Boat Party Quotes

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Often it does seem such a pity that Noah and his party did not miss the boat.
Mark Twain (Christian Science)
Every morning the maple leaves. Every morning another chapter where the hero shifts from one foot to the other. Every morning the same big and little words all spelling out desire, all spelling out You will be alone always and then you will die. So maybe I wanted to give you something more than a catalog of non-definitive acts, something other than the desperation. Dear So-and-So, I’m sorry I couldn’t come to your party. Dear So-and-So, I’m sorry I came to your party and seduced you and left you bruised and ruined, you poor sad thing. You want a better story. Who wouldn’t? A forest, then. Beautiful trees. And a lady singing. Love on the water, love underwater, love, love and so on. What a sweet lady. Sing lady, sing! Of course, she wakes the dragon. Love always wakes the dragon and suddenly flames everywhere. I can tell already you think I’m the dragon, that would be so like me, but I’m not. I’m not the dragon. I’m not the princess either. Who am I? I’m just a writer. I write things down. I walk through your dreams and invent the future. Sure, I sink the boat of love, but that comes later. And yes, I swallow glass, but that comes later. Let me do it right for once, for the record, let me make a thing of cream and stars that becomes, you know the story, simply heaven. Inside your head you hear a phone ringing and when you open your eyes only a clearing with deer in it. Hello deer. Inside your head the sound of glass, a car crash sound as the trucks roll over and explode in slow motion. Hello darling, sorry about that. Sorry about the bony elbows, sorry we lived here, sorry about the scene at the bottom of the stairwell and how I ruined everything by saying it out loud. Especially that, but I should have known. Inside your head you hear a phone ringing, and when you open your eyes you’re washing up in a stranger’s bathroom, standing by the window in a yellow towel, only twenty minutes away from the dirtiest thing you know. All the rooms of the castle except this one, says someone, and suddenly darkness, suddenly only darkness. In the living room, in the broken yard, in the back of the car as the lights go by. In the airport bathroom’s gurgle and flush, bathed in a pharmacy of unnatural light, my hands looking weird, my face weird, my feet too far away. I arrived in the city and you met me at the station, smiling in a way that made me frightened. Down the alley, around the arcade, up the stairs of the building to the little room with the broken faucets, your drawings, all your things, I looked out the window and said This doesn’t look that much different from home, because it didn’t, but then I noticed the black sky and all those lights. We were inside the train car when I started to cry. You were crying too, smiling and crying in a way that made me even more hysterical. You said I could have anything I wanted, but I just couldn’t say it out loud. Actually, you said Love, for you, is larger than the usual romantic love. It’s like a religion. It’s terrifying. No one will ever want to sleep with you. Okay, if you’re so great, you do it— here’s the pencil, make it work … If the window is on your right, you are in your own bed. If the window is over your heart, and it is painted shut, then we are breathing river water. Dear Forgiveness, you know that recently we have had our difficulties and there are many things I want to ask you. I tried that one time, high school, second lunch, and then again, years later, in the chlorinated pool. I am still talking to you about help. I still do not have these luxuries. I have told you where I’m coming from, so put it together. I want more applesauce. I want more seats reserved for heroes. Dear Forgiveness, I saved a plate for you. Quit milling around the yard and come inside.
Richard Siken
Not that I was incapable of friendship. 'Don't be shy', the teachers coaxed. I was not shy, only extremely choosy. And Denise shone like a diamond. If you had to ask me to define paradise, I would have said a desert island which Denise could visit, on a boat.
Anneli Rufus (Party of One: The Loner's Manifesto)
No, Michael, I do not trust you on a boat, I do not trust you on a goat. I do not trust you here. I do not trust you there. I do not trust you anywhere.
James St. James (Party Monster: A Fabulous But True Tale of Murder in Clubland)
Once upon a time there was a king who had three beautiful daughters. No, no, wait. Once upon a time there were three bears who lived in a wee house in the woods. Once upon a time there were three soldiers, tramping together down the road after the war. Once upon a time there were three little pigs. Once upon a time there were three brothers. No, this is it. This is the variation I want. Once upon a time there were three Beautiful children, two boys and a girl. When each baby was born, the parents rejoiced, the heavens rejoiced, even the fairies rejoiced. The fairies came to christening parties and gave the babies magical gifts. Bounce, effort, and snark. Contemplation and enthusiasm. Ambition and strong coffee. Sugar, curiosity, and rain. And yet, there was a witch. There's always a witch. This which was the same age as the beautiful children, and as she and they grew, she was jealous of the girl, and jealous of the boys, too. They were blessed with all these fairy gifts, gifts the witch had been denied at her own christening. The eldest boy was strong and fast, capable and handsome. Though it's true, he was exceptionally short. The next boy was studious and open hearted. Though it's true, he was an outsider. And the girl was witty, Generous, and ethical. Though it's true, she felt powerless. The witch, she was none of these things, for her parents had angered the fairies. No gifts were ever bestowed upon her. She was lonely. Her only strength was her dark and ugly magic. She confuse being spartan with being charitable, and gave away her possessions without truly doing good with them. She confuse being sick with being brave, and suffered agonies while imagining she merited praise for it. She confused wit with intelligence, and made people laugh rather than lightening their hearts are making them think. Hey magic was all she had, and she used it to destroy what she most admired. She visited each young person in turn in their tenth birthday, but did not harm them out right. The protection of some kind fairy - the lilac fairy, perhaps - prevented her from doing so. What she did instead was cursed them. "When you are sixteen," proclaimed the witch in a rage of jealousy, "you shall prick your finger on a spindle - no, you shall strike a match - yes, you will strike a match and did in its flame." The parents of the beautiful children were frightened of the curse, and tried, as people will do, to avoid it. They moved themselves and the children far away, to a castle on a windswept Island. A castle where there were no matches. There, surely, they would be safe. There, Surely, the witch would never find them. But find them she did. And when they were fifteen, these beautiful children, just before their sixteenth birthdays and when they're nervous parents not yet expecting it, the jealous which toxic, hateful self into their lives in the shape of a blonde meeting. The maiden befriended the beautiful children. She kissed him and took them on the boat rides and brought them fudge and told them stories. Then she gave them a box of matches. The children were entranced, for nearly sixteen they have never seen fire. Go on, strike, said the witch, smiling. Fire is beautiful. Nothing bad will happen. Go on, she said, the flames will cleanse your souls. Go on, she said, for you are independent thinkers. Go on, she said. What is this life we lead, if you did not take action? And they listened. They took the matches from her and they struck them. The witch watched their beauty burn, Their bounce, Their intelligence, Their wit, Their open hearts, Their charm, Their dreams for the future. She watched it all disappear in smoke.
E. Lockhart (We Were Liars)
At this stage of life, he'd better just lean into love, because if he fell, he feared he might break a hip.
Susan Vreeland (Luncheon of the Boating Party)
I've come to think that if doing something simple or silly can give a person pleasure, then, by God, do it
Susan Vreeland (Luncheon of the Boating Party)
How come we got the grumpy boat of bandy-legged Puritans? How come we didn't get the Italian party boat with the cappuccino makers and the gelato machine? That was the sexy boat, man.
Greg Proops
Today, I show you Lake Como even though I don’t know fuck all about Lake Como; I do know how to drive a boat. Tonight, no parties, no friends, no nothing. You, me, dinner. Later tonight, just you and me. You with me?” “I’m with you,” I whispered, and I was with him. So with him.
Kristen Ashley (Heaven and Hell (Heaven and Hell, #1))
This was about as much fun as a surprise birthday party, which Hunter ranked alongside boats that sank.’ (Hunter)
Sherrilyn Kenyon (Silent Truth (B.A.D. Agency, #4))
He had a thought that amused him. "Figures, still life, landscape, AND an animal! Zola, eat your hat!" he bellowed.
Susan Vreeland (Luncheon of the Boating Party)
If you loved someone, you loved him, and when you had nothing else to give, you still gave him love. when the last of the chocolate was gone, his mother had clasped the child in her arms. It was no use, it changed nothing, it did not produce more chocolate, it did net avert the child's death or her own; but it seemed natural to do it. The refugee woman in the boat had also covered the little boy with her arm, which was no more use against bullets than a sheet of paper. The terrible thing that the party has done was to persuade you that mere impulses, mere feelings, were of no account, while at the same time robbing you of all power over the material world. When once you were in the grip of the Party, what you felt or did not feel, what you did or refrained from doing, made literally no difference. Whatever happened you vanished, and neither you nor your actions were ever heard of again. You were lifted clean out of history.
George Orwell (1984)
Miss the flight. Miss the boat. Miss the class. Miss the party. But, never ever miss your dream.
Michael Bassey Johnson (The Oneironaut’s Diary)
I hear America singing, the varied carols I hear, Those of mechanics, each one singing his as it should be blithe and strong, The carpenter singing his as he measures his plank or beam, The mason singing his as he makes ready for work, or leaves off work, The boatman singing what belongs to him in his boat, the deckhand singing on the steamboat deck, The shoemaker singing as he sits on his bench, the hatter singing as he stands, The wood-cutter’s song, the ploughboy’s on his way in the morning, or at noon intermission or at sundown, The delicious singing of the mother, or of the young wife at work, or of the girl sewing or washing, Each singing what belongs to him or her and to none else, The day what belongs to the day — at night the party of young fellows, robust, friendly, Singing with open mouths their strong melodious songs.
Walt Whitman (Leaves of Grass)
nothing like that. it had more to do with his face. which, although presentable, gave me the feeling that his every expression had been thrown together on the spur of the moment. like mismatched dishes set out in make-do fashion on a party table.
Haruki Murakami (The Elephant Vanishes)
If you want to preach, young man, you ought to wear some kind of clerical costume so people would be warned. In my mind, there are too many unpleasant things in life as it is without creating still more of them. I hate le misérabilisme. I’m in the shining business, not the darkening business.
Susan Vreeland (Luncheon of the Boating Party)
There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before. Every Friday five crates of oranges and lemons arrived from a fruiterer in New York--every Monday these same oranges and lemons left his back door in a pyramid of pulpless halves. There was a machine in the kitchen which could extract the juice of two hundred oranges in half an hour if a little button was pressed two hundred times by a butler's thumb. At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby's enormous garden. On buffet tables, garnished with glistening hors-d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten that most of his female guests were too young to know one from another. By seven o'clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums. The last swimmers have come in from the beach now and are dressing up-stairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each other's names. The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word. The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath; already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the centre of a group, and then, excited with triumph, glide on through the sea-change of faces and voices and color under the constantly changing light. Suddenly one of the gypsies, in trembling opal, seizes a cocktail out of the air, dumps it down for courage and, moving her hands like Frisco, dances out alone on the canvas platform. A momentary hush; the orchestra leader varies his rhythm obligingly for her, and there is a burst of chatter as the erroneous news goes around that she is Gilda Gray's understudy from the FOLLIES. The party has begun.
