Blues Brothers Best Quotes

...his gaze met hers. It was crazy. Dressed down in worn blue jeans and a black shirt, he was the most beautiful man she’d ever seen. And the moment was sort of perfect. Even with the deer head staring over his shoulder like a total creeper.

I am normal. I belong. I have a friend who can kick ass from a wheelchair. I live independently and get good grades. I'm an excellent lover. Like I said. I'm awesome. I'm Emmet David Washington. Train Man. The best autistic Blues Brother on the block.

The Doors The End This is the end, beautiful friend This is the end, my only friend The end of our elaborate plans The end of ev'rything that stands The end No safety or surprise The end I'll never look into your eyes again Can you picture what will be So limitless and free Desperately in need of some strangers hand In a desperate land Lost in a Roman wilderness of pain And all the children are insane All the children are insane Waiting for the summer rain There's danger on the edge of town Ride the king's highway Weird scenes inside the goldmine Ride the highway West baby Ride the snake Ride the snake To the lake To the lake The ancient lake baby The snake is long Seven miles Ride the snake He's old And his skin is cold The west is the best The west is the best Get here and we'll do the rest The blue bus is calling us The blue bus is calling us Driver, where you taking us? The killer awoke before dawn He put his boots on He took a face from the ancient gallery And he walked on down the hall He went into the room where his sister lived And then he paid a visit to his brother And then he walked on down the hall And he came to a door And he looked inside Father? Yes son I want to kill you Mother, I want to............. Come on, baby, take a chance with us Come on, baby, take a chance with us Come on, baby, take a chance with us And meet me at the back of the blue bus This is the end, beautiful friend This is the end, my only friend The end It hurts to set you free But you'll never follow me The end of laughter and soft lies The end of nights we tried to die This is the end

There is a cop who is both prowler and father: he comes from your block, grew up with your brothers, had certain ideals. You hardly know him in his boots and silver badge, on horseback, one hand touching his gun. You hardly know him but you have to get to know him: he has access to machinery that could kill you. He and his stallion clop like warlords among the trash, his ideals stand in the air, a frozen cloud from between his unsmiling lips. And so, when the time comes, you have to turn to him, the maniac’s sperm still greasing your thighs, your mind whirling like crazy. You have to confess to him, you are guilty of the crime of having been forced. And you see his blue eyes, the blue eyes of all the family whom you used to know, grow narrow and glisten, his hand types out the details and he wants them all but the hysteria in your voice pleases him best. You hardly know him but now he thinks he knows you: he has taken down you worst moment on a machine and filed it in a file. He knows, or thinks he knows, how much you imagined; he knows, or thinks he knows, what you secretly wanted. He has access to machinery that could get you put away; and if, in the sickening light of the precinct, and if, in the sickening light of the precinct, your details sound like a portrait of your confessor, will you swallow, will you deny them, will you lie your way home?

I wasn't expecting the way his blue eyes scorched through me. I wasn't expecting him.

When The Matrix debuted in 1999, it was a huge box-office success. It was also well received by critics, most of whom focused on one of two qualities—the technological (it mainstreamed the digital technique of three-dimensional “bullet time,” where the on-screen action would freeze while the camera continued to revolve around the participants) or the philosophical (it served as a trippy entry point for the notion that we already live in a simulated world, directly quoting philosopher Jean Baudrillard’s 1981 reality-rejecting book Simulacra and Simulation). If you talk about The Matrix right now, these are still the two things you likely discuss. But what will still be interesting about this film once the technology becomes ancient and the philosophy becomes standard? I suspect it might be this: The Matrix was written and directed by “the Wachowski siblings.” In 1999, this designation meant two brothers; as I write today, it means two sisters. In the years following the release of The Matrix, the older Wachowski (Larry, now Lana) completed her transition from male to female. The younger Wachowski (Andy, now Lilly) publicly announced her transition in the spring of 2016. These events occurred during a period when the social view of transgender issues radically evolved, more rapidly than any other component of modern society. In 1999, it was almost impossible to find any example of a trans person within any realm of popular culture; by 2014, a TV series devoted exclusively to the notion won the Golden Globe for Best Television Series. In the fifteen-year window from 1999 to 2014, no aspect of interpersonal civilization changed more, to the point where Caitlyn (formerly Bruce) Jenner attracted more Twitter followers than the president (and the importance of this shift will amplify as the decades pass—soon, the notion of a transgender US president will not seem remotely implausible). So think how this might alter the memory of The Matrix: In some protracted reality, film historians will reinvestigate an extremely commercial action movie made by people who (unbeknownst to the audience) would eventually transition from male to female. Suddenly, the symbolic meaning of a universe with two worlds—one false and constructed, the other genuine and hidden—takes on an entirely new meaning. The idea of a character choosing between swallowing a blue pill that allows him to remain a false placeholder and a red pill that forces him to confront who he truly is becomes a much different metaphor. Considered from this speculative vantage point, The Matrix may seem like a breakthrough of a far different kind. It would feel more reflective than entertaining, which is precisely why certain things get remembered while certain others get lost.

Quote taken from Chapter 1: "Is Petey Samson a bloodhound for real?” Blue asked. “I could’ve sworn he’s a mixed breed, what my folks used to call a pound mutt.” “Oh, brother,” Alma said. “I wished you hadn’t said that.” “I’ll have you know Petey Samson is no pound mutt,” Isabel said, shaking her finger at Blue. “His best breeding lies in his bloodhound line,” she said. “I didn’t know that,” Blue said. “Pay no mind to Isabel,” Alma said. “She’s just being overprotective of her fur baby.

Tsundoku (Japanese) Buying books and not reading them; letting books pile up on shelves or floors or nightstands. My parents used to joke about making furniture out of them; instead of being coffee table books, they could be the coffee table. Ditto on nightstands, counters, roofs. When we were kids, my brother and I, teased about always reading, built a wall. Right through the middle of the neighborhood, protected ourselves with fiction and with facts. I loved the encyclopedias best; the weight of them, how my grandmother made me walk with one on my head to practice being a lady. It wasn’t until college that I built a grand stairway out of them; their glossy blue jackets looked like marble in the moonlight. I climbed it, to the top of the wall. Peering over, I found you, on the other side, alone in your bed, asleep. That was the first time you dreamed me. In your dream, you told me not to jump. But to be patient. (We were young then, it would be years before we’d meet) and then this morning, I found you in my bedroom. In your hands, How to Rope and Tie a Steer, a mug of coffee, a piece of slightly burned toast. I took The Sun Also Rises from the wall, made the first window into your heart.

have a piece of advice for you. Never fall in love with your best friend’s brother. Don’t fall for his boyish smile or his gorgeous big blue eyes. Don’t fall for his bulging biceps or his arrogant smirk. There’s nothing good that can come from falling for him. Trust me, I know. My name’s Alice and I have the

Cory needed to know what I feel …” Gavin looked to the ground and then looked back up, his blue eyes meeting mine. “What I’ve felt for a while now.” The next question came out a whisper. “And what’s that?” Gavin ran his fingertips up my arm, over my shoulder, and under my chin, tilting my head slightly toward him. “That I love you.” His face inched toward mine. “That I’ve been in love with you for a while now.

