Blush Blindness Quotes

We've searched our database for all the quotes and captions related to Blush Blindness. Here they are! All 30 of them:

To my unsuspecting love. When I look into your eyes, I lose all sense of time and place. Reason robbed, clear thought erased, I am lost in the paradise I find within your gaze. I long to touch your blushing cheek, to whisper in your ear how I adore you, how I have lost my heart to you, how I cannot bear the thought of living without you. To be so near to you without touching you is agony. Your blindness to my feelings is a daily torment, and I feel driven to the edge of madness by my love for you. Where is your compassion when I need it most? Open your eyes , Love, and see what is right before you: that I am not merely a friend, but a man deeply, desperately , in love with you. Longing for you.
Julianne Donaldson (Edenbrooke (Edenbrooke, #1))
To my unsuspecting love. When I look into your eyes, I loose all sense of time and place. Reason robbed, clear thought erased, I am lost in the paradise I find within you gaze. I long to touch your blushing cheek, to whisper in your ear how I adore you, how I cannot bear the thought of living without you. To be so near you without touching you is agony. Your blindness to my feelings is a daily torment, and I feel driven to the edge of madness by my love for you
Julianne Donaldson (Edenbrooke (Edenbrooke, #1))
That", I said, "is an awfully lovely woman. I thought I should let you know, kid, in case your inexperience had blinded you to the fact." "Lying," Ramirez stated, blushing. "Evil.
Jim Butcher (Grave Peril (The Dresden Files, #3))
In our every cell, furled at the nucleus, there is a ribbon two yards long and just ten atoms wide. Over a hundred million miles of DNA in very human individual, enough to wrap five million times around our world and make the Midgard serpent blush for shame, make even the Ourobouros worm swallow hard in disbelief. This snake-god, nucleotide, twice twisted, scaled in adenine and cytosine, in thymine and in guanine, is a one-man show, will be the actors, props and setting, be the apple and the garden both. The player bides his time, awaits his entrance to a drum-roll of igniting binaries. This is the only dance in town, this anaconda tango, this slow spiral up through time from witless dirt to paramecium, from blind mechanic organism to awareness. There, below the birthing stars, Life sways and improvises. Every poignant gesture drips with slapstick; pathos; an unbearably affecting bravery. To dare this stage, this huge and overwhelming venue. Squinting through the stellar footlights, hoping there's an audience, that there's someone out there, but dancing anyway. But dancing anyway.
Alan Moore (Snakes and Ladders)
In the variety of the tone of her words, moods, hugs, kisses, brushes of the lips, and this night the upside-down kiss over the back of the chair with her dark eyes heavy hanging and her blushing cheeks full of sweet blood and sudden tenderness brooding like a hawk over the boy over the back, holding the chair on both sides, just an instant, the startling sudden sweet fall of her hair over my face and the soft downward brush of her lips, a moment's penetration of sweet lip flesh, a moment's drowned in thinking and kissing in it and praying and hoping and in the mouth of life when life is young to burn cool skin eye-blinking joy - I held her captured upside down, also for just a second, and savored the kiss which first had surprised me like a blind man's bluff so I didn't know really who was kissing me for the very first instant but now I knew and knew everything more than ever, as, grace-wise, she descended to me from the upper dark where I'd thought only cold could be and with all her heavy lips and breast in my neck and on my head and sudden fragrance of the night brought with her from the porch, of some 5 & 10 cheap perfumes of herself the little hungry scent of perspiration warm in her flesh like presciousness.
Jack Kerouac (Maggie Cassidy)
Not to waste the spring I threw down everything, And ran into the open world To sing what I could sing... To dance what I could dance! And join with everyone! I wandered with a reckless heart beneath the newborn sun. First stepping through the blushing dawn, I crossed beneath a garden bower, counting every hermit thrush, counting every hour. When morning's light was ripe at last, I stumbled on with reckless feet; and found two nymphs engaged in play, approaching them stirred no retreat. With naked skin, their weaving hands, in form akin to Calliope's maids, shook winter currents from their hair to weave within them vernal braids. I grabbed the first, who seemed the stronger by her soft and dewy leg, and swore blind eyes, Lest I find I, before Diana, a hunted stag. But the nymphs they laughed, and shook their heads. and begged I drop beseeching hands. For one was no goddess, the other no huntress, merely two girls at play in the early day. "Please come to us, with unblinded eyes, and raise your ready lips. We will wash your mouth with watery sighs, weave you springtime with our fingertips." So the nymphs they spoke, we kissed and laid, by noontime's hour, our love was made, Like braided chains of crocus stems, We lay entwined, I laid with them, Our breath, one glassy, tideless sea, Our bodies draping wearily. We slept, I slept so lucidly, with hopes to stay this memory. I woke in dusty afternoon, Alone, the nymphs had left too soon, I searched where perched upon my knees Heard only larks' songs in the trees. "Be you, the larks, my far-flung maids? With lilac feet and branchlike braids... Who sing sweet odes to my elation, in your larking exaltation!" With these, my clumsy, carefree words, The birds they stirred and flew away, "Be I, poor Actaeon," I cried, "Be dead… Before they, like Hippodamia, be gone astray!" Yet these words, too late, remained unheard, By lark, that parting, morning bird. I looked upon its parting flight, and smelled the coming of the night; desirous, I gazed upon its jaunt, as Leander gazes Hellespont. Now the hour was ripe and dark, sensuous memories of sunlight past, I stood alone in garden bowers and asked the value of my hours. Time was spent or time was tossed, Life was loved and life was lost. I kissed the flesh of tender girls, I heard the songs of vernal birds. I gazed upon the blushing light, aware of day before the night. So let me ask and hear a thought: Did I live the spring I’d sought? It's true in joy, I walked along, took part in dance, and sang the song. and never tried to bind an hour to my borrowed garden bower; nor did I once entreat a day to slumber at my feet. Yet days aren't lulled by lyric song, like morning birds they pass along, o'er crests of trees, to none belong; o'er crests of trees of drying dew, their larking flight, my hands, eschew Thus I'll say it once and true… From all that I saw, and everywhere I wandered, I learned that time cannot be spent, It only can be squandered.
