“
You have to start over. That's what they say. But life is not a board game, and losing a loved one is never really "starting over." More like "continuing without.
”
”
Mitch Albom (The First Phone Call from Heaven)
“
You may not see every single piece of the puzzle that creates your life -- you may not see every move the grand chess player makes -- but know, He is in complete control of the game board. Sometimes certain pieces are moved or knocked over to make room for new ones. Other times, things happen because of the world we live in. But everything in the end, will always turn out for good. It's a nice promise, isn't it? To know there's a reason for it all?
”
”
Rachel Van Dyken (Ruin (Ruin, #1))
“
Life is a lot like surfing… When you get caught in the impact zone, you’ve got to just get back up. Because you never know what may be over the next wave.
”
”
Bethany Hamilton (Soul Surfer: A True Story of Faith, Family, and Fighting to Get Back on the Board)
“
Escape through travel works. Almost from the moment I boarded my flight, life in England became meaningless. Seat-belt signs lit up, problems switched off. Broken armrests took precedence over broken hearts. By the time the plane was airborne I'd forgotten England even existed.
”
”
Alex Garland (The Beach)
“
Wind warns November’s done with. The blown leaves make bat-shapes, Web-winged and furious.
”
”
Sylvia Plath (The Collected Poems)
“
Can you stop bleeding all over the murder board, please
”
”
Holly Jackson (A Good Girl's Guide to Murder (A Good Girl's Guide to Murder, #1))
“
In my whole life, I have known no wise people (over a board subject matter area) who didn't read all the time - none, zero. You'd be amazed how much Warren reads - and at how much I read. My children laugh at me. They think I'm a book with a couple of legs sticking out.
”
”
Charles T. Munger (Poor Charlie's Almanack: The Wit and Wisdom of Charles T. Munger)
“
Ruby, what does the future look like?” Nico asked. “I can’t picture it. I try all the time, but I can’t imagine it. Jude said it looked like an open road just after a rainstorm.”
I turned back toward the board, eyes tracing those eight letters, trying to take their power away; change them from a place, a name, to just another word. Certain memories trap you; you relive their thousand tiny details. The damp, cool spring air, swinging between snow flurries and light rain. The hum of the electric fence. The way Sam used to let out a small sigh each morning we left the cabin. I remembered the path to the Factory the way you never forgot the story behind a scar. The black mud would splatter over my shoes, momentarily hiding the numbers written there. 3285. Not a name.
You learned to look up, craning your neck back to gaze over the razor wire curled around the top of the fence. Otherwise, it was too easy to forget that there was a world beyond the rusting metal pen they’d thrown all of us animals into.
“I see it in colors,” I said. “A deep blue, fading into golds and reds—like fire on a horizon. Afterlight. It’s a sky that wants you to guess if the sun is about to rise or set.”
Nico shook his head. “I think I like Jude’s better.”
“Me too,” I said softly. “Me too.
”
”
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
“
Mothers. Can’t live with them, can’t hit them over the head with a board.
”
”
Katherine Allred (The Sweet Gum Tree)
“
[Riley] slapped his hands to his face and then dropped them as if in surrender. 'I always say the wrong thing around you. Look, can we start over?'
Over?"
Yes. Over. Wipe the board clean.'
But I would have to go back to hating you and not trusting you' I said
Oh, well don't do that.' He paused and chewed his lip. 'Does that mean you like and trust me now?' "
- Riley and Trella
”
”
Maria V. Snyder (Inside Out (Insider, #1))
“
And now my old dog is dead, and another I had after him, and my parents are dead, and that first world, that old house, is sold and lost, and the books I gathered there lost, or sold- but more books bought, and in another place, board by board and stone by stone, like a house, a true life built, and all because I was steadfast about one or two things: loving foxes, and poems, the blank piece of paper, and my own energy- and mostly the shimmering shoulders of the world that shrug carelessly over the fate of any individual that they may, the better, keep the Niles and Amazons flowing.
”
”
Mary Oliver (Blue Pastures)
“
...Whilst on board the Beagle I was quite orthodox, and I remember being heartily laughed at by several of the officers... for quoting the Bible as an unanswerable authority on some point of morality... But I had gradually come by this time, i.e., 1836 to 1839, to see that the Old Testament from its manifestly false history of the world, with the Tower of Babel, the rainbow at sign, &c., &c., and from its attributing to God the feelings of a revengeful tyrant, was no more to be trusted than the sacred books of the Hindoos, or the beliefs of any barbarian.
...By further reflecting that the clearest evidence would be requisite to make any sane man believe in the miracles by which Christianity is supported, (and that the more we know of the fixed laws of nature the more incredible do miracles become), that the men at that time were ignorant and credulous to a degree almost uncomprehensible by us, that the Gospels cannot be proved to have been written simultaneously with the events, that they differ in many important details, far too important, as it seemed to me, to be admitted as the usual inaccuracies of eyewitnesses; by such reflections as these, which I give not as having the least novelty or value, but as they influenced me, I gradually came to disbelieve in Christianity as a divine revelation. The fact that many false religions have spread over large portions of the earth like wild-fire had some weight with me. Beautiful as is the morality of the New Testament, it can be hardly denied that its perfection depends in part on the interpretation which we now put on metaphors and allegories.
But I was very unwilling to give up my belief... Thus disbelief crept over me at a very slow rate, but was at last complete. The rate was so slow that I felt no distress, and have never since doubted even for a single second that my conclusion was correct. I can indeed hardly see how anyone ought to wish Christianity to be true; for if so the plain language of the text seems to show that the men who do not believe, and this would include my Father, Brother and almost all of my friends, will be everlastingly punished.
And this is a damnable doctrine.
”
”
Charles Darwin (The Autobiography of Charles Darwin, 1809–82)
“
Chess teaches foresight, by having to plan ahead; vigilance, by having to keep watch over the whole chess board; caution, by having to restrain ourselves from making hasty moves; and finally, we learn from chess the greatest maxim in life - that even when everything seems to be going badly for us we should not lose heart, but always hoping for a change for the better, steadfastly continue searching for the solutions to our problems.
”
”
Benjamin Franklin
“
I don’t know what you’re referencing, madam,” the chairman says, his voice raised over mine.
“I’m talking about menstruation, sir!” I shout in return.
It’s like I set the hall on fire, manifested a venomous snake from thin air, also set that snake on fire, and then threw it at the board. The men all erupt into protestations and a fair number of horrified gasps. I swear one of them actually swoons at the mention of womanly bleeding.
”
”
Mackenzi Lee (The Lady's Guide to Petticoats and Piracy (Montague Siblings, #2))
“
You remember what I told you about chess pieces? That I didn’t know what piece you were?” “Yes.” He turned his neck to put his eyes on hers. “You’re the queen on the board, Amara. You’re my most powerful piece, but my most vulnerable. They get you, they get me, and the game is over. So, I’ll do whatever I need to make sure they never get you.
”
”
RuNyx (The Emperor (Dark Verse, #3))
“
Innovation is not a quick fix. It often requires sustained investment and effort over a long period.
”
”
Hendrith Vanlon Smith Jr. (Board Room Blitz: Mastering the Art of Corporate Governance)
“
Anyone who has ridden the subway twice a day to earn their bread knows how it goes: When you board, you exhibit the same persona you use with your colleagues and acquaintances. You've carried it through the turnstile and past the sliding doors, so that your fellow passengers can tell who you are - cocky or cautious, amorous or indifferent, loaded or on the dole. But you find yourself a seat and the train gets under way; it comes to one station and then another; people get off and others get on. And under the influence of the cradlelike rocking of the train, your carefully crafted persona begins to slip away. The super-ego dissolves as your mind begins to wander aimlessly over your cares and your dreams; or better yet, it drifts into ambient hypnosis, where even cares and dreams recede and the peaceful silence of the cosmos pervades.
”
”
Amor Towles (Rules of Civility)
“
Sister, there are people who went to sleep all over the world last night, poor and rich and white and black, but they will never wake again. Sister, those who expected to rise did not, their beds became their cooling boards, and their blankets became their winding sheets. And those dead folks would give anything, anything at all for just five minutes of this weather or ten minutes of that plowing that person was grumbling about. So you watch yourself about complaining, Sister. What you're supposed to do when you don't like a thing is change it. If you can't change it, change the way you think about it. Don't complain.
”
”
Maya Angelou (Wouldn't Take Nothing for My Journey Now)
“
A doctor, a logician and a marine biologist had also just arrived, flown in at phenomenal expense from Maximegalon to try to reason with the lead singer who had locked himself in the bathroom with a bottle of pills and was refusing to come out till it could be proved conclusively to him that he wasn't a fish. The bass player was busy machine-gunning his bedroom and the drummer was nowhere on board.
Frantic inquiries led to the discovery that he was standing on a beach on Santraginus V over a hundred light years away where, he claimed, he had been happy for over half an hour now and had found a small stone that would be his friend.
”
”
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
“
A balanced approach fosters sustainable growth by avoiding an over-reliance on any single success factor.
”
”
Hendrith Vanlon Smith Jr. (Board Room Blitz: Mastering the Art of Corporate Governance)
“
Don’t you know that slavery was outlawed?”
“No,” the guard said, “you’re wrong. Slavery was outlawed with the exception of prisons. Slavery is legal in prisons.”
I looked it up and sure enough, she was right. The Thirteenth Amendment to the Constitution says:
“Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States, or any place subject to their jurisdiction.”
Well, that explained a lot of things. That explained why jails and prisons all over the country are filled to the brim with Black and Third World people, why so many Black people can’t find a job on the streets and are forced to survive the best way they know how. Once you’re in prison, there are plenty of jobs, and, if you don’t want to work, they beat you up and throw you in a hole. If every state had to pay workers to do the jobs prisoners are forced to do, the salaries would amount to billions… Prisons are a profitable business. They are a way of legally perpetuating slavery. In every state more and more prisons are being built and even more are on the drawing board. Who are they for? They certainly aren’t planning to put white people in them. Prisons are part of this government’s genocidal war against Black and Third World people.
”
”
Assata Shakur (Assata: An Autobiography)
“
Over my desk, I’ve got this enormous bulletin board, and on it I’ve tacked black-and-white photographs of writers at work.
”
”
Jennifer Niven (All the Bright Places)
“
Chess is war over the board. The object is to crush the opponent's mind.
