Blunt Girl Quotes

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It's the truth. I'm sorry to be blunt about it, but girls don't like guys who are doormats. Especially pretty girls, because there's no novelty in it. Guys are hitting on them all of the time. They can't walk down the street or order a coffee or stand on a corner without some idiot making a comment about how attractive they are. And the women smile because it's easier than telling them to go fuck themselves. And less dangerous, because if a man rejects a woman, she goes home and cries for a few days. If a woman rejects a man, he can rape and kill her.
Karin Slaughter (Pretty Girls)
Pale, nervous girls with black-rimmed glasses and blunt-cut hair lolled around on sofas, riffling Penguin Classics provocatively… But it wasn’t just intellectual experiences. They were peddling emotional ones, too. For fifty bucks, I learned, you could ‘relate without getting close.’ For a hundred, a girl would lend you her Bartok records, have dinner, and then let you watch while she had an anxiety attack.
Woody Allen
Historical Re-creation, he thought glumly, as they picked their way across, under, over or through the boulders and insect-buzzing heaps of splintered timber, with streamlets running everywhere. Only we do it with people dressing up and running around with blunt weapons, and people selling hot dogs, and the girls all miserable because they can only dress up as wenches, wenching being the only job available to women in the olden days.
Terry Pratchett (Thud! (Discworld, #34; City Watch, #7))
There's a darkness in each of us, afraid to show itself, wrestling with such blunt tools as words and deeds to make itself known to the darkness in another person similarly hidden behind walls of camouflage, disguise, interpretation. Honesty is a knife that we can use to pare away those layers, but one slip, go too deep, and who knows what injuries might be inflicted … The wounds an honest tongue can open sometimes take a lifetime to heal.
Mark Lawrence (The Girl and the Stars (Book of the Ice, #1))
She wanted to tell the girl: It’s complicated. I am now a person I never imagined I would be, and I don’t know how to square that. I would like to be content, but instead I am stuck inside a prison of my own creation, where I torment myself endlessly, until I am left binge-eating Fig Newtons at midnight to keep from crying. I feel as though societal norms, gendered expectations, and the infuriating bluntness of biology have forced me to become this person even though I’m having a hard time parsing how, precisely, I arrived at this place. I am angry all the time. I would one day like to direct my own artwork toward a critique of these modern-day systems that articulates all this, but my brain no longer functions as it did before the baby, and I am really dumb now. I am afraid I will never be smart or happy or thin again. I am afraid I might be turning into a dog. Instead, she said, smiling, I love it. I love being a mom.
Rachel Yoder (Nightbitch)
If a guy can‘t handle it when you talk about quantum physics, Manga, or Dungeons and Dragons, then he probably isn‘t the guy for you. If he gets embarrassed by your bluntness, you‘re probably not a good match. If he doesn‘t get your jokes, references, etc., then do you really want to pursue it? We tend to feel flawed and want to change ourselves to be accepted. We are good mimics and we think that we can mimic being the kind of girl that guys will like. By all means work on yourself, but most important, be yourself.
Rudy Simone (Aspergirls: Empowering Females with Asperger Syndrome)
The principal: You're a smart girl, so I'm going to be blunt. I think you'd be a lot happier if you stopped acting so weird. Me: Who says I'm not happy?
Laura Ruby (Bad Apple)
Yesterday was my unlucky day. I pricked my right thumb with the blunt end of a big needle.
Anne Frank (The Diary of a Young Girl)
Still, at least she could be honest with them: “As to my health,” she wrote bluntly, “I am still a cripple.”24
Kate Moore (The Radium Girls: The Dark Story of America's Shining Women)
This time a faint cold spot blunts the heat of her gaze. Curiosity, left unarticulated.
Riley Sager (Final Girls)
It had a sort of a head on it, like a mushroom, and its color was reddish purple. It looked blunt and stupid, compared, say, to fingers and toes with their intelligent expressiveness, or even to an elbow or a knee.
Alice Munro (Lives of Girls and Women)
And underscoring it all was my father’s insistence that my sister and I were the prettiest, smartest, and baddest bitches in Gotham town, no matter how many times we pissed ourselves or cut our own bangs with blunt kitchen scissors.
Lena Dunham (Not That Kind of Girl: A Young Woman Tells You What She's "Learned")
My father wanted as little to do with his daughters as possible," Pandora said bluntly. "He considered us nuisances." Lowering her head, she mumbled, "Obviously I've proven him right." "I wouldn't say so." A touch of amused sympathy warmed the earl's voice. "My own daughters have assured me- more than once- that any well-meaning girl of high spirits can find herself in hot water now and then.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Ojiugo wore orange lipstick and ripped jeans, spoke bluntly, and smoked in public, provoking vicious gossip and dislike from other girls, not because she did these things but because she dared to without having lived abroad, or having a foreign parent, those qualities that would have made them forgive her lack of conformity.
Chimamanda Ngozi Adichie (Americanah)
OK. How to start? All right. I’m going to be very blunt, so here it goes,’ he says. ‘I can see the future.’ 'Um. Yeah. Sure you can, Dad,’ I say.
Giselle Simlett (Girl of Myth and Legend (The Chosen Saga #1))
But being direct is not about being overtly blunt. It is about being clear in our intentions.
Zan Perrion (The Alabaster Girl)
I'll be right here. Good luck, or break a leg, or something.” As Jay and Gregory turned and headed into the crowd, my traitorous eyes returned to the corner and found another pair or eyes staring darkly back. I dropped my gaze for three full seconds, and then lifted my eyes again, hesitant. The drummer was still staring at me, oblivious to the three girls trying to win back his attention. He put up one finger at the girls and said something that looked like, “Excuse me.” Oh, my goodness. Was he...? Oh, no. Yes, he was walking this way. My nerves shot into high alert. I looked around, but nobody else was near. When I looked back up, there he was, standing right in front of me. Good gracious, he was sexy-a word that had not existed in my personal vocabulary until that moment. This guy was sexy like it was his job or something. He looked straight into my eyes, which threw me off guard, because nobody ever looked me in the eye like that. Maybe Patti and Jay, but they didn't hold my stare like he was doing now. He didn't look away, and I found that I couldn't take my gaze off those blue eyes. “Who are you?” he asked in a blunt, almost confrontational way. I blinked. It was the strangest greeting I'd ever received. “I'm...Anna.” “Right. Anna. How very nice.” I tried to focus on his words and not his luxuriously accented voice, which made everything sound lovely. He leaned in closer. “But who are you?” What did that mean? Did I need to have some sort of title or social standing to enter his presence? “I just came with my friend Jay?” Oh, I hated when I got nervous and started talking in questions. I pointed in the general direction of the guys, but he didn't take his eyes off me. I began rambling. “They just wrote some songs. Jay and Gregory. That they wanted you to hear. Your band, I mean. They're really...good?” His eyes roamed all around my body, stopping to evaluate my sad, meager chest. I crossed my arms. When his gaze landed on that stupid freckle above my lip, I was hit by the scent of oranges and limes and something earthy, like the forest floor. It was pleasant in a masculine way. “Uh-huh.” He was closer to my face now, growling in that deep voice, but looking into my eyes again. “Very cute. And where is your angel?” My what? Was that some kind of British slang for boyfriend? I didn't know how to answer without continuing to sound pitiful. He lifted his dark eyebrows, waiting. “If you mean Jay, he's over there talking to some man in a suit. But he's not my boyfriend or my angel or whatever.” My face flushed with heat and I tightened my arms over my chest. I'd never met anyone with an accent like his, and I was ashamed of the effect it had on me. He was obviously rude, and yet I wanted him to keep talking to me. It didn't make any sense. His stance softened and he took a step back, seeming confused, although I still couldn't read his emotions. Why didn't he show any colors? He didn't seem drunk or high. And that red thing...what was that? It was hard not to stare at it. He finally looked over at Jay, who was deep in conversation with the manager-type man. “Not your boyfriend, eh?” He was smirking at me now. I looked away, refusing to answer. “Are you certain he doesn't fancy you?” Kaidan asked. I looked at him again. His smirk was now a naughty smile. “Yes,” I assured him with confidence. “I am.” “How do you know?” I couldn't very well tell him that the only time Jay's color had shown mild attraction to me was when I accidentally flashed him one day as I was taking off my sweatshirt, and my undershirt got pulled up too high. And even then it lasted only a few seconds before our embarrassment set in.
Wendy Higgins (Sweet Evil (Sweet, #1))
The bureaucrats were accountable to their political masters, not accountable to the people whom they were overseeing. And putting it as bluntly as possible, no government ever won votes by spending money on Indians.
Charlie Angus (Children of the Broken Treaty: Canada's Lost Promise and One Girl's Dream)
These thoughts have no meaning. They are idiot mantras that exist in a prearranged cycle: I'm no good, I'm the Angel of Death, I'm stupid, I can't do anything. Thinking the first thought triggers the whole circuit. It's like the flu: first a sore throat, then, inevitably, a stuffy nose and a cough. Once, these thoughts must have had a meaning. They must have meant what they said. But repetition has blunted them. They have become background music, a Muzak medley of self-hatred themes.
Susanna Kaysen (Girl, Interrupted)
She's right; the lad is lonely. I'll see what these little girls can do for him," thought Mr. Laurence, as he looked and listened. He liked Jo, for her odd, blunt ways suited him; and she seemed to understand the boy almost as well as if she had been one herself.
