“
I'm trying to remember how you tell the time by looking at the sun." -"I should leave it for a while, it's too bright to see the numbers at the moment.
”
”
Terry Pratchett (The Last Continent (Discworld, #22; Rincewind, #6))
“
My turn now. The story of one of my insanities.
For a long time I boasted that I was master of all possible landscapes-- and I thought the great figures of modern painting and poetry were laughable.
What I liked were: absurd paintings, pictures over doorways, stage sets, carnival backdrops, billboards, bright-colored prints, old-fashioned literature, church Latin, erotic books full of misspellings, the kind of novels our grandmothers read, fairy tales, little children's books, old operas, silly old songs, the naive rhythms of country rimes.
I dreamed of Crusades, voyages of discovery that nobody had heard of, republics without histories, religious wars stamped out, revolutions in morals, movements of races and continents; I used to believe in every kind of magic.
I invented colors for the vowels! A black, E white, I red, O blue, U green. I made rules for the form and movement of every consonant, and I boasted of inventing, with rhythms from within me, a kind of poetry that all the senses, sooner or later, would recognize. And I alone would be its translator.
I began it as an investigation. I turned silences and nights into words. What was unutterable, I wrote down. I made the whirling world stand still.
”
”
Arthur Rimbaud
“
From space, astronauts can see people making love as a tiny speck of light. Not light, exactly, but a glow that could be mistaken for light--a coital radiance that takes generations to pour like honey through the darkness to the astronaut's eyes.
In about one and a half centuries--after the lovers who made the glow will have long been laid permanently on their backs--metropolises will be seen from space. They will glow all year. Smaller cities will also be seen, but with great difficulty. Shtetls will be virtually impossible to spot. Individual couples, invisible.
The glow is born from the sum of thousands of loves: newlyweds and teenagers who spark like lighters out of butane, pairs of men who burn fast and bright, pairs of women who illuminate for hours with soft multiple glows, orgies like rock and flint toys sold at festivals, couples trying unsuccessfully to have children who burn their frustrated image on the continent like the bloom a bright light leaves on the eye after you turn away from it.
Some nights, some places are a little brighter. It's difficult to stare at New York City on Valentine's Day, or Dublin on St. Patrick's. The old walled city of Jerusalem lights up like a candle on each of Chanukah's eight nights...We're here, the glow...will say in one and a half centuries. We're here, and we're alive.
”
”
Jonathan Safran Foer (Everything is Illuminated)
“
TO BE A TOURIST is to escape accountability. Errors and failings don't cling to you the way they do back home. You're able to drift across continents and languages, suspending the operation of sound thought. Tourism is the march of stupidity. You're expected to be stupid. The entire mechanism of the host country is geared to travelers acting stupidly. You walked around dazed, squinting into fold-out maps. You don't know how to talk to people, how to get anywhere, what the money means, what time it is, what to eat or how to eat it. Being stupid is the pattern, the level and the norm. You can exist on this level for weeks and months without reprimand or dire consequence. Together with thousands, you are granted immunities and broad freedoms. You are an army of fools, wearing bright polyesters, riding camels, taking pictures of each other, haggard, dysentric, thirsty. There is nothing to think about but the next shapeless event.
”
”
Don DeLillo (The Names)
“
The next time you stand on a beach at night, watching the moon’s bright path across the water, and the conscious of the moon-drawn tides, remember that the moon itself may have been born of a great tidal wave of earthly substance, torn off into space. And remember if the moon was formed in this fashion, the event may have had much to do with shaping the ocean basins and the continents as we know them.
”
”
Rachel Carson (The Sea Around Us)
“
Not everyone is allowed a complex identity. Throughout history, individuals and entire communities have been systematically stripped of their personhood and idiosyncrasies, often to make them easier to demean, denigrate and subjugate - and in some cases, eradicate. Being able to define yourself openly and fully is a privilege; it is a grace many take for granted.
”
”
Dipo Faloyin (Africa Is Not a Country: Notes on a Bright Continent)
“
Stories don’t change much across continents and centuries. Hearts are broken. Pride is wounded. Souls wander too far from home and become lost. The wrong roads are taken. The incorrect choice is made. Stories echo with loneliness. Grief. Longing. Redemption. Forgiveness. Hope. And love.” Now it was her turn to point at the bookstore. “That building is stuffed with books that, once opened, reveal our communal story. And, if you’re lucky, the words in those books will force you to grapple with the hardest truths of your life. After reducing you to a puddle of tears, they’ll raise you to your feet again. The words will pull you up, higher and higher, until you feel the sun on your face again. Until you’re suddenly humming on the way to the mailbox. Or you’re buying bouquets of gerbera daisies because you crave bright colors. And you’ll laugh again—as freely as champagne bubbling in a tall, glass flute. When’s the last time you laughed like that?