”
”
Bobby Fischer
“
I KNEW IT WAS OVER
when tonight you couldn't make the phone ring
when you used to make the sun rise
when trees used to throw themselves
in front of you
to be paper for love letters
that was how i knew i had to do it
swaddle the kids we never had
against january's cold slice
bundle them in winter
clothes they never needed
so i could drop them off at my mom's
even though she lives on the other side of the country
and at this late west coast hour is
assuredly east coast sleeping
peacefully
her house was lit like a candle
the way homes should be
warm and golden
and home
and the kids ran in
and jumped at the bichon frise
named lucky
that she never had
they hugged the dog
it wriggled
and the kids were happy
yours and mine
the ones we never had
and my mom was
grand maternal, which is to say, with style
that only comes when you've seen
enough to know grace
like when to pretend it's christmas or
a birthday so
she lit her voice with tiny
lights and pretended
she didn't see me crying
as i drove away
to the hotel connected to the bar
where i ordered the cheapest whisky they had
just because it shares your first name
because they don't make a whisky
called baby
and i only thought what i got
was what
i ordered
i toasted the hangover
inevitable as sun
that used to rise
in your name
i toasted the carnivals
we never went to
and the things you never won
for me
the ferris wheels we never
kissed on and all the dreams
between us
that sat there
like balloons on a carney's board
waiting to explode with passion
but slowly deflated
hung slave
under the pin-
prick of a tack
hung
heads down
like lovers
when it doesn't
work, like me
at last call
after too many cheap
too many sweet
too much
whisky makes me
sick, like the smell of cheap,
like the smell of
the dead
like the cheap, dead flowers
you never sent
that i never threw
out of the window
of a car
i never
really
owned
”
”
Daphne Gottlieb (Final Girl)
“
I saw a meme the other day with a picture of Marilyn Manson and Robin Williams. It said about the former, this isn’t the face of depression, and about the latter, this is. This really struck a chord and it’s been on my mind since then. As someone who has continuously dipped in and out of chronic depression and anxiety for close to three decades now, and I’ve never previously spoken about the subject, I finally thought it was time I did.
These days it’s trendy for people to think they’re cool and understanding about mental illness, posting memes and such to indicate so. But the reality is far different to that. It seems most people think if they publicly display such understanding then perhaps a friend will come to them, open up, and calmly discuss their problems. This will not happen. For someone in that seemingly hopeless void of depression and anxiety the last thing they are likely to do is acknowledge it, let alone talk about it. Even if broached by a friend they will probably deny there is a problem and feel even more distanced from the rest of the world.
So nobody can do anything to help, right? No. If right now you suspect one of your friends is suffering like this then you’re probably right. If right now you think that none of your friends are suffering like this then you’re probably wrong. By all means make your public affirmations of understanding, but at least take on board that an attempt to connect on this subject by someone you care about could well be cryptic and indirect.
When we hear of celebrities who suffered and finally took their own lives the message tends to be that so many close friends had no idea. This is woeful, but it’s also great, right? Because by not knowing there was a problem there is no burden of responsibility on anyone else. This is another huge misconception, that by acknowledging an indirect attempt to connect on such a complex issue that somehow you are accepting responsibility to fix it. This is not the case. You don’t have to find a solution. Maybe just listen. Many times over the years I’ve seen people recoil when they suspect that perhaps that is the direct a conversation is about to turn, and they desperately scramble for anything that can immediately change the subject. By acknowledging you’ve heard and understood doesn’t mean you are picking up their burden and carrying it for them.
Anyway, I’ve said my piece. And please don’t think this is me reaching out for help. If this was my current mindset the last thing I’d ever do is write something like this, let alone share it.
”
”
R.D. Ronald
“
The realization of what would happen next settled gradually over Harry in the long minutes, like softly falling snow.
"I've got to go back, haven't I?"
"That is up to you."
"I've got a choice?"
"Oh yes." Dumbledore smiled at him. "We are in King's Cross, you say? I think that if you decided not to go back, you would be able to…let's say…board a train."
"And where would it take me?"
"On," said Dumbledore simply.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
And the white knight never left the board without blood all over him.
”
”
Abigail Roux (Crash & Burn (Cut & Run, #9))
“
The ship's boards were still sticky with new resin. We leaned over the railing to wave our last farewell, the sun-warm wood pressed against our bellies. The sailors heaved up the anchor, square and chalky with barnacles, and loosened the sails. Then they took their seats at the oars that fringed the boat like eyelashes, waiting for the count. The drums began to beat, and the oars lifted and fell, taking us to Troy.
”
”
Madeline Miller (The Song of Achilles)
“
Certain things have to happen before other things. Gods play games with the fates of men. But first they have to get all the pieces on the board, and look all over the place for the dice.
”
”
Terry Pratchett (Soul Music (Discworld, #16; Death, #3))
“
Without a clear definition of success, board discussions can become disjointed, with
members focusing on different priorities and potentially conflicting agendas. It can also lead
to members talking through each other or over each other during meetings, instead of talking
with each other. This can lead to inefficient decision-making, missed opportunities, and
ultimately, hinder the organization's progress.
”
”
Hendrith Vanlon Smith Jr. (Board Room Blitz: Mastering the Art of Corporate Governance)
“
Gods play games with the fates of men. But first they have to get all the pieces on the board and look all over the place for the dice.
”
”
Terry Pratchett
“
Flight 2039 to Boston is now boarding at gate 14A," a voice announced over the PA system.
Nellie sighed. "I love Irish accents." She paused. "And Australian accents. And English accents." A dreamy look came over her face. "Theo had an awesome accent."
Dan snorted. "Yeah, there was just that one tiny problem. He turned out to be a two-timing, backstabbing thief.
”
”
Rick Riordan (The Black Book of Buried Secrets)
“
I’m sure the ‘I wouldn’t fuck a murder conspirator’ argument wins over many an internal affairs review board. Bring him in. It’ll be in your favor.
”
”
Benjamin R. Smith (Atlas)
“
The library is not, as some would have it, a place for the retiring of disposition or faint of heart. It is not an ivory tower or a quiet room in a sanitarium facing away from the afternoon sun. It is, rather, a command center, a power base. A board room, a war room. An Oval Office for all who preside over their own destinies. One does not retreat from the world here; one prepares to join it at an advantage.
”
”
Eric Burns (The Joy of Books)
“
Holly couldn't sleep; we played checkers. She lifts her fingers and dances them over the board like she's weaving a magic spell before she touches a counter. Apparently it's a mind game - makes the other player watch where you're going instead of planning their next move. Where did a seven-year old learn mind games?
”
”
Beth O'Leary (The Flatshare)
“
Not like this vision before us, who was shaking water out of his slightly overlong reddish-brown
hair as he leaned over to lay down his board (revealing, as he did so, the fact that beneath his
baggy swim trunks—so weighted down with water that they had sunk somewhat dangerously low
on his hips—lurked what appeared to be an exceptionally well-formed gluteus maximus)
”
”
Meg Cabot (Pants on Fire)
“
Is that all?” he blurted out.
Crowley and Halt exchanged slightly puzzled glances. Then Crowley pursed his lips thoughtfully.
“Um…it seems to be…Listed your trainging, mentioned a few achievements, made sure you know which end of an arrow is the sharp part…decided your new name…I think that’s…” Then it seemed that understanding dawned on him and his eyes opened wide.
“Of course! You have to have you Silver…whatsis, don ‘t you?” He took hold of the chain that held his own Silver Oakleaf around his throat and shook it lightly. It was a badge of a Graduate Ranger. Then he began to search through his pockets, frowning.
“Had it here! Had it here! Where the devil is it…wait. I heard something fall on the boards as I came in! Must have dropped it. Just check outside the front door, will you, Will?”
Too stunned to talk, Will rose and went to the door. As he set his hand on the latch, he looked back at the two Rangers, still seated at the table. Crowley made a small shooing motion with the back of his hand, urging him to go outside. Will was still looking back at them when he opened the door and stepped through on the verandah.
“Congratulations!”
The massive cry went up from at least forty throats. He swung around in shock to find all his friends gathered in the clearing outside around the table laid for a feast, their faces beaming with smiles. Baron Arald, Sir Rodney, Lady Pauline and Master Chubb were all there. So were Jenny and George, his former wardmates. There were a dozen others in the Ranger uniform – men he had met worked with over the past five years. And wonder of wonders, there were Erak and Svengal , bellowing his name and waving their huge axes overhead in his praise. Close by them stood Horace and Gilan, both brandishing their swords overhead as well. It looked like a dangerous section of the crowd to be in, Will thought.
After the first concerted shout, people began cheering and calling his name, laughing and waving to him.
Halt and Crowley joined him on the verandah. The Commandant was doubled over with laughter.
“Oh, if you could have seen yourself!” he wheezed. “Your face! Your face! It was priceless! ‘Is that all?’” He mimicked Will’s plaintive tones and doubled over again.
Will tuned to Halt accusingly. His teacher grinned at him.
“Your face was a study,” he said.
“Do you so that to all apprentices?” Will asked.
Halt nodded vigorously. “Every one. Stops them getting a swelled head at the last minute. You have to swear never to let an apprentice in on the secret.
”
”
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
“
So then, it’s fair to say that you were thinking about me all week?” Now it was my turn to look shaken. Damn. Just when I had him.
“No…and…. no, I will not go out with
you.” I leaned back in my chair and decided to look at the score board. Maybe, if I ignored him, he would leave. The Black Eyed Peas were playing loudly over the speakers. I tapped my foot to the rhythm.
“Why not?” He seemed agitated. I liked it.
“Because I am a llama and you are a bird and WE are not compatible.
”
”
Tarryn Fisher (The Opportunist (Love Me with Lies, #1))
“
Your daddy is standing in a swimming pool out a little bit from the edge. You are, let’s say, three years old and standing on the edge of the pool. Daddy holds out his arms to you and says, “Jump, I’ll catch you. I promise.” Now, how do you make your daddy look good at that moment? Answer: trust him and jump. Have faith in him and jump. That makes him look strong and wise and loving. But if you won’t jump, if you shake your head and run away from the edge, you make your daddy look bad. It looks like you are saying, “he can’t catch me” or “he won’t catch me” or “it’s not a good idea to do what he tells me to do.” And all three of those make your dad look bad.
But you don’t want to make God look bad. So you trust him. Then you make him look good–which he really is. And that is what we mean when we say, “Faith glorifies God” or “Faith gives God glory.” It makes him look as good as he really is. So trusting God is really important.