From out of a wilderness of wind-stirred leaf shadows, as blue as the two jewels in the sockets of a jungle-wrapped stone goddess, Martie’s eyes met his. No illusions in her gaze. No superstitious surety that all would be well in this best of all possible worlds. Just a stark appreciation of her dilemma. Somehow she overcame the dread of her lethal potential. She extended her left hand to him. He held it gratefully. “Poor Dusty,” she said. “A druggie brother and a crazy wife.” “You’re not crazy.” “I’m working at it.

All summers take me back to the sea. There in the long eelgrass, like birds' eggs waiting to be hatched, my brothers and sister and I sit, grasses higher than our heads, arms and legs like thicker versions of the grass waving in the wind, looking up at the blue sky. My mother is gathering food for dinner: clams and mussels and the sharply salty greens that grow by the shore. It is warm enough to lie here in the little silty puddles like bathwater left in the tub after the plug has been pulled. It is the beginning of July and we have two months to live out the long, nurturing days, watching the geese and the saltwater swans and the tides as they are today, slipping out, out, out as the moon pulls the other three seasons far away wherever it takes things. Out past the planets, far away from Uranus and the edge of our solar system, into the brilliantly lit dark where the things we don't know about yet reside. Out past my childhood, out past the ghosts, out past the breakwater of the stars. Like the silvery lace curtains of my bedroom being drawn from my window, letting in light, so the moon gently pulls back the layers of the year, leaving the best part open and free. So summer comes to me.

Travis raised his head from sighting down the rifle as shock radiated through him. Those eyes. Such a vivid blue. It was as if he’d seen them before. But that was impossible. Females didn’t exactly pay them calls on a regular basis. Clearing his throat, he readjusted his rifle. “We don’t cotton to trespassers around here, lady. You best skedaddle back the way you came.” “I will. But not until I say my piece.” She pivoted to face him fully, her lashes lowering for just a moment before she aimed her gaze directly at him again. Even knowing what was coming didn’t stop the jolt from ricocheting through his chest when those piercing eyes latched onto him. “I came to warn you, Travis.” Travis? She knew who he was? Most folks meeting the Archers all at once had no way of knowing him from Crockett or Jim. Yet she said his name with the confidence of recognition. He squinted at her. “Look, lady. I don’t know what kind of game you’re playing, but I want no part of it.” “This is no game. Please, Travis. Just listen.” “You know this gal, Trav?” Out of the corner of his eye, he saw his youngest brother start to lower his rifle. “Hush up, Neill, and hold your line.” The kid obeyed without question, firming up his grip. “The man who wants to buy your land is sending men out here tonight to persuade you to change your mind. They plan to set fire to the place while you sleep and force you to accept the next offer in order to recoup your losses.

Hey, doll face…” “Haidyn?” I yank the phone from Kashton’s hands and look at the screen to see it’s a video. He’s sitting on my couch, dressed in nothing but a pair of jeans. The phone is propped up against something on the coffee table. I place my hand over my mouth to hold in my sob at the sight of him. This was last night…when I saw my phone on the coffee table when he stood in front of the floor-to-ceiling windows in my living room. “This isn’t how I wanted to tell you goodbye. But in our life, we rarely get what we want.” A soft smile tugs at his lips. “You were my exception.” He bows his head, his right hand twirling his wedding ring around his finger as he looks at it. “I knew that you were too good for me the moment I first saw you. That I’d never live up to the man you’d deserve. So I let you go…but when you were placed back in my life, I couldn’t stop myself.” He looks back at the phone and gives a soft smile. Back in his life? “I’ve done a lot of unforgivable shit in my life, but the best thing I ever did was make you my wife. I wish I could have done it differently. You deserved so much more than what I gave you. I should have gotten down on one knee and begged you to spend the rest of your life with me. I should have told you how much you changed me. That you showed me what being alive truly felt like. I always felt like I was missing something…my life was boring. Same thing over and over. And then you walked into my life with that amazing smile and when I looked into your eyes—I saw a future that I never thought existed…not for a man like me, anyway.” A lump forms in my throat, and I blink to clear the tears from my eyes so I can see him on the screen. “I knew you’d never give a man like me the chance at forever. So I forced your hand. I had to have Adam help me.” I look up at Adam, and his green eyes are already on mine. Blinking the fresh tears away, I drop mine back to the phone. “Because I knew that’d be the only way I’d ever get you. And I just couldn’t pass up the opportunity to be your husband.” He looks away from the camera as if he can’t look at me, and my chest tightens. How dare he leave me this memory? Why break my heart twice? When I found him in the living room and asked if he regretted marrying me…he had just left me this video. He knew then exactly what he was going to do. His blue eyes come back to the screen, meeting mine once again. “I’m sorry I couldn’t give you the forever you deserved, doll face. But I promise I gave you all I had left to offer.” The knot grows in my throat, and I can’t hold back the sob anymore as I remember what he said when I told him I chose to be with him forever. To some, forever is only a matter of seconds. “Please know that I loved you more than anything in this world…and when I walk out this door, I’m leaving a piece of myself behind with you because nothing short of forever would have been enough." He smiles, and I try to catch my breath. "You'll be safe at Carnage and my brothers will protect you." He leans forward and picks up the phone before speaking. "I love you, Charlotte.

Hey—we have a problem. You have some unexpected guests down at the gate. You should go check it out.” Guests? Who would come here to see me? I hop in the golf cart and drive down to the main gate. Just in time to hear Franny Barrister, the Countess of Ellington, tearing into a poor, clueless Matched security guard. “Don’t you tell me we can’t come in, you horse’s arse. Where’s Henry—what have you done with him?” Simon, my brother’s best friend, sees me approach, his sparkling blue eyes shining. “There he is.” I nod to security and open the gate. “Simon, Franny, what are you doing here?” “Nicholas said you didn’t sound right the last time he spoke to you. He asked us to peek in on you,” Simon explains. Franny’s shrewd gaze rakes me over. “He doesn’t look drunk. And he obviously hasn’t hung himself from the rafters—that’s better than I was expecting.” “Thanks for the vote of confidence.” Simon peers around the grounds, at the smattering of crew members and staging tents. “What the hell is going on, Henry?” I clear my throat. “So . . . the thing is . . . I’m sort of . . . filming a reality dating television show here at the castle and we started with twenty women and now we’re down to four, and when it’s over one of them will get the diamond tiara and become my betrothed. At least in theory.” It sounded so much better in my head. “Don’t tell Nicholas.” Simon scrubs his hand down his face. “Now I’m going to have to avoid his calls—I’m terrible with secrets.” And Franny lets loose a peal of tinkling laughter. “This is fabulous! You never disappoint, you naughty boy.” She pats my arm. “And don’t worry, when the Queen boots you out of the palace, Simon and I will adopt you. Won’t we, darling?” Simon nods. “Yes, like a rescue dog.” “Good to know.” Then I gesture back to their car. “Well . . . it was nice of you to stop by.” Simon shakes his head. “You’re not getting rid of us that easily, mate.” “Yes, we’re definitely staying.” Franny claps her hands. “I have to see this!” Fantastic.