Roman Payne (Rooftop Soliloquy)
„I'm sorry about Hannah though,” he said. „She has no filter. She called me an ass.” I smiled, leaned over and kissed his cheek. „Don't apologize. I happen to really like ass.” Isaac's mouth fell open, as he blushed a deep scarlet, and I laughed. „Come on, on your feet. I'll wash, you dry.” He shook his head, disbelievingly. „I can't believe you just said that!” „What?” I scoffed. „That you're drying the dishes? Fair's fair, Isaac.” He blushed again and bit his lip. „That's not what I'm talking about, and you know it.” I put the dishes in the sink, laughing. „Yeah, I know. Next time, I'll ask Hannah to call you a dick, because I happen to really like that too.
N.R. Walker (Blind Faith (Blind Faith, #1))
The Garden of Proserpine" Here, where the world is quiet; Here, where all trouble seems Dead winds' and spent waves' riot In doubtful dreams of dreams; I watch the green field growing For reaping folk and sowing, For harvest-time and mowing, A sleepy world of streams. I am tired of tears and laughter, And men that laugh and weep; Of what may come hereafter For men that sow to reap: I am weary of days and hours, Blown buds of barren flowers, Desires and dreams and powers And everything but sleep. Here life has death for neighbour, And far from eye or ear Wan waves and wet winds labour, Weak ships and spirits steer; They drive adrift, and whither They wot not who make thither; But no such winds blow hither, And no such things grow here. No growth of moor or coppice, No heather-flower or vine, But bloomless buds of poppies, Green grapes of Proserpine, Pale beds of blowing rushes Where no leaf blooms or blushes Save this whereout she crushes For dead men deadly wine. Pale, without name or number, In fruitless fields of corn, They bow themselves and slumber All night till light is born; And like a soul belated, In hell and heaven unmated, By cloud and mist abated Comes out of darkness morn. Though one were strong as seven, He too with death shall dwell, Nor wake with wings in heaven, Nor weep for pains in hell; Though one were fair as roses, His beauty clouds and closes; And well though love reposes, In the end it is not well. Pale, beyond porch and portal, Crowned with calm leaves, she stands Who gathers all things mortal With cold immortal hands; Her languid lips are sweeter Than love's who fears to greet her To men that mix and meet her From many times and lands. She waits for each and other, She waits for all men born; Forgets the earth her mother, The life of fruits and corn; And spring and seed and swallow Take wing for her and follow Where summer song rings hollow And flowers are put to scorn. There go the loves that wither, The old loves with wearier wings; And all dead years draw thither, And all disastrous things; Dead dreams of days forsaken, Blind buds that snows have shaken, Wild leaves that winds have taken, Red strays of ruined springs. We are not sure of sorrow, And joy was never sure; To-day will die to-morrow; Time stoops to no man's lure; And love, grown faint and fretful, With lips but half regretful Sighs, and with eyes forgetful Weeps that no loves endure. From too much love of living, From hope and fear set free, We thank with brief thanksgiving Whatever gods may be That no life lives for ever; That dead men rise up never; That even the weariest river Winds somewhere safe to sea. Then star nor sun shall waken, Nor any change of light: Nor sound of waters shaken, Nor any sound or sight: Nor wintry leaves nor vernal, Nor days nor things diurnal; Only the sleep eternal In an eternal night.