And the harder it seems for him to fulfill his promise, the better he looks when you trust him. Suppose that you are at the deep end of a pool by the diving board. You are four years old and can’t swim, and your daddy is at the other end of the pool. Suddenly a big, mean dog crawls under the fence and shows his teeth and growls at you and starts coming toward you to bite you. You crawl up on the diving board and walk toward the end to get away from him. The dog puts his front paws up on the diving board. Just then, your daddy sees what’s happening and calls out, “Johnny, jump in the water. I’ll get you.”
Now, you have never jumped from one meter high and you can’t swim and your daddy is not underneath you and this water is way over your head. How do you make your daddy look good in that moment? You jump. And almost as soon as you hit the water, you feel his hands under your arms and he treads water holding you safely while someone chases the dog away. Then he takes you to the side of the pool.
We give glory to God when we trust him to do what he has promised to do–especially when all human possibilities are exhausted. Faith glorifies God. That is why God planned for faith to be the way we are justified.
”
”
John Piper
“
Buckley followed the three of them into the kitchen and asked, as he had at least once a day, “Where’s Susie?”
They were silent. Samuel looked at Lindsey.
“Buckley,” my father called from the adjoining room, “come play Monopoly with me.”
My brother had never been invited to play Monopoly. Everyone said he was too young, but this was the magic of Christmas. He rushed into the family room, and my father picked him up and sat him on his lap.
“See this shoe?” my father said.
Buckley nodded his head.
“I want you to listen to everything I say about it, okay?”
“Susie?” my brother asked, somehow connecting the two.
“Yes, I’m going to tell you where Susie is.”
I began to cry up in heaven. What else was there for me to do?
“This shoe was the piece Susie played Monopoly with,” he said. “I play with the car or sometimes the wheelbarrow. Lindsey plays with the iron, and when you mother plays, she likes the cannon.”
“Is that a dog?”
“Yes, that’s a Scottie.”
“Mine!”
“Okay,” my father said. He was patient. He had found a way to explain it. He held his son in his lap, and as he spoke, he felt Buckley’s small body on his knee-the very human, very warm, very alive weight of it. It comforted him. “The Scottie will be your piece from now on. Which piece is Susie’s again?”
“The shoe?” Buckley asked.
“Right, and I’m the car, your sister’s the iron, and your mother is the cannon.”
My brother concentrated very hard.
“Now let’s put all the pieces on the board, okay? You go ahead and do it for me.”
Buckley grabbed a fist of pieces and then another, until all the pieces lay between the Chance and Community Chest cards.
“Let’s say the other pieces are our friends?”
“Like Nate?”
“Right, we’ll make your friend Nate the hat. And the board is the world. Now if I were to tell you that when I rolled the dice, one of the pieces would be taken away, what would that mean?”
“They can’t play anymore?”
“Right.”
“Why?” Buckley asked.
He looked up at my father; my father flinched.
“Why?” my brother asked again.
My father did not want to say “because life is unfair” or “because that’s how it is”. He wanted something neat, something that could explain death to a four-year-old He placed his hand on the small of Buckley’s back.
“Susie is dead,” he said now, unable to make it fit in the rules of any game. “Do you know what that means?”
Buckley reached over with his hand and covered the shoe. He looked up to see if his answer was right.
My father nodded. "You won’t see Susie anymore, honey. None of us will.” My father cried. Buckley looked up into the eyes of our father and did not really understand.
Buckley kept the shoe on his dresser, until one day it wasn't there anymore and no amount of looking for it could turn up.
”
”
Alice Sebold (The Lovely Bones)
“
So the rich kids aren't the alpha group of the school. The next most likely demographic would be the church kids: They're plentiful, and they are definitely interested in school domination. However, that strength -- the will to dominate -- is also their greatness weakness, because they spend so much time trying to convince you to hang out with them, and the way they try to do that is by inviting you over to their church. 'We've got cookies and board games,' they say, or that sort of thing. 'We just got a Wii set up!' Something about it always seems a little off. Eventually, you realize: These same exact sentences are also said by child predators.
”
”
Jesse Andrews (Me and Earl and the Dying Girl)
“
The dining table was a plain board called by that name. It was hung on the wall when not in use, and was perched on the diners' knees when food was served. Over time, the word board came to signify not just the dining surface but the meal itself, which is where the board comes from in room and board. It also explains why lodgers are called boarders.
”
”
Bill Bryson (At Home: A Short History of Private Life)
“
it's Ky's move. In the quiet before the Ky takes his turn, Xander watches him carefully. Ky's hand hovers over the board. For a moment, as he holds the piece in the air, I see where he could put it to win and I know he sees it, too, that he planned the whole game for that last move. He looks at Xander and Xander looks back, both of them locked in some kind of challenge that seems to run deeper and older than what's happening here on this board.
Then Ky moves his hand and puts his piece down in a spot where Xander can eventually overtake him for the win. Ky doesn't hessitate once he places the piece; he sets it down with a solid sound and leans back in his chair, looking up at the ceiling. I think I see the slightest hint of a smile on his lips but I can't be sure.
”
”
Ally Condie (Matched (Matched, #1))
“
There were letters on the bottom, letters he'd seen before, on the ship that had carried him from London, the ship that had broken up on the reef that guarded the island. The letters said: NEVER LAND.
Peter looked at it. And then he looked around him--at the lagoon; at the rock where the mermaids (Mermaids!) lounged; at the palm-fringed beach; at the tinkling fairy flitting over his head; at his new friends the Mollusks; at the jungle-covered, pirate-infested mountains looming over it all.
Then he looked at the board again, and he laughed out loud.
'That's exactly where I am,' he said.
”
”
Dave Barry (Peter and the Starcatchers (Peter and the Starcatchers, #1))
“
And it’s not over-the-top, in-your-face likeable. It’s subtle. The kind of likeable that lures you in and before you know it you’ve bought the ticket, boarded the bus, and are miles into the pleasant journey before you question where you’re even going in the first place.
”
”
Kim Holden (Bright Side (Bright Side, #1))
“
In North Carolina, I stopped to gas up at a Humble Oil station, then walked around the corner to use the toilet. There were two doors and three signs. MEN was neatly stenciled over one door, LADIES over the other. The third sign was an arrow on a stick. It pointed toward the brush-covered slope behind the station. It said COLORED. Curious, I walked down the path, being careful to sidle at a couple of points where the oily, green-shading-to-maroon leaves of poison ivy were unmistakable... There was no facility. What I found at the end of the path was a narrow stream with a board laid across it on a couple of crumbling concrete posts... If I ever give you the idea that 1958's all Andy-n-Opie, remember the path, okay? The one lined with poison ivy. And the board over the stream.
”
”
Stephen King (11/22/63)
“
Whachoo want, white boy? Burn cream? A Band-Aid?
Then he raised his own enormous palms to me, brought them up real close so I could see them properly; the hideous constellation of water-filled blisters, angry red welts from grill marks, the old scars, the raw flesh where steam or hot fat had made the skin simply roll off. They looked like the claws of some monstrous science-fiction crustacean, knobby and calloused under wounds old and new. I watched, transfixed, as Tyrone - his eyes never leaving mine - reached slowly under the broiler and, with one naked hand, picked up a glowing-hot sizzle-platter, moved it over to the cutting board, and set it down in front of me.
He never flinched.
”
”
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
“
I biked over to my dad's flat and emotionally blackmailed him into lending me enough cash to leave the country.
On that trip I learnt something very inmortant. Escape through travel works. Almost from the moment i boarded my flight, life in England became meaningless. Seat-belt signs lit up, problems switched off. Broken armrests took precedence over broken hearts. By the time the plane was airborne I'd forgotten England even existed.
”
”
Alex Garland (The Beach)
“
Inside a barn is a whole universe, with its own time zone and climate and ecosystem, a shadowy world of swirling dust illuminated in tiger stripes by light shining through the cracks between the boards. Old leather tack, lengths of chain, rope, and baling twine dangled from nails and rafters and draped over stall railings. Generations of pocketknives lay lost in the layers of detritus on the floor.
”
”
Carolyn Jourdan (Heart in the Right Place)
“
So, putting my faith in other passengers who told me it was definitely going to the city, I boarded a bus and spent well over an hour standing, swaying and trying to look out of the window to guess where we were. Traffic was solid, as expected. When we moved, we crawled. Eventually the bus reached somewhere that seemed significant – at least, somewhere a lot of people were getting off – and, sure enough, I was in the city, and there were taxis. The wrong side of the city, as it transpired, so a long taxi ride ensued. Nearly four hours from leaving the factory to reaching the hotel. I wasn’t doing that again.
”
”
Oliver Dowson (There's No Business Like International Business: Business Travel – But Not As You Know It)
“
The financial system has been turned over to the Federal Reserve Board. That board administers the finance system by authority of a purely profiteering group. The system is private, conducted for the sole purpose of obtaining the greatest possible profits from the use of other people's money.
”
”
Charles A. Lindbergh
“
Waterhouse's new roommate is out of town just now, but by glancing over his personal effects, Waterhouse estimates that he is paddling a black kayak from Australia to Yokosuka Naval Base, where he will slip on board a battleship and silently kill its entire crew with his bare hands before doing an Olympic-qualifying dive into the bay, punching out a few sharks, climbing back into his kayak and paddling back to Australia for a beer.
”
”
Neal Stephenson (Cryptonomicon)
“
The anarch differs from the anarchist in that he has a very pronounced sense of the rules. Insofar as and to the extent that he observes them, he feels exempt from thinking.
This is consistent with normal behavior: everyone who boards a train rolls over bridges and through tunnels that engineers have devised for him and on which a hundred thousand hands have labored. This does not darken the passenger’s mood; settling in comfortably, he buries himself in his newspaper, has breakfast, or thinks about his business.
Likewise, the anarch – except that he always remains aware of that relationship, never losing sight of his main theme, freedom, that which also flies outside, past hill and dale. He can get away at any time, not just from the train, but also from any demand made on him by state, society, or church, and also from existence.
”
”
Ernst Jünger (Eumeswil)
“
But before a computer became an inanimate object, and before Mission Control landed in Houston; before Sputnik changed the course of history, and before the NACA became NASA; before the Supreme Court case Brown v. Board of Education of Topeka established that separate was in fact not equal, and before the poetry of Martin Luther King Jr.’s “I Have a Dream” speech rang out over the steps of the Lincoln Memorial, Langley’s West Computers were helping America dominate aeronautics, space research, and computer technology, carving out a place for themselves as female mathematicians who were also black, black mathematicians who were also female.