I brushed my teeth like a crazed lunatic as I examined myself in the mirror. Why couldn’t I look the women in commercials who wake up in a bed with ironed sheets and a dewy complexion with their hair perfectly tousled? I wasn’t fit for human eyes, let alone the piercing eyes of the sexy, magnetic Marlboro Man, who by now was walking up the stairs to my bedroom. I could hear the clomping of his boots. The boots were in my bedroom by now, and so was the gravelly voice attached to them. “Hey,” I heard him say. I patted an ice-cold washcloth on my face and said ten Hail Marys, incredulous that I would yet again find myself trapped in the prison of a bathroom with Marlboro Man, my cowboy love, on the other side of the door. What in the world was he doing there? Didn’t he have some cows to wrangle? Some fence to fix? It was broad daylight; didn’t he have a ranch to run? I needed to speak to him about his work ethic. “Oh, hello,” I responded through the door, ransacking the hamper in my bathroom for something, anything better than the sacrilege that adorned my body. Didn’t I have any respect for myself? I heard Marlboro Man laugh quietly. “What’re you doing in there?” I found my favorite pair of faded, soft jeans. “Hiding,” I replied, stepping into them and buttoning the waist. “Well, c’mere,” he said softly. My jeans were damp from sitting in the hamper next to a wet washcloth for two days, and the best top I could find was a cardinal and gold FIGHT ON! T-shirt from my ‘SC days. It wasn’t dingy, and it didn’t smell. That was the best I could do at the time. Oh, how far I’d fallen from the black heels and glitz of Los Angeles. Accepting defeat, I shrugged and swung open the door. He was standing there, smiling. His impish grin jumped out and grabbed me, as it always did. “Well, good morning!” he said, wrapping his arms around my waist. His lips settled on my neck. I was glad I’d spritzed myself with Giorgio. “Good morning,” I whispered back, a slight edge to my voice. Equal parts embarrassed at my puffy eyes and at the fact that I’d slept so late that day, I kept hugging him tightly, hoping against hope he’d never let go and never back up enough to get a good, long look at me. Maybe if we just stood there for fifty years or so, wrinkles would eventually shield my puffiness. “So,” Marlboro Man said. “What have you been doing all day?” I hesitated for a moment, then launched into a full-scale monologue. “Well, of course I had my usual twenty-mile run, then I went on a hike and then I read The Iliad. Twice. You don’t even want to know the rest. It’ll make you tired just hearing about it.” “Uh-huh,” he said, his blue-green eyes fixed on mine. I melted in his arms once again. It happened any time, every time, he held me. He kissed me, despite my gold FIGHT ON! T-shirt. My eyes were closed, and I was in a black hole, a vortex of romance, existing in something other than a human body. I floated on vapors. Marlboro Man whispered in my ear, “So…,” and his grip around my waist tightened. And then, in an instant, I plunged back to earth, back to my bedroom, and landed with a loud thud on the floor. “R-R-R-R-Ree?” A thundering voice entered the room. It was my brother Mike. And he was barreling toward Marlboro Man and me, his arms outstretched. “Hey!” Mike yelled. “W-w-w-what are you guys doin’?” And before either of us knew it, Mike’s arms were around us both, holding us in a great big bear hug. “Well, hi, Mike,” Marlboro Man said, clearly trying to reconcile the fact that my adult brother had his arms around him. It wasn’t awkward for me; it was just annoying. Mike had interrupted our moment. He was always doing that.

Oskar Schell: My father died at 9-11. After he died I wouldn't go into his room for a year because it was too hard and it made me want to cry. But one day, I put on heavy boots and went in his room anyway. I miss doing taekwondo with him because it always made me laugh. When I went into his closet, where his clothes and stuff were, I reached up to get his old camera. It spun around and dropped about a hundred stairs, and I broke a blue vase! Inside was a key in an envelope with black written on it and I knew that dad left something somewhere for me that the key opened and I had to find. So I take it to Walt, the locksmith. I give it to Stan, the doorman, who tells me keys can open anything. He gave me the phone book for all the five boroughs. I count there are 472 people with the last name black. There are 216 addresses. Some of the blacks live together, obviously. I calculated that if I go to 2 every Saturday plus holidays, minus my hamlet school plays, my minerals, coins, and comic convention, it's going to take me 3 years to go through all of them. But that's what I'm going to do! Go to every single person named black and find out what the key fits and see what dad needed me to find. I made the very best possible plan but using the last four digits of each phone number, I divide the people by zones. I had to tell my mother another lie, because she wouldn't understand how I need to go out and find what the key fits and help me make sense of things that don't even make sense like him being killed in the building by people that didn't even know him at all! And I see some people who don't speak English, who are hiding, one black said that she spoke to God. If she spoke to god how come she didn't tell him not to kill her son or not to let people fly planes into buildings and maybe she spoke to a different god than them! And I met a man who was a woman who a man who was a woman all at the same time and he didn't want to get hurt because he/she was scared that she/he was so different. And I still wonder if she/he ever beat up himself, but what does it matter? Thomas Schell: What would this place be if everyone had the same haircut? Oskar Schell: And I see Mr. Black who hasn't heard a sound in 24 years which I can understand because I miss dad's voice that much. Like when he would say, "are you up yet?" or... Thomas Schell: Let's go do something. Oskar Schell: And I see the twin brothers who paint together and there's a shed that has to be clue, but it's just a shed! Another black drew the same drawing of the same person over and over and over again! Forest black, the doorman, was a school teacher in Russia but now says his brain is dying! Seamus black who has a coin collection, but doesn't have enough money to eat everyday! You see olive black was a gate guard but didn't have the key to it which makes him feel like he's looking at a brick wall. And I feel like I'm looking at a brick wall because I tried the key in 148 different places, but the key didn't fit. And open anything it hasn't that dad needed me to find so I know that without him everything is going to be alright. Thomas Schell: Let's leave it there then. Oskar Schell: And I still feel scared every time I go into a strange place. I'm so scared I have to hold myself around my waist or I think I'll just break all apart! But I never forget what I heard him tell mom about the sixth borough. That if things were easy to find... Thomas Schell: ...they wouldn't be worth finding. Oskar Schell: And I'm so scared every time I leave home. Every time I hear a door open. And I don't know a single thing that I didn't know when I started! It's these times I miss my dad more than ever even if this whole thing is to stop missing him at all! It hurts too much. Sometimes I'm afraid I'll do something very bad.