Algernon Charles Swinburne (Poems and Ballads & Atalanta in Calydon)
Julius explained that the palace rooms where they stood were called Wunderkammers, or wonder rooms. Souvenirs of nature, of travels across continents and seas; jewels and skulls. A show of wealth, intellect, power. The first room had rose-colored glass walls, with rubies and garnets and bloodred drapes of damask. Bowls of blush quartz; semiprecious stone roses running the spectrum of red down to pink, a hard, glittering garden. The vaulted ceiling, a feature of all the ten rooms Julius and Cymbeline visited, was a trompe l'oeil of a rosy sky at down, golden light edging the morning clouds. The next room was of sapphire and sea and sky; lapis lazuli, turquoise and gold and silver. A silver mermaid lounged on the edge of a lapis lazuli bowl fashioned in the shape of an ocean. Venus stood aloft on the waves draped in pearls. There were gold fish and diamond fish and faceted sterling silver starfish. Silvered mirrors edged in silvered mirror. There were opals and aquamarines and tanzanite and amethyst. Seaweed bloomed in shades of blue-green marble. The ceiling was a dome of endless, pale blue. A jungle room of mica and marble followed, with its rain forest of cats made from tiger's-eye, yellow topaz birds, tortoiseshell giraffes with stubby horns of spun gold. Carved clouds of smoky quartz hovered over a herd of obsidian and ivory zebras. Javelinas of spotted pony hide charged tiny, life-sized dik-diks with velvet hides, and dazzling diamond antlers mingled with miniature stuffed sable minks. Agate columns painted a medley of dark greens were strung with faceted ropes of green gold. A room of ivory: bone, teeth, skulls, and velvet. A room crowded with columns all sheathed in mirrors, reflecting world maps and globes and atlases inlaid with silver, platinum, and white gold; the rubies and diamonds that were sometimes set to mark the location of a city or a town of conquest resembled blood and tears. A room dominated by a fireplace large enough to hold several people, upholstered in velvets and silks the colors of flame. Snakes of gold with orange sapphire and yellow topaz eyes coiled around the room's columns. Statues of smiling black men in turbans offering trays of every gem imaginable-emerald, sapphire, ruby, topaz, diamond-stood at the entrance to a room upholstered in pistachio velvet, accented with malachite, called the Green Vault. Peridot wood nymphs attended to a Diana carved from a single pure crystal of quartz studded with tiny tourmalines. Jade tables, and jade lanterns. The royal jewels, blinding in their sparkling excess: crowns, tiaras, coronets, diadems, heavy ceremonial necklaces, rings, and bracelets that could span a forearm, surrounding the world's largest and most perfect green diamond. Above it all was a night sky of painted stars, with inlaid cut crystal set in a serious of constellations.
Whitney Otto (Eight Girls Taking Pictures (Thorndike Press Large Print Basic Series))
And at my age, I must consider any marriage prospect quite seriously.” “Your age?” he scoffed. “You’re only twenty-five.” “Twenty-six. And even at twenty-five, I would be considered long in the tooth. I lost several years—my best ones perhaps—because of my illness.” “You’re more beautiful now than you ever were. Any man would be mad or blind not to want you.” The compliment was not given smoothly, but with a masculine sincerity that heightened her blush. “Thank you, Kev.” He slid her a guarded look. “You want to marry?” Win’s willful, treacherous heart gave a few painfully excited thuds, because at first she thought he’d asked, “You want to marry me?” But no, he was merely asking her opinion of marriage as … well, as her scholarly father would have said, as a “conceptual structure with a potential for realization.” “Yes, of course,” she said. “I want children to love. I want a husband to grow old with. I want a family of my own.” “And Harrow says all of that is possible now?” Win hesitated a bit too long. “Yes, completely possible.” But Merripen knew her too well. “What are you not telling me?” “I am well enough to do anything I choose now,” she said firmly. “What does he—” “I don’t wish to discuss it. You have your forbidden topics; I have mine.” “You know I’ll find out,” he said quietly.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
To my unsuspecting love, When I look into your eyes, I lose all sense of time and place. Reason robbed, clear thought erased, I am lost in the paradise I find within your gaze. I long to touch your blushing cheek, to whisper in your ear how I adore you, how I have lost my heart to you, how I cannot bear the thought of living without you. To be so near you without touching you is agony. Your blindness to my feelings is a daily torment, and I feel driven to the edge of madness by my love for you. Where your compassion when I need it the most? Open your eyes, love, and see what is right before you; that I am not merely a friend, but a man deeply, desperately, in love with you. Longing for you.
Julianne Donaldson (Edenbrooke (Edenbrooke, #1))
Jack coughed slightly and offered his hand. “Hi, uh. I’m Jack.” Kim took it. “Jack what?” “Huh?” “Your last name, silly.” “Jackson.” She blinked at him. “Your name is Jack Jackson?” He blushed. “No, uh, my first name’s Rhett, but I hate it, so…” He gestured to the chair and she sat. Her dress rode up several inches, exposing pleasing long lines of creamy skin. “Well, Jack, what’s your field of study?” “Biological Engineering, Genetics, and Microbiology. Post-doc. I’m working on a research project at the institute.” “Really? Oh, uh, my apple martini’s getting a little low.” “I’ve got that, one second.” He scurried to the bar and bought her a fresh one. She sipped and managed to make it look not only seductive but graceful as well. “What do you want to do after you’re done with the project?” Kim continued. “Depends on what I find.” She sent him a simmering smile. “What are you looking for?” Immediately, Jack’s eyes lit up and his posture straightened. “I started the project with the intention of learning how to increase the reproduction of certain endangered species. I had interest in the idea of cloning, but it proved too difficult based on the research I compiled, so I went into animal genetics and cellular biology. It turns out the animals with the best potential to combine genes were reptiles because their ability to lay eggs was a smoother transition into combining the cells to create a new species, or one with a similar ancestry that could hopefully lead to rebuilding extinct animals via surrogate birth or in-vitro fertilization. We’re on the edge of breaking that code, and if we do, it would mean that we could engineer all kinds of life and reverse what damage we’ve done to the planet’s ecosystem.” Kim stared. “Right. Would you excuse me for a second?” She wiggled off back to her pack of friends by the bar. Judging by the sniggering and the disgusted glances he was getting, she wasn’t coming back. Jack sighed and finished off his beer, massaging his forehead. “Yes, brilliant move. You blinded her with science. Genius, Jack.” He ordered a second one and finished it before he felt smallish hands on his shoulders and a pair of soft lips on his cheek. He turned to find Kamala had returned, her smile unnaturally bright in the black lights glowing over the room. “So…how did it go with Kim?” He shot her a flat look. “You notice the chair is empty.” Kamala groaned. “You talked about the research project, didn’t you?” “No!” She glared at him. “…maybe…” “You’re so useless, Jack.” She paused and then tousled his hair a bit. “Cheer up. The night’s still young. I’m not giving up on you.” He smiled in spite of himself. “Yet.” Her brown eyes flashed. “Never.