Louisa May Alcott
I didn’t sneer!” said Juliana hastily. “I’d no notion you behaved so dreadfully badly to her. You said you forced her aboard your yacht, but I never supposed that you really frightened her enough to make her fire at you. You need not be in a rage with me for saying so, Dominic, but when I saw Mary at your house she was so placid I made sure you’d not treated her so very brutally after all. Had you?” “Yes,” said Vidal bluntly. He looked at Juliana. “You think it was vastly romantic for Mary to be carried off by me, don’t you? You think you would enjoy it, and you cannot conceive how she should be afraid, can you? Then think, my girl! Think a little! You are in my power at this moment, I may remind you. What if I make you feel it? What if I say to start with that you shall eat your dinner, and force it down your throat?” Juliana shrank back from him involuntarily. “Don’t, Vidal! Don’t come near me!” she said, frightened by the expression in his face. He laughed. “Not so romantic, is it, Ju? And to force you to eat your dinner would be a small thing compared with some other things I might force you to do. Sit down, I’m not going to touch you.” She obeyed, eyeing him nervously. “I—I wish I hadn’t come with you!” she said. “So did Mary, with more reason. But Mary would have died sooner than let me see that she was afraid. And Mary, my love, is not my cousin.
Georgette Heyer (Devil's Cub (Alastair-Audley, #2))
It’s the truth. I’m sorry to be blunt about it, but girls don’t like guys who are doormats. Especially pretty girls, because there’s no novelty to it. Guys are hitting on them all of the time. They can’t walk down the street or order a coffee or stand on a corner without some idiot making a comment about how attractive they are. And the women smile because it’s easier than telling them to go fuck themselves. And less dangerous, because if a man rejects a woman, she goes home and cries for a few days. If a woman rejects a man, he can rape and kill her.
Karin Slaughter (Pretty Girls)
Why do you want to know?” The shrug again. “Just wondering.” “Really. You’ve skipped your lawn tennis or duck hunting or whiskey drinking or whatever else people of your sort do all day, only to come all the way out to the island to ask me about the piano piece. Because you were just wondering.” I pushed away from the door. “Coming here to kiss me would have been more believable.” “Well, it was second on my list.” “I’m not intimidated by you,” I said, blunt. “If you’re hoping I’ll turn out to be some pathetic, blubbering little rag-girl who begs you not to ruin her, you’re in for a surprise.” “That’s good.” Lord Armand met my eyes. “I like surprises.” We gazed at each other, he on the bed and me by the door, neither of us giving quarter. It seemed to me that the room was growing even more dim, that time was repeating the same ploy it had pulled in Jesse’s cottage, drawing out long and slow. The storm outside railed against the castle walls, drowning the air within. It layered darkness through Armand’s eyes, the once-vivid blue now deep as the ocean at night. Beyond my window the rain fell and fell, fat clouds weeping as if they’d never stop. “Nice bracelet,” Armand said softly. “Did you steal it?” I shook my head. “You gave it to me.” “Did I?” “As far as everyone else if concerned, yes. You did.” “Hmm. And what do I get in return for agreeing to be your…benefactor?” “The answer to your question.” “No kiss?” he asked, even softer. “No.” His lips quirked. “All right, then, waif. I accept your terms. We’ll try the kiss later.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
from the Adairsville PD. What you’ve got to do is imply that you understand the subject, understand what was going through his mind and the stresses he was under. No matter how disgusting it feels to you, you’re going to have to project the blame onto the victim. Imply that she seduced him. Ask if she led him on, if she turned on him, if she threatened him with blackmail. Give him a face-saving scenario. Give him a way of explaining his actions. The other thing I knew from all the cases I’d seen is that in blunt-force-trauma or knife homicides, it’s difficult for the attacker to avoid getting at least traces of the victim’s blood on him. It’s common enough that you can use it. When he starts to waffle, even slightly, I said, look him straight in the eye and tell him the most disturbing part of the whole case is the known fact that he got Mary’s blood on him. “We know you got blood on you, Gene; on your hands, on your clothing. The question for us isn’t ‘Did you do it?’ We know you did. The question is ‘Why?’ We think we know why and we understand. All you have to do is tell us if we’re right.” And that was exactly how it went down. They bring Devier in. He looks instantly at the rock, starts perspiring and breathing heavily. His body language is completely different from the previous interviews: tentative, defensive. The interrogators project blame and responsibility onto the girl, and when he looks as if he’s going with it, they bring up the blood. This really upsets him. You can often tell you’ve got the right guy if he shuts up and starts listening intently as you speak.
John E. Douglas (Mind Hunter: Inside the FBI's Elite Serial Crime Unit (Mindhunter #1))
To be loved by a pure young girl, to be the first to reveal to her the strange mystery of love, is indeed a great happiness, but it is the simplest thing in the world. To take captive a heart which has had no experience of attack, is to enter an unfortified and ungarrisoned city. Education, family feeling, the sense of duty, the family, are strong sentinels, but there are no sentinels so vigilant as not to be deceived by a girl of sixteen to whom nature, by the voice of the man she loves, gives the first counsels of love, all the more ardent because they seem so pure. The more a girl believes in goodness, the more easily will she give way, if not to her lover, at least to love, for being without mistrust she is without force, and to win her love is a triumph that can be gained by any young man of five-and-twenty. See how young girls are watched and guarded! The walls of convents are not high enough, mothers have no locks strong enough, religion has no duties constant enough, to shut these charming birds in their cages, cages not even strewn with flowers. Then how surely must they desire the world which is hidden from them, how surely must they find it tempting, how surely must they listen to the first voice which comes to tell its secrets through their bars, and bless the hand which is the first to raise a corner of the mysterious veil! But to be really loved by a courtesan: that is a victory of infinitely greater difficulty. With them the body has worn out the soul, the senses have burned up the heart, dissipation has blunted the feelings. They have long known the words that we say to them, the means we use; they have sold the love that they inspire. They love by profession, and not by instinct. They are guarded better by their calculations than a virgin by her mother and her convent; and they have invented the word caprice for that unbartered love which they allow themselves from time to time, for a rest, for an excuse, for a consolation, like usurers, who cheat a thousand, and think they have bought their own redemption by once lending a sovereign to a poor devil who is dying of hunger without asking for interest or a receipt. Then, when God allows love to a courtesan, that love, which at first seems like a pardon, becomes for her almost without penitence. When a creature who has all her past to reproach herself with is taken all at once by a profound, sincere, irresistible love, of which she had never felt herself capable; when she has confessed her love, how absolutely the man whom she loves dominates her! How strong he feels with his cruel right to say: You do no more for love than you have done for money. They know not what proof to give. A child, says the fable, having often amused himself by crying "Help! a wolf!" in order to disturb the labourers in the field, was one day devoured by a Wolf, because those whom he had so often deceived no longer believed in his cries for help. It is the same with these unhappy women when they love seriously. They have lied so often that no one will believe them, and in the midst of their remorse they are devoured by their love.
Alexandre Dumas (La Dame aux Camélias)
Laurie Halloween (1978) I ask you to tell me of a town where this hasn’t happened, where some brute dressed in black hasn’t donned a mask, shadowed a woman, called himself a monster to blot out his own mortality. Tell me why I should mythologize this. Let his shape grow larger than the women crouched with coat hangers, with makeshift daggers as sturdy as their hearts? Something can be vulnerable and powerful both at once, but you cannot understand this, and I have grown so weary trying to explain. You say you want to protect us, but the method, blunt pills forced to mouths, a technique for hysteria, is all wrong. It abrades. White fences are only made of wood, they splinter so easily.
Claire C. Holland (I Am Not Your Final Girl)
But while women had more rights these days, I feel like they never actually gained any more respect. The boys around me still used the word ‘girl’ as an insult. They called girls who slept with them sluts, but girls who didn't were prudes, and they didn’t even bother to show girls basic courtesy anymore when they were courting them. They didn’t pull out chairs for their girlfriends or take off their hats or stand when they went in or out of a room. My father — my real father — raised me to do those things to show a woman respect, and my father had always had a tremendous amount of respect for women. Maybe there were new ways, more modern ways, to show respect to a woman. But if so, I didn’t know what they were
C.L. Lynch (History (Stella Blunt #2))
What I didn't understand then was that the same pressure were weighing on us all. My entire community suffered from the lack of trust: we didn't trust society to provide the basics of good education, safety, access to good jobs, fairness in the justice system. And even as we distrusted the society around us, the culture that cornered us and told us were perpetually less, we distrusted each other. We did not trust our fathers to raise us, provide for us. Because we trusted nothing, we endeavored to protect ourselves, boys becoming misogynistic and violent, girls turning duplicitous, all of us hopeless. Some of us turned sour from pressure, let it erode our sense of self until we hated what we saw, within and without. And to blunt it all, some of us turned to drugs.
Jesmyn Ward (Men We Reaped)
GHOSTBUSTERS I always wanted the reboot of Ghostbusters to be four girl-ghostbusters. Like, four normal, plucky women living in New York City searching for Mr. Right and trying to find jobs—but who also bust ghosts. I’m not an idiot, though. I know the demographic for Ghostbusters is teenage boys, and I know they would kill themselves if two ghostbusters had a makeover at Sephora. I just have always wanted to see a cool girl having her first kiss with a guy she’s had a crush on, and then have to excuse herself to go trap the pissed-off ghosts of the Triangle Shirtwaist Factory fire or something. In my imagination, I am, of course, one of the ghostbusters, with the likes of say, Emily Blunt, Taraji Henson, and Natalie Portman. Even if I’m not the ringleader, I’m definitely the one who gets to say “I ain’t afraid a no ghost.” At least the first time.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
Why do you continue your... charade? Your current position would seem to be a good one for revealing the truth'. 'A few people know, sir. Bobby, Jane, some of the Leatherbacks. For the rest... it just seems easier to keep things as they are.' Winter thought of Novus and his tirade. 'It would be one thing if I had just joined up, but it's been so long. People might be upset that they'd been fooled. And...' Janus raised an eyebrow. Winter hesitated. 'It's all right for the Girl's Own,' she said. 'They joined up because Vordan needs them, and when the war's over they'll go home. I... I haven't anywhere to go.' She tugged the collar of her uniform. 'This is who I am now, for better or worse. This is my home. After the war, maybe it will be all right for a woman to keep this on, but... maybe not.' Winter found her throat getting thick. She'd never put it that way before, never even thought it so bluntly. This is my home.