In case you haven't noticed,rodeos are a serious business.Careless cowboys tend to break bones,or even their skulls,as hard as that may be to believe." She stared down at the hand holding her wrist. Despite his smile,she could feel the strength in his grip. If he wanted to,he could no doubt break her bone with a single snap. But she wasn't concerned with his strength,only with the heat his touch was generating. She felt the tingle of warmth all the way up her arm.It alarmed her more than she cared to admit. "My job is to minimize damage to anyone who is actually hurt." "I'm grateful." He sat up so his laughing blue eyes were even with hers. If possible,his were even bluer than the perfect Montana sky above them. "What do you think? Any damage from that fall?" Her instinct was to move back,but his fingers were still around her wrist,holding her close. "I'm beginning to wonder if you were actually tossed from that bull or deliberately fell." "I'd have to be a little bit crazy to deliberately fell." "I'd have to be a little bit crazy to deliberately jump from the back of a raging bull just to get your attention, wouldn't I?" "Yeah." She felt the pull of that magnetic smile that had so many of the local females lusting after Wyatt McCord. Now she knew why he'd gained such a reputation in such a short time. "I'm beginning to think maybe you are. In fact,more than a little.A whole lot crazy." "I figured it was the best possible way to get you to actually talk to me. You couldn't ignore me as long as there was even the slightest chance that I might be hurt." There was enough romance in her nature to feel flattered that he'd go to so much trouble to arrange to meet her. At least,she thought,it was original. And just dangerous enough to appeal to a certain wild-and-free spirit that dominated her own life. Then her practical side kicked in, and she felt an irrational sense of annoyance that he'd wasted so much of her time and energy on his weird idea of a joke. "Oh,brother." She scrambled to her feet and dusted off her backside. "Want me to do that for you?" She paused and shot him a look guaranteed to freeze most men. He merely kept that charming smile in place. "Mind if we start over?" He held out his hand. "Wyatt McCord." "I know who you are." "Okay.I'll handle both introductions. Nice to meet you,Marilee Trainor. Now that we have that out of the way,when do you get off work?" "Not until the last bull rider has finished." "Want to grab a bite to eat? When the last rider is done,of course." "Sorry.I'll be heading home." "Why,thanks for the invitation.I'd be happy to join you.We could take along some pizza from one of the vendors." She looked him up and down. "I go home alone." "Sorry to hear that." There was that grin again,doing strange things to her heart. "You're missing out on a really fun evening." "You have a high opinion of yourself, McCord." He chuckled.Without warning he touched a finger to her lips. "Trust me.I'd do my best to turn that pretty little frown into an even prettier smile." Marilee couldn't believe the feelings that collided along her spine. Splinters of fire and ice had her fighting to keep from shivering despite the broiling sun. Because she didn't trust her voice, she merely turned on her heel and walked away from him. It was harder to do than she'd expected. And though she kept her spine rigid and her head high, she swore she could feel the heat of that gaze burning right through her flesh. It sent one more furnace blast rushing through her system. A system already overheated by her encounter with the bold, brash,irritatingly charming Wyatt McCord.

Quickly she shredded the cabbage on the chopping block and tossed it along with the onion and tomatoes in a blue Pyrex bowl. Then she slid the lamb chops, encrusted with fresh rosemary, into the oven. While the lamb baked, she brushed her hair in the washroom and pinned it back again. Then she zipped on a silk floral dress she'd purchased in Bristol and retrieved her grandmother's rhinestone necklace, one of the few family heirlooms her mother packed for her, to clasp around her neck. At the foot of the bed was the antique trunk she'd brought from her childhood home in Balham more than a decade ago. Opening the trunk, she removed her wedding album along with her treasured copy of 'The Secret Garden' and the tubes of watercolors her father had sent with her and her brother. Her father hoped she would spend time painting on the coast, but Maggie hadn't inherited his talent or passion for art. Sometimes she wondered if Edmund would have become an artist. Carefully she took out her newest treasures- pieces of crystal she and Walter hd received as wedding presents, protected by pages and pages of her husband's newspaper. She unwrapped the crystal and two silver candlesticks, then set them on the white-cloaked dining table. She arranged the candlesticks alongside a small silver bowl filled with mint jelly and a basket with sliced whole-meal bread from the bakery. After placing white, tapered candles into the candlesticks, she lit them and stepped back to admire her handiwork. Satisfied, she blew them out. Once she heard Walter at the door, she'd quickly relight the candles. When the timer chimed, she removed the lamb chops and turned off the oven, placing the pan on her stovetop and covering it with foil. She'd learned a lot about housekeeping in the past decade, and now she was determined to learn how to be the best wife to Walter. And a doting mother to their children. If only she could avoid the whispers from her aunt's friends.

There was a bell clanging in the tower of the building next to the black-shrike-thorn-cave. She found the noise irritating, so she twisted her neck and loosed a jet of blue and yellow flame at it. The tower did not catch fire, as it was stone, but the rope and beams supporting the bell ignited, and a few seconds later, the bell fell crashing into the interior of the tower. That pleased her, as did the two-legs-round-ears who ran screaming from the area. She was a dragon, after all. It was only right that they should fear her. One of the two-legs paused by the edge of the square in front of the black-shrike-thorn-cave, and she heard him shout a spell at her, his voice like the squeaking of a frightened mouse. Whatever the spell was, Eragon’s wards shielded her from it--at least she assumed they did, for she noticed no difference in how she felt or in the appearance of the world around her. The wolf-elf-in-Eragon’s-shape killed the magician for her. She could feel how Blödhgarm grasped hold of the spellcaster’s mind and wrestled the two-legs-round-ears’ thoughts into submission, whereupon Blödhgarm uttered a single word in the ancient-elf-magic-language, and the two-legs-round-ears fell to the ground, blood seeping from his open mouth. Then the wolf-elf tapped her on the shoulder and said, “Ready yourself, Brightscales. Here they come.” She saw Thorn rising above the edge of the rooftops, Eragon-half-brother-Murtagh a small, dark figure on his back. In the light of the morning sun, Thorn shone and sparkled almost as brilliantly as she herself did. Her scales were cleaner than his, though, as she had taken special care when grooming earlier. She could not imagine going into battle looking anything but her best. Her enemies should not only fear her, but admire her. She knew it was vanity on her part, but she did not care. No other race could match the grandeur of the dragons. Also, she was the last female of her kind, and she wanted those who saw her to marvel at her appearance and to remember her well, so if dragons were to vanish forevermore, two-legs would continue to speak of them with the proper respect, awe, and wonder.