Kyoko M. (Of Cinder and Bone (Of Cinder and Bone, #1))
The cabin; by the stern windows; Ahab sitting alone, and gazing out. I leave a white and turbid wake; pale waters, paler cheeks, where'er I sail. The envious billows sidelong swell to whelm my track; let them; but first I pass. Yonder, by the ever-brimming goblet's rim, the warm waves blush like wine. The gold brow plumbs the blue. The diver sun— slow dived from noon—goes down; my soul mounts up! she wearies with her endless hill. Is, then, the crown too heavy that I wear? this Iron Crown of Lombardy. Yet is it bright with many a gem; I the wearer, see not its far flashings; but darkly feel that I wear that, that dazzlingly confounds. 'Tis iron—that I know—not gold. 'Tis split, too—that I feel; the jagged edge galls me so, my brain seems to beat against the solid metal; aye, steel skull, mine; the sort that needs no helmet in the most brain-battering fight! Dry heat upon my brow? Oh! time was, when as the sunrise nobly spurred me, so the sunset soothed. No more. This lovely light, it lights not me; all loveliness is anguish to me, since I can ne'er enjoy. Gifted with the high perception, I lack the low, enjoying power; damned, most subtly and most malignantly! damned in the midst of Paradise! Good night—good night! (waving his hand, he moves from the window.) 'Twas not so hard a task. I thought to find one stubborn, at the least; but my one cogged circle fits into all their various wheels, and they revolve. Or, if you will, like so many ant-hills of powder, they all stand before me; and I their match. Oh, hard! that to fire others, the match itself must needs be wasting! What I've dared, I've willed; and what I've willed, I'll do! They think me mad— Starbuck does; but I'm demoniac, I am madness maddened! That wild madness that's only calm to comprehend itself! The prophecy was that I should be dismembered; and—Aye! I lost this leg. I now prophesy that I will dismember my dismemberer. Now, then, be the prophet and the fulfiller one. That's more than ye, ye great gods, ever were. I laugh and hoot at ye, ye cricket-players, ye pugilists, ye deaf Burkes and blinded Bendigoes! I will not say as schoolboys do to bullies—Take some one of your own size; don't pommel me! No, ye've knocked me down, and I am up again; but ye have run and hidden. Come forth from behind your cotton bags! I have no long gun to reach ye. Come, Ahab's compliments to ye; come and see if ye can swerve me. Swerve me? ye cannot swerve me, else ye swerve yourselves! man has ye there. Swerve me? The path to my fixed purpose is laid with iron rails, whereon my soul is grooved to run. Over unsounded gorges, through the rifled hearts of mountains, under torrents' beds, unerringly I rush! Naught's an obstacle, naught's an angle to the iron way! CHAPTER
Herman Melville (Moby Dick: or, the White Whale)
You’re the only person who doesn’t see the advantage in such a match.” “That’s because I don’t believe in marriages of convenience. Given your family’s history, I’d think that you wouldn’t either.” She colored. “And why do assume it would be such a thing? Is it so hard to believe that a man might genuinely care for me? That he might actually want to marry me for myself?” “Why would anyone wish to marry the reckless Lady Celia, after all,” she went on in a choked voice, “if not for her fortune or to shore up his reputation?” “I didn’t mean any such thing,” he said sharply. But she’d worked herself up into a fine temper. “Of course you did. You kissed me last night only to make a point, and you couldn’t even bear to kiss me properly again today-“ “Now see here,” he said, grabbing her shoulders. “I didn’t kiss you ‘properly’ today because I was afraid if I did I might not stop.” That seemed to draw her up short. “Wh-What?” Sweet God, he shouldn’t have said that, but he couldn’t let her go on thinking she was some sort of pariah around men. “I knew that if I got his close, and I put my mouth on yours…” But now he was this close. And she was staring up at him with that mix of bewilderment and hurt pride, and he couldn’t help himself. Not anymore. He kissed her, to show her what she seemed blind to. That he wanted her. That even knowing it was wrong and could never work, he wanted to have her. She tore her lips from his. “Mr. Pinter-“ she began in a whisper. “Jackson,” he growled. “Let me hear you say my name.” Backing away from him, she cast him a wounded expression. “Y-you don’t have to pretend-“ “I’m not pretending anything, damn it!” Grabbing her by the sleeves, he dragged her close and kissed her again, with even more heat. How could she not see that he ached to take her? How could she not know what a temptation she was? Her lips intoxicated him, made him light-headed. Made him reckless enough to kiss her so impudently that any other woman of her rank would be insulted. When she pulled away a second time, he expected her to slap him. But all she did was utter a feeble protest. “Please, Mr. Pinter-“ “Jackson,” he ordered in a low, unsteady voice, emboldened by the melting look in her eyes. “Say my Christian name.” Her lush dark lashes lowered as a blush stained her cheeks. “Jackson…” His breath caught in his throat at the intimacy of it, and fire exploded in his brain. She wasn’t pushing him away, so to hell with trying to be a gentleman. He took her mouth savagely this time, plundering every part of its silky warmth as his blood pulsed high in his veins. She tasted of red wine and lemon cake, both tart and sweet at once. He wanted to eat her up. He wanted to take her, right here in this room. So when she pulled out of his arms to back away, he walked after her. She didn’t stop backing away, but neither did she turn tail and run. “Last night you claimed this wouldn’t happen again.” “I know. And yet it has.” Like someone in an opium den, he’d been craving her for months. And how that he’d suddenly had a taste of the very thing he craved, he had to have more. When she came up against the writing table, he caught her about the waist. She turned her head away before he could kiss her, so he settled for burying his face in her neck to nuzzle the tender throat he’d been coveting. With a shiver, she slid her hands up his chest. “Why are you doing this?” “Because I want you,” he admitted, damning himself. “Because I’ve always wanted you.” Then he covered her mouth with his once more.