Django Wexler (The Price of Valour (The Shadow Campaigns, #3))
Oh, well, whatever,” she said carelessly. He asked her, “Why Americans always begin inch by inch with what they say?” “Pardon?” “They must begin every sentence with ‘Oh…’ or ‘Well…’ or ‘Um…’ or ‘Anyhow…’ They start off with ‘So…’ when there has been no cause mentioned before it that would lead to any conclusion, and ‘I mean…’ when they have said nothing previous whose significance must be clarified. Right off from a silence they say that! ‘I mean…’ they begin. Why they do this?” Kate said, “Oh, well, um…,” drawing it out long and slow. For a second he didn’t get it, but then he gave a short bark of laughter. She had never heard him laugh before. It made her smile in spite of herself. “For that matter,” she said, “why do you begin so abruptly? You just barge into your sentences straight out! ‘This and such,’ you begin. ‘That and such,’ blunt as a sledgehammer. So definite, so declarative. Everything you say sounds like a…governmental edict.” “I see,” Pyotr said. Then, as if correcting himself, he said, “Oh, I see.
Anne Tyler (Vinegar Girl)
Before you start spouting off information you’ve been brainwashed with about evolution and the food chain, read on. Yes, humans have a high level of intelligence. Yes, we created weapons for hunting and fire for cooking. Yes, we found a way to mass-produce animals for consumption. However, if you study animals in the wild, you will note that they do not rely on anything other than their natural hunting ability, speed, strength, claws, teeth, and jaws. They have no tools or weapons. Now look at yourself. Look at your flimsy fingernails in comparison to an eagle’s talons. Look at your flat, blunt teeth compared to a lion’s fangs. Compare your speed and agility to that of a tiger. Compare the strength of your jaw to a wolf’s. Imagine yourself trying to run after an animal, catch it, and kill it using your bare hands, fingernails, teeth, and jaws. Not only would you look ridiculous, but you’d probably get your ass kicked, too. And even if you were successful, envision yourself eating the kill without the aid of an oven and silverware.
Rory Freedman (Skinny Bitch: A No-Nonsense, Tough-Love Guide for Savvy Girls Who Want to Stop Eating Crap and Start Looking Fabulous!)
I Never Told You You can fill a book with everything I never said Or the lines of a poem Or an Empty pool Or an empty bedroom, the candles all blown out I never told you how the reflection of myself in your eyes Was the only mirror I could bear to look at Or how I fought every day To transfuse the girl I saw there with the girl I am I tried to breathe in the words you made me: beautiful good brave I tried to be them for you even though they were weighted with impossibility I never told you how I always feared the rough edges of myself were too sharp for you and how I fought everyday to blunt them To bring down the walls To let you in without cutting you because I could never bear to hurt you like the others did Every day a fierce pride roared in me I was so lucky to know the truth I was the beneficiary of your radiance I basked in it and felt special And if not for the pain of your solitude I would have been content to be the only one I never told you How your touch made me feel like laughing and crying and singing all at once How your hand passing over my skin where atrocities Had not yet sloughed off, Skin cells remembering the worst touches Was like a tide washing over the ruddy sand And leaving it whole and smooth You made my skin forget Gave me new memories New sensations that didn't drag the shadows from the past In your arms I could start again, Start over. There is no greater gift in all the world Than you to the wreckage that is me... I never told you How I longed to kiss away your every bruise until there was no evidence No ghosts of your own suffering To put your pieces back together Seal the cracks Vanish them like they never were And never, ever Leave a scar I never told you I would take your pain if I could I would drink it down And take my comfort In making you ache a little less For a little while Did I? I'll never know because I never told you that I loved you I love you I love you It's too lat to say it now The time has passed for words How pathetic and small and weak On the phone Or on a piece of paper Starving Without the force of my own vitality My voice My breath My blood singing n my veins for you To give them power They are lost I love you It's too late but I love you And I'm sorry I never told you.
Emma Scott (How to Save a Life (Dreamcatcher, #1))
Ian saw only that the beautiful girl who had daringly come to his defense in a roomful of men, who had kissed him with tender passion, now seemed to be passionately attached not to any man, but to a pile of stones instead. Two years ago he’d been furious when he discovered she was a countess, a shallow little debutante already betrothed-to some bloodless fop, no doubt-and merely looking about for someone more exciting to warm her bed. Now, however, he felt oddly uneasy that she hadn’t married her fop. It was on the tip of his tongue to bluntly ask her why she had never married when she spoke again. “Scotland is different than I imagined it would be.” “In what way?” “More wild, more primitive. I know gentlemen keep hunting boxes here, but I rather thought they’d have the usual conveniences and servants. What was your hoe like?” “Wild and primitive,” Ian replied. While Elizabeth looked on in surprised confusion, he gathered up the remains of their snack and rolled to his feet with lithe agility. “You’re in it,” he added in a mocking voice. “In what?” Elizabeth automatically stood up, too. “My home.” Hot, embarrassed color stained Elizabeth’s smooth cheeks as they faced each other. He stood there with his dark hair blowing in the breeze, his sternly handsome face stamped with nobility and pride, his muscular body emanating raw power, and she thought he seemed as rugged and invulnerable as the cliffs of his homeland. She opened her mouth, intending to apologize; instead, she inadvertently spoke her private thoughts: “It suits you,” she said softly. Beneath his impassive gaze Elizabeth stood perfectly still, refusing to blush or look away, her delicately beautiful face framed by a halo of golden hair tossing in the restless breeze-a dainty image of fragility standing before a man who dwarfed her. Light and darkness, fragility and strength, stubborn pride and iron resolve-two opposites in almost every way. Once their differences had drawn them together; now they separated them. They were both older, wiser-and convinced they were strong enough to withstand and ignore the slow heat building between them on that grassy ledge. “It doesn’t suit you, however,” he remarked mildly. His words pulled Elizabeth from the strange spell that had seemed to enclose them. “No,” she agreed without rancor, knowing what a hothouse flower she must seem with her impractical gown and fragile slippers.
Judith McNaught (Almost Heaven (Sequels, #3))
the cotton fields and strawberry patches of a much harsher world whose tragedies and daily burdens had blunted her temperament and quelled her emotions. But its most immediate impact on this teenage girl was not the lack of a demure coquettishness that otherwise might have defined her had she grown up in better circumstances; it was the visible evidence of the hardship of her journey. This was not a pom-pom-waving homecoming queen or a varsity athlete who had toned her body in a local gym. My mother never complained, but it was her struggles that had visibly shaped her shoulders, grown her biceps, and crusted her palms—while in a less visible way narrowing her view of her own long-term horizons. Decades later, when I was in my forties, I suppressed a defensive anger as I watched my mother sit quietly in an expansive waterfront Florida living room while a well-bred woman her age described the supposedly difficult impact of the Great Depression on her family. As the woman told it, the crash on Wall Street and the failed economy had made it necessary for them to ship their car by rail from New York to Florida when they headed south for the winter. Who could predict, she reasoned, whether there would be food or gasoline if their driver had to refuel and dine in the remote and hostile environs of small-town Georgia? My mother merely smiled and nodded, as
James Webb (I Heard My Country Calling: A Memoir)
Moreland sired some decent sons,” Rothgreb remarked. “And that’s a pretty filly they have for a sister. Not as brainless as the younger girls, either.” “Lady Sophia is very pretty.” Also kind, intelligent, sweet, and capable of enough passion to burn a man’s reason to cinders. “She’s mighty attached to the lad, though.” His uncle shot him a look unreadable in the gloom of the chilly hallways. “Women take on over babies.” “He’s a charming little fellow, but he’s a foundling. I believe she intends to foster him. Watch your step.” He took his uncle’s bony elbow at the stairs, only to have his hand shaken off. “For God’s sake, boy. I can navigate my own home unaided. So if you’re attracted to the lady, why don’t you provide for the boy? You can spare the blunt.” Vim paused at the first landing and held the candle a little closer to his uncle’s face. “What makes you say I’m attracted to Lady Sophia? And how would providing for the child endear me to her?” “Women set store by orphans, especially wee lads still in swaddling clothes. Never hurts to put yourself in a good light when you want to impress a lady.” His uncle went up the steps, leaning heavily on the banister railing. “And why would I want to impress Lady Sophia?” “You ogle her,” Rothgreb said, pausing halfway up the second flight. “I do not ogle a guest under our roof.” “You watch her, then, when you don’t think anybody’s looking. In my day, we called that ogling. You fret over her, which I can tell you as a man married for more than fifty years, is a sure sign a fellow is more than infatuated with his lady.” Vim remained silent, because he did, indeed, fret over Sophie Windham. “And you have those great, strapping brothers of hers falling all over themselves to put the two of you together.” Rothgreb paused again at the top of the steps. Vim paused too, considering his uncle’s words. “They aren’t any more strapping than I am.” Except St. Just was more muscular. Lord Val was probably quicker with his fists than Vim, and Westhaven had a calculating, scientific quality to him that suggested each of his blows would count. “They were all but dancing with each other to see that you sat next to their sister.
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
Herbenick invited me to sit in on the Human Sexuality class she was about to teach, one of the most popular courses on Indiana’s campus. She was, on that day, delivering a lecture on gender disparities in sexual satisfaction. More than one hundred fifty students were already seated in the classroom when we arrived, nearly all of them female, most dressed in sweats, their hair pulled into haphazard ponytails. They listened raptly as Herbenick explained the vastly different language young men and young women use when describing “good sex.” “Men are more likely to talk about pleasure, about orgasm,” Herbenick said. “Women talk more about absence of pain. Thirty percent of female college students say they experience pain during their sexual encounters as opposed to five percent of men.” The rates of pain among women, she added, shoot up to 70 percent when anal sex is included. Until recently, anal sex was a relatively rare practice among young adults. But as it’s become disproportionately common in porn—and the big payoff in R-rated fare such as Kingsman and The To Do List—it’s also on the rise in real life. In 1992 only 16 percent of women aged eighteen to twenty-four said they had tried anal sex. Today 20 percent of women eighteen to nineteen have, and by ages twenty to twenty-four it’s up to 40 percent. A 2014 study of heterosexuals sixteen to eighteen years old—and can we pause for a moment to consider just how young that is?—found that it was mainly boys who pushed for “fifth base,” approaching it less as a form of intimacy with a partner (who they assumed would both need to be and could be coerced into it) than a competition with other boys. Girls were expected to endure the act, which they consistently reported as painful. Both sexes blamed that discomfort on the girls themselves, for being “naïve or flawed,” unable to “relax.” Deborah Tolman has bluntly called anal “the new oral.” “Since all girls are now presumed to have oral sex in their repertoire,” she said, “anal sex is becoming the new ‘Will she do it or not?’ behavior, the new ‘Prove you love me.’” And still, she added, “girls’ sexual pleasure is not part of the equation.” According to Herbenick, the rise of anal sex places new pressures on young women to perform or else be labeled a prude. “It’s a metaphor, a symbol in one concrete behavior for the lack of education about sex, the normalization of female pain, and the way what had once been stigmatized has, over the course of a decade, become expected. If you don’t want to do it you’re suddenly not good enough, you’re frigid, you’re missing out, you’re not exploring your sexuality, you’re not adventurous.