”
”
Ellery Adams (The Secret, Book, & Scone Society (Secret, Book, & Scone Society, #1))
“
One detour. A few weeks of my life- and my fathers to help save a continent.
I was done looking for suitors. Whether or not I'd ever see Torden again, I'd already fallen in love.
It was time to stop playing Alessandra's game and join a fight that mattered.
Time to begin writing my own story. To begin doing something worth writing about at all.
”
”
Anna Bright (The Beholder (The Beholder, #1))
“
Things don't always look as they seem. Some stars, for example, look like bright pinholes, but when you get them pegged under a microscope you find you're looking at a globular cluster—a million stars that, to us, presents as a single entity. On a less dramatic note there are triples, like Alpha Centauri, which up close turns out to be a double star and a red dwarf in close proximity.
There's an indigenous tribe in Africa that tells of life coming from the second star in Alpha Centauri, the one no one can see without a high-powered observatory telescope. come to think of it, the Greeks, the Aboriginals, and the Plains Indians all lived continents apart and all, independently, looked at the same septuplet knot of the Pleiades and believed them to be seven young girls running away from something that threatened to hurt them.
Make of it what you will.
”
”
Jodi Picoult (My Sister’s Keeper)
“
CAMERON STILL CAN’T seem to wrap his head around the shape of the sea here. It’s like a monster with hundreds of long fingers is gripping the edge of the continent, tendrils of deep blue cutting channels through the dark green countryside in every unexpected way.
”
”
Shelby Van Pelt (Remarkably Bright Creatures)
“
You and I both know, deep in your heart, you agree with me. And I will prove it with one hypothetical scenario: you are alone in a closet of your home. There`s a bright red button. You can push that button and presto all Negroes and Jews and all other colored people are instantly removed from the North American continent and returned to their native countries.
You`d push it, wouldn`t you whitey?
See? See? See? in the final analysis, you agree with me.
But of course, you wouldn`t do antything to bring that scenario about, or any other scenario favorable to your Race.
”
”
Frazier Glenn Miller (A White Man Speaks Out)
“
I began to think of myself as a perennial tourist. There was something agreeable about this. To be a tourist is to escape accountability. Errors and failings don't cling to you the way they do back home. You're able to drift across continents and languages, suspending the operation of sound thought. Tourism is the march of stupidity. You're expected to be stupid. The entire mechanism of the host country is geared to travelers acting stupidly. You walk around dazed, squinting into fold-out maps. You don't know how to talk to people, how to get anywhere, what the money means, what time it is, what to eat or how to eat it. Being stupid is the pattern, the level and the norm. You can exist on this level for weeks and months without reprimand or dire consequence. Together with thousands, you are granted immunities and broad freedoms. You are an army of fools, wearing bright polyesters, riding camels, taking pictures of each other, haggard, dysenteric, thirsty. There is nothing to think about but the next shapeless event.
”
”
Don DeLillo (The Names)
“
The Divine is a diamond of innumerable facets; two very large and bright facets are Visnu and Siva, while the others represent all the gods that were ever worshipped. Some facets seem larger, brighter, and better polished than others, but in fact the devotee, whatever his sect, worships the whole diamond, which is in reality [Page 310] perfect.
”
”
A.L. Basham (The Wonder That Was India: A Survey of the Culture of the Indian Sub-Continent Before the Coming of the Muslims)
“
But somehow,
I’ve stopped praising you. How the valley
when you first see it—the small roads back
to your youth—is so painfully pretty at first,
then, after a month of black coffee, it’s just
another place your bullish brain exists, bothered
by itself and how hurtful human life can be.
Isn’t that how it is? You wake up some days
full of crow and shine, and then someone
has put engine coolant in the medicine
on another continent and not even crying
helps cure the idea of purposeful poison.
”
”
Ada Limon (Bright Dead Things)
“
A huge advertisement in the unmistakably bright red tones of Vodacom, the global mobile phone giant, looked on this tawdry scene. It read to me like a distilled message about the only values that remained in this country, whose leaders were once committed Marxists: money and power.
