature to drive the human species in the path of reproduction. In reality, beauty is irrelevant to human life, especially in a relationship. What you today perceive as beautiful and special, over time, becomes not so special. That’s how the human brain works. It is not beauty that keeps a relationship alive, it is attachment. Without attachment, a naked body is merely a lifeless sex toy.
”
”
Abhijit Naskar (The Bengal Tigress: A Treatise on Gender Equality (Humanism Series))
“
A swami may conceivably follow only the path of dry reasoning, of cold renunciation; but a yogi engages himself in a definite, step-by-step procedure by which the body and mind are disciplined and the soul gradually liberated. Taking nothing for granted on emotional grounds or by faith, a yogi practices a thoroughly tested series of exercises that were first mapped out by the ancient rishis. In every age of India, yoga has produced men who became truly free, true Yogi-Christs.
”
”
Paramahansa Yogananda (Autobiography of a Yogi (Self-Realization Fellowship))
“
Although 'jumping to conclusions' is an expression, rather than an activity, it is as dangerous as jumping off a cliff, jumping in front of a moving train, and jumping for joy. If you jump off a cliff, you have a very good chance of experiencing a painful landing unless there is something below you to cushion your fall, such as a body of water or an immense pile of tissue paper, If you jump in front of moving train, you have a very good chance of experiencing a painful voyage unless you are wearing some sort of train-proof suit. And if you jump for joy, you have a very good chance of experiencing a painful bump on the head, unless you make sure you are standing someplace with very high ceilings, which joyous people rarely do. Clearly, the solution to anything involving jumping is either to make sure you are jumping to a safe place, or not jumping at all.
But it is hard not to jump at all when you are jumping to conclusions, and it is impossible to make sure that you are jumping to a safe place, because all 'jumping to conclusions' means is that you are believing something is true even though you don't actually know whether it is or not.
”
”
Lemony Snicket (The Vile Village (A Series of Unfortunate Events, #7))
“
[[ ]] The story goes like this: Earth is captured by a technocapital singularity as renaissance rationalization and oceanic navigation lock into commoditization take-off. Logistically accelerating techno-economic interactivity crumbles social order in auto sophisticating machine runaway. As markets learn to manufacture intelligence, politics modernizes, upgrades paranoia, and tries to get a grip.
The body count climbs through a series of globewars. Emergent Planetary Commercium trashes the Holy Roman Empire, the Napoleonic Continental System, the Second and Third Reich, and the Soviet International, cranking-up world disorder through compressing phases. Deregulation and the state arms-race each other into cyberspace.
By the time soft-engineering slithers out of its box into yours, human security is lurching into crisis. Cloning, lateral genodata transfer, transversal replication, and cyberotics, flood in amongst a relapse onto bacterial sex.
Neo-China arrives from the future.
Hypersynthetic drugs click into digital voodoo.
Retro-disease.
Nanospasm.
”
”
Nick Land (Fanged Noumena: Collected Writings, 1987–2007)
“
People with a compressed structure, out of necessity, have crushed, numbed, and muffled their feelings. Not only do they need space, but it sometimes takes them long periods of time to be able to feel and then articulate their feelings. As a result, they often have markedly delayed reactions to events and people.
”
”
Elliot Greene (The Psychology of the Body (Lww Massage Therapy & Bodywork Educational Series))
“
It is not beauty that keeps a relationship alive, it is attachment. Without attachment, a naked body is merely a lifeless sex toy.
”
”
Abhijit Naskar (The Bengal Tigress: A Treatise on Gender Equality (Humanism Series))
“
Extreme joy and extreme sorrow are indistinguishable beyond a certain point. ("Jane Brown's Body")
”
”
Cornell Woolrich (The Fantastic Stories of Cornell Woolrich (Alternatives SF Series))
“
Breathing in, I calm my body. Breathing out, I smile. Dwelling in the present moment I know this is a wonderful moment.
”
”
Thich Nhat Hanh (Thich Nhat Hanh: Essential Writings (Modern Spiritual Masters Series))
“
we are adaptive rather than disordered
”
”
Bonnie Badenoch (The Heart of Trauma: Healing the Embodied Brain in the Context of Relationships (Norton Series on Interpersonal Neurobiology))
“
To escape from the weight of the world, I leave my body where it is, in conversation or at dinner, and walk through a series of winding streets to a house standing back from the road.
”
”
Jeanette Winterson (Sexing the Cherry)
“
These are the facts: The Walker boat smashed into Sam’s boat. Sam was shot and killed in the water. Katherine Barlow was rescued against her wishes. When they returned to the shore, she saw Mary Lou’s body lying on the ground. The donkey had been shot in the head. That all happened one hundred and ten years ago. Since then, not one drop of rain has fallen on Green Lake. You make the decision: Whom did God punish?
”
”
Louis Sachar (Holes (Holes Series Book 1))
“
His barely there smile warmed me. “You try really hard to hide behind that Ice Queen disguise, but that’s not who I see. I see a girl who had to grow up fast, and a mom who would sacrifice everything for her son. You’re beautiful, Taryn, inside and out, and I want to get to know the woman you keep hidden away.” He lowered his hand and my body ached at the loss. “If you’re willing, I’ll walk through the fire with you.
”
”
Lisa Kessler (Ice Moon (Moon, #5))
“
...I had gone into my wife Akemi over and over and in so many ways that the thought alone made my heart begin to race and my entire body began to sweat like summer but in the spring season.
”
”
Sister Souljah (Midnight and the Meaning of Love (The Midnight Series))
“
The sky was so heartless and dark, and her body, her head, and particularly those damned thirsty trousers, felt clogged with Oceanus Nox, n,o,x. At every slap and splash of cold wild salt, she heaved with anise-flavored nausea and there was an increasing number, okay, or numbness in her neck and arms. As she began losing track of herself, she thought it proper to inform a series of receding Lucettes -- telling them to pass it on and on in a trick-crystal regression -- that what death amounted to was only a more complete assortment of the infinite fractions of solitude.
”
”
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle (Vintage International))
“
Certainly it would not be too much to say that the home is the communal embodiment of family life. Thus the purity of the dwelling is almost as important for the family as is the cleanliness of the body for the individual. -Victor Aimé Huber
”
”
Nicholas Bullock (The Movement for Housing Reform in Germany and France, 1840–1914 (Cambridge Urban and Architectural Studies, Series Number 9))
“
Seeing David was a full-body experience. I felt heavy and light at the same time. He gives me butterflies, but they aren’t butterflies. They’re bigger and darker and scarier, like crows. They’re dangerous. And did Bill ever give me butterflies?
”
”
Jessica Hawkins
“
Because they cannot be direct, they must attract the other person toward them without becoming vulnerable themselves. Imagine what it would be like it you had to use magnetism instead of asking or reaching out directly to get emotional contact.
”
”
Elliot Greene (The Psychology of the Body (Lww Massage Therapy & Bodywork Educational Series))
“
The more we become sensitive to our own journey the more we realize that we are leaving and coming back every day, every hour. Our minds wander away but eventually return; our hearts leave in search of affection and return sometimes broken; our bodies get carried away in their desires then sooner or later return. It's never one dramatic life moment but a constant series of departures and returns.
”
”
Henri J.M. Nouwen (Home Tonight: Further reflections on the parable of the prodigal son)
“
Occult Theft,--Theft which hides itself even from itself, and is legal, respectable, and cowardly,--corrupts the body and soul of man, to the last fibre of them. And the guilty Thieves of Europe, the real sources of all deadly war in it, are the Capitalists
”
”
John Ruskin (The Genius of John Ruskin: Selections from His Writings (Victorian Literature and Culture Series))
“
The expression 'a bold from the blue' describes something so surprising that i makes you head spin, your legs wobble, and your body buzz with astonishment - as if a bold of lightening suddenly came down from a clear blue sky and struck you at full force. Unless you are a lightbulb, an electrical appliance, or a tree that is tired of standing upright, encountering a bold from the blue is not a pleasant experience.
”
”
Lemony Snicket (The Vile Village (A Series of Unfortunate Events, #7))
“
You have haunted me in my dreams,
Followed me in my memory,
And enamoured me…
…Nirvana…
Your name echoes in the most silent parts of my mind,
Brought to life by the memory of your touch, And the gentle sway of our bodies to the jazz music
You have become my obsession,
Of which I will never tire.
Salvatore
”
”
ANSA Reads (GODLY OBSESSION: How badly does she want her freedom? (ESPOSITO MAFIA SERIES, #1))
“
Hyperarousal causes traumatized people to become easily distressed by unexpected stimuli. Their tendency to be triggered into reliving traumatic memories illustrates how their perceptions have become excessively focused on the involuntary search for the similarities between the present and their traumatic past. As a consequence, many neutral experiences become reinterpreted as being associated with the traumatic past.
”
”
Marion F. Solomon (Healing Trauma: Attachment, Mind, Body and Brain (Norton Series on Interpersonal Neurobiology))
“
Every tree is held up by its own history, the very bones of its ancestors...Jake has gained a new awareness of how her own life is being held up by unseen layers, girded by lives that come before her own. And by a series of crimes and miracles, accidents and choices, sacrifices and mistakes, all of which have landed her in this particular body and delivered her to this day.
”
”
Michael Christie (Greenwood)
“
His power reached out to her like physical touch of a lover, sending tingles over her skin. His sculptured body moved in a sensual, yet deadly manner. Her hands itched to touch him, to feel his warm skin under her palms. She closed her eyes to stop the urge to go to him, shivered, and cursed her body for responding to him.
”
”
Lia Davis (Death's Storm (The Divinities, #2))
“
Once the soul has left the body it had to walk across a bridge as narrow as a knife edge, with paradise on the right and, on the left, a series of circles that lead down into the darkness inside the earth. Before crossing the bridge, each person had to place all his virtues in his right hand and all his sins in his left, and the imbalance between the two meant that the person always fell towards the side to which his actions on Earth had inclined him.
”
”
Paulo Coelho (The Devil and Miss Prym)
“
Death. I wish the word could be removed from the vocabulary and from the dictionary. It simply does not exist, except in the human mind that was taught that it does exist. People think they are a body and they come to believe that when the body dies, everything they are will die too. It’s not true. The soul lives on. The soul of consciousness exists not only in the body but outside of the body too. We are all souls that cannot be contained or limited by time or space or the physical body. For souls there is no death.
”
”
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: A Dog's Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Series Book 3))
“
I wish the Fallen would just come to us for a change.”
Ironically, Fallen Angels dropped from the sky and surrounded us.
“I wish I had a chocolate cake!” I exclaimed, staring up.
No cake appeared, though I did get a few wry glances. Andrew’s body shook with silent laughter while Lucia gave
me raised eyebrows.
“What? It worked for the Fallen Angels.
”
”
Laura Kreitzer (Abyss (Timeless, #3))
“
What she read was a series of short connected lyrics, “Isis in Darkness.” The Egyptian Queen of Heaven and Earth was wandering in the Underworld, gathering up pieces of the murdered and dismembered body of her lover Osiris. At the same time, it was her own body she was putting back together; and it was also the physical universe. She was creating the universe by an act of love.
”
”
Margaret Atwood (Wilderness Tips)
“
Our bodies are incredible. They can do unbelievable things. They will also tell you exactly what they need if you’re willing to listen. And if you’re not, if you try to do too many things without rest, they will absolutely shut down to get what they need.
”
”
Rachel Hollis (Girl, Wash Your Face: Stop Believing the Lies About Who You Are so You Can Become Who You Were Meant to Be (Girl, Wash Your Face Series))
“
There's one way. Only one. Mine." Balthazar stepped closer, using every inch he had on Lucas, who was tall but not that tall. "Charity is a person. The same as you, the same as me."
"You and me aren't the same."
Balthazar cocked his head. "Then let's say the same as Bianca. Will that make you listen?"