”
”
Margot Lee Shetterly (Hidden Figures: The American Dream and the Untold Story of the Black Women Mathematicians Who Helped Win the Space Race)
“
I hurried out of the lobby and turned the corner into the English hall, so I didn’t see the guy in front of me until it was too late.
“Oh!” I exclaimed as we bumped shoulders. “Sorry!”
Then I realized who I’d bumped into, and I immediately regretted my apologetic tone. If I’d known it was David Stark, I would have tried to hit him harder, or maybe stepped on his foot with the spiky heel of my new shoes for good measure.
I did my best to smile at him, though, even as I realized my stomach was jumping all over the place. He must have scared me more than I’d thought.
David scowled at me over the rims of his ridiculous hipster glasses, the kind with the thick black rims. I hate those. I mean, it’s the 21st century. There are fashionable options for eyewear.
“Watch where you’re going,” he said. Then his lips twisted in a smirk. “Or could you not see through all that mascara?”
I would’ve loved nothing more than the tell him to kiss my ass, but one of the responsibilities of being a student leader at The Grove is being polite to everyone, even if he is a douchebag who wrote not one, but three incredibly unflattering articles in the school paper about what a crap job you’re doing as SGA president.
And you especially needed to be polite to said douchebag when he happened to be the nephew of Saylor Stark, President of the Pine Grove Junior League, head of the Pine Grove Betterment Society, Chairwoman of the Grove Academy School Board, and, most importantly, Founder and Organizer of Pine Grove’s Annual Cotillion.
So I forced myself to smile even bigger at David and said, “Nope, just in a hurry. Are you, uh… are you here for the dance?”
He snorted. “Um, no. I’d rather slam my testicles in a locker door. I have some work to do on the paper.
”
”
Rachel Hawkins (Rebel Belle (Rebel Belle, #1))
“
She used to imagine her parents and happy endings she would never have. Now she envisioned torments that were all too real.
She pictured one of Cinderella's stepsisters planting her foot on a cutting board - and biting down hard as the cleaver chopped through the bone of her big toe.
She imagined a princess used to safety, luxury, throwing the rank hide of a donkey over her shoulders, its boneless face drooping past her forehead like a hideous veil.
And she imagined her future self, flat on her back in bed, limbs as heavy as if they'd been chained down. Mice scurried across her body, leaving footprints on her dress. Spiders spun an entire trousseau's worth of silk and draped her in it, so it appeared she wore a gown of the finest lace, adorned with rose petals and ensnared butterflies. Beetles nestled between her fingers like jeweled rings - lovely from a distance, horrific up close.
”
”
Sarah Cross (Kill Me Softly (Beau Rivage, #1))
“
I went over to where Ted was leaning against the green cinderblock wall. He was sitting with his legs splayed out below the bulletin board, which was full of notices from the Mathematical Society of America, which nobody ever read, Peanuts comic strips (the acme of humor, in the late Mrs. Underwood’s estimation), and a poster showing Bertrand Russell and a quote: “Gravity alone proves the existence of God.” But any undergraduate in creation could have told Bertrand that it has been conclusively proved that there is no gravity; the earth just sucks.
”
”
Richard Bachman
“
Life is full of diving boards and other precipices, but, as we’ve seen throughout this discussion of emotional agility, making the leap is not about ignoring, fixing, fighting, or controlling fear—or anything else you might be experiencing. Rather, it’s about accepting and noticing all your emotions and thoughts, viewing even the most powerful of them with compassion and curiosity, and then choosing courage over comfort in order to do whatever you’ve determined is most important to you. Courage, once again, is not the absence of fear. Courage is fear walking—or
”
”
Susan David (Emotional Agility: Get Unstuck, Embrace Change, and Thrive in Work and Life)
“
Adam ” Lori called loudly enough for me to hear her but not so loud that her voice would carry up to my mom in the marina office- or to her dad who might be listening from their screened porch facing the water.
“I came over to get some tips from the boys about teaching Tammy and Rachel to board. Of course I did not come over here to see you. How could you think such a thing That would be disobedient.”
I held up the wax.
“For my own disobedience I have to buff the boat. Then I’m going for a jog.”
She tilted her head. Probably her eyes widened but I couldn’t see them behind her sunglasses. I hated not being able to see her eyes.
She asked “In this heat?”
I didn’t mind jogging in the heat. The heat was a big friendly animal that liked to wrestle and only occasionally sat on me until I lost my breath. Anyway she was missing the point.
I repeated carefully ”I am GOING for a JOG.”
“I HEARD you the FIRST time ” she said. “It’s late afternoon in the middle of June. It’s ninety-five degrees out here.”
“He means he’s GOING for a JOG” Rachel and Tammy said at the same time.
“He’s GOING for a JOG.”
Lori still didn’t get it. Normally her blondeness was one of the things I loved about her. At the moment not so much.
Exasperated Cameron told her “Adam wants you to go for a jog too.”
She said “Oh ”
“If you two airheads have to hook up secretly for very long ” Sean said “you’re not going to make it.
”
”
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
“
That is the queen—the most powerful piece on the board. She can move in any direction, and go as far as she wishes.” There was nothing overtly suggestive in his manner of speaking …but when he spoke softly, as he was doing at that moment, there was a husky depth in his voice that made her toes curl inside her slippers. “More powerful than the king?” she asked.
“Yes. The king can only move one square at a time. But the king is the most important piece.”
“Why is he more important than the queen if he’s not the most powerful?”
“Because once he is captured, the game is over.
”
”
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
“
And they are dancing, the board floor slamming under the jackboots and the fiddlers grinning hideously over their canted pieces. Towering over them all is the judge and he is naked dancing, his small feet lively and quick and now in doubletime and bowing to the ladies, huge and pale and hairless, like an enormous infant. He never sleeps, he says. He says he’ll never die. He bows to the fiddlers and sashays backwards and throws back his head and laughs deep in his throat and he is a great favorite, the judge. He wafts his hat and the lunar dome of his skull passes palely under the lamps and he swings about and takes possession of one of the fiddles and he pirouettes and makes a pass, two passes, dancing and fiddling at once. His feet are light and nimble. He never sleeps. He says that he will never die. He dances in light and in shadow and he is a great favorite. He never sleeps, the judge. He is dancing, dancing. He says that he will never die.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
The Game of Go was one of the 4 Arts of China. It spread to all over Asia and was even mentioned in the Japanese novel, Tales of Genji. More than an ancient board game, the Game of Go is an analogy of life and emphasize balance, challenge, and fun. Not only does my name Kailin Gow has the word "Go" in it, but my philosophy on life of balance, challenge, and fun is similar to the Game. Thus, Kailin Gow's Go Girl TV Series, books, and overall brand reflects this philosophy as well. - Kailin Gow in interview about Kailin Gow's Go Girl Books and TV Series.
”
”
Kailin Gow
“
The rule apparently is – once a social revolution takes place there’s
no need to stoke the boiler. But I ask you: why, when this whole business started, should everybody suddenly start clumping up and down the marble staircase in dirty galoshes and felt boots? Why must we now keep our galoshes under lock and key? And put a soldier on guard over them to prevent them from being stolen? Why has the carpet been removed from the front staircase? Did Marx forbid people to keep their staircases carpeted? Did Karl Marx say anywhere
that the front door of No. 2 Kalabukhov House in Prechistenka Street must be boarded up so that people have to go round and come in by the back door? What good does it do anybody? Why can’t the proletarians leave their galoshes downstairs instead of dirtying the staircase?’
‘But the proletarians don’t have any galoshes, Philip Philipovich,’ stammered the doctor.
”
”
Mikhail Bulgakov (Heart of a Dog)
“
[I] threw open the door to find Rob sitting on the low stool in front of my bookcase, surrounded by cardboard boxes. He was sealing the last one up with tape and string. There were eight boxes - eight boxes of my books bound up and ready for the basement!
"He looked up and said, 'Hello, darling. Don't mind the mess, the caretaker said he'd help me carry these down to the basement.' He nodded towards my bookshelves and said, 'Don't they look wonderful?'
"Well, there were no words! I was too appalled to speak. Sidney, every single shelf - where my books had stood - was filled with athletic trophies: silver cups, gold cups, blue rosettes, red ribbons. There were awards for every game that could possibly be played with a wooden object: cricket bats, squash racquets, tennis racquets, oars, golf clubs, ping-pong bats, bows and arrows, snooker cues, lacrosse sticks, hockey sticks and polo mallets. There were statues for everything a man could jump over, either by himself or on a horse. Next came the framed certificates - for shooting the most birds on such and such a date, for First Place in running races, for Last Man Standing in some filthy tug of war against Scotland.
"All I could do was scream, 'How dare you! What have you DONE?! Put my books back!'
"Well, that's how it started. Eventually, I said something to the effect that I could never marry a man whose idea of bliss was to strike out at little balls and little birds. Rob countered with remarks about damned bluestockings and shrews. And it all degenerated from there - the only thought we probably had in common was, What the hell have we talked about for the last four months? What, indeed? He huffed and puffed and snorted and left. And I unpacked my books.
”
”
Annie Barrows (The Guernsey Literary and Potato Peel Pie Society)
“
Everything in your life exists because you first made a choice about something. Choices are at the root of every one of your results. Each choice starts a behavior that over time becomes a habit. Choose poorly, and you just might find yourself back at the drawing board, forced to make new, often harder choices. Don’t choose at all, and you’ve made the choice to be the passive receiver of whatever comes your way.
”
”
Darren Hardy (The Compound Effect)
“
I twisted, my loose clothes sliding over my shoulders, my waist. I hadn’t realized how much weight I’d lost. Despite things creeping back to normal. I said, “Don’t you have other things to deal with?” “Of course I do,” he said, shrugging. “I have so many things to deal with that I’m sometimes tempted to unleash my power across the world and wipe the board clean. Just to buy me some damned peace.” He grinned, bowing at the waist. Even that casual mention of his power failed to chill me, awe me. “But I’ll always make time for you.” I was hungry—I hadn’t yet eaten. And that was indeed worry glimmering behind the cocky, insufferable grin. So I motioned him to lead the way to that familiar glass table at the end of the hall.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
I was a terrible dancer. I couldn't carry a tune. I had no sense of balance, and when we had to walk down a narrow board with our hands out and a book on our heads in gym class I always fell over. I couldn't ride a horse or ski, the two things I wanted to do most, because they cost too much money. I couldn't speak German or read Hebrew or write Chinese. I didn't even know where most of the old out-of-the-way countries the UN men in front of me represented fitted in on the map.