Peggy Orenstein (Girls & Sex: Navigating the Complicated New Landscape)
Come on, lovey, open up. These buckets is heavy.” The plea accompanied another tapping. “Patience, Molly.” Christopher paused for a brief moment, gathering the towel about him again. Then his muscles flexed, and if she had found the breath, Erienne would have shrieked as he lifted her and dumped her onto the bed. She half raised with her mouth open to hotly voice her objection to whatever he had in mind, but he flung the bedcovers over her head, squelching comment. “Lie still.” His whisper bore a tone of command that could prompt immediate obedience from even the most reluctant. Erienne froze, and with a smile Christopher reached across to turn down the other side of the bed to make it seem as if he had just left it. Frantic visions involving her possible fate flew through Erienne’s mind. She considered the horrible humiliation she would suffer if she were discovered in the man’s bed. Her fears burgeoned, her rage peaked, and she threw back the covers, intending to escape the trap he laid for her. In the next brief second she caught her breath sharply and snatched the covers back over her head again, for the sight of him standing stark naked beside the chair where his clothes were draped was too much for her virgin eyes to bear. It had been no more than a glimpse, but the vision of his tall, tanned, wide-shouldered form bathed in the pinkish light of the rising sun was forever branded in her brain. Christopher chuckled softly as Erienne curled into the bed and finally obeyed his warning. He slipped on his breeches, secured them, and moved across the room to unlock the door. Molly knew her trade and her competition, and the village of Mawbry suited her well, since there was an absolute lack of the latter. When Christopher opened the portal, she was through it in a trice and shrugging out of the yoke that bore the pails. Pressing herself tightly against the male form, she rubbed her fingers through the hair on his chest and fluttered her lashes. “Oh, lovey, ye are a wondrous sight for any girl to behold.” “I’ve already told you, Molly. I have no need of yer services,” Christopher stated bluntly. “I only want the water.” “Ah, come now, lovey,” she crooned. “I knows ye’ve been away ter sea and needs a li’l tussle in bed. Why, with such a man as yerself, I’d be more’n willin’ ter give ye all ye need without a hint o’ a coin.” Christopher swept his hand toward the mentioned furnishing, drawing the maid’s eyes to it. “I already have all I desire. Now be along with you.” Molly’s dark eyes widened in surprise as she turned to stare at the bed. Unable to mistake the curvaceous form hidden beneath the quilt, she straightened indignantly and with a swish of her skirts was gone from the room, slamming the door behind her. Erienne waited, not daring to come out from beneath the covering until Christopher tapped her on the shoulder. “ ’Tis safe now. You can come out.” “Are you dressed?” she asked cautiously, her voice muffled beneath the covers. Christopher chuckled. “I’ve got my breeches on, if that’s what you’re worried about." -Molly, Christopher, & Erienne
Kathleen E. Woodiwiss (A Rose in Winter)
A folded triangle of paper landed in the center of his notebook. Normally he’d unfold it discreetly, but Beamis was so clueless that the note could have hit him in the head and he wouldn’t notice. Loopy script in purple pen. The paper smelled like her. What’s your #? Wow. Hunter clicked his pen and wrote below her words. I have a theory about girls who ask for your number before asking for your name. Then he folded it up and flicked it back. It took every ounce of self-control to not watch her unfold it. The paper landed back on his desk in record time. I have a theory about boys who prefer writing to texting. He put his pen against the paper. I have a theory about girls with theories. Then he waited, not looking, fighting the small smile that wanted to play on his lips. The paper didn’t reappear. After a minute, he sighed and went back to his French essay. When the folded triangle smacked him in the temple, he jumped a mile. His chair scraped the floor, and Beamis paused in his lecture, turning from the board. “Is there a problem?” “No.” Hunter coughed, covering the note with his hand. “Sorry.” When the coast was clear, he unfolded the triangle. It was a new piece of paper. My name is Kate. Kate. Hunter almost said the name out loud. What was wrong with him? It fit her perfectly, though. Short and blunt and somehow indescribably hot. Another piece of paper landed on his notebook, a small strip rolled up tiny. This time, there was only a phone number. Hunter felt like someone had punched him in the stomach and he couldn’t remember how to breathe. Then he pulled out his cell phone and typed under the desk. Come here often? Her response appeared almost immediately. First timer. Beamis was facing the classroom now, so Hunter kept his gaze up until it was safe. When he looked back, Kate had written again. I bet I could strip na**d and this guy wouldn’t even notice. Hunter’s pulse jumped. But this was easier, looking at the phone instead of into her eyes. I would notice. There was a long pause, during which he wondered if he’d said the wrong thing. Then a new text appeared. I have a theory about boys who picture you na**d before sharing their name. He smiled. My name is Hunter. Where you from? This time, her response appeared immediately. Just transferred from St. Mary’s in Annapolis. Now he was imagining her in a little plaid skirt and knee-high socks. Another text appeared. Stop imagining me in the outfit. He grinned. How did you know? You’re a boy. I’m still waiting to hear your theory on piercings. Right. IMO, you have to be crazy hot to pull off either piercings or tattoos. Otherwise you’re just enhancing the ugly. Hunter stared at the phone, wondering if she was hitting on him—or insulting him. Before he could figure it out, another message appeared. What does the tattoo on your arm say? He slid his fingers across the keys. It says “ask me about this tattoo.” Liar. Mission accomplished, I’d say. He heard a small sound from her direction and peeked over. She was still staring at her phone, but she had a smile on her face, like she was trying to stifle a giggle. Mission accomplished, he’d say.
Brigid Kemmerer (Spirit (Elemental, #3))
I'm sorry." "Sorry? For what?" He straightened and moved a bit closer, sounding honestly puzzled. "I am not much of a conversationalist, I'm afraid. I am not used to - to any of this. You must find this terribly..." "Terribly what?" "Boring." She faced him squarely then, for she refused to shy away from difficulties. He let out a short bark of laughter. "Boring? My dear Miss Bainbridge, boring is definitely something you are not." "I don't know how you can say that," she retorted somewhat crossly. "There is really no need for you to be polite. I haven't said any of the things I should. I have been blunt and no doubt impolite. I have never danced before with any man I haven't known since I could toddle. And now I cannot even come up with the most commonplace remark." His chuckle was low and warm [...]. "Oh, you know what I mean." Really the man was maddening. "You shouldn't laugh at someone who is admitting their grievous social ineptitude." "What else should I do?" His teeth glinted in the darkness. "Let me assure you that I have danced with a great many girls whom I have not known since childhood. And I have heard a great many commonplace remarks. It is, quite frankly, a relief to enjoy the quiet and cool of the garden without hearing that the weather is quite nice this evening or that the breeze is most refreshing or that the party is so enjoyable.
Candace Camp (A Winter Scandal (Legend of St. Dwynwen, #1))
Tale of Two Households “I got two A’s,” the small boy said. His voice was filled with glee. His father very bluntly asked, “Why didn’t you get three?” “Mom, I’ve got the dishes done,” The girl called from the door. Her mother very calmly said, “Did you sweep the floor?” “I mowed the grass,” the tall boy said, “And put the mower away.” His father asked him with a shrug, “Did you clean off the clay?” The children in the house next door Seemed happy and content. The same things happened over there, But this is how it went. “I got two A’s,” the small boy said. His voice was filled with glee. His father proudly said, “That’s great; I’m glad you belong to me.” “Mom, I got the dishes done,” The girl called from the door. Her mother smiled and softly said, “Each day I love you more.” “I’ve mowed the grass,” the tall boy said. “And put the mower away.” His father answered with much joy, “You’ve made my happy day!” Children deserve just simple praise For the tasks they’re asked to do. If they’re to lead a happy life, So much depends on you! AUTHOR UNKNOWN
Sharon Jaynes (The Power of a Woman's Words)
She grabbed the door handle, but before she could pull it open, he grabbed her wrist and yanked her back into the seat. Why wouldn’t he let things be? She whipped around. “What?” Her tone was the snap of a whip in the quiet car as embarrassment turned to anger. “It’s time for me to go, Mitch.” A muscle ticked in his jaw and his eyes flashed fire. “I stopped,” he said through gritted teeth, “because I didn’t think your inner good girl would appreciate being fucked in a seedy motel parking lot in front of God and everyone.” She froze at his blunt words. The confession should have satisfied her, but it didn’t. She wrenched her wrist free. “Do me a favor. Take care of your own demons. I can manage my inner good girl just fine!” Not waiting for a response, she flung open the car door and jumped out.
