Boat That Never Sink Quotes

First maid: If I was a princess, with silver and gold, And loved by a hero, I'd never grow old: Oh, if a young hero came a-marrying me, I'd always be beautiful, happy, and free! Chorus: Then sail, my fine lady, on the billowing wave - The water below is as dark as the grave, And maybe you'll sink in your little blue boat - It's hope, and hope only, that keeps us afloat.

The river reflected whatever it chose of sky and bridge and burning tree, and when the undergraduate had oared his boat through the reflections they closed again, completely, as if they had never been. There one might have sat the clock round lost in thought. Thought --to call it by a prouder name than it deserved-- had let its line down into the stream. It swayed, minute after minute, hither and thither among the reflections and the weeds, letting the water lift it and sink it until --you know the little tug -- the sudden conglomeration of an idea at the end of one's line: and then the cautious hauling of it in, and the careful laying of it out? Alas, laid on the grass how small, how insignificant this thought of mine looked; the sort of fish that a good fisherman puts back into the water so that it may grow fatter and be one day worth cooking and eating.

It is because of this sea between us. The earth has never, up to now, separated us. But, ever since yesterday, there has been something in this nonetheless real, perfectly Atlantic, salty, slightly rough sea that has cast a spell on me. And every time I think about Promethea, I see her crossing this great expanse by boat and soon, alas, a storm comes up, my memory clouds over, in a flash there are shipwrecks, I cannot even cry out, my mouth is full of saltwater sobs. I am flooded with vague, deceptive recollections, I am drowning in my imagination in tears borrowed from the most familiar tragedies, I wish I had never read certain books whose poison is working in me. Has this Friday, perhaps, thrown a spell on me? But spells only work if you catch them. I have caught the Tragic illness. If only Promethea would make me some tea I know I would find some relief. But that is exactly what is impossible. And so, today, I am sinning. I am sinking beneath reality. I am weighted down with literature. That is my fate. Yet I had the presence of mind to start this parenthesis, the only healthy moment in these damp, feverish hours. All this to try to come back to the surface of our book... Phone me quickly, Promethea, get me out of this parenthesis fast!)

I’m a patriotic pilot. I know how to fly a flag. Of course I don’t fly anything anymore, not after my boating accident.

I’d like to build a boat out of those little wooden planks that Starbucks provides to stir your coffee. The boat will be dedicated to our love, and it will take a lifetime to complete.

There was no clear-cut moment of victory for the British. They really won when Sea Lion was called off, but this Hitler backdown was a secret. The Luftwaffe kept up heavy night raids on the cities, and this with the U-boat sinkings made the outlook for England darker and darker until Hitler attacked the Soviet Union. But the Luftwaffe never recovered from the Battle of Britain. This was one reason why the Germans failed to take Moscow in 1941. The blitzkrieg ran out of blitz in Russia because it had dropped too much of it on the fields of Kent and Surrey, and in the streets of London.—V.H.

Once, my grandmama told me a story about her great-grandmama. She'd come across the ocean, been kidnapped and sold. Said her great-grandmama told her that in her village, they ate fear. Said it turned the food to sand in they mouth. Said everyone knew about the death march to the cost, that word had come down about the ships, about how they packed men and women into them. Some heard it was even worse for those who sailed off, sunk into the far. Because that's what it looked like when the ship crossed the horizon: like the ship sailed off and sunk, bit by bit, into the water. Her grandmama said they never went out at night, and even in the day, they stayed in the shadows of they houses. But still, they came for her. Kidnapped her here, and she learned the boats didn't sink to some watery place, sailed by white ghosts. She learned that bad things happened on that ship, all the way until it docked. That her skin grew around the chains. That her mouth shaped to the muzzle. That she was made into an animal under the hot, bright sky, the same sky the rest of her family was under, somewhere far aways, in another world. I knew what that was, to be made a animal.