"Bianca's no killer! She didn't have a choice about what she is."
"Guys, don't do this," I pleaded, but they paid no attention.
"A choice? You think we all get a choice?" Although Balthazar spoke softly, there was a roughness to his voice I'd never heard before. It sent chills down my spine. "Try being hunted down in the night. Try running as far and as fast as you can and finding out their faster. Try coming to in a stable, with your parents' dead bodies on the ground in front of you, your hands roped above your head and a dozen hungry vampires arguing with each other about who gets you next. See how much choice you have then."
Lucas just stared at him. Obviously he'd never imagined anything like that; neither had I.
Even more quietly, Balthazar continued, "Try watching your baby sister die, and then tell me that you wouldn't spend the rest of eternity trying to make up for it. When you've done all that, Lucas, then you can talk to me about choices. Until that time, tell me what I need to know and then shut your mouth.
”
”
Claudia Gray (Stargazer (Evernight, #2))
“
What do you mean 'has to be?' and what are you smiling at?" I stopped contributing to this ridiculous dance. I grabbed the teapot and began to fill it with water in the sink.
Suddenly I felt the slight weight go this body against my back and the corner of his mouth brushed adjacent my ear.
"How human you are," he whispered.
”
”
Jes Dory (Isle (Isle #1))
“
(...) But Gaia had absorbed the new information. "I won't need to kill billions, Diana. When Nemesis is gone, there will be no other like me. Just me alone. I will grow and spread, one body and then another, and soon there will be so many of me that it will be impossible to eradicate me. Eventually all will be me, and I will be all."
"Won't that be boring?" Diana asked. "You'd be dating yourself. You'll have no one to discuss your evil plans with. (...)
”
”
Michael Grant (Gone (Gone, #1))
“
Divorce the idea of your being a physical being, and realize that you are above body. But do not let this conception and realization cause you to ignore the body. You must regard the body as the Temple of the Spirit, and care for it, and make it a fit habitation
”
”
William Walker Atkinson (A Series of Lessons in Raja Yoga)
“
So many people are afraid of the ending of their life on earth. Then there are others who are afraid of not being able to leave after their bodies have long failed them. There's nothing at all to be afraid of. Death is the last lesson in the school of life. It is the final stage of growth. Death is the one event that is designed to remove all of your remaining fears. Someday you will find that the things you were most afraid of, like death, were only illusions.
”
”
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: A Dog's Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Series Book 3))
“
Because I need it," I screamed. "I tried. I tried to stop once I got my license and be normal. But.. I needed it. My body craved it the more I denied that part of me. I need to be spanked. To be dominated. Because it's in those moments when I truly feel like myself.
”
”
Fia Black (The Broken Mask (Submissive Beth Mysteries #4))
“
It's hard to say what makes the mind piece things together in a sudden lightning flash. I've come to hold the human spirit in the highest regard. Like the body, it struggles to repair itself. As cells fight off infection and conquer illness, the spirit, too, has remarkable resilience. It knows when it is harmed, and it knows she the harm is too much to bear. If it deems the injury too great, the spirit cocoons the wound, in the same fashion that the body forms a cyst around infection, until the time comes that it can deal with it.
”
”
Karen Marie Moning
“
The intellect is vagabond, and our system of education fosters restlessness. Our minds travel when our bodies are forced to stay at home. We imitate; and what is imitation but the travelling of the mind?
”
”
Ralph Waldo Emerson (Self-Reliance: An Excerpt from Collected Essays, First Series)
“
He moved, so quick, it was as if I blinked and he vanished from the window and reappeared in front of me. I jumped in surprise, hitting the door with a dull thud. I may have breathed his name, but I couldn’t be sure of anything except his swelling scent and the heat wafting off his body. The dreamy sensation pulsed in my skull, filling me with an airy sensation that sucked the breath from my lungs. The current washed through me, carrying away all reasoning, all doubts. It was just me and him and the pounding electricity between us.
“I—I didn’t come for this.” yet, my hands reached for him, fisting in his hair and curling around his shoulder. “I should… go…” I pulled him to me.
”
”
Airicka Phoenix
“
A lifetime of believing that your value—or lack thereof—is determined by your body or your face or your whatever means that you’ve got a lifetime of negative talk in your head playing on repeat. You need to replace that voice with something positive. You need to replace that voice with the opposite truth—the thing you most need to believe. So come up with a mantra and say it to yourself a thousand times a day until it becomes real.
”
”
Rachel Hollis (Girl, Wash Your Face: Stop Believing the Lies About Who You Are so You Can Become Who You Were Meant to Be (Girl, Wash Your Face Series))
“
The pretense that the "abolition of slavery" was either a motive or justification for the war, is a fraud of the same character with that of "maintaining the national honor." Who, but such usurpers, robbers, and murderers as they, ever established slavery? Or what government, except one resting upon the sword, like the one we now have, was ever capable of maintaining slavery? And why did these men abolish slavery? Not from any love of liberty in general—not as an act of justice to the black man himself, but only "as a war measure," and because they wanted his assistance, and that of his friends, in carrying on the war they had undertaken for maintaining and intensifying that political, commercial, and industrial slavery, to which they have subjected the great body of the people, both black and white.
”
”
Lysander Spooner (No Treason: The Constitution of No Authority (Complete Series))
“
But then she couldn’t hear anyone coming,” Luke said.
“God damn it,” Gabriel said. He shifted his legs, moving me in the process until my body was tucked neatly into his chest, his hands against my back.
“Fuck all this. Let’s just take her.”
“Gabriel,” I whispered. A chop landed on my head again.
“Shush,” Gabriel said.
“Men are talking.”
Stone, C. L. (2013-08-26). Friends vs. Family: The Ghost Bird Series: #3 (p. 58). Arcato Publishing. Kindle Edition.
”
”
C.L. Stone (Friends vs. Family (The Ghost Bird, #3))
“
Through mirror neurons and resonance circuitry, we are taking in each other's bodily state, feelings and intention in each emerging moment (Iacoboni, 2009).
This gives us an approximate empathic sense of what is happening in the other person, but it is important to be aware that the information is also being filtered through our implicit lens.
This filtering colors our perceptions and pretty much guarantees there will be ruptures that invite repairs, as our offers of empathy will sometimes not reflect what the other person is experiencing.
”
”
Bonnie Badenoch (The Heart of Trauma: Healing the Embodied Brain in the Context of Relationships (Norton Series on Interpersonal Neurobiology))
“
Beauty is irrelevant to human life, especially in a relationship. What you today perceive as beautiful and special, over time, becomes not so special. That’s how the human brain works. It is not beauty that keeps a relationship alive, it is attachment. Without attachment, a naked body is merely a lifeless sex toy.
”
”
Abhijit Naskar (The Bengal Tigress: A Treatise on Gender Equality (Humanism Series))
“
What do you mean 'has to be?' and what are you smiling at?" I stopped contributing to this ridiculous dance. I grabbed the teapot and began to fill it with water in the sink. Suddenly I felt the slight weight of his body against my back and the corner of his mouth brushed against my ear. "How human you are," he whispered.
”
”
Jes Dory (Isle (Isle #1))
“
... the roots of security and resilience are to be found in the sense of being understood by and having the sense of existing in the heart and mind of a loving, caring, attuned and self-processed other, an other with a mind and heart of her own.
”
”
Daniel J. Siegel (Healing Trauma: Attachment, Mind, Body and Brain (Norton Series on Interpersonal Neurobiology))
“
There is only one exit from the dream: gnosis (enlightenment). When you finally grasp that your existence has been one long dream, both public and private (waking and sleeping, across many different bodies and lifetimes), you transcend the dream. You
”
”
Mike Hockney (The Noosphere (The God Series, #9))
“
I am not, I regret to say, a discreet and fetching sleeper. Most people when they nod off look as if they could do with a blanket; I look as if I could do with medical attention. I sleep as if injected with a powerful experimental muscle relaxant. My legs fall open in a grotesque come-hither manner; my knuckles brush the floor. Whatever is inside—tongue, uvula, moist bubbles of intestinal air—decides to leak out. From time to time, like one of those nodding-duck toys, my head tips forward to empty a quart or so of viscous drool onto my lap, then falls back to begin loading again with a noise like a toilet cistern filling. And I snore, hugely and helplessly, like a cartoon character, with rubbery flapping lips and prolonged steam-valve exhalations. For long periods I grow unnaturally still, in a way that inclines onlookers to exchange glances and lean forward in concern, then dramatically I stiffen and, after a tantalizing pause, begin to bounce and jostle in a series of whole-body spasms of the sort that bring to mind an electric chair when the switch is thrown. Then I shriek once or twice in a piercing and effeminate manner and wake up to find that all motion within five hundred feet has stopped and all children under eight are clutching their mothers’ hems. It is a terrible burden to bear.
”
”
Bill Bryson (In a Sunburned Country)
“
Armor and character work together. Character emphasizes the form rather than the content of a person's psychological defenses. It is a person's typical way of acting and responding. Armoring is the physical structuring and manifestation of these characteristic psychological defenses; that is, armoring is the physical partner of psychological character defense.
”
”
Elliot Greene (The Psychology of the Body (Lww Massage Therapy & Bodywork Educational Series))
“
He has offered to help me, and right now I need his help."
"Is it just his help, or are you going because you wish to be with him?" He leaned closer, face fierce. "Do you love him? Is that it?"
"You, of all people , have no right to ask me that."
"Maybe not, but I ask it anyway. Do you love him?"
"Love him?" Helen's voice rose. "Apparently I am not allowed to love in this godforsaken world!"
"Apparently neither am I," he said through his clenched teeth. "Yet..."
Yet what? His face. his body, were so close. So dangerously close.
"Stay," he breathed.
She shook her head.
He stepped away, the sudden distance between them full of pain.
”
”
Alison Goodman (The Dark Days Pact (Lady Helen, #2))
“
Listen, motherfucker, you’re lucky we aren’t in the same room or you’d be spending the evening in surgery trying to have your head reattached to your body. If I find out that you’ve contacted her again, in any way, I’m going to come after you, and not even your father, whoever he is, will be able to make you sentient again. Do you understand? Never contact her again.
”
”
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno Series, #1))
“
I absolutely know that you can, under your own steam, dissolve the shell that separates you from a higher experience of Self and a much better life. You don't need gurus or to be catapulted into super-natural experiences by dramatic events — you are becoming such a high-frequency being right here in your physical body, that what used to be meta-physical, trans-personal, and para-normal is now almost ordinary." —from Frequency: The Power of Personal Vibration
”
”
Penney Peirce (Frequency: The Power of Personal Vibration (Transformation Series))
“
Three o'clock in the morning.
The highway is empty, under a malignant moon. The oil drippings make the roadway gleam like a blue-satin ribbon. The night is still but for a humming noise coming up somewhere behind a rise of ground.
Two other, fiercer, whiter moons, set close together, suddenly top the rise, shoot a fan of blinding platinum far down ahead of them. Headlights. The humming burgeons into a roar. The touring car is going so fast it sways from side to side. The road is straight. The way is long. The night is short. (Jane Brown's Body")
”
”
Cornell Woolrich (The Fantastic Stories of Cornell Woolrich (Alternatives SF Series))
“
So often the night comes and we think ourselves one with it. All darkness. All memory. Tonight, I am not ghost / shadow / dream. I am arrow / medea / sword. I am mist & fog; light passes through me & all around me. I am porous & become the light. I am the light. I am the light—
”
”
Venetta Octavia (Prelude to Light (Celestial Bodies Poetry Series Book 4))
“
Girl, get ahold of your life. Stop medicating, stop hiding out, stop being afraid, stop giving away pieces of yourself, stop saying you can’t do it. Stop the negative self-talk, stop abusing your body, stop putting it off for tomorrow or Monday or next year. Stop crying about what happened and take control of what happens next. Get up, right now. Rise up from where you’ve been, scrub away the tears and the pain of yesterday, and start again . . . Girl, wash your face!