”
”
Howard W. French (China's Second Continent: How a Million Migrants Are Building a New Empire in Africa)
“
Last year I had a very unusual experience. I was awake, with my eyes closed, when I had a dream. It was a small dream about time. I was dead, I guess, in deep black space high up among many white stars. My own consciousness had been disclosed to me, and I was happy. Then I saw far below me a long, curved band of color. As I came closer, I saw that it stretched endlessly in either direction, and I understood that I was seeing all the time of the planet where I had lived.
It looked like a woman’s tweed scarf; the longer I studied any one spot, the more dots of color I saw. There was no end to the deepness and variety of the dots. At length, I started to look for my time, but, although more and more specks of color and deeper and more intricate textures appeared in the fabric, I couldn’t find my time, or any time at all that I recognized as being near my time. I couldn’t make out so much as a pyramid. Yet as I looked at the band of time, all the individual people, I understood with special clarity, were living at the very moment with great emotion, in intricate detail, in their individual times and places, and they were dying and being replaced by ever more people, one by one, like stitches in which whole worlds of feeling and energy were wrapped, in a never-ending cloth. I remembered suddenly the color and texture of our life as we knew it- these things had been utterly forgotten- and I thought as I searched for it on the limitless band, “that was a good time then, a good time to be living.”
And I began to remember our time. I recalled green fields with carrots growing, one by one, in slender rows. Men and women in bright vests and scarves came and pulled the carrots out of the soil and carried them in baskets to shaded kitchens, where they scrubbed them with yellow brushes under running water…I saw may apples in forest, erupting through leaf-strewn paths. Cells on the root hairs of sycamores split and divided and apples grew striped and spotted in the fall. Mountains kept their cool caves, and squirrels raced home to their nests through sunlight and shade. I remembered the ocean, and I seemed to be in the ocean myself, swimming over orange crabs that looked like coral, or off the deep Atlantic banks where whitefish school. Or again I saw the tops of poplars, and the whole sky brushed with clouds in pallid streaks, under which wilds ducks flew, and called, one by one, and flew on. All these things I saw. Scenes grew in depth and sunlit detail before my eyes, and were replaced by ever more scenes, as I remembered the life of my time with increasing feeling. At last I saw the earth as a globe in space, and I recalled the ocean’s shape and the form of continents, saying to myself with surprise as I looked at the planet, “Yes, that’s how it was then, that part there we called ‘France’”. I was filled with the deep affection of nostalgia- and then I opened my eyes.
”
”
Annie Dillard (Pilgrim at Tinker Creek)
“
After years studying informality in Nigeria, Dutch architect and planner Rem Koolhaas reach the same conclusion. In the West, he writes, “there’s a sense of infinite choice, but a very conventional set of options from which to choose.” By contrast, “in Lagos, there is no choice, but there are countless ways to articulate the condition of no choice.
”
”
Dayo Olopade (The Bright Continent: Breaking Rules and Making Change in Modern Africa)
“
Even if a ship got past the Water Spider, the English were persona non grata on the continent. Europe did not want to invoke R’hlem’s wrath by aiding refugees.
“Do ships never come in?” I asked.
Magnus easily followed my train of thought. “Well, naturally there’s been some contact. How else would Cellini have arrived? Italy’s the only nation that will offer assistance. Other than that, dear Miss Howel, we are on our own. Here. Cling to me for comfort.” When I didn’t fall into his arms, he continued.
”
”
Jessica Cluess (A Shadow Bright and Burning (Kingdom on Fire, #1))
“
That—this—is Orion’s secret. It’s not that the ship isn’t working, that we’re never going to make it.
It’s that the ship has already arrived.
We’re already here! There—there—is the planet that will be our home!
It floats, so bright that it hurts my eyes. Giant green landmasses spread out across blue water, with swirls and wisps of clouds twirling over top. At the edge of the planet, where it turns away from the suns and starts to darken, I can see bright flashes of light—bursts of whiteness in the darkness—and I think: Is that lightning? In the center, where the light of the suns makes the planet seem to glow from within, I can see, very distinctly, a continent. A continent. On one edge, it’s cracked and broken like an egg, dark lines snaking deep into the landmass. Rivers. Lots of them. Maybe something too big to be rivers if I can see it from here. Fingers of land stretch out into the sea, and dots of islands are just out of their grasp. That area will be cool all the time, I think. Boats can go along the rivers, up and down. We can swim in the water.
Because already, I can see myself living there. Being there.
On a planet that looks up at a million suns every night, and at two every day.
I want to scream, shout with joy. But the air is so thin now.
Too thin.
I’ve spent too long looking at Orion’s secret.