F. Scott Fitzgerald (The Great Gatsby)
[The party] was held at her cousin's house and it lasted for three days. For the duration, they all slept only from dawn to noon and lived on little but oysters and champagne and pastry. Each evening there was music and dancing, and then late in the nights, under a moon growing to full, they went out on the slow water in rowing boats. It was a strange time of war fever, and even young men previously considered dull and charmless suddenly acquired an aura of glamour shimmering about them, for they all suspected that shortly many of them would be dead. During those brief days and nights, any man that wished might become somebody's darling.
Charles Frazier (Cold Mountain)
life we can’t control, she thought. We must accept the cork we are and stay afl, and bob gaily when we can. She
Susan Vreeland (Luncheon of the Boating Party)
To my mind, a picture should be something pleasant, cheerful, and pretty, yes pretty! There are too many unpleasant things in life as it is without creating still more of them. —PIERRE-AUGUSTE RENOIR
Susan Vreeland (Luncheon of the Boating Party)
In fact even as Holm and the writers were partying up in first class, Chuck Day and some of his mates were holding their own all-nighters down in tourist class, merrily mixing milk, Ovaltine, and alcohol. But discipline was sacrosanct for Brundage.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
To all parties present and participating in the life of the county, however, Alexandra was the last of her kind: she had river-boat, boarding-school manners; let any moral come along and she would uphold it; she was a disapprover; she was an incurable gossip.
Harper Lee (Go Set a Watchman)
To all parties present and participating in the life of the country, Aunt Alexandra was one of the last of her kind: she had river-boat, boarding-school manners; let any moral come along and she would uphold it; she was born in the objective case; she was an incurable gossip. When Aunt Alexandra went to school, self-doubt could not be found in any textbook, so she knew not its meaning. She was never bored, and given the slightest chance she would exercise her royal prerogative: she would arrange, advise, caution, and warn. She never let a chance escape her to point out the shortcomings of other tribal groups to the greater glory of our own, a habit that amused Jem rather than annoyed him: “Aunty better watch how she talks—scratch most folks in Maycomb and they’re kin to us.
Harper Lee (To Kill a Mockingbird)
poems. (illustration ill.32) On May 12, the whole party came out onto the terrace to watch Shelley’s schooner-rigged ship skim into the bay, heeling sharply and trailed by a dark foamy wake. “She is a most beautiful boat,” Shelley exclaimed with delight. However, Mary
Charlotte Gordon (Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Her Daughter Mary Shelley)
This is so funny,” said Ellen, noticing the seating arrangement. “Isn’t this funny? Tom, come sit next to Robin. Griffin, sit next to Laura.” I stood up and sat next to Robin while Griffin brought his chair over to Laura. “That’s better,” said Ellen. “Isn’t that better?
Daniel Amory (Minor Snobs)
I smile sympathetically at a young man wearing a turban who looks to be as comfortable as the only husband at a Mary Kay party. Three years post–9/ 11 and they’re still being treated like social pariahs. But, hey, African-Americans have endured three hundred plus years of it and all we did was take a boat ride.
Tamara Gregory (Passport Diaries: A Novel)
Dear lady, ... dear gentleman, reader, [it's] not right ... to put down this writer on his writing ... And I'll tell you why, too: it hurts, that's why.... People try to understand why writers commit suicide by jumping off boats or by alcoholism or by being heroic continuously or by rope or gun or drug or knife or water, and ... I can tell you straight out, ... it is reading slurring remarks about their writing that drives writers to the grave. Dirty remarks passed by ... dirty but damned nicely educated and very highly-paid ladies and gentlemen have the effect of killing writers. Yes, that's right. Dirty words ... in slick paper magazines read by smart people do assassinate writers. ... And boy let me tell you I am all for it, even when by some ... misunderstanding the dirty words are directed to me rather than to the party really deserving them. Accidents happen, dear clever reviewer or critic, and let it not be said that William Saroyan is one not to see a situation from the point of view of the other party, ... and I shall be the first to defend your right to be critical and even sarcastic, knowing full well that it is not about me and my writing, although my name is by mistake taken in vain by you. ... But go on, go on, do your good clever writing, every one of you, I am home, your are home, and we are each of us not yet on Variety's Necrology list, so if we can't take it, who can?
William Saroyan
The difference between this scene and the ones in the French paintings, Alice thought, was that the paintings all showed people interacting—picnickers and boating parties. But here everybody was separate. Even her father, a few yards away from her, was swimming now toward shore. A passerby would never guess the Garretts even knew each other. They looked so scattered, and so lonesome.
Anne Tyler (French Braid)
Another party, who took an iron boat named the Explorer into the Black Canyon of the lower Colorado River, came across an Indian of what they considered such staggering ugliness that one of their number, a German visitor attached to the party, voted to kill him, pickle him in alcohol as a zoological specimen, and take him back to New York for forensic inspection. The proposal was rejected, however, and the hapless man lived.
Simon Winchester (The Men Who United the States: America's Explorers, Inventors, Eccentrics and Mavericks, and the Creation of One Nation, Indivisible)
She plucked a raspberry. Sweet juice, sweet pleasure. Within the tangle of tendrils, inside a blossom, a tiny bead was kisses and blessed by the sun, from which it took in light and warmth and heaven's rain imbued with the richness of the soil of France. All of the elements of the river world helped that bead to expand and multiply into sheer casings for sweet pulp, wedge together in a knobby globe until it released its juice in her mouth
Susan Vreeland (Luncheon of the Boating Party)
For some, leaving was a necessity that went under the official name of ‘transition’. We were a society in transition, it was said, moving from socialism to liberalism, from one-party rule to pluralism, from one place to the other. Opportunities would never come to you, unless you went looking for them, like the half-cockerel in the old Albanian folk tale who travels far away, looking for his kismet, and in the end returns full of gold. For others, leaving the country was an adventure, a childhood dream come true or a way to please their parents. There were those who left and never returned. Those who went and came back soon after. Those who turned the organization of movement into a profession, who opened travel agencies or smuggled people on boats. Those who survived, and became rich. Those who survived, and continued to struggle. And those who died trying to cross the border. In
Lea Ypi (Free: Coming of Age at the End of History)
The plane banked, and he pressed his face against the cold window. The ocean tilted up to meet him, its dark surface studded with points of light that looked like constellations, fallen stars. The tourist sitting next to him asked him what they were. Nathan explained that the bright lights marked the boundaries of the ocean cemeteries. The lights that were fainter were memory buoys. They were the equivalent of tombstones on land: they marked the actual graves. While he was talking he noticed scratch-marks on the water, hundreds of white gashes, and suddenly the captain's voice, crackling over the intercom, interrupted him. The ships they could see on the right side of the aircraft were returning from a rehearsal for the service of remembrance that was held on the ocean every year. Towards the end of the week, in case they hadn't realised, a unique festival was due to take place in Moon Beach. It was known as the Day of the Dead... ...When he was young, it had been one of the days he most looked forward to. Yvonne would come and stay, and she'd always bring a fish with her, a huge fish freshly caught on the ocean, and she'd gut it on the kitchen table. Fish should be eaten, she'd said, because fish were the guardians of the soul, and she was so powerful in her belief that nobody dared to disagree. He remembered how the fish lay gaping on its bed of newspaper, the flesh dark-red and subtly ribbed where it was split in half, and Yvonne with her sleeves rolled back and her wrists dipped in blood that smelt of tin. It was a day that abounded in peculiar traditions. Pass any candy store in the city and there'd be marzipan skulls and sugar fish and little white chocolate bones for 5 cents each. Pass any bakery and you'd see cakes slathered in blue icing, cakes sprinkled with sea-salt.If you made a Day of the Dead cake at home you always hid a coin in it, and the person who found it was supposed to live forever. Once, when she was four, Georgia had swallowed the coin and almost choked. It was still one of her favourite stories about herself. In the afternoon, there'd be costume parties. You dressed up as Lazarus or Frankenstein, or you went as one of your dead relations. Or, if you couldn't think of anything else, you just wore something blue because that was the colour you went when you were buried at the bottom of the ocean. And everywhere there were bowls of candy and slices of special home-made Day of the Dead cake. Nobody's mother ever got it right. You always had to spit it out and shove it down the back of some chair. Later, when it grew dark, a fleet of ships would set sail for the ocean cemeteries, and the remembrance service would be held. Lying awake in his room, he'd imagine the boats rocking the the priest's voice pushed and pulled by the wind. And then, later still, after the boats had gone, the dead would rise from the ocean bed and walk on the water. They gathered the flowers that had been left as offerings, they blew the floating candles out. Smoke that smelt of churches poured from the wicks, drifted over the slowly heaving ocean, hid their feet. It was a night of strange occurrences. It was the night that everyone was Jesus... ...Thousands drove in for the celebrations. All Friday night the streets would be packed with people dressed head to toe in blue. Sometimes they painted their hands and faces too. Sometimes they dyed their hair. That was what you did in Moon Beach. Turned blue once a year. And then, sooner or later, you turned blue forever.
Rupert Thomson (The Five Gates of Hell)
Briefly it seemed Abbott’s leadership might be under threat after a member of shadow cabinet, disgusted by what was going on, leaked to the press that Morrison had suggested the party capitalise on growing concerns about Muslim immigration. In the Sydney Morning Herald, Peter Hartcher reported being told: “He put it on the table like a dead cat.” There was talk in the party of easing up on boat people. It was not to be. One Liberal MP told the Courier Mail: “It works incredibly well for us in outer metropolitan electorates.
David Marr (Political Animal: The Making of Tony Abbott [Quarterly Essay 47])
WikiLeaks told us how keen the Coalition is to exploit the boats. In late 2009, in the dying days of Malcolm Turnbull’s leadership of the Opposition, a “key Liberal party strategist” popped in to the US embassy in Canberra to say how pleased the party was that refugee boats were, once again, making their way to Christmas Island. “The issue was ‘fantastic,’” he said. “And ‘the more boats that come the better.’” But he admitted they had yet to find a way to make the issue work in their favour: “his research indicated only a ‘slight trend’ towards the Coalition.
David Marr (Political Animal: The Making of Tony Abbott [Quarterly Essay 47])
if the truth were always in our minds, or the future always plain before us, should we make the fifty false steps that the wisest man amongst us is certain to rue before half his sands are run? If they knew that before night was down the sea-foam would be whirling high, and the curlews screaming in human fear, and the gay little boat lying keel upwards on the salt ocean surf, would the pleasure-party set out so fearlessly in the morning sunshine, with champagne flowing and bright eyes glancing, and joyous laughter ringing over the golden sands and up to the fleecy heavens?