For the first time in my life, sitting there in the soundproof heart of the UN building between Constantin who could play tennis as well as simultaneously interpret and the Russian girl who knew so many idioms, I felt dreadfully inadequate. The trouble was, I had been inadequate all along, I simply hadn't thought about it.
”
”
Sylvia Plath (The Bell Jar)
“
Oh no. Oh, hell no. Merciful God above. Jake looked around for Aileen, his latest conquest and plus one for the engagement party for his brother Travis. "Yes, I need only a one-way ticket," Grandma announced loudly to the Alaska Airlines clerk at the kiosk. Jake watched with a mixture of horror and panic as his grandmother bought a ticket on the same flight as him. please let her credit card be declined; please, please. "Here you go!" The evil lady handed over a boarding pass and smiled at Grandma
”
”
Rachel Van Dyken (The Wager (The Bet, #2))
“
I’M SORRY
I am developing a new board game. It’s called “I’m Sorry.” It’s also a form of “Self-Help Psychological Therapy!”
You take turns moving around the board like Monopoly. But if you land on a Yellow or Green “I’m Sorry Space”… you have to make a Phone call. Both green and yellow cards are labeled- the same with things like: Your Ex, Parental figure, friend, co-worker, boss, children, etc. You get the point…
If you land on the yellow space, the game stops, everyone gets quiet and you have to call that person up – on speakerphone. You apologize for something you’ve done in your past. Come on you know you are not perfect and you probably screwed up, hurt or disappointed everyone in your past at one time or another. So you call and you apologize. You explain what you did to them wrong if they forgive you, you move forward 10 places and everyone cheers! No forgiveness back- you move back to the beginning.
If you land on the green space- it’s similar. But you call the person up and you try to explain to them how, in someway, they hurt you in the past. If they apologize… cheers and you move forward 10 spaces. No apology… move backward ten spaces. They curse at you- game over.
In the original packaging of the yellow and green cards, are mixed in a set of “I’m Sorry Cards.” If you are lucky enough to get to pick up an “I’m Sorry Card,” it’s like a Get Out of Jail Free Card, and you don’t have to make the call.
The only catch is that the cards come hermetically sealed. After opening up the package, and the cards are exposed to air, all of the “I’m Sorry Cards,” magically turn into “Deal With it Cards!” And so, you really never get a free ride. In reality, every time you pick up a yellow or green card, you have to- Deal with It!
Of course you can always order a new factory set of sealed of “I’m Sorry Cards.” But they only last about 30 minutes and are very expensive, so you’ll have to play fast. Cute Game? Hey, don’t steal my idea!!!
”
”
José N. Harris (Mi Vida)
“
All the way down the creek, perched in the windows of the office blocks and department stores, the iguanas watched them go past, their hard frozen heads jerking stiffly… Without the reptiles, the lagoons and the creeks of office blocks half-submerged in the immense heat would have had a strange dream-like beauty, but the iguanas and basilisks brought the fantasy down to earth. As their seats in the one-time board-rooms indicated, the reptiles had taken over the city. Once again they were the dominant form of life.
”
”
J.G. Ballard (The Drowned World)
“
What I’m here to talk about is how our whole approach since day one has been like this: Kids are jumping out the windows of burning buildings, falling to their deaths. And we think the problem is that they’re jumping. This is what we’ve done: We’ve tried to find ways to get them to stop jumping. Convince them that burning alive is better than leaving when the shit gets too hot for them to take. We’ve boarded up windows and made better nets to catch them, found more convincing ways to tell them not to jump. They’re making the decision that it’s better to be dead and gone than to be alive in what we have here, this life, the one we made for them, the one they’ve inherited. And we’re either involved and have a hand in each one of their deaths, just like I did with my brother, or we’re absent, which is still involvement, just like silence is not just silence but is not speaking up. I’m in suicide prevention now. I’ve had fifteen relatives commit suicide over the course of my life, not counting my brother. I had one community I was working with recently in South Dakota tell me they were grieved out.
”
”
Tommy Orange (There There)
“
You might not see it now, but you are stronger than you can ever imagine.
You cannot become comfortable in your pain. You have to let the pain that you feel turn you into a rose without thorns. There are sixteen pieces on the chess board. The king is the most important piece, but the difference is that the queen is the most powerful piece!
You are a queen, you can maneuver around your opponents; they do not have the power over your life, your mind or soul. You might think you’ve been a prisoner, but that is your past’ Look in the now and work your way to how you want your future to be. Exercise your thoughts into a pattern of letting go, and think positively about more of what you want than what you do not want.
Queen!
You are a queen! As a matter of fact, you are the queen! Act as if you know it!
You are powerful, determined, strong, and you can make the biggest and most extravagant move and put it into action.
Lights, camera, strike a pose and own it!
It is yours to own!
”
”
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
“
We are often told that the poor are grateful for charity. Some of them are, no doubt, but the best amongst the poor are never grateful. They are ungrateful, discontented, disobedient, and rebellious. They are quite right to be so. Charity they feel to be a ridiculously inadequate mode of partial restitution, or a sentimental dole, usually accompanied by some impertinent attempt on the part of the sentimentalist to tyrannise over their private lives. Why should they be grateful for the crumbs that fall from the rich man’s table? They should be seated at the board, and are beginning to know it.
”
”
Oscar Wilde (The Soul of Man Under Socialism)
“
You need to realise something if you are ever to succeed at chess,’ she said, as if Nora had nothing bigger to think about. ‘And the thing you need to realise is this: the game is never over until it is over. It isn’t over if there is a single pawn still on the board. If one side is down to a pawn and a king, and the other side has every player, there is still a game. And even if you were a pawn – maybe we all are – then you should remember that a pawn is the most magical piece of all. It might look small and ordinary but it isn’t. Because a pawn is never just a pawn. A pawn is a queen-in-waiting. All you need to do is find a way to keep moving forward. One square after another. And you can get to the other side and unlock all kinds of power.'
Mrs. Elm
”
”
Matt Haig (The Midnight Library)
“
Now there was some motivation to get over this problem quickly. Chloe was a notorious betty.On the rare occasion when she graced the slopes with her prescence, boys zoomed toward her because she was so cute in her pink snowsuit,then zoomed away again as she lost control and threatened to crash into them.
She'd made the local snowboarding news a few years ago when she lost control at the bottom of the main run, boarded right through the open door of the ski lodge,skidded to a stop at the entrance to the cafe,and asked for a table for one.
”
”
Jennifer Echols (The Ex Games)
“
SPRING POEM
It is spring, my decision, the earth
ferments like rising bread
or refuse, we are burning
last year's weeds, the smoke
flares from the road, the clumped stalks
glow like sluggish phoenixes / it wasn't
only my fault / birdsongs burst from
the feathered pods of their bodies, dandelions
whirl their blades upwards, from beneath
this decaying board a snake
sidewinds, chained hide
smelling of reptile sex / the hens
roll in the dust, squinting with bliss, frogbodies
bloat like bladders, contract, string
the pond with living jelly
eyes, can I be this
ruthless? I plunge
my hands and arms into the dirt,
swim among stones and cutworms,
come up rank as a fox,
restless. Nights, while seedlings
dig near my head
I dream of reconciliations
with those I have hurt
unbearably, we move still
touching over the greening fields, the future
wounds folded like seeds
in our tender fingers, days
I go for vicious walks past the charred
roadbed over the bashed stubble
admiring the view, avoiding
those I have not hurt
yet, apocalypse coiled in my tongue,
it is spring, I am searching
for the word:
finished
finished
so I can begin over
again, some year
I will take this word too far.
”
”
Margaret Atwood (You are Happy)
“
Valuable and ingenious he might be, thought Jack, fixing him with his glass, but false he was too, and perjured. He had voluntarily sworn to have no truck with vampires, and here, attached to his bosom, spread over it and enfolded by one arm, was a greenish hairy thing, like a mat - a loathsome great vampire of the most poisonous kind, no doubt. ‘I should never have believed it of him: his sacred oath in the morning watch and now he stuffs the ship with vampires; and God knows what is in that bag. No doubt he was tempted, but surely he might blush for his fall?’
No blush; nothing but a look of idiot delight as he came slowly up the side, hampered by his burden and comforting it in Portuguese as he came.
‘I am happy to see that you were so successful, Dr Maturin,’ he said, looking down into the launch and the canoes, loaded with glowing heaps of oranges and shaddocks, red meat, iguanas, bananas, greenstuff. ‘But I am afraid no vampires can be allowed on board.’
‘This is a sloth,’ said Stephen, smiling at him. ‘A three-toed sloth, the most affectionate, discriminating sloth you can imagine!’ The sloth turned its round head, fixed its eyes on Jack, uttered a despairing wail, and buried its face again in Stephen’s shoulder, tightening its grip to the strangling-point.
”
”
Patrick O'Brian (H.M.S. Surprise (Aubrey & Maturin #3))
“
The more arid and affectless life became in the high-rise, the greater the possibilities it offered. By its very efficiency, the high-rise took over the task of maintaining the social structure that supported them all. For the first time, it removed the need to suppress every kind of anti-social behavior and left them free to explore any deviant or wayward impulses. It was precisely in these areas where the most important and interesting aspects of their lives would take place. Secure within the shell of the high-rise, like passengers on board an automatically-piloted airliner, they were free to behave in any way they wished, explore the darkest corners they could find. In many ways, the high-rise was a model of all that technology had done to make possible the expression of a truly free psychopathology.
”
”
J.G. Ballard (High-Rise)
“
This revolution was a legend in the making. The kind of tale that sprawled out long before me and far beyond my reach. The sort of epic that was told over and over to explain how the world was never the same after this handful of people lived and fought and won or died trying. And after it happened, the story seemed somehow inevitable. Like the world was waiting to be changed, needing to be saved, and the players in the tale were all plucked out of their lives and moved into places exactly where they needed to be, like pieces on a board, just to make this story come true. But it was wilder and more terrifying and intoxicating, and more uncertain, than I’d ever thought. And I could be part of it. If I wanted to. It was getting way too late to rip myself out of this story now, or to rip it out of me. “Where
”
”
Alwyn Hamilton (Rebel of the Sands (Rebel of the Sands, #1))
“
Over a quarter of a century ago she and Vernon had made a household for almost a year, in a tiny rooftop flat on the rue de Seine. There were always damp towels on the floor then, and cataracts of her underwear tumbling from drawers she never closed, a big ironing board that was never folded away, and in the one overfilled wardrobe dresses , crushed and shouldering sideways like commuters on the metro. Magazines, makeup, bank statements, bead necklaces, flowers, knickers, ashtrays, invitations, tampons, LPs, airplane tickets, high heeled shoes- not a single surface was left uncovered by something of Molly's, so that when Vernon was meant to be working at home, he took to writing in a cafe along the street. And yet each morning she arose fresh from the shell of this girly squalor, like a Botticelli Venus, to present herself, not naked, of course, but sleekly groomed, at the offices of Paris Vogue.