The boop . . . boop . . . boop . . . fades away. There’s nothing to warn about now.
Because there’s no air left.
My sight is rimmed with black. My head pulses with my heartbeat, which sounds as loud to me as the alarm once did. I turn from the planet—my planet—and start pulling, hand over hand, against the tether, toward the hatch. The ship bobs in and out of my vision as my whole body jerks. I’m panicked now and fighting to stay awake. I try to suck in air, but there’s nothing there to suck. I’m drowning in nothing.
”
”
Beth Revis (A Million Suns (Across the Universe, #2))
“
I've read every letter that you've sent me these past two years. In return, I've sent you many form letters, with the hope of one day being able to give you the proper response you deserve. But the more letters you wrote to me, and the more of yourself you gave, the more daunting my task became.
I'm sitting beneath a pear tree as I dictate this to you, overlooking the orchards of a friend's estate. I've spent the past few days here, recovering from some medical treatment that has left me physically and emotionally depleted. As I moped about this morning, feeling sorry for myself, it occurred to me, like a simple solution to an impossible problem: today is the day I've been waiting for.
You asked me in your first letter if you could be my protege. I don't know about that, but I would be happy to have you join me in Cambridge for a few days. I could introduce you to my colleagues, treat you to the best curry outside India, and show you just how boring the life of an astrophysicist can be.
You can have a bright future in the sciences, Oskar.
I would be happy to do anything possible to facilitate such a path. It's wonderful to think what would happen if you put your imagination toward scientific ends.
But Oskar, intelligent people write to me all the time. In your fifth letter you asked, "What if I never stop inventing?" That question has stuck with me.
I wish I were a poet. I've never confessed that to anyone, and I'm confessing it to you, because you've given me reason to feel that I can trust you. I've spent my life observing the universe, mostly in my mind's eye. It's been a tremendously rewarding life, a wonderful life. I've been able to explore the origins of time and space with some of the great living thinkers.But I wish I were a poet.
Albert Einstein, a hero of mine, once wrote, "Our situation is the following. We are standing in front of a closed box which we cannot open."
I'm sure I don't have to tell you that the vast majority of the universe is composed of dark matter. The fragile balance depends on things we'll never be able to see, hear, smell, taste, or touch. Life itself depends on them. What's real? What isn't real? Maybe those aren't the right questions to be asking. What does life depend on?
I wish I had made things for life to depend on.
What if you never stop inventing?
Maybe you're not inventing at all.
I'm being called in for breakfast, so I'll have to end this letter here. There's more I want to tell you, and more I want to hear from you. It's a shame we live on different continents. One shame of many.
It's so beautiful at this hour. The sun is low, the shadows are long, the air is cold and clean. You won't be awake for another five hours, but I can't help feeling that we're sharing this clear and beautiful morning.
Your friend,
Stephen Hawking
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
Prairie Hymn:
On the tongue a hymnal of American names,
And the silence of falling snow—Glacier,
Bearpaw, Bitterroot, Wind River, Yellowstone.
I dreamed among the ice caps long ago,
Ranging with the sun on the inward slope,
Down the wheel of seasons and the solstices
To the tilted moon and cradle of the stars.
There was the prairie, always reaching.
Time was sundered, and the light bore wonder.
The earth broke open and I held my breath.
In the far range of vision the prairie shone bright
As brit on the sea, crescive and undulant…
The range of dawn and dusk; the continent lay out
In prairie shades, in a vast carpet of color and light.
In the Sun Dance I was entranced, I drew in the smoke
Of ancient ice and sang of the wide ancestral land.
Rain-laden clouds ringed the horizon, and the hump-backed
Shape sauntered and turned. Mythic deity!
It became the animal representation of the sun, an
In the prairie wind there was summer in the spring.
”
”
N. Scott Momaday (The Death of Sitting Bear: New and Selected Poems)
“
When the attendant at Britz Rentals of Australia whipped around in our prepaid-in-full honeymoon car, my eyes grew wide and I knew we were in trouble. It was an SUV, yes, and a Toyota Land Cruiser at that--just as Marlboro Man had ordered. It was white and clean and very shiny. And painted in huge bright orange and royal blue lettering across the hood, the roof, all four doors, and the tailgate of the vehicle, were scrawled the enormous words: BRITZ RENTALS OF AUSTRALIA.