Ouida (Delphi Collected Works of Ouida (Illustrated) (Delphi Series Eight Book 26))
O Tell Me The Truth About Love - Poem by WH Auden Some say love's a little boy, And some say it's a bird, Some say it makes the world go round, Some say that's absurd, And when I asked the man next door, Who looked as if he knew, His wife got very cross indeed, And said it wouldn't do. Does it look like a pair of pyjamas, Or the ham in a temperance hotel? Does its odour remind one of llamas, Or has it a comforting smell? Is it prickly to touch as a hedge is, Or soft as eiderdown fluff? Is it sharp or quite smooth at the edges? O tell me the truth about love. Our history books refer to it In cryptic little notes, It's quite a common topic on The Transatlantic boats; I've found the subject mentioned in Accounts of suicides, And even seen it scribbled on The backs of railway guides. Does it howl like a hungry Alsatian, Or boom like a military band? Could one give a first-rate imitation On a saw or a Steinway Grand? Is its singing at parties a riot? Does it only like Classical stuff? Will it stop when one wants to be quiet? O tell me the truth about love. I looked inside the summer-house; It wasn't even there; I tried the Thames at Maidenhead, And Brighton's bracing air. I don't know what the blackbird sang, Or what the tulip said; But it wasn't in the chicken-run, Or underneath the bed. Can it pull extraordinary faces? Is it usually sick on a swing? Does it spend all its time at the races, or fiddling with pieces of string? Has it views of its own about money? Does it think Patriotism enough? Are its stories vulgar but funny? O tell me the truth about love. When it comes, will it come without warning Just as I'm picking my nose? Will it knock on my door in the morning, Or tread in the bus on my toes? Will it come like a change in the weather? Will its greeting be courteous or rough? Will it alter my life altogether? O tell me the truth about love.
W.H. Auden
How To Make A Human Take the cat out of the sphinx and what is left? Riddle Me That. Take the horse from the centaur and you take away the sleek grace, the strength of harnessed power. What is left can still run across fields, after a fashion, but is easily winded; what is left will therefore erect buildings to divide the open plains so he no longer must face the wide expanse where once his equine legs raced the winds and, sometimes, won. Take the bull from the Minotaur but what is left will still assemble a herd for the sake of ruling over it. What is left will kill for sport, in an arena thronged with spectators shouting "Ole" at each deadly thrust. Take the fish from the Merman: What is left can still swim, if only with lots of splashing; gone is the sleek sliding through the waves, alert to the subtle changes in the current. What is left will build ships so he can cross the oceans without getting his feet wet, what is left won't care if his boats pollute the seas he can no longer breathe so long as their passage can keep him from sinking. Take the goat from the satyr but what is left will dance out of reach before you have the chance to get that Dionysian streak of myschief, the love of music and wine, the rutting parts that like to party all the day through. What is left will still be stubborn and refuse to give way; what is left will lock horns and butt heads with anyone who challenges him. Take the bird from the harpy, but the memory of flying, a constant yearning ache for skies so tantalizingly distant, will still remain, as will the established pecking orders, the bitter squabbling over food and territory, and the magpie eye that lusts for shining objects. What is left will cut down the whole forest to feather his sprawling urban nest. At the end of these operations, tell me: what is left? The answer: Man, a creature divorced from nature, who's forgotten where he came from.
Lawrence Schimel
there are so many more facts, now that I have not to invent them. How can I disinter the human character from the heavy scene—the daily newspaper, the daily meal, the traffic grinding towards Battersea, the gulls coming up from the Thames looking for bread, and the early summer of 1939 glinting on the park where the children sailed their boats—one of those bright condemned pre-war summers? I wondered whether, if I thought long enough, I could detect, at the party Henry had given, her future lover. We saw each other for the first time, drinking bad South African sherry because of the war in Spain. I noticed Sarah, I think, because she was happy: in those years the sense of happiness had been a long while dying under the coming storm.
Graham Greene (The End of the Affair)
But everywhere dark shapes were already melting into the night, seeking asylum in the undergrowth and the jungle. Those not caught in the first haul headed for the mountains, stealing canoes and boats to make their way upstream; they were unarmed, almost naked, but determined to return to the way of life of their ancestors, somewhere the whites would not be able reach them. As they passed the outlying plantations, they spread the news amongst their own people, and ten, twenty, more men would abandon their work, deserting the fields of indigo and clover, to swell the numbers of the runaways. And in parties of one hundred, two hundred at a time, followed by their wives carrying children, they moved off into the interior, through thickets and crags, in search of a place they could build a palisade. As they fled they scattered mullein seeds in the streams and rivulets, so that fish would be poisoned and infect the water with their miasma as they putrefied. Beyond this torrent, beyond that mountain clothed in waterfalls, Africa would begin again; they would go back to forgotten tongues, to the rites of circumcision, to the worship of the earlier gods, who had preceded the recent gods of Christianity. The undergrowth closed behind men who were retracing the course of history, to regain an age when Creation had been ruled by the fertile Venus, with her huge breasts and her ample belly, who was worshipped in deep caves where a hand was haltingly tracing its first configurations of the activities of the chase, and of ceremonies dedicated to the stars.
Alejo Carpentier (El siglo de las luces)
Harry had never in all his life had such a Christmas dinner. A hundred fat, roast turkeys; mountains of roast and boiled potatoes; platters of chipolatas; tureens of buttered peas, silver boats of thick, rich gravy and cranberry sauce — and stacks of wizard crackers every few feet along the table. These fantastic party favors were nothing like the feeble Muggle ones the Dursleys usually bought, with their little plastic toys and their flimsy paper hats inside. Harry pulled a wizard cracker with Fred and it didn’t just bang, it went off with a blast like a cannon and engulfed them all in a cloud of blue smoke, while from the inside exploded a rear admiral’s hat and several live, white mice. Up at the High Table, Dumbledore had swapped his pointed wizard’s hat for a flowered bonnet, and was chuckling merrily at a joke Professor Flitwick had just read him. Flaming
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter #1))
April 4th, 1984. Last night to the flicks. All war films. One very good one of a ship full of refugees being bombed somewhere in the Mediterranean. Audience much amused by shots of a great huge fat man trying to swim away with a helicopter after him. first you saw him wallowing along in the water like a porpoise, then you saw him through the helicopters gunsights, then he was full of holes and the sea round him turned pink and he sank as suddenly as though the holes had let in the water, audience shouting with laughter when he sank, then you saw a lifeboat full of children with a helicopter hovering over it, there was a middleaged woman might have been a jewess sitting up in the bow with a little boy about three years old in her arms, little boy screaming with fright and hiding his head between her breasts as if he was trying to burrow right into her and the woman putting her arms round him and comforting him although she was blue with fright herself, all the time covering him up as much as possible as if she thought her arms could keep the bullets off him, then the helicopter planted a 20 kilo bomb in among them terrific flash and the boat went all to matchwood, then there was a wonderful shot of a child’s arm going up up up right up into the air a helicopter with a camera in its nose must have followed it up and there was a lot of applause from the party seats but a woman down in the prole part of the house suddenly started kicking up a fuss and shouting they didnt oughter of showed it not in front of kids they didnt it aint right not in front of kids it aint until the police turned her turned her out i dont suppose anything happened to her nobody cares what the proles say typical prole reaction they never—   Winston stopped writing, partly because he was suffering from cramp. He
George Orwell (1984)
History Eraser I got drunk and fell asleep atop the sheets but luckily i left the heater on. And in my dreams i wrote the best song that i've ever written...can't remember how it goes. I stayed drunk and fell awake and i was cycling on a plane and far away i heard you say you liked me. We drifted to a party -- cool. The people went to arty school. They made their paints by mixing acid wash and lemonade In my brain I re-arrange the letters on the page to spell your name I found an ezra pound and made a bet that if i found a cigarette i'd drop it all and marry you. Just then a song comes on: "you can't always get what you want" -- the rolling stones, oh woe is we, the irony! The stones became the moss and once all inhibitions lost, the hipsters made a mission to the farm. We drove by tractor there, the yellow straw replaced our hair, we laced the dairy river with the cream of sweet vermouth. In my brain I re-arrange the letters on the page to spell your name You said "we only live once" so we touched a little tongue, and instantly i wanted to... I lost my train of thought and jumped aboard the Epping as the doors were slowly closing on the world. I touched on and off and rubbed my arm up against yours and still the inspector inspected me. The lady in the roof was living proof that nothing really ever is exactly as it seems. In my brain I re-arrange the letters on the page to spell your name We caught the river boat downstream and ended up beside a team of angry footballers. I fed the ducks some krill then we were sucked against our will into the welcome doors of the casino. We drank green margaritas, danced with sweet senoritas, and we all went home as winners of a kind. You said "i guarantee we'll have more fun, drink till the moon becomes the sun, and in the taxi home i'll sing you a triffids song!" In my brain I re-arrange the letters on the page to spell your name
Courtney Barnett
RANSOM When the freighters inch past in the distance The men load their small boats. They motor out, Buzzing like mosquitoes, aimed at the iron Side of the blind ship as it creeps closer. They have guns. They know the sea like it Is their mother, and she is not well. Her fish Are gone. She heaves barrels leaking disease Onto the shores. When she goes into a fit, She throws a curse upon the land, dragging Houses, people to their deaths. She glows In a way she should not. She tastes of industry. No one is fighting for her, and so they fight. By night, they load their boats and motor out, And by day, they aim their guns at the ships, Climbing aboard. It is clear what they want. The white men scramble. Some fight back. When one is taken, the whole world sits up To watch. When the pirates fall, the world Smiles to itself, thanking goodness. They Show the black faces and the dead black bodies On TV. When the pirates win, after the great White ships return to their own shores, There is a party that lasts for days.
Tracy K. Smith (Life on Mars: Poems)
Punishment cells were set up in the two-story cathedral ... Poles the thickness of an arm were set from wall to wall and prisoners were ordered to sit on these poles all day ... one's feet could not reach the ground. And it was not so easy to keep balance ... the prisoner spent the entire day just trying to maintain his perch. If he fell, the jailers jumped in and beat him ... Every little island and every little hillock of the Archipelago had to be encircled by a hostile, stormy Soviet seascape ... Escapes multiplied ... For half a year the sea was frozen over, but not solidly, and in places there was open water, and the snowstorms raged, and the frost bit hard, and things were enveloped in mists and darkness. And in the spring ... there were the long white nights with clear visibility over long distances for the patrolling cutters ... it was only when the nights began to lengthen, in the late summer and the autumn, that the time was right ... for those who were out in work parties, where a prisoner might have freedom of movement and time to build a boat or a raft near the shore ... and to cast off at night ... and strike out at random, hoping above all to encounter a foreign ship ... The whole long history of the Archipelago, about which it has fallen to me to write this home-grown, homemade book, has, in the course of half a century, found in the Soviet Union almost no expression whatever in the printed word. In this a role was played by that same unfortunate happenstance by which camp watchtowers never got into scenes in films nor into landscapes painted by our artists ...