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Unlike many of his contemporaries, Finney did not believe in American exceptionalism—or blind patriotism. “There can scarcely be conceived a more abominable and fiendish maxim,” he wrote, “than ‘our country right or wrong,’” a maxim that, he noted, had been adopted in the case of the 1846 war with Mexico. On a national day of fasting in 1841, he called for a “public confession of national sins,” identifying those he found particularly egregious. One of them was “the outrageous injustice with which this nation has treated the aborigines in this country.” (He was referring in particular to the expulsion of the Cherokees from Georgia in 1838–39.) Another was of course slavery. By 1846 he had confronted the argument that slavery was a lesser evil than the division of the Union. “A nation,” he exclaimed, “who have drawn the sword and bathed in blood in defense of the principle that all men have an inalienable right to liberty, that they are born free and equal. Such a nation… standing with its proud foot on the neck of three millions of crushed and prostrate slaves! Oh horrible! This is less an evil to the world than emancipation, or even than the dismemberment of our hypocritical union! Oh, shame, where is thy blush?” Finney, needless to say, supported war with the South when it came.
Walter Isaacson (Profiles in Leadership: Historians on the Elusive Quality of Greatness)
But…but that’s tragic! To go through life without color? Unable to appreciate art, or beauty?” He laughed. “Now, sweet-hold your brush before you paint me a martyr’s halo. It’s not as though I’m blind. I have a great appreciation for art, as I believe we’ve discussed. And as for beauty…I don’t need to know whether your eyes are blue or green or lavender to know that they’re uncommonly lovely.” “No one has lavender eyes.” “Don’t they?” His gaze caught hers and refused to let go. Leaning forward, he continued, “Did that tutor of yours ever tell you this? That your eyes are ringed with a perfect circle a few shades darker than the rest of the…don’t they call it the iris?” Sophia nodded. “The iris.” He propped his elbow on the table and leaned forward, his gaze searching hers intently. “An apt term it is, too. There are these lighter rays that fan out from the center, like petals. And when your pupils widen-like that, right there-your eyes are like two flowers just coming into bloom. Fresh. Innocent.” She bowed her head, mixing a touch of lead white into the sea-green paint on her palette. He leaned closer still, his voice a hypnotic whisper. “But when you take delight in teasing me, looking up through those thick lashes, so saucy and self-satisfied…” She gave him a sharp look. He snapped his fingers. “There! Just like that. Oh, sweet-then those eyes are like two opera dancers smiling from behind big, feathered fans. Coy. Beckoning.” Sophia felt a hot blush spreading from her bosom to her throat. He smiled and reclined in his chair. “I don’t need to know the color of your hair to see that it’s smooth and shiny as silk. I don’t need to know whether it’s yellow or orange or red to spend an inordinate amount of time wondering how it would feel brushing against my bare skin.” Opening his book to the marked page, he continued, “And don’t get me started on your lips, sweet. If I endeavored to discover the precise shade of red or pink or violet they are, I might never muster the concentration for anything else.” He turned a leaf of his book, then fell silent. Sophia stared at her canvas. Her pulse pounded in her ears. A bead of sweat trickled down the back of her neck, channeling down between her shoulder blades, and a hot, itchy longing pooled at the cleft of her legs. Drat him. He’d known she was taunting him with her stories. And now he sat there in an attitude of near-boredom, making love to her with his teasing, colorless words in a blatant attempt to fluster her. It was as though they were playing a game of cards, and he’d just raised the stakes. Sophia smiled. She always won at cards. “Balderdash,” she said calmly. He looked up at her, eyebrow raised. “No one has violet lips.” “Don’t they?” She laid aside her palette and crossed her arms on the table. “The slope of your nose is quite distinctive.” His lips quirked in a lopsided grin. “Really.” “Yes.” She leaned forward, allowing her bosom to spill against her stacked arms. His gaze dipped, but quickly returned to hers. “The way you have that little bump at the ridge…It’s proving quite a challenge.” “Is that so?” He bent his head and studied his book. Sophie stared at him, waiting one…two…three beats before he raised his hand to rub the bridge of his nose. Quite satisfactory progress, that. Definite beginnings of fluster.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
GREED “Fame” is bestowed by each upon the other with nauseating flattery And the lust for money forces its way without mercy Academics sing their own praises without blushing Everyone is obsessed with their own upward mobility When people are blinded by their lust for more And flaunt their repulsive wealth in public Greed spreads through the world unchecked— And in this marketplace the cheapest ideas have the loudest reverberations
Shi Zhi (Winter Sun: Poems (Volume 1) (Chinese Literature Today Book Series))
The fuck you doing?” I ask as she pokes my side with the pads of her explorative fingers. “It seems I’ve misplaced the motherfucker I came home with,” she says, her tone jovial before she lowers the sheet, a blinding smile in place. “Because there’s no damned way I just busted him lip-syncing Peter Cetera . . . O.M.G. is that a blush? Are you blushing?