I could see Marlboro Man’s jaw muscles flex as he beheld his worst nightmare playing out in front of his eyes. He could hardly even bear to gaze upon such an attention-grabbing abomination, let alone conceive of driving it all over an entire continent. Unfortunately, our last-minute attempts to trade to another vehicle proved to be futile; even if Britz hadn’t been completely booked that week, it wouldn’t have mattered anyway. Every single car in their fleet was smeared with the exact same orange and blue promotional graffiti.
Having no other transportational alternative, we set off on our drive, a black cloud of conspicuousness and, in Marlboro Man’s case, dread following us everywhere we went. Being an attention-seeking middle child, I didn’t really mind it much. But for Marlboro Man, this was more than his makeup was programmed to handle. As far as he was concerned, we were the Griswolds, and the Land Cruiser was our Family Truckster.
It was a pox on what might have been the perfect honeymoon.
Except for my inner ear disturbance. And the vomiting. And the slightly marsupial undertone to the hamburgers.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
The Sumerian pantheon was headed by an "Olympian Circle" of twelve, for each of these supreme gods had to have a celestial counterpart, one of the twelve members of the Solar System. Indeed, the names of the gods and their planets were one and the same (except when a variety of epithets were used to describe the planet or the god's attributes). Heading the pantheon was the ruler of Nibiru, ANU whose name was synonymous with "Heaven," for he resided on Nibiru. His spouse, also a member of the Twelve, was called ANTU. Included in this group were the two principal sons of ANU: E.A ("Whose House Is Water"), Anu's Firstborn but not by Antu; and EN.LIL ("Lord of the Command") who was the Heir Apparent because his mother was Antu, a half sister of Anu. Ea was also called in Sumerian texts EN.KI ("Lord Earth"), for he had led the first mission of the Anunnaki from Nibiru to Earth and established on Earth their first colonies in the E.DIN ("Home of the Righteous Ones")—the biblical Eden. His mission was to obtain gold, for which Earth was a unique source. Not for ornamentation or because of vanity, but as away to save the atmosphere of Nibiru by suspending gold dust in that planet's stratosphere. As recorded in the Sumerian texts (and related by us in The 12th Planet and subsequent books of The Earth Chronicles), Enlil was sent to Earth to take over the command when the initial extraction methods used by Enki proved unsatisfactory. This laid the groundwork for an ongoing feud between the two half brothers and their descendants, a feud that led to Wars of the Gods; it ended with a peace treaty worked out by their sister Ninti (thereafter renamed Ninharsag). The inhabited Earth was divided between the warring clans. The three sons of Enlil—Ninurta, Sin, Adad—together with Sin's twin children, Shamash (the Sun) and Ishtar (Venus), were given the lands of Shem and Japhet, the lands of the Semites and Indo-Europeans: Sin (the Moon) lowland Mesopotamia; Ninurta, ("Enlil's Warrior," Mars) the highlands of Elam and Assyria; Adad ("The Thunderer," Mercury) Asia Minor (the land of the Hittites) and Lebanon. Ishtar was granted dominion as the goddess of the Indus Valley civilization; Shamash was given command of the spaceport in the Sinai peninsula. This division, which did not go uncontested, gave Enki and his sons the lands of Ham—the brown/black people—of Africa: the civilization of the Nile Valley and the gold mines of southern and western Africa—a vital and cherished prize. A great scientist and metallurgist, Enki's Egyptian name was Ptah ("The Developer"; a title that translated into Hephaestus by the Greeks and Vulcan by the Romans). He shared the continent with his sons; among them was the firstborn MAR.DUK ("Son of the Bright Mound") whom the Egyptians called Ra, and NIN.GISH.ZI.DA ("Lord of the Tree of Life") whom the Egyptians called Thoth (Hermes to the Greeks)—a god of secret knowledge including astronomy, mathematics, and the building of pyramids. It was the knowledge imparted by this pantheon, the needs of the gods who had come to Earth, and the leadership of Thoth, that directed the African Olmecs and the bearded Near Easterners to the other side of the world. And having arrived in Mesoamerica on the Gulf coast—just as the Spaniards, aided by the same sea currents, did millennia later—they cut across the Mesoamerican isthmus at its narrowest neck and—just like the Spaniards due to the same geography—sailed down from the Pacific coast of Mesoamerica southward, to the lands of Central America and beyond. For that is where the gold was, in Spanish times and before.