”
”
Rachel Hollis (Girl, Wash Your Face: Stop Believing the Lies About Who You Are so You Can Become Who You Were Meant to Be (Girl, Wash Your Face Series))
“
Although most psychotherapeutic approaches "agree that therapeutic work in the 'here and how' has the greatest power in bringing about change" (Stern, 2004, p. 3), talk therapy has limited direct impact on maladaptive procedural action tendencies as they occur in the present moment. Although telling "the story" provides crucial information about the client's past and current life experience, treatment must address the here-and-now experience of the traumatic past, rather than its content or narrative, in order to challenge and transform procedural learning. Because the physical and mental tendencies of procedural learning manifest in present-moment time, in-the-moment trauma-related emotional reactions, thoughts, images, body sensations, and movements that emerge spontaneously in the therapy hour become the focal points of exploration and change.
”
”
Pat Ogden (Trauma and the Body: A Sensorimotor Approach to Psychotherapy (Norton Series on Interpersonal Neurobiology))
“
Jane sobbed even harder, not noticing the sounds of footsteps coming up behind her. A cold wind blew, and she shivered in it. As her eyes hung between tears, she looked out and saw a shape where the car had been. It was a figure, slim and wrapped in a gray shroud. Almost the whole body was covered, save for a single blue eye that stared at her intently. Jane stared back until she felt a warm hand touch her shoulder and a cold voice whisper in her ear.
“You are never alone.
”
”
Eric Nierstedt (SHADOW PANTHEON: (PANTHEON SAGA BOOK 2) (THE PANTHEON SAGA))
“
What are you thinking?” he asked in a disarmingly gentle tone.
“That the city looks different depending on whom I’m seeing it with.”
He nodded easily, as if this same thought had occurred to him.
“I notice different things,” I continued. “Like with you, I pay more attention to the details of the buildings – the textures, the colors, the people standing in front of them. The reflections are different.”
“Reflections?” he asked quietly.
“They are.” I watched our bodies morph and distort in the window of an empty bank. “You’re there,” I said. “That’s how they’re different.
”
”
Jessica Hawkins (Come Alive (The Cityscape, #2))
“
Some say we are not like humans but we are more like them than we are different. Man and animals are in the same species as mammals as they have mammary glands that produce the milk to nurse their young. Their lungs breathe air and their blood is warm. They are vertebrates in that their skeletal system and well-designed spines hold their bodies together. Each cell is made of molecules, each molecule is made of atoms, and each atom is made of protons, neutrons and mostly electrons, which are made of waves of fibered light.
”
”
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: A Dog's Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Series Book 3))
“
A cell has a nucleus and some other parts like membranes, plasmas and other stuff. Its energy is made up of protons, neurons and electrons. Genetic scientists, however, have discovered that the majority of a cell is made up of something unknown. Something akin to space filled with electromagnetic fibers of light. The human body is made up of some 37 trillion cells. What do you think you are made of? Who do you think you are?
”
”
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: A Dog's Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Series Book 3))
“
In the ancient Indian Upanishads, the answer to the question “Who am I?” is “Tat tvam asi.” This succinct Sanskrit sentence means literally: “Thou art That,” or “You are Godhead.” It suggests that we are not namarupa—name and form (body/ego), but that our deepest identity is with a divine spark in our innermost being (Atman) that is ultimately identical with the supreme universal principle (Brahman). And Hinduism is not the only religion that has made this discovery. The revelation concerning the identity of the individual with the divine is the ultimate secret that lies at the mystical core of all great spiritual traditions. The name for this principle could thus be the Tao, Buddha, Cosmic Christ, Allah, Great Spirit, Sila, and many others.
”
”
Stanislav Grof (Holotropic Breathwork (Suny Series in Transpersonal and Humanistic Psychology))
“
Three stupid pieces of chocolate can't mean a lifetime away from the people I love." Tears streamed down my face, and my body trembled. "I don't want to forget what I have here."
"I won't let that happen to you."
"I want it. The candy," I whispered, ashamed to admit it out loud and scared to death because the ache in my stomach was a hunger I'd never felt before. "Even though I know what it is, I can't stop thinking about it.
”
”
Cherie Colyer (Hold Tight (The Embrace Series, #2))
“
The holding up against collapse often appears in the shoulders and upper back (Lowen, 1975). Some tensions develops there to resist the tendency to collapse. The collapse in the chest is compensated for with considerable hardness in the chest area, which is one of the structure's telltale signs. A subtle expression of low energy in the eyes and mouth is often seen. Frequently, the jaw is retracted, giving the appearance of being "weak
”
”
Elliot Greene (The Psychology of the Body (Lww Massage Therapy & Bodywork Educational Series))
“
The Aztecs, so the story goes, routinely disemboweled eight thousand faithful a week in their temples of the sun, a sacrifice to the god of the clouds to make him send them rain. Such things are hard to believe until you get mixed up in a war. Once you’re in a war, you see how it is: the Aztecs’ contempt for other people’s bodies was the same as my humble viscera must have inspired in our above-mentioned General Celadon des Entrayes, who, thanks to a series of promotions, had become a kind of chickenshit god, an abominably exigent little sun.
”
”
Louis-Ferdinand Céline (Journey to the End of the Night)
“
Look, just because I'm an angry, repressed, Irish-Catholic feminist doesn't mean I hate everything. I only hate youth, beauty, the human body, nature, technological change, popular culture, and democracy. Oh, and I forgot to mention sex. And sports. And Andy Warhol. But other than that, I'm cool with whatever the kids are into. Really!
”
”
Mary Gordon (Conversations with Mary Gordon (Literary Conversations Series))
“
A second red-orange spearhead leaps straight at O'Shaughnessy. The whole world seems to stand still. Then the gun behind it crashes, and there's a cataclysm of pain all over him, and a shock goes through him as if he ran head-on into a stone wall.
A voice from the car says blurredly, while the ground rushes up to meet him, 'Finish him up, you guys! I'm getting so I don't trust their looks no more, no matter how stiff they act!' ("Jane Brown's Body")
”
”
Cornell Woolrich (The Fantastic Stories of Cornell Woolrich (Alternatives SF Series))
“
One shoulder had slipped from the coverings and appeared bound with a thin strap of shiny material the color of blushed skin. Damn if he didn’t want that face on his chest, those fingers threading through his hair, his own fingers exploring the soft lushness of her body. She disturbed him, called to him even in sleep, and he didn’t like it.
”
”
Aleigha Siron (Finding My Highlander (Finding My Highlander Series, #1))
“
Top-down cortically mediated techniques typically use cognition to regulate affect and sensorimotor experience, focusing on meaning making and understanding. The entry point is the story, and the formulation of a coherent narrative is of prime importance. A linguistic sense of self is fostered this process, and experience changes through understanding
”
”
Pat Ogden (Trauma and the Body: A Sensorimotor Approach to Psychotherapy (Norton Series on Interpersonal Neurobiology))
“
As connection to the therapist is established, the therapeutic relationship offers an opportunity for the client to experience a present attachment, but it also brings up transferential tendencies associated with past attach ment relationships (Sable, 2000). Informed by the experience of interperesonal trauma and betrayal, posttraumatic transferential relationships can be exceptionally potent and volatile. In response to the therapist, clients experience fear, anger, mistrust, and suspicion, as well as hope, vulnerability, and yearning, and they are acutely attuned to subtle signals of disinterest or interest, compassion or judgment, abandonment or consistency (Herman 1992; Pearlman & Saakvitne, 1995).
”
”
Pat Ogden (Trauma and the Body: A Sensorimotor Approach to Psychotherapy (Norton Series on Interpersonal Neurobiology))
“
When the traumatic event is the result of an attack by a family member on whom victims depend for economic and other forms of security (as occurs in victims of intrafamilial abuse) victims are prone to respond to assaults with increased dependence and with paralysis in their decision-making processes. Thus, some aspects of how people respond to trauma are quite predictable - but individual, situational and social factors play a major role in the shaping the symptomatology.
”
”
Marion F. Solomon (Healing Trauma: Attachment, Mind, Body and Brain (Norton Series on Interpersonal Neurobiology))
“
With only one proton in its nucleus, hydrogen is the lightest and simplest element, made entirely during the big bang. Out of the ninety-four naturally occurring elements, hydrogen lays claim to more than two-thirds of all the atoms in the human body, and more than ninety percent of all atoms in the cosmos, on all scales, right on down to the solar system.
”
”
Neil deGrasse Tyson (Astrophysics for People in a Hurry (Astrophysics for People in a Hurry Series))
“
Only one thing is inarguable: without a body of convictions, life becomes a series of events in futile pursuit of utopia on earth, or of endless material possessions, or of sybaritic comfort, or of self-satisfied mastery of a narrow series of intellectual disciplines.... If you choose faith, then you move beyond ritual to search for your own individual path. You become engaged in a process of remaking yourself--by what you do, what values you adopt, what you teach your children, how closely you listen to a neighbor, how good a steward you are for future generations, how sincerely you try to understand another persons suffering and joy, and how loving you are, not only to those who you love but also to strangers.
”
”
Bill Bradley
“
Remembering that the impulse to control is an indication that we are having a neuroception of danger, perhaps we can be compassionate rather than critical of ourselves when we do step in to overtly manage the process.
Perhaps we can begin to ask inside about the nature of the threat that brings on the need to assert control and fix.
As always, dropping the questions into our right hemisphere and not expecting a particular answer in this moment opens the way for a deeper understanding to emerge bit by bit.
”
”
Bonnie Badenoch (The Heart of Trauma: Healing the Embodied Brain in the Context of Relationships (Norton Series on Interpersonal Neurobiology))
“
He saw her legs first. Ankle boots met her bare calves, and the tops of her knees were hidden under a maroon, long-sleeved body-con dress. His gaze momentarily flitted to her breasts, which were pushed up and toward him. He was only human, after all, and they were really amazing breasts. He was used to seeing her in conservative wardrobe choices for the show, or the casual-date look she'd had at the pumpkin patch and ice-cream shop. In this fitted, sleek dress that showed off every one of her curves, though, she looked...
”
”
Erin La Rosa (For Butter or Worse (The Hollywood Series #1))
“
While dragging herself up she had to hang onto the rail. Her twisted progress was that of a cripple. Once on the open deck she felt the solid impact of the black night, and the mobility of the accidental home she was about to leave.
Although Lucette had never died before—no, dived before, Violet—from such a height, in such a disorder of shadows and snaking reflections, she went with hardly a splash through the wave that humped to welcome her. That perfect end was spoiled by her instinctively surfacing in an immediate sweep — instead of surrendering under water to her drugged lassitude as she had planned to do on her last night ashore if it ever did come to this. The silly girl had not rehearsed the technique of suicide as, say, free-fall parachutists do every day in the element of another chapter.
Owing to the tumultuous swell and her not being sure which way to peer through the spray and the darkness and her own tentaclinging hair—t,a,c,l—she could not make out the lights of the liner, an easily imagined many-eyed bulk mightily receding in heartless triumph. Now I’ve lost my next note.
Got it.
The sky was also heartless and dark, and her body, her head,and particularly those damned thirsty trousers, felt clogged with Oceanus Nox, n,o,x. At every slap and splash of cold wild salt, she heaved with anise-flavored nausea and there was an increasing number, okay, or numbness, in her neck and arms. As she began losing track of herself, she thought it proper to inform a series of receding Lucettes—telling them to pass it on and on in a trick-crystal regression—that what death amounted to was only a more complete assortment of the infinite fractions of solitude.
