Blurry Image Quotes

A high-speed collision gave a new sense of sight To me And now my vision can render the scene A blurry image of wreckage and roadside debris Happiness returned to me Through a grave emergency

We can feel the vibration that comes from the candle flame, burning it way into our innermind, no blurry images, clear as crystal, we enter into the highest consciousness, on our journey back home, we possess the eagle's eye, the eye that can see the invisible.

It was the way your sweet, soft hands wiped away my tears, and the way your body just curved into mine when you let me hold you. It all made me feel, for just an instant, that everything really was going to be all right. No one has ever comforted me like that…except my mom.” What the fuck? Did I just say all that out loud? I shook my head furiously from side to side as the room started spinning me like a Tilt-a-Whirl at the county fair back home. Abby grabbed my shoulders to steady me. I blinked my eyes trying to focus on her blurry, but beautiful image. “Most of all, it’s that I want someone like you to want me—just for me, not for Jake Slater the singer of Runaway Train.” I smacked my hand hard against my chest. “For what’s really inside me.

The astounding energy of post-menopausal women (promised by Margaret Mead) is here, but the optimism to fuel it is not. The world seems ever more surely in the grip of materialism and surfaces. Image, image, image is all it sees. As an image, I'm definitely getting blurry.

She raised the long glass and peered back down at the harbor, at the passengers disembarking, but the image was blurry. Reluctantly, she released his hand. It felt like a promise, and she didn’t want to let go. She adjusted the lens, and her gaze caught on two figures moving down the gangplank. Their steps were graceful, their posture straight as knife blades. They moved like Suli acrobats. She drew in a sharp breath. Everything in her focused like the lens of the long glass. Her mind refused the image before her. This could not be real. It was an illusion, a false reflection, a lie made in rainbow-hued glass. She would breathe again and it would shatter. She reached for Kaz’s sleeve. She was going to fall. He had his arm around her, holding her up. Her mind split. Half of her was aware of his bare fingers on her sleeve, his dilated pupils, the brace of his body around hers. The other half was still trying to understand what she was seeing. His dark brows knitted together. “I wasn’t sure. Should I not have—” She could barely hear him over the clamor in her heart. “How?” she said, her voice raw and strange with unshed tears. “How did you find them?” “A favor, from Sturmhond. He sent out scouts. As part of our deal. If it was a mistake—” “No,” she said as the tears spilled over at last. “It was not a mistake.” “Of course, if something had gone wrong during the job, they’d be coming to retrieve your corpse.” Inej choked out a laugh. “Just let me have this.” She righted herself, her balance returning. Had she really thought the world didn’t change? She was a fool. The world was made of miracles, unexpected earthquakes, storms that came from nowhere and might reshape a continent. The boy beside her. The future before her. Anything was possible. Now Inej was shaking, her hands pressed to her mouth, watching them move up the dock toward the quay. She started forward, then turned back to Kaz. “Come with me,” she said. “Come meet them.” Kaz nodded as if steeling himself, flexed his fingers once more. “Wait,” he said. The burn of his voice was rougher than usual. “Is my tie straight?” Inej laughed, her hood falling back from her hair. “That’s the laugh,” he murmured, but she was already setting off down the quay, her feet barely touching the ground. “Mama!” she called out. “Papa!” Inej saw them turn, saw her mother grip her father’s arm. They were running toward her. Her heart was a river that carried her to the sea.

I sat down on a couch and closed my eyes and pictured myself. I couldn't see anything clearly. Wonderful! That's how it should be! I am a blurry image constantly trying to come into focus, and just when, for an instant, I have myself in perfectly clarity, I appear as a figure in my own background, fuzzy as hair on a peach

I’ve heard that when you’re in a life-or-death situation, like a car accident or a gunfight, all your senses shoot up to almost superhuman level, everything slows down, and you’re hyper-aware of what’s happening around you. As the shuttle careens toward the earth, the exact opposite is true for me. Everything silences, even the screams and shouts from the people on the other side of the metal door, the crashes that I pray aren’t bodies, the hissing of rockets, Elder’s cursing, my pounding heartbeat. I feel nothing—not the seat belt biting into my flesh, not my clenching jaw, nothing. My whole body is numb. Scent and taste disappear. The only thing about my body that works is my eyes,and they are filled with the image before them. The ground seems to leap up at us as we hurtle toward it. Through the blurry image of the world below us, I see the outline of land—a continent. And at once, my heart lurches with the desire to know this world, to make it our home. My eyes drink up the image of the planet—and my stomach sinks with the knowledge that this is a coastline I’ve never seen before. I could spin a globe of Earth around and still be able to recognize the way Spain and Portugal reach into the Atlantic, the curve of the Gulf of Mexico, the pointy end of India. But this continent—it dips and curves in ways I don’t recognize, swirls into an unknown sea, creating peninsulas in shapes I do not know, scattering out islands in a pattern I cannot connect. And it’s not until I see this that I realize: this world may one day become our home,but it will never be the home I left behind.