Jennifer Dawson (Take a Chance on Me (Something New, #1))
the girls on the track team do their thang, when I spot ass.  See, when ya boy spots ass, I be on it.  I leave Dre and Twan, my teammates, and head over to see what the face looks like that's connected to this ass. Oh yea, I’m Rashard Peterson, number 06, quarterback for UMA.  This is my last year and I’ll have my Bachelors in Business Management.  I do my thang with Twan and Dre in these streets too.   If you want some weed, I got you, but that's pretty much all I’ll touch.  I never keep enough on me to get a charge. The most I’ll have on me is a blunt and shit, that's for recreational use. Ya boy ain’t dumb by a long shot. That's why I got this degree in the works, so I can open up different businesses.   Anyway, if you want pills then holla at Twan; my boy got opioids, tabs, Xanax
Linette King (Addicted to Him)
After we ate, we fired up some more blunts and got high as hell. I lived for this shit. This is exactly what I would rather be doing than this school bullshit.
Shvonne Latrice (Good Girls Love Thugs (Good Girls Love Thugs #1))
So, you’re in love with the Smith girl?” Ben stumbled at his father’s question that was really more of a statement. “No. Not at all.” He forced a short laugh. “Of course I’m not in love with Susanna Smith.” “Well, you certainly fooled me tonight.” “I cannot deny I’m attracted to Susanna,” he admitted. “Who wouldn’t be? She’s intelligent, witty, and interesting.” “She sounds like the perfect match for you.” He wanted to agree. Susanna was everything Hannah was not. He thought about her more than he should. And even in her grandfather’s study earlier, he’d felt a pull toward her that was unbearably strong and difficult to resist. He knew he needed to control himself better around Susanna. Surely he would have less trouble with his attraction once he was finally engaged to Hannah. “I’m in the process of trying to propose marriage to Hannah Quincy.” His father plodded forward without missing a step. “Then you love Miss Quincy?” Did he love Hannah? Ben shook his head. “Sometimes there are factors more important than love.” “Then you are in love with her wealth rather than her person?” Ben wanted to rebut his father’s words—similar to those of Parson Wibird from earlier in the day—but something about his father’s bluntness kept him from doing so. “Hannah Quincy will give me what I currently lack, namely the status and approval of my peers.” His father was silent for a long moment, the steady scraping of their boots against the dirt road reminding Ben of the steadiness of the man by his side. He was a deacon of the church and had been the selectman of the town for years. There was not a nobler or more respected man among the community. “There’s more than one way to earn the approval of your peers.” His father spoke slowly as if weighing his words carefully. “And often the best way is through strength of character.
Jody Hedlund (Rebellious Heart)
Her onyx hair creates a shiny curtain, hiding part of her face, the ends cut blunt. She’s stunning in a serious, intelligent, upper-class New York kind of way, oozing elegance and grace from every angle.
Minka Kent (The Stillwater Girls)
The game had only two rules. The first was that every statement had to have at least two words in which the first letters were switched. “You’re not my little sister,” Shawn said. “You’re my sittle lister.” He pronounced the words lazily, blunting the t’s to d’s so that it sounded like “siddle lister.” The second rule was that every word that sounded like a number, or like it had a number in it, had to be changed so that the number was one higher. The word “to” for example, because it sounds like the number “two,” would become “three.” “Siddle Lister,” Shawn might say, “we should pay a-eleven-tion. There’s a checkpoint ahead and I can’t a-five-d a ticket. Time three put on your seatbelt.” When we tired of this, we’d turn on the CB and listen to the lonely banter of truckers stretched out across the interstate. “Look out for a green four-wheeler,” a gruff voice said, when we were somewhere between Sacramento and Portland. “Been picnicking in my blind spot for a half hour.” A four-wheeler, Shawn explained, is what big rigs call cars and pickups. Another voice came over the CB to complain about a red Ferrari that was weaving through traffic at 120 miles per hour. “Bastard damned near hit a little blue Chevy,” the deep voice bellowed through the static. “Shit, there’s kids in that Chevy. Anybody up ahead wanna cool this hothead down?” The voice gave its location. Shawn checked the mile marker. We were ahead. “I’m a white Pete pulling a fridge,” he said. There was silence while everybody checked their mirrors for a Peterbilt with a reefer. Then a third voice, gruffer than the first, answered: “I’m the blue KW hauling a dry box.” “I see you,” Shawn said, and for my benefit pointed to a navy-colored Kenworth a few cars ahead. When the Ferrari appeared, multiplied in our many mirrors, Shawn shifted into high gear, revving the engine and pulling beside the Kenworth so that the two fifty-foot trailers were running side by side, blocking both lanes. The Ferrari honked, weaved back and forth, braked, honked again. “How long should we keep him back there?” the husky voice said, with a deep laugh. “Until he calms down,” Shawn answered. Five miles later, they let him pass. The trip lasted about a week, then we told Tony to find us a load to Idaho. “Well, Siddle Lister,” Shawn said when we pulled into the junkyard, “back three work.” — THE WORM CREEK OPERA HOUSE announced a new play: Carousel. Shawn drove me to the audition, then surprised me by auditioning himself. Charles was also there, talking to a girl named
Tara Westover (Educated)
She took off her shoes and turned on the television and watched the end of a rerun of The Office. She wondered if there was any other man in the world like John Krasinski, and if a girl would have to be as perfect as Emily Blunt to marry him.
Michelle Miller
Mommy… I just want to die and go to Heaven and be with Jesus where there’s no pain.” A ripple of cold shock went through me. “Annabel…” I groped for the right response. “If you… if you went to Heaven, then you wouldn’t be with me and Daddy. There’d be a big hole in my soul. I would be so sad.” “No, Mommy,” she said without missing a beat, “you would kill yourself and go with me.” “Anna…” No words came. The statement was so blunt, so matter-of-fact and without hesitation, such a dark sentiment from such a bright spirit. Sickened, stunned with sadness, I realized: She’d been thinking about it, pragmatically considering all the angles. She had it all figured out.
Christy Wilson Beam (Miracles from Heaven: A Little Girl, Her Journey to Heaven, and Her Amazing Story of Healing)
All those songs I used to pretend to understand, all the angsty, heartbroken songs I had heard all my life, they suddenly made so much more sense. "Well, then she probably needs a giant coffee, a huge box of your creations, and some time to nurse her feelings in private, don't you think?" Brantley Dane, local hero, saves girl from sure death brought on by sheer mortification. That'd be his headline. "Come on, sweetheart," he said, moving behind me, casually touching my hip in the process, and going behind counter. "What's your poison? Judging by the situation, I am thinking something cold, mocha or caramel filled and absolutely towering with full fat whipped cream." That was exactly what I wanted. But, broken heart aside, I knew I couldn't let myself drown in sweets. Gaining twenty pounds wasn't going to help anything. There was absolutely no enthusiasm in my voice when I said, "Ah, actually, can I have a large black coffee with one sugar please?" "Not that I'm not turned on as all fuck by a woman who appreciates black coffee," he started, making me jerk back suddenly at the bluntness of that comment and the dose of profanity I wasn't accustomed to hearing in my sleepy hometown. "But if you're only one day into a break-up, you're allowed to have some full fat chocolate concoction to indulge a bit. I promise from here on out I won't make you anything even half as food-gasm-ing as this." He leaned across the counter, getting close enough that I could see golden flecks in his warm brown eyes. "Honey, not even if you beg," he added and, if I wasn't mistaken, there was absolutely some kind of sexually-charged edge to his words. "Say yes," he added, lips tipping up at one corner. "Alright, yes," I agreed, knowing I would love every last drop of whatever he made me and likely punish myself with an extra long run for it too. "Good girl," he said as he turned away. And there was not, was absolutely not some weird fluttering feeling in my belly at that. Nope. That would be completely insane. "Okay, I got you one of everything!" my mother said, coming up beside me and pressing the box into my hands. She even tied it with her signature (and expensive, something I had tried to talk her out of many times over the years when she was struggling financially) satin bow. I smiled at her, knowing that sometimes, there was nothing liked baked goods from your mother after a hard day. I was just lucky enough to have a mother who was a pastry chef. "Thanks, Mom," I said, the words heavy. I wasn't just thanking her for the sweets, but for letting me come home, for not asking questions, for not making it seem like even the slightest inconvenience. She gave me a smile that said she knew exactly what I meant. "You have nothing to thank me for." She meant that too. Coming from a family that, when they found out she was knocked up as a teen, had kicked her out and disowned her, she made it clear all my life that she was always there, no matter what I did with my life, no matter how high I soared, or how low I crashed. Her arms, her heart, and her door were always open for me. "Alright. A large mocha frappe with full fat milk, full fat whipped cream, and both a mocha and caramel drizzle. It's practically dessert masked as coffee," Brantley said, making my attention snap to where he was pushing what was an obnoxiously large frappe with whipped cream that was towering out of the dome that the pink and sage straw stuck out of. "Don't even think about it, sweetheart," he said, shaking his head as I reached for my wallet. "Thank you," I smiled, and found that it was a genuine one as I reached for it and, in a move that was maybe not brilliant on my part, took a sip. And proceeded to let out an almost porn-star worthy groan of pure, delicious pleasure. Judging by the way Brant's smile went a little wicked, his thoughts ran along the same lines as well.
Jessica Gadziala (Peace, Love, & Macarons)
You do seem to get on well with her, but I have an advantage, my lord. One you will never be able to compete with.” “An advantage?” “Yes.” Emmie said, feeling a little sorry for him, because he really would not be able to argue the point much further. “I am a female, you see. A girl. Well, a grown woman, but I was a girl, as Bronwyn is.” “You are a female?” The earl looked her up and down, and Emmie felt herself blushing. It was a thorough and thoroughly dispassionate perusal. “Why so you are, but how does this make yours the better guidance?” “There are certain things, my lord…” Emmie felt her blush deepening but refused to capitulate to embarrassment. “Things a lady knows a gentleman will not, things somebody must pass along to a little girl in due course if she’s to manage in this life.” “Things.” The earl’s brow knit. “Things like childbirth, perhaps?” Emmie swallowed, resenting his bluntness even while she admired him for it. “Well, yes. I doubt you’ve given birth, my lord.” “Have you?” he countered, peering down at her. “That is not the point.” “So no advantage to you there, particularly as I have attended a birth or two in my time, and I doubt you’ve managed that either.” “Why on earth would…?” Emmie’s mouth snapped shut before she could ask the obvious, rude, burning question. “I was a soldier,” he said gently. “And war is very hard on soldiers, but even harder on women and children, Miss Farnum. A woman giving birth in a war zone is generally willing to accept the assistance of whomever is to hand, regardless of standing, gender, or even what uniform he wears.” “So you’ve a little experience, but you aren’t going to tell me you’re familiar with the details of a lady’s bodily… well, that is to say. Well.” “Her menses?” The earl looked amused again. “You might have some greater degree of familiarity than I. I will grant that much, but as a man with five sisters, I am far more knowledgeable and sympathetic regarding female lunation than I had ever aspired to be. And surely, these matters you raise—childbirth and courses—they are a ways off for Miss Winnie?” “Bronwyn,” Emmie muttered. Standing so close to him, she could catch the earl’s scent, and it managed to combine both elegance and barbarism. It was spicy rather than floral, but also fresh, like meadows and breezes and cold, fast-running streams. “She answers to Winnie,” he said, “and she got away from you.” “She did.