Kate Stewart (One Last Rainy Day: The Legacy of a Prince (Ravenhood Legacy, #1))
She sits in nothing but stark white panties, her jaw slack as she gapes at me. In the next second, she tosses the sheet up before it hangs briefly midair and lands, blanketing her as she starts rooting around, searching the mattress. “The fuck you doing?” I ask as she pokes my side with the pads of her explorative fingers. “It seems I’ve misplaced the motherfucker I came home with,” she says, her tone jovial before she lowers the sheet, a blinding smile in place. “Because there’s no damned way I just busted him lip-syncing Peter Cetera . . . O.M.G. is that a blush? Are you blushing?
Kate Stewart (One Last Rainy Day: The Legacy of a Prince (Ravenhood Legacy, #1))
She didn't smile often but pursed her lips, seeming to almost protect herself from even the curl of a smirk. His memory felt her warmth but visualized the heat as an alertness, eyes watching, darting questioning, on guard for something a young Charlie hadn't endured enough yet to see. The truth of her fears revealed themselves in the way she gripped his arm when they crossed a street, in the hard honesty that would not allow him to be naive, in even the way she stuck kisses on his forehead that felt like punctuations. His recollection of childhood was blushed red with love, but understood that red as more a terror in focus. She feared everything because everything seemed coiled up to injure her son while in the simple activity of living life. Feared like he just dangled out there, naked, blind, and alone, prey to something he couldn't stop no matter how hard he tried.
Cebo Campbell (Sky Full of Elephants)
I found myself blushing faintly at the recitation of words so wildly unrelated to anything that the queerest heathen in his blindness was likely to fancy for himself. But critical experience has [121]persuaded me that the Fathers of the Western Church knew more about human nature than I did. So far as the analogy of the human creator goes, their warning is justified.
Dorothy L. Sayers (The Mind of the Maker)
Her tent was far enough away that she could call for help without necessarily being heard. Of course, she might also cry out for pleasanter reasons. Decided, he moved through the thickening dusk, drew aside the tent flap, and stepped inside. Kassandra was just finishing her bath. It was an indulgence to cart about the canvas-and-wood tub that had to be filled laboriously with buckets when she could have managed with just a basin. She admitted as much, but savored the bath all the same. After the long day, and the days before it, she needed the calming peace of hot water and blessed quiet. She would have lingered longer but the water cooled rapidly. Rising, she reached for the towel she had left on a stool beside the tub. Only to have it handed to her. She gasped and whirled around to find Royce surveying her with obvious appreciation. “You were very far away,” he said. “I was not!” Grasping the towel, she wrapped it around herself even as she felt ridiculous for doing so. It was hardly as though the man had not seen her naked before. Seen, touched, tasted, savored…Never mind about that now. “You walk too quietly,” she accused. “A hideous failing,” he replied, looking pleased with himself. He glanced around the tent. “Cozy.” “Comfortable, as I am sure yours is.” He raised a brow and with it, beckoned a blush. She was not a hypocrite. He had shared her bed for four nights and were they in the palace, he would be sharing it again. It was just that they were out in public, as it were, with none of the privacy to be found in her own quarters. But she had not moved away from him on the ship and, truth be told, she did not want to do so now. “You are caught,” he said. At her puzzled look, he added, “On the horns of propriety. It’s an awkward place to be.” “I’m not trying to conceal anything.” “I realize that, but you are trying not to make a display of what has happened between us, not force people to deal with it at a time when they are deeply concerned and anxious.” “Yes,” she said on a breath of relief. He truly did understand. “That’s it exactly.” “Kassandra…” He reached out a hand but let it fall without touching her. “Whatever lies ahead of us, my concern right now is for your safety. You are alone here in this tent and it is set a little apart from the others. If you like, I’ll sleep outside but I’m not leaving you by yourself tonight.” She had not thought of that, had not considered that he would be worried about her in such a situation. Belatedly, she realized that her own vision had blinded her. She knew this was not the time or place, but he knew nothing of the sort. And he wanted to protect her. He really did. Tears stung her eyes but she would not let them fall. The towel was a different matter. She went to him without it.