The reward you get from a story is always less than you thought it would be, and the work is harder than you imagined. The point of a story is never about the ending, remember. It's about your character getting molded in the hard work of the middle. At some point the shore behind you stops getting smaller, and you paddle and wonder why the same strokes that used to move you now only rock the boat. You got the wife, but you don't know if you like her anymore and you've only been married for five years. You want to wake up and walk into the living room in your underwear and watch football and let your daughters play with the dog because the far shore doesn't get closer no matter how hard you paddle. The shore you left is just as distant, and there is no going back; there is only the decision to paddle in place or stop, slide out of the hatch, and sink into the sea. Maybe there's another story at the bottom of the sea. Maybe you don't have to be in this story anymore.

I’m so happy to be back here. You’re nice and quiet. Her waters stirred in something close to laughter. We don’t have to talk at all if you don’t want to. I’m happy just to hold you. I sank down, resting on the sandy Ocean floor, legs crossed and arms behind my head. I watched the trails of boats crisscrossing and fading along the surface above me. Fish swam by in schools, not spooked by the girl on the ground. So, about six months? I asked, my stomach twisting. Yes, barring some natural disaster or man-made sinking. I can’t predict those things. I know. Don’t start worrying about that yet. I can tell you’re still hurting from the last time. She wrapped me in sympathy. I lifted my arms as if I was stroking Her, though of course my tiny body was unable to truly embrace Hers. I feel like I never have enough time to get over a singing before the next one comes. I have nightmares, and I’m a nervous wreck during the weeks leading up to it. My chest felt hollow with misery. I’m afraid I’ll always remember how it feels. You won’t. In all My years, I’ve never had a freed siren come back to Me demanding that I fix her memories. Do You hear from them at all? Not intentionally. I feel people when they’re in Me. It’s how I find new girls. It’s how I listen for anyone who might suspect the true nature of My needs. Sometimes a former siren will go for a swim or stick her legs off a dock. I can get a peek at their lives, and no one has remembered Me yet. I’ll remember You, I promised. I could feel Her embracing me. For all eternity, I’ll never forget you. I love you. And I love You. You can rest here tonight, if you like. I’ll make sure no one finds you. Can I just stay down here forever? I don’t want to worry about hurting people unintentionally. Or disappointing my sisters. Aisling has her cottage, so maybe I could build a little house down here out of driftwood. She ran a current down my back gently. Sleep. You’ll feel differently in the morning. Your sisters would be lost without you. Trust Me, they think it all the time. Really? Really. Thank You. Rest. You’re safe.

The tulips are too excitable, it is winter here. Look how white everything is, how quiet, how snowed-in. I am learning peacefulness, lying by myself quietly As the light lies on these white walls, this bed, these hands. I am nobody; I have nothing to do with explosions. I have given my name and my day-clothes up to the nurses And my history to the anesthetist and my body to surgeons. They have propped my head between the pillow and the sheet-cuff Like an eye between two white lids that will not shut. Stupid pupil, it has to take everything in. The nurses pass and pass, they are no trouble, They pass the way gulls pass inland in their white caps, Doing things with their hands, one just the same as another, So it is impossible to tell how many there are. My body is a pebble to them, they tend it as water Tends to the pebbles it must run over, smoothing them gently. They bring me numbness in their bright needles, they bring me sleep. Now I have lost myself I am sick of baggage—— My patent leather overnight case like a black pillbox, My husband and child smiling out of the family photo; Their smiles catch onto my skin, little smiling hooks. I have let things slip, a thirty-year-old cargo boat stubbornly hanging on to my name and address. They have swabbed me clear of my loving associations. Scared and bare on the green plastic-pillowed trolley I watched my teaset, my bureaus of linen, my books Sink out of sight, and the water went over my head. I am a nun now, I have never been so pure. I didn’t want any flowers, I only wanted To lie with my hands turned up and be utterly empty. How free it is, you have no idea how free—— The peacefulness is so big it dazes you, And it asks nothing, a name tag, a few trinkets. It is what the dead close on, finally; I imagine them Shutting their mouths on it, like a Communion tablet. The tulips are too red in the first place, they hurt me. Even through the gift paper I could hear them breathe Lightly, through their white swaddlings, like an awful baby. Their redness talks to my wound, it corresponds. They are subtle : they seem to float, though they weigh me down, Upsetting me with their sudden tongues and their color, A dozen red lead sinkers round my neck. Nobody watched me before, now I am watched. The tulips turn to me, and the window behind me Where once a day the light slowly widens and slowly thins, And I see myself, flat, ridiculous, a cut-paper shadow Between the eye of the sun and the eyes of the tulips, And I have no face, I have wanted to efface myself. The vivid tulips eat my oxygen. Before they came the air was calm enough, Coming and going, breath by breath, without any fuss. Then the tulips filled it up like a loud noise. Now the air snags and eddies round them the way a river Snags and eddies round a sunken rust-red engine. They concentrate my attention, that was happy Playing and resting without committing itself. The walls, also, seem to be warming themselves. The tulips should be behind bars like dangerous animals; They are opening like the mouth of some great African cat, And I am aware of my heart: it opens and closes Its bowl of red blooms out of sheer love of me. The water I taste is warm and salt, like the sea, And comes from a country far away as health. --"Tulips", written 18 March 1961