Death lurks in the shadows, just out of view. Now and then I see his reaching hand, uncertain of the blurry image that passes before my eyes, but conscious of the crippling influence of his touch. Some say Death rears an ugly head, so hideous a view the beholder can scarcely gasp their last breath. Others call him beautiful, a sweet relief to look upon. But these are rumors babbled by the unknowing. For Death is like the gorgon, Medusa, who when perceived, turns the body to stone. Those who know Death take the knowledge of his shadowed face with them to wherever it is he leads our dearly departed by the hand. All who are left behind must wait their turn to glance into the eyes of the one who will close our mouths forever.

In my book, there is an unfinished poem- and I never had a chance to put a full stop because your faded image still exists in the little world of mine. A poem never ends until the tears of a poet dry out - and sadly I could neither find the eraser to rub off your image nor could I find the pen to put a full stop because of my blurry vision," ~Sahaana [Walking Across the London Bridge]

Instead of striving for a life that could somehow match the clean beauty of an image from Instagram or the blurry glory of a trailer for an orgiastically great concert that could never happen, imagine striving for a way to encounter the small details of everyday life as if they were unexpectedly delightful. Isn’t that how luxury is supposed to feel, after all? Luxury means being able to relax and savor the moment, knowing that it doesn’t get any better than this. Feeling that way doesn’t require money. It doesn’t require the perfect scenery. All that’s required is an ability to survey a landscape that is disheveled, that is off-kilter, that is slightly unattractive or unsettling, and say to yourself: This is exactly how it should be. This requires a big shift in perspective: Since your thoughts and feelings can’t simply be turned off, you have to train your thoughts and feelings to experience imperfections as acceptable or preferable—even divine.

became a blurry swirl of shapes and colors narrowing into a luminous spot of white light at the end of a black anoxic tunnel and dissolving into a rapid series of bright sharp images that I recognized at once from my childhood: long forgotten memories of important moments flashing by faster than anything I’d ever experienced, twenty to thirty frames a second, each one of them original, like perfect photographic slides from the archives of my young life, every scene compressed into a complete story with sights and sounds and smells and feelings from the time. Each image was euphoric, rapturous. The smiling face of my beautiful young mother / a gentle touch from her hand on my face / absorbing her love / playing in the sand at the seashore with my father / waves washing up on the beach / feeling the strength and security of his presence / soothing, kind-hearted praise from a teacher at school / faces and voices of adoring aunts and uncles / steam trains coming in at the local railroad station / hearing myself say “choo-choo” / the excitement of shared discovery with my brother on Christmas morning / running free through a familiar forest with a happy dog / hitting a baseball hard and hearing encouraging cries from my parents behind me in the bleachers / shooting baskets in a backyard court with a buddy from high school / a tender kiss from the soft warm lips of a lovely teenage girl / the encouraging thrust of her stomach and thighs against mine.

A soft humming flowed into the room. She stiffened. Laughter accompanied the song, a sweet little melody. Her chest stung like it had been punched. She coughed her throat dry until she tasted metal in her mouth. Drops of blood splattered onto the floor. She dropped to her knees and fell on her side. The light fixture on the ceiling was no more than a blurry image.

The reason why we can’t see our eyes moving with our own eyes is because our brains edit out the bits between the saccades—a process called saccadic suppression. Without it, we’d look at an object and it would be a blurry mess. What we perceive as vision is the director’s cut of a film, with your brain as the director, seamlessly stitching together the raw footage to make a coherent reality. Perception is the brain’s best guess at what the world actually looks like. Immense though the computing power of that fleshy mass sitting in the darkness of our skulls is, if we were to take in all the information in front of our eyes, our brains would surely explode.** Instead, our eyes sample bits and pieces of the world, and we fill in the blanks in our heads. This fact is fundamental to the way that cinema works. A film is typically 24 static images run together every second, which our brain sees as continuous fluid movement—that’s why it’s called a movie. The illusion of movement actually happens at more like 16 frames per second. At that speed, a film projection is indistinguishable from the real world, at least to us. It was the introduction of sound that set the standard of 24 frames per second with The Jazz Singer in 1927, the first film to have synchronized dialogue. The company

then there was the Brownie camera in his bedroom. The developed film revealed a blurry shot he never recalled taking. In the dark image protruded boards—part of a wall, maybe a rafter. Paul wondered if a tornado could take a picture of itself. Now that was an unsettling thought.