Josie Litton (Kingdom Of Moonlight (Akora, #2))
Ahem,” he said carefully. “Since we’re all here, um. So anyway.” He nodded at Deborah. “Morgan,” he said, and he looked at me. “And, uh—Morgan.” He frowned, as if I had insulted him by choosing a name for myself that he’d already said, and the beautiful woman snickered in the silence. Captain Matthews actually blushed, which was almost certainly something he hadn’t done since high school, and he cleared his throat one more time. “All right,” he said, with massive authority and a sidelong glance at the woman. He nodded at the man in the impressive suit. “Mr., ah, Eissen here represents, um, BTN. Big Ticket Network.” The man nodded back at Matthews with a very deliberate display of patient contempt. “And, um. They’re here, in town. In Miami,” he added, in case we’d forgotten what town we lived in. “They want to shoot a movie. A, um, TV show, you know.” The man in the sunglasses spoke up for the first time. “A pilot,” he said, without moving his face, parting his lips only enough to reveal a blinding set of perfect teeth. “It’s called a pilot.” The beautiful woman rolled her eyes and looked at me, shaking her head, and I found myself smiling eagerly back at her, without any conscious decision to do so.
Jeff Lindsay (Dexter's Final Cut (Dexter, #7))
I believe in you, Gareth." He gave a pained smile and bent his head so that his forehead just rested against hers. "Believing in me could be dangerous." "Believing in you is all that Charlotte and I have." "And you and Charlotte are all that I have." She smiled. He grinned. "I guess we're in this together, then," she said. "Yes. And do you know something, Juliet? There is no one else I would rather have at my side." They moved closer, their clothes just touching, their body heat mingling. "You'll prove Lucien wrong, I know you will, Gareth. You'll prove all of them wrong." "I do not know if I'm worthy of such blind faith." "I think you are." "Do you?"  His brow was touching hers, and he was beaming now, obviously pleased and flattered. "I do."  She looked up at him through her lashes, enjoying this light, challenging banter even as a blush crept over her cheeks. "If I thought otherwise, I would have left you and gone back to America." "Juliet!"  He drew back, pretending to look genuinely horrified. "What if I fail you both?" "Whether you fail or succeed doesn't matter. It's the effort that counts — and as long as you make it, I shall always stand by you."  On impulse, she stood on her tiptoes and kissed his cheek. "Thank you, Gareth. Thank you for — well, for being a hero all over again." The
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
Various relatives came to visit us in London that year. My husband’s parents came from Houston in April and were simply enchanted by Diana. My mother-in-law, Betty, is friendly, talkative, and direct. As she chatted with Diana, Betty learned that Diana was eighteen and unattached and announced to her that she had a tall, eligible son in college back in Texas. Mike was six feet four inches to Diana’s five feet ten inches. Recalling this conversation later, Betty and I couldn’t decide whether to laugh or blush about the fact that she had tried to arrange a blind date for the young woman who soon after became engaged to the heir to the British throne.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
You dance divinely, my lady,” he said quietly near her ear, gently leading her with his arm and pressure on her hand past the gay colors of the other dancers. Clarissa flushed and smiled a bit proudly, then sighed and shook her head. “No, my lord,” she said demurely. “You give me too much credit. I fear you are the one who dances divinely. I know it is not I, for I have been able to do nothing but stumble and fall when dancing with others.” “Then the fault lies with those others. You are as light and graceful as a feather on the dance floor with me.” Clarissa considered briefly; then, with a sense of justice, nodded her head. “I believe you may be right, my lord. After all, if it were me alone, even your obvious skill could not have made it so easy. Perhaps my previous partners were a bit nervous and awkward.” “How refreshing.” She could hear the smile in his voice, and so Clarissa raised her eyebrows in question. “My lord?” “Your honesty. I am pleased by your lack of false modesty. It is something that never really bothered me before, yet now seems as fake and unpleasant as the airs everyone puts on when in the city. I find your honesty most refreshing.” Clarissa felt herself blush, and then the first strains of a new song hummed through the air. Her companion paused and turned her into his arms once more. “Close your eyes,” he instructed, and began to move them around the room once more. -Adrian & Clarissa
Lynsay Sands (Love Is Blind)
It happened in science lab on the very first day of their junior year. The chemistry teacher had handed her a beaker of some mysterious liquid and told her to carry it to her lab table. She had almost reached her seat when Jerome Hollis caught her eye and smiled. She blushed and tripped over her own feet. He plucked the beaker from her hands as she fell, then helped her stand up. “Thanks,” she said breathlessly. “For what?” He handed the flask back and her heart gave a little flip. He had straight black hair, hazel eyes, and black-framed glasses. He looked cute, in a nerdy-but-hip kind of way. She tried to collect herself. “For saving me from a horrible, disfiguring scar, of course,” she said. “After all, if I had been splashed with this, um—” She gingerly held the flask aloft. “Saline solution,” he said. “Otherwise known as salt water. You would have been fine.” “Oh.” She put the flask down and looked away. “Although,” he added thoughtfully, “if you had dropped the beaker, the gravitational force and speed of descent would have meant that it would have, in all probability, shattered.” Kate glanced back at him. “The force could have sent a shard of glass into my eye, blinding me,” she suggested. “Or cut a vein, causing a massive loss of blood. When you take all the disastrous possibilities into account—” “You should be given a medal for heroism,” Kate finished. “I can’t believe they’re not pinning it on my shirt right now.” He smiled, and she was lost.