Until that moment Vetch had watched him with an anxious dread, for he was not sure what had happened there in the dark land. He did not know if this was Ged in the boat with him, and his hand had been for hours ready to the anchor, to stave in the boat's planking and sink her there in midsea, rather than carry back to the harbors of Earthsea the evil thing that he feared might have taken Ged's look and form. Now when he saw his friend and heard him speak, his doubt vanished. And he began to see the truth, that Ged had neither lost nor won but, naming the shadow of his death with his own name, had made himself whole: a man: who, knowing his whole true self, cannot be used or possessed by any power other than himself, and whose life therefore is lived for life's sake and never in the service of ruin, or pain, or hatred, or the dark. In the Creation of Ea, which is the oldest song, it is said, "Only in silence the word, only in dark the light, only in dying life: bright the hawk's flight on the empty sky." That song Vetch sang aloud now as he held the boat westward, going before the cold wind of the winter night that blew at their backs from the vastness of the Open Sea.

You’re the one who didn’t keep his word. And speaking of your word and its dubious worth, don’t change the subject. I saw the looks you and Miss Turner were exchanging. The lady goes bright pink every time you speak to her. For God’s sake, you put food on her plate without even asking.” “And where’s the crime in that?” Gray was genuinely curious to hear the answer. He hadn’t forgotten that shocked look she’d given him. “Come on, Gray. You know very well one doesn’t take such a liberty with a mere acquaintance. It’s…it’s intimate. The two of you are intimate. Don’t deny it.” “I do deny it. It isn’t true.” Gray took another swig from his flask and wiped his mouth with the back of his hand. “Damn it, Joss. Sooner or later, you’re going to have to trust me. I gave you my word. I’ve kept it.” And it was the truth, Gray told himself. Yes, he’d touched her tonight, but he’d never pledged not to touch her. He had kept his word. He hadn’t bedded her. He hadn’t kissed her. God, what he wouldn’t give just to kiss her… He rubbed the heel of his hand against his chest. That same ache lingered there-the same sharp tug he’d felt when she’d brought her foot down on his and pursed her lips into a silent plea. Please, she’d said. Don’t. As if she appealed to his conscience. His conscience. Where would the girl have gathered such a notion, that he possessed a conscience? Certainly not form his treatment of her. A bitter laugh rumbled through his chest, and Joss shot him a skeptical look. “Believe me, I’ve scarcely spoken to the girl in weeks. You can’t know the lengths I’ve gone to, avoiding her. And it isn’t easy, because she won’t stay put in her cabin, now will she? No, she has to go all over the ship, flirting with the crew, tacking her little pictures in every corner of the boat, taking tea in the galley with Gabriel. I can’t help but see her. And I can see she’s too damn thin. She needs to eat; I put food on her plate. There’s nothing more to it than that.” Joss said nothing, just stared at him as though he’d grown a second head. “Damn it, what now? Don’t you believe me?” “I believe what you’re saying,” his brother said slowly. “I just can’t believe what I’m hearing.” Gray folded his arms and leaned against the wall. “And what are you hearing?” “I wondered why you’d done all this…the dinner. Now I know.” “You know what?” Gray was growing exasperated. Most of all, because he didn’t know. “You care for this girl.” Joss cocked his head. “You care for her. Don’t you?” “Care for her.” Joss’s expression was smug. “Don’t you?” The idea was too preposterous to entertain, but Gray perked with inspiration. “Say I did care for her. Would you release me from that promise? If my answer is yes, can I pursue her?” Joss shook his head. “If the answer is yes, you can-and should-wait one more week. It’s not as though she’ll vanish the moment we make harbor. If the answer is yes, you’ll agree she deserves that much.” Wrong, Gray thought, sinking back into a chair.