Aleksandr Solzhenitsyn (The Gulag Archipelago 1918–1956 (Abridged))
What does a mind that is focused on hope look like? I read recently about a woman who had been diagnosed with cancer and was given three months to live. Her doctor told her to make preparations to die, so she contacted her pastor and told him how she wanted things arranged for her funeral service—which songs she wanted to have sung, what Scriptures should be read, what words should be spoken—and that she wanted to be buried with her favorite Bible. But before he left, she called out to him, “One more thing.” “What?” “This is important. I want to be buried with a fork in my right hand.” The pastor did not know what to say. No one had ever made such a request before. So she explained. “In all my years going to church functions, whenever food was involved, my favorite part was when whoever was cleaning dishes of the main course would lean over and say, You can keep your fork. “It was my favorite part because I knew that it meant something great was coming. It wasn’t Jell-O. It was something with substance—cake or pie—biblical food. “So I just want people to see me there in my casket with a fork in my hand, and I want them to wonder, What’s with the fork? Then I want you to tell them, Something better is coming. Keep your fork.” The pastor hugged the woman good-bye. And soon after, she died. At the funeral service people saw the dress she had chosen, saw the Bible she loved, and heard the songs she loved, but they all asked the same question: “What’s with the fork?” The pastor explained that this woman, their friend, wanted them to know that for her—or for anyone who dies in Christ—this is not a day of defeat. It is a day of celebration. The real party is just starting. Something better is coming.
John Ortberg Jr. (If You Want to Walk on Water, You've Got to Get Out of the Boat)
The sailors, goaded by the remorseless pangs of hunger, had eaten their leather belts, their shoes, the sweatbands from their caps, although both Clayton and Monsieur Thuran had done their best to convince them that these would only add to the suffering they were enduring. Weak and hopeless, the entire party lay beneath the pitiless tropic sun, with parched lips and swollen tongues, waiting for the death they were beginning to crave. The intense suffering of the first few days had become deadened for the three passengers who had eaten nothing, but the agony of the sailors was pitiful, as their weak and impoverished stomachs attempted to cope with the bits of leather with which they had filled them. Tompkins was the first to succumb. Just a week from the day the LADY ALICE went down the sailor died horribly in frightful convulsions. For hours his contorted and hideous features lay grinning back at those in the stern of the little boat, until Jane Porter could endure the sight no longer. "Can you not drop his body overboard, William?" she asked. Clayton rose and staggered toward the corpse. The two remaining sailors eyed him with a strange, baleful light in their sunken orbs. Futilely the Englishman tried to lift the corpse over the side of the boat, but his strength was not equal to the task. "Lend me a hand here, please," he said to Wilson, who lay nearest him. "Wot do you want to throw 'im over for?" questioned the sailor, in a querulous voice. "We've got to before we're too weak to do it," replied Clayton. "He'd be awful by tomorrow, after a day under that broiling sun." "Better leave well enough alone," grumbled Wilson. "We may need him before tomorrow." Slowly the meaning of the man's words percolated into Clayton's understanding. At last he realized the fellow's reason for objecting to the disposal of the dead man. "God!" whispered Clayton, in a horrified tone. "You don't mean—" "W'y not?" growled Wilson. "Ain't we gotta live? He's dead," he added, jerking his thumb in the direction of the corpse. "He won't care.
Edgar Rice Burroughs (The Return of Tarzan (Tarzan, #2))
But her sister sat there some while longer, watching the setting sun, and thinking of little Alice and her Adventures, till she too began dreaming after a fashion, and this was her dream: She saw an ancient city, and a quiet river winding near it along the plain, and up the stream went slowly gliding a boat with a merry party of children on board-she could hear their voices and laughter like music over the water-and among them was another little Alice, who sat listening with bright eager eyes to a tale that was being told, and she listened for the words of the tale, and lo! it was the dream of her own little sister. So the boat wound slowly along, beneath the bright summer-day, with its merry crew and its music of voices and laughter, till it passed round one of the many turnings of the stream, and she saw it no more. Then she thought, (in a dream within the dream, as it were,) how this same little Alice would, in the after-time, be herself a grown woman: and how she would keep, through her riper years, the simple and loving heart of her childhood; and how she would gather around her other little children, and make their eyes bright and eager with many a wonderful tale, perhaps even with these very adventures of the little Alice of long-ago: and how she would feel with all their simple sorrows, and find a pleasure in all their simple joys, remembering her own child-life, and the happy summer days of her own little sister. So the boat wound slowly along, beneath the bright summer-day, with its merry crew and its music of voices and laughter, till it passed round one of the many turnings of the stream, and she saw it no more. Then she thought, (in a dream within the dream, as it were,) how this same little Alice would, in the after-time, be herself a grown woman: and how she would keep, through her riper years, the simple and loving heart of her childhood; and how she would gather around her other little children, and make their eyes bright and eager with many a wonderful tale, perhaps even with these very adventures of the little Alice of long-ago: and how she would feel with all their simple sorrows, and find a pleasure in all their simple joys, remembering her own child-life, and the happy summer days.
Lewis Carroll (Alice's Adventures Under Ground (Alice's Adventures in Wonderland, #0))
That dog’s smarter than I am.” She winked at Ash, and Ashley giggled. Then she left the house. Kristin gazed through the window and in the near distance, saw Rick, Madison, Danny and Quincy on their boat coming into dock. She immediately understood what her daughter hadn’t voiced. The dog’s real family was here now. Ashley would be left out. “The hordes will want lunch, so I’ve got to leave,” said Cathy. “I came over to invite you guys to supper. We’ll grill outside - very informal. I hope you can make it.” Kristin did not have a social calendar, but neither was she sure about having Rick’s “hands-on” family in her personal life. Still, after last night’s get together, it was probably too late for keeping many secrets. “What can we bring to the party?” “Oh, goody!” Cathy was back in form. “Rick will be happy.” The two women walked outside in time to see Quincy race toward Ashley and cover her with kisses. “Ugh!” Ashley protested. “You’re all wet and yucky, Quince.” She stepped back. “You would be too if you kept jumping in the lake for a swim.” Rick joined them, tee shirt soaked, hair standing on end. Eyes bright. He jerked his head toward his sister. “From now on, it’s either the hound or your monsters. Not both.” She punched him lightly on the arm. “Sure, sure, sure. When I see it, I’ll believe it. Ricky, the kids play you the way you play a fish - pulling in the line, letting it out, pulling it in until they catch you. And they always catch you.” She grinned at Kristin. “A real fish might escape, but this fish doesn’t have a chance with the kids. He
Linda Barrett (Summer at the Lake (Flying Solo #1))
[Dr. Henton] reindorced a lesson my pops tried to teach me with his hands: NEVER EVER EVER back down if you're right. If you have evaluated all the perspectives, gone around the round table, and come back around with the same opinion, then walk right up to the offending party and tell'em why you mad. I realized that as wild as I'd been up to that point, I still curbed my opinion ever so slightly because I was surrounded by conservative white people at Rollins. (202) You can't idolize and emulate forever. At some point, you gotta cut the cord and go for dolo. I thought of Locke and his idea of tubula rasa. I realized that I needed to build arguments, philosophies, and a style grounded in my era and experiences. ....I remember she called me a shotgun: "You have all this energy and it's unruly, but like a shotgun, you need the barrel to direct the buckshot just enough." (203) That was it for me. I wanted power, I wanted respect, and I never ever ever anyone to tell me about my face again. (208) ...money, power, and respect drive the world. (211) People were so competitive and saw every job someone else got as a job that they lost. I didn't agree and always told people what Cam'ron said: "Can't get paid in a earth this big? You worthless kid!" (212)
Eddie Huang (Fresh Off the Boat)
His book For Whom the Bell Tolls was an instant success in the summer of 1940, and afforded him the means to live in style at his villa outside of Havana with his new wife Mary Welsh, whom he married in 1946. It was during this period that he started getting headaches and gaining weight, frequently becoming depressed. Being able to shake off his problems, he wrote a series of books on the Land, Air and Sea, and later wrote The Old Man and the Sea for which he won the Pulitzer Prize in May 1954. Hemingway on a trip to Africa where he barely survived two successive airplane crashes. Returning to Cuba, Ernest worked reshaping the recovered work and wrote his memoir, A Moveable Feast. He also finished True at First Light and The Garden of Eden. Being security conscious, he stored his works in a safe deposit box at a bank in Havana. His home Finca Vigía had become a hub for friends and even visiting tourists. It was reliably disclosed to me that he frequently enjoyed swinger’s parties and orgies at his Cuban home. In Spain after divorcing Frank Sinatra Hemingway introduced Ava Gardner to many of the bullfighters he knew and in a free for all, she seduced many of hotter ones. After Ava Gardner’s affair with the famous Spanish bullfighter Luis Miguel Dominguín crashed, she came to Cuba and stayed at Finca Vigía, where she had what was termed to be a poignant relationship with Ernest. Ava Gardner swam nude in the pool, located down the slope from the Hemingway house, after which he told his staff that the water was not to be emptied. An intimate friendship grew between Hemingway’s forth and second wife, Mary and Pauline. Pauline often came to Finca Vigia, in the early 1950s, and likewise Mary made the crossing of the Florida Straits, back to Key West several times. The ex-wife and the current wife enjoyed gossiping about their prior husbands and lovers and had choice words regarding Ernest. In 1959, Hemingway was in Cuba during the revolution, and was delighted that Batista, who owned the nearby property, that later became the location of the dismal Pan Americana Housing Development, was overthrown. He shared the love of fishing with Fidel Castro and remained on good terms with him. Reading the tea leaves, he decided to leave Cuba after hearing that Fidel wanted to nationalize the properties owned by Americans and other foreign nationals. In the summer of 1960, while working on a manuscript for Life magazine, Hemingway developed dementia becoming disorganized and confused. His eyesight had been failing and he became despondent and depressed. On July 25, 1960, he and his wife Mary left Cuba for the last time. He never retrieved his books or the manuscripts that he left in the bank vault. Following the Bay of Pigs Invasion, the Cuban government took ownership of his home and the works he left behind, including an estimated 5,000 books from his personal library. After years of neglect, his home, which was designed by the Spanish architect Miguel Pascual y Baguer in 1886, has now been largely restored as the Hemingway Museum. The museum, overlooking San Francisco de Paula, as well as the Straits of Florida in the distance, houses much of his work as well as his boat housed near his pool.