Suzanne Harper (The Juliet Club)
Soames is a pompous old bore whose blind Europhilia would make Juncker blush. The only thing he and his fine ancestor have in common is their waistline.
Arron Banks (The Bad Boys of Brexit: Tales of Mischief, Mayhem & Guerrilla Warfare in the EU Referendum Campaign)
Our faces must be covered in sauce right now," said Isabella as she gnawed a second rib. "Only one way to tell." Isabella could sense Gabe getting out of his seat and leaning across the table to kiss her; only, in the process, he knocked down what sounded like two wineglasses and a small carafe of water. Still, he followed through, his lips landing near her left eye--- she burst out laughing--- before kissing their way down the path of sauce on her cheek to her lips, which opened up to help them finally connect with their target. "All clean," said Gabe, after kissing her for a good twenty seconds and returning to his seat. "You're better than a Wet-Nap," responded Isabella, who was blushing several shades of red and glad that nobody--- especially Gabe--- could see.
Adam D. Roberts (Food Person)
Ah, so ye will escort me to my cousin’s then, will ye?” she said in a voice so sweet she was surprised it did not make her teeth ache. “Nay, they willnae,” drawled an all too familiar voice from behind her. Inwardly cursing, Bridget turned to face Cathal. “I have decided ’tis time for me to continue on my journey.” “And ye decided ye had to do it now? Right now? Without most of your belongings?” “Aye. I got to thinking—” “A dangerous thing for a lass to do. Ow!” Jankyn rubbed his stomach where Bridget had just hit him with her sack of belongings, and grinned at her. “Why are ye nay out with the others, howling at the moon?” “At least I am nay dancing beneath it.” He laughed when she blushed. “Ye were watching me?” “I heard ye singing.” “That was so rude.” If he had been drawn by her singing then he could not have seen her naked, Bridget mused, and relaxed. “I had left the camp to seek a few moments of privacy.” Cathal grasped Bridget by the arm, turning her attention back to him. “Why were ye leaving?” Bridget could feel the blunt truth on the tip of her tongue, but could not bring herself to speak it. It was as if she feared that, in speaking the words, the truth could no longer be ignored. That was absurd. She knew the truth. By the way the three men looked at her, they knew she had guessed all their secrets. It made no difference. She simply could not utter the dark, terrifying name aloud. In some odd, twisted way, she was actually concerned about offending them. “I decided I wasnae going to play your game any longer,” she replied. “I was going to my cousin’s.” “Alone? At night?” “Tis the best time for an escape.” But not here, she realized, and inwardly cursed her own stupidity. At Cambrun high noon on a sunny day would have been a better choice. “I have prepared for a visit with Barbara for months. I want to go to court, to see all the fine clothes, and to watch all the courtiers and their ladies. I want to sit down to a feast and listen to all the whispers about who is sinning with whom. I want to hear the minstrels sing and I want to dance with some fine, courtly gentlemon who will tell me all manner of sweet lies about how bonnie I am. I want—” A squeak of surpise and outrage escaped her when Cathal suddenly picked her up and slung her over his shoulder. The soft laughter of Jankyn and Raibeart only added to her anger over being so roughly handled. Bridget dropped her belongings and proceeded to pound her fists against his broad back. Cathal did not even flinch as he continued to take her back to her bedchamber and that, too, increased her fury. Under her breath she cursed him and his stubborness. “Tis nay just me who is blindly stubborn,” muttered Cathal as he entered the bedchamber and kicked the door shut behind him. “Tis ye who refuses to give up this plan to go to court. And for what? To hear empty flatteries and malicious tales?” He paused by the bed. “Undo your cloak.” Even as she blindly obeyed that terse command, Bridget wondered why she did so. Such quick obedience was not in her nature. She growled softly when her cloak was pulled from her and tossed to the floor. Before she could say anything, she was tossed down onto the bed. Her body was still bouncing slightly when Cathal sprawled on top of her, gently but firmly pinning her down. Bridget scowled at him, more angry than afraid, and tried not to let the beauty of his face distract her. She had a right to be angry and she would hold fast to that feeling no matter how warm and itchy he made her feel. “Ye are staying here,” Cathal said. “I am going to woo ye and then we will be married.” “Oh! What arrogance! Ye may woo me, but that doesnae necessarily mean ye will win me.” Bridget
Hannah Howell (The Eternal Highlander (McNachton Vampires, #1))