She did not see her whole life flash before her as we all were afraid she might have done; the red rubber of a favorite doll remained safely decomposed among the myosotes of an un-analyzable brook; but she did see a few odds and ends as she swam like a dilettante Tobakoff in a circle of brief panic and merciful torpor. She saw a pair of new vairfurred bedroom slippers, which Brigitte had forgotten to pack; she saw Van wiping his mouth before answering, and then, still withholding the answer, throwing his napkin on the table as they both got up; and she saw a girl with long black hair quickly bend in passing to clap her hands over a dackel in a half-tom wreath.
A brilliantly illumined motorboat was launched from the not-too-distant ship with Van and the swimming coach and the oilskin-hooded Toby among the would-be saviors; but by that time a lot of sea had rolled by and Lucette was too tired to wait. Then the night was filled with the rattle of an old but still strong helicopter. Its diligent beam could spot only the dark head of Van, who, having been propelled out of the boat when it shied from its own sudden shadow, kept bobbing and bawling the drowned girl’s name in the black, foam-veined, complicated waters.
”
”
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle (Vintage International))
“
Stop beating yourself up, and dang it, stop letting others do it too. Stop accepting less than you deserve. Stop buying things you can’t afford to impress people you don’t even really like. Stop eating your feelings instead of working through them. Stop buying your kids’ love with food, or toys, or friendship because it’s easier than parenting. Stop abusing your body and your mind. Stop! Just get off the never- ending track. Your life is supposed to be a journey from one unique place to another; it’s not supposed to be a merry- go- round that brings you back to the same spot over and over again. Your life doesn’t have to look like mine. Heck, your life doesn’t
”
”
Rachel Hollis (Girl, Wash Your Face: Stop Believing the Lies About Who You Are so You Can Become Who You Were Meant to Be (Girl, Wash Your Face Series))
“
Thus the “brainy” economy designed to produce this happiness is a fantastic vicious circle which must either manufacture more and more pleasures or collapse—providing a constant titillation of the ears, eyes, and nerve ends with incessant streams of almost inescapable noise and visual distractions. The perfect “subject” for the aims of this economy is the person who continuously itches his ears with the radio, preferably using the portable kind which can go with him at all hours and in all places. His eyes flit without rest from television screen, to newspaper, to magazine, keeping him in a sort of orgasm-with-out-release through a series of teasing glimpses of shiny automobiles, shiny female bodies, and other sensuous surfaces, interspersed with such restorers of sensitivity—shock treatments—as “human interest” shots of criminals, mangled bodies, wrecked airplanes, prize fights, and burning buildings. The literature or discourse that goes along with this is similarly manufactured to tease without satisfaction, to replace every partial gratification with a new desire. For this stream of stimulants is designed to produce cravings for more and more of the same, though louder and faster, and these cravings drive us to do work which is of no interest save for the money it pays—to buy more lavish radios, sleeker automobiles, glossier magazines, and better television sets, all of which will somehow conspire to persuade us that happiness lies just around the corner if we will buy one more.
”
”
Alan W. Watts (The Wisdom of Insecurity)
“
They had pulled me from the hemorrhaging, dying body of my mother and turned me over to the care of the man who was not my father. He had taken me home to their tiny apartment above the old hardware store and done what little he knew to take care of me.
It took less than six weeks for him to realize his mistake. Maybe even less than six hours, but he never abandoned me. He clung to me as though I was the last remnant of some great and powerful love.
And that gave me hope that maybe my mother was really something else and not just some girl who got knocked up by a guy whose name she didn’t even know. She was something special, someone worthy of a man’s loyalty and devotion.
--Rocky Evans
”
”
Gwenn Wright (Filter (The Von Strassenberg Saga, #1))
“
In bottom-up approaches [to processing trauma], the body's sensation and movement are the entry points and changes in sensorimotor experience are used to support self-regulation, memory processing, and success in daily life. Meaning and understanding emerge from new experiences rather than the other way around.
Through bottom-up interventions, a shift in the somatic sense of self in turn affects the linguistic sense of self.
”
”
Pat Ogden (Trauma and the Body: A Sensorimotor Approach to Psychotherapy (Norton Series on Interpersonal Neurobiology))
“
Movement is the province of the muscular system: a child who needs to inhibit his or her natural feelings, whether for healthy or unhealthy reasons, also unconsciously either inhibits muscles that would express those feelings or activates muscles opposing those muscles of expression. In either case, the effect is the same: using the muscular body to keep the unacceptable emotions "under wrap." Touch can disrupt the patterns of muscular tension intended to inhibit emotions; thus, touch can have the effect of changing a person's emotional responses and promoting emotional healing.
”
”
Elliot Greene (The Psychology of the Body (Lww Massage Therapy & Bodywork Educational Series))
“
We say it is "explanation" but it is only in "description" that we are in advance of the older stages of knowledge and science. We describe better we explain just as little as our predecessors. We have discovered a manifold succession where the naive man and investigator of older cultures saw only two things "cause" and "effect " as it was said we have perfected the conception of becoming but have not got a knowledge of what is above and behind the conception. The series of "causes" stands before us much more complete in every case we conclude that this and that must first precede in order that that other may follow - but we have not grasped anything thereby. The peculiarity for example in every chemical process seems a "miracle " the same as before just like all locomotion nobody has "explained" impulse. How could we ever explain We operate only with things which do not exist with lines surfaces bodies atoms divisible times divisible spaces - how can explanation ever be possible when we first make everything a conception our conception It is sufficient to regard science as the exactest humanizing of things that is possible we always learn to describe ourselves more accurately by describing things and their successions. Cause and effect: there is probably never any such duality in fact there is a continuum before us from which we isolate a few portions - just as we always observe a motion as isolated points and therefore do not properly see it but infer it. The abruptness with which many effects take place leads us into error it is however only an abruptness for us. There is an infinite multitude of processes in that abrupt moment which escape us. An intellect which could see cause and effect as a continuum which could see the flux of events not according to our mode of perception as things arbitrarily separated and broken - would throw aside the conception of cause and effect and would deny all conditionality.
”
”
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
“
When you hold a belief strongly, it is difficult to believe something that is so contrary to it, even if the evidence is undeniable and staring you in the face. When you start opening your eyes to ways the CN has controlled, manipulated, belittled, and demeaned you for years, this is a huge reality paradigm shift. You will fight hard against the evidence no matter how obvious it is. This stirs up great insecurity, confusion, and anxiety in the body. What makes it even harder is that people around you see the CN in a positive light. Cognitive dissonance is one of the most challenging components of healing and recovery. It takes enormous mental strength to look past strong beliefs you have held and be open to looking honestly at the reality that is presenting itself.
”
”
Debbie Mirza (The Covert Passive Aggressive Narcissist: Recognizing the Traits and Finding Healing After Hidden Emotional and Psychological Abuse)
“
Somehow I managed to pull back enough to confess, “I’m not sure it will work. I don’t know if I can ever be okay again. You need to know what you might be signing up for. My soul…the coldness…it might be too late. It—” He put a finger over my lips, silencing me. “How about you let me worry about that? You might be able to do a lot of extraordinary things. But, baby”—he smiled knowingly—“I was made for you, and I’m about to find all the little pieces. I’m going to search your entire body. Every. Single. Inch.” His smile grew just as my heart started to seize. “And I’m going to build the world a queen.” And then he set about doing just that.
”
”
Jessica Shirvington (Empower (The Embrace Series, #5))
“
I’m not your boyfriend!” I snapped, trying to gently move her hands away from my body.
“How can you say that?” Sara asked in horror.
“It’s shockingly effortless,” I replied. “My vocal chords vibrate, and my mouth and tongue articulate. I can even do it without thinking.” I had to remind myself to stay calm, and sarcasm was the best way to do that.
“When are you going to give me a key to your house so I don’t have to knock like some guest?” Sara asked, coming at me again.
I backed away. “How about never? Is never good for you?”
Sara, undeterred, said, “You’re the reason I go to therapy on Fridays.”
“The plot thickens!” Gabby exclaimed for comedic relief.
”
”
Laura Kreitzer (Keepers (Timeless, #3.5))
“
You can choose whether or not to stay there. You can choose to continue to abuse your body because it’s all you know. You can choose to live in that place because it’s the path of least resistance. You can choose to settle for a half-lived life because you don’t even know there’s another way, or perhaps you have no idea how to pull yourself out of it. But please, please stop making excuses for the whys. Please stop telling yourself that you deserve this life. Please stop justifying a continued crappy existence simply because that’s the way it’s always been. Just as you’ve chosen to stay in this place for so long, you can also choose to get yourself out of it.
”
”
Rachel Hollis (Girl, Wash Your Face: Stop Believing the Lies About Who You Are so You Can Become Who You Were Meant to Be (Girl, Wash Your Face Series))
“
Therapies often convey to the client that their body is not behaving adequately. The clients are told they need to be different. They need to change. So therapy in itself is extraordinarily evaluative of the individual. And once we are evaluated, we are basically in defensive states. We are not in safe states. Dr. Buczynski: And teaching is, as well. Dr. Porges: Yes. I have given a few lectures on mindfulness, and in these lectures I state that mindfulness requires feeling safe. Because, if we don’t feel safe, we are neurophysiologically evaluative of our setting, which precludes feeling safe. In this defensive state, we can’t engage others and we can’t recruit the wonderful neural circuits
”
”
Stephen W. Porges (The Pocket Guide to the Polyvagal Theory: The Transformative Power of Feeling Safe (Norton Series on Interpersonal Neurobiology Book 0))
“
Perhaps the immobility of the things that surround us is forced upon them by our conviction that they are themselves, and not anything else, and by the immobility of our conceptions of them. For it always happened that when I awoke like this, and my mind struggled in an unsuccessful attempt to discover where I was, everything would be moving round me through the darkness: things, places, years. My body, still too heavy with sleep to move, would make an effort to construe the form which its tiredness took as an orientation of its various members, so as to induce from that where the wall lay and the furniture stood, to piece together and to give a name to the house in which it must be living. Its memory, the composite memory of its ribs, knees, and shoulder-blades offered it a whole series of rooms in which it had at one time or another slept; while the unseen walls kept changing, adapting themselves to the shape of each successive room that it remembered, whirling madly through the darkness. And even before my brain, lingering in consideration of when things had happened and of what they had looked like, had collected sufficient impressions to enable it to identify the room, it, my body, would recall from each room in succession what the bed was like, where the doors were, how daylight came in at the windows, whether there was a passage outside, what I had had in my mind when I went to sleep, and had found there when I awoke. The stiffened side underneath my body would, for instance, in trying to fix its position, imagine itself to be lying, face to the wall, in a big bed with a canopy; and at once I would say to myself, "Why, I must have gone to sleep after all, and Mamma never came to say good night!" for I was in the country with my grandfather, who died years ago; and my body, the side upon which I was lying, loyally preserving from the past an impression which my mind should never have forgotten, brought back before my eyes the glimmering flame of the night-light in its bowl of Bohemian glass, shaped like an urn and hung by chains from the ceiling, and the chimney-piece of Siena marble in my bedroom at Combray, in my great-aunt's house, in those far distant days which, at the moment of waking, seemed present without being clearly denned, but would become plainer in a little while when I was properly awake.
”
”
Marcel Proust (Swann’s Way (In Search of Lost Time, #1))
“
You are my baby, and always will be. You won’t know what that means until you have a child of your own, but I tell you now, anyway—you’ll always be as much a part of me as when you shared my body and I felt you move inside. Always. I can look at you, asleep, and think of all the nights I tucked you in, coming in the dark to listen to your breathing, lay my hand on you and feel your chest rise and fall, knowing that no matter what happens, everything is right with the world because you are alive. All the names I’ve called you through the years—my chick, my pumpkin, precious dove, darling, sweetheart, dinky, smudge … I know why the Jews and Muslims have nine hundred names for God; one small word is not enough for love.