”
”
Zecharia Sitchin (The Lost Realms (The Earth Chronicles, #4))
“
Last year I had a very unusual experience. I was awake, with my eyes closed, when I had a dream. It was a small dream about time. I was dead, I guess, in deep blank space high up above many white stars. My own consciousness had been disclosed to me, and I was happy. Then I saw far below me a long, curved band of color. As I came closer, I saw that it stretched endlessly in either direction, and I understood that I was seeing all the time of the planet where I had lived. It looked like a woman’s tweed scarf; the longer I studied any one spot, the more dots of color I saw. There was no end to the deepness and variety of dots. At length I started to look for my time, but, although more and more specks of color and deeper and more intricate textures appeared in the fabric, I couldn’t find my time, or any time at all that I recognized as being near my time. I couldn’t make out so much as a pyramid. Yet as I looked at the band of time, all the individual people, I understood with special clarity, were living at that very moment with great emotion, in intricate, detail, in their individual times and places, and they were dying and being replaced by ever more people, one by one, like stitches in which wholly worlds of feeling and energy were wrapped in a never-ending cloth. I remembered suddenly the color and texture of our life as we knew it- these things had been utterly forgotten- and I thought as I searched for it on the limitless band, “that was a good time then, a good time to be living.” And I began to remember our time.
I recalled green fields with carrots growing, one by one, in slender rows. Men and women in bright vests and scarves came and pulled the carrots out of the soil and carried them in baskets to shaded kitchens, where they scrubbed them with yellow brushes under running water. I saw white-faced cattle lowing and wading in creeks. I saw May apples in forests, erupting through leaf-strewn paths. Cells on the root hairs of sycamores split and divided, and apples grew spotted and striped in the fall. Mountains kept their cool caves and squirrels raced home to their nests through sunlight and shade.
I remembered the ocean, and I seemed to be in the ocean myself, swimming over orange crabs that looked like coral, or off the deep Atlantic banks where whitefish school. Or again I saw the tops of poplars, and the whole sky brushed with clouds in pallid streaks, under which wild ducks flew with outstretched necks, and called, one by one, and flew on.
All these things I saw. Scenes grew in depth and sunlit detail before my eyes, and were replaced by ever more scenes, as I remember the life of my time with increasing feeling.
At last I saw the earth as a globe in space, and I recalled the ocean’s shape and the form of continents, saying to myself with surprise as I looked at the planet, “yes, that’s how it was then, that part there was called France.” I was filled with the deep affection of nostalgia- and then I opened my eyes.
We all ought to be able to conjure up sights like these at will, so that we can keep in mind the scope of texture’s motion in time.
”
”
Annie Dillard
“
From up here they could see for hundreds of kilometres across Frettle Plate. The system’s star, Lacelere, was still rising and slowly yellowing to full brightness, shining through the continents of air to anti-spinward, its radiance obliterating any detail on the lands still in shade.
”
”
Iain M. Banks (Look to Windward)
“
Dreams die in every life. Everyone gets old. There is promise in the beginning when life seems so bright. The promise fades when the years get short. But not Pham’s dream. He had pursued it across five hundred light-years and three thousand years of objective time. It was a dream of a single Humankind, where justice would not be occasional flickering light, but a steady glow across all of Human Space. He dreamed of a civilization where continents never burned, and where two-bit kings didn’t give children away as hostages. When Sammy had dug him out of the cemeterium at Lowcinder, Pham was dying, but not the dream. The dream had been bright as ever in his mind, consuming him.
”
”
Vernor Vinge (A Deepness in the Sky (Zones of Thought, #2))
“
Chaol had told himself that he was only following Celaena to make sure she didn’t hurt herself or anyone else, but as she’d neared the royal mausoleum, he followed for other reasons. The night provided good cover, but the moon was bright enough to keep him back, far enough away so she wouldn’t see or hear his approach. But then he saw where she had stopped, and realized he had no right to be here for this. He’d been about to turn away when she lifted her face to the moon and sang. It was not in any language that he knew. Not in the common tongue, or in Eyllwe, or in the languages of Fenharrow or Melisande or anywhere else on the continent. This language was ancient, each word full of power and rage and agony. She did not have a beautiful voice. And many of the words sounded like half sobs, the vowels stretched by the pangs of sorrow, the consonants hardened by anger. She beat her breast in time, so full of savage grace, so at odds with the black gown and veil she wore. The hair on the back of his neck stood as the lament poured from her mouth, unearthly and foreign, a song of grief so old that it predated the stone castle itself.
”
”
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
“
The interior structure of modern Africa was built on greed rather than an informed reality. It's the same strategy my eleven year old nephew uses in negotiations: ignore the well-established rules and parameters, and demand a fairy-tale outcome that brings short-term joy, with the long-term consequences relegated to a problem for a future version of yourself to deal with.