”
”
Ian McEwan (Amsterdam)
“
You may not see every single piece of the puzzle that creates your life — you may not see every move the grand chess player makes — but know, He is in complete control of the game board. Sometimes certain pieces are moved or knocked over to make room for new ones. Other times, things happen because of the world we live in. But everything, in the end, will always turn out for good. It’s a nice promise, isn’t it? To know that there’s a reason for it all? A reason for your cancer — maybe by having cancer you’ve saved the lives of three of your best friends. Had you not been sick, would you have met them? Had you not been sick, would you have found the love of your life? Maybe it’s not in the perfection of life that things make sense, but in the chaos.
”
”
Rachel Van Dyken (Ruin (Ruin, #1))
“
Once, I remember, we came upon a man-of-war anchored off the coast. There wasn't even a shed there, and she was shelling the bush. It appears the French had one of their wars going on thereabouts. Her ensign dropped limp like a rag; the muzzles of the long six-inch guns stuck out all over the low hull; the greasy, slimy swell swung her up lazily and let her down, swaying her thin masts. In the empty immensity of earth, sky, and water, there she was, incomprehensible, firing into a continent. Pop, would go one of the six-inch guns; a small flame would dart and vanish, a little white smoke would disappear, a tiny projectile would give a feeble screech—and nothing happened. Nothing could happen. There was a touch of insanity in the proceeding, a sense of lugubrious drollery in the sight; and it was not dissipated by somebody on board assuring me earnestly there was a camp of natives—he called them enemies!—hidden out of sight somewhere.
”
”
Joseph Conrad (Heart of Darkness)
“
On the wall next to the door we’d entered through was a huge floor-to-ceiling bulletin/whiteboard combo and hanging from a thumbtack on the bulletin board amongst pictures and other various sorts of memorabilia was my bra. It’d been washed but it still had
a good many blotches of pink on it. If that wasn’t shocking enough, the dialogue written over the last two weeks on the whiteboard pertaining to said bra certainly was. I’ll include the copy just so you can truly appreciate what I’m dealing with here.
Tristan’s Mom: What’s this?
Tristan: A size 34B lace covered slingshot.
Jeff: Nice!
Tristan’s Mom: Do I want to know?
Tristan: I don’t know, do you?
Tristan’s Mom: Not really. Are you planning on returning it or did you win some kind of prize?
Tristan: I plead the fifth.
Tristan’s Dad: Well done son.
Jeff: Ditto!
Tristan’s Mom: Don’t encourage him.
Tristan: Gee, thanks Mom.
Tristan’s Dad: Can’t a father be proud of his only child?
Tristan’s Mom: He doesn’t need your help…obviously.
Tristan’s Dad: That’s because he takes after me.
Tristan: Was there anything else I can do for you two?
Tristan’s Mom: Tell her I tried to get the stains out, but I’m afraid they set in before I got to it.
Tristan: I’m sure she’ll appreciate your effort, but if I’m any judge (and I’d like to think I am) its
size has caused it to become obsolete and she needs to trade up.
Jeff: I’m so proud.
Tristan: Thanks man.
Tristan’s Mom: A name would be nice you know.
Tristan: Camie.
Tristan’s Mom: Do we get to meet her?
Tristan: Sure. I’ll have my people call your people and set it up.
Tristan’s Mom: I don’t know why I bother. Do you want anything from the store?
Tristan: Yeah, Camie’s sleeping over tonight and I promised her bacon and eggs for breakfast.
Jeff’s got the eggs covered but could you pick up some bacon for us and maybe a box of Twinkies
for the bus? Thanks, you’re the best.
Jeff: I have the eggs covered?
Tristan’s Dad: He gets his sense of humor from you.
Tristan’s Mom: Flattery will get you everywhere. How would you like your eggs prepared dear?
”
”
Jenn Cooksey (Shark Bait (Grab Your Pole, #1))
“
You sure you won't come?' she asks. She always asks when she's going out with Drew. But I won't subject myself to that, even to be close to her. Drew pulls into the driveway and saves me from having to answer.
'Nice boots. I like it. Maybe I'll let you keep those on.'
She flips him off but it means nothing.
'You should come,' he says to me. 'I can hook you up.'
'Hook yourself up. I'm good.'
'Yeah, we know.' He looks at Nastya. 'I'm good, too. I have my own personal Sunshine to keep me warm.'
Something in me snaps with that. He goes out with her; he touches her; he says shit no one should be allowed to get away with to her. But he cannot call her Sunshine. I'm nailing a board down over my anger so I don't blow up. They'll be out of here in a minute and it'll be over. I wish they'd get out of here now.
'Call me Sunshine again, and I will murder you, cocksucker.
”
”
Katja Millay (The Sea of Tranquility)
“
And just how did you arrive at that remarkable conclusion, Mr. Mayor?"
"In a rather simple way. It merely required the use of that much-neglected commodity -- common sense. You see, there is a branch of human knowledge known as symbolic logic, which can be used to prune away all sorts of clogging deadwood that clutters up human language."
"What about it?" said Fulham.
"I applied it. Among other things, I applied it to this document here. I didn't really need to for myself because I knew what it was all about, but I think I can explain it more easily to five physical scientists by symbols rather than by words."
Hardin removed a few sheets of paper from the pad under his arm and spread them out. "I didn't do this myself, by the way," he said. "Muller Holk of the Division of Logic has his name signed to the analyses, as you can see."
Pirenne leaned over the table to get a better view and Hardin continued: "The message from Anacreon was a simple problem, naturally, for the men who wrote it were men of action rather than men of words. It boils down easily and straightforwardly to the unqualified statement, when in symbols is what you see, and which in words, roughly translated is, 'You give us what we want in a week, or we take it by force.'"
There was silence as the five members of the Board ran down the line of symbols, and then Pirenne sat down and coughed uneasily.
Hardin said, "No loophole, is there, Dr. Pirenne?"
"Doesn't seem to be.
”
”
Isaac Asimov (Foundation (Foundation, #1))
“
I strip myself emotionally when I confess need – that I would be lost without you, that I am not necessarily the independent person I have tried to appear, but am a far less admirable weakling with little clue of life’s course or meaning. When I cry and tell you things I trust you will keep for yourself, that would destroy me if others were to learn of them, when I give up the game of gazing seductively at parties and admit it’s you I care about, I am stripping myself of a carefully sculpted illusion of invulnerability. I become as defenseless and trusting as the person in the circus trick, strapped to a board into which another is throwing knives to within inches of my skin, knives I have myself freely given. I allow you to see me humiliated, unsure of myself, vacillating, drained of self-confidence, hating myself and hence unable to convince you [should I need to] to do otherwise. I am weak when I have shown you my panicked face at three in the morning, anxious before existence, free of the blustering, optimistic philosophies I had proclaimed over dinner. I learn to accept the enormous risk that though I am not the confident pin-up of everyday life, though you have at hand an exhaustive catalogue of my fears and phobias, you may nevertheless love me.
”
”
Alain de Botton (The Romantic Movement: Sex, Shopping, and the Novel)
“
A final depressing point about inequality and violence. As we’ve seen, a rat being shocked activates a stress response. But a rat being shocked who can then bite the hell out of another rat has less of a stress response. Likewise with baboons—if you are low ranking, a reliable way to reduce glucocorticoid secretion is to displace aggression onto those even lower in the pecking order. It’s something similar here—despite the conservative nightmare of class warfare, of the poor rising up to slaughter the wealthy, when inequality fuels violence, it is mostly the poor preying on the poor. This point is made with a great metaphor for the consequences of societal inequality.41 The frequency of “air rage”—a passenger majorly, disruptively, dangerously losing it over something on a flight—has been increasing. Turns out there’s a substantial predictor of it: if the plane has a first-class section, there’s almost a fourfold increase in the odds of a coach passenger having air rage. Force coach passengers to walk through first class when boarding, and you more than double the chances further. Nothing like starting a flight by being reminded of where you fit into the class hierarchy. And completing the parallel with violent crime, when air rage is boosted in coach by reminders of inequality, the result is not a crazed coach passenger sprinting into first class to shout Marxist slogans. It’s the guy being awful to the old woman sitting next to him, or to the flight attendant.*
”
”
Robert M. Sapolsky (Behave: The Biology of Humans at Our Best and Worst)
“
Richards remembered the day - that glorious and terrible day - watching the planes slam into the towers, the image repeated in endless loops. The fireballs, the bodies falling, the liquefaction of a billion tons of steel and concrete, the pillowing clouds of dust. The money shot of the new millennium, the ultimate reality show broadcast 24-7. Richards had been in Jakarta when it happened, he couldn't even remember why. He'd thought it right then; no, he'd felt it, right down to his bones. A pure, unflinching rightness. You had to give the military something to do of course, or they'd all just fucking shoot each other. But from that day forward, the old way of doing things was over. The war - the real war, the one that had been going on for a thousand years and would go on for a thousand thousand more - the war between Us and Them, between the Haves and the Have-Nots, between my gods and your gods, whoever you are - would be fought by men like Richards: men with faces you didn't notice and couldn't remember, dressed as busboys or cab drivers or mailmen, with silencers tucked up their sleeves. It would be fought by young mothers pushing ten pounds of C-4 in baby strollers and schoolgirls boarding subways with vials of sarin hidden in their Hello Kitty backpacks. It would be fought out of the beds of pickup trucks and blandly anonymous hotel rooms near airports and mountain caves near nothing at all; it would be waged on train platforms and cruise ships, in malls and movie theaters and mosques, in country and in city, in darkness and by day. It would be fought in the name of Allah or Kurdish nationalism or Jews for Jesus or the New York Yankees - the subjects hadn't changed, they never would, all coming down, after you'd boiled away the bullshit, to somebody's quarterly earnings report and who got to sit where - but now the war was everywhere, metastasizing like a million maniac cells run amok across the planet, and everyone was in it.