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
cannot deal with people who lie. Like, lose my shit cannot deal with. My inability to tell a lie myself, even the tiny white variety, kills me too. Why couldn't my parents choose a different virtue to name me after? Hope, Faith, Grace? I'd take anything but the name meaning truth, because I'm sure this cursed me to lose friends due to my blunt truthful nature. Took me years to realise when girls say "be honest" that this is code for "don’t tell somebody their ass does in fact look big in that.
L.J. Swallow (Legacy (The Four Horsemen, #1))
I knew they wouldn’t approve of me, despite the fact I was well off and successful. How I earned my money, and my lifestyle, were not up to their standards. Not to mention the ink that covered my arms – Ally had told me how much they disapproved of body art or anyone who didn’t conform to their narrow-minded world. I was also blunt, outspoken, disliked them for the way they treated my girl, and I didn’t care about their opinion. Wait until they got an eyeful of me. We were going to hate each other, but they were going to have to get used to me. Because I wasn’t going anywhere.
Melanie Moreland (My Image of You)
David Bowie was a fucking genius.’ Neil’s face got redder. ‘Of course you would think that. Old white men love other old white men.’ The girl was so fabulously blunt Siobhan thought she might kiss her. Instead, she grabbed each of their hands in turn for a quick squeeze.
Kirstin Innes (Scabby Queen)
Lincoln was sent a letter by an eleven-year-old girl called Grace Bedell, in which she’d dissed his weird face and suggested he grow some whiskers if he wanted people’s votes. Lincoln did as he was told, and met her in her hometown a few months later, whispering: ‘Gracie, look at my whiskers. I have been growing them for you.’ It’s extraordinary that his iconic look was the result of a hilariously blunt child stylist.* However, though news of Lincoln’s new beard quickly spread, he didn’t immediately pose for an updated portrait, so newspaper artists were initially forced to improvise what they thought his bearded face looked like, making him a sort of e-fit president better suited to a ‘Wanted!’ poster.40
Greg Jenner (Dead Famous: An Unexpected History of Celebrity from Bronze Age to Silver Screen)
My day just splits again, and I am at the table sitting with the girls, Jenny is hearing me say all this… I am saying at lunch to all of them not leaving out one gross detail- and Jenny said- ‘Damn I have loaded in my undies right now just leasing to this crap.’ Liv and Maddie are kissing like to ribbed- hot- b*tch dogs in heat over it, so yeah, it's hot. I said- ‘I am coming – OH-hh-Aaa- UM-mmm-COME-meeting!!!’ So loud that I know that the rooms in the apartments could hear me, one even said back to my god- yet Miss Wilddickersion is eighty-eight I know who you are… a girl over there, rolled my eyes feeling so award.’ I am so going to hell for this- I said out loud. Do you ever look back over the crap you say, and say what the freak was I thinking? I just had the thought of this crap I am saying. Jenny said- nope not really- my dad hears me coming all the time so- like last night he said- ‘Stop it! You’re going to go throw your bedroom floor girl, and it’s four in the morning! ‘Yet I hear their freaking headboard hitting my wall- but- but that’s okay?’ I said about to have the old b*tch over in the next apart room there getting off too- ‘We all do’ -said Maddie and Olivia. Have you ever had the cops come, over that crap? Jenny said- ‘Well- freak know- Maybe…? I’ve done an officer here at the school, said Jenny proudly, so the whole cafeteria could hear her. Hey- Jenny- no one cares to hear about you being a slutty ho,’ Said- Marcel, yelling it at a table or two away. Maddie- ‘So was it that good?’ ‘It’s good under the hood.’ Said Maddie, I said the same thing too, in a different way, I said- ‘If you know what you’re doing down there.’ Jenny- ‘I- am- the- one that showed you-you b*tch, and your sis too.’ It’s all good! I speak! Not sure if I am going to keep my nasty pizza down at this point really, I don’t want to have thoughts played around in my mind freaking and fingering my brain. I put my feet up all girly and per-die on the table, and he sits accused from me to check me out so why not give him what he wants, and I don’t give a crap if I am in a skirt, I spread them out sloughing like a dude, and Marcel turns bright red, I want him to see that, I was not wearing annoying underneath I know that someone took a picture of my p*ssy and all of his freaked-up face- yep jaw-dropping moments, good thing I shaved it! The teaching that was looking over us freaking fainted at the sight of my va-jay-jay, is that a good thing? Oliva was saying please don’t fart- please don’t fart- she had the set on the other side of me, yet she was all pressed up to Maddie, so I knew he could see all of this- YOU-NO! I said- ‘Dude shut up! You’re freaking me over, and I put my one hand down between my legs, and start to play with myself, caressing it all around, sometimes up and down or in a little circular pattern, making lots of sounds. I even put my long fingers down inside and feel all the wetness and wroth, and I hear voices coming out of me, so he could see the come on my fingers unstop of my dark purple nail polish, and I come right in front of everyone, but it was only for him to see.’ Jenny- ‘do I see a d*ick; you need one to freak that p*ssy? I said- ‘Nah- dude that’s just my heart throbbing clit, and I get written up by another old b*tch teach, that must have a hairy one, or something like that- she has always been up against my ass hole.’ ‘Sometimes you are as blunt as the butt end of a fork, freaking strapping you in the one boob!’ said- Oliva. I see Marcel in the lunch line making a cute almost kiss-ie face at me, and I rankle up my nose and turn my head off to the right side and shake it in a short fast yet deliberate quiver. I walk up to where more than friends and at this point, I hug him and the cafeteria gaps, he kisses me in front of everyone, and I look up before walking and saying with flirty eyes- (You’re such a weirdo!)
Marcel Ray Duriez (Nevaeh Dreaming of you Play with Me)
Ally tells me that you’ve been good friends.” I say with a forced smile. It’s a statement more than a question. I want him to know that I trust what she tells me but that I am questioning his intentions. He clears his throat before speaking.   “Yeah. She’s great. We’ve, uh, been friends for about a year.” He smiles uncomfortably at Ally after he answers.   “She hasn’t told me how you met though, Joshua. Care to share?” Ally reaches for my thigh, pinching the skin lightly but it just makes me smile as I keep my eyes on the boy.   “It’s just Josh.” He swallows. “We met at a Halloween party last year, she helped me clean up after I tipped a table over with a bunch of pumpkin desserts all over it... that’s why she calls me ‘Pumpkin’.” They both laugh at that. I clench my teeth at their adorable inside joke but keep the smile on my face.   “And why do you call her ‘Sweetheart’?” They laugh again. I hate him. “Well, obviously because she’s a sweetheart.” He says it like I’m stupid for questioning that, like I don’t know exactly how sweet she is. Fucker.   “Do you want to fuck my girl, Joshua?” I ask bluntly. Done playing games.   “Alexander!” Ally gasps. I can see Molly and Zeke staring open mouthed in my peripheral but I keep my eyes on Joshua as he gaps at me like a fish…
L.Jacobs
Why did we never kiss?” Haneul never drinks this much around me, but I came to find out alcohol makes him blunt. I shrug. “We’re friends.” “Friends can kiss.” “They can,” I nod. “We could kiss.” “We could.” “Maybe the universe wants us to kiss. It’s been two years since we became friends, and no other girl is as important to me as you are.
Nyssa Winters (280 Days of Blossom)
Mr Wickham is an expert seducer. He promises to marry girls to induce them to grant him their favours.’ ‘How would you know? Did you grant him your favours?’ Lydia asked bluntly.
Sydney Salier (This is not a laughing matter)
The story really is short. Nine pages, about a boy who was born with a pair of wings. All his life, people tell him that this means he should try to fly. He’s afraid to. When he finally does, jumps off a two-story roof, he falls. He breaks his legs and wings. He never gets them reset. As he recovers, the bone heals in its misshapen form. Finally, people stop telling him that he must’ve been born to fly. Finally, he’s happy. When Alex comes back out, I’m crying. He asks me what’s wrong. I say, “I don’t know. It just speaks to me.” He thinks I’m making a joke and chuckles along, but for once, I wasn’t referencing the gallery girl who tried to sell us a twenty-one-thousand-dollar bear sculpture. I was thinking about what Julian used to say about art. How it either makes you feel something or it doesn’t. When I read his story, I started crying for a reason I can’t totally explain, not even to Alex. When I was a kid, I used to have these panic attacks thinking about how I could never be anyone else. I couldn’t be my mom or my dad, and for my whole life, I’d have to walk around inside a body that kept me from ever truly knowing anyone else. It made me feel lonely, desolate, almost hopeless. When I told my parents about this, I expected them to know the feeling I was talking about, but they didn’t. “That doesn’t mean there’s anything wrong with feeling that way, though, sweetie!” Mom insisted. “Who else do you think about being?” my dad said with his particular blunt fascination. The fear lessened, but the feeling never went away. Every once in a while, I’d roll it back out, poke at it. Wonder how I could ever stop feeling lonely when no one could ever know me all the way. When I could never peer into someone else’s brain and see it all. And now I’m crying because reading this story makes me feel for the first time that I’m not in my body. Like there’s some bubble that stretches around me and Alex and makes it so we’re just two different colored globs in a lava lamp, mixing freely, dancing around each other, unhindered. I’m crying because I’m relieved. Because I will never again feel as alone as I did during those long nights as a kid. As long as I have him, I will never be alone again.