There can be a sadness when you move from one state to another, as we often find comfort in what we know best and what we have become accustomed to. Transition can bring with it fear, as well as a desire to look to another for aid, just as the child looks to the ferryman. The Six of Swords, being in the suit of the mind, on a higher level represents the journeys of the mind and the transition to new ideas and ways of thinking; on a lower level, it relates to any transition we undergo that involves leaving something behind. We can imagine that the woman and child in the boat are being ferried to a new life, away from something in the past that may have hurt or threatened them. The ferryman may be the father of the child, or he may be a stranger they have hired for help in getting across the river. We can see that, whilst they do not have all of their possessions with them on this journey to a new life, they have retained a few chests that contain some belongings. When we move to a new state of mind or being, or undergo a spiritual transition or a physical move, we never truly leave the past behind; the trick is being able to differentiate between good baggage and bad baggage. Sometimes we can use the past, and all we have learned and gained from it, to propel us forward in momentum across the river to the other side. Sometimes we cling only to the baggage from the past that weighs us down, and in that case the weight may be too heavy for the boat and start to sink it. It is, ultimately, our choice as to what we pack in the chests that we take with us on the journey.

In the tumultuous business of cutting-in and attending to a whale, there is much running backwards and forwards among the crew. Now hands are wanted here, and then again hands are wanted there. There is no staying in any one place; for at one and the same time everything has to be done everywhere. It is much the same with him who endeavors the description of the scene. We must now retrace our way a little. It was mentioned that upon first breaking ground in the whale’s back, the blubber-hook was inserted into the original hole there cut by the spades of the mates. But how did so clumsy and weighty a mass as that same hook get fixed in that hole? It was inserted there by my particular friend Queequeg, whose duty it was, as harpooneer, to descend upon the monster’s back for the special purpose referred to. But in very many cases, circumstances require that the harpooneer shall remain on the whale till the whole flensing or stripping operation is concluded. The whale, be it observed, lies almost entirely submerged, excepting the immediate parts operated upon. So down there, some ten feet below the level of the deck, the poor harpooneer flounders about, half on the whale and half in the water, as the vast mass revolves like a tread-mill beneath him. On the occasion in question, Queequeg figured in the Highland costume—a shirt and socks—in which to my eyes, at least, he appeared to uncommon advantage; and no one had a better chance to observe him, as will presently be seen. Being the savage’s bowsman, that is, the person who pulled the bow-oar in his boat (the second one from forward), it was my cheerful duty to attend upon him while taking that hard-scrabble scramble upon the dead whale’s back. You have seen Italian organ-boys holding a dancing-ape by a long cord. Just so, from the ship’s steep side, did I hold Queequeg down there in the sea, by what is technically called in the fishery a monkey-rope, attached to a strong strip of canvas belted round his waist. It was a humorously perilous business for both of us. For, before we proceed further, it must be said that the monkey-rope was fast at both ends; fast to Queequeg’s broad canvas belt, and fast to my narrow leather one. So that for better or for worse, we two, for the time, were wedded; and should poor Queequeg sink to rise no more, then both usage and honor demanded, that instead of cutting the cord, it should drag me down in his wake. So, then, an elongated Siamese ligature united us. Queequeg was my own inseparable twin brother; nor could I any way get rid of the dangerous liabilities which the hempen bond entailed. So strongly and metaphysically did I conceive of my situation then, that while earnestly watching his motions, I seemed distinctly to perceive that my own individuality was now merged in a joint stock company of two; that my free will had received a mortal wound; and that another’s mistake or misfortune might plunge innocent me into unmerited disaster and death. Therefore, I saw that here was a sort of interregnum in Providence; for its even-handed equity never could have so gross an injustice. And yet still further pondering—while I jerked him now and then from between the whale and ship, which would threaten to jam him—still further pondering, I say, I saw that this situation of mine was the precise situation of every mortal that breathes; only, in most cases, he, one way or other, has this Siamese connexion with a plurality of other mortals. If your banker breaks, you snap; if your apothecary by mistake sends you poison in your pills, you die. True, you may say that, by exceeding caution, you may possibly escape these and the multitudinous other evil chances of life. But handle Queequeg’s monkey-rope heedfully as I would, sometimes he jerked it so, that I came very near sliding overboard. Nor could I possibly forget that, do what I would, I only had the management of one end of it.