Hank Bracker
Here is the story, which I have abridged (with acknowledgement to Sergey Parkhomenko, journalist and broadcaster, who reported it): The River Ob makes a turn at Kolpashevo, and every year it eats away a few feet of a sand cliff there. On April 30, 1979, the Ob's waters eroded another six-foot section of bank. Hanging from the newly exposed wall were the arms, legs and heads of people who had been buried there. A cemetery at least several yards wide had been exposed. The bodies had been packed in and layered tightly. Some of the skulls from the uppermost layer rolled out from the sandbank, and little boys picked them up and began playing with them. News of the burial spread quickly and people started gathering at the sandbank. The police and neighbourhood watch volunteers quickly cordoned off the whole thing. Shortly afterwards, they built a thick fence around the crumbling sandbank, warning people away. The next day, the Communist Party called meeting in the town, explaining that those buried were traitors and deserters from the war. But the explanation wasn't entirely convincing. If this were so, why was everyone dressed in civilian clothes? Why had women and children been executed as well? And from where, for that matter, did so many deserters come in a town of just 20,000 people? Meanwhile, the river continued to eat away at the bank and it became clear that the burial site was enormous; thousands were buried there. People could remember that there used to be a prison on these grounds in the late 1930s. It was general knowledge that there were executions there, but nobody could imagine just how many people were shot. The perimeter fence and barbed wire had long ago been dismantled, and the prison itself was closed down. But what the town's people didn't know was that Kolpashevo's prison operated a fully-fledged assembly line of death. There was a special wooden trough, down which a person would descend to the edge of a ditch. There, he'd be killed by rifle fire, the shooter sitting in a special booth. If necessary, he'd be finished off with a second shot from a pistol, before being added to the next layer of bodies, laid head-to-toe with the last corpse. Then they'd sprinkle him lightly with lime. When the pit was full, they filled in the hole with sand and moved the trough over a few feet to the side, and began again. But now the crimes of the past were being revealed as bodies fell into the water and drifted past the town while people watched from the shore. In Tomsk, the authorities decided to get rid of the burial site and remove the bodies. The task, it turned out, wasn't so easy. Using heavy equipment so near a collapsing sandbank wasn't wise and there was no time to dig up all the bodies by hand. The Soviet leadership was in a hurry. Then from Tomsk came new orders: two powerful tugboats were sent up the Ob, right up to the riverbank, where they were tied with ropes to the shore, facing away from the bank. Then they set their engines on full throttle. The wash from the ships' propellers quickly eroded the soft riverbank and bodies started falling into the water, where most of them were cut to pieces by the propellers. But some of the bodies escaped and floated away downstream. So motorboats were stationed there where men hooked the bodies as they floated by. A barge loaded with scrap metal from a nearby factory was moored near the boats and the men were told to tie pieces of scrap metal to the bodies with wire and sink them in the deepest part of the river. The last team, also composed of local men from the town, worked a bit further downstream where they collected any bodies that had got past the boats and buried them on shore in unmarked graves or sank them by tying the bodies to stones. This cleanup lasted almost until the end of the summer.
Lawrence Bransby (Two Fingers On The Jugular)
British law stipulates that third parties who fund libel actions can be dunned for costs if the party they supported loses. The Observer obtained a copy of Irving’s list of 4,017 contributors, over half of whom lived in the United States. A former U-boat commander, currently “a tax avoidance specialist” living in Hawaii, had on one occasion asked Irving to meet him in Amsterdam where he handed him a paper bag with $50,000 in cash. Another supporter was a Floridian, who loaned Irving $45,000. Two contributors—one from
Deborah E. Lipstadt (Denial: Holocaust History on Trial)
Rudolf Hess, and other well-known Thule Society colleagues who had infiltrated the Nazi Party, worked closely with Canaris in directing substantial resources down to Antarctica. The German Navy was a key component at this time, since only it could provide the large cargo submarines Type X (XB) U-boats which were built by a Krupp subsidiary in Kiel) to move all that was necessary down to Antarctica.
Michael E. Salla (Antarctica's Hidden History: Corporate Foundations of Secret Space Programs)
He did not suppose, from what he could remember of her, that she had been an unusual woman, still less an intelligent one; and yet she had possessed a kind of nobility, a kind of purity, simply because the standards that she obeyed were private ones. Her feelings were he own, and could not be altered from the outside. It would not have occurred to her that an action which is ineffectual thereby becomes meaningless. If you loved someone, you loved him, and when you had nothing else to give, you still gave him love. When the last of the chocolate was gone, his mother had clasped the child in her arms. It was no use, it changed nothing, it did not produce more chocolate, it did not avert the child's death or her own; but it seemed natural to her to do it. The refugee woman in the boat had also covered the little boy with her arm, which was no more use against the bullets than a sheet of paper. The terrible thing that the Party had done was to persuade you that mere impulses, mere feelings, were of no account, while at the same time robbing you of all the power over the material world. When once you were in the grip of the Party, what you felt or did not feel, what you did or refrained from doing, made literally no difference. Whatever happened to you vanished, and neither you nor your actions were ever heard of again. You were lifted clean out of the stream of history.
George Orwell (1984)
Finally the 40 days ended. And they jumped off the boat and lived their best lives. Untrue. It was just the dysfunctional party that kept on giving. They had to wait another 150 days for the water to recede. Do you know what the number 150 means in the Bible? Actually, I don’t think it means anything, except QUALITY FAMILY TIME ON THE LIDO DECK. And even after that, when it came time to disembark, imagine the stark reality of discovering that all the family therapists had been wiped off the face of the earth too. This was less than optimal, because it had been a hard season and all.
Angie Smith (Woven: Understanding the Bible as One Seamless Story)
Getting It Right" Your ankles make me want to party, want to sit and beg and roll over under a pair of riding boots with your ankles hidden inside, sweating beneath the black tooled leather; they make me wish it was my birthday so I could blow out their candles, have them hung over my shoulders like two bags full of money. Your ankles are two monster-truck engines but smaller and lighter and sexier than a saucer with warm milk licking the outside edge; they make me want to sing, make me want to take them home and feed them pasta, I want to punish them for being bad and then hold them all night long and say I’m sorry, sugar, darling, it will never happen again, not in a million years. Your thighs make me quiet. Make me want to be hurled into the air like a cannonball and pulled down again like someone being pulled into a van. Your thighs are two boats burned out of redwood trees. I want to go sailing. Your thighs, the long breath of them under the blue denim of your high-end jeans, could starve me to death, could make me cry and cry. Your ass is a shopping mall at Christmas, a holy place, a hill I fell in love with once when I was falling in love with hills. Your ass is a string quartet, the northern lights tucked tightly into bed between a high-count-of-cotton sheets. Your back is the back of a river full of fish; I have my tackle and tackle box. You only have to say the word. Your back, a letter I have been writing for fifteen years, a smooth stone, a moan someone makes when his hair is pulled, your back like a warm tongue at rest, a tongue with a tab of acid on top; your spine is an alphabet, a ladder of celestial proportions. I am navigating the North and South of it. Your armpits are beehives, they make me want to spin wool, want to pour a glass of whiskey, your armpits dripping their honey, their heat, their inexhaustible love-making dark. I am bright yellow for them. I am always thinking about them, resting at your side or high in the air when I’m pulling off your shirt. Your arms of blue and ice with the blood running to make them believe in God. Your shoulders make me want to raise an arm and burn down the Capitol. They sing to each other underneath your turquoise slope-neck blouse. Each is a separate bowl of rice steaming and covered in soy sauce. Your neck is a skyscraper of erotic adult videos, a swan and a ballet and a throaty elevator made of light. Your neck is a scrim of wet silk that guides the dead into the hours of Heaven. It makes me want to die, your mouth, which is the mouth of everything worth saying. It’s abalone and coral reef. Your mouth, which opens like the legs of astronauts who disconnect their safety lines and ride their stars into the billion and one voting districts of the Milky Way. Darling, you’re my President; I want to get this right! Matthew Dickman, The New Yorker: Poems | August 29, 2011 Issue
Matthew Dickman
Enoch’s party left their boats at the river’s end. They had all forgotten the miracle of the changed river course within hours of steering upstream. After a few days, they had begun wondering if their memories had failed them and the river had always flowed north. But as soon as they ran their boats aground, the current suddenly turned back south. Enoch fell to the ground weeping in repentance.
Brian Godawa (Enoch Primordial (Chronicles of the Nephilim #2))
A clearing of a gravelly throat pulled him from his thoughts. He turned and looked at Thomas, the boat captain, who was seventy if he was a day. “I think that’s your party there,” the older man said, nodding toward the gravel lot at the end of the dock. If he seemed a bit uncomfortable, Cooper chalked it up to the rather taciturn older man being thrust into what, based on the bits and pieces of the conversations Cooper had overheard while eating breakfast at the café that morning, was the biggest gossip story to hit the Cove in ages. Maybe the boat captain had been secretly hoping Kerry wouldn’t show and he’d be excused from chaperoning duties. Cooper was too relieved that Kerry had come to get distracted by what the captain was thinking or feeling. He turned around, a welcoming grin on his face, then went completely, utterly still. Even his heart seemed to have stuttered to a stop. Holy jumping mother of--what in the hell was she wearing? He’d just been hoping she’d show at all and assumed he’d have to cajole her out of being annoyed with him for his high-handedness. Again. Only she sure didn’t look annoyed. She looked…like an edible tray of ripe, luscious fruit. With him being the only guest invited to the bountiful buffet. Sweet Jesus. How was he supposed to keep his hands to himself with her wearing nothing more than a glorified bandana? She drew closer, and her smile turned a shade smug. She was clearly enjoying his all but cartoon character worthy, goggling reaction. And well, hell, what did she expect? He was a red-blooded male whose bed had remained strikingly empty since her departure. Since long before then, truth be told. “Hi, Thomas,” she called to the boat captain as she closed the remaining distance between them, still smiling brightly. If she was uncomfortable in her little getup in front of the older man--a man, Cooper supposed, she had to know, given everybody knew everyone in such a small village--she didn’t show it. Instead, she said, “Did they rook you into being our captain today?” The old man’s cheeks were beet red in a way that had nothing to do with decades of harsh weather. He nodded somewhat tensely. “Did indeed, Miss Kerry. Good to, uh, good to see ya,” he managed to choke out, trying to look anywhere but at the expanse of bare leg and curvy cleavage. Cooper would have felt sorry for the man, but he was too busy trying to get his own voice back.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
From the moment Adolf Hitler’s airplane descended from the clouds into Nuremberg on September 4 of that year, every movement he made, every detail of the imagery that unfolded, every word he and his minions spoke, was carefully calculated to reinforce the notion that the Nazi Party was invincible.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
Happy New Year, Cuban Style In Havana, Christmas of 1958 had not been celebrated with the usual festivity. The week between Christmas and New Year’s was filled with uncertainty and the usual joyous season was suspended by many. Visitations among family and friends were few; as people held their breath waiting to see what would happen. It was obvious that the rebel forces were moving ever closer to Havana and on December 31, 1958, when Santa Clara came under the control of “Che” Guevara and Camilo Cienfuegos, the people knew that Havana would be next. What they didn’t know was that their President was preparing to leave, taking with him a large part of the national treasury. Aside from the tourists celebrating at the casinos and some private parties held by the naïve elite, very few celebrated New Year’s Eve. A select few left Cuba with Batista, but the majority didn’t find out that they were without a President until the morning of the following day…. January 1, 1959, became a day of hasty departure for many of Batista’s supporters that had been left behind. Those with boats or airplanes left the island nation for Florida or the Dominican Republic, and the rest sought refuge in foreign embassies. The high=flying era of Batista and his chosen few came to a sudden end. Gone were the police that had made such an overwhelming presence while Batista was in power, and in their place were young people wearing black and red “26th of July” armbands. Not wanting a repeat of when Machado fled Cuba, they went around securing government buildings and the homes of the wealthy. Many of these same buildings had been looted and burned after the revolt of 1933. It was expected that Fidel Castro’s rise to power would be organized and orderly. Although the casinos were raided and gambling tables overturned and sometimes burned in the streets, there was no widespread looting with the exception of the hated parking meters that became symbolic of the corruption in Batista’s government. Castro called for a general “walk-out” and when the country ground to a halt, it gave them a movement time to establish a new government. The entire transition took about a week, while his tanks and army trucks rolled into Havana. The revolutionaries sought out Batista’s henchmen and government ministers and arrested them until their status could be established. A few of Batista’s loyalists attempted to shoot it out and were killed for their efforts. Others were tried and executed, but many were simply jailed, awaiting trial at a later time.