Emily Henry (People We Meet on Vacation)
The serial killer continuously evolves towards becoming his own god and executioner. With each subsequent killing, the homicidal drug, blunted by habitual use, creates a diminishing and disappointing impression. The extraordinary becomes increasingly ordinary.
Blake Pierce (Girl, Alone (Ella Dark FBI Suspense Thriller, #1))
I wanted to stay, I think, because the way these boys were, their bluntness, their pleasure in physical acts like wrestling and burping, the way everything was too noisy and disorderly to ever feel awkward—this all seemed perhaps preferable to, truer and more lively than, the way that girls were.
Curtis Sittenfeld (Prep)
Sabrina surely had one dead ex-boyfriend on her record. But did Martina have a deceased ex-boyfriend in her past too? Biggie’s words swirled in my head, mixing with the reality I faced: ’Sabrina reminding me of Lil Cease with her crocodile teeth, the warpath we rode apart and together, our laughter, our tears—my tears, their laughter—the player haters, the cocaine-snorting bitches, the cats with no dough, try to play me at my show, pull up and crack doors, short-change bitches with 5 to 20 euro notes not enough to powder their beak and nose. They still tickle me, Sabrina and them midgets cripple me, make me as hard as Martina's nipples be, I'm sour like a pickle be. You disobey the rules. Now the year’s new and I want my spot back; fake two, all the planes I flew, all the bitches I went through, mothersnuggers mad, cause I’m blue, bitches envy us, too many bitches in my club guard your dogs before I stick you for your re-up, maniacs put my name in raps, living by hugs from fake friends, your whole life you live sneaky, you burn when you creep me, you slipping try to break me, living by my love, hating me, they like to hustle backward, Acid rain, Cadillac Fleetwood look what you made me do, you made me and my girl Marine blue make you, open the safe too’ Della Reese had been on my mind since a while as if she wanted to tell me something a wisdom she wanted to share with me. The lyrics and the words the bad people played mindgames with me kept mixing up in my head. ’Maniacs put my name in raps; the club is dead without me they can hustle only backwards with all the beef against me. Blunt wraps and Dutchies, all the smoking accessories; they can't touch me. One third is on me. Martina's butt a public touchy-touchy. My enemies holding their cats shaky. Sabrina is dead or alive, her ghost is under me.
Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)
Letitia Price was not a wicked person. Harsh, perhaps. Cold, blunt, severe: all the words one might use to describe a girl who demanded from the world the same things a man would. But only because severity was the only way to make people take her seriously, because it was better to be feared and disliked than to be considered a sweet, pretty, stupid pet; and because academia respected steel, could tolerate cruelty, but could never accept weakness.
R. F. Kuang
North Koreans pride themselves on their directness of speech, an attitude that had been encouraged by Kim Jong-il himself. Foreigners are often taken aback by the bluntness of North Korean diplomats. Ok-hee’s experience was the first hint I got that the two Koreas had diverged into quite separate cultures. Worse was to come. After more than sixty years of division, and near-zero exchange, I would find that the language and values I thought North and South shared had evolved in very different directions. We were no longer the same people.
Hyeonseo Lee (The Girl with Seven Names: A North Korean Defector's Story)
Seeing this high a number among white moderates jogs a memory: I’m in the seventh grade, for the first time attending an almost all-white school. It’s a government and politics lesson, and the girl next to me announces that she and her family are “fiscally conservative but socially liberal.” The phrase is new to me, but all around me, white kids’ heads bob in knowing approval, as if she’s given the right answer to a quiz. There’s something so morally sanitized about the idea of fiscal restraint, even when the upshot is that tens of millions of people, including one out of six children, struggle needlessly with poverty and hunger. The fact of their suffering is a shame, but not a reason to vote differently to allow government to do something about it. (We could eliminate all poverty in the United States by spending just 12 percent more than the cost of the 2017 Republican tax cuts.) The media’s inaccurate portrayal of poverty as a Black problem plays a role in this, because the Black faces that predominate coverage trigger a distancing in the minds of many white people. As Professor Haney López points out, priming white voters with racist dog whistles was the means; the end was an economic agenda that was harmful to working- and middle-class voters of all races, including white people. In railing against welfare and the war on poverty, conservatives like President Reagan told white voters that government was the enemy, because it favored Black and brown people over them—but their real agenda was to blunt government’s ability to challenge concentrated wealth and corporate power. The hurdle conservatives faced was that they needed the white majority to turn against society’s two strongest vessels for collective action: the government and labor unions. Racism was the ever-ready tool for the job, undermining white Americans’ faith in their fellow Americans. And it worked: Reagan cut taxes on the wealthy but raised them on the poor, waged war on the unions that were the backbone of the white middle class, and slashed domestic spending. And he did it with the overwhelming support of the white working and middle classes.
Heather McGhee (The Sum of Us: What Racism Costs Everyone and How We Can Prosper Together)
Partnis's fight-masters will tell you it's a science, this business of fists and knives. They'll tell you, keep a cool head, detached, control.' The man had given a quick shrug of his shoulders and spat.'He'll tell you the professional calculates, watches, plans.''Don't they'' Nona had turned back towards him.'Nature shaped us, little girl. Shaped the animals. Predators. Prey. Millions of years. Fighting, making children, dying. A cycle that hones each to its purpose. And what have we in common, wolf, eagle, man, under-killers, bears, all of us'' His eyebrows had shaped the question. Nona had waited for him to answer, wondering what exactly under-killers were.'Rage. We've got hate and anger and red fury, child. Saw it in you too. Got your teeth into that idiot boy. Didn't care that he might snap your arms off.' The man had gone down on one knee, face close to hers.'Here in the Corridor they teach you to put that anger aside. They got their reasons. Keep a calm head and you'll see more. But on the ice we know better than to let go of the weapons so many hard years have forged for us.' He had jabbed a blunt finger at Nona's chest.'Keep that fire. Use it. We're wild things us men, and when we remember it we're at our most dangerous.
Mark Lawrence (Red Sister (Book of the Ancestor, #1))
Have you told your sisters?” was the blunt reply. Hyacinth wanted to protest that she hadn’t had the right opportunity, but she couldn’t. She understood his meaning instantly. She also understood why Fleck had apologized so profusely earlier that day—the decision to live the life that they lived, the life that she was only beginning to comprehend, was not one you could make for another person.
Mereda Hart Farynyk (HYACINTH: the average girl (The Remnant Book 1))
She wanted to tell the girl: It's complicated. I am now a person I never imagined I would be, and I don't know how to square that. I would like to be content, but instead I am stuck inside a prison of my own creation, where I torment myself endlessly until I am left binge-eating Fig Newtons at midnight to keep from crying. I feel as though societal norms, gendered expectations, and the infuriating bluntness of biology have forced me to become this person even though I'm having a hard time parsing how, precisely, I arrived at this place. I am angry all the time. I would one day like to direct my own artwork toward a critique of these modern-day systems that articulate all this, but my brain no longer functions as it did before the baby, and I am really dumb now. I am afraid I will never be smart or happy or thin again. I am afraid I might be turning into a dog. Instead, she said, smiling, I love it. I love being a mom.
Rachel Yoder (Nightbitch)
…females were possibly as complex and mysterious as the secrets of the universe.
H.C. Roberts (Harp and the Lyre: Exposed)
heavy, sullen girl with a face as blunt and expressionless as a knee,
Scott Spencer (The Rich Man's Table)
They are impressed with you, Qanta, because you are a doctor. Until they found out about last night, they thought you were just a Pakistani maid.” She went on, even more bluntly. “They look at your dark skin, Qanta, dark as an Indian, and they noticed your friendliness to Rashida and Haneefa, the Hijazi maids, and assumed like those black girls, you were also a servant. They probably think you serve a family in Riyadh. They looked down on you because of your Pakistani blood and the fact that as a servant they didn't think you belonged in this tent. Don't worry, Sherief, my husband, gets this all the time too. He is dark-skinned and he is constantly mistaken for a Pakistani or Indian too. When they find out he is Egyptian, it's not much better, though.
Qanta A. Ahmed (In the Land of Invisible Women: A Female Doctor's Journey in the Saudi Kingdom)
It’s beautiful, isn’t it?” he said. “I’m glad we got the chance to see it.” “It reminds me of the country. Of home.” He heard the wistful note in her voice. “Gwen misses it, too. She wishes you could all be home for Christmas at Easton Manner.” He turned toward her, leaning against the window frame. She’d never really noticed it before, but his shoulders were quite nicely broad. “Is that what you’d like for Christmas too, Amelia? To be home with your family?” She thought for a moment, then decided to tell the truth. “No, I would like not to have to marry Lord Broadmore.” The sudden intensity in Nigel’s gaze set her already pounding heart tripping over itself. “Then why should you?” he asked in a low voice. She returned her gaze to the snowy square, avoiding his eye. “I suspect you already know the answer—my unfortunate reputation. Besides, my parents approve of Broadmore and are eager to see us married. In their eyes, he will make the perfect husband.” His hand came to her arm and gently turned her to face him. “Amelia, no true friend would think less of you for ending your previous engagements. They were simply mistakes you learned from.” “I’ve been called a heartless jilt by more than one person, you know,” she said, trying to make a joke of a label that had wounded her deeply. “They were wrong,” he said, looking stern. “But tell me why your parents are so eager for you to marry Broadmore. We both know he’s an unrepentant ass.” His blunt speech surprised a laugh out of her. “True, but an ass with a title and several magnificent estates. Papa is determined that I marry as well as possible.” She grimaced. “He says a girl of my looks and fortune deserves the very best.” Nigel smiled. “Your father is correct, but not for those reasons. You do have a very pretty face and your fortune is enviable, but those are not the best part of you.” She had to force the words from her tight throat. “What is?” He took her hand, intertwining their fingers. The breath whooshed out of her lungs and she clutched his hand in a convulsive grip. “It’s your heart, Amelia. Your lovely, kind heart,” he said with a smile that melted her from the inside out. “And now that you’ve told me what you don’t want for Christmas, tell me what you do want.” When Amelia thought of all the obstacles facing them, her courage almost failed. But it was Christmas, the time for wishes and dreams to come true. “I want to marry a kind, loving man who will be a good husband and father. A man who will see me as I truly am, and not as a decorative knick-knack and a means for plumping up his bank account.” Nigel gently cupped her chin with his free hand. “My sweet girl that is only what you deserve.” She stared at him, mesmerized. “And what do you want for Christmas, Mr. Dash?” she finally whispered. His lips parted in a devastatingly tender smile. “A kiss, Amelia. One kiss for Christmas.” She felt her mouth curl up in a silly grin. “Only one?” He let out a husky laugh. “To start.” Then he bent and gently, carefully—as if he didn’t want to frighten her—brushed a kiss across her lips.