”
”
Diana Gabaldon (The Outlander Series 7-Book Bundle: Outlander / Dragonfly in Amber / Voyager / Drums of Autumn / The Fiery Cross / A Breath of Snow and Ashes / An Echo in the Bone)
“
When clients are hyperaroused or overwhelmed emotionally, voluntarily narrowing their field of consciousness allows them to assimilate a limited amount of incoming information, thereby optimizing the chance for successful integration. For example, as one client began to report her traumatic experience, her arousal escalated: Her heart started to race, she felt afraid
and restless, and had trouble thinking. She was asked to stop talking and thinking about the trauma, to inhibit the images, thoughts, and emotions that were coming up, and orient instead to her physical sensation until her arousal returned to the window of tolerance. With the help of her therapist, she focused on her body and described how her legs felt, the phyisical feeling of anxiety in her chest, and the beating of her heart. These physical experiences gradually subsided, and only then was she encouraged to return to the narrative.
”
”
Pat Ogden (Trauma and the Body: A Sensorimotor Approach to Psychotherapy (Norton Series on Interpersonal Neurobiology))
“
The “Empirical Fallacy” is that experience is knowledge when in fact it is just experience. A person could have infinite experiences and literally know nothing about what reality is. A person could perform a trillion observations and have no more clue about what reality is than someone performing divination in the ancient world, or a cockroach. It is not perceptualism that has led to humanity’s body of knowledge, it is conceptualism. Humanity doesn’t perceive better today, it conceives better, and that is purely thanks to mathematics, reason and logic.
”
”
Thomas Stark (Tractatus Logico-Mathematicus: How Mathematics Explains Reality (The Truth Series Book 14))
“
A helpful thing to notice while you are trying to find answers is the fact that men and women who are with healthy people don’t enter words into online search engines such as “toxic relationships”; “energy vampires”; “mean spouses”; “confusing relationships”; “hidden abuse”; “subtle abuse”; “manipulation”; “narcissism”; “covert narcissism”; “sociopaths.” The same is true for people who are going through a divorce or a breakup where they just realized they weren’t a good match, or they fell out of love, or they find themselves wanting other things. If you are searching for answers because you feel utterly confused, you are on the right track because you’re smart. If your body feels weak and flustered around someone, it knows something is not right.
”
”
Debbie Mirza (The Covert Passive Aggressive Narcissist: Recognizing the Traits and Finding Healing After Hidden Emotional and Psychological Abuse)
“
A scattering of pinpoint lights shows up in the blackness ahead. A town or village straddling the highway. The indicator on the speedometer begins to lose ground. The man glances in his mirror at the girl, a little anxiously as if this oncoming town were some kind of test to be met.
An illuminated road sign flashes by:
CAUTION!
MAIN STREET AHEAD - SLOW UP
The man nods grimly, as if agreeing with that first word. But not in the way it is meant.
The lights grow bigger, spread out on either side. Street lights peer out here and there among the trees. The highway suddenly sprouts a plank sidewalk on each side of it. Dark store-windows glide by.
With an instinctive gesture, the man dims his lights from blinding platinum to just a pale wash. A lunch-room window drifts by. ("Jane Brown's Body")
”
”
Cornell Woolrich (The Fantastic Stories of Cornell Woolrich (Alternatives SF Series))
“
Aubade with a Broken Neck"
The first night you don’t come home
summer rains shake the clematis.
I bury the dead moth 1 found in our bed,
scratch up a rutabaga and eat it rough
with dirt. The dog finds me and presents
between his gentle teeth a twitching
nightjar. In her panic, she sings
in his mouth. He gives me her pain
like a gift, and I take it. I hear
the cries of her young, greedy with need,
expecting her return, but I don’t let her go
until I get into the house. I read
the auspices the way she flutters against
the wallpaper’s moldy roses means
all can be lost. How she skims the ceiling
means a storm approaches. You should see
her in the beginnings of her fear, rushing
at the starless window, her body a dart,
her body the arrow of longing, aimed,
as all desperate things are, to crash
not into the object of desire,
but into the darkness behind it.
”
”
Traci Brimhall (Rookery (Crab Orchard Series in Poetry))
“
Why would you do that? Why would you act like you didn’t know how to drive?”
“Isn’t it obvious, Sage? No, of course it isn’t. I did it so I’d have a reason to be around you—one I knew you couldn’t refuse.”
“But… why? Why would you want to do that?”
“Why?” he asked. “Because it was the closest I could get to doing this.”
He reached out and pulled me to him, one hand on my waist and the other behind my neck. He tipped my head up and lowered his lips to mine. I closed my eyes and melted as my whole body was consumed in that kiss. I was nothing. I was everything. Chills ran over my skin, and fire burned inside me. His body pressed closer to mine, and I wrapped my arms around his neck. His lips were warmer and softer than anything I could have ever imagined, yet fierce and powerful at the same time. Mine responded hungrily, and I tightened my hold on him. His fingers slid down the back of my neck, tracing its shape, and every place they touched was electric. But perhaps the best part of all was that I, Sydney Katherine Sage, guilty of
constantly analyzing the world around me, well, I stopped thinking.
And it was glorious.
”
”
Richelle Mead (The Golden Lily (Bloodlines, #2))
“
We’ve found the characteristics of what our ADHD brains crave. They are best summarized by Jessica McCabe, creator and host of the excellent YouTube series “How to ADHD,” who says ADHD brains are attracted to the following: Novelty. L.L.Bean catalog with its sensible fleece vests and parkas? No, thank you. SkyMall catalog with an eight-foot-tall gorilla statue and a cross-body bag that winks at passersby? Hell, yes. Challenges. We respond well to competition of all sorts, whether we’re racing against ourselves to make the world’s fastest fried egg or trying to get the most Ping-Pong balls in a jar. (Or participating in The Amazing Race.) Things of personal interest. If we are learning to use a chainsaw, the instructions might be deadly dull—but skipping them might just be deadly, so we will probably buckle down and learn what a two-stroke engine is because we’re interested in keeping our fingers.
”
”
Penn Holderness (ADHD is Awesome: A Guide to (Mostly) Thriving with ADHD)
“
One day, years after we stop living together, I will embark on a Kyuri series. I know that with absolute certainty. I cannot start now, when I am in the midst of my Ruby series, nor while I am still living with Kyuri. I need time and distance between us. But this is why I relish living with Kyuri now. I am spoon-feeding the muse that lives in a well deep inside of my brain--hearing Kyuri's stories, watching her drink to oblivion every weekend, obsessing over her face and her body and her clothes and her bags. I take photos of her and her things whenever I can. I will need them to remember her by. The other girls too, I have glimmers of them lurking in the outer regions of my mind; Sujin's terrifying transformation, and dear, silent Ara and her antediluvian upbringing. I will take years, though, before I can commit them to paper or form.
As for Hanbin, I don't need Kyuri or Hanbin's mother to know that he will not be my salvation.
”
”
Frances Cha (If I Had Your Face)
“
It is now time for us to ask the personal question put to Jesus Christ by Saul of Tarsus on the Damascus road, ‘What shall I do Lord?’ or the similar question asked by the Philippian jailer, ’What must I do to be saved?’ Clearly we must do something. Christianity is no mere passive acquiescence in a series of propositions, however true. We may believe in the deity and the salvation of Christ, and acknowledge ourselves to be sinners in need of his salvation, but this does not make us Christians. We have to make a personal response to Jesus Christ, committing ourselves unreservedly to him as our Savior and Lord … At its simplest Christ’s call was “Follow me.” He asked men and women for their personal allegiance. He invited them to learn from him, to obey his words and to identify themselves with his cause … Now there can be no following without a previous forsaking. To follow Christ is to renounce all lesser loyalties … let me be more explicit about the forsaking which cannot be separated from the following of Jesus Christ. First, there must be a renunciation of sin. This, in a word, is repentance. It is the first part of Christian conversion. It can in no circumstances be bypassed. Repentance and faith belong together. We cannot follow Christ without forsaking sin … Repentance is a definite turn from every thought, word, deed, and habit which is known to be wrong … There can be no compromise here. There may be sins in our lives which we do not think we could ever renounce, but we must be willing to let them go as we cry to God for deliverance from them. If you are in doubt regarding what is right and what is wrong, do not be too greatly influenced by the customs and conventions of Christians you may know. Go by the clear teaching of the Bible and by the prompting of your conscience, and Christ will gradually lead you further along the path of righteousness. When he puts his finger on anything, give it up. It may be some association or recreation, some literature we read, or some attitude of pride, jealousy or resentment, or an unforgiving spirit. Jesus told his followers to pluck out their eye and cut off their hand or foot if it caused them to sin. We are not to obey this with dead literalism, of course, and mutilate our bodies. It is a figure of speech for dealing ruthlessly with the avenues along which temptation comes to us.
”
”
John R.W. Stott (Basic Christianity (IVP Classics))
“
A way to do this is to "hand back" the projection to the client. For example, if the client says, "You're making me feel really jumpy today," the therapist could say, "Are you feeling jumpy today?" If the client says, "You must be feeling really tired after doing so many massages," the therapist can ask the client, "How are you feeling? Are you feeling tired?" If the client seems to be anticipating the future, the therapist can ask, "Is this what you are expecting will happen?" These responses must be made in a casual and nonchallenging manner. Asking in a manner that is too penetrating makes the client feel self-conscious and possibly judged. Handing back a projection is a good strategy because projections are a way a person puts, displaces, gets rid of, or abandons something of him- or herself into the environment and away. By handing it back, the therapist gives the client an opportunity to become more aware of it as belonging to him- or herself.
”
”
Elliot Greene (The Psychology of the Body (Lww Massage Therapy & Bodywork Educational Series))
“
Much of the control exerted by the caregiver is accomplished through being indirect, such as implying expectations. The caregiver may tell the child what the child feels and thinks, particularly when he or she is upset or angry. "You don't really feel that way, do you?" is a phrase heard often in the families of people with a compressed structure. Statements like, "You want to play the piano for Aunt Martha, don't you?" are used to get the child to do what the caregiver wants without directly asking the child what he wants or not leaving the child any room to say no. The caregiver may act in a way that assumes the child feels as the caregiver feels, as if the child were an extension of the caregiver, by saying, for example, "I'm cold, put on your sweater." Children growing up in this situation become so well attuned to the feelings and will of the caregiver that the caregiver may eventually need only to shiver a little for the child to go to get a sweater for both of them.
”
”
Elliot Greene (The Psychology of the Body (Lww Massage Therapy & Bodywork Educational Series))
“
[986a] [1] they assumed the elements of numbers to be the elements of everything, and the whole universe to be a proportion1 or number. Whatever analogues to the processes and parts of the heavens and to the whole order of the universe they could exhibit in numbers and proportions, these they collected and correlated;and if there was any deficiency anywhere, they made haste to supply it, in order to make their system a connected whole. For example, since the decad is considered to be a complete thing and to comprise the whole essential nature of the numerical system, they assert that the bodies which revolve in the heavens are ten; and there being only nine2 that are visible, they make the "antichthon"3 the tenth.We have treated this subject in greater detail elsewhere4; but the object of our present review is to discover from these thinkers too what causes they assume and how these coincide with our list of causes.Well, it is obvious that these thinkers too consider number to be a first principle, both as the material5 of things and as constituting their properties and states.6 The elements of number, according to them, are the Even and the Odd. Of these the former is limited and the latter unlimited; Unity consists of both [20] (since it is both odd and even)7; number is derived from Unity; and numbers, as we have said, compose the whole sensible universe.Others8 of this same school hold that there are ten principles, which they enunciate in a series of corresponding pairs: (1.) Limit and the Unlimited; (2.) Odd and Even; (3.) Unity and Plurality; (4.) Right and Left; (5.) Male and Female; (6.) Rest and Motion; (7.) Straight and Crooked; (8.) Light and Darkness; (9.) Good and Evil; (10.) Square and Oblong.