Brothers,” he continues, “are lifelong. And though you take that field tonight, you have also taken that field before, just as you will tomorrow, and the next day, and the next. That field is your home—your battlefield—and those other men are intruders. They don’t respect it. They’re trespassing—unwanted guests..“I can assure you they didn’t,” my father says. Again, the room chants, “Hoorah!” I hold my breath because this next part, more than anything that led up to it, is what I’ve been waiting for. I check the camera, my father still centered in my frame and his face as serious as I’ve ever seen it. Our team has won the first two games of the year, but he knows that two is not ten. A loss, at this point, will be unforgiveable. “What’s that word on your backs?” His question echoes, and the answer is swift. “Honor, sir!” they all shout in unison. They always do. It’s more than memorization, and it’s always made me sit in awe of how it all plays out. “Honor! That’s right. There are no individuals in here. We all have one name. It isn’t the mascot. It isn’t your nickname or some fad that will be forgotten the second the yearbook is printed. It’s a word that means heart, that means drive and ambition, that means giving your all and leaving the best of every goddamned thing you’ve got out there on that field. Turn to your right!” They all do, seated in a circle on the benches, looking at the helmets and heads of their teammates. My dad should have been a preacher, or perhaps a general. He was born to stand before boys and make them believe that for two and a half hours, they are men. “Turn to your left!” All heads shift, the sound swift, but mouths quiet. “Honor. Brotherhood. Tradition.” He pauses, his team still sitting with heads angled and eyes wide on the dark blue sheen of the helmets and sweat-drenched heads next to them. “Again…” he says, and this time they say it with him. “Honor. Brotherhood. Tradition.” “Whose house is this?” my father asks, quiet and waiting for a roar. “Our house!” “Whose house is this?” He’s louder now. “Our house!” “Whose house…” My dad’s face is red and his voice is hoarse by the time he shouts the question painted above the door that the Cornwall Tradition runs through to the field. The final chant back is loud enough that it can be heard through the cinderblock walls. I know, because last week, I filmed the speech from outside. With chests full, egos inflated, voices primed and muscles ready for abuse, this packed room of fifty—the number that always takes the field, even though less than half of them will play—stands, each putting a hand on the back of everyone in front of them.

Trudy let out a long breath and hung her head. “Actually, it’s kinda embarrassing,” she said from beneath a curtain of curls. “My mum, she’s been perfecting bioluminescent yeast and lactobacillus strains, some with firefly splices, some with blue glowing Noctiluca plankton splices. Last week, for a lark she grabbed the wrong starter—the perils of using lab equipment for lab work and yogurt starter, I guess—and cultured some goats milk. We enjoyed it for breakfast. The cats got intae it, they ate it as weel. There was also some question, possible contamination of the kraut,” she said brightly. “We first noticed Boo’s—my baby brother, Boo’s short for the ‘Nobu’ in ‘Schrödinger Nobu Duncan Yamaguchi’—glowing nappy later thae evening when I helped put him tae bed. Next we saw the litter box, the glowing cat box, full of glowing cat turds.” She made a disgusted, resigned face. “Ye ken whit they’re like! They play catty-cake with their leavings and as ye can see, whaur kitty’s shitty paws go so does the yellow glow. Nar, I know,” she finished. “Wait, not so fast Yamaguchi,” said Olivia. “Does this mean you’ve been dropping glow sticks off at the pool, leaving bioluminescent raver monkey arms in the bowl, stocking the ole’ lake with incandescent brown trout much?” Trudy looked truly horrified, mortified. “SHUT UP,” she whispered in crisply articulated exasperation, pale green eyes bulging. “I really, really dinna want tae talk aboot it, much less think aboot it,” she added with a convulsive shiver. “Ye, Rosebeetle, dinna even think aboot it either!” He gave her his best what-who-me-? look in reply. “And stop looking at my bahookie!” With difficulty he and Olivia tore their eyes from her curvy derrière. “Glow-poops,” said Byron quickly, “we’re all thinking it.” Trudy glared at him.

We’re bookmates,” she said, in the decisive tone one would assert “the sky is blue,” or “Paris is the best city in the world.” I was skeptical about soulmates, but could believe in bookmates, two beings bound by a passion for reading. She proffered The Brothers Karamazov. “I wept when I finished.” Her voice swelled with emotion. “First because I was happy to have read it. Second because the story was so moving. Third because I’ll never again experience the discovery of it.

Fifty Best Rock Documentaries Chicago Blues (1972) B. B. King: The Life of Riley (2014) Devil at the Crossroads (2019) BBC: Dancing in the Street: Whole Lotta Shakin’ (1996) BBC: Story of American Folk Music (2014) The Weavers: Wasn’t That a Time! (1982) PBS: The March on Washington (2013) BBC: Beach Boys: Wouldn’t It Be Nice (2005) The Wrecking Crew (2008) What’s Happening! The Beatles in the U.S.A. (1964) BBC: Blues Britannia (2009) Rolling Stones: Charlie Is My Darling—Ireland 1965 (2012) Bob Dylan: Dont Look Back (1967) BBC: The Motown Invasion (2011) Rolling Stones: Sympathy for the Devil (1968) BBC: Summer of Love: How Hippies Changed the World (2017) Gimme Shelter (1970) Rumble: The Indians Who Rocked the World (2017) Cocksucker Blues (1972) John Lennon & the Plastic Ono Band: Sweet Toronto (1971) John and Yoko: Above Us Only Sky (2018) Gimme Some Truth: The Making of John Lennon’s “Imagine” Album (2000) Echo in the Canyon (2018) BBC: Prog Rock Britannia (2009) BBC: Hotel California: LA from the Byrds to the Eagles (2007) The Allman Brothers Band: After the Crash (2016) BBC: Sweet Home Alabama: The Southern Rock Saga (2012) Ain’t in It for My Health: A Film About Levon Helm (2010) BBC: Kings of Glam (2006) Super Duper Alice Cooper (2014) New York Dolls: All Dolled Up (2005) End of the Century: The Story of the Ramones (2004) Fillmore: The Last Days (1972) Gimme Danger: The Stooges (2016) George Clinton: The Mothership Connection (1998) Fleetwood Mac: Rumours (1997) The Who: The Kids Are Alright (1979) The Clash: New Year’s Day ’77 (2015) The Decline of Western Civilization (1981) U2: Rattle and Hum (1988) Neil Young: Year of the Horse (1997) Ginger Baker: Beware of Mr. Baker (2012) AC/DC: Dirty Deeds (2012) Grateful Dead: Long, Strange Trip (2017) No Direction Home: Bob Dylan (2005) Hip-Hop Evolution (2016) Joan Jett: Bad Reputation (2018) David Crosby: Remember My Name (2019) Zappa (2020) Summer of Soul (2021)

Alex sighed. He was amazed by all that had taken place. Amazed by all he had accomplished since that day in the Commons of Quill when he had been sentenced to die. Little did Alex know back then that he’d see his brother again. Little did he know that life was just about to begin, and that it hadn’t ended for him, after all. Little did he know, on the bus to the Death Farm, that the blue-eyed girl connected to him by a rusty chain would become his fierce friend. That Samheed, whom Alex never liked in school, would become one of his closest confidants. And that Meghan, Alex’s best friend from early childhood, would die fighting for a land no one in Quill could have dreamed up . . . except for a man named Mr. Today.

commercial paper is short-term money, loaned out for thirty to forty days or less. This market is used by the biggest and best blue-chip companies. Commercial paper is the quickest, cheapest, and easiest way for them to raise a fast loan that is not regulated by the SEC. As

You’re Penelope Abigail Myers, the most gorgeous, selfless, funniest woman I know. You hate mornings, love pets and babies, watch shitty tv shows, and you can’t sing for shit.” My mouth gapes open and he smiles. “You love the sun and it loves you back. You hate overly loud noises and rude people.” He pushes my hair behind my ear. “You’re strong, stronger than anyone gives you credit for, and you’re the best fuck of my life.