What does the story of a girl and her body literally becoming and unbecoming before our eyes, mean to tell us? Tender grotesque, fragmented whirl, blurry image escaping the frames? That

In less than three human life spans, we went from a world in which a single expensive, blurry, black-and-white photograph astonished people to one in which cheap color video made instantly available all over the planet does not. For the advance of humanity, this is a wondrous thing. For the promise it offers each individual to learn and grow, it is magnificent. And yet. And yet the humans living amid this deluge of information have brains that believe, somewhere in their deepest recesses, that an image of our children is our children, that a piece of fudge shaped like dog poo is dog poo, and that a daydream about winning the lottery makes it more likely we will win the lottery. We have brains that, in line with the Anchoring Rule, use the first available number as the basis for making an estimate about something that has absolutely nothing to do with the number. This is not helpful at a time when we are pelted with numbers like raindrops in a monsoon.

No, this devil’s way worse. The devil of hell’s nothing compared to this guy. You’ve all seen this devil before... The black devil that dwells in kitchen corners, I mean...” Hajime’s description only made Kouki and the others more confused. In response, Hajime pulled out a single Cross Bit and sent it down below. He then pulled up a small crystal display to show everyone what its sensors picked up on. Yue and the others crowded around, and as soon as the blurry image came into focus— “Aaah?!” There were dozens of them. And for each one that was visible, there were likely dozens more. The terrifying devils whose name started with C. They scuttled around the ground, spreading chaos in their wake. From shadow to shadow they crawled, these devils who were sturdier than any other living creature. Whether in Tortus or on Earth, these devils possessed the unique magic capable of striking fear into the hearts of all. The bane of mothers and restaurant owners everywhere. Cockroaches.

To the American way of thinking, French education is like one of those pointillist paintings by Seurat—an oddly precise yet bloodless picture composed of a million dots. Americans prefer Monet—those vague and watery images where everything runs together but still gives you the gist of things. Americans want the Big Picture, even if it’s a bit blurry.

My mind seems happy elsewhere. I am in a state of complete and utter prostration and am trying to concentrate with great... no, with enormous difficulty. I open my eyes but something is wrong with my vision, the image is blurry. I finally manage to focus and once again see his eyes – mischievous, contented, almost triumphant – and hear the same question: ‘Do you want more?’ ‘Yes!’ Good God, who is saying that to him? And why does their voice sound so much like mine?

Kevin awoke, not with the slow realization that came from regaining consciousness, nor with the startled gasp of a man having a nightmare, nor even the groan that was stereotypical of anime characters when they wake up—no, when Kevin woke up, it was to the feeling of a hand being shoved down his throat. His eyes snapped wide open. However, he still couldn’t see anything. His eyes perceived nothing beyond the amalgam of blurred colors, mixing and matching and morphing and changing, a sickening compendium that his mind couldn’t comprehend. Images flashed past his vision. A walk on the beach. Red hair. A swell. A raging torrent, an infinite tide of water rising into the sky, cresting against the heavens. He tried to cough, to hack, to something, but it was no use. The hand remained shoved firmly down his throat. And then it was gone. Kevin gagged, and then coughed out what must have been several gallons of water. Each cough wracked his body with pain. Each breath caused his ribs to creak. Even the slightest movement hurt. Something appeared in front of him. It was a blurry green object. What… the… heck? “I’m glad to see that you’re awake,” the shape said. Kevin blinked. “Tell me, how many fingers am I holding up?” “Fingers…” Was what he meant to say. “Fssshrrsss…” Was what he said. “Hmm, it seems your eyesight is a bit unfocused. Here, let me fix that for you.” Kevin would have asked what this object—person? — meant, but he never got the chance—because something smacked him in the head. Hard. “Ouch!” Kevin covered his face with his hands. Gods that hurt! What the hell was he just hit with? A mallet? “What the heck was that for, you crazy coot?!” “Ho? Can you see me now? How many fingers am I holding up?” Kevin was about to answer, but words fled when he realized who—no, what stood before him. Scaly green skin covered a small, squat body, clothed in a plain brown robe. This… thing stood with a stoop. It had a hunch of some kind, and Kevin was certain that the robe was covering something big attached to its back. A really long neck protruded from the robes, which was attached to a reptilian and very bald head. It was holding up three fingers. Mainly because it only had three fingers. “Holy crap, it’s a Ninja Turtle!” The “Ninja Turtle” twitched. “I am not a Ninja Turtle!” It shouted. “Don’t confuse those sea turtle rejects with me!” “Holy crap, it talks!” More twitching. “Of course I talk, you idiot!