Hank Bracker
proceeded upstream by boat while the larger part of his party went overland led by Capt. Edward Brewster. The latter encountered resistance from the Indians particularly at the hand of "Munetute" ("called amongste us Jacke of the feathers"). Dale and Brewster rendezvoused at the appointed place and "after divers encounter and skirmishes with the salvages gained a convenientt place for fortification where presently they did begin to builde a foarte." The Indians continued to protest this invasion of their territory with the most effective means at hand.
Charles E. Hatch (The First Seventeen Years: Virginia, 1607-1624)
Amelio did himself no favors. Rather than adapt to Apple, he seemed to try to get the company to take on his personality. He had surrounded himself with top executives drawn mostly from the semiconductor industry he knew so well, and he was never effective in public situations. Once, while talking to a group at a dinner party that included Larry Ellison, Amelio tried to put his company’s problems in perspective for the other guests. “Apple is a boat,” he said. “There’s a hole in the boat, and it’s taking on water. But there’s also a treasure on board. And the problem is, everyone on board is rowing in different directions, so the boat is just standing still. My job is to get everyone rowing in the same direction.” After Amelio walked away, Ellison turned to the person standing next to him and asked, “But what about the hole?” That was one story Steve never got tired of telling.
Brent Schlender (Becoming Steve Jobs: The Evolution of a Reckless Upstart into a Visionary Leader)
Once, while talking to a group at a dinner party that included Larry Ellison, Amelio tried to put his company’s problems in perspective for the other guests. “Apple is a boat,” he said. “There’s a hole in the boat, and it’s taking on water. But there’s also a treasure on board. And the problem is, everyone on board is rowing in different directions, so the boat is just standing still. My job is to get everyone rowing in the same direction.” After Amelio walked away, Ellison turned to the person standing next to him and asked, “But what about the hole?
Brent Schlender (Becoming Steve Jobs: The Evolution of a Reckless Upstart into a Visionary Leader)
Had the European traveller chanced upon Philip Dru, Administrator, a novel published anonymously the previous year about an America of the near future, they might have felt their curiosity particularly aroused – or perhaps, on further inspection, they might have wished to get off the boat. Here was an American book with a strange and unlikely vision of the United States, imagining that country in 1920, and on the eve of a second civil war. They would not have realised that the New York address, ‘Mandell House’, given to the book’s hero, Philip Dru, provided the clue to its author: Texan businessman and Democratic Party fixer ‘Colonel’ Edward Mandell House (the military title was honorary). And only if they followed American politics extremely closely would the name have meant anything to them – it was that of the closest political adviser to the newly elected President of the United States, Woodrow Wilson.
Anonymous
May 1915. The Australians, who were about to go into action for the first time in trying circumstances, were cheerful, quiet and confident. There was no sign of nerves nor of excitement. As the moon waned, the boats were swung out, the Australians received their last instructions, and men who six months ago had been living peaceful civilian lives had begun to disembark on a strange and unknown shore in a strange land to attack an enemy of a different race. The boats had almost reached the beach, when a party of Turks, entrenched ashore, opened a terrible fusillade with rifles and a Maxim. Fortunately, the majority of the bullets went high. The Australians rose to the occasion. Not waiting for orders, or for the boats to reach the shore, they sprang into the sea, and, forming a sort of rough line, rushed at the enemy’s trenches. Their magazines were not charged, so they just went in with cold steel. It was over in a minute. The Turks in the first trench were either bayoneted or they ran away, and their Maxim was captured.
John Hirst (The Australians: Insiders and Outsiders on the National Character since 1770)
May 1915. The Australians, who were about to go into action for the first time in trying circumstances, were cheerful, quiet and confident. There was no sign of nerves nor of excitement. As the moon waned, the boats were swung out, the Australians received their last instructions, and men who six months ago had been living peaceful civilian lives had begun to disembark on a strange and unknown shore in a strange land to attack an enemy of a different race. The boats had almost reached the beach, when a party of Turks, entrenched ashore, opened a terrible fusillade with rifles and a Maxim. Fortunately, the majority of the bullets went high. The Australians rose to the occasion. Not waiting for orders, or for the boats to reach the shore, they sprang into the sea, and, forming a sort of rough line, rushed at the enemy’s trenches. Their magazines were not charged, so they just went in with cold steel. It was over in a minute. The Turks in the first trench were either bayoneted or they ran away, and their Maxim was captured. Then the Australians found themselves facing an almost perpendicular cliff of loose sandstone, covered with thick shrubbery. Somewhere, half-way up, the enemy had a second trench, strongly held, from which they poured a terrible fire on the troops below and the boats pulling back to the destroyers for the second landing party. Here was a tough proposition to tackle in the darkness, but those colonials, practical above all else, went about it in a practical way. They stopped for a few minutes to pull themselves together, got rid of their packs, and charged their magazines. Then this race of athletes proceeded to scale the cliffs without responding to the enemy’s fire. They lost some men, but did not worry. In less than a quarter of an hour the Turks were out of their second position, either bayoneted or fleeing. But then the Australasians, whose blood was up, instead of entrenching, rushed northwards and eastwards, searching for fresh enemies to bayonet. It was difficult country to entrench. Therefore they preferred to advance.
John Hirst (The Australians: Insiders and Outsiders on the National Character since 1770)
At Jamestown an area was cleared of trees and the fort begun. The soil was readied and the English wheat brought over for the purpose was planted. At this point Newport, in one of the small boats, led an exploring party as far as the falls of the James. He was absent from Jamestown about a week and returned to find that the Indians had launched a fierce attack on the new settlement which had been saved, perhaps, by the fact that the ships were near at hand. These afforded safe quarters and carried cannon on their decks that had a frightening effect on the natives.
Charles E. Hatch (The First Seventeen Years: Virginia, 1607-1624)
At Jamestown an area was cleared of trees and the fort begun. The soil was readied and the English wheat brought over for the purpose was planted. At this point Newport, in one of the small boats, led an exploring party as far as the falls of the James. He was absent from Jamestown about a week and returned to find that the Indians had launched a fierce attack on the new settlement which had been saved, perhaps, by the fact that the ships were near at hand.
Charles E. Hatch (The First Seventeen Years: Virginia, 1607-1624)
He would have liked to continue talking about his mother. He did not suppose, from what he could remember of her, that she had been an unusual woman, still less an intelligent one; and yet she had possessed a kind of nobility, a kind of purity, simply because the standards that she obeyed were private ones. Her feelings were her own, and could not be altered from outside. It would not have occurred to her that an action which is ineffectual thereby becomes meaningless. If you loved someone, you loved him, and when you had nothing else to give, you still gave him love. When the last of the chocolate was gone, his mother had clasped the child in her arms. It was no use, it changed nothing, it did not produce more chocolate, it did not avert the child’s death or her own; but it seemed natural to her to do it. The refugee woman in the boat had also covered the little boy with her arm, which was no more use against the bullets than a sheet of paper. The terrible thing that the Party had done was to persuade you that mere impulses, mere feelings, were of no account, while at the same time robbing you of all power over the material world. When once you were in the grip of the Party, what you felt or did not feel, what you did or refrained from doing, made literally no difference. Whatever happened you vanished, and neither you nor your actions were ever heard of again. You were lifted clean out of the stream of history. And yet to the people of only two generations ago, this would not have seemed all-important, because they were not attempting to alter history. They were governed by private loyalties which they did not question. What mattered were individual relationships, and a completely helpless gesture, an embrace, a tear, a word spoken to a dying man, could have value in itself. The
George Orwell (Animal Farm and 1984)
One more thing. She wears Patchouli. Every tart in Montmartre wears it. Place Pigalle reeks of it. If she wants to carry out her pose as an aristocrat, she ought to refine her tastes.
Susan Vreeland (Luncheon of the Boating Party)
And so the politicians know who is doing the criticizing, and with whom to settle scores. Former Senator John Kerry made sure that Sam Fox never got his ambassadorship to Belgium. Fox was disciplined for having donated to Swift Boat Veterans for Truth. The government subjected Frank VanderSloot and Catherine Engelbrecht to multiple audits as punishment for their conservative work. The IRS segregated out Tea Party applications and put them on hold as a penalty for opposing Barack Obama.
Kimberley Strassel (The Intimidation Game: How the Left Is Silencing Free Speech)
At that same time, the war raged in Western Europe; German u-boats were haunting all shipping, yet we knew little about the rest of the world. True, we could listen to the radio, in our homes, but were afraid of being found out. One could not talk about it since it was forbidden. The only newspaper in town continued to be "Radianska Bukovina" (Red Bukovina), a Ukrainian daily, which praised workers and peasants, glorified the party and Stalin.
Pearl Fichman (Before Memories Fade)
Once, while talking to a group at a dinner party that included Larry Ellison, Amelio tried to put his company’s problems in perspective for the other guests. “Apple is a boat,” he said. “There’s a hole in the boat, and it’s taking on water. But there’s also a treasure on board. And the problem is, everyone on board is rowing in different directions, so the boat is just standing still. My job is to get everyone rowing in the same direction.” After Amelio walked away, Ellison turned to the person standing next to him and asked, “But what about the hole?” That was one story Steve never got tired of telling.
Brent Schlender (Becoming Steve Jobs: The Evolution of a Reckless Upstart into a Visionary Leader)
One of President Wingfield's first acts in May, 1607, after the construction of James Fort was underway, was the dispatch of a party to explore the river above Jamestown. Twenty-two men under Capt. Christopher Newport left on May 21 and proceeded inland to the falls of the James. in six dayes they arrived at a [Indian] Towne called Powhatan, consisting of some twelve houses, pleasantly seated on a hill; before it three fertile Iles, about it many of their cornefields, the place is very pleasant, and strong by nature ... To this place the river is navigable: but higher within a mile, by reason of the rockes and isles, there is not passage for a small boat, this they call the Falles.