These glowing entities were utterly alien to anything humankind had ever encountered. Known in official circles as species X25910, they were nicknamed Phants by the rest of us. Gaseous in the heatless and pressureless void of space, liquid in Earthlike environments, they were seemingly invulnerable. Phants had a peculiar ability to possess human-developed Artificial Intelligences, from those found in combat robots such as Centurions all the way up to the main AIs found aboard supercarriers such as the Gerald R. Ford. Phants could also incinerate human beings on contact, jumpsuits and all, though most of them, colored blue, moved too slowly to be of much threat in that regard. Purple Phants, however, moved very fast. It was a purple Phant that had killed my best friend and platoon brother Alejandro. There were red Phants, too, which were capable of possessing a human in a process known as “integration,” whereby cybernetic components were grafted into the skulls and spines of a host.

Leelan,” Wrath barked as he exploded up from his chair. There were all kinds of deep-voiced greetings, but his brothers got out of the way so that she had a clear shot into his arms. And as he lifted her up, he was careful to put no pressure on her belly. “How are you?” he whispered in her ear, knowing that one of these days, she was going to answer that she was having contractions. “Fine and dandy. Oh, my God, I got the best stuff! I had to go blue—I mean, whatever, we’re having a boy. The crib and dressing table are perfect—right, iAm?” The Shadow answered, “Perfect.” No doubt the poor bastard had no interest in the shit at all, but that didn’t matter. He was another one who had stuck by Beth and been her protector in the human world—and Wrath knew the why, of course. It was iAm’s way of paying the household back for letting him and his it’s-complicated brother stay at the mansion after their pad at the Commodore had been compromised. Plus, it was pretty obvi that he liked Beth in a nonromantic kind of way. “Right? I know, right?” Beth hugged Wrath’s neck so hard he couldn’t swallow. “I’m so excited! I want to meet him now!” “Is this nesting?” Wrath asked in the direction of where he’d heard Z’s voice last. “Yeah. And wait for it. You still have Diaper Genies and bottles to get through.” “We’re going Born Free,” Beth informed him, like he knew what that meant. “In case my milk doesn’t come in.” Wrath just sat down in the chair and arranged her on his lap, content to ease back and let her enjoy making her report. And the brothers and the fighters? They rallied right around, asking questions like big brothers would. Any one of them would have laid down his life for her or that young in her womb. It was enough to make a male have to blink a little faster.

I turn around and freeze. My lungs refuse to do their job, and I stand there, not breathing, not moving, trying not to feel anything. But there she is. Emily is standing on the sidewalk looking at me. She shifts from foot to foot, looking nervous as hell. Snow is falling on her hair, and she’s not wearing a coat. Surely she can afford a coat. Her family is worth billions. Her dark-blond hair, so unlike the black hair with the blue stripe she had when I met her, falls down to the middle of her back, and she has it tucked behind her ear. She’s not wearing clothes from around here. She’s full-on Madison Avenue right now. But the best thing about it is… she’s mine.

It wasn’t dignified in the least, the way the grown man crouching on the floor played with the child—made a fool of himself to entertain a stranger’s abandoned baby. Not dignified, but it was… oddly endearing. Sophie felt an urge to get up and put some distance between herself and this tomfoolery on the floor, and yet she had to wonder too: if she brushed a lock of her hair over the child’s nose, would the baby take as much delight in it? She sat back. “How is it you know so much about babies?” “My half sisters are a great deal younger than my brother and I. We more or less raised them, and this is part of the drill. He’ll likely nap next, as outings tend to tire them when they’re this young.” He crouched low over the child and used his mouth to make a rude noise on the baby’s belly. The child exploded with glee, grabbing wildly for Mr. Charpentier’s hair and managing to catch his nose. It was quite a handsome nose in the middle of quite a handsome face. She’d noticed this at the coaching inn, in that first instant when he’d offered to help. She’d turned to find the source of the lovely, calm voice and found herself looking up into a face that put elegant masculine bones to the best possible use. His eyes were just the start of it—a true pale blue that suggested Norse ancestry, set under arching blond brows. It was a lean face, with a strong jaw and well-defined chin—Sophie could not abide a weak chin nor the artifices of facial hair men sported to cover one up. But none of that, not even the nose and chin and eyes combined, prepared Sophie for the visceral impact of more than six feet of Wilhelm Charpentier crouched on the floor, entertaining a baby. He smiled at the child as if one small package of humanity merited all the grace and benevolence a human heart could express. He beamed at the child, looked straight into the baby’s eyes, and communicated bottomless approval and affection without saying a word. It was… daunting. It was undignified, and yet Sophie sensed there was a kind of wisdom in the man’s handling of the baby she herself would lack. “He’ll

Sorry about that. For years, my sister has labored under the impression that she’s funny. My father and I have humored her in this.” Rylann waved this off. “No apology necessary. She’s just protective of you. That’s what siblings do—at least, I assume it is.” “No brothers or sisters for you?” Kyle asked. Rylann shook her head. “My parents had me when they were older. I asked for a sister every birthday until I was thirteen, but it wasn’t in the cards.” She shrugged. “But at least I have Rae.” “When did you two meet?” “College. We were in the same sorority pledge class. Rae is…” Rylann cocked her head, trying to remember. “What’s that phrase men always use when describing their best friend? The thing about the hooker and the hotel room.” “If I ever woke up with a dead hooker in my hotel room, he’d be the first person I’d call. A truer test of male friendship there could not be.” Rylann smiled. “That’s cute. And a little scary, actually, that all you men have planned ahead for such an occasion.” She waved her hand. “Well, there you go. If I ever woke up with a dead hooker in my hotel room, Rae would be the first person I’d call.” Kyle rested his arms on the table and leaned in closer. “Counselor, you’re so by the book, the first person you’d call if you woke up next to a dead hooker would be the FBI.” “Actually, I’d call the cops. Most homicides aren’t federal crimes, so the FBI wouldn’t have jurisdiction.” Kyle laughed. He reached out and tucked back a lock of hair that had fallen into her eyes. “You really are a law geek.” At the same moment, they both realized what he was doing. They froze, eyes locked, his hand practically cupping the side of her cheek. Then they heard someone clearing her throat. Rylann and Kyle turned and saw Jordan standing at their table. “Wine, anyone?” With her blue eyes dancing, she set two glasses in front of them. “I’ll leave you two to yourselves now.” Rylann watched as Jordan strolled off. “I think you’re going to have some explaining to do after I leave,” she whispered to Kyle. “Oh, without a doubt, she’s going to be all up in my business over this.