”
”
Dipo Faloyin (Africa Is Not a Country: Notes on a Bright Continent)
“
Assume any mention of the actions of an ethnic group refers to the leadership of that group at that time and does not reflect the majority beliefs of the entire community.
”
”
Dipo Faloyin (Africa Is Not a Country: Notes on a Bright Continent)
“
In reality, Africa is a rich mosaic of experience, of diverse communities and histories, and not a singular monolith of predetermined destinies. We sound different, laugh differently, craft the mundane in uniquely mundane ways, and our moral compasses do not always point in the same direction.
”
”
Dipo Faloyin (Africa Is Not a Country: Notes on a Bright Continent)
“
By the end of the conference, the fourteen assembled interests wanted a future for the continent that allowed far-off strange nations to freely fuel their pleasures with Africa’s most lucrative resources, all while keeping the local people happy by developing their perceived undeveloped minds with a copy of the Bible, a smile and weapons.
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Dipo Faloyin (Africa Is Not a Country: Notes on a Bright Continent)
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Eighty per cent of Africa was still free when Bismarck rose to stand in front of that map at around 2 p.m. on the first day of the conference. (Within thirty years of that moment, 90 per cent of Africa would be controlled by Europe.)
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Dipo Faloyin (Africa Is Not a Country: Notes on a Bright Continent)
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What they were doing was illegal, and they all knew it. However hard they dressed it up as a humanitarian or Christian attempt to rid African natives of their so-called inherent backwardness, it was, by the standards of then – and now – grossly illegal and ethically indecent.
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Dipo Faloyin (Africa Is Not a Country: Notes on a Bright Continent)
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They devised the General Act of the Berlin Conference – a document that codified the end of Africa’s right to self-determination, and accelerated the rush to gorge on the continent until it was picked clean.
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Dipo Faloyin (Africa Is Not a Country: Notes on a Bright Continent)
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Bend as the bow bends, and let fly the shaft,
the strong cord loose its words as light as flame;
speak without cunning, love, as without craft,
careless of answer, as of shame or blame:
this to be known, that love is love, despite
knowledge or ignorance, truth, untruth, despair;
careless of all things, if that love be bright,
careless of hate and fate, careless of care.
Spring the word as it must, the leaf or flower
broken or bruised, yet let it, broken, speak
of time transcending this too transient hour,
and space that finds the beating heart too weak:
thus, and thus only, will our tempest come
by continents of snow to find a home.
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Conrad Aiken
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Every place a foot or hoof had turned the soil over displayed broken bits of glass or plastic, ceramic or alloy, or bright and nigh-microscopic beads and polygons of some unrusted, everlasting substance he did not recognize. The soil beneath the grass was a rubbish heap of ten thousand shards of unknown, unrecognizable tools and toys and manmade things.
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John C. Wright (Terrors of Pangaea (Lost on the Last Continent #1))
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Not enough belief, however, was present in her audience for the words to settle on understanding.
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Dipo Faloyin (Africa Is Not a Country: Notes on a Bright Continent)
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Een terrorist voor de een, is een vrijheidsstrijder voor een ander.
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Dipo Faloyin (Africa Is Not a Country: Notes on a Bright Continent)
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I’m trying to remember how you tell the time by looking at the sun.’ ‘I should leave it for a while,’ said the Senior Wrangler, squinting under his hand. ‘It’s too bright to see the numbers at the moment.’ Ridcully nodded happily.
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Terry Pratchett (The Last Continent (Discworld, #22))
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Up until then, my regrets had been feathery things, the regrets of a privileged child. (I should have gone on semester abroad. I should have lost my virginity to someone nice.) But on that morning, I made the first of many real mistakes that would stack up on top of one another until they blocked out the sun. I did not get mauled by an animal. I had not been mugged or assaulted in dangerous Johannesburg. I had not even failed at the unlikely task I had invented for myself when I insisted I could find my way and my story on another continent about which I knew nothing. The world had left me unscathed. But the danger that we invite into our lives can come in the most unthreatening shape, the most pedestrian: the cellphone you press against your head, transmitting the voice of your mother, pouring radiation into your brain day after day; the little tick bite in the garden that leaves you aching and palsied for years. It can come in the form of an email from an old lover whom you have not spoken with for many years, which you receive when you are back at the lodge, sitting under a thatched roof drinking a cup of milky tea. It can come when, instead of writing to the person with whom you share a home and a history, the person you adore and have married, you write to your old lover. And you say, “Today I saw a family of lions licking each other in the yellow grass, and they looked like they were in love.” 3 My mother knew instinctively that danger could come in a friendly box from the grocery store, full of brightly colored cereal that gets inside your body and rots you quietly from the inside out.