Charles E. Hatch (The First Seventeen Years: Virginia, 1607-1624)
We anchored just off the mouth of the Ozama River in about 30 feet of water and used the running boat to land liberty parties. Since Trujillo was extremely anti-communist, everything else he did was forgiven by the United States. It was our policy at the time to maintain a friendship with Latin American dictators, as long as they are anti-communistic. Regardless of our political friendship with the Dominican Republic, we were warned not to get into trouble since it could create a serious international problem. From our vantage point at the anchorage, we could see the newly acquired Presidential yacht Angelita alongside the wharf paralleling the Ozama River. The vessel was built in Kiel, Germany, in 1931 as the Hussar II and at the time was the largest private yacht afloat. The Angelita had a strange look since she was designed to be a four-masted sail ship, but lacked masts, when she was previously converted to a weather ship for the U.S. Coast Guard and later the U.S. Navy. The name had already been changed from USS Sea Cloud to Trujillo’s daughter’s name when I saw her, but it would still take a few more years before her conversion would be complete although she should have remained a sail ship…. The good news is that after the ship stayed in port for eight years, Hartmut Paschburg and a group of Hamburg associates purchased her. Changing her name back to the Sea Cloud, she underwent extensive repairs and revisions at the Howaldtswerke-Deutsche Werft, the same Hamburg shipyard where she was originally built. This time she became a luxury sailing cruising ship outfitted to accommodate sixty-four passengers and a crew of sixty. The Sea Cloud set sail on her first cruise in 1979 and has been described by the Berlitz Complete Guide to Cruising & Cruise Ships as "the most romantic sailing ship afloat! In 2011, the Sea Cloud underwent additional renovations at the MWB-Werft in Bremerhaven. She is still in operation….
Hank Bracker
When he returned to Florida in the early part of 1939, Hemingway took his boat the Pilar across the Straits of Florida to Havana, where he checked into the Hotel Ambos Mundos. Shortly thereafter, Martha joined him in Cuba and they first rented, and later in 1940, purchased their home for $12,500. Located 10 miles to the east of Havana, in the small town of San Francisco de Paula, they settled into what they called Finca Vigía, the Lookout Farm. On November 20, 1940, after a difficult divorce from Pauline, Ernest and Martha got married. Even though Cuba had become their home, they still took editorial assignments overseas, including one in China that Martha had for Collier’s magazine. Returning to Cuba just prior to the outbreak of World War II, he convinced the Cuban government to outfit his boat with armaments, with which he intended to ambush German submarines. As the war progressed, Hemingway went to London as a war correspondent, where he met Mary Welsh. His infatuation prompted him to propose to her, which of course did not sit well with Martha. Hemingway was present at the liberation of Paris and attended a party hosted by Sylvia Beach. He, incidentally, also renewed a friendship with Gertrude Stein. Becoming a famous war correspondence he covered the Battle of the Bulge, however he then spent the rest of the war on the sidelines hospitalized with pneumonia. Even so, Ernest was awarded the Bronze Star for bravery. Once again, Hemingway fell in lust, this time with a 19-year-old girl, Adriana Ivancich. This so-called platonic, wink, wink, love affair was the essence of his novel Across the River and Into the Trees, which he wrote in Cuba.
Hank Bracker
The girl you knew was a silly little romantic with her head in the clouds,' she hissed back at him, lowering her voice again as Steven glanced their way. 'I learned to hit back.' 'You certainly did.' Ty put down the half-empty cup, taking advantage of the pause to gather himself. When he spoke again it was in modulated, reasonable tones. 'Ria, it wasn't the way you thought back then. I no more wanted to lose you than you wanted to go, only it wouldn't have worked out. You needed a home, boyfriends, parties—all the things you'd missed out on trying to be what you weren't. All I could offer you was a rusting boat and a life where even I couldn't be sure what the next day was going to bring.' 'I see.' She attempted the same level delivery. 'So you sent me away for my own sake. Self-sacrificing of you, Ty—if I believed a word of it!
Kay Thorpe (Jungle Island)
Thirty-one days of sun, beach, boating, outdoor showers, fireflies, garden parties, linen sheets, coffee on the deck in the morning, a gin and tonic on the patio in the evening.
Elin Hilderbrand (The Blue Bistro)
Which way do we go?” “Left,” said Ike. He was so sure. “But Walker went right with the boats, I saw him,” Ali said. “That could work,” Ike allowed. “But it’s backward.” “Backward?” “Can’t you feel it?” Ike asked. “This is a sacred space. You always walk to the left around sacred places. Mountains. Temples. Lakes. That’s just how it’s done. Clockwise.” “Isn’t that some Buddhist thing?” said Pia. “Dante,” said Ike. “Ever read the Inferno? Each time they hit a fork, the party goes left. Always left. And he was no Buddhist.
Jeff Long (The Descent)
The parties, the layovers in international airports, the cocktails on the jet, and the beaches and the boats and the vineyards. And it all looks how it should, but it feels different than I imagined it. Honestly, I think it feels different than it used to. I used to bounce off the walls for weeks before a trip, you know? And when I got to the airport, I’d feel like—like my blood was humming. Like the air was just vibrating with possibility around me. I don’t know.
Emily Henry (People We Meet on Vacation)
In the undergrowth robins sang of water; in the rushes bullfrogs croaked of love. The cardinal whistled to his mate. As Harry rushed through the ritual words, Leah wondered what he would look like clothed only in leaves. His hair was so dark it was almost blue. Could he dance? she wondered. She would follow if he started any dance at all. She could see him wreathed with grapes, standing on a boat with curving prow, thee mast encircled with vines, all the sailors already transformed into dolphins.
Grace Dane Mazur (The Garden Party: A Novel)
The beaches in Dubai are well-known for their cleanliness and tranquility. While many individuals enjoy a relaxing weekend at the beach, thrill-seekers prefer to participate in thrilling water sports. Jet skiing is one of Dubai's most popular water activities, and adventure seekers love to try it. Do you want to know what the most extraordinary Dubai marine adventures are? What is the best method to see this magnificent city? There is plenty to do in this city-state of the UAE, and we have several fun aquatic activities for you to enjoy while on vacation or to live in the Emirates! How about a Jet Ski Ride along the Dubai waterfront? It can be done with your family, as a couple, with friends, or by yourself. We jet ski around all of Dubai's most famous attractions, skyscrapers, and landmarks. All of our Jet Ski trips include a stop at the luxury Burj Al Arab hotel, which is constructed into the sea, where you can have fun and receive a photo souvenir of Dubai. Jet skiing in Dubai is unquestionably the most acceptable way to see the city and have a good time during your vacation. Dubai Yacht Rental Experience When it comes to a luxury Boat Party in Dubai for those who can afford it, the pleasure and adventure that Yachts can provide cannot be overstated. Yachting is, without a doubt, the most beautiful sport on the planet. It's a once-in-a-lifetime opportunity to splash around in the ocean's deep blue waves and lose yourself in an environment that is both soothing and calming to the soul. The sensation you get from a yacht requires a whole new set of words to explain it. It's a fantastic experience that transports people to another zone while also altering their mental state. People who have the advantage of owning private yachts go sailing to have a relaxing excursion and clear their minds whenever they feel the need. Those who cannot afford to purchase a yacht can enjoy the thrill of cruising from one coastal region to the other by renting an economical Dubai yacht. It is not a challenging task to learn to sail. Some people believe that yachting can only be done by experts, which is a ridiculous misconception. Anyone willing to acquire a few tactics and hints can master the art of yachting. READ MORE About Dubai Jet Ski: Get lost in the tranquility of blue waters while waiting to partake in action. With the instructor sitting right behind you, you’ll learn astonishing stunts and skills for riding a Jet ski. This adventure will take your excitement to a new level of adventure in the open sea. While sailing past the picturesque shorelines of the islands, take in stunning views of prominent Dubai monuments such as the Burj Al Arab and more. About the activity: Jumeirah Beach is the meeting site for this activity. You have the option of riding for 30 minutes or 60 minutes Jet Ski around the beaches while being accompanied at all times by an instructor, as your safety is our top priority. Begin your journey from the marina and proceed to the world-famous Burj-Al-Arab, a world well known hotel, for a photo shoot. where you may take as many pictures as you want
uaebestdesertsafar
FEARFUL-AVOIDANT & SECURE ATTACHMENT STYLE This dynamic is often very empowering for the Fearful-Avoidant if they allow themselves to be open to trusting their partner. It will begin with both parties deeply connecting, and the Fearful-Avoidant partner experiencing strong infatuation. Over time, the Fearful-Avoidant might begin to withdraw when they feel too vulnerable. The Fearful-Avoidant also tends to sacrifice their needs in order to become worthy of love. This may create resentment over time, which can cause them to lash out at their Secure partner later on. The Secure partner often doesn’t give in to these protest behaviors. At best, the Fearful-Avoidant will learn to express their feelings and needs by modeling after their partner. They will learn to trust and still maintain deep connection. At worst, the Fearful-Avoidant will rock the boat too much for their Secure Attachment partner. This can lead to the two splitting up, as the Secure is often excellent at sticking to their boundaries.
Thais Gibson (Attachment Theory: A Guide to Strengthening the Relationships in Your Life)
From the moment Adolf Hitler’s airplane descended from the clouds into Nuremberg on September 4 of that year, every movement he made, every detail of the imagery that unfolded, every word he and his minions spoke, was carefully calculated to reinforce the notion that the Nazi Party was invincible. And more: that it was the only legitimate object of not just political but religious fervor. And still more: that this new German religion was embodied and made incarnate in the person of its leader.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
Micah’s smile was hideous. “She made no secret that she kept an eye on the synth trials, because she was keen to find a way to help her weak, vulnerable, half-human friend. You, who would inherit no power—she wondered if it might give you a fighting chance against the predators who rule this world. And when she saw the horrors the synth could bring about, she became concerned for the test subjects. Concerned for what it’d do to humans if it leaked into the world. But Redner’s employees said Danika had her own research there, too. No one knew what, but she spent time in their labs outside of her own duties.” All of it had to be on the flash drive Bryce had found. Hunt prayed she’d put it somewhere safe. Wondered what other bombshells might be on it. Bryce said, “She was never selling the synth on that boat, was she?” “No. By that point, I’d realized I needed someone with unrestricted access to the temple to take the Horn—I would be too easily noticed. So when she stole the synth trial footage, I had my chance to use her.” Bryce made it up another step. “You dumped the synth into the streets.” Micah kept trailing her. “Yes. I knew Danika’s constant need to be the hero would send her running after it, to save the lowlifes of Lunathion from destroying themselves with it. She got most of it, but not all. When I told her I’d seen her on the river, when I claimed no one would believe the Party Princess was trying to get drugs off the streets, her hands were tied. I told her I’d forget about it, if she did one little favor for me, at just the right moment.” “You caused the blackout that night she stole the Horn.” “I did. But I underestimated Danika. She’d been wary of my interest in the synth long before I leaked it onto the streets, and when I blackmailed her into stealing the Horn, she must have realized the connection between the two. That the Horn could be repaired by synth.” “So you killed her for it?” Another step, another question to buy herself time. “I killed her because she hid the Horn before I could repair it with the synth. And thus help my people.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
I ravaged Mike’s mouth with all the subtlety of a pirate invading party boarding an enemy boat.