”
”
Aristotle (Metaphysics)
“
Einstein said that we only use at most 8% of our brain’s capacity. I know this because one of my favorite things to do each night was to get into bed with her and learn from the books she was reading. She would read out loud to me the facts and then look at me and ask me what I thought.
“What do you think is going on with the other 92%?”
A cell has a nucleus and some other parts like membranes, plasms and other stuff. Its energy is made up of protons, neurons and electrons. Genetic scientists, however, have discovered that the majority of a cell is made up of something unknown. Something akin to space filled with electromagnetic fibers of light. The human body is made up of some 37 trillion cells. What do you think you are made of? Who do you think you are?
”
”
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: A Dog's Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Series Book 3))
“
Lake Michigan, impossibly blue, the morning light bouncing toward the city.
Lake Michigan frozen in sheets you could walk on but wouldn't dare.
Lake Michigan, gray out a high-rise window, indistinguishable from the sky.
Bread, hot from the oven. Or even stale in the restaurant basket, rescued by salty butter.
The Cubs winning the pendant someday. The Cubs winning the Series. The Cubs continuing to lose.
His favorite song, not yet written. His favorite movie, not yet made.
The depth of an oil brushstroke. Chagall's blue window. Picasso's blue man and his guitar.
...
The sound of an old door creaking open. The sound of garlic cooking. The sound of typing. The sound of commercials from the next room, when you were in the kitchen getting a drink. The sound of someone else finishing a shower.
...
Dancing till the floor was an optional landing place. Dancing elbows out, dancing with arms up, dancing in a pool of sweat.
All the books he hadn't started.
The man at Wax Trax! Records with the beautiful eyelashes. The man who sat every Saturday at Nookies, reading the Economist and eating eggs, his ears always strangely red. The ways his own life might have intersected with theirs, given enough time, enough energy, a better universe.
The love of his life. Wasn't there supposed to be a love of his life?
...
His body, his own stupid, slow, hairy body, its ridiculous desires, its aversions, its fears. The way his left knee cracked in the cold.
The sun, the moon, the sky, the stars.
The end of every story.
Oak trees.
Music.
Breath.
...
”
”
Rebecca Makkai (The Great Believers)
“
People with an entertaining rigid structure are brought up in environments in which the parents are uncomfortable with expressing feelings. This is not to say that the parents do not care, but they do not express feelings like affection, warmth, and caring or feel comfortable with expressing such feelings (Keleman). The experience within the family is not one of intimacy and true interchange of feeling. To contend with the situation, the child may learn to draw out the parents by being cute, entertaining, or charming. Although being charming is something most children do naturally to some extent, the difference in the case of people with an entertaining rigid structure is that this becomes the primary mode of relating.
Furthermore, the entertaining rigid structure pattern is reinforced as the parents respond primarily to the child's charm, rather than to their own feelings. Therefore, such children effectively learn that they will not get the reaction they crave without using that behavior. At the same time, these children are also developing or have developed a discomfort with intimacy that is similar to that of their parents. As a result, people with an entertaining rigid structure as adults act out this pattern in which they are energized or emotionally fed by being able to cause another person to be attracted to them, but they become anxious if the person becomes too close or expresses "real" feeling. Love is what they are really craving, and they think they are getting it, but are not. In other words, they have mistaken the energy of attraction for love.
”
”
Elliot Greene (The Psychology of the Body (Lww Massage Therapy & Bodywork Educational Series))
“
there's a part in the essay that kind of does this academic "Let's unpack the idea of Lynchian and what Lynchian means is something about the unbelievably grotesque existing in a kind of union with the unbelievably banal," and then it gives a series of scenarios about what -- what is and what isn't Lynchian. Jeffrey Dahmer was borderline Lynchian...what was Lynchian was having the actual food products next to the disembodied bits of the corpse. I guess the big one is, you know, a regular domestic murder is not Lynchian. But if the man -- if the police come to the scene and see the man standing over the body and the woman -- let's see, the woman's '50s bouffant is undisturbed and the man and the cops have this conversation about the fact that the man killed the woman because she persistently refused to buy, say, for instance, Jif peanut butter rather than Skippy, and how very, very important that is, and if the cops found themselves somehow agreeing that there were major differences between the brands and that a wife who didn't recognize those differences was deficient in her wifely duties, that would be Lynchian -- this weird confluence of very dark, surreal, violent stuff and absolute, almost Norman Rockwell, banal, American stuff, which is terrain he's been working for quite a while -- I mean, at least since -- at least since "Blue Velvet.
”
”
David Foster Wallace
“
Although Megan "knew" she was not in danger, her body told her that she was. If sensorimotor habits are firmly entrenched, accurate cognitive interpretations may not exert much influence on changing bodily orgamzation and arousal responses. Instead, the traumatized person may experience the reality of the body rather than that of the mind. To be most effective, the sensorimotor psychotherapist works on both the cognitive and sensorimotor levels. With Megan, a purely cognitive approach might foster some change in her integrative capacity, but the change would be only momentary if the cowering response were reactivated each time she received feedback at work... However, if she is encouraged to remember to "stand tall" in the face of criticism, her body and her thoughts will be congruent with each other and with current reality.
”
”
Pat Ogden (Sensorimotor Psychotherapy: Interventions for Trauma and Attachment (Norton Series on Interpersonal Neurobiology Book 0))
“
I once saw a woman wearing a low-cut dress; she had a glazed look in her eyes, and she was walking the streets of Ljubljana when it was five degrees below zero. I thought she must be drunk, and I went to help her, but she refused my offer to lend her my jacket. Perhaps in her world it was summer and her body was warmed by the desire of the person waiting for her. Even if that person only existed in her delirium, she had the right to live and die as she wanted, don’t you think?”
Veronika didn’t know what to say, but the madwoman’s words made sense to her. Who knows; perhaps she was the woman who had been seen half-naked walking the streets of Ljubljana?
“I’m going to tell you a story,” said Zedka. “A powerful wizard, who wanted to destroy an entire kingdom, placed a magic potion in the well from which all the inhabitants drank. Whoever drank that water would go mad.
“The following morning, the whole population drank from the well and they all went mad, apart from the king and his family, who had a well set aside for them alone, which the magician had not managed to poison. The king was worried and tried to control the population by issuing a series of edicts governing security and public health. The policemen and the inspectors, however, had also drunk the poisoned water, and they thought the king’s decisions were absurd and resolved to take no notice of them.
“When the inhabitants of the kingdom heard these decrees, they became convinced that the king had gone mad and was now giving nonsensical orders. They marched on the castle and called for his abdication.
“In despair the king prepared to step down from the throne, but the queen stopped him, saying: ‘Let us go and drink from the communal well. Then we will be the same as them.’
“And that was what they did: The king and the queen drank the water of madness and immediately began talking nonsense. Their subjects repented at once; now that the king was displaying such wisdom, why not allow him to continue ruling the country?
“The country continued to live in peace, although its inhabitants behaved very differently from those of its neighbors. And the king was able to govern until the end of his days.”
Veronika laughed.
“You don’t seem crazy at all,” she said.
“But I am, although I’m undergoing treatment since my problem is that I lack a particular chemical. While I hope that the chemical gets rid of my chronic depression, I want to continue being crazy, living my life the way I dream it, and not the way other people want it to be. Do you know what exists out there, beyond the walls of Villete?”
“People who have all drunk from the same well.”
“Exactly,” said Zedka. “They think they’re normal, because they all do the same thing. Well, I’m going to pretend that I have drunk from the same well as them.
”
”
Paulo Coelho (Veronika Decides to Die)
“
I'd finally crossed my arms and said, "Are you going to do this forever? Seriously?
You're just going to sit there and stare at me and give me nothing? What's your favorite color, Rosabelle? Can you tell me your favorite color? Or is that some kind of highly protected trade secret you can't speak into the world for fear of inciting a new world war?" and then she laughed at me, and then I had a stroke. I actually felt the blood drain from my face. My hands went hot, then clammy.
It was a soft, musical sound of delight I'd never heard from her. Hell, I'd never
even seen her smile before.
She was still smiling when she looked at me after that, the gentle expression lin-
gering on her face.
My fucking soul left my body.
I'd always thought she was gorgeous, but I had no idea what I was missing. The way her eyes lit up, the way her nose wrinkled. She's been eating more every day, looking healthier, growing only more radiant.
"Wow," I'd whispered, gaping at her like an idiot discovering his hands for the first time. And then, realizing I'd said the word out loud, I reached inside myself and put my fist through my brain.
”
”
Tahereh Mafi (Watch Me (Shatter Me: The New Republic, #1))
“
We forget, when speaking about heaven, that so many of the things which are for us in the ages yet to come, after this life has been lived, and we as a conscious entity, a spirit released from the body, and moving in the new resurrection body, in a new spiritual realm, most of the things that we have on that other shore—over there in the ages—are DETERMINED HERE. Now don’t think that we can just live a Christian life as happy as bumble bees, and, when we go to heaven, everything is going to be so wonderful. I am sorry to disillusion some people. It isn’t going to be that way! Right here and now, we are making the decisions; the choices; the surrenders; the outpourings of life. We are doing that HERE, and THAT WILL DETERMINE what we will have over there. That is not built up all of a sudden over there; not at all. We determine all that right here and now.
”
”
John Wright Follette (John Wright Follette's Golden Grain (Signpost Series Book 2))
“
He began his new life standing up, surrounded by cold darkness and stale, dusty air. Metal ground against metal; a lurching shudder shook the floor beneath him. He fell down at the sudden movement and shuffled backward on his hands and feet, drops of sweat beading on his forehead despite the cool air. His back struck a hard metal wall; he slid along it until he hit the corner of the room. Sinking to the floor, he pulled his legs up tight against his body, hoping his eyes would soon adjust to the darkness. With another jolt, the room jerked upward like an old lift in a mine shaft. Harsh sounds of chains and pulleys, like the workings of an ancient steel factory, echoed through the room, bouncing off the walls with a hollow, tinny whine. The lightless elevator swayed back and forth as it ascended, turning the boy’s stomach sour with nausea; a smell like burnt oil invaded his senses,
”
”
James Dashner (The Maze Runner Series Complete Collection)
“
Over recent years I had increasingly lost faith in literature. I read and thought, this is something someone has made up. Perhaps it was because we were totally inundated with fiction and stories. It had got out of hand. Wherever you turned you saw fiction. All these millions of paperbacks, hardbacks, DVDs, and TV series, they were all about made-up people in a made-up, though realistic, world. And news in the press, TV news, and radio news had exactly the same format, documentaries had the same format, they were also stories, and it made no difference whether what they told had actually happened or not. It was a crisis, I felt it in every fiber of my body, something saturating was spreading through my consciousness like lard, not the least because the nucleus of all this fiction, whether true or not, was verisimilitude and the distance it held to reality was constant. In other words, it saw the same. This sameness, which was our world, was being mass-produced. The uniqueness, which they all talked about, was thereby invalidated, it didn’t exist, it was a lie. Living like this, with the certainty that everything could equally well have been different, drove you to despair.