”
”
Justin Cronin (The Passage (The Passage, #1))
“
Maeve, you wrote this to Tillie Olsen, who treasured it, and had it up on her studio wall. I copied it, and it’s now on the [bulletin] board over my desk.” The passage reads: I have been trying to think of the word to say to you that would never fail to lift you up when you are too tired or too sad [to] not be downcast. But I can think only of a reminder—you are all it has. You are all your work has. It has nobody else and never had anybody else. If you deny it hands and a voice, it will continue as it is, alive, but speechless and without hands. You know it has eyes and can see you, and you know how hopefully it watches you. But I am speaking of a soul that is timid but that longs to be known. When you are so sad that you “cannot work” there is always danger fear will enter in and begin withering around. A good way to remain on guard is to go to the window and watch the birds for an hour or two or three. It is very comforting to see their beaks opening and shutting. This is real friendship—the kind that takes another’s soul as seriously as one’s own. Aristotle considered it the highest order of love, philia, or “friendship love,” in which tending to somebody else’s welfare is central to our own flourishing.
”
”
Kate Bolick (Spinster: Making a Life of One's Own)
“
He says, "It's just a hat."
But it's not just a hat. It makes Jess think of racism and hatred and systemic inequality, and the Ku Klux Klan, and plantation-wedding Pinterest boards, and lynchings, and George Zimmerman, and the Central Park Five, and redlining, and gerrymandering and the Southern strategy, and decades of propaganda and Fox News and conservative radio, and rabid evangelicals, and rape and pillage and plunder and plutocracy and money in politics and the dumbing down of civil discourse and domestic terrorism and white nationalists and school shootings and the growing fear of a nonwhite, non-English-speaking majority and the slow death of the social safety net and conspiracy theory culture and the white working class and social atomism and reality television and fake news and the prison-industrial complex and celebrity culture and the girl in fourth grade who told Jess that since she--Jess--was "naturally unclean" she couldn't come over for birthday cake, and executive compensation, and mediocre white men, and the guy in college who sent around an article about how people who listen to Radiohead are smarter than people who listen to Missy Elliott and when Jess said "That's racist" he said "No,it's not," and of bigotry and small pox blankets and gross guys grabbing your butt on the subway, and slave auctions and Confederate monuments and Jim Crow and fire hoses and separate but equal and racist jokes that aren't funny and internet trolls and incels and golf courses that ban women and voter suppression and police brutality and crony capitalism and corporate corruption and innocent children, so many innocent children, and the Tea Party and Sarah Palin and birthers and flat-earthers and states' rights and disgusting porn and the prosperity gospel and the drunk football fans who made monkey sounds at Jess outside Memorial Stadium, even though it was her thirteenth birthday, and Josh--now it makes her think of Josh.
”
”
Cecilia Rabess (Everything's Fine)
“
He grabbed the back of my parka,but I got the distinct impression he was not trying to be a gentleman by helping me out of it.He just wanted his parka back.
"When you feel cornered,you'll just fling whatever you've got at people, and you don't care who gets hurt with what."
"I am not scared." I slid down from the truck seat into Liz's stepdad's galoshes, then turned to face Nick one last time. "I am not scared of boarding or you,and I will prove it to you tomorrow.If you think I'm going easy on you in the comp just because you have a debilitating injury from yesterday-"
"That's what you think," he snarked. "I've been going yoga."
"-you have another think coming.You will buy me those Poser tickets. And I'm not even taking you.You will hand the tickets over to me,and I'll take someone else."
"Who? Your little brother's friends?"
"No,Everett Walsh." I closed the door softly behind me so as not to alarm sleeping adults,because I was that mature.
Even through the door and the rolled up window,I could clearly hear every filthy work Nick uttered, ending with, "Everett [cuss word] Walsh."
I opened the passenger door. "Ask not for whom the fire-crotch burns;it burns for thee!" I'd meant this to be an insult.Then I realized it sounded like I wanted Nick.Or like I had a feminine problem.
”
”
Jennifer Echols (The Ex Games)
“
Feeling witless and utterly drained, Lillian let herself collapse over him, her head coming to rest on the center of his chest. His heart pounded and thundered beneath her ear for long minutes before it eased into something approaching a normal rhythm. “My God,” he muttered, his arms sliding around her, then falling away as if even that required too much effort. “Lillian. Lillian.”
“Mmm?” She blinked drowsily, experiencing an overwhelming need to sleep.
“I’ve changed my mind about negotiating. You can have whatever you want. Any conditions, anything that’s in my power to accomplish. Just put my mind at ease and say you’ll be my wife.”
Lillian managed to lift her head and stare into his heavy-lidded eyes. “If this is an example of your bargaining ability,” she said, “I’m rather worried about your corporate affairs. You don’t surrender this easily to your business partners’ demands, I hope.”
“No. Nor do I sleep with them.”
A slow grin spread across her face. If Marcus was willing to take a leap of faith, then she would do no less. “Then to put your mind at ease, Westcliff… yes, I’ll be your wife. Though I warn you… you may be sorry you didn’t negotiate when you learn my conditions later. I may want a board position on the soap company, for example…”
“God help me,” he muttered, and with a deep sigh of contentment, he fell asleep.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
There she was. Roarke stood in the office doorway, took a few enjoyable minutes to just watch her. She had such a sense of purpose, such a sense of focus on that purpose. It had appealed to him from the first instant he’d seen her, across a sea of people at a memorial for the dead. He found it compelling, the way those whiskey-colored eyes could go flat and cold as they were now. Cop’s eyes. His cop’s eyes.
She’d taken off her jacket, tossed it over a chair, and still wore her weapon harness. Which meant she’d come in the door and straight up. Armed and dangerous, he thought. It was a look, a fact of her, that continually aroused him. And her tireless and unwavering dedication to the dead—to the truth, to what was right—had, and always would, amaze him.
She’d set up her murder board, he noted, filling it with grisly photos, with reports, notes, names. And somewhere along the line in her day, she’d earned herself a black eye.
He’d long since resigned himself to finding the woman he loved bruised and bloody at any given time. Since she didn’t look exhausted or ill, a shiner was a relatively minor event.
She sensed him. He saw the moment she did, that slight change of body language. And when her eyes shifted from her comp screen to his, the cold focus became an easy, even casual warmth.
That, he thought, just that was worth coming home for.
”
”
J.D. Robb (Strangers in Death (In Death, #26))
“
Reasons Why I Loved Being With Jen
I love what a good friend you are. You’re really engaged with the lives of the people you love. You organize lovely experiences for them. You make an effort with them, you’re patient with them, even when they’re sidetracked by their children and can’t prioritize you in the way you prioritize them.
You’ve got a generous heart and it extends to people you’ve never even met, whereas I think that everyone is out to get me. I used to say you were naive, but really I was jealous that you always thought the best of people.
You are a bit too anxious about being seen to be a good person and you definitely go a bit overboard with your left-wing politics to prove a point to everyone. But I know you really do care. I know you’d sign petitions and help people in need and volunteer at the homeless shelter at Christmas even if no one knew about it. And that’s more than can be said for a lot of us.
I love how quickly you read books and how absorbed you get in a good story. I love watching you lie on the sofa reading one from cover-to-cover. It’s like I’m in the room with you but you’re in a whole other galaxy.
I love that you’re always trying to improve yourself. Whether it’s running marathons or setting yourself challenges on an app to learn French or the fact you go to therapy every week. You work hard to become a better version of yourself. I think I probably didn’t make my admiration for this known and instead it came off as irritation, which I don’t really feel at all.
I love how dedicated you are to your family, even when they’re annoying you. Your loyalty to them wound me up sometimes, but it’s only because I wish I came from a big family.
I love that you always know what to say in conversation. You ask the right questions and you know exactly when to talk and when to listen. Everyone loves talking to you because you make everyone feel important.
I love your style. I know you think I probably never noticed what you were wearing or how you did your hair, but I loved seeing how you get ready, sitting in front of the full-length mirror in our bedroom while you did your make-up, even though there was a mirror on the dressing table.
I love that you’re mad enough to swim in the English sea in November and that you’d pick up spiders in the bath with your bare hands. You’re brave in a way that I’m not.
I love how free you are. You’re a very free person, and I never gave you the satisfaction of saying it, which I should have done. No one knows it about you because of your boring, high-pressure job and your stuffy upbringing, but I know what an adventurer you are underneath all that.
I love that you got drunk at Jackson’s christening and you always wanted to have one more drink at the pub and you never complained about getting up early to go to work with a hangover. Other than Avi, you are the person I’ve had the most fun with in my life.
And even though I gave you a hard time for always trying to for always trying to impress your dad, I actually found it very adorable because it made me see the child in you and the teenager in you, and if I could time-travel to anywhere in history, I swear, Jen, the only place I’d want to go is to the house where you grew up and hug you and tell you how beautiful and clever and funny you are. That you are spectacular even without all your sports trophies and music certificates and incredible grades and Oxford acceptance.
I’m sorry that I loved you so much more than I liked myself, that must have been a lot to carry. I’m sorry I didn’t take care of you the way you took care of me. And I’m sorry I didn’t take care of myself, either. I need to work on it. I’m pleased that our break-up taught me that. I’m sorry I went so mental.
I love you. I always will. I'm glad we met.
”
”
Dolly Alderton (Good Material)
“
Someone will say, "I did not ask to be born." This is a naive way of throwing greater emphasis on our facticity. I am responsible for everything, in fact,
except for my very responsibility, for I am not the foundation of my being. Therefore everything takes place as if I were compelled to be responsible. I am abandoned in the world, not in the sense that I might remain abandoned and passive in a hostile universe like a board floating on the water, but rather in the sense that I find myself suddenly alone and without help, engaged in a world for which I bear the whole responsibility without being able, whatever I do, to tear myself away from this responsibility for an instant. For I am responsible for my very desire of fleeing responsibilities. To make myself passive in the world, to refuse to act upon things and upon Others is still to choose myself, and suicide is one mode among others of being-in-the-world. Yet I find an absolute responsibility for the fact that my facticity (here the fact of my birth) is directly inapprehensible and even inconceivable, for this fact of my birth never appears as a brute fact but always across a projective reconstruction of my for-itself. I am ashamed of being born or I am astonished at it or I rejoice over it, or in attempting to get rid of my life I affirm that I live and I assume this life as bad. Thus in a certain sense I choose being born.