Shae Michaels (The Handyman's Brother (Pine Ridge #2))
In line at the bank, the man behind me wears no socks with his boat shoes and auditions for the role of killer.
Olivia Gatwood (Life of the Party)
despise the idea that paintings are investments,” Auguste said. “Why not hang a Suez Canal stock certificate on the wall?
Susan Vreeland (Luncheon of the Boating Party)
He mixed red with white on his palette. “Such pleasure paint gives.
Susan Vreeland (Luncheon of the Boating Party)
He would have liked to continue talking about his mother. He did not suppose, from what he could remember of her, that she had been an unusual woman, still less an intelligent one; and yet she had possessed a kind of nobility, a kind of purity, simply because the standards that she obeyed were private ones. Her feelings were her own, and could not be altered from outside. It would not have occurred to her that an action which is ineffectual thereby becomes meaningless. If you loved someone, you loved him, and when you had nothing else to give, you still gave him love. When the last of the chocolate was gone, his mother had clasped the child in her arms. It was no use, it changed nothing, it did not produce more chocolate, it did not avert the child’s death or her own; but it seemed natural to her to do it. The refugee woman in the boat had also covered the little boy with her arm, which was no more use against the bullets than a sheet of paper. The terrible thing that the Party had done was to persuade you that mere impulses, mere feelings, were of no account, while at the same time robbing you of all power over the material world. When once you were in the grip of the Party, what you felt or did not feel, what you did or refrained from doing, made literally no difference. Whatever happened you vanished, and neither you nor your actions were ever heard of again. You were lifted clean out of the stream of history. And yet to the people of only two generations ago this would not have seemed all-important, because they were not attempting to alter history. They were governed by private loyalties which they did not question. What mattered were individual relationships, and a completely helpless gesture, an embrace, a tear, a word spoken to a dying man, could have value in itself. The proles, it suddenly occurred to him, had remained in this condition. They were not loyal to a party or a country or an idea, they were loyal to one another. For the first time in his life he did not despise the proles or think of them merely as an inert force which would one day spring to life and regenerate the world. The proles had stayed human. They had not become hardened inside. They had held on to the primitive emotions which he himself had to re-learn by conscious effort.
George Orwell (1984)
The sociologist Talcott Parsons suggested already in 1942 that fascism emerged out of uprooting and tensions produced by uneven economic and social development—an early form of the fascism/modernization problem. In countries that industrialized rapidly and late, like Germany and Italy, Parsons argued, class tensions were particularly acute and compromise was blocked by surviving pre-industrial elites. This interpretation had the merit of treating fascism as a system and as the product of a history, as did the Marxist interpretation, without Marxism’s determinism, narrowness, and shaky empirical foundations. The philosopher Ernst Bloch, a Marxist made unorthodox by an interest in the irrational and in religion, arrived in his own way at another theory of “noncontemporaneity” (Ungleichzeitigkeit). Contemplating Nazi success with archaic and violent “red dreams” of blood, soil, and a precapitalist paradise, utterly incompatible with what he considered the party’s true fealty to big business, he understood that vestigial values flourished long after they had lost any correspondence with economic and social reality. “Not all people exist in the same Now.” Orthodox Marxists, he thought, had missed the boat by “cordoning off the soul.” Uneven development continues to arouse interest as an ingredient of prefascist crises, but the case for it is weakened by France’s notoriously “dual” economy, in which a powerful peasant/artisan sector coexisted with modern industry without fascism reaching power except under Nazi occupation.
Robert O. Paxton (The Anatomy of Fascism)
heard Ash say we need a wedding theme. What does she mean? Like the frat parties we used to have? Like a boats and hoes wedding?
Jillian Dodd (That Wedding (That Boy, #2))
Courage is not standing up to a ludicrous man-child like Donald Trump. Courage is getting out of the boat when the soldier in front of you was just killed. That’s the legacy of the current generation of our politicians, and while there is failure of courage enough to go around across the political spectrum, my brief is the Republican Party and its total collapse as a moral force.
Stuart Stevens (It Was All a Lie: How the Republican Party Became Donald Trump)
The refugee woman in the boat had also covered the little boy with her arm, which was no more use against the bullets than a sheet of paper. The terrible thing that the Party had done was to persuade you that mere impulses, mere feelings, were of no account, while at the same time robbing you of all power over the material world.
George Orwell (1984)
In answer to an inquiry Wilbur sent to the United States Weather Bureau in Washington about prevailing winds around the country, they were provided extensive records of monthly wind velocities at more than a hundred Weather Bureau stations, enough for them to take particular interest in a remote spot on the Outer Banks of North Carolina called Kitty Hawk, some seven hundred miles from Dayton. Until then, the farthest the brothers had been from home was a trip to Chicago for the Columbian Exposition of 1893. And though they had “roughed it” some on a few camping trips, it had been nothing like what could be expected on the North Carolina coast. To be certain Kitty Hawk was the right choice, Wilbur wrote to the head of the Weather Bureau station there, who answered reassuringly about steady winds and sand beaches. As could be plainly seen by looking at a map, Kitty Hawk also offered all the isolation one might wish for to carry on experimental work in privacy. Still further encouragement came when, on August 18, 1900, the former postmaster at Kitty Hawk, William J. Tate, sent a letter saying: Mr. J. J. Dosher of the Weather Bureau here has asked me to answer your letter to him, relative to the fitness of Kitty Hawk as a place to practice or experiment with a flying machine, etc. In answering I would say that you would find here nearly any type of ground you could wish; you could, for instance, get a stretch of sandy land one mile by five with a bare hill in center 80 feet high, not a tree or bush anywhere to break the evenness of the wind current. This in my opinion would be a fine place; our winds are always steady, generally from 10 to 20 miles velocity per hour. You can reach here from Elizabeth City, N.C. (35 miles from here) by boat . . . from Manteo 12 miles from here by mail boat every Mon., Wed., & Friday. We have telegraph communication & daily mails. Climate healthy, you could find good place to pitch tent & get board in private family provided there were not too many in your party; would advise you to come anytime from September 15 to October 15. Don’t wait until November. The autumn generally gets a little rough by November. If you decide to try your machine here and come, I will take pleasure in doing all I can for your convenience and success and pleasure, and I assure you you will find a hospitable people when you come among us. That decided the matter. Kitty Hawk it would be.
David McCullough (The Wright Brothers)
have to tell that cook to scatter his hits. He’s bunching ’em too much in my direction,” and Tom wiped the tears from his eyes. “To answer your question,” said Professor Bumper, “I will say that I have made partial arrangements for men and animals, and boats if it is found feasible to use them. I’ve been in correspondence with one of the merchants here, and he promised to make arrangements for us.” “When do we leave?” asked Mr. Damon. “As soon as possible. I am not going to risk anything by delay,” and it was evident the professor referred to his young rival whose arrival might be expected almost any time. As the party was about to leave the table, they were approached by a tall, dignified Spaniard who bowed low, rather exaggeratedly low, Ned thought, and addressed them in fairly good English. “Your pardons, Senors,” he began, “but if it will please you to avail yourself of the humble services of myself, I shall have great pleasure in guiding you into the interior. I have at my command both mules and boats.” “How do you know we are going into
Victor Appleton (The Tom Swift MEGAPACK®: 25 Complete Novels)
He could smell the earth and the trees around the shallow lake beneath the balcony. It was a cloudy night and very dark, just a hint of glow directly above, where the clouds were lit by the shining Plates of the Orbital’s distant daylight side. Waves lapped in the darkness, loud slappings against the hulls of unseen boats. Lights twinkled round the edges of the lake, where low college buildings were set among the trees. The party was a presence at his back, something unseen, surging like the sound and smell of thunder from the faculty building; music and laughter and the scents of perfumes and food and exotic, unidentifiable fumes.
Iain M. Banks (The Player of Games (Culture, #2))
On day three I am very excited to attend one of our special excursions for which you pay extra. We are going to get off the boat early in the morning in Bermuda, where we will be given bicycles. We will ride our bikes around the island with a guide to a special secluded beach where we can swim and have rum swizzles and then we will be taken back to the ship by a party boat. Sounds pretty good, right? That’s what I thought, too. I wouldn’t shut up about it. For weeks before we left I bragged about how I had chosen the best excursion. It was fun and fitness combined! It was a great way to see the island! My husband and I wait at the designated pickup point at 8:30 A.M. No one else shows up. A quick check of our itinerary reveals the heartbreaking truth. The bike trip was yesterday. In my excitement, I memorized it wrong. I cry. I cry like a three year old who just wants to take her toy cash register into the bathtub. I cry in a way that reveals that I’m not finding the rest of the cruise that fun. This is definitely the low point of the trip, until the fire. Oh yes, there’s a ship fire coming in this story. Wait for it.
Tina Fey (Bossypants)
Bodega Bay was the same harbor where Alfred Hitchcock had filmed his 1963 horror classic, The Birds, the movie that made the world think twice about backyard feeders. Hitchcock knew the worst shocks came from the mundane, and few creatures were as widespread, and as taken for granted, as birds. So the great director had western gulls dive-bombing children at an outdoor birthday party, raspberry-dipped house finches pouring into a living room through the fireplace, and American crows slashing at Tippi Hed-ren while she cowered in a bedroom. Suffice to say, The Birds was not a popular movie with birders on board this tour boat. After lifetimes of weekends in the field, they knew birds didn’t attack humans. The only way Hitchcock had got ravens to chase actors was to sprinkle their hair with seed. Crows lurked on the gutters of the old schoolhouse because he affixed magnets to their feet. Children fleeing swarms of blackbirds in the movie were actually running on a studio treadmill with birds tied to their necks. It all seemed silly to Levantin. The only menacing thing birds ever did to him was poop on his patio.
Mark Obmascik (The Big Year: A Tale of Man, Nature, and Fowl Obsession)
I was cursed with the inability to ever sleep in late, a habit inherited from years of working on fishing boats. Being drunk and/or being hungover has never been nor ever will be an acceptable reason for not being at work and doing your job on time. In some sick way, there’s even a sense of pride from being able to party all night and work all day. Throughout my entire career, I and others alike in the industry were praised for this attribute. A talent that I often secretly wore like a scarlet letter of shame, I was blessed with an extremely high tolerance for alcohol, particularly whiskey. The problem with this is that it got me into a lot of shitty situations. I often found myself in questionable locations, with even more questionable company, doing even more questionable activities. It was a direct portal to a darkness that had haunted me since my teenage years.
Kenton Geer (Vicious Cycle: Whiskey, Women, and Water)