On June 15, 1904, an annual gala was held on the passenger ship as it steamed up the East River, with about 1,400 people from St. Mark’s Evangelical Lutheran Church. Consisting mostly of German immigrants, the boat was packed with women and children, and when a small fire started on the ship shortly after the trip began, faulty equipment was unable to put it out or stop it from spreading. On top of that, the lifeboats were tied up and the crew, which never conducted emergency drills, was unprepared for a potential disaster. When parents put life preservers on their children and then had them enter the water, they soon learned that the life preservers were also faulty and didn’t float. As the disaster unfolded, over 1,000 passengers burned to death or drowned, many swept under the water by the East River’s current and weighed down by heavy wool clothing. Few people on board knew how to swim, exacerbating the situation, and eventually the overcrowded decks began to collapse, crushing some unfortunate victims. In the end, the General Slocum sank in shallow water while hundreds of corpses drifted ashore, and the fallout was immediate. The captain was indicted for criminal negligence and manslaughter, and the ship’s owner was also charged. While the captain would receive a 10 year sentence, the company in charge of the General Slocum got off with a light fine. In a somewhat fitting postscript, the ship was salvaged and converted into a barge, only to sink once again during a heavy storm in 1911.

[CR] What about Barbara Castle. You never had a sexual relationship with her? [MF] No. Never. I wanted to, maybe, but in 1938 we went across the channel together, waiting to start on our new jobs. I had asthma terribly then. I had it that night. She did not know what it was. She thought the boat was sinking or something.

I am the boat, you are the sea, and also the boatman. Though you never make the shore, though you let me sink, why should I be foolish and afraid? Is reaching the shore a greater prize than losing myself with you? If you are only the haven, as they say, then what is the sea? Let it surge and toss me on its waves, I shall be content. I live in you whatever and however you appear. Save me or kill me as you wish, only never leave me in other hands.

Are you serious, Lee? You have your choice between standing around among the Empress’s court, being polite to arrogant parasites while you’re slowly being driven insane with boredom, or exploring an area of the world that few Northerners have ever seen. Which sounds better to you?” “I’m not sure. Remind me which one doesn’t involve being on a boat.” He frowned. “What’s wrong with being on a boat?” “Besides the tendency to capsize and kill everyone on board? Nothing, I’m sure.” Plus there was something about the thought of all that open air and water that made me want to shiver. “You’re afraid of boats?” As soon as the words were out of his mouth, he pressed his lips together, as though wishing he could snatch back the question by the act of shutting his mouth. But that was what it came down to, an irrational fear based on no experience with an activity others had no difficulty with. “Apparently so.” “You never told me that.” He appeared to be accusing me of something. “I didn’t know until just now, did I?” “Don’t worry about it, Lee. It’ll be fine.” I gritted my teeth. “Oh, I’m sure it’ll be a treat until the boat sinks.” “Actually, I think they prefer to have it called a ship.” “Don’t even start with me.