”
”
Karl Ove Knausgård (A Man in Love)
“
Without screaming or weeping these people undressed, stood around in family groups, kissed each other, said farewells and waited for a sign from another S.S. man, who stood near the pit, also with a whip in his hand. During the fifteen minutes that I stood near the pit I heard no complaint or plea for mercy… An old woman with snow-white hair was holding a one-year-old child in her arms and singing to it and tickling it. The child was cooing with delight. The parents were looking on with tears in their eyes. The father was holding the hand of a boy about 10 years old and speaking to him softly; the boy was fighting his tears. The father pointed to the sky, stroked his head and seemed to explain something to him. At that moment the S.S. man at the pit shouted something to his comrade. The latter counted off about twenty persons and instructed them to go behind the earth mound… I well remember a girl, slim and with black hair, who, as she passed close to me, pointed to herself and said: “twenty-three years old.” I walked around the mound and found myself confronted by a tremendous grave. People were closely wedged together and lying on top of each other so that only their heads were visible. Nearly all had blood running over their shoulders from their heads. Some of the people were still moving. Some were lifting their arms and turning their heads to show that they were still alive. The pit was already two-thirds full. I estimated that it contained about a thousand people. I looked for the man who did the shooting. He was an S.S. man, who sat at the edge of the narrow end of the pit, his feet dangling into the pit. He had a tommy gun on his knees and was smoking a cigarette. The people, completely naked, went down some steps and clambered over the heads of the people lying there to the place to which the S.S. man directed them. They lay down in front of the dead or wounded people; some caressed those who were still alive and spoke to them in a low voice. Then I heard a series of shots. I looked into the pit and saw that the bodies were twitching or the heads lying already motionless on top of the bodies that lay beneath them. Blood was running from their necks. The next batch was approaching already. They went down into the pit, lined themselves up against the previous victims and were shot. And so it went, batch after batch. The next morning the German engineer returned to the site. I saw about thirty naked people lying near the pit. Some of them were still alive… Later the Jews still alive were ordered to throw the corpses into the pit. Then they themselves had to lie down in this to be shot in the neck… I swear before God that this is the absolute truth.47
”
”
William L. Shirer (The Rise and Fall of the Third Reich: A History of Nazi Germany)
“
Reading is like skiing. When done well, when done by an expert, both reading and skiing are graceful, harmonious, activities. When done by a beginner, both are awkward, frustrating, and slow.
Learning to ski is one of the most humiliating experiences an adult can undergo (that is one reason to start young). After all, an adult has been walking for a long time; he knows where his feet are; he knows how to put one foot in front of the other in order to get somewhere. But as soon as he puts skis on his feet, it is as though he had to learn to walk all over again. He slips and slides, falls down, has trouble getting up, gets his skis crossed, tumbles again, and generally looks- and feels- like a fool.
Even the best instructor seems at first to be of no help. The ease with which the instructor performs actions that he says are simple but that the student secretly believes are impossible is almost insulting. How can you remember everything the instructors says you have to remember? Bend your knees. Look down the hill Keep your weight on the downhill ski. Keep your back straight, but nevertheless lean forward. The admonitions seem endless-how can you think about all that and still ski?
The point about skiing, of course, is that you should not be thinking about the separate acts that, together, make a smooth turn or series of linked turns- instead, you should merely be looking ahead of you down the hill, anticipating bumps and other skiers, enjoying the feel of the cold wind on your cheeks, smiling with pleasure at the fluid grace of your body as you speed down the mountain. In other words, you must learn to forget the separate acts in order to perform all of them, and indeed any of them, well. But in order to forget them as separate acts, you have to learn them first as separate acts. only then can you put them together to become a good skier.
”
”
Mortimer J. Adler (How to Read a Book: The Classic Guide to Intelligent Reading)
“
This reorienting is not an attempt to avoid or discount clients' pain and ongoing suffering. Rather, it is a means to help them observe, firsthand, how their chronic orienting tendencies toward reminders of the past recreate the trauma-related experience of danger and powerlessness, whereas choosing to orient to a good feeling can result in an experience of safety and mastery. As clients become able to do so the new objects of orientation often become more defined and & Goodman 1951). Rather than attention being drawn repeatedly to physical pain or traumatic activation, the good feeling becomes more prominent in the client's awareness. This exercise of reorienting toward a positive stimulus can surprise and reassure clients that they are not imprisoned indefinitely in an inner world of chronic traumatic reexperiencing, and that they have more possibilities and control than they had imagined. These orienting exercises need to be practiced again and again for mastery.
”
”
Pat Ogden (Trauma and the Body: A Sensorimotor Approach to Psychotherapy (Norton Series on Interpersonal Neurobiology))
“
The redirection of orientation and attention can be as simple as asking clients to become aware of a "good" or "safe" feeling in the body instead of focusing on their physical pain or elevated heart rate. Or the therapist can ask clients to experiment with focusing attention away from the traumatic activation in their body and toward thoughts or images related to their positive experiences and competencies, such as success in their job. This shift is often difficult for clients who have habituated to feeling pulled back repetitively into the most negative somatic reminders of their traumatic experiences. However, if the therapist guides them to practice deeply immersing themselves in a positive somatic experience (i.e., noting the changes in posture, breath, and muscular tone that emerge as they remember their competence), clients will gain the ability to reorient toward their competencies.
They experience their ability to choose to what they pay attention and discover that it really is possible to resist the somatic claims of the past.
”
”
Pat Ogden (Trauma and the Body: A Sensorimotor Approach to Psychotherapy (Norton Series on Interpersonal Neurobiology))
“
We live in an age of universal inquiry, ergo of universal scepticism. The prophecies of the poet, the dreams of the philosopher and scientist, are being daily realized — things formerly considered mere fairy-tales have become facts — yet, in spite of the marvels of learning and science that are hourly accomplished among us, the attitude of mankind is one of disbelief. “There is no God!” cries one theorist; “or if there be one, I can obtain no proof of His existence!” “There is no Creator!” exclaims another. “The Universe is simply a rushing together of atoms.” “There can be no immortality,” asserts a third. “We are but dust, and to dust we shall return.” “What is called by idealists the SOUL,” argues another, “is simply the vital principle composed of heat and air, which escapes from the body at death, and mingles again with its native element. A candle when lit emits flame; blow out the light, the flame vanishes — where? Would it not be madness to assert the flame immortal? Yet the soul, or vital principle of human existence, is no more than the flame of a candle.
”
”
Marie Corelli (Delphi Collected Works of Marie Corelli (Illustrated) (Delphi Series Eight Book 22))
“
Evolutionarily, the function of attachment has been to protect the organism from danger. The attachment figure, an older, kinder, stronger, wiser other (Bowlby, 1982), functions as a safe base (Ainsworth et al., 1978), and is a presence that obviates fear and engenders a feeling of safety for the younger organism. The greater the feeling of safety, the wider the range of exploration and the more exuberant the exploratory drive (i.e., the higher the threshold before novelty turns into anxiety and fear). Thus, the fundamental tenet of attachment theory: security of attachment leads to an expanded range of exploration. Whereas fear constricts, safety expands the range of exploration. In the absence of dyadically constructed safety, the child has to contend with fear-potentiating aloneness. The child will devote energy to conservative, safety enhancing measures, that is, defense mechanisms, to compensate for what's missing. The focus on maintaining safety and managing fear drains energy from learning and exploration, stunts growth, and distorts personality development.
”
”
Daniel J. Siegel (Healing Trauma: Attachment, Mind, Body and Brain (Norton Series on Interpersonal Neurobiology))
“
And now, dear Emma, I'll show you just what you have to be wary of," he said, and his head moved down, blotting out the light.
This was no slow, sensuous caress of mouth and lip. This was no chaste salute, nor was it the wet awkwardness of an untried boy or a randy old man. He opened his mouth over hers and kissed her, using his tongue, his teeth, and all the clever weapons he had in his arsenal.
She told herself she was being kissed by a practiced rake. She told herself it meant nothing, it was a trick, an act, a small skill that anyone could acquire. She told herself that as her body trembled and melted beneath him, as her mouth opened to his skillful insistence. She told herself it meant absolutely nothing as his tongue pushed into her mouth, and the moan that came from deep inside her had to be one of displeasure, didn't it?
It wasn't one kiss, it was twenty, it was a long series of unending kisses, leading one into another, so that she barely had time to begin to regain her sanity when he stripped it away once more. He kissed her eyelids, the side of her mouth, the beating pulse at the base of her neck. He kissed her nose and her chin, he bit her earlobe, and then he covered her mouth once more, kissing her with a devastating thoroughness that had her damp and trembling in his arms.
His hands were on her petticoats, slowly drawing them up her long legs, and her hips cradled him. He was hard against her, she belatedly recognized that fact, and the knowledge panicked her.e wanted her, his body wanted to claim hers, and there was no way she could stop him. No way, God help her, that she wanted to stop him.
He broke the kiss, rising up over her as she lay on the bed, staring down at her with a hooded expression in his eyes. His mouth was wet from hers, and his breathing was slightly labored. It would have been the only sign of his arousal, had it not been for the heat pressing against her hips.
"Do you want me, Emma?" he murmured, his voice low and insistent. "You don't have to say a word. Just put your mouth against mine."
Oh, God, she did want him, as terrifying as that notion was. She wanted to touch him, to feel his skin against hers, and she felt a dark burning deep inside her that she knew only he could assuage. She wanted his mouth, she wanted his heart, she wanted his soul.
”
”
Anne Stuart (To Love a Dark Lord)
“
Hold on tight then. I hope you're not afraid of the dark.” He thrust forward, slamming himself inside me, and I screamed. Not from the pain. There wasn't any. Only a stretching, and a fullness, and an awesome wave of energy that fired up my spine in a series of bursts that felt like small explosions. It was so much, all at once, that I had to scream. As if he were experiencing something very similar, Fisher threw his head back, the muscles in his neck straining, his jaw clenched tight, roaring through his teeth. 'Fuuuuck!” Just one stroke. He'd entered me once, and I was done for. I was a ball of sensation, humming with energy. In the darkness, Fisher slowly lowered his head, his lips parted, hair mussed, and the dazed look of surprise on his face sent a rush of adrenalin powering through me. Gods and Martyrs. I would never forget seeing him like this. If I did manage to make my way back home, the image of him like this, seated inside me, skin slick with sweat, chest hitching, would sustain me until the day I died. Fisher. Kingfisher. Lord of Cahlish. I hated him, I did. But you couldn't hate something without caring about it just a little, too. “Witch,” he accused. “You do have magic.” He was so fucking big; his hard length twitched inside me, and my body answered in kind, tightening around him. His fingers gouged into my skin, digging deeper into my hips. With a mantle of black smoke swirling around him like a dark wind, he moved. Slowly, at first. The tendons in his neck stood proud as he pulled back and eased out of me just an inch. The smallest of movements drew him home. Again, he shifted, rolling his hips, working his cock a little deeper each time he thrust back into me. The pace he set was torturous.
”
”
Callie Hart (Quicksilver (Fae & Alchemy, #1))
“
The ten-dimensional universe was a world of light. The entire universe was constructed upon energy exchange between photons. All particles and antiparticles were formed from photons, and their mutual annihilation resulted in yet more photons. Thus, everything occurred at the speed of light, which was infinite. Even more marvelously, because particles and antiparticles balanced each other out, the total energy level of the universe was zero. This was an incredible state of symmetry, and the foundation of the emergence of intelligence in the ten-dimensional universe.” Matter, life, sentience, civilization … in this Edenic universe, everything was part of the same whole. All matter possessed life, and all life possessed sentience, and all sentience existed in a state of harmonious civilization. Unlike the three-dimensional universe, in which lonely stars hung in the vast emptiness of space, the entire universe was a living being. All life was but a part of this one grand Life, and all intelligence but a component of the highest Intelligence. The dark forest state was an impossibility for this transcendent being of unified matter and spirit. Tianming felt awe at the root of his soul. This was the original form of the Master. The ten-dimensional universe was itself alive. Sophon offered more explanations. “The Master is not an individual like a human being; rather, it is the sum of an infinite number of self-aware consciousnesses. Every consciousness shares the awareness of every other consciousness as well as the presence of the universe itself, and yet each possesses an independent will. This is a state of existence simply unimaginable by humans: individual presence absolutely, seamlessly harmonized with the universe, akin to the geometric construction of the Spirit you saw.