To a Lady Reading" The whipsaw beloved noise of someone whispering right in your ear. That and the sudden small hillside of your left breast in your open hand. A caress so tender it makes the earth break under your feet. These sting the underneath of my tongue and though they are only words I love how they suggest a reality just outside the separate ordinary saying of them. How shy they appear exposed slowly on the page. How you might watch them. How you might actually pull your breasts out and over the silk cups and let them hang there now as you read, one hand holding my book. That image took me a half hour to write. This sentence especially moves tentatively as a fingertip. And this one is even slower lower softer and takes all day to go this little way. If you want me to, I’ll look. Or else turn away quietly and tell you how the night’s fat pulley creaks while the moon is hoisted up with rope. How dreams turn. How want burns. How tonight I just came up here and started to write not knowing where it would lead. Not knowing for sure if you ever reach late in the day and touch yourself and rock back a little in your chair and look out the window while the Tree of Desire buds blurry like a fire. Or ever think of me pulling your dress up over your head slowly from far away. From simple longing and sway.

As public schools in the United States began desegregating and students of different skin tones were photographed for yearbooks in the same frame, the technical fixes that could be employed when a Black child was photographed alone were not useful. In particular, Black parents, objecting to the fact that their children’s facial features were rendered blurry, demanded higher-quality images.20 But the photographic industry did not fully take notice until companies that manufactured brown products like chocolate and wooden furniture began complaining that photographs did not depict their goods with enough subtlety, showcasing the varieties of chocolate and of grains in wood.

Look, maybe it’s none of those things or a combination of them. All I know for sure is if you don’t talk to him you’ll never know. Call him.” “I can’t—he hasn’t called me.” “So?” “So, I don’t want to be the one to call first—it’s too desperate,” I protested. “Will you listen to yourself? You’re a strong, independent woman—a supernatural creature with almost unlimited physical strength and immense magical capabilities and you’re acting like you’re back in high school,” she scoffed. “Excuse me,” I snapped. “I know it must seem stupid to you but this is complicated. I don’t want to chase after him if he doesn’t want me.” “Of course he wants you. He came after you even though he knew he was walking into a trap. Even though he was pretty sure he was going to die—he still came. And you…” Addison pointed at me with her white plastic spoon. “You came back from the freaking dead for him.” I frowned. “I don’t actually remember a whole lot of that.” “Well, Gwendolyn does. She said you were all set to go into the light—and by the way, you ought to tell your bigoted parents that because apparently vampires can go to Heaven. Anyway, you were almost past the pearly gates and she got you to come back by saying Victor’s name.” “She did?” I asked. I had vague, blurry images of a vast black pit filled with writhing things and the horror of falling… and then waking up in my own body. But that was as far as my memory went. Addison nodded. “You weren’t even going to come back for me, roomie—but you came for him. You came back for Victor.” She pushed her spoon back into the upside down banana split. “I can’t eat any more of this. I’m going to be sick.” “I didn’t know I was that far gone,” I said quietly. “I mean, I had some vague memories but I thought they were just dreams… nightmares.” “They were real,” Addison said shortly. “I didn’t want to talk to you about it because I didn’t want to think about how close… how close I came to losing you.” She sniffed dabbed at her eyes with another paper napkin. “Addison…” She cleared her throat, obviously trying to get control of her emotions. “I don’t know for sure but I got the impression that Gwendolyn risked a lot to bring you back—apparently, it’s kind of a big no-no to snatch someone from death’s door like that. But she wouldn’t have been able to do it if you weren’t willing to come. And the only reason you were willing was—” “Victor,” I finished for her, in a whisper. “Right.” She nodded decisively.

Then there are transcendent images, which are the rarest of all. Sometimes they have shitty light and no concept. They can be ill-composed and a big blurry mess. A naked child runs with outstretched arms, screaming from the burn of napalm. Nick Ut. A monk sitting in lotus, dead calm and engulfed in flames. Quang Duc. A man fires a pistol into the head of another on the street in Saigon. Eddie Adams. A man jumps a puddle and hovers for a moment. Henri Cartier-Bresson.

I wonder what it looks like to a baby boy watching his mother walk straight into the raging ocean during a storm. Am I an image in his eyes yet, or something blurry and unresolved? I wonder what it is like to film your wife remembering her whole life, the deathwater, the lifewaters, walking into the sea. Did he understand yet that he had already become a lodestar?

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Jewelry product photography requires precision and consistency to highlight the intricate beauty of each piece. Common mistakes like blurry images, poor editing, cluttered backgrounds, and limited angles can significantly reduce the appeal of your products. By avoiding these errors and using professional retouching services, you can create stunning visuals that enhance your brand and boost sales.

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