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Ariel Levy (The Rules Do Not Apply)
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Up until then, my regrets had been feathery things, the regrets of a privileged child. (I should have gone on semester abroad. I should have lost my virginity to someone nice.) But on that morning, I made the first of many real mistakes that would stack up on top of one another until they blocked out the sun. I did not get mauled by an animal. I had not been mugged or assaulted in dangerous Johannesburg. I had not even failed at the unlikely task I had invented for myself when I insisted I could find my way and my story on another continent about which I knew nothing. The world had left me unscathed. But the danger that we invite into our lives can come in the most unthreatening shape, the most pedestrian: the cellphone you press against your head, transmitting the voice of your mother, pouring radiation into your brain day after day; the little tick bite in the garden that leaves you aching and palsied for years. It can come in the form of an email from an old lover whom you have not spoken with for many years, which you receive when you are back at the lodge, sitting under a thatched roof drinking a cup of milky tea. It can come when, instead of writing to the person with whom you share a home and a history, the person you adore and have married, you write to your old lover. And you say, “Today I saw a family of lions licking each other in the yellow grass, and they looked like they were in love.” 3 My mother knew instinctively that danger could come in a friendly box from the grocery store, full of brightly colored cereal that gets inside your body and rots you quietly from the inside out. She had inherited from her own mother the immigrant’s mistrust for authority, and combined it with insurrectionary tendencies left over from her days as a student radical, and what it all added up to in the kitchen was a ban on Cheez Doodles.
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Ariel Levy (The Rules Do Not Apply)
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sedimentary time. The lowest stratum, or the layer immediately above the Deterrence Center, had probably been deposited four billion years ago. The Earth had been born only five hundred million years before that. The turbid ocean was in its infancy, and nonstop flashes of lightning struck its surface; the Sun was a fuzzy ball of light in a haze-veiled sky, casting a crimson reflection over the sea. At short intervals, other bright balls of light streaked across the sky, crashing into the sea and trailing long tails of fire; these meteor strikes caused tsunamis that propelled gigantic waves to smash onto continents still laced with rivers of lava, raising clouds of vapor generated by fire and water that dimmed the Sun.… In contrast to this hellish but magnificent sight, the turbid water brewed a microscopic tale. Here, organic molecules were born from lightning flashes and cosmic rays, and they collided, fused, broke apart again—a long-lasting game played with building blocks for five hundred million years. Finally, a chain of organic molecules, trembling, split into two strands. The strands attracted other molecules around them until two identical copies of the original were made, and these split apart again and replicated themselves.… In this game of building blocks, the probability of producing such a self-replicating chain of organic molecules was so minuscule that it was as if a tornado had picked up a pile of metallic trash and deposited it as a fully-assembled Mercedes-Benz. But it happened, and so, a breathtaking history of 3.5 billion years had begun.
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Liu Cixin (Remembrance of Earth's Past: The Three-Body Trilogy (Remembrance of Earth's Past, #1-3))
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way. The busy streets of Ghosenhall, crowded with thousands of residents and hundreds of visitors, some sad, some weary, some angry, some excited, most just concentrating on their particular task of the moment, calculating how quickly it could be accomplished and what their chances of success would be. Fainter, farther, but still, if he strained, discernible, a blurred oceanic mass of thoughts and feelings and desires from all the souls of Gillengaria collected on the continent from northeastern Brassenthwaite to southwestern Fortunalt. Scattered across that map, five bright, urgent
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Sharon Shinn (Reader and Raelynx (Twelve Houses, #4))
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The sun was well up now; the morning air was fresh and bright and keen. The sky was a glorious blue, decorated here and there with small, crisply curled white clouds. Below them lay the immeasurable vastness of Old Earth’s last and greatest continent, Gondwane the Great, thronged with its innumerable cities and nations and empires, filled with unexplored mountains and rivers, valleys and deserts, plains and forests, jungles and lakes. There dwelt strange people and mysterious beings,
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Lin Carter (The Warrior of World's End (Gondwane Epic Book 1))
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When the same narratives are repeatedly regurgitated, we internalize them, make assumptions and pass judgements based on the thinnest shreds of evidence, which would dissolve if only we subjected them to the lightest of truths.
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Dipo Faloyin (Africa Is Not a Country: Notes on a Bright Continent)