Having a good feel up there, Gareth? Sure are taking a damned long time about it!" "Can't blame him. Tisn't every day that a man gets to grope a stone horse!" "Wish I was hung half so well!" "You mean you aren't, Chilcot?" "Lord Gareth is!" cried Tess. "Why, 'e's built foiner than any stallion Oi've ever seen, stone or not!" Drunken laughter rang out, both male and female, and yet another bottle of Irish whiskey made its way among the shadowy figures who stood, or rather swayed, beneath poor Henry on his about-to-be-disgraced charger. "Hey Gareth!  Didn't know yer pref'rences ran to — hic! — bestiality!  What else haven't you tol' us about yershelf, eh?" "Shut up down there, you bacon-brains," Gareth said. "D'you want to wake up the whole damned village?"  But he was as foxed as the rest of them, and no one took him seriously. "Hic! — c'mon, Gareth, it can't take you more than five minutes to — hic! — paint its bollocks blue!" "This is not blue, it's purple. Royal purple. As befits its royal rider." Chilcot gave a credible imitation of a neighing stallion. Cokeham snorted, horselike, and clutched his stomach as he tried to contain his laughter. But the Irish whiskey was too much for him, and, losing his balance, he fell face‑first into the damp grass, still guffawing and holding his side. "Oh!  Oh, I fear I shall cast up my accounts if this keeps up ... oh, dear God...." Without missing a beat, Gareth dipped his brush in the paint and flicked it over the bewigged and powdered heads of his friends below. Howls pierced the night as he calmly went back to his task. "A plague on you, Gareth! — hic — you've jesht ruined my best wig!" "To hell with your damned wig, Hugh, look what he just did to my coat!" Chilcot gave another equine whicker, tucked his chin, and with his beautifully turned out leg began pawing the ground. "Shhhh‑h‑h‑h‑h‑h‑h!" "Oh ... oh, I do feel sick...." "Keep it up, you pillocks, and I shall dump the entire bucket on your heads," Gareth called down from above.

Lord Charles?" "Amy."  He smiled sleepily and rose up on one elbow, the blanket sliding down one shoulder.  "Good morning." Temporary silence.  Charles was unaware that Amy had a friend with her, and he was totally oblivious to the sight he presented to the two girls, his hair tousled by sleep, his pale blue eyes clear as aquamarine as a shaft of sunlight drove through the window and caught him full in the face.  A sighted man would, of course, have squinted; Charles did not, and instead, Mira and Amy were treated to a brilliant, wide-open view of clear, intelligent eyes, romantically down turned at the outer corners and fringed by long straight lashes tinged with gold. "Hell and tarnation above, Amy, ye sure weren't jokin'!  He's bleedin' gorgeous!" "Mira!" cried Amy, horrified. Charles was hard-pressed to hide his amusement.  He knew, of course, or had at least suspected, that Amy had a girlish infatuation for him, and he'd tried his best not to embarrass her by calling attention to it.  He determined not to do so now. "And whom do I have the pleasure of addressing?" he asked, still supporting himself on one elbow and blinking the sleep from his eyes. Mira, standing there with her mouth open, was transfixed by that slow, deliberate blink.  In a heartbeat, she saw what Amy had described:  studied thoughtfulness, kindness, compassion.  The way the man lowered those long eyelashes over those translucently clear eyes, then slowly brought them back up again, did something funny to her insides.  Cripes, no wonder Amy was smitten! "Mira Ashton, patriot," she announced.  "I'm Amy's friend.  She tells me ye're a blasted Brit who took it upon himself to be merciful to Will, so I guess I'll take it upon myself to be merciful to you.  Besides, I hear ye're being nice to Amy, and since everyone else in this house treats her like donkey dung, I figger the least I can do is be civil to ye — redcoat or not." "Mira!" Amy gasped. "Well, it's true.  Where are those two bleedin' leeches, anyhow?" Despite himself, and his irritation with both the girl's language and her rather vexing use of the word "Brit," Charles got to his feet and bowed, his spirits suddenly quite buoyed.  If Amy had friends like this, maybe he shouldn't be worrying about her, after all. "Still in bed, I daresay," he said.

The Blasters proved to be the most prominent and popular of these acts by far. Originally a quartet, the band was bred in Downey, just down the freeway from East L.A. In their teens, brothers Phil and Dave Alvin were bitten by the blues bug; they became habitués of the L.A. club the Ash Grove, where many of the best-known folk and electric blues performers played, and they sought out the local musicians who could teach them their craft, learning firsthand from such icons as Big Joe Turner, T-Bone Walker, and Little Richard’s saxophonist Lee Allen (who would ultimately join the band in the ’80s). But the Blasters’ style was multidimensional: they could play R&B, they loved country music, and they were also dyed-in-the-wool rockabilly fans who were initially embraced by the music’s fervent L.A. cultists. Their debut album, 1980’s American Music, was recorded in a Van Nuys garage by the Milan, Italy–born rockabilly fanatic Rockin’ Ronnie Weiser, and released on his indie label Rollin’ Rock Records, which also issued LPs by such first-generation rockabilly elders as Gene Vincent, Mac Curtis, Jackie Waukeen Cochran, and Ray Campi. By virtue of Phil Alvin’s powerful, unmannered singing and Dave Alvin’s adept guitar playing and original songwriting, the Blasters swiftly rose to the top of a pack of greasy local bands that also included Levi and the Rockats (a unit fronted by English singer Levi Dexter) and the Rockabilly Rebels (who frequently backed Ray Campi). Los Lobos were early Blasters fans, and often listened to American Music in their van on the way to their own (still acoustic) gigs. Rosas says, “We loved their first record, man. We used to play the shit out of that record. Dave [Hidalgo] was the one who got a copy of it, and he put it on cassette.

Was I really that obvious? “You don’t know if I’m like that or not—” “Coffee twenty minutes before you leave for the day, you’re always on time, no breakfast, color-coordinated weekdays—red, white, blue, green, black. Blue’s the best on you, and you should wear it more than one damn day a week. And your lights are normally out by ten. That schedule says a lot about you.

So once the junkie is strung out and fucked, the junkie looks and cries for anything in their sentimental past to replace family, so everyone the junkie talks about is a “best friend” or “brother” or some kind of “uncle.” Because once you take that plunge and stick that spike into your tangled blue, helpless veins, you hit the reset button on your life, and relate everything you love and hate—then or now—to an illusion of family, due to the sudden loss of yours.