Anna Campbell (A Grosvenor Square Christmas)
Thank you, Daddy," she said, kneeling beside him and kissing his cheek again as he forced the warm soup down. Autumn could be blunt and straightforward one second, tender and sweet the next. She was so much like Avery in that way. The thought touched his heart and brought a beloved memory forward. "I remember when your dad and I found out we were going to be parents. Avery was so sure we were having a little girl he started a betting pool with the physician's staff. Everyone had their money on us having a boy, but not your dad. 'His little princess', that's how he referred to you from the very beginning. Of course Avery had been right, but so had everyone else; none of that mattered to your dad. You should have seen him gloating in the doctor's office that day. Your dad always did like being right, probably about as much as he loved getting his way.
Kindle Alexander (Always (Always & Forever #1))
Adamant was clearly not long on tact. Periapt had tried to be diplomatic and Adam had blundered right into what could have been an uncomfortable moment. But the girl in question just laughed and the awkwardness passed. For a moment Andie sobered. Because the way that Adam had so bluntly blurted "Like eat her," reminded her that these were 'dragons' after all, and there were as many "bad" dragons as "good" dragons. And, yes, if the compulsion had been strong enough, they would have eaten the maidens. They would have felt dreadful afterward, but- But they 'were' dragons. This was what dragons sometimes did. She had to chuckle a second time, because after so short a time with them, the two were now "Peri" and "Adam" in her mind, and they already showed distinct personalities.
Mercedes Lackey (One Good Knight (Five Hundred Kingdoms, #2))
Dirty little girls like Daddy’s cock in their ass, Laine.” He says it so bluntly, his voice so deep and strong. It makes my toes tingle, to think of him… in there… “Good little girls are lucky because they get it nice and gentle.” The question rolls off my tongue. “And bad little girls..?” I can hear the smile in his voice. “Be good and you won’t have to find out.
Jade West (Christmas Daddies: A special edition Christmas box set)
Barbie taught us a lot—sometimes more than we wanted to know. Her posture showed us that being sexual meant being immobile. It meant: walk on your toes, bust out, limbs rigid. Barbie would flash the white of her teeth, cock her head, swivel on her torso, half raise her smooth arm, but she could say nothing. For Barbie had no conceivable character or inner life. Barbie’s breasts and clothes seemed to blunt her personality. In Barbie’s life, events were merely excuses for ensembles. Her story could really go nowhere. Which meant, perhaps, that once we got over the excitement of getting provocatively dressed and then undressed, our story would go nowhere. We were fixated on Barbie, but we also despised her. The secret game in countless American basements and playrooms involved (and still does, I am told) little girls doing bad things to Barbie. Sometimes we would make her take positions that were ludicrous or that looked painful. Other times, we would pop her head off the rounded stump of her neck. While this was a nice, French Revolution sort of vengeance, it also scared us. It was scary because even when you held her body in one hand and her head in the other, nothing seemed much changed. After all, she had been made up of parts to start with. Even when fully assembled, she wasn’t whole. Her hands didn’t grasp, her feet didn’t walk, her face had no expression.
Naomi Wolf (Promiscuities: The Secret Struggle for Womanhood)
If people believe the government is giving them AIDS and blowing up levees, and that white-owned companies are trying to sterilize them, they would be lacking in normal human emotions if they did not—to put it bluntly—hate the people they believed responsible. Indeed, vigorous expressions of hatred go back to at least the time of W.E.B. Du Bois, who once wrote, “It takes extraordinary training, gift and opportunity to make the average white man anything but an overbearing hog, but the most ordinary Negro is an instinctive gentleman.” On another occasion he expressed himself in verse: 'I hate them, Oh! I hate them well, I hate them, Christ! As I hate hell! If I were God, I’d sound their knell This day!' Such sentiments are still common. Amiri Baraka, originally known as LeRoi Jones, is one of America’s most famous and well-regarded black poets, but his work is brimming with anti-white vitriol. These lines are from “Black Dada Nihilismus:” 'Come up, black dada nihilismus. Rape the white girls. Rape their fathers. Cut the mothers’ throats.' Here are more of his lines: 'You cant steal nothin from a white man, he’s already stole it he owes you anything you want, even his life. All the stores will open up if you will say the magic words. The magic words are: Up against the wall motherfucker this is a stick up!' In “Leroy” he wrote: “When I die, the consciousness I carry I will to black people. May they pick me apart and take the useful parts, the sweet meat of my feelings. And leave the bitter bullshit rotten white parts alone.” When he was asked by a white woman what white people could do to help the race problem, he replied, “You can help by dying. You are a cancer. You can help the world’s people with your death.” In July, 2002, Mr. Baraka was appointed poet laureate of New Jersey. The celebrated black author James Baldwin once said: “[T]here is, I should think, no Negro living in America who has not felt, briefly or for long periods, . . . simple, naked and unanswerable hatred; who has not wanted to smash any white face he may encounter in a day, to violate, out of motives of the cruelest vengeance, their women, to break the bodies of all white people and bring them low.” Toni Morrison is a highly-regarded black author who has won the Nobel Prize. “With very few exceptions,” she has written, “I feel that White people will betray me; that in the final analysis they’ll give me up.” Author Randall Robinson concluded after years of activism that “in the autumn of my life, I am left regarding white people, before knowing them individually, with irreducible mistrust and dull dislike.” He wrote that it gave him pleasure when his dying father slapped a white nurse, telling her not “to put her white hands on him.” Leonard Jeffries is the chairman of the African-American studies department of the City College of New York and is famous for his hatred of whites. Once in answer to the question, “What kind of world do you want to leave to your children?” he replied, “A world in which there aren’t any white people.
Jared Taylor (White Identity: Racial Consciousness in the 21st Century)
Please forgive me for inconveniencing you, Mr. Winterborne. I don’t intend to stay long.” “Does anyone know you’re here?” he asked curtly. “No.” “Speak your piece, then, and make it fast.” “Very well. I--” “But if it has anything to do with Lady Helen,” he interrupted, “then leave now. She can come to me herself if there’s something that needs to be discussed.” “I’m afraid Helen can’t go anywhere at the moment. She’s been in bed all day, ill with a nervous condition.” His eyes changed, some unfathomable emotion spangling the dark depths. “A nervous condition,” he repeated, his voice iced with scorn. “That seems a common complaint among aristocratic ladies. Someday I’d like to know what makes you all so nervous.” Kathleen would have expected a show of sympathy or a few words of concern for the woman he was betrothed to. “I’m afraid you are the cause of Helen’s distress,” she said bluntly. “Your visit yesterday put her in a state.” Winterborne was silent, his eyes black and piercing. “She told me only a little about what happened,” Kathleen continued. “But it’s clear that there is much you don’t understand about Helen. My late husband’s parents kept all three of their daughters very secluded. More than was good for them. As a result, all three are quite young for their age. Helen is one-and-twenty, but she hasn’t had the same experiences, or seasoning, as other girls her age. She knows nothing of the world outside Eversby Priory. Everything is new to her. Everything. The only men she has ever associated with have been a handful of close relations, the servants, and the occasional visitor to the estate. Most of what she knows about men has been from books and fairy tales.” “No one can be that sheltered,” Winterborne said flatly. “Not in your world. But at an estate like Eversby Priory, it’s entirely possible.” Kathleen paused. “In my opinion, it’s too soon for Helen to marry anyone, but when she does…she will need a husband with a placid temperament. One who will allow her to develop at her own pace.” “And you assume I wouldn’t,” he said rather than asked. “I think you will command and govern a wife just as you do everything else. I don’t believe you would ever harm her physically, but you’ll whittle her to fit your life, and make her exceedingly unhappy. This environment--London, the crowds, the department store--is so ill suited to her nature that she would wither like a transplanted orchid. I’m afraid I can’t support the idea of marriage for you and Helen.” Pausing, she took a long breath before saying, “I believe it’s in her best interest for the engagement to be broken.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
What are you wearing?” he asked bluntly. “Hello to you too,” she responded haughtily, just as Cian replied, “Rich girl pyjamas.
Jane Washington (Tourner (Ironside Academy, #2))
She wanted to tell the girl: It’s complicated. I am now a person I never imagined I would be, and I don’t know how to square that. I would like to be content, but instead I am stuck inside a prison of my own creation, where I torment myself endlessly, until I am left binge-eating Fig Newtons at midnight to keep from crying. I feel as though societal norms, gendered expectations, and the infuriating bluntness of biology have forced me to become this person even though I’m having a hard time parsing how, precisely, I arrived at this place. I am angry all the time. I would one “day like to direct my own artwork toward a critique of these modern-day systems that articulates all this, but my brain no longer functions as it did before the baby, and I am really dumb now. I am afraid I will never be smart or happy or thin again. I am afraid I might be turning into a dog. Instead, she said, smiling, I love it. I love being a mom.
Rachel Yoder (Nightbitch)