You want to know what gets on my nerves? When people say 'you can't be a Christian because you're LGBT+, or you used to be a Muslim/Hindu/atheist/pretty much anything else really'. The reason people say those things is because we believe doing so is sinning, but haven't we all sinned? Aren't we all in the same boat, at the mercy of the storm raging outside? If so, why keep to ourselves in what we think is the safest corner, but the whole boat sinks nonetheless? Every sin, whether it's stealing a cookie from the cookie jar to murdering and robbing an innocent child is sin. Even if you have never done any wrong, except did one thing, isn't your soul still poisoned, still doomed to being a sinner? Why must we separate ourself because we believe we are 'righteous', when in doing so we simply dirty ourselves in sinful dust even more so, yet continue to believe ourselves better then anyone else? If you don't think you are worthy, or can possibly be righteous, well, I'm afraid your not on track. The only reason we are even not-dead-yet is because a perfect soul died after never sinning, Jesus payed the price we so selfishly went into debt for because we wanted temporary satisfaction and worthless paper called money. If we have all been called to be clean, why must we refuse this and say others are dirty, when if that's true we are dirty as well ourselves? We sink the boat we are on to see others drown, yet in the process we drown ourselves. We have been selfish, lazy, prideful, and sinful, every one of is, and yet are so blind we cannot even see the great light that calls us to be clean and perfect. There is no such thing as too far gone, so why do we say others are too far gone yet set the bar lower for ourselves? Are we more perfect, more righteous, more forgiven then people who don't know God as well as we do? Surely not! If we know God, instead of keeping him to ourselves we are quite clearly instructed to give freely in the Bible, and yet we refuse to do so for the sake of our sinful pride. Why do we not reach down, and get our knees dirty to help the poor? What is stopping us from going that extra mile, from giving more then you have, from reaching out with the great news of the savior? We are too prideful, we don't want our silken robes to get muddy in someone else's sin even when they're already disgusting in ours. We tell ourselves we're are too tired to walk the extra mile, yet powerful enough to strike down the needy and ones in poverty. We are too greedy, we would rather keep the Savior to ourselves then give it, even though in giving you get even more. What right do we have to choose who should come with us into heaven? What heavenly authority gave us the power to say 'you sin, you cannot come to heaven', even though we sinners think we can when there is no difference between us? Any one can truly believe, there is no 'special requirement' to be a Christian other then to know God exists (well, duh you didn't need to tell us that) and to know you are a sinner and to try to not sin, even though we all fail miserably at that, and to love God with all your heart and soul and mind, and to love your neighbor as much as God loves them. (No, autocorrect is not a human, I hate it too). There is no human on earth who is perfect, if you believe yourself to be so you are even more wrong then before. If there is anyone reading this, who is suicidal or LGBT+ and have been bullied or just don't know, trust me, there is nothing, NOTHING preventing you from believing except for your own will. I don't know if this is a quote or a rant ;;