Poppy McKeever hoped with a passion that she was dreaming. Her family was sitting around the kitchen table looking at her, their faces full of smiling expectation, yet she felt nothing. She looked at each of them in turn, willing herself to feel something – anything – so she could join their happy trio. Her dad was treating her to his full-wattage BBC beam, her stepmother’s cerulean blue eyes were appealing for her approval and her brother was fidgeting on his chair, barely able to keep a lid on his excitement. And still she felt nothing. She chewed her bottom lip and wondered how best to break the news. ‘I’m sorry,’ she said at last. ‘I’m not going.’ Her dad and stepmother exchanged a look and Charlie stood up so quickly his chair rocked back and landed on the tiled floor with a clatter that sent Magpie, their overweight black and white cat, scurrying for cover. Poppy used the diversion to sneak another look at the estate agent’s brochure on the table. The pictures showed a cottage sitting

The Nation of Islam is the best known Black Muslim group, though its actual numbers may be no more than 100,000. However, many blacks who are not, themselves, Muslims have great respect for the group’s leader, Louis Farrakhan. Users of the Internet arm of Black Entertainment Television, BET.com, chose him as the black “person of the year” for 2005. Mr. Farrakhan was elected over Oprah Winfrey, then-Senator Barack Obama, Robert L. Johnson, who started BET, and the victims of Hurricane Katrina. “An overwhelming percentage of our users agreed that Minister Farrakhan made the most positive impact on the Black community over the past year,” explained a BET spokesman. What did Mr. Farrakhan do to deserve that honor? He received heavy news coverage twice that year. Once was when he promoted the theory that whites blew up the New Orleans levees to destroy black neighborhoods. The other was when he organized a “Millions More Movement” on the National Mall to celebrate the tenth anniversary of the Million Man March. On that occasion, Michael Muhammad, National Youth Minister for the Nation of Islam declaimed: “We want to say to our young brothers of the Crips and the Bloods that we are one family. The real enemy doesn’t wear blue, but white, even when he’s butt naked.” Ayinde Baptiste of the Nation of Islam added: “We are at war here in America. . . . We need soldiers now. We need black male soldiers, we need black feminist soldiers, we need Crips and Bloods soldiers . . . soldiers in the prisons, soldiers in the streets.” The Congressional Black Caucus endorsed the event, and five black congressmen attended it.

I thought somehow he would sense my disapproval and change his life in order to gain my favor. In short, I withheld love. I knew what I was doing was wrong. It was selfish. And what’s more, it would never work. By withholding love from my friend, he became defensive. He didn’t like me. He thought I was judgmental, snobbish, proud, and mean. Rather than being drawn to me, wanting to change, he was repulsed. I was guilty of using love like money, withholding to get somebody to be who I wanted them to be. I was making a mess of everything. And I was disobeying God...I had fallen miles short of God’s aim...I repented. I replaced economic metaphor with something different, a free gift metaphor, or a magnet metaphor. That is, instead of withholding love to change somebody, I poured it on, lavishly. I hoped that love would work like a magnet, pulling people from the myre, and toward healing. I knew this is the way God loved me. God never withheld love to teach me a lesson. Here is something simple about relationships [I discovered]: nobody will listen to you unless they sense that you like them... After I repented, things were different. But the difference wasn’t with my friend. The difference was with me. Before I had all this judgementalism and pride and loathing of other people. I hated it. And now I was set free. I was free to love. I didn’t have to discipline anybody, I didn’t have to judge anybody, I could treat everybody as though they were my best friend, as though they were rockstars or famous poets, as though they were amazing, and to me, they became amazing. Especially my new friend. I loved him. After I decided to let go of judging him, I discovered that he was very funny. I mean, really hilarious. And he was smart. Quite brilliant really. I couldn’t believe I hadn’t seen it before. I felt as though I had lost an enemy, and gained a brother. And then he began to change. It didn’t matter to me whether he did or not, but he did. He began to get a little more serious about God...He was a great human being getting even better. I could feel God’s love for him. I loved the fact that it wasn’t my responsibility to change somebody, that it was God’s. That my part was just to communicate love.

Why is it that men want their own way in all things?” she asked, her tone exquisitely mild, but her blue eyes turbulently stormy. Player hoped this was one of those moments when a woman didn’t really want an answer. She wanted someone to listen. He did his best to look very interested in all she had to say. Any woman who floated teapots in the air commanded his respect. Jonas Harrington, whether he carried a gun or not, was crazy to annoy this woman on any level. The silence stretched between them until Player realized it was very possible Hannah required an answer. He cleared his throat. “You do realize I came to you because I totally fucked up my relationship with my woman, right? I don’t have a clue why men do half the bullshit things we do, Hannah. I came here to learn from you, not to advise you. I’m trying to get the brothers to ask a few questions so they don’t ruin what they have.” “You so deserve a cookie. They’re really good too. Take two.” Hannah beamed at him.

I wanted Steph. My best friend. She was my baby blue and I was her cowboy.

Stephanie Robson, baby blue, my best friend and the woman with my heart. Will you do me the honor of becoming my wife?” I take a moment to compose myself. “Will you marry me?

To Ramona" (originally by Bob Dylan) Ramona come closer, shut softley your watery eyes The pangs of your sadness will pass as your senses will rise But the flowers of the city thou breath like yet death like at times There's no use in trying to deal with the dying Though I can not explain that in rhymes Your cracked country lips I still wish to kiss have to be by the touch of your skin Your magnetic movements still capture the minutes I'm in It grieves my heart, love to see you trying to be a part of a world that just don't exist It's all just a scheme, babe, a vacuum of dreams that sucks you into feeling like this I've heard you say many times that your better than no-one and no-one is better than you If you really believe that you know you have nothing to win and nothing to do From fixtures and forces and friends your sorrow does stem They'll hype you and type you and make you feel that you got to be just like them I'd forever talk to you but soon my words would turn into a meaningless ring For deep in my heart there's no help I can bring Everything passes and everything changes just do what you think you should do Then someday maybe, who knows, baby, I'll come and be crying to you Then someday maybe, who knows, baby, I'll come and be crying to you The Flying Burrito Brothers, The Flying Burrito Bros (1971)

These days she is best known for 'Trouble So Hard,' in which she shows off an abundance of that soulful ingredient that non-black people often rely on to add accent to their music, like a blend of secret herbs and spices that makes chicken finger-licking good. Think Merry Clayton on 'Gimme Shelter,' Chaka Khan lending animation to Steve Winwood’s 'Higher Love,' the countless gospel choirs blessing everything from Foreigner’s 'I Want To Know What Love Is' to Billy Joel’s 'The River of Dreams.' In the video version of the latter, Joel cavorts stiffly like a low-rent Blues Brother, singing about his search for something 'taken out of his soul.' The all-black choir, garbed in church robes, helps him mourn 'something somebody stole.

Gus was Emmy’s oldest brother, Brooks’s best friend, and, most important, my archnemesis. Small towns wove complicated webs.