”
”
Jean-Paul Sartre (Existentialism and Human Emotions)
“
A man opposite me shifted his feet, accidentally brushing his foot against mine. It was a gentle touch, barely noticeable, but the man immediately reached out to touch my knee and then his own chest with the fingertips of his right hand, in the Indian gesture of apology for an unintended offence. In the carriage and the corridor beyond, the other passengers were similarly respectful, sharing, and solicitous with one another. At first, on that first journey out of the city into India, I found such sudden politeness infuriating after the violent scramble to board the train. It seemed hypocritical for them to show such deferential concern over a nudge with a foot when, minutes before, they'd all but pushed one another out of the windows. Now, long years and many journeys after that first ride on a crowded rural train, I know that the scrambled fighting and courteous deference were both expressions of the one philosophy: the doctrine of necessity. The amount of force and violence necessary to board the train, for example, was no less and no more than the amount of politeness and consideration necessary to ensure that the cramped journey was as pleasant as possible afterwards. What is necessary! That was the unspoken but implied and unavoidable question everywhere in India. When I understood that, a great many of the characteristically perplexing aspects of public life became comprehensible: from the acceptance of sprawling slums by city authorities, to the freedom that cows had to roam at random in the midst of traffic; from the toleration of beggars on the streets, to the concatenate complexity of the bureaucracies; and from the gorgeous, unashamed escapism of Bollywood movies, to the accommodation of hundreds of thousands of refugees from Tibet, Iran, Afghanistan, Africa, and Bangladesh, in a country that was already too crowded with sorrows and needs of its own. The real hypocrisy, I came to realise, was in the eyes and minds and criticisms of those who came from lands of plenty, where none had to fight for a seat on a train. Even on that first train ride, I knew in my heart that Didier had been right when he'd compared India and its billion souls to France. I had an intuition, echoing his thought, that if there were a billion Frenchmen or Australians or Americans living in such a small space, the fighting to board the train would be much more, and the courtesy afterwards much less. And in truth, the politeness and consideration shown by the peasant farmers, travelling salesmen, itinerant workers, and returning sons and fathers and husbands did make for an agreeable journey, despite the cramped conditions and relentlessly increasing heat. Every available centimetre of seating space was occupied, even to the sturdy metal luggage racks over our heads. The men in the corridor took turns to sit or squat on a section of floor that had been set aside and cleaned for the purpose. Every man felt the press of at least two other bodies against his own. Yet there wasn't a single display of grouchiness or bad temper
”
”
Gregory David Roberts
“
Over the past fifteen years, the iconoclastic mathematician Irakli Loladze has isolated a dramatic effect of carbon dioxide on human nutrition unanticipated by plant physiologists: it can make plants bigger, but those bigger plants are less nutritious. “Every leaf and every grass blade on earth makes more and more sugars as CO2 levels keep rising,” Loladze told Politico, in a story about his work headlined “The Great Nutrient Collapse.” “We are witnessing the greatest injection of carbohydrates into the biosphere in human history—[an] injection that dilutes other nutrients in our food supply.” Since 1950, much of the good stuff in the plants we grow—protein, calcium, iron, vitamin C, to name just four—has declined by as much as one-third, a landmark 2004 study showed. Everything is becoming more like junk food. Even the protein content of bee pollen has dropped by a third. The problem has gotten worse as carbon concentrations have gotten worse. Recently, researchers estimated that by 2050 as many as 150 million people in the developing world will be at risk of protein deficiency as the result of nutrient collapse, since so many of the world’s poor depend on crops, rather than animal meat, for protein; 138 million could suffer from a deficiency of zinc, essential to healthy pregnancies; and 1.4 billion could face a dramatic decline in dietary iron—pointing to a possible epidemic of anemia. In 2018, a team led by Chunwu Zhu looked at the protein content of eighteen different strains of rice, the staple crop for more than 2 billion people, and found that more carbon dioxide in the air produced nutritional declines across the board—drops in protein content, as well as in iron, zinc, and vitamins B1, B2, B5, and B9. Really everything but vitamin E. Overall, the researchers found that, acting just through that single crop, rice, carbon emissions could imperil the health of 600 million people. In previous centuries, empires were built on that crop. Climate change promises another, an empire of hunger, erected among the world’s poor.
”
”
David Wallace-Wells (The Uninhabitable Earth: Life After Warming)
“
How can we tell whether the rules which we "guess" at are really right if we cannot analyze the game very well? There are, roughly speaking, three ways.
First, there may be situations where nature has arranged, or we arrange nature, to be simple and to have so few parts that we can predict exactly what will happen, and thus we can check how our rules work. (In one corner of the board there may be only a few chess pieces at work, and that we can figure out exactly.)
A second good way to check rules is in terms of less specific rules derived from them. For example, the rule on the move of a bishop on a chessboard is that it moves only on the diagonal. One can deduce, no matter how many moves may be made, that a certain bishop will always be on a red square. So, without being able to follow the details, we can always check our idea about the bishop's motion by finding out whether it is always on a red square. Of course it will be, for a long time, until all of a sudden we find that it is on a black square (what happened of course, is that in the meantime it was captured, another pawn crossed for queening, and it turned into a bishop on a black square). That is the way it is in physics. For a long time we will have a rule that works excellently in an over-all way, even when we cannot follow the details, and then some time we may discover a new rule. From the point of view of basic physics, the most interesting phenomena are of course in the new places, the places where the rules do not work—not the places where they do work! That is the way in which we discover new rules.
The third way to tell whether our ideas are right is relatively crude but prob-ably the most powerful of them all. That is, by rough approximation. While we may not be able to tell why Alekhine moves this particular piece, perhaps we can roughly understand that he is gathering his pieces around the king to protect it, more or less, since that is the sensible thing to do in the circumstances. In the same way, we can often understand nature, more or less, without being able to see what every little piece is doing, in terms of our understanding of the game.
”
”
Richard P. Feynman (The Feynman Lectures on Physics)
“
Bagpipe Music'
It's no go the merrygoround, it's no go the rickshaw,
All we want is a limousine and a ticket for the peepshow.
Their knickers are made of crêpe-de-chine, their shoes are made of python,
Their halls are lined with tiger rugs and their walls with heads of bison.
John MacDonald found a corpse, put it under the sofa,
Waited till it came to life and hit it with a poker,
Sold its eyes for souvenirs, sold its blood for whiskey,
Kept its bones for dumb-bells to use when he was fifty.
It's no go the Yogi-Man, it's no go Blavatsky,
All we want is a bank balance and a bit of skirt in a taxi.
Annie MacDougall went to milk, caught her foot in the heather,
Woke to hear a dance record playing of Old Vienna.
It's no go your maidenheads, it's no go your culture,
All we want is a Dunlop tyre and the devil mend the puncture.
The Laird o' Phelps spent Hogmanay declaring he was sober,
Counted his feet to prove the fact and found he had one foot over.
Mrs Carmichael had her fifth, looked at the job with repulsion,
Said to the midwife 'Take it away; I'm through with overproduction'.
It's no go the gossip column, it's no go the Ceilidh,
All we want is a mother's help and a sugar-stick for the baby.
Willie Murray cut his thumb, couldn't count the damage,
Took the hide of an Ayrshire cow and used it for a bandage.
His brother caught three hundred cran when the seas were lavish,
Threw the bleeders back in the sea and went upon the parish.
It's no go the Herring Board, it's no go the Bible,
All we want is a packet of fags when our hands are idle.
It's no go the picture palace, it's no go the stadium,
It's no go the country cot with a pot of pink geraniums,
It's no go the Government grants, it's no go the elections,
Sit on your arse for fifty years and hang your hat on a pension.
It's no go my honey love, it's no go my poppet;
Work your hands from day to day, the winds will blow the profit.
The glass is falling hour by hour, the glass will fall for ever,
But if you break the bloody glass you won't hold up the weather.
”
”
Louis MacNeice
“
The North Korean capital, Pyongyang, is a city consecrated to the worship of a father-son dynasty. (I came to think of them, with their nuclear-family implications, as 'Fat Man and Little Boy.') And a river runs through it. And on this river, the Taedong River, is moored the only American naval vessel in captivity. It was in January 1968 that the U.S.S. Pueblo strayed into North Korean waters, and was boarded and captured. One sailor was killed; the rest were held for nearly a year before being released. I looked over the spy ship, its radio antennae and surveillance equipment still intact, and found photographs of the captain and crew with their hands on their heads in gestures of abject surrender. Copies of their groveling 'confessions,' written in tremulous script, were also on show. So was a humiliating document from the United States government, admitting wrongdoing in the penetration of North Korean waters and petitioning the 'D.P.R.K.' (Democratic People's Republic of Korea) for 'lenience.' Kim Il Sung ('Fat Man') was eventually lenient about the men, but not about the ship. Madeleine Albright didn't ask to see the vessel on her visit last October, during which she described the gruesome, depopulated vistas of Pyongyang as 'beautiful.' As I got back onto the wharf, I noticed a refreshment cart, staffed by two women under a frayed umbrella. It didn't look like much—one of its three wheels was missing and a piece of brick was propping it up—but it was the only such cart I'd see. What toothsome local snacks might the ladies be offering? The choices turned out to be slices of dry bread and cups of warm water.
Nor did Madeleine Albright visit the absurdly misnamed 'Demilitarized Zone,' one of the most heavily militarized strips of land on earth. Across the waist of the Korean peninsula lies a wasteland, roughly following the 38th parallel, and packed with a titanic concentration of potential violence. It is four kilometers wide (I have now looked apprehensively at it from both sides) and very near to the capital cities of both North and South. On the day I spent on the northern side, I met a group of aging Chinese veterans, all from Szechuan, touring the old battlefields and reliving a war they helped North Korea nearly win (China sacrificed perhaps a million soldiers in that campaign, including Mao Anying, son of Mao himself). Across the frontier are 37,000 United States soldiers. Their arsenal, which has included undeclared nuclear weapons, is the reason given by Washington for its refusal to sign the land-mines treaty. In August 1976, U.S. officers entered the neutral zone to trim a tree that was obscuring the view of an observation post. A posse of North Koreans came after them, and one, seizing the ax with which the trimming was to be done, hacked two U.S. servicemen to death with it. I visited the ax also; it's proudly displayed in a glass case on the North Korean side.
”
”
Christopher Hitchens (Love, Poverty, and War: Journeys and Essays)