Thanks again to Alan Butler's work, this time I was able to inspect the work of Hesiod in connection with the Phaistos Disc for being calendrical, and now I view it through the lens of ancient Egypt by projecting it directly onto the circular zodiac of Dendera. Hesiod has used three different references to the days in his work: (the first ..); (the middle ..); and (.. of the month). With this system which he had used, I linked the "first" references to the zodiac's portals on the East; the "middle" references to the Fullmoon days of the month which are located on the zodiac's western portals; and the "of the month" references to the zodiac's days which are located right after passing by and finishing the rotation beyond the eastern portals. Therefore, Hesiod has recognized Egypt's month's count of days (And tell your slaves the thirtieth is the month's best-suited day). He has also explicitly identified the beginning of the Equinox and Solstice portals on the zodiac based on the zodiac's anticlockwise orientation while emphasizing the more prominent role of the Summer Solstice in the calendar system (The first and fourth and seventh days are holy days to men, the eighth and ninth as well). Hesiod has also issued a warning against, Apophis, the snake demon (But shun the fifth day, fifth days are both difficult and dread). Hesiod has recognized Egypt's royal-cosmic copulation event that takes place at the culmination of the Summer Solstice (The first ninth, though, for human beings, is harmless, quite benign for planting and for being born; indeed, it's very fine For men and women both; this day is never bad all through) Hesiod has identified the exact position of the newly born infant boy on the zodiac (For planting vines the middle sixth is uncongenial but good for the birth of males) and also established the Minoan bull's head rhyton connection with Egypt (The middle fourth, which is a day to soothe and gently tame the sheep and curved-horned), (Open a jar on the middle fourth),(And on the fourth the long and narrow boats can be begun). Hesiod gave Osiris' role in the ancient Egyptian agrarian Theology to men (two Days of the waxing month stand out for tasks men have to do, the eleventh and the twelfth) and pointed out the right location of the boar on the zodiac (Geld your boar on the eighth of the month) and counted on top of these days the days of the mule which comes afterward (on the twelfth day of the month [geld] the long-laboring mule) - since the reference to the mule in the historical text comes right after that of the boar's and both are grouped together conceptually with the act of gelding. He has also identified the role of Isis for resurrecting Osiris after the Summer Solstice event (On the fourth day of the month bring back a wife to your abode) and even referred to the two female figures on the zodiac and identified them as, Demeter and Persephone, the two mythical Greek queens (Upon the middle seventh throw Demeter's holy grain) where we see them along with the reference to Poseidon (i.e. fishes and water) right next to them as the account exists in the Greek mythology. Even more, Hesiod knows when the sequence of the boats' appearances begins on the zodiac (And on the fourth the long and narrow boats can be begun). Astonishingly enough, he mentions the solar eclipse when the Moon fully blocks the Sun (the third ninth's best of all, though this is known by few) and also glorifies sunrise and warns from sunset on that same day (Again, few know the after-twentieth day of the month is best ..) and identifies the event's dangerous location on the west (.. at dawn and that it worsens when the sun sinks in the west).

Don't be a man-pleaser in anything you do. When popular demands, stay true to what's true. You might rock the boat, you might sink the ship. You might not look cool, you might not look hip. But you will please God, so stand for what's right. Go into the darkness, and shine really bright. O Lord, help us stand. Help us to stand strong. To never back down or compromise with wrong. To love others enough to show them what's true even if it means a beating or two. To love You agapao. To stand by Your side. Not to run away, deny You, then hide.

Never mind the storms. They'll try to sink your boat. Remember, the ocean wants your blood.

Joy is an anchor—heavy, solid, reliable. It sinks to the ocean floor and tethers us so we are not unmoored but can only wander so far. From the boat, all we can see is the anchor cable, which looks small and insignificant in comparison to the wide sea. But its scale doesn’t matter. It doesn’t need to be as wide as the sea to anchor us.

Christ and the believing sinner are in the same boat: unless Jesus sinks, the believer will never drown.

What has never been absolutely certain is how many of the eight musicians were involved in this exercise, as they’d previously worked as two separate groups with different repertoires. If they combined, what did the two pianists, Percy Taylor and Theo Brailey, play after they were out on the Boat Deck itself? It seems unlikely that they would have hauled a piano onto the deck of a sinking ship. Others have questioned the ability of the cellists to remain in place once the ship listed beyond a certain degree because cellists need to be firmly seated. The survivors mostly referred to “the band” or “the ship’s orchestra” without enumerating them.

A brick could be used as a boat, and due to the brick’s reputation of indestructibility, we could call the boat “The Titanic.” Surely a brick with that name would never sink.


If you made a boat out of jasper, it will sink and never surface again.