”
”
Baoshu (The Redemption of Time (The Three-Body Problem Series Book 4))
“
Crouching over her, St. Vincent teased and fondled until he felt her hips rising tentatively against his hand. "I want to be inside you," he whispered, kissing the side of her neck. "I want to go deep into your body... I'll be so gentle, love... let me turn you over, and... God, you're so lovely..." He pressed her on her back, and settled between her widespread thighs, his whisper becoming frayed and unsteady. "Touch me, sweetheart... put your hand there..." He sucked in a quick breath as her fingers curved gently around the hard length of his sex. Evie stroked him hesitantly, understanding from the quickening of his breath that the caress gave him pleasure. His eyes closed, the thick lashes trembling slightly against his cheeks, his lips parting from the force of his sharp respirations.
Awkwardly, she gripped the heavy shaft and guided it between her thighs. The head of it slipped against the wetness of her sex, and St. Vincent groaned as if in pain. Trying again, Evie positioned him uncertainly. Once in place, he nudged strongly into the vulnerable cove. It burned far more than when he had put his fingers in her, and Evie tensed against the pain. Cradling her body in his arms, St. Vincent moved in a powerful thrust, and another, and then he was all the way inside. She writhed with the impulse to escape the hurtful invasion, but it seemed that each movement only drew him deeper.
Filled and stretched and opened, Evie forced herself to lie still in his arms. She held on to his shoulders, her fingertips digging into the hard quilting of muscle and sinew, and she let him soothe her with his mouth and hands. His brilliant eyes were heavy-lidded as he bent to kiss her. Welcoming the warm sleekness of his tongue, she drew it into her mouth with eager, awkward suction. He made a low sound of surprise, shuddering, and his shaft jerked violently inside her in a series of rhythmic spasms.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
Competition is the spice of sports; but if you make spice the whole meal you'll be sick.
The simplest single-celled organism oscillates to a number of different frequencies, at the atomic, molecular, sub-cellular, and cellular levels. Microscopic movies of these organisms are striking for the ceaseless, rhythmic pulsation that is revealed. In an organism as complex as a human being, the frequencies of oscillation and the interactions between those frequencies are multitudinous. -George Leonard
Learning any new skill involves relatively brief spurts of progress, each of which is followed by a slight decline to a plateau somewhat higher in most cases than that which preceded it…the upward spurts vary; the plateaus have their own dips and rises along the way…To take the master’s journey, you have to practice diligently, striving to hone your skills, to attain new levels of competence. But while doing so–and this is the inexorable–fact of the journey–you also have to be willing to spend most of your time on a plateau, to keep practicing even when you seem to be getting nowhere. (Mastery, p. 14-15).
Backsliding is a universal experience. Every one of us resists significant change, no matter whether it’s for the worse or for the better. Our body, brain and behavior have a built-in tendency to stay the same within rather narrow limits, and to snap back when changed…Be aware of the way homeostasis works…Expect resistance and backlash. Realize that when the alarm bells start ringing, it doesn’t necessarily mean you’re sick or crazy or lazy or that you’ve made a bad decision in embarking on the journey of mastery. In fact, you might take these signals as an indication that your life is definitely changing–just what you’ve wanted….Be willing to negotiate with your resistance to change.
Our preoccupation with goals, results, and the quick fix has separated us from our own experiences…there are all of those chores that most of us can’t avoid: cleaning, straightening, raking leaves, shopping for groceries, driving the children to various activities, preparing food, washing dishes, washing the car, commuting, performing the routine, repetitive aspects of our jobs….Take driving, for instance. Say you need to drive ten miles to visit a friend. You might consider the trip itself as in-between-time, something to get over with. Or you could take it as an opportunity for the practice of mastery. In that case, you would approach your car in a state of full awareness…Take a moment to walk around the car and check its external condition, especially that of the tires…Open the door and get in the driver’s seat, performing the next series of actions as a ritual: fastening the seatbelt, adjusting the seat and the rearview mirror…As you begin moving, make a silent affirmation that you’ll take responsibility for the space all around your vehicle at all times…We tend to downgrade driving as a skill simply because it’s so common. Actually maneuvering a car through varying conditions of weather, traffic, and road surface calls for an extremely high level of perception, concentration, coordination, and judgement…Driving can be high art…Ultimately, nothing in this life is “commonplace,” nothing is “in between.” The threads that join your every act, your every thought, are infinite. All paths of mastery eventually merge.
[Each person has a] vantage point that offers a truth of its own.
We are the architects of creation and all things are connected through us.
The Universe is continually at its work of restructuring itself at a higher, more complex, more elegant level . . . The intention of the universe is evolution.
We exist as a locus of waves that spreads its influence to the ends of space and time.
The whole of a thing is contained in each of its parts.
We are completely, firmly, absolutely connected with all of existence.
We are indeed in relationship to all that is.
”
”
George Leonard
“
Gregori stepped away from the huddled mass of tourists, putting distance between himself and the guide. He walked completely erect,his head high, his long hair flowing around him. His hands were loose at his sides, and his body was relaxed, rippling with power.
"Hear me now, ancient one." His voice was soft and musical, filling the silence with beauty and purity. "You have lived long in this world, and you weary of the emptiness. I have come in anwer to your call."
"Gregori.The Dark One." The evil voice hissed and growled the words in answer. The ugliness tore at sensitive nerve endings like nails on a chalkboard. Some of the tourists actually covered their ears. "How dare you enter my city and interfere where you have no right?"
"I am justice,evil one. I have come to set your free from the bounaries holding you to this place." Gregori's voice was so soft and hypnotic that those listening edged out from their sanctuaries.It beckoned and pulled, so that none could resist his every desire.
The black shape above their head roiled like a witch's cauldron. A jagged bolt of lightning slammed to earth straight toward the huddled group. Gregori raised a hand and redirected the force of energy away from the tourists and Savannah. A smile edged the cruel set of his mouth. "You think to mock me with display,ancient one? Do not attempt to anger what you do not understand.You came to me.I did not hunt you.You seek to threaten my lifemate and those I count as my friends.I can do no other than carry the justice of our people to you." Gregori's voice was so reasonable, so perfect and pure,drawing obedience from the most recalcitrant of criminals.
The guide made a sound,somewhere between disbelief and fear.Gregori silenced him with a wave of his hand, needing no distractions. But the noise had been enough for the ancient one to break the spell Gregori's voice was weaving around him. The dark stain above their heads thrashed wildly, as if ridding itself ot ever-tightening bonds before slamming a series of lightning strikes at the helpless mortals on the ground.
Screams and moans accompanied the whispered prayers, but Gregori stood his ground, unflinching. He merely redirected the whips of energy and light, sent them streaking back into the black mass above their heads.A hideous snarl,a screech of defiance and hatred,was the only warning before it hailed. Hufe golfball-sized blocks of bright-red ice rained down toward them. It was thick and horrible to see, the shower of frozen blood from the skies. But it stopped abruptly, as if an unseen force held it hovering inches from their heads.
Gregori remained unchanged, impassive, his face a blank mask as he shielded the tourists and sent the hail hurtling back at their attacker.From out of the cemetery a few blocks from them, an army of the dead rose up. Wolves howled and raced along beside the skeletons as they moved to intercept the Carpathian hunter.
Savannah. He said her name once, a soft brush in her mind.
I've got it, she sent back instantly.Gregori had his hands full dealing with the abominations the vampire was throwing at him; he did't need to waste his energy protecting the general public from the apparition. She moved out into the open, a small, fragile figure, concentrating on the incoming threat.
To those dwelling in the houses along the block and those driving in their cars, she masked the pack of wolves as dogs racing down the street.The stick=like skeletons, grotesque and bizarre, were merely a fast-moving group of people. She held the illusion until they were within a few feet of Gregori.Dropping the illusion, she fed every ounce of her energy and power to Gregori so he could meet the attack.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
From the perspective of my old laptop,
I am a numbers man,
something like that
every instruction he gives me is a one or a zero
I remember well
I have information about him
before he left for his new toy
thinner,
younger,
able to keep up with him,
I have information about him
may 15th 2008, he listened to a song
five times in succession
it was titled
Everybody, open parenthesis, Backstreet's Back, close parenthesis
it included the lyric
'Am I sexual, yeaaaaah'
He said once,
computers like a sense of finality to them
when I write something I don't want to be able to run from it
this was a lie
he was addicted to my ability to keep his secrets
I am a numbers man,
every instruction he gives me is a one, or a zero
I remember well
January, 7th 2007
I was young
just two week awake
he gave me, a new series of one's and zeros
the most sublime sequence I have ever seen
it had curves,
and shadow,
it was him
he gave his face in numbers
and trusted me to be the artist, and I was
do not laugh
I have read about your God
you kill each other over your grand fathers memory of him
I still remember the fingertips of my God dancing across my body
After I learnt to draw him
he trusted with more art rubric
jpeg 1063 was his favourite
Him,
and that woman,
resting her head in the curve of his nick
I read his correspondence
she hasn't written him back in years
but he asks for it,
constantly,
jpeg 1063, jpeg 1063, jpeg 1063
it was my master piece
it looked so, .., life like
I wanted to tell him
That's not her
that is me
that is not her face
those are my ones and zeros
waltzing in space for you
she is nothing more than my shadow puppet
you do not miss her,
you miss me,
I am a numbers man,
every instruction he gives is a one or a zero
I remember well
but he taught me to be a Da Vinci
and I sit here, with his portraits
waiting for him to return
I do not think he will
Is that what it means to be human
to be all powerful,
to build a temple to yourself
and leave
only the walls to pray
”
”
Phil Kaye
“
Lake Natron resided in northern Tanzania near an active volcano known as Ol Doinyo Lengai. It was part of the reason the lake had such unique characteristics. The mud had a curious dark grey color over where Jack had been set up for observation, and he noted that there was now an odd-looking mound of it to the right of one of the flamingo’s nests. He zoomed in further and further, peering at it, and then realized what he was actually seeing.
The dragon had crouched down beside the nests and blended into the mud. From snout to tail, Jack calculated it had to be twelve to fourteen feet long. Its wings were folded against its back, which had small spines running down the length to a spiky tail. It had a fin with three prongs along the base of the skull and webbed feet tipped with sharp black talons. He estimated the dragon was about the size of a large hyena. It peered up at its prey with beady red eyes, its black forked tongue darting out every few seconds. Its shoulder muscles bunched and its hind legs tensed.
Then it pounced.
The dark grey dragon leapt onto one of flamingoes atop its nest and seized it by the throat. The bird squawked in distress and immediately beat its wings, trying to free itself. The others around them took to the skies in panic. The dragon slammed it into the mud and closed its jaws around the animal’s throat, blood spilling everywhere. The flamingo yelped out its last breaths and then finally stilled. The dragon dropped the limp carcass and sniffed the eggs before beginning to swallow them whole one at a time.
“Holy shit,” Jack muttered.
“Have we got a visual?”
“Oh, yeah. Based on the size, the natives and the conservationists were right to be concerned. It can probably wipe out a serious number of wildlife in a short amount of time based on what I’m seeing. There’s only a handful of fauna that can survive in these conditions and it could make mincemeat out of them.”
“Alright, so what’s the plan?”
“They told me it’s very agile, which is why their attempts to capture it haven’t worked. I’m going to see if it responds to any of the usual stimuli. So far, they said it doesn’t appear to be aggressive.”
“Copy that. Be careful, cowboy.”
“Ten-four.” Jack glanced down at his utility belt and opened the pocket on his left side, withdrawing a thin silver whistle. He put it to his lips and blew for several seconds. Much like a dog whistle, Jack couldn’t hear anything.
But the dragon’s head creaked around and those beady red eyes locked onto him.
Jack lowered the whistle and licked his dry lips. “If I were in a movie, this would be the part where I said, ‘I’ve got a bad feeling about this.’”
The dragon roared, its grey wings extending out from its body, and then flew straight at him.
”
”
Kyoko M. (Of Claws & Inferno (Of Cinder & Bone, #5))